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Once we get the goods on him they let him out on bail. | 0:01:28 | 0:01:32 | |
With Buzzy Bellew on the stand | 0:01:32 | 0:01:34 | |
it's curtains for Jackson. | 0:01:34 | 0:01:36 | |
I'm worried about Bellew with Jackson loose. | 0:01:36 | 0:01:40 | |
I tried to get him protection, | 0:01:40 | 0:01:42 | |
but you can't get him to worry about anything. | 0:01:42 | 0:01:45 | |
I hear it's a clip joint. | 0:02:03 | 0:02:05 | |
What do you mean? Oh! Mr Bellew. | 0:02:05 | 0:02:07 | |
They held up the show for you. | 0:02:07 | 0:02:12 | |
Very wise move. | 0:02:09 | 0:02:12 | |
What does the clock say? | 0:02:12 | 0:02:14 | |
-BOTH: -Tick, tock. | 0:02:13 | 0:02:14 | |
You're dynamite, Max. We rehearsed for two hours. | 0:02:14 | 0:02:19 | |
Great. Monte's throwing a fit. | 0:02:19 | 0:02:21 | |
Take it easy. What do I owe you? | 0:02:21 | 0:02:24 | |
60 cents, Buzzy. | 0:02:24 | 0:02:26 | |
I'll toss you for it. Give me a coin. | 0:02:26 | 0:02:29 | |
Come on, Max. Attaboy. | 0:02:29 | 0:02:31 | |
What do you cry? | 0:02:31 | 0:02:36 | |
Tails. | 0:02:32 | 0:02:36 | |
Too bad, you lose. | 0:02:34 | 0:02:36 | |
Hey, Buzzy. My quarter. My quarter! | 0:02:36 | 0:02:38 | |
This guy is money-mad. Here. | 0:02:38 | 0:02:41 | |
Five bucks! What a sweetheart. | 0:02:43 | 0:02:46 | |
I hear Buzzy's great. | 0:02:48 | 0:02:50 | |
BOO! | 0:02:50 | 0:02:52 | |
Am I too early? | 0:02:52 | 0:02:54 | |
Pierre, je veux un croissant. | 0:02:54 | 0:03:00 | |
Tres bien. | 0:02:56 | 0:03:00 | |
Bring a whole bottle of beer. | 0:02:57 | 0:03:00 | |
Save the comedy till you get on. | 0:03:00 | 0:03:03 | |
I've held the show. | 0:03:03 | 0:03:07 | |
It's just the opening number. | 0:03:04 | 0:03:07 | |
For the third time. They've followed themselves. | 0:03:07 | 0:03:10 | |
If you got better girls, the men would follow. Thanks. | 0:03:10 | 0:03:14 | |
I don't know what kind of a place | 0:03:14 | 0:03:16 | |
you think I'm running here! | 0:03:16 | 0:03:19 | |
You're not the only comic! | 0:03:19 | 0:03:21 | |
Wonderful celery. I can't hear a word you're saying. | 0:03:21 | 0:03:25 | |
I don't know how Midge stands you. | 0:03:25 | 0:03:28 | |
Are you a new girl? | 0:03:31 | 0:03:33 | |
Yes. | 0:03:33 | 0:03:36 | |
Oh, no! SHE GIGGLES | 0:03:34 | 0:03:36 | |
Mmm. | 0:03:36 | 0:03:38 | |
KNOCK AT DOOR | 0:03:38 | 0:03:40 | |
Just a minute. | 0:03:40 | 0:03:42 | |
KNOCK AT DOOR | 0:03:47 | 0:03:52 | |
Come in. | 0:03:48 | 0:03:52 | |
IN IRISH ACCENT: Pardon me. | 0:03:49 | 0:03:52 | |
Oh, it's you. | 0:03:52 | 0:03:55 | |
Indeed it is that! | 0:03:53 | 0:03:55 | |
Detective Patrick Fitzpatrick O'Shaughnessy. | 0:03:55 | 0:04:00 | |
An Irishman. | 0:04:00 | 0:04:05 | |
What's wrong? Is it Buzzy again? | 0:04:02 | 0:04:05 | |
Oh, indeed it is, ma'am. Indeed it is. | 0:04:05 | 0:04:09 | |
We caught him robbing a jewellery store. Look. | 0:04:09 | 0:04:13 | |
Twas an engagement ring he was after. | 0:04:13 | 0:04:16 | |
O'Shaughnessy! | 0:04:16 | 0:04:22 | |
There's no telling what a man will do for a woman. | 0:04:17 | 0:04:22 | |
All he wants to know is, | 0:04:22 | 0:04:24 | |
do you love him enough to wait 20 years? | 0:04:24 | 0:04:27 | |
I've waited 20 years already, what's 20 more? | 0:04:27 | 0:04:31 | |
He stood me up in every church. | 0:04:31 | 0:04:34 | |
Oh, did he do that now? | 0:04:34 | 0:04:36 | |
Well, I'll release him and he'll marry you this Tuesday. | 0:04:36 | 0:04:41 | |
But it is a fine girl you are! | 0:04:41 | 0:04:43 | |
Oh, that you are, ma'am. | 0:04:43 | 0:04:45 | |
Will you have a cigar, ma'am? | 0:04:45 | 0:04:48 | |
Thanks. I'll smoke it after dinner. | 0:04:49 | 0:04:52 | |
In that case I'll save it. | 0:04:52 | 0:04:54 | |
Give your father a kiss. | 0:04:54 | 0:04:57 | |
Oh, Buzzy, I'm glad you're not twins. | 0:04:57 | 0:05:00 | |
In fact, I am. | 0:05:00 | 0:05:01 | |
I've got a twin brother I haven't seen in years. | 0:05:01 | 0:05:04 | |
Is that right? Maybe I should marry him. | 0:05:04 | 0:05:08 | |
No, you wouldn't like him, honey. He's a bookworm. | 0:05:08 | 0:05:12 | |
You're much better off with me. I'm just a worm. | 0:05:12 | 0:05:16 | |
I better crawl into my costume, | 0:05:16 | 0:05:20 | |
or Monte will step on me. | 0:05:20 | 0:05:22 | |
What a guy. | 0:05:22 | 0:05:24 | |
Hello, Monte. | 0:05:27 | 0:05:29 | |
Ten Grand! I thought you were... | 0:05:29 | 0:05:31 | |
I was, but a pal bailed me out. | 0:05:31 | 0:05:34 | |
Did I get sprung in time? | 0:05:34 | 0:05:36 | |
Sure. You can catch Buzzy. | 0:05:36 | 0:05:41 | |
Good. I hear he's singing out of tune lately. | 0:05:38 | 0:05:41 | |
Show Mr Jackson to his table. | 0:05:41 | 0:05:45 | |
Right this way, Mr Jackson. | 0:05:43 | 0:05:45 | |
CRASH OF CYMBALS | 0:05:54 | 0:05:56 | |
HE ROARS | 0:06:18 | 0:06:20 | |
HE ROARS LOUDER | 0:06:20 | 0:06:23 | |
Ruff. | 0:06:23 | 0:06:25 | |
HE GIGGLES | 0:06:27 | 0:06:29 | |
SHE SCREAMS | 0:06:30 | 0:06:32 | |
-BOTH: -# Somewhere off the coast of Java | 0:06:48 | 0:06:52 | |
# Fell a little piece of lava | 0:06:52 | 0:06:54 | |
# That grew up to be the island known as Bali | 0:06:54 | 0:06:58 | |
# Bali-la, la, la | 0:06:58 | 0:07:00 | |
# Bali, Bali, Bali-la | 0:07:00 | 0:07:03 | |
# Every native girl looked sorta | 0:07:03 | 0:07:05 | |
# Like a farmer's daughter oughtta | 0:07:05 | 0:07:07 | |
# And for dancing they are simply off their trolley | 0:07:07 | 0:07:12 | |
# Trolley-la, trolley-la! # | 0:07:12 | 0:07:14 | |
Hey! Hey! | 0:07:14 | 0:07:16 | |
# But they hadn't seen a new step | 0:07:16 | 0:07:18 | |
# Since Methuselah did the two-step | 0:07:18 | 0:07:20 | |
# On their isolated island they were way off...-beat | 0:07:20 | 0:07:24 | |
# From jive they were closeted | 0:07:24 | 0:07:25 | |
# Till the storm deposited on their beach | 0:07:25 | 0:07:28 | |
# A jiving jack from Lower Basin...Street | 0:07:28 | 0:07:31 | |
# He went up and got a look-in | 0:07:31 | 0:07:33 | |
# And said, "Hey, hey, what's cookin'?" | 0:07:33 | 0:07:35 | |
# This here joint is jumpin' but we're melancholy | 0:07:35 | 0:07:39 | |
# Lali-la, Lali-la | 0:07:39 | 0:07:41 | |
# Lali, Lali, Lali-la | 0:07:41 | 0:07:43 | |
# So he took their native movements | 0:07:43 | 0:07:45 | |
# Added in the groove improvements | 0:07:45 | 0:07:48 | |
# Now they're really on the trolley down in Bali | 0:07:48 | 0:07:52 | |
# They made him king of the whole darn thing | 0:07:52 | 0:07:55 | |
# And gave him for his queen | 0:07:55 | 0:07:56 | |
# The Balinese equivalent | 0:07:56 | 0:07:59 | |
-# Of Olivia de -Hivilland | 0:07:59 | 0:08:02 | |
# Batock-a-boing-boing Yock-ba-toc, a-zoo-floo | 0:08:07 | 0:08:10 | |
# Batock-a-boing-boing Yock-ba-toc, a-ree-bee | 0:08:10 | 0:08:13 | |
# Batock-a-boing-boing Yock-ba-toc, a-siff-riff | 0:08:13 | 0:08:16 | |
# A-hacachoochoo, chatanoogie Bali boogie | 0:08:16 | 0:08:19 | |
# Awaka-soing-soing Ucawaca slick lick | 0:08:19 | 0:08:22 | |
# Awaca-soing-soing Ucawaca hep step | 0:08:22 | 0:08:25 | |
# Awaca-soing-soing Ucawaca live jive | 0:08:25 | 0:08:28 | |
# A-hacachoochoo, chatanoogie Bali boogie | 0:08:28 | 0:08:31 | |
# Now if you can't dig the chatter | 0:08:31 | 0:08:33 | |
# With the greatest of ease | 0:08:33 | 0:08:34 | |
# It really doesn't matter Here's a translation, please | 0:08:34 | 0:08:37 | |
# Batock-a-boing-boing | 0:08:37 | 0:08:40 | |
# Awacawaca-soing-soing | 0:08:38 | 0:08:40 | |
# Means | 0:08:40 | 0:08:43 | |
# Shoot the lava to me, Java | 0:08:40 | 0:08:43 | |
# Batock-a-boing-boing Yock-ba-toc, a-zoo-floo | 0:08:43 | 0:08:46 | |
# Batock-a-boing-boing Yock-ba-toc, a-ree-bee | 0:08:46 | 0:08:49 | |
# Yatock-a-boing-boing Yock-ba-toc, a-live-jive | 0:08:49 | 0:08:52 | |
# Hacachoochoo, hacachoochoo, Hacachoochoo, hacachoochoo | 0:08:52 | 0:08:55 | |
# Hacachoochoo, chatanoogie, Bali boogie! # | 0:08:55 | 0:08:58 | |
A yac-batack-a and a...HIC! | 0:09:05 | 0:09:07 | |
Ree-bee. Yac-bataca-boing...HIC! | 0:09:07 | 0:09:11 | |
LOUD RINGING | 0:09:22 | 0:09:24 | |
SOFT TINKLING | 0:09:28 | 0:09:30 | |
RINGS BELLS | 0:09:31 | 0:09:36 | |
CLATTERING | 0:09:38 | 0:09:41 | |
BELLS RING OUT PLAINTIVE TUNE | 0:09:41 | 0:09:44 | |
CLASH OF CYMBALS HE SCREAMS | 0:10:29 | 0:10:32 | |
HE LAUGHS | 0:10:32 | 0:10:34 | |
Bo-innng! | 0:11:07 | 0:11:09 | |
You look happy. | 0:11:14 | 0:11:19 | |
I am. | 0:11:16 | 0:11:19 | |
Honey, you were swell. | 0:11:17 | 0:11:19 | |
Pretty soon that's going to be legal. | 0:11:19 | 0:11:22 | |
Hurry and get dressed. | 0:11:22 | 0:11:24 | |
He means business this time. Look. | 0:11:24 | 0:11:27 | |
That's love or his horse came in. | 0:11:27 | 0:11:29 | |
He hasn't had a win in a month. | 0:11:29 | 0:11:33 | |
He got one tonight. | 0:11:31 | 0:11:33 | |
I guess you're just a sister to me. | 0:11:33 | 0:11:36 | |
Monte... | 0:11:36 | 0:11:39 | |
Buzzy's the right guy. | 0:11:37 | 0:11:39 | |
But if he takes the act to Reno, | 0:11:39 | 0:11:42 | |
I'll be waiting for you. | 0:11:42 | 0:11:44 | |
I know you will. | 0:11:44 | 0:11:46 | |
HE HUMS BALI NUMBER | 0:11:47 | 0:11:49 | |
You're dynamite. | 0:11:53 | 0:11:55 | |
I gotta get more dough. | 0:11:57 | 0:11:59 | |
HE WHISTLES | 0:12:06 | 0:12:08 | |
Lilies, Mr Bellew. | 0:12:11 | 0:12:13 | |
Wrong room. I don't need lilies. | 0:12:13 | 0:12:16 | |
You will in a minute. | 0:12:17 | 0:12:18 | |
HE FIRES THREE TIMES | 0:12:18 | 0:12:20 | |
Hey, Torso, come on. | 0:12:24 | 0:12:26 | |
SOFT, ANGELIC MUSIC | 0:13:32 | 0:13:36 | |
I'll go off the deep end if she... | 0:13:55 | 0:13:59 | |
What's the matter, Mr Dingle? | 0:13:59 | 0:14:02 | |
Do you hear music? | 0:14:02 | 0:14:04 | |
No, do you? | 0:14:04 | 0:14:07 | |
Well, I'm not certain. I... | 0:14:05 | 0:14:07 | |
It's gone now. | 0:14:07 | 0:14:09 | |
And I feel better. That's curious. | 0:14:09 | 0:14:12 | |
Mr Dingle, you work too hard. | 0:14:12 | 0:14:15 | |
What's this? | 0:14:15 | 0:14:17 | |
My chapter on (the topography of the Palaeozoic era.) | 0:14:17 | 0:14:21 | |
Buzzy, Buzzy, Buzzy, Buzzy... | 0:14:21 | 0:14:24 | |
Is that what I've been doing? | 0:14:24 | 0:14:27 | |
"Buzzy"? | 0:14:27 | 0:14:29 | |
That name came to me last night. | 0:14:29 | 0:14:31 | |
What does it mean? | 0:14:31 | 0:14:35 | |
I haven't the vaguest idea. I just... | 0:14:32 | 0:14:35 | |
When I think of it I hear music and can't breathe... | 0:14:35 | 0:14:40 | |
..and I feel cold and damp. | 0:14:40 | 0:14:42 | |
You better go home. You have the flu. | 0:14:42 | 0:14:45 | |
Don't worry about me, I'm all right. | 0:14:45 | 0:14:48 | |
DOOR SLAMS | 0:14:51 | 0:14:53 | |
Young lady... | 0:14:53 | 0:14:55 | |
BANG! | 0:14:55 | 0:14:55 | |
In all those books on Ancient Rome there's no Anaxamoras! | 0:14:55 | 0:15:00 | |
I've never heard of Anaxamoras. | 0:15:00 | 0:15:03 | |
Excuse me, but it's Anaxagaras. | 0:15:03 | 0:15:06 | |
Really? | 0:15:06 | 0:15:09 | |
He was born in 500BC. | 0:15:07 | 0:15:09 | |
He was a friend of Socrates and Pericles. | 0:15:09 | 0:15:13 | |
He died in 420BC. | 0:15:13 | 0:15:15 | |
There. | 0:15:17 | 0:15:19 | |
Heavens! He writes with both hands! | 0:15:22 | 0:15:24 | |
-ALL: -Shh! | 0:15:24 | 0:15:30 | |
Don't shush me. It's a public library. | 0:15:26 | 0:15:30 | |
Madam... | 0:15:30 | 0:15:35 | |
Just a minute. Who is that peculiar person? | 0:15:31 | 0:15:35 | |
Mr Dingle is not peculiar. He's very brilliant. > | 0:15:35 | 0:15:40 | |
Why does he write with two hands? | 0:15:40 | 0:15:44 | |
It saves time. | 0:15:42 | 0:15:44 | |
What's he do for a living? | 0:15:44 | 0:15:47 | |
He's there every day. | 0:15:47 | 0:15:50 | |
Why?! | 0:15:48 | 0:15:50 | |
He's writing a book. Come this way. | 0:15:50 | 0:15:53 | |
No, I must speak to that young man. | 0:15:53 | 0:15:56 | |
Young man, I'm Mrs Leland-Hugh. | 0:15:57 | 0:16:00 | |
How do you do? | 0:16:00 | 0:16:05 | |
I'm giving a literary tea. Could you come and entertain? | 0:16:01 | 0:16:05 | |
Entertain? Perhaps if I weren't so preoccupied... | 0:16:05 | 0:16:10 | |
My guests will be amused. Could I have your phone number? | 0:16:10 | 0:16:15 | |
I can't come. I've got ochlophobia - | 0:16:15 | 0:16:18 | |
..fear of crowds, especially women. Worst case recorded! | 0:16:18 | 0:16:23 | |
Oh, yes, I see. I understand. | 0:16:23 | 0:16:26 | |
Ocha...ochlophobia? | 0:16:26 | 0:16:28 | |
Yes. | 0:16:28 | 0:16:33 | |
I wouldn't want my friends exposed to it. Thank you. | 0:16:29 | 0:16:33 | |
Goodbye, Mr Bungle. | 0:16:33 | 0:16:35 | |
Bingle. | 0:16:35 | 0:16:39 | |
Dingle! You said "Bingle". | 0:16:37 | 0:16:39 | |
Oh, did I?! I was so confused, | 0:16:39 | 0:16:41 | |
I didn't know what I was saying. | 0:16:41 | 0:16:44 | |
Sorry. It was my fault. | 0:16:44 | 0:16:46 | |
No. You handled it superbly. | 0:16:46 | 0:16:49 | |
You should have spit in her eye. | 0:16:49 | 0:16:52 | |
I couldn't. | 0:16:52 | 0:16:58 | |
You won't be disturbed any more when you return. | 0:16:54 | 0:16:58 | |
Will you come back tomorrow? | 0:16:58 | 0:17:02 | |
By all means. I enjoy it here a lot. | 0:17:00 | 0:17:02 | |
I love the smell of leather bindings. | 0:17:02 | 0:17:05 | |
Oh. | 0:17:05 | 0:17:07 | |
Miss Shanley? | 0:17:07 | 0:17:10 | |
Yes? | 0:17:08 | 0:17:10 | |
I was wondering... | 0:17:10 | 0:17:12 | |
What? | 0:17:11 | 0:17:12 | |
I hope I'm not too forward but would you like to have dinner? | 0:17:12 | 0:17:17 | |
I'd love to. | 0:17:17 | 0:17:21 | |
You would? On the 1st of next month. | 0:17:18 | 0:17:21 | |
Oh? | 0:17:21 | 0:17:25 | |
It's a financial problem. | 0:17:22 | 0:17:25 | |
You could have dinner with me tonight. | 0:17:25 | 0:17:28 | |
We could eat at my place. | 0:17:28 | 0:17:30 | |
Well... | 0:17:30 | 0:17:36 | |
You'll get something warm and you won't hear that music. | 0:17:32 | 0:17:36 | |
I don't know. | 0:17:36 | 0:17:41 | |
I have canned things. | 0:17:37 | 0:17:41 | |
I love canned things. | 0:17:38 | 0:17:41 | |
Wonderful. | 0:17:41 | 0:17:43 | |
What is ochlophobia? | 0:17:43 | 0:17:45 | |
A morbid fear of women. | 0:17:46 | 0:17:51 | |
Oh. Is there any cure for it? | 0:17:48 | 0:17:51 | |
Yes, decidedly. | 0:17:51 | 0:17:53 | |
Decidedly. | 0:17:53 | 0:17:55 | |
You have the most extraordinary mind. | 0:17:57 | 0:18:00 | |
I wouldn't say that. | 0:18:00 | 0:18:04 | |
You're modest, aren't you? | 0:18:01 | 0:18:04 | |
I guess I am. | 0:18:04 | 0:18:06 | |
If I had a mind like yours, or any mind at all, I'd be a brazen hussy. | 0:18:06 | 0:18:11 | |
BOTH LAUGH | 0:18:11 | 0:18:13 | |
That's the first time you've laughed since you read The Phoenician Wars. | 0:18:13 | 0:18:19 | |
Yes, I guess it is, if that. | 0:18:19 | 0:18:22 | |
I really enjoy being here. | 0:18:22 | 0:18:25 | |
I'm glad. I like having you. | 0:18:25 | 0:18:27 | |
I better get to work. | 0:18:28 | 0:18:30 | |
You need to get away from those musty books | 0:18:32 | 0:18:35 | |
and get a job. With your brain, | 0:18:35 | 0:18:38 | |
you should have no trouble. You even know how to cook. | 0:18:38 | 0:18:43 | |
I don't really. | 0:18:41 | 0:18:43 | |
Honey. | 0:18:49 | 0:18:52 | |
Yes? | 0:18:50 | 0:18:52 | |
The honey, please. | 0:18:52 | 0:18:55 | |
Oh, the honey, please. | 0:18:53 | 0:18:55 | |
Thank you. | 0:18:57 | 0:19:00 | |
Mr Dingle, how long have you worn glasses? | 0:19:00 | 0:19:03 | |
I wear them for reading. | 0:19:03 | 0:19:07 | |
You're not reading now. | 0:19:05 | 0:19:07 | |
I was afraid I might lose them. | 0:19:07 | 0:19:09 | |
There. You ought to be happy. | 0:19:11 | 0:19:13 | |
You don't look at all brilliant. | 0:19:13 | 0:19:16 | |
I'm happier if you call me Edwin. | 0:19:16 | 0:19:20 | |
Edwin. | 0:19:18 | 0:19:20 | |
Do you always part your hair in the middle? | 0:19:20 | 0:19:24 | |
Yes, why? | 0:19:24 | 0:19:28 | |
Nobody looks good with hair that way. | 0:19:25 | 0:19:28 | |
Oh. | 0:19:28 | 0:19:31 | |
Let me try something. | 0:19:29 | 0:19:31 | |
There. Keep wearing it that way. | 0:19:36 | 0:19:39 | |
I'll try. I should come to the library and have you fix it. | 0:19:39 | 0:19:43 | |
BOTH GIGGLE | 0:19:43 | 0:19:45 | |
It's funny. My brother wore his hair parted in the middle. | 0:19:47 | 0:19:52 | |
When he changed it, it changed him. | 0:19:52 | 0:19:54 | |
Really? | 0:19:54 | 0:19:59 | |
Yes. He ran away and went on the stage. | 0:19:55 | 0:19:59 | |
There's no danger of that. | 0:19:59 | 0:20:01 | |
I shouldn't think so. | 0:20:01 | 0:20:04 | |
How many brothers have you? | 0:20:03 | 0:20:04 | |
Just one brother. I haven't seen in years. | 0:20:04 | 0:20:08 | |
I have a picture of him. We're monozygotic twins. | 0:20:08 | 0:20:12 | |
What are those? | 0:20:12 | 0:20:15 | |
Super identical - a rare phenomenon. | 0:20:15 | 0:20:18 | |
I hope he's as nice as you. | 0:20:18 | 0:20:20 | |
Thanks, Miss Shanley. | 0:20:20 | 0:20:24 | |
STEAM HISSES | 0:20:22 | 0:20:24 | |
Oh, my souffle! | 0:20:24 | 0:20:27 | |
Wait... I'll... | 0:20:27 | 0:20:29 | |
What a shame. | 0:20:29 | 0:20:31 | |
Sorry. | 0:20:31 | 0:20:37 | |
We'll have something else. You like frankfurters? | 0:20:33 | 0:20:37 | |
Yes. | 0:20:37 | 0:20:39 | |
What goes with them? | 0:20:38 | 0:20:39 | |
Cranberry sauce, popcorn, smoked oysters, no. | 0:20:39 | 0:20:44 | |
I have it, potato salad. | 0:20:44 | 0:20:46 | |
I haven't a can of potato salad. | 0:20:46 | 0:20:49 | |
I'll go to a delicatessen. | 0:20:49 | 0:20:53 | |
There's one round the corner. | 0:20:51 | 0:20:53 | |
I'll be back in a minute. | 0:20:53 | 0:20:55 | |
If Schmidt passes off yesterday's salad on you, | 0:20:57 | 0:21:00 | |
throw it at him. | 0:21:00 | 0:21:02 | |
I'll do more than that. I'll spit in his eye. | 0:21:02 | 0:21:05 | |
SHARPENING OF KNIVES | 0:21:11 | 0:21:14 | |
Why not slice baloney with a razor? | 0:21:20 | 0:21:23 | |
If you don't like it, take your business somewhere else! | 0:21:23 | 0:21:29 | |
I'll tell you, get out! No baloney. | 0:21:29 | 0:21:32 | |
What you want? | 0:21:36 | 0:21:42 | |
Good evening. Miss Shanley sent me. I'd like a pint of... | 0:21:37 | 0:21:42 | |
SOFT, ANGELIC MUSIC | 0:21:42 | 0:21:46 | |
That music. | 0:21:46 | 0:21:48 | |
Prospect Park. | 0:21:48 | 0:21:50 | |
What?! | 0:21:50 | 0:21:52 | |
That music. It's very pretty. | 0:21:52 | 0:21:55 | |
Music? What music? | 0:21:56 | 0:21:59 | |
I ask you what you want? | 0:22:00 | 0:22:03 | |
I'd like a pint of Prospect Park? | 0:22:03 | 0:22:06 | |
Pint of what? > | 0:22:06 | 0:22:10 | |
Prospect Park. | 0:22:08 | 0:22:10 | |
HE CHUCKLES | 0:22:10 | 0:22:12 | |
Look, we are all out of Prospect Park, | 0:22:12 | 0:22:15 | |
but maybe you'd like a quarter of Ebbot's Field? No? | 0:22:15 | 0:22:20 | |
No? > | 0:22:20 | 0:22:21 | |
No, Prospect Park. I've got to go. | 0:22:21 | 0:22:25 | |
Prospect Park. Buzzy... | 0:22:25 | 0:22:27 | |
I've got to get to Buzzy Park. | 0:22:27 | 0:22:30 | |
Thank you very much. | 0:22:30 | 0:22:32 | |
Shoosh! | 0:22:33 | 0:22:35 | |
I pay my taxes, I don't water the milk, I keep my hands off the scale. | 0:22:38 | 0:22:43 | |
I want a State Democratic Party | 0:22:43 | 0:22:46 | |
and a man wants a pint of Prospect Park. | 0:22:46 | 0:22:49 | |
How do you like this? Mmm! | 0:22:49 | 0:22:53 | |
Is this the bus to potato salad? | 0:22:53 | 0:22:56 | |
Give me that once more. | 0:22:56 | 0:22:59 | |
Prospect Park. | 0:22:58 | 0:22:59 | |
I thought you said you want to go to potato salad. | 0:22:59 | 0:23:03 | |
I do! Hurry, please. I must get to the Buzzy Park. | 0:23:03 | 0:23:07 | |
Pardon me. | 0:23:07 | 0:23:10 | |
Mr Schmidt? This is Ellen Shanley. | 0:23:10 | 0:23:13 | |
I sent a young man into you. | 0:23:13 | 0:23:16 | |
Uh-huh. He didn't come back? | 0:23:16 | 0:23:18 | |
Congratulations. You don't know how lucky you are. | 0:23:18 | 0:23:23 | |
Lock up and don't let him in. | 0:23:23 | 0:23:25 | |
You live in Brooklyn? | 0:23:29 | 0:23:31 | |
No. | 0:23:31 | 0:23:32 | |
Why are you going to Brooklyn? | 0:23:32 | 0:23:36 | |
I'm not. | 0:23:34 | 0:23:36 | |
The bus is. | 0:23:36 | 0:23:41 | |
The bus is going to the delicatessen. | 0:23:38 | 0:23:41 | |
It is? What for? | 0:23:41 | 0:23:43 | |
Potato salad. | 0:23:43 | 0:23:45 | |
POTATO SALAD! She's waiting. | 0:23:45 | 0:23:48 | |
I don't want to go to Brooklyn. You can't make me! | 0:23:48 | 0:23:52 | |
None of us want to, but we gotta sooner or later. | 0:23:52 | 0:23:54 | |
No, no, no, stop the bus, please! | 0:23:54 | 0:23:57 | |
I lose more passengers that way. | 0:24:01 | 0:24:04 | |
-GHOSTLY VOICE: -'Edwin!' | 0:24:09 | 0:24:12 | |
'Edwin!' | 0:24:19 | 0:24:21 | |
'Edwin!' | 0:24:22 | 0:24:24 | |
'Edwin.' | 0:24:34 | 0:24:36 | |
Hey, Edwin. | 0:25:11 | 0:25:13 | |
Come here. | 0:25:15 | 0:25:17 | |
Buster? | 0:25:20 | 0:25:22 | |
Buster, this is wonderful. | 0:25:22 | 0:25:26 | |
Oh, it's murder! | 0:25:24 | 0:25:26 | |
To meet you here of all places! | 0:25:26 | 0:25:28 | |
You wouldn't be found dead in Brooklyn. | 0:25:28 | 0:25:31 | |
That was the only way they could get me here. | 0:25:31 | 0:25:35 | |
You haven't changed. You look just like me. | 0:25:35 | 0:25:40 | |
You haven't either. You look just like me. | 0:25:40 | 0:25:44 | |
All the time, Edwin, sharp as a tack! | 0:25:44 | 0:25:47 | |
Why are you here? | 0:25:47 | 0:25:49 | |
Edwin, d'you ever see a murder? | 0:25:51 | 0:25:54 | |
Murder? Heavens, no! | 0:25:54 | 0:25:56 | |
I did, a week ago. I told the DA and they picked up the guy on suspicion. | 0:25:56 | 0:26:02 | |
Before I could swear out a statement | 0:26:02 | 0:26:05 | |
Ten Grand got out on bail and swore he'd knock me off. | 0:26:05 | 0:26:09 | |
Buster, you're in a precarious position | 0:26:09 | 0:26:12 | |
and you don't look worried. | 0:26:12 | 0:26:14 | |
Why worry? They killed me last night. | 0:26:14 | 0:26:17 | |
I don't appreciate your humour. | 0:26:17 | 0:26:21 | |
I know it's hard to swallow, but I'm dead. | 0:26:21 | 0:26:24 | |
Am I to believe that? | 0:26:24 | 0:26:30 | |
Believe what you want. Is this trick photography? | 0:26:26 | 0:26:30 | |
HE MOANS | 0:26:31 | 0:26:34 | |
Bu... I... Bu... | 0:26:34 | 0:26:38 | |
HE STUTTERS | 0:26:38 | 0:26:41 | |
Buster, how did you accomplish that? | 0:26:41 | 0:26:44 | |
I'm trying to tell ya. I can get in and out of anything. | 0:26:44 | 0:26:48 | |
It's impossible. | 0:26:49 | 0:26:52 | |
It must be an optical illusion. | 0:26:52 | 0:26:54 | |
I can't explain, but it's inconceivable. | 0:26:54 | 0:26:58 | |
You're a tough nut to crack. | 0:26:59 | 0:27:01 | |
Give me a swig. | 0:27:01 | 0:27:03 | |
It's positively childish. | 0:27:03 | 0:27:06 | |
It won't hold water. | 0:27:06 | 0:27:08 | |
Buster! Haven't you outgrown those practical jokes? | 0:27:09 | 0:27:13 | |
This isn't a gag, Edwin. I need your help. | 0:27:15 | 0:27:18 | |
I'd do anything for you, but I can't accept you're not alive. | 0:27:18 | 0:27:23 | |
I can hear every word you say. | 0:27:23 | 0:27:26 | |
Maybe it's because we're identical twins. | 0:27:26 | 0:27:29 | |
All I know is that you can see | 0:27:29 | 0:27:32 | |
and hear me but nobody else can. | 0:27:32 | 0:27:35 | |
Maybe this'll convince you. | 0:27:35 | 0:27:37 | |
Hey, flatfoot, how'd you like a kick in the seat? | 0:27:37 | 0:27:42 | |
Why, that's astounding. | 0:27:43 | 0:27:45 | |
No, it isn't. It's a fact that when one drinks water... | 0:27:45 | 0:27:50 | |
..the canals of the ears constrict, | 0:27:50 | 0:27:53 | |
numbing the acoustic nerve. | 0:27:53 | 0:27:55 | |
Does the acoustic nerve run down that far? | 0:27:57 | 0:28:01 | |
Why, you! | 0:28:05 | 0:28:07 | |
Good evening. | 0:28:07 | 0:28:09 | |
What are you doing? | 0:28:09 | 0:28:14 | |
Forgive me. It was an experiment. | 0:28:11 | 0:28:14 | |
I'll show you an experiment! | 0:28:14 | 0:28:18 | |
But my brother Buster did it first. | 0:28:16 | 0:28:18 | |
What brother? | 0:28:18 | 0:28:24 | |
Just standing right there. He's a ghost. | 0:28:20 | 0:28:24 | |
Yeah. | 0:28:24 | 0:28:27 | |
I see him. He's standing there wearing a racoon coat. | 0:28:27 | 0:28:31 | |
No, tails. | 0:28:31 | 0:28:37 | |
Yeah, there in that tree swinging by his tails. | 0:28:33 | 0:28:37 | |
Then he is dead. | 0:28:37 | 0:28:39 | |
Buster is dead. | 0:28:40 | 0:28:42 | |
Sure, that's it. | 0:28:43 | 0:28:45 | |
I'll go back to the station | 0:28:45 | 0:28:48 | |
and have the boys chip in for a wreath. | 0:28:48 | 0:28:51 | |
Pardon me, Buster. | 0:28:51 | 0:28:54 | |
-HE LAUGHS -Are you satisfied, Eddie? | 0:28:54 | 0:28:57 | |
Yes, but you understand my scepticism. | 0:28:57 | 0:29:01 | |
My own brother a ghost. | 0:29:01 | 0:29:03 | |
I knew you'd come to no good, Buster Dingle. | 0:29:03 | 0:29:06 | |
Come to no good! | 0:29:06 | 0:29:08 | |
Two grand a week at the Pelican Club. Buster Dingle! | 0:29:08 | 0:29:13 | |
Didn't you hear of Buzzy Bellew? | 0:29:13 | 0:29:16 | |
Buzzy? | 0:29:16 | 0:29:18 | |
Buzzy. Then it was you. | 0:29:18 | 0:29:21 | |
That name came to me last night. | 0:29:21 | 0:29:23 | |
It's because I contacted you. | 0:29:23 | 0:29:26 | |
It was at midnight when they bumped me off. | 0:29:26 | 0:29:29 | |
They threw me off that bridge. | 0:29:29 | 0:29:31 | |
That's why I felt drawn to this spot. | 0:29:31 | 0:29:34 | |
Thales of Miletus. | 0:29:36 | 0:29:38 | |
What? | 0:29:37 | 0:29:38 | |
The control of magnetic forces over material. Thales was right. | 0:29:38 | 0:29:43 | |
Pay him the 64! | 0:29:43 | 0:29:45 | |
All I know is I got you here to help me fry that rat Ten Grand Jackson. | 0:29:45 | 0:29:51 | |
I'd go to any extreme. | 0:29:51 | 0:29:53 | |
That's the spirit. Here's what you do. | 0:29:53 | 0:29:57 | |
Nobody knows they killed me, so take my place. | 0:29:57 | 0:30:00 | |
HE COUGHS Shh! Shh! | 0:30:00 | 0:30:02 | |
They don't even know I'm alive... I mean dead. | 0:30:02 | 0:30:06 | |
Hip chick. Just be me until the trial is over. | 0:30:06 | 0:30:10 | |
But if Ten Grand wants to prevent you testifying,... | 0:30:10 | 0:30:14 | |
..he'll kill you, I mean me, because I'll be you. Oh, dear. | 0:30:14 | 0:30:18 | |
Not scared, are you? | 0:30:18 | 0:30:21 | |
"Fear" is not in my lexicon. | 0:30:21 | 0:30:23 | |
Then why worry? | 0:30:24 | 0:30:29 | |
If I took your place, I'd be dead in an hour. | 0:30:25 | 0:30:29 | |
I'll handle it, even though I'm a beginner. | 0:30:29 | 0:30:33 | |
No telling what I could do! | 0:30:33 | 0:30:36 | |
Didn't you want potato salad? | 0:30:36 | 0:30:39 | |
POTATO SALAD! I have to go. | 0:30:39 | 0:30:42 | |
Stop, Eddie! | 0:30:42 | 0:30:44 | |
Let's go. | 0:30:44 | 0:30:48 | |
Brooklyn's full of 'em. | 0:30:45 | 0:30:48 | |
Amazing. A demonstration of Thales' power of magnetic compulsion. | 0:30:48 | 0:30:53 | |
Kid's stuff. | 0:30:53 | 0:30:57 | |
What I... | 0:30:54 | 0:30:57 | |
MAN SCREAMS | 0:30:55 | 0:30:57 | |
Why d'you hit me? I did nothing. | 0:30:57 | 0:31:00 | |
I'm in the car, if you want to ride home. | 0:31:00 | 0:31:03 | |
Read any books lately? | 0:31:04 | 0:31:06 | |
Don't be vulgar. | 0:31:06 | 0:31:10 | |
Vulgar? I'm just powdering my nose. | 0:31:08 | 0:31:10 | |
Sorry, Miss, I wasn't talking to you. | 0:31:10 | 0:31:13 | |
And I think of the time I wasted living. | 0:31:13 | 0:31:17 | |
Did you say you sing in a club? | 0:31:17 | 0:31:20 | |
No, a bakery, but a lot of people | 0:31:20 | 0:31:22 | |
take me for Lana Turner. | 0:31:22 | 0:31:25 | |
You could fool me. | 0:31:23 | 0:31:25 | |
Stop! How am I going to take your place in the club? | 0:31:25 | 0:31:29 | |
I don't work in a club. | 0:31:29 | 0:31:32 | |
I do. | 0:31:30 | 0:31:32 | |
What are you saying? | 0:31:32 | 0:31:35 | |
Stay out of this. | 0:31:33 | 0:31:35 | |
You talked first! | 0:31:35 | 0:31:38 | |
No! | 0:31:36 | 0:31:38 | |
You started all this. You made me come here. | 0:31:38 | 0:31:42 | |
I did not. Mike! Mike! | 0:31:42 | 0:31:45 | |
-Hey, Mike! -SHE WHISTLES | 0:31:45 | 0:31:49 | |
He's getting fresh with me. | 0:31:47 | 0:31:49 | |
Asking for trouble? | 0:31:49 | 0:31:51 | |
"Asking for trouble?" | 0:31:50 | 0:31:51 | |
Avoiding it. | 0:31:51 | 0:31:55 | |
"Avoiding it." | 0:31:53 | 0:31:55 | |
I couldn't deceive for a day. | 0:31:55 | 0:31:57 | |
I deceived nobody. | 0:31:57 | 0:31:59 | |
A likely story. | 0:31:59 | 0:32:01 | |
Stop it! Let's settle this. Come up to my room like you used to. | 0:32:01 | 0:32:06 | |
-ALL: -WHAT!! | 0:32:06 | 0:32:08 | |
Take your glasses off. | 0:32:08 | 0:32:10 | |
-BOTH: -You see, honey? You can't trust nobody these days. | 0:32:17 | 0:32:22 | |
-BOTH: -Except for sailors. | 0:32:22 | 0:32:25 | |
Oh. | 0:32:26 | 0:32:28 | |
Mmm. | 0:32:29 | 0:32:31 | |
I have a vague feeling this won't work out, Buster. | 0:32:33 | 0:32:37 | |
You're just dizzy from the punch. | 0:32:42 | 0:32:44 | |
I'll take care of you. | 0:32:44 | 0:32:46 | |
I can make people disappear and stop bullets. | 0:32:46 | 0:32:51 | |
Move. You gotta take my place. | 0:32:51 | 0:32:54 | |
Buster, it's futile. | 0:32:54 | 0:32:56 | |
I haven't the slightest knowledge of how to sing. | 0:32:56 | 0:33:00 | |
Don't worry, I got a gimmick. I'll use it at the trial, too. | 0:33:00 | 0:33:05 | |
What's the gimmick? | 0:33:05 | 0:33:10 | |
When you need me, you'll hear music. | 0:33:07 | 0:33:10 | |
SOFT, ANGELIC MUSIC | 0:33:10 | 0:33:13 | |
And I'll use your body. | 0:33:14 | 0:33:16 | |
What do you mean, "Use my body"? | 0:33:18 | 0:33:20 | |
Like this. | 0:33:20 | 0:33:22 | |
Oh, no, Buster! What are you doing? | 0:33:25 | 0:33:28 | |
Get out of me, Buster! I must talk to you immediately. | 0:33:28 | 0:33:32 | |
Buster! Buster! Buster! | 0:33:32 | 0:33:36 | |
Please, Buster, this is ridiculous. | 0:33:36 | 0:33:39 | |
Stop it, I tell you. | 0:33:39 | 0:33:41 | |
Buster, you can't do this to me, Buster. I won't... | 0:33:41 | 0:33:45 | |
It's my brother Buster again. He's inside me now. | 0:33:49 | 0:33:53 | |
Buster, the masquerade'll be palpably inadequate. | 0:33:53 | 0:33:57 | |
Palpably inadequate. | 0:33:57 | 0:33:59 | |
# Palpably inadequate Palpably inadequate | 0:33:59 | 0:34:02 | |
# PALPABLY inadequate blues | 0:34:02 | 0:34:04 | |
# I've got the palpably inadequate | 0:34:04 | 0:34:07 | |
# Palpably inadequate | 0:34:07 | 0:34:08 | |
# Boom-ding, boom-ding, boom, boom, ding, ding | 0:34:08 | 0:34:13 | |
# Oooohh le! # | 0:34:13 | 0:34:15 | |
HE IMITATES FLUTE | 0:34:15 | 0:34:19 | |
HE IMITATES CELLO | 0:34:22 | 0:34:26 | |
HE BARKS | 0:34:28 | 0:34:30 | |
# Rock-a-bye, baby On the tree top | 0:34:32 | 0:34:36 | |
# Palpably inadequate blues! # | 0:34:36 | 0:34:39 | |
HE BABBLES | 0:34:41 | 0:34:47 | |
Bye-bye. | 0:34:53 | 0:34:55 | |
Yippee! Wee! | 0:34:55 | 0:34:58 | |
Yippee! Yahoo! Yippee! | 0:34:58 | 0:35:02 | |
Yippee! Wee! Woo! | 0:35:05 | 0:35:08 | |
Yahoo! | 0:35:08 | 0:35:10 | |
# Rock-a-bye, baby On the tree top | 0:35:10 | 0:35:13 | |
# When the... Huh! # | 0:35:13 | 0:35:15 | |
Buster! | 0:35:15 | 0:35:18 | |
Bye-bye. | 0:35:18 | 0:35:20 | |
Goodbye. | 0:35:20 | 0:35:22 | |
Buster! | 0:35:22 | 0:35:24 | |
Buzzy! Buster, come back here. | 0:35:24 | 0:35:28 | |
Buster! Buster! | 0:35:28 | 0:35:30 | |
Potato salad! | 0:35:32 | 0:35:34 | |
Mr Schmidt! Mr Schmidt! | 0:35:44 | 0:35:47 | |
Yes, yes, I'm coming. | 0:35:48 | 0:35:51 | |
Impertinent! Late in the night. | 0:35:51 | 0:35:54 | |
Ja, ja, ja, I'm coming. | 0:35:55 | 0:35:58 | |
Mr Schmidt! HE BANGS | 0:35:58 | 0:36:01 | |
HE BANGS Mr Schmidt! | 0:36:05 | 0:36:07 | |
Don't! Shoosh! Don't! Come in. | 0:36:07 | 0:36:10 | |
Thank you. | 0:36:10 | 0:36:14 | |
Shoosh! What do you want? | 0:36:11 | 0:36:14 | |
What? | 0:36:14 | 0:36:17 | |
Wh.. shoosh! What do you want? | 0:36:14 | 0:36:17 | |
I might hear music. | 0:36:17 | 0:36:18 | |
Music? There is a nice place down the street. They sell Prospect Park. | 0:36:18 | 0:36:24 | |
Maybe even the Empire State Building. | 0:36:24 | 0:36:27 | |
Why don't you go down there? | 0:36:27 | 0:36:30 | |
SOFT, ANGELIC MUSIC | 0:36:30 | 0:36:32 | |
Pelican Club! | 0:36:36 | 0:36:39 | |
What? | 0:36:37 | 0:36:39 | |
I'd like a pint of... | 0:36:39 | 0:36:42 | |
A pint of...? | 0:36:40 | 0:36:42 | |
A pint of Pelican. | 0:36:42 | 0:36:46 | |
A pint of pelican!! | 0:36:43 | 0:36:46 | |
Sorry to cause you trouble. It's my brother. | 0:36:46 | 0:36:49 | |
Your brother? Shoosh. | 0:36:50 | 0:36:53 | |
He gets inside me, I can't help it. He makes me do it. | 0:36:53 | 0:36:57 | |
I hear the music and I can't find him. | 0:36:57 | 0:37:00 | |
I must go to the Pelican Club and go through with it! | 0:37:00 | 0:37:04 | |
Evening, Mr Bellew. | 0:37:09 | 0:37:13 | |
Hi, Buzzy. | 0:37:10 | 0:37:13 | |
Hello, Mr Bellew. | 0:37:11 | 0:37:13 | |
Hi, Mr Bellew. | 0:37:18 | 0:37:20 | |
Hello, Buzzy. | 0:37:23 | 0:37:25 | |
Don't run. I want to talk to you. | 0:37:28 | 0:37:31 | |
ALL SCREAM | 0:37:33 | 0:37:35 | |
SCREAMING | 0:37:38 | 0:37:40 | |
Pardon me. | 0:37:42 | 0:37:44 | |
ALL CHATTER EXCITEDLY | 0:37:44 | 0:37:46 | |
When will you grow up? | 0:38:00 | 0:38:02 | |
Are you addressing me? | 0:38:02 | 0:38:04 | |
Where d'you get the outfit and cheaters? | 0:38:04 | 0:38:08 | |
Return them. | 0:38:08 | 0:38:10 | |
They won't help. Midge'll slug you anyway. | 0:38:10 | 0:38:14 | |
Midge? Midge who? | 0:38:14 | 0:38:17 | |
Stop that. | 0:38:17 | 0:38:19 | |
You stood her up last night, didn't you? | 0:38:19 | 0:38:22 | |
She cried all morning. | 0:38:22 | 0:38:24 | |
Is that a way to treat your future wife? | 0:38:24 | 0:38:27 | |
HE SPLUTTERS Wife? | 0:38:27 | 0:38:30 | |
Oh, wife. Yes, of course. | 0:38:30 | 0:38:32 | |
Well, there's really nothing definite. | 0:38:32 | 0:38:35 | |
We haven't published the banns. | 0:38:35 | 0:38:39 | |
What banns? | 0:38:37 | 0:38:39 | |
Are you serious with her? | 0:38:39 | 0:38:43 | |
You don't realise how serious it is. | 0:38:41 | 0:38:43 | |
Are you going to marry her tomorrow? | 0:38:43 | 0:38:46 | |
Tomorrow? | 0:38:46 | 0:38:48 | |
Yes, of course. Certainly. Yes, yes. | 0:38:48 | 0:38:51 | |
All right, she's waiting. | 0:38:51 | 0:38:54 | |
Slip her a kiss, square the beef | 0:38:54 | 0:38:56 | |
so she'll know you're on the up and up. | 0:38:56 | 0:39:00 | |
Very well. | 0:38:58 | 0:39:00 | |
I'll slip her a kiss, square the beef | 0:39:00 | 0:39:03 | |
so she'll know I'm on the up and up. | 0:39:03 | 0:39:05 | |
Oh, just the man I'm looking for. | 0:39:19 | 0:39:22 | |
Well, what was that for? | 0:39:25 | 0:39:27 | |
I slipped you that kiss | 0:39:27 | 0:39:29 | |
to slice beef and show you I'm on the up and up. | 0:39:29 | 0:39:33 | |
Will you marry me? | 0:39:33 | 0:39:35 | |
If you can talk my husband into it. | 0:39:35 | 0:39:37 | |
Now zip me up, you clown. | 0:39:37 | 0:39:40 | |
Hurry up. | 0:39:40 | 0:39:43 | |
HE COUGHS | 0:39:41 | 0:39:43 | |
Are you the wardrobe mistress now? | 0:39:47 | 0:39:50 | |
I suppose so. What can I do for you? | 0:39:50 | 0:39:53 | |
You can put that back in your nose! | 0:39:53 | 0:39:56 | |
You don't have to be jealous, Midge. | 0:39:56 | 0:40:00 | |
Midge? Oh, you're Midge. Excuse me. | 0:40:00 | 0:40:03 | |
There. I'm a square of beef | 0:40:04 | 0:40:06 | |
and everything is on the up in arms. | 0:40:06 | 0:40:09 | |
Someday you won't get away with it. | 0:40:09 | 0:40:12 | |
Good thing I'm as wacky as you. | 0:40:12 | 0:40:14 | |
Four seconds late with your snack. | 0:40:14 | 0:40:18 | |
Thank you. | 0:40:18 | 0:40:20 | |
Potato salad. Potato salad! She's waiting for me. Uh... | 0:40:20 | 0:40:25 | |
Forgive me, ladies. There's an urgent matter I must attend to. Phone. | 0:40:25 | 0:40:31 | |
And that's the guy I'm going to marry. | 0:40:31 | 0:40:34 | |
Sorry, Ellen, complications arose. | 0:40:34 | 0:40:37 | |
I'll explain later. I have a position | 0:40:37 | 0:40:41 | |
Well, of course I'm disappointed. | 0:40:41 | 0:40:44 | |
But I'm delighted if you found a job. What? | 0:40:44 | 0:40:48 | |
What job do you work till midnight? | 0:40:48 | 0:40:51 | |
It's a most peculiar establishment. | 0:40:51 | 0:40:55 | |
BARKING | 0:40:53 | 0:40:55 | |
It's a pet shop. | 0:40:58 | 0:41:03 | |
Open till midnight? D'you sell owls?! | 0:40:59 | 0:41:03 | |
We stock the entire animal kingdom. | 0:41:03 | 0:41:06 | |
Listen, you can hear for yourself. | 0:41:06 | 0:41:09 | |
DOG PANTS AND BARKS | 0:41:13 | 0:41:16 | |
DOG HOWLS | 0:41:17 | 0:41:19 | |
HE CLUCKS | 0:41:19 | 0:41:21 | |
Cock-a-doodle-doo! HE MOOS | 0:41:21 | 0:41:24 | |
MIMICS PARROT: Polly, want a cracker? Polly, want a cracker? | 0:41:24 | 0:41:30 | |
HE TWEETS | 0:41:30 | 0:41:32 | |
HE HOOTS | 0:41:33 | 0:41:36 | |
That's an owl, Ellen. | 0:41:36 | 0:41:38 | |
What? HE CLUCKS | 0:41:38 | 0:41:40 | |
HE MEOWS AND HISSES | 0:41:42 | 0:41:46 | |
BARKING | 0:41:46 | 0:41:49 | |
HE GURGLES | 0:41:49 | 0:41:52 | |
What's that? | 0:41:52 | 0:41:56 | |
Goldfish. | 0:41:53 | 0:41:56 | |
Edwin Dingle, I don't know what you're up to! | 0:41:56 | 0:42:00 | |
Take your animals and have dinner with them! And study in another library! | 0:42:00 | 0:42:06 | |
Oh, wait... Ellen, hello. Hello? | 0:42:06 | 0:42:10 | |
Ellen? Ellen? | 0:42:10 | 0:42:12 | |
She hung up, eh? | 0:42:12 | 0:42:18 | |
No, that was an acquaintance in a pet shop. He's crazy. | 0:42:13 | 0:42:18 | |
HE GURGLES Goldfish! | 0:42:18 | 0:42:20 | |
Your tails are clean. | 0:42:20 | 0:42:25 | |
Mmm? | 0:42:22 | 0:42:25 | |
You're on in ten minutes. | 0:42:22 | 0:42:25 | |
We're honoured again tonight. Ten Grand's out front. | 0:42:25 | 0:42:29 | |
Ten Grand! Did you hear? He said... | 0:42:29 | 0:42:33 | |
"O what a tangled web we weave, | 0:42:33 | 0:42:35 | |
"When first we practise to deceive!" | 0:42:35 | 0:42:38 | |
Sir Walter Scott's Marmion. | 0:42:38 | 0:42:40 | |
Canto 6, stanza 17. How beautiful. | 0:42:40 | 0:42:42 | |
Where on Earth is Fred? | 0:42:53 | 0:42:55 | |
We've been going steady. | 0:42:56 | 0:42:58 | |
We had a date to meet here at eight and he's ten minutes late already! | 0:42:58 | 0:43:04 | |
Freddy! | 0:43:04 | 0:43:06 | |
Freddy. | 0:43:07 | 0:43:10 | |
# So in love | 0:43:10 | 0:43:13 | |
# I'm so in love | 0:43:13 | 0:43:15 | |
# Part of my heart said no, no, no, | 0:43:15 | 0:43:18 | |
# The other part said, "Let's go" | 0:43:18 | 0:43:20 | |
# And was I afraid, but I obeyed | 0:43:20 | 0:43:25 | |
# Part of my heart said, "Let's go" | 0:43:25 | 0:43:28 | |
# I couldn't say no, no, no | 0:43:28 | 0:43:31 | |
# Just one week ago I made my mind up | 0:43:31 | 0:43:35 | |
# That I'd never fall again and then I wind up | 0:43:36 | 0:43:41 | |
# So in love | 0:43:41 | 0:43:43 | |
# But so in love | 0:43:43 | 0:43:45 | |
# I oughtta feel high but I feel low | 0:43:45 | 0:43:48 | |
# And here's what I want to know | 0:43:48 | 0:43:51 | |
# Does the one I'm so in love with love me so? # | 0:43:51 | 0:43:55 | |
Do you have a problem? | 0:43:55 | 0:43:58 | |
Is your Don Juan gone? Is your Casanova a rover? | 0:43:58 | 0:44:02 | |
Step inside. Absolutely free if you want to be a bride. | 0:44:02 | 0:44:08 | |
Wisdom's pearls from the lips of the Goldwyn girls. | 0:44:08 | 0:44:12 | |
Hurry, hurry! You're just in time. Absolutely free... | 0:44:12 | 0:44:17 | |
Oh. | 0:44:17 | 0:44:20 | |
If you pay a dime. | 0:44:17 | 0:44:20 | |
# So you want to know If he loves you so | 0:44:38 | 0:44:44 | |
# Well, you poor smitten kitten | 0:44:44 | 0:44:47 | |
# On a wedding you can plan | 0:44:47 | 0:44:50 | |
# Cos the Northwest Mounted comes to us | 0:44:50 | 0:44:53 | |
# When they really want to get their man | 0:44:53 | 0:44:57 | |
# Have you tried picking petals | 0:44:57 | 0:45:00 | |
# And seeing what it settles off a daisy? | 0:45:00 | 0:45:03 | |
# Have you tried mixing juleps | 0:45:04 | 0:45:07 | |
# With a stroll through the tulips while he's hazy? | 0:45:07 | 0:45:12 | |
# Have you tried weeping on his shoulder... | 0:45:12 | 0:45:16 | |
# During Tristan and Isolde? | 0:45:16 | 0:45:20 | |
# Have you tried baking him a biscuit? | 0:45:20 | 0:45:23 | |
# Or don't you think you ought to risk it? | 0:45:23 | 0:45:28 | |
# Have you tried Wheaties? | 0:45:28 | 0:45:30 | |
# But there's one sure cure that'll open his eyes | 0:45:32 | 0:45:35 | |
# Flirt with a couple of other guys | 0:45:35 | 0:45:39 | |
# Cleopatra rose on it | 0:45:39 | 0:45:41 | |
# We'll bet our doggone hose on it | 0:45:41 | 0:45:45 | |
# Try playing the field And he'll yield # | 0:45:45 | 0:45:50 | |
APPLAUSE | 0:48:55 | 0:48:57 | |
We're looking for Ten Grand Jackson. | 0:49:00 | 0:49:03 | |
He's at his regular table. | 0:49:03 | 0:49:07 | |
Huh? | 0:49:04 | 0:49:07 | |
I say he's at his... | 0:49:05 | 0:49:07 | |
Look, you ain't no deafer than I am. | 0:49:09 | 0:49:12 | |
I know it, but it makes me look very distinguee. | 0:49:12 | 0:49:16 | |
Come on. | 0:49:16 | 0:49:18 | |
I told you to come to my office. | 0:49:23 | 0:49:25 | |
The DA's back, we gotta be cool. | 0:49:25 | 0:49:30 | |
We want our money. | 0:49:27 | 0:49:30 | |
Sure you gave him a bath? | 0:49:30 | 0:49:34 | |
In Prospect Park Lake. | 0:49:31 | 0:49:34 | |
They ain't even had time to take his name off the marquee! | 0:49:34 | 0:49:38 | |
Wonder who Monte's going to put in his place. | 0:49:38 | 0:49:42 | |
I'll miss Buzzy - a great performer. | 0:49:42 | 0:49:45 | |
BAND STRIKES UP | 0:49:45 | 0:49:47 | |
BAND STRIKES UP AGAIN | 0:49:49 | 0:49:52 | |
Buster, where are you? Buster! | 0:49:57 | 0:50:00 | |
What's with him? Every night a new act. | 0:50:00 | 0:50:05 | |
Please, Buster! | 0:50:03 | 0:50:05 | |
Who's that? | 0:50:13 | 0:50:15 | |
Under the spreading chestnut tree, | 0:50:22 | 0:50:25 | |
the village smithy stands... | 0:50:25 | 0:50:28 | |
# The smith - a mighty man is he | 0:50:28 | 0:50:31 | |
# Large sinewy hands! # | 0:50:31 | 0:50:33 | |
Get the show going. Shoot the mic. | 0:50:33 | 0:50:36 | |
His brow is wet with honest sweat | 0:50:36 | 0:50:39 | |
He... He earns what e'er he can... | 0:50:39 | 0:50:43 | |
He-e-e... BUSTER! | 0:50:43 | 0:50:47 | |
LAUGHTER | 0:50:44 | 0:50:47 | |
Ladies and gentlemen, I think some explanation is due... | 0:50:58 | 0:51:04 | |
..but I, uh,... unfortunately, I... | 0:51:04 | 0:51:07 | |
I don't like this routine. Better get the girls back on! | 0:51:07 | 0:51:11 | |
I simply can't... | 0:51:11 | 0:51:13 | |
ALL SCREAM | 0:51:13 | 0:51:15 | |
SOFT ANGELIC MUSIC | 0:51:15 | 0:51:17 | |
The music! There it is - the music! | 0:51:17 | 0:51:20 | |
Buster! Where have you been? | 0:51:23 | 0:51:25 | |
Shh. | 0:51:25 | 0:51:28 | |
(I thought you'd never get here.) | 0:51:26 | 0:51:28 | |
You're a big, talentless hunk! | 0:51:28 | 0:51:31 | |
You'll ruin my reputation! | 0:51:31 | 0:51:34 | |
YAHOO! | 0:51:37 | 0:51:39 | |
Get your laughing belts on, folks, | 0:51:39 | 0:51:42 | |
we're going to go to work. Ha, ha! | 0:51:42 | 0:51:45 | |
Come on, girls, hurry up. | 0:51:45 | 0:51:49 | |
AUDIENCE LAUGHTER | 0:51:46 | 0:51:49 | |
Hold it. | 0:51:47 | 0:51:49 | |
Like an Eskimo girl, I need time to warm up. | 0:51:49 | 0:51:53 | |
You never know what he'll do! | 0:51:53 | 0:51:55 | |
Thought I wouldn't be any good, huh? | 0:51:55 | 0:51:59 | |
I've a great surprise this evening. | 0:51:59 | 0:52:02 | |
Russian baritone, Sergei Ivanovitch, hasn't performed in five years... | 0:52:02 | 0:52:08 | |
..but tonight he will sing for us. | 0:52:08 | 0:52:11 | |
So let's get him out here. | 0:52:11 | 0:52:13 | |
APPLAUSE | 0:52:13 | 0:52:15 | |
RUSSIAN MUSIC | 0:52:15 | 0:52:18 | |
IN RUSSIAN ACCENT: Ladies and gentlemen, | 0:52:35 | 0:52:37 | |
I will sing a composition which my dear friend,.. | 0:52:37 | 0:52:41 | |
..Gregory Ivanovitch Sergei Izdravstvuitye Kuzhistlashis | 0:52:41 | 0:52:46 | |
Mostnozhistyes Knizhy Yatzivrebich... | 0:52:46 | 0:52:49 | |
..wrote for me. Hee-hee. | 0:52:49 | 0:52:51 | |
With his friend Grieg. Please. Pozhalusta. | 0:52:51 | 0:52:55 | |
I... Heh! I will never forget the last time I sang this song - it was beautiful. | 0:52:56 | 0:53:02 | |
We were in a magnificent garden | 0:53:02 | 0:53:05 | |
and the stars were shining... | 0:53:05 | 0:53:08 | |
..the orchestra was playing, the people were applauding. | 0:53:08 | 0:53:13 | |
Ho! Me? | 0:53:13 | 0:53:15 | |
HE SNIFFS Sneeze. | 0:53:15 | 0:53:17 | |
Course...allergy. | 0:53:17 | 0:53:20 | |
But... He-he-heh. | 0:53:20 | 0:53:22 | |
This was five years ago. I feel much better now. | 0:53:22 | 0:53:26 | |
I will, heh, sing for you this little song. | 0:53:26 | 0:53:29 | |
Please, pozhalusta. | 0:53:29 | 0:53:31 | |
What a five years | 0:53:31 | 0:53:33 | |
I will never forget as long as I live! | 0:53:33 | 0:53:37 | |
Every place I go, whatever I am doing... HE SNEEZES | 0:53:37 | 0:53:41 | |
I love to smell flowers. Could not do this. | 0:53:43 | 0:53:47 | |
Because roses... HE CHUCKLES | 0:53:47 | 0:53:50 | |
Chrysanthe-e-mu-mm-um-u-um. | 0:53:50 | 0:53:53 | |
Rhodedendronbles. | 0:53:54 | 0:53:57 | |
Goldenrods. Whoa... | 0:53:57 | 0:54:00 | |
Only relief I possibly have is ocean voyage. | 0:54:00 | 0:54:04 | |
Here, I get seasick. | 0:54:04 | 0:54:07 | |
But, heh, heh, this is five years ago and I feel much better now and... | 0:54:07 | 0:54:13 | |
Please... | 0:54:13 | 0:54:16 | |
FORTISSIMO INTRO | 0:54:14 | 0:54:16 | |
END OF INTRO | 0:54:24 | 0:54:26 | |
SHORT INTRO | 0:54:36 | 0:54:41 | |
# Oh, ch-hee-hee-hee... | 0:54:41 | 0:54:46 | |
# Chornia | 0:54:51 | 0:54:54 | |
# And oh, ch... AIO! | 0:54:54 | 0:54:58 | |
# ..nia | 0:55:05 | 0:55:07 | |
# And, oh, Cho... Wh-o-o-o-o! | 0:55:07 | 0:55:11 | |
# Oh, Che... He-e-e-e-e! | 0:55:11 | 0:55:13 | |
# Oh, Che... Ha-a! # | 0:55:14 | 0:55:16 | |
HE GASPS | 0:55:18 | 0:55:20 | |
HE GASPS AGAIN | 0:55:21 | 0:55:23 | |
# ..nia | 0:55:25 | 0:55:27 | |
# Ee pr-r-rekrasn-sn-snia-a-a | 0:55:27 | 0:55:34 | |
# Ha-a-a-a-a-a... | 0:55:34 | 0:55:38 | |
# Klublyu ya vas oh-de-bay... # | 0:55:38 | 0:55:42 | |
HE MUMBLES | 0:55:42 | 0:55:44 | |
# Kak lublyu ya vas! | 0:55:52 | 0:55:54 | |
# Kak vayus ya vas | 0:55:57 | 0:56:03 | |
# Sna... # | 0:56:03 | 0:56:05 | |
HE WHIMPERS | 0:56:08 | 0:56:11 | |
HE SNORTS # Sna... | 0:56:11 | 0:56:13 | |
# Sna... | 0:56:15 | 0:56:17 | |
# Je-vee-vee-do-do | 0:56:17 | 0:56:20 | |
# Ba-sa-nyat-nyat | 0:56:20 | 0:56:23 | |
# Nomoig, sed zi nyet magen... # | 0:56:23 | 0:56:27 | |
OUTSCH! Ho-ho... | 0:56:30 | 0:56:32 | |
HE STAMMERS | 0:56:33 | 0:56:35 | |
# Dlya vas | 0:56:40 | 0:56:43 | |
# Sna-a-a-a-a-a-a-a... | 0:56:43 | 0:56:51 | |
# Sna-veelaa # | 0:56:51 | 0:56:56 | |
Who! | 0:56:56 | 0:56:58 | |
He who! | 0:57:00 | 0:57:02 | |
Who he?! | 0:57:02 | 0:57:04 | |
I don't know who he! | 0:57:04 | 0:57:07 | |
# Sna-vido-he-chas! # | 0:57:07 | 0:57:14 | |
ATCHOO! | 0:57:14 | 0:57:17 | |
LAUGHTER | 0:57:15 | 0:57:17 | |
HE WHIMPERS | 0:57:17 | 0:57:20 | |
LAUGHTER AND APPLAUSE | 0:57:20 | 0:57:22 | |
Thank you. | 0:57:28 | 0:57:30 | |
Stay in the hot seat, pal! | 0:57:31 | 0:57:33 | |
Only one explanation. He's Buzzy's ghost. | 0:57:42 | 0:57:46 | |
He's come back to get us! | 0:57:46 | 0:57:49 | |
Sure(!) | 0:57:47 | 0:57:49 | |
You guys were going to skip town with the dough for a job you didn't do. | 0:57:49 | 0:57:55 | |
What'd he say? | 0:57:55 | 0:57:58 | |
Take that out and you'd hear him! | 0:57:56 | 0:57:58 | |
Huh? | 0:57:58 | 0:58:01 | |
You'd hear him! | 0:57:59 | 0:58:01 | |
Great show. Great show. | 0:58:04 | 0:58:07 | |
Getting warm, isn't it, fellas? | 0:58:07 | 0:58:09 | |
Sorry I'm late, kiddies, I couldn't tear myself away. | 0:58:12 | 0:58:17 | |
Never been late before, Buzzy! | 0:58:17 | 0:58:20 | |
How can you say that? | 0:58:20 | 0:58:22 | |
Chimp, I got an idea! That guy there ain't Buzzy Bellew. | 0:58:23 | 0:58:28 | |
Buzzy's got a mole under his ear! | 0:58:28 | 0:58:31 | |
Don't prove nothing. Everybody knows Buzzy has a mole under his ear. | 0:58:31 | 0:58:37 | |
-If -he -ain't got a mole, he ain't Buzzy, is he, Chimp? | 0:58:37 | 0:58:41 | |
Huh? | 0:58:41 | 0:58:44 | |
Is he?! | 0:58:42 | 0:58:44 | |
Quiet, kids. I have to announce that Midge and Buzzy are to be married. | 0:58:45 | 0:58:51 | |
ALL: Congratulations! | 0:58:51 | 0:58:53 | |
I tried my best to stop it, | 0:58:53 | 0:58:55 | |
but the unhappy event takes place tomorrow. | 0:58:55 | 0:59:00 | |
This is a surprise! | 0:59:00 | 0:59:06 | |
I've an even bigger surprise. This time I'll be there. | 0:59:01 | 0:59:06 | |
I've got one, too. If you're even five minutes late, | 0:59:06 | 0:59:11 | |
I'll marry Monte. | 0:59:11 | 0:59:12 | |
So help me, I'll set his clock back! | 0:59:12 | 0:59:16 | |
A toast. Let's drink to the late Buzzy Bellew. | 0:59:16 | 0:59:20 | |
Mr Bellew, can I have your autograph for my sorority? | 0:59:22 | 0:59:27 | |
Sure, I'm an old Vassar man myself. | 0:59:27 | 0:59:29 | |
I'd like one, too. | 0:59:29 | 0:59:32 | |
Didn't know he could even write with one hand! | 0:59:37 | 0:59:42 | |
LAUGHTER | 0:59:39 | 0:59:42 | |
Thanks. | 0:59:42 | 0:59:42 | |
Say, how's the florist business? | 0:59:42 | 0:59:46 | |
Fine. | 0:59:46 | 0:59:48 | |
-As I was saying before I was so -rudely -interrupted. | 0:59:49 | 0:59:53 | |
That's him - same face, eyes, nose, | 0:59:54 | 0:59:57 | |
same mole under his left ear. | 0:59:57 | 0:59:59 | |
That guy there is right now | 0:59:59 | 1:00:01 | |
layin' at the bottom of the lake. | 1:00:01 | 1:00:04 | |
The same guy? He wrote "Buzzy Bellew". | 1:00:04 | 1:00:08 | |
Yeah, look at mine. "Buzz, Buzz...potato salad"? | 1:00:08 | 1:00:12 | |
Hey, who's that? | 1:00:12 | 1:00:14 | |
I guess Buzzy's being funny. | 1:00:16 | 1:00:18 | |
I don't care who that zombie is... | 1:00:18 | 1:00:21 | |
..I'm not paying you till he's knocked off. | 1:00:21 | 1:00:25 | |
If you two amateurs can't do it, | 1:00:25 | 1:00:28 | |
I'll get some professionals. | 1:00:28 | 1:00:30 | |
What'd he say? | 1:00:30 | 1:00:33 | |
You heard. | 1:00:31 | 1:00:33 | |
HE SLURS Just a moment! Just a moment! | 1:00:46 | 1:00:50 | |
I would like to propose a toast... | 1:00:51 | 1:00:55 | |
to my little bride Ellen. | 1:00:55 | 1:00:57 | |
-ALL: -Ellen? > | 1:00:57 | 1:01:01 | |
I... I mean Midge! | 1:00:59 | 1:01:01 | |
Midge! Whoo! I'm gettin' dizzy! | 1:01:01 | 1:01:05 | |
Tomorrow afternoon, we're all going to meet | 1:01:08 | 1:01:11 | |
at the library round the corner. | 1:01:11 | 1:01:14 | |
Hmm? The lil' library round the corner. | 1:01:16 | 1:01:20 | |
For better or for worse, in sickness and in health. | 1:01:20 | 1:01:24 | |
For richer or for poorer. | 1:01:24 | 1:01:26 | |
Till potato salad do us part. | 1:01:26 | 1:01:29 | |
LAUGHTER | 1:01:29 | 1:01:31 | |
-ALL: -Ooh! > | 1:01:35 | 1:01:37 | |
Pierre! More champagne! | 1:01:46 | 1:01:48 | |
Oh, brother, I can't take any more! | 1:01:53 | 1:01:56 | |
Pardon me. | 1:02:00 | 1:02:02 | |
What kind of a constitution has my brother got? | 1:02:02 | 1:02:06 | |
I'll never let him drink while I'm inside him. Never! | 1:02:06 | 1:02:11 | |
Hello, Charlie. Gimme a Bromo. | 1:02:17 | 1:02:20 | |
Hey, Charlie! Lemme have a Bromo. | 1:02:23 | 1:02:26 | |
NO SOUND | 1:02:29 | 1:02:33 | |
Let me have a Bromo! | 1:02:30 | 1:02:33 | |
Charlie, let me have a Bromo. | 1:02:36 | 1:02:39 | |
That won't do you any good. | 1:02:39 | 1:02:41 | |
Been here 15 minutes, I can't get a Bromo. | 1:02:41 | 1:02:45 | |
HE SPEAKS GIBBERISH | 1:02:58 | 1:03:00 | |
How d'you like that? | 1:03:09 | 1:03:11 | |
I get the Bromo and I can't pick it up! | 1:03:11 | 1:03:15 | |
Charlie! How about that Bromo? | 1:03:18 | 1:03:20 | |
I just gave you a Bromo. | 1:03:20 | 1:03:24 | |
Where is it? | 1:03:22 | 1:03:24 | |
Why d'you run away? | 1:03:28 | 1:03:30 | |
HOLD IT OR I'LL SHOOT! | 1:03:30 | 1:03:32 | |
You gotta be quicker on the draw! | 1:03:32 | 1:03:35 | |
Charlie, please let me have a Bromo. | 1:03:38 | 1:03:42 | |
< Charlie. Charlie! | 1:03:57 | 1:03:59 | |
Charlie! | 1:03:59 | 1:04:02 | |
What kind of a game is this? | 1:04:02 | 1:04:05 | |
Don't leave me alone with it, pal! | 1:04:08 | 1:04:12 | |
Help me hold it, stop it squirming! | 1:04:12 | 1:04:16 | |
Oh, brother! I wish I were dead! | 1:04:19 | 1:04:22 | |
(Psst! Ellen!) | 1:04:36 | 1:04:39 | |
(Ellen!) | 1:04:41 | 1:04:43 | |
Ellen, I need to converse with you. | 1:04:49 | 1:04:52 | |
There are a few small matters I'd like to clarify. You must listen. | 1:04:52 | 1:04:57 | |
Stop shouting. Everyone's looking. | 1:04:57 | 1:04:59 | |
I want to explain. | 1:04:59 | 1:05:03 | |
It better be good. | 1:05:01 | 1:05:03 | |
Making me wait hours for potato salad, | 1:05:03 | 1:05:05 | |
then barking and hooting down the telephone! | 1:05:05 | 1:05:08 | |
I'd better start at the beginning. | 1:05:08 | 1:05:10 | |
Don't bother. | 1:05:10 | 1:05:15 | |
I went to purchase potato salad. | 1:05:11 | 1:05:15 | |
I heard harp music, so instead of asking for potato salad, | 1:05:15 | 1:05:19 | |
I asked for Prospect Park. | 1:05:19 | 1:05:21 | |
Naturally(!) | 1:05:21 | 1:05:22 | |
When I hear piccolo music, I ask for Coney Island(!) | 1:05:22 | 1:05:26 | |
I jumped off a bus and my brother was waiting. | 1:05:26 | 1:05:30 | |
He had been killed the night before. | 1:05:30 | 1:05:34 | |
Oh! | 1:05:32 | 1:05:34 | |
Don't judge me till I've finished. | 1:05:38 | 1:05:40 | |
Go away! | 1:05:40 | 1:05:42 | |
I had to sing at the Pelican Club | 1:05:42 | 1:05:44 | |
so the DA wouldn't know that Buster, who was Buzzy, was dead. | 1:05:44 | 1:05:49 | |
Is that clear? | 1:05:49 | 1:05:53 | |
Oh, yes(!) You're insane. | 1:05:50 | 1:05:53 | |
But I didn't forget you. That's why I telephoned. | 1:05:53 | 1:05:56 | |
But a dog barked. I tried to get away, | 1:05:56 | 1:06:00 | |
but I couldn't because I'm engaged to Midge. | 1:06:00 | 1:06:03 | |
That is, Buzzy and Midge were engaged, but I was Buzzy then. | 1:06:03 | 1:06:08 | |
Oh! Who are you now? | 1:06:08 | 1:06:11 | |
Myself, but I don't know how long for. | 1:06:11 | 1:06:14 | |
Come around when you're Buzzy again. | 1:06:14 | 1:06:18 | |
It's true, Ellen! | 1:06:15 | 1:06:18 | |
I have nothing to do with it. | 1:06:18 | 1:06:20 | |
I hear music and Buzzy gets inside me. | 1:06:20 | 1:06:23 | |
Ellen! | 1:06:53 | 1:06:57 | |
You just got me fired! | 1:06:54 | 1:06:57 | |
Sorry, but I must resort to force. | 1:06:57 | 1:06:59 | |
Now you're a caveman? | 1:06:59 | 1:07:03 | |
Neanderthal man had his merits. | 1:07:00 | 1:07:03 | |
We're going to the church where the girl who's waiting to marry me... | 1:07:03 | 1:07:08 | |
..will tell you how Buzzy was supposed to marry her. | 1:07:08 | 1:07:12 | |
And so we'll face the whole thing together. | 1:07:12 | 1:07:16 | |
Oh, yeah(?) | 1:07:16 | 1:07:17 | |
HE GASPS | 1:07:17 | 1:07:19 | |
-Oh! -You're crazy! | 1:07:19 | 1:07:22 | |
Two men in uniform will be coming to carry you off. | 1:07:22 | 1:07:26 | |
SIREN | 1:07:26 | 1:07:28 | |
Come with us, young fella. | 1:07:36 | 1:07:39 | |
Just a moment... | 1:07:39 | 1:07:41 | |
Quit arguing. | 1:07:39 | 1:07:41 | |
Officer, you have the wrong fellow! | 1:07:41 | 1:07:43 | |
We got orders from the DA to take you in. Get in the car. | 1:07:43 | 1:07:48 | |
Only yesterday he was just a nice, sweet, ordinary genius. | 1:07:51 | 1:07:56 | |
Sorry we had to place you in protective custody, Mr Bellew. | 1:08:05 | 1:08:09 | |
You should've taken care of that. | 1:08:09 | 1:08:12 | |
Well, now Mr Bellew is here in the flesh. | 1:08:12 | 1:08:16 | |
In the flesh! | 1:08:16 | 1:08:18 | |
(Buster! Buster, please, Buster!) | 1:08:18 | 1:08:21 | |
Huh? | 1:08:21 | 1:08:22 | |
Uh...nothing. | 1:08:22 | 1:08:25 | |
I thought you... | 1:08:25 | 1:08:27 | |
Let's get down to business. | 1:08:27 | 1:08:29 | |
You told me you had the goods | 1:08:29 | 1:08:31 | |
on Ten Grand for that Brooklyn murder. | 1:08:31 | 1:08:35 | |
I need a detailed statement from you. | 1:08:35 | 1:08:38 | |
I'm not quite prepared yet. | 1:08:38 | 1:08:40 | |
I'm waiting for something to happen. | 1:08:40 | 1:08:43 | |
Just what are you expecting to happen? | 1:08:43 | 1:08:47 | |
Buster! | 1:08:47 | 1:08:49 | |
Buster! Buster! | 1:08:49 | 1:08:52 | |
Buster! Buster, please! | 1:08:53 | 1:08:56 | |
It doesn't look like it's going to happen. | 1:08:59 | 1:09:04 | |
Buster! | 1:09:04 | 1:09:07 | |
Calm down, Mr Bellew. | 1:09:05 | 1:09:07 | |
You're as safe as a church. | 1:09:07 | 1:09:10 | |
Will you have a cigar? | 1:09:10 | 1:09:13 | |
No, thank you. | 1:09:11 | 1:09:13 | |
We haven't much time. | 1:09:13 | 1:09:16 | |
You saw Ten Grand at the scene of the murder. | 1:09:16 | 1:09:20 | |
I surprised him "in flagrante delicto". | 1:09:20 | 1:09:24 | |
Flagrante...? Well, good. Proceed. | 1:09:24 | 1:09:28 | |
Well, I ripped off my stint at the Pelican cabaret... | 1:09:28 | 1:09:32 | |
..where I'm engaged as a song and dance entertainer. | 1:09:32 | 1:09:37 | |
I was a little bit down, so I retired to my digs. | 1:09:37 | 1:09:40 | |
I had four or five quick slugs of hooch | 1:09:40 | 1:09:44 | |
and in consequence I spent a nuit blanche. | 1:09:44 | 1:09:47 | |
I decided to take a walk. | 1:09:47 | 1:09:49 | |
After walking a while, | 1:09:49 | 1:09:51 | |
my dogs got tired so I took a breather in a deserted cul-de-sac. | 1:09:51 | 1:09:56 | |
Ten Grand drove up, stalking his victim. | 1:09:56 | 1:10:00 | |
Tall, thin man with a red beard. | 1:10:00 | 1:10:03 | |
I suspected foul play the instant Ten Grand produced his Gatling guns. | 1:10:03 | 1:10:09 | |
There was a hail of lead. | 1:10:09 | 1:10:11 | |
The victim fell, fatally pierced through the pericardial region. | 1:10:11 | 1:10:18 | |
And there you are, gentlemen. | 1:10:18 | 1:10:21 | |
An open-and-shut case. May I go? | 1:10:21 | 1:10:24 | |
Just a minute. If you don't mind. | 1:10:24 | 1:10:27 | |
Your story is satisfactory, | 1:10:27 | 1:10:29 | |
except for a few minor details. | 1:10:29 | 1:10:32 | |
It was dark and I may have made one or two mistakes. | 1:10:32 | 1:10:35 | |
The tall, thin man with a red beard | 1:10:35 | 1:10:38 | |
was a short, fat fan dancer named Choo-Choo Laverne. | 1:10:38 | 1:10:43 | |
Amazing! | 1:10:44 | 1:10:46 | |
Her disguise was perfect! | 1:10:46 | 1:10:49 | |
She was strangled, not shot. | 1:10:49 | 1:10:51 | |
You said you knew the name under which Choo-Choo Laverne | 1:10:51 | 1:10:54 | |
rented that safety-deposit box. | 1:10:54 | 1:10:56 | |
You said it contained proof of Ten Grand's racket. | 1:10:56 | 1:10:59 | |
What was that girl's real name? No phony quibbling! | 1:10:59 | 1:11:02 | |
That's her name - Fanny Quibbling. | 1:11:02 | 1:11:05 | |
What's in a name? | 1:11:05 | 1:11:08 | |
As Shakespeare once said... | 1:11:08 | 1:11:11 | |
Buster! Buster! | 1:11:11 | 1:11:13 | |
Who is this Buster? | 1:11:13 | 1:11:15 | |
Somebody higher up who's behind all this? | 1:11:15 | 1:11:18 | |
Yes, somebody higher up. | 1:11:16 | 1:11:18 | |
Buster! Buster! | 1:11:18 | 1:11:21 | |
Nobody's perfect, and you know Buzzy's irresponsible. | 1:11:21 | 1:11:25 | |
It's not the first time. | 1:11:25 | 1:11:27 | |
What time is it now? | 1:11:27 | 1:11:29 | |
Six o'clock. | 1:11:29 | 1:11:35 | |
I wouldn't wait this long for a divorce. | 1:11:31 | 1:11:35 | |
Monte, will you marry me? | 1:11:36 | 1:11:38 | |
What?! | 1:11:38 | 1:11:41 | |
I mean it. | 1:11:39 | 1:11:41 | |
Only a heel would take advantage | 1:11:41 | 1:11:43 | |
of a situation like this. | 1:11:43 | 1:11:45 | |
I guess I'm a heel. | 1:11:48 | 1:11:50 | |
The stage is set. We've got all the props. | 1:11:50 | 1:11:54 | |
You know how superstitious I am. | 1:11:54 | 1:11:57 | |
I don't want to get married in the church where Buzzy stood you up. | 1:11:57 | 1:12:02 | |
You're right. | 1:12:02 | 1:12:03 | |
Maybe we can find a church where he hasn't. | 1:12:03 | 1:12:06 | |
Are you trying to wreck my career? | 1:12:06 | 1:12:09 | |
Are you involved with him? | 1:12:08 | 1:12:09 | |
Are you a member of his mob? | 1:12:09 | 1:12:15 | |
No, no, no! Buster! Buster! | 1:12:11 | 1:12:15 | |
One more chance, | 1:12:15 | 1:12:17 | |
then I'll railroad you for withholding evidence. | 1:12:17 | 1:12:21 | |
All right, I'll tell you the truth. | 1:12:21 | 1:12:24 | |
Now you're coming to your senses. | 1:12:25 | 1:12:28 | |
Get every word, Miss Hutchison. | 1:12:28 | 1:12:31 | |
< Now. | 1:12:36 | 1:12:38 | |
I went to Schmidt's delicatessen | 1:12:38 | 1:12:41 | |
for some potato salad. | 1:12:41 | 1:12:42 | |
I heard harp music and the potato salad | 1:12:42 | 1:12:45 | |
turned into Prospect Park. | 1:12:45 | 1:12:48 | |
There was Buster walking in a block of stone | 1:12:48 | 1:12:51 | |
because he was dead. | 1:12:51 | 1:12:52 | |
The policeman didn't feel him when he kicked him, | 1:12:52 | 1:12:57 | |
because he was swinging by his tail in a tree. | 1:12:57 | 1:13:01 | |
The girl didn't see him, | 1:13:01 | 1:13:02 | |
but the sailor knocked me down. | 1:13:02 | 1:13:05 | |
That's when Buster got inside me and started to dance. | 1:13:05 | 1:13:08 | |
Holy jumping Republicans, | 1:13:08 | 1:13:10 | |
throw this maniac outta here! | 1:13:10 | 1:13:13 | |
Drop the charges against Ten Grand. | 1:13:13 | 1:13:15 | |
Don't! Ten Grand did it. | 1:13:15 | 1:13:18 | |
Buster, come down and get inside of me! | 1:13:18 | 1:13:21 | |
I can't stand the sight of him! | 1:13:21 | 1:13:24 | |
I want police protection. | 1:13:24 | 1:13:27 | |
I'll issue an order to every cop in New York to arrest you on sight - | 1:13:27 | 1:13:32 | |
shoot you - if you come near them! | 1:13:32 | 1:13:35 | |
Throw that idiot out! | 1:13:35 | 1:13:39 | |
But Mr O'Brien! Mr O'Brien! | 1:13:37 | 1:13:39 | |
I have to talk to the DA | 1:13:39 | 1:13:41 | |
about a young man he arrested. | 1:13:41 | 1:13:43 | |
He's not really insane. It's just he's not used to girls. | 1:13:43 | 1:13:48 | |
What? The DA is out to dinner? | 1:13:48 | 1:13:51 | |
When will he be back? | 1:13:51 | 1:13:53 | |
The opera? I'll call him later. Goodbye. | 1:13:53 | 1:13:58 | |
KNOCKING ON WINDOW | 1:14:01 | 1:14:04 | |
Why are you on my fire escape? | 1:14:13 | 1:14:19 | |
There are two men after me at the front door. | 1:14:15 | 1:14:19 | |
If a policeman sees you, he'll think you're a thief. | 1:14:19 | 1:14:22 | |
The police have orders to shoot me on sight. | 1:14:22 | 1:14:26 | |
I'm not surprised. | 1:14:26 | 1:14:28 | |
I was just with the DA... | 1:14:28 | 1:14:34 | |
The DA is on his way to the opera. | 1:14:30 | 1:14:34 | |
You'd better go. | 1:14:34 | 1:14:36 | |
Oh, Ellen...! | 1:14:36 | 1:14:41 | |
Get your head out of my window or I'll chop it off. | 1:14:37 | 1:14:41 | |
You're a Jekyll and Hyde and a liar. | 1:14:41 | 1:14:44 | |
Ellen, please don't doubt me. I couldn't lie to you. | 1:14:44 | 1:14:48 | |
I couldn't lie to anyone about whom I feel... | 1:14:48 | 1:14:53 | |
That is, for whom I feel such a...feeling as I feel. | 1:14:53 | 1:14:57 | |
I'd like to believe you, Edwin. | 1:14:57 | 1:15:02 | |
May I come in for a minute? | 1:15:02 | 1:15:09 | |
No. Not until I've heard what you've got to say. Go ahead. | 1:15:04 | 1:15:09 | |
My brother Buster is Buzzy Bellew. | 1:15:09 | 1:15:11 | |
He was killed last night | 1:15:11 | 1:15:13 | |
and I told his ghost I would help him... | 1:15:13 | 1:15:16 | |
Ellen, please! Ellen, please let me come in! | 1:15:20 | 1:15:25 | |
Ellen! Ellen, please! Ellen, please let me come in! | 1:15:25 | 1:15:29 | |
KNOCK ON DOOR | 1:15:33 | 1:15:35 | |
Come in. | 1:15:35 | 1:15:37 | |
Where is he, sister? | 1:15:44 | 1:15:47 | |
He? Who? | 1:15:47 | 1:15:49 | |
Your boyfriend. | 1:15:49 | 1:15:52 | |
There's nobody here. | 1:15:50 | 1:15:52 | |
What did she say, Torso? | 1:15:52 | 1:15:57 | |
Forget it. Let's look around. | 1:15:54 | 1:15:57 | |
Don't try phoning the police, babe. | 1:16:00 | 1:16:03 | |
WINDOW RATTLES | 1:16:08 | 1:16:11 | |
Where is he? | 1:16:11 | 1:16:13 | |
Nervous, huh? | 1:16:13 | 1:16:15 | |
What did you say, Torso? | 1:16:15 | 1:16:18 | |
She's ner... | 1:16:16 | 1:16:18 | |
Look in the closet! | 1:16:18 | 1:16:20 | |
THUD | 1:16:27 | 1:16:29 | |
TAPPING | 1:16:35 | 1:16:38 | |
It's cold! When I do that, the janitor turns the heat on. | 1:16:43 | 1:16:47 | |
What did she say? | 1:16:47 | 1:16:49 | |
TAPPING | 1:16:51 | 1:16:54 | |
That's the janitor knocking back. | 1:16:54 | 1:16:58 | |
There must be some mistake. Mr Dingle wouldn't hurt a fly. | 1:17:03 | 1:17:08 | |
Dingle? Who's Dingle? | 1:17:08 | 1:17:12 | |
But you said my boyfriend. | 1:17:09 | 1:17:12 | |
She's two-timing Buzzy Bellew | 1:17:16 | 1:17:18 | |
-while -he's -two-timing Midge Mallon! | 1:17:18 | 1:17:20 | |
Buzzy Bellew? Then he was telling.. | 1:17:20 | 1:17:23 | |
Isn't Buzzy Bellew dead? | 1:17:23 | 1:17:27 | |
That's what we want to know. | 1:17:25 | 1:17:27 | |
How much do you know, sister? | 1:17:27 | 1:17:30 | |
We want to ask you some questions. > | 1:17:30 | 1:17:33 | |
I'll tell you. Why should I protect Buzzy Bellew if he's two-timing me? | 1:17:33 | 1:17:38 | |
He's picking Midge Mallon up and they're leaving | 1:17:38 | 1:17:42 | |
for Chicago on the 7.20 from Grand Central Station. | 1:17:42 | 1:17:45 | |
Hurry and you'll just about make it. | 1:17:45 | 1:17:48 | |
WINDOW SMASHES | 1:17:48 | 1:17:50 | |
Buster! | 1:17:54 | 1:17:56 | |
Buster! | 1:18:01 | 1:18:03 | |
You're back again!! Shoosh, shoee! | 1:18:11 | 1:18:14 | |
Shh! | 1:18:14 | 1:18:16 | |
What are you doing? | 1:18:19 | 1:18:22 | |
(Quiet, they'll hear you.) | 1:18:20 | 1:18:22 | |
Who? | 1:18:22 | 1:18:26 | |
Chimp and Torso - the men in black. | 1:18:23 | 1:18:26 | |
You mean the men in white! | 1:18:26 | 1:18:29 | |
HAMMERING ON DOOR | 1:18:47 | 1:18:50 | |
Hide me! | 1:18:48 | 1:18:50 | |
Don't go in! | 1:18:50 | 1:18:52 | |
Pardon me, madam, don't be alarmed. | 1:18:54 | 1:18:58 | |
Papa! Help! Help! | 1:18:56 | 1:18:58 | |
It's all right. Get out. | 1:18:58 | 1:19:00 | |
Please don't do that! | 1:19:00 | 1:19:04 | |
I told you get out! | 1:19:02 | 1:19:04 | |
Buster, I need you, please! | 1:19:04 | 1:19:08 | |
You are Buster and he needs you? | 1:19:08 | 1:19:10 | |
Why should he need me? | 1:19:10 | 1:19:15 | |
Because he's American. Now, get out. | 1:19:12 | 1:19:15 | |
Buster, at last, you're here. | 1:19:15 | 1:19:17 | |
I've been trying to get to you, | 1:19:17 | 1:19:20 | |
but I had a hangover that was out of this world. | 1:19:20 | 1:19:23 | |
Help me! My life is in jeopardy. | 1:19:23 | 1:19:27 | |
Get out! | 1:19:27 | 1:19:31 | |
Be quiet. This young man is in trouble. | 1:19:28 | 1:19:31 | |
I got bad news, kid, I can't help you any more. | 1:19:31 | 1:19:35 | |
But you must, Buster! You can't turn me down now! | 1:19:35 | 1:19:39 | |
What do you want me to do? | 1:19:39 | 1:19:40 | |
They want to kill me. Go "pfft" and make them disappear. | 1:19:40 | 1:19:45 | |
Go "pfft" and make who do what? | 1:19:45 | 1:19:47 | |
Mamma, just go "pfft", let him disappear. | 1:19:47 | 1:19:51 | |
Please, be quiet! I can't hear what Buster is saying. | 1:19:51 | 1:19:55 | |
Buster...? Buster! | 1:19:55 | 1:19:57 | |
Buster, I'm sorry. I didn't mean to talk so loudly. | 1:19:57 | 1:20:01 | |
Buzzy, Buzzy, Buster. | 1:20:01 | 1:20:02 | |
Ja, ja, ja! Good evening, Buster. You're looking well! | 1:20:02 | 1:20:06 | |
QUIET! | 1:20:06 | 1:20:08 | |
We can't talk with these characters here. Follow me. | 1:20:08 | 1:20:14 | |
My brother just walked through that door. | 1:20:15 | 1:20:19 | |
I have to go, too. | 1:20:19 | 1:20:20 | |
Bon voyage. | 1:20:20 | 1:20:22 | |
Excuse me. | 1:20:24 | 1:20:26 | |
I can't get to you any more. I've run out of ectoplasm. | 1:20:32 | 1:20:37 | |
You're on your own. | 1:20:37 | 1:20:40 | |
What shall I do? | 1:20:38 | 1:20:40 | |
Give me the evidence on Ten Grand, I'll tell the DA. | 1:20:40 | 1:20:44 | |
The girl who was murdered was Choo-Choo Laverne the fan dancer. | 1:20:44 | 1:20:48 | |
Choo-Choo Laverne? | 1:20:48 | 1:20:50 | |
He's talking to a salami. He thinks it is a fan dancer. | 1:20:50 | 1:20:54 | |
Such a nice boy, too. Let me look. | 1:20:54 | 1:20:56 | |
Then Ten Grand murdered her? | 1:20:56 | 1:20:58 | |
Right. When she threatened to tell the cops, he killed her. | 1:20:58 | 1:21:02 | |
She threatened to inform the police. | 1:21:02 | 1:21:05 | |
He thinks a bottle of pickles is a policeman. | 1:21:05 | 1:21:10 | |
I wish it was! | 1:21:08 | 1:21:10 | |
This is very important - Choo-Choo Laverne's real name was Minnie Smith | 1:21:10 | 1:21:16 | |
She hid some of the evidence she had on Ten Grand | 1:21:16 | 1:21:19 | |
in a safe-deposit box under that name - Minnie Smith. | 1:21:19 | 1:21:23 | |
Buster... | 1:21:23 | 1:21:27 | |
CRASH! | 1:21:24 | 1:21:27 | |
What was that? | 1:21:25 | 1:21:27 | |
If you get out of this, you'll be a new man. If not, I'll be seeing you. | 1:21:27 | 1:21:33 | |
Buster! Buster! | 1:21:33 | 1:21:35 | |
Buster, don't go! Buster! | 1:21:35 | 1:21:37 | |
Such a nice boy and so delicate! | 1:21:37 | 1:21:42 | |
GUNSHOT | 1:21:40 | 1:21:42 | |
Come on! | 1:21:44 | 1:21:47 | |
One goes in, three come out! | 1:21:47 | 1:21:50 | |
Papa, look! | 1:22:04 | 1:22:06 | |
Now we are open 24 hours a day. Shoo, shoosh...! | 1:22:06 | 1:22:11 | |
First on your right. | 1:22:12 | 1:22:15 | |
Second on your left. | 1:22:15 | 1:22:17 | |
First on your right. | 1:22:17 | 1:22:19 | |
Ticket, please. | 1:22:19 | 1:22:20 | |
I haven't a ticket, but I must see the District Attorney. He's here. | 1:22:20 | 1:22:24 | |
Take that up with the manager, miss. | 1:22:24 | 1:22:28 | |
Just a moment. Where's your ticket? | 1:22:29 | 1:22:32 | |
I have no ticket, | 1:22:32 | 1:22:33 | |
but there's somebody in there I have to see. | 1:22:33 | 1:22:36 | |
Wait a minute. | 1:22:36 | 1:22:38 | |
Edwin! | 1:22:40 | 1:22:42 | |
< First on your right. | 1:22:46 | 1:22:48 | |
HE GASPS | 1:22:50 | 1:22:52 | |
Chimp. | 1:22:52 | 1:22:54 | |
Buster! Buster! | 1:22:56 | 1:22:59 | |
TENOR SINGS | 1:23:18 | 1:23:21 | |
HE SINGS HIGH, PIERCING NOTE | 1:23:44 | 1:23:46 | |
# La, la, la!! # | 1:23:58 | 1:24:01 | |
< Alfredo! Vieni! Vieni! | 1:24:01 | 1:24:03 | |
ALL BABBLE IN ITALIAN | 1:24:09 | 1:24:12 | |
HE JOINS IN | 1:24:13 | 1:24:15 | |
Eh! Eh! Eh! Eh! | 1:24:22 | 1:24:24 | |
ALL FALL SILENT | 1:24:24 | 1:24:31 | |
Diaframma! L'orbianto, le masche. HE SINGS NOTE | 1:24:26 | 1:24:31 | |
ALL BABBLE | 1:24:31 | 1:24:33 | |
No! Diaframma quanto li stato il marto oi! Piando le calde. Eh! Uh-uh! No! | 1:24:33 | 1:24:41 | |
Diaframma. HE SINGS NOTE | 1:24:41 | 1:24:44 | |
EXCITED CHATTER | 1:24:44 | 1:24:46 | |
Shuddup! | 1:24:48 | 1:24:50 | |
Il e masch. Diaframma, hai mar. Yai! | 1:24:50 | 1:24:56 | |
CHORUS SING | 1:24:58 | 1:25:00 | |
CHORUS OF "BRAVO" | 1:25:07 | 1:25:09 | |
# Io so, amor, io so, amor | 1:25:24 | 1:25:28 | |
# Io so-o-o-o-o-o-o-o, amor!! | 1:25:28 | 1:25:32 | |
# Sei il mio, sei il mio, sorgere, sorgere! | 1:25:32 | 1:25:39 | |
# Bello! Bello! | 1:25:42 | 1:25:45 | |
# Bello! Bello! Bello! Bello! | 1:25:45 | 1:25:47 | |
# B-e-e-e-e-e-e-e-e-l-l-o!! # | 1:25:47 | 1:25:53 | |
ORCHESTRA FALLS SILENT | 1:26:00 | 1:26:02 | |
RICH BARITONE: # Si puo! | 1:26:05 | 1:26:08 | |
# Quando una vasti, disturbamento | 1:26:09 | 1:26:13 | |
# La pien' allarma, presentimento | 1:26:13 | 1:26:17 | |
# Ah! Ah! Ah! Ah! Ah! # | 1:26:20 | 1:26:25 | |
ORCHESTRA FALLS SILENT | 1:26:27 | 1:26:30 | |
Na! | 1:26:28 | 1:26:30 | |
# Macchi | 1:26:32 | 1:26:34 | |
-# Macchi -# Si barfa | 1:26:33 | 1:26:34 | |
# Fianti | 1:26:34 | 1:26:37 | |
-# Fianti -# Si qualche | 1:26:35 | 1:26:37 | |
# Pacchi | 1:26:37 | 1:26:40 | |
-# Pacchi -# Si sperda | 1:26:38 | 1:26:40 | |
# Franchi | 1:26:40 | 1:26:44 | |
-# Franchi -# Sinatra! | 1:26:41 | 1:26:44 | |
FLUTE PLAYS LIGHT FLOURISH | 1:26:48 | 1:26:51 | |
HE IMITATES FLUTE | 1:26:54 | 1:26:58 | |
BOTH IMITATE FLUTE | 1:27:00 | 1:27:03 | |
HE HOWLS LIKE A DOG | 1:27:03 | 1:27:07 | |
# Ah! Ah, ah-ah! Ah, ah, ah-ah-ah-ah-ah-ah!! # | 1:27:07 | 1:27:14 | |
SHE SINGS SCALE, FINISHING VERY HIGH | 1:27:14 | 1:27:19 | |
# Ha, ha! # | 1:27:20 | 1:27:24 | |
ORCHESTRA PLAYS NOTE | 1:27:22 | 1:27:24 | |
# Ha, ha! # | 1:27:26 | 1:27:29 | |
ORCHESTRA AGAIN | 1:27:27 | 1:27:29 | |
# Heh, heh! # | 1:27:29 | 1:27:32 | |
ORCHESTRA PLAYS | 1:27:30 | 1:27:32 | |
# E-e-e-e-e-e-e-o-o-o-o-o-a a-a-a-a-a-a-h-e-e-e-e-e-e-e | 1:27:33 | 1:27:45 | |
HE GROWLS | 1:27:45 | 1:27:48 | |
TUBA PLAYS VERY LOW NOTE | 1:27:54 | 1:27:56 | |
# He-e-e! | 1:27:56 | 1:27:59 | |
# Ha-a-a | 1:27:59 | 1:28:00 | |
FRENCH HORN PLAYS NOTE | 1:28:00 | 1:28:04 | |
Merci! | 1:28:02 | 1:28:04 | |
# A-a-a-a-a-a-a-a-a-a-a!! # | 1:28:04 | 1:28:11 | |
# I've got bells that a-jingle-loo-la jangle... # | 1:28:11 | 1:28:18 | |
SHE JOINS IN, TRILLING | 1:28:16 | 1:28:18 | |
# Three o'clock. # HE CLICKS | 1:28:18 | 1:28:21 | |
Boing! Boing! Boing! | 1:28:21 | 1:28:24 | |
# Ah far a sum ree-ay, ree-ay! | 1:28:33 | 1:28:37 | |
# Ra-ra-ra-bum-dee-ay - DA!! | 1:28:38 | 1:28:43 | |
# Di far recent eh-hey. | 1:28:44 | 1:28:48 | |
Hey! | 1:28:48 | 1:28:51 | |
# Diventissimi! | 1:28:49 | 1:28:51 | |
# See me! | 1:28:51 | 1:28:54 | |
# Sei roccendero | 1:28:54 | 1:28:58 | |
# Two killero, gangstero | 1:28:58 | 1:29:00 | |
# Nab-a me, grab-a me, stab-a me! | 1:29:00 | 1:29:03 | |
# O sotto! | 1:29:03 | 1:29:05 | |
# O'Brien! | 1:29:04 | 1:29:05 | |
# O stronni! | 1:29:05 | 1:29:09 | |
# O'Brien! | 1:29:06 | 1:29:09 | |
# O mani | 1:29:07 | 1:29:09 | |
# O'Brien! O'Brien! O'Brien! | 1:29:09 | 1:29:11 | |
# He-e-e-e-e-e-e-e-l-p! | 1:29:11 | 1:29:14 | |
# He-e-e-e-e-e-e-e-l-p! | 1:29:14 | 1:29:18 | |
# A-a-a-a-a-a-a-v-e rimosso dei artero ti | 1:29:19 | 1:29:26 | |
HE BLEATS # Chimp and Torso, they a-a-a-a-a-fter me! # | 1:29:26 | 1:29:34 | |
SHE SINGS, HE BLEATS | 1:29:34 | 1:29:36 | |
# He-he-he! Help! He-he-he! Help! | 1:29:36 | 1:29:39 | |
# Help, oh, p-l-e-e-e-e-a-a-a-a-s-e! | 1:29:39 | 1:29:43 | |
# S-a-a-a-a-a-a-a-a-a-v-e | 1:29:43 | 1:29:47 | |
# M-e-e-e-e-e-e!! SHE SINGS VERY HIGH NOTE | 1:29:47 | 1:29:54 | |
# I know the real n-a-a-a-a-a-m-e-e! | 1:30:00 | 1:30:04 | |
# The n-a-a-a-a-a-a-m-e!! | 1:30:04 | 1:30:07 | |
# Of Choo-Choo Laverne! | 1:30:07 | 1:30:12 | |
# Choo-Choo Laverne is... | 1:30:12 | 1:30:16 | |
# A-h-h-h-h-h-h-h-h-h-h!! | 1:30:14 | 1:30:16 | |
# Choo-Choo Laverne is... | 1:30:16 | 1:30:21 | |
-HIGHER: -# A-h-h-h-h-h-h-h-h!! | 1:30:18 | 1:30:21 | |
# Choo Laverne is... | 1:30:21 | 1:30:23 | |
# Minnie Smith! | 1:30:23 | 1:30:26 | |
# A-h-h-h-h-h-h-h | 1:30:26 | 1:30:27 | |
# Minnie Smith! Minnie Smith! Minnie Smith! Minnie Smith! Minnie Smith! Minnie Smith! | 1:30:27 | 1:30:32 | |
# Viva ridone | 1:30:36 | 1:30:38 | |
# Attenzione | 1:30:38 | 1:30:41 | |
# Attenzione! | 1:30:41 | 1:30:43 | |
# It's rigatone | 1:30:43 | 1:30:45 | |
# Hear me, pasta mo-o-o-o-n-e!! | 1:30:45 | 1:30:52 | |
# Ah, tutti! | 1:30:52 | 1:30:56 | |
# Tutti, tutti! | 1:30:56 | 1:30:59 | |
# Tutti, tutti, oh, tutti! | 1:31:00 | 1:31:04 | |
# Nothing but the truth-ee! # | 1:31:04 | 1:31:08 | |
< SHE SINGS HIGH NOTE | 1:31:13 | 1:31:16 | |
CHOIR JOIN IN | 1:31:17 | 1:31:20 | |
Ellen!! | 1:31:21 | 1:31:23 | |
-ALL: -# Addio, addio, addio | 1:31:28 | 1:31:32 | |
# Ellen! Ellen, you tell them! | 1:31:32 | 1:31:36 | |
# Addio, addio, addio! | 1:31:36 | 1:31:39 | |
# No, no! Mi scaredo! No, no! Mi fraido! | 1:31:39 | 1:31:42 | |
# No, no! No Chimpo! | 1:31:42 | 1:31:45 | |
-ALL: -# No-o! No-o! No! | 1:31:50 | 1:31:52 | |
# No, no!! | 1:31:52 | 1:31:55 | |
# N-o-o-o-o-o-o-o-o-o-o!! # | 1:32:02 | 1:32:07 | |
Buster! Buster! | 1:32:03 | 1:32:07 | |
Edwin. | 1:32:15 | 1:32:17 | |
< Yes, darling? | 1:32:17 | 1:32:21 | |
I read in a book on geology, | 1:32:19 | 1:32:21 | |
that the water at Niagara Falls | 1:32:21 | 1:32:24 | |
removes the suballuvial soil | 1:32:24 | 1:32:26 | |
at the rate of 2 and 3/10ths feet a year. | 1:32:26 | 1:32:29 | |
You want to get away from those musty old books. | 1:32:29 | 1:32:33 | |
That doesn't sound like you at all. | 1:32:33 | 1:32:35 | |
I'm not going to be like me at all any more. | 1:32:35 | 1:32:39 | |
There'll always be a little of Buzzy inside me. | 1:32:39 | 1:32:42 | |
Do you think he'll drop in again? | 1:32:42 | 1:32:46 | |
No, honey, I don't think we'll ever hear from Buster again. | 1:32:46 | 1:32:50 | |
HE GASPS Buster!! | 1:32:50 | 1:32:53 | |
Heh-heh-heh! | 1:32:56 | 1:32:57 | |
I'm a little devil, ain't I? Heh-heh-heh! | 1:32:57 | 1:33:01 |