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Welcome to the final of Britain's first ever | 0:00:02 | 0:00:04 | |
professional pastry team competition. | 0:00:04 | 0:00:06 | |
15 teams of chefs started, | 0:00:06 | 0:00:08 | |
some have triumphed... | 0:00:08 | 0:00:11 | |
It's very clean, it's very sharp. | 0:00:11 | 0:00:12 | |
-Wow. -You just got a "wow" from Benoit! | 0:00:12 | 0:00:15 | |
..whilst others have wilted in the heat of competition. | 0:00:15 | 0:00:18 | |
And now, only three remain. | 0:00:20 | 0:00:22 | |
They have shown some extraordinary skills | 0:00:22 | 0:00:24 | |
and creativity to get here | 0:00:24 | 0:00:26 | |
and now, one long, intensive day | 0:00:26 | 0:00:28 | |
of cooking stands between them | 0:00:28 | 0:00:30 | |
and the coveted trophy. | 0:00:30 | 0:00:32 | |
In the prep kitchen for the grand final, | 0:00:35 | 0:00:38 | |
are the boys from the five-star Hilton on London's Park Lane. | 0:00:38 | 0:00:42 | |
Have you built the Ferris wheel yet? | 0:00:42 | 0:00:45 | |
Ruthless time management and a wealth of experience | 0:00:45 | 0:00:48 | |
in precise mass catering has seen captain Sajeela, Sam | 0:00:48 | 0:00:52 | |
and James win both their heat and semifinal convincingly. | 0:00:52 | 0:00:57 | |
Look at that! Beautiful layering. And do you know what? | 0:00:57 | 0:01:00 | |
I heard that crunch as I got through to the bottom. | 0:01:00 | 0:01:03 | |
But their consistency has come at a cost. | 0:01:03 | 0:01:05 | |
There is no great innovation there. | 0:01:05 | 0:01:08 | |
We've been told twice now that we're playing it safe. | 0:01:08 | 0:01:10 | |
So I said OK, let's take a risk, let's do it. | 0:01:10 | 0:01:12 | |
-We can win this competition. -I'm ready when you are. | 0:01:12 | 0:01:15 | |
Right, two minutes. | 0:01:15 | 0:01:16 | |
They're up against captain Mark | 0:01:16 | 0:01:18 | |
and his two former cookery school students, Helen and Samantha. | 0:01:18 | 0:01:22 | |
-BLEEP! -Can we glaze that one again? | 0:01:22 | 0:01:24 | |
Underdogs from the beginning, | 0:01:24 | 0:01:25 | |
they scraped through to the semifinals on a wild card. | 0:01:25 | 0:01:29 | |
It actually tastes really good, | 0:01:29 | 0:01:30 | |
but it hasn't got the flavour profiles that should be there. | 0:01:30 | 0:01:33 | |
But then staged a stunning comeback to reach the final. | 0:01:33 | 0:01:37 | |
Wow, this is what I call a showpiece! | 0:01:37 | 0:01:39 | |
When you have the judges coming round inspecting you, | 0:01:39 | 0:01:42 | |
-it's quite intimidating! -We're just pleased to get to the final. | 0:01:42 | 0:01:45 | |
-Yes, OK, it'd be lovely if we won! -Wow, you've changed your tune! | 0:01:45 | 0:01:49 | |
-Pour some...milk. -The third finalists | 0:01:49 | 0:01:52 | |
are captain Christophe with Josua | 0:01:52 | 0:01:54 | |
and Valeria from a South London patisserie. | 0:01:54 | 0:01:57 | |
Christophe, can I have an oven at 90? | 0:01:57 | 0:01:59 | |
Their unshakeable team spirit saw them dominate their heat... | 0:01:59 | 0:02:03 | |
It's absolutely beautiful and you brightened my day! | 0:02:03 | 0:02:06 | |
..and cling on for the wild card place in the final. | 0:02:06 | 0:02:10 | |
You are making me smile, that's for sure! | 0:02:10 | 0:02:12 | |
-Did you do everything you wanted to do? -Yes. | 0:02:12 | 0:02:15 | |
-And more. -And more? | 0:02:15 | 0:02:17 | |
Now, the preparation is over... | 0:02:17 | 0:02:19 | |
I can't do it, man. | 0:02:19 | 0:02:22 | |
BLEEP | 0:02:22 | 0:02:23 | |
Sorry, I forgot to put it on. | 0:02:23 | 0:02:25 | |
..it's time to discover who is the creme de la creme. | 0:02:25 | 0:02:31 | |
-Come this way. Forward. -THEY GASP | 0:02:31 | 0:02:33 | |
In just a few hours, one of these three teams will be declared | 0:03:05 | 0:03:08 | |
this year's winner of Bake Off Creme De La Creme. | 0:03:08 | 0:03:12 | |
# Duh duh-duh duuuuh! # | 0:03:12 | 0:03:14 | |
And in this grand final, | 0:03:15 | 0:03:16 | |
they'll face a challenge unlike any other in the competition. | 0:03:16 | 0:03:20 | |
-I feel better already(!) -You'd better! | 0:03:20 | 0:03:22 | |
HE COUGHS | 0:03:22 | 0:03:24 | |
The judges have drawn on their own experiences competing in the most | 0:03:25 | 0:03:29 | |
spectacular and gruelling patisserie competitions in the world. | 0:03:29 | 0:03:33 | |
Welcome, chefs. | 0:03:38 | 0:03:39 | |
There is only one big test today, | 0:03:39 | 0:03:41 | |
and the judges want you to create | 0:03:41 | 0:03:44 | |
a spectacular showpiece banquet | 0:03:44 | 0:03:47 | |
that feeds 100 people. | 0:03:47 | 0:03:49 | |
We'd like you to make at least six different desserts. | 0:03:49 | 0:03:54 | |
We'd like to see a variety of textures and flavours. | 0:03:54 | 0:03:59 | |
And we also would like you to make a showpiece structure with height, | 0:03:59 | 0:04:04 | |
not shorter than 75 cm. | 0:04:04 | 0:04:07 | |
We want the presentation of your banquet dessert | 0:04:07 | 0:04:10 | |
to showcase your professional skill, | 0:04:10 | 0:04:12 | |
but of course, be visually stunning. | 0:04:12 | 0:04:15 | |
The choice of the theme is up to you, | 0:04:15 | 0:04:18 | |
but we'd like it to reflect you as a team, | 0:04:18 | 0:04:21 | |
showing your pastry style | 0:04:21 | 0:04:23 | |
and your unique personality. | 0:04:23 | 0:04:25 | |
You now have six hours to complete your showpiece banquet. | 0:04:25 | 0:04:30 | |
Best of luck, chefs. | 0:04:30 | 0:04:31 | |
Your time starts now. | 0:04:31 | 0:04:35 | |
OK, guys. | 0:04:37 | 0:04:38 | |
We're going to smash it, yes? | 0:04:38 | 0:04:40 | |
It's just another day at the office. | 0:04:40 | 0:04:42 | |
Let's do this, let's do this. | 0:04:42 | 0:04:43 | |
It's crunch time. | 0:04:43 | 0:04:45 | |
There is no second day, | 0:04:45 | 0:04:47 | |
there is no coming back, | 0:04:47 | 0:04:48 | |
they leave everything in the kitchen today. | 0:04:48 | 0:04:50 | |
The main challenges for them today | 0:04:50 | 0:04:53 | |
will be to manage again their time perfectly. | 0:04:53 | 0:04:55 | |
Six different styles of pastry to feed 100 people. | 0:04:55 | 0:04:59 | |
It needs to be interesting and different textures, | 0:04:59 | 0:05:02 | |
different colours, different shapes, | 0:05:02 | 0:05:04 | |
innovations - the lot. | 0:05:04 | 0:05:06 | |
The teams are free to create any type of dessert they wish, | 0:05:06 | 0:05:09 | |
but in line with international competition rules, | 0:05:09 | 0:05:12 | |
at the halfway stage, they must have half their menu ready for tasting. | 0:05:12 | 0:05:17 | |
Is that a usual thing to do, when you're judging competitions, | 0:05:17 | 0:05:19 | |
especially at this top end? | 0:05:19 | 0:05:21 | |
Well, it's standard. It's standard in any professional competition. | 0:05:21 | 0:05:24 | |
You don't have to wait until the last minute when you can focus really on the display. | 0:05:24 | 0:05:28 | |
It's also part of the challenges, you have to deliver your recipes | 0:05:28 | 0:05:32 | |
or your items all the way through at specific times. | 0:05:32 | 0:05:35 | |
It makes it more interesting. | 0:05:35 | 0:05:37 | |
The whole of our theme, obviously, because we're pastry chefs, | 0:05:37 | 0:05:40 | |
we're trying to give the judges the showpiece of being a pastry chef. | 0:05:40 | 0:05:43 | |
We're very passionate about it and that will hopefully come over | 0:05:43 | 0:05:47 | |
on our scoops and our little jars and things we're going to do. | 0:05:47 | 0:05:50 | |
The cookery school's homage | 0:05:50 | 0:05:52 | |
to the life of a pastry chef | 0:05:52 | 0:05:54 | |
will feature a towering stack | 0:05:54 | 0:05:56 | |
of tempered chocolate bowls and utensils. | 0:05:56 | 0:05:58 | |
For the first tasting, | 0:05:58 | 0:06:00 | |
they'll be delivering a chocolate and hazelnut mousse, | 0:06:00 | 0:06:02 | |
a mango and lime dome | 0:06:02 | 0:06:04 | |
and a rhubarb and custard tart. | 0:06:04 | 0:06:06 | |
I really like what I see on the menu. | 0:06:06 | 0:06:09 | |
Rhubarb custard - who don't like rhubarb custard? | 0:06:09 | 0:06:12 | |
I can also see a chocolate with hazelnuts - soft, light, | 0:06:12 | 0:06:15 | |
foamy mousse and a crunchy nut and a filling. | 0:06:15 | 0:06:19 | |
I really can eat it in my mind. | 0:06:19 | 0:06:21 | |
But I have to mention that they look a bit tense this morning. | 0:06:21 | 0:06:25 | |
It's a little bit free-form today, what we're doing. | 0:06:25 | 0:06:27 | |
We haven't had too long to practise for this and get ready for it, | 0:06:27 | 0:06:30 | |
so some of the elements are things we've done in the past, | 0:06:30 | 0:06:33 | |
you know, so... | 0:06:33 | 0:06:36 | |
Maybe they'll say we're playing it safe a little bit. | 0:06:36 | 0:06:39 | |
We'll see. | 0:06:39 | 0:06:40 | |
In the next kitchen... | 0:06:41 | 0:06:43 | |
Are you happy with that? | 0:06:43 | 0:06:45 | |
Oh, yeah - beautiful. | 0:06:45 | 0:06:47 | |
We are doing a pastry fair. | 0:06:47 | 0:06:49 | |
Like a funfair, but pastry. | 0:06:49 | 0:06:51 | |
That's our theme. | 0:06:51 | 0:06:52 | |
I need to impress the judges to win it, to take a risk | 0:06:52 | 0:06:56 | |
and you need to seriously put all your skills in the showpiece. | 0:06:56 | 0:07:00 | |
At the Park Lane boys' edible Winter Wonderland, | 0:07:00 | 0:07:03 | |
there'll be a helter-skelter, | 0:07:03 | 0:07:05 | |
snowmen, Christmas trees | 0:07:05 | 0:07:06 | |
and a chocolate train. | 0:07:06 | 0:07:08 | |
At the first tasting, | 0:07:08 | 0:07:10 | |
they'll serve toffee apple lollies, | 0:07:10 | 0:07:11 | |
passionfruit and raspberry cones | 0:07:11 | 0:07:13 | |
and macaroon burgers. | 0:07:13 | 0:07:15 | |
I know I'll be looking personally for exquisite skills. | 0:07:15 | 0:07:19 | |
This is the final, we want sharp, great pastry chef skills, | 0:07:19 | 0:07:22 | |
but because it's a pastry fair, | 0:07:22 | 0:07:24 | |
we want also to have a colourful display | 0:07:24 | 0:07:27 | |
and a little smile on our faces. | 0:07:27 | 0:07:30 | |
Feeling good, feeling excited. | 0:07:30 | 0:07:32 | |
We're on fire. | 0:07:32 | 0:07:34 | |
But not everyone on the team | 0:07:34 | 0:07:35 | |
is feeling as stoked as captain Sajeela. | 0:07:35 | 0:07:38 | |
Yesterday I started to feel quite ill, almost like the flu... | 0:07:38 | 0:07:41 | |
But, got to plough through that, haven't you? | 0:07:41 | 0:07:44 | |
So...get on with it, | 0:07:44 | 0:07:46 | |
hopefully we'll produce something that we're actually proud of. | 0:07:46 | 0:07:49 | |
In the final kitchen... | 0:07:49 | 0:07:51 | |
The theme of our showpiece | 0:07:51 | 0:07:53 | |
is harmony. | 0:07:53 | 0:07:54 | |
Harmony, because... | 0:07:54 | 0:07:56 | |
We actually make cakes every day | 0:07:56 | 0:07:59 | |
for the village where we all work | 0:07:59 | 0:08:02 | |
and live in Blackheath | 0:08:02 | 0:08:04 | |
and this is the harmony of all | 0:08:04 | 0:08:06 | |
the customers coming and the scenery | 0:08:06 | 0:08:08 | |
and the pond, the church, so we're going to bring all that together. | 0:08:08 | 0:08:13 | |
Also, the harmony of the team. | 0:08:13 | 0:08:15 | |
This pan-European team are attempting to | 0:08:15 | 0:08:18 | |
unite the world around | 0:08:18 | 0:08:20 | |
a swan-topped croquembouche. | 0:08:20 | 0:08:21 | |
For the first tasting, | 0:08:21 | 0:08:23 | |
they'll deliver an Asian | 0:08:23 | 0:08:24 | |
pandan leaf-flavoured fudge cake, | 0:08:24 | 0:08:26 | |
an Italian risotto sponge orange cake | 0:08:26 | 0:08:29 | |
and Mexican Margarita macaroons. | 0:08:29 | 0:08:32 | |
Christophe's team, there's some interesting stuff there. | 0:08:32 | 0:08:34 | |
My only concern is that it's not quite going to be balanced enough. | 0:08:34 | 0:08:38 | |
Looking at their menu, the tamarillo and pandan dessert, | 0:08:38 | 0:08:41 | |
I'm not sure. | 0:08:41 | 0:08:43 | |
There's a chocolate sponge base there, | 0:08:43 | 0:08:45 | |
the tamarillo is in the form of some kind of jelly... | 0:08:45 | 0:08:49 | |
The oranger risotto sponge sounds really interesting. | 0:08:49 | 0:08:52 | |
Also, Margarita macaroons.... | 0:08:52 | 0:08:55 | |
Mmmm. | 0:08:55 | 0:08:56 | |
I hope that comes through this afternoon, cos that will be | 0:08:56 | 0:08:59 | |
about time for some alcohol, I think. | 0:08:59 | 0:09:01 | |
-Christophe? -Yeah? | 0:09:01 | 0:09:03 | |
Good, thank you very much. | 0:09:03 | 0:09:04 | |
Christophe is giving directions which he doesn't normally do, | 0:09:04 | 0:09:07 | |
he's very focused today. | 0:09:07 | 0:09:10 | |
We're going to do them all together, the same time. | 0:09:10 | 0:09:12 | |
I will start with the macaron religieuse. | 0:09:12 | 0:09:15 | |
It went very well in the previous heat, so I'm doing that, | 0:09:15 | 0:09:18 | |
with a bit of a twist, which nobody knows about! | 0:09:18 | 0:09:22 | |
I can't wait to see the judges' faces when they're going to try it. | 0:09:22 | 0:09:26 | |
This is the jelly that is going to go in the orange - a star anise | 0:09:26 | 0:09:30 | |
and orange jelly. | 0:09:30 | 0:09:32 | |
And I'm making a risotto sponge... | 0:09:32 | 0:09:34 | |
which is going to be the base of the same cake. | 0:09:34 | 0:09:37 | |
I've done the chocolate decoration for the macaroon religious | 0:09:37 | 0:09:41 | |
and for l'orange. | 0:09:41 | 0:09:44 | |
While Christophe is adopting a harmonious strategy... | 0:09:44 | 0:09:47 | |
Nice, Christophe - looks good. | 0:09:47 | 0:09:49 | |
It's like I do that all my life! | 0:09:49 | 0:09:52 | |
..Mark is overseeing all three of this morning's desserts... | 0:09:52 | 0:09:55 | |
It's not very sweet, shall I put a bit more sugar in? | 0:09:55 | 0:09:58 | |
I've put a little bit of sugar in it. | 0:09:58 | 0:10:00 | |
..delegating individual components to Samantha and Helen. | 0:10:00 | 0:10:03 | |
This is the orange zest pastry. | 0:10:03 | 0:10:05 | |
It's got some ground almonds in it, just a little bit. | 0:10:05 | 0:10:08 | |
It will be filled with the ginger creme pat and the rhubarb. | 0:10:08 | 0:10:12 | |
I've finely sliced the rhubarb and I made up just a sugar syrup just | 0:10:12 | 0:10:16 | |
to soak them in, but I also put a little bit of red food colouring in. | 0:10:16 | 0:10:21 | |
Just because the rhubarb was a little bit green | 0:10:21 | 0:10:23 | |
and I wanted it to be a nice pinky rhubarb colour. | 0:10:23 | 0:10:26 | |
And these are put into the oven and dry out so they'll be crisps. | 0:10:26 | 0:10:30 | |
I have a little checklist under here, but also here as well. | 0:10:30 | 0:10:33 | |
So, yeah, it's really important that we know the list as well. | 0:10:33 | 0:10:36 | |
It's just constantly ticking what I've got to do next! | 0:10:36 | 0:10:38 | |
Over in Park Lane, | 0:10:38 | 0:10:40 | |
the team's strategy has undergone a few last-minute changes. | 0:10:40 | 0:10:43 | |
-How are we doing, James, Sajeela? Sam, we all right? -Yep. | 0:10:43 | 0:10:46 | |
You're saying you're all good, but I know you've got the lurgy, | 0:10:46 | 0:10:49 | |
-you're not in a good way. -Yeah, I'm not feeling too well. | 0:10:49 | 0:10:52 | |
But that'll be all right today - the adrenaline'll kick in, | 0:10:52 | 0:10:54 | |
it's the final, you'll be fine! | 0:10:54 | 0:10:56 | |
I'll battle through - if I collapse, I'll just get back up! | 0:10:56 | 0:10:58 | |
Just keep your distance, I don't want to catch anything! | 0:10:58 | 0:11:00 | |
-James, are you OK? -Yeah, not too bad. -What have you got going on? | 0:11:00 | 0:11:03 | |
The cones that are going to be for the passionfruit | 0:11:03 | 0:11:06 | |
-and raspberry cone. -And then what else are you making? | 0:11:06 | 0:11:08 | |
Er, most of it! | 0:11:08 | 0:11:10 | |
-Most...! What's the other two doing? -Er, they're... | 0:11:10 | 0:11:13 | |
We had a little rethink last night. | 0:11:13 | 0:11:14 | |
-And they decided that you should do it all? -No, we planned it. | 0:11:14 | 0:11:17 | |
At first, it was me doing everything! | 0:11:17 | 0:11:19 | |
And then we had a little rethink, so... | 0:11:19 | 0:11:21 | |
Sajeela's on the tiramisu, Sam's got the macaroons going, | 0:11:21 | 0:11:24 | |
I'm doing the cones and then from there, | 0:11:24 | 0:11:26 | |
we're all getting onto that showpiece, | 0:11:26 | 0:11:27 | |
start decorating, start putting things together. | 0:11:27 | 0:11:30 | |
Sajeela, come and talk to me. | 0:11:30 | 0:11:31 | |
I've got your Pastry Fair menu here. | 0:11:31 | 0:11:34 | |
Talk me through... What's the idea of this? | 0:11:34 | 0:11:37 | |
In the front of our hotel, | 0:11:37 | 0:11:39 | |
there's a winter fair, | 0:11:39 | 0:11:41 | |
so we always go there. | 0:11:41 | 0:11:44 | |
At Christmas time, you're working long hours | 0:11:44 | 0:11:46 | |
and the moment you get a break, you go to the funfair, | 0:11:46 | 0:11:49 | |
have a mulled wine, chill out all the chaps, you know? | 0:11:49 | 0:11:52 | |
Have a chat, so we do that - we are fun people, let's do a funfair! | 0:11:52 | 0:11:55 | |
-OK, so this is the whole idea, this is all about fun. -Yes. | 0:11:55 | 0:11:58 | |
-Putting some enjoyment into the judges' lives. -Yes! | 0:11:58 | 0:12:02 | |
Trying to make them smile. | 0:12:02 | 0:12:05 | |
OK, Valeria? | 0:12:05 | 0:12:06 | |
-All good? -All good. | 0:12:06 | 0:12:08 | |
Despite their cooperative approach, | 0:12:08 | 0:12:10 | |
Christophe's team are making this final challenge even harder. | 0:12:10 | 0:12:14 | |
These are pandan leaves for the Asie. | 0:12:14 | 0:12:17 | |
They've been infused all night. | 0:12:17 | 0:12:19 | |
I'm going to make a mousse out of it. | 0:12:19 | 0:12:21 | |
It's a very interesting, very different flavour. | 0:12:21 | 0:12:24 | |
For the morning tasting, | 0:12:24 | 0:12:25 | |
they're producing extra individual portions of their desserts. | 0:12:25 | 0:12:30 | |
This is the fudge cake for the Asie | 0:12:30 | 0:12:32 | |
and I'm going to pipe onto it some tamarillo jelly compote. | 0:12:32 | 0:12:36 | |
Tamarillo is Japanese tomato, | 0:12:36 | 0:12:39 | |
so it's a very tangy, | 0:12:39 | 0:12:40 | |
but very, very flavourful fruit. | 0:12:40 | 0:12:42 | |
-OK, I'm going to start, Josua. -OK. The macaroons look beautiful. | 0:12:45 | 0:12:48 | |
Thanks. | 0:12:48 | 0:12:49 | |
Christophe has decided to start early on elements of his showpiece. | 0:12:49 | 0:12:54 | |
This is part of the decoration of the croquembouche. | 0:12:54 | 0:12:58 | |
It's nougatine, actually, | 0:12:58 | 0:13:00 | |
and it's made of sugar | 0:13:00 | 0:13:02 | |
and almonds. | 0:13:02 | 0:13:04 | |
We actually call them wolf teeth - | 0:13:04 | 0:13:07 | |
-dents de loup! -Dents de loup. | 0:13:07 | 0:13:09 | |
The wolf teeth will go on the base of the croquembouche, | 0:13:09 | 0:13:12 | |
all the way around it. | 0:13:12 | 0:13:14 | |
And Christophe's not the only captain hoping to get ahead. | 0:13:17 | 0:13:21 | |
So this is part of our showpiece. So we're going to do some plates. | 0:13:22 | 0:13:26 | |
I'm using the plastic plate mould as a mould. | 0:13:26 | 0:13:29 | |
They usually can snap on this plate, so I'm starting them now | 0:13:29 | 0:13:32 | |
so I can get at least a few out ready. | 0:13:32 | 0:13:35 | |
This is going to be the helter-skelter. | 0:13:35 | 0:13:37 | |
This is white chocolate. | 0:13:37 | 0:13:39 | |
I'm going to colour with red strips. | 0:13:39 | 0:13:42 | |
A bit of a paint job. | 0:13:42 | 0:13:43 | |
I'm now spraying the red cocoa butter colour, | 0:13:47 | 0:13:50 | |
to get the strips for the skelter. | 0:13:50 | 0:13:53 | |
-BLEEP -- this machine, look at this -BLEEP. | 0:13:54 | 0:13:57 | |
This spray machine is not good at all. | 0:13:59 | 0:14:02 | |
As well as the pressure to deliver for the first tasting... | 0:14:08 | 0:14:12 | |
BLEEP! | 0:14:12 | 0:14:13 | |
..if the teams don't use the morning to begin preparing the other | 0:14:13 | 0:14:16 | |
desserts on their buffet... | 0:14:16 | 0:14:18 | |
..they'll leave too much to do in the afternoon. | 0:14:23 | 0:14:27 | |
Look, Valeria... | 0:14:27 | 0:14:28 | |
Longer, no? | 0:14:29 | 0:14:31 | |
We have so much to do today that you have to be doing two or three jobs | 0:14:31 | 0:14:35 | |
at once to get through this, otherwise we've got no chance. | 0:14:35 | 0:14:38 | |
This is the toffee apples that we're going to be making. | 0:14:38 | 0:14:41 | |
I've made an almond cream with caramelised apple inside | 0:14:41 | 0:14:44 | |
and then we're just going to scoop out a tiny bit in the middle, | 0:14:44 | 0:14:47 | |
fill it with a green apple and caramel puree | 0:14:47 | 0:14:49 | |
and then dip it in a red glaze afterwards. | 0:14:49 | 0:14:53 | |
And then they're just going to go onto these shortbread bases, just so | 0:14:53 | 0:14:56 | |
the actual judges can pick them up and it's not going to get all messy. | 0:14:56 | 0:15:00 | |
Started doing a few ganaches whilst I'm making the macaroons - | 0:15:00 | 0:15:03 | |
you've got to try and obviously get three or four jobs going at once. | 0:15:03 | 0:15:07 | |
But Sajeela is still focusing on just the one task. | 0:15:08 | 0:15:11 | |
Unfortunately, the spray gun is not working properly, | 0:15:11 | 0:15:14 | |
so I had to go for my plan B. | 0:15:14 | 0:15:16 | |
So I'm brushing the chocolate instead of spraying. | 0:15:17 | 0:15:19 | |
Things go wrong all the time, but what can I do? | 0:15:21 | 0:15:24 | |
So I had to go for my plan B. | 0:15:24 | 0:15:26 | |
This is the chocolate and hazelnut mousse with praline | 0:15:30 | 0:15:34 | |
and chopped hazelnuts. | 0:15:34 | 0:15:36 | |
This is our oranger - this is the risotto sponge | 0:15:38 | 0:15:41 | |
and this is the jelly. | 0:15:41 | 0:15:42 | |
-Beautiful! -Pastry chefs, | 0:15:44 | 0:15:46 | |
you have half an hour remaining. | 0:15:46 | 0:15:48 | |
We are making Christmas trees | 0:15:56 | 0:15:59 | |
to go around our winter fair. | 0:15:59 | 0:16:01 | |
They might look a bit ropey at the minute, | 0:16:01 | 0:16:03 | |
but once they're piled up on top of each other, all these odd bits | 0:16:03 | 0:16:06 | |
that are poking out start to make it look like loads of branches | 0:16:06 | 0:16:09 | |
on a full Christmas tree. | 0:16:09 | 0:16:11 | |
-How many do you want to do on top? -About three. | 0:16:16 | 0:16:18 | |
-Do you need it right now? -In a minute. | 0:16:18 | 0:16:20 | |
-Are they big enough? -Yeah. | 0:16:20 | 0:16:22 | |
I'm just about to coat the inside of our cones with a white chocolate | 0:16:27 | 0:16:30 | |
cocoa butter so we can pipe inside and it's not going to get soggy. | 0:16:30 | 0:16:33 | |
Ah, no, no, no! | 0:16:39 | 0:16:41 | |
I'm going to start with domes, they seem pretty solid, OK? | 0:16:41 | 0:16:45 | |
Want me to help you? | 0:16:45 | 0:16:46 | |
Er, de-mould the chocolate mousses. | 0:16:46 | 0:16:48 | |
-Why don't you lift it up, no? -You're very smart. | 0:16:50 | 0:16:53 | |
-Helen, you're glazing, yeah? -I'm about to, yes. | 0:16:56 | 0:16:59 | |
You're doing croquembouche after, yes? You've got three hours after. | 0:17:09 | 0:17:12 | |
I need to... I want to... | 0:17:12 | 0:17:13 | |
do this and caramelise them. | 0:17:13 | 0:17:16 | |
Trying to get ahead on his showpiece | 0:17:16 | 0:17:18 | |
has started to put Christophe's | 0:17:18 | 0:17:19 | |
harmonious strategy under strain. | 0:17:19 | 0:17:22 | |
I want to finish only one, I can finish only one. | 0:17:22 | 0:17:24 | |
OK, we'll get together, because it's too much. | 0:17:24 | 0:17:26 | |
OK, I'm going to make the mousseline for the macaron. | 0:17:26 | 0:17:29 | |
The mousseline is done, | 0:17:29 | 0:17:30 | |
you just need to add lemon zest... Lemon juice and lemon zest. | 0:17:30 | 0:17:32 | |
And they're not the only ones struggling. | 0:17:32 | 0:17:34 | |
How many more minutes to go? | 0:17:34 | 0:17:36 | |
Right. We're losing time... | 0:17:37 | 0:17:39 | |
-The religieuse is done, yes? I'll do it, now. -Yes. -So I need two more. | 0:17:41 | 0:17:45 | |
-Did you hear me? -Yes. Two, yes? -OK, perfect. | 0:17:45 | 0:17:48 | |
The first tasting is approaching. | 0:17:49 | 0:17:52 | |
-Finished? -Yep, next. | 0:17:52 | 0:17:54 | |
Chefs, you've got five minutes left, guys. | 0:17:54 | 0:17:57 | |
This is done, this is done. | 0:18:02 | 0:18:04 | |
-The macarons look beautiful. -Thanks. | 0:18:07 | 0:18:09 | |
-Do you want a bit of gold leaf on the top of that? -This one, yes? | 0:18:09 | 0:18:12 | |
-You want it? -Yeah, yeah. | 0:18:12 | 0:18:15 | |
Mark? Can I get you to do this? Would you mind? | 0:18:29 | 0:18:33 | |
Oh, beautiful. | 0:18:49 | 0:18:50 | |
OK, pastry chefs. You can start bringing up your first three dishes. | 0:19:04 | 0:19:08 | |
The judges will now get their first opportunity to assess | 0:19:12 | 0:19:16 | |
the finalists' work. | 0:19:16 | 0:19:18 | |
And as with elite pastry competitions around the world, | 0:19:18 | 0:19:21 | |
this midway tasting will take place behind closed doors. | 0:19:21 | 0:19:25 | |
No scores will be revealed until the end of the day. | 0:19:25 | 0:19:28 | |
We are used to this pressure. | 0:19:28 | 0:19:30 | |
The place we work, sometimes we have big functions | 0:19:30 | 0:19:33 | |
and we take the dessert to the chef to taste and he says | 0:19:33 | 0:19:37 | |
he doesn't like it, | 0:19:37 | 0:19:39 | |
so we have three, four hours to make 400. | 0:19:39 | 0:19:42 | |
The Park Lane boys' fairground toffee apple | 0:19:42 | 0:19:45 | |
sees caramelised Golden Delicious sponge | 0:19:45 | 0:19:48 | |
dipped in a red vanilla glaze | 0:19:48 | 0:19:50 | |
on a crisp shortbread base. | 0:19:50 | 0:19:52 | |
I can see a lot of dents on the surface, it's not highly finished. | 0:19:52 | 0:19:57 | |
For me, I think this is an OK look to me. | 0:19:57 | 0:20:00 | |
It's a nice crunch. | 0:20:02 | 0:20:03 | |
I expected to have more apple. | 0:20:03 | 0:20:06 | |
It does remind me a little bit of an apple pound cake. You know? | 0:20:06 | 0:20:09 | |
Those kind of things you do at home on a Sunday afternoon for comfort? | 0:20:09 | 0:20:12 | |
But is that good enough for a competition like today? | 0:20:12 | 0:20:14 | |
You look at this like, "Mm, do I want to eat it? No, not really". | 0:20:14 | 0:20:18 | |
The second dessert is a cone containing raspberry jelly | 0:20:19 | 0:20:23 | |
and passionfruit mousse | 0:20:23 | 0:20:24 | |
served on a chocolate bench. | 0:20:24 | 0:20:26 | |
I'm a bit disappointed with the whole look. | 0:20:26 | 0:20:29 | |
It's average, like the first dessert at the moment. | 0:20:29 | 0:20:32 | |
The cone's got a lovely crunch to it. | 0:20:33 | 0:20:35 | |
Good acidity from the raspberry flavour inside. | 0:20:35 | 0:20:37 | |
Nice vanilla. | 0:20:37 | 0:20:40 | |
The finish is just not there. | 0:20:40 | 0:20:42 | |
This is final! | 0:20:42 | 0:20:43 | |
Finally, a "Big Macaroon", | 0:20:45 | 0:20:47 | |
the cheese and ketchup made from passionfruit | 0:20:47 | 0:20:50 | |
and raspberry gels and the beef patty from dark chocolate ganache. | 0:20:50 | 0:20:55 | |
It does look like a bun with the sesame seeds on the top. | 0:20:55 | 0:20:58 | |
Visually, the inside of the macaroon is actually quite creamy, | 0:20:58 | 0:21:01 | |
so it should give me a crispy outside | 0:21:01 | 0:21:03 | |
and a soft texture in the middle. | 0:21:03 | 0:21:04 | |
Mm-hm. | 0:21:04 | 0:21:06 | |
Mm! | 0:21:06 | 0:21:08 | |
The texture is actually quite nice. | 0:21:08 | 0:21:10 | |
Flavour wise, we are on chocolate and raspberry, | 0:21:10 | 0:21:13 | |
but could be a bit cleaner, perhaps? | 0:21:13 | 0:21:15 | |
-Out of the three, perhaps it's the most balanced one. -Definitely. | 0:21:15 | 0:21:18 | |
-So this is Mark's team. -"Life of a pastry chef." | 0:21:19 | 0:21:23 | |
Shall we give it a taste? | 0:21:23 | 0:21:24 | |
They could be slightly too big, maybe just slightly too big, | 0:21:24 | 0:21:27 | |
I don't know. | 0:21:27 | 0:21:29 | |
Well, the brief was for a lavish dessert buffet table, | 0:21:29 | 0:21:32 | |
so you know, for me, it's not a petits fours table. | 0:21:32 | 0:21:34 | |
It's got to be a dessert. | 0:21:34 | 0:21:36 | |
Mark's team's rhubarb and custard tart | 0:21:36 | 0:21:38 | |
is filled with a ginger creme patissier | 0:21:38 | 0:21:41 | |
and topped with rhubarb crisps. | 0:21:41 | 0:21:43 | |
The pastry is actually really nice. | 0:21:47 | 0:21:50 | |
I was worried about the thickness, but it's really crumbly | 0:21:50 | 0:21:53 | |
and it also just melts in your mouth. | 0:21:53 | 0:21:55 | |
But the rhubarb, it's completely fibrous | 0:21:55 | 0:21:59 | |
and lacks all flavour of rhubarb. | 0:21:59 | 0:22:02 | |
Their mango and lime dome has a lime jelly and cremeux insert, | 0:22:02 | 0:22:06 | |
surrounded by mango mousse on a lime zest sable base. | 0:22:06 | 0:22:10 | |
By looking at the colour, it's very glossy, | 0:22:10 | 0:22:12 | |
I really like it and it draws me in to sort of like, "eat me". | 0:22:12 | 0:22:16 | |
You can see that the glaze over here is not quite precise | 0:22:16 | 0:22:19 | |
when they put it down. | 0:22:19 | 0:22:20 | |
I'd like it at this stage of the competition to have a very | 0:22:20 | 0:22:23 | |
perfect, precise finish. | 0:22:23 | 0:22:25 | |
The amount of gelatine they put in is to perfection | 0:22:28 | 0:22:30 | |
because I really don't like it when it is sort of like bouncing off. | 0:22:30 | 0:22:35 | |
It is well-balanced in the taste, | 0:22:35 | 0:22:37 | |
-I can taste mango. -It's fresh. | 0:22:37 | 0:22:38 | |
It's really refreshing, it's tangy and it's really nice on my palate. | 0:22:38 | 0:22:42 | |
Their chocolate mousse sits on a chocolate | 0:22:42 | 0:22:45 | |
and hazelnut joconde sponge with piped praline cream. | 0:22:45 | 0:22:48 | |
Fairly neat. | 0:22:48 | 0:22:50 | |
A bit chunky for a petit gateau. | 0:22:50 | 0:22:52 | |
We've got a swirl of praline cream | 0:22:52 | 0:22:54 | |
with some crushed caramelised hazelnuts | 0:22:54 | 0:22:56 | |
and a sprig of dark chocolate. | 0:22:56 | 0:22:59 | |
I like to take it all in one go... | 0:22:59 | 0:23:02 | |
Praline, praline, praline... | 0:23:04 | 0:23:06 | |
The hazelnut flavour is present, it's fairly light in texture, | 0:23:06 | 0:23:09 | |
personally, I like that. | 0:23:09 | 0:23:10 | |
I would have wished perhaps a little bit more crunch, but I don't mind. | 0:23:10 | 0:23:14 | |
That's a good start. | 0:23:14 | 0:23:16 | |
-This is Christophe's. -OK. | 0:23:16 | 0:23:18 | |
'Halfway into this challenge, we are on time.' | 0:23:18 | 0:23:20 | |
And it's one of... You know, | 0:23:20 | 0:23:22 | |
I have to say, it's the first time! | 0:23:22 | 0:23:24 | |
Christophe's team's macaroon religious is filled with | 0:23:27 | 0:23:30 | |
lemon mousseline and Margarita jelly. | 0:23:30 | 0:23:33 | |
I like the chocolate on top, | 0:23:33 | 0:23:34 | |
I just think it's a little thick. | 0:23:34 | 0:23:36 | |
The piping could be neater. | 0:23:36 | 0:23:38 | |
I suspect there's a surprise inside. | 0:23:38 | 0:23:40 | |
There we are, we have a liquid gel inside. | 0:23:40 | 0:23:43 | |
I'm not sure that's working for me at all! | 0:23:50 | 0:23:52 | |
Wow! The alcohol... | 0:23:52 | 0:23:54 | |
..is so strong, I'm not really enjoying it at all. | 0:23:55 | 0:23:58 | |
Well, I'm a bit disappointed with Christophe, | 0:23:58 | 0:24:00 | |
because usually he gets his flavours perfect. | 0:24:00 | 0:24:02 | |
Yeah. What a shame. | 0:24:02 | 0:24:04 | |
Their l'oranger cake sees Grand Marnier bavarois filled with | 0:24:05 | 0:24:09 | |
an orange and star anise jelly | 0:24:09 | 0:24:11 | |
on top of risotto sponge. | 0:24:11 | 0:24:13 | |
In terms of finishing, | 0:24:13 | 0:24:15 | |
I actually expect it to have a better finish than just a mousse. | 0:24:15 | 0:24:20 | |
So, the risotto sponge looks really interesting | 0:24:21 | 0:24:24 | |
and I can see that there's a layer of orange jelly that is | 0:24:24 | 0:24:28 | |
sitting on top of the risotto sponge. | 0:24:28 | 0:24:30 | |
I can actually see the bits of rice in the sponge. | 0:24:30 | 0:24:33 | |
I can feel the texture of risotto on my palate | 0:24:34 | 0:24:38 | |
and I can really feel the Grand Marn... | 0:24:38 | 0:24:40 | |
BENOIT CHUCKLES WICKEDLY | 0:24:40 | 0:24:41 | |
I think it's just too much Grand Marnier on my palate. | 0:24:41 | 0:24:45 | |
-What about you and the Grand Marnier? -You know I'm going to love it, Benoit! -I'm sure! | 0:24:45 | 0:24:49 | |
-It's very interesting. -Yes, it is interesting. | 0:24:49 | 0:24:51 | |
Let me get Christophe back - on this one, we get Christophe back. | 0:24:51 | 0:24:54 | |
He brought something... Even though it's a classical | 0:24:54 | 0:24:56 | |
like Grand Marnier, something a bit interesting was in it. | 0:24:56 | 0:24:59 | |
So let's hope the finishing gets to improve by the time | 0:24:59 | 0:25:02 | |
they get to the end, isn't it? | 0:25:02 | 0:25:04 | |
Finally, their chocolate fudge cake, | 0:25:04 | 0:25:07 | |
l'Asie, containing tamarillo jam | 0:25:07 | 0:25:10 | |
and bavarois, | 0:25:10 | 0:25:11 | |
infused with Asian pandan leaf. | 0:25:11 | 0:25:14 | |
-There is some chocolate in there. -Ah, it's the tamarillo. | 0:25:14 | 0:25:17 | |
I'm not convinced this is a marriage made in heaven. | 0:25:20 | 0:25:25 | |
I think it's trying to bring something a bit different | 0:25:25 | 0:25:27 | |
and it has delivered that for me. | 0:25:27 | 0:25:29 | |
Having said that, I don't know... | 0:25:29 | 0:25:31 | |
It's all mixed up. I'm not sure I like it, to be honest with you. | 0:25:31 | 0:25:35 | |
I think pandan is a flavour that most people are not familiar with | 0:25:35 | 0:25:38 | |
and so it's difficult to evaluate that as a flavour profile. | 0:25:38 | 0:25:43 | |
Boring, boring, boring. | 0:25:43 | 0:25:45 | |
It doesn't excite me at all. | 0:25:45 | 0:25:47 | |
And the texture of these two mousses is so familiar, | 0:25:47 | 0:25:49 | |
you have a sponge and jelly with a mousse. | 0:25:49 | 0:25:51 | |
What is there to excite me? | 0:25:51 | 0:25:53 | |
Well, then, judges, | 0:25:58 | 0:25:59 | |
you've had a little taste of three of their dishes. | 0:25:59 | 0:26:01 | |
What's your story so far? | 0:26:01 | 0:26:03 | |
So quite a few interesting flavour combinations | 0:26:03 | 0:26:06 | |
and textures this morning. | 0:26:06 | 0:26:07 | |
Who would you say is out in the front at the minute? | 0:26:07 | 0:26:10 | |
I would like to say that Mark's team | 0:26:10 | 0:26:12 | |
will be slightly ahead of everyone. | 0:26:12 | 0:26:14 | |
In terms of Sajeela, | 0:26:14 | 0:26:16 | |
and Christophe, they might be at the edge | 0:26:16 | 0:26:18 | |
because one is very good with showpiece, whereas the other one, | 0:26:18 | 0:26:22 | |
Christophe's team is good on taste. | 0:26:22 | 0:26:24 | |
Do you want me to really hedge a bet? | 0:26:24 | 0:26:27 | |
I'm going to go with Mark's team. | 0:26:27 | 0:26:29 | |
It's too early to say, you're trying to pull something out of a hat. | 0:26:29 | 0:26:32 | |
I've been too many times on too many occasions | 0:26:32 | 0:26:35 | |
when everything is played until the last minute. | 0:26:35 | 0:26:38 | |
Last three hours, we can do this, yes? Come on! | 0:26:41 | 0:26:44 | |
Watch yourself, Mark. | 0:26:44 | 0:26:46 | |
In these final three hours, | 0:26:46 | 0:26:47 | |
the teams will have to perfect every remaining dessert... | 0:26:47 | 0:26:51 | |
Look all right? | 0:26:51 | 0:26:53 | |
-Yes. -Should be fine. | 0:26:53 | 0:26:54 | |
..and every showpiece element must be completed. | 0:27:02 | 0:27:05 | |
We're just getting the construction of the showpiece, | 0:27:05 | 0:27:08 | |
getting everything painted and ready. | 0:27:08 | 0:27:10 | |
This is metallic dust mixed with cocoa butter to make it metallic. | 0:27:10 | 0:27:14 | |
Obviously it goes with the copper pans and silver pans | 0:27:14 | 0:27:17 | |
and things like that, the gold lids, and stuff, yes. | 0:27:17 | 0:27:20 | |
As well as completing a huge stack of tempered chocolate pots and | 0:27:20 | 0:27:23 | |
utensils for their showpiece tribute | 0:27:23 | 0:27:25 | |
to The Life Of A Pastry Chef, | 0:27:25 | 0:27:27 | |
Mark's team still have to complete | 0:27:27 | 0:27:29 | |
a gin and lemongrass panna cotta scoop, | 0:27:29 | 0:27:32 | |
lemon mousse pots with almond biscotti | 0:27:32 | 0:27:34 | |
and a passionfruit, rum | 0:27:34 | 0:27:36 | |
and coconut opera slice. | 0:27:36 | 0:27:38 | |
This is the coconut sponge we've got for our opera. | 0:27:38 | 0:27:42 | |
-Mark, are you layering this up? -Yes. | 0:27:42 | 0:27:44 | |
I love putting the showpieces together! | 0:27:44 | 0:27:46 | |
If only I had a bit more time! | 0:27:48 | 0:27:50 | |
Over on Park Lane... | 0:27:52 | 0:27:53 | |
I'm starting garnishing the snowmen. | 0:27:53 | 0:27:55 | |
..they're aiming to manage their time more wisely than | 0:27:55 | 0:27:58 | |
they did during the morning. | 0:27:58 | 0:28:00 | |
We need to work hard to get this done properly. | 0:28:00 | 0:28:03 | |
All I need to do is just keep pushing it. | 0:28:03 | 0:28:06 | |
Trying to finish as soon as possible... | 0:28:06 | 0:28:08 | |
all the garnishes. Stuff like that. | 0:28:08 | 0:28:11 | |
For their spectacular chocolate | 0:28:11 | 0:28:13 | |
and sugarwork Winter Wonderland, | 0:28:13 | 0:28:16 | |
Sajeela's team need to find time | 0:28:16 | 0:28:18 | |
to make snowmen, a helter-skelter, | 0:28:18 | 0:28:20 | |
a chocolate train | 0:28:20 | 0:28:21 | |
and Ferris wheel | 0:28:21 | 0:28:23 | |
plus deliver 20 tiramisu teacups, | 0:28:23 | 0:28:26 | |
20 fairground cupcakes | 0:28:26 | 0:28:28 | |
and a spinning chocolate carousel cake. | 0:28:28 | 0:28:31 | |
-There's a lot going on here, all the fun of the fair. -Definitely. | 0:28:31 | 0:28:35 | |
-Everything you want as a kid. -Of course. | 0:28:35 | 0:28:37 | |
As soon as you pick that theme, you might as well run with it, | 0:28:37 | 0:28:39 | |
go for it, everything. So it just all looks amazing when it's done. | 0:28:39 | 0:28:43 | |
And in terms of the sheer scale of stuff, you have | 0:28:43 | 0:28:46 | |
so many small things, really quite complicated and complex. | 0:28:46 | 0:28:49 | |
It's not easy. There's a heck of a lot for us to do. | 0:28:49 | 0:28:51 | |
It's not easy, especially with a man | 0:28:51 | 0:28:53 | |
who's only running on about 30% over there. | 0:28:53 | 0:28:55 | |
Oh, no, he'll be fine! | 0:28:55 | 0:28:57 | |
As soon as the pastries are done, | 0:28:57 | 0:28:59 | |
we can work on decorating the Ferris wheel, things like this. | 0:28:59 | 0:29:03 | |
Obviously the main thing is to get all the desserts up first | 0:29:03 | 0:29:05 | |
and then decoration can come afterwards. | 0:29:05 | 0:29:08 | |
Christophe's team also has an issue with sheer quantity. | 0:29:09 | 0:29:13 | |
Who would have thought I'd ever do a croquembouche on telly? | 0:29:13 | 0:29:16 | |
I'd have never thought it. | 0:29:16 | 0:29:19 | |
Their croquembouche is made up of over 150 filled choux buns. | 0:29:19 | 0:29:23 | |
It's the centrepiece of their | 0:29:25 | 0:29:27 | |
buffet, dedicated to Harmony. | 0:29:27 | 0:29:28 | |
They also have pulled sugar flowers | 0:29:28 | 0:29:30 | |
to complete, a blown sugar swan, | 0:29:30 | 0:29:33 | |
20 espresso coffee opera petits fours, | 0:29:33 | 0:29:36 | |
a chocolatier gateau and a tropical | 0:29:36 | 0:29:38 | |
exotique cheesecake, with fresh mango. | 0:29:38 | 0:29:41 | |
Croquembouche is something you've done a long time, now. | 0:29:42 | 0:29:45 | |
-This is your speciality. -Yes, this is something I've done from, well, | 0:29:45 | 0:29:48 | |
I learned from the age of 16. | 0:29:48 | 0:29:50 | |
And who taught you? | 0:29:50 | 0:29:52 | |
A very experienced French pastry chef on my apprenticeship, | 0:29:52 | 0:29:57 | |
who only knew one way - | 0:29:57 | 0:30:00 | |
the hard way, always. | 0:30:00 | 0:30:03 | |
And you're doing it the same? | 0:30:03 | 0:30:05 | |
When I started learning, you need to burn the skin | 0:30:05 | 0:30:08 | |
on your hands against the heat, | 0:30:08 | 0:30:10 | |
because I never use gloves. | 0:30:10 | 0:30:11 | |
-So you used to have... -So you have to hold hot nougatine | 0:30:11 | 0:30:14 | |
in your hands. | 0:30:14 | 0:30:16 | |
For a long period of time. | 0:30:16 | 0:30:17 | |
-So you were a pastry chef that could touch hot things. -Yes. | 0:30:17 | 0:30:20 | |
That's not what most pastry chefs are known for being able to do! | 0:30:20 | 0:30:23 | |
I know! | 0:30:23 | 0:30:25 | |
-I think we need to concentrate a little bit, guys. -Yes - I am trying! | 0:30:25 | 0:30:29 | |
-Am I making you lose concentration? -A little bit, but that's OK. | 0:30:29 | 0:30:32 | |
So where you work together in harmony, | 0:30:32 | 0:30:34 | |
I'm like a fly in the ointment that's just turned up, | 0:30:34 | 0:30:36 | |
ruining the harmony? | 0:30:36 | 0:30:38 | |
-Well... -So polite! | 0:30:38 | 0:30:39 | |
Do you know what I love about you? You're always so polite! | 0:30:39 | 0:30:42 | |
OK, pastry chefs, you've had one hour. | 0:30:47 | 0:30:50 | |
Try and keep them the same angle, yeah? | 0:30:50 | 0:30:52 | |
As they watch the teams continue to build their banquets... | 0:30:56 | 0:30:59 | |
Your stencilling work... | 0:30:59 | 0:31:01 | |
-The touching up will have more work to do. -I know... | 0:31:01 | 0:31:04 | |
..the judges are free to taste any of the completed desserts. | 0:31:04 | 0:31:08 | |
Mark... Can I try your panna cotta? | 0:31:08 | 0:31:11 | |
Yes, we have a little compote to go with it, | 0:31:11 | 0:31:13 | |
a little lemongrass gin. | 0:31:13 | 0:31:15 | |
The thing about the panna cotta is, it's really simple. | 0:31:20 | 0:31:23 | |
It can be rubbery, it can be gelatinous... Luckily, | 0:31:23 | 0:31:27 | |
Mark's is light, it's really creamy | 0:31:27 | 0:31:31 | |
and just with the right amount of gelatine, | 0:31:31 | 0:31:34 | |
so it's barely holding together. | 0:31:34 | 0:31:36 | |
It's pretty good. | 0:31:36 | 0:31:37 | |
I'm dying to taste your dome. | 0:31:38 | 0:31:41 | |
-Normally you would have three thin coats of glaze... -Yep. | 0:31:41 | 0:31:44 | |
-..but this one has got only one. -So it's just for tasting. | 0:31:44 | 0:31:46 | |
-So I shouldn't look at it, really! -Blindfolded! | 0:31:46 | 0:31:50 | |
The raspberry flavour is quite intense, that I'm really happy with. | 0:31:53 | 0:31:56 | |
A little tad too sweet, | 0:31:56 | 0:31:58 | |
but perhaps that's coming from the meringue itself. | 0:31:58 | 0:32:00 | |
Is the meringue cooked enough for the overall balance to work? | 0:32:00 | 0:32:04 | |
But raspberry is present, which is what we expect. | 0:32:04 | 0:32:07 | |
This is my Ferris wheel. | 0:32:09 | 0:32:11 | |
I'm going to have these S-shaped patterns going around. | 0:32:11 | 0:32:16 | |
It's obviously quite delicate. | 0:32:16 | 0:32:18 | |
White chocolate is a bit softer than dark chocolate, | 0:32:18 | 0:32:20 | |
so fingers crossed it all stays together | 0:32:20 | 0:32:22 | |
and it should impress some people. | 0:32:22 | 0:32:24 | |
Sajee, get the rings on it, mate. | 0:32:25 | 0:32:27 | |
Seriously beautiful letters, yes? | 0:32:29 | 0:32:32 | |
Whilst the Park Lane boys | 0:32:32 | 0:32:33 | |
and the cookery school are constructing almost entirely | 0:32:33 | 0:32:36 | |
with chocolate... | 0:32:36 | 0:32:37 | |
..Christophe's team have opted for sugarwork. | 0:32:38 | 0:32:42 | |
Caramel to construct their croquembouche... | 0:32:42 | 0:32:45 | |
Once you come to the top, you need it to be very pointy | 0:32:45 | 0:32:48 | |
and this is where you need to concentrate on the size | 0:32:48 | 0:32:50 | |
of the choux and the shape. | 0:32:50 | 0:32:52 | |
..and blown sugar for the swan that will top it. | 0:32:52 | 0:32:55 | |
I'm doing it because I think it is beautiful, | 0:32:55 | 0:32:57 | |
I know our judges have got good taste and an eye for beauty | 0:32:57 | 0:33:00 | |
and I'd like to impress all three of them. | 0:33:00 | 0:33:02 | |
Sugar can only be worked into shape | 0:33:04 | 0:33:06 | |
when it's hot, and will only hold that shape once cooled. | 0:33:06 | 0:33:11 | |
To create the flowing curves of a swan, | 0:33:11 | 0:33:13 | |
Josua will have to move constantly between blowtorch and fan. | 0:33:13 | 0:33:18 | |
Yes, beautiful, beautiful. | 0:33:18 | 0:33:20 | |
This is it. This is the one. It's perfect. | 0:33:20 | 0:33:22 | |
Perfect. | 0:33:22 | 0:33:23 | |
I can't believe, Josua, first time, first go. I've got this ready, Josh. | 0:33:25 | 0:33:28 | |
-Oh, I've got this. -Just stick it on top. Safe. Than sorry. | 0:33:31 | 0:33:35 | |
Better safe than sorry. | 0:33:35 | 0:33:36 | |
I'm pulling flower petals. | 0:33:48 | 0:33:50 | |
I have to do 18 in total | 0:33:50 | 0:33:52 | |
and each flower has got three petals. | 0:33:52 | 0:33:55 | |
What am I spraying this with? | 0:34:07 | 0:34:09 | |
Even in the midst of delicate construction work, | 0:34:14 | 0:34:17 | |
there's no escaping the judges. | 0:34:17 | 0:34:20 | |
James, would you please tell me what is the flavour of your cupcake? | 0:34:20 | 0:34:23 | |
The one on your right is a salted caramel popcorn | 0:34:23 | 0:34:27 | |
and the one on your left is a bubble gum. | 0:34:27 | 0:34:29 | |
(Any good?!) | 0:34:35 | 0:34:36 | |
The salted caramel popcorn cupcake was really tasty. | 0:34:36 | 0:34:41 | |
The sponge was light, it was fluffy, it was moist. | 0:34:41 | 0:34:44 | |
As for the bubble gum cupcake, | 0:34:44 | 0:34:46 | |
it doesn't have the impact I remember from my childhood. | 0:34:46 | 0:34:49 | |
It's kind of the feeling that I like to have | 0:34:49 | 0:34:52 | |
with my first taste of the bubble gum cupcake, | 0:34:52 | 0:34:55 | |
so I think the bubble gum cupcake was a little bit weak. | 0:34:55 | 0:34:58 | |
-Will that come off? -I would rather not. | 0:35:00 | 0:35:03 | |
-You all right with it? -Yeah, stand in front of me. | 0:35:03 | 0:35:06 | |
-Wow. -Guys, your cakes look amazing. | 0:35:16 | 0:35:18 | |
Guys, don't tread on my cake. | 0:35:18 | 0:35:20 | |
-Let's go, come on! -Come on! | 0:35:20 | 0:35:22 | |
-Can somebody fix the -BLEEP -thing! | 0:35:22 | 0:35:23 | |
What do you want? This? | 0:35:23 | 0:35:26 | |
No, I want the table to be set and it's not set. | 0:35:26 | 0:35:29 | |
Got it? | 0:35:29 | 0:35:30 | |
Yes! | 0:35:40 | 0:35:41 | |
THUD | 0:35:50 | 0:35:52 | |
-Oh, mate. Can't do it. -What happened? | 0:35:52 | 0:35:54 | |
-We can't do it, man. -Huh? | 0:35:54 | 0:35:56 | |
-I cannot do it. -It's melted? | 0:35:56 | 0:35:58 | |
I can't do it, man. | 0:35:58 | 0:36:00 | |
Sammy, come here, mate. | 0:36:03 | 0:36:05 | |
Let's get through it. | 0:36:05 | 0:36:07 | |
Don't worry, don't worry. Come, help me, help me with that. | 0:36:07 | 0:36:10 | |
OK, let's go. Take this out. | 0:36:11 | 0:36:13 | |
BLEEP | 0:36:21 | 0:36:22 | |
Pastry chefs, you have 30 minutes. | 0:36:32 | 0:36:34 | |
I'm going to take it. | 0:36:34 | 0:36:36 | |
Can you put your finger here so this doesn't slide? | 0:36:36 | 0:36:39 | |
OK? | 0:36:43 | 0:36:45 | |
All right, stop - this is not happening. | 0:36:47 | 0:36:49 | |
-Hm? -There's no space for my hands. | 0:36:49 | 0:36:51 | |
-Do you want me to do it? -We're going | 0:36:51 | 0:36:52 | |
-to leave it on this and put it on top. -OK, yes. -OK? OK, so... | 0:36:52 | 0:36:55 | |
Perfect, yes, no problem. Good. | 0:36:55 | 0:36:57 | |
Plan B. | 0:36:58 | 0:36:59 | |
-OK, ready? -Steady... | 0:37:03 | 0:37:05 | |
Wow. | 0:37:08 | 0:37:09 | |
Yes, I'm happy. | 0:37:16 | 0:37:17 | |
Good, beautiful. | 0:37:19 | 0:37:20 | |
-Girls, I'm walking, yeah? -OK. | 0:37:24 | 0:37:27 | |
Do you want me to walk behind you? | 0:37:28 | 0:37:30 | |
-Tell me when I'm nearly there? -You're nearly there. | 0:37:41 | 0:37:43 | |
-How high have I got to go? -A wee bit more, just a wee bit more. Yep. | 0:37:43 | 0:37:48 | |
-Forward... -THEY GASP | 0:37:52 | 0:37:54 | |
-Is it...? -Yeah. | 0:37:58 | 0:37:59 | |
It's only that bit. | 0:37:59 | 0:38:01 | |
-This, you take last. -OK, Chef. -Please. | 0:38:01 | 0:38:04 | |
No problem, no problem. | 0:38:05 | 0:38:07 | |
Saj... Fence. | 0:38:07 | 0:38:09 | |
Right, I'm screwed. | 0:38:19 | 0:38:21 | |
I'm screwed. | 0:38:21 | 0:38:22 | |
-Can you stick this? -Put it on flat. | 0:38:24 | 0:38:25 | |
When you stick it, I need to stick it there. | 0:38:27 | 0:38:30 | |
-Too hot, man. -Don't put so much weight on them if you don't have to. | 0:38:30 | 0:38:34 | |
Five minutes. Five minutes! | 0:38:34 | 0:38:36 | |
OK, anything else? | 0:38:53 | 0:38:55 | |
Josua? Josua... | 0:38:55 | 0:38:57 | |
Oh... | 0:38:59 | 0:39:00 | |
Too late to apologise! | 0:39:01 | 0:39:03 | |
OK, you know what you do? You cut the choux. I'll do that. | 0:39:03 | 0:39:07 | |
..OK. | 0:39:09 | 0:39:10 | |
-It looks beautiful, though. -Yes, but I wanted this! | 0:39:16 | 0:39:19 | |
-Come on, Josua, I wanted that. -Sorry, I forgot to put it on. | 0:39:19 | 0:39:22 | |
-Too late. -I could try to take the swan off. -Please, | 0:39:22 | 0:39:25 | |
don't start taking it out. | 0:39:25 | 0:39:26 | |
-Please, guys, don't -BLEEP... | 0:39:26 | 0:39:28 | |
Don't. | 0:39:29 | 0:39:30 | |
OK? | 0:39:31 | 0:39:33 | |
OK. | 0:39:33 | 0:39:35 | |
-Where's that round thing? -It's OK, Joshua, don't worry. It's OK. | 0:39:38 | 0:39:41 | |
Trust me. It looks super good. | 0:39:41 | 0:39:43 | |
Sajee, turn it around. | 0:39:50 | 0:39:52 | |
So you see it here. | 0:39:52 | 0:39:54 | |
No, wait. | 0:39:57 | 0:39:59 | |
-Here. -No. I don't want it in front. | 0:40:01 | 0:40:02 | |
Five, four, | 0:40:02 | 0:40:04 | |
three, two, | 0:40:04 | 0:40:07 | |
one... That is it, pastry chefs. | 0:40:07 | 0:40:09 | |
That is the end of the final. | 0:40:09 | 0:40:12 | |
Happy? | 0:40:14 | 0:40:15 | |
-Are you? -Yeah. | 0:40:18 | 0:40:20 | |
Yeah! | 0:40:20 | 0:40:21 | |
-We do our now best. -Yes, but it's still full, | 0:40:22 | 0:40:25 | |
you've got to think it's still full. | 0:40:25 | 0:40:27 | |
-It went wrong, we still put something out. -Of course. | 0:40:27 | 0:40:30 | |
-Eh... No, no, no, no, no! No! -SHE LAUGHS | 0:40:41 | 0:40:45 | |
Stop it! God! | 0:40:45 | 0:40:47 | |
I did it! | 0:40:47 | 0:40:48 | |
Three showpiece banquets. | 0:40:55 | 0:40:58 | |
Desserts for 300 guests | 0:40:58 | 0:41:00 | |
in just six hours. | 0:41:00 | 0:41:02 | |
But which of these spectacular spreads is the work of champions? | 0:41:04 | 0:41:08 | |
The Park Lane boys' Pastry Fair features toffee apple lollies, | 0:41:17 | 0:41:20 | |
fairground cupcakes, | 0:41:20 | 0:41:22 | |
passionfruit and raspberry cones | 0:41:22 | 0:41:24 | |
and macaroon burgers. | 0:41:24 | 0:41:26 | |
The judges still have to taste their tiramisu teacups | 0:41:29 | 0:41:32 | |
and their chocolate carousel cake. | 0:41:32 | 0:41:35 | |
Well, visually, from a distance, | 0:41:42 | 0:41:44 | |
it caught the corner of my eye, | 0:41:44 | 0:41:45 | |
so it does work, it does draw you in to your display table, | 0:41:45 | 0:41:50 | |
which is part of the brief, well done. | 0:41:50 | 0:41:52 | |
Sam, you were involved in a Ferris wheel tragedy, | 0:41:52 | 0:41:54 | |
would you go through it for me? | 0:41:54 | 0:41:56 | |
Obviously it's very hot in here, | 0:41:56 | 0:41:58 | |
I had it standing up for half an hour on the table, all happy days. | 0:41:58 | 0:42:02 | |
Bring it over here and... | 0:42:02 | 0:42:04 | |
it just fell apart, unfortunately. | 0:42:04 | 0:42:06 | |
I've got no doubt you make yourself proud. | 0:42:06 | 0:42:09 | |
You've got the fighting spirit, | 0:42:09 | 0:42:11 | |
I will say you've got the pastry chef fighting spirit. Yes, Chef. | 0:42:11 | 0:42:14 | |
I think obviously your mistake has been baking too much on white | 0:42:14 | 0:42:18 | |
chocolate which is a more fragile chocolate. What do you see, Claire? | 0:42:18 | 0:42:22 | |
I see a sign going to the fair and I love it! | 0:42:22 | 0:42:24 | |
This is great technique in piping, really nice and neat. | 0:42:24 | 0:42:27 | |
I love the technique of your train. | 0:42:27 | 0:42:29 | |
Again, nice, neat edges. | 0:42:29 | 0:42:31 | |
Well, chefs, you put a big smile on my face. I love it! | 0:42:31 | 0:42:35 | |
-Thank you so much. -Why don't you get onto tasting? | 0:42:35 | 0:42:38 | |
Shall we start with the tiramisu? | 0:42:38 | 0:42:40 | |
Their espresso cups are filled with a classic tiramisu, | 0:42:40 | 0:42:43 | |
with mascarpone cream, meringue sponge | 0:42:43 | 0:42:46 | |
and strong espresso coffee | 0:42:46 | 0:42:48 | |
balanced with sweet Tia Maria. | 0:42:48 | 0:42:50 | |
It does taste like a tiramisu. | 0:43:03 | 0:43:06 | |
It's in a glass, so it's a bit minimalist in that approach | 0:43:06 | 0:43:08 | |
because you went to the safe side. | 0:43:08 | 0:43:10 | |
But inside, it's just a dream to eat. | 0:43:10 | 0:43:13 | |
-Thank you. -Claire. | 0:43:13 | 0:43:14 | |
I agree, delicious. What does tiramisu mean? Pick-me-up, isn't it? | 0:43:14 | 0:43:18 | |
-Yes. -Picked me up straightaway, love it. -Thank you so much. | 0:43:18 | 0:43:21 | |
I just have a question. Love the taste, texture. | 0:43:21 | 0:43:24 | |
What does tiramisu... | 0:43:24 | 0:43:26 | |
With the funfair, how does it link from Italy to... You know? | 0:43:26 | 0:43:30 | |
We were going for the whole teacups and roundabouts, | 0:43:30 | 0:43:33 | |
-and that sort of thing. -Is it the teacup that moves around? -Yes! | 0:43:33 | 0:43:37 | |
That is a good one, well done! | 0:43:37 | 0:43:39 | |
Their chocolate merry-go-round cake has a chocolate mousse filling | 0:43:40 | 0:43:44 | |
sandwiched between layers of raspberry liqueur-soaked chocolate | 0:43:44 | 0:43:47 | |
Genoise sponge and a feuilletine base hiding some popping candy. | 0:43:47 | 0:43:52 | |
Oh, yes. | 0:44:00 | 0:44:01 | |
The popping candies! | 0:44:03 | 0:44:04 | |
OK, so I get the popping candy, you want to bring the funfair element. | 0:44:08 | 0:44:12 | |
If anything, it's a little dry for me, but I like the crunch | 0:44:12 | 0:44:15 | |
of the feuilletine and the praline it brings up. | 0:44:15 | 0:44:19 | |
And the chocolate pop is... Could be a little stronger. OK? | 0:44:19 | 0:44:23 | |
I agree, totally. Just a little on the dry side. | 0:44:26 | 0:44:28 | |
I do like the popping candy, it's kind of fun. | 0:44:28 | 0:44:30 | |
-It's not fair, I didn't get any popping candy at all. -Oh! | 0:44:30 | 0:44:34 | |
-It was all here, on my spoon! I had plenty! -I got some. | 0:44:34 | 0:44:37 | |
The finishing touch of your cake, it has to be more precise, more shiny. | 0:44:37 | 0:44:42 | |
The chocolate is on the thick side. | 0:44:42 | 0:44:44 | |
So the question there - would it be enough to serve 100 of our guests? | 0:44:44 | 0:44:48 | |
Yes, Chef, we did it for one and a half portions per person. | 0:44:48 | 0:44:51 | |
A fairly small portion, though. And getting a half? | 0:44:51 | 0:44:54 | |
Might be a bit awkward, so some will have two, some will have one. | 0:44:54 | 0:44:57 | |
Yes. | 0:44:57 | 0:44:59 | |
For their Harmony showpiece buffet, | 0:45:22 | 0:45:25 | |
Christophe's team have made a pandan l'Asie fudge cake, | 0:45:25 | 0:45:28 | |
Margarita macaroons, | 0:45:28 | 0:45:30 | |
a risotto sponge l'oranger | 0:45:30 | 0:45:32 | |
and Moulin Rouge | 0:45:32 | 0:45:33 | |
raspberry mousse dome. | 0:45:33 | 0:45:35 | |
The judges are still to taste their croquembouche, espresso opera | 0:45:35 | 0:45:39 | |
petits fours, their mango exotique | 0:45:39 | 0:45:42 | |
and chocolatier gateau. | 0:45:42 | 0:45:44 | |
Love the peace and Harmony in abundance. | 0:45:46 | 0:45:50 | |
I think it's great, I couldn't WAIT to rush over here. | 0:45:50 | 0:45:53 | |
To do a croquembouche is a big task | 0:45:53 | 0:45:56 | |
and you did it freehand. | 0:45:56 | 0:45:59 | |
I love your desserts, I think they're very visual. | 0:45:59 | 0:46:02 | |
I think you have got some contrast in shape, | 0:46:02 | 0:46:05 | |
but I can see one or two that are almost finished identically. | 0:46:05 | 0:46:08 | |
I would have wished perhaps a little more extravagance, | 0:46:08 | 0:46:11 | |
knowing you, Christophe and your two colleagues. | 0:46:11 | 0:46:13 | |
And the sugarwork... Well, I credit you, Josh, | 0:46:13 | 0:46:16 | |
for having brought a little bit more blown sugar with the swan. | 0:46:16 | 0:46:20 | |
I can only congratulate you guys with the time you had to play for. | 0:46:20 | 0:46:24 | |
-Thank you. -So Josh, it's lovely layering in your opera. | 0:46:24 | 0:46:28 | |
And you were scaling it, I noticed. | 0:46:28 | 0:46:30 | |
I just wanted to make sure it's perfect. | 0:46:30 | 0:46:32 | |
Opera is one of my favourite cakes, always has been. | 0:46:32 | 0:46:34 | |
Is all of this enough to feed 100 of our guests? | 0:46:34 | 0:46:38 | |
What do you think, Josua? Is there enough for 100 people? | 0:46:38 | 0:46:42 | |
I think there's enough for 130-140 people. | 0:46:42 | 0:46:44 | |
The choux buns in their croquembouche | 0:46:47 | 0:46:49 | |
are filled with a creme patissier | 0:46:49 | 0:46:51 | |
flavoured with blackcurrant cassis puree | 0:46:51 | 0:46:53 | |
and their opera petits fours | 0:46:53 | 0:46:55 | |
has an espresso coffee | 0:46:55 | 0:46:57 | |
and Kahlua cream layered | 0:46:57 | 0:46:59 | |
between almond joconde sponge. | 0:46:59 | 0:47:01 | |
The choux bun's lovely. | 0:47:11 | 0:47:12 | |
It's got a lovely texture on the outside still, | 0:47:12 | 0:47:15 | |
really powerful hit of the blackcurrant | 0:47:15 | 0:47:18 | |
and I love the sugar, it's still crunchy and crisp on the outside. | 0:47:18 | 0:47:21 | |
Real texture contrast. | 0:47:21 | 0:47:23 | |
I really enjoyed eating the opera slice | 0:47:23 | 0:47:27 | |
because every layer is so well soaked. | 0:47:27 | 0:47:29 | |
The coffee kicked in and then the Kahlua - | 0:47:29 | 0:47:32 | |
just at the back of my palate. | 0:47:32 | 0:47:35 | |
-Well done. -Yes! | 0:47:35 | 0:47:37 | |
Their mango cheesecake exotique | 0:47:39 | 0:47:41 | |
has Madeleine sponge and mango glaze. | 0:47:41 | 0:47:44 | |
Their chocolatier gateau has a sable base and a honey | 0:47:44 | 0:47:48 | |
and cinnamon-flavoured chocolate mousse filling. | 0:47:48 | 0:47:51 | |
Now, when you cut into an entremets, that is exactly what I want to see. | 0:47:51 | 0:47:54 | |
Clean, sharp, even layers, | 0:47:54 | 0:47:57 | |
all the sponges even. A contrast. | 0:47:57 | 0:48:00 | |
Only little criticism, maybe my glaze is a little bit thick there. | 0:48:00 | 0:48:03 | |
Well, the chocolate, it looks like chocolate, no doubt about it, | 0:48:13 | 0:48:17 | |
but I could not taste the beauty of chocolate dancing in my mouth. | 0:48:17 | 0:48:21 | |
It's sort of like quite boring when I eat it. | 0:48:21 | 0:48:24 | |
I think it's a little bit generic... in taste. | 0:48:26 | 0:48:29 | |
But I do like the texture combination. | 0:48:29 | 0:48:32 | |
Would the sable be cooked enough, do you think? | 0:48:32 | 0:48:34 | |
-It could probably do a little bit longer. -Yes. | 0:48:34 | 0:48:37 | |
A little bit more cooking on the sable, because it gets starchy now. | 0:48:37 | 0:48:41 | |
Cheesecake as well, your jelly is a little bit thick on the top, | 0:48:42 | 0:48:45 | |
and I don't taste cheese. | 0:48:45 | 0:48:47 | |
It's a great mousse, but it tastes like a mousse, like a bavarois. | 0:48:47 | 0:48:51 | |
And it doesn't taste like a cheesecake. | 0:48:51 | 0:48:53 | |
Um, you know, if I'm having cheesecake, | 0:48:53 | 0:48:55 | |
I just want it to taste a little bit like cheesecake. | 0:48:55 | 0:48:58 | |
But I do get your other flavour profiles coming through. | 0:48:58 | 0:49:00 | |
I would say, for me, | 0:49:00 | 0:49:02 | |
it's really safe for a competition like this one. | 0:49:02 | 0:49:05 | |
Looking at the other cakes, actually, | 0:49:05 | 0:49:07 | |
you've got to get back to the minimalism. | 0:49:07 | 0:49:10 | |
When you do a clean, simple design, | 0:49:10 | 0:49:13 | |
it needs to be absolutely perfect. | 0:49:13 | 0:49:16 | |
And we can tell there is a little nitty-gritty there. | 0:49:16 | 0:49:20 | |
Very good. | 0:49:34 | 0:49:36 | |
For their Life Of A Pastry Chef, | 0:49:43 | 0:49:44 | |
the cookery school has served chocolate and hazelnut mousse, | 0:49:44 | 0:49:48 | |
mango and line domes, | 0:49:48 | 0:49:49 | |
rhubarb and custard tarts, | 0:49:49 | 0:49:51 | |
gin and lemongrass panna cotta | 0:49:51 | 0:49:53 | |
and the judges have yet to taste | 0:49:53 | 0:49:54 | |
their lemon mousse pots | 0:49:54 | 0:49:56 | |
and coconut rum opera slice. | 0:49:56 | 0:49:59 | |
Wow, wow, wow. What a grand finale. | 0:50:01 | 0:50:04 | |
Helen, Mark and Samantha, | 0:50:04 | 0:50:07 | |
you should be so proud of yourselves. | 0:50:07 | 0:50:10 | |
I'm looking at your showpiece, absolutely love it. | 0:50:10 | 0:50:13 | |
You remind me of my daily routine back in the kitchen. | 0:50:13 | 0:50:17 | |
Oh, my goodness, I saw the measuring tape - can you see that? | 0:50:17 | 0:50:21 | |
-That was just for you! -That's me! Oh, my goodness! | 0:50:21 | 0:50:24 | |
-Beautiful, beautiful work. -I love the centrepiece, it's very visual. | 0:50:25 | 0:50:29 | |
I also like the flow of it. | 0:50:29 | 0:50:31 | |
I like the fact it's slightly toppling over, bit this way, | 0:50:31 | 0:50:34 | |
bit that way. | 0:50:34 | 0:50:35 | |
There are lots of skills all across the table. | 0:50:35 | 0:50:38 | |
You've got the sensation of plenty-ness, which is | 0:50:38 | 0:50:41 | |
what a buffet is supposed to be doing. | 0:50:41 | 0:50:43 | |
So it's a great day to celebrate our life. Well done. | 0:50:43 | 0:50:46 | |
Tasting? | 0:50:46 | 0:50:47 | |
-Yes, we should. -Definitely. -We should. | 0:50:47 | 0:50:50 | |
Their opera slice has layers of | 0:50:50 | 0:50:52 | |
rum-soaked coconut dacquoise sponge, | 0:50:52 | 0:50:55 | |
passionfruit buttercream | 0:50:55 | 0:50:56 | |
and chocolate ganache, | 0:50:56 | 0:50:58 | |
decorated with cubed rum jelly and coconut crisps. | 0:50:58 | 0:51:02 | |
Well, I can taste coconut dacquoise, | 0:51:12 | 0:51:14 | |
but there are pieces | 0:51:14 | 0:51:15 | |
of coconut that are on my palate, | 0:51:15 | 0:51:18 | |
so it's not quite the thin finish. | 0:51:18 | 0:51:20 | |
And I think the chocolate actually overpowers the passion. | 0:51:20 | 0:51:24 | |
Finishing, it has to be a little bit more precise - | 0:51:24 | 0:51:28 | |
or else I have to start using my ruler again! | 0:51:28 | 0:51:31 | |
One of the reasons you have difficulty to cut it is | 0:51:32 | 0:51:35 | |
because you used a softer coconut dacquoise and it's barely cooked, | 0:51:35 | 0:51:37 | |
the coconut, so obviously you might have struggled to cut it anyway. | 0:51:37 | 0:51:41 | |
Absolutely. | 0:51:41 | 0:51:42 | |
I was watching you glazing, so in terms of skill on this one, | 0:51:42 | 0:51:45 | |
I think... We are a little bit down on what you should be. | 0:51:45 | 0:51:48 | |
Mark's lemon mousse pots are layered | 0:51:49 | 0:51:51 | |
with a yoghurt siphoned sponge, | 0:51:51 | 0:51:53 | |
lemon curd and are topped with almond biscotti croutons. | 0:51:53 | 0:51:58 | |
I really like the acidity of the curd and the mousse. | 0:52:09 | 0:52:13 | |
I think it's really well-balanced. | 0:52:13 | 0:52:16 | |
It's really cleaning my palate, | 0:52:16 | 0:52:18 | |
it goes very well with the croutons as well. | 0:52:18 | 0:52:21 | |
I love the presentation, I think it's really dramatic, | 0:52:21 | 0:52:24 | |
but it's a bit acidic for me. | 0:52:24 | 0:52:25 | |
Overall, I think we have to congratulate you, there is | 0:52:25 | 0:52:28 | |
a lot of different technique that is on the buffet spread, right from the | 0:52:28 | 0:52:32 | |
mousse to the slice to the opera and to the dome, so chefs, well done. | 0:52:32 | 0:52:37 | |
-Thank you. -Well done, chefs. | 0:52:37 | 0:52:40 | |
'The judges have a huge decision to make...' | 0:52:55 | 0:52:58 | |
Decision time. | 0:52:58 | 0:52:59 | |
Hard work. | 0:53:01 | 0:53:03 | |
'..based on the centrepieces they've just seen, | 0:53:03 | 0:53:05 | |
'the desserts they've just tasted and those they've | 0:53:05 | 0:53:08 | |
'tasted at the halfway stage and throughout the day.' | 0:53:08 | 0:53:12 | |
Sajeela's team have got a great theme. | 0:53:20 | 0:53:22 | |
It ties very well with the story of where they come from, | 0:53:22 | 0:53:25 | |
the little "Big Macaroon", I really enjoyed that. | 0:53:25 | 0:53:27 | |
Christophe's team, I mean, they exemplify peace and harmony, | 0:53:27 | 0:53:32 | |
don't they? They work so well together. | 0:53:32 | 0:53:34 | |
The croquembouche, the neatness and simplicity. | 0:53:34 | 0:53:37 | |
The orange risotto dessert, | 0:53:37 | 0:53:39 | |
incredible! The sponge was lovely. | 0:53:39 | 0:53:42 | |
It's such a joy watching Mark's team. | 0:53:42 | 0:53:45 | |
They're very skilful with their chocolate work. | 0:53:45 | 0:53:48 | |
Their chocolate and hazelnut mousse, | 0:53:48 | 0:53:49 | |
there are five different components inside. | 0:53:49 | 0:53:53 | |
Absolutely love it. | 0:53:53 | 0:53:55 | |
So, have you finalised your scores, judges? | 0:53:55 | 0:53:57 | |
-We have. -One or two marks in it, for me. -Shall we go and tell the chefs? | 0:53:57 | 0:54:01 | |
-Yeah. -We should. | 0:54:01 | 0:54:02 | |
We have a chance. | 0:54:11 | 0:54:13 | |
Pray to the God. We have a chance. | 0:54:13 | 0:54:16 | |
Each judge will be awarding you a mark out of 100. | 0:54:18 | 0:54:22 | |
Five categories, 20 points each. | 0:54:22 | 0:54:25 | |
Design of display, | 0:54:25 | 0:54:27 | |
quality of finish, | 0:54:27 | 0:54:28 | |
skills and technique, | 0:54:28 | 0:54:30 | |
flavour and texture | 0:54:30 | 0:54:32 | |
and practicality of buffet. | 0:54:32 | 0:54:34 | |
It's now the time that you've been waiting for. | 0:54:36 | 0:54:40 | |
Chefs, will you please come round and join us | 0:54:40 | 0:54:43 | |
at the front of your kitchens. | 0:54:43 | 0:54:44 | |
Judges, we'll start with Mark's team. | 0:54:54 | 0:54:57 | |
Can I have your marks out of 100, please? | 0:54:58 | 0:55:00 | |
71. | 0:55:02 | 0:55:03 | |
73. | 0:55:06 | 0:55:07 | |
70. | 0:55:10 | 0:55:11 | |
Mark, that means your team has a total of 214 points. | 0:55:13 | 0:55:18 | |
Onto Sajeela's team, please. | 0:55:19 | 0:55:21 | |
51. | 0:55:23 | 0:55:24 | |
51. | 0:55:27 | 0:55:28 | |
52. | 0:55:30 | 0:55:31 | |
OK, Sajeela, that means that your team has scored 154 points. | 0:55:33 | 0:55:38 | |
And then Christophe, your team. | 0:55:43 | 0:55:45 | |
Judges? | 0:55:45 | 0:55:46 | |
63. | 0:55:51 | 0:55:52 | |
74. | 0:55:55 | 0:55:57 | |
67. | 0:56:06 | 0:56:07 | |
Which means Christophe, your team has scored 203 points. | 0:56:09 | 0:56:12 | |
Which means, | 0:56:12 | 0:56:13 | |
Mark, your team is the winner of the grand final. | 0:56:13 | 0:56:17 | |
Congratulations! | 0:56:17 | 0:56:19 | |
APPLAUSE | 0:56:19 | 0:56:21 | |
Well done, guys. | 0:56:26 | 0:56:27 | |
-Thank you. -Really well done. | 0:56:27 | 0:56:30 | |
Wow! | 0:56:30 | 0:56:31 | |
I don't know what to say, it's just crazy! | 0:56:33 | 0:56:35 | |
-Thank you. You really make us very proud. -Thank you! | 0:56:35 | 0:56:38 | |
Such an amazing team. | 0:56:39 | 0:56:41 | |
Amazing showpiece, amazing cake, | 0:56:41 | 0:56:44 | |
lots of technique and of course | 0:56:44 | 0:56:46 | |
never give up, the spirit that they have is amazing, amazing, amazing. | 0:56:46 | 0:56:51 | |
I would say "la creme de la creme". | 0:56:51 | 0:56:53 | |
That's it. Nothing more. | 0:56:53 | 0:56:55 | |
Perfect final, perfect teams to be with, we met some great people. | 0:56:55 | 0:56:59 | |
I've learned there's things that I want to do, as well, | 0:56:59 | 0:57:01 | |
seeing the other guys, what they've been doing. | 0:57:01 | 0:57:03 | |
We never stop learning in this industry. | 0:57:03 | 0:57:05 | |
That's what I love about it. | 0:57:05 | 0:57:07 | |
Well done! Well done. | 0:57:07 | 0:57:09 | |
Obviously, it would have been nice to win too, | 0:57:09 | 0:57:12 | |
but we knew Mark was exceptional. | 0:57:12 | 0:57:15 | |
And when I was growing up, my mum always said it's OK | 0:57:15 | 0:57:17 | |
if you're not the winner, you don't always have to win, you know? | 0:57:17 | 0:57:20 | |
You completely deserve it. 'I'm happy for them. | 0:57:20 | 0:57:23 | |
'They did an amazing showpiece at the end of the day. | 0:57:23 | 0:57:26 | |
'I've learned not to do' | 0:57:26 | 0:57:27 | |
white chocolate showpieces, that's for sure! | 0:57:27 | 0:57:30 | |
Especially in a hot kitchen. | 0:57:30 | 0:57:31 | |
Congratulations! | 0:57:31 | 0:57:32 | |
I'm going to take away from the experience just knowing how hard | 0:57:32 | 0:57:35 | |
you can actually push yourself when you're under that much pressure | 0:57:35 | 0:57:38 | |
especially with two great people by your side, you'll be amazed at what you can actually do. | 0:57:38 | 0:57:42 | |
We've met 45 great pastry chefs | 0:57:43 | 0:57:46 | |
who joined in the competition | 0:57:46 | 0:57:48 | |
and they've shared amongst themselves all the great attributes | 0:57:48 | 0:57:51 | |
of a great pastry chef, which is dedication, | 0:57:51 | 0:57:53 | |
hard work, commitment, | 0:57:53 | 0:57:56 | |
skill, more skill | 0:57:56 | 0:57:58 | |
and MORE skill! | 0:57:58 | 0:58:00 | |
-And never give up, never give up! -And technique, and taste! | 0:58:00 | 0:58:03 | |
-And technique! And taste! -Flavour! | 0:58:03 | 0:58:05 | |
And texture! | 0:58:05 | 0:58:07 |