Kinky Boots


Kinky Boots

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Transcript


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This film contains some strong language.

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SEAGULLS SQUAWK

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LAUGHTER AND CHATTER

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MUSIC: The Prettiest Star by David Bowie

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# You've got everything but cold fire

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# You will be my rest and peace, child

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# I moved up to take a place... near you

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# So tired

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# It's the sky that makes you feel tried

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# It's a trick to make you see wide

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# It can all but break your heart

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# In pieces

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# Staying back in your memory

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# Are the movies in the dark

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# How you moved is all it takes

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# To sing a song of when I loved

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# The prettiest star... #

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GUITAR SOLO

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MUSIC STOPS

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HE GASPS

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Come on.

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Come on, you stupid boy!

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OK, now, Charlie.

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I'm going to show you the most beautiful thing in the world.

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-Do you know what it is?

-A shoe?

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A lot of people would say it would be an oak tree in spring.

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-It's a shoe.

-A lot of people would say a field of woodland flowers.

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-Do you know what I think it is, Charlie?

-A shoe.

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I think it's a shoe.

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HE CHUCKLES

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THEY LAUGH

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Every machine.

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You learn how to work every machine, Charlie.

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By the time you're old enough and married and taken over the factory,

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believe me, first thing you'll notice about a person

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is their shoes.

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Come on.

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Whoo-hoo!

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You know, it's funny. It's always struck me that in terms of love,

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strength and attention to detail,

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marriage is pretty much like...

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ALL: A pair of shoes!

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THEY LAUGH

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And today again, I'm not wrong.

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HE STAMPS HIS FEET

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They take you places perhaps you weren't expecting.

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My son, off to London.

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His fiancee being transferred to an even bigger estate agents.

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And Charlie, what have you decided to try your hand at down there?

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Marketing.

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Marketing.

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To my future daughter-in-law.

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And to my wonderful son.

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Charlie!

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ALL: Charlie!

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TRAIN HORN BLARES

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PHONE RINGS

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Ah, Mr Price. Do let me show you around.

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This is the new layout, designed with the young couple in mind.

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As you can see, one good-size bedroom with en-suite shower room.

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And through here, fully furnished lounge.

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Oh, and best of all, Mr Price, best of all...

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DRILLING NOISE AND SIRENS WAIL

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..the view.

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-It's not Northampton!

-It's not Northampton.

-No!

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# Not Northampton, not Northampton!

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# We're not in Northampton any more. #

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MOBILE RINGS

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Oh!

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# We're going where the sun shines brightly... #

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-Hello?

-# We're going where the sky is blue

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# The best thing about London is... #

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Sorry, yeah.

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# No more bloody shoes! #

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Yeah, this is his son.

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MUSIC: Wild Is The Wind by Nina Simone

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# Love me, love me, love me

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# Say you do

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# Let me fly away

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# With you

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# For my love

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# Is like the wind

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# And wild is the wind

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# Give me more

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# Than one caress

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# Satisfy

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# This hungriness

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# Let the wind blow through your heart

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# Daddy, you're spring to me

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# All things...

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# To me. #

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DOOR BANGS OPEN

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-Mr Price! He'd have been proud of you coming back, Mr Price.

-Charlie.

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Price Factory has to have a Mr Price, Mr Price.

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George...

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HE SIGHS

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(Bugger!)

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Erm,...

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Dad always used to say that...

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INAUDIBLE

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MUTED LAUGHTER

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And, in a sense...

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INAUDIBLE

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He hasn't pressed the button.

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THEY CHUCKLE

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-..my heart is...

-Press the red button.

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MICROPHONE FEEDBACK

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THEY GROAN

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'That was a good start(!)'

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LAUGHTER

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HE SIGHS

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Right.

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HE COUGHS

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HE STAMPS HIS FEET

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I'm not my dad, OK? You shouldn't expect that.

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But I have spent my life with each one of you at some point,

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training on these machines.

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-I was bloody useless!

-Too right.

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THEY LAUGH

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Thanks, Don.

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Listen, Dad believed there would always be a place for craftsmanship.

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Whether you realise it or not, that is what you all are...

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craftsmen.

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So let's make shoes!

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THEY MUTTER

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"Let's make shoes?!"

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BUZZING

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-Oh!

-Oh!

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Don't worry, love. Don't get it on your jacket. I'll get some roll.

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Pat, what order is the company working on at the moment?

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It's a big one, love.

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Chambers Wholesale. Why?

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What the hell was he playing at?!

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I mean, why didn't he...?

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Why did he carry on making them?

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This happened before.

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1992. Customer went into receivership

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and your dad got stuck with 600 Oxfords.

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-And?

-Bill Sampson in London took 'em at cost.

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HE SIGHS

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Right, Pat, I'm going to London.

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See, Harry, I just happened to find myself 1,200 pairs of brogues.

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I know a few years back your dad took some at cost off my dad and I...

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Yeah, but that was a few years back, Charlie. Things have changed a bit.

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Look, I'll tell you what, I'll take 200 pairs off your hands

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for old times' sake. Hey, and this hurts,

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being a Forest fan, giving charity to a Northampton...

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I mean, when I say "charity", I'm not, er,... you know...

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Imported from Slovakia. Do you want to know how much?

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Harry! A Price's shoe will last a man a lifetime.

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-The poor sod who buys these will be buy new ones in ten months.

-I know.

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And isn't that great?

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HE SIGHS

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Spare some change, guv?

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Here.

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This is a Price's shoe.

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It'll last a man a lifetime.

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Got it in a size ten?

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BOTTLE SMASHES

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Slow yourself down a bit, will ya?

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LAUGHTER

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Come here!

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-Come on, Princess!

-Where's the fire, love?

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HE LAUGHS

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-Whoa!

-Where do you think you're going, you silly cow?!

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-We're not going to hurt you.

-All right, lads?

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Oof!

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HE LAUGHS

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Hey, easy, love, easy!

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-We should just leave her alone now, don't you think?

-Come on, then!

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-Don't you?

-What are you going to do?

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HE LAUGHS

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Whoa!

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HE GROANS

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-MAN'S VOICE:

-Very sweet, you riding to my rescue.

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Very...Prince Charming.

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Pass me my boobs, will ya?

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You didn't look like you needed much rescuing.

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Well, a girl has to know how to look after herself these days.

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-There are some very funny people out there.

-Yeah.

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-How's that wound? Let's have a look.

-Get off!

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HE LAUGHS

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Don't flatter yourself.

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Vodka. Helps you forget pain.

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Well, it does me.

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HE COUGHS

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-Oh!

-God! Clean off again!

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Like most things in life, it cannot stand the weight of a man.

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Here we go. Oh, God!

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Er, hold on.

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HE CHUCKLES

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Oh!

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Thank you again, Mr... Sorry to be presumptive. Are you a Mr?

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I'm a Charlie, from Northampton.

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Well, I rather thought you might be.

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Hmm...

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DISTANT CHEERING AND APPLAUSE

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LAUGHTER

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Hmm...

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# Prim and proper

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# A girl who's never been kissed

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# I'm tired of being pure

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# And not chased

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# Like something that seeks its level

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# I wanna go to the devil

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# I wanna be evil!

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# I wanna spit tacks

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# I wanna be evil

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# And cheat at jacks

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# I wanna be wicked

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# I wanna tell lies

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# I wanna be mean

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# And throw my pies

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# I want to wake up in the morning

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# With that dark brown taste

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# I wanna see some dissipation in my face

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# I wanna be evil

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# I wanna be mad

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# But more than that

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# I wanna be bad

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# I wanna be evil and trump an ace... #

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AUDIENCE WHOOPS

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# Just to see

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# My partner's face

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# I wanna be nasty

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# I wanna be cruel

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# I wanna be daring

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# I wanna shoot pool

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# And in the theatre

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# I want to change my seat

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# Just so I can step on everybody's feet. #

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MACHINERY WHIRS

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-Oh, no!

-Trish, the thing is...

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Please, please!

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They just started school. They just started school this month, Charlie.

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This is the uniforms, love. This is the dinners.

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We lost the contract with Chambers, Trish.

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-The thing is, we lost the contract with Chambers...

-Actually, don't.

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This is like apologies for your late train. It doesn't mean anything.

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-It's not like that.

-I'd rather not hear it.

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I do mean it!

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Bernard Caley, come up here, please.

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This is not what I want, Bernie.

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I don't want to be sitting here doing this,

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but, you know, nine out of ten shoe factories are shut down.

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What can I do?

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I am sorry it's come to this, Anthony.

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Daphne. Janice.

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-Derek?

-Eric.

-Eric.

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-What can I do? ..do? ..do? ..do?

-Change the product.

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-Sorry?

-Like Liptons.

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Start making equestrian boots. Browns, they're making...

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Oh, whatever! Climbing boots. All them other sods,

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they went looking for their niche markets.

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They just didn't sit back in their offices going, "What can I do?!"

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I'm sorry.

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I was just really, really looking forward to a Chinese tonight.

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Now I'm not sure if I can afford it.

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In a sense, it was lucky they hadn't got round to advertising your job.

0:21:050:21:11

Yeah, lucky.

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-Listen, Nic...

-Oh, wow!

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That's the kind of shoe, isn't it? Don't you think?!

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-What?

-For the wedding, at the altar.

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-Is that the kind of thing you were thinking of?

-Yeah.

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On my foot. It needs to be a Jimmy Choo, doesn't it? To work...

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-Or a Manolo.

-We might have to think about the wedding, Nic.

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-Hmm?

-Not the "wedding" wedding,

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but it doesn't have to be all live band and shoes at the altar.

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Does it? At the end of the day, it's about the two of us, isn't it?

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I've made 15 people redundant today, Nic.

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GLASS BREAKS AND LAUGHTER

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LAUGHTER

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-Lauren.

-Oh...

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Lauren, you haven't heard what I was going to say!

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Does it involve the words "job back"?

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Potentially.

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TRAIN HORN BLARES

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CHEERING

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OK, brace yourself.

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Ladies, gentlemen,

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and those who are yet to make up your mind.

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MUSIC STARTS

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# Whatever Lola wants

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# Lola gets

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# And, little man, little Lola wants you

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-# Make up your mind to have

-# Mind to have

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-# No regrets

-# No regrets

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# Recline yourself, resign yourself, you're through

0:23:360:23:40

# I always get

0:23:410:23:44

# What I aim for

0:23:450:23:48

# And your heart and soul

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# Is what I came for

0:23:510:23:55

-# Whatever Lola wants

-# Lola wants

0:23:550:23:59

-# Lola gets

-# Lola gets

0:23:590:24:01

# Take off your coat

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-# Don't you know you can't win?

-# Can't win, you'll never, never win

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# You're no exception to the rule

0:24:080:24:11

# I'm irresistible, you fool

0:24:110:24:14

# Give in. #

0:24:140:24:17

Lola!

0:24:240:24:27

SHE LAUGHS

0:24:280:24:31

All me, sweetheart. I design everything in that club.

0:24:390:24:42

It's my costumes, my lighting,

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my dancers, my show, love.

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HE LAUGHS

0:24:470:24:48

I mean, it's me. Bit of a dark horse, your boyfriend.

0:24:480:24:53

Oh, he's my boss.

0:24:530:24:55

Well, he was my boss. I got laid off.

0:24:550:24:58

But now he seems to think I'm his business analyst or...

0:24:580:25:01

Excuse Charlie. We don't have many transvestites in Northampton.

0:25:010:25:05

I'm not merely a transvestite, sweetheart.

0:25:050:25:08

I'm also a drag queen. It's a simple equation.

0:25:080:25:11

A drag queen puts on a frock - looks like Kylie.

0:25:110:25:14

A transvestite puts on a frock -

0:25:140:25:17

looks like Boris Yeltsin in lipstick.

0:25:170:25:21

Ta.

0:25:210:25:23

Whatever. You're never more than ten feet away from a transvestite.

0:25:230:25:28

You made her redundant, you miserable sod!

0:25:300:25:33

-Things aren't very good in men's shoes.

-No.

0:25:340:25:37

-I'm not, certainly!

-Yes, precisely.

0:25:370:25:42

How much do you weigh?

0:25:420:25:45

-The right amount. How much do you drink?

-Oh.

0:25:460:25:49

I mean, erm, they're women's boots, aren't they, that you buy?

0:25:490:25:54

You have to buy women's boots because you...

0:25:540:25:58

You see, the distribution of pressure in the conventional female heel

0:26:000:26:04

cannot be expected to support a man's weight

0:26:040:26:07

and if trans...

0:26:070:26:10

you know, whatevers, drag queens are everywhere,

0:26:100:26:13

like you said, then...

0:26:130:26:15

Not in a, oooh, living-dead kind of way, but...

0:26:150:26:21

Then do you think there is a niche market

0:26:210:26:25

for proper, good, decent, built-to-last boots

0:26:250:26:30

for women...

0:26:300:26:32

that are men?

0:26:320:26:34

All this way for my advice. I feel like Oprah.

0:26:370:26:40

I'd like to measure your foot, go home, make a pair.

0:26:400:26:45

HE SIGHS

0:26:500:26:52

Who gets to keep the boots? A little warning...

0:27:140:27:18

..the answer is, "You do, Lola."

0:27:180:27:22

You do, Lola.

0:27:220:27:24

Where do I can to pick it up? Price's of Northampton, is it?

0:27:240:27:28

Yeah, but I'll come to you.

0:27:280:27:30

Oh, no. As they say, a good pair of boots is worth walking for.

0:27:300:27:34

No, you see, I come here all the time and, er...

0:27:340:27:38

-I'll come to you.

-Right.

0:27:380:27:42

HE COUGHS

0:27:440:27:45

Erm, look behind you.

0:27:450:27:47

What? What is it?

0:27:470:27:49

It's your niche market, Charlie.

0:27:490:27:52

Big niche.

0:27:550:27:57

Ladies, gentlemen,

0:28:260:28:28

and those of you who are yet to make up your mind,

0:28:280:28:32

our very own Lola!

0:28:320:28:34

MUSIC STARTS

0:28:340:28:36

CHEERING

0:28:360:28:37

# He walked into my life

0:28:430:28:45

# And now he's taking over

0:28:470:28:50

# And it's beautiful

0:28:520:28:54

# Mmm!

0:28:540:28:56

# Yes, it's beautiful

0:28:560:28:59

# I've gone with better-looking guys

0:28:590:29:03

# He's gone with prettier-looking girls

0:29:040:29:08

# But now we're beautiful

0:29:090:29:11

# I think we're beautiful

0:29:120:29:15

# I don't need love affairs

0:29:170:29:20

-# Any more

-# Love affairs no more

0:29:200:29:24

# I don't need love affairs

0:29:240:29:28

# Any more

0:29:280:29:30

# Can't you see it's the chemistry? You really must agree

0:29:330:29:38

-# Together we are beautiful

-# Beautiful

0:29:380:29:44

# We are beautiful. #

0:29:440:29:46

ZIPPER CLOSES

0:30:070:30:09

Well?

0:30:190:30:21

I was thinking, er, you should,...

0:30:280:30:31

if you haven't got anything else on, that maybe you could come back to...

0:30:310:30:37

To your house?

0:30:390:30:42

The factory.

0:30:430:30:46

I'm going to need someone on the Web to research markets

0:30:480:30:51

and...if Pat got on some of those websites, she'd have a heart attack!

0:30:510:30:55

Yeah.

0:30:550:30:57

Besides, you started it, being in that strop.

0:30:570:31:00

Oh, well, I mean, I just had the strop, Charlie.

0:31:000:31:03

You saw the idea.

0:31:030:31:06

And that is why some of us end up with our names above the factories

0:31:060:31:10

and others just on the clocking-in cards.

0:31:100:31:13

Right.

0:31:150:31:17

Well, as someone with their name on a factory,

0:31:170:31:20

can I invite you to have your name on one of my clocking-in cards?

0:31:200:31:24

CHEERING AND APPLAUSE

0:31:280:31:30

They say... Calm down.

0:31:330:31:35

Whatever life throws at you, whatever emotions you could feel,

0:31:350:31:38

somebody has written a song about it.

0:31:380:31:41

Now I hope that's true,

0:31:410:31:43

but until somebody writes a song called, No-one Stays Young Forever

0:31:430:31:47

And One Day I Hope You Get Dumped For A Younger Model,

0:31:470:31:51

-I'll just sing you Memories!

-Show us your tits!

0:31:510:31:54

CHEERING

0:31:540:31:57

Certainly. Ladies and gentlemen, there they are!

0:31:570:31:59

Give them a round of applause.

0:31:590:32:01

THEY CHEER

0:32:010:32:03

Are they as wrinkly as your arms, love?!

0:32:050:32:08

THEY LAUGH

0:32:080:32:09

'Yeah, good one!'

0:32:090:32:12

I have to... I have to tell you, sweetheart,

0:32:120:32:14

my breasts are as smooth and beautiful as the day I bought them.

0:32:140:32:19

CHEERING

0:32:190:32:20

'Get yourself a refund!'

0:32:200:32:23

SHOUTING AND CHEERING

0:32:230:32:25

HE SIGHS

0:32:250:32:27

That was so bitchy, wasn't it?

0:32:290:32:32

Bastard!

0:32:370:32:39

Oh!

0:32:390:32:41

DISTANT CHATTER

0:33:100:33:13

MUSIC: In These Shoes by Kirsty MacColl

0:33:290:33:32

Aye!

0:33:350:33:38

-Forget it, Don, out of your league.

-Na.

0:33:380:33:41

You seem to forget, women get turned on by the sight of the working man.

0:33:410:33:45

-Morning, Charlie!

-Lola.

0:33:550:33:58

Come in.

0:33:590:34:01

Er, sorry it's a bit messy. We, erm...

0:34:010:34:04

I thought we agreed I'd come to London.

0:34:050:34:08

I have to warn you, Charlie,

0:34:080:34:10

I have a habit of doing exactly the opposite of what people want.

0:34:100:34:14

In fact, some might say that attempts to make a man out of me,

0:34:140:34:18

is exactly the reason that I now wear a frock.

0:34:180:34:21

-If, therefore, I get the feeling somebody didn't want me here...

-No.

0:34:210:34:25

I can tell from years of experience when I'm being smuggled in.

0:34:250:34:29

-That's the rough-stuff room.

-Is it?!

-It's where we dump off-cuts

0:34:300:34:34

-and misshapes.

-I wondered why I was being drawn to it.

0:34:340:34:38

-Pardon?

-Nothing.

0:34:380:34:40

I'll raise that.

0:34:400:34:42

Hmm?

0:34:480:34:50

SIREN WAILS

0:34:500:34:51

Oh!

0:34:510:34:52

HE LAUGHS

0:34:520:34:53

George.

0:34:530:34:55

Listen, Mel,

0:34:550:34:56

-when it comes to attracting women, some men don't have to speak.

-Ha!

0:34:560:35:02

This is cosy.

0:35:060:35:08

Here we are.

0:35:250:35:27

Well?

0:35:360:35:38

What do you think?

0:35:470:35:49

Burgundy...

0:35:580:36:00

Please, God, tell me I have not inspired something burgundy!

0:36:010:36:06

Red.

0:36:090:36:12

Red.

0:36:140:36:16

Red!

0:36:170:36:20

Red, Charlie boy!

0:36:200:36:22

PA WHINES

0:36:220:36:23

Rule one - red is the colour of sex!

0:36:230:36:27

Burgundy is the colour of hot-water bottles! Red is sex and fear

0:36:270:36:32

and danger and signs that say, "Do-not-enter"!

0:36:320:36:37

'All of my favourite things in life.'

0:36:370:36:40

-Who's that?!

-He's got your new girlfriend in there.

0:36:400:36:44

-They're comfy.

-Comfy?!

0:36:440:36:46

Sex shouldn't be comfy!

0:36:460:36:49

Thank God, I thought it was just me.

0:36:490:36:52

THEY LAUGH

0:36:520:36:53

I don't know what you're used to making, but now you're making sex!

0:36:530:36:57

2½ feet of irresistible, tubular sex!

0:36:570:37:00

-The heel! For God's sake!

-It won't break. That's what you wanted.

0:37:000:37:05

-Not if I'm looking like a Ukrainian peasant!

-It's better than...

0:37:050:37:09

You want to show your niche market a little more respect, Charlie boy.

0:37:090:37:14

-I mean, let's ask your girls.

-No!

0:37:140:37:17

-Girls, would you wear this to go out?

-GIRLS: No!

0:37:170:37:20

-I bet you'd look all right in them, sweetheart!

-Ooh!

0:37:200:37:24

You've pulled.

0:37:260:37:28

Oh, yeah...

0:37:320:37:35

Ladies.

0:37:370:37:39

Oh...

0:37:430:37:45

-Ooh!

-Well, I'm very flattered,

0:37:530:37:56

but frankly, if you can't get women to wear 'em...

0:37:560:38:00

-DEEP VOICE:

-..you'll never get blokes like me to wear 'em.

0:38:000:38:04

SNIGGERING

0:38:040:38:07

Oh!

0:38:100:38:12

'Oh!'

0:38:140:38:16

-'Oh!'

-Do we still have a workforce?

0:38:160:38:19

Don'll come around, once he's stopped, er...

0:38:190:38:23

DISTANT SHOUTING

0:38:230:38:25

..walking up and down, swearing.

0:38:250:38:27

-That's his problem.

-No, it's our problem, Lola. This is Northampton.

0:38:270:38:32

You have no idea what it's like. It's not Soho!

0:38:320:38:35

Amen.

0:38:350:38:37

Look to the heel, young man.

0:38:390:38:42

The sex is in the heel.

0:38:450:38:49

What's that supposed to mean?

0:38:580:39:00

"Sex is in the heel."

0:39:000:39:04

Stilettos require constant balance from the upper leg,

0:39:040:39:08

causing the muscles of the backside to tense and appear pert

0:39:080:39:12

and ready for mating.

0:39:120:39:15

It's physically impossible. I mean, am I missing something?

0:39:160:39:21

To make a stiletto, something that thin,

0:39:210:39:24

-bear the weight of a man is just...

-Steel shank.

0:39:240:39:27

What?

0:39:270:39:29

A steel shank cut thinly,

0:39:290:39:32

then moulded in a continuous section

0:39:320:39:37

from toe to heel, without pinning.

0:39:370:39:39

Not even Don would crush that.

0:39:390:39:42

Lola!

0:39:450:39:48

Lola, we might be able to do it. Steel shanks without underpinning.

0:39:490:39:53

We might be able to make those boots,

0:39:530:39:56

-if you were willing to...

-Don would have something to say about that.

0:39:560:40:01

I gave up the provinces and I've just been reminded why.

0:40:010:40:05

Lola doesn't do North.

0:40:050:40:07

-Northampton's the Midlands.

-No, Tottenham Court Road is.

0:40:070:40:11

If you'll excuse me, I have a show tonight.

0:40:110:40:15

I'm stood here trying to save a factory of four generations -

0:40:150:40:19

-my father, his father's father -

-Tell me when it applies to me.

0:40:190:40:23

Now it applies to you! I'm about to take an almighty fucking gamble

0:40:230:40:27

and in one afternoon, one drawing, you've said more about boots than...

0:40:270:40:32

I just... Five weeks, Lola. That's it.

0:40:320:40:36

If I don't have a new collection for the Milan shoe fair in five weeks,

0:40:360:40:40

I'm going to have to sell the place.

0:40:400:40:43

HE SIGHS

0:40:430:40:45

All right, I'll tell you what, don't hang around.

0:40:450:40:48

It's never going to apply to you.

0:40:480:40:50

What you don't realise, Lola,

0:40:500:40:54

is this is not my world either.

0:40:540:40:57

CAR ENGINE STARTS

0:40:590:41:01

Where are you going, darling?

0:41:020:41:05

By the sound of it,...

0:41:050:41:07

..Milan.

0:41:080:41:11

THEY CHATTER

0:41:140:41:15

..A packet of satsumas.

0:41:150:41:17

I see this as a very positive step

0:41:310:41:33

for a company who spent last century making a range of shoes for men,

0:41:330:41:37

to start the next century making shoes for...

0:41:370:41:40

..a range of men.

0:41:410:41:43

Any questions?

0:41:430:41:46

DISTANT BUZZING

0:41:510:41:53

BUZZING GROWS LOUDER

0:41:550:41:58

Oh, sorry, love. Sorry.

0:41:580:42:00

-I thought you said you were going into work at nine.

-No, I did. I was.

0:42:000:42:04

I am.

0:42:040:42:06

Sorry.

0:42:060:42:09

Don!

0:42:230:42:25

Have you got any toilets down here?

0:42:380:42:41

I'm afraid we've only got men's and women's.

0:42:410:42:45

Charlie, she's locked herself in the loo.

0:42:480:42:51

-What?

-Come on!

0:42:510:42:53

-Right, go in there, tell her...

-No, the gents' loo.

0:42:550:42:59

Right.

0:42:590:43:01

What's up, Mum? Hmm?

0:43:020:43:06

Lola, it's Charlie.

0:43:130:43:15

Are you OK?

0:43:150:43:17

-Are you ill?

-Yeah, I'm sick.

0:43:200:43:24

Ask your boys.

0:43:240:43:26

Oh, is this Don?

0:43:260:43:28

HE SIGHS

0:43:280:43:31

Oh, has he nicked your dress?!

0:43:310:43:33

I came like this.

0:43:330:43:35

God!

0:43:370:43:39

Put on a frock and I can sing Stand By Your Man in front of 500 people.

0:43:400:43:45

Put on a pair of jeans and I can't even sodding well say hello.

0:43:450:43:49

I have to say,

0:43:500:43:52

I was going to suggest dressing down.

0:43:520:43:55

Well, thank you for your concern.

0:43:590:44:02

THEY MUTTER

0:44:060:44:08

-Sh.

-'Come on, tell me.'

0:44:080:44:11

-Boxer.

-Get out of here!

-I'm serious.

0:44:110:44:15

Yeah, he had me doing training, weights...

0:44:150:44:18

I could bench-press 93 kilos.

0:44:180:44:21

I owe all my spectacular muscle definition to my father.

0:44:210:44:25

And he never... The wearing frocks...

0:44:250:44:28

He wasn't stupid.

0:44:280:44:30

He knew there'd be very few

0:44:300:44:32

cross-dressing heavyweight champions of the world.

0:44:320:44:36

No, he disowned me.

0:44:370:44:41

Wouldn't see me.

0:44:420:44:44

Even when he got lung cancer, he wouldn't.

0:44:490:44:52

It's ironic, really.

0:44:570:45:00

Fags got him in the end.

0:45:030:45:05

HE LAUGHS

0:45:050:45:08

IMITATES DRUM ROLL

0:45:080:45:10

THEY MUTTER

0:45:100:45:12

I mean, that's what it was all about - fitting in,

0:45:120:45:16

melding in, not standing out.

0:45:160:45:20

As far as he was concerned, if you're big, black and a boxer,

0:45:210:45:25

then you are sorted.

0:45:250:45:27

If you're big and you're black and you're in a...

0:45:270:45:30

you know, strapless cocktail dress, that's not so good.

0:45:300:45:35

That's what my dad wanted an' all.

0:45:350:45:37

-A strapless cocktail dress?

-No.

0:45:370:45:40

THEY LAUGH

0:45:400:45:41

For me to fit in to this place.

0:45:410:45:44

You know, it should be me that's hiding in here, not you.

0:45:440:45:47

I'm the one who doesn't know what he's doing.

0:45:470:45:51

It would kill him to hear me say that, too.

0:45:510:45:54

Although, he probably knew and that's probably what did.

0:45:540:45:57

Well...

0:46:010:46:03

..perhaps we just have to pretend we do know what we're doing.

0:46:050:46:09

Charlie from Northampton,

0:46:100:46:13

Simon from Clacton.

0:46:130:46:16

Come on, let's make boots.

0:46:220:46:25

All right then, everybody.

0:46:250:46:27

THEY MUTTER

0:46:270:46:28

MUSIC: Mr Big Stuff by Lyn Collins

0:46:280:46:31

# Oh, yeah!

0:46:310:46:34

# Mr Big Stuff, who do you think you are?

0:46:370:46:40

# Mr Big Stuff

0:46:400:46:42

# You're never gonna get my love

0:46:420:46:45

# Not because you wear all those fancy clothes

0:46:450:46:50

# And drive a big, fine car, oh, yes, you do now

0:46:500:46:54

# Do you think I can afford to give you my love?

0:46:540:46:58

# You think you're higher than every star above

0:46:580:47:02

# Mr Big Stuff, tell me, tell me, who do you think you are?

0:47:020:47:07

# Mr Big Stuff, you're never gonna get my love

0:47:070:47:11

# Oh, yeah!

0:47:110:47:14

-# Mr Big Stuff... #

-Cover me, girls. I'm going in.

0:47:160:47:20

# Mr Big Stuff, tell me, tell me, who do you think you are?

0:47:200:47:24

# Mr Big Stuff

0:47:240:47:26

# You're never gonna get my love

0:47:260:47:29

# Hey!

0:47:290:47:32

# Whoa, yeah! Whoo! #

0:47:320:47:36

Oh! For fu...

0:47:360:47:40

INAUDIBLE

0:49:060:49:08

# While tearing off a game of golf

0:49:160:49:21

# I might make a play for the caddie

0:49:210:49:25

# But when I do, I don't follow through

0:49:260:49:31

# Cos my heart belongs to Daddy

0:49:310:49:35

# If I invite

0:49:350:49:39

# A boy some night

0:49:390:49:41

# To dine on my fine finnan haddie

0:49:410:49:45

# Though I just adore

0:49:450:49:48

# His asking for more

0:49:480:49:51

# But my heart belongs

0:49:510:49:54

# To Daddy. #

0:49:540:49:57

It's where you applaud, Charlie.

0:49:580:50:00

Didn't you, er, have a show tonight?

0:50:120:50:15

Sore throat.

0:50:150:50:17

# But my heart... #

0:50:170:50:19

HE COUGHS

0:50:190:50:21

You know, you don't have to work in the rough-stuff room.

0:50:250:50:29

Oh, but I feel at home here.

0:50:290:50:32

They're my friends.

0:50:320:50:35

One never knows what joy one might find amongst the unwanted...

0:50:350:50:40

..and abandoned.

0:50:440:50:47

Charlie boy.

0:50:580:51:01

-Oh.

-Aw!

0:51:070:51:09

Morning, stranger.

0:51:100:51:13

-Thank you.

-Nic, er, look... About last night.

0:51:140:51:17

-Hmm?

-Things got a little crazy at work. It won't always be like that,

0:51:170:51:22

-I promise. No, really, it won't be.

-OK.

0:51:220:51:25

And, erm...

0:51:250:51:28

See, I think I've found a solution for the factory.

0:51:280:51:31

Well, that makes two of us. Come on.

0:51:310:51:35

KNOCK ON DOOR

0:51:350:51:36

One second, Mrs Cobb.

0:51:360:51:38

God... Come in!

0:51:430:51:46

-There we go.

-Thank you.

0:51:490:51:51

-And the room's all right for you, love, is it?

-It's absolutely lovely.

0:51:510:51:56

Yes, lots of, erm,... lots of trinkets.

0:51:560:52:00

Ah, now the little pottery shoes, they're good luck, you see?

0:52:000:52:04

You know, like Whitby has lucky glass ducks.

0:52:040:52:07

Northampton has lucky pottery shoes.

0:52:070:52:10

Can I just ask, are you a man?

0:52:100:52:14

-I am, love, yes.

-Ah, that's fine.

0:52:150:52:18

Just so that I know how to leave the toilet seat. I'll get some biscuits.

0:52:180:52:23

BUZZING

0:52:360:52:38

Mr Price.

0:52:500:52:52

-Charlie, this is Richard Bailey.

-Sorry to hear about your dad.

0:52:520:52:56

Shall we?

0:52:560:52:58

The beauty is the building.

0:52:580:53:01

For us developers, it's more a case of what we don't do.

0:53:010:53:04

-Isn't it?

-And if you look in here, you will see...

0:53:040:53:08

the bedroom.

0:53:080:53:10

So, what do you think?

0:53:210:53:24

Er...

0:53:240:53:26

I mean, one day, Nic, if this is what you want, but...

0:53:260:53:29

Isn't it slightly out of our price range?

0:53:290:53:33

Not all buildings deserve a second life, Mr Price.

0:53:380:53:41

Factories like this, like yours,

0:53:410:53:45

they're special.

0:53:450:53:47

Sorry?

0:53:500:53:52

Are you under the illusion that Price's is for sale?

0:53:520:53:56

Look, I know you're trying to help, but I'll make you this promise...

0:53:580:54:02

-Is this a promise like the Jimmy-Choo-shoes promise?

-Hang on.

0:54:020:54:06

-You're talking about the history of my family.

-This is the future here.

0:54:060:54:10

I don't know, Nicola, is it?

0:54:100:54:12

-If I can't get you to summon up some faith and...

-OK, give me it, Charlie.

0:54:120:54:16

Come on. What have I got to have faith in?

0:54:160:54:20

I've suggested selling the factory to a brilliant developer

0:54:200:54:24

who's done all that, made all that happen.

0:54:240:54:28

-What's your plan?

-Charlie boy!

0:54:280:54:32

I've found Soho!

0:54:320:54:34

HE LAUGHS

0:54:340:54:35

A little corner of Soho in Northampton, that brasserie.

0:54:350:54:39

I'm Lola. I'm the one designing his range of transvestite boots.

0:54:390:54:44

HE CLEARS THROAT

0:54:470:54:50

There's... There's a slight chill in the air.

0:54:500:54:55

Isn't there?

0:54:550:54:58

HE LAUGHS

0:55:050:55:07

-That is the...

-Plan.

-Yeah.

0:55:100:55:14

Listen, Nic, I have not gone into this lightly. There is a market f...

0:55:140:55:18

Can I say, before you make a fool of yourself trying to save the factory

0:55:180:55:23

because, "It's the history of my family," Richard came to see me

0:55:230:55:29

because your dad had approached him about selling up.

0:55:290:55:33

You see, you owe your father nothing, Charlie.

0:55:350:55:38

You are free

0:55:380:55:42

to walk.

0:55:420:55:44

Right, that's it! We've terminated production on all Derbys,

0:56:500:56:54

brogues and Oxfords. From now on, the factory is 100% on the new range

0:56:540:56:58

or we will not hit Milan. So, we need at least 15 new designs

0:56:580:57:03

and at least six samples of each. Remember, you're not making footwear.

0:57:030:57:09

You are not making boots. You are making 2½ feet

0:57:090:57:15

of irresistible, tubular sex!

0:57:150:57:19

None of the major firms take a stand.

0:57:220:57:24

All of the big boys hire the main runway, so we will need that.

0:57:240:57:29

We need Milan to go, like, pow! Like the two of us did at the Angel.

0:57:290:57:34

We need to take the Angel club to Milan.

0:57:340:57:37

We will take the Angel club to Milan.

0:57:370:57:40

You wouldn't put a frock on.

0:57:440:57:46

If you don't want to get off with blokes, why put a frock on?

0:57:460:57:50

The thing is, ask any woman what she likes most in a man -

0:57:500:57:53

compassion, tenderness, sensitivity.

0:57:530:57:56

Traditionally, the female virtues. Perhaps what women secretly desire

0:57:560:58:01

is a man who is fundamentally a woman.

0:58:010:58:04

Huh?

0:58:090:58:11

Er...

0:58:150:58:18

Hmm...

0:58:200:58:23

THEY LAUGH

0:58:230:58:25

-He's coming.

-Right.

0:58:290:58:31

HE LAUGHS

0:58:320:58:34

-Hello, Don.

-What do you think I could do to make me more of a man?

0:58:490:58:54

I've got paper. Write down what you think would make me more of a man

0:58:540:58:59

and I'll write down what I think would make you more of a man.

0:58:590:59:03

If I do what's on yours, you do what's on mine, right?

0:59:030:59:07

Piss off.

0:59:070:59:09

Fine.

0:59:140:59:16

So, is our Don a man, do you think?

0:59:170:59:20

Well, he dresses like one.

0:59:200:59:22

THEY LAUGH

0:59:220:59:25

-Good answer.

-I was pleased with it.

0:59:250:59:28

THEY LAUGH

0:59:280:59:30

Come on, Don, be a man!

0:59:300:59:33

-You don't have to do this.

-I do. You know why?

0:59:400:59:43

Cos what Don's written for me is easy compared to what I've written.

0:59:430:59:48

-We've 24 hours. I could do without unrest.

-Calm down. It's not boxing.

0:59:480:59:53

BELL RINGS

0:59:530:59:56

BELL GETS MUFFLED

0:59:571:00:00

Sorry.

1:00:011:00:03

'Whoo-hoo!'

1:00:031:00:06

THEY CHEER

1:00:061:00:09

HIS NECK CRACKS

1:00:101:00:12

'Wahey!'

1:00:121:00:13

HE SNIFFS

1:00:571:00:59

Play.

1:01:031:01:04

BELL RINGS

1:01:041:01:05

Go on, Don!

1:01:051:01:07

THEY SHOUT ENCOURAGEMENT

1:01:071:01:09

Do it! Do it!

1:01:101:01:13

Come on, Lola! Come on, Lola! Push, love! Push!

1:01:151:01:18

You can do it! You can do it!

1:01:181:01:21

Don't let him win!

1:01:211:01:24

Push!

1:01:241:01:26

-Do it!

-Come on, Don!

1:01:261:01:28

-Lola, push it!

-Come on, Don!

1:01:281:01:32

ALL SHOUT AT ONCE

1:01:321:01:34

Come on!

1:01:411:01:44

Come on, Lola! That's it! That's it!

1:01:441:01:47

You're going to win!

1:01:481:01:52

Come on! Whoo-hoo!

1:01:521:01:55

Come on, Lola!

1:01:551:01:58

ALL SHOUT AT ONCE

1:01:581:02:00

That's it! That's it! Yes!

1:02:001:02:02

FRENZIED SHOUTING

1:02:061:02:09

You're going to win! You're going to win!

1:02:091:02:12

That's it, Lola! Come on! Push!

1:02:121:02:16

VOICES FADE

1:02:171:02:20

CROWD CHEER

1:02:341:02:36

Yes! Come on! Come on!

1:02:361:02:40

Well done, Don!

1:02:401:02:43

Come on! Come on!

1:02:461:02:49

What are you looking at?!

1:02:511:02:53

Go on, Don! Come on!

1:02:531:02:55

HE SNIFFS AND CLEARS THROAT

1:03:021:03:04

So, the, er...

1:03:061:03:09

Yeah, well...

1:03:091:03:11

Why did you stop?

1:03:151:03:17

I wouldn't want you to walk into the factory

1:03:171:03:20

and feel that people didn't respect you, Don.

1:03:201:03:24

I wouldn't want anyone else to know what that feels like.

1:03:241:03:26

Change your mind about someone.

1:03:391:03:42

-Nice one, chap. Get the beers in.

-Yeah, yeah, yeah.

1:03:461:03:50

Oh, Christ!

1:04:171:04:20

How much does that buy us?

1:04:211:04:24

The main runway from between 4.30 to five,

1:04:251:04:28

after Closerie and before Trickers.

1:04:281:04:31

Hi, erm, listen, I'm sorry, we can't afford it.

1:04:381:04:42

HE SPEAKS ITALIAN

1:04:421:04:44

Just, just...

1:04:441:04:45

How much for the dancers?

1:04:451:04:48

Oh... This is Lola's estimate for the Blue Angel Boys and expenses.

1:04:481:04:53

-Could you get the whole thing for under 20,000?

-Why 20?

1:04:531:04:56

-Could you?

-Tell me, why 20?

-I can get that against my house.

1:04:561:05:01

What?

1:05:031:05:05

Take it.

1:05:051:05:07

At least one Mr Price didn't sit around saying, "What can I do?"

1:05:091:05:13

Take it.

1:05:131:05:15

Come on, Mel! Tea break finished five minutes ago!

1:05:201:05:23

Come on, you know where that goes.

1:05:231:05:25

-How are you getting on, George?

-Fine.

1:05:271:05:30

It's surprisingly easy if I just imagine Pat wearing them.

1:05:301:05:34

Is it?

1:05:341:05:36

George, there's an indentation in the leather. Bin it. Do it again.

1:05:361:05:42

I don't care. Redo it!

1:05:421:05:44

-What if they're not assembled?

-They'll be assembled!

1:05:441:05:48

-It's four o'clock.

-I know! If they have to work over, they will!

1:05:481:05:52

You don't get marks for effort.

1:05:521:05:54

Hmm, caffeine.

1:05:561:05:59

Give us a hand, would ya?

1:05:591:06:01

-I needed a break from Mr Shouty back there.

-He's just tense.

1:06:021:06:06

HE LAUGHS

1:06:061:06:08

-What?

-Are you aware that you do that?

1:06:081:06:11

That you instinctively defend him? Wow!

1:06:111:06:15

Look at those puppies!

1:06:171:06:19

You know, Charlie's dad used to have this theory

1:06:191:06:23

that you could tell everything about a person from their shoes.

1:06:231:06:27

-Right, come on then.

-Oh, no.

-Oh.

1:06:291:06:32

Cheap, but happy.

1:06:331:06:36

HE LAUGHS

1:06:361:06:37

HE SNIGGERS

1:06:371:06:39

Oh, very eager to please.

1:06:391:06:42

All right, those, those.

1:06:421:06:44

Shiny, but dull.

1:06:441:06:48

Oh, my God!

1:06:481:06:50

HE LAUGHS

1:06:501:06:51

-Hello, Lauren.

-Hello, Nicola. Oh, I love those shoes!

-Mmm.

1:06:511:06:56

-Charlie's treat?

-Yeah, once upon a time.

1:06:561:07:00

-What?

-A girl can live with so many once upon a times

1:07:001:07:03

before she finally has to get the Visa out and buy them.

1:07:031:07:06

-It's not like that with the factory.

-Sorry?

-Charlie.

1:07:061:07:10

He said he was going to save it. Most guys would've said,

1:07:101:07:13

"What can I do?"

1:07:131:07:14

-Yeah, I know.

-Never mind remortgaging their house.

1:07:141:07:17

You should see him in that factory. It's made him twice as determined.

1:07:171:07:23

I'm sorry, remortgage their...what?

1:07:231:07:26

No, no, no.

1:07:371:07:39

For God's sake, Melly, this is Milan! These seams aren't straight.

1:07:391:07:45

-You're rushing it.

-Pardon?

1:07:451:07:49

-You're going to have to unpick all this and start again.

-Sod that, mate.

1:07:491:07:53

-It's a Saturday!

-What?

-You've got enough completed.

1:07:531:07:56

-No, I haven't.

-Some of us have got a life outside this factory.

1:07:561:08:01

You're going to have a bloody lot more of it in a bit!

1:08:011:08:04

Mel, you don't understand, this is Milan.

1:08:041:08:09

It's Mi... How do you know what Milan is?

1:08:091:08:13

You don't know. You're guessing.

1:08:131:08:16

Perhaps you'd have it finished now

1:08:161:08:19

if you hadn't made us undo every single bloody stitch!

1:08:191:08:24

-Mel, they weren't good enough.

-They were good enough for your dad.

1:08:241:08:28

-I am not my dad!

-Hey, I'll tell you what, Charlie Price,

1:08:281:08:32

-never a bloody truer word!

-Mel.

1:08:321:08:35

SIREN WAILS

1:08:351:08:36

We have to leave at six in the morning. Please!

1:08:361:08:40

-Hello, Charlie!

-Sorry. Actually, I'm in a bit of a...

1:08:401:08:43

-crisis here.

-Oh, I think so.

1:08:431:08:48

It's bad enough you're making this kind of crap

1:08:501:08:54

thinking you'll save the factory, but you've remortgaged the house!

1:08:541:08:58

-What?! I...

-Charlie, Lauren didn't realise!

1:08:581:09:01

Our house! No-one will ever say I didn't stand by my man, Charlie.

1:09:011:09:06

I've done it.

1:09:061:09:08

I'll stand by you now, just... Reason.

1:09:081:09:11

-Nicola.

-Give me a reason!

-Down there.

1:09:111:09:16

I'm looking at you, Charlie! Give me a reason! Making porn wear for...

1:09:161:09:21

hermaphrodites!

1:09:211:09:23

-Actually, love, hermaphrodites have both reproductive organs.

-GET OUT!

1:09:231:09:28

SHE SOBS

1:09:281:09:31

Where was it for London, all this money?

1:09:361:09:40

Don't. Flat's the size of a postage stamp

1:09:431:09:47

-because "We have to be careful, Nic."

-London was for you.

1:09:471:09:51

London was for us. You wouldn't spend another five grand on us,

1:09:531:09:58

but you'll remortgage the house to keep strangers in a job!

1:09:581:10:02

I know them. It's you that doesn't know them because you never come in.

1:10:021:10:06

I've already had to fire 15 and they were the 15 worst times of my life!

1:10:061:10:12

-So sell it!

-Nicola!

-I don't get...

1:10:121:10:16

'Do they know your dad was going to sell up?'

1:10:161:10:20

You know, even your dad... Have you told them that?

1:10:201:10:23

I don't care what he was going to do! I don't care he was going to sell it!

1:10:231:10:28

I, Charlie Price, doesn't actually enjoy making people redundant!

1:10:281:10:33

'If you can't hear a reason yet, maybe you won't ever get it!'

1:10:331:10:37

Maybe you won't ever get me.

1:10:371:10:39

Maybe Nicola Marsden will never, ever quite get Charlie Price!

1:10:391:10:44

Maybe I won't.

1:10:481:10:51

HE SIGHS

1:11:471:11:48

Sod it!

1:11:481:11:50

It's probably my fault, putting Dad up, making some hero out of him.

1:11:521:11:57

You shouldn't do that.

1:11:571:11:59

I suppose I just didn't want to be the last photo in the line, you know?

1:12:001:12:04

The Price who left nothing.

1:12:041:12:07

Maybe you shouldn't judge it in bricks, Charlie.

1:12:071:12:10

Maybe you judge what you leave by what you inspire in other people.

1:12:101:12:15

MACHINERY RUMBLES

1:12:221:12:25

Charlie?

1:12:281:12:30

MACHINERY RUMBLES LOUDER

1:12:321:12:34

Excuse me. Excuse me. Excuse me, please.

1:12:361:12:39

-Coming through!

-Hurry up, Mum!

-Beep! Beep!

1:12:391:12:42

Coffee? Cup of tea?

1:12:421:12:45

-Lola.

-Charlie.

1:12:471:12:49

Did you get them to do this?

1:12:491:12:52

Brother rose to the challenge of changing his mind about someone.

1:12:521:12:57

-You?

-No, Charlie.

1:12:571:12:59

You.

1:12:591:13:01

Here we go!

1:13:461:13:48

My God.

1:14:151:14:18

Hey, everyone, the man from Milan, he say yes!

1:14:181:14:24

THEY CHEER

1:14:241:14:26

MUSIC: It's A Man's Man's Man's World by James Brown

1:14:341:14:37

Cheers!

1:14:431:14:45

# This is a man's world

1:14:461:14:49

# This is a man's world

1:14:511:14:54

# But it wouldn't be nothing

1:14:551:14:57

# Without a woman or a girl... #

1:14:591:15:04

-Wahey!

-# This is a man's world

1:15:061:15:10

# This is a man's world... #

1:15:111:15:13

THEY CHEER

1:15:131:15:15

HE LAUGHS

1:15:151:15:16

# But it wouldn't be nothing

1:15:161:15:19

# Without a woman or a girl

1:15:191:15:24

-Come on, Lauren.

-Oh, no. No.

1:15:261:15:30

# Man made the car... #

1:15:301:15:32

ALL: Ooh!

1:15:321:15:33

# To take us over the road

1:15:331:15:35

# Man made the train

1:15:371:15:39

# To carry the heavy load

1:15:391:15:42

# Man made the electric light

1:15:431:15:46

# To take us out of the dark

1:15:461:15:49

# Man made a boat for the water

1:15:501:15:52

# Like Noah made the Ark

1:15:521:15:54

# This is a man's world

1:15:541:15:57

# But it wouldn't be nothing, nothing, without a woman or a girl...

1:15:591:16:04

He's had quite an impact on us girls, hasn't he?

1:16:081:16:12

Charlie Price.

1:16:141:16:16

# Man makes them happy

1:16:161:16:18

# Cos man makes them toys

1:16:181:16:22

# And after man make everything he can

1:16:231:16:26

# Man makes money

1:16:281:16:31

# To buy from other men

1:16:311:16:34

# This is a man's world

1:16:341:16:37

# But it wouldn't be nothing, nothing, without a woman or a girl

1:16:391:16:44

# Oh!

1:16:451:16:48

# How man needs a woman... #

1:16:481:16:51

I saw a documentary once.

1:16:551:16:57

Potholers. They'd have a celebration the night before

1:16:571:17:00

in case they never came out.

1:17:001:17:02

Of course, now Northampton is the perfect venue.

1:17:021:17:06

-Oh, I...

-Oh, a little warning.

1:17:061:17:08

The answer is, "I'd love to, Lola."

1:17:081:17:11

CHATTER

1:17:161:17:18

WOMAN LAUGHS

1:17:191:17:21

Stop it!

1:17:211:17:22

-Table for one?

-Er, for two.

1:17:241:17:26

-Two? Right here.

-I'll use the toilet.

1:17:261:17:29

Toilets, yes. Just down the stairs on the left.

1:17:291:17:32

Richard.

1:17:391:17:41

-Oh, Christ!

-It's Charlie Price.

1:17:421:17:45

I know, absolutely. From Price's, yeah.

1:17:451:17:48

Wow. Erm... I didn't expect to see you at La Conceria.

1:17:481:17:52

Not one of your normal haunts, is it?

1:17:521:17:55

-I'm here having a meeting. A business thing.

-Business?

1:17:551:17:59

It never lets up, does it?

1:17:591:18:01

HE SPEAKS ITALIAN

1:18:071:18:09

HE SPEAKS ITALIAN

1:18:091:18:11

Hey, they're running away.

1:18:131:18:15

HE SPEAKS ITALIAN AND LAUGHS

1:18:151:18:17

HE GRUNTS

1:18:351:18:37

Charlie boy!

1:18:501:18:53

HE LAUGHS

1:18:531:18:56

Sorry I'm late. You know how it is. I was sitting with all my dresses

1:18:561:19:00

and I'm thinking, "Is it hot in Milan? Does it get cold at night?"

1:19:001:19:04

Oh! Thank you.

1:19:041:19:08

Ooh! You couldn't get me a Bloody Mary, could you, sweetheart?

1:19:081:19:12

-Bloody Mary for the lady.

-The potholing, I didn't mean it.

1:19:121:19:15

I don't think it will go tits up. The show, the routine!

1:19:151:19:19

Wait till you see what I've got planned for the catwalk.

1:19:191:19:22

-Lola, can you talk a bit...?

-The whole metrosexual crowd...

-Stop.

1:19:221:19:28

-What?

-People are staring. Come on, what do you want?

1:19:281:19:32

-I don't think anybody's staring.

-You're a man in a frock.

1:19:341:19:38

Even if they're not looking, they're staring.

1:19:381:19:42

I'm a... I'm a Northampton shoe designer, Charlie.

1:19:421:19:46

You're also a man in a dress.

1:19:461:19:49

You make it sound as if I put this on...

1:19:491:19:52

because of a lack of a pair of trousers.

1:19:521:19:55

Does a part of you believe that?

1:19:581:20:00

I don't know why you wear dresses and I don't think you do either!

1:20:001:20:04

-I didn't realise I was causing you trouble!

-Forget it.

1:20:091:20:12

You are a very good designer.

1:20:121:20:14

You'd like me to design and then disappear when I'm me.

1:20:141:20:18

You is the designer. This is you in a dress looking daft.

1:20:181:20:21

You don't have to do it. I don't know what you think.

1:20:211:20:24

Is it part of dodging what sex you get off on?!

1:20:241:20:27

If you think you're being mystical, being the best of either sex,

1:20:271:20:32

I have to tell you, Simon...

1:20:321:20:34

Simon.

1:20:361:20:38

Stood there in a frock right now,

1:20:381:20:41

you look like the worst bits of both.

1:20:411:20:45

Stop hiding. Be brave.

1:20:561:20:59

Decide one way or the other.

1:20:591:21:02

For my sake, tomorrow,

1:21:021:21:04

turn up looking like the picture on your passport.

1:21:041:21:07

I can't change what I want, Charlie.

1:21:531:21:56

I cannot...change what I want.

1:21:571:22:01

I cannot do that.

1:22:021:22:04

George.

1:22:111:22:13

Hey. No Lola?

1:22:131:22:15

-Hmm? George.

-Mr Price.

1:22:151:22:17

-Are we all set?

-Did she say she was going to be late?

1:22:171:22:21

No, actually, she said she was going to fly out with the girls.

1:22:211:22:25

-What, from London?

-Hey, Lola!

1:22:251:22:29

SEAGULLS SQUAWK

1:22:341:22:36

MUSIC: The Prettiest Star by David Bowie

1:22:431:22:45

# Cold fire

1:22:551:22:57

# You've got everything but cold fire

1:22:571:23:01

# You will be my rest and peace, child

1:23:011:23:05

# I moved up to take a place

1:23:051:23:08

# Near you. #

1:23:101:23:12

HE GASPS

1:23:121:23:14

SEAGULLS SQUAWK

1:23:311:23:34

MUSIC: Largo Al Factotum from The Barber Of Seville by Rossini

1:23:361:23:41

CHATTER AND MUSIC PLAYS

1:24:091:24:12

Funny, isn't it? They look quite dead like this.

1:24:291:24:32

Don't worry, George. It'll be a different story tomorrow.

1:24:321:24:36

CHEERING

1:24:361:24:37

HE GASPS

1:24:371:24:39

Look! That's us.

1:24:391:24:42

Milan main catwalk.

1:24:421:24:46

The Angel girls wearing our boys, eh, Charlie?

1:24:461:24:48

Hey.

1:25:031:25:05

You know, as Lola would say, "There's a slight chill in the air."

1:25:071:25:12

-And I'm getting worried because...

-I had an argument with her.

1:25:151:25:19

-What?

-Lola.

1:25:191:25:21

Last night in the restaurant.

1:25:211:25:23

You see... You see, she turned up in a dress

1:25:231:25:27

and I just...

1:25:271:25:29

I just... Oh.

1:25:291:25:31

She didn't go to London, did she? She didn't get on a plane at all.

1:25:361:25:41

Lauren, it was a bloke that wanted to buy the factory, Richard Bailey.

1:25:431:25:47

He was there with Nicola and I...

1:25:471:25:50

Your love life does not apply to me. There is nobody to wear our boots

1:25:501:25:55

that we have worked our arses off to get here, Charlie.

1:25:551:25:58

OK, yes, I am sorry. It's just I felt somehow useless as a man!

1:25:581:26:04

ROOM FALLS SILENT

1:26:041:26:06

Sitting there in the restaurant, I felt...

1:26:071:26:10

..somehow useless as a man.

1:26:121:26:14

So here we are again, eh?

1:26:171:26:19

Charlie Price standing in front of me

1:26:191:26:23

saying, "It's not my fault. What can I do?"

1:26:231:26:29

MOBILE BEEPS

1:26:421:26:44

MOBILE RINGS

1:26:441:26:46

-"Hello, this is Lola."

-Lola.

1:26:461:26:49

"I'm not here now. Well, I am here. You know what to do."

1:26:491:26:53

BEEPING

1:26:531:26:55

Lola, when you pick this up, this is a Charlie from Northampton.

1:26:551:26:59

CHURCH BELL TOLLS

1:27:221:27:24

CAMERAS CLICK

1:27:281:27:30

CHATTERING IN ITALIAN

1:27:331:27:36

Lorenzo! Lorenzo!

1:27:381:27:40

HE SPEAKS ITALIAN

1:27:401:27:41

OK, we have the exhibitors, please, for Price's.

1:27:411:27:47

That's me.

1:27:481:27:50

-And the dressers?

-That's me.

1:27:501:27:53

And the models?

1:27:531:27:56

That's you, as well, isn't it?

1:27:581:28:00

George.

1:28:041:28:07

OK, he's all set. He looks fantastic!

1:28:071:28:09

ITALIAN ANNOUNCEMENT

1:28:091:28:11

-..Price's."

-Go!

1:28:111:28:13

-Go!

-"Ladies and gentlemen, take your seats for the Price's collection."

1:28:131:28:17

Does he look sexy?

1:28:171:28:20

He does to me, George.

1:28:201:28:23

"Ladies and gentlemen, take your seats for the Price's collection."

1:28:321:28:38

HE MUMBLES IN ITALIAN

1:28:431:28:45

OK?

1:28:451:28:46

OK.

1:28:461:28:48

This is it. It's you, Mr Price.

1:28:481:28:52

AUDIENCE FALLS SILENT

1:29:061:29:09

(Shit!)

1:29:091:29:11

ALL MURMUR

1:29:111:29:13

Bellissimo!

1:29:181:29:20

LAUGHTER

1:29:201:29:22

AUDIENCE LAUGHS

1:29:271:29:29

AUDIENCE GASPS

1:29:431:29:45

AUDIENCE GASPS AND DOG BARKS

1:29:451:29:47

LAUGHTER

1:29:491:29:51

AUDIENCE GASPS

1:29:561:29:59

CAMERAS CLICK RAPIDLY

1:29:591:30:02

AUDIENCE GASPS LOUDLY

1:30:081:30:12

DOG WHINES

1:30:211:30:23

# You keep lying when you oughtta be truthing

1:30:481:30:50

# And you keep losing when you oughtta not bet... #

1:30:521:30:56

AUDIENCE GASPS

1:30:561:30:58

# You keep saming when you oughtta be changing

1:30:581:31:01

# Now what's right is right, but you ain't been right yet

1:31:021:31:07

# These boots are made for walking

1:31:071:31:10

# And that's just what they'll do

1:31:101:31:13

# One of these days these boots are gonna walk all over you... #

1:31:131:31:17

WHISTLING

1:31:171:31:20

# I once met a man with a sense of adventure

1:31:231:31:26

# He was dressed to thrill wherever he went

1:31:261:31:29

# He said, "Let's make love on a mountain top"

1:31:291:31:34

# "Under the stars on a big hard rock"

1:31:341:31:36

# I said, "In these shoes?! I don't think so"

1:31:361:31:40

# Here I am looking for crime, I'm looking for some action

1:31:401:31:44

# What I have a million times will give you satisfaction

1:31:441:31:47

# Don't you mess around with me, you won't know what to do

1:31:471:31:51

# Cos I'll put on my cha-cha heels and walk all over you

1:31:511:31:55

# Gimme, gimme cha-cha heels

1:31:551:31:58

# All I want is cha-cha heels

1:31:581:32:02

# Gimme, gimme cha-cha heels

1:32:021:32:05

# If I don't get my cha-cha heels

1:32:051:32:08

# I'll walk all over you. #

1:32:081:32:10

WHOOPING

1:32:101:32:13

# Zipping up my boots

1:32:131:32:15

# Going back to my roots, yeah

1:32:171:32:20

# To the place of my birth

1:32:211:32:24

# Back down to earth

1:32:251:32:28

# I'm homeward bound, got my head turned around

1:32:291:32:35

# Zipping up my boots

1:32:351:32:38

# Going back to my roots. #

1:32:381:32:41

WILD CHEERING AND APPLAUSE

1:32:411:32:44

Whoo-hoo!

1:32:441:32:46

MAN SHOUTS IN ITALIAN

1:32:501:32:53

WOMAN SHOUTS IN ITALIAN

1:32:561:32:59

Come on, Lauren!

1:33:041:33:07

Stand by your man, Lauren.

1:33:111:33:14

Thank you.

1:33:161:33:17

'Bellissimo!'

1:33:231:33:26

AUDIENCE APPLAUDS LOUDER

1:33:381:33:40

'Aw, that's sweet!'

1:33:401:33:41

'Lola, this is a Charlie from Northampton.

1:33:571:34:01

'I'm looking at a shoe-fair programme with a big gap where you should be.

1:34:011:34:05

'I have to say, unlike most people, whenever you leave, you leave a gap.

1:34:061:34:11

'You will in Northampton, you have in Milan.'

1:34:111:34:14

'Listen, if people ever tell you you look half a man, that's fine."

1:34:161:34:20

'I don't know what half a man is."

1:34:201:34:23

'I don't know what the hell a man is,

1:34:231:34:26

'but I know that if it involves being brave,

1:34:261:34:29

'you are more of a man than I will ever be. Goodbye, Lola.'

1:34:291:34:34

Don't think that's why I came.

1:34:441:34:47

I came for the adulation.

1:34:471:34:49

-Why am I leaving you?

-AUDIENCE: Aw!

1:35:071:35:11

I'm afraid in life, Lola has always been drawn to the most exciting,

1:35:111:35:17

the most daring,

1:35:171:35:19

the most...

1:35:191:35:22

sexy.

1:35:221:35:24

AUDIENCE WHOOP

1:35:241:35:26

There is tell of a mystical place far north of here

1:35:261:35:30

-called Northampton.

-AUDIENCE: Ooh!

1:35:301:35:33

Exciting because is contains a shoe factory

1:35:331:35:37

struggling to survive against all the odds.

1:35:371:35:40

Daring because it's run by a man brave enough to recognise

1:35:401:35:45

that a factory is its people, not its bricks.

1:35:451:35:49

And sexy, well,

1:35:491:35:52

because now I work there.

1:35:521:35:55

AUDIENCE: Ooh!

1:35:551:35:57

Craftsmen of fantasy for ladies, gentlemen

1:35:571:36:02

-and those of you who are yet...

-AUDIENCE: To make up your mind!

1:36:021:36:06

Tonight, I give you the Kinky Boot Factory!

1:36:061:36:11

AUDIENCE CHEERS

1:36:111:36:13

# Yes, sir, I can boogie

1:36:261:36:29

# If you stay, you can't go wrong

1:36:291:36:32

# I can boogie

1:36:321:36:35

# Boogie-woogie

1:36:351:36:37

# All night long

1:36:371:36:40

# No, sir

1:36:401:36:43

# I don't feel very much like talking

1:36:431:36:46

# Nor neither walking

1:36:481:36:50

# You want to know if I can dance

1:36:501:36:54

# Yes, sir

1:36:561:36:58

# Already told you in the first verse

1:36:581:37:01

# And in the chorus

1:37:031:37:05

# But I will give you one more chance

1:37:061:37:09

# Oh, yes, sir

1:37:091:37:12

# I can boogie

1:37:121:37:15

# But I need a certain song

1:37:151:37:18

# I can boogie

1:37:181:37:20

# Boogie-woogie

1:37:201:37:22

# All night long

1:37:221:37:26

# Yes, sir, I can boogie

1:37:261:37:29

# If you stay, you can't go wrong

1:37:291:37:33

# I can boogie

1:37:331:37:35

# Boogie-woogie

1:37:351:37:37

# All night long

1:37:371:37:42

# Yes, sir, I can boogie

1:37:421:37:44

# But I need a certain song

1:37:441:37:48

# I can boogie

1:37:481:37:50

# Boogie-woogie

1:37:501:37:52

# All night long. #

1:37:521:37:56

MUSIC: In These Shoes by Kirsty MacColl

1:38:051:38:08

# I once met a man with a sense of adventure

1:38:181:38:22

# He was dressed to thrill wherever he went

1:38:221:38:25

# He said, "Let's make love on a mountain top"

1:38:251:38:28

# "Under the stars on a big hard rock"

1:38:281:38:32

# I said, "In these shoes?"

1:38:321:38:34

# "I don't think so"

1:38:361:38:39

# I said, "Honey, let's do it here"... #

1:38:391:38:42

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