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This programme contains repetitive flashing images. | :00:00. | :00:11. | |
15 began. Brilliant. Right on the money, money! Now only four remain. | :00:12. | :00:22. | |
Months of punishing training has come to this. In their final week, | :00:23. | :00:34. | |
with three dances, the celebrities have never been under more pressure. | :00:35. | :00:40. | |
Feel grateful, optimistic, joyful, nervous! Two days before the grand | :00:41. | :00:51. | |
final, how are your nerves? I am in love with the show, I think it is | :00:52. | :00:58. | |
awesome. I have taken a break from training here at Downing Street. The | :00:59. | :01:04. | |
tension is on, presumably. Friday morning on BBC Radio 1... I cannot | :01:05. | :01:14. | |
believe we are at the final! Really excited to go out and just give it | :01:15. | :01:18. | |
everything, it is our last shot, and we just want to enjoy ourselves. All | :01:19. | :01:25. | |
of our hard work has come to this moment. I cannot believe this is it, | :01:26. | :01:30. | |
I am ready. Tonight is the night, got to get out there and got to make | :01:31. | :01:36. | |
it perfect. Who has got what it takes to be the champion of Strictly | :01:37. | :01:38. | |
2015? Led the battle commence. Finalists, take your positions, | :01:39. | :02:26. | |
thank you! Please welcome your finalists, | :02:27. | :05:06. | |
Georgia, Jay, Katie, Andy Kellie! -- and. | :05:07. | :05:26. | |
Live from the BBC, this is Strictly Come Dancing, | :05:27. | :05:36. | |
Please welcome your hosts, Tess Daly... | :05:37. | :05:44. | |
Hello and welcome to Strictly Come Dancing, | :05:45. | :06:06. | |
Thank you to our professional dancers and finalists | :06:07. | :06:15. | |
That's what you call access all areas. | :06:16. | :06:18. | |
Back in September, 15 celebrities entered the ballroom | :06:19. | :06:20. | |
135 dances later, only four remain, | :06:21. | :06:26. | |
and tonight one will be crowned Strictly Come Dancing champion 2015! | :06:27. | :06:33. | |
CHEERING AND APPLAUSE That is right! | :06:34. | :06:39. | |
So get set for a dramatic double bill of dance, | :06:40. | :06:41. | |
as our couples battle it out in the ballroom one last time. | :06:42. | :06:44. | |
And if our four finalists aren't exciting enough for you, | :06:45. | :06:47. | |
we also have these four, please welcome the judges. | :06:48. | :06:50. | |
but those scores are for guidance only. | :06:51. | :07:22. | |
which couple will take home the Glitterball trophy. | :07:23. | :07:26. | |
ready to give it their all to win your votes. | :07:27. | :07:32. | |
So please welcome our Strictly stars! | :07:33. | :07:36. | |
EastEnders actress Kellie Bright and her partner, Kevin Clifton. | :07:37. | :07:43. | |
BBC Proms and Radio 3 presenter Katie Derham | :07:44. | :07:45. | |
Actress Georgia May Foote and her partner, Giovanni Pernice. | :07:46. | :07:51. | |
And finally from the Wanted, pop star Jay McGuiness | :07:52. | :07:54. | |
CHEERING AND APPLAUSE Well! | :07:55. | :08:12. | |
There they all are, our fabulous final four. | :08:13. | :08:14. | |
All of them have topped the leaderboard, | :08:15. | :08:15. | |
and any one of them could be our winner. | :08:16. | :08:18. | |
First tonight, our couples will perform a dance | :08:19. | :08:19. | |
that the judges think they can improve on. | :08:20. | :08:24. | |
we'll open the vote so you can start choosing your winner. | :08:25. | :08:29. | |
Then it's time for the most breathtaking dances | :08:30. | :08:32. | |
of the competition, when our finalists will attempt | :08:33. | :08:35. | |
to wow us with their spectacular showdances! | :08:36. | :08:38. | |
we're back for our live results show at nine, | :08:39. | :08:42. | |
when the couple with the lowest number of votes | :08:43. | :08:45. | |
leaving the remaining three to dance their favourite routine | :08:46. | :08:50. | |
Our first finalist dancing tonight for your votes | :08:51. | :08:53. | |
is Jay McGuiness and his partner, Aliona Vilani. | :08:54. | :08:58. | |
The dance the judges have chosen for Jay | :08:59. | :09:05. | |
After making a few mistakes first time round, | :09:06. | :09:10. | |
just how much he's learnt in these last nine weeks. | :09:11. | :09:22. | |
Last Saturday night, two really different dances, one was really | :09:23. | :09:29. | |
romantic, simply beautiful. Obviously, my technique isn't | :09:30. | :09:33. | |
perfect. You have to close your feet! I felt really grateful for the | :09:34. | :09:39. | |
scores. The second was completely different, each Elstone was so fun. | :09:40. | :09:44. | |
That was brilliant! I just hope that we go out with a bang, whatever | :09:45. | :09:49. | |
happens. Congratulations on making the final. The dance we have picked | :09:50. | :09:56. | |
for you is the quickstep. Let's do it. You off like a thoroughbred, | :09:57. | :10:02. | |
your footwork was stupendous until then the stake. Your beach were | :10:03. | :10:06. | |
doing more than your brain could handle. Do you feel a bit of nerves | :10:07. | :10:12. | |
about doing the quickstep again? There will always be nervous, | :10:13. | :10:16. | |
because of how it went, I hope I can do it cleanly. This was your lowest | :10:17. | :10:20. | |
score of the whole series, it is about nailing the technique, head to | :10:21. | :10:25. | |
the left, that is what you need to do. Got it. Good lad. You are an | :10:26. | :10:32. | |
outstanding dancer, and we cannot wait to see this quickstep at its | :10:33. | :10:37. | |
absolute best. It is the final, no rooms for any mistakes, we will go | :10:38. | :10:41. | |
over and over until it is ingrained, and at this time around in press the | :10:42. | :10:47. | |
judges. This is the dance that will have the most concentration, I don't | :10:48. | :10:51. | |
want to put a foot wrong. I think they will be expecting a lot, it | :10:52. | :10:56. | |
will have to be technically perfect, so no mistakes, hopefully it will go | :10:57. | :11:01. | |
the way it could have gone. CHEERING AND APPLAUSE | :11:02. | :11:04. | |
Dancing the quickstep, Jay McGuiness and Aliona Vilani. | :11:05. | :11:07. | |
and I think every generation will have loved that. | :11:08. | :13:10. | |
Jay, what's the atmosphere in here like tonight? | :13:11. | :13:18. | |
It is absolutely electric, it is making my feet shake! | :13:19. | :13:27. | |
Whilst you take it all in, please welcome our brilliant | :13:28. | :13:29. | |
singers, Chris, Hayley, Lance, Andrea, Tommy, | :13:30. | :13:31. | |
and, of course, Dave Arch and his orchestra. | :13:32. | :13:38. | |
Len, he didn't want to put a foot wrong. I didn't want into either, | :13:39. | :13:45. | |
but unfortunately, there was a couple of... I am not going to lie | :13:46. | :13:52. | |
and say there wasn't! Watch it back tonight when you get home, everyone. | :13:53. | :13:57. | |
You know, I must say, it was quick, it was slick, it was a vast | :13:58. | :14:01. | |
improvement on the last time round. APPLAUSE | :14:02. | :14:06. | |
A couple of incidents here and there, but great job, well done. | :14:07. | :14:17. | |
Bruno? You to our like the God of To speed, Burmese, did you go wrong, | :14:18. | :14:29. | |
Aliona? Was it you? I think it is because the confidence was | :14:30. | :14:32. | |
incredible. You really are twinkle toes out there. | :14:33. | :14:34. | |
APPLAUSE When you get it right, it is | :14:35. | :14:39. | |
stupendous, but because the quality is so high, tiny little stumble can | :14:40. | :14:45. | |
spoil the overall effect. But when it comes to ability, you are in | :14:46. | :14:48. | |
credible, you really are. APPLAUSE | :14:49. | :15:06. | |
Craig? It wasn't perfect. You did dance around the floor with great | :15:07. | :15:10. | |
ease. Your thumb was down throughout which I loved. You are a lovely | :15:11. | :15:13. | |
dancer and a joy to watch, you really are. | :15:14. | :15:17. | |
APPLAUSE Darcey, Jay is the only male | :15:18. | :15:21. | |
celebrity left in the final, the only finalist who hasn't been in the | :15:22. | :15:26. | |
dance-off. How did he do? For me, top grade in complexity. | :15:27. | :15:29. | |
APPLAUSE It's so true, you are under so much | :15:30. | :15:32. | |
pressure tonight. The nerves in this room and it's just the public as | :15:33. | :15:37. | |
well, they are like this. I am feeling it so much but I have to say | :15:38. | :15:45. | |
it was divine. You were in charge of the pivots with Aliona, you led her | :15:46. | :15:49. | |
beautifully, even with the tiny mistakes, it was fantastic. | :15:50. | :15:55. | |
CHEERING AND APPLAUSE. A couple of tiny mistakes but | :15:56. | :15:59. | |
overall great comments. It's the show dance next. We are all looking | :16:00. | :16:04. | |
forward to that. Let's hear it for Jay and Aliona. | :16:05. | :16:07. | |
CHEERING AND APPLAUSE. Very, very well done. Nerve-racking | :16:08. | :16:22. | |
going first? It was actually. Nomplly I light because you can just | :16:23. | :16:25. | |
watch and enjoy but that wasn't the case today. It was nerve-racking. | :16:26. | :16:30. | |
Was Was it scary doing the dance that you got the lowest score for, | :16:31. | :16:35. | |
did you ask for something else that you got like 900 in? ! No, actually | :16:36. | :16:41. | |
when we messed up on the show day I said right away I want to be in the | :16:42. | :16:45. | |
dance-off to do it again. I said you are crazy. I I wanted people to see | :16:46. | :16:50. | |
how amazing he dances it. That is a mark-up of 11 so you must | :16:51. | :17:15. | |
be very, very happy. That was really good. Very well done. | :17:16. | :17:18. | |
If you think Jay is the best dancer of his generation, | :17:19. | :17:21. | |
or vote online when the vote opens later. | :17:22. | :17:30. | |
It's time for the terms and conditions. | :17:31. | :17:33. | |
Tonight is too important for me to read these out. | :17:34. | :17:36. | |
We've tried to jazz them up, we've had some fun, | :17:37. | :17:39. | |
I give you the legend, the show-stopper, Mary Berry. | :17:40. | :17:53. | |
Calls cost 15p plus your network's access charge. | :17:54. | :17:58. | |
Please ask the bill payer's permission. | :17:59. | :18:03. | |
To vote online, visit bbc.co.uk/strictly, | :18:04. | :18:07. | |
where you'll also find terms and conditions. | :18:08. | :18:14. | |
until all our four couples have performed their first dance. | :18:15. | :18:19. | |
your vote won't count and you may be charged. | :18:20. | :18:26. | |
for who you want to win Strictly Come Dancing. | :18:27. | :18:34. | |
Our next finalist to take to the floor is Georgia May Foote | :18:35. | :18:48. | |
For their judges' pick they're doing their rumba from movie week, | :18:49. | :18:56. | |
and after scoring 27 for it first time round, | :18:57. | :18:59. | |
they're hoping this sequel will be even better than the original. | :19:00. | :19:09. | |
On Saturday night, I felt under pressure. I just did my absolute | :19:10. | :19:15. | |
best. I threw all my energy into it. I could watch you dance all night. | :19:16. | :19:28. | |
We've made the final. What! ? Congratulations on making it to the | :19:29. | :19:32. | |
final, Georgia and Giovanni. The dance we have chosen for you to | :19:33. | :19:36. | |
dance to again is the rumba. What do you feel about it? I would love to | :19:37. | :19:41. | |
do it again. I'm looking forward to seeing how you have progressed. What | :19:42. | :19:44. | |
would you suggest I can do in the dance to get a higher score? Just | :19:45. | :19:51. | |
work on the essential hip action. The first time you did it there was | :19:52. | :19:57. | |
controversy. Two outs and a forward doesn't constitute a rumba. Do it as | :19:58. | :20:03. | |
you did it, just put in a little bit more fundamental basic choreography | :20:04. | :20:10. | |
and then Whoa-hoa. Wonderful chemistry. It gives me goose bumps, | :20:11. | :20:15. | |
when you do it right you're absolutely stunning. Thank you. Get | :20:16. | :20:19. | |
to work darlings, good luck. Thank you. Doing the rumba is good for us, | :20:20. | :20:24. | |
it's a chance for us to redeem ourselves and do it better than last | :20:25. | :20:28. | |
time. The rumba's actually a really difficult dance. It does worry me a | :20:29. | :20:34. | |
little bit. We need to change our routine and put some basic rumba in. | :20:35. | :20:41. | |
A lot is riding on this performance. It's the one the judges want to see | :20:42. | :20:46. | |
the most improvement in. This dance has to be perfect. | :20:47. | :20:48. | |
Dancing the rumba, Georgia May Foote and Giovanni Pernice. | :20:49. | :21:10. | |
you've certainly left the audience shaken and stirred. | :21:11. | :22:55. | |
Oh, again, totally smitten by the sex kitten! She was so stretching | :22:56. | :23:08. | |
and bending, she was made of spandex! I love that bendy, extended | :23:09. | :23:17. | |
line, much more confident. There was a little issue with balance though. | :23:18. | :23:21. | |
At the end, yes. Bless you, my darling. But I thought the dance | :23:22. | :23:25. | |
overall was improved because you added so much to it, your confidence | :23:26. | :23:30. | |
was there, you were very, very sexy, very, very into it and it was very | :23:31. | :23:33. | |
well done except for that little thing at the end. Yes. The drama. | :23:34. | :23:41. | |
Craig, did you get that hip action you wanted? I did as a | :23:42. | :23:45. | |
matter-of-fact. You were using the hips beautifully. I loved the | :23:46. | :23:49. | |
dramatic sense of it, I thought the intensity was very, very good. I | :23:50. | :23:53. | |
loved the choreography in that particular number. Backbend | :23:54. | :23:58. | |
absolutely delicious, darling, sophisticated, which I absolutely | :23:59. | :24:01. | |
love, full of control except for that moment at the end. I know, | :24:02. | :24:05. | |
argh... I shouldn't worry about that, it was beautiful. It was | :24:06. | :24:08. | |
beautiful. He's not worried about it! That's a good sign. Darcey? To | :24:09. | :24:13. | |
think you did that in week three, you have grown into this beautiful | :24:14. | :24:17. | |
sensual lady and you delivered all the goods with all the control. You | :24:18. | :24:21. | |
know what they are complaining about, because you whipped so fast | :24:22. | :24:25. | |
that lovely turn, it didn't bother me at all because the tension was | :24:26. | :24:30. | |
there and you grabbed her and Giovanni, did you not! ? It was | :24:31. | :24:34. | |
beautiful. Well done. CHEERING AND APPLAUSE. | :24:35. | :24:42. | |
Len, was there enough content? You couldn't get more. It's so hand to | :24:43. | :24:47. | |
hand, spiralling in, yes, lovely, lots of content which is what I | :24:48. | :24:52. | |
asked for. Maybe a bit of an aggressive way. The proof is in the | :24:53. | :24:58. | |
pudding though and that was so, so much better. I don't know about 007, | :24:59. | :25:07. | |
00-heaven, well done. Oh, thank you. Looks like you listened to | :25:08. | :25:10. | |
everything they said to you last time. | :25:11. | :25:11. | |
Go and get your scores and then get ready for your showdance. | :25:12. | :25:14. | |
Very well done. Do you know who I have to mention. I have a new | :25:15. | :25:30. | |
favourite person in my life and it's your mum. Gosh, she was crying | :25:31. | :25:35. | |
before I came on. She has not stopped crying. Look at her. You are | :25:36. | :25:40. | |
her baby and you've done so extraordinarily well. Thank you. | :25:41. | :25:45. | |
Giovanni, you must be relieved because Len said 00-heaven, he | :25:46. | :25:48. | |
didn't say that the first time, quite the opposite. He didn't. | :25:49. | :25:50. | |
Well done. Nine more than first time around. Well done. | :25:51. | :26:14. | |
If you thought this Bond girl was on the Moneypenny, | :26:15. | :26:16. | |
call 6225209 from your mobile, 09015 225209 from your landline | :26:17. | :26:20. | |
or vote online when it opens later in the show. | :26:21. | :26:24. | |
And for all the behind-the-scenes news and gossip from our final | :26:25. | :26:28. | |
show, go to Facebook, Twitter or our website. | :26:29. | :26:31. | |
Next up is Kellie Bright and her partner, Kevin Clifton. | :26:32. | :26:39. | |
The judges have chosen a tango, which was Kellie's very first dance | :26:40. | :26:43. | |
of the series, in fact, it was the dance that kicked off | :26:44. | :26:46. | |
Let's see just how far she has come in those 13 weeks. | :26:47. | :26:59. | |
Last Saturday was completely bonkers. I was struggling to find | :27:00. | :27:07. | |
anything I didn't like. Loved it. Truly loved it. All the Hollywood | :27:08. | :27:11. | |
quality we want. From two dance-offs to topping the leaderboard in the | :27:12. | :27:14. | |
semi-final. That's just what dreams are made of. Well, congratulations | :27:15. | :27:24. | |
on making the final. Now, the dance we've picked for you is the tango! | :27:25. | :27:30. | |
How do you feel about that? I really am happy about that. I love the fact | :27:31. | :27:38. | |
that you went for the sharp stacato and you have to link everything | :27:39. | :27:43. | |
together. It was your first dance and it was sharp and clean but you | :27:44. | :27:49. | |
have come so far you have developed. Tidy up the wonderful links and | :27:50. | :27:53. | |
moves. You have all the ingredients now at your disposal to blow our | :27:54. | :27:58. | |
minds. We want to see the sharp, fiery Kellie coming out. Get fire in | :27:59. | :28:01. | |
your belly, Kellie and come out and wow us! OK. A couple of weeks ago, I | :28:02. | :28:08. | |
watched the tango for the first time since we'd done it. When I watched | :28:09. | :28:13. | |
it I was like, I love it and I wanted another go and now I've got | :28:14. | :28:17. | |
it. We got 27 points for our tango in week one. I would like to think | :28:18. | :28:21. | |
we can get a few more points than that this time. I want to see what | :28:22. | :28:25. | |
Kellie's learnt throughout the series. Week one she was like, I | :28:26. | :28:33. | |
thought ballroom dancing was like this. Clean and sharp. Looking | :28:34. | :28:36. | |
forward to doing it again. Got it! Dancing the tango, | :28:37. | :28:41. | |
Kellie Bright and Kevin Clifton. Come on over! Soak that up, | :28:42. | :30:48. | |
brilliant reaction! You two have got such an amazing connection... That | :30:49. | :30:55. | |
got everyone... They are shouting ten upstairs! You have worked so | :30:56. | :31:02. | |
hard, did it pay off? It most certainly has, it really has, the | :31:03. | :31:11. | |
character -- characterisation was phenomenal, absolutely brilliant, | :31:12. | :31:15. | |
sharp, as you wanted it, clean, there couldn't be any more dynamic, | :31:16. | :31:22. | |
it was truly fab-u-lous, darling! Fab-u-lous! It is funny, but I loved | :31:23. | :31:31. | |
it before, the weird mix with the 1960s style, it worked, my gosh. The | :31:32. | :31:38. | |
difference, your top line is yummy, baby! The amount of attack you gave | :31:39. | :31:44. | |
it, that was outstanding. APPLAUSE | :31:45. | :31:52. | |
Len, did you say that? I saw more than just a bit of fire, | :31:53. | :31:56. | |
oh yes, excuse the pun, but you ironed out all the kinks! Let me | :31:57. | :32:05. | |
tell you something, that was brilliant. That is it. | :32:06. | :32:10. | |
APPLAUSE Three out of four, can we make it a | :32:11. | :32:15. | |
Dave Bulthuis, Bruno? That is how you rocked a tango! Honestly, I like | :32:16. | :32:23. | |
to see things that are different, imaginative, creative. You never | :32:24. | :32:27. | |
cease to surprise me, you have taken a different slant, totally | :32:28. | :32:34. | |
unexpected, and yet the dance was exactly what the tango should be, | :32:35. | :32:37. | |
exactly! APPLAUSE | :32:38. | :32:43. | |
Great achievement! It is all about changing perceptions and continuing | :32:44. | :32:48. | |
tradition, and you do exactly that, great confidence. Great start for | :32:49. | :32:55. | |
your first dance of the final, one down, one to go, off you go, Devon | :32:56. | :33:02. | |
and Kellie, brilliant! -- Kevin. Thank you! | :33:03. | :33:09. | |
CHEERING By the way, I have to mention, how | :33:10. | :33:16. | |
lovely to have the gang are back together! The best thing about today | :33:17. | :33:26. | |
is having everybody here. It feels like how it should be. I know! You | :33:27. | :33:32. | |
first did that in week one, which was 700 years ago. Did it come back | :33:33. | :33:40. | |
naturally? No! No, it didn't. It is a long time ago, we have done a lot | :33:41. | :33:46. | |
of dances between them. These scores are in. | :33:47. | :33:50. | |
The judges have their scores. Craig Revel Horwood. | :33:51. | :33:52. | |
Listen... The first of the series, your first ten ever from Craig Revel | :33:53. | :34:33. | |
Horwood. Thank you, Kellie! You are speechless. I feel like I have just | :34:34. | :34:35. | |
won the competition! If that routine really | :34:36. | :34:37. | |
got you going, call 6225201 from your mobile, | :34:38. | :34:40. | |
09015 225201 from your landline, or vote online free of charge | :34:41. | :34:44. | |
when the vote opens shortly. Still to come, Jay dances to a song | :34:45. | :34:48. | |
called I Can't Feel My Face. or he's had an injection | :34:49. | :34:51. | |
at the dentist. Finally Craig gets his ten had, | :34:52. | :34:55. | |
better late than never! Dancing the final judges' | :34:56. | :35:07. | |
pick tonight are Katie Derham and her | :35:08. | :35:09. | |
partner, Anton Du Beke. When they first did this quickstep, | :35:10. | :35:11. | |
they scored sixes and sevens. and sixes and sevens | :35:12. | :35:16. | |
just won't cut it tonight. Can Katie do it? | :35:17. | :35:19. | |
Let's find out. Saturday night, the first was the | :35:20. | :35:35. | |
Charleston. I cannot see that getting into the final. It was like | :35:36. | :35:39. | |
having a bucket of cold water poured on you. The upside is that we at | :35:40. | :35:44. | |
least had a second chance. I wasn't surprised that we were in the | :35:45. | :35:50. | |
dance-off. So that is what it feels like! I am in the final, and I am | :35:51. | :35:56. | |
thrilled to bits. Katie, Anton, congratulations on making it to the | :35:57. | :36:00. | |
final. I have got to ask, how does it feel? I am waiting for you to go, | :36:01. | :36:07. | |
just kidding! The dance we have chosen is the quickstep. First time | :36:08. | :36:11. | |
around, you could not keep up with the footwork. When you dance at that | :36:12. | :36:19. | |
speed, you can lose control. I might get it right this time, it is nice | :36:20. | :36:24. | |
to have another chance! It is the final, no room for mistakes. It will | :36:25. | :36:31. | |
be practice. Katie struggled with the choreography, she couldn't keep | :36:32. | :36:35. | |
up. Because she is a little bit more experienced, maybe this time she | :36:36. | :36:39. | |
will. If you end all the mistakes that happened, and there were not | :36:40. | :36:43. | |
that many, I think he will do a wonderful job. Well done! I'm | :36:44. | :36:48. | |
excited to get back into the training room, because I loved the | :36:49. | :36:51. | |
routine, I am glad we have got a chance to do it again. That is a | :36:52. | :36:58. | |
surprise, I didn't think they would go for quickstep. I am not | :36:59. | :37:01. | |
surprised, I think they want to give us a chance to get it right. Last | :37:02. | :37:05. | |
time we got 26, I hope we can improve it by at least ten. | :37:06. | :37:09. | |
Perfection has to be our aim, no room for any mistakes at all. | :37:10. | :37:12. | |
Dancing the quickstep, Katie Derham and Anton du Beke. | :37:13. | :37:17. | |
Dancing with hats, canes and Anton Du Beke, | :37:18. | :39:02. | |
you can't get more ballroom than that. | :39:03. | :39:04. | |
Darcey, was that streets ahead this time around? | :39:05. | :39:08. | |
Oh, gosh, gosh, you know, you never fail to be this beautiful, classy | :39:09. | :39:15. | |
lady that we are now seeing every time you come out and the dance | :39:16. | :39:18. | |
floor, and you delivered from the beginning. I could feel the pressure | :39:19. | :39:22. | |
it you were under, it was extraordinary. You got its nearly | :39:23. | :39:27. | |
all the way through just until the very end. I thought you were like, | :39:28. | :39:33. | |
Anton, help me! Keep me together! But, really, you did a great job, | :39:34. | :39:38. | |
because this is hard. You know it is hard. That suits you, it really | :39:39. | :39:45. | |
does. Well, more or less, there was a couple of places where she | :39:46. | :39:51. | |
looked... Why do you pick on the old guy?! But you moved so fast, you | :39:52. | :39:58. | |
could have ended up on 43rd Street! It was really fast, for long, flat | :39:59. | :40:03. | |
out, and I just loved your posture and your upper body when you were | :40:04. | :40:11. | |
dancing. So elegant! Bruno? Presentation, bodywork, upholstery, | :40:12. | :40:20. | |
always so lush, and even the suspension tonight was better! You | :40:21. | :40:23. | |
always hit a few bumps here and there, but when you hit a bump, you | :40:24. | :40:28. | |
coped with it better tonight, you did, you manage to continue and get | :40:29. | :40:31. | |
there at the end, so credit to you for that. Thank you. Have they prove | :40:32. | :40:39. | |
themselves worthy finalists? You were struggling a little bit with | :40:40. | :40:43. | |
the hat at the beginning, that offsets the whole thing, you need to | :40:44. | :40:47. | |
get your proper management together, darling. You were a little bit out | :40:48. | :40:52. | |
of time. You let the floor at one stage completely and jumped into one | :40:53. | :40:56. | |
of these sections. I have to say this, I just have to say this, it | :40:57. | :41:00. | |
was a major improvement on the last time you did it. Thank you, that is | :41:01. | :41:06. | |
what we want, it is not down to the judges tonight. Wait until next | :41:07. | :41:11. | |
week, there will be an even bigger improvement! Time to go and get your | :41:12. | :41:15. | |
scores. Get ready for your showdance, Katie and Anton. | :41:16. | :41:23. | |
Oh! Katie and Anton! Now, they said vast improvement. Was it nerve | :41:24. | :41:41. | |
wracking when they chose that one? I remember last time, you made | :41:42. | :41:46. | |
mistakes. I love it, I love the hat and cane, but me and hats are not | :41:47. | :41:51. | |
friends, that I just love doing it again, so thank you. Well done, I | :41:52. | :41:56. | |
preferred your choreography, I have got to be honest with you! Perhaps I | :41:57. | :42:02. | |
should have been up to speed. The scores are in. | :42:03. | :42:03. | |
Eight! Eight! Eight! Five more than last time exactly,... | :42:04. | :42:23. | |
If Katie and Anton are your champions, | :42:24. | :42:24. | |
call 6225205 from your mobile, 09015 225205 from your landline, | :42:25. | :42:27. | |
or vote online when the vote opens in just a moment. | :42:28. | :42:31. | |
So we've reached the halfway point of tonight's first show, | :42:32. | :42:33. | |
let's take a look where our couples stand on the leaderboard. | :42:34. | :42:53. | |
but tonight you get the final say and the vote is now open. | :42:54. | :43:03. | |
Calls cost 15p plus your network's access charge. | :43:04. | :43:10. | |
Please get the bill payer's permission before you call. | :43:11. | :43:12. | |
Or alternatively you can vote online for free at bbc.co.uk/strictly, | :43:13. | :43:15. | |
where you will also find full terms and conditions. | :43:16. | :43:20. | |
Voting will be frozen at 8:30 tonight, | :43:21. | :43:22. | |
so please don't try to vote if you are watching on demand. | :43:23. | :43:25. | |
In our live results show at nine, the couple | :43:26. | :43:27. | |
with the fewest votes will leave the competition. | :43:28. | :43:29. | |
All votes for the remaining three couples will be carried over | :43:30. | :43:32. | |
They're doing something behind me, aren't they? | :43:33. | :43:35. | |
Here's a reminder of the dances so far. | :43:36. | :43:58. | |
The four finalists have performed the judge's pick, now it's time for | :43:59. | :45:05. | |
the show dances. This is where the rule book gets thrown away and the | :45:06. | :45:10. | |
couples can perform any style of dance with trick, lifts and show off | :45:11. | :45:15. | |
their skills and win your votes. First are Jay and Aliona! | :45:16. | :45:21. | |
There have been moments where Jay's taken our breath away from that jive | :45:22. | :45:27. | |
to last week's charleston. So we've got Why?d You Only Call Me When | :45:28. | :45:30. | |
You?re High? Hopes that his show dance could be something very | :45:31. | :45:35. | |
special. The second dance of the evening will | :45:36. | :45:39. | |
be the show dance. Here is the master plan. A combo of different | :45:40. | :45:42. | |
pieces from all the dances throughout the series. So it | :45:43. | :45:48. | |
includes a bit of rumba, foxtrot, Argentine tango, Charles stone, | :45:49. | :45:52. | |
tango and a bit of jive. Can you remember all those? We'll see. Every | :45:53. | :45:57. | |
bit I'm doing is modified to make it bigger or more showy. Being put | :45:58. | :46:02. | |
together from all the different dances is quite confusing so as I go | :46:03. | :46:07. | |
through, my body takes me off into something else. Jive messes with | :46:08. | :46:14. | |
Jay's mind. I'm pushing him as hard as I've done with this choreography. | :46:15. | :46:20. | |
As time goes on, I'm feeling more and more confused and scared. | :46:21. | :46:23. | |
Aliona's worked so hard making this dance and we've put in so many hour | :46:24. | :46:26. | |
this is beak just to make it perfect and I just hope it pays off. I want | :46:27. | :46:32. | |
to do it just one more time. I just want to say how absolutely proud I | :46:33. | :46:38. | |
am since day one, how amazing every moment that we've had was. I've | :46:39. | :46:43. | |
loved learning every single dance and, no matter how they go on the | :46:44. | :46:47. | |
day, everyone is so special to me. I could haven't had anyone better to | :46:48. | :46:51. | |
teach me. You are amazing, I want this dance to be the best it can be | :46:52. | :46:56. | |
but I want it to look as good as it feels. Hopefully they'll love it. We | :46:57. | :47:00. | |
have enjoyed every second of what we've had. Thanks a million. | :47:01. | :47:08. | |
Dancing their show dance, Jay McGuinness and Aliona Vilani. | :47:09. | :48:58. | |
That was so brave. No harness and all your greatest moves in one | :48:59. | :49:35. | |
routine. Very, very, very good. Len, there's a lot resting | :49:36. | :49:37. | |
on that show dance. It was like a trip down memory lane, | :49:38. | :49:47. | |
like Jay and Aliona's greatest hits. I would have liked a built more show | :49:48. | :49:54. | |
in the show dance, personally. That's my opinion. You know, it was | :49:55. | :49:59. | |
lovely and the dances you did were great, the bit of rumba, a little | :50:00. | :50:04. | |
bit of foxtrot and tango, they were great, it's a show dance, I wanted | :50:05. | :50:06. | |
it more exciting for me. I think I got wrong-footed. When you | :50:07. | :50:20. | |
started it was oh my God this is going to be Spainer man, super hero | :50:21. | :50:26. | |
extravaganza, but you have a very good pick 'n' mix of ballroom and | :50:27. | :50:29. | |
Latin, all different flavours and colours. Very well put together, | :50:30. | :50:39. | |
very, very well danced. When you pitch something, you present | :50:40. | :50:42. | |
something, the image, the first image stays in your mind and when I | :50:43. | :50:46. | |
say, when is he going to fly again, is he going to take off, you know | :50:47. | :50:51. | |
what I mean, that is purely a conceptual thing but when it comes | :50:52. | :50:55. | |
to dancing, you always deliver. Always delivers. And so smoothly. | :50:56. | :50:59. | |
Even smoothed your hair at the end. Craig, could you feel your face | :51:00. | :51:00. | |
cracking into a smile? No, I was disappointed, I really | :51:01. | :51:11. | |
was, you are capable of so much more and I thought it was a cop out to do | :51:12. | :51:16. | |
a compilation, to be honest. I wish it ended like the opening and | :51:17. | :51:20. | |
spiralled back up but it felt for me like there wasn't a build or any | :51:21. | :51:24. | |
particular climax, yes you danced brilliantly all the little bits but | :51:25. | :51:28. | |
for me it wasn't as Len says a show dance. Darcey? The way you delivered | :51:29. | :51:45. | |
all the moves was spectacular and it's true, we are, being the last | :51:46. | :51:49. | |
man in this competition, I especially have very high expect | :51:50. | :51:53. | |
aces of you and I think we wanted a little surprise and even though it | :51:54. | :51:58. | |
was seamless, and it certainly was, you just needed to go out with a | :51:59. | :52:03. | |
bang - that's it really. I did love the entrance and I think the boys | :52:04. | :52:08. | |
are right, we needed to finish with that. It's construction, you know | :52:09. | :52:12. | |
and taste as well and you are a fantastic dancer. We are not saying | :52:13. | :52:15. | |
that you can't dance, you know. CHEERING AND APPLAUSE. | :52:16. | :52:19. | |
It's how you pitch something, you know, you started with the finale, | :52:20. | :52:24. | |
if you would have constructed it the other way around, it's like when you | :52:25. | :52:27. | |
watch a movie, the way you cut it is how it's perceived by the audience. | :52:28. | :52:32. | |
I'll take all the blame because... No, you shouldn't, my darling. Well, | :52:33. | :52:36. | |
the audience loved it. That's a given without doubt. They've done | :52:37. | :52:40. | |
all they can for now but will it be enough to save them from the first | :52:41. | :52:43. | |
elimination? That depends on your votes. Let's hear it for Jay and | :52:44. | :52:52. | |
Aliona! Go on darling, off you go. CHEERING AND APPLAUSE. | :52:53. | :53:05. | |
Everybody else in here went completely nuts and I hope that you | :53:06. | :53:10. | |
know that. What was also so lovely was that you gave us little bits | :53:11. | :53:14. | |
like the jigsaw of every dance you've done. The numbers are on the | :53:15. | :53:20. | |
screen, you can vote for your finalists now. The numbers were on | :53:21. | :53:26. | |
the screen. It was made more difficult and St Peter's Basilica | :53:27. | :53:30. | |
intricate, they were all difference to what we've danced before -- | :53:31. | :53:37. | |
difficult and very intricate. I wouldn't have wanted it any | :53:38. | :53:43. | |
different. Time to get the scores from the judges. | :53:44. | :53:56. | |
Still to come, Kellie Remember dances to Ding-Dong Daddy. | :53:57. | :54:05. | |
I'm not sure I've heard it before, but it does ring a bell. | :54:06. | :54:07. | |
Next hoping to impress are Georgia May Foote | :54:08. | :54:12. | |
Their showdance is innovative and incredibly challenging. | :54:13. | :54:19. | |
In one sense it's very traditional, in that Giovanni is leading, | :54:20. | :54:22. | |
but it's the way he's leading that is truly inspired. | :54:23. | :54:32. | |
The good thing about the show dance is that there are no rules. This | :54:33. | :54:39. | |
dance is completely dangerous. To, no... I'll get a splinter. There's | :54:40. | :54:44. | |
something a bit special in this dance. There is a small thing in the | :54:45. | :54:47. | |
beginning that will be a little bit different. I won't say what. Our | :54:48. | :54:53. | |
little secret in this dance is definitely a risk. It could go | :54:54. | :54:58. | |
wrong. I have to put all my trust in Giovanni and that's something I've | :54:59. | :55:04. | |
learnt throughout this competition. To think this could be our last ever | :55:05. | :55:08. | |
dance on Strictly, what a dance to go out on. I want on Saturday to | :55:09. | :55:15. | |
arrive there and make you proud. You've brought out something in me | :55:16. | :55:19. | |
that I never knew existed and I will be forever grateful to you for that. | :55:20. | :55:27. | |
You are my little sister and I want on Saturday night you to show to all | :55:28. | :55:31. | |
the public what you are and who you are. You became an amazing dancer. | :55:32. | :55:37. | |
You can win the show. Thank you. Thank you. Thank you for a great | :55:38. | :55:54. | |
time. I don't want it to end. Dancing their showdance, Georgia May | :55:55. | :56:02. | |
Foote and Giovanni Pernice. Come on over! They are just lost in | :56:03. | :58:18. | |
the moment there. We were lost with you, that was so enchanting. | :58:19. | :58:25. | |
Gorgeous. You are so good, you're dancing blind folded. I know. Bruno, | :58:26. | :58:31. | |
did that show how much trust there is? Yes, you took me from 50 shades | :58:32. | :58:35. | |
of green to magical world of ballroom. I loved the seamless | :58:36. | :58:41. | |
fusion of tango, the Viennese waltz, very difficult to do. Careful with | :58:42. | :58:45. | |
that shoulder, darling! When you do your spins, you know, I told you | :58:46. | :58:49. | |
before, but I loved the chemistry and the intensity, I loved the | :58:50. | :58:53. | |
story-telling and you're really pretty beautiful with it all. Isn't | :58:54. | :59:00. | |
she gorgeous! ? Craig, did that bring a tear to your eye? Oddly | :59:01. | :59:05. | |
enough, no. Funny that! I enjoyed the dance of three sections, of | :59:06. | :59:13. | |
course, loved the tango stuff, the Viennese stuff, specifically the | :59:14. | :59:17. | |
blind-fold section I thought was absolutely wonderful. Wasn't it? So | :59:18. | :59:24. | |
difficult doing that, sliding down his back and not knowing where the | :59:25. | :59:27. | |
floor is, you handled that with great ease and passion. Fantastic, | :59:28. | :59:28. | |
well done. Darcey, the audience | :59:29. | :59:33. | |
were moved, were you? It was such a wonderful, wonderful | :59:34. | :59:44. | |
start. It was lyrical, smooth, the shapes you were creating, and then | :59:45. | :59:48. | |
he picked you up and spun you off your feet, my goodness, very | :59:49. | :59:51. | |
impressive how you suddenly got him to hold then took off straightaway | :59:52. | :59:54. | |
after being that dizzy which is not easy. That's why the shoulders came | :59:55. | :59:58. | |
up as you were spinning, I think. Yes. The emotion and intent all the | :59:59. | :00:04. | |
way through carried on and well done for that. Thank you so much. | :00:05. | :00:07. | |
CHEERING AND APPLAUSE. CHEERING AND APPLAUSE. | :00:08. | :00:17. | |
They are right, great intensity, I loved the fusion of the two dances, | :00:18. | :00:22. | |
the opening was great, very poignant, it was a great dance and | :00:23. | :00:28. | |
you are a lovely ballroom dancer. That is what the judges thought, but | :00:29. | :00:32. | |
tonight it is all down to you at home and your votes. Off you go and | :00:33. | :00:35. | |
get your score. Thank you! The information | :00:36. | :00:37. | |
for all our finalists so you can vote for your | :00:38. | :00:41. | |
favourite to win right now. Well done, such an emotional dancer, | :00:42. | :00:54. | |
how are you feeling? That meant a lot, because when they took the | :00:55. | :00:58. | |
blindfold off, it was like opening my eyes to everything I have | :00:59. | :01:02. | |
learned, what he has taught me, and I have learned so much. And all she | :01:03. | :01:10. | |
wanted to do was make you proud. She did, absolutely, thank you very | :01:11. | :01:12. | |
much. Sorry about the shoulder! Nine! Nine! Nine! Nine! Happy with | :01:13. | :01:16. | |
that? If you don't want that | :01:17. | :01:33. | |
to be their last dance, then make sure you vote | :01:34. | :01:36. | |
by calling or going online. Still to come, for Katie's | :01:37. | :01:38. | |
showdance, our set designers recreated Rome, and oddly enough | :01:39. | :01:40. | |
it was built in a day. It's time to welcome back | :01:41. | :01:43. | |
Kellie Bright Their showdance is a high-energy | :01:44. | :01:48. | |
Lindy hop set on a 1920s train, and if she doesn't run out of steam, | :01:49. | :01:59. | |
this could be Kellie's ticket Showdance for the final. We | :02:00. | :02:17. | |
basically get to do whatever we want. So I am thinking for long, | :02:18. | :02:25. | |
high-energy tricks, kicks, Lindy hop style. We can pull this off. My | :02:26. | :02:35. | |
goodness! I reckon it is going to be epic, what Steve say? Well, of | :02:36. | :02:44. | |
course, I am in! -- what do you say? The showdance is exhausting, it is a | :02:45. | :02:50. | |
really full on routine. I have fallen on my bum about three times | :02:51. | :02:53. | |
today, nearly fallen on my head a few times. I am sure it is just | :02:54. | :03:03. | |
because I am tired. Oh, boy! The best thing has been how much you | :03:04. | :03:09. | |
have made me laugh. Without a doubt! More than anything, you have helped | :03:10. | :03:15. | |
me grow as a performer. I think that is an amazing thing. It has been one | :03:16. | :03:19. | |
of the best things I have ever done. I do want to say thank you, I really | :03:20. | :03:24. | |
mean that. Our showdance is about going for it, | :03:25. | :03:36. | |
so if we are going to go out, I want to go out with a bang. That is the | :03:37. | :03:39. | |
end! Dancing their showdance, | :03:40. | :03:41. | |
Kellie Bright and Kevin Clifton. MUSIC: "Ding-Dong Daddy | :03:42. | :03:46. | |
of the D-Car Line" The audience are going wild! It | :03:47. | :06:02. | |
didn't stop once! Oh! That was amazing. | :06:03. | :06:05. | |
CHEERING AND APPLAUSE Oh! No wonder you collapsed, you | :06:06. | :06:21. | |
must be exhausted after that! It is like I do not need her any more! I | :06:22. | :06:26. | |
cannot believe how much energy you have got, you are amazing. Were they | :06:27. | :06:38. | |
on the right track? A-ma-zing! CHEERING AND APPLAUSE | :06:39. | :06:41. | |
Darcey, was that good enough to take them through to the final? It was | :06:42. | :06:49. | |
extraordinary, oh my! You brought everything you could do that dance, | :06:50. | :06:54. | |
you stretched yourself and you kept the control, you are a cheeky star, | :06:55. | :06:59. | |
Kellie, you really are. Thank you! Len? If Kevin is the daddy, you are | :07:00. | :07:10. | |
the belle of the ball. People, listen to me, that is a showdance! | :07:11. | :07:14. | |
That is a showdance! CHEERING AND APPLAUSE | :07:15. | :07:23. | |
Bruno? That was an exhilarating, show stopping, dazzling turn of a | :07:24. | :07:28. | |
dance. You brought the A game right at the right time, that is how a | :07:29. | :07:31. | |
champion wins. CHEERING AND APPLAUSE | :07:32. | :07:36. | |
That is how a champion wins, says Bruno, we will be back for one final | :07:37. | :07:40. | |
dance, off you go, if you have got any energy left! Get at the stairs, | :07:41. | :07:45. | |
that was brilliant, Kellie and Kevin! | :07:46. | :07:50. | |
The vote is still open, and the information | :07:51. | :07:52. | |
for all four finalists is on the screen - | :07:53. | :07:54. | |
you can keep voting until we freeze the vote later. | :07:55. | :07:59. | |
Tele-! Delhi! At this point in the competition, you don't turn to your | :08:00. | :08:12. | |
partner and say, teach me something completely new! But you did! You | :08:13. | :08:17. | |
have loved this so much, it has been one of the best experiences of my | :08:18. | :08:21. | |
life, and I love this man, and I just love dancing with him, and I | :08:22. | :08:25. | |
thought, I have got to use the opportunity to learn something else. | :08:26. | :08:32. | |
The scores are in. The scores are in, Craig Revel Horwood... Ten! | :08:33. | :08:42. | |
Darcey Bussell. Ten! Len Goodman. It is ten from me! Bruno Tonioli. Ten! | :08:43. | :08:54. | |
CHEERING AND APPLAUSE Well done, they could not be... | :08:55. | :09:02. | |
Look, stop it! Remember, those scores | :09:03. | :09:04. | |
are just a guide tonight. Kellie and Kevin need your | :09:05. | :09:06. | |
votes to get their hands We have to say goodbye to one | :09:07. | :09:09. | |
of our couples at the start of our second show this | :09:10. | :09:13. | |
evening, live at nine. We just have one more | :09:14. | :09:15. | |
couple left to dance. Yes, our final couple | :09:16. | :09:17. | |
to perform their showdance is Katie Derham and her | :09:18. | :09:20. | |
partner, Anton Du Beke. Their dramatic routine | :09:21. | :09:23. | |
involves stirring music, passion, bravery and strength, | :09:24. | :09:30. | |
so what better setting for it than the spectacular | :09:31. | :09:33. | |
Colosseum of ancient Rome? The second dance this evening is our | :09:34. | :09:49. | |
showdance. It is not going to be low-key or subtle or modest! It is | :09:50. | :09:56. | |
going to be huge. We are choosing all sorts of our favourite moves. | :09:57. | :10:01. | |
Over and wow! Quite a lot of me being chucked around. We are looking | :10:02. | :10:05. | |
for something dramatic, lifts and throws. What are the rules, kid?! I | :10:06. | :10:16. | |
say, there are no rules. Are you hurt? I am all right. She has heard | :10:17. | :10:22. | |
her ribs. The only thing is hurting when you press on that. I only seem | :10:23. | :10:28. | |
to be feeling increasing amounts of aches and pains. Try it and see how | :10:29. | :10:33. | |
it feels. My body wants me to lie down in a dark room for about a | :10:34. | :10:37. | |
month, but that isn't going to happen this week. Anton really has | :10:38. | :10:42. | |
been amazing, and he has been a really good friend. I will miss him | :10:43. | :10:46. | |
very much. Well done, you. Did you ever think we would make the final? | :10:47. | :10:55. | |
Seriously? No. I hope, of course. I cannot tell you how much it means to | :10:56. | :10:58. | |
me, I am very pleased. I cannot imagine having danced with anybody | :10:59. | :11:04. | |
else. Thank you very much. I have enjoyed it very much. The | :11:05. | :11:08. | |
Glitterball is inside, it is important that we pull the showdance | :11:09. | :11:12. | |
and impress everyone at home, this is about staying in the final three | :11:13. | :11:13. | |
or not. Dancing their showdance, | :11:14. | :11:16. | |
Katie Derham and Anton du Beke. They are on their feet! What an epic | :11:17. | :11:20. | |
performance! Well done! Darcey, did that showdance | :11:21. | :13:24. | |
show off Katie's skills? Oh, the tension on the dance floor | :13:25. | :13:43. | |
was amazing, I so enjoyed the top, how you rolled out into that | :13:44. | :13:47. | |
shoulder press, carried that all the way down, I saw the intensity. With | :13:48. | :13:53. | |
music like that, that is so strong, that can carry you all the way | :13:54. | :13:57. | |
through, it can always work as a disadvantage, because you have got | :13:58. | :14:01. | |
to come up to that level, and it is very difficult. I felt a little | :14:02. | :14:06. | |
tension of nerves, that is the only thing, unsure of the transitions. | :14:07. | :14:11. | |
Understandably, but you kept your boys, and you kept your elegance. | :14:12. | :14:12. | |
CHEERING AND APPLAUSE did that have enough | :14:13. | :14:17. | |
content for you? there was plenty going on, I loved | :14:18. | :14:27. | |
all the staff, and the drop, and I never knew! -- stuff. This music is | :14:28. | :14:38. | |
so dramatic and dominance that the music really overpowers the dance. | :14:39. | :14:48. | |
No! Move on. You're going to make him grumpy, Bruno. It was a story, | :14:49. | :14:54. | |
the goddess of fire and thunder, precisely over the fall of the Roman | :14:55. | :14:59. | |
Empire! All conquering and dominating at the beginning, and | :15:00. | :15:02. | |
then a few stumbles at the end, but without stumbles there wouldn't be | :15:03. | :15:07. | |
any drama, so it kind of carried the story beautifully, and they made a | :15:08. | :15:12. | |
very valid point. When you take these classic tracks, there is | :15:13. | :15:15. | |
something about the phrasing that is so hard to do. I mean, you have done | :15:16. | :15:19. | |
these things in ballet, we have all done it, it is so uneven, and you | :15:20. | :15:25. | |
have to be so on it, you have to be so precise, almost anticipate the | :15:26. | :15:31. | |
conductor. You almost have to see the conductor, she has done it. You | :15:32. | :15:33. | |
are taking a great challenge and you gave it a good go! Thank you. | :15:34. | :15:45. | |
Craig, that's the last of our showdances, how did she do? | :15:46. | :15:49. | |
I don't want to end on anything negative but... Don't then. Compared | :15:50. | :15:58. | |
to the rest, it was rigid, stiff. That's what we were going for, stiff | :15:59. | :16:06. | |
rigid. We wanted a jump, catch and... Shhh... You don't possession | :16:07. | :16:15. | |
a level of skill the others do in this competition but you can rest in | :16:16. | :16:18. | |
the fact that you've done yourself proud because you have put yourself | :16:19. | :16:23. | |
into it 100% and tried to drive that dance home so I'm very personally | :16:24. | :16:29. | |
proud of you. Thank you very much, I really appreciate that. It's a fair | :16:30. | :16:33. | |
point. We wanted something dramatic and I think we did it. Mistakes, we | :16:34. | :16:37. | |
wanted some of them. We wanted a jump. It was exciting for me. | :16:38. | :16:44. | |
You could be doing your favourite dance later on, | :16:45. | :16:46. | |
but you've got to make it through to the final three first. | :16:47. | :16:49. | |
The information you need to vote for your favourite | :16:50. | :16:59. | |
We thought it was glorious. I was enjoying myself whizzing around | :17:00. | :17:15. | |
there. Lovely. That's very important. | :17:16. | :17:17. | |
I thought they were in. Can we chat longer? Yes. Did you enjoy it that | :17:18. | :17:34. | |
much? Yes, I wanted it to last longer. We were super excited. The | :17:35. | :17:38. | |
judges scores are now in. If you want Katie to lift | :17:39. | :17:53. | |
the trophy, then make sure you vote Remember, only three | :17:54. | :18:01. | |
of our finalists will dance again in our second | :18:02. | :18:05. | |
live show later tonight, and that decision | :18:06. | :18:08. | |
is down to you alone. So all of our couples have | :18:09. | :18:10. | |
performed two routines, but where does that leave | :18:11. | :18:12. | |
them on the leaderboard? But don't forget tonight, | :18:13. | :18:23. | |
that's a guide only. Calls cost 15p plus your | :18:24. | :18:26. | |
network's access charge. Please get the bill | :18:27. | :18:32. | |
payer's permission before you call. The vote will be frozen | :18:33. | :18:35. | |
at 8:30 tonight. Then, at the start of tonight's | :18:36. | :18:37. | |
live results show at nine, Lines will then reopen, | :18:38. | :18:39. | |
and your votes for the remaining three couples will be | :18:40. | :18:44. | |
carried forward. Voting details | :18:45. | :18:45. | |
are at bbc.co.uk/strictly, Here's a reminder of | :18:46. | :18:48. | |
all tonight's dances. MUSIC: "Ding-Dong Daddy | :18:49. | :18:56. | |
of the D-Car Line" There's even more dancing | :18:57. | :20:42. | |
to come later tonight. Only one couple can win | :20:43. | :21:11. | |
the competition, and no-one wants to say goodbye when they're this | :21:12. | :21:15. | |
close to the Glitterball trophy. Don't touch it! Don't even look at | :21:16. | :21:28. | |
it! Being part of this show's been | :21:29. | :21:33. | |
life-changing. My main hope was that I wouldn't be the first one out. | :21:34. | :21:37. | |
Then I thought it would be fun to get to Halloween. Then you think | :21:38. | :21:41. | |
maybe Blackpool. To have got all this way is baffling actually. At | :21:42. | :21:46. | |
the beginning, I thought this is something that might be a lot of fun | :21:47. | :21:51. | |
every day. To be here right now, I wish I could tell me on week one | :21:52. | :21:55. | |
that it would happen. I really didn't think we'd get to the final, | :21:56. | :22:00. | |
I really didn't. It's definitely an emotional experience. My life before | :22:01. | :22:04. | |
and after Strictly are two different things. God, I'd do it again in a | :22:05. | :22:10. | |
heartbeat. In a heartbeat I would. I think I've got a friend for life | :22:11. | :22:12. | |
there with Giovanni, it's incredible. For me to lift that | :22:13. | :22:17. | |
trophy would mean everything. I want to do it for Giovanni as well. It | :22:18. | :22:22. | |
would be the perfect end to a perfect experience. I would love to | :22:23. | :22:26. | |
win Strictly because Kevin Clifton's never won it and I would love him to | :22:27. | :22:31. | |
win it. I never thought I could win it and the fact that it's literally | :22:32. | :22:35. | |
there if we did win, it would be the most amazing story. It's only a | :22:36. | :22:39. | |
small part of your life and it means so much, it's something I'll never | :22:40. | :22:43. | |
forget. To win it... That would just be the cherry on top of the cake. | :22:44. | :22:49. | |
Remember, they all want to take home the glitterball, but it's down to | :22:50. | :22:56. | |
you to choose who you want to win Strictly Come Dancing 2015. The vote | :22:57. | :23:02. | |
will be frozen at 8. 30 so pick up the phone or go online as you don't | :23:03. | :23:06. | |
have long to choose your winner. Back at 9 when one couple with leave | :23:07. | :23:11. | |
the ballroom. The remaining three finalists have one last chance to | :23:12. | :23:14. | |
impress when they perform their favourite dance of the series. The | :23:15. | :23:18. | |
cast of 2015 will be taking to the floor for a very special routine. | :23:19. | :23:26. | |
It's not to be missed. Plus music from the brilliant Ellie Goulding, | :23:27. | :23:30. | |
oh yes! Remember, there is no results show tomorrow, it will be | :23:31. | :23:34. | |
right here tonight, live at 9 o'clock and then we'll find out who | :23:35. | :23:37. | |
will be lifting the glitterball trophy. See you back here very | :23:38. | :23:43. | |
shortly. In the meantime, keep dancing! | :23:44. | :23:52. | |
I want today's futurism for tomorrow. | :23:53. | :23:58. | |
I want Hollywood glamour and feathers and sequins | :23:59. | :24:08. | |
I want it to be mystical, spiritual... | :24:09. | :24:12. |