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Now it is time to Meet The Author with necktie. | :00:00. | :00:00. | |
`` Nick hi. Charles Cumming, you called this | :00:00. | :00:28. | |
book a cold war, which sounds like a deliberate homage to the classic spy | :00:29. | :00:32. | |
thrillers of the Cold War era. Is that right? That is partly, | :00:33. | :00:40. | |
largely, right. It is prissy impressive `` pretty impressive | :00:41. | :00:42. | |
company, people like John Le Carre. Is that inhibiting exhilarating? Is | :00:43. | :00:51. | |
flattering but a bit of albatross. As you say, they are giants of the | :00:52. | :00:55. | |
genre. John Le Carre particularly is a huge figure not just in spy | :00:56. | :01:02. | |
fiction, but culturally, if he goes for a walk in Cornwall, it makes the | :01:03. | :01:06. | |
front of The Sunday Times. If you write in historical novel, you do | :01:07. | :01:13. | |
not get called the next Hilary Mantell. There is something with spy | :01:14. | :01:19. | |
novels that we all get compared to, compared with John Le Carre or Len | :01:20. | :01:27. | |
Deayton. They were writing at a time when there were only two size. This | :01:28. | :01:34. | |
is set largely in the Middle East. There is a lot about Syria. Is it | :01:35. | :01:38. | |
more difficult to write a convincing spy thriller in an environment like | :01:39. | :01:45. | |
that? You have lost that very obvious black and white, ideological | :01:46. | :01:51. | |
communism versus capitalism. Nowadays it is harder to write | :01:52. | :01:57. | |
villains because the sort of existential threat these days is of | :01:58. | :02:03. | |
a maniac, brainwashed suicide bomber blowing us all up. In the old days | :02:04. | :02:09. | |
it was nuclear annihilation. To try and get into the personality or the | :02:10. | :02:13. | |
character of a maniac like that is not as interesting as exploring some | :02:14. | :02:18. | |
of the lives and works in Moscow. You seem to get around that by | :02:19. | :02:22. | |
acknowledging that the traitor in this book is not really ideological | :02:23. | :02:28. | |
elite driven, rather like Kim Philby he is a sociopath. He is driven by | :02:29. | :02:32. | |
his own arrogance and overconfidence. I don't think there | :02:33. | :02:39. | |
was an ideological underpinning to what Kim Philby did. I am convinced | :02:40. | :02:46. | |
he did it for reasons of vanity and joining ever better clubs, if you | :02:47. | :02:52. | |
like. It was a game to him. He was not somebody who had walked with | :02:53. | :02:55. | |
other commonest score was sympathetic to the working class. | :02:56. | :03:05. | |
They reckon... There is an intellectual game being played | :03:06. | :03:12. | |
there. There is vanity at work. He is doing what he's doing purely for | :03:13. | :03:18. | |
the satisfaction of his own conceit. We worked out long before the end | :03:19. | :03:23. | |
who is. That is the difference between a detective novel and a | :03:24. | :03:29. | |
thriller. The thriller is not so much about identifying the villain | :03:30. | :03:32. | |
as the process by which they are identified. That was a Tinker Tailor | :03:33. | :03:41. | |
Soldier Spy thing. I was very aware of the cultural weight of that book, | :03:42. | :03:53. | |
that masterpiece. And I have the same model at the beginning of the | :03:54. | :03:58. | |
cold war, people who could be the traitor. But I did not want it to be | :03:59. | :04:03. | |
a similar narrative structure. So yes, you identify my old may be | :04:04. | :04:08. | |
halfway through the story and it becomes a story not much about | :04:09. | :04:14. | |
exposing who or she is, but the Cure are making sure they do not elude | :04:15. | :04:20. | |
justice. `` the hero. This is set in Istanbul. You have obviously gone to | :04:21. | :04:27. | |
some lengths to make it convincing. Ukraine features in this book. You | :04:28. | :04:33. | |
have been overtaken by events. Ukraine comes across as a sleepy | :04:34. | :04:37. | |
client state of Russia, which it is emphatically not. Is that a problem? | :04:38. | :04:42. | |
I have had a strange crystal ball thing throughout my career. When I | :04:43. | :04:47. | |
was living in Madrid, the bombings happened. They were initially blamed | :04:48. | :04:57. | |
on the Basque separatists, Etta. The book I was riding at the time was | :04:58. | :05:05. | |
about them. I wrote the book about separatists in China rioting. The | :05:06. | :05:12. | |
week the book was published they started rioting. There is a strange | :05:13. | :05:17. | |
thing that has followed the around. You have been wrong`footed this | :05:18. | :05:24. | |
time! Yes! You have two write a book a year under contract. How | :05:25. | :05:29. | |
challenging is that? It is a challenge that I have not always | :05:30. | :05:33. | |
met, if ever. My rhythm seems to be won every 18 months or to years. | :05:34. | :05:39. | |
That may be a mixture of laziness and the failure of my imagination. | :05:40. | :05:50. | |
The quality of the books will therefore increase if a writer has | :05:51. | :05:54. | |
to concentrate on writing. Unless somebody has really hit an unusual | :05:55. | :05:59. | |
sort of place. You see Philip Roth in the Indian summer of his career | :06:00. | :06:03. | |
with the thrust of his coming out of the sky and into his fingertips. You | :06:04. | :06:11. | |
are now writing a series. This is the second book about Thomas Kell. | :06:12. | :06:19. | |
He is seeking redemption, as the publishers say. These heroes are | :06:20. | :06:24. | |
always seeking redemption. Is he going to be the hero? Will you write | :06:25. | :06:29. | |
endless books about him? I don't know about endless. He interests me | :06:30. | :06:33. | |
as a character. There is great decency in him and hope in him, but | :06:34. | :06:40. | |
there is also greyness and things that he has done that he is ashamed | :06:41. | :06:44. | |
of. He is trying to come to terms with 20 years as an intelligence | :06:45. | :06:48. | |
officer, but trying to live his life as a decent man. I don't believe in | :06:49. | :06:55. | |
this sort of fashionable line about spies, that they are sociopath and | :06:56. | :07:03. | |
maniacs. I know these people. I have spent time with them and they are no | :07:04. | :07:07. | |
different to you and I. Or the people in this studio. I'm trying to | :07:08. | :07:12. | |
get that and at the same time telling exciting story. We look | :07:13. | :07:15. | |
forward to the next one. Thank you very much indeed, Charles Cumming. | :07:16. | :07:16. | |
Thank you. Hello there. After a reasonable day | :07:17. | :07:27. | |
for many it looks as though we will continue to see a fair amount of | :07:28. | :07:32. | |
cloud but a quiet night. Mostly dry for many. There will be some fog | :07:33. | :07:41. | |
around. Temperatures perhaps falling away. | :07:42. | :07:46. |