Bee Rowlatt Meet the Author


Bee Rowlatt

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Now it's time for Meet the Author.

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Bee Rowlatt is a writer and journalist,

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and the mother of four children.

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She has also been a fan since her student days of

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Mary Wollstonecraft, pioneering feminist, and the mother of Mary

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Shelley, author of Frankenstein.

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In Search Of Mary:

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The Mother Of All Journeys, is a sort of travel book, in

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which Bee, accompanied by her baby son Will, travels to Scandinavia

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and Paris in Wollstonecraft's footsteps, and later to California.

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It is also an exploration of what it means to be a feminist,

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Wollstonecraft's world, and the modern world.

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Bee Rowlatt, let's start with Mary Wollstonecraft.

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A lot of people, probably even today, will not know who she is.

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The very brief introduction?

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The brief introduction is that she is the foremother of feminism.

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She wrote the earliest account of women's equality,

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which was a vindication of the rights of woman, in 1792.

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What is less known about her is that she did travel writing,

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war reporting, she was a fearless and intrepid explorer of the world.

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And a great Enlightenment philosopher.

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And she also had a famous daughter?

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She had a very famous daughter who wrote Frankenstein, Mary Shelley.

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And why have you always been so fascinated with her?

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This goes back a long way, doesn't it?

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It does, we have got a lot of history together.

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It actually came about when I was an undergrad student

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looking at the Romantic poets.

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It turned out that they were very heavily influenced by this

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travel writing that she did.

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She wrote a book called Letters From Norway, a fairly

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obscure, now fairly obscure, book.

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It details a journey that she undertakes

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around the shores of Scandinavia.

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She does not reveal her true purpose.

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But the writing itself is this extraordinary combination of kind

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of very dry local detail, and then these sort of ecstatic,

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sublime yearnings.

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They are in the shape of letters, all addressed to some mystery

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person.

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And then fairly recently, in the 1970s, scholars and historians

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discovered that the actual true purpose of her writings was that she

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had been sent off on a treasure hunt by her dodgy boyfriend,

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to whom the letters are addressed.

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There is a whole load of backstory.

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She met him in Paris during the revolution when she had gone

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over there, and he had been selling revolutionary, selling aristocrats'

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silver in Scandinavia in exchange for food, possibly arms.

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One of these shipments of silver had gone missing, and he packed her off,

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with her young daughter, her baby daughter, in search of this silver.

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That was astonishing, because she was a single mum travelling

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in very difficult conditions.

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These were times, you know, 1795, these were times when most men

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would not travel on their own.

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You know, there really were highwaymen and pirates.

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And she goes off with a baby!

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And to me, that just seems so incredible,

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you know, the very vexed subject of careers versus motherhood,

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it seems to be one of those topics that doesn't ever go away.

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I just thought, how on earth did she do it?

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So, you set out to find out by doing it yourself,

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with your young son, Will?

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Yes, I hoped to do a Wollstonecraft!

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Well, this is a very entertaining book.

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Will comes across as quite a powerful character.

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How old was he when you went?

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Well, as luck would have it, when we travelled, he was

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the same age as Wollstonecraft's baby, roughly ten months old.

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Just starting to crawl, you know, not the easiest phase

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as a travelling companion.

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He is very cute, there are lots of photographs

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of the two of you in Norway.

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And it looks beautiful.

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You are by the sea.

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It is wonderful.

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But it is quite tough, isn't it, travelling by yourself with a baby?

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It is not easy.

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But part of the revelation was that actually it gives you a brilliant

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entree into people's lives.

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Because people do take you on, you know.

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We were put up in strangers' houses, everybody talked to us, you know,

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who is this weird Wollstonecraft fanatic,

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travelling around with a baby?

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You know, we were quite an oddity, in much the same way that

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Wollstonecraft was.

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She actually describes this in her writing.

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What did you learn about Wollstonecraft that you hadn't

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known before?

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How brave she was.

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It was just astonishing what she did.

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I knew for example that she suffered quite accute depression,

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and this is very apparent in the reading of the book.

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She tried to take her own life.

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She did.

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She attempted suicide twice, and, you know, these things I really

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struggled with, because basically I am a really happy person.

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So, whilst I wanted to get as close as I could,

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there were moments when I just...

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There were things that I found very hard to approach, for instance,

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her death.

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It took me a long time to be able to write about that.

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In the book, you also take a trip with Will, a little bit

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later, to Paris, to try and retrace her steps during the revolution.

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There is a wonderful photograph of Will attempting to break away up

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the stairs in Paris.

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And then you also went to California later and met some really...

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Slightly weird and wacky feminists in California.

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What were you trying to do?

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Wollstonecraft of course never went to California.

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Wollstonecraft wanted to go to America.

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For her, that was the true frontier.

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She fell in love with an American frontierman.

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As the French Revolution became increasingly bloody and violent,

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her gaze went from the blood-soaked streets of Paris to America.

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That is true of so many of the Romantics.

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So she wanted to go, sadly she didn't live long enough.

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She had plans to take her family out there.

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It seemed that in her eyes that was the revolution that worked.

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For me, I wanted to go to see where her feminist legacy, you know,

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how far you can push it, where is the logical conclusion,

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where does it go?

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The question which you pose at one point in the book is whether

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feminism and working motherhood are just middle-class occupations.

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You are essentially middle-class, you are a writer, your husband works

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for the BBC, Justin Rowlatt, the BBC's correspondent in Delhi now.

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What is your answer, from your own experience, your own

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travels, and from Wollstonecraft, what is your answer to question?

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My answer is that, you know, feminism should be

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a very big umbrella, there is space for everybody.

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It is not, whilst I completely content that, yes, some women do not

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have the option of choosing, they just have to strap a baby to their

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back and still go out and plough the fields, they don't have the luxury

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of that debate, you know, everybody's experience is valid,

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and everybody's experience is worthy of telling.

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At one point in this book you take a detour to Holbeck Leeds to meet

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a friend of yours who works there with very disadvantaged women.

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Tell me about Holbeck and its significance?

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It is a friend of mine who works in community social outreach

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in Holbeck, which is possibly one of the most

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underprivileged parts of Leeds.

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It was shocking.

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She works with people who are completely excluded and have

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children under the age of five.

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And it just blew me away, actually.

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It is...

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You know, I'm from Yorkshire, this is in our country,

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and it was poverty that I hadn't really seen before.

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It made the reading of Wollstonecraft even more

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poignant, because that is what she was all about.

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She was about the vulnerable position of women, and single

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mothers, in today's society, which increasingly seems, with austerity,

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it seems an increasingly cruel place for a struggling single mum.

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And she spoke very much about that.

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Should we know more about Wollstonecraft?

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Absolutely, we should know more about Wollstonecraft.

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I can't believe she isn't more famous.

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That was partly the motivation behind writing the book, was that I

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just couldn't believe that there is this incredible woman who did

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so much and achieved so much in so little time, she died when she was

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38, she died at the peak of her writing powers. It is heartbreaking.

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So, she isn't well enough known, and I will not be satisfied

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until she is famous everywhere!

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Bee Rowlatt, thank you very much indeed.

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Thank you.

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Good

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