Browse content similar to The Lavender Hill Mob. Check below for episodes and series from the same categories and more!
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LATIN AMERICAN MUSIC | 0:01:35 | 0:01:38 | |
-Quem? -Oh, Senor Ingles. | 0:01:41 | 0:01:44 | |
Aahhh! | 0:01:47 | 0:01:49 | |
-Senor... -Obrigado. | 0:01:59 | 0:02:02 | |
Muito obrigado, senor. | 0:02:04 | 0:02:07 | |
-Your first visit to South America? -Yes. I wish I could stay longer. | 0:02:07 | 0:02:11 | |
It's a pleasant place. | 0:02:11 | 0:02:12 | |
-Senor, congratulations, a wonderful work. -Thank you, senora. | 0:02:12 | 0:02:16 | |
The President himself told my husband | 0:02:16 | 0:02:18 | |
it was the occasion of the year. | 0:02:18 | 0:02:20 | |
Oh, Senora. I have something for your subscription list... | 0:02:21 | 0:02:26 | |
"The Victims of the Revolution." | 0:02:26 | 0:02:28 | |
Perhaps I can give it to you now? | 0:02:28 | 0:02:31 | |
Thank you, senor. Always SO generous. | 0:02:31 | 0:02:34 | |
The wife of Martin Gallardo, the frozen meat king. | 0:02:36 | 0:02:40 | |
Very decent couple. Excuse me... | 0:02:40 | 0:02:42 | |
Manuel... | 0:02:42 | 0:02:43 | |
Pity you can't stay till Sunday. | 0:02:45 | 0:02:47 | |
I've got a horse in the Jockey Club Stakes. | 0:02:47 | 0:02:50 | |
You...rode...a very good race. | 0:02:50 | 0:02:52 | |
MANUEL REPLIES IN PORTUGUESE | 0:02:52 | 0:02:54 | |
A very good race. | 0:02:54 | 0:02:56 | |
The racing's not quite straight out here. | 0:02:57 | 0:03:00 | |
Still, I've tried to raise the standards. | 0:03:00 | 0:03:03 | |
Ah, Chiquita, Chiquita! | 0:03:03 | 0:03:05 | |
I hoped I'd see you. | 0:03:07 | 0:03:09 | |
You run along and get yourself that little birthday present. | 0:03:09 | 0:03:12 | |
Oh, how sweet of you. Thank you. | 0:03:12 | 0:03:16 | |
You seem to have accomplished quite a lot in one year. | 0:03:19 | 0:03:22 | |
One superb year. | 0:03:22 | 0:03:25 | |
Just when I was beginning to believe I'd never achieve it. | 0:03:26 | 0:03:29 | |
I've dreamed of a life like this for 20 years, | 0:03:29 | 0:03:32 | |
and for 19 of those years, fate denied me the one necessary contact. | 0:03:32 | 0:03:36 | |
Still, I never quite lost sight of the goal, | 0:03:37 | 0:03:39 | |
inaccessible though it often seemed to me, | 0:03:39 | 0:03:42 | |
when I was merely... | 0:03:42 | 0:03:45 | |
merely...a nonentity, | 0:03:45 | 0:03:48 | |
among all those thousands who flock every morning into the city. | 0:03:48 | 0:03:52 | |
Most men who long to be rich know inwardly they never will be. | 0:03:53 | 0:03:58 | |
But I was in the unique position of having a fortune | 0:03:58 | 0:04:01 | |
literally within my grasp. | 0:04:01 | 0:04:03 | |
I supervised the delivery of gold bullion | 0:04:03 | 0:04:06 | |
from the refinery to the bank. | 0:04:06 | 0:04:09 | |
-Lucky I saw that. -Yes. Very lucky. | 0:04:34 | 0:04:37 | |
Mr Richards, with gold at 240 shillings per pound, | 0:04:37 | 0:04:40 | |
that particle, estimating its value at 0.025, | 0:04:40 | 0:04:43 | |
would entail a loss of approximately six shillings. | 0:04:43 | 0:04:46 | |
Well, check this - 100 gold bars, | 0:04:46 | 0:04:48 | |
weighed to the value of £495,987. | 0:04:48 | 0:04:54 | |
Well, Mr Richards, your deposit will be returned | 0:04:57 | 0:05:00 | |
as usual when the gold enters the bank. You are both armed? | 0:05:00 | 0:05:04 | |
'I was well aware they all ridiculed me for the way I fussed and worried. | 0:05:05 | 0:05:09 | |
'That was precisely what I had striven for years to achieve.' | 0:05:09 | 0:05:14 | |
BUZZ | 0:05:40 | 0:05:42 | |
Here we go again. | 0:05:42 | 0:05:44 | |
-There's a car been following us. -That one, sir? | 0:05:53 | 0:05:55 | |
Of course not! A black Chrysler. THX 375. | 0:05:55 | 0:05:59 | |
-It's gone on ahead. -No sign of it now, sir. | 0:05:59 | 0:06:01 | |
It's probably waiting for us. Go and have a look. | 0:06:01 | 0:06:03 | |
And leave me your gun meanwhile. | 0:06:03 | 0:06:05 | |
'Nobody can say my precautions were not justified. | 0:06:09 | 0:06:12 | |
'Many a rascal would have risked his all for half a million, | 0:06:12 | 0:06:17 | |
'not realising that gold in the form of bullion is useless | 0:06:17 | 0:06:20 | |
'without a method of smuggling it abroad. | 0:06:20 | 0:06:22 | |
'To find that method was my last remaining problem. | 0:06:24 | 0:06:27 | |
'Meanwhile, I gave the banks their gold.' | 0:06:27 | 0:06:30 | |
-Thanks, Holland. Everything in order? -Yes, sir. | 0:06:32 | 0:06:35 | |
Silly question. Nothing's gone wrong in 20 years. | 0:06:35 | 0:06:39 | |
That'll do, Holland. | 0:06:40 | 0:06:42 | |
Surely after all this time, | 0:06:47 | 0:06:50 | |
you could give that poor old devil a chance. | 0:06:50 | 0:06:53 | |
Oh, I'm afraid it wouldn't work, sir, | 0:06:53 | 0:06:54 | |
his one and only virtue is honesty. | 0:06:54 | 0:06:56 | |
No imagination...no initiative. | 0:06:56 | 0:06:58 | |
'I was a potential millionaire, | 0:06:58 | 0:07:00 | |
'yet I had to be satisfied | 0:07:00 | 0:07:02 | |
'with eight pounds, 15 shillings, less deductions. | 0:07:02 | 0:07:06 | |
'A weekly reminder that the years were passing | 0:07:06 | 0:07:09 | |
'and my problem still unsolved. | 0:07:09 | 0:07:11 | |
'Until my ship came home, | 0:07:13 | 0:07:15 | |
'I was obliged to live at the Balmoral Private Hotel, | 0:07:15 | 0:07:18 | |
'Lavender Hill.' | 0:07:18 | 0:07:20 | |
Oh, Holland... | 0:07:25 | 0:07:28 | |
The man of millions. Got any spare ingots for an old pal? | 0:07:28 | 0:07:32 | |
-CHUCKLING: You'll be the death of me, Holland. -I sincerely trust so. | 0:07:32 | 0:07:37 | |
Ah, Mr Holland... | 0:07:40 | 0:07:42 | |
-Always punctual. -I smell oxtail soup again. | 0:07:42 | 0:07:47 | |
Let's see, where did we get? | 0:07:51 | 0:07:53 | |
Duke Milligan was about to take a gander | 0:07:53 | 0:07:55 | |
at Nicky the Greek's hideout. | 0:07:55 | 0:07:57 | |
Oh, yes. Here we are. | 0:07:57 | 0:07:59 | |
"I handed my fedora to a hat-check girl | 0:08:00 | 0:08:02 | |
"with all that Venus de Milo had got and then more, | 0:08:02 | 0:08:05 | |
"and I was admiring the more when I glimpsed something | 0:08:05 | 0:08:07 | |
-"in the back of this frail that made my flesh creep..." -Ohhh. | 0:08:07 | 0:08:11 | |
I know that feeling well. | 0:08:11 | 0:08:13 | |
"A guy had soft-shoed out of the gaming room, quiet as a snake, | 0:08:13 | 0:08:16 | |
"and I didn't need my case history of smiling Ed Montana to know | 0:08:16 | 0:08:19 | |
"that sunny boy was his number one trigger man, Ricci the Filipino." | 0:08:19 | 0:08:23 | |
I thought it was Little Boy Schultz who carried the rod for Mr Montana. | 0:08:23 | 0:08:27 | |
It was, but remember, Montana found Schultz taking liberties | 0:08:27 | 0:08:30 | |
-with that redhead. -Yes! They took him for a ride. | 0:08:30 | 0:08:34 | |
Only last night, wasn't it? I must be getting old. | 0:08:34 | 0:08:37 | |
Read on, Mr Holland. | 0:08:37 | 0:08:39 | |
"If ever I felt like putting up a new high | 0:08:39 | 0:08:41 | |
"for the Mile of the Century, | 0:08:41 | 0:08:42 | |
"this was the time. | 0:08:42 | 0:08:43 | |
"And then I thought again of those 10,000 smackeroos." | 0:08:43 | 0:08:47 | |
Yes...? | 0:08:47 | 0:08:48 | |
Mr Holland, you're not concentrating. | 0:08:52 | 0:08:55 | |
So sorry. | 0:08:56 | 0:08:58 | |
DOORBELL RINGS | 0:08:58 | 0:09:01 | |
Evesham must be upstairs. | 0:09:03 | 0:09:06 | |
REPEATED KNOCKING ON DOOR | 0:09:06 | 0:09:09 | |
RINGING CONTINUES | 0:09:10 | 0:09:13 | |
Good evening. | 0:09:22 | 0:09:24 | |
Good evening. | 0:09:24 | 0:09:25 | |
Tricky business, this moving, isn't it? | 0:09:28 | 0:09:30 | |
-Can I give you a hand? -Very civil of you. My name's Pendlebury. -Holland. | 0:09:30 | 0:09:35 | |
If you wouldn't mind taking "Motherhood"? | 0:09:37 | 0:09:40 | |
Good evening, Mr Pendlebury, | 0:09:40 | 0:09:43 | |
welcome to Balmoral. | 0:09:43 | 0:09:45 | |
How VERY nice to see you. | 0:09:45 | 0:09:48 | |
Oh... Mr Pendlebury! | 0:09:49 | 0:09:52 | |
I knew you were an artistic gentleman, but really...! | 0:09:52 | 0:09:57 | |
I thought... Thank you. | 0:09:57 | 0:09:58 | |
I thought I made myself quite plain when I phoned, Miss Evesham. | 0:09:58 | 0:10:02 | |
I'd no idea it would mean... | 0:10:02 | 0:10:04 | |
There's no place to put it all. | 0:10:04 | 0:10:06 | |
-What about the stable? -I suppose so. | 0:10:06 | 0:10:10 | |
Mind your toes, Miss Evesham. | 0:10:10 | 0:10:12 | |
I'll be back shortly, Mrs Chalk. | 0:10:17 | 0:10:20 | |
Oh, this is capital! A ready-made studio. | 0:10:23 | 0:10:27 | |
A thing I've wanted all my life. It's even got a north light. | 0:10:27 | 0:10:31 | |
Mr Pendlebury, just one moment... | 0:10:31 | 0:10:34 | |
-My lease forbids it... -Steady! | 0:10:34 | 0:10:37 | |
-Sorry. -It's all right. I had to cast her in gilding metal. | 0:10:37 | 0:10:41 | |
-It's a little delicate. -Mr Pendlebury... | 0:10:41 | 0:10:43 | |
-I did it in my factory. You must come and see it... -Mr Pendlebury! | 0:10:43 | 0:10:47 | |
Oh, these walls... An admirable background for my canvasses. | 0:10:47 | 0:10:51 | |
Mr Pendlebury! | 0:10:51 | 0:10:52 | |
Let me inform you here and now that no business occupation | 0:10:52 | 0:10:56 | |
may be performed on these premises. | 0:10:56 | 0:10:58 | |
Dear lady, this is not my business occupation. No. | 0:10:58 | 0:11:02 | |
These are my wings, my escape when the cares of the day are over. | 0:11:02 | 0:11:07 | |
My business occupation is unspeakably hideous. | 0:11:08 | 0:11:11 | |
I'm in the "presents from" trade. | 0:11:11 | 0:11:13 | |
You know, present from Brighton, souvenir of Tunbridge Wells... | 0:11:13 | 0:11:17 | |
Tourists could save themselves a lot of luggage space | 0:11:17 | 0:11:20 | |
by applying to us direct for their holiday memories. | 0:11:20 | 0:11:23 | |
And the irony of it is, Holland, I must design them all myself. | 0:11:23 | 0:11:29 | |
I propagate British cultural depravity. Look at this! | 0:11:29 | 0:11:33 | |
Anne Hathaway's cottage for keeping string in! | 0:11:33 | 0:11:37 | |
Wouldn't you infinitely prefer the comparative beauty | 0:11:37 | 0:11:40 | |
of an old biscuit tin? | 0:11:40 | 0:11:42 | |
Southend Pier! | 0:11:42 | 0:11:44 | |
I've thought for years to cut loose from it all, | 0:11:44 | 0:11:48 | |
but never had the courage. | 0:11:48 | 0:11:50 | |
"Of all sad words of tongue or pen, | 0:11:50 | 0:11:53 | |
"the saddest of these, 'it might have been'." | 0:11:53 | 0:11:58 | |
Forgive me. Come and see the casting room. | 0:12:02 | 0:12:04 | |
We're busy on one of our export lines... | 0:12:04 | 0:12:08 | |
Paperweights... We ship 1,000 a week to France. | 0:12:08 | 0:12:11 | |
Here's a little speciality... | 0:12:11 | 0:12:14 | |
MUSIC BOX PLAYS THE CAN-CAN | 0:12:14 | 0:12:16 | |
Quite a simple process really. | 0:12:34 | 0:12:36 | |
When the molten lead is cooled, | 0:12:36 | 0:12:40 | |
it's sprayed with gold paint, then shipped to France. | 0:12:40 | 0:12:43 | |
"Slave, I have set my life upon a cast." | 0:13:06 | 0:13:09 | |
HE CHUCKLES | 0:13:09 | 0:13:10 | |
Richard III. | 0:13:10 | 0:13:12 | |
I believe it's turning into a self-portrait. | 0:13:12 | 0:13:15 | |
I shall call him "The Slave". | 0:13:15 | 0:13:17 | |
My dear Mr Holland, the heat has affected you...? | 0:13:19 | 0:13:22 | |
No, it wasn't the heat, I'm used to that in my job. | 0:13:22 | 0:13:26 | |
-Oh, really? -Your place is very similar to the refinery. -Really? | 0:13:26 | 0:13:30 | |
We turn gold into bars, you turn lead into Eiffel Towers. | 0:13:30 | 0:13:35 | |
That's the only difference. | 0:13:35 | 0:13:36 | |
Ahh. If I had gold to deal with... | 0:13:36 | 0:13:40 | |
-Yes...? -Ah, an idle dream. | 0:13:40 | 0:13:44 | |
-Must be a big responsibility. -No, not really. | 0:13:44 | 0:13:47 | |
If anyone DID rob our van, | 0:13:51 | 0:13:53 | |
it's virtually impossible to dispose of stolen bullion... | 0:13:53 | 0:13:56 | |
-in this country, at any rate. -Yes. | 0:13:56 | 0:13:59 | |
-I imagine so. -Of course, if it could be smuggled abroad... -What a hope! | 0:13:59 | 0:14:03 | |
I wouldn't say it's out of the question. | 0:14:03 | 0:14:05 | |
Say one had the means of melting the stuff down... | 0:14:05 | 0:14:08 | |
In the kitchen stove? What a job. | 0:14:08 | 0:14:10 | |
Of course not! It would mean taking on a partner... | 0:14:10 | 0:14:16 | |
Ah. Risky, bringing other people in. | 0:14:16 | 0:14:18 | |
It would be essential. | 0:14:18 | 0:14:20 | |
No ONE person could rob our van unaided. | 0:14:20 | 0:14:23 | |
-You mean he'd need accomplices? -Precisely! | 0:14:23 | 0:14:26 | |
A gang. | 0:14:32 | 0:14:34 | |
-A gang! Not too easy to come by. -Oh, I don't know... | 0:14:34 | 0:14:38 | |
With gold selling on the black market at two-and-a-half times | 0:14:38 | 0:14:42 | |
its standard price? | 0:14:42 | 0:14:44 | |
Quite a few people would be willing to chance an arm for half a million. | 0:14:44 | 0:14:47 | |
Yes... But how would you get your gold to the Continent? | 0:14:49 | 0:14:53 | |
Well... Supposing one had the right sort of partner... | 0:14:55 | 0:15:00 | |
..in the form of...shall we say... | 0:15:02 | 0:15:06 | |
..Eiffel Tower paperweights. | 0:15:07 | 0:15:09 | |
HE CHUCKLES | 0:15:12 | 0:15:14 | |
By Jove, Holland, it's a good job we're both honest men. | 0:15:14 | 0:15:19 | |
It is indeed, Pendlebury. | 0:15:19 | 0:15:20 | |
Come in. | 0:15:50 | 0:15:51 | |
Ah, Holland, come in and sit down. | 0:15:54 | 0:15:57 | |
Well, Holland, you've been quite the subject of discussion lately. | 0:16:00 | 0:16:04 | |
Don't look so worried, man. | 0:16:04 | 0:16:07 | |
-I've persuaded the chief cashier to give you a leg-up. -A leg-up, sir? | 0:16:07 | 0:16:11 | |
Promotion - to Foreign Exchange. | 0:16:11 | 0:16:13 | |
-No more uncomfortable journeys in that dreary van. -But, sir! | 0:16:13 | 0:16:17 | |
Ah, nonsense, don't bother to thank me. You can start next Monday. | 0:16:17 | 0:16:22 | |
-But I can't, sir. -Why not? -Because... | 0:16:22 | 0:16:25 | |
Because... | 0:16:28 | 0:16:30 | |
-I'm too old to change my views now, sir. -One's never too old! | 0:16:30 | 0:16:34 | |
Think what you can do with an extra 15 shillings a week... | 0:16:34 | 0:16:38 | |
But sir, I LIKE the bullion office. It holds all I ever wished for. | 0:16:38 | 0:16:42 | |
Holland, frankly, you haven't enough ambition. | 0:16:42 | 0:16:45 | |
When a good opportunity comes along, grab it with both hands. | 0:16:45 | 0:16:50 | |
It may not occur again. | 0:16:50 | 0:16:52 | |
Very good, sir. | 0:16:54 | 0:16:55 | |
I'll follow your advice. | 0:16:55 | 0:16:57 | |
-So it's now or never. -This week. -Friday's delivery. | 0:17:05 | 0:17:09 | |
-Three days to go. -And two desperadoes to find. | 0:17:09 | 0:17:12 | |
-Bait. -Bait? | 0:17:18 | 0:17:21 | |
I said bait. | 0:17:21 | 0:17:23 | |
Trap 'em. | 0:17:23 | 0:17:25 | |
Mr Pendlebury. | 0:17:31 | 0:17:33 | |
Hello, Mr Pendlebury. | 0:17:35 | 0:17:36 | |
Hello! What a bit of luck. Just the man I wanted to see. | 0:17:36 | 0:17:41 | |
-What's the trouble? -That safe in my office. | 0:17:41 | 0:17:45 | |
Something's wrong with the lock. | 0:17:45 | 0:17:46 | |
I'll send a man round tomorrow. | 0:17:46 | 0:17:49 | |
I wish you would. It worries me leaving the staff wages overnight. | 0:17:49 | 0:17:54 | |
You know the address... Gewgaws Limited. | 0:17:57 | 0:18:00 | |
GEWGAWS LIMITED! You know the place. | 0:18:00 | 0:18:03 | |
Fancy leaving all that money there. Anybody could break in tonight... | 0:18:03 | 0:18:07 | |
Come on, number five! | 0:18:07 | 0:18:09 | |
Stay there, my beauty, stay there. | 0:18:09 | 0:18:12 | |
One never knows... | 0:18:34 | 0:18:35 | |
Somebody may have been listening. We'll give them till midnight. | 0:18:35 | 0:18:39 | |
-Where are those guns? -Guns? | 0:18:39 | 0:18:42 | |
Yes. It's essential we're armed. | 0:18:42 | 0:18:44 | |
-Here's yours. -Is it loaded? | 0:18:46 | 0:18:48 | |
Yes. It's a present from Margate. It fires a stick of rock. | 0:18:48 | 0:18:52 | |
The safe's in the office over there. | 0:18:59 | 0:19:02 | |
You go behind that bench and surprise anyone making for the safe. | 0:19:04 | 0:19:09 | |
I'll go over here, to prevent any escape. | 0:19:09 | 0:19:12 | |
Ready? | 0:19:25 | 0:19:27 | |
CLUNKING | 0:19:58 | 0:20:00 | |
-What's that? -Cramp! | 0:20:01 | 0:20:04 | |
-What? -Pins and needles! | 0:20:04 | 0:20:07 | |
MUSIC BOX PLAYS | 0:20:26 | 0:20:28 | |
MUSIC STOPS | 0:20:34 | 0:20:36 | |
QUICK SNIPPET OF MUSIC | 0:20:37 | 0:20:39 | |
Reach for it! | 0:21:08 | 0:21:11 | |
DOG BARKS OUTSIDE | 0:21:11 | 0:21:13 | |
Don't shoot, guv. Please don't be hard on me. | 0:21:13 | 0:21:18 | |
I've got a wife and six kids. | 0:21:18 | 0:21:19 | |
I never done nothing like this before... | 0:21:19 | 0:21:21 | |
Is that true? | 0:21:24 | 0:21:26 | |
Yes, guv. I'm on the level. I've been honest all me life. | 0:21:26 | 0:21:30 | |
It was just a temptation. | 0:21:30 | 0:21:31 | |
-This is your first crime? -Yes, guv. I swear it. | 0:21:31 | 0:21:34 | |
I'll never go wrong no more. | 0:21:34 | 0:21:36 | |
-Suppose we offered you a job? -I'll do it! Earn an honest penny. | 0:21:36 | 0:21:41 | |
Supposing it wasn't exactly an honest penny? | 0:21:41 | 0:21:43 | |
Careful, now. We don't want anyone who's going straight. | 0:21:43 | 0:21:46 | |
-Anyway, we need someone far bigger. -Such as me? | 0:21:46 | 0:21:49 | |
-BOTH: -Who are you? -Take those things away. | 0:21:53 | 0:21:54 | |
I'm not hungry. Name of Lackery Wood. | 0:21:54 | 0:21:57 | |
Otherwise known as Sawdust Steve, The Wandsworth Boy. | 0:21:57 | 0:22:00 | |
Two convictions for housebreaking, one for larceny of the person, | 0:22:00 | 0:22:03 | |
total 18 months only in ten years' work. | 0:22:03 | 0:22:04 | |
Some cuttings, if you'd like to see 'em. | 0:22:04 | 0:22:06 | |
How long have you been here? | 0:22:06 | 0:22:08 | |
Just long enough to hide when I heard you come in. What's the job? | 0:22:08 | 0:22:12 | |
-Useful. Are you alone? -Always work single-handed. | 0:22:12 | 0:22:16 | |
Sensible. Very sensible. Just the same meself. | 0:22:16 | 0:22:19 | |
Kept on me Jack Jones ever since Nobby Curtis | 0:22:19 | 0:22:21 | |
got me done for that job at Bellamy's. | 0:22:21 | 0:22:23 | |
-Bellamy's in Bromley? -That's right. Last June. | 0:22:23 | 0:22:26 | |
I was casing that joint the night you got pinched! | 0:22:26 | 0:22:29 | |
-Whadya know! I'm Shorty Fisher. -Nice to meet you. -Excuse me... | 0:22:29 | 0:22:32 | |
I may be slow, but do I understand you're BOTH professional criminals? | 0:22:32 | 0:22:37 | |
-What else do you take us for? -What's the set-up? | 0:22:37 | 0:22:40 | |
We require a team, Pendlebury, | 0:22:40 | 0:22:42 | |
and if these gentlemen insist on working alone... | 0:22:42 | 0:22:45 | |
Now wait a minute. | 0:22:45 | 0:22:47 | |
You make it worth our while, cock, we'll work with anybody. | 0:22:47 | 0:22:50 | |
Well, in that case, if you'll join us in the office, | 0:22:50 | 0:22:53 | |
my friend will outline what we have in mind. | 0:22:53 | 0:22:56 | |
I must apologise, gentlemen, for the informal introduction. | 0:22:59 | 0:23:03 | |
But my colleague and I have a certain proposition... | 0:23:03 | 0:23:09 | |
I might almost call it a gilt-edged proposition. | 0:23:09 | 0:23:12 | |
Although, paradoxically, it does entail a measure of risk. | 0:23:12 | 0:23:16 | |
However, when I quote the anticipated dividend, | 0:23:16 | 0:23:20 | |
I'm sure you'll both agree... | 0:23:20 | 0:23:23 | |
-CLUNK -Not another one, surely! | 0:23:23 | 0:23:26 | |
Tell him we're suited. | 0:23:28 | 0:23:30 | |
Everything all right here, sir? | 0:23:30 | 0:23:31 | |
Yes, thank you, officer. My partner and I are stock-taking. | 0:23:31 | 0:23:35 | |
Only I saw the window open. | 0:23:35 | 0:23:37 | |
-I'll close it. Thank you very much. Goodnight, Officer. -Goodnight, sir. | 0:23:37 | 0:23:41 | |
And here's the order for tomorrow's consignment. | 0:23:57 | 0:24:00 | |
Somewhat larger than I expected - 212 bars. | 0:24:00 | 0:24:02 | |
That won't worry me, sir. | 0:24:02 | 0:24:04 | |
-Dependable till the last. I'll miss you, Holland. -You're kind, sir. | 0:24:04 | 0:24:07 | |
I'll always have happy memories of the dear old bullion office. | 0:24:07 | 0:24:10 | |
Has Mr Abercrombie spoken to you about your holiday? | 0:24:10 | 0:24:13 | |
-Yes, sir, I'm going to Paris. -You're stepping out, Holland. | 0:24:13 | 0:24:16 | |
Wonderful what a little extra money can do. | 0:24:16 | 0:24:17 | |
Yes. It's going to make a big difference to me. | 0:24:17 | 0:24:20 | |
Have a go on your own now. | 0:24:35 | 0:24:37 | |
That's it. | 0:24:37 | 0:24:39 | |
How are you getting on? | 0:24:39 | 0:24:41 | |
You must show some sense of proportion. | 0:24:45 | 0:24:48 | |
The seagull is bigger than the funnel! | 0:24:48 | 0:24:50 | |
Can't I do summat else, guv? Sell matches or bootlaces? | 0:24:50 | 0:24:55 | |
No. Mr Holland specified a pavement artist, | 0:24:55 | 0:24:58 | |
a pavement artist it's got to be. | 0:24:58 | 0:25:00 | |
-Try again. It's coming slowly. -KNOCK AT DOOR | 0:25:00 | 0:25:03 | |
You're teaching the wrong man. | 0:25:17 | 0:25:19 | |
I had to change them over. Shorty can't ride a bicycle. | 0:25:19 | 0:25:22 | |
CRASH | 0:25:22 | 0:25:24 | |
-He can't, either. -We're learning him. | 0:25:27 | 0:25:30 | |
-Why couldn't you learn Shorty? -Because Wood is colour-blind. | 0:25:30 | 0:25:34 | |
What's that got to do with it? | 0:25:34 | 0:25:36 | |
My dear Holland, do use your intelligence. | 0:25:36 | 0:25:38 | |
If a policeman were to come along and see | 0:25:38 | 0:25:40 | |
-a green sunset over a purple sea... -All right, all right. | 0:25:40 | 0:25:42 | |
-Is everything else fixed? -Yes. Come along, boys. | 0:25:42 | 0:25:46 | |
Mr Fisher will be sitting here. | 0:25:53 | 0:25:55 | |
The van will stop here at 4.30. | 0:25:55 | 0:25:57 | |
You, Pendlebury, will detain the guard for at least 30 seconds. | 0:25:57 | 0:26:01 | |
-Ask him for a light...anything, but keep him there. -Edgar. | 0:26:01 | 0:26:06 | |
I beg your pardon? | 0:26:06 | 0:26:08 | |
Isn't one supposed to say that when one's being briefed? | 0:26:08 | 0:26:11 | |
-On my rare visits to the cinema... -The word is "Roger". | 0:26:11 | 0:26:14 | |
-Ohhh, Roger. -To continue... | 0:26:14 | 0:26:16 | |
As soon as we've captured the van, | 0:26:16 | 0:26:18 | |
-you two will proceed to the warehouse. -A bit risky, that, | 0:26:18 | 0:26:22 | |
-after the guards seeing him? -It's a risk we must take. | 0:26:22 | 0:26:26 | |
We need everyone. We've more than 200 bars to move, | 0:26:26 | 0:26:29 | |
and I must have my alibi. | 0:26:29 | 0:26:31 | |
You'll gag me, bind me, tear my clothes... | 0:26:31 | 0:26:34 | |
-We can't waste one second. -OK, you're the boss. -Yes. | 0:26:34 | 0:26:39 | |
Yes, that's right. I am. | 0:26:42 | 0:26:45 | |
211...212. | 0:26:48 | 0:26:52 | |
Mr Richards, your deposit will be returned in the usual way, | 0:26:53 | 0:26:57 | |
as soon as the gold enters the bank. | 0:26:57 | 0:27:01 | |
You're both... | 0:27:01 | 0:27:03 | |
Oi! | 0:28:34 | 0:28:35 | |
Oi! | 0:28:37 | 0:28:38 | |
-No, you don't! -Don't what? -I saw you pinch it. | 0:28:38 | 0:28:43 | |
Good gracious! Whatever must you think of me? | 0:28:43 | 0:28:45 | |
I think you pinched my Monarch of the Glen last week, that's what I think. | 0:28:45 | 0:28:48 | |
-No, no. Pinch a Landseer, me? -You'd better come quiet. | 0:28:48 | 0:28:52 | |
-No, no, I can explain. -Charlie, get on the blower. Nine, nine, nine. | 0:28:52 | 0:28:56 | |
-No, no, no. -Come along with me. | 0:28:56 | 0:28:59 | |
He's picked a wrong 'un, this time. | 0:29:19 | 0:29:21 | |
No, no, no! It's all a ghastly mistake, officer. | 0:29:21 | 0:29:24 | |
I'm completely innocent. | 0:29:24 | 0:29:26 | |
-Did you see that car? -Yes, sir. A police car. | 0:29:30 | 0:29:33 | |
Nothing to be afraid of. | 0:29:33 | 0:29:35 | |
I'm sure it's the same car that followed us the other day. | 0:29:35 | 0:29:38 | |
-You want me to look around the corner? -Yes. | 0:29:38 | 0:29:41 | |
CROWD CHATTERS | 0:30:02 | 0:30:03 | |
You're mistaken. | 0:30:03 | 0:30:05 | |
You've got a flat tyre there, mate. | 0:30:12 | 0:30:14 | |
Help! Help! | 0:30:26 | 0:30:28 | |
GUNSHOT | 0:30:28 | 0:30:30 | |
Help! Police! | 0:30:33 | 0:30:35 | |
-The van! They've pinched the van! -What's this? | 0:30:35 | 0:30:39 | |
Hey! Stop, thief! | 0:30:42 | 0:30:45 | |
Stop, thief. | 0:30:46 | 0:30:48 | |
Hello, M2TW from 14. | 0:30:53 | 0:30:55 | |
Urgent me... Urgent message begins. | 0:30:55 | 0:30:58 | |
Maroon-coloured van, LKL238 | 0:30:58 | 0:31:01 | |
containing bullion value £1,000,000. | 0:31:01 | 0:31:05 | |
Believed stolen in the vicinity of Queen Victoria Street. | 0:31:05 | 0:31:08 | |
Hello, all cars from M2GW. Message number 48 begins. | 0:31:13 | 0:31:17 | |
Maroon-coloured van, LKL638, | 0:31:17 | 0:31:20 | |
containing bullion, value £1,000,000. | 0:31:20 | 0:31:23 | |
Stolen from the vicinity of Queen Victoria Street. | 0:31:23 | 0:31:26 | |
-Gawd, what a weight. -The others will be here soon. | 0:31:46 | 0:31:49 | |
TYRES SCREECH | 0:31:51 | 0:31:52 | |
Oi! Shorty! They've got Mr Pendlebury. | 0:31:59 | 0:32:04 | |
-Who has? -The cops, of course. | 0:32:04 | 0:32:06 | |
-I saw a crowd. There's two cops holding him. -Will he grass? | 0:32:06 | 0:32:10 | |
Will he squeal? Will he split? | 0:32:10 | 0:32:14 | |
-No. -Then it don't matter. We can deliver the stuff as arranged. | 0:32:14 | 0:32:17 | |
Right. We don't need him. Come on. | 0:32:17 | 0:32:19 | |
Sgt Wilson, you search the east end of the street. | 0:32:31 | 0:32:35 | |
Sgt Cripps, you take the west end. | 0:32:35 | 0:32:38 | |
Rose, you'd better come with me, I think | 0:32:38 | 0:32:40 | |
we'll have a look at those warehouses. | 0:32:40 | 0:32:43 | |
That's all right. Leave the rest. | 0:32:43 | 0:32:46 | |
-Blimey, guvnor, why?! -My alibi. | 0:32:46 | 0:32:48 | |
-There's 75,000 quid in there. -I said leave it. | 0:32:48 | 0:32:52 | |
A ruddy waste! | 0:32:55 | 0:32:57 | |
There's many a starving bloke be glad of that lot. | 0:32:57 | 0:33:00 | |
-Come on, now. Fix me up. -No... Behind you. | 0:33:00 | 0:33:04 | |
-Left-hand pocket. -Stand still. | 0:33:06 | 0:33:09 | |
SNAP | 0:33:09 | 0:33:10 | |
What's that? | 0:33:10 | 0:33:12 | |
You turn. It's easier. | 0:33:20 | 0:33:22 | |
All right... OK. | 0:33:24 | 0:33:25 | |
Hey! Look! | 0:33:34 | 0:33:36 | |
Hey... | 0:33:39 | 0:33:40 | |
Come on... Scram! | 0:33:42 | 0:33:44 | |
Wait, wait! Mess me up. | 0:33:44 | 0:33:46 | |
Mr Fisher... Mr Wood... Mess me up! It's essential! | 0:33:46 | 0:33:52 | |
Hey...? Wait! Wait! You can't leave me like this. | 0:33:54 | 0:34:00 | |
Wait! Wait! | 0:34:03 | 0:34:05 | |
Help! | 0:35:03 | 0:35:04 | |
Help! | 0:35:10 | 0:35:11 | |
Can you see from down there? | 0:35:19 | 0:35:21 | |
Help! | 0:35:25 | 0:35:26 | |
Inspector Talbot! Sir! | 0:35:28 | 0:35:30 | |
MUFFLED GROANS | 0:35:30 | 0:35:31 | |
Fight going on over there! | 0:35:31 | 0:35:33 | |
It was purely an oversight, officer. I had something on my mind. | 0:35:51 | 0:35:54 | |
Three pictures in a week stolen! | 0:35:54 | 0:35:56 | |
You can't accuse him of taking those others too. | 0:35:56 | 0:35:59 | |
I should think not! I'm no thief. | 0:35:59 | 0:36:01 | |
My character's an open book. | 0:36:01 | 0:36:04 | |
Well? | 0:36:25 | 0:36:27 | |
Well, you might as well know I was lying. I AM a thief. | 0:36:31 | 0:36:36 | |
It was madness to attempt it. | 0:36:37 | 0:36:39 | |
We weren't cut out for crime, either of us. | 0:36:39 | 0:36:41 | |
-We? -My partner and I. | 0:36:41 | 0:36:44 | |
-Partner...? Working with a fence... -Shhh. Carry on. | 0:36:44 | 0:36:49 | |
I make no excuses. | 0:36:49 | 0:36:50 | |
All my life I've wanted to surround myself with beautiful things. | 0:36:50 | 0:36:55 | |
Suddenly faced with this golden opportunity... | 0:36:55 | 0:36:57 | |
'Ere, you call my picture rare and beautiful? | 0:36:57 | 0:37:01 | |
Since you will keep on interrupting me, | 0:37:02 | 0:37:05 | |
you ought to know it's a charming example of an early Rochet, | 0:37:05 | 0:37:08 | |
while he was influenced by Corot. | 0:37:08 | 0:37:11 | |
-How much is it worth? -Ten pounds, to those who can afford it. | 0:37:11 | 0:37:16 | |
Blimey...! I've got it marked up for five bob. | 0:37:16 | 0:37:21 | |
-What about this charge? -Let him go. | 0:37:21 | 0:37:23 | |
I've got to get back before they sell that picture. | 0:37:23 | 0:37:26 | |
Your lucky day, it seems. | 0:37:26 | 0:37:28 | |
All right, case dismissed. | 0:37:28 | 0:37:31 | |
Off you go. | 0:37:31 | 0:37:33 | |
Yes... About five minutes ago. Yes, sir. We've got him all right. | 0:37:37 | 0:37:41 | |
He's giving us a statement. Yes, he's told us a lot already. | 0:37:41 | 0:37:46 | |
Go on. Hop it. | 0:37:46 | 0:37:48 | |
Yes. You can depend on that, sir. | 0:37:59 | 0:38:03 | |
We'll get all we can out of him. | 0:38:03 | 0:38:06 | |
I see... Yes, he stood it pretty well. | 0:38:06 | 0:38:10 | |
We'll look after him. We're fixing him up with dry clothes now. | 0:38:10 | 0:38:15 | |
I agree, sir. We're up against some very tough customers. | 0:38:15 | 0:38:20 | |
'Ere, what are you doing? | 0:38:27 | 0:38:28 | |
-They'll have to put a new floor in. -He'll be able to afford it. | 0:38:28 | 0:38:32 | |
-Save your breath, get on with the job. -You make me sick. | 0:38:32 | 0:38:34 | |
-What's happening? -Here, I thought you was pinched. | 0:38:38 | 0:38:42 | |
No, it's Holland they've got. | 0:38:42 | 0:38:43 | |
-Holland? -He's in the police station, under arrest. -You sure of that? | 0:38:43 | 0:38:48 | |
Of course I'm sure! | 0:38:48 | 0:38:50 | |
He was dripping wet, there were two policemen holding him. | 0:38:50 | 0:38:52 | |
They must have seen everything. We gotta blow! | 0:38:52 | 0:38:54 | |
Wait a minute! Can they connect you with him? | 0:38:54 | 0:38:57 | |
-I don't know. We live in the same house but... -What? | 0:38:57 | 0:39:00 | |
The map showing the warehouse! Holland took it home with him. | 0:39:00 | 0:39:04 | |
-Now we ARE done for. -No, we're not. You finish the job. | 0:39:04 | 0:39:07 | |
-Come on. -Where to? | 0:39:07 | 0:39:09 | |
Your place...if they ain't searched his room yet. | 0:39:09 | 0:39:12 | |
Too late. Helmet's in the hall. | 0:39:26 | 0:39:28 | |
-You go in. Might be someone I know. -But they're there already. | 0:39:28 | 0:39:31 | |
They maybe haven't found it yet. Go on. Get weaving. | 0:39:31 | 0:39:36 | |
You must have some suspicion. | 0:39:39 | 0:39:42 | |
Who works the heist rackets in this territory? | 0:39:42 | 0:39:46 | |
-Pardon, lady? -I can't be much plainer. | 0:39:46 | 0:39:48 | |
Which hoodlums around here specialise in toby jobs? | 0:39:48 | 0:39:51 | |
-Holland! -Pendlebury! | 0:40:08 | 0:40:11 | |
Determination, pluck and fortitude worthy of the highest praise. | 0:40:43 | 0:40:47 | |
Come along now. We mustn't keep them waiting. | 0:40:47 | 0:40:50 | |
CHEERING AND APPLAUSE | 0:41:39 | 0:41:42 | |
Star, News or Standard! | 0:41:44 | 0:41:46 | |
Now! | 0:42:14 | 0:42:16 | |
-Pretty, isn't it, eh? -I could watch it all night. | 0:42:24 | 0:42:27 | |
It's thruppence an ounce up again today. | 0:42:27 | 0:42:30 | |
"Gold is the sovereign of all sovereigns." Proverb. | 0:42:30 | 0:42:33 | |
Holland... Holland... | 0:42:35 | 0:42:38 | |
These crates are filled with the lead towers. | 0:42:41 | 0:42:43 | |
Mustn't be touched. | 0:42:43 | 0:42:45 | |
This "R" stands for reserve stock. | 0:42:47 | 0:42:50 | |
These crates will remain in our Paris warehouse. | 0:42:50 | 0:42:53 | |
I've sent instructions to the lady there - she's never to | 0:42:53 | 0:42:56 | |
use anything from a crate marked "R". | 0:42:56 | 0:42:59 | |
-So these are the ones I work on. -Exactly. | 0:42:59 | 0:43:01 | |
-Get rid of the contents and refill with... -How long will it take? | 0:43:01 | 0:43:06 | |
-Oh, about two weeks here... -A week in Paris to find our market, | 0:43:06 | 0:43:09 | |
then three months back here, | 0:43:09 | 0:43:11 | |
that will take us to the end of the year. | 0:43:11 | 0:43:14 | |
An excellent time for me to retire. | 0:43:14 | 0:43:16 | |
-You're not going back to the bank?! -Certainly, I am. | 0:43:16 | 0:43:20 | |
It would look suspicious if I gave up my job immediately. | 0:43:20 | 0:43:24 | |
"Patience is a virtue..." Shakespeare. | 0:43:24 | 0:43:27 | |
Our first-born. | 0:43:37 | 0:43:39 | |
Oh, yes, that's the man you describe in your statement | 0:43:45 | 0:43:49 | |
as having a snake tattooed on his wrist. | 0:43:49 | 0:43:51 | |
Yes, and I should mention that one had a distinct foreign accent. | 0:43:51 | 0:43:56 | |
Come on, China. Get weaving! | 0:43:56 | 0:43:58 | |
RADIO ANNOUNCER: 'Helping Scotland Yard in the hunt for the criminals | 0:44:09 | 0:44:13 | |
'is the bank clerk hero, plucky little Holland. | 0:44:13 | 0:44:16 | |
'There is no doubt this robbery is the work of a mastermind.' | 0:44:16 | 0:44:19 | |
'The police are leaving no stone unturned in their nationwide search. | 0:44:26 | 0:44:31 | |
'Every clue is being investigated, | 0:44:31 | 0:44:33 | |
'however small and unimportant it may appear on the surface. | 0:44:33 | 0:44:36 | |
'The Yard are confident of ultimate success, | 0:44:36 | 0:44:39 | |
'because anyone who traffics in stolen gold | 0:44:39 | 0:44:41 | |
'will find it's too hot to handle. | 0:44:41 | 0:44:43 | |
'Scientific research reinforces the man on the beat. | 0:44:51 | 0:44:53 | |
'All the big guns are on the side of the law. | 0:44:53 | 0:44:56 | |
'Link by link, a chain of cast-iron evidence is forged. | 0:44:56 | 0:44:59 | |
'Men who might be able to help the police with their enquiries | 0:45:07 | 0:45:09 | |
'are being sought in all likely hideouts. | 0:45:09 | 0:45:12 | |
'It is expected a charge will be made within 24 hours. | 0:45:12 | 0:45:15 | |
'Meanwhile, the Yard chiefs continue | 0:45:15 | 0:45:17 | |
'to work in calm and imperturbable harmony. | 0:45:17 | 0:45:20 | |
'A spirit of complete confidence prevails.' | 0:45:20 | 0:45:24 | |
The gold has NOT left the country. | 0:45:24 | 0:45:26 | |
I hope you're right. If it has, | 0:45:26 | 0:45:28 | |
we'll never see one grain of it again. | 0:45:28 | 0:45:30 | |
The ports are being watched thoroughly, | 0:45:30 | 0:45:32 | |
we're counting the matchsticks. | 0:45:32 | 0:45:35 | |
-Souvenir models - Eiffel Tower in lead. -OK. As usual. | 0:45:35 | 0:45:40 | |
In view of rising public anxiety, | 0:45:40 | 0:45:42 | |
can he assure the House that this gold is not lost to the nation? | 0:45:42 | 0:45:47 | |
Yes, sir, I think I may give that assurance. | 0:45:47 | 0:45:50 | |
Measures have been taken which render it impossible | 0:45:50 | 0:45:53 | |
for any substantial quantity of gold to be removed from this country. | 0:45:53 | 0:45:57 | |
HE SPEAKS FRENCH | 0:45:57 | 0:45:59 | |
-Ca va? -C'est bon. | 0:46:00 | 0:46:03 | |
# This time tomorrow, where shall I be? | 0:46:06 | 0:46:10 | |
# Not in this old found-er-y. # | 0:46:10 | 0:46:13 | |
Now it's all over, I may dare say it's been a most remarkable coup. | 0:46:16 | 0:46:20 | |
Biggest job of its kind since One-Eyed Dobson | 0:46:20 | 0:46:22 | |
got away with the GIs' pay packets. Got away with 2 million. | 0:46:22 | 0:46:25 | |
That was before devaluation. | 0:46:25 | 0:46:27 | |
This is one million POUNDS. | 0:46:27 | 0:46:29 | |
Right! Blimey! We got the record. | 0:46:29 | 0:46:33 | |
Is that you, Lackery? | 0:46:36 | 0:46:38 | |
-What's the matter? -Trouble. | 0:46:45 | 0:46:48 | |
Nothing serious, I hope. | 0:46:48 | 0:46:49 | |
-I can't go. -Why not? -The missus won't let me. | 0:46:49 | 0:46:53 | |
Can't you say it's in connection with an important business deal? | 0:46:56 | 0:46:59 | |
She won't wear it. | 0:46:59 | 0:47:00 | |
Birmingham, Glasgow or Manchester, Bob's your bloomin' uncle. | 0:47:00 | 0:47:03 | |
-Paris is out! -You know we can't pay you till we get to Paris. | 0:47:03 | 0:47:07 | |
I'll settle for six of these. I know a safe fence. | 0:47:07 | 0:47:10 | |
-Out of the question! -Are you mad? -Leaving vital evidence here?! | 0:47:10 | 0:47:14 | |
If anything went wrong, the police would be onto us in no time. | 0:47:14 | 0:47:16 | |
No, you can't ask a thing like that, mate. | 0:47:16 | 0:47:19 | |
-I'm sorry, guv. I wasn't thinking. I'm a little upset. -Here! | 0:47:21 | 0:47:25 | |
Tell you what. I didn't like to say, | 0:47:25 | 0:47:28 | |
-but I don't really fancy going to Paris meself. -Why? | 0:47:28 | 0:47:32 | |
A friend of mine's got a couple of tickets for the test match. | 0:47:32 | 0:47:35 | |
I'd like to see that. | 0:47:35 | 0:47:37 | |
You're both coming back here once you've flogged the stuff, ain't ya? | 0:47:37 | 0:47:40 | |
OK. Just smuggle our money over inside your socks. | 0:47:40 | 0:47:43 | |
-I'll lend you a false bottom bag. -You mean you both trust us? | 0:47:43 | 0:47:48 | |
Oh, come off it, guv. You're as straight a pair of gentlemen | 0:47:48 | 0:47:50 | |
-as I ever worked for. -Hear, hear. | 0:47:50 | 0:47:54 | |
-Well, that seems an excellent solution. -Thank you, boys. | 0:47:54 | 0:47:57 | |
Just let me nail this down... I've got a little surprise for you. | 0:48:00 | 0:48:04 | |
# For auld lang syne, my dear, For auld lang syne... | 0:48:12 | 0:48:19 | |
# We'll take a cup of kindness yet | 0:48:19 | 0:48:23 | |
# For the sake of auld lang syne. # | 0:48:23 | 0:48:27 | |
LAUGHTER | 0:48:27 | 0:48:28 | |
THEY GIGGLE | 0:48:32 | 0:48:34 | |
Work it up to me. | 0:48:34 | 0:48:36 | |
Shhh. | 0:48:38 | 0:48:39 | |
You naughty men. Waking us all up at this hour. | 0:48:43 | 0:48:47 | |
A thousand pardons. | 0:48:47 | 0:48:50 | |
Wipe your feet. | 0:48:50 | 0:48:52 | |
-A little celebration. -Already? | 0:48:55 | 0:48:58 | |
Your holidays don't start till tomorrow. | 0:48:58 | 0:49:01 | |
Today IS tomorrow. | 0:49:01 | 0:49:02 | |
"Oh, polished perturbation! | 0:49:02 | 0:49:04 | |
-Shh! -"Golden care! That keep'st the ports of slumber open wide". | 0:49:04 | 0:49:08 | |
Henry IV, Part II. | 0:49:08 | 0:49:11 | |
Goodnight, you naughty men. Don't forget to switch off. | 0:49:11 | 0:49:16 | |
Goodnight, Miss Evesham. | 0:49:16 | 0:49:17 | |
-Pendlebury? -Yes? | 0:49:24 | 0:49:26 | |
THEY GIGGLE | 0:49:28 | 0:49:30 | |
-Pendlebury. -What? | 0:49:32 | 0:49:35 | |
May I call you Alfred? | 0:49:35 | 0:49:36 | |
Alfred? | 0:49:36 | 0:49:38 | |
Call me Al. And I'll call you... | 0:49:38 | 0:49:41 | |
Henry, isn't it? | 0:49:41 | 0:49:43 | |
-A name I never cared for. -No? | 0:49:43 | 0:49:46 | |
-Call me Dutch. -Dutch! | 0:49:49 | 0:49:52 | |
Yes. | 0:49:52 | 0:49:53 | |
Goodnight, Dutch. | 0:49:55 | 0:49:58 | |
Night-night, Al. | 0:49:58 | 0:50:00 | |
Ah! Gay, sprightly land of mirth and social ease. | 0:50:15 | 0:50:19 | |
Holland, the world is ours. | 0:51:02 | 0:51:05 | |
SCHOOLGIRLS CHATTER | 0:51:06 | 0:51:08 | |
Un souvenir de Paris avant de partir, no? | 0:51:17 | 0:51:20 | |
-Ah, madame... -Bonjour, Mr Pendlebury. | 0:51:20 | 0:51:25 | |
-My friend, Mr Holland. -Monsieur. -How do you do? -Enchante. | 0:51:25 | 0:51:29 | |
How did that get here? | 0:51:33 | 0:51:36 | |
I told you never to use a crate marked "R". | 0:51:36 | 0:51:40 | |
But that is not an "aah". | 0:51:40 | 0:51:42 | |
It is an "air". | 0:51:42 | 0:51:43 | |
-It's an R in English! -How many have you sold from that case? | 0:51:43 | 0:51:46 | |
Six - to the little English girls. | 0:51:46 | 0:51:49 | |
Don't sell any more! I'll be back. | 0:51:49 | 0:51:52 | |
Stop! Stop! Wait! | 0:51:55 | 0:51:59 | |
Come on. | 0:51:59 | 0:52:02 | |
Wait! Wait! | 0:52:21 | 0:52:25 | |
Wait, Dutch, wait! What do we care? We've still got all the others. | 0:52:25 | 0:52:30 | |
We mustn't let them get back to England. We'll be traced. | 0:52:30 | 0:52:32 | |
Who will know they're gold? | 0:52:32 | 0:52:34 | |
We can't take any chances. | 0:52:34 | 0:52:35 | |
SCHOOLGIRLS LAUGH | 0:52:35 | 0:52:37 | |
Dutch! Wait! | 0:52:39 | 0:52:40 | |
Dutch! Wait for me. | 0:52:45 | 0:52:47 | |
There's nothing to laugh at. | 0:53:23 | 0:53:26 | |
HYSTERICAL LAUGHTER | 0:53:31 | 0:53:34 | |
LAUGHTER CONTINUES | 0:53:45 | 0:53:47 | |
SCHOOLGIRLS GIGGLE | 0:53:51 | 0:53:54 | |
Stop! Wait! | 0:53:57 | 0:53:59 | |
-Taxi! -Hey! | 0:54:02 | 0:54:03 | |
Suivez, suivez! | 0:54:05 | 0:54:07 | |
Billets, s'il vous plait, messieurs. C'est defendu de passer par ici. | 0:54:21 | 0:54:24 | |
-Calais. -Vous etes trop tard. C'est deja parti. | 0:54:24 | 0:54:27 | |
It's no good. Get the rest out of the warehouse and disappear | 0:54:27 | 0:54:31 | |
-with them. -Disappear? With the police looking for us? To Calais. | 0:54:31 | 0:54:35 | |
-The warehouse. -Calais! | 0:54:35 | 0:54:36 | |
Face the facts, man. You'll have to change your plan. | 0:54:36 | 0:54:40 | |
Rubbish! It's a perfect plan. | 0:54:40 | 0:54:41 | |
What's the French for "faster"? | 0:54:41 | 0:54:44 | |
-I'm not telling you. -Do you want to be a hunted man all your life? | 0:54:44 | 0:54:48 | |
Good time in France? You all enjoy yourselves? | 0:55:04 | 0:55:08 | |
There they are! | 0:55:08 | 0:55:10 | |
-Vos billets, messieurs. -No, no. Pas voyageurs! | 0:55:14 | 0:55:17 | |
Vous ne pouvez pas monter sans billets, messieurs. | 0:55:17 | 0:55:20 | |
-See some friends. -Achetez vos billets, messieurs. | 0:55:20 | 0:55:22 | |
No, no. No point. Huh, tickets! | 0:55:22 | 0:55:25 | |
-Les billets... -Alors, c'est par la, monsieur. -Non... La. Les billets. | 0:55:28 | 0:55:33 | |
-Je vous en prie. C'est par la qu'il faut vous aller. -Ohh... | 0:55:33 | 0:55:36 | |
-We'll never do it. -We must! In here! | 0:55:38 | 0:55:41 | |
-Dover. -Deux, deux. Oui. | 0:55:41 | 0:55:44 | |
Vite, s'il vous plait. | 0:55:44 | 0:55:46 | |
SHIP HORN TOOTS | 0:55:46 | 0:55:48 | |
MAN SHOUTS IN FRENCH | 0:55:50 | 0:55:52 | |
-Passeports, monsieur. -The tickets. -No... Passport. Argh! | 0:55:52 | 0:55:57 | |
-Passports! -What? -Passports! | 0:55:57 | 0:56:01 | |
Thank you. | 0:56:09 | 0:56:11 | |
-Al... -I thought I had it. | 0:56:15 | 0:56:16 | |
Got it! | 0:56:24 | 0:56:26 | |
Vite, vite! S'il vous plait. | 0:56:34 | 0:56:37 | |
Depechez. Je vous en prie! | 0:56:37 | 0:56:39 | |
-Voila. -Merci. -Got it? | 0:56:49 | 0:56:53 | |
-Oh, Pendlebury...! -I'm sorry I couldn't find it. | 0:56:53 | 0:56:56 | |
La douane, s'il vous plait. | 0:56:56 | 0:56:58 | |
-Hey! -We've bought nothing. Absolutely nothing. | 0:56:58 | 0:57:04 | |
-Des cigarettes? -No, no. -Tissues? -No. -Eh, bijoux? -No, no. | 0:57:04 | 0:57:10 | |
-Cognac? -No, no. -No! | 0:57:10 | 0:57:12 | |
Ouvrez. | 0:57:12 | 0:57:15 | |
-No! -Here, open... | 0:57:15 | 0:57:17 | |
-It's pyjamas. -SHIP'S HORN | 0:57:20 | 0:57:22 | |
-Oh-oh... -Hey! | 0:57:24 | 0:57:27 | |
-L'argent. -Oh, sadist torturers! | 0:57:35 | 0:57:38 | |
-No foreign currency? How much? -There! Count it! | 0:57:38 | 0:57:43 | |
Goodbye! Goodbye! | 0:57:48 | 0:57:51 | |
DOORBELL RINGS | 0:58:21 | 0:58:23 | |
-Yes? -I'd like to see Mr Holland. -Mr Holland's in Paris. | 0:58:30 | 0:58:33 | |
-Paris? -He's on holiday. -Have you his address? -No, I'm sorry. | 0:58:33 | 0:58:40 | |
He didn't know where he'd be staying. | 0:58:40 | 0:58:42 | |
-I see. All right. Thank you. -Pleased to be of help. | 0:58:42 | 0:58:44 | |
Why, Mr Holland! What IS the meaning of this? | 0:58:51 | 0:58:55 | |
Transport strike in Paris. Made things too difficult. | 0:58:55 | 0:58:59 | |
And Mr Pendlebury? | 0:58:59 | 0:59:00 | |
He's flying back tomorrow. He had some business to see to. | 0:59:00 | 0:59:02 | |
-You have dined, I hope? -Afraid not. | 0:59:02 | 0:59:05 | |
Good evening. | 0:59:07 | 0:59:08 | |
-Good evening, Inspector. -Bad luck about your holiday. -Yes. | 0:59:10 | 0:59:14 | |
You should have told us you were going abroad, you know. | 0:59:14 | 0:59:17 | |
You're our most important witness. | 0:59:17 | 0:59:18 | |
I'm so sorry. Anything I can do? | 0:59:18 | 0:59:20 | |
Four vans were seen near the warehouse | 0:59:20 | 0:59:22 | |
at the time of the robbery. | 0:59:22 | 0:59:23 | |
It's just possible you may have glimpsed one. | 0:59:23 | 0:59:27 | |
A blue van with "Loveday and Bone" on the side? | 0:59:27 | 0:59:31 | |
It all happened so quickly. It never gave me a chance. | 0:59:31 | 0:59:33 | |
Something might register. | 0:59:33 | 0:59:35 | |
-A white van, the Blackheath Spotless Laundry? -No, sorry. | 0:59:35 | 0:59:38 | |
Another blue one. The Springsong Mattress Company? | 0:59:38 | 0:59:41 | |
No, as I told you... | 0:59:41 | 0:59:42 | |
Or a green van, "Gewgaws Limited"? Does that ring a bell? | 0:59:42 | 0:59:47 | |
It was definitely none of them. | 0:59:49 | 0:59:51 | |
You can't be sure if you didn't see it, can you? | 0:59:51 | 0:59:53 | |
-Silly of me. -All right, Mr Holland. | 0:59:53 | 0:59:55 | |
-You'll be available if we want you again? Goodnight. -Goodnight. | 0:59:55 | 0:59:59 | |
John, how lovely to see you. | 1:00:16 | 1:00:19 | |
Dutch! Nice of you to come and meet me. | 1:00:23 | 1:00:26 | |
-I took the crates to the warehouse and... -You're looking well. | 1:00:26 | 1:00:29 | |
(Say nothing. Just smile.) | 1:00:29 | 1:00:30 | |
-What? -Nothing like a change, I say. | 1:00:30 | 1:00:32 | |
-(Smile now. The police may be watching.) -The police? | 1:00:32 | 1:00:36 | |
They suspect your van was involved. | 1:00:36 | 1:00:39 | |
Ooh, I told you it was madness to come back! | 1:00:39 | 1:00:41 | |
Good thing we did. This makes it | 1:00:41 | 1:00:43 | |
all the more important we get hold of those towers. | 1:00:43 | 1:00:45 | |
I was a fool to let you persuade me. | 1:00:45 | 1:00:47 | |
You're acting like a fool now. Suspicions aren't evidence, | 1:00:47 | 1:00:49 | |
and once we get those out of their reach... | 1:00:49 | 1:00:51 | |
We've got to get ourselves out of their reach! | 1:00:51 | 1:00:54 | |
-I'm going after those towers. -I'm going back to Paris. -Very well. | 1:00:54 | 1:00:58 | |
But remember, if I fail, you're for it too. | 1:00:58 | 1:01:01 | |
Did you trace those girls? | 1:01:07 | 1:01:09 | |
Yes. St Christopher's School, Hendon. Come on. | 1:01:09 | 1:01:13 | |
# Harrow may be more clever | 1:01:13 | 1:01:15 | |
# Rugby may make more row | 1:01:15 | 1:01:18 | |
# But we will row, row for ever, | 1:01:18 | 1:01:21 | |
# Steady from stroke to bow... | 1:01:21 | 1:01:24 | |
# And nothing in life shall sever | 1:01:24 | 1:01:28 | |
The chain that is round us now | 1:01:28 | 1:01:31 | |
# And nothing in life shall sever | 1:01:31 | 1:01:35 | |
# The chain that is round us now | 1:01:35 | 1:01:38 | |
# 20 years hence this weather | 1:01:38 | 1:01:40 | |
# Will tempt us from office stools | 1:01:40 | 1:01:44 | |
# We may be slow on the feather... # | 1:01:44 | 1:01:47 | |
Sit down, girls. | 1:01:47 | 1:01:50 | |
These gentlemen are from the firm that makes the Eiffel Tower models | 1:01:50 | 1:01:54 | |
that some of you bought in Paris. | 1:01:54 | 1:01:56 | |
It appears that you were sold by mistake a new experimental type, | 1:01:56 | 1:02:02 | |
which they are anxious to have back. | 1:02:02 | 1:02:04 | |
They will exchange them for others equally good. Also - | 1:02:04 | 1:02:07 | |
and I consider this most generous - | 1:02:07 | 1:02:09 | |
they will give ten shillings to each girl who helps them. | 1:02:09 | 1:02:14 | |
EXCITED MURMURS | 1:02:14 | 1:02:16 | |
There we are. One for you. And there's yours. | 1:02:30 | 1:02:35 | |
Thank you. Very good. | 1:02:35 | 1:02:37 | |
One, two, three, four, five... | 1:02:37 | 1:02:39 | |
Only five. Who bought the sixth one? | 1:02:39 | 1:02:43 | |
Who bought the sixth? | 1:02:45 | 1:02:47 | |
June Edwards bought one. | 1:02:48 | 1:02:50 | |
You have one too, do you, dear? Where is it, June? In here? | 1:02:50 | 1:02:54 | |
Ah, here it is. June, dear, | 1:02:54 | 1:02:56 | |
wouldn't you like to have ten shillings | 1:02:56 | 1:02:59 | |
and another one just as nice? | 1:02:59 | 1:03:01 | |
Come, think of the sweets you could buy with this. | 1:03:01 | 1:03:04 | |
There we are. Just as pretty, eh? | 1:03:04 | 1:03:08 | |
June, look at them together and you'll see. | 1:03:08 | 1:03:11 | |
There's no difference, is there? | 1:03:13 | 1:03:15 | |
Tell us, what's the difference? | 1:03:15 | 1:03:18 | |
That one's mine. | 1:03:18 | 1:03:20 | |
Well, I'm sorry. I can't force the child. Does it really matter? | 1:03:22 | 1:03:25 | |
-Indeed! Were it to fall into the hands of... -A business rival. | 1:03:25 | 1:03:29 | |
-Yes. -But that won't happen. | 1:03:29 | 1:03:31 | |
Well, we've kept you too long as it is. Thank you very much. | 1:03:31 | 1:03:34 | |
But, but... | 1:03:34 | 1:03:36 | |
It's interesting. | 1:03:45 | 1:03:46 | |
I bought a pyramid in Cairo during the war. Was that made here? | 1:03:46 | 1:03:51 | |
-Expect so. We send stuff all over. -Just finished, sir. | 1:03:51 | 1:03:54 | |
You don't keep a record of where the van goes? | 1:03:54 | 1:03:56 | |
No. Anyone takes the bloomin' thing when they feel like it. | 1:03:56 | 1:03:59 | |
Away for a week just recently, it was. | 1:03:59 | 1:04:01 | |
You've no recollection of that particular afternoon? | 1:04:01 | 1:04:04 | |
Well, I've an idea it was the boss, Mr Pendlebury. | 1:04:04 | 1:04:08 | |
-Mr Pendlebury. -I'm not sure. I can't ask him. He's away - in Paris. | 1:04:08 | 1:04:13 | |
In Paris? Oh, well. Thanks. All right. | 1:04:13 | 1:04:16 | |
-But, Dutch! Robbing a child! -It'll simply be a swap. | 1:04:22 | 1:04:27 | |
If only you had let me talk to that woman. | 1:04:27 | 1:04:30 | |
She was getting suspicious as it was. | 1:04:30 | 1:04:32 | |
Look. | 1:04:32 | 1:04:34 | |
Isn't George here today? | 1:04:57 | 1:04:59 | |
I'm taking his place today. Your boyfriend's on duty in there. | 1:04:59 | 1:05:03 | |
Exhibition straight ahead, sir. | 1:05:31 | 1:05:33 | |
Straight ahead for the exhibition, sir. | 1:05:50 | 1:05:53 | |
OVER PA SYSTEM: 'On the steering wheel of a car stolen last night in Piccadilly | 1:06:02 | 1:06:06 | |
' and abandoned two hours later near Croydon. | 1:06:06 | 1:06:08 | |
'In the West Gallery, | 1:06:10 | 1:06:11 | |
'you will find a display from the Criminal Records Office | 1:06:11 | 1:06:15 | |
'containing the dossier, | 1:06:15 | 1:06:16 | |
'for example, of a man now serving a sentence for housebreaking. | 1:06:16 | 1:06:20 | |
'It contains all his known aliases and nicknames, | 1:06:20 | 1:06:24 | |
'and those of his relatives and friends.' | 1:06:24 | 1:06:28 | |
'Next door, a finger-print expert is ready to take the prints...' | 1:06:28 | 1:06:31 | |
-Hello. -Hello. | 1:06:31 | 1:06:33 | |
Where have you been? | 1:06:33 | 1:06:35 | |
I've been to Paris, and I brought this back for you. | 1:06:35 | 1:06:38 | |
I say, that is nice. What a beautiful present. | 1:06:38 | 1:06:41 | |
It's a paperweight. Put it on those papers. | 1:06:41 | 1:06:44 | |
-Thank you very much indeed. Cheerio. -Goodbye. | 1:06:44 | 1:06:46 | |
-Now what do we do? -Tell him the same story. | 1:06:46 | 1:06:50 | |
-Excuse me. -One moment, sir. | 1:06:50 | 1:06:53 | |
OVER PA SYSTEM: 'The next item is a demonstration of | 1:06:53 | 1:06:55 | |
'police scientists working on the recent big gold robbery. | 1:06:55 | 1:06:59 | |
'The ID officers have taken samples of dust from four different vans...' | 1:06:59 | 1:07:04 | |
Take your fingerprints, sir? | 1:07:04 | 1:07:05 | |
OVER PA SYSTEM: 'We are testing those samples for gold content.' | 1:07:05 | 1:07:09 | |
-You had the van repaired? -Yes. Completely new floor. | 1:07:09 | 1:07:12 | |
OVER PA SYSTEM: 'The dust is being placed in nitric acid, | 1:07:12 | 1:07:16 | |
'which will dissolve any metal, except gold.' | 1:07:16 | 1:07:19 | |
That's funny. I've just been at the factory where they make these. | 1:07:19 | 1:07:22 | |
Pretty, isn't it? My little girlfriend brought it from Paris. | 1:07:22 | 1:07:25 | |
Paris. | 1:07:25 | 1:07:26 | |
Try this! | 1:07:28 | 1:07:29 | |
-Let's get out of here. -No! The evidence! | 1:07:29 | 1:07:33 | |
-Run! -Stop those men! | 1:07:42 | 1:07:44 | |
POLICE WHISTLES PEEP | 1:07:44 | 1:07:46 | |
Stop those men! | 1:07:58 | 1:07:59 | |
Stop that woman! | 1:07:59 | 1:08:02 | |
-There they are! -Stop that woman! | 1:08:02 | 1:08:06 | |
Stop 'em, Charlie! | 1:08:06 | 1:08:07 | |
Stop him, Charlie! | 1:08:11 | 1:08:12 | |
WHISTLES CONTINUE | 1:08:12 | 1:08:14 | |
-Stop them! -Stop the men! | 1:08:16 | 1:08:19 | |
Which way did they go? | 1:08:19 | 1:08:20 | |
OVER PA SYSTEM: 'Attention, everyone, please. | 1:08:20 | 1:08:23 | |
'Two dangerous men are at large in this building. | 1:08:28 | 1:08:31 | |
'Please keep the gangways clear. Keep calm and avoid crowding. | 1:08:33 | 1:08:40 | |
'Don't panic. | 1:08:40 | 1:08:42 | |
'Attention, everyone. | 1:08:50 | 1:08:51 | |
'The men are now believed to be in the East Gallery.' | 1:08:51 | 1:08:54 | |
Cut them off that way! | 1:08:54 | 1:08:56 | |
'Help the police by leaving the gangways clear. Keep calm. | 1:09:00 | 1:09:04 | |
'Avoid crowding. Don't panic. | 1:09:04 | 1:09:06 | |
'The public can assist the police | 1:09:10 | 1:09:12 | |
'by keeping the gangways clear. | 1:09:12 | 1:09:13 | |
'Now keep calm, do not panic. | 1:09:13 | 1:09:17 | |
'Keep calm. Avoid crowding. | 1:09:28 | 1:09:31 | |
'Don't panic. Don't panic!' | 1:09:31 | 1:09:33 | |
HUBBUB INSIDE | 1:09:39 | 1:09:41 | |
I-I can't drive. | 1:09:46 | 1:09:48 | |
Hello. M2GW from HPC. Urgent message begins. | 1:10:00 | 1:10:04 | |
'Vicinity - police college. Two men wanted for questionning' | 1:10:04 | 1:10:08 | |
in connection with theft of bullion. | 1:10:08 | 1:10:11 | |
Hello, all cars, from M2GW. | 1:10:25 | 1:10:27 | |
'Two men wanted in connection with bullion theft.' | 1:10:27 | 1:10:29 | |
'Last seen escaping from police college on foot, | 1:10:35 | 1:10:37 | |
'but may have stolen car.' | 1:10:37 | 1:10:38 | |
Let's put them on a false scent. What's our number? It must be U3. | 1:10:40 | 1:10:43 | |
TYRES SCREECH | 1:10:43 | 1:10:45 | |
-Put them onto that one. -Hello... MG2W from U3. | 1:10:45 | 1:10:49 | |
Men answering your description | 1:10:49 | 1:10:51 | |
reported to have stolen grey Vauxhall DLH436. Over. | 1:10:51 | 1:10:54 | |
Hello U3. Message received. Over. | 1:10:57 | 1:11:01 | |
'Hello, all cars, from M2GW...' | 1:11:01 | 1:11:03 | |
-Must be somewhere ahead. -Why isn't U3 chasing them? | 1:11:08 | 1:11:11 | |
There they are! | 1:11:11 | 1:11:13 | |
Yes, it was a police car all right. | 1:11:16 | 1:11:19 | |
But the driver was wearing a top hat. | 1:11:19 | 1:11:21 | |
No, it was a top hat. | 1:11:36 | 1:11:39 | |
Peculiar individual wearing top hat seen driving car JYN888, sir. | 1:11:39 | 1:11:45 | |
That's U4's number. | 1:11:47 | 1:11:49 | |
They must have stolen that. | 1:11:49 | 1:11:51 | |
'Hello, M2GW, from U4. | 1:11:51 | 1:11:54 | |
'Have apprehended two men in clerical attire.' | 1:11:54 | 1:11:56 | |
Switch it off. That proves it. They're giving us false description. | 1:11:56 | 1:11:59 | |
-Call to all cars. U4's been stolen. -Hello, all cars, from M2GW. | 1:11:59 | 1:12:03 | |
'Men wanted in connection of theft of stolen police car U4. | 1:12:03 | 1:12:07 | |
'The number of this car is JYN 888. Over.' | 1:12:07 | 1:12:11 | |
You said this car was U3. | 1:12:11 | 1:12:13 | |
-That's right. They've gotten mixed up. -They're on to us! -Where? | 1:12:13 | 1:12:18 | |
Step on it. | 1:12:21 | 1:12:22 | |
TMG 928. That's not the one, then. | 1:12:27 | 1:12:30 | |
They've turned off. Hello, M2GW from U3... | 1:12:34 | 1:12:38 | |
Am in pursuit of stolen police car, west along Portobello Road. Over. | 1:12:38 | 1:12:42 | |
Let them sort that one out. | 1:12:44 | 1:12:47 | |
Hello, U3, from M2GW. Message received. Over. | 1:12:47 | 1:12:51 | |
Tell U5 and U6 to cut them off at Junction Road. | 1:12:51 | 1:12:55 | |
Hello, U5... | 1:12:55 | 1:12:56 | |
'Stolen police car proceeding west along Portobello Road. | 1:12:56 | 1:12:59 | |
'Intercept at Junction Road. Over.' | 1:12:59 | 1:13:01 | |
'Hello, U6. Stolen police car on Portobello Road. | 1:13:03 | 1:13:08 | |
'Intercept at Junction Road. Over.' | 1:13:08 | 1:13:10 | |
Am proceeding east to Junction Road. | 1:13:14 | 1:13:17 | |
Am proceeding west to Junction Road. | 1:13:17 | 1:13:20 | |
Bring in everything we've got. | 1:13:20 | 1:13:22 | |
Proceeding north to Junction Road. | 1:13:25 | 1:13:28 | |
Proceeding south to Junction Road. | 1:13:28 | 1:13:30 | |
CAR RADIO: # Old Macdonald had a farm, ee-ey-ee-ey-oh... | 1:13:39 | 1:13:43 | |
# With a quack-quack here, a quack-quack there... | 1:13:51 | 1:13:53 | |
SONG CONTINUES OVER POLICE FREQUENCY | 1:13:53 | 1:13:56 | |
# Old Macdonald had a farm, ee-ey-ee-ey-oh | 1:13:56 | 1:13:58 | |
# And on this farm he had some sheep, ee-ey-ee-ey-oh | 1:13:58 | 1:14:03 | |
# With a baa-baa here, a baa-baa there... | 1:14:03 | 1:14:05 | |
# Old Macdonald had a farm, ee-ey-ee-ey-oh. # | 1:14:07 | 1:14:11 | |
Would you mind giving me a lift to the police box, sir? | 1:14:14 | 1:14:17 | |
-They're flashing for me. -Of course. | 1:14:17 | 1:14:18 | |
HE JOINS IN: # Old Macdonald had a farm, ee-ey-ee-ey-oh | 1:14:20 | 1:14:23 | |
# And on that farm he had some pigs... # | 1:14:23 | 1:14:25 | |
Nice to have a bit of music when you're driving, sir, isn't it? | 1:14:25 | 1:14:28 | |
HE MIMICS PIG SNORTING | 1:14:28 | 1:14:29 | |
# With a honk-honk here, a honk-honk there... | 1:14:29 | 1:14:31 | |
# Old Macdonald had a farm, ee-ey-ee-ey-oh... # | 1:14:31 | 1:14:34 | |
We sing that in our choir, down at the station. Thank you, sir. | 1:14:34 | 1:14:39 | |
'All cars from M2GW...' | 1:14:39 | 1:14:40 | |
-'Stolen police car...' -Drive on! | 1:14:42 | 1:14:44 | |
Quick, Al - out! | 1:14:48 | 1:14:49 | |
Dutch, Dutch! | 1:14:51 | 1:14:53 | |
Run, Dutch, run! | 1:14:53 | 1:14:55 | |
POLICE WHISTLE | 1:14:55 | 1:14:58 | |
Stop! Stop him! | 1:14:58 | 1:15:01 | |
Instead of changing as usual at Charing Cross, | 1:15:29 | 1:15:31 | |
I came straight on to Rio de Janeiro. | 1:15:31 | 1:15:34 | |
"Gay, sprightly land of mirth and social ease." Pendlebury. | 1:15:34 | 1:15:37 | |
Plus six Eiffel Towers. How much did they fetch? | 1:15:37 | 1:15:41 | |
£25,000. Enough to keep me for a year in the style | 1:15:41 | 1:15:46 | |
to which I was, uh, unaccustomed. | 1:15:46 | 1:15:48 | |
Hello there. By Jove, that was a party you gave the other evening. | 1:15:48 | 1:15:51 | |
Wish we'd give a few like it at the Embassy, what? | 1:15:51 | 1:15:53 | |
Your Excellency is very kind. | 1:15:53 | 1:15:54 | |
Done a lot for our prestige here. Worth a battleship. Jolly good show. | 1:15:54 | 1:15:59 | |
-Ready? -Ready. | 1:16:05 | 1:16:08 |