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-Tonight on Bake Off Creme De La Creme... -Let's go. | 0:00:02 | 0:00:04 | |
..it's the fifth and final heat. | 0:00:04 | 0:00:07 | |
A team from Wales who represent their country | 0:00:07 | 0:00:09 | |
at the Culinary Olympics... | 0:00:09 | 0:00:11 | |
My little arms can't cope. | 0:00:11 | 0:00:13 | |
..take on three chefs from a fine-dining restaurant | 0:00:13 | 0:00:16 | |
in Liverpool... | 0:00:16 | 0:00:17 | |
Sponge is very nice, Victor. | 0:00:17 | 0:00:19 | |
..and a team from Leeds united by their passion for chocolate. | 0:00:21 | 0:00:25 | |
-I love you. -I love you too, mate. | 0:00:25 | 0:00:27 | |
Punishing challenges... | 0:00:27 | 0:00:28 | |
Puts me 15 minutes behind. | 0:00:28 | 0:00:31 | |
I need to catch up. | 0:00:31 | 0:00:32 | |
..and the toughest judging we've seen so far. | 0:00:32 | 0:00:34 | |
I am bored. | 0:00:34 | 0:00:36 | |
There's nothing else I can say. I'm bored. | 0:00:36 | 0:00:38 | |
At stake, a place in the semifinals. | 0:00:38 | 0:00:42 | |
Quickly. You've got two minutes. | 0:00:42 | 0:00:43 | |
Who will be... | 0:00:43 | 0:00:45 | |
Chocolate sauce! Chocolate sauce! | 0:00:45 | 0:00:47 | |
..the creme de la creme? | 0:00:47 | 0:00:48 | |
I want Mary Berry! | 0:00:50 | 0:00:52 | |
Here at the Welbeck Estate on the edge of Sherwood Forest, | 0:01:19 | 0:01:23 | |
we're searching for the finest pastry chefs working in the UK. | 0:01:23 | 0:01:27 | |
Welcome, chefs. | 0:01:30 | 0:01:32 | |
I hope you've settled in OK | 0:01:32 | 0:01:34 | |
and are ready for battle. | 0:01:34 | 0:01:35 | |
Judges, please. | 0:01:37 | 0:01:39 | |
The teams are being judged by three of the world's leading pastry chefs, | 0:01:39 | 0:01:44 | |
Cherish Finden, Claire Clark and Benoit Blin. | 0:01:44 | 0:01:48 | |
-Three judges... -Morning, chefs. | 0:01:48 | 0:01:50 | |
..two formidable challenges | 0:01:50 | 0:01:53 | |
and only one guaranteed place in the semifinal. | 0:01:53 | 0:01:56 | |
We start today with the miniatures. | 0:01:58 | 0:02:01 | |
This is to test your precision | 0:02:01 | 0:02:02 | |
when producing high-volume, small, fine patisserie. | 0:02:02 | 0:02:06 | |
Three different types, 36 of each type, | 0:02:07 | 0:02:10 | |
108 in total, | 0:02:10 | 0:02:12 | |
and each pastry in every batch must be identical. | 0:02:12 | 0:02:16 | |
You have three hours, chefs. | 0:02:16 | 0:02:18 | |
Best of luck. | 0:02:18 | 0:02:20 | |
Your time starts now. | 0:02:20 | 0:02:23 | |
Let's go. | 0:02:24 | 0:02:25 | |
The teams have been asked to produce a classic layered slice, | 0:02:31 | 0:02:34 | |
a handcrafted pastry and a geometric petit gateau. | 0:02:34 | 0:02:38 | |
This heat's petit gateau must be in the shape of a cube. | 0:02:39 | 0:02:43 | |
Perhaps one of the simplest kind of shapes. | 0:02:43 | 0:02:47 | |
Having said that, we will need to see precision. | 0:02:47 | 0:02:50 | |
Where will the surprise come from? | 0:02:50 | 0:02:52 | |
Will it come from the fact that they will use the cube in a different way | 0:02:52 | 0:02:56 | |
or will they surprise us with what's inside the cube? | 0:02:56 | 0:03:00 | |
I've been competing on and off for about 20 years. | 0:03:00 | 0:03:04 | |
Yeah, I do always get nervous, | 0:03:04 | 0:03:06 | |
but, now we've started, it's fine. | 0:03:06 | 0:03:08 | |
Karl is the executive pastry chef | 0:03:10 | 0:03:13 | |
at the five-star Celtic Manor Resort in Newport, South Wales. | 0:03:13 | 0:03:17 | |
He's put together a team of former colleagues | 0:03:17 | 0:03:20 | |
who, like him, compete for Wales. | 0:03:20 | 0:03:23 | |
Amit and I are working together now | 0:03:23 | 0:03:25 | |
towards the 2016 Culinary Olympics in Erfurt | 0:03:25 | 0:03:28 | |
and Fi will be heading up the pastry section | 0:03:28 | 0:03:30 | |
for the junior team. | 0:03:30 | 0:03:31 | |
It's a really big deal to be representing Wales | 0:03:31 | 0:03:33 | |
and we're really proud of it. | 0:03:33 | 0:03:35 | |
-God. -Erm... | 0:03:37 | 0:03:39 | |
I'll pay you both later. | 0:03:39 | 0:03:41 | |
He's a calm leader. | 0:03:41 | 0:03:42 | |
Yeah, he's more like a friend than a leader, I'd say, yeah. | 0:03:42 | 0:03:45 | |
I think everybody thinks that just the normal chefs | 0:03:45 | 0:03:47 | |
knock out all the pastries and things like that, | 0:03:47 | 0:03:49 | |
whereas, no, no, there's a bunch of artists in the background. | 0:03:49 | 0:03:53 | |
Oven is a little faster. | 0:03:55 | 0:03:56 | |
-The ovens are faster, did you say? -Yes. | 0:03:56 | 0:04:00 | |
Karl's Welsh team will be layering their cube | 0:04:00 | 0:04:02 | |
with a granola crumble lemon sponge and fruit-flavoured buttercreams. | 0:04:02 | 0:04:07 | |
It will be centred with a blueberry gel | 0:04:07 | 0:04:10 | |
and topped with a layer of creme fraiche mousse. | 0:04:10 | 0:04:13 | |
Cut the crispy edges off and give it a good brush with this. | 0:04:13 | 0:04:18 | |
You have to make it moist. | 0:04:18 | 0:04:20 | |
Very moist or mildly moist? | 0:04:20 | 0:04:22 | |
Moist moist. | 0:04:22 | 0:04:24 | |
Karl has chosen to leave the sides of his cube exposed | 0:04:26 | 0:04:30 | |
so precise layering is vital. | 0:04:30 | 0:04:33 | |
How many times have you practised this? | 0:04:33 | 0:04:35 | |
As a full run-through, | 0:04:35 | 0:04:38 | |
-twice. -Twice. And then, out of those two times, | 0:04:38 | 0:04:41 | |
how many times have you completed it all in the three hours? | 0:04:41 | 0:04:45 | |
-Never! -We haven't. | 0:04:45 | 0:04:47 | |
-You haven't? -No. | 0:04:47 | 0:04:48 | |
-Was that nervous laughter? -Yeah, nervous giggle. | 0:04:48 | 0:04:50 | |
Always got a nervous giggle. | 0:04:50 | 0:04:53 | |
In the next-door kitchen... | 0:04:53 | 0:04:55 | |
You sure you want the whisk on that or the paddle? | 0:04:55 | 0:04:58 | |
Ooh, paddle probably is better, yeah. | 0:04:58 | 0:05:01 | |
Leeds-based Stephen is a chocolatier by trade. | 0:05:01 | 0:05:06 | |
Me and my wife started making chocolate at home in the kitchen. | 0:05:06 | 0:05:09 | |
We've literally grown it from our kitchen table | 0:05:09 | 0:05:12 | |
to being served on BA first class | 0:05:12 | 0:05:14 | |
and some of the finest restaurants in the country. | 0:05:14 | 0:05:16 | |
Joining his team are two of the best pastry chefs | 0:05:16 | 0:05:19 | |
from his extensive list of contacts. | 0:05:19 | 0:05:21 | |
Are we going to say we're the dream team together? | 0:05:21 | 0:05:24 | |
No, I'm not saying the dream team. It's too cheesy. | 0:05:24 | 0:05:26 | |
Stefan is the head pastry chef at two upscale restaurants | 0:05:26 | 0:05:29 | |
also in Leeds. | 0:05:29 | 0:05:31 | |
Stefan Rose. | 0:05:31 | 0:05:32 | |
My pastry name is Stefan Souffle. | 0:05:32 | 0:05:36 | |
And Portuguese-born Nelson has been schooled in five-star hotels | 0:05:36 | 0:05:40 | |
and Michelin-starred restaurants and joins the team from London. | 0:05:40 | 0:05:44 | |
I lacked experience of restaurants | 0:05:44 | 0:05:47 | |
and working with plated desserts and frozen desserts. | 0:05:47 | 0:05:51 | |
They don't get a lot of chocolate exposure | 0:05:51 | 0:05:53 | |
so, hopefully, we can help complement each other. | 0:05:53 | 0:05:56 | |
How are we doing at the back, Nelson? You OK? | 0:05:56 | 0:05:58 | |
-Very well, Thank you, Chef. -OK, Stefan, Stephen, you OK? | 0:05:58 | 0:06:01 | |
-Settled in all right? -Yeah, getting there. | 0:06:01 | 0:06:03 | |
-So a bit manic but... -Bit manic? -Settling in and cracking on. | 0:06:03 | 0:06:07 | |
In terms of training, where did you train? | 0:06:07 | 0:06:09 | |
Myself, more of a passion than a classical training. | 0:06:09 | 0:06:12 | |
Yeah, so self-taught chocolatier, because I'm a chocoholic by nature. | 0:06:12 | 0:06:16 | |
So you've taught yourself chocolate? | 0:06:16 | 0:06:18 | |
What were you doing before your interest in chocolate took hold? | 0:06:18 | 0:06:21 | |
-I was an IT consultant. -You were an IT consultant? | 0:06:21 | 0:06:24 | |
Stephen's team will be layering their cube with pecan praline cream, | 0:06:24 | 0:06:29 | |
yuzu jelly, pecan nut streusel and pecan sponge cake. | 0:06:29 | 0:06:34 | |
It will be topped with sprayed chocolate. | 0:06:34 | 0:06:36 | |
Captain Stephen has given himself | 0:06:38 | 0:06:40 | |
the job of making the pecan praline cream. | 0:06:40 | 0:06:43 | |
This sugar needs to go with the eggs. | 0:06:43 | 0:06:45 | |
-Where's the eggs? -That's for the egg white, no? | 0:06:45 | 0:06:47 | |
The eggs are in here. I've already put sugar in. | 0:06:47 | 0:06:50 | |
-Have I? -What's in there? -This is pecan, | 0:06:50 | 0:06:53 | |
cream, gelatine and eggs. | 0:06:53 | 0:06:55 | |
-There's no sugar. We're -BLEEP. | 0:06:55 | 0:06:58 | |
-For the mousse? -Yeah. -You need to whisk the eggs and the sugar first. | 0:06:58 | 0:07:01 | |
-Until they're pale and fluffy. -Yeah, that's right. | 0:07:01 | 0:07:03 | |
And then add this to it, yeah? | 0:07:03 | 0:07:05 | |
Forgetting to whip the egg whites with the sugar first | 0:07:05 | 0:07:08 | |
is going to take valuable time to fix. | 0:07:08 | 0:07:10 | |
In the third kitchen... | 0:07:11 | 0:07:13 | |
I'm making the chocolate mousse | 0:07:13 | 0:07:14 | |
which is going to be as a layer for our gateau | 0:07:14 | 0:07:19 | |
and Victor's making pistachio and mint flavour sponge | 0:07:19 | 0:07:23 | |
and Simon's making our base. | 0:07:23 | 0:07:25 | |
Tomas's culinary journey began a long way from Liverpool, | 0:07:25 | 0:07:29 | |
the city he now calls home. | 0:07:29 | 0:07:31 | |
I was born in Slovakia. | 0:07:31 | 0:07:33 | |
Ever since a little boy, I was raised around food | 0:07:33 | 0:07:36 | |
because my dad, he had a restaurant. | 0:07:36 | 0:07:38 | |
Always loved eating, always loved trying different things | 0:07:38 | 0:07:41 | |
and playing with the different flavours. | 0:07:41 | 0:07:43 | |
I fell in love with pastry | 0:07:43 | 0:07:44 | |
when I first moved in Liverpool seven and a half years ago. | 0:07:44 | 0:07:48 | |
Tomas has assembled a team of pastry colleagues from Panoramic 34, | 0:07:48 | 0:07:52 | |
a fine-dining restaurant | 0:07:52 | 0:07:54 | |
which sits 300 feet above the famous Liverpool docks. | 0:07:54 | 0:07:58 | |
This is Victor and this is Simon. | 0:07:58 | 0:08:01 | |
And we work together for about a year and half | 0:08:01 | 0:08:04 | |
and we just work together great as a team. | 0:08:04 | 0:08:06 | |
I'm from Liverpool, Tomas is from Slovakia | 0:08:06 | 0:08:09 | |
and Victor's from the Dominican Republic, | 0:08:09 | 0:08:11 | |
so that brings a lot of different backgrounds | 0:08:11 | 0:08:14 | |
and skill-sets to the table. | 0:08:14 | 0:08:15 | |
We are a strong team | 0:08:15 | 0:08:17 | |
because we are together every day. | 0:08:17 | 0:08:20 | |
We work very well as a team | 0:08:20 | 0:08:21 | |
because we are friends even outside of work. | 0:08:21 | 0:08:24 | |
We're all going to work together and do the gateau. | 0:08:27 | 0:08:30 | |
Get that done because that needs to be chilled so we need to get that... | 0:08:30 | 0:08:33 | |
That our first job to get out the way. | 0:08:33 | 0:08:35 | |
Tomas's team layering back up with mint and pistachio-flavoured sponge | 0:08:35 | 0:08:39 | |
and chocolate mousse. | 0:08:39 | 0:08:41 | |
It will be sprayed in dark chocolate | 0:08:41 | 0:08:43 | |
and garnished with a pistachio tuile. | 0:08:43 | 0:08:46 | |
Sponge is very nice, Victor. | 0:08:46 | 0:08:47 | |
With the sponge a hit, they move on to the chocolate mousse. | 0:08:53 | 0:08:57 | |
We're a little bit under pressure. | 0:08:57 | 0:08:58 | |
In an ideal world, it would take probably at least two to four hours | 0:08:58 | 0:09:02 | |
to set properly and we only have three hours to finish product | 0:09:02 | 0:09:05 | |
so it's important to go in the blast freezer. | 0:09:05 | 0:09:07 | |
Over with the Leeds boys... | 0:09:08 | 0:09:10 | |
OK, let's try and rescue this. | 0:09:10 | 0:09:13 | |
..Nelson is fixing Stephen's praline cream. | 0:09:13 | 0:09:16 | |
Managed to rescue that. | 0:09:16 | 0:09:18 | |
Top man. Thank you. | 0:09:19 | 0:09:21 | |
-How are you on your stuff? -On my stuff? I'm behind. | 0:09:21 | 0:09:25 | |
I have to catch up. | 0:09:25 | 0:09:26 | |
The gel's not set. | 0:09:26 | 0:09:28 | |
They'd planned on layering their cube with a yuzu jelly | 0:09:28 | 0:09:32 | |
but it's failed to set. | 0:09:32 | 0:09:33 | |
We've just got the flavour. Let's go with the flavour, OK? | 0:09:36 | 0:09:38 | |
It'll soak through. | 0:09:40 | 0:09:41 | |
It's fine, Stephen. | 0:09:41 | 0:09:43 | |
Open the blast freezer. | 0:09:43 | 0:09:44 | |
Down there. | 0:09:48 | 0:09:49 | |
Now I need to catch up my stuff. | 0:10:02 | 0:10:04 | |
The second miniature the teams have been asked to deliver | 0:10:08 | 0:10:11 | |
is a coconut dacquoise slice. | 0:10:11 | 0:10:13 | |
Dacquoise is a type of meringue. | 0:10:13 | 0:10:16 | |
It's soft on the inside, slightly chewy and crisp on the outside. | 0:10:16 | 0:10:20 | |
We want to experience all of these textures. | 0:10:20 | 0:10:23 | |
Perfect dacquoise slice must be constructed | 0:10:23 | 0:10:26 | |
with pinpoint precision. | 0:10:26 | 0:10:28 | |
A cross-section should reveal clean straight lines | 0:10:28 | 0:10:32 | |
so knife skills are key. | 0:10:32 | 0:10:34 | |
Dacquoise is traditionally made with ground almonds or ground hazelnuts. | 0:10:34 | 0:10:38 | |
We're asking them to make it with coconut. | 0:10:38 | 0:10:40 | |
Now, this is harder. | 0:10:40 | 0:10:42 | |
If you don't cook the coconut dacquoise correctly, | 0:10:42 | 0:10:45 | |
you end up with tiny little bits of coconut between your teeth. | 0:10:45 | 0:10:48 | |
It's really unpleasant. | 0:10:48 | 0:10:50 | |
So this is in the dacquoise. | 0:10:50 | 0:10:52 | |
It's got some beautiful classic pina colada flavours, | 0:10:52 | 0:10:55 | |
so we have pineapple, rum, coconut. | 0:10:55 | 0:10:57 | |
Classic, you know? Taste of the tropical. | 0:10:57 | 0:11:00 | |
The lads from Leeds are making their dacquoise | 0:11:00 | 0:11:03 | |
with two layers of coconut meringue, | 0:11:03 | 0:11:05 | |
a pineapple cremeux and a coconut mousse. | 0:11:05 | 0:11:08 | |
It'll be topped with a pineapple and rum jelly. | 0:11:08 | 0:11:12 | |
OK, dacquoise is going in the oven, guys. | 0:11:12 | 0:11:14 | |
Amit is in charge of the dacquoise for the team from Wales. | 0:11:19 | 0:11:23 | |
He's decided to risk making two different baked layers, | 0:11:23 | 0:11:26 | |
a coconut joconde and a coconut dacquoise. | 0:11:26 | 0:11:30 | |
So, I need to make the sponge as quick as possible | 0:11:31 | 0:11:33 | |
and then get these baked, cooled, | 0:11:33 | 0:11:37 | |
so it's cool enough to layer up later on. | 0:11:37 | 0:11:42 | |
His dacquoise will be layered with the two sponges, a coconut mousse, | 0:11:42 | 0:11:46 | |
a mango ganache and a coconut ganache. | 0:11:46 | 0:11:50 | |
It will be glazed with dark chocolate | 0:11:50 | 0:11:52 | |
and topped with Swiss meringues. | 0:11:52 | 0:11:54 | |
But baking under competition conditions | 0:11:56 | 0:11:59 | |
can cause the simplest of mistakes. | 0:11:59 | 0:12:01 | |
OK? | 0:12:02 | 0:12:04 | |
Erm... | 0:12:04 | 0:12:05 | |
It's OK. | 0:12:08 | 0:12:10 | |
Adding the wrong ingredient | 0:12:11 | 0:12:13 | |
means Amit must start the mango ganache again. | 0:12:13 | 0:12:15 | |
Probably puts me 15 minutes behind. | 0:12:18 | 0:12:21 | |
But I have to do miracles now. | 0:12:21 | 0:12:25 | |
Come on. | 0:12:25 | 0:12:27 | |
I need this to work. | 0:12:27 | 0:12:28 | |
Victor from the Liverpool kitchen | 0:12:30 | 0:12:32 | |
is adding a splash of colour to his dacquoise. | 0:12:32 | 0:12:35 | |
This is the plain one, this coconut. | 0:12:35 | 0:12:36 | |
I just put the colour, yellow and white, yellow and white. | 0:12:36 | 0:12:40 | |
Their dacquoise will be layered with a passion fruit bavarois, | 0:12:42 | 0:12:45 | |
chocolate cremeux, coconut mousse and the multicoloured sponge. | 0:12:45 | 0:12:50 | |
You pipe one layer of white and followed by yellow, white, yellow, | 0:12:50 | 0:12:54 | |
so, when you cut it through, I already can imagine in my mind | 0:12:54 | 0:12:57 | |
that you will look really, really nice. | 0:12:57 | 0:12:59 | |
But they need to move a bit faster. | 0:12:59 | 0:13:02 | |
You know, I like to see dimension, I like to see a bit of dynamo, | 0:13:02 | 0:13:05 | |
I like to see a bit of passion. | 0:13:05 | 0:13:07 | |
At the moment, it's very slow and calm. | 0:13:07 | 0:13:09 | |
Pastry chefs, that is half-time. | 0:13:12 | 0:13:15 | |
You have one and a half hours remaining. | 0:13:15 | 0:13:17 | |
With the petit gateaux cubes and the dacquoise slices | 0:13:22 | 0:13:25 | |
setting in the blast chiller, | 0:13:25 | 0:13:27 | |
the teams turn to their third and final miniature, | 0:13:27 | 0:13:31 | |
a hand-crafted Breton fruit tart. | 0:13:31 | 0:13:34 | |
A sable shortbread base topped with the chef's own choice of fruit. | 0:13:34 | 0:13:38 | |
Fruit that you choose has to be in season. | 0:13:38 | 0:13:41 | |
The combination of the tart and the fruit | 0:13:41 | 0:13:44 | |
will make a perfect Breton fruit tart. | 0:13:44 | 0:13:47 | |
The Breton's sable base must be crumbly and light | 0:13:48 | 0:13:53 | |
and its slightly salty flavour should complement the sweet fruits. | 0:13:53 | 0:13:57 | |
I like a perfect-cooked pastry which is golden brown. | 0:13:57 | 0:14:02 | |
Can you imagine eating a doughy piece of pastry that is undercooked? | 0:14:02 | 0:14:06 | |
I will have stomach upset. | 0:14:06 | 0:14:09 | |
This is going in the base of the sable biscuits. | 0:14:09 | 0:14:11 | |
So I've got vanilla pod, orange zest | 0:14:11 | 0:14:14 | |
and a little bit of thyme just to add a bit more to the base flavours. | 0:14:14 | 0:14:19 | |
Onto their herb-infused sable base, | 0:14:20 | 0:14:23 | |
Karl's team are adding a creme chiboust | 0:14:23 | 0:14:26 | |
topped with summer berries, strawberry and passion fruit gels, | 0:14:26 | 0:14:30 | |
all served with a pipette of Pimm's. | 0:14:30 | 0:14:33 | |
By tinkering with the traditional sable ingredients, | 0:14:34 | 0:14:38 | |
they're going out on a limb. | 0:14:38 | 0:14:39 | |
With something else. | 0:14:44 | 0:14:45 | |
-Thyme! Oh, yeah. -It's really strong. | 0:14:45 | 0:14:47 | |
Nice. | 0:14:49 | 0:14:50 | |
Over with Tomas and the Liverpool lads... | 0:14:50 | 0:14:53 | |
Pastry need to be moulded. | 0:14:53 | 0:14:54 | |
They're just going in the blast freezer now, | 0:14:54 | 0:14:56 | |
just for five, ten minutes so I can work with it straight away. | 0:14:56 | 0:15:00 | |
They'll fill their handcrafted sable bases with orange-infused | 0:15:01 | 0:15:04 | |
diplomat cream and assorted berries. | 0:15:04 | 0:15:07 | |
It will be coated in a bitter orange glaze | 0:15:07 | 0:15:09 | |
and sprinkled with almond streusel. | 0:15:09 | 0:15:12 | |
The sable base, Victor's doing the pastry cream for it. | 0:15:12 | 0:15:15 | |
I've got the glazes going on now, | 0:15:15 | 0:15:17 | |
so we're getting on with it. | 0:15:17 | 0:15:19 | |
In the next kitchen... | 0:15:19 | 0:15:21 | |
200g of egg yolk, the sugar as well. | 0:15:21 | 0:15:23 | |
So we're going to cream it till it's nice and fluffy. OK? | 0:15:23 | 0:15:25 | |
..Nelson's guiding Stephen through the mousse recipe for their fruit tart. | 0:15:25 | 0:15:30 | |
Sorry, Nelson, which one do you want me to do? | 0:15:30 | 0:15:32 | |
What am I doing? Which recipe? | 0:15:32 | 0:15:34 | |
-200g of egg yolks. -OK. | 0:15:34 | 0:15:36 | |
They're creating a Breton tart layered with fig and blackberries | 0:15:38 | 0:15:41 | |
and a mascarpone and black pepper mousse. | 0:15:41 | 0:15:44 | |
For a uniform batch of sable bases, Nelson weighs each piece | 0:15:46 | 0:15:49 | |
of dough individually, before rolling and baking them. | 0:15:49 | 0:15:54 | |
Whereas Welsh lass Ffion is saving time by creating | 0:15:54 | 0:15:58 | |
large blocks which will be hand-cut after baking. | 0:15:58 | 0:16:01 | |
We're just pressing the finger, giving it a little edge | 0:16:02 | 0:16:05 | |
so it's easier for us to fill the tart. | 0:16:05 | 0:16:07 | |
And Tomas, captain of the Liverpool team, | 0:16:08 | 0:16:11 | |
is taking a gamble with timing | 0:16:11 | 0:16:13 | |
to impress the judges, shaping each base by hand. | 0:16:13 | 0:16:17 | |
We're going to do our very best to shape them all the same. | 0:16:17 | 0:16:20 | |
Tomas's team, oh, my word. | 0:16:20 | 0:16:21 | |
I am worried. | 0:16:21 | 0:16:24 | |
Very laid-back. | 0:16:24 | 0:16:25 | |
-They're chilled. -They're a bit chill. -Very chilled. | 0:16:25 | 0:16:28 | |
We will see what is the end result. | 0:16:28 | 0:16:31 | |
Karl's team, what is your thought about them? | 0:16:31 | 0:16:34 | |
They seem to be in a panic. | 0:16:34 | 0:16:36 | |
You know, they're all over the place. | 0:16:36 | 0:16:39 | |
Well, I've been observing Stephen's team, | 0:16:39 | 0:16:41 | |
and it looks like pressure is building up. | 0:16:41 | 0:16:44 | |
Panic is starting to hit and the work organisation is crumbling. | 0:16:44 | 0:16:50 | |
Having said that, there is some lovely pecan nut | 0:16:50 | 0:16:53 | |
and chocolate flavour I am dying to taste. | 0:16:53 | 0:16:56 | |
-I saw that too. Yeah. -Yum, yum. -Yum, yum, yum. It smells good. | 0:16:56 | 0:16:59 | |
OK, pastry chefs. | 0:17:02 | 0:17:04 | |
You have half an hour remaining. | 0:17:04 | 0:17:07 | |
That is 30 minutes. | 0:17:07 | 0:17:09 | |
How are we doing, Victor? | 0:17:14 | 0:17:15 | |
-A little bit busy now. -A little bit busy now. | 0:17:15 | 0:17:19 | |
The pace has picked up a little bit in this kitchen. | 0:17:19 | 0:17:21 | |
Are you going to be done in time, are you going to be ready? | 0:17:21 | 0:17:23 | |
Well, we are going to have to make a few changes in our plan, but... | 0:17:23 | 0:17:27 | |
-You're going to have to make in you changes in your plan? -Yeah. | 0:17:27 | 0:17:30 | |
I mean, there was going to be coconut decoration, | 0:17:30 | 0:17:32 | |
and we were going to spray the gateaux, but it's not going to happen, not enough time. | 0:17:32 | 0:17:36 | |
It's still going to be amazing though, isn't it, Simon? | 0:17:36 | 0:17:38 | |
-Yeah, of course. -Yeah? -Positive thinking, that's the way. | 0:17:38 | 0:17:41 | |
With all the teams' sable bases in the oven... | 0:17:41 | 0:17:45 | |
Watch your biscuits in there, Fi, | 0:17:45 | 0:17:46 | |
because that oven seems to be browning quite harshly. | 0:17:46 | 0:17:49 | |
..they begin the final assembly of their petit gateaux cubes. | 0:17:49 | 0:17:53 | |
But with no time to spray them, | 0:17:59 | 0:18:00 | |
the Liverpool lads have had to come up with an alternative plan. | 0:18:00 | 0:18:05 | |
They should be sprayed with cocoa butter and chocolate to give | 0:18:05 | 0:18:09 | |
a chocolate finish, but we've had to leave that bit off. | 0:18:09 | 0:18:13 | |
-No time to do it. -No time to do it. | 0:18:13 | 0:18:15 | |
This is part of the garnish for the cube. | 0:18:24 | 0:18:26 | |
I'm going to roll them up into little cylinders and wrap them in silver leafs, | 0:18:26 | 0:18:30 | |
so they look like a little individual Fruit Pastille wrapped up. | 0:18:30 | 0:18:32 | |
It's a bit weird to look at to eat because you think you're eating silver foil, but it's all right. | 0:18:32 | 0:18:36 | |
-It looks like you're eating silver foil. -Yeah. | 0:18:36 | 0:18:39 | |
Way to start your dessert. | 0:18:39 | 0:18:40 | |
You seem quite controlled and calm. | 0:18:43 | 0:18:45 | |
I'm all right. I'm just a good actor. | 0:18:45 | 0:18:47 | |
The other two are doing quite a good job of acting | 0:18:47 | 0:18:49 | |
that they're UNDER pressure. | 0:18:49 | 0:18:51 | |
-Guys, you're OK, yeah? -Yeah, I'm all right. -You're fine? | 0:18:51 | 0:18:54 | |
It's all good. | 0:18:54 | 0:18:56 | |
I'm using the J-cloth just to put all the prepared fruit on to, | 0:18:56 | 0:18:59 | |
so then all the excess moisture from the fruit can go on to there | 0:18:59 | 0:19:01 | |
and it doesn't go all over my tarts and make my sable soggy. | 0:19:01 | 0:19:05 | |
Nothing worse than a soggy sable. | 0:19:05 | 0:19:07 | |
Pastry chefs, you have 10 minutes left. | 0:19:08 | 0:19:10 | |
-Oh, -BLEEP. -Huge air bubble. | 0:19:21 | 0:19:23 | |
Just go with it. | 0:19:24 | 0:19:25 | |
That mishap from the first hour | 0:19:28 | 0:19:34 | |
cost me this 15, 20 minutes, | 0:19:34 | 0:19:35 | |
which is very crucial for doing a nice finish on a product. | 0:19:35 | 0:19:40 | |
But that's how it is. | 0:19:40 | 0:19:41 | |
Just go, go, go, go. | 0:19:54 | 0:19:56 | |
-Oh, man. -You OK? -It doesn't work. -It doesn't work? | 0:19:59 | 0:20:03 | |
Guys, just get something done. | 0:20:03 | 0:20:04 | |
Oh, it's always just at the end. It's the time element. | 0:20:16 | 0:20:19 | |
If we had no time limit we'd be fine. | 0:20:19 | 0:20:21 | |
Everything onto the presentation tables. | 0:20:32 | 0:20:34 | |
Ten, nine, eight, | 0:20:34 | 0:20:37 | |
seven, six, five, | 0:20:37 | 0:20:41 | |
four, three, | 0:20:41 | 0:20:43 | |
two, | 0:20:43 | 0:20:45 | |
one. | 0:20:45 | 0:20:46 | |
That is it, guys. | 0:20:48 | 0:20:49 | |
Well done, boys. Well done. | 0:20:52 | 0:20:55 | |
I'm not happy. | 0:20:55 | 0:20:56 | |
That was tough. That was tough. | 0:20:57 | 0:21:00 | |
Everyone was on the back foot today, I think. | 0:21:01 | 0:21:04 | |
Presentation nowhere near where we hoped for, | 0:21:04 | 0:21:06 | |
but we run out of time and we had to put something out. | 0:21:06 | 0:21:09 | |
We thought we'd got off to a good start, | 0:21:09 | 0:21:11 | |
but one or two things just went a little bit sideways. | 0:21:11 | 0:21:14 | |
Over 300 intricate miniatures made in just three hours. | 0:21:17 | 0:21:21 | |
And now the teams will have their work judged by three | 0:21:21 | 0:21:24 | |
of the most respected and exacting pastry chefs in the world. | 0:21:24 | 0:21:28 | |
The judges asked you to make 36 coconut dacquoise, | 0:21:28 | 0:21:33 | |
36 Breton fruit tartlets | 0:21:33 | 0:21:35 | |
and 36 petit gateaux in the shape of a cube. | 0:21:35 | 0:21:40 | |
Shall we see if you've delivered? | 0:21:40 | 0:21:42 | |
Tomas's team have served a coconut dacquoise with a chocolate cremeux, | 0:21:46 | 0:21:51 | |
coconut mousse, passion fruit and a mascarpone cream. | 0:21:51 | 0:21:55 | |
So the slice. Well, we've got the right quantity. | 0:21:55 | 0:21:58 | |
It's a little bit plain in colour. | 0:21:58 | 0:22:00 | |
Perhaps you would expect to see | 0:22:00 | 0:22:02 | |
a little bit more eye-catching elements. | 0:22:02 | 0:22:05 | |
Shall we get on and taste then, guys? | 0:22:05 | 0:22:07 | |
The dacquoise's texture is quite nice, | 0:22:13 | 0:22:15 | |
except for the fact I've got little bits of coconut | 0:22:15 | 0:22:18 | |
sticking to my teeth. | 0:22:18 | 0:22:20 | |
Taste-wise, I think it's just good, nothing more. | 0:22:20 | 0:22:23 | |
-Queen of Tart, Claire Clark, shall we move on to the tart? -Exactly. | 0:22:23 | 0:22:27 | |
I like my royal titles. | 0:22:27 | 0:22:29 | |
Their Breton tart is filled with orange-infused diplomat cream, | 0:22:29 | 0:22:33 | |
mixed berries and sprinkled with an almond streusel. | 0:22:33 | 0:22:36 | |
Well, Tomas. | 0:22:36 | 0:22:38 | |
It was lovely to see you actually handcrafting. | 0:22:38 | 0:22:40 | |
It's a handcraft challenge, and that's exactly what you did. | 0:22:40 | 0:22:45 | |
Do you know, that's a really good sable Breton. | 0:22:49 | 0:22:52 | |
It's crumbly, | 0:22:52 | 0:22:54 | |
it has a lovely butter texture. | 0:22:54 | 0:22:56 | |
Sable...a bit basic. | 0:22:56 | 0:22:58 | |
'Their petit gateaux cube is filled with mint and pistachio-flavoured sponge, | 0:23:03 | 0:23:08 | |
'chocolate mousse and coated in a dark chocolate.' | 0:23:08 | 0:23:11 | |
Cherish, what do you make of the cubes visually? | 0:23:11 | 0:23:13 | |
As for the glaze, it is not quite well-finished. | 0:23:13 | 0:23:17 | |
I can see that the corner of it has not been covered by the glaze. | 0:23:17 | 0:23:20 | |
It looks a bit clumsy, so I was thinking just use a palette knife, | 0:23:20 | 0:23:24 | |
scrape it so that it looks nice and covers the four corners as well. | 0:23:24 | 0:23:28 | |
-What is the name of your pastry? -Mint and pistachio gateaux. | 0:23:32 | 0:23:36 | |
But when you put mint, especially in the first word, | 0:23:36 | 0:23:39 | |
I expect to taste mint. | 0:23:39 | 0:23:41 | |
It has to be, "Wow, chocolate and mint is very refreshing. | 0:23:41 | 0:23:44 | |
"I really want to eat that." | 0:23:44 | 0:23:46 | |
I'm bored. There is nothing else I can say. I'm bored. | 0:23:46 | 0:23:49 | |
You know, guys, you have done something which is OK, | 0:23:49 | 0:23:52 | |
but that's not why you came all the way down from Liverpool. | 0:23:52 | 0:23:55 | |
You came here to show us, you know, the passion of a pastry chef | 0:23:55 | 0:23:59 | |
-and what else you can do. -Yeah. | 0:23:59 | 0:24:00 | |
OK then, judges. | 0:24:00 | 0:24:02 | |
-Thank you very much. -Thank you very much. | 0:24:02 | 0:24:04 | |
We can see three different characters in the kitchen, | 0:24:24 | 0:24:27 | |
three different ways of working, | 0:24:27 | 0:24:28 | |
and some are struggling more than others, | 0:24:28 | 0:24:31 | |
without saying anybody in particular. | 0:24:31 | 0:24:33 | |
THEY LAUGH | 0:24:33 | 0:24:35 | |
Amit, you seemed to have a bit of a morning, didn't you? | 0:24:35 | 0:24:38 | |
I had a...not a very good day today. | 0:24:38 | 0:24:41 | |
Karl's team have used mango, lime and chocolate flavours | 0:24:42 | 0:24:45 | |
in their coconut dacquoise slices. | 0:24:45 | 0:24:48 | |
So in terms of precision, I would expect you to use a ruler | 0:24:48 | 0:24:51 | |
and not cut free-handed. | 0:24:51 | 0:24:55 | |
I like it that little bit more uniform. | 0:24:55 | 0:24:57 | |
You have to eat it with a knife and fork, though, not your ruler. | 0:24:57 | 0:25:02 | |
-On the whole, when I eat it, it's just a little bit heavy. -OK. | 0:25:02 | 0:25:07 | |
And if you can cut down on the sugar content | 0:25:07 | 0:25:10 | |
that would be even better to make them perfectly. | 0:25:10 | 0:25:13 | |
Thank you. | 0:25:13 | 0:25:14 | |
Claire? | 0:25:14 | 0:25:15 | |
I can't taste mango, I can't taste lime, I can't taste coconut. | 0:25:15 | 0:25:19 | |
The only flavour profile I get coming from that is the chocolate. | 0:25:19 | 0:25:22 | |
-OK. -You've put too much work on you. | 0:25:22 | 0:25:26 | |
Yes. | 0:25:26 | 0:25:27 | |
-Too much work is going on in there and we don't taste half of it. -Yeah. | 0:25:27 | 0:25:30 | |
Less is more. | 0:25:30 | 0:25:32 | |
Their Breton fruit tart has a vanilla, | 0:25:33 | 0:25:36 | |
orange and thyme-flavoured base, | 0:25:36 | 0:25:38 | |
a creme chiboust, summer berries, | 0:25:38 | 0:25:40 | |
fruit gels and a pipette of Pimm's. | 0:25:40 | 0:25:42 | |
You went for a safe sable, | 0:25:42 | 0:25:45 | |
I would have wished for perhaps a little bit more | 0:25:45 | 0:25:47 | |
of the handcrafted side. | 0:25:47 | 0:25:49 | |
So what do we do with the...? | 0:25:49 | 0:25:51 | |
-We dip it all over? -Give it a squeeze over, yeah. -Squeeze over. | 0:25:51 | 0:25:54 | |
The Brittany shortbread is very heavy, very claggy. | 0:25:56 | 0:26:01 | |
It's not a Brittany shortbread. | 0:26:01 | 0:26:02 | |
It may be the recipe of Brittany shortbread, | 0:26:02 | 0:26:04 | |
but I don't think you've cooked it properly. | 0:26:04 | 0:26:06 | |
The problem when you do big blocks of things, they don't... | 0:26:06 | 0:26:09 | |
the gases inside haven't got a chance to lift anything up. | 0:26:09 | 0:26:13 | |
It's not baked enough. | 0:26:13 | 0:26:14 | |
What do you think, you guys? | 0:26:14 | 0:26:16 | |
You were so patient when you put all this together, it looked beautiful. | 0:26:16 | 0:26:20 | |
But you compromised on the taste. | 0:26:20 | 0:26:23 | |
OK. Shall we move onto the cube? | 0:26:23 | 0:26:25 | |
Karl's open-sided cube is layered with a granola crumble lemon sponge, | 0:26:27 | 0:26:32 | |
a blueberry buttercream and a ginger and poppy seed buttercream. | 0:26:32 | 0:26:36 | |
You've done something with the cube which is, you know, the idea of | 0:26:36 | 0:26:39 | |
the geometric shape is to try to explore the shape | 0:26:39 | 0:26:42 | |
and take it somewhere else. | 0:26:42 | 0:26:44 | |
I like the idea that you haven't stuck to the easy path. | 0:26:44 | 0:26:47 | |
It took several phone calls to a science and a maths teacher... | 0:26:47 | 0:26:50 | |
to ask if it counted as a geometric cube. | 0:26:50 | 0:26:54 | |
But I noticed at the last minute that, you know, | 0:26:56 | 0:26:59 | |
you're pressing for time, | 0:26:59 | 0:27:01 | |
you still managed to pipe every each individual very nicely. | 0:27:01 | 0:27:05 | |
-Well done for that. -Thank you. -You can't rush Karl. | 0:27:05 | 0:27:08 | |
You can't rush Karl. | 0:27:08 | 0:27:10 | |
Karl, the sponge is so tight and chewy. | 0:27:13 | 0:27:19 | |
I even have to use a knife to cut through it. | 0:27:19 | 0:27:22 | |
Sponge should be light and airy. | 0:27:22 | 0:27:24 | |
The only flavour I get is white chocolate. | 0:27:24 | 0:27:27 | |
Even, you know, | 0:27:27 | 0:27:28 | |
there should be a certain amount of acidity coming from your blueberry. | 0:27:28 | 0:27:32 | |
So all your lovely skills have kind of paled into insignificance | 0:27:32 | 0:27:37 | |
because the taste hasn't delivered. | 0:27:37 | 0:27:39 | |
She said it all. | 0:27:39 | 0:27:41 | |
-Cherish? -We need taste, chef. | 0:27:41 | 0:27:44 | |
-Oh, -BLEEP. | 0:27:48 | 0:27:50 | |
Benoit, over to you. | 0:27:56 | 0:27:58 | |
I find the way you worked this morning was a bit hectic, | 0:27:58 | 0:28:00 | |
and I can see that also in the result of your pastry. | 0:28:00 | 0:28:03 | |
Stephen's team have created a pina colada dacquoise | 0:28:03 | 0:28:06 | |
from coconut meringue, pineapple cremeux, | 0:28:06 | 0:28:09 | |
coconut mousse and a pineapple and rum jelly. | 0:28:09 | 0:28:13 | |
I think the little bit of meringue, the purple, the little cubes | 0:28:13 | 0:28:16 | |
of pineapple actually do indicate what's inside, so that's quite nice. | 0:28:16 | 0:28:21 | |
I do get the pina colada flavour, | 0:28:25 | 0:28:27 | |
so that is coming through. | 0:28:27 | 0:28:30 | |
I get the coconuts, the lime, the pineapple. | 0:28:30 | 0:28:34 | |
However, there's no texture, | 0:28:35 | 0:28:37 | |
so everything's soft. | 0:28:37 | 0:28:39 | |
You know, dacquoises are supposed to give a crunch on the outside | 0:28:39 | 0:28:43 | |
and be slightly chewy, and yours is just soft. | 0:28:43 | 0:28:45 | |
Saying that, I really like the texture of the mousse. | 0:28:45 | 0:28:48 | |
What I'm not so keen on is the level of sweetness. | 0:28:48 | 0:28:51 | |
It comes almost to your throat there. | 0:28:51 | 0:28:53 | |
But the glaze.... | 0:28:53 | 0:28:56 | |
-HE WHISTLES -That's good. -It's a good flavour. -Yeah, good. | 0:28:56 | 0:28:59 | |
Their miniature fruit tarts are layered with fig, | 0:28:59 | 0:29:02 | |
blackberries and a mascarpone and black pepper mousse. | 0:29:02 | 0:29:05 | |
I can see that they are quite uniform, and the figs, | 0:29:05 | 0:29:10 | |
you slice it very nicely. | 0:29:10 | 0:29:12 | |
There is nothing to excite my palate, there is | 0:29:17 | 0:29:20 | |
nothing to say, "Eat me, you know. I'm really tasty." | 0:29:20 | 0:29:23 | |
There's no excitement, chef. No excitement at all. | 0:29:23 | 0:29:26 | |
I do have to agree with Cherish on the taste. | 0:29:26 | 0:29:29 | |
I wanted to try it, thought it looked lovely, | 0:29:29 | 0:29:31 | |
it just didn't deliver. | 0:29:31 | 0:29:33 | |
The blackberry and the fig, a combination made in heaven. | 0:29:33 | 0:29:36 | |
But the pepper is just killing me now. | 0:29:36 | 0:29:38 | |
So if there is one rule with pastry, you don't want to kill your guest. | 0:29:38 | 0:29:42 | |
OK, thank you. | 0:29:42 | 0:29:44 | |
Their petit gateaux combines pecan praline cream, | 0:29:44 | 0:29:47 | |
pecan nut streusel and a pecan and yuzu sponge. | 0:29:47 | 0:29:51 | |
Unfortunately it looks like we've got quite a few holes and damaged cubes. | 0:29:51 | 0:29:57 | |
It might not be coming from the moulding, | 0:29:57 | 0:29:59 | |
but it might have been coming from the handling | 0:29:59 | 0:30:01 | |
and perhaps the panic you all seemed to enjoy... | 0:30:01 | 0:30:04 | |
..towards the end of the session. | 0:30:05 | 0:30:07 | |
-Obviously, clearly, issues with the spray gun? -Yes. | 0:30:07 | 0:30:10 | |
We put this one to the side, but hopefully, they taste beautiful. | 0:30:10 | 0:30:14 | |
When you started, I say, "Oh, that's going to rock," because I can smell | 0:30:18 | 0:30:23 | |
roasted nuts and pecan nuts and it kind of goes everywhere. | 0:30:23 | 0:30:27 | |
-A beautiful pastry smell. -That's my favourite. | 0:30:27 | 0:30:29 | |
-CHERISH: -Mm. -Yeah, bravo. | 0:30:29 | 0:30:30 | |
After that, usual, fantastic flavour. | 0:30:30 | 0:30:33 | |
I'm sure my Asian colleague here will agree, | 0:30:33 | 0:30:35 | |
but the rest is kind of uncertain, unsure. | 0:30:35 | 0:30:39 | |
It's not a bad thing to eat, | 0:30:39 | 0:30:40 | |
but there is quite a way to take it to where we want it to be, OK? | 0:30:40 | 0:30:44 | |
Thank you, Chef. | 0:30:44 | 0:30:45 | |
So, that little square of chocolate tastes beautiful. | 0:30:45 | 0:30:49 | |
It's a single estate organic plantation chocolate. | 0:30:49 | 0:30:52 | |
Well, it's very nice, so I thought we'd finish on a good positive | 0:30:52 | 0:30:55 | |
and the attention, the last little touch was noticed. | 0:30:55 | 0:30:58 | |
-I have to agree with you. -Oh! | 0:30:58 | 0:31:01 | |
This is well tempered and very tasty. | 0:31:01 | 0:31:05 | |
-Thank you, Chef. -Whay! | 0:31:05 | 0:31:06 | |
That might just be the toughest judging we've seen yet. | 0:31:08 | 0:31:12 | |
That was, like, ravaged. | 0:31:13 | 0:31:15 | |
Utterly and absolutely destroyed. | 0:31:15 | 0:31:18 | |
The final result in Creme De La Creme is based on points awarded | 0:31:18 | 0:31:22 | |
by the judges. | 0:31:22 | 0:31:23 | |
It's like walking into a firing squad. | 0:31:23 | 0:31:25 | |
The team with the most points at the end of both challenges | 0:31:25 | 0:31:29 | |
is guaranteed a place in the semifinal. | 0:31:29 | 0:31:31 | |
Now, each of the judges are going to award | 0:31:33 | 0:31:36 | |
each of your batches of pastry a mark out of ten. | 0:31:36 | 0:31:39 | |
So that is a possible 90 points available for your miniatures. | 0:31:39 | 0:31:44 | |
Tomas, we'll start with your team. | 0:31:44 | 0:31:47 | |
12 for your cube-shaped petit gateau. | 0:31:47 | 0:31:50 | |
Onto the Breton fruit tart... | 0:31:51 | 0:31:53 | |
And then, finally... | 0:31:56 | 0:31:57 | |
..for the coconut dacquoise | 0:31:58 | 0:32:00 | |
and a grand total of 39 | 0:32:00 | 0:32:02 | |
for your miniatures round. | 0:32:02 | 0:32:04 | |
'Despite being commended on their hand-crafted Breton tart, | 0:32:04 | 0:32:08 | |
'this is a rocky start for Tomas' team.' | 0:32:08 | 0:32:12 | |
Karl, 13 for the cube. | 0:32:12 | 0:32:14 | |
14 for the Breton fruit tart. | 0:32:17 | 0:32:20 | |
The total of 11 for the coconut dacquoise. | 0:32:21 | 0:32:24 | |
And a grand total for the Miniatures Test of 38 for your team, Karl. | 0:32:26 | 0:32:30 | |
'A harsh critique of the flavours | 0:32:32 | 0:32:33 | |
'across all three miniatures | 0:32:33 | 0:32:35 | |
'leaves Karl's team one point behind Tomas'.' | 0:32:35 | 0:32:38 | |
So, for Stephen's team... | 0:32:39 | 0:32:41 | |
12 for your cube-shaped petit gateau. | 0:32:41 | 0:32:45 | |
For the Breton fruit tart, | 0:32:45 | 0:32:47 | |
a total of... | 0:32:47 | 0:32:49 | |
'Stephen now needs at least 14 points from his dacquoise slice | 0:32:50 | 0:32:54 | |
'to win the Miniatures Test.' | 0:32:54 | 0:32:56 | |
For Stephen's coconut dacquoise... | 0:32:56 | 0:32:59 | |
..the total of... | 0:33:00 | 0:33:02 | |
So, at the end of the miniatures, | 0:33:02 | 0:33:03 | |
inching out just in the front, | 0:33:03 | 0:33:06 | |
with a score of 44, | 0:33:06 | 0:33:07 | |
is Stephen and your team. | 0:33:07 | 0:33:09 | |
-Well done, chefs. STEPHEN: -Well done. | 0:33:09 | 0:33:12 | |
It was quite a testing morning, that. | 0:33:12 | 0:33:13 | |
You deserve a bit of a break. Why don't you go and take five? | 0:33:13 | 0:33:17 | |
-(Come on!) -Thank you, Chef. | 0:33:17 | 0:33:19 | |
'The judges look for perfection | 0:33:19 | 0:33:21 | |
'and there was no pleasing them this morning.' | 0:33:21 | 0:33:23 | |
I feel pretty gutted, to be honest. Pretty crushed. | 0:33:25 | 0:33:27 | |
-I thought it was better than that. -Yeah. | 0:33:27 | 0:33:29 | |
There were so many mistakes | 0:33:29 | 0:33:30 | |
and so many things that we didn't finish the way that we wanted. | 0:33:30 | 0:33:33 | |
We're pleased we're in the lead, but it's a narrow lead, | 0:33:33 | 0:33:35 | |
so we know we've got to keep our heads down and focus. | 0:33:35 | 0:33:37 | |
We are ready for it | 0:33:37 | 0:33:39 | |
because it's our only chance to impress the judges now. | 0:33:39 | 0:33:43 | |
The second and final test is on such a grand scale | 0:33:44 | 0:33:48 | |
that the day before the heat began... | 0:33:48 | 0:33:50 | |
Right, have we got a timer for two minutes? | 0:33:50 | 0:33:52 | |
..the teams were granted a golden hour to make any elements | 0:33:52 | 0:33:55 | |
that needed to be chilled or set. | 0:33:55 | 0:33:57 | |
All three teams are constructing ambitious chocolate showpieces. | 0:33:59 | 0:34:04 | |
Lovely! | 0:34:04 | 0:34:05 | |
And with just six points separating them, the competition is wide open. | 0:34:05 | 0:34:11 | |
Now, judges, some harsh scoring there, some low ones. | 0:34:14 | 0:34:17 | |
Not very impressed with this morning at all. | 0:34:17 | 0:34:19 | |
-CHERISH: -No. -No. | 0:34:19 | 0:34:20 | |
No. I think there was good techniques and good flavours, | 0:34:20 | 0:34:24 | |
but in all sorts of different things. | 0:34:24 | 0:34:26 | |
So, where technique was high, flavour was low. | 0:34:26 | 0:34:28 | |
-Where flavour was high, technique was low. -..Was low. | 0:34:28 | 0:34:31 | |
They are not investing the right time for the right job. | 0:34:31 | 0:34:34 | |
D'you think when entering a competition like this | 0:34:34 | 0:34:36 | |
it's a completely different mind-set | 0:34:36 | 0:34:38 | |
from the day-to-day working practices and processes? | 0:34:38 | 0:34:40 | |
They need to readdress their time management | 0:34:40 | 0:34:42 | |
and the strategy to win this competition. | 0:34:42 | 0:34:45 | |
We need lots of positive energy and loads of really good, | 0:34:45 | 0:34:48 | |
mad pastry skills going on this afternoon, | 0:34:48 | 0:34:50 | |
and huge impacts of flavour. | 0:34:50 | 0:34:52 | |
Yeah, plenty of skills, plenty of skills, plenty of skills. | 0:34:52 | 0:34:55 | |
Well, let's hope they come back this afternoon | 0:34:55 | 0:34:57 | |
with plenty of skills. | 0:34:57 | 0:34:59 | |
Welcome back, chefs. It's now time for the Showpiece. | 0:35:05 | 0:35:08 | |
This is where you take something ordinary and make it EXTRAORDINARY. | 0:35:08 | 0:35:12 | |
Benoit. | 0:35:13 | 0:35:15 | |
The starting point for your showpiece is chocolate cheesecake. | 0:35:15 | 0:35:20 | |
We want you to create a display which will bring the cheesecake | 0:35:20 | 0:35:25 | |
at the centre of a fine-dining experience. | 0:35:25 | 0:35:28 | |
The dessert should feed 36. | 0:35:28 | 0:35:32 | |
Please surprise and wow me. | 0:35:32 | 0:35:34 | |
Good luck, chefs. | 0:35:34 | 0:35:36 | |
Now, you had one hour yesterday to do some basic prep work. | 0:35:36 | 0:35:39 | |
You now have a further three hours to complete your showpiece. | 0:35:39 | 0:35:44 | |
Your time...starts now. | 0:35:44 | 0:35:47 | |
OK, there's the chocolate, Stephen. | 0:35:49 | 0:35:51 | |
For the Showpiece, we've asked them to reinvent the chocolate cheesecake. | 0:35:53 | 0:35:57 | |
-KARL: -Put that oven on for me, will you, please? | 0:35:57 | 0:35:59 | |
Of course, the taste is the most important, | 0:35:59 | 0:36:01 | |
but we mustn't lose sight of the fact that this dessert must be | 0:36:01 | 0:36:04 | |
special enough for a fine-dining restaurant. | 0:36:04 | 0:36:07 | |
-STEPHEN: -Yeah, I've got a problem with this already. | 0:36:10 | 0:36:12 | |
After this morning's low scores, | 0:36:12 | 0:36:14 | |
none of the teams can afford to play it safe. | 0:36:14 | 0:36:18 | |
-Can I ask for a favour, Stef? -Yep. | 0:36:18 | 0:36:19 | |
Can you just hold it while I try... Cos it's melting. | 0:36:19 | 0:36:22 | |
To book their place in the semifinal, | 0:36:22 | 0:36:24 | |
they'll need to create a showpiece | 0:36:24 | 0:36:26 | |
that looks and tastes out of this world. | 0:36:26 | 0:36:29 | |
-TOMAS: -How are you doing, Si? -All right. | 0:36:30 | 0:36:32 | |
-You OK? -Got the sauce. | 0:36:32 | 0:36:33 | |
-Remember please to put the hazelnuts on for me, OK? -Yeah. | 0:36:33 | 0:36:36 | |
For their showpiece, chocolatier Stephen and his team | 0:36:40 | 0:36:43 | |
are taking their inspiration from the birthplace of chocolate. | 0:36:43 | 0:36:47 | |
We are doing Aztec chocolate cheesecake. | 0:36:47 | 0:36:51 | |
Chocolate was worshipped by the Aztecs, | 0:36:51 | 0:36:53 | |
so we want to celebrate the chocolate and the cheesecake. | 0:36:53 | 0:36:57 | |
They're creating a cheesecake | 0:36:59 | 0:37:00 | |
from Peruvian chocolate mousse, | 0:37:00 | 0:37:02 | |
cream cheese | 0:37:02 | 0:37:03 | |
and a chocolate sable base. | 0:37:03 | 0:37:06 | |
It'll be presented with decorative | 0:37:06 | 0:37:07 | |
symbols of Aztec culture, | 0:37:07 | 0:37:09 | |
cast from tempered chocolate. | 0:37:09 | 0:37:12 | |
I'm mainly working on the structural elements of the display. | 0:37:12 | 0:37:14 | |
Nelson's going to concentrate on the cake, | 0:37:14 | 0:37:17 | |
we'll all come together to decorate it. | 0:37:17 | 0:37:18 | |
I'm making the cheesecake... | 0:37:21 | 0:37:23 | |
First we start with the biscuit, which is...a chocolate sable Breton. | 0:37:23 | 0:37:29 | |
Tomas and the Liverpool lads have also travelled back in time. | 0:37:34 | 0:37:37 | |
They're paying tribute to ancient Greece. | 0:37:37 | 0:37:40 | |
The concept of your cheesecake design - what is it? | 0:37:40 | 0:37:44 | |
There is evidence that it's been served to athletes | 0:37:44 | 0:37:48 | |
in the first Olympic Games. | 0:37:48 | 0:37:50 | |
Athletes ate cheesecake at the Olympic Games? | 0:37:50 | 0:37:53 | |
So it was in 776 years before Christ. | 0:37:53 | 0:37:59 | |
I think athletes' eating habits have changed a little since then. | 0:37:59 | 0:38:02 | |
This Olympic-inspired showpiece will feature | 0:38:02 | 0:38:05 | |
a chocolate lyre perched on a plinth. | 0:38:05 | 0:38:07 | |
The cheesecake will combine a chocolate cream cheese filling, | 0:38:07 | 0:38:11 | |
hazelnut sponge and chocolate soil. | 0:38:11 | 0:38:14 | |
I'm making the cheesecake filling. | 0:38:14 | 0:38:17 | |
So, I've got a bowl of chocolate there | 0:38:17 | 0:38:19 | |
and I've got some creamed sugar. | 0:38:19 | 0:38:20 | |
That's going to come up to boil, | 0:38:20 | 0:38:22 | |
then that's going to go into the chocolate. | 0:38:22 | 0:38:24 | |
I'm just cooking out the eggs now with some sugar, | 0:38:24 | 0:38:26 | |
over a pan of boiling water. | 0:38:26 | 0:38:27 | |
And then I'll fold it all together with the cream cheese at the end. | 0:38:27 | 0:38:31 | |
-Can you just give this a bit of a mix, Amit? -Yeah. | 0:38:33 | 0:38:35 | |
And finally, Karl and Team Wales... | 0:38:35 | 0:38:37 | |
My little arms can't cope! | 0:38:37 | 0:38:38 | |
..whose showpiece has a less dramatic story. | 0:38:38 | 0:38:42 | |
The actual design of it doesn't actually represent anything. | 0:38:42 | 0:38:47 | |
It just came out of my head one day. | 0:38:47 | 0:38:49 | |
I was tinkering in work, I made one shape and then... | 0:38:49 | 0:38:52 | |
..made another shape and it all eventually just tied in together. | 0:38:53 | 0:38:57 | |
And then once we had the shapes, | 0:38:57 | 0:38:59 | |
worked out how to make it taste good. | 0:38:59 | 0:39:01 | |
They're making a white chocolate | 0:39:01 | 0:39:02 | |
and mascarpone cheesecake | 0:39:02 | 0:39:04 | |
with an orange jelly | 0:39:04 | 0:39:05 | |
and ginger beer centre. | 0:39:05 | 0:39:07 | |
Their deconstructed streusel base | 0:39:07 | 0:39:09 | |
will be served in a chocolate bowl, | 0:39:09 | 0:39:12 | |
flanked with wings of sugar. | 0:39:12 | 0:39:14 | |
And we're creating four multi-layered terrines. | 0:39:14 | 0:39:17 | |
Amit is making the chocolate spheres, | 0:39:17 | 0:39:19 | |
which is going to hold the streusel crumb at the end. | 0:39:19 | 0:39:21 | |
Ffion has started making | 0:39:21 | 0:39:23 | |
the actual chocolate cheesecake flavoured terrines. | 0:39:23 | 0:39:26 | |
How we doing, Karl and Team Wales? Are we doing OK? | 0:39:28 | 0:39:31 | |
-Pressing buttons and beeping. -That's what we do best! | 0:39:31 | 0:39:34 | |
That's what you do best? Press buttons and beep! | 0:39:34 | 0:39:36 | |
Amit, how are you? How are you feeling about this afternoon? | 0:39:36 | 0:39:38 | |
I'm doing very good. I'm better this time than in the morning. | 0:39:38 | 0:39:41 | |
Tell me exactly what it is you're doing? You're making a sphere? | 0:39:41 | 0:39:44 | |
I'm making a chocolate sphere and using it as a bowl | 0:39:44 | 0:39:46 | |
to put the crumble in... | 0:39:46 | 0:39:47 | |
So not as the base? You're properly taking cheesecake to another level? | 0:39:47 | 0:39:51 | |
Yes. | 0:39:51 | 0:39:53 | |
In the Leeds kitchen, | 0:39:53 | 0:39:54 | |
captain Stephen is creating the chocolate showpiece. | 0:39:54 | 0:39:57 | |
-NELSON: -It's looking good, guys. -Thank you. | 0:39:57 | 0:40:00 | |
After the trials of this morning's test, | 0:40:00 | 0:40:03 | |
the chocolatier is now on safer ground. | 0:40:03 | 0:40:07 | |
This is your time to shine, isn't it? Bit of chocolate... | 0:40:07 | 0:40:09 | |
I couldn't wait for this afternoon, so... | 0:40:09 | 0:40:11 | |
I'm just carving something out of chocolate. | 0:40:11 | 0:40:13 | |
Yeah, a big chocolate snake. What we got going on? | 0:40:13 | 0:40:15 | |
So, we've got a sundial Aztec calendar. | 0:40:15 | 0:40:17 | |
The sun - which they worship - is going to sit...like here. | 0:40:17 | 0:40:21 | |
And the cheesecake itself, are they going to be, like, | 0:40:21 | 0:40:23 | |
individual portions or is it, like, one big cheesecake? | 0:40:23 | 0:40:26 | |
No, it's the Amazon rainforest, it's a temple, so it's one... | 0:40:26 | 0:40:29 | |
One big cheesecake, 36 portions. | 0:40:29 | 0:40:30 | |
You'll look into the rainforest | 0:40:30 | 0:40:31 | |
and the sculpture will be above it - Aztec sundial. | 0:40:31 | 0:40:34 | |
And this is where all your experience in IT comes in. | 0:40:34 | 0:40:36 | |
-STEPHEN LAUGHS -Cheers, mate. | 0:40:36 | 0:40:38 | |
Got my hot dog sausages. | 0:40:41 | 0:40:43 | |
It's milk chocolate, ginger and... something - panna cotta? | 0:40:43 | 0:40:48 | |
-What's the other thing? -Milk chocolate, ginger beer. | 0:40:48 | 0:40:50 | |
Ginger beer, that's the one, I remember now. | 0:40:50 | 0:40:52 | |
So pre-set. They're going in the blast chiller now. | 0:40:52 | 0:40:55 | |
Um, so we can put the next layer on. | 0:40:55 | 0:40:57 | |
We're just trying to get all the cooking out the way | 0:40:57 | 0:40:59 | |
cos we're going to be doing a lot of chocolate work, | 0:40:59 | 0:41:02 | |
so we want the temperature to be as cold as we can in here. | 0:41:02 | 0:41:05 | |
We can switch everything off once we've got all the cooking done. | 0:41:05 | 0:41:08 | |
Oops... Almost. | 0:41:18 | 0:41:21 | |
So, that's going to be the petals for your flower? | 0:41:23 | 0:41:25 | |
-The petals, that's right. -I've seen that technique before, you guys. | 0:41:25 | 0:41:28 | |
-Nice one, yeah. -Technique, technique! | 0:41:28 | 0:41:29 | |
Moulded chocolate is delicate to work with at the best of times... | 0:41:29 | 0:41:33 | |
-AMIT: -I need to fix the piece, it's broken, really. | 0:41:33 | 0:41:36 | |
-KARL: -Smaller fingers, yeah? | 0:41:38 | 0:41:40 | |
..but in the heat of competition it's another story. | 0:41:40 | 0:41:42 | |
-Don't break, don't break! -AMIT CHUCKLES NERVOUSLY | 0:41:42 | 0:41:45 | |
-STEPHEN: -I'm going hardcore now. -NELSON: -OK, great. | 0:41:47 | 0:41:50 | |
This is cocoa butter - coloured cocoa butter. | 0:41:51 | 0:41:53 | |
Get this to set and then we're going to polish it with some ice water. | 0:41:53 | 0:41:56 | |
-So that polishes the cocoa butter... -Yes. | 0:41:56 | 0:41:58 | |
..and with the water, compact the cocoa butter | 0:41:58 | 0:42:00 | |
-and get the beautiful, shiny... -Yes, exactly. | 0:42:00 | 0:42:02 | |
-..and smooth it all out. -Yes. | 0:42:02 | 0:42:05 | |
Mm. | 0:42:05 | 0:42:06 | |
-TOMAS: -We get the base in, we get it done, it goes back in the fridge, | 0:42:06 | 0:42:09 | |
so it's more solid to build on, OK? | 0:42:09 | 0:42:11 | |
-Yeah. -We'll try to build it a little differently | 0:42:11 | 0:42:14 | |
than we would normally, OK? | 0:42:14 | 0:42:15 | |
-BLEEP! -I'm having trouble balancing this. | 0:42:29 | 0:42:32 | |
Very hot. | 0:42:43 | 0:42:44 | |
-STEPHEN: -OK? | 0:42:46 | 0:42:47 | |
-Whoa! I'll get it. -Thank you. | 0:42:52 | 0:42:54 | |
-Thank you, Chef. -Did I just turn up at the wrong moment? | 0:42:54 | 0:42:57 | |
-No... -It's kind of what happens... | 0:42:57 | 0:42:59 | |
It's, like, when I'm near computers, they break, | 0:42:59 | 0:43:01 | |
and it's also the same thing that happens | 0:43:01 | 0:43:03 | |
when I turn to a pastry section, everything kind of goes wrong! | 0:43:03 | 0:43:06 | |
But it's all been going right this afternoon, yeah? | 0:43:06 | 0:43:09 | |
-Yes. -Yes. -Can you get the fridge, please? | 0:43:09 | 0:43:11 | |
-Yes. -Smart... -So this is your Aztec sundial? | 0:43:11 | 0:43:14 | |
This is the sundial, a celebration of the circles, the sun | 0:43:14 | 0:43:17 | |
and then the celebration of the cocoa pod. | 0:43:17 | 0:43:19 | |
OK, come on over. | 0:43:19 | 0:43:20 | |
To impress the judges, | 0:43:25 | 0:43:26 | |
the teams must showcase high-end skills and techniques. | 0:43:26 | 0:43:29 | |
-Is it too hot? -It's OK. I've done it before. | 0:43:30 | 0:43:36 | |
Both Tomas and Karl are creating spun sugar for their showpiece. | 0:43:36 | 0:43:39 | |
Faster, faster. | 0:43:39 | 0:43:41 | |
-Come on, rapido! -Rapido! -HE LAUGHS | 0:43:41 | 0:43:44 | |
And with just an hour to go, | 0:43:45 | 0:43:47 | |
the teams are beginning to bring their elements together. | 0:43:47 | 0:43:49 | |
Aah! | 0:43:49 | 0:43:51 | |
-STEPHEN: -Ready? -NELSON: -Central, are we? | 0:43:51 | 0:43:53 | |
Yep. Wait, no, turn a little bit. | 0:43:53 | 0:43:55 | |
-Yep, got it central. It's... It's there. -Yeah? | 0:43:55 | 0:43:58 | |
-It's there, it's there. -OK. -The wood's not right. | 0:43:58 | 0:44:00 | |
-Hold it. -Got it. | 0:44:13 | 0:44:15 | |
Good. | 0:44:17 | 0:44:18 | |
-KARL: -Amit? -Yes. | 0:44:18 | 0:44:20 | |
-D'you reckon you'll be done in ten minutes? -Yes. | 0:44:20 | 0:44:22 | |
Honestly? | 0:44:22 | 0:44:23 | |
-I think... -BLEEP! | 0:44:23 | 0:44:24 | |
That's gone, cracking. | 0:44:24 | 0:44:27 | |
-Keeping holding there, don't let go. -Not letting go. | 0:44:28 | 0:44:30 | |
Especially keep it there. | 0:44:30 | 0:44:32 | |
How about that? Yeah? | 0:44:32 | 0:44:33 | |
Something like that, yeah. | 0:44:33 | 0:44:35 | |
Pastry chefs, 30 minutes remaining. | 0:44:37 | 0:44:40 | |
OK. | 0:44:47 | 0:44:48 | |
What am I doing? Am I carrying it, or... | 0:44:54 | 0:44:56 | |
-You carry it. It's heavy. -Right, OK. | 0:44:56 | 0:44:58 | |
-VICTOR: -We used the gold spray. | 0:45:02 | 0:45:04 | |
I know, but it's not going to cover up | 0:45:04 | 0:45:06 | |
the fingerprints and everything. | 0:45:06 | 0:45:08 | |
I should have built a bigger base. | 0:45:26 | 0:45:27 | |
STEPHEN LAUGHS | 0:45:29 | 0:45:31 | |
-NELSON: -Have a quick look, guys. -STEFAN: -That's cool. | 0:45:32 | 0:45:35 | |
The only thing... Yeah, and then just the milk chocolate, yeah? | 0:45:35 | 0:45:37 | |
-TOMAS: -A little bit bigger pieces of gold. Just put... | 0:45:37 | 0:45:40 | |
Stef, I've not... I've made the gaps too big. | 0:45:40 | 0:45:44 | |
-Did you do a top? -Yeah, that's the top there. | 0:45:54 | 0:45:56 | |
-Have you cut it? -Yeah. -A big hole? | 0:45:56 | 0:45:57 | |
-Yeah, yeah, yeah. -Good man, good man. I love you. | 0:45:57 | 0:45:59 | |
-I love you too, mate. -LAUGHTER | 0:45:59 | 0:46:01 | |
Pastry chefs - five minutes. You've got five minutes left. | 0:46:03 | 0:46:07 | |
This is so risky... | 0:46:09 | 0:46:10 | |
-STEFAN: -Look at this, it's so delicate. | 0:46:11 | 0:46:14 | |
-Yeah? -Yeah. -Turn around. | 0:46:19 | 0:46:20 | |
That's it... | 0:46:23 | 0:46:25 | |
Take all the scraps away, please, first, yeah? | 0:46:25 | 0:46:28 | |
-Do you want some flowers on here as well, or just...? -Yeah. | 0:46:41 | 0:46:43 | |
Everything you've got to bring out the colour. | 0:46:43 | 0:46:46 | |
-NELSON: -Guys... -STEFAN: -That looks great, Nelson. | 0:46:46 | 0:46:48 | |
Remember, Claire likes it glittery. | 0:46:48 | 0:46:50 | |
-What position do we want it? -STEPHEN: -No, no, no, no... | 0:46:51 | 0:46:54 | |
-No? -Just go like this. | 0:46:54 | 0:46:56 | |
Hope for the best. | 0:46:59 | 0:47:01 | |
-NELSON: -Be careful when you blow the chocolate. | 0:47:02 | 0:47:05 | |
Sorry, sorry, sorry. | 0:47:05 | 0:47:06 | |
-AMIT: -Well done, very nice. | 0:47:11 | 0:47:13 | |
What can I do to this flower that's going to improve it? | 0:47:13 | 0:47:15 | |
-TOMAS: -Just let's get these gold leaves on, | 0:47:15 | 0:47:17 | |
otherwise it's going to look stupid. | 0:47:17 | 0:47:20 | |
-Ten seconds! -Chocolate sauce! Chocolate sauce! | 0:47:20 | 0:47:23 | |
-9, 8... -Leave it, leave it. | 0:47:23 | 0:47:24 | |
-..7, 6, 5... TOMAS: -Don't pour it over. | 0:47:24 | 0:47:27 | |
-..4, 3, 2, 1... -Right to the top of it, yeah? -Yeah. | 0:47:27 | 0:47:32 | |
That is it, guys. Step away from the tables. | 0:47:32 | 0:47:36 | |
-That's stunning, guys, that is... That's the dog's -BLEEP. | 0:47:38 | 0:47:41 | |
Sorry about that, I was not at my best today, I don't know why... | 0:47:45 | 0:47:47 | |
Three exhausting hours... | 0:47:52 | 0:47:53 | |
150 points now on offer... | 0:47:55 | 0:47:57 | |
First to be judged is Tomas' team. | 0:48:00 | 0:48:03 | |
There is a little story behind our showpiece as well. | 0:48:19 | 0:48:22 | |
There is evidence that during the first Olympic Games | 0:48:22 | 0:48:26 | |
they were served to athletes. | 0:48:26 | 0:48:27 | |
I consider myself quite a food historian | 0:48:27 | 0:48:30 | |
and I didn't know that, so that's very interesting | 0:48:30 | 0:48:32 | |
and I like the way that you've picked up the theme. | 0:48:32 | 0:48:35 | |
The finishing touches are a bit rough | 0:48:35 | 0:48:36 | |
and I know you tried to spray it to hide some of it... | 0:48:36 | 0:48:39 | |
Yeah, I think you guys have been in a rush and it shows. | 0:48:39 | 0:48:43 | |
The little thing that I have to point out, | 0:48:43 | 0:48:45 | |
I am not too sure the portion size will be enough to feed 36. | 0:48:45 | 0:48:50 | |
This cake is for 32 people and we've prepared different cakes for you, | 0:48:50 | 0:48:55 | |
for presentation, for our judges, which are these little spheres. | 0:48:55 | 0:48:58 | |
The teams were asked to deliver visual impact | 0:48:58 | 0:49:01 | |
in their showpieces as a whole and as individual servings. | 0:49:01 | 0:49:06 | |
I like the way you've plated up your dessert. | 0:49:06 | 0:49:08 | |
It's very clean where I focus on | 0:49:08 | 0:49:11 | |
and I like this sugar tuile, well done. | 0:49:11 | 0:49:14 | |
I like your combination. | 0:49:19 | 0:49:20 | |
Now, the only downside that I will say is that I wish you'd put | 0:49:20 | 0:49:24 | |
a little bit more chocolate cheesecake in there. | 0:49:24 | 0:49:27 | |
I agree. It just needs more. | 0:49:27 | 0:49:29 | |
It's fairly dry. | 0:49:29 | 0:49:31 | |
You have to go with an axe to really cut through the shell. | 0:49:31 | 0:49:36 | |
The other thing which is bugging me also, you said, | 0:49:36 | 0:49:39 | |
"Oh, for judges, we've done you three little domes," | 0:49:39 | 0:49:41 | |
which is nice, you want to please us. | 0:49:41 | 0:49:43 | |
But we have to serve 36 guests - | 0:49:43 | 0:49:46 | |
are they lesser important than we are? | 0:49:46 | 0:49:49 | |
Because they won't have that thick chocolate shell for a start. | 0:49:49 | 0:49:52 | |
Maybe it's a bonus for them. | 0:49:52 | 0:49:54 | |
I...appreciate how much effort you've put into this showpiece | 0:49:54 | 0:49:59 | |
and I really enjoyed watching your work this afternoon. | 0:49:59 | 0:50:03 | |
-Well done. -Thank you. | 0:50:03 | 0:50:04 | |
-BENOIT: -Hi, guys. -Hiya. | 0:50:24 | 0:50:25 | |
Judges, are you happy - visual? | 0:50:35 | 0:50:37 | |
I am quite impressed with the work you've put into the entremets | 0:50:37 | 0:50:41 | |
and from far, you actually draw me in to look at your entremets. | 0:50:41 | 0:50:47 | |
So, there is quite a bit of intricate work here, | 0:50:47 | 0:50:50 | |
with a bit of swirls of... pulled sugar? | 0:50:50 | 0:50:52 | |
-Yep. -Who's done the pulled sugar? | 0:50:52 | 0:50:53 | |
I done the coils, Amit done the horns. | 0:50:53 | 0:50:56 | |
You had a chocolate cheesecake as a brief and you went orange, | 0:50:56 | 0:51:00 | |
kumquat, ginger beer... Is there a reason? | 0:51:00 | 0:51:04 | |
They were all flavours that matched chocolate. | 0:51:04 | 0:51:07 | |
Amit, it reminds me of a very used cannonball that could probably | 0:51:07 | 0:51:12 | |
take out the whole of Wales with the amount of chocolate | 0:51:12 | 0:51:14 | |
that you've used to produce it. | 0:51:14 | 0:51:16 | |
-Just, if you're going to use it as your main focus... -Yes. | 0:51:16 | 0:51:19 | |
..it needs to be really clean and neat and tidy. | 0:51:19 | 0:51:23 | |
Cherish, anything else? | 0:51:23 | 0:51:24 | |
I was quite impressed because I think that if you served the judges | 0:51:24 | 0:51:29 | |
with three different pieces, wherever you cut, | 0:51:29 | 0:51:32 | |
we will all get the same. | 0:51:32 | 0:51:33 | |
Hmm... | 0:51:39 | 0:51:41 | |
In terms of orange flavour... | 0:51:42 | 0:51:44 | |
The brownie, a little sticky at the bottom, | 0:51:44 | 0:51:47 | |
there's a bit of chocolate in there, | 0:51:47 | 0:51:49 | |
but if I eat that blind and I don't see the brief, | 0:51:49 | 0:51:52 | |
I'm a million miles away from the chocolate cheesecake | 0:51:52 | 0:51:56 | |
I thought you were asked to do. | 0:51:56 | 0:51:59 | |
Cheesecake lady? | 0:51:59 | 0:52:00 | |
It's not for me at all. It's really rubbery and coarse. | 0:52:02 | 0:52:07 | |
The ginger beer piece going through it, | 0:52:07 | 0:52:09 | |
I don't taste ginger beer and it's really gelatinous and chewy, sorry. | 0:52:09 | 0:52:13 | |
You did not heed the brief because I could not taste cheese at all. | 0:52:13 | 0:52:17 | |
I just want to add, I think we've been relatively nice. | 0:52:17 | 0:52:22 | |
It's really short of what we were expecting, which... | 0:52:22 | 0:52:26 | |
which would have come with fire and blaze, | 0:52:26 | 0:52:29 | |
but on this occasion, the only flame we see | 0:52:29 | 0:52:32 | |
is those two little things there. | 0:52:32 | 0:52:34 | |
Thank you. | 0:52:34 | 0:52:35 | |
-I want Mary Berry! -Huh? | 0:52:41 | 0:52:43 | |
I want Mary Berry! | 0:52:43 | 0:52:46 | |
Ah, well. Sorry, guys. Seemed like a good idea at the time. | 0:52:50 | 0:52:55 | |
I like its height. I actually like the colours. | 0:53:13 | 0:53:16 | |
Although they're all dark, | 0:53:16 | 0:53:17 | |
the dark and the gold, I think, work well together. | 0:53:17 | 0:53:21 | |
And this is the... | 0:53:21 | 0:53:22 | |
-This is an Aztec sword for cutting the cake. -Aztec sword... | 0:53:22 | 0:53:24 | |
-Oh, I see! -You might struggle with it a little bit, but... | 0:53:24 | 0:53:26 | |
-LAUGHTER -It's not cricket? -No, it's not cricket, not cricket. | 0:53:26 | 0:53:29 | |
But there are a lot of fingerprints here. | 0:53:29 | 0:53:31 | |
To get this piece balanced at the very end was really difficult. | 0:53:31 | 0:53:34 | |
-Maybe gloves next time. -Maybe. | 0:53:34 | 0:53:36 | |
Thank you. | 0:53:39 | 0:53:41 | |
I do like the textures, I have to say. | 0:53:43 | 0:53:45 | |
I think the textures are lovely, they are very light, very fluffy. | 0:53:45 | 0:53:49 | |
I love the taste of the chocolate, I love the crunch. | 0:53:49 | 0:53:52 | |
On the whole, I think it eats really well. | 0:53:52 | 0:53:54 | |
The ONLY thing is - I don't taste cheese any more. | 0:53:54 | 0:53:57 | |
If I taste the cheese on its own, I can taste cheese. | 0:53:57 | 0:54:01 | |
But if I taste it as a whole, it is lost | 0:54:01 | 0:54:04 | |
and it is being camouflaged by the chocolate. | 0:54:04 | 0:54:07 | |
I've got no problem with that. | 0:54:07 | 0:54:08 | |
For me, my biggest concern here is not so much the cake, | 0:54:08 | 0:54:12 | |
it's the way you serve it. | 0:54:12 | 0:54:14 | |
Cos I haven't got a pretty dessert, I've got a slice of this | 0:54:14 | 0:54:17 | |
and you're going to lose points because you haven't actually done | 0:54:17 | 0:54:20 | |
a plated dessert, as such. | 0:54:20 | 0:54:22 | |
-Thank you, guys. -Thank you, Chef. | 0:54:22 | 0:54:23 | |
-Great job, guys. -Yeah. | 0:54:27 | 0:54:29 | |
It's a shame about the presentation. | 0:54:30 | 0:54:32 | |
For your showpiece, each judge will be awarding your team | 0:54:32 | 0:54:37 | |
a possible score out of 50. | 0:54:37 | 0:54:40 | |
When added to the scores from this morning's test, | 0:54:41 | 0:54:44 | |
the team with the highest points is the winner | 0:54:44 | 0:54:47 | |
and automatically goes through to the semifinal. | 0:54:47 | 0:54:51 | |
I can now reveal the results. | 0:54:52 | 0:54:54 | |
Tomas, the judges scored you... | 0:54:56 | 0:54:59 | |
And when added to this morning's score, | 0:55:06 | 0:55:09 | |
gives you a grand total of 112. | 0:55:09 | 0:55:13 | |
'It's a respectable score for Tomas' team. | 0:55:13 | 0:55:17 | |
'Trailing after this morning's challenge, | 0:55:17 | 0:55:19 | |
'Karl's team now need some decent scores of their own.' | 0:55:19 | 0:55:22 | |
Karl, the judges scored you... | 0:55:22 | 0:55:25 | |
Which gives you a grand total of 99 points. | 0:55:32 | 0:55:35 | |
'For a skilled team, it's not been their day. | 0:55:36 | 0:55:39 | |
'Stephen's team need to score | 0:55:39 | 0:55:41 | |
'half marks or better | 0:55:41 | 0:55:43 | |
'to secure their place in the semifinal.' | 0:55:43 | 0:55:46 | |
The judges scored you... | 0:55:46 | 0:55:47 | |
That gives you a grand total of 125. | 0:55:56 | 0:56:00 | |
Which means, Stephen, your team is the winner | 0:56:00 | 0:56:03 | |
and you are through to the semifinals. | 0:56:03 | 0:56:05 | |
Congratulations. | 0:56:05 | 0:56:06 | |
-STEPHEN: -Nice one, guys. | 0:56:08 | 0:56:09 | |
-Well done, guys. -Thank you very much. | 0:56:11 | 0:56:12 | |
Really excited to get through. | 0:56:12 | 0:56:14 | |
I was confident with what we were producing there. | 0:56:14 | 0:56:17 | |
I knew the flavours were good, I knew the chocolate was good. | 0:56:17 | 0:56:20 | |
Commiserations, eh? That was very close. | 0:56:20 | 0:56:22 | |
In terms of your work here, you need to take it to the next level. | 0:56:22 | 0:56:26 | |
-ALL: -Yeah. -It's too safe there. | 0:56:26 | 0:56:27 | |
Yeah, OK. | 0:56:27 | 0:56:28 | |
-TOMAS: -Thank you very much. | 0:56:28 | 0:56:30 | |
You should be very proud of yourselves, come back next year. | 0:56:30 | 0:56:32 | |
You shouldn't feel down about the fact that you haven't | 0:56:32 | 0:56:35 | |
perhaps achieved what you want. | 0:56:35 | 0:56:37 | |
For me, you've lost a lot of time | 0:56:37 | 0:56:39 | |
-doing things which didn't score points. -Yeah. | 0:56:39 | 0:56:42 | |
-Does that make sense? -Thanks very much. | 0:56:42 | 0:56:43 | |
Even if we didn't make it to the final, | 0:56:43 | 0:56:45 | |
we thought we'd get through the first round, | 0:56:45 | 0:56:47 | |
we thought we had the skills. | 0:56:47 | 0:56:48 | |
But unfortunately, on the day, it wasn't to be. | 0:56:48 | 0:56:51 | |
We're gutted that we didn't go through | 0:56:51 | 0:56:53 | |
and we didn't qualify for the next round, | 0:56:53 | 0:56:55 | |
but we've got a lot to learn from this | 0:56:55 | 0:56:57 | |
and it's been a great experience - that's why we've been here. | 0:56:57 | 0:57:00 | |
Already thinking of, "What can we do for the next round?" | 0:57:00 | 0:57:03 | |
because we've got to take what we've done, | 0:57:03 | 0:57:04 | |
learn from the judges' criticism | 0:57:04 | 0:57:06 | |
and go out there and give it our best shot. | 0:57:06 | 0:57:09 | |
Next time... | 0:57:11 | 0:57:12 | |
I'm sweating! | 0:57:12 | 0:57:13 | |
..the first semifinal. | 0:57:13 | 0:57:14 | |
-We need to -BLEEP -motor, we've got one hour left. | 0:57:14 | 0:57:17 | |
The Armed Forces are back... | 0:57:17 | 0:57:18 | |
-Let me know what you're doing, keep in contact the whole time, yeah? -Yes, Chef! | 0:57:18 | 0:57:21 | |
..against the inventors from M&S. | 0:57:21 | 0:57:23 | |
-Is it a bit kinky? I'll take it off. Is it kinky? -Hard to see. | 0:57:23 | 0:57:25 | |
No, it looks kinky, yeah. | 0:57:25 | 0:57:27 | |
And the five-star London Hilton... | 0:57:27 | 0:57:29 | |
Mamma mia! You have ten minutes. | 0:57:29 | 0:57:31 | |
It's one step closer... | 0:57:31 | 0:57:33 | |
-Help, help, help! -It's all gone wrong. | 0:57:33 | 0:57:35 | |
..to a place in the final... | 0:57:35 | 0:57:37 | |
-BLEEP! -What's going on there? | 0:57:37 | 0:57:38 | |
..of Creme De La Creme. | 0:57:38 | 0:57:39 | |
Samurai Sajeela... | 0:57:39 | 0:57:41 |