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MUSIC: Something's Gotta Give by Sammy Davis Jr | 0:00:51 | 0:00:54 | |
-WOMAN: -You know the expression, "a man's man"? | 0:00:58 | 0:01:01 | |
A man's man is the leader of the pack. | 0:01:01 | 0:01:04 | |
The kind of man other men look up to, admire and emulate. | 0:01:04 | 0:01:08 | |
A man's man is the kind of man who...just doesn't get what women are about. | 0:01:11 | 0:01:16 | |
Nick, my ex-husband, is the ultimate man's man. | 0:01:16 | 0:01:20 | |
I probably never should have married him. I don't think he understood a thing about me. | 0:01:20 | 0:01:26 | |
This is Nick Marshall's office. Wanna peek? He's never in before ten. | 0:01:26 | 0:01:30 | |
He'll send you on more errands than anyone in the company cos he can't do anything for himself. | 0:01:30 | 0:01:35 | |
He's a total bachelor and the universe's least politically correct guy. | 0:01:35 | 0:01:40 | |
He's king of our T and A ads. Want babes in bikinis? He's your man. | 0:01:40 | 0:01:44 | |
My dad? | 0:01:44 | 0:01:46 | |
How can I best describe him? He's always been...like an uncle to me. | 0:01:46 | 0:01:50 | |
Yeah. Uncle Dad. | 0:01:50 | 0:01:52 | |
Although Nick was a charmer. | 0:01:52 | 0:01:55 | |
Completely irresistible at first. | 0:01:55 | 0:01:58 | |
Which feeds in to the whole man's man thing. | 0:01:58 | 0:02:02 | |
You know about Nick's mother, right? | 0:02:02 | 0:02:05 | |
Because once you understand about Nick's mother, | 0:02:05 | 0:02:09 | |
you understand Nick. | 0:02:09 | 0:02:11 | |
Nick was actually born and raised in Las Vegas. | 0:02:14 | 0:02:18 | |
Nick's mother was a real honest-to-God Las Vegas showgirl. | 0:02:18 | 0:02:23 | |
When other boys were outside riding their bikes and playing ball, | 0:02:23 | 0:02:27 | |
Nick was backstage hanging with the girls. | 0:02:27 | 0:02:31 | |
He was their mascot. | 0:02:31 | 0:02:34 | |
Their little pet. | 0:02:34 | 0:02:36 | |
They couldn't get enough of those baby blues. | 0:02:36 | 0:02:40 | |
Bang! Bang! | 0:02:40 | 0:02:42 | |
If you ask me, I'd say Nick's mother just about killed it for every woman Nick would ever meet. | 0:02:43 | 0:02:49 | |
She had a lot of sugar daddies in her life | 0:02:49 | 0:02:52 | |
but only one true love. | 0:02:52 | 0:02:55 | |
The boy with the family jewels. | 0:02:55 | 0:02:57 | |
BOTH COUNT | 0:02:59 | 0:03:01 | |
And since Nick didn't have a father, | 0:03:01 | 0:03:03 | |
his mom made sure he was always surrounded by strong male role models. | 0:03:03 | 0:03:08 | |
Men who a little boy could really look up to. | 0:03:08 | 0:03:12 | |
Keep counting, kid! | 0:03:13 | 0:03:15 | |
There was nothing normal about the way Nick Marshall was raised. | 0:03:15 | 0:03:19 | |
So, what could you expect? | 0:03:19 | 0:03:22 | |
You don't have to be Freud to figure out this was one cockeyed way to enter the world. | 0:03:22 | 0:03:27 | |
ALL WHOOP | 0:03:27 | 0:03:29 | |
# Something really got to give! # | 0:03:29 | 0:03:35 | |
HE GROANS | 0:03:48 | 0:03:50 | |
-Don't you ever knock? -It's almost ten. You gotta go to work and I gotta vacuum in here. | 0:04:02 | 0:04:07 | |
Another one who wears Vanilla. Don't you know any women who don't wanna smell like candy? | 0:04:07 | 0:04:13 | |
-Couldn't toss me my lighter, could you, babe? -Babe? What am I? A little pig? | 0:04:13 | 0:04:17 | |
I don't have time to make you no onion bagel so please do not start to beg. | 0:04:17 | 0:04:21 | |
For the record, I don't like finding these things in your sofa. | 0:04:21 | 0:04:25 | |
-What kind of woman wears underwear like this? -Hey, my mother did, all right? | 0:04:25 | 0:04:29 | |
Just put it somewhere, babe. | 0:04:29 | 0:04:32 | |
Babe is gonna put it in the trash compacter where it belongs. | 0:04:32 | 0:04:36 | |
-Do you ever consider dating a woman who wears real underwear? The kind that covers the entire bottom? -No. | 0:04:36 | 0:04:42 | |
If I ever do should I give you a call? | 0:04:42 | 0:04:46 | |
I'm gonna go clean the kitchen. | 0:04:46 | 0:04:49 | |
-While you're out there could you toast me a bagel? Cream cheese, tomatoes, capers. -Ach! -Please! | 0:04:49 | 0:04:54 | |
Come on! I can't think on an empty stomach. | 0:04:54 | 0:04:57 | |
-All right, but only cos you didn't call me that little pig name. -OK, babe. | 0:04:57 | 0:05:01 | |
-Mr Marshall, how you doing today? -I'm fit as a dancing bear. | 0:05:07 | 0:05:11 | |
-I got that cab for you. -Whoa! That's some set of pipes you got, Flo. | 0:05:11 | 0:05:15 | |
-Have an excellent day, sir. -And you. | 0:05:15 | 0:05:18 | |
Gah! | 0:05:18 | 0:05:21 | |
At ease. | 0:05:21 | 0:05:24 | |
SHE WHISTLES | 0:05:24 | 0:05:25 | |
SHE GASPS Oh! I'm so sorry. | 0:05:37 | 0:05:40 | |
-I absolutely did not mean to do that. Here, let me get that for you. -It's OK. -No, I'm mortified. | 0:05:40 | 0:05:45 | |
I can see your hands are full. Let me get the door for you. | 0:05:45 | 0:05:49 | |
-Thank you. -No, thank you. | 0:05:49 | 0:05:51 | |
-Half-caf grande non-fat thick foam whip cap no lid. -Half-caf grande non-fat thick foam whip cap no lid. | 0:05:51 | 0:05:57 | |
-When do you find out? -Today, I think, unless I didn't get it and then I'll never find out. | 0:05:57 | 0:06:02 | |
I'm sure I didn't get it. They were looking for an earth mother type. I overheard the director say | 0:06:02 | 0:06:08 | |
I was more a space cadet. But I'm an actress. I can be whatever you want. | 0:06:08 | 0:06:12 | |
-Is that true? -Better be true or I'm stuck playing ditzy coffee-shop girl for the rest of my life. -Thank you. | 0:06:12 | 0:06:18 | |
Oh! Hi, Nick. | 0:06:20 | 0:06:22 | |
Hi. | 0:06:22 | 0:06:24 | |
Lola, my love. When are you gonna let me buy you dinner? | 0:06:24 | 0:06:27 | |
I don't know why you don't believe me. I'm not your type. Cappuccino extra foam. Tall or grande? | 0:06:27 | 0:06:33 | |
-Grande, or at least, I like to think. SHE LAUGHS FALSELY -Next! | 0:06:33 | 0:06:37 | |
I'm getting some really big news at work today. Why don't you come out and celebrate? I'll buy you a coffee. | 0:06:37 | 0:06:43 | |
Memo to you - I work in a coffee shop. Hi, what can I get you? | 0:06:43 | 0:06:47 | |
-I'll take... -You want me to stop asking you out? Just a sec. | 0:06:47 | 0:06:51 | |
If that's what you want, just give me the word. | 0:06:51 | 0:06:54 | |
Yes, I'm gonna give you the word, er, because I'm an actress, | 0:06:54 | 0:06:58 | |
or at least, I'm trying to be one. I'm trying to concentrate on...on that | 0:06:58 | 0:07:02 | |
and so it would be a good thing if you wouldn't mind...stop asking me out! | 0:07:02 | 0:07:07 | |
-You seem so stressed. -I am. I'm stressed. I'm stressed. I have a lot on my plate. | 0:07:07 | 0:07:11 | |
-So let's not talk about this now. Why don't I meet you here tomorrow? 10.30? -OK, that'd be good. | 0:07:11 | 0:07:17 | |
-So, that's a date? -It's a date. Thank you. | 0:07:17 | 0:07:20 | |
Sir, that was inspiring. | 0:07:20 | 0:07:23 | |
I know. | 0:07:23 | 0:07:25 | |
Good morning, Sloane Curtis. | 0:07:26 | 0:07:28 | |
-Morning, Mr Marshall. -Hi. What's the dirt? -I was at breakfast... -Hey, Norm! You winning? -Of course. | 0:07:28 | 0:07:34 | |
-Yeah? -I heard Miller's looking for a new agency. -I know. I'm all over it. | 0:07:34 | 0:07:39 | |
-Also, Darcy McGuire left BVD and O. Morning, Angela. -Left or was fired? -I don't know. | 0:07:39 | 0:07:44 | |
-I just know everyone there's thrilled to get rid of her. -So much for itchy female vision. | 0:07:44 | 0:07:49 | |
So, that girl we met last night. Nothing happened after you put her in the cab, right? | 0:07:49 | 0:07:53 | |
It did? Something happened? But she said she had to be in bed early. | 0:07:53 | 0:07:57 | |
-I had her in bed by 11. Or was it a quarter to? -You're like a genius, you know that? | 0:07:57 | 0:08:02 | |
What can I tell you, buddy? I'm blessed. And today is my lucky day. | 0:08:02 | 0:08:06 | |
Not only is my ex-wife Gigi remarrying about now, | 0:08:06 | 0:08:09 | |
-but Wanamaker called me, said he wanted to see me first thing. -Call me when he makes it official. | 0:08:09 | 0:08:15 | |
It's not gonna be as easy for you to suck up to the creative director. | 0:08:15 | 0:08:19 | |
Not to worry. I'll make us a lunch res to celebrate. | 0:08:19 | 0:08:22 | |
-Hey, don't count your chickens, huh? One o'clock? -Pick you up? | 0:08:22 | 0:08:26 | |
Mr Marshall, hi. I put the Gillette storyboards on your desk, and picked up your shoes from Barney's. | 0:08:27 | 0:08:33 | |
This morning's staff meeting was cancelled. Oh, and I also got your cigarettes. | 0:08:33 | 0:08:38 | |
-This morning's staff meeting was cancelled? -That's what I was told. -Hm. | 0:08:38 | 0:08:43 | |
Good morning, girls. | 0:08:43 | 0:08:45 | |
Good afternoon, sire. | 0:08:47 | 0:08:49 | |
-Anybody know why the staff meeting was cancelled? -Nobody called us. | 0:08:49 | 0:08:53 | |
Oh, but Mr Wanamaker wants to see you as soon as you get in | 0:08:53 | 0:08:57 | |
-which I told his office was 15 minutes ago. -I know. -You couldn't show up on time | 0:08:57 | 0:09:01 | |
the day you know you're being promoted. But you look very sharp, by the way. | 0:09:01 | 0:09:06 | |
Like a creative director. Very distinguished. | 0:09:06 | 0:09:09 | |
-Are you two gonna be able to handle yourselves on the 44th floor? -We were made for the 44th floor. | 0:09:09 | 0:09:14 | |
-Now get up there already so we can break out the bubbly. -Don't wait up. | 0:09:14 | 0:09:18 | |
-Don't wait up! He's so adorable! -He says the cutest things! | 0:09:18 | 0:09:22 | |
Oh, yeah. | 0:09:24 | 0:09:26 | |
I'm sorry, I was in a board meeting. Been here long? | 0:09:28 | 0:09:31 | |
-A couple of minutes. -Jess, can I get a decaf and a couple of Tylenol | 0:09:31 | 0:09:35 | |
and see if we got any echinacea. And I need some club soda. I got something on my tie. | 0:09:35 | 0:09:40 | |
You know what? Just get me another tie. | 0:09:40 | 0:09:43 | |
I saw the mock-ups you did for Johnnie Walker. They're fantastic! | 0:09:43 | 0:09:47 | |
-Oh, that's my job. -So you know I'm not great | 0:09:47 | 0:09:50 | |
at making speeches especially when I haven't got you to write them for me. | 0:09:50 | 0:09:54 | |
So I'll do my best. I been in this racket over 30 years. | 0:09:54 | 0:09:58 | |
It doesn't get any easier. As a matter of fact, it gets harder and harder. | 0:09:58 | 0:10:02 | |
The '80s were our glory days. | 0:10:02 | 0:10:04 | |
They were all about alcohol, tobacco and cars. | 0:10:04 | 0:10:07 | |
I felt like I was on top of my game. And then in the '90s, men simply stopped | 0:10:07 | 0:10:12 | |
dominating how the dollars were spent and we lost our compass. | 0:10:12 | 0:10:16 | |
Women between the ages of 16 and 24 are the fastest-growing consumer group in the country. | 0:10:16 | 0:10:21 | |
Girls who were born in the mid-'80s control our advertising dollars. | 0:10:21 | 0:10:25 | |
Sorry. No echinacea. Hi, Nick. | 0:10:25 | 0:10:27 | |
-Hey. -Red or lavender? | 0:10:27 | 0:10:30 | |
Red. No, no, lavender. That's good. While we've been getting our rocks off | 0:10:30 | 0:10:34 | |
shooting beer commercials with the Swedish bikini team, the industry's been transformed. | 0:10:34 | 0:10:40 | |
We were the agency in town ten years ago. Now we're struggling to be third. | 0:10:40 | 0:10:44 | |
If we don't evolve and think beyond our natural ability... | 0:10:44 | 0:10:48 | |
-..we're gonna go down. -Think beyond our natural... I'm not quite clear what you mean here. | 0:10:49 | 0:10:55 | |
-What do you know about Darcy McGuire? -Oh, hey, I heard she just left BVD and O. | 0:10:55 | 0:11:00 | |
I never met her but I hear she's a real man-eater. She won that Cleo last year that we should have won. | 0:11:00 | 0:11:05 | |
-Oh, yeah, right. That was her? I forgot about that. -I wish I had. | 0:11:05 | 0:11:09 | |
-That's very funny. -Yeah. Why? | 0:11:09 | 0:11:13 | |
Because I just hired her. | 0:11:14 | 0:11:17 | |
To do what? | 0:11:17 | 0:11:19 | |
You know I love you, Nick, but it's a woman's world out there | 0:11:21 | 0:11:25 | |
and getting into a woman's psyche isn't your strong suit. | 0:11:25 | 0:11:28 | |
You can get into their pants better than anyone but their psyche is different. | 0:11:28 | 0:11:32 | |
You hired Darcy McGuire to do what? | 0:11:32 | 0:11:35 | |
I know she hasn't done it on her own yet but somebody else was gonna | 0:11:35 | 0:11:39 | |
grab her and she's smart. She's very smart. | 0:11:39 | 0:11:42 | |
-You made her creative director, didn't you? -I'm sorry, buddy. | 0:11:43 | 0:11:48 | |
This isn't easy for me. I got the board breathing down my neck. | 0:11:48 | 0:11:51 | |
She's coming in this afternoon. You'll meet her. Roll with this. | 0:11:51 | 0:11:55 | |
Work with her. She's got what I need to keep this place afloat. | 0:11:55 | 0:11:59 | |
-She's got what you need meaning she's a woman. -You know how we can compete with that? | 0:11:59 | 0:12:04 | |
He's coming! He's coming! | 0:12:08 | 0:12:11 | |
BOTH SQUEAL | 0:12:11 | 0:12:13 | |
No so fast, girls. | 0:12:13 | 0:12:15 | |
Put it on ice. We'll break it out soon. | 0:12:15 | 0:12:19 | |
We're not moving to the 44th floor? | 0:12:20 | 0:12:23 | |
Not today. | 0:12:24 | 0:12:25 | |
Hm. | 0:12:27 | 0:12:28 | |
OK, one more. | 0:12:28 | 0:12:30 | |
Gigi, your ex is here. | 0:12:30 | 0:12:33 | |
Honey, you look like 48 million dollars. | 0:12:39 | 0:12:43 | |
Thank you. | 0:12:43 | 0:12:45 | |
-May I kiss the bride? -Sure. | 0:12:45 | 0:12:48 | |
-Nick! -Nick! -Ted! | 0:12:50 | 0:12:52 | |
Congratulations, Ted. You're a lucky man. | 0:12:52 | 0:12:55 | |
-Thanks. I happen to agree. -So, you're going on a cruise? | 0:12:55 | 0:12:59 | |
-Two weeks, huh? -The cruise is just the last week. Alexandra has an itinerary and I faxed one | 0:12:59 | 0:13:04 | |
to your office, to your apartment, Ted's office has one as does the school. | 0:13:04 | 0:13:09 | |
-In case I fall off the planet? -You never know. | 0:13:09 | 0:13:12 | |
Ah. | 0:13:12 | 0:13:14 | |
Hey, here she is, pretty in pink. So, two whole weeks together, huh? | 0:13:14 | 0:13:18 | |
-How will you handle it? -I'll love it. | 0:13:18 | 0:13:21 | |
-You can take care of your old man. Cook for me. Get me my slippers. -Yeah, that'll be happening! | 0:13:21 | 0:13:26 | |
-Alexandra has a boyfriend now. -Mom! -I'm just saying | 0:13:26 | 0:13:30 | |
-so he won't be surprised when he comes by. -You're only 13. | 0:13:30 | 0:13:33 | |
Am I? I thought I was 15. | 0:13:33 | 0:13:36 | |
We're gonna be fine. | 0:13:36 | 0:13:38 | |
Look, I'm gonna meet Cameron. Is it OK if I meet Dad back at his place? | 0:13:38 | 0:13:43 | |
-Can she? -Yeah, well... | 0:13:43 | 0:13:45 | |
-What time? -Eight? Nine, maybe? | 0:13:45 | 0:13:48 | |
-7.30. -OK. | 0:13:48 | 0:13:50 | |
Bye, Mom. | 0:13:50 | 0:13:52 | |
-Oh, honey, I'm gonna miss you. -I'm gonna miss you too. Ted, have a good time. -Bye, pumpkin. -Bye. | 0:13:52 | 0:13:57 | |
-Nick. -Honey? | 0:13:59 | 0:14:01 | |
Later. | 0:14:01 | 0:14:03 | |
Yeah, 7.30's fine, thanks for asking. | 0:14:05 | 0:14:08 | |
And the name's Dad. | 0:14:08 | 0:14:11 | |
-There you go. -Thanks. | 0:14:19 | 0:14:22 | |
-Hey, I heard! I can't believe this! -My next headache. -Don't worry. We'll get through it. -Yeah. | 0:14:23 | 0:14:29 | |
Everyone? | 0:14:30 | 0:14:32 | |
Everyone, meet Darcy McGuire. | 0:14:32 | 0:14:34 | |
Oh. APPLAUSE | 0:14:34 | 0:14:36 | |
-Hi! Oh, my goodness, everybody showed up. -How are you? | 0:14:36 | 0:14:40 | |
-Nice to see you. -It's a pleasant surprise. -Hi! | 0:14:40 | 0:14:42 | |
-God, what a small world. -Welcome aboard. | 0:14:42 | 0:14:46 | |
I'm so glad have met you. | 0:14:46 | 0:14:48 | |
Hello, I'm Darcy. | 0:14:52 | 0:14:54 | |
Hi, I'm Nick Marshall. | 0:14:54 | 0:14:56 | |
-I've heard a lot about you, Nick. -I've heard a lot about you too. -Don't worry. Can't all be true. | 0:14:56 | 0:15:02 | |
Let's hope not. | 0:15:02 | 0:15:04 | |
Hey. | 0:15:04 | 0:15:06 | |
Hey, | 0:15:06 | 0:15:07 | |
standing room only. It's a first. | 0:15:07 | 0:15:10 | |
-I'm very very excited for you all to meet Darcy McGuire. -APPLAUSE | 0:15:10 | 0:15:14 | |
I know Darcy's extraordinary reputation as a leader in the field precedes her. At BVD and O, | 0:15:14 | 0:15:20 | |
Darcy led a creative team that snagged 500 million in new business wins. That was just last year alone. | 0:15:20 | 0:15:26 | |
At Sloane Curtis we've always prided ourself on our strategic thinking. | 0:15:26 | 0:15:30 | |
Now it's time for us to step up and once again prove ourselves creatively | 0:15:30 | 0:15:34 | |
in the marketplace and I'm thrilled that Darcy has consented | 0:15:34 | 0:15:38 | |
to move across town, join our team, and lead us into the 21st century. | 0:15:38 | 0:15:42 | |
Thank you, Dan, and thank you all for that warm welcome. | 0:15:44 | 0:15:48 | |
Let me start by saying the feeling is mutual. I'm absolutely thrilled to be here. | 0:15:48 | 0:15:53 | |
When I started in this business it was my dream to work here. | 0:15:53 | 0:15:56 | |
I even applied for a job here twice. | 0:15:56 | 0:15:59 | |
Somebody call personnel. | 0:15:59 | 0:16:02 | |
-LAUGHTER -But it was BVD and O that offered me | 0:16:02 | 0:16:05 | |
a home and what I learned there was that any success I had was a direct result of the team of people | 0:16:05 | 0:16:11 | |
I work with. I know that two heads are better than one. I know that five heads are better than two. | 0:16:11 | 0:16:16 | |
And I know that if we put our heads and our hearts into this company, we will deliver. I know that. | 0:16:16 | 0:16:22 | |
I love challenges. I love hard work. I look forward to sitting at this table, | 0:16:22 | 0:16:27 | |
tossing ideas around until what I fear | 0:16:27 | 0:16:29 | |
will be the wee hours of the morning. | 0:16:29 | 0:16:32 | |
But most importantly, I want our work to say something about who we are. | 0:16:32 | 0:16:36 | |
How we think. What we feel. | 0:16:36 | 0:16:38 | |
HE COUGHS Excuse me. | 0:16:38 | 0:16:39 | |
So, as our friends in Hollywood say, | 0:16:39 | 0:16:42 | |
let's cut to the chase. How are we gonna turn this company around? | 0:16:42 | 0:16:46 | |
When Sears decided to go after women in their advertising and said, "Come see the softer side of Sears" | 0:16:48 | 0:16:54 | |
their revenues went up 30%. 30%. That's huge. Female-driven advertising | 0:16:54 | 0:16:59 | |
totalled 40 billion last year and Sloane Curtis's share of that was... | 0:16:59 | 0:17:05 | |
..zero. | 0:17:07 | 0:17:08 | |
If you want to sell an anti-wrinkle cream or a Ford Mustang to a woman, | 0:17:08 | 0:17:12 | |
forgive me but this is the last place you bring your business | 0:17:12 | 0:17:16 | |
and we can't afford to not have a piece of a 40 billion pie. So I have put together | 0:17:16 | 0:17:22 | |
a little kit for everybody. Nobody panic. This is supposed to be fun. Every product | 0:17:22 | 0:17:27 | |
in this box is looking for new representation right now and they're all made for women. | 0:17:27 | 0:17:32 | |
I'm sure the women here are familiar with most of them so for the men, let's briefly run through them. | 0:17:32 | 0:17:38 | |
-CRACKING -Here you go, Nick. | 0:17:38 | 0:17:41 | |
-Thank you. -Each kit contains anti-wrinkle cream, | 0:17:46 | 0:17:50 | |
mascara, moisturising lipstick, | 0:17:50 | 0:17:53 | |
bath beads, quick-dry nail polish, an at-home waxing kit, | 0:17:53 | 0:17:57 | |
a more wonderful Wonderbra, a home pregnancy test, | 0:17:57 | 0:18:01 | |
-hair volumiser... -Oh! | 0:18:01 | 0:18:03 | |
..pore-cleansing strips, | 0:18:03 | 0:18:05 | |
Advil, control-top pantyhose and a Visa card. | 0:18:05 | 0:18:09 | |
I want everybody to come up with something for one product, | 0:18:09 | 0:18:13 | |
for two, the whole box. Whatever moves you. | 0:18:13 | 0:18:15 | |
We'll get together tomorrow and see where we are. How's 8.30 for everybody? | 0:18:15 | 0:18:21 | |
Great. See you at 8.30 tomorrow morning. | 0:18:21 | 0:18:24 | |
Nightmare. | 0:18:28 | 0:18:30 | |
Read my lips. | 0:18:30 | 0:18:32 | |
Night...mare. | 0:18:32 | 0:18:35 | |
Miss! Miss! Miss! | 0:18:35 | 0:18:37 | |
That's another 500 bucks. | 0:18:37 | 0:18:40 | |
'We play our dangerous game. | 0:18:41 | 0:18:44 | |
'A game of chess against our old adversary.' | 0:18:44 | 0:18:47 | |
HE MIMICS SEAN CONNERY: "Advershary"? Surely you mean adversary. | 0:18:47 | 0:18:52 | |
'..Arugula salad.' | 0:18:52 | 0:18:54 | |
-Uh. -'Women's political...' | 0:18:54 | 0:18:57 | |
'Tuck the pelvis under. Keep lifting.' | 0:18:57 | 0:18:59 | |
HE MIMICS SEAN CONNERY: Buns Of Shteel. I'd shteal her buns if I could. | 0:19:02 | 0:19:06 | |
'Here it comes.' | 0:19:07 | 0:19:09 | |
-Pah! -'Yes! He nailed the dismount! Now let's check in on the women's finals.' | 0:19:09 | 0:19:13 | |
Women's finals. There's way too much oestrogen on television these days. | 0:19:13 | 0:19:18 | |
And as we all know, the perfect antidote to oestrogen... | 0:19:22 | 0:19:26 | |
..is Frank. Oh, I need some Frank. | 0:19:27 | 0:19:30 | |
Help me, buddy. Help me now. | 0:19:34 | 0:19:37 | |
MUSIC: I Won't Dance by Frank Sinatra | 0:19:37 | 0:19:40 | |
HE SINGS ALONG: # I won't dance, don't ask me | 0:19:44 | 0:19:47 | |
# I won't dance, don't ask me | 0:19:47 | 0:19:50 | |
# I won't dance | 0:19:50 | 0:19:51 | |
# Madame, with you | 0:19:51 | 0:19:53 | |
# My heart won't let my feet do things that they should do | 0:19:54 | 0:19:59 | |
# You know what | 0:20:01 | 0:20:03 | |
# You're lovely | 0:20:03 | 0:20:04 | |
# You know what, you're so lovely | 0:20:04 | 0:20:07 | |
# And you know what you do to me | 0:20:07 | 0:20:11 | |
# I'm like an ocean wave that's bumped on the shore | 0:20:12 | 0:20:17 | |
# I feel so absolutely stumped on the floor | 0:20:17 | 0:20:22 | |
# When you dance you're charming and you're gentle | 0:20:24 | 0:20:29 | |
# Specially when you do the continental | 0:20:30 | 0:20:35 | |
# But this feeling isn't purely mental | 0:20:36 | 0:20:41 | |
# For heaven rest us | 0:20:41 | 0:20:43 | |
# I am not asbestos | 0:20:43 | 0:20:46 | |
# And that's why I won't dance | 0:20:46 | 0:20:50 | |
# I won't dance, how could I...? # | 0:20:50 | 0:20:54 | |
Don't panic. This is supposed to be fun. | 0:20:55 | 0:20:58 | |
OK. OK, I can do this. I'm a professional. | 0:20:59 | 0:21:03 | |
Lipstick. All right. | 0:21:05 | 0:21:07 | |
Lipstick on a guy's collar. No, women'll hate that. Lipstick on a guy's collar that won't rub off. | 0:21:07 | 0:21:13 | |
No, that's even worse. OK, OK. I gotta think like a broad. | 0:21:13 | 0:21:16 | |
All right. | 0:21:16 | 0:21:18 | |
I'm a broad. | 0:21:18 | 0:21:20 | |
I see lipstick... | 0:21:20 | 0:21:24 | |
on a dark-haired Tahitian beauty standing under a waterfall | 0:21:24 | 0:21:28 | |
wearing nothing but a thong, water cascading down her ba... | 0:21:28 | 0:21:32 | |
I'm a lesbian. | 0:21:33 | 0:21:35 | |
I gotta change the music. | 0:21:35 | 0:21:38 | |
I wonder. I wonder. | 0:21:38 | 0:21:41 | |
Ah, Alex. Thank you. | 0:21:42 | 0:21:44 | |
Come here. | 0:21:44 | 0:21:46 | |
Jackpot. | 0:21:46 | 0:21:48 | |
Hm. Er... | 0:21:48 | 0:21:50 | |
Mm. She's hot. | 0:21:50 | 0:21:52 | |
# I hate the world today | 0:21:54 | 0:21:56 | |
# You're so good to me I know but I can't change | 0:21:57 | 0:22:01 | |
# I can understand how you'd be so confused | 0:22:02 | 0:22:06 | |
# I don't envy you | 0:22:06 | 0:22:08 | |
# I'm a little bit of everything... # | 0:22:08 | 0:22:11 | |
You go, girl. | 0:22:11 | 0:22:13 | |
# I'm a mother | 0:22:13 | 0:22:15 | |
# I'm a brother, it's confusing | 0:22:15 | 0:22:18 | |
# And I volumise my hair | 0:22:18 | 0:22:20 | |
# I am not aware... # | 0:22:20 | 0:22:23 | |
Oh, my God, it looks like big dandruff. | 0:22:23 | 0:22:25 | |
Smooth that. Smooth. Oh, cool. | 0:22:25 | 0:22:28 | |
Now mascara. | 0:22:28 | 0:22:29 | |
Yeah, that's got it. | 0:22:31 | 0:22:34 | |
Mm. Nice thick lash... Oh! | 0:22:34 | 0:22:36 | |
Ow! That stings! What the...?! | 0:22:36 | 0:22:38 | |
OK. | 0:22:39 | 0:22:41 | |
I need some anaesthetic here. Ah! | 0:22:41 | 0:22:44 | |
GARGLES | 0:22:45 | 0:22:48 | |
HE BURPS Beautiful. | 0:22:48 | 0:22:50 | |
Ah, OK. | 0:22:50 | 0:22:52 | |
FRENCH ACCENT: Now, for the piece de resistance, we have... | 0:22:52 | 0:22:56 | |
We have the right leg... Yes, I think so. ..And the hot... | 0:22:56 | 0:23:01 | |
..hot wax. The very hot wax. Here we go. | 0:23:01 | 0:23:04 | |
Ow! Oh! Ah! Ah! Jesus! | 0:23:04 | 0:23:07 | |
Ooh, that's hot! | 0:23:07 | 0:23:09 | |
OK, test of manhood. | 0:23:09 | 0:23:12 | |
HE GRUNTS: OK, you passed. | 0:23:12 | 0:23:15 | |
And next we immediately apply the disposable cloth over the waxed... | 0:23:15 | 0:23:20 | |
area. Straight ahead. | 0:23:20 | 0:23:22 | |
Yes. | 0:23:24 | 0:23:25 | |
Yeah. That feels kinda nice. | 0:23:25 | 0:23:29 | |
I don't know why women complain about waxing their legs. "In one smooth motion yank the strip quickly | 0:23:29 | 0:23:35 | |
"in the opposite direction of the hair growth." No, that'll be north. One, two three. | 0:23:35 | 0:23:40 | |
Argh! Oh! Aw! | 0:23:40 | 0:23:42 | |
Oh! Aw! | 0:23:42 | 0:23:44 | |
PANTS: Oh! Oh, Jesus! | 0:23:44 | 0:23:46 | |
CLANKING | 0:23:50 | 0:23:52 | |
Women are insane. Who would do that more than once? | 0:23:52 | 0:23:56 | |
I don't know. | 0:23:56 | 0:23:58 | |
Why would anyone even do the other leg? | 0:23:58 | 0:24:01 | |
Ah, yes, that's right, girls. | 0:24:06 | 0:24:08 | |
Wax it off and cover it up. Yeah. | 0:24:08 | 0:24:12 | |
Allez oop! Ooh! | 0:24:12 | 0:24:14 | |
Oh! I guess this takes a little finesse. | 0:24:15 | 0:24:18 | |
One down, two to go. | 0:24:18 | 0:24:20 | |
Well... HE GRUNTS | 0:24:22 | 0:24:24 | |
Ow! Oh! Ah! Ah! | 0:24:26 | 0:24:29 | |
OK. OK. Get up. | 0:24:29 | 0:24:31 | |
GRUNTS | 0:24:31 | 0:24:33 | |
OK. | 0:24:33 | 0:24:35 | |
Ah! | 0:24:35 | 0:24:37 | |
Yeah. | 0:24:37 | 0:24:40 | |
Mm. | 0:24:40 | 0:24:42 | |
Honey, you just lost yourself five pounds. | 0:24:45 | 0:24:47 | |
All right, where's my Wonderbra? Oh. | 0:24:50 | 0:24:54 | |
SHE GASPS Now, let's see which end is up here. | 0:24:54 | 0:24:57 | |
-Hi! -What are you doing? | 0:24:57 | 0:24:59 | |
Exfoliating. | 0:24:59 | 0:25:01 | |
-Yo. -You must be, erm... | 0:25:01 | 0:25:03 | |
Cameron, my boyfriend. This is Nick. | 0:25:03 | 0:25:06 | |
Her father. | 0:25:06 | 0:25:08 | |
-That's nice nail polish you got there. -Yeah, I'm just doing a new research thing at work. | 0:25:08 | 0:25:13 | |
-Trying to get into the female psyche. -Whatever. -Yeah. | 0:25:13 | 0:25:17 | |
-I should probably take off. -No, you don't have to go. -It's cool. I'll see you later, all right? -OK. | 0:25:17 | 0:25:23 | |
-Bye. -Bye. | 0:25:23 | 0:25:25 | |
-I'll call you. -OK. | 0:25:27 | 0:25:29 | |
Nice meeting you, Nick. | 0:25:29 | 0:25:31 | |
Yeah. | 0:25:31 | 0:25:33 | |
-Did you just kiss that guy? -Where did you get this? -Your bag. You're kissing guys? | 0:25:35 | 0:25:39 | |
-I can't believe you went through my stuff. -It was an emergency. | 0:25:39 | 0:25:43 | |
Are you allergic to listening? You never listen. | 0:25:43 | 0:25:46 | |
If I'm gonna be stuck staying here my stuff'll be laying around, OK? I don't want you going through it. | 0:25:46 | 0:25:53 | |
-I listen to you. -You think so? | 0:25:53 | 0:25:55 | |
-Yeah! -You do? What's my boyfriend's name? | 0:25:55 | 0:25:59 | |
Er, it's... | 0:25:59 | 0:26:01 | |
Goodnight. | 0:26:01 | 0:26:02 | |
No, no, no! Wait! Come back! It's Dustin, is his name. That's his name, right? No. Don't slam the... | 0:26:02 | 0:26:08 | |
G... Car... Carson! | 0:26:10 | 0:26:12 | |
Carmen! Carmine! Carmine! | 0:26:12 | 0:26:15 | |
Carmichael! | 0:26:15 | 0:26:17 | |
You can't remember a guy's name and they figure you're not listening to them. | 0:26:20 | 0:26:24 | |
What do women want? | 0:26:31 | 0:26:33 | |
I know it has three syllables. | 0:26:33 | 0:26:36 | |
Cameron. His name is Cameron! | 0:26:39 | 0:26:41 | |
HE PANTS | 0:27:02 | 0:27:04 | |
Oh, Jesus, that's so dangerous. | 0:27:09 | 0:27:12 | |
90% of all accidents happen... | 0:27:12 | 0:27:16 | |
Argh! | 0:27:16 | 0:27:18 | |
Argh! Oh, God! | 0:27:18 | 0:27:21 | |
Oh, what the hell has he done now? | 0:27:49 | 0:27:51 | |
I hope he's not dead. | 0:27:52 | 0:27:54 | |
HE GRUNTS | 0:27:56 | 0:27:58 | |
No, I'm fine. | 0:27:58 | 0:28:00 | |
I'm fine. I'm fine. I think. | 0:28:00 | 0:28:02 | |
Are you sure? | 0:28:04 | 0:28:06 | |
No. Yes. | 0:28:06 | 0:28:09 | |
HE GROANS | 0:28:10 | 0:28:12 | |
Cleaner pores. Thicker hair. | 0:28:28 | 0:28:31 | |
Very weird headache. Very weird. | 0:28:31 | 0:28:33 | |
Now I gotta clean up bras and home pregnancy tests? | 0:28:33 | 0:28:37 | |
He doesn't pay me enough for the things I have to do. | 0:28:37 | 0:28:40 | |
Oh, Jesus, he's wearing pantyhose? | 0:28:40 | 0:28:42 | |
-Now he's a cross-dresser? -I was just experimenting with a few products from work, all right? | 0:28:42 | 0:28:48 | |
Did I say anything? | 0:28:48 | 0:28:50 | |
-Oh, God. It's eight o'clock already. -One day I'd like to sleep till eight o'clock. | 0:28:50 | 0:28:55 | |
-He'd fire me if I wasn't here to wake him. -Whoo! Are we in a mood today! | 0:28:55 | 0:28:59 | |
The same as every other day. | 0:28:59 | 0:29:02 | |
-SHE MIMICS: -Honey, make me a little bagel with cream cheese. You know I can't think on an empty stomach. | 0:29:03 | 0:29:09 | |
For your information, I'm not even hungry. | 0:29:09 | 0:29:12 | |
Who said you were? | 0:29:12 | 0:29:15 | |
Mr Marshall. | 0:29:16 | 0:29:17 | |
-Morning, Flo. -Let me get you a cab, sir. -Sure. | 0:29:17 | 0:29:21 | |
-Thank you, Flo. -'You're welcome, my little sweet ass.' | 0:29:22 | 0:29:26 | |
-What did you say? -Me? Nothing. | 0:29:28 | 0:29:31 | |
You sure? | 0:29:31 | 0:29:33 | |
Yes, sir. | 0:29:33 | 0:29:35 | |
HE GROWLS | 0:29:35 | 0:29:37 | |
-I think I'll walk today. I could use a little fresh air. -You have a great day, sir. | 0:29:39 | 0:29:44 | |
'Did I turn the coffee maker off? I walked over to it but did I turn it off? | 0:29:47 | 0:29:51 | |
'I can't remember. I saw the light | 0:29:51 | 0:29:54 | |
-'but did I turn it off?' -What? What? -'One kiss doesn't make me a lesbian. | 0:29:54 | 0:29:58 | |
'Does it?' | 0:29:58 | 0:30:00 | |
-I'm sorry. -'Two slices of toast - 150 calories plus a tab and a half of butter - another 150.' | 0:30:02 | 0:30:08 | |
'So, oestrogen is good for the heart but bad for the breasts. What?' | 0:30:08 | 0:30:12 | |
-'My kid doesn't need Ritalin. -I want him to listen. -Monsieur! I need to poop!' -Argh! | 0:30:12 | 0:30:17 | |
Oh, God! Oh, boy! | 0:30:17 | 0:30:19 | |
ALL TALK AT ONCE | 0:30:19 | 0:30:21 | |
-Argh! -Argh! | 0:30:26 | 0:30:29 | |
'Oh, God! He nearly killed me. | 0:30:30 | 0:30:33 | |
'Too bad he missed.' | 0:30:33 | 0:30:35 | |
BEEPING | 0:30:39 | 0:30:41 | |
-Morning! -Morning. | 0:30:45 | 0:30:47 | |
'Don't look up. He'll make me hear another disgusting joke. He's such a schmuck.' | 0:30:47 | 0:30:52 | |
She thinks I'm a schmuck? | 0:30:54 | 0:30:57 | |
'Whoa! Lighten up with that aftershave, buddy.' | 0:31:00 | 0:31:03 | |
'What? Oh, yeah, like you've got the perfect body?' | 0:31:07 | 0:31:11 | |
Jeez! | 0:31:11 | 0:31:13 | |
-Hi. -Argh! What? -What? I was just gonna tell you the Gillette budget's on your desk | 0:31:13 | 0:31:18 | |
and I got you that Merlot you wanted. Here's your credit card back. | 0:31:18 | 0:31:22 | |
-Thank you. -Are you OK? | 0:31:24 | 0:31:28 | |
-Y-Y-Yeah. -'Do you realise that I have an Ivy League education and that running your stupid errands | 0:31:28 | 0:31:34 | |
'has put me in therapy? Why don't you take me seriously and give me some real work?' | 0:31:34 | 0:31:38 | |
Is there anything else I can get you? | 0:31:38 | 0:31:41 | |
Oh, good. You're on time. | 0:31:41 | 0:31:44 | |
What's the matter? You look a little different. | 0:31:44 | 0:31:47 | |
-I think maybe it's his hair. It looks a little thicker, doesn't it? -Give me your coat. -OK. | 0:31:47 | 0:31:53 | |
-You smell good today. -New cologne? | 0:31:53 | 0:31:55 | |
Th-That's it? No other thoughts? | 0:32:01 | 0:32:04 | |
-What do you mean? -Are you feeling all right, doll? | 0:32:04 | 0:32:08 | |
HE MUMBLES | 0:32:08 | 0:32:10 | |
Linings, linings, loans, locks. | 0:32:10 | 0:32:13 | |
Hello? Nick? | 0:32:13 | 0:32:15 | |
Er, Nick? | 0:32:15 | 0:32:17 | |
-We gotta go. What are you doing? It's 8.30. -Can't go. Can't go. Gotta find a doctor. Need a cure. | 0:32:17 | 0:32:22 | |
-You sound like the guy from Shine. What's wrong? -Maybe I don't need a doctor. Maybe I need an exorcist. | 0:32:22 | 0:32:29 | |
-HE MUMBLES -Er, there are no exorcists in the greater Chicago area. | 0:32:29 | 0:32:33 | |
OK? | 0:32:33 | 0:32:34 | |
Sorry to interrupt. Here you go. | 0:32:35 | 0:32:37 | |
HE PANTS | 0:32:37 | 0:32:39 | |
Your hair looks really good today. 'Maybe it's OK you pay me minimum wage | 0:32:39 | 0:32:43 | |
'because I used the company phone to call my boyfriend in Israel for an hour.' | 0:32:43 | 0:32:47 | |
-Tell me you heard that. -Your hair looks really good. So what? -The other thing. What she was thinking. | 0:32:49 | 0:32:56 | |
I don't think she thinks too much. She's not exactly a genius. | 0:32:56 | 0:33:00 | |
-She went to an Ivy League school. -I doubt that. | 0:33:00 | 0:33:03 | |
-What she said about the boyfriend, calling him in Israel, you heard that, yes? -No, cos she didn't say it. | 0:33:03 | 0:33:09 | |
Now, let's pull it together. We're gonna be late for our sorority meeting, OK? | 0:33:09 | 0:33:14 | |
Morgan...in case I, like, maybe died... | 0:33:15 | 0:33:19 | |
Can we walk and talk? Cos in case you live, I don't wanna be late. | 0:33:19 | 0:33:23 | |
Here's what happened, if the coroner asks. I got drunk last night and tried the products from the pink box. | 0:33:23 | 0:33:29 | |
-You did not! -I put on all the products, OK? Nail polish, pantyhose, everything. -You tried on pantyhose? | 0:33:29 | 0:33:35 | |
I tripped and fell into the bathtub and electrocuted myself. I blacked out and when I woke up... | 0:33:35 | 0:33:41 | |
-I could hear what every woman around me was...thinking. -Uh-huh. | 0:33:41 | 0:33:45 | |
I'm talking personal, private stuff. Stuff that nobody is supposed to hear. I hear that stuff. | 0:33:45 | 0:33:50 | |
-I can hear what women think. -Can you? Good, cos that's not a talent a lot of guys have these days. | 0:33:50 | 0:33:56 | |
-You want me to prove it? You see this attorney coming toward us? -Yeah. | 0:33:56 | 0:34:01 | |
She thinks you're overpaid. And gay. | 0:34:03 | 0:34:05 | |
-What? -I can hear what they're all thinking. It's driving me crazy. Even French poodles. | 0:34:05 | 0:34:10 | |
OK, just so we're on the same page I need you to know. You sound insane. | 0:34:10 | 0:34:14 | |
You freaked over losing the job but if you tell anyone else you can hear a French poodle's thoughts, | 0:34:14 | 0:34:20 | |
-you're fired. -'What if I just jumped out the window? Put the fruit down and jumped. | 0:34:20 | 0:34:25 | |
-'Would they notice? Probably not if I didn't get glass on anybody.' -That girl with the fruit. She's funny. | 0:34:25 | 0:34:32 | |
-Suicidal, b-but she's funny. -Nick, what girl with the fruit? | 0:34:32 | 0:34:36 | |
Th... | 0:34:36 | 0:34:38 | |
'Last one to arrive. Wants me to know I'm not his boss. OK, you're a star. I get the message.' | 0:34:41 | 0:34:47 | |
-She thinks I'm late because I want her to know she's not my boss. What's she talking about? -Put a lid on it. | 0:34:47 | 0:34:52 | |
'I can't believe I have butterflies in my stomach. It feels like the first day of school.' | 0:34:52 | 0:34:57 | |
OK, so, let's see how we did. | 0:34:59 | 0:35:02 | |
'Nobody wants to go first. | 0:35:02 | 0:35:05 | |
'Everyone's avoiding me. | 0:35:05 | 0:35:08 | |
'Except Nick Marshall. | 0:35:08 | 0:35:10 | |
'Unbelievable. The only one with good eye contact. | 0:35:10 | 0:35:13 | |
'At least he's looking in my eyes and not down my blouse.' | 0:35:13 | 0:35:16 | |
-So, Nick, what did you come up with? -Me? -Mm-hm. -What did I come up with? | 0:35:16 | 0:35:20 | |
'He's so wired.' | 0:35:22 | 0:35:24 | |
Mostly...I thought about the moisturising lipstick. | 0:35:24 | 0:35:28 | |
Er, never having worn lipstick myself, | 0:35:28 | 0:35:32 | |
I tried to imagine what I'd want from a lipstick | 0:35:32 | 0:35:35 | |
-if I were a woman. -'Oh, spare me!' -'OK, he's trying to be honest.' | 0:35:35 | 0:35:38 | |
You know, to be perfectly honest, the, er, the first thing I thought of | 0:35:38 | 0:35:42 | |
-was a Tahitian beauty bathing under a waterfall. -'Oy! I'm gonna die here with these kinds of ideas.' | 0:35:42 | 0:35:48 | |
But I'm working on it and it's evolving. | 0:35:48 | 0:35:51 | |
I don't suppose anybody's interested in an idea involving | 0:35:51 | 0:35:55 | |
-the Swedish bikini team. I do know them all personally. -Of course you do! -'Oh, what an idiot.' | 0:35:55 | 0:36:01 | |
-'Jerk, grow up already! -What a pig. -You are so foul. -I should have asked for more money.' | 0:36:01 | 0:36:07 | |
-Excuse me. -Dina? | 0:36:07 | 0:36:09 | |
Erm, I spent the night trying to figure out how to sell Advil just to women. | 0:36:09 | 0:36:13 | |
'You know what? | 0:36:13 | 0:36:15 | |
'You should sell it to women like me. | 0:36:15 | 0:36:18 | |
'I take it every time I need to fake a headache. Works like a charm.' | 0:36:18 | 0:36:23 | |
I-I-I got a brainwave. It just came to me. Do you mind if I interrupt? | 0:36:23 | 0:36:27 | |
No, go ahead. 'I hate that you've seen me naked.' | 0:36:27 | 0:36:30 | |
All right. So, we're in a bedroom, the lights are out, there's a woman in bed | 0:36:32 | 0:36:37 | |
and she's taking an Advil. Her husband turns over and suggestively rubs her back | 0:36:37 | 0:36:41 | |
and... | 0:36:41 | 0:36:43 | |
we say, "Advil. So mild and gentle, | 0:36:43 | 0:36:46 | |
"you can take it even when you're faking a headache." | 0:36:46 | 0:36:49 | |
MEN LAUGH: Huh? And then the woman turns to her husband and she says, | 0:36:49 | 0:36:54 | |
"Oh, not tonight, dear. I need an Advil." | 0:36:54 | 0:36:57 | |
-Right? -He's back! | 0:36:57 | 0:36:59 | |
Wh-What? Come on. That doesn't reach women on a personal level? | 0:37:02 | 0:37:06 | |
-No. -Well, women do that, don't they? | 0:37:06 | 0:37:09 | |
-Not me. -I don't. -No? Sue Cranston. -Hm? | 0:37:09 | 0:37:12 | |
You've done that, haven't you? Faked a headache to, you know... | 0:37:12 | 0:37:16 | |
No, Nick, I haven't. Thanks for asking. | 0:37:16 | 0:37:19 | |
No, no, wait, wait. Be honest, now. I mean, you've been married, what, 10, 12 years? And you've never, | 0:37:19 | 0:37:25 | |
in all that time, faked a headache? It doesn't...work like a charm? | 0:37:25 | 0:37:29 | |
No, Nick, I haven't! I mean... No, it doesn't, OK? | 0:37:31 | 0:37:35 | |
Jeez! | 0:37:35 | 0:37:37 | |
-OK, I guess I'm way off base here. -OK, erm, | 0:37:37 | 0:37:39 | |
what's good about your idea is that you're looking at Advil from a woman's point of view. | 0:37:39 | 0:37:45 | |
I don't think Advil will go for it and I'm pretty sure every woman in America will hate it. | 0:37:45 | 0:37:50 | |
Other than that, I thought it was great so you're on the right track. Go ahead. | 0:37:50 | 0:37:55 | |
Great antenna there, babe. The, er, poodle give you that one? | 0:37:55 | 0:37:58 | |
# I see you, baby | 0:38:09 | 0:38:11 | |
# Shakin' that ass # | 0:38:11 | 0:38:12 | |
-THEY GASP, SHE SCREAMS -Dad! | 0:38:12 | 0:38:15 | |
-Why are you home so early? -I have my first migraine. | 0:38:15 | 0:38:18 | |
'Hideous! My boyfriend feeling me up in front of my father!' | 0:38:18 | 0:38:21 | |
-Don't think of it. The outlook was bad for the team that day. The score was 42. -'Where's my bra? | 0:38:21 | 0:38:27 | |
-'Where is it?' -Oh, God. | 0:38:27 | 0:38:29 | |
-SHE SOBS: -Oh, God. -Whoa, OK. | 0:38:31 | 0:38:34 | |
Look. Everybody just needs to chill out here, all right? | 0:38:34 | 0:38:36 | |
-There'll be no chilling. Just get your stuff...and move on. -Come on, man! Relax! | 0:38:36 | 0:38:42 | |
-How old are you? -I just turned 18. -She's 15. She was 10 five years ago. Know what I'm saying, stud? Get out. | 0:38:42 | 0:38:48 | |
Dad! 'We're going to the prom. Don't ruin it!' | 0:38:48 | 0:38:51 | |
-You're not going to the prom with him. -How did you know that? | 0:38:51 | 0:38:54 | |
I don't know. Mom told me. But it won't happen because he's too old for you and I know what boys his age want | 0:38:54 | 0:39:00 | |
-and he's not getting it from my daughter. -Suddenly I'm your daughter. | 0:39:00 | 0:39:04 | |
'I want Mom.' | 0:39:04 | 0:39:06 | |
Hey, look. I'm just gonna take off. | 0:39:06 | 0:39:08 | |
-I'm really sorry about this. -Save it. | 0:39:08 | 0:39:11 | |
That's mine. | 0:39:11 | 0:39:14 | |
-Where are you going? -OK. | 0:39:15 | 0:39:17 | |
Great day(!) | 0:39:20 | 0:39:22 | |
THUNDER CLAPS | 0:39:22 | 0:39:24 | |
I can't go on like this. I'll lose my mind. | 0:39:24 | 0:39:27 | |
I'm already losing my mind. | 0:39:27 | 0:39:30 | |
This'll work. It's gotta work. | 0:39:31 | 0:39:33 | |
Got to work. Ow! Ow! Ow! | 0:39:33 | 0:39:37 | |
# I can understand how you'd be so confused | 0:39:37 | 0:39:40 | |
# I don't envy you | 0:39:40 | 0:39:42 | |
# I'm a little bit of everything | 0:39:42 | 0:39:45 | |
# All rolled into one | 0:39:45 | 0:39:47 | |
# I'm a lover | 0:39:47 | 0:39:49 | |
# I'm a child, I'm a mother | 0:39:49 | 0:39:51 | |
# I'm a sinner, I'm a saint | 0:39:51 | 0:39:54 | |
# I do not feel ashamed | 0:39:54 | 0:39:56 | |
# I'm your hell, I'm your dream | 0:39:56 | 0:39:59 | |
# I'm nothing in between | 0:39:59 | 0:40:01 | |
# You know you wouldn't want it any other way... # | 0:40:01 | 0:40:06 | |
RIPPING SOUND Argh! | 0:40:10 | 0:40:12 | |
Come on! | 0:40:35 | 0:40:36 | |
Do your thing! Turn me into me again! | 0:40:36 | 0:40:41 | |
Uh! | 0:41:18 | 0:41:20 | |
Oh, good. | 0:41:24 | 0:41:26 | |
I'm not dead. | 0:41:26 | 0:41:27 | |
Oh, please. Please, please, please tell me I got rid of it. | 0:41:27 | 0:41:31 | |
-Please be a woman. Please. -'What city, please?' | 0:41:34 | 0:41:37 | |
-You couldn't do me a favour and think of your favourite colour or TV show, could you? -'What city, please?' | 0:41:37 | 0:41:42 | |
Flo? | 0:41:46 | 0:41:48 | |
Hey, Flo? Flo? Huh! | 0:41:48 | 0:41:52 | |
I can't believe this. | 0:41:58 | 0:41:59 | |
I need a woman. | 0:41:59 | 0:42:02 | |
LOUD DRILLING NOISE | 0:42:07 | 0:42:09 | |
-Try this one. -Oh, I love this. This is fantastic. It's my mother's birthday next week | 0:42:36 | 0:42:41 | |
-so I need two gift sets. -Thanks, you've been a great help. -Do you have a Kleenex back there? | 0:42:41 | 0:42:47 | |
-I'm sure she'll like it. It's a best seller. -Do I get a free gift with this? | 0:42:47 | 0:42:52 | |
Yes, you get a travel bag. | 0:42:52 | 0:42:54 | |
Thank you! | 0:42:54 | 0:42:57 | |
-Yah! -'Stop it! You got the dress. Treat yourself to lipstick. -No, I have enough at home. | 0:43:01 | 0:43:06 | |
-'You may as well get one while we're here. -I have too many. I don't need it. -I'll buy it for you.' | 0:43:06 | 0:43:12 | |
'If he doesn't answer that phone in the next two rings, I swear to God...' | 0:43:12 | 0:43:17 | |
-'Hi, blue eyes. -I really feel bad about it.' -Ugh! | 0:43:17 | 0:43:21 | |
ALL TALK AT ONCE | 0:43:21 | 0:43:23 | |
Aa-a-a-a-argh! | 0:43:30 | 0:43:32 | |
-Dr Perkins. -Yes? -You may not remember me. I'm Nick Marshall. I came here ten years ago with my ex-wife Gigi. | 0:43:41 | 0:43:47 | |
-'Oh, not him.' -Oh, good. You remember me. | 0:43:47 | 0:43:50 | |
I'm sorry to barge in like this but I don't know who to turn to. I'm desperate. | 0:43:50 | 0:43:54 | |
I'm afraid to go to work. I'm afraid of my door woman. I'm afraid to get a cup of coffee. | 0:43:54 | 0:43:59 | |
Please slow down. Let me make sure I completely understand what it is you're saying. | 0:43:59 | 0:44:04 | |
All right. | 0:44:06 | 0:44:07 | |
I hear what women think. | 0:44:10 | 0:44:12 | |
Yeah. You know, Mr Marshall, this kind of imaginary displacement scenario... | 0:44:12 | 0:44:18 | |
-I'm not ima... -..Really isn't my thing. I do, however, have a good friend at University Hospital | 0:44:18 | 0:44:23 | |
whose specialises in men with male menopause and testosterone depletion. | 0:44:23 | 0:44:27 | |
She's fabulous. I think I'll just give her a ring and send you over there. | 0:44:27 | 0:44:33 | |
'Why did I answer my door? I was so into buying that lamp on eBay.' | 0:44:33 | 0:44:37 | |
-How much was it going for? -How much was what going for? -The lamp on eBay. | 0:44:38 | 0:44:42 | |
Oh. I see. That's good. Very clever. | 0:44:46 | 0:44:50 | |
-Dr Scolmouth, please. -All right, you don't believe me. Well, then, try another one. | 0:44:50 | 0:44:54 | |
-No, go on. Pick a number. Give it a whirl. Any number. -OK. A number between one and... | 0:44:54 | 0:44:58 | |
-A million. Why not? -One and a million? | 0:44:58 | 0:45:01 | |
All right. | 0:45:01 | 0:45:03 | |
Mm.. | 0:45:04 | 0:45:05 | |
644,998. | 0:45:05 | 0:45:07 | |
99. 90. | 0:45:07 | 0:45:09 | |
Wanna make a decision here? | 0:45:09 | 0:45:12 | |
-'Oy vey!' -Oh, you can say that again. | 0:45:12 | 0:45:15 | |
-I didn't say anything. -I know but that doesn't mean I didn't hear it. | 0:45:15 | 0:45:18 | |
OK. OK. | 0:45:18 | 0:45:20 | |
Let's say...say I do believe you. | 0:45:20 | 0:45:23 | |
That you, er, you can hear what women think. | 0:45:23 | 0:45:26 | |
Even though I'm a grown woman of... '51...' | 0:45:26 | 0:45:29 | |
..47. | 0:45:29 | 0:45:31 | |
Oh, my lips are sealed. | 0:45:31 | 0:45:33 | |
-Oh, forgive me. -It's all right. | 0:45:33 | 0:45:36 | |
But this is phenomenal. | 0:45:36 | 0:45:39 | |
-You can hear inside my head! -Yes. -Why would you wanna get rid of such a brilliant gift? | 0:45:39 | 0:45:43 | |
Well... | 0:45:43 | 0:45:44 | |
You might find this a little unorthodox but would you mind awfully if I smoked? | 0:45:44 | 0:45:48 | |
-No, no, no, I understand. -Thank you. Thank you so much. | 0:45:48 | 0:45:50 | |
You know, Freud died at age 83 still asking one question. | 0:45:53 | 0:45:57 | |
-What do women want? -Hm. -Wouldn't it be strange and wonderful | 0:45:57 | 0:46:01 | |
if you were the one man on Earth finally able to answer that question? | 0:46:01 | 0:46:05 | |
Listen to me, Nick. Something extraordinary and, I think, miraculous has happened to you. | 0:46:05 | 0:46:10 | |
My advice is, you must learn from this. | 0:46:10 | 0:46:13 | |
There isn't a woman that I treat that doesn't wish her man understood her better. | 0:46:13 | 0:46:18 | |
If men are from Mars and women are from Venus, then you speak Venutian. | 0:46:18 | 0:46:22 | |
The world can be yours. | 0:46:22 | 0:46:25 | |
I don't know how this happened to you or why | 0:46:25 | 0:46:29 | |
but you may just be the luckiest man on Earth. | 0:46:29 | 0:46:32 | |
Imagine the possibilities. | 0:46:32 | 0:46:35 | |
If you know what women want... | 0:46:35 | 0:46:37 | |
you can rule. | 0:46:37 | 0:46:39 | |
'Hubba-hubba. Here he comes, looking awfully good today. | 0:47:06 | 0:47:09 | |
'Oh, why did I tell him to stop asking me out? I'm an idiot! Idiot! IDIOT!' | 0:47:09 | 0:47:15 | |
Hey, Nick. How's it going? | 0:47:15 | 0:47:17 | |
Lola, my love. | 0:47:17 | 0:47:19 | |
-I can't take no for an answer. -About what? | 0:47:19 | 0:47:23 | |
About what? | 0:47:23 | 0:47:25 | |
-About us. -'Ooh, just don't hurt me, Nick. I've been hurt | 0:47:25 | 0:47:29 | |
'too many times.' | 0:47:29 | 0:47:31 | |
I know how hard it is to go out with someone new. I mean, there's always that fear of... | 0:47:32 | 0:47:38 | |
well...getting hurt. | 0:47:38 | 0:47:40 | |
-Well, at least, that's how I feel inside. -Do you really? -All the time. | 0:47:40 | 0:47:45 | |
-Me too, all the time. -So, let's just take it slow and see how it goes. | 0:47:45 | 0:47:49 | |
Slow is good. | 0:47:50 | 0:47:52 | |
-Slow is really good. -Yeah. | 0:47:52 | 0:47:54 | |
Are you free tonight? | 0:47:55 | 0:47:57 | |
-So, you never said you think I'm gay? -I never said that. -It doesn't mean you didn't think it. | 0:47:57 | 0:48:02 | |
-Is it the hair? The highlights are natural. -I have a meeting. -And you don't think I'm overpaid either? | 0:48:02 | 0:48:08 | |
-You know... Oh, God! I really don't think I ever said that. -Yeah, OK. | 0:48:08 | 0:48:12 | |
-'Who has he been talking to?' -Morning! -Morning. -Melvin, check your e-mail. I sent it over an hou... | 0:48:14 | 0:48:19 | |
Hi! How's the boyfriend in Israel? By the way, thank you for picking up that wine. I appreciate it so much. | 0:48:19 | 0:48:25 | |
Er, can I get you a cup of coffee? | 0:48:25 | 0:48:28 | |
-Or some water or any beverage? -No, but thank you. If I'm thirsty I know where the coffee room is. Hi. | 0:48:28 | 0:48:34 | |
'That's right, guys. Don't help. Just walk right past me. | 0:48:34 | 0:48:38 | |
-'Why don't you just step on my hands, you big...' -There you go. -Oh. -How you doing? | 0:48:38 | 0:48:43 | |
Oh, fine. | 0:48:43 | 0:48:45 | |
-Thank you, Mr Marshall. -You're welcome, erm...? | 0:48:45 | 0:48:48 | |
-Erin. -Erin. You be careful, all right, Erin? | 0:48:48 | 0:48:52 | |
Yeah, sure. | 0:48:52 | 0:48:54 | |
Heavy. | 0:48:55 | 0:48:57 | |
'Whaddya know? There is life on this planet.' | 0:48:58 | 0:49:01 | |
Breakfast Tuesday sounds great. Absolutely. Thanks for the info. Oh, and thanks for the champagne! | 0:49:07 | 0:49:13 | |
SHE LAUGHS | 0:49:13 | 0:49:15 | |
You too. OK, bye-bye. | 0:49:16 | 0:49:19 | |
'Set meeting. | 0:49:20 | 0:49:23 | |
'Nike women's division.' | 0:49:23 | 0:49:26 | |
-Hi! -Hi! Well, you've been here five minutes. It looks like you've been here a year. | 0:49:26 | 0:49:30 | |
Oh, yeah. I'm compulsive. It's a problem. | 0:49:30 | 0:49:33 | |
'Why do I always feel like he's checking me out? | 0:49:33 | 0:49:36 | |
-'Wonder what he's got up his sleeve?' -Great photographs. -'No clue. | 0:49:38 | 0:49:42 | |
-'They're all Margaret Bourke-White.' -Are they all Margaret Bourke-White? | 0:49:42 | 0:49:47 | |
Yeah, they are. | 0:49:47 | 0:49:48 | |
Wow. It's a beautiful collection. | 0:49:48 | 0:49:51 | |
-Thanks. So, how's it going? -You know, I was gonna ask you the same thing. | 0:49:51 | 0:49:56 | |
-It's starting slow. I'm evaluating some of the staff and that's always hard. -Oh, yeah. | 0:49:56 | 0:50:01 | |
Yeah, right. | 0:50:01 | 0:50:03 | |
Well, I don't wanna beat around the bush, so what I'd like to propose... | 0:50:11 | 0:50:15 | |
-'Mm, he's proposing so soon?' Ooh! -Oh, sorry! | 0:50:15 | 0:50:18 | |
-Sorry. Er, yes. -Excuse me. | 0:50:18 | 0:50:21 | |
-You got another one. -Thanks. -'Wow!' | 0:50:21 | 0:50:25 | |
As I was saying, | 0:50:27 | 0:50:28 | |
obviously I know nothing about the products you're going for, but I do believe I can sell anything | 0:50:28 | 0:50:33 | |
once I know what the buyer's needs are and what I'd really like, with your kind indulgence, | 0:50:33 | 0:50:38 | |
is to go after that really big fish, I mean, the one you really wanna net. I'll reel them in for us. | 0:50:38 | 0:50:45 | |
-'No, actually, I think I'll reel them in for us.' -Of course, unless | 0:50:45 | 0:50:49 | |
-you're going after something in particular. -No. But there are several big fish out there. | 0:50:49 | 0:50:54 | |
What's your biggest fish? I mean, to your mind, who's your whale? | 0:50:54 | 0:50:59 | |
Erm...Nike? Women's division? | 0:50:59 | 0:51:01 | |
You heard they were shopping? | 0:51:01 | 0:51:03 | |
-I got wind of it. -Oh. That's amazing. I heard no-one knew. -You knew. -I heard no-one else knew. | 0:51:03 | 0:51:09 | |
-Look, it's OK if I know what you know. We're on the same team. -Yeah. -Besides, | 0:51:09 | 0:51:14 | |
-I heard someone say once two heads are better than one. -Oh, you were listening. -More than you know. | 0:51:14 | 0:51:19 | |
OK, here's what I heard. Nike is shopping, quietly, but if they make a change it's gonna happen fast. | 0:51:19 | 0:51:26 | |
You know this is a tough one for us to get. | 0:51:26 | 0:51:30 | |
It'd be a tough one for anybody to get but if we got it that's all we'd need. | 0:51:30 | 0:51:33 | |
I hear you. | 0:51:33 | 0:51:35 | |
So, what do they want, exactly? | 0:51:35 | 0:51:38 | |
They wanna empower women. | 0:51:38 | 0:51:41 | |
-What? -What? I'm sorry. -That won't work. -No, OK. | 0:51:42 | 0:51:47 | |
-I'm sorry. I understand. Go on. -They wanna get inside women's heads and reach them on a very real level. | 0:51:47 | 0:51:53 | |
Don't be insulted but yesterday you got jumpy talking about a lipstick. | 0:51:53 | 0:51:57 | |
Nike is state-of-the-art hard-core woman power. Are you sure you wanna go after this one? | 0:51:57 | 0:52:02 | |
If you get them here in two weeks, I'll be ready. | 0:52:03 | 0:52:06 | |
-'Huh! This guy's kind of exciting.' -Hey! Glad I caught you both. You got a minute? -BOTH: Sure. | 0:52:06 | 0:52:11 | |
Look at these boards for US Air | 0:52:11 | 0:52:14 | |
-before they come by this afternoon. -Right. -It's just like something's missing from it. | 0:52:14 | 0:52:19 | |
'Mm. I don't like the graphics. It feels a bit parochial. | 0:52:19 | 0:52:22 | |
-'Maybe it should be in black and white.' -What do you think, Nick? | 0:52:22 | 0:52:26 | |
Well, I don't know who you've had working on these, Dan, but... | 0:52:26 | 0:52:29 | |
I don't know. It seems kind of... What's the word? ..parochial to me. What do you think? | 0:52:29 | 0:52:35 | |
I totally agree, especially about the graphics. | 0:52:35 | 0:52:38 | |
They're...parochial. It's so funny you just said that. | 0:52:38 | 0:52:41 | |
Yeah? Hm. You know, why don't you get them | 0:52:41 | 0:52:44 | |
to try it in black and white? It might punch it up a little. | 0:52:44 | 0:52:48 | |
What? Did you say something? | 0:52:48 | 0:52:51 | |
No. But I swear I was thinking the exact same thing. | 0:52:52 | 0:52:56 | |
Were you? | 0:52:56 | 0:52:58 | |
Black and white could really help. Good idea, Nick. | 0:52:59 | 0:53:02 | |
-'Good idea, Nick? Speak up! Quick, before he leaves.' -Dan? -Dan? -Yeah? -If you want me to take another look | 0:53:02 | 0:53:08 | |
-at the boards once they have another stab at it, give me a buzz. -I will. | 0:53:08 | 0:53:12 | |
-Er, Dan? -Yeah? | 0:53:12 | 0:53:14 | |
If they find Nick's idea too retro, which they might - they may hear "elegant" | 0:53:14 | 0:53:19 | |
and think it's old fashioned - ..I'd be ready with some... Maybe a dotcom thing? | 0:53:19 | 0:53:23 | |
Maybe something about getting on line and being on line at the airport? | 0:53:23 | 0:53:27 | |
-No, I think we're fine. Really, we're good. I like Nick's fix on this. -Great. | 0:53:27 | 0:53:32 | |
-Hey, you wanna come by later? I got a box of new Cubans just came in. -Great! -Cool. | 0:53:32 | 0:53:36 | |
You smoke cigars? | 0:53:36 | 0:53:39 | |
No. | 0:53:39 | 0:53:41 | |
-Your office is looking really snazzy. I love the red. -Thanks. -Me too. | 0:53:41 | 0:53:45 | |
-Mr Marshall, your daughter's on line one. -Oh! -Oh. -I'm sorry, I'll only be... -Here you go. | 0:53:45 | 0:53:51 | |
'There's a daughter? I didn't picture that. How old?' | 0:53:51 | 0:53:55 | |
-She's 15. She's staying with me while her mom's away. -'He's married?' -Away on her honeymoon. | 0:53:55 | 0:54:00 | |
-Oh. -Alex, hi! Uh-huh? Sure, honey. | 0:54:00 | 0:54:03 | |
"Honey"? Who are you trying to impress? I'm going out with my friends after school | 0:54:03 | 0:54:08 | |
-then can I bring them back to your place or will you freak out again? -No problem. Whatever you want. | 0:54:08 | 0:54:13 | |
-'What time will you be home?' -I don't know. I gotta go. | 0:54:13 | 0:54:17 | |
It's fine. | 0:54:17 | 0:54:19 | |
I love you too. Bye, sweetie. | 0:54:19 | 0:54:21 | |
-'Total shocker. He's, like, a nice guy.' -Sorry. Duty calls. | 0:54:22 | 0:54:26 | |
Of course. | 0:54:26 | 0:54:28 | |
-She's 15? -Yeah. Yeah. Got a boyfriend that's 18. -And you hate that, right? -Oh, hate it. | 0:54:28 | 0:54:34 | |
But she digs him and he's invited her to the prom and it's a big deal, I guess. | 0:54:34 | 0:54:38 | |
-Going to the prom is mostly about the dress. You know that, right? -Is it? -Oh, yeah. | 0:54:38 | 0:54:43 | |
Once you've got the dress handled, it's all downhill. | 0:54:43 | 0:54:46 | |
'This feels like a date. Why did I go into all that? He needs to go.' | 0:54:46 | 0:54:50 | |
-Well, I'm outta here. Do some research downtown, get inside women's heads. -If you need any help... | 0:54:50 | 0:54:56 | |
-Oh, I'll be picking your brain. -You got it. -I'll take it. | 0:54:56 | 0:54:59 | |
Oh, God! | 0:55:00 | 0:55:02 | |
It's candy! She won't last a month. | 0:55:02 | 0:55:05 | |
-I like that but it says you can't wear it if you have hips. -That one's cute. -But I can't wear low-cut. | 0:55:05 | 0:55:11 | |
-KNOCK AT DOOR Alex? -It's open. | 0:55:11 | 0:55:14 | |
'What? Say something.' | 0:55:16 | 0:55:19 | |
Er, hi! I'm Alex's dad, Nick. | 0:55:20 | 0:55:23 | |
-Hi. -Hi. | 0:55:23 | 0:55:25 | |
-'Deadbeat. -Mr No-food-in-the-house. | 0:55:25 | 0:55:28 | |
-'Forgot her birthday. -Why is he just standing there?' | 0:55:28 | 0:55:31 | |
Oh, I just wanted to let you know that I was home and, er, that I've got a sort of a date later on tonight | 0:55:31 | 0:55:37 | |
so I'm going out but I'll be home early. Why don't you order a pizza? There's not a scrap of food in. | 0:55:37 | 0:55:42 | |
I wanted to know if you and I could go out on a date soon. I'd like to take you shopping for a prom dress. | 0:55:42 | 0:55:49 | |
-'That is so sweet! -I wish my dad would do something like that! | 0:55:49 | 0:55:52 | |
'I love him!' | 0:55:52 | 0:55:54 | |
I don't get it. You throw Cameron out. Now you wanna take me shopping so I can go to the prom with him? | 0:55:54 | 0:56:00 | |
Well, I overreacted and I just wanna make up for it by taking you out shopping. | 0:56:00 | 0:56:04 | |
It's a pretty important thing. They say it's all downhill after the dress. | 0:56:04 | 0:56:09 | |
'He must be stoned. Fine. | 0:56:09 | 0:56:11 | |
'I'll get the most expensive dress, shoes, make-up. He can afford it.' | 0:56:11 | 0:56:15 | |
Ah...what the hell? Let's go crazy. | 0:56:15 | 0:56:18 | |
-While we're at we'll get you new make-up, shoes, the works. What do you say? -Fine. Whatever. | 0:56:18 | 0:56:24 | |
Whatever, meaning, yes, yes? | 0:56:24 | 0:56:26 | |
-Yes. -Great! Well, erm, nice to have met you two. I hope to see you again soon. | 0:56:26 | 0:56:32 | |
-Definitely. -Bye, Mr Marshall. -Bye. -Love the apartment. -Great view. | 0:56:32 | 0:56:35 | |
Thank you. Oh, OK. | 0:56:35 | 0:56:38 | |
I gotta tell you, | 0:56:49 | 0:56:51 | |
I'm not usually like this on a first date. | 0:56:51 | 0:56:54 | |
It's just, you've been so amazing all night and been so sensitive | 0:56:54 | 0:56:58 | |
and so understanding and... Hey... | 0:56:58 | 0:57:01 | |
-Wanna come up? -Oh, yeah. -'I can't believe I asked him up. Am I ready for him to come up? | 0:57:05 | 0:57:09 | |
'If I sleep with him he'll think I'm a slut and never call me again or call me all the time cos he'll think | 0:57:09 | 0:57:16 | |
'he can get it whenever he wants. Oh, what's the difference? He's so great. He reminds me of my sister.' | 0:57:16 | 0:57:22 | |
So, what do you think? | 0:57:22 | 0:57:24 | |
I'll only come up if you really want me to. I don't want you to do anything you're not ready for. | 0:57:24 | 0:57:30 | |
I can wait. | 0:57:30 | 0:57:32 | |
Oh! My heart! My heart is beating so hard! | 0:57:32 | 0:57:38 | |
'Who would have thought? | 0:57:38 | 0:57:40 | |
'Slow starter then turns out to be a genius in bed! | 0:57:40 | 0:57:43 | |
'Ladies and gentlemen, Nick Marshall is a sex god!' | 0:57:43 | 0:57:48 | |
Oh, yeah. | 0:57:48 | 0:57:51 | |
Mm. | 0:57:51 | 0:57:54 | |
MUSIC: Mack The Knife by Bobby Darin | 0:57:54 | 0:57:56 | |
# Oh, the shark, babe | 0:57:56 | 0:57:58 | |
# Has such teeth, dear | 0:57:58 | 0:58:01 | |
# And he shows them | 0:58:01 | 0:58:04 | |
# Pearly white | 0:58:04 | 0:58:05 | |
# Just a jackknife | 0:58:07 | 0:58:09 | |
# Has old MacHeath, babe... # | 0:58:09 | 0:58:11 | |
'Last night was so good.' | 0:58:11 | 0:58:13 | |
# Out of sight | 0:58:15 | 0:58:17 | |
# You know... # | 0:58:17 | 0:58:18 | |
'I'd love to live in Paris. I could learn French. | 0:58:18 | 0:58:22 | |
-'Think, think. What do I think? -All I really wanna do is...' | 0:58:22 | 0:58:25 | |
# Start to spread | 0:58:25 | 0:58:27 | |
# Fancy gloves, oh, wears old MacHeath, babe | 0:58:29 | 0:58:34 | |
# So there's never | 0:58:34 | 0:58:36 | |
# Never a trace of red | 0:58:36 | 0:58:38 | |
# Now on the sidewalk, uh-huh, uh-huh | 0:58:39 | 0:58:42 | |
# Ooh, sunny morning, uh-huh | 0:58:42 | 0:58:44 | |
# Lies a body | 0:58:45 | 0:58:48 | |
# Just oozin' life | 0:58:48 | 0:58:50 | |
# Eek! And someone's sneakin' | 0:58:50 | 0:58:54 | |
# Round the corner... # | 0:58:54 | 0:58:55 | |
'Living life. | 0:58:55 | 0:58:57 | |
'Life - keep on living it. | 0:58:57 | 0:59:00 | |
'Ooh, that's good.' | 0:59:00 | 0:59:02 | |
# There's a tugboat, huh, huh | 0:59:02 | 0:59:04 | |
# Down by the river, don't you know? | 0:59:04 | 0:59:07 | |
# Where a cement bag's just a-droopin' on down... # | 0:59:07 | 0:59:12 | |
'If I take this promotion... | 0:59:12 | 0:59:15 | |
'And Jeff wants to get married. I'll be 44 and I wanted kids...' | 0:59:15 | 0:59:18 | |
# Five'll get you ten old Macky's back in town... # | 0:59:18 | 0:59:24 | |
Ha! | 0:59:24 | 0:59:25 | |
# Said Jenny Diver | 0:59:25 | 0:59:27 | |
# Whoa, Sukey Tawdry | 0:59:27 | 0:59:29 | |
# Look out, Miss Lotte Lenya | 0:59:29 | 0:59:32 | |
# And old Lucy Brown... # | 0:59:32 | 0:59:35 | |
I know. Hold on one sec. | 0:59:35 | 0:59:37 | |
# On the right, babe | 0:59:39 | 0:59:41 | |
# Now that Macky's... # | 0:59:41 | 0:59:47 | |
No, it's great! | 0:59:48 | 0:59:50 | |
# Look out, old Macky is back. # | 0:59:51 | 0:59:53 | |
I heard that in a beauty shop this morning. But seriously, | 0:59:57 | 1:00:01 | |
Dee, that other thing we were talking about before? | 1:00:01 | 1:00:04 | |
Come on. He can't just ignore you all night, stay glued to the TV like some zombie | 1:00:05 | 1:00:10 | |
and then expect you to turn on like a light bulb. I mean, wouldn't put up with that. | 1:00:10 | 1:00:15 | |
I mean, you're either interesting or you're not. Ask him to decide. | 1:00:15 | 1:00:19 | |
Can I write that down? I'm either interesting or I'm not. | 1:00:19 | 1:00:24 | |
OK, I did it. I told Haim I wasn't moving to Israel. | 1:00:24 | 1:00:27 | |
-Yeah? Good? And? -I said what you said. He can be a writer anywhere. | 1:00:28 | 1:00:34 | |
-If I'm going to be in advertising, I need to be here and not there. -And then he said? | 1:00:34 | 1:00:38 | |
-I don't know. It was in Hebrew. But I don't think it was, "You got it. See you next Tuesday." -I don't know. | 1:00:38 | 1:00:43 | |
-I'd wait it out. He'll call you. -'I can't. I'd better call him back.' | 1:00:43 | 1:00:48 | |
Be strong. He will call you. | 1:00:48 | 1:00:50 | |
Well, girls, it's been nice chatting. I gotta get back to work. | 1:00:51 | 1:00:55 | |
-Wait! -Don't you want some coffee? -Want me to make you a sandwich? -Oh, no, I'm cool. | 1:00:55 | 1:01:00 | |
Really. | 1:01:00 | 1:01:02 | |
Er, but thank you anyway. This was fun. | 1:01:02 | 1:01:05 | |
ALL: Aw! | 1:01:07 | 1:01:09 | |
'This is good. | 1:01:09 | 1:01:12 | |
'More insightful than I would have thought. | 1:01:12 | 1:01:15 | |
-'This line doesn't feel exactly right.' -If you're thinking that that line isn't perfect, I agree. | 1:01:16 | 1:01:22 | |
There's something not exactly right about it, isn't there? | 1:01:22 | 1:01:25 | |
It's not bad. It's insightful, actually. It's just... | 1:01:25 | 1:01:29 | |
-Well, what do you think this woman's thinking? -Er, well... | 1:01:29 | 1:01:32 | |
Let's see. | 1:01:34 | 1:01:36 | |
Er, she's thinking about what she wants out of life. What's she gonna accomplish? | 1:01:36 | 1:01:41 | |
How's she gonna do all that? Women, you know, they think about that a lot. | 1:01:41 | 1:01:45 | |
Surprisingly, a lot. They worry all the time about everything. | 1:01:45 | 1:01:48 | |
You're so right. How do you know that? | 1:01:48 | 1:01:51 | |
Well, you know, even I had a mother. | 1:01:51 | 1:01:54 | |
Well, maybe running gives her time off from all of that. | 1:01:56 | 1:02:00 | |
Maybe it gives her something she can't get any place else. Look at her. | 1:02:00 | 1:02:04 | |
God! I wanna be her! | 1:02:04 | 1:02:06 | |
She looks so free, doesn't she? | 1:02:06 | 1:02:08 | |
No-one's judging her. No boss or guys to worry about, no games to figure her way through. | 1:02:08 | 1:02:13 | |
-I like that. No games. That's good. -It'd be nice and light, wouldn't it? | 1:02:13 | 1:02:18 | |
-OK, can I just think for one second? -Sure. Take your time. -OK. | 1:02:19 | 1:02:23 | |
OK. 'No games. | 1:02:24 | 1:02:26 | |
'How do I get that in? She's running. It's early. | 1:02:26 | 1:02:30 | |
'It's quiet. Just the sound of her feet on the asphalt. | 1:02:30 | 1:02:33 | |
'She likes to run alone. No pressure. No stress. This is the one place she can be herself. | 1:02:33 | 1:02:39 | |
'Look any way she wants, dress any way she wants, think any way she wants. No game playing. No rules. | 1:02:40 | 1:02:46 | |
'Games. Sports. Rules. Games. Sports. Rules. Playing by the rules. Playing games versus playing... | 1:02:46 | 1:02:52 | |
'Playing by the rules. Playing games versus playing...' | 1:02:52 | 1:02:56 | |
-Why are you nodding? -Because I think you're on to something. | 1:02:56 | 1:02:59 | |
-Am I? -Aren't you? -Well, I was thinking about a play on words. | 1:02:59 | 1:03:03 | |
Erm, something about games versus... | 1:03:03 | 1:03:06 | |
-Then it goes on to something good. Er, playing games versus playing... -Sports? -Yes! Do you like any of it? | 1:03:07 | 1:03:14 | |
-A lot! I like the idea that you can be yourself on the road. -I do too! Did I say that out loud? | 1:03:14 | 1:03:20 | |
-N-no, I was j... -Cos I was circling around the exact same thing. Which is great that we're on the same... | 1:03:20 | 1:03:26 | |
Sorry, I'm not thinking straight. My glands may be swollen. | 1:03:26 | 1:03:30 | |
-Maybe they should be more swollen. You're doing great. Nike. No games. -Just sports. | 1:03:30 | 1:03:35 | |
All right, we should write that down! | 1:03:35 | 1:03:38 | |
All right. | 1:03:38 | 1:03:40 | |
'Did he come up with that or did I? | 1:03:40 | 1:03:43 | |
'All right, can I be...' | 1:03:44 | 1:03:46 | |
What? | 1:03:48 | 1:03:50 | |
Er...well, can I be honest with you? | 1:03:50 | 1:03:53 | |
Please do. | 1:03:53 | 1:03:56 | |
Before I came here I heard you were a tough chauvinistic... | 1:03:56 | 1:03:59 | |
-I didn't know you were gonna be that honest. -I'm sorry. -No, that's OK. -Sorry. | 1:03:59 | 1:04:04 | |
-You must have looked so forward to meeting me. -Dreaded it. I had a whole other person built up in my mind. | 1:04:04 | 1:04:10 | |
Since we're sharing, I heard a few things about you too. | 1:04:10 | 1:04:14 | |
-Oh, yes, I'm sure. I'm the man-eating Darth Vader of the ad world. -Verbatim. | 1:04:14 | 1:04:19 | |
Really?! All right. Well, nice to meet ya. | 1:04:19 | 1:04:23 | |
'That's not who I am at all.' | 1:04:23 | 1:04:25 | |
Just for the record, I don't think that's who you are. | 1:04:26 | 1:04:29 | |
Thank you. I appreciate that. | 1:04:31 | 1:04:34 | |
See? No games equals embarrassing moment. | 1:04:37 | 1:04:40 | |
-'Don't fall for a guy at work. Don't fall for a guy at work. Don't fall for a guy at work.' -Why? | 1:04:40 | 1:04:45 | |
Why what? | 1:04:47 | 1:04:48 | |
W-why don't I just work on these storyboards and then bring them round to you tomorrow, | 1:04:48 | 1:04:52 | |
-if you're free? -I'm free. Call me any time. | 1:04:52 | 1:04:55 | |
'I'm flirting! What's wrong with me?' | 1:04:55 | 1:04:58 | |
# I've got you | 1:05:45 | 1:05:49 | |
# Under my skin | 1:05:49 | 1:05:51 | |
# I've got you | 1:05:53 | 1:05:56 | |
# Deep in the heart of me | 1:05:56 | 1:06:00 | |
# So deep in my heart... # | 1:06:00 | 1:06:02 | |
Are you laughing at me? | 1:06:02 | 1:06:05 | |
-Yeah. -Oh, good. I didn't think anyone else was still here. -I didn't know anyone was still here. | 1:06:05 | 1:06:11 | |
-What time is it? -It's after ten. | 1:06:11 | 1:06:14 | |
I didn't realise it was so late. 'I feel so alone.' | 1:06:14 | 1:06:17 | |
Erm, I didn't catch that. Sorry? | 1:06:17 | 1:06:20 | |
I said I didn't realise how late it was. 'And I'm glad you're here. I'm stuck and I feel so alone.' | 1:06:20 | 1:06:25 | |
-Want me to give you a hand? -No, thanks, I'm OK. -Yeah, I'm not buying. What's going on? | 1:06:25 | 1:06:31 | |
I have an early meeting with Dan. I wanted to make it later in the week so I'd be more prepared | 1:06:31 | 1:06:36 | |
but then I heard you slipped in and took the only time he had left which left me with 8.15 tomorrow morning. | 1:06:36 | 1:06:42 | |
-It's fine. I'm just not as ready as I wish I was. -Sorry. | 1:06:42 | 1:06:46 | |
Oh, listen. You didn't do it on purpose. I just don't want him to be disappointed. | 1:06:46 | 1:06:52 | |
-Hey, why don't we go through some of these together? -Really? | 1:06:52 | 1:06:56 | |
-I insist. Unless you're too tired or something. -No, no. | 1:06:56 | 1:06:59 | |
-I'm not tired. -Yeah, well, hey, I can see that. | 1:06:59 | 1:07:02 | |
Oh! | 1:07:02 | 1:07:05 | |
It's just so far beyond tired at this point. | 1:07:05 | 1:07:08 | |
-I've basically stopped sleeping ever since I took this job. -You have? | 1:07:08 | 1:07:12 | |
-Yeah, it's weird. I, erm... 'How do I say this?' -You don't feel quite like yourself here, do you? | 1:07:12 | 1:07:17 | |
No, I don't. Not yet, anyway. | 1:07:17 | 1:07:21 | |
Boy. | 1:07:22 | 1:07:24 | |
Plus I'm mad that I'm getting sick. I never get sick. | 1:07:24 | 1:07:27 | |
-You don't have to sit so close to me if you don't want to. -No, come here. I'll brave it. | 1:07:27 | 1:07:32 | |
-So, where do we kick off? Control-top pantyhose. What do you say? -OK. | 1:07:32 | 1:07:36 | |
Personally, I think they do the trick. | 1:07:36 | 1:07:39 | |
You've worn control-top pantyhose? | 1:07:39 | 1:07:42 | |
-Did you put a pair in the pink box? -Seriously? -Oh, yeah. | 1:07:43 | 1:07:47 | |
-You are full of surprises! -Yeah. | 1:07:48 | 1:07:51 | |
No, no, I mean that as a compliment. I love that. And how did you look in them? | 1:07:51 | 1:07:55 | |
Ooh, hot. | 1:07:55 | 1:07:57 | |
My daughter and her boyfriend walked in and I'd got them on. | 1:07:59 | 1:08:02 | |
And they said what when they saw you in pantyhose? | 1:08:02 | 1:08:06 | |
I think it was the turquoise Wonderbra they noticed first. | 1:08:06 | 1:08:10 | |
And, of course, the nail polish on fingers and toes... | 1:08:10 | 1:08:13 | |
# But each time I do just the thought of you | 1:08:17 | 1:08:21 | |
# Makes me stop just before I begin | 1:08:21 | 1:08:24 | |
# Cos I've got you | 1:08:24 | 1:08:28 | |
# Under my skin. # | 1:08:28 | 1:08:30 | |
-The dress you picked out is totally hideous. I'm not coming out. -It can't be that bad. Come on out. | 1:08:33 | 1:08:38 | |
-I look like a nun. And an ugly nun. -Why? Because it's grey? Grey is the new black. | 1:08:38 | 1:08:44 | |
# Do you play with the girls, play with the boys? | 1:08:44 | 1:08:47 | |
# Do you ever get lonely... # | 1:08:47 | 1:08:48 | |
-If he says he likes it, I'll die. -OK. Next. | 1:08:48 | 1:08:52 | |
This, I love. | 1:08:52 | 1:08:54 | |
Thank you. Next. | 1:08:56 | 1:08:59 | |
# What a girl wants, what a girl needs, yeah, come on | 1:08:59 | 1:09:03 | |
# Ooh, ooh, ooh, ooh | 1:09:03 | 1:09:06 | |
# Hey, yeah | 1:09:06 | 1:09:08 | |
# I wanna thank you for giving me time to breathe | 1:09:08 | 1:09:13 | |
# Like a rock you waited so patiently | 1:09:13 | 1:09:16 | |
# While I got it together | 1:09:16 | 1:09:18 | |
-# Oh, while I figured it out -# Yeah | 1:09:18 | 1:09:22 | |
# I only looked but I never touched | 1:09:22 | 1:09:26 | |
# Cos in my heart was a picture of us | 1:09:26 | 1:09:29 | |
# Holding hands, making plans | 1:09:29 | 1:09:32 | |
# And it's lucky for me you understand | 1:09:32 | 1:09:34 | |
# What a girl wants, what a girl needs | 1:09:34 | 1:09:38 | |
# Whatever makes me happy sets you free | 1:09:38 | 1:09:41 | |
# And I'm thanking you for knowing exactly | 1:09:41 | 1:09:45 | |
# What a girl wants, what a girl needs | 1:09:45 | 1:09:48 | |
# Whatever keeps me in your arms | 1:09:48 | 1:09:51 | |
# And I'm thanking you for giving it to me | 1:09:51 | 1:09:55 | |
# What I want is what you got and what you got is what I want | 1:09:55 | 1:10:00 | |
# There was a time I was blind I was so confused | 1:10:01 | 1:10:05 | |
# Run away just to hide it all from you | 1:10:05 | 1:10:07 | |
# It's for keeps, yeah, it's for sure | 1:10:07 | 1:10:11 | |
# And you're ready and willing to give me more | 1:10:11 | 1:10:13 | |
# Than what a girl wants | 1:10:13 | 1:10:15 | |
# What a girl needs | 1:10:15 | 1:10:16 | |
# Whatever makes me happy sets you free... # | 1:10:16 | 1:10:20 | |
-I think this is the one. -I like that. No, I love that. | 1:10:20 | 1:10:24 | |
'OK. This is it. Let me take a look. | 1:10:24 | 1:10:27 | |
'Yes! I look older. This is great. | 1:10:28 | 1:10:31 | |
'Oh, God. I need boobs. | 1:10:31 | 1:10:34 | |
'I'll buy a padded bra later. Oh! I can't believe this is what I'll be wearing the last night I'm a virgin! | 1:10:34 | 1:10:40 | |
'Or should I say, what I'll be taking off.' | 1:10:40 | 1:10:43 | |
Argh! | 1:10:43 | 1:10:44 | |
-Alex? -Mm? | 1:10:44 | 1:10:46 | |
I wanna talk to you about something that's pretty important. | 1:10:46 | 1:10:50 | |
I've never talked to you about this before. | 1:10:50 | 1:10:53 | |
'Oh, God, he's actually gonna try to be a dad. This should be hilarious.' | 1:10:53 | 1:10:57 | |
-I realise I haven't been the perfect dad. -'Understatement of the century.' Pass the bread? | 1:10:57 | 1:11:02 | |
Sure. But that does not mean I don't have the right | 1:11:02 | 1:11:05 | |
to talk to you about...about... | 1:11:05 | 1:11:08 | |
-HE CLEARS THROAT -About? -All right. | 1:11:09 | 1:11:13 | |
You're a young woman now and you may be...flirting with the idea of... of...of... | 1:11:13 | 1:11:18 | |
Having sex? Oh, can I get a lemonade, please? | 1:11:18 | 1:11:22 | |
You know, boys and girls think very differently about sex | 1:11:23 | 1:11:26 | |
and my hunch is that girls, they just want guys to like them and hang out with them whereas guys, | 1:11:26 | 1:11:32 | |
and not all guys, all right, but most guys...they pretty much just wanna have sex. | 1:11:32 | 1:11:37 | |
OK. | 1:11:37 | 1:11:39 | |
What I'm trying to say here is... I don't want you to feel pressured just because | 1:11:39 | 1:11:44 | |
-your boyfriend's older than you. -Please, save it. Mom had this talk with me | 1:11:44 | 1:11:48 | |
when I was 11. I know you should have sex when you're in love and you want it special. I know everything. | 1:11:48 | 1:11:55 | |
Mom knows me for real and knows my friends and Cameron so let's leave the parental talks up to her, OK? | 1:11:55 | 1:12:00 | |
-'Plus I promised Cameron I'd do it prom night.' -Jeez! | 1:12:00 | 1:12:03 | |
And don't make me part of this Nick make-over or whatever this new thing is, OK? | 1:12:03 | 1:12:08 | |
-What new thing? -This ridiculous new guy you're trying to be. Clowning around with me | 1:12:08 | 1:12:13 | |
all of a sudden? Asking if we can make a salad together? | 1:12:13 | 1:12:17 | |
And watch Friends together? I mean, it's nuts after 15 years of no relating. | 1:12:17 | 1:12:22 | |
I mean, come on. Who are you to talk about relationships anyway? | 1:12:22 | 1:12:26 | |
'You've never had a real relationship with anyone in your entire life.' | 1:12:26 | 1:12:29 | |
Look, I'm supposed to meet my friends so I'm gonna go, OK? | 1:12:29 | 1:12:34 | |
-Sure. -Thanks for the dress. | 1:12:35 | 1:12:38 | |
-'She didn't even finish her lunch. -Johnny-come-lately giving her advice? | 1:12:41 | 1:12:45 | |
-'I think the talk worked. -She's totally right. -Move on, dude. It's over.' | 1:12:45 | 1:12:49 | |
Oh, please. | 1:12:49 | 1:12:51 | |
Now you've seen how the cake is assembled, the next time you admire a wedding cake you'll be able | 1:12:54 | 1:13:00 | |
-to appreciate its hidden architecture... -Wow. That looks so gorgeous. | 1:13:00 | 1:13:04 | |
Fit, vibrant hair. | 1:13:06 | 1:13:08 | |
-Ugh. -I always hated being overweight. I wanted to be thin and pretty and wear cute little clothes. | 1:13:08 | 1:13:14 | |
It builds and my health deteriorated and I couldn't walk and I couldn't stand up | 1:13:14 | 1:13:19 | |
at the park for ten minutes while my kids played. | 1:13:19 | 1:13:22 | |
I tried sitting on the swings and the chains cut into my hips and it hurt and I couldn't run or move | 1:13:22 | 1:13:28 | |
and I was tired and I wanted to be a good mom... | 1:13:28 | 1:13:31 | |
What the hell's wrong with me? PHONE RINGS | 1:13:33 | 1:13:36 | |
-Hello? -'Oh, what am I doing?' | 1:13:39 | 1:13:41 | |
-Darcy? -How did you know it was me? I didn't say anything. | 1:13:41 | 1:13:45 | |
-I, er, just sensed it. -'I'm such an idiot! I didn't think he'd be there.' -Excuse me? | 1:13:46 | 1:13:52 | |
I didn't mean to really call you. | 1:13:52 | 1:13:54 | |
I had your number here and I was thinking of you. Thinking of calling you. | 1:13:54 | 1:14:00 | |
-Obviously I did call you. -Oh, no, that's all right. I, erm... | 1:14:01 | 1:14:05 | |
I was thinking about you too. | 1:14:05 | 1:14:08 | |
SOFT JAZZ MUSIC PLAYS | 1:14:16 | 1:14:19 | |
# I could show the world how to smile... # | 1:14:20 | 1:14:25 | |
Here's to another great idea. | 1:14:27 | 1:14:29 | |
-You mean us meeting for a drink? -Yes, that's exactly what I wanted to say. | 1:14:29 | 1:14:34 | |
Sometimes I think you're a bit of a mind-reader. | 1:14:34 | 1:14:37 | |
-But I don't have to be a mind-reader with you cos you always say what you think. -I know. It's a curse. | 1:14:37 | 1:14:43 | |
Are you kidding? It's an enormous relief. Do you know how rare that is, to actually say what you think? | 1:14:43 | 1:14:50 | |
Do you know how rare that is for someone to actually like that about me? Trust me, this has not been | 1:14:50 | 1:14:55 | |
a great thing in my life. My ex-husband didn't love me, just put it that way. | 1:14:55 | 1:15:00 | |
He didn't love you? | 1:15:00 | 1:15:03 | |
Did I just say that? | 1:15:03 | 1:15:05 | |
Oh, God! | 1:15:05 | 1:15:07 | |
Erm, no, just it. He didn't love it, | 1:15:07 | 1:15:10 | |
when I spoke my mind. | 1:15:10 | 1:15:13 | |
Actually, I'm not sure he ever did really love me. | 1:15:14 | 1:15:18 | |
Yes! There's a conversation starter. | 1:15:18 | 1:15:21 | |
God! A smart person would just get so very drunk now. | 1:15:21 | 1:15:24 | |
How long were you married? | 1:15:25 | 1:15:27 | |
A little less than a year. I've been divorced about nine months now. We worked together. You know that? | 1:15:27 | 1:15:33 | |
Yeah, I knew that. I heard. | 1:15:33 | 1:15:35 | |
What was that like? | 1:15:35 | 1:15:38 | |
It was...great in the beginning. | 1:15:38 | 1:15:41 | |
Then it changed. It became competitive. | 1:15:41 | 1:15:44 | |
Suddenly the better I did the worse we did. | 1:15:44 | 1:15:47 | |
The price I pay for being me. I know that now. No, truly. | 1:15:48 | 1:15:52 | |
-Well... -No, no, it's true. | 1:15:52 | 1:15:55 | |
-Do you wanna know all this about me? -Keep going. | 1:15:57 | 1:16:00 | |
Well, that's why I needed to get out there on my own, scary as it was. | 1:16:03 | 1:16:07 | |
I mean, not scary but, erm... | 1:16:08 | 1:16:11 | |
-Well, yeah. I was kinda scared. -Why? | 1:16:12 | 1:16:16 | |
I don't know. I guess I wasn't sure I could do the job. I mean, I thought I could but I'm finding | 1:16:16 | 1:16:22 | |
Sloane Curtis a much tougher place to navigate than I thought. | 1:16:22 | 1:16:26 | |
-I'm sorry. This is insensitive of me. -No! -I know you were up for my job. I'm sorry that I'm the one | 1:16:27 | 1:16:33 | |
-that got it. -I'm not. I'm not. I'm not! | 1:16:33 | 1:16:36 | |
-I've learned a lot from you. -Like what? | 1:16:36 | 1:16:40 | |
-For starters, you really love what you do. -You really love what you do. -Not as much as you do. | 1:16:40 | 1:16:45 | |
-It just comes out, like... -How can you say that? You're so great at it. You're so great at it! | 1:16:45 | 1:16:50 | |
I think Dan's wondering why he hired me. Really. I think the bloom is definitely off the rose. | 1:16:50 | 1:16:56 | |
-You wanna hear something really great? -Yeah. | 1:16:58 | 1:17:01 | |
I just closed escrow on my first apartment, ever. Finally I own my own place. | 1:17:01 | 1:17:07 | |
-What? Now I wish I was a mind-reader. -No. | 1:17:09 | 1:17:13 | |
I was just thinking... | 1:17:13 | 1:17:16 | |
..how men like me can get so screwed up. | 1:17:18 | 1:17:21 | |
I don't think there are men like you. | 1:17:23 | 1:17:25 | |
If we kissed would it ruin everything? | 1:17:26 | 1:17:29 | |
Listen to me. | 1:17:32 | 1:17:34 | |
I think... | 1:17:35 | 1:17:37 | |
you're one of the great women. I really do. | 1:17:37 | 1:17:40 | |
I'm sorry. | 1:17:49 | 1:17:51 | |
I just meant to say thank you. | 1:17:52 | 1:17:55 | |
I'm so sorry. | 1:17:55 | 1:17:57 | |
# There's nothing I couldn't do | 1:18:02 | 1:18:09 | |
# If I had | 1:18:10 | 1:18:16 | |
# You! # | 1:18:16 | 1:18:21 | |
-Well, I, er, I guess I'll see ya. -Hm. | 1:18:28 | 1:18:31 | |
In three and a half hours. | 1:18:33 | 1:18:35 | |
Nick, may I just say...you are an exceptionally great kisser. | 1:18:37 | 1:18:42 | |
No, I mean really, really great. | 1:18:44 | 1:18:46 | |
Well, I haven't had this much fun making out since the f... | 1:18:46 | 1:18:50 | |
I've never had this much fun making out. | 1:18:52 | 1:18:55 | |
Me neither. | 1:18:55 | 1:18:58 | |
Let's not let this get weird at work. We have nothing to be embarrassed about. | 1:18:58 | 1:19:02 | |
We made out. | 1:19:02 | 1:19:04 | |
You and I made out. | 1:19:04 | 1:19:07 | |
-But if I may, it was... -Sexy as hell. | 1:19:08 | 1:19:12 | |
-God, that's just what I was about to say. -But I think I said it first. I think. | 1:19:13 | 1:19:18 | |
-No, you did. -Oh. | 1:19:18 | 1:19:21 | |
-Erm, well, all right, then. -Mm. | 1:19:22 | 1:19:24 | |
'Oh, I'm a grown woman. Just say it. | 1:19:31 | 1:19:34 | |
'Do you want to come back to my place? | 1:19:34 | 1:19:37 | |
-'Say it. Do you want to come...' -Goodnight, Darcy. | 1:19:37 | 1:19:41 | |
Goodnight. | 1:19:41 | 1:19:44 | |
Goodnight. | 1:19:59 | 1:20:02 | |
What am I doing? | 1:20:13 | 1:20:16 | |
Lola. | 1:20:27 | 1:20:29 | |
'OK. Here he comes. | 1:20:31 | 1:20:34 | |
'OK.' | 1:20:34 | 1:20:36 | |
Lola? | 1:20:36 | 1:20:38 | |
-I know why I haven't heard from you. -Lola, how long have you been out here? | 1:20:38 | 1:20:42 | |
Erm, just a few, erm...hours. Nick, you said that you wouldn't hurt me and then you slept with me | 1:20:42 | 1:20:48 | |
and then you didn't call me for six days so that, in the world of me, that's torture. | 1:20:48 | 1:20:53 | |
I mean, we have this totally unbelievable life-altering sex and then you just disappear. | 1:20:53 | 1:20:59 | |
I mean, you stopped drinking coffee. | 1:20:59 | 1:21:02 | |
Lola, I'm so sorry. | 1:21:02 | 1:21:04 | |
It's OK. It's OK because I've figured out your little secret. | 1:21:04 | 1:21:09 | |
-You did? -It's so obvious. How else would you know the things that you know? | 1:21:09 | 1:21:14 | |
-It wasn't so obvious to anybody else. -Nick, come on. | 1:21:14 | 1:21:17 | |
You're so sensitive, you're so aware of my feelings, you're so tuned in, you... | 1:21:17 | 1:21:22 | |
You talk to me like a woman, you think like a woman. Nick! Come on! | 1:21:23 | 1:21:27 | |
Admit it! You're totally and completely gay! | 1:21:27 | 1:21:29 | |
I am? | 1:21:29 | 1:21:32 | |
You're not? Oh! I mean, if you're not you gotta tell me. You gotta tell me | 1:21:32 | 1:21:36 | |
because based on the other night, just put me out of my misery. Are you or aren't you? | 1:21:36 | 1:21:41 | |
'Say you're gay. Then I'm not nuts, not undesirable, not rejected by another guy. | 1:21:41 | 1:21:45 | |
-'Just say it. Say you're gay. Admit it!' -OK! | 1:21:45 | 1:21:49 | |
I'm gay. | 1:21:56 | 1:21:58 | |
How gay? | 1:22:00 | 1:22:02 | |
Oh, I'm as gay as it gets. | 1:22:02 | 1:22:05 | |
You're gonna make some guy | 1:22:08 | 1:22:11 | |
-very happy some day. -Oh! From your lips. | 1:22:11 | 1:22:15 | |
God, I hate that I'm crying. | 1:22:16 | 1:22:18 | |
Well, look, I... | 1:22:18 | 1:22:20 | |
-If things should ever change in that department... -You'll be the first to know. -You promise? | 1:22:21 | 1:22:27 | |
Oh, yeah, I promise. Come here. | 1:22:27 | 1:22:30 | |
Oh, you liar. | 1:22:45 | 1:22:47 | |
-It was very nice to meeting you, Nick. -And you. | 1:22:50 | 1:22:53 | |
-Thanks for peep talk, yes? -You two just take care of each other. | 1:22:53 | 1:22:57 | |
-And thanks for the yarmulke. -No problem. You wear it well, yes? | 1:22:57 | 1:23:01 | |
Happy trails, kids. | 1:23:01 | 1:23:03 | |
Darcy! | 1:23:03 | 1:23:05 | |
-I need to talk to you. -'Uh-oh. Look at him. | 1:23:07 | 1:23:11 | |
'I knew it. He is weird about it.' | 1:23:11 | 1:23:13 | |
This is not about last night. It's about the Nike meeting | 1:23:13 | 1:23:17 | |
and I honestly believe in my gut that you should make the pitch to them. | 1:23:17 | 1:23:21 | |
-I guilted you into this last night, didn't I? -No, I just think it would be better if you did it. -No, no, no. | 1:23:21 | 1:23:27 | |
This is your baby. You gotta do it. I gotta go meet and greet these folks. | 1:23:27 | 1:23:31 | |
-It's not my baby. -Yes, it is. | 1:23:31 | 1:23:34 | |
'I predict no-one will even know I'm gone until the files start to build. | 1:23:39 | 1:23:43 | |
'It could be days. | 1:23:43 | 1:23:45 | |
'And then someone will finally ask, "Where's the geek in the glasses who carries all the files?"' | 1:23:45 | 1:23:51 | |
-Do either of you two know the story on Erin? -The Miss Lonely Hearts? -Yeah. -Who knows? | 1:23:56 | 1:24:02 | |
I know. She's been here two years. She tried to be a copywriter but got turned down | 1:24:02 | 1:24:06 | |
-so she got stuck as a messenger. -What fool turned her down? -You did, sire. | 1:24:06 | 1:24:10 | |
-Well...did I ever meet with her, at least? -I don't think so. As I recall you told me to blow her off. | 1:24:12 | 1:24:18 | |
Well, I wanna meet with her now. She's got something. She's kinda funny. | 1:24:18 | 1:24:22 | |
It's your lucky day, pal. I just saw the Nike group get off the elevator - all women, your speciality. | 1:24:22 | 1:24:28 | |
-I hate what I'm doing to Darcy. I'll write her a letter and confess. -You're doing Darcy? | 1:24:28 | 1:24:33 | |
-No, I said I hate what I'm doing TO Darcy. Men are stupider. It's true. -Will you stop it? -They are! -They? | 1:24:33 | 1:24:39 | |
-Are you officially a woman now? -I wish. A woman wouldn't have screwed | 1:24:39 | 1:24:42 | |
over the woman she loved. They don't think that way. | 1:24:42 | 1:24:45 | |
-Are you ready? -Yeah. -OK. -Thanks. | 1:24:45 | 1:24:48 | |
You don't stand in front of a mirror before a run | 1:24:51 | 1:24:54 | |
and wonder what the road will think of your outfit. | 1:24:54 | 1:24:57 | |
You don't have to listen to its jokes and pretend they're funny in order to run on it. It would not be | 1:24:57 | 1:25:02 | |
easier to run if you dressed sexier. | 1:25:02 | 1:25:05 | |
The road doesn't notice if you're not wearing lipstick. It does not care how old you are. | 1:25:05 | 1:25:10 | |
You do not feel uncomfortable because you make more money than a road. | 1:25:10 | 1:25:14 | |
And you can call on the road whenever you feel like it | 1:25:14 | 1:25:18 | |
whether it's been a day or even a couple of hours since your last date. | 1:25:18 | 1:25:23 | |
The only thing the road cares about | 1:25:25 | 1:25:27 | |
is that you pay it a visit once in a while. | 1:25:27 | 1:25:30 | |
Nike. | 1:25:30 | 1:25:32 | |
No games. Just sports. | 1:25:32 | 1:25:35 | |
SHE MIMES | 1:25:37 | 1:25:38 | |
-'He nailed it. -They hit a home run. | 1:25:38 | 1:25:41 | |
'Where do we sign?' | 1:25:41 | 1:25:44 | |
# So deep in my heart | 1:25:45 | 1:25:49 | |
# That you're really a part of me | 1:25:49 | 1:25:54 | |
# I've got you | 1:25:54 | 1:25:56 | |
# Under my skin | 1:25:56 | 1:26:00 | |
-SINGS: -# I tried so not to give in | 1:26:01 | 1:26:06 | |
# I said to myself, this affair never will go so well | 1:26:08 | 1:26:14 | |
# But why should I try to resist | 1:26:15 | 1:26:18 | |
# When, baby, I know so well? | 1:26:18 | 1:26:22 | |
# I've got you | 1:26:22 | 1:26:25 | |
# Under my skin. # | 1:26:25 | 1:26:29 | |
Why are you not the happiest guy in Chicago? You just did so great. | 1:26:29 | 1:26:32 | |
No, no, I didn't do so great. | 1:26:32 | 1:26:35 | |
We did so... No, actually... you did so great. | 1:26:35 | 1:26:39 | |
-You. -You. Me. We did great! | 1:26:39 | 1:26:42 | |
-Will you come with me? I wanna show you something. -No, I have something I need to finish. -Please? | 1:26:43 | 1:26:49 | |
Please. | 1:26:51 | 1:26:52 | |
SHE LAUGHS | 1:27:01 | 1:27:03 | |
OK. There you go. | 1:27:03 | 1:27:06 | |
-Follow me. -All right. Shall I close my eyes or anything? -No. | 1:27:08 | 1:27:12 | |
So you see those top two floors right there? | 1:27:13 | 1:27:16 | |
I do. | 1:27:16 | 1:27:18 | |
All mine. | 1:27:19 | 1:27:21 | |
-Wow! -I know. | 1:27:21 | 1:27:23 | |
Come here. | 1:27:23 | 1:27:25 | |
So, this is my... | 1:27:28 | 1:27:31 | |
..living room. | 1:27:44 | 1:27:46 | |
It's beautiful. | 1:27:46 | 1:27:48 | |
What are you thinking? | 1:28:15 | 1:28:17 | |
You've got that look you have sometimes. | 1:28:18 | 1:28:21 | |
Yeah? No, I was just wondering when you get to move in. | 1:28:21 | 1:28:26 | |
Well, they said two weeks, so... | 1:28:26 | 1:28:28 | |
OK. This is the dining room. | 1:28:28 | 1:28:31 | |
-The fireplace works. -Wow! | 1:28:34 | 1:28:36 | |
-Come here. -I can see elegant parties in here. Waiters with caviar. You in a beautiful gown. | 1:28:36 | 1:28:42 | |
-You can see all that? -Well, maybe you're naked and I'm the only guest | 1:28:42 | 1:28:46 | |
-but it'd still be elegant. -OK, so, this is upstairs. | 1:28:46 | 1:28:49 | |
This is the second bedroom or future office or whatever. | 1:28:49 | 1:28:52 | |
And this... | 1:28:54 | 1:28:56 | |
is my boudoir. | 1:28:56 | 1:28:58 | |
MUSIC: Night And Day by The Temptations | 1:28:58 | 1:29:00 | |
Your boudoir comes with pretty decent music. | 1:29:00 | 1:29:03 | |
It does. Where's that coming from? | 1:29:03 | 1:29:06 | |
# No matter, darling, where you are | 1:29:06 | 1:29:11 | |
# I think of you... # | 1:29:11 | 1:29:14 | |
Let's turn up the volume. | 1:29:15 | 1:29:18 | |
# Day and night... # | 1:29:21 | 1:29:23 | |
So, where's your bed going? | 1:29:23 | 1:29:26 | |
Er... | 1:29:26 | 1:29:28 | |
right here. | 1:29:28 | 1:29:30 | |
# That this longing for you | 1:29:32 | 1:29:34 | |
# Follows wherever I go | 1:29:34 | 1:29:39 | |
# In the roaring traffic's boom | 1:29:42 | 1:29:46 | |
# In the silence... # | 1:29:46 | 1:29:48 | |
So if you had a bed, | 1:29:48 | 1:29:51 | |
we'd be dancing on it. | 1:29:51 | 1:29:53 | |
# Night and day | 1:29:56 | 1:29:59 | |
# Night and day... # | 1:30:02 | 1:30:04 | |
I like it here. | 1:30:04 | 1:30:06 | |
I like it here too. | 1:30:06 | 1:30:09 | |
No. | 1:30:09 | 1:30:11 | |
I mean, I like it here. | 1:30:11 | 1:30:13 | |
Ohh. | 1:30:14 | 1:30:16 | |
# Burning inside of me | 1:30:16 | 1:30:19 | |
# And its torment won't be through | 1:30:23 | 1:30:27 | |
# Till you let me spend my life making love to you | 1:30:27 | 1:30:34 | |
# Day and night | 1:30:34 | 1:30:36 | |
# Night and day. # | 1:30:38 | 1:30:44 | |
THUNDER RUMBLES | 1:30:44 | 1:30:46 | |
Believe me, we're as excited as you are. | 1:30:47 | 1:30:51 | |
-Dan? -Yeah? -I gotta talk to you. -OK. Bye. | 1:30:51 | 1:30:54 | |
That was Nike. They're gonna announce to the trades that we won the account. | 1:30:54 | 1:30:58 | |
I gotta hand it to you. You saved my ass. You saved the company's ass. | 1:30:58 | 1:31:02 | |
I had very little to do with saving anybody's ass. It's Darcy you should thank. I wanna talk to you about her. | 1:31:02 | 1:31:08 | |
Please! I was there yesterday. She didn't speak. I'm big enough to admit when I screw up. | 1:31:08 | 1:31:13 | |
I looked at the marketplace and I panicked. Nick, forgive me. | 1:31:13 | 1:31:17 | |
-I want you to step in here. -No, Dan, you were right to hire her. | 1:31:17 | 1:31:21 | |
-She's the best creative director I've ever seen. -This isn't about how... I mean, I know she's adorable but... | 1:31:21 | 1:31:27 | |
-Oh, yeah, she is. -But this isn't about that, is it? -No! No! No, I'm not like that. No. No, please. | 1:31:27 | 1:31:33 | |
I've been doing a lot of listening lately | 1:31:33 | 1:31:36 | |
and I've decided I need to take a leave of absence. | 1:31:36 | 1:31:39 | |
-I need to get away from here and get some perspective on things. -Are you nuts? | 1:31:39 | 1:31:43 | |
This is the biggest account this company has ever landed. | 1:31:43 | 1:31:47 | |
-You mean to have nobody running the shop? -Darcy's here! | 1:31:47 | 1:31:51 | |
For somebody who listens a lot, you don't hear so well. I had a meeting with her today. We had a talk. | 1:31:51 | 1:31:56 | |
-Oh, Dan. You didn't... Tell me you didn't fire her. -She didn't even put up a fight. | 1:31:56 | 1:32:02 | |
-Oh... -Hey, she's gone, pal. -No. It's not too late. Call her. Say you need her back, you made a mistake. | 1:32:02 | 1:32:08 | |
-Calm down. I can't do that. -Why? -Because I talked to the board. I told them I don't need her any more. | 1:32:08 | 1:32:14 | |
-Oh. -They offered her a settlement and she took it. And besides, | 1:32:14 | 1:32:17 | |
Nike says they want you. I gotta deliver. Come out for a second. Let me tell you something. | 1:32:17 | 1:32:22 | |
My job is to deliver you. | 1:32:22 | 1:32:25 | |
Nike bought an idea. It wasn't even mine. Every good idea that they loved yesterday came from her. | 1:32:25 | 1:32:30 | |
If you don't get Darcy back pronto the board will be paying you your settlement. | 1:32:30 | 1:32:35 | |
This is all about saving your ass, right? Save it. | 1:32:35 | 1:32:38 | |
All right. | 1:32:43 | 1:32:45 | |
-Annie, get hold of Darcy's home address and phone number as quick as possible. -Yeah, sure. | 1:32:46 | 1:32:51 | |
-Where's the girl who carries the files? -I don't think she's in today. | 1:32:51 | 1:32:55 | |
-Did she call in sick? -Don't think so. She just didn't show up. | 1:33:00 | 1:33:04 | |
-God, where does she live? Does anyone know where Erin lives? -Who's Erin? | 1:33:04 | 1:33:08 | |
'Someone will finally ask, "Where's the geek in the glasses who carries the files?"' | 1:33:08 | 1:33:12 | |
PHONE RINGS | 1:33:22 | 1:33:24 | |
Hey! Did you get hold of Darcy? No? Well, then, keep trying. When you do get hold of her tell her to stay put. | 1:33:24 | 1:33:30 | |
I'm coming right over. I just have to make a little stop on the way. | 1:33:30 | 1:33:34 | |
THUNDER CLAPS | 1:33:34 | 1:33:36 | |
Do you know where this is? | 1:33:56 | 1:33:59 | |
Down the alley? | 1:34:10 | 1:34:12 | |
-Just...down the alley. -I know. | 1:34:14 | 1:34:16 | |
Thanks. | 1:34:19 | 1:34:21 | |
Come on, Erin. Be there. Please. | 1:35:28 | 1:35:30 | |
CAT MIAOWS | 1:35:30 | 1:35:32 | |
Erin? | 1:35:37 | 1:35:39 | |
Hello? | 1:35:44 | 1:35:46 | |
Oh, no! | 1:36:20 | 1:36:22 | |
No. | 1:36:22 | 1:36:24 | |
"Dear, Mom. I'm ready to sleep." Ohhh. | 1:36:24 | 1:36:28 | |
-Whoa! -Oh! | 1:36:30 | 1:36:33 | |
Mr Marshall! Mr Marshall?! | 1:36:35 | 1:36:38 | |
Yes, it's me. I'm sorry. I really did not mean to scare you. | 1:36:38 | 1:36:43 | |
OK, I just...wanted to come and see how you are. How are you? | 1:36:43 | 1:36:49 | |
If it's cos I didn't show up today, I'm sorry. I was about to call. | 1:36:49 | 1:36:53 | |
No. No, I'm not here cos you didn't show up for work. I'm here... | 1:36:53 | 1:36:57 | |
Well, I bet you're wondering why I am here, huh? | 1:36:57 | 1:37:01 | |
As a matter of fact, I was just thinking that. | 1:37:01 | 1:37:04 | |
I was thinking, why is Mr Marshall here in my bedroom? | 1:37:04 | 1:37:08 | |
You were...thinking that just now? | 1:37:08 | 1:37:11 | |
Yeah, in my head. | 1:37:11 | 1:37:14 | |
Some water. My ears are... | 1:37:14 | 1:37:17 | |
I... You know. | 1:37:17 | 1:37:19 | |
You're not thinking anything now, are you? | 1:37:19 | 1:37:22 | |
I'm thinking a million things. | 1:37:22 | 1:37:25 | |
Really?! Because, you know, usually I can... | 1:37:25 | 1:37:29 | |
I can, er... | 1:37:30 | 1:37:32 | |
You are thinking something right this minute? | 1:37:32 | 1:37:36 | |
Mr Marshall, I am thinking that you are crazier than I am. | 1:37:36 | 1:37:40 | |
Nothing. | 1:37:45 | 1:37:47 | |
I think... | 1:37:47 | 1:37:49 | |
It's gone. | 1:37:51 | 1:37:54 | |
I'm back. | 1:37:56 | 1:37:58 | |
I'm back. | 1:37:58 | 1:38:01 | |
-Mr Marshall? -Yeah? | 1:38:01 | 1:38:05 | |
I'm sorry. Is there something I could maybe do for you? | 1:38:05 | 1:38:10 | |
No. | 1:38:12 | 1:38:14 | |
No. | 1:38:14 | 1:38:17 | |
Actually, I came here to do something for you. | 1:38:17 | 1:38:20 | |
For me? | 1:38:20 | 1:38:23 | |
Yeah. | 1:38:23 | 1:38:26 | |
See, the truth is... | 1:38:26 | 1:38:28 | |
The truth... | 1:38:28 | 1:38:31 | |
The truth is... | 1:38:32 | 1:38:34 | |
I'm glad I got here before you did anything to hurt yourself. | 1:38:34 | 1:38:39 | |
What makes you think that I would, er, do something to hurt myself? | 1:38:43 | 1:38:49 | |
I just sensed it. | 1:38:49 | 1:38:51 | |
Really? | 1:38:51 | 1:38:54 | |
You could sense that? | 1:38:56 | 1:38:58 | |
That's not... That's not good. | 1:39:04 | 1:39:06 | |
The real reason I'm here is, er, because... | 1:39:10 | 1:39:14 | |
Here's the thing. The real reason I'm here is because, | 1:39:14 | 1:39:17 | |
as you know, we have the Nike account and we have a job opening. | 1:39:17 | 1:39:20 | |
And Darcy McGuire and I, we were just discussing who could be great enough to fill that void, | 1:39:20 | 1:39:26 | |
and your name popped into my head. You applied for a job as a copywriter. | 1:39:26 | 1:39:31 | |
I thought I'd see if you were still interested. | 1:39:31 | 1:39:35 | |
-Didn't you try and meet with me a while back? -Yeah, I tried. | 1:39:35 | 1:39:38 | |
But you were unavailable and then out of town. | 1:39:38 | 1:39:41 | |
Well, now I'm available and as you can plainly see, I'm in town. | 1:39:41 | 1:39:46 | |
So, I'm here to take that meeting. If you're available. | 1:39:46 | 1:39:50 | |
I'm available. | 1:39:53 | 1:39:55 | |
I'm unbelievably available. | 1:39:55 | 1:39:58 | |
Come on, Darcy. | 1:40:09 | 1:40:11 | |
PHONE RINGS | 1:40:18 | 1:40:21 | |
'Hi, this is Darcy McGuire. Please leave a message. I'll get back to you as soon as I can.' | 1:40:26 | 1:40:32 | |
BEEPING | 1:40:32 | 1:40:34 | |
Darcy? Hi, Darcy, it's Nick. I'm standing right outside your place. | 1:40:34 | 1:40:38 | |
I wish I could find you, get a hold of you. Are you all right? I hope so. | 1:40:38 | 1:40:43 | |
I really need to talk to ya. | 1:40:43 | 1:40:46 | |
Er... | 1:40:46 | 1:40:48 | |
Just making sure you're not there. | 1:40:48 | 1:40:50 | |
You're not, right? No, I didn't think so. | 1:40:50 | 1:40:53 | |
All right. Call me, please. Please. Bye. | 1:40:53 | 1:40:57 | |
MOBILE RINGS | 1:41:20 | 1:41:22 | |
-Darcy? -'No, it's me.' | 1:41:22 | 1:41:24 | |
Gigi! Erm, is everything all right? Are you back in town already? | 1:41:24 | 1:41:29 | |
No, not till tomorrow. Alex called me three times really upset | 1:41:29 | 1:41:33 | |
and then we got disconnected. What's wrong, isn't she at the prom? | 1:41:33 | 1:41:37 | |
The prom. | 1:41:37 | 1:41:39 | |
MUSIC PLAYS | 1:41:45 | 1:41:47 | |
Excuse me. Do you know where Alex Marshall is, tenth grader, brown hair, this high? | 1:42:01 | 1:42:06 | |
Yeah, I saw her in the ladies' room. She's been there for an hour. | 1:42:06 | 1:42:10 | |
Alex? | 1:42:13 | 1:42:15 | |
Are you in here? CRYING | 1:42:15 | 1:42:18 | |
Alex, it's me. | 1:42:20 | 1:42:22 | |
What are you doing here? | 1:42:22 | 1:42:25 | |
Honey, I just... I can't believe I screwed up. I wasn't there when you left for the prom. | 1:42:25 | 1:42:31 | |
Yeah, well, it's not why I'm in here, so you can just go, OK? | 1:42:31 | 1:42:35 | |
Oh, boy, I feel awful. Are you OK? I mean, I just... Come on out, let me see how you look at least. Come on. | 1:42:35 | 1:42:41 | |
I look like crap. | 1:42:41 | 1:42:43 | |
I already took my hair out and everything. | 1:42:43 | 1:42:46 | |
So, what happened? | 1:42:51 | 1:42:53 | |
If I told you, you'd freak out so... | 1:42:53 | 1:42:57 | |
What have you got to lose? Try me. | 1:42:57 | 1:43:00 | |
OK. | 1:43:00 | 1:43:03 | |
Cameron and his friends, they had this...big plan | 1:43:04 | 1:43:09 | |
and they rented this hotel room and... | 1:43:09 | 1:43:13 | |
it was like a suite. | 1:43:13 | 1:43:15 | |
And...basically I promised him that I was gonna... | 1:43:15 | 1:43:20 | |
I can't believe I'm gonna say this to you. | 1:43:21 | 1:43:25 | |
I promised him that I was gonna... | 1:43:25 | 1:43:28 | |
sleep with him after the prom. | 1:43:28 | 1:43:30 | |
Like an hour ago, we were on the dance floor and I said, | 1:43:33 | 1:43:37 | |
"I'm sorry, Cameron. You know, I'm just not ready." | 1:43:37 | 1:43:41 | |
Good. Good, girl. | 1:43:41 | 1:43:43 | |
-Dad, come on! -I'm sorry. I'm sorry. Go on. | 1:43:43 | 1:43:45 | |
And then... | 1:43:45 | 1:43:47 | |
SHE MUMBLES TEARFULLY | 1:43:47 | 1:43:51 | |
"Listen, I'm sorry, I'm just not..." Then he cuts me off. | 1:43:51 | 1:43:54 | |
And he says... | 1:43:54 | 1:43:57 | |
"I never should have asked a stupid sophomore to the prom. What a waste." | 1:43:57 | 1:44:02 | |
And like two seconds later, | 1:44:02 | 1:44:06 | |
he goes and meets up with his old girlfriend and starts making out with her. | 1:44:06 | 1:44:12 | |
This girl with a tongue ring. | 1:44:12 | 1:44:14 | |
They were laughing and... | 1:44:14 | 1:44:18 | |
-I just can't go out there, ever. -I'm so proud of you. | 1:44:18 | 1:44:21 | |
-Dad, what are you doing?! -Sorry. I'm sorry. | 1:44:21 | 1:44:25 | |
But I am. And believe it or not, I know what it's like to be a woman. | 1:44:25 | 1:44:30 | |
And it's not as easy as it looks. | 1:44:30 | 1:44:34 | |
You stood up for yourself. You're ahead of the game. | 1:44:34 | 1:44:38 | |
Anyway, a guy that treats you like that, he's not... | 1:44:38 | 1:44:41 | |
-Worth my time. Yes, I know. -It's true, he's not. | 1:44:41 | 1:44:45 | |
And he's a total game player. I hate that. | 1:44:45 | 1:44:48 | |
You are so much smarter than me. | 1:44:49 | 1:44:52 | |
And look at you. | 1:44:59 | 1:45:02 | |
That clown made out with a girl with a tongue ring over you? | 1:45:02 | 1:45:07 | |
Honey, you look beautiful. | 1:45:09 | 1:45:14 | |
Thanks. | 1:45:16 | 1:45:18 | |
Take me home, Dad. | 1:45:24 | 1:45:27 | |
What am I doing? She's not in the refrigerator. | 1:46:18 | 1:46:21 | |
I wonder if it's too late to go over there? | 1:46:36 | 1:46:39 | |
No, of course it's not too late. It's never too late to do the right thing. | 1:46:39 | 1:46:43 | |
That's what I'll do, I'll go over there and I'll do the right thing. | 1:46:43 | 1:46:47 | |
BUZZER | 1:46:52 | 1:46:54 | |
Hello? | 1:46:57 | 1:46:59 | |
Er, hi. It's me. I'm glad I found you. | 1:46:59 | 1:47:03 | |
Er... | 1:47:03 | 1:47:05 | |
Can I come up? | 1:47:05 | 1:47:07 | |
Darcy? | 1:47:08 | 1:47:10 | |
I need to... BUZZER | 1:47:10 | 1:47:12 | |
Hey. You need to what? It's one o'clock in the morning. | 1:47:14 | 1:47:19 | |
-I need to talk to you. -OK. | 1:47:19 | 1:47:23 | |
Thanks. | 1:47:23 | 1:47:26 | |
So, you sleep here now? | 1:47:29 | 1:47:32 | |
-I thought I might as well give it a try before I have to sell the place. -You're not selling the place?! | 1:47:32 | 1:47:37 | |
I have to. I don't have a job. | 1:47:37 | 1:47:40 | |
You ought to try returning some of your calls. You got your job back. | 1:47:40 | 1:47:44 | |
-Do I? A real riot, you know that? -It's true. Dan told me so himself. | 1:47:44 | 1:47:50 | |
Why would he tell you? I didn't do the job. I don't blame him for firing me. | 1:47:50 | 1:47:56 | |
Look, I'm, er... Come on in, I don't have any chairs but if you wanna... | 1:47:56 | 1:48:01 | |
What if I told you that you did everything you were hired to do? | 1:48:01 | 1:48:05 | |
Everything. But that someone was sabotageing you. | 1:48:05 | 1:48:09 | |
Picking your brain and swiping your ideas and... | 1:48:09 | 1:48:13 | |
Why, you... you never even knew what hit you. | 1:48:13 | 1:48:17 | |
-How was that possible? -Oh, trust me, it's possible. | 1:48:17 | 1:48:21 | |
Who would do such an awful thing? | 1:48:21 | 1:48:23 | |
I would. | 1:48:25 | 1:48:28 | |
I was a dope with the corner office | 1:48:30 | 1:48:33 | |
and when you came with the job I was supposed to have... | 1:48:33 | 1:48:38 | |
I mean, it didn't matter to me that... | 1:48:38 | 1:48:41 | |
you were better at it than me or you earned it more than I did. | 1:48:41 | 1:48:45 | |
As far as I was concerned it was mine and I was gonna do anything I could to get it back. | 1:48:45 | 1:48:50 | |
And so I took advantage of you in the worst possible way. | 1:48:50 | 1:48:54 | |
Have you ever done that, | 1:48:56 | 1:48:59 | |
taken the wrong road? No, of course you haven't. | 1:48:59 | 1:49:02 | |
You wouldn't do that. | 1:49:02 | 1:49:04 | |
Somebody like me does that. | 1:49:04 | 1:49:07 | |
And, er... | 1:49:07 | 1:49:09 | |
The problem with that was that while I was digging a hole into you... | 1:49:09 | 1:49:14 | |
..I found out all about you. | 1:49:16 | 1:49:19 | |
And the more I found out, the more you dazzled me. | 1:49:19 | 1:49:23 | |
I mean, shook my world, | 1:49:25 | 1:49:28 | |
changed my life, dazzled me. | 1:49:28 | 1:49:30 | |
Guys like that ex-husband of yours, he made you feel that | 1:49:30 | 1:49:34 | |
the price you pay just for being you, | 1:49:34 | 1:49:39 | |
is that you don't get to have love. | 1:49:39 | 1:49:41 | |
Isn't that what you were trying to say, that you weren't complete, that you weren't a winner like that? | 1:49:41 | 1:49:47 | |
Everything about you, how smart you are, how good you are, | 1:49:48 | 1:49:54 | |
everything makes me want you even more. | 1:49:54 | 1:49:58 | |
Boy, it sort of looks like I'm here at one in the morning, being all heroic, trying to rescue you, but... | 1:50:03 | 1:50:09 | |
the truth is, | 1:50:09 | 1:50:12 | |
I'm the one that needs to be rescued here. | 1:50:12 | 1:50:16 | |
I wish I could read your mind. | 1:50:23 | 1:50:24 | |
I was thinking that, erm, | 1:50:31 | 1:50:34 | |
that if everything you're saying is true... | 1:50:34 | 1:50:38 | |
..I really have my job back... | 1:50:39 | 1:50:42 | |
..then I think you're fired. | 1:50:46 | 1:50:49 | |
I never really thought about it from that angle. | 1:50:54 | 1:50:56 | |
Well, not that I don't deserve it, I do. | 1:50:59 | 1:51:03 | |
I'm stuttering. | 1:51:03 | 1:51:06 | |
Now I feel kind of embarrassed that I told you I needed to be rescued. | 1:51:18 | 1:51:23 | |
That's fine. | 1:51:25 | 1:51:28 | |
That's it? | 1:51:40 | 1:51:43 | |
I don't want that to be it. | 1:51:46 | 1:51:49 | |
I don't want that to be it at all. | 1:51:49 | 1:51:52 | |
Then don't let a little thing like me firing you stand in your way. | 1:51:52 | 1:51:56 | |
I didn't know what to react to first. | 1:52:00 | 1:52:03 | |
Hey, newsflash, I took the wrong road. | 1:52:03 | 1:52:08 | |
What kind of knight in shining armour would I be | 1:52:10 | 1:52:13 | |
if the man I love needs rescuing and I just let him walk out my door? | 1:52:13 | 1:52:18 | |
My hero. | 1:52:25 | 1:52:27 | |
MUSIC: Night and Day by The Temptations | 1:52:46 | 1:52:49 |