School for Scoundrels


School for Scoundrels

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DOORBELL RINGS

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-Mr Potter?

-Come in, you're late.

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I'm sorry.

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The, erm, the train.

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Punctuality is the politeness of princes, Mr Potter always says.

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Mr Potter is just starting his beginning-of-term speech.

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You'll have to wait.

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..with which sentiment I'm sure you will agree.

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You all know that in the beginning,

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there were Adam and Eve.

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You'll remember that Adam bit into that apple,

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at which moment the first loser was born.

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LAUGHTER

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Yes, the pattern was set, and the world divided,

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not into male and female. Oh, no, no, no.

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That's just a mere superficial division of minor importance.

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No, gentlemen, there is another division,

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another dichotomy,

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more basic, more profound. At that fateful moment,

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the world was divided into winners...

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and losers.

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Top men...

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and underdogs.

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In a word, the one-up...

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and the one-down.

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Ah, yes, yes, yes, yes,

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I can see the question in your hungry eyes.

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You want to know, what IS lifemanship?

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Well, gentlemen,

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lifemanship is the science of being one up on your opponents

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at all times.

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It is the art of making him feel that somewhere, somehow,

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he has become less than you -

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less desirable, less worthy...

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..less blessed.

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Who then, you ask, are your opponents?

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Everybody, in a word, who is not you.

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And the purpose of your life must be to be one up on them,

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because, and mark this well,

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he who is not one up...

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is one down.

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KNOCK ON DOOR

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Come in!

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Potter?

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Yes.

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They sometimes call me Mr Potter, but...

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I beg your pardon.

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I'm Mr Henry Palfrey.

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Ah! Sit down, Palfrey.

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Well? Tell me all about yourself, Palfrey.

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Well, it's like this, Mr Potter...

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Have a cigarette, Palfrey.

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Thank you, Potter.

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You don't mind my cigar, do you, Mr Palfrey?

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Not at all, Mr Potter.

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Thank you, Henry. Ha-ha!

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My round, I think.

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What do you mean?

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Never mind, we'll talk about that later.

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Now tell me, what first prompted you to enrol in the college?

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Well...

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frankly, Mr Potter,

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I'm a failure.

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No.

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You'll have some tea with me, won't you, Palfrey?

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-Thank you very much.

-So, you want to be a success.

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Well, I think we can help you.

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But first, I like to have a clear picture of the background

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-of every student. You're in love, of course.

-How did you know?

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Thank you, Alice. Have a muffin, Palfrey.

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Thank you.

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-Blonde?

-Erm...no, with lemon.

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The young lady... is she a blonde?

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Oh, I see!

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Er, well, not quite.

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That could be serious.

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Now, let's begin at the beginning.

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How did you first meet this not-quite-blonde young lady?

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Well, it happened on Tuesday.

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Or was it Wednesday?

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Yes, Wedn... No, it wasn't, it was Tuesday.

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I was on my way to the office in the morning as usual.

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Oh!

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Oh! Oh!

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Of all the stupid, awkward...

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Clumsy?

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..clumsy idiots. Ugh!

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I say, I'm most terribly sorry.

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Sorry? Is that all you've got to say

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when you knocked me down like a wild...

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-Uncivilised?

-..uncivilised...

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-Savage?

-Sava...

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-No, not really.

-Oh, but I am.

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Yes, I am permanently uncivilised, I'm...

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-Oh!

-What's the matter?

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-My beautiful new stocking's ruined.

-Oh!

-I'll probably sue you.

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Oh, I do wish you would. I'm fully insured, you know.

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Personal, property, accident, medical, all that sort of thing. Just take your pick.

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No, thank you, but it's very nice of you to offer.

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-Look, give me those, I'm going to be late for work.

-Under no circumstances.

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You're probably shaken or bruised.

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-The least I can do is to carry them for you.

-But then you'll be late for work.

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-Work? Oh, work! That old thing!

-Well, you do work, don't you?

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Well, of course, I do, but they can do without me for a while.

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-I'm a...well, I'm an executive.

-Oh!

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-So, the later the better, really.

-Yes, yes, of course.

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I say, are you sure you don't want to sue me?

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-Absolutely positive.

-Yes, well, erm... what about the stockings?

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I'll let you into a secret. They weren't new, anyway.

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Well, perhaps they had some sentimental value?

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Not really enough to sue for.

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Pity, really.

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SHE CHUCKLES

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-Do you always come this way to work?

-Yes, yes, I do.

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Someone's coming.

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OK, it's only the boss.

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HE WHISTLES CHEERFULLY

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Good morning!

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CRICKET COMMENTARY ON RADIO

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-What's the score?

-Shhh, I can't hear.

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Sorry.

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Miss Stevens! Miss Wilson! Appleby!

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Yes, if times were normal,

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you'd all take a week's notice, but as times are regrettably abnormal,

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I shall have to content myself with a severe reprimand

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on my return from Mr Henry's office.

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Meanwhile, back to your desks.

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KNOCKS ON DOOR

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Good morning, sir.

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Ah, the very man I wanted to see.

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Would you book a table for me at the Camellia Room

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for tonight for two, for nine o'clock?

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The Camellia Room, sir?

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I'm taking someone to dinner.

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Taking or being taken, sir?

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Taking.

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Your late uncle always used to say that the best place

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for taking was the Hampshire Buttery, sir.

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A very satisfying meal for seven and sixpence.

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Here is the morning's business, sir,

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which I had ready on your desk at nine o'clock,

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but removed to a place of safety pending your arrival.

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Thank you, Gloatbridge.

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Are there any decisions, or are they just signatures?

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I think we decided that it should be just signatures, sir,

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since you inadvertently...

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Yes.

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You will remember, I feel sure, sir, just why we decided

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it should be just signatures and not decisions.

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-Of course.

-Yes.

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Perhaps these painful memories are best forgotten, sir.

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PHONE RINGS

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Hello?

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Yes, speaking.

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Douglas, old man!

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What?

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Tell me, what time is the match on Saturday?

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Hmm?

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I'm not playing?

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I must say I'm a little surprised, yes.

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Well, who's in?

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Walter?

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But good gracious me, I can beat Walter any day of the week.

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It was 6-2, 6-3 last time.

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Hmm?

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Well, listen, Douglas,

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you know I've got absolutely nothing against Walter,

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in fact, he is, well, he is one of my best friends,

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but it's just that I've been looking forward to the game.

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I've made all my arrangements. Yes, Douglas.

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Yes, I appreciate that, but...

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Yes, Douglas.

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Yes, of course.

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Goodbye.

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Oh, Douglas!

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My regards to Walter.

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Your morning newspaper, sir.

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Hmm? Oh, yes.

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And just to start you off, sir,

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number 23 across is castles in Spain.

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Oh, erm...

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you won't forget that booking, Gloatbridge?

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The Hampshire Buttery, for two, at nine.

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The Camellia Room, for two, at nine.

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Very well, sir.

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And number 13 down is Cleopatra's Needle.

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Good evening, madam.

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Good evening, sir.

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-Good evening, sir.

-Good evening.

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-Madam.

-Good evening.

-May I take your coat?

-Thank you.

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Good evening.

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-There we are. Shall we go in?

-Oh, yes.

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HE CLEARS HIS THROAT

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HE CLAPS

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-Yes?

-Palfrey.

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-Yes?

-Table for two.

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I'm sorry, no table is free.

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-Good evening, milady.

-Good evening.

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Number 27.

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-I thought you said you'd booked.

-Yes, I did.

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Erm, excuse me, I booked.

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-Oh?

-Erm, Palfrey. Henry Palfrey.

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-Well, there's no-one here of that name.

-Palfrey.

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P-A-L-F-R-E-Y.

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My chief clerk booked it for me.

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May I see that list?

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If you please, sir.

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He must've have booked at another restaurant.

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-Maybe if you gave him something.

-Yes, of course.

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Erm...

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Do you think, perhaps, you... might have another look?

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-And what did you say the name was, sir?

-Palfrey.

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We have a Mr Poultry, here, sir, table for two at nine o'clock.

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That's me, Mr Poultry. Ha-ha! nine o'clock, Henry Poultry.

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Unfortunately, sir, it's now 9.15,

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and tables aren't held beyond the booked time.

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If you'd care to wait, I'll see what I can do for you.

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Of course.

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But look!

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There's a table over there.

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How discerning you are, madam.

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But you see, it's that gentleman's table.

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Hail, good innkeeper!

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-Hello, Sam.

-Thank you, sir.

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Rose.

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-Good evening, Mr Delauney.

-Evening, Skinner. Hello, Ray!

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Oh, hello, er...

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Palfrey.

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Hello, hello, hello.

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Where did you find this lovely creature?

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Oh, we met quite by accident, as a matter of fact.

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I was trying to catch a bus and April was...

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Well, do the decent thing, old chap. Fellow club members and that sort of thing.

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Yes, of course. Mr Raymond Delauney, Miss April Smith.

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What a romantic name.

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"Oh, to be in England now that April's here."

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How do you do?

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How do you do?

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You two chaps finished dinner already?

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We haven't even started. We can't get a table.

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Oh, fiddle-de-diddle.

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-Skinner, my guests.

-Certainly, sir.

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Now, tell me, you lovely creature...

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Oh, Palfrey, look after Skinner, there's a chap.

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Thank you, Mr Delauney.

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-Oh!

-I'm so sorry, I beg your pardon.

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Sir.

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Oh, later, later. We'll order the wine first.

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I always feel that the food should be chosen

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to suit the wine, rather than the other way, don't you?

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-Here you are.

-Thank you very much.

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Erm...number 93 looks...

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That little vineyard in the Loire Valley,

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-across the road from Pouilly.

-Carcajanette?

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-That's it.

-The '49, of course.

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-Well, if all the '47 is gone.

-Very good, sir.

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Merci.

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Number 93 looked pretty good to me.

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Really?

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Carcajanette isn't expensive - it's an honest little wine,

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especially if it's allowed to breathe for a while,

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unless, of course, the grapes have had too much of the

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Dordogne wind, in which case they have a tendency to sulk.

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-I think you'll like it.

-I'm sure I will.

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And now for the fodder.

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Monsieur.

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-Monsieur.

-Ah, splendid.

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-Shall I order for all of us?

-Oh, yes, please do.

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Thank you, but I'd like to see what there is.

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Waiter!

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What is tortue Nicoise?

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Fried turtle.

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The brain of the calf.

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The liver of the chicken.

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The legs of the frog.

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The hoof of the mountain goat in jelly.

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Tomatoes.

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Perhaps you HAD better order for all of us.

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Thank you.

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Waiter.

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-Tell the chef Mr Delauney would like to see him.

-Oui, monsieur.

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I simply gritted my teeth to hide the excruciating pain,

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and played the next three sets on strategy,

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determination, and one leg.

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How wonderful.

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Isn't that wonderful, Henry?

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Mm, wonderful.

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I play a fair game of tennis myself, you know.

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-Oh, do you...?

-Oh, yes, I remember once...

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Oh, yes, he does. Very fair game.

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As a matter of fact, you can see it for yourself.

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Palfrey, why don't you invite our little lady

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to see you play for the club on Saturday?

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-Could I?

-Erm...

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Well, the fact is they seem to have decided...

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Oh, yes, I did hear something about that.

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-Hard cheese, old boy.

-They say Walter has improved enormously.

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Still, there's no reason why our little lady shouldn't see you play. Why don't you and I have a go?

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I'm not playing for the club either...the old leg, you know.

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Well, if your leg's still troubling you...

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Oh, no, it's really quite all right for a friendly game.

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We mustn't let a minor thing like that deprive April

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of the pleasure of seeing you play, must we?

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Just don't tell Sir Humphrey.

0:18:430:18:45

My doctor.

0:18:450:18:47

Three o'clock?

0:18:470:18:48

And you must both consider yourselves

0:18:480:18:51

to be my guests afterwards.

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-Your guests?

-Oh, I insist.

0:18:530:18:55

It's only fair seeing that I've been your guest this evening.

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We'll wait for you in the lobby.

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Sorry.

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My gloves, please.

0:19:330:19:35

Thank you.

0:19:360:19:37

Yes, erm...

0:19:380:19:40

Yes, well, er... thank you very much.

0:19:400:19:44

Good night.

0:19:440:19:45

Taxi, sir?

0:19:500:19:52

Erm, no, no, erm...no, thanks.

0:19:520:19:55

I thought you might like to take a little stroll. Ha-ha.

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-So nice out tonight.

-Yes, of course.

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I'd like to offer you both a lift, but I've only a two-seater.

0:20:020:20:06

That's the most wonderful car I ever saw!

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The new Bellini 3.6.

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I could offer one of you a lift.

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No, thanks. We'll walk.

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Pity - nice night for a drive,

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wind through the hair, all that sort of thing.

0:20:190:20:21

Yes, well, good night, Delauney.

0:20:210:20:23

Good night, Mr Delauney.

0:20:230:20:25

It's been so nice meeting you.

0:20:250:20:27

The Earth shook tonight.

0:20:290:20:31

You know, I've often thought of buying a car, but...

0:20:360:20:39

Well, then I think,

0:20:390:20:41

silly, really.

0:20:410:20:43

Buses and undergrounds and...

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taxis, erm...

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Buses and things.

0:20:470:20:50

Yes, I suppose it would be a bit silly, really.

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-CAR HORN WHISTLES

-I say!

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I've just had a brilliant idea.

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Why don't I pick up our young lady and drive her to the club tomorrow?

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Save her the bus fare.

0:21:000:21:02

That won't be necessary.

0:21:020:21:03

-You're in the book?

-Uh-huh.

-2:30?

-Delauney!

0:21:030:21:06

Don't mention it, old chap, any time. Splendid!

0:21:060:21:09

ENGINE REVS, CAR HORN WOLF-WHISTLES

0:21:090:21:12

She takes the eye, doesn't she?

0:22:040:22:07

She certainly does.

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-May I try the horn?

-Certainly.

0:22:080:22:11

Dudley, gentleman would like to try the horn.

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The horn? Oh, yes, certainly, sir.

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HORN BLASTS

0:22:190:22:20

Yeah, it should give them a fair warning.

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Ha-ha-ha!

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HORN BLASTS

0:22:230:22:25

Beautiful tone, mellow, more mellow than anything.

0:22:250:22:29

HORN SQUEAKS

0:22:290:22:31

I've got a temporary flex in there.

0:22:310:22:34

It's not really wired for excessive use.

0:22:340:22:36

Oh, yes, one of the old-type exhaustible horn,

0:22:360:22:38

runs on the helical friction principle.

0:22:380:22:41

-Oh, what's that?

-Too complicated to explain.

0:22:410:22:43

I mean, either you know, or you don't.

0:22:430:22:45

-Is she fast?

-Is she fast? Timed around Silverstone, 112.73 miles per hour,

0:22:450:22:50

-and yours truly at the wheel.

-And I drove her from Doncaster to Newport, Monmouthshire,

0:22:500:22:55

in 2 hours 17 minutes. That's an average of over 70 per.

0:22:550:22:58

Oh, but that's impossible.

0:22:580:23:00

Not with the four-litre Swiftmobile - twin OHC, you know.

0:23:000:23:03

The pioneers of hemispherical combustion chambers, these people.

0:23:030:23:06

Well, name me one manufacturer what brought it out previous.

0:23:060:23:10

Oh, well, I don't really know. What year is she?

0:23:100:23:13

With this sort of car, age is really of no account.

0:23:150:23:18

Between you and me, she's a little late for my taste.

0:23:180:23:22

If I didn't know the car, I'd have my doubts.

0:23:220:23:24

1922 was a really big year.

0:23:240:23:26

Erm, how about spares?

0:23:260:23:28

HE LAUGHS

0:23:280:23:30

Spares? You never need them, my man.

0:23:300:23:32

Well, is the company still in existence?

0:23:320:23:34

They went out of business because they were too good.

0:23:340:23:37

You'd never find this kind of quality

0:23:370:23:39

-in a company that survived the Depression.

-Never.

-Never!

0:23:390:23:42

Well, I was toying with the idea of buying a new Bellini.

0:23:420:23:45

Can't get them into the country, old boy. The Bellini's a good motor

0:23:450:23:49

if you have Bellini mechanics around,

0:23:490:23:51

-but is it worth the hard cash you have to lay out?

-No!

0:23:510:23:54

Now, with the old Swiftmobile, she may lose a few inches in sheer getaway,

0:23:540:23:58

but open her up on the Great West Road

0:23:580:24:00

and you have that lovely soothing roar that will...

0:24:000:24:03

How can I call it? ..that swish of wind, that beautiful gentle yell

0:24:030:24:07

of the old type of high-point bevel transmission.

0:24:070:24:10

When you drive her, you know she's there.

0:24:100:24:12

I mean, take that gearbox.

0:24:120:24:14

You get the coarse rasp as you change down,

0:24:140:24:17

and then the familiar deep-throated grind as you move away.

0:24:170:24:20

And a real wonder, the brake snatch adjusted really hard...

0:24:200:24:24

Not hard, Dunstan, solid.

0:24:240:24:26

A really solid drive.

0:24:260:24:28

What are you asking for her?

0:24:300:24:32

-Dirt cheap, a sacrifice, sir.

-Can't be repeated.

0:24:320:24:36

The property of a Maharaja.

0:24:360:24:38

The, er, Maharaja of... Fawzigadore,

0:24:380:24:41

nephew of the cricketer.

0:24:410:24:43

Erm, what are you asking for her?

0:24:430:24:45

We had new wheels made to fit all the tyres.

0:24:450:24:47

Look at the stuff that's gone into that, sheer metal.

0:24:470:24:50

-Yes, but what are you asking for her?

-Well, we're just getting down to that.

0:24:500:24:53

-Actually, we're selling at a loss.

-We spent 750 nicker on her.

-Pounds, Dudley.

0:24:530:24:58

-Pounds.

-Oh, but that means...

-Not necessarily.

0:24:580:25:01

We like our cars going to good homes, like dogs.

0:25:010:25:04

So we're prepared to sell at the ridiculous figure of £725.

0:25:040:25:09

Oh, I couldn't possibly.

0:25:090:25:11

-715, making £715.

-I'm sorry.

0:25:110:25:15

Ah, you're weakening, you've fallen in love with her,

0:25:150:25:17

-like we did at the start, remember?

-Remember? Oh-ho-ho-ho.

0:25:170:25:22

700.

0:25:220:25:24

-Well...

-695 guineas, and that's the rock bottom.

0:25:250:25:28

-All right.

-Done.

0:25:400:25:42

-Start the car up for the gentleman, Dunstan.

-Yep.

0:25:420:25:45

Make the cheque out to bearer, if you don't mind.

0:25:450:25:47

And please don't cross it, sir, it confuses our books.

0:25:470:25:50

ENGINE CHUGGS

0:26:090:26:11

CAR BACKFIRES

0:26:140:26:15

May 21st.

0:26:150:26:16

Hmm? Oh, yes.

0:26:160:26:18

OPERA PLAYS ON RADIO

0:26:240:26:26

There we are.

0:26:340:26:36

-Thank you very much.

-Thank you, sir.

0:26:370:26:39

-Well, she's all yours.

-Here's the logbook.

0:26:440:26:46

-Hop in.

-Oh, thank you.

0:26:460:26:48

Now, there's one point to remember.

0:26:530:26:55

Don't hang on to the gear lever after you've changed.

0:26:550:26:58

She's liable to kick back.

0:26:580:27:00

Don't worry about your exhaust fumes, it's quite normal. HE COUGHS

0:27:000:27:03

And when you apply the foot brake,

0:27:030:27:05

it is advisable to apply the handbrake as well.

0:27:050:27:08

And the floorboards work on the pivot principle.

0:27:080:27:10

-It's liable to give you a start when you're not used to it.

-Oh!

0:27:100:27:12

Well, thank you both very much indeed.

0:27:120:27:17

GEARBOX GRINDS

0:27:170:27:18

-Bon voyage!

-See you again!

0:27:210:27:24

GEARBOX GRINDS

0:27:300:27:32

CAR BACKFIRES

0:27:470:27:49

CAR BACKFIRES

0:27:540:27:55

GURGLING

0:28:040:28:06

ENGINE SQUEAKS AND BANGS

0:28:100:28:12

ENGINE KEEPS RUNNING

0:28:170:28:19

HE COUGHS

0:28:380:28:39

ENGINE STOPS

0:28:450:28:47

GURGLING AND BANGING RESUMES

0:29:010:29:04

-I say, I'm frightfully sorry I'm late, April.

-Oh, that's all right.

0:29:090:29:13

It's very pleasant sitting out here in the sun.

0:29:130:29:15

That's all settled. Shall we play?

0:29:150:29:16

Erm, yes, of course.

0:29:160:29:18

Could I drive you home after the game, April?

0:29:190:29:23

-Drive?

-I have a surprise for you.

0:29:230:29:25

-You haven't bought a car?

-Mm.

0:29:250:29:27

-Get a move on.

-Er, yes, of course.

0:29:270:29:30

-Erm, would you care to come down with us?

-Mm-hm.

0:29:300:29:34

Thank you.

0:29:420:29:44

-Call.

-Rough.

0:29:470:29:50

Smooth.

0:29:500:29:52

I'll take this end.

0:29:520:29:53

No need to change, is there?

0:29:530:29:56

All right.

0:29:560:29:58

My serve, then.

0:29:580:29:59

-I'm afraid I am a bit out of practice.

-So am I.

0:30:000:30:05

Would you like 15 start or shall we play level?

0:30:050:30:08

Level!

0:30:080:30:09

-Good luck.

-Ah, no partisanship, little lady.

0:30:110:30:14

Wish Palfrey good luck, too.

0:30:140:30:16

Aren't you standing rather close to the net?

0:30:160:30:18

-No, it's my game. I move back for the second.

-All right.

0:30:180:30:22

Hard cheese!

0:30:350:30:36

Aren't you going to move back a bit?

0:30:390:30:41

No, I've changed my mind.

0:30:410:30:43

Hard cheese! 0-15.

0:30:470:30:49

Hard cheese!

0:30:580:30:59

Out, but I'll take it.

0:31:040:31:06

-Hard cheese!

-Good shot.

0:31:090:31:11

-What is it?

-0-30.

0:31:110:31:13

Didn't deserve it. Rotten stroke.

0:31:130:31:15

Hard cheese!

0:31:180:31:19

-Oh.

-Hard cheese!

0:31:220:31:24

0-40.

0:31:240:31:27

Service.

0:31:270:31:28

Ready.

0:31:280:31:30

Out! Hard cheese!

0:31:300:31:32

Oh!

0:31:370:31:38

So sorry.

0:31:380:31:40

Oh, I say, smashing cricket stroke.

0:31:400:31:44

Well, that's... 1-0.

0:31:440:31:46

-Sure you wouldn't like that handicap?

-No!

0:31:470:31:50

-Were you ready?

-Not really.

0:31:590:32:01

-Ready now?

-Right.

0:32:010:32:04

Good shot, Henry.

0:32:100:32:11

Thank you, April. Oh! Oh!

0:32:110:32:14

Hard cheese!

0:32:350:32:36

15-0.

0:32:410:32:43

-Ready?

-Right!

0:32:470:32:49

WERE you ready?

0:32:530:32:55

-Did you say yes?

-Yes!

0:32:560:32:59

30-0.

0:32:590:33:01

Pretty spin you put on them.

0:33:010:33:02

No, not really. Court's a bit uneven.

0:33:020:33:05

-Oh!

-My game. And set.

0:33:190:33:22

Sorry to keep you waiting, dear girl,

0:33:270:33:29

but we had to get our friend Palfrey here patched up a bit.

0:33:290:33:32

-Ready to go?

-Yes, erm, shall we go?

0:33:320:33:35

Of course, your new car.

0:33:350:33:37

I didn't think you'd get one so soon, Henry!

0:33:370:33:39

GURGLING AND CLANKING

0:33:390:33:42

SHE LAUGHS

0:33:460:33:48

What on Earth's that?

0:33:480:33:50

Looks like a Polish stomach pump.

0:33:500:33:53

Let's go and look at it.

0:33:530:33:55

SHE LAUGHS

0:33:580:33:59

What sort of an idiot would drive a thing like this?

0:34:010:34:04

Yes, what sort of an idiot...

0:34:040:34:05

Henry, is this...?

0:34:050:34:09

Oh, no, no, of course not.

0:34:090:34:12

I wouldn't be fool enough to buy a car like that.

0:34:120:34:15

Well, where is yours?

0:34:150:34:16

Er, well, it doesn't appear to have arrived yet. I...

0:34:160:34:20

Well, you can't expect Miss Smith to hang around all day, can you?

0:34:200:34:24

Oh, I don't mind waiting.

0:34:240:34:26

No, no, no, it doesn't matter.

0:34:260:34:28

Delauney is quite right. You mustn't wait.

0:34:280:34:31

-But I...

-No, no, no, I insist, really.

0:34:310:34:34

Splendid!

0:34:340:34:35

I know a little place down by the river

0:34:350:34:38

-where we might have a swim. Do you like swimming?

-Mmm.

0:34:380:34:41

Splendid!

0:34:410:34:43

I know a charming little pub

0:34:430:34:45

where we might have some dinner afterwards.

0:34:450:34:48

ENGINE STOPS

0:35:060:35:09

ENGINE FAILS TO START

0:35:120:35:14

And that's how it happened.

0:35:260:35:28

In fact, that's how everything always happens,

0:35:280:35:30

and then I saw your advertisement.

0:35:300:35:32

Well, what you've just told me amounts to this -

0:35:320:35:35

that you find yourself constantly in a one-down position

0:35:350:35:38

to the world in general,

0:35:380:35:40

and to this young female in particular.

0:35:400:35:42

Oh, well, before we go any further,

0:35:420:35:44

I think I ought to mention the little matter of fees.

0:35:440:35:48

Oh, yes, yes, of course.

0:35:480:35:49

Yes, well, these vary, of course,

0:35:490:35:52

according to the needs of the individual,

0:35:520:35:54

rates of progress and so on, but in all cases,

0:35:540:35:58

we ask for a registration fee of £250,

0:35:580:36:02

paid in advance, of course.

0:36:020:36:04

This fairly substantial sum is the first psychological process

0:36:050:36:09

we bring to bear on the student to encourage him

0:36:090:36:13

to associate himself with...

0:36:130:36:16

with the effort.

0:36:160:36:17

It is, in fact...

0:36:170:36:19

Well, it's part of the treatment.

0:36:190:36:21

I see.

0:36:230:36:25

Oh, well, erm...

0:36:250:36:26

I'd better write you a cheque.

0:36:260:36:28

I'm sorry I haven't a pen.

0:36:300:36:32

It's all right.

0:36:320:36:34

That's a very handsome one of yours. May I see it?

0:36:390:36:42

No, no, no, when you're finished.

0:36:420:36:44

Now, I hope you notice that I do not stand hovering over you

0:36:510:36:54

with a pen ready whenever I want you to sign a document

0:36:540:36:57

in my favour. On the contrary, I get you to use your own.

0:36:570:37:00

Erm, excuse me. Could I...?

0:37:000:37:04

-What?

-The pen.

0:37:040:37:07

Well?

0:37:080:37:10

Could I have it back, please?

0:37:100:37:12

Of course.

0:37:130:37:15

-Sorry.

-Ah, you're sorry.

0:37:150:37:18

That was lesson number two.

0:37:180:37:20

I managed to make you feel apologetic and somehow mean

0:37:200:37:23

by forcing you into a choice

0:37:230:37:24

between losing a valued possession

0:37:240:37:26

or indirectly accusing me of trying to steal it. D'you see?

0:37:260:37:29

-I see. Yes.

-Good, good.

0:37:290:37:32

Well, Mr Palfrey, I think you're about ready

0:37:320:37:34

to start the course in earnest. Let me see now.

0:37:340:37:37

-Yes, you are just in time for the partymanship class.

-RINGS BELL

0:37:370:37:40

Good afternoon, Palfrey.

0:37:400:37:42

Good afternoon.

0:37:420:37:44

-Oh, erm, thank you for the tea.

-Ah.

0:37:440:37:46

Now, one of the basic areas in which a lifeman

0:37:540:37:57

must put his lifemanship into play is the social gathering,

0:37:570:38:01

or, as it's sometimes called, the party.

0:38:010:38:03

Sooner or later during the party,

0:38:030:38:06

one person begins to dominate.

0:38:060:38:07

That person must be you.

0:38:070:38:10

Does anybody know an amusing story?

0:38:100:38:13

-I do, sir.

-Good.

0:38:130:38:15

Well, suppose this were a party,

0:38:150:38:17

and suppose that Dingle here has been having rather a success

0:38:170:38:21

with his fund of amusing stories. What would the lifeman do?

0:38:210:38:26

Leave, and go to another party?

0:38:260:38:29

No, Fleetsnod.

0:38:290:38:31

The true lifeman would rather die first.

0:38:310:38:35

He stops the flow.

0:38:360:38:39

To demonstrate...

0:38:390:38:41

Dingle, tell us your amusing story.

0:38:410:38:44

Well, there was this chap,

0:38:440:38:47

had a bit too much to drink, if you know what I mean.

0:38:470:38:50

Well, sir, he finds himself walking home

0:38:500:38:54

with one foot on the kerb and one foot on the road.

0:38:540:38:57

Looks down and says,

0:39:020:39:04

"My word, that's funny. When I left home this morning,

0:39:040:39:07

"they were both the same length!"

0:39:070:39:08

LAUGHTER

0:39:080:39:10

Very good, Dingle.

0:39:120:39:15

Most amusing.

0:39:160:39:19

Where did I leave my pipe?

0:39:190:39:21

Sir!

0:39:240:39:25

I'm most terribly sorry.

0:39:280:39:30

I'd no idea.

0:39:300:39:32

It's quite all right, Dingle.

0:39:320:39:35

You couldn't have known about this old war wound of mine, could you?

0:39:350:39:38

-No, sir.

-Feeling bad, Dingle?

0:39:380:39:41

Feel like telling another story, Dingle?

0:39:410:39:44

You see, gentlemen, the flow has been stopped.

0:39:460:39:49

Out!

0:40:020:40:04

Now, what's your move?

0:40:040:40:06

Did you say in or out, sir?

0:40:070:40:10

Well, I thought it was out.

0:40:100:40:12

But would you care to have it again?

0:40:120:40:15

No, just in future,

0:40:150:40:16

would you kindly state in a loud and clear voice

0:40:160:40:19

whether the ball is in or out?

0:40:190:40:21

Hmm, you're getting it, Palfrey.

0:40:210:40:23

Now, suppose you are completely outclassed,

0:40:230:40:25

and your one chance is in taking your opponent's eye off the ball

0:40:250:40:28

-and keeping it off. Go on. Let's see what you do.

-Hmm? Right.

0:40:280:40:32

I'm so sorry!

0:40:410:40:44

Sweaty hands.

0:40:440:40:46

Is it bleeding much?

0:40:460:40:48

Let us assume that Proudfoot here has made a break of eight

0:40:520:40:57

and looks as if he is going on to make eight more.

0:40:570:41:00

Erm, would you mind?

0:41:000:41:01

Just a minute.

0:41:040:41:06

That's better.

0:41:090:41:10

Are they bothering you at all?

0:41:120:41:14

Who?

0:41:140:41:15

Dingle and Brazier?

0:41:150:41:17

I'm sorry. Go ahead.

0:41:220:41:24

Shhh!

0:41:250:41:28

Bad luck, Proudfoot.

0:41:280:41:30

Four to me.

0:41:300:41:32

-KITTENISH VOICE:

-You mean you do your own cooking?

0:41:360:41:39

Oh, yes, and washing-up and all that.

0:41:390:41:41

Well, it's quite fun, really.

0:41:410:41:44

-Henry?

-Mm-hm?

0:41:450:41:48

You have a hole in your sock.

0:41:480:41:50

Oh, I'm afraid I'm not very good at darning yet,

0:41:500:41:54

but I'm learning, you know.

0:41:540:41:57

Oh, poor Henry!

0:41:570:41:59

It's not right for you to do your own washing and cooking.

0:41:590:42:03

I wish I could come and do it for you.

0:42:030:42:07

Oh, I do wish you would.

0:42:070:42:09

How would tomorrow evening suit?

0:42:090:42:12

-MATRONLY VOICE:

-That's fine, Mr Palfrey, fine.

0:42:160:42:19

You're ready to move on to the next class.

0:42:190:42:22

Thank you, Mrs Grimmet.

0:42:220:42:24

Well, Palfrey, having used various ploys

0:42:310:42:34

with which you are now familiar, let us imagine that here she is

0:42:340:42:37

alone with you in your flat.

0:42:370:42:39

Her little heart a-flutter and a-tremble.

0:42:390:42:42

What then is your next move? Well, we have a little gadget here,

0:42:420:42:44

which we developed in our early days at Yeovil.

0:42:440:42:47

CREAKING

0:42:470:42:48

Ah, there it is.

0:42:480:42:49

What your follow-through might be is no concern of mine.

0:42:490:42:53

However, it has two serious disadvantages.

0:42:530:42:56

First, it smacks a little of impatience, hmm?

0:42:560:43:00

And secondly, it is by no means inexpensive.

0:43:000:43:02

So, except for our wealthier and less patient students,

0:43:020:43:05

we recommend a subtler and more economic ploy.

0:43:050:43:10

Well, now, I'll try to give you an example

0:43:100:43:12

of what might happen if luck is on your side.

0:43:120:43:15

You offer her a drink, which we'll assume she accepts.

0:43:150:43:18

A reasonable assumption.

0:43:180:43:20

So, let's imagine that this glass is filled to the brim

0:43:200:43:23

with some refreshing liquid.

0:43:230:43:24

Having made sure that the part she is going to hold it by

0:43:240:43:27

has been treated so that it is very, very slippery indeed.

0:43:270:43:31

-Why?

-Because, Palfrey,

0:43:310:43:33

we are hoping for the best of all possible accidents. Barbara.

0:43:330:43:37

-Ooh!

-Ha ha ha! Palfrey,

0:43:370:43:38

your luck is in, look, it has worked.

0:43:380:43:41

The glass has slipped out of her hand

0:43:410:43:44

and she spilt the stuff all down her dress. You, of course,

0:43:440:43:47

are frightfully upset, but the main point is

0:43:470:43:49

you cannot let her stand around with a wet dress on now, can you, hmm?

0:43:490:43:53

No, of course you can't, so being a gentleman,

0:43:530:43:55

you offer her your dressing gown while her dress is drying,

0:43:550:43:58

and that, I think, places you quite definitely one up.

0:43:580:44:01

If not more.

0:44:010:44:03

According to just how much of a gentleman you are.

0:44:030:44:06

Well, Palfrey, the dressing gown!

0:44:060:44:10

Palfrey, the dressing...

0:44:100:44:12

-Palfrey!

-Hmm?

0:44:150:44:17

Oh, er, yes, dressing gown.

0:44:180:44:21

Well, gentlemen, having delivered myself of these

0:44:260:44:29

qualified congratulations, I think you are now ready to

0:44:290:44:32

move on to the second phase of our work.

0:44:320:44:34

From the theory to the practice of lifemanship,

0:44:340:44:37

or, as we say here at Yeovil, to the field trials.

0:44:370:44:40

Each of you in turn will now proceed to the archives room

0:44:400:44:42

where you will find photographic records

0:44:420:44:44

of all known anti-lifemen,

0:44:440:44:46

and from these you will select your opponents,

0:44:460:44:48

and, under the guidance of an instructor,

0:44:480:44:50

proceed into the outside world, there to cross swords with them.

0:44:500:44:55

Come along, Palfrey, you first.

0:44:550:44:56

It's him, that bloke we sold the Swiftmobile to.

0:45:160:45:19

-What? Is he alone?

-He's got the car with him.

0:45:190:45:22

I say, sir.

0:45:260:45:27

-Yours?

-Yes, yes.

0:45:280:45:30

Do you mind if I look inside?

0:45:340:45:36

-Thanks.

-There we are.

0:45:360:45:39

How about that for an engine, eh?

0:45:390:45:41

Marvellous job.

0:45:420:45:44

-He's waving to us.

-No, he isn't. He's shaking his fist.

0:45:440:45:47

The, erm... When you get round the other side,

0:45:480:45:51

look as if you're making me an offer, will you?

0:45:510:45:54

-Anything you say.

-Come and have a look at the altimeter.

0:45:540:45:58

I don't suppose you'd part with her, eh?

0:46:010:46:03

Ah-ha-ha! No, no, no, no.

0:46:030:46:05

I've had so many offers for this car, I can't tell you.

0:46:050:46:08

-But I'm not selling.

-Do you mind if I, er...?

0:46:080:46:11

No, no, no, help yourself, by all means, have a good look around.

0:46:110:46:13

Good morning, chaps.

0:46:130:46:15

Thought I'd bring the old girl back to show you.

0:46:170:46:19

-We never guaranteed anything.

-No, you can't touch us. We're insured.

0:46:190:46:22

What did you say you got out of her? 112?

0:46:220:46:24

I never said anything. Dunstan let her out.

0:46:240:46:26

-He's not good at figures.

-I had her up to 115.

0:46:260:46:29

-What?!

-Ha! On Western Avenue. Easy.

0:46:300:46:33

Raced a brand-new Jag all the way from Northolt to Ealing.

0:46:340:46:37

You know, I honestly believe you chaps don't know what that car really is.

0:46:370:46:41

She's a Swiftmobile 1924.

0:46:410:46:43

-You really believe that?

-Yeah.

0:46:430:46:44

I mean, you had no idea what it was you were selling me?

0:46:440:46:48

Always collects a crowd, she does.

0:46:480:46:52

She's not a Swiftmobile 1924. She's one of THE Swiftmobiles, 1925,

0:46:520:46:57

a supercharged Ravalli model.

0:46:570:46:58

Oh, superficially like a run-of-the-mill '24, I grant you,

0:46:580:47:02

but, ha-ha, one look at the valve seats...

0:47:020:47:04

Didn't I tell you, Dunstan?

0:47:040:47:05

I don't get it. Will you talk English?

0:47:050:47:07

Of course, I had a bit of trouble with her at first.

0:47:070:47:09

You chaps had been trying to run her on ordinary petrol.

0:47:090:47:11

She takes a petrol-meths mixture like the old Borottis.

0:47:110:47:14

And then the multi-hydro nuts on the brakes were all oiled up,

0:47:140:47:17

and the special two-way camshaft was bent.

0:47:170:47:18

Ha! No wonder the steering was all to pieces, ha!

0:47:180:47:21

So, I've had her stripped right down and...

0:47:210:47:23

well, now I reckon that car is practically priceless.

0:47:230:47:26

In fact, I've already been offered almost three times

0:47:260:47:28

-what I gave for her by Brassy Digger.

-The racing driver?

0:47:280:47:31

He had her round the track at Silverstone, lapped at 121.7.

0:47:310:47:34

I said to Dunstan. Didn't I, Dunstan?

0:47:340:47:36

I said, "I'd like Mr Palfrey to have that car,

0:47:360:47:38

"cos he'll know how to handle her, he'll appreciate her."

0:47:380:47:41

Yes, that's right, that's why we let you have her cheap.

0:47:410:47:43

We like our motorcars to go to good homes, like dogs.

0:47:430:47:46

Brassy's coming round here, as a matter of fact, see if you can try and get him one.

0:47:460:47:49

Oh, I told him it was absolutely useless.

0:47:490:47:51

Only six of them ever made.

0:47:510:47:52

Still, you know him, when he's set his heart on a thing,

0:47:520:47:55

he's prepared to pay... oh, anything.

0:47:550:47:58

Mind you, once you've driven a car like that...

0:48:000:48:03

well, you have driven it. There's no getting away from it.

0:48:030:48:06

And what an experience it is!

0:48:060:48:07

Well, I must be getting along.

0:48:070:48:10

Wait a minute, Mr Palfrey, don't be in a rush.

0:48:100:48:12

I've been thinking about that car.

0:48:120:48:14

It is a shade big for town work.

0:48:140:48:17

-Oh, I don't know.

-Yes, that's right, sir

0:48:170:48:19

That'll be more for a racing driver, like Mr Digger.

0:48:190:48:22

I was saying to Dunstan, wasn't I, Dunstan?

0:48:220:48:24

-You were, Dudley?

-I was saying I'm worried about Mr Palfrey having that car.

0:48:240:48:28

I'm worried about him parking it in town.

0:48:280:48:30

I'm worried about him being stopped for speeding.

0:48:300:48:33

I mean, have you tried driving her under 40, that's all I am asking, have you tried?

0:48:330:48:38

Yes, you want something smaller. Something like this, for instance.

0:48:380:48:41

More your type of thing altogether.

0:48:410:48:43

We can do a straight swap, nothing in the books.

0:48:430:48:46

You're not seriously suggesting I should trade a Swiftmobile for one of those?

0:48:460:48:50

New one, mind you. Ex-works.

0:48:500:48:52

No, no, Dunstan, complete with engine.

0:48:520:48:55

-THEY LAUGH

-Oh, come, gentlemen.

0:48:550:48:57

Why, I could sell it to Brassy myself.

0:48:570:48:59

-Ah, a new car and ten pounds.

-Guineas.

0:48:590:49:03

A new car and 100 guineas would be nearer the mark.

0:49:030:49:05

-It's a deal.

-Do you want it in cash?

0:49:050:49:07

Now, don't rush me.

0:49:070:49:08

I shall probably finish up by doing something I regret.

0:49:080:49:12

Maybe she is a bit large for town.

0:49:140:49:17

-Cash, did you say?

-Cash.

0:49:310:49:33

-It's a deal.

-Done! Dunstan, open the door for the gentleman.

0:49:330:49:37

-Thank you.

-There we are.

0:49:390:49:41

-And believe me, sir, you've made a very shrewd move.

-Excellent!

0:49:410:49:45

-The ignition key.

-Thank you.

-Log book's in the pocket.

0:49:450:49:48

Thank you, gentlemen. Give my regards to Brassy when you see him,

0:49:480:49:52

and don't forget! One of petrol, two of meths.

0:49:520:49:56

It's all theirs now, sir. Make them an offer.

0:50:000:50:03

I'm sorry, sir, this car is not for sale.

0:50:130:50:15

Oh, lucky I'm not interested.

0:50:150:50:17

ENGINE GURGLES

0:50:290:50:33

CAR BACKFIRES

0:50:360:50:38

EXPLOSIONS

0:50:400:50:41

Make yourself comfortable.

0:51:050:51:06

Mr Gloatbridge, could you come in here for a moment, please?

0:51:060:51:10

Unusually early this morning, Mr Henry.

0:51:100:51:12

-You know very well the mail isn't sorted until...

-I'm not interested in the mail.

0:51:120:51:15

Would you kindly come in here and bring the cash ledger with you?

0:51:150:51:19

Yes, Mr Henry.

0:51:190:51:20

-You just talk a lot of high finance and figures...

-KNOCK ON DOOR

0:51:240:51:27

-Come!

-Some figures.

-Thank you.

0:51:270:51:30

-Capitalisation...

-Just one moment.

-12.5?

-Very reasonable, I should say.

0:51:320:51:38

THEY MUTTER TO EACH OTHER

0:51:380:51:40

Ah!

0:51:410:51:42

Er...cigarette, Mr Gloatbridge?

0:51:440:51:47

-I haven't smoked for ten and a half years.

-No?

0:51:470:51:50

I've practically given it up myself,

0:51:500:51:53

but I still find it helps me at, erm...difficult moments.

0:51:530:51:57

You sure you won't change your mind?

0:51:570:51:59

No, thank you, Mr Henry.

0:51:590:52:02

Gloatbridge... What would you think about a merger with ACI?

0:52:020:52:07

A merger, sir? With the biggest firm in the city?

0:52:070:52:10

Mr Henry, you can't be serious!

0:52:100:52:12

Probably nothing will come of it. I haven't decided yet.

0:52:120:52:14

But I've been having some discussions on a very high level

0:52:140:52:17

these few weeks I've been away.

0:52:170:52:19

Sir John Carruthers, the chairman of ACI, seems very keen.

0:52:190:52:23

I can only say, Mr Henry,

0:52:230:52:25

that I don't think your uncle would've been very keen.

0:52:250:52:28

My uncle, Gloatbridge, being dead, is hardly in a position

0:52:280:52:31

to express an opinion, nor is he in full possession of the facts.

0:52:310:52:36

-May I see that ledger?

-Really, Mr Henry, I always understood

0:52:360:52:39

that no major policy decisions

0:52:390:52:41

would be taken without consulting me.

0:52:410:52:43

I've been with this firm for 32 years now,

0:52:430:52:45

and that's a very long time.

0:52:450:52:48

32 years. Have you really?

0:52:480:52:50

That is indeed, as you say, a very long time, Gloatbridge,

0:52:500:52:53

perhaps almost...

0:52:530:52:55

Oh, well, may I see the ledger?

0:52:550:53:00

Thank you. Just get me last year's as well, would you?

0:53:010:53:05

Yes, Mr Henry.

0:53:050:53:07

Not bad, not bad at all. I liked the merger idea,

0:53:170:53:20

and I also enjoyed the suggestion that I was Sir John Carruthers.

0:53:200:53:25

Though the Chairman's name happens to be Abe Spoonforth.

0:53:250:53:28

I see you can't use kid gloves with a man like Gloatbridge.

0:53:280:53:32

I suppose, you know, there's an obvious move now.

0:53:320:53:35

I know. A slight addition...

0:53:350:53:39

..here?

0:53:400:53:42

Well, of course.

0:53:440:53:45

Thanks to your interpolated accountancy class.

0:53:460:53:49

Ah. Erm, Gloatbridge,

0:53:520:53:54

I may be wrong, but...

0:53:540:53:56

just check that total for me, would you, please?

0:53:560:54:00

-Yes, of course.

-Don't hurry. Take your time.

0:54:000:54:04

GLOATBRIDGE COUNTS IN WHISPERS

0:54:070:54:09

That's very odd, I...

0:54:180:54:19

-I seem to make it...

-283?

0:54:190:54:22

I...I can't understand it.

0:54:220:54:24

But the total entered here is...273. In your handwriting, I believe.

0:54:240:54:29

-Correct me if I'm wrong.

-But there must be some mistake.

0:54:290:54:33

I've never made an error like this

0:54:330:54:34

in all the years that I have been with...

0:54:340:54:36

Never mind, Gloatbridge, we're all of us human, after all.

0:54:360:54:39

I'm not going to suggest that I should check the figures daily.

0:54:390:54:42

I still have confidence in you. I want you to understand that.

0:54:420:54:45

But I think perhaps that I should keep a firmer grip

0:54:450:54:47

on the financial side of the business in future. Would you agree?

0:54:470:54:51

Oh, yes, of course, Mr Henry.

0:54:510:54:52

But I feel I ought to apologise, I don't quite know what to say.

0:54:520:54:55

Don't worry, Gloatbridge. Cigarette?

0:54:550:54:58

Oh, thank you, sir.

0:54:580:55:01

Now, about this projected merger,

0:55:120:55:14

erm, don't mention it to the rest of the staff.

0:55:140:55:17

If it happens, it might mean, erm...changes.

0:55:170:55:24

I quite understand, Mr Henry.

0:55:240:55:26

Ah, yes. Now, I must phone ACI.

0:55:260:55:29

Give me a line, would you, please?

0:55:310:55:34

Thank you.

0:55:340:55:36

Hello, ACI? Boardroom, please.

0:55:450:55:48

Hmm? Oh, it's you, Delauney.

0:55:480:55:50

Oh, I'm so sorry. Henry Palfrey here.

0:55:500:55:55

Oh, that stupid girl on the switchboard

0:55:550:55:56

told me it was the ACI call... No, no, just a moment.

0:55:560:55:59

There was something I wanted to talk to you about.

0:55:590:56:02

Ah, yes, are you free for a return match on Saturday?

0:56:020:56:06

Gloatbridge? Right, thank you, thank you.

0:56:070:56:10

Hmm?

0:56:100:56:11

HE LAUGHS

0:56:120:56:14

Yes, I suppose I am a glutton for punishment.

0:56:140:56:16

Yes, yes, do. That's very kind of you.

0:56:160:56:19

I've never ridden in a Bellini.

0:56:190:56:21

No, don't worry. I'll be ready.

0:56:210:56:26

Quarter to three.

0:56:260:56:28

Goodbye.

0:56:280:56:30

GLOATBRIDGE COUGHS

0:56:300:56:31

What's up with the boss this morning, Mr Gloatbridge?

0:56:360:56:39

Mr Henry and I have been discussing important policy matters at a very high level.

0:56:390:56:43

I am not at liberty to say any more.

0:56:430:56:45

-Oh, Gloatbridge!

-Mr Henry.

0:56:470:56:50

We'll go into that little matter in greater detail tomorrow.

0:56:500:56:53

Yes, of course, Mr Henry, certainly. Anything you wish...

0:56:530:56:55

-Good morning, sir.

-Miss Stevens,

0:56:550:56:58

fetch me all the ledgers for the past five years.

0:56:580:57:00

Miss Wilson, bring me up the adding machine, and...

0:57:000:57:03

Appleby, get me a cup of tea.

0:57:030:57:05

CAR HORN WOLF-WHISTLES

0:57:190:57:21

Hello! What are you doing here?

0:57:390:57:42

What am I doing here?! We said quarter to three, didn't we?

0:57:420:57:45

Quarter to...

0:57:450:57:47

Oh, my dear fellow, I'm so sorry!

0:57:470:57:50

I forgot all about it. I'll be down in a flash.

0:57:500:57:53

Don't be long, we're picking April up on the way.

0:57:530:57:55

-April? April who?

-Miss April Smith!

0:57:550:57:59

All right, down in a minute.

0:57:590:58:02

CAR HORN WHISTLES

0:58:470:58:50

Coming!

0:58:590:59:01

En garde!

0:59:170:59:19

CAR HORN WHISTLES

0:59:200:59:22

HENRY WHISTLES IN REPLY

0:59:220:59:24

-So sorry, old man.

-At last. Come on.

0:59:420:59:45

I say, what a beautiful day!

0:59:450:59:47

For Pete's sake, hurry up! We're late for April already.

0:59:470:59:50

Oh, don't worry, she won't be ready. You know women. Ha-ha!

0:59:500:59:53

-Ooh! I've forgotten something.

-What?

0:59:530:59:55

Er, my shoes. I won't be a moment, won't be a moment!

0:59:550:59:58

-Here we are. All present and correct.

-Get in.

1:00:111:00:15

-Oh, just a moment.

-What is it now?

1:00:151:00:16

My racquet. Er, hang on. Um...

1:00:161:00:18

Did I leave it at the club, or is it upstairs under the bed?

1:00:181:00:21

-Under the bed?!

-I'd better go and look, just to make sure.

1:00:211:00:23

Look, get in, you can borrow mine.

1:00:231:00:25

-But what are you going to do?

-I've got two.

1:00:251:00:27

But I can only play with a 16-ounce, and I know your old one is...

1:00:271:00:29

Well, you can use my new one. Get in!

1:00:291:00:31

Well, that's very decent of you, old boy.

1:00:311:00:34

Thank you very much.

1:00:341:00:36

I say, you did see that light, didn't you?

1:00:511:00:55

I saw the light perfectly.

1:00:551:00:56

-You did say April Smith, didn't you?

-Yes, I did.

-Has she moved?

-Why?

1:01:041:01:08

Well, if she's still in Oakshades Avenue, you've taken the wrong turning.

1:01:081:01:11

Quickest way was to take the last turning left, then first right over the railway bridge.

1:01:111:01:15

-Are you sure?

-Yes, honestly. It takes minutes off it.

1:01:151:01:17

I should turn around, if I were you. Here.

1:01:171:01:19

-No, wait a moment. Better still, go left, then left again.

-There?

1:01:191:01:24

Wait a moment. Hang on.

1:01:291:01:31

The second...

1:01:371:01:39

No, no, no, no, the third on the right, here.

1:01:401:01:43

That's it.

1:01:461:01:47

I think.

1:01:501:01:52

Turn right. Mind that tree!

1:01:531:01:56

A tree in the middle of the road.

1:02:001:02:02

-Are you sure you know the way?

-Positive.

1:02:021:02:04

Turn right, then bear left at the waterworks.

1:02:091:02:13

TYRES SCREECH

1:02:131:02:15

That's the idea.

1:02:151:02:17

-I say, I'm terribly sorry. I...

-Sorry?

1:02:251:02:28

Trouble is, I'm only used to this shortcut after dark.

1:02:281:02:31

-After dark!?

-By the way, did I say turn left at the waterworks?

1:02:311:02:35

-Yes, you did.

-Oh, I am a fool, I meant right.

1:02:351:02:37

Why couldn't you keep your ruddy mouth shut and let me go my way?!

1:02:371:02:40

But this way is far quicker, old chap.

1:02:401:02:42

THUD

1:02:421:02:44

Oh, I say, bad luck!

1:02:441:02:47

New paintwork, too.

1:02:471:02:49

-She didn't wait.

-Women. They're all the same.

1:03:151:03:17

All that rush for nothing.

1:03:171:03:19

I must say, I'm looking forward to trying that new racquet.

1:03:191:03:22

ENGINE STALLS

1:03:231:03:25

What on Earth was that?

1:03:271:03:28

-Can I help, old man?

-It's the exhaust.

-Oh, bad luck.

1:03:331:03:37

You know, it must've happened when you bashed into that brick wall.

1:03:371:03:41

Have you got a piece of string?

1:03:431:03:46

CAR CLATTERS

1:03:491:03:51

-Well, we made it.

-No thanks to you.

1:03:531:03:56

Whose is that car? I haven't seen it here before.

1:03:591:04:02

-Er, oh, it's mine, actually.

-Yours?

-Yeah.

1:04:021:04:05

-What's it doing here?

-Er, oh, I had the racing heads taken off.

1:04:051:04:09

I knew you were picking me up anyway, so I asked the garage to deliver it here.

1:04:091:04:12

Shall we go?

1:04:121:04:13

Ah! We've got court two, I see.

1:04:341:04:36

All right, I'll get some balls, you get the racquets.

1:04:361:04:38

-Aren't you going to change?

-Mmm? Oh, only my shoes.

1:04:381:04:41

I always think it's a bit pompous

1:04:411:04:43

to dress up in whites for a friendly game, don't you?

1:04:431:04:46

Oh, I say! You're putting it on a bit, old man, aren't you?

1:04:481:04:52

Oh, Mr Delauney. I was just going to give your court to the General.

1:04:531:04:56

-It's 3:30, you know.

-Sorry, Carpenter.

1:04:561:04:58

-3:30, sir, see that?

-Sorry, sir.

1:04:581:05:00

But Palfrey wasn't quite ready when I made the call for him.

1:05:001:05:03

Don't try to put the blame on someone else, sir.

1:05:031:05:05

The court was booked in your name and you're 30 minutes late.

1:05:051:05:08

-That's all I want to know.

-Carpenter, complaints book.

1:05:081:05:12

Thank you very much.

1:05:341:05:35

-Right, call.

-Rough.

1:05:371:05:40

Rough, it is. Oh, lucky!

1:05:401:05:41

-Side or service?

-Oh, I'll serve.

1:05:411:05:44

All right, well, I'll take this side.

1:05:441:05:47

-You'll have the sun in your eyes.

-Well, we're changing, aren't we?

1:05:471:05:50

-Huh.

-I say!

-Hmm?

1:05:501:05:53

-Shut the gate, old man, would you?

-Shut..?

1:05:531:05:55

-Is the net all right?

-Mm?

1:06:021:06:03

Er, would you like it a little lower?

1:06:031:06:06

I'm ready.

1:06:141:06:15

I say!

1:06:181:06:20

I've just seen the General over there talking to the Secretary.

1:06:261:06:29

Do you think I ought to tell him it was my fault we were late?

1:06:291:06:32

No!

1:06:321:06:33

Right.

1:06:331:06:34

No!

1:06:441:06:46

Bad luck. 0-15.

1:06:481:06:50

Ha-ha-ha-ha!

1:06:521:06:56

Oh, bad luck! 0-30.

1:06:581:07:02

-Have it again.

-It was out!

1:07:051:07:07

Well, I honestly couldn't see.

1:07:071:07:09

The sun was in my eyes. Could quite easily have been in.

1:07:091:07:11

-Have two more.

-It was out!

1:07:111:07:13

All right!

1:07:141:07:16

Oh!

1:07:201:07:21

Oh, bad luck! Awfully good serve, though.

1:07:241:07:27

0-40.

1:07:271:07:30

Hard cheese!

1:07:371:07:39

1-0.

1:07:391:07:40

I say, this is a wonderful racquet.

1:07:441:07:46

Your service.

1:07:461:07:48

Fault!

1:07:581:08:00

-Sorry.

-But yours was in.

-Was it?

1:08:031:08:07

-I thought it was a fault.

-It was well in.

-Well, I couldn't see.

1:08:081:08:11

-I'd have thought you'd have shouted if it was in.

-Oh, have it again.

1:08:111:08:15

Oh, no, no, no. I couldn't have got your return, anyway. 0-15.

1:08:151:08:19

-Have it again.

-No, no, no, honestly.

1:08:191:08:21

I insist that you have it again!

1:08:211:08:25

Oh, all right.

1:08:251:08:26

BALL WHIPS PAST

1:08:311:08:32

Oh, bad luck!

1:08:321:08:34

I feel really bad about that one. 15-0.

1:08:341:08:38

CONVERSATION MUTED

1:09:181:09:20

5-0.

1:09:421:09:43

I say, old chap, I feel I've got rather an unfair advantage.

1:09:431:09:46

I do wish you'd swap racquets.

1:09:461:09:47

I'm perfectly happy with the one I've got.

1:09:471:09:50

No, no, no, I insist. After all, this one is yours.

1:09:501:09:52

Let me have a shot with that old one. Ha-ha-ha!

1:09:521:09:56

Gently, now!

1:10:051:10:09

Don't know your own strength with that racquet.

1:10:091:10:12

15-0.

1:10:121:10:13

Hello, April! 30-0.

1:10:191:10:22

April, I can explain everything. We lost our way and...

1:10:251:10:28

There's nothing to explain. You were late, and that's that.

1:10:281:10:31

Oh, do get on with your game.

1:10:311:10:33

-Lovely day, Henry!

-Beautiful!

-But, April...

-30-0.

1:10:331:10:39

-Good shot, Henry!

-40-0.

1:10:511:10:54

April, you must listen to me. I called for Palfrey...

1:10:561:10:59

Young man! You, sir!

1:10:591:11:02

Are you or are you not using this court

1:11:021:11:04

for the purpose of playing tennis?

1:11:041:11:06

I booked this court for four o'clock, it's one minute to.

1:11:061:11:09

-40-0.

-Oh, nuts!

1:11:091:11:12

And we don't tolerate filthy language in this club, sir.

1:11:121:11:15

Match point!

1:11:151:11:17

-Ha-ha-ha!

-Well played, sir!

1:11:191:11:21

Well played! Ha-ha-ha!

1:11:211:11:24

-Well, shake hands, sir.

-Shake?

1:11:241:11:27

Not me, you fool!

1:11:291:11:31

One thing I can't tolerate, a bad loser, unsportsmanlike.

1:11:311:11:34

-Well played, young man.

-Thank you, General.

1:11:341:11:37

-Best man won.

-Thank you, sir.

1:11:371:11:39

April, April, let's get this straight, I...

1:11:471:11:49

You're playing much better today, Henry.

1:11:491:11:51

-What was the score?

-Oh, just one set to me.

1:11:511:11:52

-Didn't have time for any more.

-I mean the score in games.

1:11:521:11:55

Oh, it's not important, really. After all, it was only a friendly game.

1:11:551:11:58

-It was 6-0. Now, April...

-Well, thank you, Raymond. I enjoyed that.

1:11:581:12:02

And many thanks for the loan of your racquet.

1:12:021:12:05

-You mean to say you beat him playing with a borrowed racquet?

-Oh...

-No!

1:12:051:12:09

I mean, yes. Well, not exactly.

1:12:091:12:10

But, April, I can explain the whole thing.

1:12:101:12:12

Raymond, I've already told you - there is nothing to explain.

1:12:121:12:15

But there is, damn it!

1:12:151:12:17

Language, old man, language. Ha-ha!

1:12:171:12:21

Oh, just forgotten the balls. Erm... Look, go on, will you?

1:12:211:12:24

Join you in a couple of seconds. Ha-ha!

1:12:241:12:26

-How well do you know Palfrey, anyhow?

-I beg your pardon?

1:12:331:12:36

Well, why is it he only knows the short cut to your house in the dark?

1:12:361:12:39

I haven't the faintest idea what you're talking about.

1:12:391:12:42

-Congratulations, my boy. You rather excelled yourself. In fact, you have passed with honours.

-Thank you, sir.

1:12:461:12:51

It was changing the racquets that did it, just as he was getting used to the feel of the old one.

1:12:511:12:55

Well, I take it you're eager to get after the young girl?

1:12:551:12:57

-That's right, sir.

-What I am about to do is usually done in more formal circumstances, you understand?

1:12:571:13:02

But, fortunately, provisions have been made for it to be done in the field,

1:13:021:13:05

where emergency so dictates. So, just stand where you are, Palfrey.

1:13:051:13:10

Take your hands out of your pockets.

1:13:101:13:12

Now then, Henry Palfrey. By virtue of the power vested in me as founder and principal

1:13:131:13:17

of the College of Lifemanship at Yeovil,

1:13:171:13:19

it gives me great pleasure to award you this Certificate of Lifemanship.

1:13:191:13:23

-Now, bend your head.

-Mm?

-Bend your head, Palfrey.

1:13:231:13:26

-There, that's all, my boy. Congratulations.

-Thank you very much indeed, sir.

1:13:271:13:31

Nonsense, my boy. You deserve it. As a matter of fact, I've never said this to a student before,

1:13:311:13:35

but I was wondering if you'd consider giving up this girl,

1:13:351:13:38

and instead joining me at Yeovil?

1:13:381:13:40

Oh, that's terribly flattering, sir,

1:13:401:13:42

and don't think I don't appreciate it, but...

1:13:421:13:44

-I'm afraid not, sir.

-No, I didn't think so.

1:13:441:13:47

-Well, up and at her, Palfrey.

-Yes, sir.

1:13:471:13:50

One last piece of advice, Palfrey. I take it it's your intention

1:13:501:13:53

to go out there and lock horns with this other fellow

1:13:531:13:55

-about driving the girl home?

-Well, I was going to go...

1:13:551:13:59

Once you've got your opponent on the ropes,

1:14:021:14:04

surely you're in the perfect position for calling into play

1:14:041:14:07

the calculated indifference ploy?

1:14:071:14:08

Best summed up by a paraphrase of the old nursery rhyme,

1:14:081:14:11

"Leave her alone and she'll come home, wagging her tail behind her."

1:14:111:14:15

You really think the neglected gambit is the one to use?

1:14:151:14:17

-Tried and true.

-I've just had a thought, sir.

1:14:171:14:20

-What if she doesn't like me?

-Well, that's a detail.

1:14:201:14:23

Some of the most successful marriages are made up of people who scarcely talk to each other.

1:14:231:14:27

-Well, good luck, Palfrey.

-Thank you very much, sir.

1:14:271:14:30

-Three guineas, please.

-Three guineas?

1:14:301:14:32

-Well, we use only the best parchment.

-Oh, yes.

1:14:321:14:37

Really, my dear, it isn't necessary for you to try to make me jealous.

1:14:411:14:44

-I'm quite your devoted slave, as it is.

-Raymond, I've already told you -

1:14:441:14:47

I was not trying to make you jealous.

1:14:471:14:48

You're a dear little storyteller, and I absolutely adore you.

1:14:481:14:52

What have you done to your car?

1:14:531:14:55

I had a bit of an accident, actually.

1:14:551:14:57

-Were you hurt?

-No, it shook me up a bit.

1:14:571:14:59

I... Put me off my game, I'm afraid.

1:14:591:15:01

-Raymond, I'm so sorry. I...

-Ah, there you are.

1:15:011:15:05

I... I've asked Carpenter to phone the garage, Raymond.

1:15:051:15:08

-I said you'd had an accident. I thought it sounded better.

-Better than what?

1:15:081:15:12

Well, it's a bit embarrassing to admit you backed into a wall in broad daylight, isn't it? Cheers.

1:15:121:15:17

-Aren't you coming with us?

-Oh, no.

1:15:171:15:20

Two's company, you know.

1:15:201:15:22

Dear sweet girl, do you realise how close you came

1:15:291:15:31

-to suffering the consequences of your little game?

-Mm?

1:15:311:15:34

-He might have accepted and we should have been stuck with him.

-What are you...?

1:15:341:15:37

-Now, don't worry, little kitten, I would've saved you and got rid of him.

-Saved me?

1:15:371:15:41

And let that be a lesson to you, my sweet.

1:15:411:15:42

You mean...? Now, just a minute.

1:15:421:15:45

-In the first place, I am not your sweet.

-Oh!

1:15:451:15:49

In the second place, despite what you might think,

1:15:491:15:51

I genuinely meant that invitation, and I'd have been delighted had he accepted.

1:15:511:15:54

In the third place, I have never met such a smug,

1:15:541:15:57

self-centred, conceited...

1:15:571:15:59

And in the fourth place, goodbye!

1:15:591:16:02

Oh, Mr Delauney, the garage people will be here shortly.

1:16:401:16:42

Who is that man? He's not a member, is he?

1:16:421:16:45

-Oh, no, sir. He came in today as a guest of Mr Palfrey's.

-What?

1:16:451:16:49

-Are you sure?

-Oh, yes, sir.

1:16:511:16:53

As a matter of fact, I saw them behaving in the most peculiar manner

1:16:531:16:56

-on the croquet lawn just now, sir.

-Really? Thanks.

1:16:561:17:02

Where to?

1:17:251:17:27

Anywhere.

1:17:271:17:28

I should think you could use a drink, couldn't you?

1:18:191:18:21

Yes, I could. Thank you.

1:18:211:18:24

Oh, that smug, conceited...

1:18:241:18:26

-Bore?

-Yes, bore.

1:18:261:18:28

Follow that bus!

1:18:541:18:56

I should change before we go out for that drink, shouldn't I?

1:19:031:19:06

-Do you mind if we stop off at my place for a moment?

-Of course not.

1:19:061:19:09

There we are!

1:19:191:19:21

Look, this may sound a bit Victorian, but...

1:19:211:19:24

if you'd prefer to stay here, I'd quite understand.

1:19:241:19:27

You are sweet, Henry.

1:19:271:19:28

-Look, why don't we have that drink in your flat?

-Fine!

1:19:281:19:32

There we are.

1:19:431:19:45

Oh, Henry!

1:19:471:19:49

-How nice and cosy.

-Thank you.

1:19:491:19:51

-Erm, sit down?

-Thank you.

-Now, then...

1:19:511:19:55

What's it to be? Whisky?

1:19:551:19:58

-Fine.

-Good.

1:19:581:20:00

-Soda?

-Please.

1:20:081:20:11

-Cheers!

-Thank you. Oops! Ooh!

1:20:301:20:33

Oh, I am sorry! Oh, look at the sofa.

1:20:331:20:34

-Never mind my sofa, what about your dress?

-It's terrible. I'm awfully clumsy.

1:20:341:20:38

You can't very well sit around like that, can you? You'll catch your death! Erm... I know. Just a minute.

1:20:381:20:42

There. Now, why don't you pop into that,

1:21:021:21:05

and I'll dry your dress in front of the fire?

1:21:051:21:07

Oh, I really don't think I ought...

1:21:071:21:09

Then you can tell your Uncle Henry all about it.

1:21:091:21:13

Uncle Henry?

1:21:131:21:15

Yes, well, I suppose I better had.

1:21:161:21:18

Good. Give me a shout when you're ready.

1:21:181:21:21

You are kind and thoughtful, Henry.

1:21:221:21:24

Mrs Stringer?

1:21:341:21:36

Henry Palfrey here.

1:21:361:21:38

When you have a free moment, could you pop up here, please?

1:21:381:21:42

Thank you, Mrs Stringer.

1:21:421:21:44

You can come in now!

1:21:531:21:55

Splendid!

1:21:571:21:59

Now, then, we'll just pop these things

1:21:591:22:02

on the chair in front of the fire.

1:22:021:22:05

They should be dry in no time at all. That's it.

1:22:051:22:11

-How do you feel?

-Fine, thanks, Uncle Henry.

1:22:111:22:14

Good. Let's get you another drink, shall we?

1:22:141:22:16

TRAIN WHISTLE BLOWS

1:22:191:22:21

-First to Yeovil, please.

-Ah!

1:22:311:22:34

There we are!

1:22:411:22:43

Now, then...

1:22:441:22:46

-How do you feel?

-Much more comfortable.

1:22:461:22:48

This was a very good idea, Uncle Henry.

1:22:481:22:51

-Cheers.

-Cheers.

1:22:511:22:52

Ah!

1:22:571:22:59

Oh, that's much better.

1:22:591:23:02

-Ha-ha-ha!

-Mm?

-Henry, your socks!

1:23:041:23:08

So...? Oh!

1:23:081:23:10

Oh, dear!

1:23:121:23:14

Oh, oh, actually, I usually manage pretty well, but...

1:23:141:23:19

Look, I must come in one day and mend it.

1:23:191:23:21

DOORBELL RINGS

1:23:211:23:23

-Who's that?

-Hmm?

1:23:231:23:25

Oh, I haven't the faintest idea.

1:23:251:23:28

Ah, I say, this is a bit awkward, now I come to think of it.

1:23:281:23:32

-Yes.

-You being here alone in a man's flat, wearing his dressing gown,

1:23:321:23:36

-guzzling whisky.

-Yes, it is.

-You've got your shoes off too.

1:23:361:23:41

DOORBELL RINGS

1:23:411:23:43

Better hide. Um...

1:23:431:23:45

Quickly. In here.

1:23:451:23:47

Won't be a moment.

1:23:481:23:49

DOORBELL RINGS

1:23:571:23:58

-Ah, Mrs Stringer.

-I come up as quick as I could, Mr Palfrey. What is it?

1:24:001:24:05

-I'm afraid it was a mistake, Mrs Stringer.

-Mistake?

1:24:051:24:07

But only just now, you telephoned down and asked me to come up.

1:24:071:24:10

Yes, well, I thought I was going to need you,

1:24:101:24:12

but I've been able to manage myself.

1:24:121:24:15

Telephoning down and then changing your mind.

1:24:151:24:17

I suppose you think that's fun for me, to run up five flight of stairs!

1:24:171:24:21

You know I wouldn't dare operate the lift in my state of nerves.

1:24:211:24:24

I'm very sorry, Mrs Stringer.

1:24:241:24:25

-Yes, and I'm sorry too.

-There... Ah!

1:24:251:24:29

Come on, Queenie.

1:24:291:24:30

Just the porter's wife.

1:24:381:24:39

-I managed to get rid of her as quickly as I could.

-Good.

1:24:391:24:42

-Ha-ha-ha!

-What is it?

1:24:441:24:48

It's amazing how sexless a woman looks in a man's dressing gown.

1:24:491:24:52

-Sexless?

-Um, well...shapeless.

1:24:521:24:56

-Shapeless?

-Mmm. A little girlish.

1:24:581:25:01

I don't know what it is, it makes a man feel protective.

1:25:031:25:06

Just...protective?

1:25:101:25:11

Well, paternal.

1:25:111:25:13

-Paternal?

-Well, no.

1:25:151:25:17

Perhaps more like a friend.

1:25:171:25:20

-How good a friend?

-Oh, a good friend.

1:25:201:25:24

A very good friend.

1:25:271:25:30

A very...

1:25:301:25:32

very good friend indeed.

1:25:321:25:35

-No.

-What is it?

1:25:431:25:45

Put your dress on. I'll take you home.

1:25:451:25:47

-But why? What happened?

-Get dressed, please.

1:25:471:25:51

BANGING ON DOOR Open up!

1:25:511:25:54

I know you're in there. Let me in.

1:25:541:25:56

Let me in, you cad, or I'll call the police!

1:25:561:25:58

Open this door, you cad!

1:25:581:26:00

I'll have to let him in. You go in there.

1:26:001:26:02

I'll get rid of him as quickly as I can and I'll take you home.

1:26:021:26:05

Now, come on. Open the door! Open up, I say.

1:26:051:26:06

Come on, you bounder. I know you're in there, you stinker!

1:26:061:26:09

Where is she? Come on. I know she is here. Where is she?

1:26:091:26:12

-Will you keep your voice down? The neighbours will hear you.

-So they should, you spoiler. Come on.

1:26:121:26:16

-Where is she?

-She's not here.

1:26:161:26:18

Oh? These, I suppose, are yours!

1:26:181:26:21

April Smith, you can come out now.

1:26:221:26:24

This is Raymond.

1:26:241:26:26

If this means I'm too late, you rotter...

1:26:301:26:33

-Am I, kitten?

-No.

1:26:331:26:36

You're not too late.

1:26:371:26:39

Oh, thank goodness. Well, now do you see where your little jealousies lead?

1:26:401:26:44

If it hadn't been for my quick thinking, this man...

1:26:441:26:46

This man? This rat. Let me tell you something about your fine-feathered friend.

1:26:461:26:50

Do you know what he did? He went to Yeovil,

1:26:501:26:52

he went to the College of Lifemanship,

1:26:521:26:54

and he learnt all the tricks. All his dirty rotten tricks.

1:26:541:26:58

No, no, no, not tricks, my good man.

1:26:581:27:00

Arts, science, philosophy, if you like, but...

1:27:001:27:03

no, no, no, not tricks.

1:27:031:27:05

Well, you can call them what you like.

1:27:051:27:07

But all they are are dastardly, low-down devices,

1:27:071:27:09

designed to pull the wool over the eyes of innocent, young things.

1:27:091:27:13

Look! "Potter's Woo-manship.

1:27:131:27:16

"Woo-manship... The art of being one up on women

1:27:161:27:18

"without actually marrying them."

1:27:181:27:20

"The uncle ploy for trust and confidence."

1:27:201:27:22

"From living room to bedroom in three easy moves."

1:27:221:27:25

"After the bedroom, what?"

1:27:251:27:27

What, indeed?

1:27:271:27:30

Henry, is it true?

1:27:301:27:33

What on Earth is the matter with you, man?

1:27:381:27:40

-Ploy 64... Throw yourself on her mercy.

-No, Mr Potter.

1:27:401:27:44

It's true, April.

1:27:471:27:48

They were tricks. All tricks.

1:27:481:27:51

-Ploys, boy, ploys!

-Tricks, ploys, what difference does it make?

1:27:511:27:55

That's why I...

1:27:551:27:57

-That's why you stopped, isn't it?

-That's right.

1:27:591:28:03

Come, April. Let me take you away from all this.

1:28:031:28:05

I love you, April.

1:28:051:28:08

Oh, Henry.

1:28:081:28:10

I love you too.

1:28:111:28:13

Shh. We're witnessing the birth of a new ploy.

1:28:151:28:18

-No, Mr Potter. I love April and I want April to love me.

-I do. I do.

1:28:181:28:24

No... Not, not sincerity, Palfrey?

1:28:241:28:29

Just a minute. Something's gone wrong. Stop that, I say!

1:28:291:28:33

Kitten, you can't do this to me.

1:28:331:28:35

Kitten!

1:28:361:28:38

Well, don't just stand there, Mr Potter, do something!

1:28:381:28:42

Pull yourself together, Palfrey.

1:28:431:28:45

We are not alone!

1:28:471:28:49

I do apologise, ladies and gentlemen.

1:28:521:28:55

Events seem to have taken a most unfortunate turn.

1:28:551:28:58

This sort of calamity, we cannot always guard against,

1:28:581:29:00

even amongst our best students.

1:29:001:29:02

You see, once...once sincerity rears its ugly head,

1:29:021:29:07

-well, Lifemanship is powerless.

-ROMANTIC MUSIC

1:29:071:29:10

Stop that music.

1:29:141:29:17

Orchestra!

1:29:181:29:20

Orchestra, stop that infernal din!

1:29:201:29:25

Oh, please! No.

1:29:251:29:28

Forgive me, I must get back to Yeovil.

1:29:281:29:31

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