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Tonight on Bake Off Creme de la Creme... | 0:00:03 | 0:00:06 | |
HE HUFFS | 0:00:06 | 0:00:08 | |
..the British Armed Forces... | 0:00:08 | 0:00:10 | |
This is carnage. | 0:00:10 | 0:00:11 | |
'..do battle with one of the most exclusive hotels in the world.' | 0:00:11 | 0:00:15 | |
-OK? -No. | 0:00:15 | 0:00:17 | |
Mate, mate, mate, mate, mate. | 0:00:17 | 0:00:19 | |
'..and the only all-women team in the competition.' | 0:00:19 | 0:00:23 | |
-More jellies, more jellies. -Ah! | 0:00:23 | 0:00:25 | |
They face gruelling challenges... | 0:00:25 | 0:00:27 | |
Just be careful. | 0:00:27 | 0:00:28 | |
No. | 0:00:28 | 0:00:30 | |
This is really heart-in-the-mouth stuff. | 0:00:30 | 0:00:32 | |
..and the toughest of judges. | 0:00:32 | 0:00:34 | |
I cannot really mark that. | 0:00:34 | 0:00:36 | |
Who will take their place in the semifinal | 0:00:39 | 0:00:43 | |
and prove to be the Creme de la Creme? | 0:00:43 | 0:00:46 | |
Why did we enter this competition, mate? | 0:00:46 | 0:00:48 | |
I don't know. | 0:00:48 | 0:00:49 | |
The Welbeck Estate, Nottinghamshire. | 0:01:18 | 0:01:21 | |
15,000 acres of farms, forestry and historic buildings. | 0:01:21 | 0:01:27 | |
For centuries, fine food has been produced here | 0:01:27 | 0:01:29 | |
and today we are expecting the very finest as our search | 0:01:29 | 0:01:33 | |
for Britain's best pastry chefs continues. | 0:01:33 | 0:01:37 | |
Welcome, chefs. | 0:01:37 | 0:01:38 | |
You are here because you are amongst the best of the best. | 0:01:38 | 0:01:42 | |
The teams are being judged by three of the world's leading patissieres - | 0:01:47 | 0:01:52 | |
Cherish Finden, Claire Clark and Benoit Blin. | 0:01:52 | 0:01:56 | |
In one intense day of competition, | 0:01:57 | 0:01:59 | |
they will set two immense challenges, | 0:01:59 | 0:02:02 | |
the first of which requires incredible attention to detail. | 0:02:02 | 0:02:07 | |
We are starting today with the miniatures. | 0:02:07 | 0:02:11 | |
This is to test your precision | 0:02:11 | 0:02:13 | |
when mass-producing high-volume fine pastries. | 0:02:13 | 0:02:17 | |
Three different types, 36 of each, 108 in total. | 0:02:17 | 0:02:22 | |
And you have three hours to do it. | 0:02:22 | 0:02:25 | |
What's French for, "on your marks, get set, bake"? | 0:02:25 | 0:02:28 | |
A vos marques, | 0:02:28 | 0:02:30 | |
prets, | 0:02:30 | 0:02:31 | |
partez. | 0:02:31 | 0:02:32 | |
Your time starts now. | 0:02:32 | 0:02:34 | |
First to the wall for the first few hours, yeah? | 0:02:37 | 0:02:39 | |
Yes, Chef. | 0:02:39 | 0:02:41 | |
-Those are all good? -Yeah. | 0:02:41 | 0:02:45 | |
In the first challenge of each heat, the teams must make identical | 0:02:45 | 0:02:49 | |
batches of handcrafted, geometric and layered miniatures. | 0:02:49 | 0:02:54 | |
The layered, sliced miniature the teams have been asked to | 0:02:54 | 0:02:56 | |
make in this heat is a version of the French classic, the opera. | 0:02:56 | 0:03:02 | |
So, we've chosen opera aux fruits. | 0:03:02 | 0:03:04 | |
It's really hard to get right. | 0:03:04 | 0:03:07 | |
They have to assemble it, and that means palette knife skills. | 0:03:07 | 0:03:10 | |
Each layer is going to have to set, | 0:03:10 | 0:03:12 | |
and then they've got to cut it. We're wanting to see layers. | 0:03:12 | 0:03:15 | |
That's what the opera aux fruits is all about. | 0:03:15 | 0:03:17 | |
It's like building a house, | 0:03:17 | 0:03:19 | |
and if any of those foundations are wrong, it's going to fall down. | 0:03:19 | 0:03:23 | |
Be careful. | 0:03:24 | 0:03:26 | |
Yes, Chef. | 0:03:26 | 0:03:27 | |
-ALARM SOUNDS -What is that?! | 0:03:27 | 0:03:28 | |
The alarm to get up in the morning. It's like being on a ship, isn't it? | 0:03:28 | 0:03:32 | |
Certainly is, Chef. | 0:03:32 | 0:03:34 | |
MILITARY DRUMBEAT | 0:03:34 | 0:03:35 | |
Team captain Liam | 0:03:35 | 0:03:36 | |
and his team-mates are chefs in the British Armed Forces. | 0:03:36 | 0:03:40 | |
Our primary role is to feed the troops in desert locations, jungle | 0:03:40 | 0:03:44 | |
or in the Falklands. | 0:03:44 | 0:03:46 | |
Mass catering for 1,700 troops every day is the norm for this unit. | 0:03:46 | 0:03:51 | |
It boosts the morale of the troops, | 0:03:51 | 0:03:53 | |
which could eventually win the fire fight. | 0:03:53 | 0:03:56 | |
But sometimes military precision is required. | 0:03:56 | 0:03:59 | |
I've cooked for the Queen. | 0:03:59 | 0:04:01 | |
Never got the chance to speak to her myself. | 0:04:01 | 0:04:03 | |
I'm led to believe she did enjoy it, yeah. | 0:04:03 | 0:04:06 | |
Despite no specialist training between them, | 0:04:06 | 0:04:08 | |
they compete in pastry competitions three times a year. | 0:04:08 | 0:04:12 | |
It's probably not the most expected thing from the military. | 0:04:12 | 0:04:15 | |
-We are the underdog. -Pressure's on. -Oh, brilliant. | 0:04:15 | 0:04:18 | |
HE CHUCKLES | 0:04:18 | 0:04:20 | |
Really classical flavours with this one. | 0:04:23 | 0:04:26 | |
'The military boys are layering their opera with | 0:04:26 | 0:04:28 | |
'pistachio joconde sponge, | 0:04:28 | 0:04:31 | |
'pistachio creme mousseline, | 0:04:31 | 0:04:32 | |
'raspberry and dark chocolate ganache | 0:04:32 | 0:04:34 | |
'and a raspberry glaze.' | 0:04:34 | 0:04:36 | |
Andy, is this being a bit different to the day job? | 0:04:37 | 0:04:39 | |
Where's your normal cooking conditions? | 0:04:39 | 0:04:41 | |
Sometimes we're in the kitchen, | 0:04:41 | 0:04:43 | |
sometimes we're out in the field, sometimes we're in tents. | 0:04:43 | 0:04:45 | |
Guys have to go up in aeroplanes and cook in the aeroplane. | 0:04:45 | 0:04:48 | |
So these guys are in the RAF, and you are... | 0:04:48 | 0:04:50 | |
-I'm in the Army. -You're in the Army, OK. | 0:04:50 | 0:04:52 | |
But highest rank is Andy. | 0:04:52 | 0:04:54 | |
Highest rank is Andy. | 0:04:54 | 0:04:55 | |
So when it goes all wrong, | 0:04:55 | 0:04:57 | |
are you shirking responsibility or will you take it? | 0:04:57 | 0:04:59 | |
Liam's the team captain. | 0:04:59 | 0:05:01 | |
-It's Liam's fault. -It's all Liam's fault! | 0:05:01 | 0:05:03 | |
In the second kitchen... | 0:05:05 | 0:05:06 | |
I start to build my opera. | 0:05:06 | 0:05:09 | |
We're going to play and hopefully win the game. | 0:05:09 | 0:05:13 | |
..a trio of chefs from one of the most exclusive hotels in the world - | 0:05:13 | 0:05:17 | |
the Savoy. | 0:05:21 | 0:05:22 | |
For over a century, world leaders, royalty | 0:05:24 | 0:05:27 | |
and movie stars have dined here. | 0:05:27 | 0:05:30 | |
When you got some VIP people, | 0:05:30 | 0:05:32 | |
you need to always give the best for them, so do something special. | 0:05:32 | 0:05:37 | |
Make something nobody saw before. | 0:05:38 | 0:05:42 | |
It's something that you can't really describe to work here. | 0:05:42 | 0:05:45 | |
You just, like, you fall in love. That's it, you know? | 0:05:45 | 0:05:48 | |
You fall in love with it. | 0:05:48 | 0:05:50 | |
Team captain Felicien has exacting standards. | 0:05:50 | 0:05:54 | |
My personality thing is, | 0:05:54 | 0:05:55 | |
I want to do the best and if I can't do the best, | 0:05:55 | 0:05:58 | |
it makes me a little bit angry. | 0:05:58 | 0:06:01 | |
Who turned this down here? Did you touch? | 0:06:01 | 0:06:03 | |
-No, didn't touch! -You sure? | 0:06:03 | 0:06:05 | |
Yes, Fel! I didn't touch it. This fridge is not strong enough. | 0:06:05 | 0:06:08 | |
Don't fight on this, keep going. | 0:06:08 | 0:06:11 | |
Their opera will be layered with blueberry-flavoured joconde sponge, | 0:06:11 | 0:06:15 | |
jam and yoghurt mousse. | 0:06:15 | 0:06:18 | |
It'll be decorated with chocolate-shaped mountains | 0:06:18 | 0:06:20 | |
and piped with clouds of mascarpone Chantilly cream. | 0:06:20 | 0:06:24 | |
'Chef Loic is in charge of the chocolate mountain.' | 0:06:29 | 0:06:32 | |
I love that. I don't care what you two think, I love that. I love it. | 0:06:32 | 0:06:36 | |
To break chocolate, you need really a cold marble. | 0:06:36 | 0:06:40 | |
That will look like nice work. | 0:06:40 | 0:06:42 | |
Those guys, they will give everything they've got | 0:06:42 | 0:06:45 | |
until the last drop, because they love what they are doing. | 0:06:45 | 0:06:48 | |
They've got that pressure in them, which is | 0:06:48 | 0:06:50 | |
really borderline emotional. | 0:06:50 | 0:06:53 | |
In the third kitchen... | 0:06:53 | 0:06:55 | |
-Hello, girls. Spirit is up? -The spirit is always up. | 0:06:55 | 0:06:58 | |
THEY LAUGH | 0:06:58 | 0:06:59 | |
And the smile is always there. | 0:06:59 | 0:07:01 | |
..are captain Kumiko, | 0:07:01 | 0:07:03 | |
Jennie and Anais. | 0:07:03 | 0:07:04 | |
The other teams might underestimate us, | 0:07:06 | 0:07:10 | |
but I think sex and age doesn't matter in this industry. | 0:07:10 | 0:07:13 | |
Kumiko works at the chic La Patisserie Des Reves in London, | 0:07:16 | 0:07:19 | |
where she manages a team of four pastry chefs, including Anais. | 0:07:19 | 0:07:23 | |
Joining them is their friend, Jennie, | 0:07:24 | 0:07:27 | |
who works as a chef de partie at the Royal Albert Hall. | 0:07:27 | 0:07:31 | |
-A little bit clumsy from time to time. -A little bit! | 0:07:31 | 0:07:34 | |
JENNIE LAUGHS | 0:07:34 | 0:07:35 | |
-I think I... We'll be fine. -Well, we'll practise a lot, | 0:07:35 | 0:07:38 | |
so you know exactly what you're doing, so there's no room for error! | 0:07:38 | 0:07:42 | |
Kumiko has delegated the intricate task | 0:07:43 | 0:07:46 | |
of building the opera to Jennie. | 0:07:46 | 0:07:49 | |
I'm in a panic. I'm so sorry. I'll calm down and the minute. | 0:07:49 | 0:07:51 | |
Yeah, just calm down. You'll be fine. | 0:07:51 | 0:07:53 | |
It will have multiple layers of pistachio joconde | 0:07:53 | 0:07:57 | |
and cherry buttercream, | 0:07:57 | 0:07:58 | |
a layer of chocolate ganache, | 0:07:58 | 0:08:00 | |
and will be finished with a chocolate glaze. | 0:08:00 | 0:08:03 | |
Ah, I think the sponge is looking quite good. | 0:08:03 | 0:08:05 | |
I've got a nice, flat layer. It's the height I want it to be. | 0:08:05 | 0:08:08 | |
So I'm quite happy. | 0:08:08 | 0:08:09 | |
Oh, no. | 0:08:11 | 0:08:12 | |
Oh, no, I've made a hole in this one. | 0:08:14 | 0:08:16 | |
Anyone got a brush? Brush? | 0:08:19 | 0:08:20 | |
Pastry brush? | 0:08:20 | 0:08:21 | |
-Yes, pastry brush. -Ahhh! | 0:08:21 | 0:08:24 | |
Yay! | 0:08:24 | 0:08:25 | |
Are you going to promise to give it them back, though? | 0:08:25 | 0:08:27 | |
-I can't promise. -Oh-ho-ho-ho! -I promise, I promise! | 0:08:27 | 0:08:30 | |
It might be a fake pastry brush, and all the bristles might fall out. | 0:08:30 | 0:08:34 | |
Who knows? It could be sabotage. | 0:08:34 | 0:08:35 | |
'Once the operas are built...' | 0:08:37 | 0:08:39 | |
Very pretty, very pink. | 0:08:39 | 0:08:41 | |
We're the girlie team. | 0:08:41 | 0:08:42 | |
The girlie team? | 0:08:42 | 0:08:44 | |
'..they're put in the freezer to set.' | 0:08:45 | 0:08:48 | |
The more layers they have, the longer it will take. | 0:08:48 | 0:08:53 | |
If we can get them to set on time. | 0:08:53 | 0:08:55 | |
That is a massive issue for us today. | 0:08:55 | 0:08:58 | |
It will be a last-minute slice, I think. | 0:08:58 | 0:09:00 | |
We'll jump on together. We'll be there, we'll be all right. | 0:09:00 | 0:09:03 | |
It'll be good. We have to have to crack on now. | 0:09:03 | 0:09:05 | |
The second miniature the teams must produce is a petit gateau | 0:09:11 | 0:09:14 | |
in the shape of a sphere. | 0:09:14 | 0:09:17 | |
In this sphere I would like to see texture, texture, texture. | 0:09:18 | 0:09:23 | |
Multiple internal layer, explosion of flavour and top-notch decorating. | 0:09:23 | 0:09:30 | |
This is the professional challenge. It has to be perfect finish. | 0:09:30 | 0:09:35 | |
How we doing, pastry special forces? | 0:09:35 | 0:09:38 | |
I'm obviously getting a bit pushed now for time. | 0:09:38 | 0:09:40 | |
Ian's working on the geometric petit gateau spheres. | 0:09:40 | 0:09:43 | |
Right, starting to get really messy, guys. | 0:09:43 | 0:09:46 | |
Looks a little messy and a little disorganised. | 0:09:46 | 0:09:49 | |
I can't imagine Cherish would be happy to see that. | 0:09:49 | 0:09:52 | |
The military team's sphere has a white chocolate | 0:09:52 | 0:09:54 | |
and lemon mousse shell, filled with lemon and poppy seed sponge, | 0:09:54 | 0:09:58 | |
mascarpone and a lemon gel. | 0:09:58 | 0:10:01 | |
It'll be decorated with mini meringues. | 0:10:01 | 0:10:03 | |
Chef? | 0:10:03 | 0:10:04 | |
Just delightful. Such a sensation in your mouth. | 0:10:07 | 0:10:10 | |
In Team Kumiko's kitchen... | 0:10:11 | 0:10:14 | |
This is white chocolate that I melted. | 0:10:14 | 0:10:17 | |
I added some purple cocoa butter | 0:10:17 | 0:10:19 | |
just to make it a light purple colour, | 0:10:19 | 0:10:21 | |
and these are going to be the case for our spheres. | 0:10:21 | 0:10:24 | |
Anais is making the biscuit insert. | 0:10:24 | 0:10:26 | |
As well as their sable Breton biscuit, | 0:10:26 | 0:10:30 | |
they're filling their spheres with a yogurt mousse | 0:10:30 | 0:10:32 | |
and cassis insert. | 0:10:32 | 0:10:34 | |
It'll be wrapped in a tempered chocolate shell with a cassis glaze. | 0:10:34 | 0:10:39 | |
So you're going to stick them together? | 0:10:39 | 0:10:41 | |
No join, so it's a perfect sphere? | 0:10:41 | 0:10:43 | |
Yeah, that's what we're hoping for. | 0:10:43 | 0:10:45 | |
Before Kumiko can join the two halves together, | 0:10:45 | 0:10:48 | |
they'll need to set. | 0:10:48 | 0:10:50 | |
Well, hopefully it sets in time. | 0:10:50 | 0:10:52 | |
In the next kitchen... | 0:10:54 | 0:10:55 | |
-So, add slowly. -Yes, Fel. | 0:10:55 | 0:10:58 | |
..Felicien's team from the Savoy | 0:10:58 | 0:11:00 | |
are creating a sphere with a tropical twist. | 0:11:00 | 0:11:03 | |
My main sphere is with yuzu and mango mousse. | 0:11:03 | 0:11:07 | |
The sphere will sit on a chocolate sable biscuit | 0:11:07 | 0:11:10 | |
and be filled with a mango-glazed mousse | 0:11:10 | 0:11:12 | |
And a ball of jasmine ganache. | 0:11:12 | 0:11:14 | |
Like this? | 0:11:18 | 0:11:20 | |
No! No! Not going to have enough time. | 0:11:20 | 0:11:23 | |
Yes, Fel(!) | 0:11:24 | 0:11:25 | |
Using all their five-star nous, | 0:11:28 | 0:11:30 | |
they've sourced a mould they hope will give them an edge. | 0:11:30 | 0:11:34 | |
Wow! I saw Savoy using a fully round mould. | 0:11:34 | 0:11:38 | |
I'm so excited to see that, because it will be a perfect finish. | 0:11:38 | 0:11:42 | |
But there is risk, | 0:11:42 | 0:11:44 | |
because it will take longer to set. | 0:11:44 | 0:11:47 | |
If the mousse doesn't set in time, | 0:11:47 | 0:11:49 | |
they will not be able to unload the mousse for the case. | 0:11:49 | 0:11:52 | |
Fingers crossed it's going to be frozen. | 0:11:52 | 0:11:54 | |
So you're going to be taking deep breaths right to the last minute? | 0:11:54 | 0:11:57 | |
OK. | 0:11:57 | 0:11:58 | |
OK, pastry chefs, | 0:12:02 | 0:12:04 | |
that is half-time. | 0:12:04 | 0:12:06 | |
You have one and a half hours remaining. | 0:12:06 | 0:12:10 | |
With their spheres and opera slices chilling... | 0:12:10 | 0:12:13 | |
We need to put back in the freezer. | 0:12:13 | 0:12:14 | |
-OK. The opera 's too soft. It's going back in the freezer. -Yeah, yeah. | 0:12:14 | 0:12:18 | |
..the teams' attention turns to the handcrafted miniature... | 0:12:18 | 0:12:21 | |
..the babka knot. | 0:12:25 | 0:12:26 | |
So the babka knot has to contain a filling. | 0:12:27 | 0:12:31 | |
We are looking for the perfect knot | 0:12:31 | 0:12:32 | |
so their handcrafting skills will be tested. | 0:12:32 | 0:12:35 | |
The babka knots must be identical. | 0:12:35 | 0:12:38 | |
This is a tricky process, | 0:12:38 | 0:12:39 | |
as the chefs are plaiting with miniature ropes of dough. | 0:12:39 | 0:12:43 | |
So it needs to be fermented enough | 0:12:43 | 0:12:45 | |
to have a beautiful, typical bread flavour. | 0:12:45 | 0:12:47 | |
So you're making the babka knots right now? | 0:12:47 | 0:12:49 | |
-Where's the dough, proving? -Yep. | 0:12:49 | 0:12:51 | |
Those are nearly done, yep. | 0:12:51 | 0:12:54 | |
It's vital the dough is given enough time to prove. | 0:12:54 | 0:12:58 | |
Kumiko has left Anais in charge. | 0:12:58 | 0:13:00 | |
I've got 45 minutes. I will do the knots, and I will do... | 0:13:00 | 0:13:03 | |
So you've got the responsibility of tying the knots? | 0:13:03 | 0:13:06 | |
-Yeah. -Yeah. | 0:13:06 | 0:13:07 | |
Inside the pastry will be | 0:13:07 | 0:13:09 | |
a raspberry compote | 0:13:09 | 0:13:10 | |
and a butter made from matcha, | 0:13:10 | 0:13:12 | |
a Japanese green tea. | 0:13:12 | 0:13:14 | |
It will be brushed with syrup | 0:13:14 | 0:13:16 | |
and sprinkled with dehydrated raspberries. | 0:13:16 | 0:13:19 | |
My jam is liquid. | 0:13:19 | 0:13:21 | |
That's way too liquid. | 0:13:21 | 0:13:22 | |
The only things I change is I put the sugar and the... | 0:13:22 | 0:13:26 | |
-The raspberry together. -Yeah. | 0:13:26 | 0:13:28 | |
It draws the moisture out. You shouldn't have put it. | 0:13:28 | 0:13:30 | |
Oh! Don't think about that. | 0:13:30 | 0:13:32 | |
It's so hard in here, the pressure. | 0:13:34 | 0:13:36 | |
I lost it earlier on and Benoit just went... | 0:13:36 | 0:13:39 | |
Ah! | 0:13:39 | 0:13:40 | |
In the military kitchen... | 0:13:40 | 0:13:42 | |
Just shaping the babka knot. | 0:13:42 | 0:13:43 | |
You done this before, practised it? | 0:13:43 | 0:13:45 | |
Just a couple of times. | 0:13:45 | 0:13:47 | |
They were laughing there about practising a lot! | 0:13:47 | 0:13:50 | |
Oh, maybe not! | 0:13:50 | 0:13:52 | |
Here, we've got some toasted pecans. | 0:13:52 | 0:13:55 | |
They're combining the pecans with | 0:13:55 | 0:13:57 | |
a salted caramel mixture. | 0:13:57 | 0:13:59 | |
Once baked, it'll be washed in a vanilla glaze. | 0:13:59 | 0:14:02 | |
-This one? -Yep, cheers. | 0:14:04 | 0:14:06 | |
The two others are bringing to their team captain | 0:14:06 | 0:14:08 | |
a spoon of whatever recipe to taste. | 0:14:08 | 0:14:11 | |
I think they want to show a well-drilled organisation, | 0:14:11 | 0:14:14 | |
so it'll be interesting to see what impact it will have on the result. | 0:14:14 | 0:14:19 | |
In the hotel team's kitchen, | 0:14:20 | 0:14:21 | |
captain Felicien has asked Loic to make the babka knots. | 0:14:21 | 0:14:26 | |
I've got 15 minutes to shape it. | 0:14:26 | 0:14:28 | |
He is making his dough with lemon zest | 0:14:28 | 0:14:30 | |
and filling it with a raspberry puree jam. | 0:14:30 | 0:14:33 | |
It will be brushed in a clear glaze and sprinkled with extra lemon zest. | 0:14:33 | 0:14:37 | |
You rolled it into these beautiful little shapes. | 0:14:41 | 0:14:44 | |
Yes, like a wheat shape, it's going to look like wheat. | 0:14:44 | 0:14:47 | |
It's going to look like wheat? But not tied in a knot? | 0:14:47 | 0:14:50 | |
Not really. | 0:14:50 | 0:14:51 | |
Have you seen him actually knot the babka knot? | 0:14:56 | 0:14:59 | |
That is certainly a conversation we need to have | 0:14:59 | 0:15:01 | |
when we are going to be tasting. | 0:15:01 | 0:15:02 | |
As a professional chef, I think they should pick up on this. | 0:15:02 | 0:15:06 | |
I am very disappointed. | 0:15:06 | 0:15:07 | |
OK, pastry chefs, you have half an hour, that is 30 minutes, remaining. | 0:15:11 | 0:15:17 | |
-Guys, we've got half an hour. -What? | 0:15:17 | 0:15:19 | |
The Armed Forces chefs are using melted chocolate | 0:15:20 | 0:15:23 | |
to join their spheres together. | 0:15:23 | 0:15:26 | |
How are we doing for time? | 0:15:26 | 0:15:27 | |
It's just impossible, because I have got to get 36 done. | 0:15:27 | 0:15:31 | |
Not completely under control, not at the point we want to be at. | 0:15:31 | 0:15:34 | |
Just assembling the spheres. | 0:15:37 | 0:15:39 | |
The biscuits, there is more than we wanted. I tried to grate it down. | 0:15:41 | 0:15:46 | |
-We all good, girls? -Yep. -Yep. | 0:15:46 | 0:15:48 | |
-Everything under control? -Not really. -Not really. | 0:15:55 | 0:15:58 | |
OK. 'Felicien's spheres are still setting in the freezer.' | 0:15:59 | 0:16:03 | |
We start to have some problems with time, because the freezer | 0:16:03 | 0:16:06 | |
is not powerful enough and it's going to be really borderline. | 0:16:06 | 0:16:09 | |
I'm a bit nervous, | 0:16:18 | 0:16:20 | |
because I want everything to be exactly the same size when I cut it. | 0:16:20 | 0:16:24 | |
Just try. | 0:16:24 | 0:16:26 | |
'If the opera slices are not identical, | 0:16:26 | 0:16:28 | |
'the chefs will be marked down.' | 0:16:28 | 0:16:30 | |
-This is the tricky bit, yeah? -Yeah. | 0:16:30 | 0:16:32 | |
It makes me feel a little bit nervous inside, | 0:16:32 | 0:16:34 | |
so I don't know how you feel. | 0:16:34 | 0:16:36 | |
-Do it now. -I can't, it's not set. | 0:16:40 | 0:16:43 | |
You're not going to have enough time. | 0:16:43 | 0:16:45 | |
-BLEEP -sake. | 0:16:45 | 0:16:46 | |
Cutting a straight line into a half-frozen opera is not easy, | 0:16:46 | 0:16:50 | |
but Liam has no choice. | 0:16:50 | 0:16:53 | |
Very nervous at the minute. Fingers crossed. | 0:16:53 | 0:16:56 | |
FELICIEN: | 0:17:13 | 0:17:15 | |
-No. -Yes. | 0:17:19 | 0:17:20 | |
But the opera slice is the least of Felicien's worries. | 0:17:28 | 0:17:31 | |
The sphere is not frozen, so... now I'm going to go to check. | 0:17:31 | 0:17:36 | |
-You OK? -Just getting... -Little bit under pressure. | 0:17:36 | 0:17:38 | |
Under pressure, yeah. | 0:17:38 | 0:17:40 | |
So this sphere has been a nightmare, | 0:17:40 | 0:17:42 | |
now we're just hoping everything sets up. | 0:17:42 | 0:17:44 | |
Ooh, ah, uh. | 0:17:44 | 0:17:45 | |
WHIRRING | 0:17:45 | 0:17:47 | |
It's disgusting. | 0:17:48 | 0:17:49 | |
BLEEP. Oh... | 0:17:50 | 0:17:52 | |
The glaze is wrong, it's not the right consistency. | 0:17:54 | 0:17:57 | |
So we are quickly adding more gelatine. | 0:17:57 | 0:18:02 | |
Hope that it gets thicker and then I can glaze, | 0:18:02 | 0:18:04 | |
but I'm not sure I have enough time. | 0:18:04 | 0:18:07 | |
That is ten minutes remaining. | 0:18:07 | 0:18:09 | |
We haven't got time, so I'm doing it the traditional way. | 0:18:09 | 0:18:13 | |
-Just throwing it on with a ladle. -Literally. | 0:18:13 | 0:18:15 | |
We should be fine, we should be fine. | 0:18:15 | 0:18:17 | |
You've swerved two disasters, no sinking Titanic. | 0:18:17 | 0:18:20 | |
Sinking Titanic would be not having the products up. | 0:18:20 | 0:18:23 | |
-But Felicien's team ARE sinking. -The sphere is not frozen. | 0:18:25 | 0:18:29 | |
-If it's too soft... -We're not going to be able to present it actually. | 0:18:31 | 0:18:35 | |
OK, pastry chefs, you have five minutes remaining. | 0:18:38 | 0:18:41 | |
One! | 0:18:44 | 0:18:46 | |
Mm-hmm... | 0:18:46 | 0:18:48 | |
OK, we have one minute. | 0:18:48 | 0:18:49 | |
We can show the judges our idea, | 0:18:53 | 0:18:55 | |
but we know we didn't have enough time. | 0:18:55 | 0:18:57 | |
OK, pastry chefs, time is up. | 0:19:15 | 0:19:18 | |
-Oh, -BLEEP. | 0:19:27 | 0:19:28 | |
That looks really good, well done. | 0:19:28 | 0:19:30 | |
Was it all right? | 0:19:30 | 0:19:32 | |
Well done, girls. | 0:19:32 | 0:19:33 | |
-Oh, my gosh. -Well done. | 0:19:33 | 0:19:36 | |
Row upon row of cakes and pastries made in just three hours. | 0:19:48 | 0:19:53 | |
Now the teams will have their work judged by three | 0:19:53 | 0:19:56 | |
of the finest pastry chefs in the world. | 0:19:56 | 0:19:59 | |
Kumiko's opera slice is layered with cherry buttercream, | 0:20:24 | 0:20:28 | |
pistachio joconde sponge and dark chocolate ganache. | 0:20:28 | 0:20:32 | |
We talked about the importance of the layering, | 0:20:35 | 0:20:37 | |
and we can't really see even layers. | 0:20:37 | 0:20:39 | |
And you didn't use your skill | 0:20:39 | 0:20:41 | |
of levelling it with the palette knife, | 0:20:41 | 0:20:43 | |
and it unfortunately shows. | 0:20:43 | 0:20:44 | |
You need to cut the cake to perfection. | 0:20:46 | 0:20:49 | |
I'm going to pick this piece over here. | 0:20:49 | 0:20:51 | |
Which measures about 3.5. | 0:20:51 | 0:20:54 | |
And we're going to measure this piece over here. | 0:20:54 | 0:20:58 | |
And it is three centimetres. | 0:20:58 | 0:21:00 | |
It's 0.5 different. | 0:21:00 | 0:21:02 | |
If you give about 0.1 different, I can accept that. 0.5 different? | 0:21:02 | 0:21:07 | |
It's not quite acceptable. | 0:21:07 | 0:21:09 | |
-You ARE a professional. -Can I have five minutes? | 0:21:09 | 0:21:13 | |
-Come here, mate. -Sorry. -0.1 would have been all right. | 0:21:17 | 0:21:21 | |
-Sorry, it's my fault. -No, it's not that, it's just... | 0:21:21 | 0:21:24 | |
I'm sorry, come on. | 0:21:27 | 0:21:28 | |
LAUGHTER | 0:21:28 | 0:21:29 | |
It's really not... | 0:21:29 | 0:21:31 | |
SHE SNIFFLES | 0:21:31 | 0:21:33 | |
We are professionals, we are | 0:21:35 | 0:21:36 | |
really proud of what we do every day. | 0:21:36 | 0:21:38 | |
We are quite hard on ourselves as pastry chefs... | 0:21:38 | 0:21:40 | |
-Yeah. -..cos we always want things to be perfect. | 0:21:40 | 0:21:42 | |
-A little tear doesn't kill anybody. -It just shows that we care. | 0:21:42 | 0:21:46 | |
-CHERISH: -That's good, that is the spirit. | 0:21:46 | 0:21:49 | |
-Let me cut yours. -OK. | 0:21:49 | 0:21:51 | |
I do really like the chocolate that you have used, | 0:21:54 | 0:21:56 | |
it does complement the cherry, it really does. | 0:21:56 | 0:21:59 | |
Your lovely buttercream, | 0:21:59 | 0:22:00 | |
it was working with the time challenge you had, because going | 0:22:00 | 0:22:03 | |
with very light texture mousses and so on | 0:22:03 | 0:22:05 | |
would have been extremely difficult to get right. | 0:22:05 | 0:22:07 | |
With buttercream, you were on the money. It's nice in flavour. | 0:22:07 | 0:22:10 | |
Well done. | 0:22:10 | 0:22:11 | |
Their petit gateau is filled with a Sable Breton biscuit, | 0:22:15 | 0:22:18 | |
cassis insert and yoghurt mousse. | 0:22:18 | 0:22:22 | |
It's wrapped in a cassis glaze. | 0:22:22 | 0:22:23 | |
So, the glaze. What went wrong? | 0:22:25 | 0:22:27 | |
Cos I saw you playing with the spray gun there... | 0:22:27 | 0:22:29 | |
- Yeah, my gosh, it was tough. - ..going all over the shop. | 0:22:29 | 0:22:31 | |
They are not uniform enough. | 0:22:31 | 0:22:33 | |
-I think you know that, you don't need us to tell you. -We do. | 0:22:33 | 0:22:36 | |
I think the blackcurrant is kicking. | 0:22:42 | 0:22:44 | |
Really, when you put a flavour like blackcurrant, | 0:22:44 | 0:22:46 | |
you expect it to be there, and it is. The yoghurt mousse? | 0:22:46 | 0:22:50 | |
That might have been slightly over-whipped, | 0:22:50 | 0:22:52 | |
because I feel little fat crystals on my tongue. | 0:22:52 | 0:22:55 | |
The babka knot is made with a matcha tea butter and a raspberry compote. | 0:22:59 | 0:23:05 | |
In terms of the visual, I can see there is definitely a knot, | 0:23:05 | 0:23:09 | |
which was in the brief, so well done for that. | 0:23:09 | 0:23:11 | |
It is very wet, almost like liquid. | 0:23:17 | 0:23:20 | |
So I am assuming it probably wasn't supposed to be like that, right? | 0:23:20 | 0:23:23 | |
-No, more like a jam. -It should have been a jam. -Yep. -Yeah? | 0:23:23 | 0:23:27 | |
But bread, to me, is my heart and soul, | 0:23:28 | 0:23:31 | |
and the texture of that dough is beautiful. | 0:23:31 | 0:23:34 | |
Really, really good. This was fermented correctly. | 0:23:34 | 0:23:37 | |
I can see hair on your babka knot, two pieces of hair. | 0:23:37 | 0:23:40 | |
-Oh, my gosh. -Oh, my God. | 0:23:40 | 0:23:42 | |
I am a bit concerned, because it is a no-no for hair. | 0:23:42 | 0:23:45 | |
-TEAM MEMBER: It's the brush! CLAIRE: -Pastry brush. -BENOIT: -It's a brush. | 0:23:45 | 0:23:48 | |
I know it's from the brush, | 0:23:48 | 0:23:49 | |
I do understand that it's from the brush, | 0:23:49 | 0:23:51 | |
but if this could have reached my customer, they would not know. | 0:23:51 | 0:23:55 | |
-Anything that you serve should not have hair... -No, of course not. | 0:23:55 | 0:24:00 | |
..brush, any foreign article in your product. | 0:24:00 | 0:24:02 | |
'Was that the pastry brush they borrowed from Felicien's team?' | 0:24:02 | 0:24:05 | |
(Oh, God.) | 0:24:08 | 0:24:10 | |
Felicien's team has created an opera layered with | 0:24:24 | 0:24:27 | |
blueberry joconde sponge, | 0:24:27 | 0:24:29 | |
wild blueberry jam and a blueberry yoghurt mousse. | 0:24:29 | 0:24:32 | |
It's finished off with white chocolate | 0:24:32 | 0:24:34 | |
and mascarpone Chantilly cream. | 0:24:34 | 0:24:36 | |
My God, when I looked at this piece of pastry I say, | 0:24:39 | 0:24:42 | |
"Wow, I want to eat it." | 0:24:42 | 0:24:44 | |
And when I saw, Loic, how you temper the chocolate, I said that... | 0:24:44 | 0:24:48 | |
"I like the way he tempers chocolate, it's very sexy." | 0:24:48 | 0:24:50 | |
He move around, he scrape it - love the way you work. | 0:24:50 | 0:24:54 | |
I am not completely in harmony with my dear colleague and judge. | 0:24:54 | 0:25:00 | |
What, you didn't find Loic sexy? | 0:25:00 | 0:25:01 | |
No. | 0:25:01 | 0:25:03 | |
The brief was saying you need to have a layered cake, | 0:25:03 | 0:25:06 | |
but at the moment, we see nothing. | 0:25:06 | 0:25:09 | |
You have gone to the trouble to pipe the cream to cover the layers. | 0:25:09 | 0:25:12 | |
Kind of really disappointed that I can't see the layering. | 0:25:12 | 0:25:15 | |
I'm not getting the blueberry, but the yoghurt is coming through. | 0:25:22 | 0:25:26 | |
With the cocoa, the chocolate, it actually works quite well. | 0:25:26 | 0:25:29 | |
It's not overly sweet, there is a lovely crunch to it. | 0:25:29 | 0:25:32 | |
It is really, really nice, thank you. | 0:25:32 | 0:25:34 | |
Their one and only sphere is served with yuzu and mango mousse, | 0:25:38 | 0:25:42 | |
a chocolate Sable biscuit and jasmine ganache. | 0:25:42 | 0:25:46 | |
It's coated in white chocolate and a mango glaze. | 0:25:46 | 0:25:49 | |
So we have one sphere, one sphere for the judges to try. | 0:25:49 | 0:25:52 | |
Is it fair to taste only one? We were asking clearly for 36. | 0:25:52 | 0:25:56 | |
There was really nothing for us to do, | 0:25:56 | 0:25:58 | |
except wait for the pastry to freeze. | 0:25:58 | 0:26:01 | |
And you kind of, like, feel helpless. | 0:26:01 | 0:26:04 | |
When you come to a competition, time management is so important. | 0:26:04 | 0:26:08 | |
You need to move like Formula 1. | 0:26:08 | 0:26:11 | |
-LAUGHTER -Lewis Hamilton, there we go! | 0:26:11 | 0:26:14 | |
-OK, so I'm going to open it carefully in half. -CHERISH: -Wow. | 0:26:14 | 0:26:19 | |
-CLAIRE: -That looks good from here. | 0:26:19 | 0:26:22 | |
That is an explosion in my mouth of mango flavour. Amazing! | 0:26:27 | 0:26:33 | |
Just hit every single surface of the inside of my mouth. | 0:26:33 | 0:26:38 | |
Completely, 100%... I know what it is. | 0:26:38 | 0:26:41 | |
So, Benoit, you happy, it tastes great? | 0:26:42 | 0:26:44 | |
Yeah, it tastes great, but it's meaningless to me. | 0:26:44 | 0:26:47 | |
We were expecting 36 pastries, we got only one to share between three, | 0:26:47 | 0:26:50 | |
so I cannot really mark that. | 0:26:50 | 0:26:52 | |
The babka knot has a lemon zest dough filled with raspberry jam, | 0:26:58 | 0:27:02 | |
all covered in a lemon glaze. | 0:27:02 | 0:27:04 | |
As you guys are French, do you understand the word "knots"? | 0:27:04 | 0:27:09 | |
-Yes. -So what is a knot to you? -A knot is something you... -Tie. | 0:27:09 | 0:27:14 | |
-Yeah, tying. -Tie together. | 0:27:14 | 0:27:16 | |
Now, we can ask you - is that tied together? | 0:27:16 | 0:27:19 | |
It's not a knot, not... | 0:27:19 | 0:27:21 | |
So it's not a knot, it's a knot which is not a knot. | 0:27:21 | 0:27:24 | |
We take a bit too much risk. | 0:27:24 | 0:27:25 | |
Those really under-proved. | 0:27:33 | 0:27:37 | |
You can see there's hardly any aeration at all. | 0:27:37 | 0:27:40 | |
It's almost like eating a biscuit as well, it's quite dry. | 0:27:40 | 0:27:45 | |
It's too heavy and too doughy for my liking. | 0:27:45 | 0:27:48 | |
And when I eat it, it's quite gummy in my palate as well. | 0:27:48 | 0:27:52 | |
Just frustrating. Just completely frustrating. | 0:27:55 | 0:27:58 | |
Mmm. | 0:28:03 | 0:28:04 | |
Liam's team have served an opera with pistachio joconde sponge, | 0:28:14 | 0:28:19 | |
raspberry ganache, pistachio creme mousseline and chocolate. | 0:28:19 | 0:28:23 | |
Guys! What happened to the military precision? Look at it, look. | 0:28:25 | 0:28:29 | |
A little thin, a little thick, uneven all the way through. | 0:28:29 | 0:28:32 | |
They need all to be looking uniform. | 0:28:32 | 0:28:35 | |
I'm actually a little bit disappointed | 0:28:35 | 0:28:37 | |
with your cutting skill. | 0:28:37 | 0:28:39 | |
When you use raw pistachio, it is very nutty when you get it raw, | 0:28:48 | 0:28:52 | |
but as soon as you crush it down and mix it up with other things, | 0:28:52 | 0:28:54 | |
it is a very mild flavour, | 0:28:54 | 0:28:56 | |
it kind of loses a little bit of its personality. | 0:28:56 | 0:28:59 | |
Their petit gateau sphere is filled with mascarpone, | 0:29:05 | 0:29:08 | |
white chocolate, lemon mousse, sponge and curd. | 0:29:08 | 0:29:12 | |
Was it done in two parts? I saw you working with... | 0:29:13 | 0:29:16 | |
-I made it in two parts. -I see there is a bit of a sealing issue. | 0:29:16 | 0:29:20 | |
I'm going to tell you, this is the nicest thing I have eaten so far. | 0:29:28 | 0:29:32 | |
The lemon flavours are just phenomenal. | 0:29:32 | 0:29:35 | |
Not only are they phenomenal, | 0:29:35 | 0:29:37 | |
I am getting different hints of lemon, different strengths of lemon. | 0:29:37 | 0:29:42 | |
The handcrafted babka knot is made with a toasted pecan | 0:29:44 | 0:29:48 | |
and salted caramel filling and covered in a vanilla glaze. | 0:29:48 | 0:29:52 | |
Great shaping! Look at that shaping, amazing shaping, love it. | 0:29:53 | 0:29:57 | |
-Shall I cut yours? -Thank you, Chef. | 0:29:57 | 0:30:00 | |
Ooh! | 0:30:00 | 0:30:01 | |
The dough is very, very heavy and it's very dry and it's very tight. | 0:30:06 | 0:30:11 | |
I just did not like it at all. | 0:30:11 | 0:30:12 | |
Instead of a proper kneading and a proper proving, | 0:30:14 | 0:30:16 | |
you've got something which clags in your mouth and sticks. | 0:30:16 | 0:30:20 | |
And that is not very pleasing. | 0:30:20 | 0:30:22 | |
However, I love that saltiness, nuttiness, caramel-ey flavour, | 0:30:22 | 0:30:27 | |
it's delicious. | 0:30:27 | 0:30:29 | |
Results in Creme de la Creme are based on points | 0:30:37 | 0:30:40 | |
awarded by the judges. | 0:30:40 | 0:30:42 | |
The team with the most points after both challenges is guaranteed | 0:30:42 | 0:30:46 | |
a place in the semifinal. | 0:30:46 | 0:30:48 | |
Each judge will award each pastry a score out of ten. | 0:30:48 | 0:30:53 | |
So that is 90 points available. | 0:30:53 | 0:30:55 | |
A low score for their miniatures could ruin | 0:30:57 | 0:31:00 | |
a team's chances of progressing in the competition. | 0:31:00 | 0:31:02 | |
I know. | 0:31:07 | 0:31:08 | |
Now, we are going to start...Felicien's team. | 0:31:12 | 0:31:14 | |
And for your opera aux fruits... | 0:31:14 | 0:31:17 | |
The judges awarded you 11 points for your opera. | 0:31:17 | 0:31:20 | |
And now the spheres. | 0:31:21 | 0:31:23 | |
Four points for your spheres, Felicien. | 0:31:24 | 0:31:27 | |
The babka knot... | 0:31:29 | 0:31:31 | |
11 points. | 0:31:31 | 0:31:32 | |
And that is a grand total of 26 points for your Miniatures Test. | 0:31:33 | 0:31:37 | |
'Only presenting one sphere has cost Felicien's team dearly.' | 0:31:38 | 0:31:42 | |
To Liam's team, your opera aux fruits. | 0:31:46 | 0:31:50 | |
The judges awarded you 15 points. | 0:31:50 | 0:31:53 | |
For your petits gateaux... | 0:31:55 | 0:31:58 | |
18. | 0:31:58 | 0:31:59 | |
And lastly... | 0:31:59 | 0:32:01 | |
14 for the babka knots. | 0:32:01 | 0:32:04 | |
And a grand total of 47 for your Miniatures Test. | 0:32:04 | 0:32:09 | |
'A full complement of miniatures leaves Liam's military boys | 0:32:09 | 0:32:13 | |
'a commanding 21 points ahead of Felicien's team. | 0:32:13 | 0:32:16 | |
'Can Kumiko's team beat them both?' | 0:32:18 | 0:32:20 | |
Kumiko, your opera aux fruits. | 0:32:22 | 0:32:24 | |
The judges awarded you 18 points. | 0:32:24 | 0:32:26 | |
The petit gateau sphere... | 0:32:28 | 0:32:31 | |
13. | 0:32:31 | 0:32:32 | |
'A score of 17 for their babka knot | 0:32:32 | 0:32:35 | |
'would put Kumiko's team out in front.' | 0:32:35 | 0:32:37 | |
Finally, the babka knot. | 0:32:41 | 0:32:44 | |
17 points. | 0:32:44 | 0:32:45 | |
Kumiko, your team is in the lead. Only just, mind. | 0:32:46 | 0:32:51 | |
Guys, you've deserved yourself a well-earned break. | 0:32:51 | 0:32:54 | |
Go on, off you go. Come on, dismissed. | 0:32:54 | 0:32:56 | |
-I think overall the judges are very harsh. -Yes! | 0:33:00 | 0:33:04 | |
They're terrifying. | 0:33:04 | 0:33:05 | |
We are in first position, but the boys are right on our tail, | 0:33:05 | 0:33:08 | |
so we can't let that, you know, throw us off our game. | 0:33:08 | 0:33:12 | |
We need to give it all we've got. | 0:33:12 | 0:33:14 | |
Trailing by one point, if we can only make it up, we'll take over. | 0:33:14 | 0:33:18 | |
We just didn't choose the right strategy | 0:33:21 | 0:33:25 | |
because for everybody, it is the same. | 0:33:25 | 0:33:27 | |
Everybody working in a hot kitchen. | 0:33:27 | 0:33:29 | |
I really hope we can score a lot more. | 0:33:29 | 0:33:31 | |
Yeah, impress the judge and why not be first? | 0:33:31 | 0:33:34 | |
The second and final test is on such an extraordinary level, | 0:33:39 | 0:33:43 | |
-the day before the heat began... -It is taking forever. | 0:33:43 | 0:33:48 | |
..the teams were granted a golden hour to prepare any elements | 0:33:48 | 0:33:52 | |
that needed to be chilled or set. | 0:33:52 | 0:33:55 | |
Chef? | 0:33:55 | 0:33:57 | |
They'll be creating an ambitious and spectacular showpiece dessert. | 0:33:57 | 0:34:01 | |
-Ah! -Pipe! | 0:34:01 | 0:34:03 | |
And with even more points up for grabs, | 0:34:03 | 0:34:06 | |
there's no telling who will be top of the leaderboard by the end. | 0:34:06 | 0:34:10 | |
Who do you think could shine this afternoon? | 0:34:10 | 0:34:13 | |
I think Makiko is doing such a good job. | 0:34:13 | 0:34:15 | |
All the pressures is on her. | 0:34:15 | 0:34:17 | |
-Liam's team. -Shows immense discipline. | 0:34:17 | 0:34:21 | |
They just need to go that little notch up. | 0:34:21 | 0:34:23 | |
And then Felicien is quite a way behind with 26. | 0:34:23 | 0:34:26 | |
Felicien's team is a little bit in trouble, | 0:34:26 | 0:34:28 | |
-but it's not over until it's over. -I really believe in them. | 0:34:28 | 0:34:32 | |
The skill that I saw this morning was phenomenal. | 0:34:32 | 0:34:35 | |
Only need to work on their time management. | 0:34:35 | 0:34:38 | |
In the competition, anything can happen. | 0:34:38 | 0:34:41 | |
Welcome back, chefs. | 0:34:49 | 0:34:51 | |
Your second task for today is the showpiece, | 0:34:51 | 0:34:54 | |
that takes its inspiration from a popular British home-made pudding. | 0:34:54 | 0:35:00 | |
It's the trifle. | 0:35:00 | 0:35:02 | |
It was my first cultural shock, really, as to | 0:35:02 | 0:35:05 | |
when I joined the UK 20 years ago. | 0:35:05 | 0:35:08 | |
Let me explain what I faced. | 0:35:08 | 0:35:11 | |
A very boozy, over-soaked sponge with a cheap custard | 0:35:11 | 0:35:15 | |
and some fruit jelly. I seriously hope you can do better. | 0:35:15 | 0:35:19 | |
There is 50 points available from each judge. | 0:35:19 | 0:35:22 | |
So that means there are plenty of points to make up for any | 0:35:22 | 0:35:25 | |
earlier disappointments. | 0:35:25 | 0:35:27 | |
You now have three hours to get this job done. | 0:35:27 | 0:35:30 | |
Chefs, your time starts now. | 0:35:30 | 0:35:34 | |
Right. Come on then, guys. Smash it out. Yes, Chef. | 0:35:34 | 0:35:37 | |
A showpiece dessert is the pinnacle of the pastry chefs' craft. | 0:35:37 | 0:35:43 | |
Gently. | 0:35:43 | 0:35:45 | |
It needs elegance, drama, and an element of surprise. | 0:35:45 | 0:35:49 | |
It must take one's breath away. | 0:35:49 | 0:35:51 | |
-You are not leaving any chance to go wrong this time, yeah? -No. | 0:35:51 | 0:35:54 | |
-Well done. -I don't want. -That's my man. | 0:35:54 | 0:35:56 | |
I wish I had a French accent. | 0:35:56 | 0:35:59 | |
And every one of the team's 36 servings need flavours | 0:35:59 | 0:36:02 | |
and textures that must be tasted to be believed. | 0:36:02 | 0:36:06 | |
Trifle to me is a very simple dish. | 0:36:06 | 0:36:09 | |
It's what British food is for a French man. | 0:36:09 | 0:36:14 | |
Oh...! | 0:36:14 | 0:36:17 | |
They will have to work very hard to inspire me with it. | 0:36:17 | 0:36:21 | |
The showpiece element, | 0:36:21 | 0:36:22 | |
what we've decided to do is we did a lot of research on the construction | 0:36:22 | 0:36:26 | |
of trifle and we went right back to | 0:36:26 | 0:36:28 | |
when it was first originated in 1576 and we've tried incorporating | 0:36:28 | 0:36:34 | |
as many flavours as we could from the years of it constructing. | 0:36:34 | 0:36:38 | |
Liam's team is creating their trifle using flavours past and present. | 0:36:38 | 0:36:42 | |
Strawberry jelly, Genoese sponge, custard | 0:36:44 | 0:36:48 | |
and sherry syrup will work alongside ingredients used | 0:36:48 | 0:36:51 | |
over 400 years ago, such as macaroons and ginger. | 0:36:51 | 0:36:55 | |
Their towering chocolate showpiece represents the different | 0:36:55 | 0:36:59 | |
ways in which the trifle has been constructed over the centuries. | 0:36:59 | 0:37:03 | |
Nuts and bolts and iron girders and they're all made of chocolate. | 0:37:03 | 0:37:07 | |
Everything's made out of chocolate. The main piece of it is actually | 0:37:07 | 0:37:10 | |
the curly bit over there which is coming out from yesterday's | 0:37:10 | 0:37:13 | |
-prep time. -What are the risks with something being a metre high? | 0:37:13 | 0:37:16 | |
The maths of whether it was going to be too front heavy, | 0:37:16 | 0:37:19 | |
whether it was going to collapse. The balance. | 0:37:19 | 0:37:21 | |
Make sure the line of gravity was right through the centre. | 0:37:21 | 0:37:24 | |
So mathematicians, physicists and pastry chefs. | 0:37:24 | 0:37:28 | |
We're trying our best. | 0:37:28 | 0:37:30 | |
Liam's Armed Forces boys are only one point behind the leaders. | 0:37:30 | 0:37:34 | |
Their chocolate sculpture could be the difference between winning | 0:37:34 | 0:37:38 | |
and going home. | 0:37:38 | 0:37:40 | |
Every time I touch it, there's every likelihood it'll get damaged. | 0:37:40 | 0:37:44 | |
Of course, we're taking a risk. | 0:37:44 | 0:37:47 | |
We don't have a back up. | 0:37:47 | 0:37:50 | |
-You need to be careful because that's going to go. -Yeah. | 0:37:50 | 0:37:53 | |
Just be careful. | 0:37:53 | 0:37:56 | |
-The other team is doing nuts and bolts. All men. -The boys over there. | 0:37:56 | 0:38:01 | |
-All men. Here, little daisies. -Yeah, pretty girlie things. | 0:38:01 | 0:38:05 | |
Pretty girlie things. | 0:38:05 | 0:38:07 | |
I won't go near that because I'm not like a pretty girl. | 0:38:07 | 0:38:10 | |
OK, mate, presentation. Tell me what it's going to be. | 0:38:10 | 0:38:13 | |
The whole idea is that the main components of the trifle | 0:38:13 | 0:38:16 | |
looks like a terracotta pot, but you can actually eat the whole thing. | 0:38:16 | 0:38:19 | |
Kumiko's English country garden will feature | 0:38:19 | 0:38:22 | |
36 edible plant pot trifles | 0:38:22 | 0:38:24 | |
made of pear compote, | 0:38:24 | 0:38:26 | |
gin sponge, | 0:38:26 | 0:38:27 | |
elderflower jelly, pear mousse, | 0:38:27 | 0:38:30 | |
and a cream anglaise. | 0:38:30 | 0:38:32 | |
It will be served on a bed | 0:38:32 | 0:38:33 | |
of chocolate soil and flowers, | 0:38:33 | 0:38:35 | |
with a watering can of quince coulis. | 0:38:35 | 0:38:38 | |
-You are one point in the lead. -I know! One point... | 0:38:38 | 0:38:40 | |
One point is all it takes to win. | 0:38:40 | 0:38:42 | |
One point is nothing, though, and the guys are right on our tail. | 0:38:42 | 0:38:46 | |
It's still anyone's game. | 0:38:46 | 0:38:48 | |
'Kumiko has asked Anais to make a start on the chocolate flowers | 0:38:49 | 0:38:53 | |
'for the showpiece.' | 0:38:53 | 0:38:54 | |
Anais, Anais. | 0:38:54 | 0:38:55 | |
THEY SPEAK FRENCH | 0:38:57 | 0:38:59 | |
Team Felicien are also going green. | 0:39:16 | 0:39:18 | |
We're going to make like a... | 0:39:18 | 0:39:20 | |
a mini version of a Japanese garden. | 0:39:20 | 0:39:23 | |
Their Japanese-inspired trifle | 0:39:24 | 0:39:26 | |
will have a matcha sponge and mousse, | 0:39:26 | 0:39:29 | |
and a ring of cherry jelly. | 0:39:29 | 0:39:31 | |
It will sit within a garden of chocolate rocks and bonsai trees. | 0:39:31 | 0:39:35 | |
A sugar river will twist its way under a chocolate bridge | 0:39:35 | 0:39:39 | |
and through a bed of chocolate soil. | 0:39:39 | 0:39:41 | |
Japanese-inspired old English trifle. | 0:39:41 | 0:39:44 | |
-Made by French and Bulgarian people. -Made by French and Bulgarian...! | 0:39:44 | 0:39:47 | |
-It's a multinational trifle. -Yes. | 0:39:47 | 0:39:49 | |
'While Felicien takes charge of the trifle... | 0:39:49 | 0:39:52 | |
'..Irina and Loic are given the dirty work.' | 0:39:56 | 0:39:59 | |
We're making some rocks made of chocolate | 0:40:00 | 0:40:03 | |
to fit in our Japanese garden theme. | 0:40:03 | 0:40:05 | |
The fact there's a balloon with Happy Birthday written on it | 0:40:05 | 0:40:08 | |
is no relevance to what we're trying to achieve? | 0:40:08 | 0:40:10 | |
-Not really, that's what we found. -OK, OK. | 0:40:10 | 0:40:12 | |
'After the first challenge, they're in last place.' | 0:40:12 | 0:40:15 | |
How are you feeling after this morning? | 0:40:15 | 0:40:17 | |
I think we feel motivated to really give our best. | 0:40:18 | 0:40:22 | |
This morning was wrong, but we're going to get 150 points from the judges. | 0:40:22 | 0:40:26 | |
You're going to get 150? That's what I like to hear. | 0:40:26 | 0:40:29 | |
We can make it, and we will make it. | 0:40:29 | 0:40:31 | |
-Make sure you put my hairdryer back when you're finished with it. -Of course I will! | 0:40:31 | 0:40:34 | |
-Oh, sorry... I think it's your hair... -Oh, yeah! | 0:40:35 | 0:40:38 | |
LAUGHTER | 0:40:38 | 0:40:39 | |
They really decided to take it all by the horn | 0:40:41 | 0:40:43 | |
and give everything they've got. | 0:40:43 | 0:40:45 | |
I think they're proud of the company they're working for. | 0:40:45 | 0:40:47 | |
Why should they leave the competition today? | 0:40:47 | 0:40:49 | |
Everything is to play for, of course. | 0:40:49 | 0:40:51 | |
In Kumiko's kitchen... | 0:40:51 | 0:40:53 | |
..they're sticking to the basics. | 0:40:54 | 0:40:56 | |
Trifle's a trifle at the end of the day, you know, you've got | 0:40:56 | 0:40:59 | |
to have the custard, you've got to have the jelly, and sponge... | 0:40:59 | 0:41:02 | |
Ten, 20, 30... Fingers crossed. | 0:41:02 | 0:41:03 | |
But there's one vital ingredient to be added to the sponge. | 0:41:05 | 0:41:09 | |
So what alcohol are you using? | 0:41:09 | 0:41:10 | |
-We've got gin and elderflower soaked sponge, and we love booze. -Yup. | 0:41:10 | 0:41:14 | |
-So... -LAUGHTER | 0:41:14 | 0:41:17 | |
The British love their booze | 0:41:17 | 0:41:18 | |
in the trifle, but the type of alcohol that they choose, | 0:41:18 | 0:41:23 | |
and the amount they put in, is so important. | 0:41:23 | 0:41:26 | |
I'm just testing it to see if it got enough gin in. | 0:41:26 | 0:41:28 | |
-Might need a little extra kick. Gin! -I'd want more gin. | 0:41:28 | 0:41:32 | |
-I'd want more gin. Let's add more gin. -Mmm. Yeah. | 0:41:32 | 0:41:35 | |
Are we OK, chefs? | 0:41:35 | 0:41:36 | |
Of course we are. | 0:41:38 | 0:41:39 | |
Now the booze is out, everything is OK. | 0:41:39 | 0:41:42 | |
We have a sherry-soaked sponge. Pedro Ximenez. | 0:41:42 | 0:41:45 | |
-Yeah, Pedro Ximenez, yeah. -We've gone for a boozy one. | 0:41:45 | 0:41:47 | |
With their sponge soaked in sherry, | 0:41:49 | 0:41:51 | |
the military boys turn to the other trifle classics... | 0:41:51 | 0:41:54 | |
Custard. | 0:41:56 | 0:41:57 | |
If I spill it, we're all going down as one. | 0:41:57 | 0:41:59 | |
And strawberry jelly. | 0:42:01 | 0:42:02 | |
It's quite a traditional trifle. | 0:42:02 | 0:42:05 | |
Yeah. | 0:42:05 | 0:42:06 | |
Felicien, on the other hand, is bending the rules. | 0:42:09 | 0:42:12 | |
He's curling his jelly around the outside. | 0:42:13 | 0:42:16 | |
So, it's a jelly, but... | 0:42:16 | 0:42:18 | |
slightly different. | 0:42:18 | 0:42:20 | |
The jelly has been set using agar, | 0:42:23 | 0:42:25 | |
so it will hold the trifle in place when it comes out of the mould. | 0:42:25 | 0:42:28 | |
Once the trifles have been assembled, | 0:42:33 | 0:42:35 | |
the teams must get them into the freezer | 0:42:35 | 0:42:37 | |
so they have time to set. | 0:42:37 | 0:42:40 | |
Get that in the chiller as fast as we can. | 0:42:40 | 0:42:42 | |
So we can hopefully un-mould. That's our biggest risk. | 0:42:42 | 0:42:45 | |
Pastry chefs, you have one hour remaining. That's one hour. | 0:42:45 | 0:42:49 | |
-Let's really push on, now, guys, yeah? -BOTH: Yes, Chef. | 0:42:50 | 0:42:53 | |
All of the teams are building their showpieces out of chocolate. | 0:42:56 | 0:43:00 | |
So that is some magic clever spray that's happening there? | 0:43:00 | 0:43:03 | |
Freeze spray, so it just shocks the chocolate into place. | 0:43:03 | 0:43:06 | |
So it's kind of like just blowing on really ice-cold air. | 0:43:06 | 0:43:09 | |
-That's it, chef, yeah. -How are we looking on sturdiness? | 0:43:09 | 0:43:11 | |
Just done. Wouldn't touch it just yet. | 0:43:12 | 0:43:14 | |
So, your structure is going to sit on there, yeah? | 0:43:14 | 0:43:16 | |
Liam's team must mount their one metre tower onto the base. | 0:43:17 | 0:43:22 | |
A very nerve-racking moment. | 0:43:22 | 0:43:23 | |
In practice before, shelves have collapsed. | 0:43:23 | 0:43:26 | |
Things break, and... | 0:43:26 | 0:43:28 | |
That's pretty much it. | 0:43:28 | 0:43:29 | |
-All right, onto there, yeah? -It's a delicate operation. | 0:43:31 | 0:43:34 | |
Shall we get it level? Need to be careful. | 0:43:36 | 0:43:40 | |
Fu... | 0:43:40 | 0:43:41 | |
-No, no, no. -Right, we need to get it back down. | 0:43:42 | 0:43:44 | |
-Back down. -Get it down. | 0:43:44 | 0:43:46 | |
-Lie it back down, the shelf's coming off. -All right, put that back on. | 0:43:46 | 0:43:50 | |
Do you know, it doesn't feel tempered at all. | 0:43:50 | 0:43:52 | |
Because it's so warm in here, it's melting the chocolate, | 0:43:52 | 0:43:54 | |
so it's not holding anything. | 0:43:54 | 0:43:56 | |
We've had a little bit of a problem. | 0:43:56 | 0:43:58 | |
So we're just going to re-scrape, | 0:43:58 | 0:44:01 | |
re-temper some chocolate, | 0:44:01 | 0:44:03 | |
and start again. | 0:44:03 | 0:44:05 | |
'In the next door kitchen...' | 0:44:05 | 0:44:07 | |
This looks like breakfast cereal. | 0:44:07 | 0:44:09 | |
-Exactly. -It's breakfast cereal in white chocolate. | 0:44:09 | 0:44:11 | |
It's breakfast cereals in white chocolate. | 0:44:11 | 0:44:13 | |
'Felicien's team from the Savoy are assembling | 0:44:15 | 0:44:17 | |
'their Japanese-inspired showpiece.' | 0:44:17 | 0:44:20 | |
-So, this bonsai, it's made of chocolate? -Yes. | 0:44:20 | 0:44:22 | |
That's very skinny. | 0:44:24 | 0:44:26 | |
This one will be the river for our Japanese garden. | 0:44:28 | 0:44:32 | |
-What is it? -Kind of like lollipop. -Kind of like a lollipop? | 0:44:32 | 0:44:35 | |
-It is edible? -Yeah. | 0:44:35 | 0:44:37 | |
Now, we're going to play a bit with the white. | 0:44:37 | 0:44:40 | |
Makes it look like white-water rapids. | 0:44:40 | 0:44:42 | |
Makes me want to get in a little kayak | 0:44:42 | 0:44:45 | |
and have a little paddle down it. | 0:44:45 | 0:44:47 | |
-Well done, chief. -It's not me, it's all the team. -It's a team. | 0:44:48 | 0:44:51 | |
-Yeah, yeah, teamwork. -Live and die as one team. -Yeah, yeah, yeah. | 0:44:51 | 0:44:55 | |
'While Felicien's team are right back in contention, | 0:44:55 | 0:44:58 | |
'in Kumiko's kitchen...' | 0:44:58 | 0:45:00 | |
-Can you just try un-moulding that pot? -It's very soft. | 0:45:00 | 0:45:03 | |
Leave it in longer. | 0:45:04 | 0:45:05 | |
..their trifles are nowhere near set. | 0:45:05 | 0:45:07 | |
We'll check the trifle again. | 0:45:07 | 0:45:09 | |
Give it 20 minutes. | 0:45:09 | 0:45:10 | |
Getting a bit to the rushing stage. We are behind on this, now. | 0:45:12 | 0:45:15 | |
All right, we ready to go again? | 0:45:15 | 0:45:17 | |
The Armed Forces team have repaired their showpiece... | 0:45:17 | 0:45:20 | |
-Reckon it's going to work? -I hope so. -A bit more sturdy, yeah? | 0:45:20 | 0:45:23 | |
-..and are ready to mount it again. -Very nervous at the minute. | 0:45:23 | 0:45:26 | |
-Moment of truth. -Yeah. | 0:45:27 | 0:45:29 | |
Aw. | 0:45:29 | 0:45:31 | |
Nope. That's both gone. | 0:45:34 | 0:45:35 | |
-Right, come on. Come on, lads. -Need to scrape off and start again. | 0:45:40 | 0:45:43 | |
Pastry chefs, you have half an hour. | 0:45:43 | 0:45:47 | |
That is 30 minutes remaining. | 0:45:47 | 0:45:49 | |
This is carnage. | 0:45:51 | 0:45:54 | |
Whilst Liam's lads start over... | 0:45:54 | 0:45:57 | |
Not how we wanted it. | 0:45:57 | 0:45:58 | |
-Come on, Andy. -Yeah, I can only go as fast as that, mate. | 0:45:58 | 0:46:01 | |
..Kumiko's English country garden... | 0:46:01 | 0:46:04 | |
Edible soil. | 0:46:04 | 0:46:05 | |
Not too neat like that. I want it messy. | 0:46:05 | 0:46:08 | |
..and Felicien's Japanese garden... | 0:46:11 | 0:46:14 | |
-So that's going to be the stand for the trifle. -..are taking shape. | 0:46:14 | 0:46:18 | |
This is a little bridge. | 0:46:20 | 0:46:22 | |
Multiple pieces of chocolate, like dark, white, and milk. | 0:46:23 | 0:46:26 | |
It's going to be the support for our trees. | 0:46:27 | 0:46:30 | |
Just getting everything ready. | 0:46:31 | 0:46:32 | |
-But there's one thing missing. -It's not frozen. | 0:46:34 | 0:46:37 | |
-We just miss the trifle. -OK. -It's still in the freezer. | 0:46:39 | 0:46:43 | |
Same issue as this morning, the blaster freezer. | 0:46:43 | 0:46:46 | |
-So your trifle might not be set? -(Yeah.) -Mate, mate, mate, mate. | 0:46:46 | 0:46:52 | |
Felicien is in a bit of pain here for his team. | 0:46:52 | 0:46:54 | |
His trifle doesn't seem to be able to set. | 0:46:54 | 0:46:57 | |
It's a 50-50 call by the looks of it. | 0:46:57 | 0:46:59 | |
And they're not the only ones in trouble. | 0:47:04 | 0:47:06 | |
That's not going to come out. Stop, stop. | 0:47:06 | 0:47:09 | |
-It's not going to come out. -I think it will. | 0:47:09 | 0:47:11 | |
No, that's too liquid, no. | 0:47:11 | 0:47:12 | |
Their trifles haven't set. | 0:47:13 | 0:47:15 | |
Can't get them out. | 0:47:15 | 0:47:17 | |
-I know. -No way. | 0:47:17 | 0:47:19 | |
Yeah way. | 0:47:19 | 0:47:20 | |
New plan B, guys. | 0:47:20 | 0:47:22 | |
They've no choice but to leave them in their moulds. | 0:47:22 | 0:47:26 | |
It's a big disappointment. It would have been much more impressive to have the plant pot shape. | 0:47:26 | 0:47:30 | |
I'm sure you girls will be able to pull it out of the bag. | 0:47:30 | 0:47:32 | |
We'll go and cry after. | 0:47:32 | 0:47:33 | |
No, no tears, no tears! LAUGHTER | 0:47:33 | 0:47:34 | |
There's no need for tears. | 0:47:34 | 0:47:36 | |
How are we doing, special forces? | 0:47:39 | 0:47:41 | |
-Not so good? -All the shelves collapsed. | 0:47:41 | 0:47:43 | |
-All the shelves collapsed? -Yeah. | 0:47:43 | 0:47:45 | |
-Is it still going to be the same design shape? -It's less showy. | 0:47:46 | 0:47:49 | |
-Liam, are you still happy? -Not 100% happy right now. | 0:47:49 | 0:47:52 | |
All of that massive work, it must have been a heartbreaker. | 0:47:53 | 0:47:56 | |
-Just a touch, Chef. -Just a touch. | 0:47:56 | 0:47:57 | |
The pressure these guys must be under right now, I dread to think. | 0:47:58 | 0:48:02 | |
Ten minutes remaining. You have ten minutes. | 0:48:04 | 0:48:08 | |
-Ooh. -OK. Are we OK? -No. | 0:48:08 | 0:48:11 | |
-No, we're not OK. -Trifle is not set. -Can we repair it? -We going to try. | 0:48:11 | 0:48:15 | |
We'll spray it. | 0:48:15 | 0:48:16 | |
We're winging it. | 0:48:22 | 0:48:24 | |
When I was doing my A-levels, I did a whole project on trifle. | 0:48:24 | 0:48:27 | |
It's come back to haunt me. | 0:48:27 | 0:48:29 | |
Except this time, them three judges are worse than your teachers. | 0:48:29 | 0:48:32 | |
Oh, my God, like, 100 times worse. | 0:48:32 | 0:48:34 | |
Have you got a timescale to sort that piece out? | 0:48:34 | 0:48:36 | |
Erm, I couldn't give you one exactly at this moment. | 0:48:36 | 0:48:39 | |
You have about five minutes, | 0:48:40 | 0:48:42 | |
about five minutes to make this OK. | 0:48:42 | 0:48:44 | |
What do I do, Chef? We've got five minutes. I need to take them out. | 0:48:45 | 0:48:48 | |
(Oh, my God.) | 0:48:48 | 0:48:49 | |
This is really heart-in-the-mouth stuff, this is last-minute. | 0:48:49 | 0:48:53 | |
Proper nervy. | 0:48:53 | 0:48:54 | |
As soon as I can have that across here, can I get it across, mate? | 0:48:54 | 0:48:57 | |
-You reckon that is going to hold, now, do you? -I hope so, mate. | 0:48:58 | 0:49:01 | |
Fingers crossed, now. | 0:49:01 | 0:49:02 | |
Careful. | 0:49:03 | 0:49:05 | |
-Just be careful. -Oh, -BLEEP. | 0:49:05 | 0:49:07 | |
One minute. | 0:49:21 | 0:49:23 | |
One minute remaining. | 0:49:23 | 0:49:25 | |
I need that, ASAP. Yes, Chef. | 0:49:25 | 0:49:27 | |
-You going to be all right on your own? Yeah? -Be careful. Fu... | 0:49:27 | 0:49:30 | |
Be careful, because that's going to go. | 0:49:32 | 0:49:34 | |
Why did we do this idea, mate? | 0:49:36 | 0:49:37 | |
I don't know. | 0:49:37 | 0:49:39 | |
Macarons. | 0:49:40 | 0:49:41 | |
I need them now. | 0:49:41 | 0:49:43 | |
-Why did we enter this competition, mate? -I don't know. | 0:49:43 | 0:49:45 | |
-I want more jellies, I want more jellies. -Oh... Aah! | 0:49:45 | 0:49:48 | |
OK, pastry chefs, that is it. | 0:49:55 | 0:49:58 | |
Time is up. | 0:49:58 | 0:50:00 | |
-It's OK, it's OK. -The worst bit's coming. -Well done! | 0:50:00 | 0:50:04 | |
It's OK. It's OK. | 0:50:04 | 0:50:05 | |
-The worst bit's coming. -Well done. | 0:50:05 | 0:50:07 | |
We can eat everything in the garden? | 0:51:00 | 0:51:03 | |
Not everything. | 0:51:03 | 0:51:04 | |
The terracotta pots were supposed to be unmolded. | 0:51:04 | 0:51:07 | |
And are we going to have to eat inside? | 0:51:07 | 0:51:09 | |
Yeah, you'll have to eat it like a trifle, I'm afraid. | 0:51:09 | 0:51:12 | |
I want to do this. | 0:51:12 | 0:51:13 | |
I hope it works. | 0:51:13 | 0:51:14 | |
You should be able to pour it. Be a bit patient with it. | 0:51:14 | 0:51:17 | |
Oh, look at that! | 0:51:17 | 0:51:19 | |
-Do you want a little bit? -Oh, lovely. -Into your spoon. | 0:51:19 | 0:51:22 | |
Look at that! | 0:51:22 | 0:51:24 | |
It's fun. | 0:51:24 | 0:51:25 | |
I love the flavour of the quince jelly. | 0:51:26 | 0:51:29 | |
-It's a really underused English fruit. -Yeah. | 0:51:29 | 0:51:31 | |
I do have to say, though, | 0:51:31 | 0:51:33 | |
the texture of the mousse is a little bit gelatinous. | 0:51:33 | 0:51:36 | |
I can't taste the liqueur. | 0:51:36 | 0:51:38 | |
Jenny always says, "It could always use more gin. | 0:51:38 | 0:51:40 | |
-"It could always use more gin." -Jenny is spot on. -Yeah. | 0:51:40 | 0:51:43 | |
-BENOIT: -There are technical issues. | 0:51:43 | 0:51:45 | |
I could see this potentially done properly being a great dessert. | 0:51:45 | 0:51:49 | |
Aha. | 0:52:02 | 0:52:03 | |
Well... | 0:52:27 | 0:52:29 | |
You've come back. | 0:52:29 | 0:52:30 | |
You're back in the race now. | 0:52:30 | 0:52:32 | |
Visually, it's very elegant. | 0:52:32 | 0:52:34 | |
Very pretty. | 0:52:34 | 0:52:35 | |
Would I have thought we could move the trifle into Japan, | 0:52:35 | 0:52:39 | |
an Asian country? | 0:52:39 | 0:52:41 | |
You know, I'm a bit surprised, but it's a good surprise. | 0:52:41 | 0:52:44 | |
Is this jelly on the outside? | 0:52:46 | 0:52:47 | |
Yes. Everything is edible. | 0:52:47 | 0:52:49 | |
The river we did with sugar, | 0:52:49 | 0:52:53 | |
the tree with chocolate. | 0:52:53 | 0:52:54 | |
For sure, I can eat the whole slice because the mousse is just so light. | 0:52:59 | 0:53:03 | |
And then the acidity from the cherry, it just combines together. | 0:53:03 | 0:53:07 | |
Beautiful, for me. | 0:53:07 | 0:53:09 | |
I could have the whole lot, and feel as light as before I started. | 0:53:09 | 0:53:13 | |
So that's a very light dessert. | 0:53:13 | 0:53:15 | |
Trifle usually isn't, so... | 0:53:15 | 0:53:18 | |
It's a new concept of a trifle and I like the way it goes. | 0:53:18 | 0:53:23 | |
I'm too British. | 0:53:23 | 0:53:24 | |
It's more like an entremet than a trifle. | 0:53:24 | 0:53:27 | |
But the special thing for me about it was the jelly on the outside. | 0:53:27 | 0:53:30 | |
It was a real surprise and it's very innovative. | 0:53:30 | 0:53:33 | |
You went back fighting. | 0:53:33 | 0:53:36 | |
As I would expect from any pastry chef and especially a French one. | 0:53:36 | 0:53:39 | |
-Well done. -Well done, Chef. -Thank you. | 0:53:39 | 0:53:42 | |
Wow. | 0:53:53 | 0:53:54 | |
So that's the construction, | 0:54:14 | 0:54:16 | |
so that's the story of the trifle for the chocolate work. | 0:54:16 | 0:54:20 | |
-How was it for you? -We hit some real problems. | 0:54:20 | 0:54:23 | |
Real big problems. | 0:54:23 | 0:54:24 | |
All the shelves fell off, everything came off twice. | 0:54:24 | 0:54:27 | |
-Only twice? -Stop telling him that? | 0:54:27 | 0:54:30 | |
Not bad. I think it's great. | 0:54:30 | 0:54:32 | |
I love the curvaceous shape. It's very voluptuous. | 0:54:32 | 0:54:35 | |
And I like the way that it's kind of masculine but it's feminine as well. | 0:54:35 | 0:54:38 | |
Lots of curves and then you've got those nuts | 0:54:38 | 0:54:41 | |
and bolts stuck right in the middle of it. | 0:54:41 | 0:54:44 | |
It's a bit Yin and a bit Yang. | 0:54:44 | 0:54:47 | |
I love the colours. | 0:54:47 | 0:54:48 | |
Love all these coppers and golds. | 0:54:48 | 0:54:51 | |
Chocolate's dark and you've really brought some light into it. | 0:54:51 | 0:54:55 | |
You can sense the flavour of the strawberry quite well. | 0:55:00 | 0:55:03 | |
-And the sherry. -And the sherry, yeah. | 0:55:03 | 0:55:04 | |
It's a good choice of sherry. | 0:55:04 | 0:55:07 | |
It's definitely there, but it's not overpowering. | 0:55:07 | 0:55:10 | |
However, I do like my filling to be more flavoursome in the macarons. | 0:55:10 | 0:55:17 | |
-The macarons are perhaps your letdown. -Yes. | 0:55:17 | 0:55:21 | |
You haven't got that typical almond kind of flavour. | 0:55:21 | 0:55:24 | |
It's slightly too sweet. | 0:55:24 | 0:55:25 | |
-But well done. -Well done, Chef. | 0:55:25 | 0:55:27 | |
Cheers, Chef. | 0:55:29 | 0:55:30 | |
Just fingers crossed now. | 0:55:35 | 0:55:37 | |
Humble military chef. | 0:55:37 | 0:55:39 | |
To be on this stage... | 0:55:39 | 0:55:41 | |
To be on this stage with the likes of Felicien and Kumiko, | 0:55:41 | 0:55:45 | |
it's an honour. | 0:55:45 | 0:55:47 | |
For your showpiece desserts, | 0:55:50 | 0:55:52 | |
each judge will award your team a possible score out of 50. | 0:55:52 | 0:55:57 | |
When added to the score from this morning's test, the team with | 0:55:57 | 0:56:00 | |
the most points automatically goes through to the semifinal. | 0:56:00 | 0:56:04 | |
Pastry chefs, I have the scores. | 0:56:11 | 0:56:14 | |
Kumiko. | 0:56:15 | 0:56:16 | |
In your showpiece, the judges awarded you... | 0:56:18 | 0:56:21 | |
Which gives you a total of 64 points | 0:56:29 | 0:56:32 | |
and when added to this morning's scores for the miniatures, | 0:56:32 | 0:56:35 | |
gives you a grand total of 112 points. | 0:56:35 | 0:56:39 | |
'A low score for Kumiko's team | 0:56:39 | 0:56:42 | |
'has left the door wide open for Felicien's team. | 0:56:42 | 0:56:46 | |
Felicien, the judges awarded you... | 0:56:46 | 0:56:48 | |
Which gives you a grand total of 91 points for your showpiece | 0:56:57 | 0:57:01 | |
and when added to your score from this morning, | 0:57:01 | 0:57:03 | |
gives you a grand total of 117. | 0:57:03 | 0:57:07 | |
'It's a strong recovery. | 0:57:08 | 0:57:10 | |
'But will it be enough to halt the advance of the military | 0:57:12 | 0:57:15 | |
'and seal a place in the semifinal?' | 0:57:15 | 0:57:18 | |
The judges awarded you... | 0:57:18 | 0:57:20 | |
And finally... | 0:57:30 | 0:57:31 | |
Which gives you a total of 95 points and then when added | 0:57:35 | 0:57:39 | |
to your score from the miniatures, gives you a grand total | 0:57:39 | 0:57:42 | |
of 142. | 0:57:42 | 0:57:44 | |
That means you're today's winners. | 0:57:44 | 0:57:47 | |
Congratulations, guys. | 0:57:47 | 0:57:48 | |
You now have a place in the semifinal. | 0:57:48 | 0:57:51 | |
Well done, guys. | 0:57:51 | 0:57:53 | |
Absolutely unbelievable. | 0:57:56 | 0:57:59 | |
Couldn't actually describe it in words right now. | 0:57:59 | 0:58:02 | |
-Phenomenal. -What a feeling! | 0:58:02 | 0:58:05 | |
-Well done. -Cheers, Chef. -Thank you, Chef. | 0:58:05 | 0:58:07 | |
I'm not going to give you a kiss, but there we go. | 0:58:07 | 0:58:10 | |
To show people that we can compete at this level | 0:58:10 | 0:58:12 | |
and we can stand shoulder to shoulder with these guys | 0:58:12 | 0:58:16 | |
is absolutely phenomenal. | 0:58:16 | 0:58:17 | |
A phenomenal achievement. | 0:58:17 | 0:58:20 | |
Well done. | 0:58:20 | 0:58:21 | |
Semifinals, boys, let's go! Let's get ready! | 0:58:21 | 0:58:23 | |
Can we take the aprons off? | 0:58:29 | 0:58:31 | |
Next time... | 0:58:31 | 0:58:32 | |
A macaroon master... | 0:58:32 | 0:58:34 | |
We do about 5,000 week. | 0:58:34 | 0:58:35 | |
Wow. | 0:58:35 | 0:58:36 | |
..takes on a team from a Scottish five-star hotel... | 0:58:36 | 0:58:39 | |
We just need to really rock on, Tommy. | 0:58:39 | 0:58:42 | |
..and a team of European bakers. | 0:58:42 | 0:58:44 | |
Mind the table, please. You'll give me a heart attack. | 0:58:44 | 0:58:47 | |
..in our tensest heat yet. | 0:58:47 | 0:58:48 | |
Oh, my God. | 0:58:50 | 0:58:51 | |
Who will be... | 0:58:51 | 0:58:52 | |
the creme de la creme? | 0:58:52 | 0:58:54 | |
Ooh! | 0:58:54 | 0:58:55 |