Final Strictly Come Dancing


Final

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This programme contains repetitive flashing images.

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15 began. Brilliant. Right on the money, money! Now only four remain.

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Months of punishing training has come to this. In their final week,

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with three dances, the celebrities have never been under more pressure.

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Feel grateful, optimistic, joyful, nervous! Two days before the grand

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final, how are your nerves? I am in love with the show, I think it is

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awesome. I have taken a break from training here at Downing Street. The

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tension is on, presumably. Friday morning on BBC Radio 1... I cannot

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believe we are at the final! Really excited to go out and just give it

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everything, it is our last shot, and we just want to enjoy ourselves. All

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of our hard work has come to this moment. I cannot believe this is it,

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I am ready. Tonight is the night, got to get out there and got to make

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it perfect. Who has got what it takes to be the champion of Strictly

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2015? Led the battle commence. Finalists, take your positions,

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thank you! Please welcome your finalists,

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Georgia, Jay, Katie, Andy Kellie! -- and.

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Live from the BBC, this is Strictly Come Dancing,

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Please welcome your hosts, Tess Daly...

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Hello and welcome to Strictly Come Dancing,

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Thank you to our professional dancers and finalists

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That's what you call access all areas.

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Back in September, 15 celebrities entered the ballroom

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135 dances later, only four remain,

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and tonight one will be crowned Strictly Come Dancing champion 2015!

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CHEERING AND APPLAUSE That is right!

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So get set for a dramatic double bill of dance,

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as our couples battle it out in the ballroom one last time.

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And if our four finalists aren't exciting enough for you,

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we also have these four, please welcome the judges.

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but those scores are for guidance only.

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which couple will take home the Glitterball trophy.

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ready to give it their all to win your votes.

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So please welcome our Strictly stars!

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EastEnders actress Kellie Bright and her partner, Kevin Clifton.

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BBC Proms and Radio 3 presenter Katie Derham

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Actress Georgia May Foote and her partner, Giovanni Pernice.

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And finally from the Wanted, pop star Jay McGuiness

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CHEERING AND APPLAUSE Well!

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There they all are, our fabulous final four.

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All of them have topped the leaderboard,

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and any one of them could be our winner.

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First tonight, our couples will perform a dance

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that the judges think they can improve on.

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we'll open the vote so you can start choosing your winner.

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Then it's time for the most breathtaking dances

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of the competition, when our finalists will attempt

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to wow us with their spectacular showdances!

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we're back for our live results show at nine,

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when the couple with the lowest number of votes

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leaving the remaining three to dance their favourite routine

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Our first finalist dancing tonight for your votes

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is Jay McGuiness and his partner, Aliona Vilani.

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The dance the judges have chosen for Jay

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After making a few mistakes first time round,

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just how much he's learnt in these last nine weeks.

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Last Saturday night, two really different dances, one was really

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romantic, simply beautiful. Obviously, my technique isn't

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perfect. You have to close your feet! I felt really grateful for the

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scores. The second was completely different, each Elstone was so fun.

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That was brilliant! I just hope that we go out with a bang, whatever

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happens. Congratulations on making the final. The dance we have picked

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for you is the quickstep. Let's do it. You off like a thoroughbred,

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your footwork was stupendous until then the stake. Your beach were

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doing more than your brain could handle. Do you feel a bit of nerves

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about doing the quickstep again? There will always be nervous,

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because of how it went, I hope I can do it cleanly. This was your lowest

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score of the whole series, it is about nailing the technique, head to

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the left, that is what you need to do. Got it. Good lad. You are an

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outstanding dancer, and we cannot wait to see this quickstep at its

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absolute best. It is the final, no rooms for any mistakes, we will go

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over and over until it is ingrained, and at this time around in press the

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judges. This is the dance that will have the most concentration, I don't

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want to put a foot wrong. I think they will be expecting a lot, it

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will have to be technically perfect, so no mistakes, hopefully it will go

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the way it could have gone. CHEERING AND APPLAUSE

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Dancing the quickstep, Jay McGuiness and Aliona Vilani.

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and I think every generation will have loved that.

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Jay, what's the atmosphere in here like tonight?

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It is absolutely electric, it is making my feet shake!

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Whilst you take it all in, please welcome our brilliant

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singers, Chris, Hayley, Lance, Andrea, Tommy,

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and, of course, Dave Arch and his orchestra.

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Len, he didn't want to put a foot wrong. I didn't want into either,

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but unfortunately, there was a couple of... I am not going to lie

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and say there wasn't! Watch it back tonight when you get home, everyone.

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You know, I must say, it was quick, it was slick, it was a vast

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improvement on the last time round. APPLAUSE

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A couple of incidents here and there, but great job, well done.

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Bruno? You to our like the God of To speed, Burmese, did you go wrong,

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Aliona? Was it you? I think it is because the confidence was

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incredible. You really are twinkle toes out there.

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APPLAUSE When you get it right, it is

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stupendous, but because the quality is so high, tiny little stumble can

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spoil the overall effect. But when it comes to ability, you are in

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credible, you really are. APPLAUSE

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Craig? It wasn't perfect. You did dance around the floor with great

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ease. Your thumb was down throughout which I loved. You are a lovely

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dancer and a joy to watch, you really are.

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APPLAUSE Darcey, Jay is the only male

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celebrity left in the final, the only finalist who hasn't been in the

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dance-off. How did he do? For me, top grade in complexity.

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APPLAUSE It's so true, you are under so much

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pressure tonight. The nerves in this room and it's just the public as

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well, they are like this. I am feeling it so much but I have to say

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it was divine. You were in charge of the pivots with Aliona, you led her

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beautifully, even with the tiny mistakes, it was fantastic.

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CHEERING AND APPLAUSE. A couple of tiny mistakes but

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overall great comments. It's the show dance next. We are all looking

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forward to that. Let's hear it for Jay and Aliona.

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CHEERING AND APPLAUSE. Very, very well done. Nerve-racking

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going first? It was actually. Nomplly I light because you can just

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watch and enjoy but that wasn't the case today. It was nerve-racking.

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Was Was it scary doing the dance that you got the lowest score for,

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did you ask for something else that you got like 900 in? ! No, actually

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when we messed up on the show day I said right away I want to be in the

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dance-off to do it again. I said you are crazy. I I wanted people to see

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how amazing he dances it. That is a mark-up of 11 so you must

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be very, very happy. That was really good. Very well done.

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If you think Jay is the best dancer of his generation,

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or vote online when the vote opens later.

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It's time for the terms and conditions.

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Tonight is too important for me to read these out.

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We've tried to jazz them up, we've had some fun,

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I give you the legend, the show-stopper, Mary Berry.

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Calls cost 15p plus your network's access charge.

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Please ask the bill payer's permission.

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To vote online, visit bbc.co.uk/strictly,

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where you'll also find terms and conditions.

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until all our four couples have performed their first dance.

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your vote won't count and you may be charged.

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for who you want to win Strictly Come Dancing.

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Our next finalist to take to the floor is Georgia May Foote

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For their judges' pick they're doing their rumba from movie week,

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and after scoring 27 for it first time round,

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they're hoping this sequel will be even better than the original.

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On Saturday night, I felt under pressure. I just did my absolute

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best. I threw all my energy into it. I could watch you dance all night.

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We've made the final. What! ? Congratulations on making it to the

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final, Georgia and Giovanni. The dance we have chosen for you to

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dance to again is the rumba. What do you feel about it? I would love to

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do it again. I'm looking forward to seeing how you have progressed. What

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would you suggest I can do in the dance to get a higher score? Just

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work on the essential hip action. The first time you did it there was

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controversy. Two outs and a forward doesn't constitute a rumba. Do it as

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you did it, just put in a little bit more fundamental basic choreography

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and then Whoa-hoa. Wonderful chemistry. It gives me goose bumps,

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when you do it right you're absolutely stunning. Thank you. Get

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to work darlings, good luck. Thank you. Doing the rumba is good for us,

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it's a chance for us to redeem ourselves and do it better than last

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time. The rumba's actually a really difficult dance. It does worry me a

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little bit. We need to change our routine and put some basic rumba in.

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A lot is riding on this performance. It's the one the judges want to see

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the most improvement in. This dance has to be perfect.

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Dancing the rumba, Georgia May Foote and Giovanni Pernice.

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you've certainly left the audience shaken and stirred.

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Oh, again, totally smitten by the sex kitten! She was so stretching

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and bending, she was made of spandex! I love that bendy, extended

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line, much more confident. There was a little issue with balance though.

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At the end, yes. Bless you, my darling. But I thought the dance

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overall was improved because you added so much to it, your confidence

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was there, you were very, very sexy, very, very into it and it was very

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well done except for that little thing at the end. Yes. The drama.

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Craig, did you get that hip action you wanted? I did as a

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matter-of-fact. You were using the hips beautifully. I loved the

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dramatic sense of it, I thought the intensity was very, very good. I

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loved the choreography in that particular number. Backbend

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absolutely delicious, darling, sophisticated, which I absolutely

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love, full of control except for that moment at the end. I know,

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argh... I shouldn't worry about that, it was beautiful. It was

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beautiful. He's not worried about it! That's a good sign. Darcey? To

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think you did that in week three, you have grown into this beautiful

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sensual lady and you delivered all the goods with all the control. You

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know what they are complaining about, because you whipped so fast

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that lovely turn, it didn't bother me at all because the tension was

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there and you grabbed her and Giovanni, did you not! ? It was

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beautiful. Well done. CHEERING AND APPLAUSE.

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Len, was there enough content? You couldn't get more. It's so hand to

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hand, spiralling in, yes, lovely, lots of content which is what I

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asked for. Maybe a bit of an aggressive way. The proof is in the

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pudding though and that was so, so much better. I don't know about 007,

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00-heaven, well done. Oh, thank you. Looks like you listened to

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everything they said to you last time.

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Go and get your scores and then get ready for your showdance.

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Very well done. Do you know who I have to mention. I have a new

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favourite person in my life and it's your mum. Gosh, she was crying

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before I came on. She has not stopped crying. Look at her. You are

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her baby and you've done so extraordinarily well. Thank you.

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Giovanni, you must be relieved because Len said 00-heaven, he

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didn't say that the first time, quite the opposite. He didn't.

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Well done. Nine more than first time around. Well done.

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If you thought this Bond girl was on the Moneypenny,

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call 6225209 from your mobile, 09015 225209 from your landline

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or vote online when it opens later in the show.

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And for all the behind-the-scenes news and gossip from our final

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show, go to Facebook, Twitter or our website.

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Next up is Kellie Bright and her partner, Kevin Clifton.

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The judges have chosen a tango, which was Kellie's very first dance

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of the series, in fact, it was the dance that kicked off

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Let's see just how far she has come in those 13 weeks.

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Last Saturday was completely bonkers. I was struggling to find

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anything I didn't like. Loved it. Truly loved it. All the Hollywood

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quality we want. From two dance-offs to topping the leaderboard in the

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semi-final. That's just what dreams are made of. Well, congratulations

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on making the final. Now, the dance we've picked for you is the tango!

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How do you feel about that? I really am happy about that. I love the fact

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that you went for the sharp stacato and you have to link everything

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together. It was your first dance and it was sharp and clean but you

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have come so far you have developed. Tidy up the wonderful links and

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moves. You have all the ingredients now at your disposal to blow our

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minds. We want to see the sharp, fiery Kellie coming out. Get fire in

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your belly, Kellie and come out and wow us! OK. A couple of weeks ago, I

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watched the tango for the first time since we'd done it. When I watched

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it I was like, I love it and I wanted another go and now I've got

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it. We got 27 points for our tango in week one. I would like to think

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we can get a few more points than that this time. I want to see what

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Kellie's learnt throughout the series. Week one she was like, I

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thought ballroom dancing was like this. Clean and sharp. Looking

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forward to doing it again. Got it! Dancing the tango,

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Kellie Bright and Kevin Clifton. Come on over! Soak that up,

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brilliant reaction! You two have got such an amazing connection... That

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got everyone... They are shouting ten upstairs! You have worked so

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hard, did it pay off? It most certainly has, it really has, the

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character -- characterisation was phenomenal, absolutely brilliant,

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sharp, as you wanted it, clean, there couldn't be any more dynamic,

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it was truly fab-u-lous, darling! Fab-u-lous! It is funny, but I loved

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it before, the weird mix with the 1960s style, it worked, my gosh. The

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difference, your top line is yummy, baby! The amount of attack you gave

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it, that was outstanding. APPLAUSE

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Len, did you say that? I saw more than just a bit of fire,

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oh yes, excuse the pun, but you ironed out all the kinks! Let me

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tell you something, that was brilliant. That is it.

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APPLAUSE Three out of four, can we make it a

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Dave Bulthuis, Bruno? That is how you rocked a tango! Honestly, I like

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to see things that are different, imaginative, creative. You never

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cease to surprise me, you have taken a different slant, totally

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unexpected, and yet the dance was exactly what the tango should be,

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exactly! APPLAUSE

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Great achievement! It is all about changing perceptions and continuing

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tradition, and you do exactly that, great confidence. Great start for

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your first dance of the final, one down, one to go, off you go, Devon

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and Kellie, brilliant! -- Kevin. Thank you!

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CHEERING By the way, I have to mention, how

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lovely to have the gang are back together! The best thing about today

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is having everybody here. It feels like how it should be. I know! You

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first did that in week one, which was 700 years ago. Did it come back

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naturally? No! No, it didn't. It is a long time ago, we have done a lot

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of dances between them. These scores are in.

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The judges have their scores. Craig Revel Horwood.

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Listen... The first of the series, your first ten ever from Craig Revel

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Horwood. Thank you, Kellie! You are speechless. I feel like I have just

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won the competition! If that routine really

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got you going, call 6225201 from your mobile,

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09015 225201 from your landline, or vote online free of charge

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when the vote opens shortly. Still to come, Jay dances to a song

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called I Can't Feel My Face. or he's had an injection

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at the dentist. Finally Craig gets his ten had,

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better late than never! Dancing the final judges'

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pick tonight are Katie Derham and her

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partner, Anton Du Beke. When they first did this quickstep,

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they scored sixes and sevens. and sixes and sevens

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just won't cut it tonight. Can Katie do it?

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Let's find out. Saturday night, the first was the

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Charleston. I cannot see that getting into the final. It was like

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having a bucket of cold water poured on you. The upside is that we at

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least had a second chance. I wasn't surprised that we were in the

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dance-off. So that is what it feels like! I am in the final, and I am

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thrilled to bits. Katie, Anton, congratulations on making it to the

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final. I have got to ask, how does it feel? I am waiting for you to go,

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just kidding! The dance we have chosen is the quickstep. First time

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around, you could not keep up with the footwork. When you dance at that

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speed, you can lose control. I might get it right this time, it is nice

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to have another chance! It is the final, no room for mistakes. It will

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be practice. Katie struggled with the choreography, she couldn't keep

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up. Because she is a little bit more experienced, maybe this time she

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will. If you end all the mistakes that happened, and there were not

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that many, I think he will do a wonderful job. Well done! I'm

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excited to get back into the training room, because I loved the

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routine, I am glad we have got a chance to do it again. That is a

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surprise, I didn't think they would go for quickstep. I am not

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surprised, I think they want to give us a chance to get it right. Last

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time we got 26, I hope we can improve it by at least ten.

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Perfection has to be our aim, no room for any mistakes at all.

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Dancing the quickstep, Katie Derham and Anton du Beke.

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Dancing with hats, canes and Anton Du Beke,

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you can't get more ballroom than that.

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Darcey, was that streets ahead this time around?

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Oh, gosh, gosh, you know, you never fail to be this beautiful, classy

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lady that we are now seeing every time you come out and the dance

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floor, and you delivered from the beginning. I could feel the pressure

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it you were under, it was extraordinary. You got its nearly

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all the way through just until the very end. I thought you were like,

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Anton, help me! Keep me together! But, really, you did a great job,

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because this is hard. You know it is hard. That suits you, it really

:39:39.:39:45.

does. Well, more or less, there was a couple of places where she

:39:46.:39:51.

looked... Why do you pick on the old guy?! But you moved so fast, you

:39:52.:39:58.

could have ended up on 43rd Street! It was really fast, for long, flat

:39:59.:40:03.

out, and I just loved your posture and your upper body when you were

:40:04.:40:11.

dancing. So elegant! Bruno? Presentation, bodywork, upholstery,

:40:12.:40:20.

always so lush, and even the suspension tonight was better! You

:40:21.:40:23.

always hit a few bumps here and there, but when you hit a bump, you

:40:24.:40:28.

coped with it better tonight, you did, you manage to continue and get

:40:29.:40:31.

there at the end, so credit to you for that. Thank you. Have they prove

:40:32.:40:39.

themselves worthy finalists? You were struggling a little bit with

:40:40.:40:43.

the hat at the beginning, that offsets the whole thing, you need to

:40:44.:40:47.

get your proper management together, darling. You were a little bit out

:40:48.:40:52.

of time. You let the floor at one stage completely and jumped into one

:40:53.:40:56.

of these sections. I have to say this, I just have to say this, it

:40:57.:41:00.

was a major improvement on the last time you did it. Thank you, that is

:41:01.:41:06.

what we want, it is not down to the judges tonight. Wait until next

:41:07.:41:11.

week, there will be an even bigger improvement! Time to go and get your

:41:12.:41:15.

scores. Get ready for your showdance, Katie and Anton.

:41:16.:41:23.

Oh! Katie and Anton! Now, they said vast improvement. Was it nerve

:41:24.:41:41.

wracking when they chose that one? I remember last time, you made

:41:42.:41:46.

mistakes. I love it, I love the hat and cane, but me and hats are not

:41:47.:41:51.

friends, that I just love doing it again, so thank you. Well done, I

:41:52.:41:56.

preferred your choreography, I have got to be honest with you! Perhaps I

:41:57.:42:02.

should have been up to speed. The scores are in.

:42:03.:42:03.

Eight! Eight! Eight! Five more than last time exactly,...

:42:04.:42:23.

If Katie and Anton are your champions,

:42:24.:42:24.

call 6225205 from your mobile, 09015 225205 from your landline,

:42:25.:42:27.

or vote online when the vote opens in just a moment.

:42:28.:42:31.

So we've reached the halfway point of tonight's first show,

:42:32.:42:33.

let's take a look where our couples stand on the leaderboard.

:42:34.:42:53.

but tonight you get the final say and the vote is now open.

:42:54.:43:03.

Calls cost 15p plus your network's access charge.

:43:04.:43:10.

Please get the bill payer's permission before you call.

:43:11.:43:12.

Or alternatively you can vote online for free at bbc.co.uk/strictly,

:43:13.:43:15.

where you will also find full terms and conditions.

:43:16.:43:20.

Voting will be frozen at 8:30 tonight,

:43:21.:43:22.

so please don't try to vote if you are watching on demand.

:43:23.:43:25.

In our live results show at nine, the couple

:43:26.:43:27.

with the fewest votes will leave the competition.

:43:28.:43:29.

All votes for the remaining three couples will be carried over

:43:30.:43:32.

They're doing something behind me, aren't they?

:43:33.:43:35.

Here's a reminder of the dances so far.

:43:36.:43:58.

The four finalists have performed the judge's pick, now it's time for

:43:59.:45:05.

the show dances. This is where the rule book gets thrown away and the

:45:06.:45:10.

couples can perform any style of dance with trick, lifts and show off

:45:11.:45:15.

their skills and win your votes. First are Jay and Aliona!

:45:16.:45:21.

There have been moments where Jay's taken our breath away from that jive

:45:22.:45:27.

to last week's charleston. So we've got Why?d You Only Call Me When

:45:28.:45:30.

You?re High? Hopes that his show dance could be something very

:45:31.:45:35.

special. The second dance of the evening will

:45:36.:45:39.

be the show dance. Here is the master plan. A combo of different

:45:40.:45:42.

pieces from all the dances throughout the series. So it

:45:43.:45:48.

includes a bit of rumba, foxtrot, Argentine tango, Charles stone,

:45:49.:45:52.

tango and a bit of jive. Can you remember all those? We'll see. Every

:45:53.:45:57.

bit I'm doing is modified to make it bigger or more showy. Being put

:45:58.:46:02.

together from all the different dances is quite confusing so as I go

:46:03.:46:07.

through, my body takes me off into something else. Jive messes with

:46:08.:46:14.

Jay's mind. I'm pushing him as hard as I've done with this choreography.

:46:15.:46:20.

As time goes on, I'm feeling more and more confused and scared.

:46:21.:46:23.

Aliona's worked so hard making this dance and we've put in so many hour

:46:24.:46:26.

this is beak just to make it perfect and I just hope it pays off. I want

:46:27.:46:32.

to do it just one more time. I just want to say how absolutely proud I

:46:33.:46:38.

am since day one, how amazing every moment that we've had was. I've

:46:39.:46:43.

loved learning every single dance and, no matter how they go on the

:46:44.:46:47.

day, everyone is so special to me. I could haven't had anyone better to

:46:48.:46:51.

teach me. You are amazing, I want this dance to be the best it can be

:46:52.:46:56.

but I want it to look as good as it feels. Hopefully they'll love it. We

:46:57.:47:00.

have enjoyed every second of what we've had. Thanks a million.

:47:01.:47:08.

Dancing their show dance, Jay McGuinness and Aliona Vilani.

:47:09.:48:58.

That was so brave. No harness and all your greatest moves in one

:48:59.:49:35.

routine. Very, very, very good. Len, there's a lot resting

:49:36.:49:37.

on that show dance. It was like a trip down memory lane,

:49:38.:49:47.

like Jay and Aliona's greatest hits. I would have liked a built more show

:49:48.:49:54.

in the show dance, personally. That's my opinion. You know, it was

:49:55.:49:59.

lovely and the dances you did were great, the bit of rumba, a little

:50:00.:50:04.

bit of foxtrot and tango, they were great, it's a show dance, I wanted

:50:05.:50:06.

it more exciting for me. I think I got wrong-footed. When you

:50:07.:50:20.

started it was oh my God this is going to be Spainer man, super hero

:50:21.:50:26.

extravaganza, but you have a very good pick 'n' mix of ballroom and

:50:27.:50:29.

Latin, all different flavours and colours. Very well put together,

:50:30.:50:39.

very, very well danced. When you pitch something, you present

:50:40.:50:42.

something, the image, the first image stays in your mind and when I

:50:43.:50:46.

say, when is he going to fly again, is he going to take off, you know

:50:47.:50:51.

what I mean, that is purely a conceptual thing but when it comes

:50:52.:50:55.

to dancing, you always deliver. Always delivers. And so smoothly.

:50:56.:50:59.

Even smoothed your hair at the end. Craig, could you feel your face

:51:00.:51:00.

cracking into a smile? No, I was disappointed, I really

:51:01.:51:11.

was, you are capable of so much more and I thought it was a cop out to do

:51:12.:51:16.

a compilation, to be honest. I wish it ended like the opening and

:51:17.:51:20.

spiralled back up but it felt for me like there wasn't a build or any

:51:21.:51:24.

particular climax, yes you danced brilliantly all the little bits but

:51:25.:51:28.

for me it wasn't as Len says a show dance. Darcey? The way you delivered

:51:29.:51:45.

all the moves was spectacular and it's true, we are, being the last

:51:46.:51:49.

man in this competition, I especially have very high expect

:51:50.:51:53.

aces of you and I think we wanted a little surprise and even though it

:51:54.:51:58.

was seamless, and it certainly was, you just needed to go out with a

:51:59.:52:03.

bang - that's it really. I did love the entrance and I think the boys

:52:04.:52:08.

are right, we needed to finish with that. It's construction, you know

:52:09.:52:12.

and taste as well and you are a fantastic dancer. We are not saying

:52:13.:52:15.

that you can't dance, you know. CHEERING AND APPLAUSE.

:52:16.:52:19.

It's how you pitch something, you know, you started with the finale,

:52:20.:52:24.

if you would have constructed it the other way around, it's like when you

:52:25.:52:27.

watch a movie, the way you cut it is how it's perceived by the audience.

:52:28.:52:32.

I'll take all the blame because... No, you shouldn't, my darling. Well,

:52:33.:52:36.

the audience loved it. That's a given without doubt. They've done

:52:37.:52:40.

all they can for now but will it be enough to save them from the first

:52:41.:52:43.

elimination? That depends on your votes. Let's hear it for Jay and

:52:44.:52:52.

Aliona! Go on darling, off you go. CHEERING AND APPLAUSE.

:52:53.:53:05.

Everybody else in here went completely nuts and I hope that you

:53:06.:53:10.

know that. What was also so lovely was that you gave us little bits

:53:11.:53:14.

like the jigsaw of every dance you've done. The numbers are on the

:53:15.:53:20.

screen, you can vote for your finalists now. The numbers were on

:53:21.:53:26.

the screen. It was made more difficult and St Peter's Basilica

:53:27.:53:30.

intricate, they were all difference to what we've danced before --

:53:31.:53:37.

difficult and very intricate. I wouldn't have wanted it any

:53:38.:53:43.

different. Time to get the scores from the judges.

:53:44.:53:56.

Still to come, Kellie Remember dances to Ding-Dong Daddy.

:53:57.:54:05.

I'm not sure I've heard it before, but it does ring a bell.

:54:06.:54:07.

Next hoping to impress are Georgia May Foote

:54:08.:54:12.

Their showdance is innovative and incredibly challenging.

:54:13.:54:19.

In one sense it's very traditional, in that Giovanni is leading,

:54:20.:54:22.

but it's the way he's leading that is truly inspired.

:54:23.:54:32.

The good thing about the show dance is that there are no rules. This

:54:33.:54:39.

dance is completely dangerous. To, no... I'll get a splinter. There's

:54:40.:54:44.

something a bit special in this dance. There is a small thing in the

:54:45.:54:47.

beginning that will be a little bit different. I won't say what. Our

:54:48.:54:53.

little secret in this dance is definitely a risk. It could go

:54:54.:54:58.

wrong. I have to put all my trust in Giovanni and that's something I've

:54:59.:55:04.

learnt throughout this competition. To think this could be our last ever

:55:05.:55:08.

dance on Strictly, what a dance to go out on. I want on Saturday to

:55:09.:55:15.

arrive there and make you proud. You've brought out something in me

:55:16.:55:19.

that I never knew existed and I will be forever grateful to you for that.

:55:20.:55:27.

You are my little sister and I want on Saturday night you to show to all

:55:28.:55:31.

the public what you are and who you are. You became an amazing dancer.

:55:32.:55:37.

You can win the show. Thank you. Thank you. Thank you for a great

:55:38.:55:54.

time. I don't want it to end. Dancing their showdance, Georgia May

:55:55.:56:02.

Foote and Giovanni Pernice. Come on over! They are just lost in

:56:03.:58:18.

the moment there. We were lost with you, that was so enchanting.

:58:19.:58:25.

Gorgeous. You are so good, you're dancing blind folded. I know. Bruno,

:58:26.:58:31.

did that show how much trust there is? Yes, you took me from 50 shades

:58:32.:58:35.

of green to magical world of ballroom. I loved the seamless

:58:36.:58:41.

fusion of tango, the Viennese waltz, very difficult to do. Careful with

:58:42.:58:45.

that shoulder, darling! When you do your spins, you know, I told you

:58:46.:58:49.

before, but I loved the chemistry and the intensity, I loved the

:58:50.:58:53.

story-telling and you're really pretty beautiful with it all. Isn't

:58:54.:59:00.

she gorgeous! ? Craig, did that bring a tear to your eye? Oddly

:59:01.:59:05.

enough, no. Funny that! I enjoyed the dance of three sections, of

:59:06.:59:13.

course, loved the tango stuff, the Viennese stuff, specifically the

:59:14.:59:17.

blind-fold section I thought was absolutely wonderful. Wasn't it? So

:59:18.:59:24.

difficult doing that, sliding down his back and not knowing where the

:59:25.:59:27.

floor is, you handled that with great ease and passion. Fantastic,

:59:28.:59:28.

well done. Darcey, the audience

:59:29.:59:33.

were moved, were you? It was such a wonderful, wonderful

:59:34.:59:44.

start. It was lyrical, smooth, the shapes you were creating, and then

:59:45.:59:48.

he picked you up and spun you off your feet, my goodness, very

:59:49.:59:51.

impressive how you suddenly got him to hold then took off straightaway

:59:52.:59:54.

after being that dizzy which is not easy. That's why the shoulders came

:59:55.:59:58.

up as you were spinning, I think. Yes. The emotion and intent all the

:59:59.:00:04.

way through carried on and well done for that. Thank you so much.

:00:05.:00:07.

CHEERING AND APPLAUSE. CHEERING AND APPLAUSE.

:00:08.:00:17.

They are right, great intensity, I loved the fusion of the two dances,

:00:18.:00:22.

the opening was great, very poignant, it was a great dance and

:00:23.:00:28.

you are a lovely ballroom dancer. That is what the judges thought, but

:00:29.:00:32.

tonight it is all down to you at home and your votes. Off you go and

:00:33.:00:35.

get your score. Thank you! The information

:00:36.:00:37.

for all our finalists so you can vote for your

:00:38.:00:41.

favourite to win right now. Well done, such an emotional dancer,

:00:42.:00:54.

how are you feeling? That meant a lot, because when they took the

:00:55.:00:58.

blindfold off, it was like opening my eyes to everything I have

:00:59.:01:02.

learned, what he has taught me, and I have learned so much. And all she

:01:03.:01:10.

wanted to do was make you proud. She did, absolutely, thank you very

:01:11.:01:12.

much. Sorry about the shoulder! Nine! Nine! Nine! Nine! Happy with

:01:13.:01:16.

that? If you don't want that

:01:17.:01:33.

to be their last dance, then make sure you vote

:01:34.:01:36.

by calling or going online. Still to come, for Katie's

:01:37.:01:38.

showdance, our set designers recreated Rome, and oddly enough

:01:39.:01:40.

it was built in a day. It's time to welcome back

:01:41.:01:43.

Kellie Bright Their showdance is a high-energy

:01:44.:01:48.

Lindy hop set on a 1920s train, and if she doesn't run out of steam,

:01:49.:01:59.

this could be Kellie's ticket Showdance for the final. We

:02:00.:02:17.

basically get to do whatever we want. So I am thinking for long,

:02:18.:02:25.

high-energy tricks, kicks, Lindy hop style. We can pull this off. My

:02:26.:02:35.

goodness! I reckon it is going to be epic, what Steve say? Well, of

:02:36.:02:44.

course, I am in! -- what do you say? The showdance is exhausting, it is a

:02:45.:02:50.

really full on routine. I have fallen on my bum about three times

:02:51.:02:53.

today, nearly fallen on my head a few times. I am sure it is just

:02:54.:03:03.

because I am tired. Oh, boy! The best thing has been how much you

:03:04.:03:09.

have made me laugh. Without a doubt! More than anything, you have helped

:03:10.:03:15.

me grow as a performer. I think that is an amazing thing. It has been one

:03:16.:03:19.

of the best things I have ever done. I do want to say thank you, I really

:03:20.:03:24.

mean that. Our showdance is about going for it,

:03:25.:03:36.

so if we are going to go out, I want to go out with a bang. That is the

:03:37.:03:39.

end! Dancing their showdance,

:03:40.:03:41.

Kellie Bright and Kevin Clifton. MUSIC: "Ding-Dong Daddy

:03:42.:03:46.

of the D-Car Line" The audience are going wild! It

:03:47.:06:02.

didn't stop once! Oh! That was amazing.

:06:03.:06:05.

CHEERING AND APPLAUSE Oh! No wonder you collapsed, you

:06:06.:06:21.

must be exhausted after that! It is like I do not need her any more! I

:06:22.:06:26.

cannot believe how much energy you have got, you are amazing. Were they

:06:27.:06:38.

on the right track? A-ma-zing! CHEERING AND APPLAUSE

:06:39.:06:41.

Darcey, was that good enough to take them through to the final? It was

:06:42.:06:49.

extraordinary, oh my! You brought everything you could do that dance,

:06:50.:06:54.

you stretched yourself and you kept the control, you are a cheeky star,

:06:55.:06:59.

Kellie, you really are. Thank you! Len? If Kevin is the daddy, you are

:07:00.:07:10.

the belle of the ball. People, listen to me, that is a showdance!

:07:11.:07:14.

That is a showdance! CHEERING AND APPLAUSE

:07:15.:07:23.

Bruno? That was an exhilarating, show stopping, dazzling turn of a

:07:24.:07:28.

dance. You brought the A game right at the right time, that is how a

:07:29.:07:31.

champion wins. CHEERING AND APPLAUSE

:07:32.:07:36.

That is how a champion wins, says Bruno, we will be back for one final

:07:37.:07:40.

dance, off you go, if you have got any energy left! Get at the stairs,

:07:41.:07:45.

that was brilliant, Kellie and Kevin!

:07:46.:07:50.

The vote is still open, and the information

:07:51.:07:52.

for all four finalists is on the screen -

:07:53.:07:54.

you can keep voting until we freeze the vote later.

:07:55.:07:59.

Tele-! Delhi! At this point in the competition, you don't turn to your

:08:00.:08:12.

partner and say, teach me something completely new! But you did! You

:08:13.:08:17.

have loved this so much, it has been one of the best experiences of my

:08:18.:08:21.

life, and I love this man, and I just love dancing with him, and I

:08:22.:08:25.

thought, I have got to use the opportunity to learn something else.

:08:26.:08:32.

The scores are in. The scores are in, Craig Revel Horwood... Ten!

:08:33.:08:42.

Darcey Bussell. Ten! Len Goodman. It is ten from me! Bruno Tonioli. Ten!

:08:43.:08:54.

CHEERING AND APPLAUSE Well done, they could not be...

:08:55.:09:02.

Look, stop it! Remember, those scores

:09:03.:09:04.

are just a guide tonight. Kellie and Kevin need your

:09:05.:09:06.

votes to get their hands We have to say goodbye to one

:09:07.:09:09.

of our couples at the start of our second show this

:09:10.:09:13.

evening, live at nine. We just have one more

:09:14.:09:15.

couple left to dance. Yes, our final couple

:09:16.:09:17.

to perform their showdance is Katie Derham and her

:09:18.:09:20.

partner, Anton Du Beke. Their dramatic routine

:09:21.:09:23.

involves stirring music, passion, bravery and strength,

:09:24.:09:30.

so what better setting for it than the spectacular

:09:31.:09:33.

Colosseum of ancient Rome? The second dance this evening is our

:09:34.:09:49.

showdance. It is not going to be low-key or subtle or modest! It is

:09:50.:09:56.

going to be huge. We are choosing all sorts of our favourite moves.

:09:57.:10:01.

Over and wow! Quite a lot of me being chucked around. We are looking

:10:02.:10:05.

for something dramatic, lifts and throws. What are the rules, kid?! I

:10:06.:10:16.

say, there are no rules. Are you hurt? I am all right. She has heard

:10:17.:10:22.

her ribs. The only thing is hurting when you press on that. I only seem

:10:23.:10:28.

to be feeling increasing amounts of aches and pains. Try it and see how

:10:29.:10:33.

it feels. My body wants me to lie down in a dark room for about a

:10:34.:10:37.

month, but that isn't going to happen this week. Anton really has

:10:38.:10:42.

been amazing, and he has been a really good friend. I will miss him

:10:43.:10:46.

very much. Well done, you. Did you ever think we would make the final?

:10:47.:10:55.

Seriously? No. I hope, of course. I cannot tell you how much it means to

:10:56.:10:58.

me, I am very pleased. I cannot imagine having danced with anybody

:10:59.:11:04.

else. Thank you very much. I have enjoyed it very much. The

:11:05.:11:08.

Glitterball is inside, it is important that we pull the showdance

:11:09.:11:12.

and impress everyone at home, this is about staying in the final three

:11:13.:11:13.

or not. Dancing their showdance,

:11:14.:11:16.

Katie Derham and Anton du Beke. They are on their feet! What an epic

:11:17.:11:20.

performance! Well done! Darcey, did that showdance

:11:21.:13:24.

show off Katie's skills? Oh, the tension on the dance floor

:13:25.:13:43.

was amazing, I so enjoyed the top, how you rolled out into that

:13:44.:13:47.

shoulder press, carried that all the way down, I saw the intensity. With

:13:48.:13:53.

music like that, that is so strong, that can carry you all the way

:13:54.:13:57.

through, it can always work as a disadvantage, because you have got

:13:58.:14:01.

to come up to that level, and it is very difficult. I felt a little

:14:02.:14:06.

tension of nerves, that is the only thing, unsure of the transitions.

:14:07.:14:11.

Understandably, but you kept your boys, and you kept your elegance.

:14:12.:14:12.

CHEERING AND APPLAUSE did that have enough

:14:13.:14:17.

content for you? there was plenty going on, I loved

:14:18.:14:27.

all the staff, and the drop, and I never knew! -- stuff. This music is

:14:28.:14:38.

so dramatic and dominance that the music really overpowers the dance.

:14:39.:14:48.

No! Move on. You're going to make him grumpy, Bruno. It was a story,

:14:49.:14:54.

the goddess of fire and thunder, precisely over the fall of the Roman

:14:55.:14:59.

Empire! All conquering and dominating at the beginning, and

:15:00.:15:02.

then a few stumbles at the end, but without stumbles there wouldn't be

:15:03.:15:07.

any drama, so it kind of carried the story beautifully, and they made a

:15:08.:15:12.

very valid point. When you take these classic tracks, there is

:15:13.:15:15.

something about the phrasing that is so hard to do. I mean, you have done

:15:16.:15:19.

these things in ballet, we have all done it, it is so uneven, and you

:15:20.:15:25.

have to be so on it, you have to be so precise, almost anticipate the

:15:26.:15:31.

conductor. You almost have to see the conductor, she has done it. You

:15:32.:15:33.

are taking a great challenge and you gave it a good go! Thank you.

:15:34.:15:45.

Craig, that's the last of our showdances, how did she do?

:15:46.:15:49.

I don't want to end on anything negative but... Don't then. Compared

:15:50.:15:58.

to the rest, it was rigid, stiff. That's what we were going for, stiff

:15:59.:16:06.

rigid. We wanted a jump, catch and... Shhh... You don't possession

:16:07.:16:15.

a level of skill the others do in this competition but you can rest in

:16:16.:16:18.

the fact that you've done yourself proud because you have put yourself

:16:19.:16:23.

into it 100% and tried to drive that dance home so I'm very personally

:16:24.:16:29.

proud of you. Thank you very much, I really appreciate that. It's a fair

:16:30.:16:33.

point. We wanted something dramatic and I think we did it. Mistakes, we

:16:34.:16:37.

wanted some of them. We wanted a jump. It was exciting for me.

:16:38.:16:44.

You could be doing your favourite dance later on,

:16:45.:16:46.

but you've got to make it through to the final three first.

:16:47.:16:49.

The information you need to vote for your favourite

:16:50.:16:59.

We thought it was glorious. I was enjoying myself whizzing around

:17:00.:17:15.

there. Lovely. That's very important.

:17:16.:17:17.

I thought they were in. Can we chat longer? Yes. Did you enjoy it that

:17:18.:17:34.

much? Yes, I wanted it to last longer. We were super excited. The

:17:35.:17:38.

judges scores are now in. If you want Katie to lift

:17:39.:17:53.

the trophy, then make sure you vote Remember, only three

:17:54.:18:01.

of our finalists will dance again in our second

:18:02.:18:05.

live show later tonight, and that decision

:18:06.:18:08.

is down to you alone. So all of our couples have

:18:09.:18:10.

performed two routines, but where does that leave

:18:11.:18:12.

them on the leaderboard? But don't forget tonight,

:18:13.:18:23.

that's a guide only. Calls cost 15p plus your

:18:24.:18:26.

network's access charge. Please get the bill

:18:27.:18:32.

payer's permission before you call. The vote will be frozen

:18:33.:18:35.

at 8:30 tonight. Then, at the start of tonight's

:18:36.:18:37.

live results show at nine, Lines will then reopen,

:18:38.:18:39.

and your votes for the remaining three couples will be

:18:40.:18:44.

carried forward. Voting details

:18:45.:18:45.

are at bbc.co.uk/strictly, Here's a reminder of

:18:46.:18:48.

all tonight's dances. MUSIC: "Ding-Dong Daddy

:18:49.:18:56.

of the D-Car Line" There's even more dancing

:18:57.:20:42.

to come later tonight. Only one couple can win

:20:43.:21:11.

the competition, and no-one wants to say goodbye when they're this

:21:12.:21:15.

close to the Glitterball trophy. Don't touch it! Don't even look at

:21:16.:21:28.

it! Being part of this show's been

:21:29.:21:33.

life-changing. My main hope was that I wouldn't be the first one out.

:21:34.:21:37.

Then I thought it would be fun to get to Halloween. Then you think

:21:38.:21:41.

maybe Blackpool. To have got all this way is baffling actually. At

:21:42.:21:46.

the beginning, I thought this is something that might be a lot of fun

:21:47.:21:51.

every day. To be here right now, I wish I could tell me on week one

:21:52.:21:55.

that it would happen. I really didn't think we'd get to the final,

:21:56.:22:00.

I really didn't. It's definitely an emotional experience. My life before

:22:01.:22:04.

and after Strictly are two different things. God, I'd do it again in a

:22:05.:22:10.

heartbeat. In a heartbeat I would. I think I've got a friend for life

:22:11.:22:12.

there with Giovanni, it's incredible. For me to lift that

:22:13.:22:17.

trophy would mean everything. I want to do it for Giovanni as well. It

:22:18.:22:22.

would be the perfect end to a perfect experience. I would love to

:22:23.:22:26.

win Strictly because Kevin Clifton's never won it and I would love him to

:22:27.:22:31.

win it. I never thought I could win it and the fact that it's literally

:22:32.:22:35.

there if we did win, it would be the most amazing story. It's only a

:22:36.:22:39.

small part of your life and it means so much, it's something I'll never

:22:40.:22:43.

forget. To win it... That would just be the cherry on top of the cake.

:22:44.:22:49.

Remember, they all want to take home the glitterball, but it's down to

:22:50.:22:56.

you to choose who you want to win Strictly Come Dancing 2015. The vote

:22:57.:23:02.

will be frozen at 8. 30 so pick up the phone or go online as you don't

:23:03.:23:06.

have long to choose your winner. Back at 9 when one couple with leave

:23:07.:23:11.

the ballroom. The remaining three finalists have one last chance to

:23:12.:23:14.

impress when they perform their favourite dance of the series. The

:23:15.:23:18.

cast of 2015 will be taking to the floor for a very special routine.

:23:19.:23:26.

It's not to be missed. Plus music from the brilliant Ellie Goulding,

:23:27.:23:30.

oh yes! Remember, there is no results show tomorrow, it will be

:23:31.:23:34.

right here tonight, live at 9 o'clock and then we'll find out who

:23:35.:23:37.

will be lifting the glitterball trophy. See you back here very

:23:38.:23:43.

shortly. In the meantime, keep dancing!

:23:44.:23:52.

I want today's futurism for tomorrow.

:23:53.:23:58.

I want Hollywood glamour and feathers and sequins

:23:59.:24:08.

I want it to be mystical, spiritual...

:24:09.:24:12.

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