You Decide Eurovision Song Contest


You Decide

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Let's have a look at the clues - surrounded by Union Jacks,

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a host of gorgeous men and more sequins than Beyonce's

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-- Morsi Queensland Gina G's knicker drawer. It can been only one thing,

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Eurovision is back. Yes, tonight, you will once again get to help

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choose the song and dance that will represent the UK in Ukraine. That's

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right! It's Eurovision: You Decide to stop take me to the stage, boys,

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and watch out for my VPL. The trousers are riding very badly.

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CHEERING AND APPLAUSE Last year we organised the biggest

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song search ever, but now we've gone even bigger. As well as being opened

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to the public entries which were whittled down by the official

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Eurovision fan club, songwriting camps across the UK and Europe were

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also inspired to produce some of their finest work for our Eurovision

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mission. After a final round of short listing by 15 industry

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professionals, six songs were chosen, and tonight, they battle it

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out to become the UK act for 2017. Their fate now lies in the hands of

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the professional jury, and you at home. Tonight, our country's 60th

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entry will be decided, live, from the worlds -- world-famous

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Hammersmith Apollo. It's Eurovision decide.

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CHEERING AND APPLAUSE Bonsoir, buenos nachos, jo estet,

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goeie avond, god kvall, iyi aksamlar and good evening

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lovely Eurovisionaries and welcome to Eurovision:

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You Decide 2017. CHEERING

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We have got an amazing gang here tonight at the famous Eventim Apollo

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in Hammersmith, to make a decision. I don't think I'm exaggerating to

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call it the single most important decision of the year! Yes, I've just

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had confirmation that that is no exaggeration! Just who will

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represent the UK Eurovision 2017? Well, this year, we spread the net

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far and wide with songwriters' camps all over Europe, British music

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industry professionals doing what they do, and the public submission

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process and blimey, did they deliver. We've had hundreds of songs

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to choose from, so settle down now for the best 38 hours of your lives.

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CHEERING No, no, we've whittled them down to

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the final 60 were going to see and vote for tonight. I'm positively

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thrumming with excitement. Let's bring them on. Here are our six act.

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First up, it's Holly Brewer. This is Danyl Johnson, this is Lucie Jones.

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Performing I Don't Wanna Fight, raise the roof for Salena. The

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question What Are We Made Of, the answer talent, if you are Nate

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Simpson. And finally, put your lovely hands together for our

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youngest singer, with Freedom Hearts, it's Olivia Garcia. Wow! By

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the end of the night, one of these singers will be crowned our winner

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and in May, they'll be representing the UK in Kiev at the Eurovision

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Song Contest 2017. Later on, off you go, my loves, don't milk it, off you

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go. Later on, I'll explain how you can vote. But before we do that,

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make sure you are registered and ready to vote. If you want to vote

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online, go to bbc.co.uk/eurovision and sign in or register for a BBC

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account, so that you, my friends, are ready to go. But if you want to

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vote by phone, I'll give you all the phone numbers you need later as

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well. So let me just remove this bit of hair from my mouth. There we go.

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Just like the thing's top in 2005, our show is bursting at the scene is

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for you tonight, on top of those six amazing songs we are going to be

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joined by some very special guests, including the Vamps. Now, some after

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my's performances may contain flashing... Images, sorry, autocue

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issues. I know, somebody has come on very exciting. It's time to kick

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this party off. Sparkling Euro mirror ball, who's the greatest

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Norwegian of them all? He's a Eurovision winner, he went on to

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number one in seven countries and as well as a record maker, he's a

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record breaker, getting the most points ever awarded under the old

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voting system. It is time to Rybak and think of Norway, because it's

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Alexander Rybak, performing his winning song, Fairytale. Hello!

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# She was mine and we were sweethearts

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# No one else, could make me sadder

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# But no one else could lift me high above

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# But when I do we'll get a brand new start

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Alexander Rybak! Hello. It's a fairy tale to actually be with you in the

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flesh. You never disappoint with that fiddling. Well done, my love.

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Now, Alexander, what a performance. You of course won the Eurovision in

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2009, we all remember that very clearly. Now, that was an amazing

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springboard for you. What have you been doing since? You've done

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amazing things. You know, after Eurovision, it turned out I got the

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best fans in Europe. CHEERING

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Thanks to the Internet, the best fans in the world really. I just

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tried to surprise them. I've been touring with classical concert, with

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Symphony orchestras, and I really love to co-work with other artists,

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that's what I do. But Eurovision, that's where it started and

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Eurovision is my calling card and I love it. Oh, it's so nice to see

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you, Alexander. Give it up, ladies and gentlemen, Alexander Rybak.

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Thank you so much for coming and kicking off our show with such

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splendid stuff. See you later. We are going to go off to a museum

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tomorrow, have a little day trip in London. Tonight, we're giving you a

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chance to vote for which of our six performers and songs represent the

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UK at Eurovision 2017. This year we are following the Eurovision Song

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Contest's way of voting by also having a professional jury vote. We

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will combine your public vote 50-50 with the professional jury's one. In

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order to win, our artists need to impress both you at home and our

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professional jury. Winning just one of the votes may not be enough, so

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they need to smash it across-the-board. We are really

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going to open the votes after we've seen everyone perform, and by the

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end of the show we will indeed crown our winner. We'll give you all the

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details you need later on in the show and all the information about

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tonight's vote can be found on our website at bbc.co.uk/eurovision.

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Our jury of music professionals are here tonight and once

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all the acts have performed they will

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After the vote has closed we will combine the points from

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the jury with the points from the public vote and we'll have

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Now three of our jurors will be multi

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tasking as I've drafted them in to form my perfect panel.

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I reckon they're going to have a lot to say!

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And nobody has more to say than my first panelist.

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He's a man filled with so much Latin passion and heat that he tans

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from the inside, or at least that's what he insists, it's

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Yes, good evening! CHEERING

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What a wonderful crowd. They are amazing. Now, Bruno, you have a bit

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of previous when it comes to Eurovision, haven't you? I'm going

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to save the year, 1980. 1980, what was going on then, Bruno? Here we

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go. You can feel it coming you can clearly see I was well packaged...

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Bruneau, looking very much like a Formula One mechanics. Very much.

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I'm not sure if your microphone is working, we know you are speaking.

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There we go. That's working. That's better, Bruno, we need a great song,

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great staging and charisma. How can you as a panel spot these things

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tonight? They have to come up with something unique, unforgettable,

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visually stunning, emotionally involving, devastating and

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uplifting. Amazing, thank you, Bruno. Now, please welcome our next

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panellist. She's a singer, she's a panellist, she is wanted by Scotland

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Yard for murder on the dance floor. It's Sophie Ellis-Bextor. What are

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you looking for tonight in the songs? First, I want to say I've

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been smiling all day. I absolutely love.

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CHEERING I'm looking for a great pop record,

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but one that has unmistakable Eurovision charm. Wise words,

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Sophie, thank you, my love. Finally, imagine knowing so much about

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singing yet each -- that you can teach the angels yourself, well,

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Charlotte Church. Please welcome CeCe Sammy. Now, CeCe, it's all

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about the live vocal. They have to absolutely nail it. There's a lot of

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pressure on them. What should they be thinking of as they sing? Do you

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know, at the end of the day they'd have to believe in telling stories

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and believing in themselves will stop gang, is that not a great

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panel? It's fantastic to have you all on hand to share your thoughts

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and opinions. But listen up, it's time to get to the business of the

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evening. So here we go. Ok, first up, singing "I Wish

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I Loved You More" is Holly Brewer. Let's find out a little

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more about her. I've loved music ever since I can

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remember. It's all I've ever known and all I want to do for the rest of

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my life. Wherever I can perform, I perform. I work with wicked

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musicians, doing corporate, weddings, we supported Jess Glynne

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the other day which was incredible, and I bit, or I honestly adore it. I

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would say I'm most inspired by not divas, but people who really sing,

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and are so passionate about singing the music. Would I say I'm a diva?

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Probably not. I'd like to be! The title of the song is I Wish I Loved

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You More, so for me it's about having that person there who is so

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perfect in so many ways, but unfortunately you just don't love

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them in the way you should come you just don't love them enough. I think

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that's a really hard emotion. My favourite lyric is the title, I Wish

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I Loved You More, because it says so much about the song. That one lyric

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tells you I wish I loved you more, and the rest of the song is telling

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you why. I've definitely had a situation in my life where all those

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feelings I've wanted to be there are not, so when I sing it I feel all of

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that. That all comes back. To represent my country in the biggest

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competition in the world would be a dream come true, so I hope people

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get behind the song. I'm just going to go out and give it my all. Arnie

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So getting the competition underway, Holly Brewer

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# I know that two is better and some might even need a crowd

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# Oooh, amen that the preacher talks about

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# Oooh, amen I couldn't live without

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# Every time we touch I wish, I wish I loved you more

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# Oooh, amen that the preacher talks about

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# Every time we touch I wish, I wish I loved you more

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# You keep coming, you keep coming you keep coming back to me

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# Oooh that the preacher talks about

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CHEERING APPLAUSE

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Holly Brewer, come and get yourself here. What an amazing start to our

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evening's proceedings. Get your breath back. Let's talk to the

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panel. CeCe, what did you think of the vocal in that? Wow, wow, wow,

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beautiful voice you controlled it, you told the story, you let us hear

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that high sound. Beautiful! Bruno, do you think Holly's song has the

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potential for what will be an enormous stage in Kiev? Yes of

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course. I like the fact it was presented in a very strict elegant

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way and it gave her space to build and tease me with the vocal until

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the end... I wish I love you more! It is about projection, building and

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building and killing it. That was the right path, well done. Sophie

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URS songwriter what did you think of the lyrics? I am ticking power

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ballad of my Eurovisionary tick list, use and that really well. It

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was a big song and a slightly different perspective and fresh

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lyric, it went down really well here. -- you sang that really well.

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If you think that Holly has got what it takes

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to represent the UK, you'll need to call

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6 22 52 01 from a mobile or 09015 22 52 01 from a landline.

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Thank you very much for being here by the way, just stay with me.

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Calls will cost 15p plus any network access charge and please ask

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the bill payer's permission before you call.

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You can also vote online for free by visiting

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bbc.co.uk/eurovision where you will also find terms and

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Voting won't open until all our acts have

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performed so don't call yet, as your vote won't count and

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Holly, thank you very, very much, that was amazing. Well done.

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It's Danyl Johnson, with "Light Up The World".

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I've loved music since a young age to be honest. Growing up in the

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artists I really liked were Michael Jackson and The Police, I liked

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Sting's voice, there was a thing about his voice that was amazing and

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the showmanship of Michael Jackson and his sister Janet, I used to copy

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the dance moves. My experience on the X Factor was absolutely

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unbelievable, I mean, music can change people's lives and it

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definitely changed mine. The song I'm singing is Light Up The World,

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there are so many dark times we're living in, this song shines through

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it and has that, everyone comes together and everyone has fun.

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That's exactly what this song does and I can't wait for people to hear

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it. My favourite lyric is, we can shine so brightly but I feel like

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that line just... It's near the end of the song and it means everyone is

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together and we can all shine. And we can all just enjoy that moment. I

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think with music that is what you can do and hopefully with the energy

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we are going to bring everybody together and shine bright. I love it

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so much and I hope everyone else loves it just as much as I do. This

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song gives the opportunity to out there and have fun. -- to go out

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there. Performing "Light Up The World",

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it's Danyl Johnson. # Light up, light up,

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Light up, light up, # I can feel a change

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in the air we breathe tonight # There's something 'bout

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the look in your eyes # We couldn't see yeah,

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standing in the dark # Waiting for a spark,

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to light our story # I can feel a change

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in the way you move tonight # Something 'bout

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the lack of sunlight # The moonlight shows

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the place where we're going # Instead of asking why,

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raise your light up to the sky # They can't stop

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what we've started #. APPLAUSE

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CHEERING . Oh yeah. Danyl. That's a frisky

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little manoeuvre. I can't give you the, sorry... Now, listen, you get

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your breath back. Bruno, I'd like you to put your choreographer hat on

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and tell us... There you are. Would that choreography work in Kiev? Yes

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it would, because it has a wonderful boy band charm. It's uplifting, it's

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fun. You have to make sure you maintain the sharpness and the

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tightness as well as you maintained the vocals. Crank it up a notch and

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make it even bigger! Now, CeCe, did Danyl shine brightly for you

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tonight? Absolutely, you did, listen tonight is a celebration night,

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everyone of you are amazing singers. I want you to think, if you end up

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voted in by the public, I want you to reach out to them and sing your

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heart away, you've got a beautiful voice. Lovely comments, Danyl. It's

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safe to say Danyl was having a very good time on stage. Never too much,

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Danyl. Did you have this feeling as well? I really did, you were

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adorable up there, looked like you were having lots of fun and it was

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translating to us. The public are looking for an uplifting, positive

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pop song. This might be the one. Well done, Danyl. Stay right here.

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If you think Danyl has what it takes to light up your addition, you will

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need to call... -- light up your revision.

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I think you've got some fairly major fans here already. Thank you so, so

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much. Well done. Next up, my Next up, with "Never Give Up

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On You", is Lucie Jones. music is a huge part of my life.

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It's always just been something I go to when I'm happy, when I'm sad,

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when I'm excited, there's always a soundtrack playing in my head. I've

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performed in front of lots of people before live, I did The X Factor in

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2009. That was amazing. Since then I've done a lot of live theatre,

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I've been in legally blonde, ghost the musical, rent, Les Mis. My

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experience will help me in this process because even though I will

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be nervous, I trust myself in front of a live audience and that's

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important as a Eurovisionary treat because it's a huge deal, there are

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millions of people all over the world watching this one show. Aside

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from theatre I've done television acting. I've done Midsummer murders

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and the Sarah Jane adventures. The name of the song I'm singing is

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never give up on you. -- Never Give Up On You. My favourite line in the

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song is, together we'll dance through this storm. It's a beautiful

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lying in itself and I really hope people can see I really mean what

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I'm singing about. To have the chance to perform at Eurovision for

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the UK, you are your country for the evening. Is there a bigger honour

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than that? I don't know if there is, I think it would be incredible.

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Performing "Never Give Up On You", it's Lucie Jones.

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# Tell me your secrets, I'll keep them safe

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# No sign of weakness, it's a sign of faith

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# You're not defeated, you're in repair

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# We'll stand tall, so you don't fall

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# If you could see how far you've walked

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# Together we'll dance through this storm

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# Together we'll dance through this storm

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# I'm right beside you, you're never alone

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# If you could see how far you've walked

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# Together we'll dance through this storm

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# This madness, we're running through

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# The mountain climbed, the oceans crossed

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# Together we'll dance through this storm

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# Together we'll dance through this storm. #

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CHEERING AND APPLAUSE Oh, Lucie, Lucie, oh, my love, she's

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channelling Sandie Shaw, she's barefoot, that's very Eurovision.

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Are you all right, my love? You did amazingly. Now, Sophie, did you feel

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that emotion and intensity that was coming out of this amazing singer,

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Lucie? You know, the song is one thing but the real magic, the

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performance, was you, Lucie. You were fantastic, you brought us all

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in and it felt like you were singing the song to someone. I just listened

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to your story, it was powerful. Thank you, Sophie. Bruneau, no

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choreography to speak of in that at all. Is it something we can do in

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Kiev? Of course, because the hardest thing to do is standing on stage on

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your own and captivate your public with a passion, the drama and power

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of your performance, and the power of your voice. And you did that. The

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tonality, the technique, was just magic. Beautiful. Thank you so much,

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Bruno. And CeCe, what an incredible vocal performance. Is there anything

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she can add? Incredible voice, Eurovision, you summed up what

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Eurovision is about. A superstar voice. All I have to say is wow!

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Well done, Lucie. If you want to send Lucie to Eurovision, you will

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need to call... All vote online for free after we've

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seen everybody perform. Lucie, thank you so much for a stunning

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performance. Well done. Our fourth song is "Freedom Hearts",

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and it's performed by Olivia Garcia. Being the youngest in the

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competition makes me feel a little bit nervous, but at the same time,

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I'm just so excited. When I'm at college I'm a bit shy and quiet, but

:34:37.:34:40.

when I'm on stage I just come to life. Everything is just amazing, I

:34:41.:34:44.

enjoy every second of it. I just love every part of music. The title

:34:45.:34:49.

of my song is Freedom Hearts. Basically, the song is about

:34:50.:34:52.

sticking up and standing up for people that don't necessarily have

:34:53.:34:57.

the confidence to do it themselves, or maybe just so quiet they can't

:34:58.:35:00.

actually scream it out. I suppose I relate to the song because I'm quite

:35:01.:35:04.

a shy person and there's loads of big things happening to me. One day

:35:05.:35:08.

I can be in college in a classroom, the next day I can be rehearsing to

:35:09.:35:14.

maybe eventually performing for my country. My favourite lyric is

:35:15.:35:22.

listen, in Freedom Hearts. When you see bad things happening in the

:35:23.:35:25.

world you turn a blind eye and you think somebody will sort it, but it

:35:26.:35:28.

never gets sorted. My favourite part of the whole song is probably the

:35:29.:35:32.

ending. It starts building of the song and it drops, then it comes out

:35:33.:35:36.

with this big note and it comes out and it's like I'm not done yet. I

:35:37.:35:41.

want to make my family proud and I want to make my friends proud of me,

:35:42.:35:45.

and to go on to Eurovision. I'm excited.

:35:46.:35:49.

Performing "Freedom Hearts", it's Olivia Garcia.

:35:50.:35:58.

# Failing from the start, made us fall apart

:35:59.:36:02.

# Slowly fading out, should we run and shout

:36:03.:36:09.

# Listen to whispers of all these freedom hearts

:36:10.:36:16.

# Listen real closely, we'll find another start

:36:17.:36:20.

# Someone said 'Yes We Can' but still we are torn apart

:36:21.:36:23.

# You hear the same cry, we're on the same side

:36:24.:36:40.

# Listen to whispers of all these freedom hearts

:36:41.:36:46.

# Listen real closely, we'll find another start

:36:47.:36:49.

# We won't be run down, no we won't stand down

:36:50.:36:54.

# Mad men in suits, shiny hair and shoes

:36:55.:37:01.

# Years passing by, still have a life

:37:02.:37:08.

# Listen to whispers of all these freedom hearts

:37:09.:37:16.

# Listen real closely, we'll find another start

:37:17.:37:19.

# We won't be run down, no we won't stand down

:37:20.:37:32.

# You hear the same cry, we're on the same side

:37:33.:37:40.

# Listen to whispers of all these freedom hearts

:37:41.:37:46.

# Listen real closely, we'll find another start

:37:47.:37:49.

# We won't be run down, no we won't stand down

:37:50.:37:55.

# If we play it right, we will win this fight

:37:56.:38:11.

# We won't be run down, no we won't stand down

:38:12.:38:27.

# You hear the same cry, we're on the same side

:38:28.:38:35.

# Listen to whispers of all these freedom hearts

:38:36.:38:40.

# We won't be run down, no we won't stand down

:38:41.:38:49.

CHEERING AND APPLAUSE Very strong use of flags. Olivia,

:38:50.:39:11.

come on over, my love. Well done. Well done, that was brilliant. Now,

:39:12.:39:18.

Sophie, Olivia here is 16 years of age. That's pretty extraordinary.

:39:19.:39:25.

What a performance for one so young? Absolutely, I totally agree. It's

:39:26.:39:29.

amazing and you did so well. I got to tick off flags on my Eurovision

:39:30.:39:34.

check list, so thank you for that. My only concern about the song is I

:39:35.:39:38.

like the song is quite crossgenerational and I think, would

:39:39.:39:42.

my granny like this and I'm not sure what Sybil Baxter would think that

:39:43.:39:45.

maybe the public is ready for something tougher, I'm not sure.

:39:46.:39:51.

Thank you very much Sophie. Bruno, does Olivia tick the Eurovision

:39:52.:39:56.

boxes? She's sticking it and she's kicking it. I love the fact it kind

:39:57.:40:02.

of had the feel of rock 'n' roll outfit. Yeah, let's do it all

:40:03.:40:08.

together! Let's get down, altogether. It had a little Leinster

:40:09.:40:14.

Farney attitude, pushed that attitude, don't be afraid. Rock it,

:40:15.:40:19.

let your hair down, people will join you in the fun. Well done. I think

:40:20.:40:29.

he liked it, Olivia! And CeCe, were you amazed that such an enormous

:40:30.:40:34.

voice came out of such a tiny person? Honestly, I did. I'm so

:40:35.:40:40.

proud of you. You are a tiny, tiny little girl, with this huge voice

:40:41.:40:45.

and honestly, everyone out there, not just in this country, everywhere

:40:46.:40:49.

else in the world, would love to hear your voice. Believe in

:40:50.:40:55.

yourself. You are an amazing singer, an amazing performer. Believe in

:40:56.:41:00.

yourself. Thank you, CeCe. Olivia, I'm very pleased to see that the

:41:01.:41:04.

outfit is not only gorgeous, but functional as well. There's a lovely

:41:05.:41:08.

pocket therefore keeping your passport, if you need it to go to

:41:09.:41:14.

Kiev in May. Stay with me, Olivia. If you think Olivia can do the UK

:41:15.:41:16.

proud, you need to call... All vote online for free when the

:41:17.:41:29.

vote opens after we've seen everyone perform. Olivia, thank you so, so

:41:30.:41:34.

much. Good luck, well done. So, my friends.

:41:35.:41:37.

Now, performing "What Are We Made Of?", it's Nate Simpson.

:41:38.:41:46.

I love all music, jazz, rock 'n' roll, but my favourite artist in the

:41:47.:41:53.

world has got to be Stevie Wonder and Prince, just for their musical

:41:54.:41:57.

genius. They play every instrument, right incredible melodies. Music

:41:58.:42:01.

which feels good, that's me. That's the core of who I am, really. One of

:42:02.:42:06.

my favourite things to do is festivals. I was really lucky to

:42:07.:42:09.

play Cheltenham Jazz Festival, but the real highlight was I got to play

:42:10.:42:14.

with the line-up of so many of my favourite artists, British artists.

:42:15.:42:17.

More recently I've been recording at Abbey Road, so many greats have

:42:18.:42:21.

recorded there and it's a phenomenal experience. The title of the song

:42:22.:42:26.

I've been singing is What Are We Made Of. My favourite lyric is, what

:42:27.:42:30.

are we made off because we are only skin and bones. As humans all we are

:42:31.:42:35.

as skin and bones. All the external stuff, it means nothing. What

:42:36.:42:38.

connects as is love. It has something about it which talks of

:42:39.:42:42.

the core of who we all are. I think that something which everyone will

:42:43.:42:47.

relate to. To represent the UK for Eurovision would be amazing. You are

:42:48.:42:52.

getting to represent the country on such an incredible platform. I'm

:42:53.:42:55.

ready to go out there on that stage now I'd just give it my

:42:56.:42:58.

3,000,000,000%, give it everything. I'm so excited.

:42:59.:43:02.

Performing "What Are We Made Of?", it's Nate Simpson.

:43:03.:43:07.

# We build these walls, we watch them fall

:43:08.:43:13.

# We're drowning in our screts, the lies we keep between us

:43:14.:43:19.

# Before we walk away, let's say we're sorry

:43:20.:43:26.

# Before the sunlight fades, let's change our minds

:43:27.:43:37.

# Maybe we will wake up in the morning

:43:38.:43:40.

# Cos we are more than skin and bones

:43:41.:43:57.

# What are we made of, what are we made of

:43:58.:44:08.

# How can we let our future down if we don't even try

:44:09.:44:14.

# Will you take my hand, can we make amends

:44:15.:44:21.

# Cos we're breathing underwater and the struggle makes us stronger

:44:22.:44:28.

# Before the sunlight fades, let's change our minds

:44:29.:44:41.

# And maybe we will wake up in the morning

:44:42.:44:48.

# What are we made of

:44:49.:45:01.

# Cos we are more than skin and bones

:45:02.:45:05.

# What are we made of, what are we made of

:45:06.:45:16.

# How can we let our future down if we don't even try

:45:17.:45:23.

# We've travelled to the moon, we've come so far

:45:24.:45:29.

# We're searching for the truth, it's who we are

:45:30.:45:34.

# Cos we are more than skin and bones

:45:35.:45:45.

# What are we made of, what are we made of

:45:46.:45:56.

APPLAUSE CHEERING

:45:57.:46:20.

Mate... Take a deep breath. Come on over. That was absolutely brilliant,

:46:21.:46:27.

well done. Every single hair on my body is up, it's just, that was

:46:28.:46:33.

amazing, goose bumps. CeCe, what an incredible vocal range. Is that

:46:34.:46:38.

difficult to pull out of the bag? It's very difficult to do that for

:46:39.:46:41.

each performance. You know, the beauty of that is you lost yourself

:46:42.:46:48.

in what the lyrics were about. I sat here and I actually thought of

:46:49.:46:53.

sitting at the final of your revision, that's what it took me

:46:54.:46:59.

too, that place. -- the final of Eurovision. Count on your vocal

:47:00.:47:04.

cords, tell the story, and have fun with it. That's what you did.

:47:05.:47:09.

Sophie, historically at Eurovision ballads have done extremely well. Do

:47:10.:47:15.

you think 2017A 's balladeer for the UK? It could well be. It reminded me

:47:16.:47:24.

a little bit of Conchita with rise like a Phoenix. Your voice is really

:47:25.:47:31.

beautiful. It could be the year of the ballot, who knows. Bruno how did

:47:32.:47:37.

you feel about Nate's performance? I felt as if you sign everything just

:47:38.:47:43.

for me. And that is a great quality. A great performer makes everyone in

:47:44.:47:48.

the audience feel like you perform just for them. The richness of your

:47:49.:47:54.

voice, the quality of your interpretation, you are emotionally

:47:55.:48:03.

involved just in the right way. Everything crystal clear. Stunning!

:48:04.:48:11.

Well done. Gang, if you think Nate is made of the right stuff to

:48:12.:48:14.

represent the UK, you'll need to call...

:48:15.:48:26.

Nate thank you so very much for your beautiful performance, that was

:48:27.:48:30.

amazing. And with our final

:48:31.:48:32.

performance of the night, it's Salena Mastroianni,

:48:33.:48:36.

with "I Don't Wanna Fight". I started my work in function bands

:48:37.:48:50.

mainly, just weddings, corporate events. Then I progressed from

:48:51.:48:53.

there. Through recommendations I got to work with Rita Ora. I've done a

:48:54.:48:59.

few gigs for Robbie Williams. The main man himself. I was fortunate to

:49:00.:49:03.

perform on his New Year's Eve show on the BBC and I got to do

:49:04.:49:08.

choreography and dancing alongside singing, got to go centre of the

:49:09.:49:13.

stage. It was brilliant, I had such a great time. The song I'm singing

:49:14.:49:17.

is I Don't Wanna Fight, a passionate song, I'm a passionate person. I

:49:18.:49:22.

relate it to myself a lot. I think a lot of people will be able to relate

:49:23.:49:26.

it to themselves as well. I had to rehearse a lot for this song, is

:49:27.:49:29.

quite challenging, it's quite up there, so you've got to be on point.

:49:30.:49:35.

My favourite lyric is, only love survives. It's very poignant and

:49:36.:49:39.

very true. This is an resonate with me because I've been through the

:49:40.:49:43.

same as a lot of people have been through in life, heartbreak, love,

:49:44.:49:46.

you can sing it with all your heart. That's what I plan to do. I have the

:49:47.:49:51.

passion, drive and determination to do your revision because I been

:49:52.:49:57.

doing this for years. -- to do Eurovision. To be chosen as the UK

:49:58.:50:01.

representative, I mean, that would be an incredible dream, an

:50:02.:50:05.

incredible dream. I'm just really looking forward to getting on that

:50:06.:50:06.

stage. Performing "I Don't Wanna Fight",

:50:07.:50:12.

it's Salena Mastroianni. # Why can't we put our weapons down

:50:13.:50:14.

We never meant to hit the ground # All the flaws inside our

:50:15.:50:22.

walls that bring us down # And exhale this mental

:50:23.:50:30.

tale that we have found # We've both been lost

:50:31.:50:40.

but never found # If we put our weapons down

:50:41.:50:51.

we should put down our weapons, # We should put down our weapons,

:50:52.:51:17.

put down our weapons, # There's no limit, burning

:51:18.:51:22.

spirits with our eyes # We don't listen to

:51:23.:51:30.

intuition here inside # We've both been lost

:51:31.:51:41.

but never found # We should put down our weapons,

:51:42.:51:52.

put down our weapons # We should put down our weapons,

:51:53.:52:22.

put down our weapons APPLAUSE

:52:23.:53:08.

CHEERING Salena, oh my days. Well done. Well

:53:09.:53:34.

done. Now, listen, we have got to strike some sort of a deal. Either I

:53:35.:53:39.

give you my jacket or you give me your trousers. Because they were

:53:40.:53:43.

meant for each other, come on. Well done, Salena. To the panel, Bruno,

:53:44.:53:51.

Salena sang and danced at the same time, how is that humanly possible?

:53:52.:53:57.

It is very, very difficult because you have to understand that you use

:53:58.:54:01.

different muscles for singing and dancing. You have to maintain that

:54:02.:54:06.

energy all the time and you have to be absolutely sharp on your notes as

:54:07.:54:13.

well as your body. You can never miss a beat. Vocally and physically.

:54:14.:54:19.

It is very very hard and you've done very, very well my darling. CeCe, do

:54:20.:54:27.

you think Salena connected with that song? Absolutely, you connected with

:54:28.:54:31.

it and you encouraged it so that other people in the audience would

:54:32.:54:35.

want to join in with you in that chorus. That is very important. Well

:54:36.:54:42.

done on that. Sophie, do you think this is the kind of song that would

:54:43.:54:50.

go down well at Eurovish? The fact I can hardly hear you... It's quite a

:54:51.:54:57.

crowd pleaser. I've got to take off my final two boxes. Questionable

:54:58.:55:02.

backing dancer attire, the berries were a bold choice, and a son about

:55:03.:55:07.

world peace. You looked great and it went down a treat. I'm sure what you

:55:08.:55:12.

said was wise but we didn't hear a single word because the crowd was so

:55:13.:55:17.

loud. Thank you for your words. If you think Salena as what it takes to

:55:18.:55:21.

represent the UK, you'll need to call...

:55:22.:55:34.

Thank you very, very much, Salena, for closing proceedings. Thank you

:55:35.:55:38.

so much. The songs are sung, the dancing done

:55:39.:55:43.

and it's time to get to We have seen all six of our talented

:55:44.:55:46.

hopefuls perform and now a place in Ukraine is in your

:55:47.:55:50.

and our jury's hands. You can vote for your

:55:51.:55:52.

favourite song right now. Calls will cost 15p plus any

:55:53.:56:12.

network access charge and please ask the bill payer's

:56:13.:56:15.

permission before you call. Alternatively you can

:56:16.:56:17.

vote online for free at bbc.co.uk/eurovision

:56:18.:56:19.

where you will also find full terms The vote closes in about 20 minutes

:56:20.:56:21.

from now, so you don't have long to cast your

:56:22.:56:27.

all-important vote. And while you're casting

:56:28.:56:29.

your vote, our jury here As soon as the vote closes

:56:30.:56:31.

the points from the jury vote and the points from the public vote

:56:32.:56:37.

will be combined and it will be the song with the highest

:56:38.:56:40.

combined points that wins. In the event of a tie-break,

:56:41.:56:44.

the public vote is the decider. So our artists need to have

:56:45.:56:49.

impressed both you at home and Winning just one of those votes may

:56:50.:56:52.

not be enough. I can't stress enough - if there's

:56:53.:57:00.

a song you love vote for it. If 2016 taught us anything

:57:01.:57:03.

it was that when it comes to a vote nobody ever knows what might happen,

:57:04.:57:08.

I mean Ed Balls still Your favourite artist

:57:09.:57:10.

really needs your vote! If you're watching OnDemand, thank

:57:11.:57:26.

you, I salute you, but please don't try to vote.

:57:27.:57:27.

But if you're just not sure, here's a reminder of tonight's

:57:28.:57:30.

brilliant performances and the all-important vote

:57:31.:57:31.

# I wanna feel myself bursting, I want a rush I can't ignore #. #

:57:32.:58:02.

# Light up the world tonight Light up the world tonight 's

:58:03.:58:10.

# They can't stop what we've started # Together we'll danced through this

:58:11.:58:38.

storm # I will never give up on you

:58:39.:58:52.

# Listen to these freedom hearts # Singing we won't be run down

:58:53.:59:05.

# No, we won't stand down # Cause we've got freedom hearts

:59:06.:59:12.

# What are we made of, what are we made of

:59:13.:59:20.

# We are searching for the miracle # What are we made of, what are we

:59:21.:59:27.

made of # I don't wanna fight

:59:28.:59:39.

# We can make it right, we can make it right

:59:40.:59:46.

# Put down our weapons, put down our weapons, put down our weapons #.

:59:47.:59:54.

We're told a few of you may be having technical difficulties voting

:59:55.:00:01.

from your mobile. Please keep trying or you can vote online.

:00:02.:00:03.

Now if you're still struggling to decide just who to vote

:00:04.:00:05.

for, because let's be honest, they were all belting songs

:00:06.:00:08.

and performances, then you'll want to take a look at this.

:00:09.:00:10.

We've gathered great minds together to give their

:00:11.:00:12.

insightful, astute and discerning observations on some

:00:13.:00:14.

brilliant past Eurovision performances.

:00:15.:00:21.

We interrupted some students who were busy watching bargain Hunt and

:00:22.:00:27.

napping. Some were actually doing both at the same time. Here are the

:00:28.:00:31.

opinions of the Next Generation, and they do talk a lot of sense.

:00:32.:00:36.

Eurovision is the highlight of my year. The Olympics for music. We bob

:00:37.:00:45.

in all types of music. It's a British tradition, everybody gathers

:00:46.:00:51.

around to watch it. She's going for it, isn't she? Good voice, amazing.

:00:52.:01:01.

She's obviously passionate about what she's doing, which really

:01:02.:01:06.

stands out. LAUGHTER

:01:07.:01:13.

# We are going up, up, up #. Wow, a bit slow Mo at the end. She

:01:14.:01:26.

dumped him on the ground! That would play well in the student union. Oh,

:01:27.:01:33.

that's pretty, I like that. I love the use of protection, they are

:01:34.:01:38.

still singing with mics -- projection. It's modern, but they

:01:39.:01:46.

keep it casual. # Skies are black and blue #.

:01:47.:01:50.

It's an intimate performance, they sing to one another. You bobbing

:01:51.:02:07.

look at that. -- look at that. She's sick, is amazing. I remember this

:02:08.:02:21.

one. Australia. Oh. You won't understand, it's a power woman.

:02:22.:02:31.

# It's the sound of silence #. Oh. She's got some lungs on her,

:02:32.:02:44.

girl. I view! That's man's. Yes, yes. Is he wearing leather pants? I

:02:45.:02:52.

love leather pants. The projection is really cool, so simple and

:02:53.:02:58.

effective. How do they actually do that?

:02:59.:03:05.

# We are heroes of our time #. # Dancing to the demons in our mind.

:03:06.:03:16.

It's jumping around. It's a pic, amazing. He's really going for it,

:03:17.:03:26.

isn't it? Yes. I remember watching this and the like, Eurovision has

:03:27.:03:30.

gone up a notch. It's taking us to the future, this music. He's hot,

:03:31.:03:36.

number one, always a good one. Number Ten, you've got cool special

:03:37.:03:41.

effects. Special effects, good voice, good show. That's what

:03:42.:03:44.

Eurovision is about. Turns out all you need to win

:03:45.:03:50.

is great staging, stunning lighting, a catchy,

:03:51.:03:54.

brilliant song, sung by an exceptional artist

:03:55.:03:55.

with incredible stage presence

:03:56.:03:56.

and who delivers a captivating and And here to prove how simple

:03:57.:03:58.

that is with a special performance, they're just

:03:59.:04:05.

brilliant, it's The Vamps. CHEERING AND APPLAUSE

:04:06.:04:12.

Make some noise! # Cos I feel like I'm

:04:13.:04:18.

always dreaming # Cos I feel like I'm

:04:19.:04:22.

always dreaming # Cos I feel like I'm

:04:23.:04:32.

always dreaming # You showed me how to find myself

:04:33.:04:39.

when I needed it the most # Cos I feel like I'm

:04:40.:05:04.

always dreaming # Cos I feel like I'm

:05:05.:05:11.

always dreaming # Wide awake, that's okay,

:05:12.:05:18.

as long as I'm with you # Cause I feel like

:05:19.:05:24.

I'm always dreaming # The past is the past

:05:25.:05:45.

today is today # Tell the truth that

:05:46.:05:54.

I've been trying to hide # I've been waiting

:05:55.:06:05.

for you way too long # Won't you come and take me

:06:06.:06:07.

home # Oh I, I'm praying

:06:08.:06:10.

this ain't all a dream # Can you, you,

:06:11.:06:17.

wake me up before you leave # Cos I feel like I'm

:06:18.:06:23.

always dreaming # Cos I feel like I'm

:06:24.:06:30.

always dreaming # Wide awake, that's okay

:06:31.:06:38.

as long as I'm with you # Cos I feel like I'm

:06:39.:06:43.

always dreaming # Cos I feel like I'm

:06:44.:06:55.

always dreaming #. # Cos I feel like I'm

:06:56.:07:12.

always dreaming #. CHEERING AND APPLAUSE

:07:13.:07:32.

The Vamps, playing close, my loves, boy is it good to see you all. Thank

:07:33.:07:37.

you so much for a blistering performance. Now, what do you make

:07:38.:07:42.

of our little Eurovision gang here tonight, the party in Hammersmith?

:07:43.:07:47.

They are very loud, they are very, very loud, which is good. Thank you

:07:48.:07:52.

for having is, thanks a lot. A little note, I hope you've got talc

:07:53.:07:59.

inside your shoes. Why is that? They are big sweaters, I'm hoping you've

:08:00.:08:03.

got some talc. Thank you so much, The Vamps, you're amazing.

:08:04.:08:06.

Well, the vote is still open so once again, let's remind

:08:07.:08:12.

ourselves of tonight's six acts all passionate about

:08:13.:08:14.

representing the UK at Eurovision 2017!

:08:15.:08:18.

You have about six minutes left to vote. To vote for Holly Brewer...

:08:19.:08:46.

# Never give up on you #. For Olivia Garcia...

:08:47.:09:46.

# Because we've got freedom hearts #.

:09:47.:09:52.

# What are we made of? #. For Nate Simpson ...

:09:53.:10:06.

# What are we made of? # What are we made of? #.

:10:07.:10:13.

# I don't want to fight #. To vote for Salena Mastroianni...

:10:14.:10:32.

It's not an easy choice to make at all, but with Eurovision

:10:33.:10:36.

you'll always find that there comes a time for making your

:10:37.:10:38.

In the meantime, there's a question I've

:10:39.:10:48.

been pondering for a couple of years now.

:10:49.:10:50.

No it's not war, what is it good for?

:10:51.:10:57.

many roads must a man walk down before

:10:58.:11:00.

Because we're in a new age of gender fluidity and it's

:11:01.:11:05.

No, the question is - why exactly is Australia in the

:11:06.:11:10.

Two years ago the head of Eurovision had a call from the Australian

:11:11.:11:24.

commentator Julio, that would change the contest for ever. You bobbing

:11:25.:11:28.

hello, Eurovision Song Contest headquarters. Hello, Australian

:11:29.:11:34.

calling. Can we sing in the Eurovision Song Contest? Oh, you are

:11:35.:11:41.

part Knott-macro -- you are not part of Europe. Millions of is watch it

:11:42.:11:46.

every year. Of course you can be part of the Eurovision Song Contest.

:11:47.:11:49.

Up according to this heavily accurate reconstruction, that is

:11:50.:11:54.

apparently what they did. Hey, that's the UK and Ireland. Don't be

:11:55.:12:02.

moving is out of the way now! They're not in Europe. Rules,

:12:03.:12:11.

details. OK, Danni Minogue. It's true they have large headed koalas

:12:12.:12:16.

but it hasn't answered the important question on everyone's's lips. Why

:12:17.:12:21.

is Australia in the Eurovision Song Contest? Why is Australia in

:12:22.:12:25.

Eurovision? Patients, we'll get to that. First, let's see how Australia

:12:26.:12:32.

have fared, since their debut year, in 2015. Guy Sebastien was the first

:12:33.:12:40.

dude to represent Australia. Guy is very respected and loved, so when he

:12:41.:12:44.

got in it everyone was like, OK, we have to get behind this now.

:12:45.:12:51.

# We can do tonight #. Amazing performance and I think his

:12:52.:12:55.

performance and his approach set the tone. Is ignited Australia's

:12:56.:13:00.

world-famous competitive side, and boy, did they come back with a

:13:01.:13:04.

vengeance. I meant all this performer on the X Factor in

:13:05.:13:10.

Australia and when she got to represent Australia at Eurovision it

:13:11.:13:13.

was crazy, a big deal. Everybody was glued to the TV and I was so, so

:13:14.:13:18.

proud. She has a voice that spectacular. She hits the big note

:13:19.:13:22.

and I think if you are in the room, you kind of step back. To end up

:13:23.:13:36.

second, wow, amazing. Yes, but why is Australia in Eurovision? So

:13:37.:13:39.

Australia is in the Eurovision Song Contest, why? OK, here's the reason

:13:40.:13:46.

why. The simple fact is, Australia's posed television broadcaster SBS is

:13:47.:13:49.

part of the European broadcasting union, otherwise known as the EDU,

:13:50.:13:53.

and this is a qualification requirement to enter the Eurovision

:13:54.:13:58.

Song contest. Yes? You see? Interesting, isn't it? That's why

:13:59.:14:03.

we'll see them in May. Oh, right! Douze points. Oh, yes, so it's

:14:04.:14:13.

Australia being part of the European TV union makes total sense...

:14:14.:14:19.

Please don't try to vote now, as it won't count

:14:20.:14:34.

Dear Sophie, you took part, famously, in a high-pressure

:14:35.:14:43.

environment that was strictly come dancing, and you did absolutely

:14:44.:14:48.

brilliantly. You know more than anyone how these guys are going to

:14:49.:14:53.

be feeling. What's going to be going through their heads now? Well, I

:14:54.:14:56.

really was so impressed with the standard and there's been a lovely

:14:57.:14:59.

warm atmosphere backstage all day, so I think they should be really

:15:00.:15:03.

proud of themselves. They've done really well. What's done is done.

:15:04.:15:07.

They did the best they meant to do and that's brilliant. Good advice,

:15:08.:15:12.

good words. Bruno, how important is the old staging at the Eurovision?

:15:13.:15:18.

We know it's an important factor, but how key is it? Well, it is a

:15:19.:15:22.

means to create an impression. It has to complement the message of the

:15:23.:15:26.

song. You can do it either with incredible graphics and creative

:15:27.:15:33.

scenery, as we've seen in the past few years, astonishing.

:15:34.:15:36.

Artistically, very, very high concept. Or, your face, amazing, --

:15:37.:15:44.

or in your face amazing unforgettable routines works as

:15:45.:15:48.

well. But if you are a very strong performer and a great singer, as we

:15:49.:15:51.

see from the Australian goal, the great song with the great voice, can

:15:52.:15:57.

win it, so it's up to you. You decide! Thank you, Bruno. And CeCe,

:15:58.:16:03.

how do you think the Eurovision has changed over the last ten years? You

:16:04.:16:08.

know, it's changed and developed so much more and I firmly believe it's

:16:09.:16:14.

because people in the music and the entertainment world have now joined

:16:15.:16:17.

forces together. They've acknowledged that this is a place

:16:18.:16:23.

where it's not just naff songs, but actual hits, and artists, artists

:16:24.:16:28.

who have been formed. Last year, for instance, Justin Timberlake paid

:16:29.:16:33.

attention. Like I said, it's grown and developed so much. I really want

:16:34.:16:36.

to encourage everyone out there in the world, in England, how British

:16:37.:16:43.

music is great, and everywhere else, music is universal language and

:16:44.:16:46.

that's what Eurovision is about. While we count unverified the

:16:47.:16:57.

ranking from our jury and votes for you at home, we've got a little

:16:58.:16:58.

treat. I think it's safe to say that

:16:59.:17:00.

Sweden produced an amazing Eurovision last year,

:17:01.:17:02.

and are going to be a pretty To relive some of the magic,

:17:03.:17:05.

let's take a look once again at last year's hosts,

:17:06.:17:09.

Mans and Petra, having a sideways ironic look on what makes

:17:10.:17:11.

a good Eurovision song! If you want to win the Eurovision

:17:12.:17:33.

Song Contest, we suggest that you listen and learn.

:17:34.:17:34.

It doesn't hurt if the drums are played by gorgeous topless men.

:17:35.:17:51.

It's proven very efficient throughout the years.

:17:52.:17:53.

But, please feel free to try other alternatives.

:17:54.:17:56.

It's proven very helpful to go the exact opposite way.

:17:57.:17:59.

Show the viewers your country's ethnic background by using

:18:00.:18:08.

an old traditional folklore instrument that no-one's

:18:09.:18:12.

No, no - in this case, it's proven much more

:18:13.:18:16.

This instrument is called a Swedish kvinnaboske -

:18:17.:18:26.

a small roundish piece from the horn family, inherited from the Vikings.

:18:27.:18:28.

In Eurovision, nothing says winner like a violin.

:18:29.:18:35.

The violin, the drums and the kvinnaboske might make it

:18:36.:18:50.

all feel a little bit old fashioned, but this can easily be

:18:51.:18:53.

fixed by adding a DJ who pretends to scratch.

:18:54.:18:57.

In real life of course, this is 30 years

:18:58.:18:59.

old, but in Eurovision, it will give your number

:19:00.:19:01.

You need to look memorable, something that the

:19:02.:19:07.

Everything else might be important, but the song is essential.

:19:08.:19:20.

Let it be about something everyone can connect to.

:19:21.:19:22.

Abba actually won the competition with a song about war with Waterloo,

:19:23.:19:32.

but this is not something we recommend.

:19:33.:19:33.

Now when you have everything you need

:19:34.:19:36.

and the pieces are gathered - go for it and don't look back!

:19:37.:19:40.

# You can break the rules of fashion.

:19:41.:19:47.

# So the audience can see that you're lovable - not desperate.

:19:48.:19:55.

# As dancers will join us the expectations grow

:19:56.:20:06.

# And win the Eurovision Song Contest.

:20:07.:20:34.

# It's you and me and when we change the key.

:20:35.:20:44.

# And we can guarantee that you will be the best.

:20:45.:21:40.

# And win the Eurovision Song Contest.

:21:41.:22:04.

APPLAUSE CHEERING

:22:05.:22:20.

That was very strong. Good to see that again. Now my lovely

:22:21.:22:26.

panellists, a quick question. Why did the Babybird enter your

:22:27.:22:33.

Eurovision: You Decide? Because it wanted to be a chick in Kiev!

:22:34.:22:40.

LAUGHTER Melanie! My thigh muscles will feel

:22:41.:22:47.

that tomorrow. You're like Bruce Forsyth. Tremendous Kiev, where all

:22:48.:22:52.

these incredible for formers wants to be in May. -- incredible

:22:53.:22:58.

performers. Weren't they amazing, everybody? All six of you should be

:22:59.:23:03.

so proud of what you've achieved tonight. It's clear you poured into

:23:04.:23:11.

your songs and performances emotion, passion and hard work, and we thank

:23:12.:23:17.

you very very much indeed. OK, six superb performers have given us six

:23:18.:23:20.

stunningly crafted songs from some truly great song writers. Now,

:23:21.:23:25.

they've done all they possibly can. There is nothing left to do but find

:23:26.:23:30.

out who you and the jury have chosen to represent the UK at your revision

:23:31.:23:41.

-- at Eurovision 2017. Let's have a little bit of important tension

:23:42.:23:47.

music, please. We've counted, verified and added together points

:23:48.:23:51.

from our professional jury here, and from you at home. Now, let's find

:23:52.:23:58.

out who has the highest number of combined points. The winner of

:23:59.:24:03.

Eurovision: You Decide 2017 is... The winner is Lucie!

:24:04.:24:49.

Congratulations, my love, come to me. Now, you are going to Kiev to

:24:50.:24:57.

represent the UK at the Eurovision Song Contest 2017. How are you

:24:58.:25:02.

feeling? I can't believe it, I can't believe you picked me, thank you so

:25:03.:25:07.

much. I think she's pleased. You're going to need to prepare yourself to

:25:08.:25:14.

perform again very, very well done. Commiserations to everybody else.

:25:15.:25:17.

You did amazingly. Weren't they all fantastic? Lucie, you centre

:25:18.:25:24.

yourself, you need to perform again. A lot of emotion here on stage, what

:25:25.:25:30.

a night. And well done to you at home, I simply couldn't choose

:25:31.:25:33.

between them which is probably why it's called Eurovision: You Decide.

:25:34.:25:39.

Tonight wouldn't have been possible without our brilliant performers

:25:40.:25:43.

and their talented songwriters and our fabulous panellists,

:25:44.:25:45.

so let's have one last round of applause for all of them.

:25:46.:25:48.

I'm going straight to Kiev to prepare.

:25:49.:25:55.

to go until 9th and 11th May, when Scott Mills and I will be

:25:56.:26:02.

over on BBC Four with the Eurovision Semi-Finals.

:26:03.:26:06.

Until then, you'll have to make do with rewatching this over

:26:07.:26:08.

But you can catch a live interview on Graham Norton's show

:26:09.:26:12.

to close the show and that's with our winner.

:26:13.:26:31.

It's Lucie Jones. With Never Give Up On You.

:26:32.:26:38.

So until we meet again in May, Auf Wiedersehen, arrivederci,

:26:39.:26:40.

# Tell me your secrets, I'll keep them safe

:26:41.:26:54.

# No sign of weakness, it's a sign of faith

:26:55.:26:57.

# You're not defeated, you're in repair

:26:58.:27:06.

# We'll stand tall, so you don't fall

:27:07.:27:18.

# If you could see how far you've walked

:27:19.:27:21.

# Together we'll dance through this storm

:27:22.:27:41.

# Together we'll dance through this storm

:27:42.:27:59.

# I'm right beside you, you're never alone

:28:00.:28:05.

# If you could see how far you've walked

:28:06.:28:19.

# Together we'll dance through this storm

:28:20.:28:36.

# This madness, we're running through

:28:37.:28:54.

# The mountain climbed, the oceans crossed

:28:55.:29:22.

# Together we'll dance through this storm

:29:23.:29:28.

# Together we'll dance through this storm. #

:29:29.:29:53.

APPLAUSE CHEERING

:29:54.:30:16.

Don't let go of that towel. I'm not! Hurry up!

:30:17.:30:20.

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