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Now it's time for Meet the Author. | 0:00:00 | 0:00:02 | |
Bee Rowlatt is a writer and journalist, | 0:00:09 | 0:00:10 | |
and the mother of four children. | 0:00:10 | 0:00:12 | |
She has also been a fan since her student days of | 0:00:12 | 0:00:14 | |
Mary Wollstonecraft, pioneering feminist, and the mother of Mary | 0:00:14 | 0:00:16 | |
Shelley, author of Frankenstein. | 0:00:16 | 0:00:17 | |
In Search Of Mary: | 0:00:17 | 0:00:18 | |
The Mother Of All Journeys, is a sort of travel book, in | 0:00:18 | 0:00:21 | |
which Bee, accompanied by her baby son Will, travels to Scandinavia | 0:00:21 | 0:00:24 | |
and Paris in Wollstonecraft's footsteps, and later to California. | 0:00:24 | 0:00:28 | |
It is also an exploration of what it means to be a feminist, | 0:00:28 | 0:00:31 | |
Wollstonecraft's world, and the modern world. | 0:00:31 | 0:00:34 | |
Bee Rowlatt, let's start with Mary Wollstonecraft. | 0:00:49 | 0:00:51 | |
A lot of people, probably even today, will not know who she is. | 0:00:51 | 0:00:56 | |
The very brief introduction? | 0:00:57 | 0:01:00 | |
The brief introduction is that she is the foremother of feminism. | 0:01:00 | 0:01:02 | |
She wrote the earliest account of women's equality, | 0:01:02 | 0:01:04 | |
which was a vindication of the rights of woman, in 1792. | 0:01:04 | 0:01:07 | |
What is less known about her is that she did travel writing, | 0:01:07 | 0:01:10 | |
war reporting, she was a fearless and intrepid explorer of the world. | 0:01:10 | 0:01:13 | |
And a great Enlightenment philosopher. | 0:01:13 | 0:01:18 | |
And she also had a famous daughter? | 0:01:18 | 0:01:20 | |
She had a very famous daughter who wrote Frankenstein, Mary Shelley. | 0:01:20 | 0:01:24 | |
And why have you always been so fascinated with her? | 0:01:24 | 0:01:27 | |
This goes back a long way, doesn't it? | 0:01:27 | 0:01:29 | |
It does, we have got a lot of history together. | 0:01:29 | 0:01:31 | |
It actually came about when I was an undergrad student | 0:01:31 | 0:01:33 | |
looking at the Romantic poets. | 0:01:33 | 0:01:35 | |
It turned out that they were very heavily influenced by this | 0:01:35 | 0:01:37 | |
travel writing that she did. | 0:01:37 | 0:01:39 | |
She wrote a book called Letters From Norway, a fairly | 0:01:39 | 0:01:41 | |
obscure, now fairly obscure, book. | 0:01:41 | 0:01:44 | |
It details a journey that she undertakes | 0:01:44 | 0:01:46 | |
around the shores of Scandinavia. | 0:01:46 | 0:01:50 | |
She does not reveal her true purpose. | 0:01:50 | 0:01:51 | |
But the writing itself is this extraordinary combination of kind | 0:01:51 | 0:01:54 | |
of very dry local detail, and then these sort of ecstatic, | 0:01:54 | 0:01:56 | |
sublime yearnings. | 0:01:56 | 0:01:57 | |
They are in the shape of letters, all addressed to some mystery | 0:01:57 | 0:02:00 | |
person. | 0:02:00 | 0:02:02 | |
And then fairly recently, in the 1970s, scholars and historians | 0:02:02 | 0:02:04 | |
discovered that the actual true purpose of her writings was that she | 0:02:04 | 0:02:09 | |
had been sent off on a treasure hunt by her dodgy boyfriend, | 0:02:09 | 0:02:18 | |
to whom the letters are addressed. | 0:02:18 | 0:02:19 | |
There is a whole load of backstory. | 0:02:19 | 0:02:21 | |
She met him in Paris during the revolution when she had gone | 0:02:21 | 0:02:24 | |
over there, and he had been selling revolutionary, selling aristocrats' | 0:02:24 | 0:02:26 | |
silver in Scandinavia in exchange for food, possibly arms. | 0:02:26 | 0:02:28 | |
One of these shipments of silver had gone missing, and he packed her off, | 0:02:28 | 0:02:32 | |
with her young daughter, her baby daughter, in search of this silver. | 0:02:32 | 0:02:38 | |
That was astonishing, because she was a single mum travelling | 0:02:38 | 0:02:41 | |
in very difficult conditions. | 0:02:41 | 0:02:45 | |
These were times, you know, 1795, these were times when most men | 0:02:45 | 0:02:48 | |
would not travel on their own. | 0:02:48 | 0:02:51 | |
You know, there really were highwaymen and pirates. | 0:02:51 | 0:02:57 | |
And she goes off with a baby! | 0:02:57 | 0:02:59 | |
And to me, that just seems so incredible, | 0:02:59 | 0:03:01 | |
you know, the very vexed subject of careers versus motherhood, | 0:03:01 | 0:03:03 | |
it seems to be one of those topics that doesn't ever go away. | 0:03:03 | 0:03:06 | |
I just thought, how on earth did she do it? | 0:03:06 | 0:03:09 | |
So, you set out to find out by doing it yourself, | 0:03:09 | 0:03:11 | |
with your young son, Will? | 0:03:11 | 0:03:12 | |
Yes, I hoped to do a Wollstonecraft! | 0:03:12 | 0:03:14 | |
Well, this is a very entertaining book. | 0:03:14 | 0:03:16 | |
Will comes across as quite a powerful character. | 0:03:16 | 0:03:18 | |
How old was he when you went? | 0:03:18 | 0:03:20 | |
Well, as luck would have it, when we travelled, he was | 0:03:20 | 0:03:23 | |
the same age as Wollstonecraft's baby, roughly ten months old. | 0:03:23 | 0:03:25 | |
Just starting to crawl, you know, not the easiest phase | 0:03:25 | 0:03:27 | |
as a travelling companion. | 0:03:28 | 0:03:34 | |
He is very cute, there are lots of photographs | 0:03:34 | 0:03:36 | |
of the two of you in Norway. | 0:03:36 | 0:03:38 | |
And it looks beautiful. | 0:03:38 | 0:03:39 | |
You are by the sea. | 0:03:39 | 0:03:40 | |
It is wonderful. | 0:03:40 | 0:03:41 | |
But it is quite tough, isn't it, travelling by yourself with a baby? | 0:03:41 | 0:03:44 | |
It is not easy. | 0:03:44 | 0:03:45 | |
But part of the revelation was that actually it gives you a brilliant | 0:03:45 | 0:03:48 | |
entree into people's lives. | 0:03:48 | 0:03:49 | |
Because people do take you on, you know. | 0:03:49 | 0:03:51 | |
We were put up in strangers' houses, everybody talked to us, you know, | 0:03:51 | 0:03:54 | |
who is this weird Wollstonecraft fanatic, | 0:03:54 | 0:03:56 | |
travelling around with a baby? | 0:03:56 | 0:03:57 | |
You know, we were quite an oddity, in much the same way that | 0:03:57 | 0:04:00 | |
Wollstonecraft was. | 0:04:00 | 0:04:00 | |
She actually describes this in her writing. | 0:04:00 | 0:04:02 | |
What did you learn about Wollstonecraft that you hadn't | 0:04:02 | 0:04:05 | |
known before? | 0:04:05 | 0:04:06 | |
How brave she was. | 0:04:06 | 0:04:06 | |
It was just astonishing what she did. | 0:04:06 | 0:04:08 | |
I knew for example that she suffered quite accute depression, | 0:04:08 | 0:04:11 | |
and this is very apparent in the reading of the book. | 0:04:11 | 0:04:14 | |
She tried to take her own life. | 0:04:14 | 0:04:16 | |
She did. | 0:04:16 | 0:04:17 | |
She attempted suicide twice, and, you know, these things I really | 0:04:17 | 0:04:19 | |
struggled with, because basically I am a really happy person. | 0:04:19 | 0:04:22 | |
So, whilst I wanted to get as close as I could, | 0:04:22 | 0:04:25 | |
there were moments when I just... | 0:04:25 | 0:04:26 | |
There were things that I found very hard to approach, for instance, | 0:04:26 | 0:04:29 | |
her death. | 0:04:29 | 0:04:29 | |
It took me a long time to be able to write about that. | 0:04:29 | 0:04:33 | |
In the book, you also take a trip with Will, a little bit | 0:04:33 | 0:04:36 | |
later, to Paris, to try and retrace her steps during the revolution. | 0:04:36 | 0:04:38 | |
There is a wonderful photograph of Will attempting to break away up | 0:04:38 | 0:04:41 | |
the stairs in Paris. | 0:04:41 | 0:04:44 | |
And then you also went to California later and met some really... | 0:04:44 | 0:04:52 | |
Slightly weird and wacky feminists in California. | 0:04:52 | 0:04:55 | |
What were you trying to do? | 0:04:55 | 0:04:58 | |
Wollstonecraft of course never went to California. | 0:04:58 | 0:04:59 | |
Wollstonecraft wanted to go to America. | 0:04:59 | 0:05:01 | |
For her, that was the true frontier. | 0:05:01 | 0:05:02 | |
She fell in love with an American frontierman. | 0:05:02 | 0:05:04 | |
As the French Revolution became increasingly bloody and violent, | 0:05:04 | 0:05:07 | |
her gaze went from the blood-soaked streets of Paris to America. | 0:05:07 | 0:05:12 | |
That is true of so many of the Romantics. | 0:05:12 | 0:05:16 | |
So she wanted to go, sadly she didn't live long enough. | 0:05:16 | 0:05:19 | |
She had plans to take her family out there. | 0:05:19 | 0:05:21 | |
It seemed that in her eyes that was the revolution that worked. | 0:05:21 | 0:05:24 | |
For me, I wanted to go to see where her feminist legacy, you know, | 0:05:24 | 0:05:28 | |
how far you can push it, where is the logical conclusion, | 0:05:28 | 0:05:31 | |
where does it go? | 0:05:31 | 0:05:33 | |
The question which you pose at one point in the book is whether | 0:05:33 | 0:05:36 | |
feminism and working motherhood are just middle-class occupations. | 0:05:36 | 0:05:41 | |
You are essentially middle-class, you are a writer, your husband works | 0:05:41 | 0:05:44 | |
for the BBC, Justin Rowlatt, the BBC's correspondent in Delhi now. | 0:05:44 | 0:05:48 | |
What is your answer, from your own experience, your own | 0:05:48 | 0:05:50 | |
travels, and from Wollstonecraft, what is your answer to question? | 0:05:50 | 0:05:55 | |
My answer is that, you know, feminism should be | 0:05:55 | 0:05:57 | |
a very big umbrella, there is space for everybody. | 0:05:57 | 0:05:59 | |
It is not, whilst I completely content that, yes, some women do not | 0:05:59 | 0:06:02 | |
have the option of choosing, they just have to strap a baby to their | 0:06:02 | 0:06:06 | |
back and still go out and plough the fields, they don't have the luxury | 0:06:06 | 0:06:10 | |
of that debate, you know, everybody's experience is valid, | 0:06:10 | 0:06:12 | |
and everybody's experience is worthy of telling. | 0:06:12 | 0:06:17 | |
At one point in this book you take a detour to Holbeck Leeds to meet | 0:06:17 | 0:06:21 | |
a friend of yours who works there with very disadvantaged women. | 0:06:21 | 0:06:25 | |
Tell me about Holbeck and its significance? | 0:06:25 | 0:06:29 | |
It is a friend of mine who works in community social outreach | 0:06:29 | 0:06:32 | |
in Holbeck, which is possibly one of the most | 0:06:32 | 0:06:35 | |
underprivileged parts of Leeds. | 0:06:35 | 0:06:39 | |
It was shocking. | 0:06:39 | 0:06:42 | |
She works with people who are completely excluded and have | 0:06:42 | 0:06:45 | |
children under the age of five. | 0:06:45 | 0:06:46 | |
And it just blew me away, actually. | 0:06:46 | 0:06:49 | |
It is... | 0:06:49 | 0:06:52 | |
You know, I'm from Yorkshire, this is in our country, | 0:06:52 | 0:06:55 | |
and it was poverty that I hadn't really seen before. | 0:06:55 | 0:06:57 | |
It made the reading of Wollstonecraft even more | 0:06:57 | 0:06:59 | |
poignant, because that is what she was all about. | 0:06:59 | 0:07:03 | |
She was about the vulnerable position of women, and single | 0:07:03 | 0:07:05 | |
mothers, in today's society, which increasingly seems, with austerity, | 0:07:05 | 0:07:11 | |
it seems an increasingly cruel place for a struggling single mum. | 0:07:11 | 0:07:16 | |
And she spoke very much about that. | 0:07:16 | 0:07:19 | |
Should we know more about Wollstonecraft? | 0:07:19 | 0:07:21 | |
Absolutely, we should know more about Wollstonecraft. | 0:07:21 | 0:07:23 | |
I can't believe she isn't more famous. | 0:07:23 | 0:07:25 | |
That was partly the motivation behind writing the book, was that I | 0:07:25 | 0:07:28 | |
just couldn't believe that there is this incredible woman who did | 0:07:28 | 0:07:31 | |
so much and achieved so much in so little time, she died when she was | 0:07:31 | 0:07:36 | |
38, she died at the peak of her writing powers. It is heartbreaking. | 0:07:36 | 0:07:40 | |
So, she isn't well enough known, and I will not be satisfied | 0:07:40 | 0:07:42 | |
until she is famous everywhere! | 0:07:42 | 0:07:46 | |
Bee Rowlatt, thank you very much indeed. | 0:07:46 | 0:07:48 | |
Thank you. | 0:07:48 | 0:07:50 | |
Good | 0:08:01 | 0:08:01 |