Later Presents... Elvis Costello in Concert


Later Presents... Elvis Costello in Concert

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Transcript


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Thank you very much. Tonight's artist has written and produced

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for many of the greatest names in popular music.

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He has sung with the Count Basie Orchestra and written with Paul McCartney.

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Tonight we celebrate his own music. He's been recording for 20 years.

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He has with him The Attractions plus many musical surprises.

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Ladies and gentlemen, I give you Mr Elvis Costello.

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CHEERING AND WHISTLING

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# Oh, I just don't know where to begin

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# Though he says he'll wait forever

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# It's now or never

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# But they keep him hanging on

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# This silly champion

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# She says she can't go home without a chaperone

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# Accidents will happen

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# Only hit and run

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# He used to be your victim, now you're not the only one

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# Accidents will happen

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# We only hit and run

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# I don't want to hear it

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# Cos I know what I've done

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# Well, there's so many fish in the sea

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# That only rise up in the sweat and smoke like mercury

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# But they keep you hanging on

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# They say you're so young

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# Your mouth is made up but your mind is undone

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# Accidents will happen

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# We're only hit and run

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# He used to be your victim, now you're not the only one

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# Accidents will happen

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# We're only hit and run

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# I don't want to hear it

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# Cos I know what I've...

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# Done

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# And it's the damage that we do

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# And never know

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# It's the words that we don't say

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# That scare me so

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# There's so many people to see

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# So many people you can check up on

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# And add to your collection

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# But they keep you hanging on

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# Until you're well hung

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# Your mind is made up

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# Your mouth is undone

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# Accidents will happen

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# We're only hit and run

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# He used to be your victim, now you're not the only one

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# Accidents will happen

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# We're only hit and run

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# I don't want to hear it

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# Cos I know what I've...

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# I know what I've...

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# I know what I've...

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# Done

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# I know

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# I know

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# I know

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# I know

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# I know

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# I know

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# I know

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# I know

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# I know

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# I know

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# I know

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# I know

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# Do do do, do d'n do do do do

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# Do do do, do d'n do do do do do. #

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Thank you.

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# I arose and Marigold lay down with curious Iris

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# Cherry gave to Victor

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# Her prudence and her virus

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# For the sake of purity

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# I can recall the time and place

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# Between wisdom and murder

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# She gave up her immaculate face

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# My poor belated chastity

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# Fell foul of grown-up games

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# With false and lovely modesty

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# I can recall the names I'll miss

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# In the particle of me

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# That cares for this

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# I betrayed those little atoms

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# With a kiss

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# Patience has her virtue still but every grace must have its price

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# I, through some felicity,

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# May spin a tale of constant vice

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# My better nature

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# I drowned it in the babbling stream

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# I took the blossom of my youth

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# And I blew it all to smithereens

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# My poor belated chastity

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# Fell foul of grown-up games

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# With false and lovely modesty

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# I can recall the names I'll miss

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# In the particle of me

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# That cares for this

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# I betrayed those little atoms

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# With a kiss

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# And if you still don't like my song

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# Then you can just go to hell

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# I don't care if I'm right or wrong

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# Or if my typewriter can spell

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# But I cannot promise you

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# I've said goodbye to childish things

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# There are still some pretty insults in life

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# And such sport is threatening

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# My poor belated chastity fell foul of grown-up games

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# With false and lovely modesty

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# I can recall the names I'll miss

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# In the particle of me

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# That cares for this

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# I betrayed those little atoms

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# With a kiss

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# And for the sake of clarity

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# There are faith hope and charity

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# In the particle of me that cares for this

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# I betrayed those little atoms

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# With a kiss. #

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Thank you!

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That was a song from my new record,

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All This Useless Beauty, called Little Atoms.

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We're gonna do a mixture of all kinds of songs tonight.

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We'll do songs we just made up this afternoon,

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and some songs we've been doing for 20 years, as has been said before.

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We thought it'd be fun to play in a way we'd never played before.

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We've played this song for 20 years,

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and I wrote it on a fire escape in Newcastle, but don't be put off.

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You all ready? Yeah?

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-AUDIENCE:

-Yeah!

-Here we go!

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# I've been on tenterhooks

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# Ending in dirty looks

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# Listening to the muzak

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# Thinking 'bout this 'n' that

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# She said that's that

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# I don't want to chitter chat

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# Turn it down a little bit

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# Turn it down flat

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# Pump it up

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# Till you can feel it

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# Pump it up

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# When you don't really need it

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# Down in the pleasure centre

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# Hell bent or heaven sent

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# Listen to the propaganda

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# Listen to the latest slander

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# There's nothing underhand

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# But she wouldn't understand

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# Pump it up

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# Till you can feel it

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# Pump it up

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# When you don't really need it! #

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Yaow!

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Yeah!

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# She's been a bad girl

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# She's like a chemical

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# Though you try to stop it

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# She's like a narcotic

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# You want to talk to her

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# You want to talk to her

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# All the things you bought for her

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# Putting up your temperature

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# Pump it up

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# Till you can feel it

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# Pump it up

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# When you don't really need it! Yaow!

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# Out in the fashion show

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# Out in the bargain bin

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# You put your passion out

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# Under the pressure pin

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# Fall into submission

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# Hit and run transmission

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# No use wishing now

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# For any other sin

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# Pump it up

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# Till you can feel it

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# Pump it up

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# When you don't really need it

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# Pump it up

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# Till you can feel it

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# Pump it up

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# When you don't really need it

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# Pump it up

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# Till you can feel it

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# Pump it up

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# When you don't really need it

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# Don't really need it

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# Don't really need it

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# Don't really need it! #

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Yaow!

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That's the first time anyone's heard the words of that song in 15 years.

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What words they are, too, you know!

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Er...

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This is also new - called Why Can't A Man Stand Alone?

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It's about some of the things guys are taught they need in life -

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they're a big burden to them, really.

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So they have the world weighing them down...

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Then they turn all mean and nasty,

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something I wouldn't know anything about(!)

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# Why can't a man

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# Stand alone?

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# Must he be burdened

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# By all he is taught

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# To consider his own?

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# His skin and his station

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# His kin and his crown

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# His flag and his nation

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# They just weigh him down

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# You know pride

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# Is a sin

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# That we tend to forgive

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# But it gets hard to live

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# When you don't have the love

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# In your heart to begin with

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# Why can't a man

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# Stand alone?

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# Why can't a woman

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# Be just what she seems?

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# Must she be tarnished by men

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# Who can only be men in their dreams?

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# When beauty meets ignorance

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# They shout in the street

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# Repeating their offer

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# To each girl they meet

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# The respect

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# That she needs

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# It isn't a gift

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# But it gets hard to lift yourself up

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# When you don't have the strength to begin with

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# Why can't a woman

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# Stand alone?

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# Why can't a baby sleep at night

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# And dream of the time to come

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# And never fear the world outside

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# The touch of someone very near?

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# Why can't a man

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# Stand up?

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# Why can't a man

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# Stand up?

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# Why can't a man

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# Stand alone? #

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The Attractions!

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Steve Nieve on keyboards!

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Bruce Thomas!

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Pete Thomas on drums!

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# Is it all in that pretty, little head of yours?

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# What goes on in that place in the dark?

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# Well, I used to know a girl and I could have sworn

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# That her name was Veronica

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# Well she used to have a carefree mind of her own

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# And a devilish look in her eye

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# These days I'm afraid she's not even sure

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# If her name is Veronica

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# Do you suppose that waiting hands on eyes

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# Veronica has gone to hide?

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# And all the time she laughs at those

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# Who shout her name and steal her clothes

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# Veronica

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# Veronica

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# Did the days drag by? Did the favours wane?

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# Did he roam down the town all the while?

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# Will you wake from your dream with a wolf at the door

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# Reaching out for Veronica?

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# Well, it was all of sixty-five years ago

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# When the world was the street where she lived

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# And a young man sailed on a ship in the sea

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# With a picture of Veronica

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# On the Empress Of India

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# And as she closed her eyes upon the world

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# And picked upon the bones of last week's news

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# She spoke his name out loud again

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# Do you suppose that waiting hands on eyes

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# Veronica has gone to hide?

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# And all the time she laughs at those

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# Who shout her name and steal her clothes

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# Veronica

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# Veronica

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# Veronica sits in her favourite chair

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# She sits very quiet and still

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# And they call her a name that they never get right

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# And if they don't then nobody else will

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# She used to have a carefree mind of her own

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# With a devilish look in her eye

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# Saying, "You can call me anything you like

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# "But my name is Veronica"

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# My name is Veronica

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# My name is Veronica

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# Do you suppose that waiting hands on eyes

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# Veronica has gone to hide?

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# And all the time she laughs at those

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# Who shout her name and steal her clothes

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# Veronica

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# Veronica

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# Oh-oh-oh

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# Veronica! #

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For those who haven't met them, let me introduce The Brodsky Quartet.

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We're going to do a tricky little number now.

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Paul has arranged it. Some of you may recognise it.

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# They talked to the sister, the father and the mother

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# With a microphone in one hand and a cheque book in the other

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# And the camera noses in to the tears on her face

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# The tears on her face

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# The tears on her face

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# You can put them back together with your paper and paste

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# But you can't put them back together

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# You can't put them back together

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# What would you say, what would you do?

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# Children and animals two by two

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# Give me the needle, give me the rope

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# We're gonna melt them down for pills and soap

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# Four and twenty crowbars jemmy your desire

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# Out of the frying pan

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# Into the fire

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# The king is in the counting house, some folk have all the luck

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# And all we get are pictures of lord and lady muck

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# They come from lovely people

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# With a hard line in hypocrisy

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# There are ashtrays of emotion

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# For the fag ends of the aristocracy

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# What would you say, what would you do?

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# Children and animals two by two

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# Give me the needle, give me the rope

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# We're gonna melt them down for pills and soap

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# Give me the needle

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# Give me the rope

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# The sugar coated pill is getting bitterer still

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# You think your country needs you but you know it never will

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# So pack up your troubles in a stolen handbag

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# Don't dilly dally, boys, rally around the flag

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# Give us our daily bread in individual slices

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# And something in the daily rag to cancel any crisis

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# What would you say, what would you do?

0:25:310:25:34

# Children and animals two by two

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# Give me the needle

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# Give me the rope

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# We're gonna melt them down for pills and soap

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# Give me the needle

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# Give me the rope

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# We're going

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# To melt them down for pills and soap

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# For pills

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# And soap. #

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This is the last song in The Juliet Letters.

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This is one written by somebody to their lover after they've passed on,

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to give them kind of hope to go on...with life.

0:27:000:27:04

# Summertime withers as the sun

0:27:180:27:24

# Descends

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# He wants to kiss you

0:27:280:27:30

# Will you condescend?

0:27:300:27:35

# Before you wake and find a chill

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# Within your bones

0:27:400:27:44

# Under a fine canopy of lover's dust

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# And humorous bones

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# Banish all dismay

0:27:540:27:58

# Extinguish every sorrow

0:27:580:28:04

# Eternity stinks, my darling

0:28:100:28:14

# That's no joke

0:28:140:28:17

# Don't waste your precious time

0:28:180:28:21

# Pretending you're heartbroken

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# There will be tears and candles

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# Pretty words to say

0:28:310:28:35

# Spare me the lily-white lily

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# With the awful perfume of decay

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# Banish all dismay

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# Extinguish every sorrow

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# If I'm lost or I'm forgiven

0:28:550:29:01

# The birds will still be singing

0:29:010:29:07

# It's so hard to

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# Tear myself away

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# Even when you know it's over

0:29:590:30:08

# It's too much to say

0:30:080:30:13

# Banish all dismay

0:30:270:30:31

# Extinguish every sorrow

0:30:310:30:36

# If I'm lost or I'm forgiven

0:30:360:30:42

# The birds will still be singing. #

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Thank you!

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Thank you very much.

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Last year, I arranged a music festival and got lots of people to come and play at it.

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We put together a big band, as you can see, with The Brodsky Quartet.

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We asked different people to write arrangements.

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I wrote a few and invited some other musicians to write arrangements of songs I'd written.

0:32:150:32:21

This song we're going to do now was originally composed for the blues singer Charles Brown.

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# Upon a veil

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# Of midnight blue

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# They hung a crescent moon

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# To light the view

0:33:550:33:59

# But you didn't whisper the words

0:34:000:34:03

# When the moment arose

0:34:030:34:09

# I wonder how she knows

0:34:100:34:17

# Your words escape and hide

0:34:190:34:23

# You find your tongue is tied

0:34:240:34:28

# But she's so patient and kind

0:34:290:34:33

# She's prepared to read your mind

0:34:330:34:38

# That's all very well till you find

0:34:390:34:43

# Because of the wine you drank

0:34:430:34:48

# Your mind is just a blank

0:34:500:34:57

# You find your tongue is tied

0:35:340:35:38

# Your words escape and hide

0:35:380:35:43

# But she's so patient and kind

0:35:440:35:48

# She's prepared to read your mind

0:35:480:35:53

# That's all very well till you find

0:35:540:35:58

# Because of the wine you drank

0:35:580:36:03

# Your mind is just a blank

0:36:050:36:11

# I wonder how she knows

0:36:140:36:18

# I guess she will wonder until

0:36:180:36:22

# You pluck up the courage to tell her

0:36:220:36:28

# How you feel

0:36:280:36:32

# So close you can feel her heart trembling

0:36:320:36:38

# You look in her eyes as they close

0:36:380:36:43

# I wonder how

0:36:430:36:48

# She knows

0:36:480:36:54

# I wonder how

0:36:590:37:03

# She knows. #

0:37:030:37:09

This song is the title track of the new record, All This Useless Beauty.

0:37:540:37:59

I wrote it in Italy.

0:37:590:38:02

I saw a woman in a picture gallery looking at all these beautiful pictures of classical antiquity.

0:38:020:38:10

Her eyes left the wall and came down to her late-20th-century lover.

0:38:100:38:16

She had this look in her eyes, like "Where did we go wrong?"

0:38:160:38:21

The song is about other things, but that's where it starts.

0:38:210:38:25

# It's at times such as this

0:38:290:38:32

# She would be tempted to spit

0:38:320:38:35

# If she wasn't so ladylike

0:38:350:38:39

# She imagines how she might have lived

0:38:400:38:44

# Back when legends and history collide

0:38:440:38:48

# So she looks to her prince

0:38:510:38:53

# Finding since he's so charmingly slumped at her side

0:38:530:39:00

# Those days are recalled on the gallery wall

0:39:010:39:06

# And she's waiting for passion or humour to strike

0:39:070:39:13

# What shall we do?

0:39:150:39:18

# What shall we do

0:39:180:39:21

# With all this useless beauty?

0:39:210:39:26

# All this useless beauty

0:39:270:39:32

# Good Friday arrived

0:39:400:39:43

# The sky darkened on time

0:39:430:39:46

# Till he almost began to negotiate

0:39:460:39:51

# She held his head like a baby and said

0:39:510:39:56

# "It's OK if you cry"

0:39:560:40:01

# Now he wants her to dress

0:40:020:40:05

# As if you couldn't guess

0:40:050:40:08

# He desires to impress his associates

0:40:080:40:13

# But he's part ugly beast

0:40:130:40:16

# And Hellenic deceased

0:40:160:40:18

# So she finds that the mixture is hard to deny

0:40:180:40:24

# What shall we do?

0:40:270:40:29

# What shall we do

0:40:290:40:32

# With all this useless beauty?

0:40:320:40:38

# All this useless beauty

0:40:390:40:44

# She won't practise the looks

0:40:520:40:55

# From the great tragic books

0:40:550:40:58

# That were later disgraced to face celluloid

0:40:580:41:03

# She won't even make sense

0:41:030:41:06

# But you can bet

0:41:060:41:09

# If she isn't a sweetheart, a plaything or pet

0:41:090:41:14

# The film turns her into

0:41:140:41:18

# An unveiled threat

0:41:180:41:21

# Nonsense prevails

0:41:230:41:26

# Modesty fails

0:41:260:41:28

# Grace and virtue turn into stupidity

0:41:280:41:33

# While the calendar fades

0:41:340:41:37

# Almost all barricades

0:41:370:41:40

# To a pale compromise

0:41:400:41:45

# And our leaders have feasts

0:41:460:41:48

# On the backsides of beasts

0:41:480:41:51

# They still think they're the gods of antiquity

0:41:510:41:56

# If something you missed

0:41:570:41:59

# Didn't even exist

0:41:590:42:02

# It was just an ideal

0:42:020:42:05

# Is it such a surprise?

0:42:050:42:08

# What shall we do?

0:42:110:42:13

# What shall we do

0:42:130:42:16

# With all this useless beauty?

0:42:160:42:21

# All this useless beauty

0:42:210:42:28

# What shall we do?

0:42:310:42:34

# What shall we do

0:42:340:42:36

# With all this useless beauty?

0:42:360:42:41

# All this useless beauty. #

0:42:410:42:48

The Brodsky Quartet!

0:43:020:43:04

The ladies and gentlemen of the orchestra and The Attractions!

0:43:040:43:09

Thank you!

0:43:100:43:12

# Forever

0:43:320:43:37

# Doesn't mean forever any more

0:43:410:43:47

# I said forever

0:43:490:43:56

# But it doesn't look like

0:43:580:44:00

# I'm going to be around much any more

0:44:000:44:03

# When the heat gets subtropical

0:44:050:44:09

# And the talk gets so topical

0:44:090:44:13

# Riot act

0:44:130:44:15

# You can read me the riot act

0:44:160:44:19

# You can make me a matter of fact

0:44:190:44:23

# Or a villain in a million

0:44:230:44:25

# A slip of the tongue is gonna keep me civilian

0:44:250:44:30

# Why do you talk such stupid nonsense

0:44:300:44:34

# When my mind could rest much easier

0:44:340:44:40

# Instead of all this dumb, dumb insolence

0:44:410:44:47

# I would be happier with amnesia

0:44:470:44:51

# They say

0:45:010:45:05

# Forget her

0:45:050:45:08

# Now it looks like you're either gonna be

0:45:100:45:13

# Before me or against me

0:45:130:45:16

# I got

0:45:170:45:21

# Your letter

0:45:210:45:25

# Now they say I don't care

0:45:260:45:28

# For the colour that it paints me

0:45:280:45:33

# Trying to be so bad is bad enough

0:45:340:45:38

# Don't make me laugh by talking tough

0:45:380:45:42

# Don't put your heart out on your sleeve

0:45:420:45:46

# When your remarks are off the cuff

0:45:460:45:49

# Riot act

0:45:490:45:51

# You can read me the riot act

0:45:510:45:55

# You can make me a matter of fact

0:45:550:45:59

# Or a villain in a million

0:45:590:46:01

# A slip of the tongue is gonna keep me civilian

0:46:010:46:05

# Riot act

0:46:050:46:07

# You can read me the riot act

0:46:080:46:11

# You can make me

0:46:120:46:13

# Riot act

0:46:210:46:23

# You can read me the riot act

0:46:230:46:27

# You can read me the riot act

0:46:270:46:31

# You can read me the riot act

0:46:310:46:34

# You can read me the riot act

0:46:340:46:38

# You can read me the riot act! #

0:46:380:46:42

Yea-ea-eah!

0:46:420:46:45

# Well, you know your time has come

0:47:220:47:26

# And you're sorry for what you've done

0:47:260:47:30

# You should've never been playing with a gun

0:47:300:47:33

# In those complicated shadows

0:47:330:47:36

# Well, there's a line that you must toe

0:47:410:47:44

# And it'll soon be time to go

0:47:440:47:48

# But it's darker than you know

0:47:490:47:52

# In those complicated shadows

0:47:520:47:54

# All you gangsters and rude clowns

0:48:000:48:03

# Who were shooting up the town

0:48:030:48:07

# When you should have found

0:48:070:48:10

# Someone to put the blame on

0:48:100:48:14

# Though the fury's hot and hard

0:48:180:48:22

# I still see that cold graveyard

0:48:220:48:26

# There's a solitary stone

0:48:260:48:29

# That's got your name on

0:48:290:48:32

# You don't have to take it from me

0:48:320:48:37

# But I know of what I spake

0:48:370:48:41

# You think you're like iron and steel

0:48:410:48:44

# Iron and steel will bend and break

0:48:440:48:48

# In those complicated shadows. #

0:48:480:48:50

GOD!

0:48:560:48:57

# Sometimes justice you will find

0:49:100:49:14

# Is just dumb not colour-blind

0:49:140:49:17

# And your poor shattered mind

0:49:170:49:21

# Can't take it all in

0:49:210:49:24

# All those phantoms and their shades

0:49:290:49:32

# Should jump up on Judgement Day

0:49:320:49:36

# And say to the Almighty

0:49:360:49:39

# "I'm still stinking of sin"

0:49:390:49:43

# But the jury was dismissed

0:49:430:49:47

# They took his neck and gave it a twist

0:49:470:49:51

# So you see you won't be missed

0:49:510:49:54

# In those complicated shadows

0:49:540:49:57

# You can say just what you like

0:50:020:50:05

# In a voice like John Ford Finn

0:50:060:50:09

# But take the law into your hands

0:50:090:50:13

# You will soon get tired of killing

0:50:130:50:16

# In those complicated shadows

0:50:160:50:19

# Complicated shadows

0:50:200:50:23

# Complicated shadows

0:50:240:50:26

# Complicated shadows. #

0:50:280:50:30

Aiii!

0:50:320:50:33

# Nice girls not one with a defect

0:51:440:51:47

# Cellophane shrink-wrapped so correct

0:51:470:51:51

# Red dogs under illegal legs

0:51:510:51:55

# She looks so good that he gets down and begs

0:51:580:52:04

# She is watching the detectives

0:52:040:52:07

# Ooh, he's so cute

0:52:080:52:11

# She is watching the detectives

0:52:110:52:15

# Oh, then they shoot

0:52:150:52:17

# Shoot

0:52:170:52:18

# Shoot

0:52:180:52:19

# Shoot

0:52:190:52:20

# They beat him up until the teardrops start

0:52:200:52:23

# But he can't be wounded when he's got no heart

0:52:240:52:28

# When he's got no heart

0:52:300:52:32

# Long shot of that jumping sign

0:52:480:52:51

# Visible shivers running down my spine

0:52:520:52:54

# Cut to the baby taking off her clothes

0:52:540:52:58

# Close-up of the sign that says We Never Close

0:52:580:53:02

# You snatch a tune and match your cigarette

0:53:020:53:06

# She pulls the eyes out with a face like a magnet

0:53:060:53:09

# Don't know how much more of this I can take

0:53:100:53:15

# She's filing her nails while they're dragging the lake

0:53:170:53:22

# She is watching the detectives

0:53:230:53:26

# Ooh, he's so cute

0:53:270:53:29

# She is watching the detectives

0:53:300:53:33

# Ooh, and they shoot, shoot, shoot, shoot

0:53:340:53:39

# They beat him up until the teardrops start

0:53:390:53:42

# But he can't be wounded when he's got no heart

0:53:420:53:47

# He's got no heart

0:53:500:53:51

# You think you're alone until you realise you're in it

0:54:070:54:10

# Now fear is here to stay, love is here for a visit

0:54:100:54:15

# They call it instant justice

0:54:150:54:16

# When it's past the legal limit

0:54:160:54:18

# Someone's scratching at the window

0:54:180:54:20

# I wonder who is it

0:54:200:54:21

# The detectives come to check if you belong to the parents

0:54:210:54:26

# Who are ready to hear the worst about their daughter's disappearance

0:54:260:54:29

# It nearly took a miracle to get you to stay

0:54:290:54:33

# It only took my little fingers to blow you away

0:54:330:54:37

# Just like watching the detectives

0:54:390:54:42

# Ooh, he's so cute

0:54:420:54:46

# Just like watching the detectives

0:54:460:54:50

# I get so angry when the teardrops start

0:54:510:54:55

# But he can't be wounded when he's got no heart

0:54:550:55:00

# He's got no heart

0:55:020:55:04

# Just like watching the detectives

0:55:070:55:11

# Just like watching the detectives

0:55:110:55:14

# Just like watching the detectives. #

0:55:150:55:18

# I want to vanish

0:56:410:56:45

# This is my fondest wish

0:56:460:56:49

# To go where I cannot be captured

0:56:510:56:56

# Laid on a decorated dish

0:56:560:57:02

# Even in splendour

0:57:020:57:05

# This curious fate

0:57:060:57:10

# Is more than I care to surrender

0:57:110:57:16

# Now it's too late

0:57:160:57:20

# Whether in wonder

0:57:210:57:26

# Or indecent haste

0:57:260:57:30

# You arrange the mirrors and the spools

0:57:310:57:37

# To snare the rare and precious jewels

0:57:370:57:42

# That were only made of paste

0:57:420:57:48

# If you should stumble

0:57:520:57:56

# Upon my last remark

0:57:560:58:01

# I'm crying in the wilderness

0:58:010:58:07

# I'm trying my best to make it dark

0:58:070:58:13

# How can I tell you

0:58:140:58:17

# I'm rarer than most

0:58:170:58:22

# I'm certain as a lost dog

0:58:230:58:28

# Pondering a signpost

0:58:290:58:33

# Whether in wonder

0:58:340:58:39

# Or indecent haste

0:58:390:58:43

# You arrange the mirrors and the spools

0:58:450:58:51

# To snare the rare and precious jewels

0:58:510:58:56

# That were only made of paste

0:58:560:59:03

# I want to vanish

0:59:070:59:11

# This is my last request

0:59:120:59:16

# I've given you the awful truth

0:59:170:59:22

# Now give me my rest. #

0:59:230:59:30

Subtitles by BBC Subtitling 1996

0:59:360:59:40

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