Browse content similar to 10/04/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
And now it's time for Meet the Author with Nick Higham. This weeks | :00:00. | :00:00. | |
guest is Harlan Coben, whose book Missing You is a whodunit thriller | :00:00. | :00:09. | |
set in New York. Harlan Coben is one of America's | :00:10. | :00:13. | |
most successful thriller writers. His books have sold millions and | :00:14. | :00:19. | |
made him a millionaire. Missing You is his 25th. It is about identity | :00:20. | :00:25. | |
theft and online dating. It is likely to confirm your worst fears | :00:26. | :00:29. | |
of what might happen if you meet someone on the Internet. His | :00:30. | :00:33. | |
protagonist is a New York police detective mourning the loss of the | :00:34. | :00:37. | |
love of her life who disappeared suddenly and mysteriously from her | :00:38. | :00:41. | |
life 18 years ago. One day she saw his picture online. | :00:42. | :00:52. | |
This is a book about identity theft but it is identity theft taken to | :00:53. | :00:56. | |
the ultimate extreme, they don't just steal your identity but they | :00:57. | :01:01. | |
steal you. I started with online dating and cat fishing. This is when | :01:02. | :01:06. | |
someone goes online and pretends they are someone else. I could take | :01:07. | :01:09. | |
your pictures of a website and pretend I was you and invent a whole | :01:10. | :01:14. | |
new identity. That is cat fishing and I want to explore this new world | :01:15. | :01:21. | |
of online dating. I combined all of these things together. You also have | :01:22. | :01:30. | |
all the other things we associate with modern technology like Facebook | :01:31. | :01:32. | |
and social media. Your character uses Google and has all of this made | :01:33. | :01:35. | |
the life of a thriller writer more difficult because we are all sleuths | :01:36. | :01:40. | |
now. We all do our own detective work. As it made your life more | :01:41. | :01:45. | |
difficult or easy? It is new challenges. When the telephone was | :01:46. | :01:51. | |
invented that was new for a book as well. In old television you would | :01:52. | :01:59. | |
see phones not being answered but that is unrealistic now. Everyone | :02:00. | :02:02. | |
has a cellphone so if you are going on a date you are going to Google | :02:03. | :02:06. | |
the guy you are going out with and that is the world we live in. My | :02:07. | :02:11. | |
books have to represent that. There are new challenges but also new | :02:12. | :02:16. | |
possibilities. This book, like a lot of yours, revolves around family | :02:17. | :02:21. | |
secrets and family dynamics. There is a dark secret in your protracted | :02:22. | :02:25. | |
list's family. What was your own family life like? Are their dark | :02:26. | :02:34. | |
secrets in yours? There is a quote that says your normal life should be | :02:35. | :02:37. | |
regular so you can be violent and original in your work. I had an | :02:38. | :02:42. | |
average normal suburban childhood and maybe that is how I am getting | :02:43. | :02:47. | |
it all out. These books depend on their success of propulsive plot | :02:48. | :02:53. | |
that is full of twists. How far, when you start writing, do you know | :02:54. | :02:58. | |
whether twists are and where you are writing. Thriller writers cannot | :02:59. | :03:04. | |
make it up as you go along. Both. I know the beginning and the end. I | :03:05. | :03:10. | |
compare it to driving through her `` New Jersey to California. There is a | :03:11. | :03:15. | |
direct route or I might go and stop in Tokyo but I will always end up in | :03:16. | :03:22. | |
LA. One of my favourite quotes on writing is that writing is like | :03:23. | :03:25. | |
driving at night in the fog with just your headlights. You can only | :03:26. | :03:29. | |
see a little bit in front of you but you can make the whole journey that | :03:30. | :03:35. | |
way. There is a twist in almost the last page. I did that twist from the | :03:36. | :03:39. | |
very start. It surprised me, I should have seen it coming but | :03:40. | :03:44. | |
everything in between is negotiable. Yes. Pretty much. There | :03:45. | :03:50. | |
are a few stops I know I will make along the way when I'm travelling | :03:51. | :03:54. | |
along the road but I may skip them. I know some of the aspects but the | :03:55. | :03:59. | |
last few twists I know ahead. I want to fool you once and fully twice but | :04:00. | :04:04. | |
in the very last page of this book there is one more. Readers, do not | :04:05. | :04:10. | |
turn to the last page! A lot of thriller writers start out with the | :04:11. | :04:16. | |
ideas, the twists and turns, not of `` lots of thriller writers seek to | :04:17. | :04:20. | |
do you what you do but few enjoy your success. There is a litre of | :04:21. | :04:24. | |
maybe a dozen that enjoyed the kind of sales you have but `` what is it | :04:25. | :04:30. | |
you do that the vast majority of thriller writers cannot? That is | :04:31. | :04:37. | |
tough. Because of the speed of the plot there are things you may not | :04:38. | :04:42. | |
notice until later. This seems with women who are wives of cops and | :04:43. | :04:47. | |
older and grown`up, it seems like something simple but I think it is | :04:48. | :04:52. | |
heart. It is hard to talk about your own work like this. The key is that | :04:53. | :04:55. | |
you care about the characters and there are moments in the book, any | :04:56. | :04:59. | |
time I write a moment that feels like something I have seen in a | :05:00. | :05:04. | |
thriller I change it. I need the heart and soul and the moments when | :05:05. | :05:08. | |
these women are talking about how hard their lives have been because | :05:09. | :05:12. | |
of too many pregnancies they have had or just a small little moment | :05:13. | :05:24. | |
like that. A lot of people can maybe build the car but you have to have | :05:25. | :05:27. | |
the gasoline to make it run. That is the heart and soul. You need the | :05:28. | :05:30. | |
moments of humour and you need to care about the characters. You will | :05:31. | :05:35. | |
care about a character called cat and another character called Dayna | :05:36. | :05:37. | |
in this book and that makes the difference. When you wrote your | :05:38. | :05:46. | |
breakthrough book it was filmed in France in French and it was a great | :05:47. | :05:50. | |
success. So far none of your films have been made by a Hollywood studio | :05:51. | :05:54. | |
although there are a few in development, why is that? Dialogue | :05:55. | :05:58. | |
is an important part of your books. I have no idea. Part of it is luck. | :05:59. | :06:06. | |
Hollywood is a very strange Treacher and right `` a very strange | :06:07. | :06:14. | |
creature. Right now Mickey Bolitar is being made with Hugh Jackman and | :06:15. | :06:22. | |
Missing You is being made by an Australian company. Next year I | :06:23. | :06:25. | |
could be talking to you and have three but this year I have none. It | :06:26. | :06:34. | |
is a crazy thing. Our day missing a trick? Someone as popular and | :06:35. | :06:41. | |
successful should be meat and drink. When a Tell No One became such a big | :06:42. | :06:46. | |
French movie and did so well and it actually came over here and did well | :06:47. | :06:49. | |
people thought it would be a breakthrough. It is a very | :06:50. | :06:53. | |
unpredictable creature. I am doing a TV series in France and working on | :06:54. | :06:58. | |
doing a TV series here in the UK. I really do not love that world and it | :06:59. | :07:02. | |
is one I would like to stay away from so we will see what happens. I | :07:03. | :07:07. | |
am afraid they will damage them. Tell No One worked as a movie | :07:08. | :07:12. | |
because the director understood it was similar to Missing You and some | :07:13. | :07:16. | |
of my others, it is a love story first and a thriller second. | :07:17. | :07:20. | |
Hollywood always wants to sacrifice the heart for some more action | :07:21. | :07:25. | |
sequences. Thank you very much indeed. | :07:26. | :07:37. | |
Thank you. Hello. Spells of spring sunshine | :07:38. | :07:42. | |
across much of the UK today. There will be for a few more days. The | :07:43. | :07:47. | |
forecast this weekend is to stay dry and bright. Some rain will dribble | :07:48. | :07:52. | |
South on Saturday. By day it will be miles but by night it will be | :07:53. | :07:56. | |
chilly. That is the same for | :07:57. | :07:57. |