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HAZEL IRVINE: Good afternoon, three days, three deciders, that is what | :00:34. | :00:40. | |
this Dafabet has produced at Alexandra Palace. It has been a | :00:41. | :00:44. | |
fantastic tournament to date, with thrilling afternoon drama and | :00:45. | :00:46. | |
compelling theatre in the evening as well. | :00:47. | :00:51. | |
Here are the stats, 15 centuries have been made in only six matches | :00:52. | :00:56. | |
so far. Five of them in that memorable showpiece yesterday when | :00:57. | :01:01. | |
Judd Trump fell to a very cool and classy Marco Fu. | :01:02. | :01:08. | |
It seemed like he hit that harder than he needed. | :01:09. | :01:19. | |
A massive steel, so much more than the last frame. | :01:20. | :01:23. | |
That's 3-0. Possibly tempted with the double | :01:24. | :01:29. | |
here. What a shot that is. | :01:30. | :01:36. | |
Judd Trump will be sitting in his chair thinking that Marco Fu's away | :01:37. | :01:42. | |
with this. What another cracking frame of | :01:43. | :01:46. | |
snooker. He is only one behind now, 4-3. | :01:47. | :01:51. | |
Well, there's a bit of naughty snooker from Judd Trump, a beautiful | :01:52. | :01:55. | |
century break. What a fabulous response. It's 5-4. | :01:56. | :02:02. | |
He's missed it. He missed everything in that. | :02:03. | :02:11. | |
Kick, and he has still got the pot. What a way that would have been to | :02:12. | :02:20. | |
have lost a match in the Masters. Where's the red going? Wow... what a | :02:21. | :02:29. | |
fluke that is. It just doesn't get any better than | :02:30. | :02:35. | |
this. Absolutely brilliant from Marco Fu. | :02:36. | :02:41. | |
Both players at the top of their form, one has made two century | :02:42. | :02:44. | |
breaks, the other has made three. They are getting a standing ovation, | :02:45. | :02:46. | |
and don't they deserve it. He is going for the black. Oh! What | :02:47. | :02:53. | |
a good pot that was. Another solid pot from the | :02:54. | :03:08. | |
Australian. Didn't he strike that well. | :03:09. | :03:13. | |
Pretty impressive display, this, tonight from Robertson. A brick of a | :03:14. | :03:20. | |
century here. It's there and there is no way back | :03:21. | :03:23. | |
now for Ali Carter. What a great match and what a performer, Neil | :03:24. | :03:29. | |
Robertson is absolutely delighted, and has booked a date in the | :03:30. | :03:30. | |
quarterfinal. HAZEL IRVINE: A watchable | :03:31. | :03:39. | |
quarterfinal draw is shaping up. Ronnie O'Sullivan is safely through, | :03:40. | :03:43. | |
only just. He will now play Neil Robertson, who defeated Ali Carter | :03:44. | :03:46. | |
last night. It might have been Judd Trump against John Higgins, that | :03:47. | :03:53. | |
Marco Fu won the day against Judd Trump, and he will play Mark Allen. | :03:54. | :03:57. | |
Joe Perry is through to his second quarterfinal, taking on Ding Junhui, | :03:58. | :04:03. | |
who finally won a game at Ally Pally. And we will sort this out, | :04:04. | :04:06. | |
Shaun Murphy against Barry Hawkins this evening. This afternoon, it is | :04:07. | :04:09. | |
Mark Selby against Mark Williams. Everyone is still abuzz with that | :04:10. | :04:17. | |
match yesterday featuring Marco Fu and Judd Trump. Five centuries, | :04:18. | :04:25. | |
eight 100 school breaks. Marco Fu is now playing the best snooker of his | :04:26. | :04:29. | |
career. I think he is. He has reinvented himself. It was not | :04:30. | :04:34. | |
unfair to call him a journeyman, but now he is a winning machine. It | :04:35. | :04:39. | |
looks like he has got a leaf will stop I know another man with great | :04:40. | :04:41. | |
belief, Mark Selby. He has been world number one, at the | :04:42. | :04:51. | |
top of the rankings, for 100 weeks, almost two years. In some respects, | :04:52. | :04:55. | |
does he remind you of a certain someone like Steve Davis? You were | :04:56. | :04:58. | |
the Rumford robot, the winning machine. You were teased and derided | :04:59. | :05:02. | |
about that, do you see a resemblance in that regard? I think so. | :05:03. | :05:09. | |
He is a great match player. There is nothing he does wrong in the game. | :05:10. | :05:12. | |
He does great interviews, he turns up when he needs to do. He is a | :05:13. | :05:16. | |
winning machine, but there is always an element of people that watch that | :05:17. | :05:20. | |
don't want to see that relentless winner. They prefer to see the | :05:21. | :05:24. | |
vulnerable entertainer. But long-term, I think people come | :05:25. | :05:29. | |
around to valuing his commodity, and also liking the person. | :05:30. | :05:33. | |
So by the end of his reign, I think he will be much more liked than at | :05:34. | :05:38. | |
the moment. It is interesting. You talk about popularity contests, | :05:39. | :05:44. | |
you never saw it like that, yet you won one. You have the most top three | :05:45. | :05:48. | |
nominations of anybody in sports personality of the year. Is that a | :05:49. | :05:52. | |
career path for him outside snooker somehow? | :05:53. | :05:55. | |
I think it will be in the end. People accept gestures of champions, | :05:56. | :06:00. | |
and great triers. But the most important thing is, true snooker | :06:01. | :06:09. | |
fans like Mark Selby. The people that I don't care about are the ones | :06:10. | :06:12. | |
that don't like Mark Selby. They only like certain types of players. | :06:13. | :06:16. | |
The proper snooker fan likes all types of snooker players and what | :06:17. | :06:19. | |
they bring to the table. We will be watching this match with | :06:20. | :06:31. | |
tap in Steve Davis. You are one of the few people that have won all | :06:32. | :06:36. | |
three majors, the triple Crown, the World Championship, the Masters and | :06:37. | :06:43. | |
the UK Silver Vase. And held all three simultaneously. It is a | :06:44. | :06:47. | |
difficult thing to do. Mark Selby can complete a Selby Slam if he wins | :06:48. | :06:53. | |
the trophy this week. He would join this group of players. Only Steve | :06:54. | :06:58. | |
Davis and Stephen Hendry have done it twice, together with John Higgins | :06:59. | :07:03. | |
and Mark Williams, owning all three at the same time. Now, that is a | :07:04. | :07:05. | |
club. To win the triple Crown, I think, is | :07:06. | :07:23. | |
a fantastic feeling of satisfaction that you have truly dominated. But | :07:24. | :07:32. | |
the type of person that is likely to win the Triple Crown is the type of | :07:33. | :07:35. | |
player that has a relentlessness to their game. | :07:36. | :07:42. | |
In order, I would place the World Championship first, then the | :07:43. | :07:47. | |
Masters, then the UK. If I went through a season without winning any | :07:48. | :07:50. | |
of them, it would be a huge disappointment, it even if I won | :07:51. | :07:53. | |
three or four others. Those are the three that you'd grow up watching on | :07:54. | :07:57. | |
TV, and you associate with being the best player in the world. | :07:58. | :08:02. | |
Very few players have done it, Ronnie has not done it, amazingly, | :08:03. | :08:11. | |
and such a great player he is. It must be difficult if someone like | :08:12. | :08:16. | |
Ronnie O'Sullivan has never done it, and there are only four players that | :08:17. | :08:19. | |
have ever done it. It tells you how hard it is. | :08:20. | :08:24. | |
It lends itself to a John Higgins style player that day in, day out, | :08:25. | :08:30. | |
plays a bread winning game under all conditions. But as they go through a | :08:31. | :08:33. | |
tournament, can move through the gears as well. That is the vein that | :08:34. | :08:37. | |
Mark Selby is in. Coming here, knowing that I am in a | :08:38. | :08:41. | |
chance to join that elite group that you mentioned to hold all three | :08:42. | :08:45. | |
titles at the same time, it is going to be tough. | :08:46. | :08:47. | |
If anybody could do it and make it look not easy, but look like he was | :08:48. | :08:53. | |
in control, Mark Selby is the animal, the ultimate animal. The | :08:54. | :08:59. | |
predator. HAZEL IRVINE: Only four men have so | :09:00. | :09:03. | |
far done it. Steve Davis, what does it feel like to have these beautiful | :09:04. | :09:08. | |
things in your possession? Your own personal trophy cabinet at one time? | :09:09. | :09:11. | |
You have all the keys to the sweet box, you are a superhero and you | :09:12. | :09:15. | |
have an invincibility shield around you that lasts a bit longer for the | :09:16. | :09:19. | |
rest of the season. And perhaps the season after that. | :09:20. | :09:22. | |
Is it even harder to achieve now than it was in your day? It is 14 | :09:23. | :09:27. | |
years since this was actually done? I think I would have to say it must | :09:28. | :09:31. | |
be. To do it it's hard enough. To always be on your best form, or good | :09:32. | :09:35. | |
enough form to get through all of the matches that you had to play | :09:36. | :09:38. | |
even on a bad day, is tough. But when you look at the standard of | :09:39. | :09:42. | |
players you come up against now, it is harder than it has ever been, | :09:43. | :09:44. | |
definitely. The irony is, the last man to do it, | :09:45. | :09:49. | |
Mark Williams, is the man that Mark Selby is playing today. It is worth | :09:50. | :09:54. | |
reminding you of Mark Williams's incredible invincibility back then. | :09:55. | :10:00. | |
He reigned supreme, 2002- 03 season in particular. | :10:01. | :10:04. | |
He had the code to winning matches back then. He had the formula for | :10:05. | :10:10. | |
getting over the line, the tightrope walk of brinkmanship with Mark, | :10:11. | :10:13. | |
potting pressure balls to get out of trouble. The trouble is, that bubble | :10:14. | :10:17. | |
at some stage bursts, and it is tough to get it back. Mark Williams | :10:18. | :10:21. | |
is somebody that is a potential banana skin for any player in the | :10:22. | :10:24. | |
game, because he is a great match player. | :10:25. | :10:26. | |
Let's look at the head-to-head series between the two, it is | :10:27. | :10:30. | |
interesting. Williams, making his 19th appearance at the Masters, he | :10:31. | :10:35. | |
comes with a stronger record. Selby won their most recent contest at the | :10:36. | :10:40. | |
Welsh last year. This is the first time they have met in a major for | :10:41. | :10:48. | |
four years. So John Parrott, pick the bones out of all of that. I | :10:49. | :10:52. | |
would do, but I don't have too. I have commentators in my midst. | :10:53. | :10:57. | |
Stephen, I know you don't like saying nice things about Mark | :10:58. | :11:01. | |
Williams, but it is his credit that he is in the last 16. | :11:02. | :11:04. | |
He is still winning matches, but if you look at the Golden generation, | :11:05. | :11:12. | |
Higgins and O'Sullivan are still winning. Mark it on. I worry if he | :11:13. | :11:16. | |
has given up on winning. When I speak to him, he says he does not | :11:17. | :11:20. | |
care if he wins or loses, he turned up, he likes his life, he doesn't | :11:21. | :11:23. | |
bother. That is a worrying attitude for me, but that is the way he is. | :11:24. | :11:28. | |
How important is it for him to school today? It is tough to play | :11:29. | :11:32. | |
Mark Selby. You had to compete in all departments. -- score. You don't | :11:33. | :11:38. | |
get many chances. If there is a weakness, he hasn't scored heavily | :11:39. | :11:39. | |
enough. He is up against somebody that is | :11:40. | :11:43. | |
brilliant with ring craft in Mark Selby, but Mark Williams's own ring | :11:44. | :11:48. | |
craft has given him bob runs in the past. | :11:49. | :11:49. | |
It would give any player problems. But Mark Selby is on a high. He is | :11:50. | :11:54. | |
number one in the world. -- problems. Saying about the Grand | :11:55. | :11:59. | |
Slam, he has the pressure of that. Maybe that could work to Mark | :12:00. | :12:02. | |
Williams's advantage, to keep the pressure on. | :12:03. | :12:05. | |
But I think Mark Selby at the moment is head and shoulders. He is | :12:06. | :12:11. | |
confident and everything else. He has an unerring habit of winning | :12:12. | :12:15. | |
not at his best, and that is a fantastic thing to have in your | :12:16. | :12:16. | |
armour. You could say the same thing about | :12:17. | :12:21. | |
Mark Williams at his best. I agree with Stephen, Mark Williams is | :12:22. | :12:24. | |
reinventing himself, but he needs a bit of silverware, or you lose the | :12:25. | :12:29. | |
will to play, if you like. Looking forward to listening to you | :12:30. | :12:33. | |
this afternoon. More of the same from these players, please. It has | :12:34. | :12:36. | |
been a fantastic week. Rob Walker, take it away. | :12:37. | :12:41. | |
Today, we complete the line-up for the quarterfinals of this year 's | :12:42. | :12:47. | |
Dafabet Masters, which so far has been a brilliant tournament. Now to | :12:48. | :12:51. | |
a match to be two men that have lifted this title five times between | :12:52. | :12:57. | |
them. Could be a lot of fun here this afternoon at Alexandra Palace. | :12:58. | :13:02. | |
Please welcome a player who first appeared at the Masters 22 years | :13:03. | :13:16. | |
ago, twice a winner of this once, twice a world champion stop he | :13:17. | :13:22. | |
jokingly refers to himself as the Welsh Has Been, but we know there is | :13:23. | :13:26. | |
a touch of magic or two left in the cue, please welcome Mark Williams. | :13:27. | :13:43. | |
And his opponent, a player of immense composure on the big | :13:44. | :14:04. | |
occasion, five times a Masters finalist, three times a champion. He | :14:05. | :14:08. | |
has just passed his 100th consecutive week as well number one. | :14:09. | :14:12. | |
Reigning UK champion, reigning world champion, he's The Jester From | :14:13. | :14:15. | |
Leicester hummer Mark Selby. HAZEL IRVINE: Here we go, Steve and | :14:16. | :14:54. | |
John, all yours. JOHN VIRGO: Thank you, Hazel, good | :14:55. | :14:59. | |
afternoon, everybody. This could be a very interesting match. | :15:00. | :15:06. | |
REFEREE: Thank you, the first frame, Mark Williams to break. | :15:07. | :15:13. | |
Mark Williams gets the match underway. | :15:14. | :15:18. | |
And a good break-off shot it is. APPLAUSE | :15:19. | :15:35. | |
An excellent return from Mark. Look at that. Good shot. | :15:36. | :16:04. | |
Two fantastic tactical brains up against each other today. | :16:05. | :16:41. | |
Snub you see a return back to walk here, so you'll have UK. -- it's not | :16:42. | :17:40. | |
easy to see. I am not sure whether the right to the left bank goes to | :17:41. | :17:43. | |
the right middle. No, it doesn't. So safe enough. | :17:44. | :18:00. | |
-- the red the left of the pink. A little bit loose there, and his | :18:01. | :18:11. | |
opponent with his hand on the table. You should have played a better fate | :18:12. | :18:13. | |
than that. I could say the same about Mark | :18:14. | :18:22. | |
Williams there. That was a poor shot. | :18:23. | :18:26. | |
The worst thing that has happened there, he has opened the black up to | :18:27. | :18:29. | |
the left corner. He may have two just swerve this a | :18:30. | :18:45. | |
touch. Should be able to hold forth black mud playing it with swerve. | :18:46. | :18:52. | |
He certainly didn't want to hit the red that full. OK, it has gone in, | :18:53. | :19:02. | |
but he wanted it a bit more on the left. He will be straight on the | :19:03. | :19:10. | |
black. He can still pot the black, but he has had a look at the blue. | :19:11. | :19:16. | |
Although the blue is an easier pot, he will be struggling to get back | :19:17. | :19:21. | |
amongst the reds, so he's playing the black. It's a bit high. | :19:22. | :19:34. | |
-- high. I don't know if the pink goes. It obviously does. Not a | :19:35. | :20:06. | |
problem to be on the side cushion. APPLAUSE | :20:07. | :20:09. | |
As we were saying before, he has got to school today from these | :20:10. | :20:13. | |
opportunities, winning frames in one visit. | :20:14. | :20:26. | |
A little bit awkward, this position of shot. Two reds beside the pink | :20:27. | :20:46. | |
Dodd pot. I don't think he would play for a red. Not straightforward | :20:47. | :20:55. | |
to get nicely on the next red. He's played that well. He now has | :20:56. | :21:05. | |
the natural angle just to drop on the pink. | :21:06. | :21:40. | |
Now, can you put this red and avoid the kiss on the pink? I am not | :21:41. | :21:45. | |
certain he can. He would love to... if he was | :21:46. | :21:59. | |
straight on the red, he could screw back for the pink on the same | :22:00. | :22:03. | |
pocket. But if you can't avoid the kiss on the pink, he won't be on it. | :22:04. | :22:11. | |
He didn't want to take the risk, so played it firmer. Always knew he | :22:12. | :22:16. | |
would have the blue in the far right corner, but he doesn't really want | :22:17. | :22:22. | |
to be playing the blue. So he's just run out of perfect | :22:23. | :22:25. | |
position now. I think you can pot black and screw | :22:26. | :22:37. | |
back for the red to the right middle. I don't think the will do | :22:38. | :22:45. | |
anything like going into the bunch from this shot. | :22:46. | :22:50. | |
That's OK. APPLAUSE I think the one thing that could | :22:51. | :23:11. | |
suit him two days, Stephen, because he's not really a power player, he | :23:12. | :23:16. | |
likes floating bubbles in, a quick table suits his type of game down to | :23:17. | :23:22. | |
the ground. So that could lead to his advantage. But having said that, | :23:23. | :23:29. | |
on the table, he's just been a bit unlucky there. I don't think he's on | :23:30. | :23:32. | |
anything. You could have done with another | :23:33. | :23:37. | |
couple of ounces of power going into the pack there. I agree with you, | :23:38. | :23:40. | |
John, he's a touch player. Walking to the baulk end. That tells | :23:41. | :24:08. | |
you he's going to play safe with his next shot. It is not a | :24:09. | :24:12. | |
straightforward return to baulk, though. He has got to be careful. He | :24:13. | :24:14. | |
has the red near the right corner. Normally, he could glance of a red | :24:15. | :24:36. | |
quite easily, but I don't think that is the case here. He thinks he's | :24:37. | :24:40. | |
found a path. Just a touch short of pace. 38. | :24:41. | :24:52. | |
APPLAUSE A little unlucky. | :24:53. | :25:37. | |
As you can see, you can get past the brown to play a thin safety back to | :25:38. | :25:47. | |
ball. He is not guaranteed to get this safe. He also has another | :25:48. | :25:53. | |
opportunity on the left-hand side of the table. It could win him the | :25:54. | :26:00. | |
frame, or lose him the frame. It is decision time. | :26:01. | :26:13. | |
He just tried to hedge his bets slightly there. Well, he's not left | :26:14. | :26:22. | |
anything easy, let's put it that way. He didn't fully commit on the | :26:23. | :26:25. | |
pot. Yeah, there's a bit of pressure on | :26:26. | :26:57. | |
the spot. If he misses it, it could cost him the frame. | :26:58. | :27:04. | |
No, a mile away. So, that should cost in this first frame. -- cost | :27:05. | :27:18. | |
him. Ever since I have been covering the | :27:19. | :27:41. | |
snooker, John, sorry, the last two, three, four years, watching Mark | :27:42. | :27:45. | |
Selby, it is amazing how we first round he doesn't play well in and | :27:46. | :27:48. | |
goes through. Then wins the tournament. He is definitely | :27:49. | :27:51. | |
vulnerable in the first round of tournaments. As we said, chasing | :27:52. | :27:57. | |
this Triple Crown, joining the elite club, that is putting a little bit | :27:58. | :28:02. | |
of pressure on him as well. There are no easy matches nowadays. | :28:03. | :28:13. | |
I think if he has a weakness, Mark Selby, sometimes I don't think he | :28:14. | :28:16. | |
believes in himself as much as he should. He is a tremendous player, | :28:17. | :28:22. | |
and a man to beat at the moment, for me. Sometimes he doubts his own | :28:23. | :28:29. | |
ability. He certainly does, but a chance for Mark Williams to get a | :28:30. | :28:34. | |
good start you felt he needed. He should win the frame at this visit. | :28:35. | :28:49. | |
Obviously came very straight on the yellow, and couldn't do much with | :28:50. | :28:55. | |
the cue ball. So you would think, just make certain of this red, and | :28:56. | :29:01. | |
play the blue. I wonder if we will see one of Mark | :29:02. | :29:05. | |
Williams putted shops where he puts you under his arm. He wants to make | :29:06. | :29:22. | |
sure of the pot. -- Mark Williams's shots. | :29:23. | :29:24. | |
He doesn't want to make contact with a baulk colour. | :29:25. | :29:32. | |
You almost missed the putt there. That is why the cue ball ended up | :29:33. | :29:47. | |
there. He is on nothing. So that frame-winning chance now has gone. | :29:48. | :29:52. | |
53 points the lead, but still 75 remaining. | :29:53. | :30:02. | |
He will be very disappointed. Had to win the free from that visit. When | :30:03. | :30:14. | |
you are playing against Mark Selby, he will punish mistakes. That is | :30:15. | :30:18. | |
what has been happening in all the other matches in this Masters so far | :30:19. | :30:22. | |
this week. The standard has been incredible so far. | :30:23. | :30:41. | |
Touching the red, so there is not a lot Selby could do there. He is not | :30:42. | :30:48. | |
going to gain any advantage. Mark Williams should still the upper hand | :30:49. | :30:52. | |
in this tactical battle. Mark Selby is in a lot of trouble | :30:53. | :31:16. | |
here. He will have a play off one condition that is on the black | :31:17. | :31:20. | |
commission. Also Mark Williams has a 53 point | :31:21. | :31:52. | |
lead, the way the red Star, if Mark Selby is to get the next | :31:53. | :31:58. | |
opportunity, he could quickly be favourite for the frame. | :31:59. | :33:09. | |
He has left a red. As John said, there is pressure on it now. Look at | :33:10. | :33:20. | |
the way the raids are situated, if he misses it could cost him the | :33:21. | :33:28. | |
freedom. He is taking a while getting down to it. | :33:29. | :33:44. | |
I am sure Mark Williams will take this first freedom. Oh dear. I think | :33:45. | :34:08. | |
he has been a bit fortunate. That now puts on 60 points in front. He | :34:09. | :34:15. | |
played to come past the green, not come into it. He has needed three | :34:16. | :34:27. | |
chances to win this first frame, as Mark. He won't be counting on | :34:28. | :34:34. | |
getting that in most of the frames. You have got to take your hat off to | :34:35. | :35:02. | |
him. There was a time only a cute seasons ago when he dropped out of | :35:03. | :35:10. | |
the top 32. He has got the talent. We were talking about John Higgins | :35:11. | :35:14. | |
who turned professional at the same time. He is as talented as him. It | :35:15. | :35:20. | |
is strange to me that he seems to have this attitude that he is not | :35:21. | :35:24. | |
bothered about winning any more. Maybe in a way that it takes a bit | :35:25. | :35:30. | |
of pressure off. It is a get out, if you lose you have not put any | :35:31. | :35:35. | |
pressure on yourself. For me, he should still be competing for | :35:36. | :35:36. | |
tournaments and titles. Giving every shot the right care and | :35:37. | :36:31. | |
attention. This is the free and well and truly over, he just wants to | :36:32. | :36:34. | |
make sure he keeps getting the queue through straight. | :36:35. | :37:13. | |
So in those of the black. He reduced the world champion to only scoring | :37:14. | :37:24. | |
one point there. Mark Williams is 1-0 in front. A nice little emphatic | :37:25. | :37:31. | |
statement. How dangerous is Mark Williams? Very. I think it was | :37:32. | :37:38. | |
important for him to clear this up because even though he was a key | :37:39. | :37:42. | |
point in front, he still looked nervous, had a couple of chances to | :37:43. | :37:47. | |
get the points in front. That will settle down even more by the fact he | :37:48. | :37:52. | |
cleared the table. Steven Smith at that point, he feeds, and he knows | :37:53. | :37:56. | |
Markwell, perhaps he is not as bothered by women is often now. Is | :37:57. | :38:01. | |
that a product of age or a protection on his pot? It could be. | :38:02. | :38:08. | |
It could be the fact that you are getting older and you go softer in | :38:09. | :38:11. | |
the middle. It could also be the case that Mark has always been like | :38:12. | :38:16. | |
that. He has always been the most laid back, even when he was the | :38:17. | :38:20. | |
ultimate winning machine. It is in his nature can not put so much | :38:21. | :38:25. | |
emphasis on the importance of winning or losing. Perhaps a | :38:26. | :38:29. | |
statement that he has another life. You wonder if you have to pay the | :38:30. | :38:35. | |
price, but it has to hurt and if it doesn't hurt when you lose, then you | :38:36. | :38:40. | |
are past your best and that is what Stephen is talking about. Is he | :38:41. | :38:44. | |
still a player that strikes nervousness into the heart of | :38:45. | :38:49. | |
someone like Mark Selby? Everyone respects his game. John Baird the | :38:50. | :38:53. | |
point, we were talking before and I said Selby has a habit of winning | :38:54. | :38:59. | |
when he was not in his best. When you get too scrappy frames at the | :39:00. | :39:02. | |
end, he was one of the best I ever played. Very clever. They all | :39:03. | :39:08. | |
respect. That is why I mentioned the scoring, if he can ally that with | :39:09. | :39:13. | |
his ring craft, that will make in a match for anyone. The point John was | :39:14. | :39:20. | |
making about the fact Selby is going for the slam, how much pressure did | :39:21. | :39:27. | |
you feel that will exert? It could inflict pressure. But Selby doesn't | :39:28. | :39:31. | |
necessarily put pressure on at the start, it is when the stakes rise at | :39:32. | :39:35. | |
the end. That is when Mark Selby asks a lot of questions. He asked | :39:36. | :39:42. | |
some questions at the start of this. The boys have been answering them. | :39:43. | :39:49. | |
It is an interesting matchup with the two players. I am certain the | :39:50. | :39:55. | |
bookmakers have made Mark Selby the big favourite for this match. As | :39:56. | :39:59. | |
John was saying, you can never discount Mark Williams. Snooker for | :40:00. | :40:09. | |
the connoisseur, this is. Sit back and enjoy. | :40:10. | :40:19. | |
We always say, if you are going to miss that type of shot, miss it | :40:20. | :40:27. | |
saying, if it is too thick, the cue ball will never get past the blue | :40:28. | :40:31. | |
spot. First opportunity to Mark Selby. A chance for him to get his | :40:32. | :40:37. | |
hand on the table and partly few balls. | :40:38. | :41:02. | |
Well, that just shows you when you have not had any table time. If he | :41:03. | :41:10. | |
had the black in the middle, he looks like he has a second prize | :41:11. | :41:21. | |
here. Just off straight. It looked for a moment as if he had nothing to | :41:22. | :41:23. | |
go out. Fortunate to be on it, but a good | :41:24. | :41:42. | |
pop nonetheless. It goes without saying, they wanted | :41:43. | :42:03. | |
to get rid of is the one to the right of the black. He will be able | :42:04. | :42:09. | |
to do that now. He won't be going into the punch | :42:10. | :42:54. | |
from this shot. He will be starting to think about it in the back of his | :42:55. | :42:59. | |
mind. It is nice to leave that shot when there are one or two nice | :43:00. | :43:00. | |
reference. He might choose to play for the open | :43:01. | :43:16. | |
and to go into the bunch. That was the first black of the | :43:17. | :43:42. | |
fifth red. He will not be playing for the black now. He is hampered. | :43:43. | :43:49. | |
He will have two wrote this in play for pink or blue. There is a ?10,000 | :43:50. | :44:02. | |
prize for the highest break. Held at the moment by Stuart Bingham who | :44:03. | :44:11. | |
made a 13 break. -- in 132 break. It was in the only match 30 one. | :44:12. | :44:44. | |
He is not going to hit the blue, he is just thinking about where he | :44:45. | :44:52. | |
wants to leave the cue ball. Maybe thinking about trying to hold the | :44:53. | :44:59. | |
spot. He decided to play the screw shot in the end. He felt if he did | :45:00. | :45:04. | |
stun run through, he would be at full stretch. Back in prime | :45:05. | :45:14. | |
position. He mentioned Mark Williams always | :45:15. | :46:40. | |
missed that long ball by a long way. It looks like it will cost him the | :46:41. | :46:42. | |
frame. Another possible reason why Mark | :46:43. | :47:05. | |
doesn't get those long pause as regularly as he would like. Applause | :47:06. | :47:15. | |
as that puts Mark Selby in the position where his opponent needs | :47:16. | :47:21. | |
snookers. You don't have to do a lot wrong to lose a frame. Still the | :47:22. | :47:35. | |
possibility of beating the 132 break. ?10,000 is not to be sniffed | :47:36. | :47:45. | |
at. Missed the cannon, but he will be on the red. Still a chance. | :47:46. | :48:13. | |
This had been pretty impressive except for the shot of the first | :48:14. | :48:18. | |
black where he was fortunate to leave a red at the pocket. He has | :48:19. | :48:20. | |
been flawless since then. Cleverley and purposefully potted | :48:21. | :48:46. | |
that. Now, I don't know if he knows what the hybrid is. We might see him | :48:47. | :48:57. | |
ask the referee. I think someone like Mark Selby will know. On the | :48:58. | :49:08. | |
right-hand side of the cue ball here. Beautifully constructed brick. | :49:09. | :49:21. | |
With the red and black, a possible 139 on. You would think to win the | :49:22. | :49:30. | |
prize you would want 142 plus. Absolutely. I was chatting to | :49:31. | :49:37. | |
someone about the pot of a maximum break and it is only about 8- one. | :49:38. | :49:50. | |
We have talked about how good the playing conditions are. The top | :49:51. | :49:54. | |
players love that for brick building. They never have to hit the | :49:55. | :50:07. | |
ball a. -- that hard. There will be many big breaks this week. | :50:08. | :50:38. | |
Just about perfect. He might have to just stun one of the top cushion. | :50:39. | :50:53. | |
Like most shots in this break, inch perfect. | :50:54. | :51:04. | |
That equals the hybrid. This lack to set the bar that little bit higher. | :51:05. | :51:21. | |
Wonderful. This is why he is the world champion and world number one. | :51:22. | :51:22. | |
That was exquisite. Well, that is Mark Selby's track | :51:23. | :52:40. | |
record at the moment. It is one each and I am really enjoying this match | :52:41. | :52:44. | |
from the point of view, can Mark Williams somehow get a result here? | :52:45. | :52:52. | |
I think the first frame took him three opportunities. That does not | :52:53. | :52:56. | |
bode well for me for the rest of the match. He has two step that up. If | :52:57. | :53:03. | |
he doesn't he will lose the match. One chance for Mark Selby and that | :53:04. | :53:05. | |
was it, frame over. Can he get past the green to the | :53:06. | :53:29. | |
right corner? I think you can just about get through to the potting | :53:30. | :53:35. | |
angle. We played the cannon on the red to the black. | :53:36. | :53:59. | |
Green looks the obvious colour to take here. If he brought the cue | :54:00. | :54:09. | |
ball back to where it is now it would be ideal. | :54:10. | :54:34. | |
A little bit more of an angle on this pot than he would have liked. | :54:35. | :54:41. | |
It makes it missable. Sometimes you miss these. It could hit the right | :54:42. | :54:47. | |
job of the pocket. Safely in. Mark Williams looked on for most of | :54:48. | :55:18. | |
the last frame. He will be hoping he doesn't gain. If this cannon goes | :55:19. | :55:31. | |
right, he could. He is on the black. A little bit thinner than he would | :55:32. | :55:43. | |
like. If he can get the cannon from the black, this little cannon on the | :55:44. | :55:54. | |
red. That was careless. Didn't get into the cue ball at all. It was a | :55:55. | :56:05. | |
very comfortable shot in the end. He will be very disappointed that the | :56:06. | :56:09. | |
break has ended this quickly. In the last frame he would have been | :56:10. | :56:13. | |
looking to win this frame in one visit again. He will go back to his | :56:14. | :56:19. | |
chair a bit frustrated. Mark Williams is playing off the | :56:20. | :56:46. | |
main bunch. Looks too sick. And a little bit harder and the red would | :56:47. | :56:50. | |
have dropped. He played the safety much too sick. Without having to do | :56:51. | :56:57. | |
much, Mark Selby is back at the table. Another chance to take the | :56:58. | :56:58. | |
frame. I can only assume the pink doesn't | :56:59. | :57:19. | |
go to left centre because I thought he might have played for that. | :57:20. | :57:35. | |
He has hit this one very well. He got into the cue ball so well there. | :57:36. | :57:52. | |
It goes in between the green and brown and it picks up pace. | :57:53. | :58:32. | |
Nice control of the cue ball, which he will need to win the frame on | :58:33. | :58:40. | |
this visit. The red balls are spread, but there is maybe only two | :58:41. | :58:43. | |
that are easy to get on. To red balls to the left of the | :58:44. | :59:49. | |
black, I am not certain if one or both of those are available. | :59:50. | :00:02. | |
As he puts one, he brings another one into the open. He still needs | :00:03. | :00:09. | |
three of these remaining reds to clinch the frame. | :00:10. | :01:01. | |
Maybe trying to play the black here. There was a little gap and he has | :01:02. | :01:11. | |
played it absolutely inch perfect. And after this black, he is looking | :01:12. | :01:15. | |
for one more red, that is why he played for the black. | :01:16. | :01:31. | |
Losing with confidence. -- oozing. As I say, by playing on the black, | :01:32. | :01:37. | |
he was able to nudge the red into the open. He is now 65 ahead, with | :01:38. | :01:42. | |
67 remaining. Yeah, he's beginning to make my | :01:43. | :02:13. | |
comment in the first round that he is vulnerable, seem like nonsense. | :02:14. | :02:22. | |
Yeah, he's really looking on top of his game, here. | :02:23. | :02:50. | |
Well, the frame was over before he missed that red. Mark Williams | :02:51. | :03:00. | |
concedes, and Mark Selby leads to- one. | :03:01. | :03:05. | |
HAZEL IRVINE: We talk about fine margins, and a safety shot from Mark | :03:06. | :03:11. | |
Williams went awry, and the rest is history. | :03:12. | :03:13. | |
There are shotguns to go where you think you can afford to hit them a | :03:14. | :03:22. | |
bit thick -- shots in snooker. It looks like there is no danger, he is | :03:23. | :03:27. | |
playing towards the left-hand side, but somehow, a bald orchestrate its | :03:28. | :03:31. | |
way toward a pocket that was never in that direction. But as an | :03:32. | :03:36. | |
experienced snooker player, that happens a lot. | :03:37. | :03:39. | |
The players will have a tendency to hit it thin with a bit of side. Near | :03:40. | :03:48. | |
a cushion, you cannot put aside on. From the sublime to the ridiculous, | :03:49. | :03:52. | |
there is a fair bit of chat on social media about Mark Selby's | :03:53. | :03:57. | |
hair. He is rocking the great Gatsby look. | :03:58. | :04:02. | |
It is like his cue action, it is rocket straight. A bit of hair | :04:03. | :04:08. | |
product has been squashed over that. Not that we should analyse it. I | :04:09. | :04:12. | |
can't talk! Nothing wrong with a bit of product | :04:13. | :04:16. | |
in your head, that is what I am saying. Back we go. | :04:17. | :04:25. | |
REFEREE: Frame four. Mark Selby to break. | :04:26. | :04:30. | |
JOHN VIRGO: Mark Selby get the frame, the one before the | :04:31. | :04:35. | |
mid-session interval underway. As always for the man behind, it's a | :04:36. | :04:44. | |
big frame. You don't want to be two frames behind calm the mid-session | :04:45. | :04:59. | |
interval. -- come the mid-session interval. Decent line and length. | :05:00. | :05:24. | |
Yeah, talking about how well Selby has played in the last two frames, | :05:25. | :05:38. | |
he should come to this event with the best 16 players in the ward. I | :05:39. | :05:43. | |
loved it as World War I, competing against the other best players, and | :05:44. | :05:49. | |
proving why you were the number one. -- as world number one. | :05:50. | :05:54. | |
You can't get much closer. And he was forced into playing it. | :05:55. | :06:00. | |
But that, as we say, is the advantage of getting the cue ball | :06:01. | :06:04. | |
tight to the cushion. It makes cueing that much more difficult. And | :06:05. | :06:08. | |
so close, and the fact he got so close, he got the double-kiss. He | :06:09. | :06:13. | |
has left a nice and easy start on for his opponent. | :06:14. | :06:52. | |
Just about stopping short of the baulk line. | :06:53. | :07:06. | |
You always feel it is a good chance when the black is in the open, | :07:07. | :07:09. | |
available and to both corners. And a nice angle on the yellow. Now | :07:10. | :07:25. | |
he will be thinking about making a sizeable contribution. | :07:26. | :07:38. | |
Not the best angle on this black. Just coming around to see it. He | :07:39. | :07:48. | |
would love a red, so you can follow through to both cushions. The line | :07:49. | :07:53. | |
of three to the left of the bunch, the middle one may pot to the right | :07:54. | :07:55. | |
corner. Excellent positional shot there. | :07:56. | :08:01. | |
Absolutely perfect. There you see the shaking of heads | :08:02. | :08:21. | |
on the shot. It is almost like a swing, John, not a shake. | :08:22. | :08:26. | |
Yeah, I suppose it is an unnatural position that snooker players get | :08:27. | :08:27. | |
themselves in. But it doesn't seem to affect him. | :08:28. | :08:39. | |
He is pushing the cue through straight as they die. | :08:40. | :08:45. | |
It is almost the whole body moving from side to side, but as you say, | :08:46. | :08:51. | |
it does not affect him one bit. That is just the way he plays. Nice angle | :08:52. | :08:56. | |
to go into the bunch here. He is not going to do it this time, playing | :08:57. | :08:57. | |
with top skin. -- top spin. I think he will play for and angle | :08:58. | :09:19. | |
this time for the black. Yes, and he has got that perfect | :09:20. | :09:20. | |
angle now. Always knew he would have this red | :09:21. | :09:44. | |
to the left corner. It is just an awkward positional shot. I thought | :09:45. | :09:48. | |
he may have played more of a stump. He comes back he is playing now, he | :09:49. | :09:55. | |
could have had to the right corner. That is the problem when you are | :09:56. | :09:59. | |
running into another red, where is the cue ball going to finish? He has | :10:00. | :10:01. | |
not finished too well. If the blue is the natural angle to | :10:02. | :10:12. | |
miss a baulk colour, that is what he will play. If he doesn't, he could | :10:13. | :10:19. | |
have a problem here. Doesn't look as though he can roll | :10:20. | :10:32. | |
the blue in and avoid the kiss on the green. He is looking at the | :10:33. | :10:41. | |
black, which is eight shot. But as I say, so far, he has looked full of | :10:42. | :10:45. | |
confidence when he has got in. So I can't see him refusing the pot. | :10:46. | :10:53. | |
You have to forget that you are in perfect position, and you have a | :10:54. | :11:12. | |
really tough shot to play. He is so full of confidence. | :11:13. | :11:51. | |
Immediately pointing his cue, so he's going to play the cannon from | :11:52. | :11:58. | |
the blue, hit a pink fall in the face. He doesn't have to play it too | :11:59. | :12:05. | |
hard. The reds are loose. He would be unlucky not to be on one here. | :12:06. | :12:13. | |
That was the intention. Whatever, he has a nice, easy red to continue the | :12:14. | :12:15. | |
break with. Yeah, I think the reason he missed | :12:16. | :12:25. | |
was because he wanted the pink and the line landed a touch. | :12:26. | :12:33. | |
Fair comment. He didn't want to risk anything going wrong, because he | :12:34. | :12:39. | |
knew that he needed a red to carry on, and he would win the frame from | :12:40. | :12:43. | |
this. I think Mark Williams is resigned to that fact now. | :12:44. | :12:51. | |
Only potted one ball, did Mark Selby, in the first frame. But as we | :12:52. | :12:59. | |
say, mark needed three chances, and it's now up to 281 points without | :13:00. | :13:08. | |
reply. APPLAUSE 70 points the lead, 67 remaining. It | :13:09. | :13:15. | |
looks like a two frame advantage going into the mid-session interval. | :13:16. | :13:35. | |
Those two reds together to the left of the pink, one is available to the | :13:36. | :14:09. | |
opposite corner to this lack. -- to this black. You have to say, he has | :14:10. | :14:15. | |
really settled in now. He has the cue ball on a piece of string at the | :14:16. | :14:19. | |
moment. And that is the key to this game. If you get good cue ball | :14:20. | :14:23. | |
control, then you more or less make every shot that much easier. | :14:24. | :14:35. | |
Yeah, this is as good as I have seen Mark Selby play in a first round | :14:36. | :14:45. | |
match. Well, since my camera member. Still possible, this red, to the | :14:46. | :14:54. | |
left middle. -- since I can remember. | :14:55. | :15:02. | |
Yes, nicely played. A second century now looks a formality. He can't | :15:03. | :15:14. | |
better the 139. Lots of left-hand side here. APPLAUSE | :15:15. | :15:23. | |
I have to say, Stephen, at the moment, he is making the game look | :15:24. | :15:29. | |
ridiculously easy. Yeah, there's no better feeling than | :15:30. | :15:36. | |
when you are out there, and the pockets must look three feet wide at | :15:37. | :15:39. | |
the moment to Mark Selby. Just a little shake of the head | :15:40. | :15:52. | |
there. He will be disappointed with that positional shot. | :15:53. | :15:57. | |
And in the and, he missed the yellow. -- and. Mark Williams won | :15:58. | :16:09. | |
the first frame, but since then, Mark Selby has replied with some big | :16:10. | :16:14. | |
breaks. He goes into the mid-session interval leading 3-1. | :16:15. | :16:18. | |
HAZEL IRVINE: We saw Mark Williams in frame on, but not much sense. You | :16:19. | :16:27. | |
used the word surgical to describe what we have just seen. | :16:28. | :16:30. | |
That is what we have seen from Mark Selby, and that is why he's on the | :16:31. | :16:42. | |
brink of doing the triple Crown. Two centuries and a 62 in four | :16:43. | :16:46. | |
friends. Yeah, what was really impressive was | :16:47. | :16:50. | |
that he lost the cue ball for the one and only time in the last half | :16:51. | :16:55. | |
hour. He left himself tight on the cushion with a horrible black. He | :16:56. | :16:59. | |
got down and stroked it in. Stephen said it was the best shot of the | :17:00. | :17:03. | |
session. It looks like he will not everything in. | :17:04. | :17:06. | |
When you are winning, you enjoy the challenge of that shot. When you are | :17:07. | :17:10. | |
struggling, you don't want those types of shots. It is the optimism | :17:11. | :17:13. | |
of enjoying the challenges set for you. If you are in that vein, you | :17:14. | :17:18. | |
are a dangerous player. There are loads of time you come to the table | :17:19. | :17:26. | |
and you are at your worst, the one at the side cushion is a dangerous | :17:27. | :17:30. | |
one. If you can enjoy those moments, you are so strong. | :17:31. | :17:33. | |
It looks like it was going Selby's way at the moment. One more first | :17:34. | :17:37. | |
round match to complete this evening, Shaun Murphy will come | :17:38. | :17:44. | |
bounding into night to Disco Inferno, taking on Barry Hawkins. | :17:45. | :17:48. | |
That will be live online and on the red button this evening. Every ball | :17:49. | :17:52. | |
is live with us at the Masters on the BBC. It will certainly be well | :17:53. | :17:58. | |
worth watching. As you might remember, Barry Hawkins hadn't gone | :17:59. | :18:02. | |
past the first round of the Masters in ten years of trying until he went | :18:03. | :18:06. | |
on that run to the final last year. And recently, he embarked on a run | :18:07. | :18:10. | |
that was arguably even more risky. In the car with Steve Davis. | :18:11. | :18:19. | |
Hi. How are you doing? Not bad. Do I need a crash helmet? I haven't | :18:20. | :18:45. | |
driven a gear changed since I last had a big accident before I started | :18:46. | :18:51. | |
driving. You had an accident? A big one. Really? Reversed instead of | :18:52. | :18:59. | |
forward. I drive automatics now. I wouldn't go back, to be honest | :19:00. | :19:04. | |
with you. You passed your test? I have passed a test. I passed first | :19:05. | :19:11. | |
time. The best drivers always passed second, apparently! | :19:12. | :19:13. | |
Any accidents? A couple of close ones. I had a | :19:14. | :19:18. | |
little one in a retail car park. That's not bad. | :19:19. | :19:27. | |
Oh! Nearly had another accident then, that would have been funny. | :19:28. | :19:37. | |
Do you know your blood type? No, I don't, actually, that's | :19:38. | :19:40. | |
terrible, isn't it. You are in a car with me. Why don't you know your | :19:41. | :19:47. | |
blood type? Have you got it on your phone? | :19:48. | :19:52. | |
I might ring my mum. I don't know if she will know, even. | :19:53. | :20:00. | |
Her son... you were adopted, you never knew. | :20:01. | :20:04. | |
Mum, I am in the car with Steve Davis, what blood group and my, do | :20:05. | :20:11. | |
you know? It's not important. She hasn't got a clue. He nearly had an | :20:12. | :20:15. | |
accident, it was in case I needed some blood! | :20:16. | :20:18. | |
She doesn't even know what her owners, that's handy as well! Oh, my | :20:19. | :20:24. | |
God! Thanks, mum. Speak to you later. By, ma'am! | :20:25. | :20:30. | |
If you were going to go on, what show would you go on, a reality | :20:31. | :20:35. | |
show? Probably the jungle, I would say. | :20:36. | :20:44. | |
Strictly? No, I have got some sheds. Me and Joe Perry can throw some | :20:45. | :20:47. | |
shapes on the dance floor. What's the favourite style? | :20:48. | :20:56. | |
Wants the beat gets going, we are. The leg starts twitching. We must | :20:57. | :21:01. | |
look like old men on the dance floor, but we don't care. We are | :21:02. | :21:04. | |
having a good time. It doesn't happen so often, we so busy now. But | :21:05. | :21:10. | |
we make sure we enjoy ourselves when we go out. | :21:11. | :21:15. | |
Like any cooking programmes? Not much of a cook, to be honest with | :21:16. | :21:21. | |
you. What about gardening? I like it. Would you get somebody in? No. | :21:22. | :21:29. | |
Would you sweep up the leaves in the winter time? We tidy up a little | :21:30. | :21:42. | |
bit, Tara sweeps. Tara? The other half. She doesn't doom nothing else, | :21:43. | :21:49. | |
we have to get are doing something. Sorry! | :21:50. | :21:56. | |
I don't mind doing things that. It's all I enjoy that. | :21:57. | :22:06. | |
No, I'm lost. You have come past it. Have I gone past it? It is only a | :22:07. | :22:13. | |
small tent... ! I might have to do another U-turn. | :22:14. | :22:18. | |
Do a right at that building. It is down there. That's it. Do a U-turn. | :22:19. | :22:23. | |
You are good at them. I am getting used to them. | :22:24. | :22:29. | |
Thanks for taking me to work, Steve. Good luck in the next part of your | :22:30. | :22:31. | |
career. Yeah, thank you. | :22:32. | :22:36. | |
HAZEL IRVINE: Yes, U-turn Steve Davis and Mr Hawkins in the car. | :22:37. | :22:44. | |
Tara, the freight is domestic engineer, that's what it is. Don't | :22:45. | :22:48. | |
let them tell you different. We have been joined by Stephen Hendry. | :22:49. | :22:52. | |
Rumour reaches us, not about the shapes on the dance floor with you, | :22:53. | :22:56. | |
which I am sure are fantastic, but you are picking up the cue again | :22:57. | :23:00. | |
cost is this the start of a comeback? I don't think so. I will | :23:01. | :23:05. | |
play in the world seniors, there is a revamp, and that is in March. I | :23:06. | :23:09. | |
will take part. John Parrott might be dabbling as well. It is certainly | :23:10. | :23:15. | |
not a Faure back into the full-time arena, but I am looking forward to | :23:16. | :23:18. | |
it. It is a revamp, John, and you are a | :23:19. | :23:23. | |
former senior world chaplain as well. Can you believe he is not | :23:24. | :23:26. | |
playing? There is a banging techno evening I | :23:27. | :23:32. | |
am going to! You are so 2010, you really are. In | :23:33. | :23:36. | |
terms of this revamp, we are not getting any professional players | :23:37. | :23:40. | |
over 39 now, and that is a big change. It is open to amateurs. | :23:41. | :23:45. | |
It is a fantastic story for someone. Anyone that is an amateur, it opens | :23:46. | :23:51. | |
on Monday, anyone amateur over 40 that plays a decent standard could | :23:52. | :23:55. | |
qualify, beat John Parrott or myself. However wins gets to the | :23:56. | :24:00. | |
World Championships. Exactly. Whoever wins this one will | :24:01. | :24:05. | |
join in where the world another 17 will be, with three qualifying | :24:06. | :24:10. | |
matches. A great storing in the offing for you John, and indeed use | :24:11. | :24:12. | |
Stephen, getting back to the Crucible. | :24:13. | :24:16. | |
Luckily we are seeded for the quarterfinals. Is that a proper | :24:17. | :24:23. | |
incentive for you? Is that what is driving it or not? | :24:24. | :24:26. | |
I would have to win the thing first, both of us, to even start thinking | :24:27. | :24:30. | |
about that. But I look forward to it. I miss playing, it is what I am | :24:31. | :24:33. | |
best at. Do you think he will be trying?! | :24:34. | :24:39. | |
It is also a fantastic opportunity for people that have never come into | :24:40. | :24:43. | |
the professional game to play the likes of U2. It is a brilliant | :24:44. | :24:46. | |
chance. That is the biggest story of the | :24:47. | :24:50. | |
whole event. Some other plays do a good standard, perhaps local league. | :24:51. | :24:56. | |
It is best three, isn't it, so a chance to beat anybody. | :24:57. | :25:00. | |
Anyone over the age of 40 that is a lunatic can enter, and you could get | :25:01. | :25:07. | |
a complete loon in the first round. Two up against each other. | :25:08. | :25:11. | |
If you want to take part, it is on the website on Monday. Good luck | :25:12. | :25:16. | |
with that. Stephen, we are talking about the main man, Mark Selby, you | :25:17. | :25:22. | |
had 420 odd weeks at number one, he has reached 100, and we will hear | :25:23. | :25:25. | |
your thoughts on Mark Selby in a short while, because you know what | :25:26. | :25:30. | |
it is like to be at the top of the pile. It doesn't happen very often. | :25:31. | :25:34. | |
There have not been that many world number ones, but what does it look | :25:35. | :25:38. | |
and feel like at the top of the pile looking down on the rest of this | :25:39. | :25:42. | |
move is seen? Mark Selby has been talking to Ken Doherty about that | :25:43. | :25:43. | |
very feeling. The Masters, one of the big three | :25:44. | :25:54. | |
tournaments and one of the majors, of course, but this is a tournament | :25:55. | :25:58. | |
that you absolutely excel in and love. You have won it three times | :25:59. | :26:01. | |
and been in the final another couple of times. | :26:02. | :26:05. | |
It is a fantastic tournament, and the history of the Masters is really | :26:06. | :26:10. | |
special. Going out there, just one table, so every time you go out, you | :26:11. | :26:13. | |
feel like you are playing in the final. I love that occasion. | :26:14. | :26:18. | |
What is it, is it the atmosphere? Is it the history of the tournament, or | :26:19. | :26:22. | |
you just like the one-table set-up? The one-table set-up, because the | :26:23. | :26:28. | |
eyes are on you and your opponent. No other distractions, no tables | :26:29. | :26:31. | |
either side of you, so you can focus on the job in hand, which is to win | :26:32. | :26:35. | |
the match and get it won. What about this venue, the Alexandra | :26:36. | :26:39. | |
Palace, how does it compared to the venues you play in? It is the home | :26:40. | :26:44. | |
of the Masters now, it has created its own home. But do you like it? | :26:45. | :26:50. | |
I do. I prefer it to the Masters arena, where I won a couple of | :26:51. | :26:56. | |
times. It held about 15,000. The venue was 2500. | :26:57. | :27:03. | |
This one, I am not sure how many it holds, but it is more compact, and | :27:04. | :27:06. | |
the atmosphere is better. You beat me in the semifinal there, | :27:07. | :27:13. | |
I vaguely remember, it set you on its way. I got all my confidence | :27:14. | :27:16. | |
after that! You are one of the few players that | :27:17. | :27:24. | |
can hold all three majors at the same time, along with Steve Davis, | :27:25. | :27:29. | |
Stephen Hendry, John Higgins and Mark Williams. That would be very | :27:30. | :27:32. | |
special, wouldn't it? It would be. I still have a tough | :27:33. | :27:36. | |
four matches if that is the case. Just to even be in this position to | :27:37. | :27:40. | |
try to join that elite group that you have mentioned is a fantastic | :27:41. | :27:44. | |
feeling. I will go out confident, looking forward to it, and who | :27:45. | :27:48. | |
knows, thinkers crossed at the end of the week I can join these people. | :27:49. | :27:51. | |
Hopefully I will. Does it make you try harder? Do you | :27:52. | :27:57. | |
want to be part of that history? I think so. Winning in general, once | :27:58. | :28:01. | |
you have won one tournament, and you have the feeling of the winning | :28:02. | :28:04. | |
mentality, you want to repeat that all the while. I want to try to | :28:05. | :28:11. | |
repeat my one win so far. If it is winning another Masters, that is | :28:12. | :28:13. | |
what I entered it. You have had a few peaks and troughs | :28:14. | :28:19. | |
through your career, but you are on the crest of a wave at the moment, | :28:20. | :28:22. | |
what is the difference this season? I think a few years ago, beating | :28:23. | :28:26. | |
Ronnie in the world final to win my first world final. From then, I have | :28:27. | :28:33. | |
doubted myself before that, people said I shouldn't do that, but I have | :28:34. | :28:37. | |
always been that kind of person, doubting myself about my game. But | :28:38. | :28:41. | |
to beat Bony world final in the biggest Ford would we play in live | :28:42. | :28:45. | |
on the BBC, and the way I won it, coming from behind. I told lies, if | :28:46. | :28:49. | |
I do not get confidence on that, I will. From then, I have been | :28:50. | :28:54. | |
confident and believed in my own ability. | :28:55. | :28:59. | |
Winning the UK as well, just before Christmas, that was a nice notch on | :29:00. | :29:02. | |
the board as well. That will give you tremendous confidence coming | :29:03. | :29:06. | |
into this one. I played well. It was a great final | :29:07. | :29:10. | |
in the end, especially the second session, me and Ronnie both played | :29:11. | :29:18. | |
well. Sometimes coming back, the wave he wasn't coming back winning | :29:19. | :29:23. | |
frames, one visit, one visit, for 4-5 frames, to stand up and do the | :29:24. | :29:29. | |
same bag of him, I was proud of it. Your relationship has simmered a | :29:30. | :29:34. | |
little bit over the last year, it seems that way looking from the | :29:35. | :29:36. | |
outside in. A little bit, to be fair, I would | :29:37. | :29:44. | |
see him at tournaments and say hello, not knowing him as a person. | :29:45. | :29:48. | |
But over the last few years, we have spoken more, and seen eye to eye a | :29:49. | :29:52. | |
bit more, doing a few exhibitions together, and spending time | :29:53. | :29:55. | |
together, and we are getting better, which is good. The media seem to | :29:56. | :30:02. | |
hype it up a little bit. But I don't hate anybody, hate is a big word. | :30:03. | :30:06. | |
Playing Ronnie, one of the greats of the game, it is a great feeling | :30:07. | :30:08. | |
here. You are also playing another great | :30:09. | :30:12. | |
over the last number of years as well, Mark Williams. He has won this | :30:13. | :30:16. | |
tournament, the world and the UK, always a tough opponent as well. How | :30:17. | :30:20. | |
is your history with him? I'm not too sure. I have played him | :30:21. | :30:24. | |
quite a few times. I played him many is ago on my first year on the tour, | :30:25. | :30:29. | |
and he beat me 9-0, which he reminds the opt out! He was world number one | :30:30. | :30:33. | |
at the time. Mark is one of the all-time greats of the game as well, | :30:34. | :30:37. | |
like you say. In the last few years, he has struggled, but in practice | :30:38. | :30:40. | |
this year he has played some great snigger. You sometimes looks back to | :30:41. | :30:44. | |
his best. I know it will be tough, he will not go out and freeze, | :30:45. | :30:47. | |
because he has been out there and done it. It will be a tough match. | :30:48. | :30:51. | |
That is the beauty of the tournament. The top 16, any match | :30:52. | :30:55. | |
could grace the final. That is why someone like Stephen | :30:56. | :30:59. | |
Hendry puts this in front of the UK tournament, because it is the cream | :31:00. | :31:02. | |
of the crop, the top 16 in the world, and every match is capable of | :31:03. | :31:05. | |
being the final. What would it mean to Mark Selby to | :31:06. | :31:09. | |
lift the Masters trophy on Sunday night? | :31:10. | :31:11. | |
Yeah, it would be amazing. Holding or three tournament at the same time | :31:12. | :31:15. | |
would be a fantastic feeling. To win it for a fourth time, and join the | :31:16. | :31:21. | |
group United before. Better than Leicester winning the | :31:22. | :31:23. | |
premiership? Yeah, I have two be selfish. | :31:24. | :31:32. | |
He traded number one spot with Neil Roberts. There was Judd Trump and, I | :31:33. | :31:42. | |
forget actually, Ding Junhui. He wasn't comfortable with the mantle | :31:43. | :31:46. | |
of the first time. What is it that hard to get used to about being | :31:47. | :31:53. | |
number one? You put massive expectation on yourself to prove | :31:54. | :31:57. | |
what you are number one. You come to events, you are introduced as that. | :31:58. | :32:00. | |
Sometimes players feel they have to live up to it. When Stuart Bingham | :32:01. | :32:05. | |
became world champion, the season after, he put himself under huge | :32:06. | :32:11. | |
pressure. Some players, when it first happens, it maybe takes you a | :32:12. | :32:16. | |
while to get used to. Not Mark Selby is completely comfortable. He wears | :32:17. | :32:26. | |
it well. It might be why some players who win the world champion | :32:27. | :32:31. | |
don't do well at the Crucible. When he completed the win over Ronnie in | :32:32. | :32:35. | |
the UK final, that was in effect a triple Crown final against Ronnie. | :32:36. | :32:41. | |
He has done the plot against Ronnie. That is a massive thing. And beating | :32:42. | :32:48. | |
him as well. He is as good as you have ever seen. I don't say that | :32:49. | :32:52. | |
lightly. O'Sullivan is as good as you have seen. For him to beat him | :32:53. | :32:56. | |
in those finals, if that isn't a boost, nothing is. We talked about | :32:57. | :33:04. | |
his popularity. He is greatly appreciated. He went through the | :33:05. | :33:08. | |
period where is the game was all he was producing. Clearly, that has | :33:09. | :33:12. | |
been wiped away and we are seeing more great stuff from him. He has | :33:13. | :33:19. | |
looked vulnerable in first rounds of Germans, but today, when you come | :33:20. | :33:23. | |
here as a top 16 player, you are with number one, world champion, you | :33:24. | :33:26. | |
want to enjoy this venue and prove what you are the best. He is loving | :33:27. | :33:32. | |
every minute. As the standard gets ever higher and the players bunch up | :33:33. | :33:38. | |
in what is achievable, it becomes a psychological game. It becomes which | :33:39. | :33:42. | |
player believes the most. Mark Selby has the ultimate belief. It is | :33:43. | :33:49. | |
amazing to think, he was sending text messages saying do you think I | :33:50. | :33:54. | |
played well? I am thinking, you have just played as good as anyone could | :33:55. | :33:57. | |
possibly play. That has stopped happening and he is not asking the | :33:58. | :34:01. | |
opinion from other people. Let's get back. These men have won the Masters | :34:02. | :34:11. | |
between them five times between them. Three for Mark Selby and two | :34:12. | :34:21. | |
for Mark Williams. Well, Mark Selby is playing brilliantly so far in | :34:22. | :34:25. | |
this match. He will not be scoring off this one. That is the break from | :34:26. | :34:38. | |
Mark Williams. He is not guaranteed to get this safe. He is going to | :34:39. | :34:42. | |
have to come off two cushions, nestle into the cluster just below | :34:43. | :34:50. | |
the pink, avoided the blue. As he judged it? He has. Perfect. Very | :34:51. | :34:52. | |
well played. He may have left a pot on to the red | :34:53. | :35:56. | |
corner, but with the cue ball tied to the Kishan, it is a tough pot. | :35:57. | :36:00. | |
The black isn't available into the opposite corner. Is there any value | :36:01. | :36:05. | |
in taking it on? Playing the containing safely. I the | :36:06. | :36:20. | |
road to the left of the black is not going be available. | :36:21. | :36:35. | |
Looking for a position to leave the cue ball where you would not like it | :36:36. | :36:41. | |
to be. There is the view from behind the | :36:42. | :37:18. | |
pocket, so to speak. It is always difficult, cueing when you are right | :37:19. | :37:27. | |
in the job like this. Not much room to bring the Chewbacca. No attempt | :37:28. | :37:33. | |
at a pot, just trying to play the containing safely. | :37:34. | :38:14. | |
Caught the red to sin. He just avoided the double-kiss. | :38:15. | :38:26. | |
When it here, he courted too soon. Just avoided the double-kiss. Had he | :38:27. | :38:36. | |
got the double-kiss and left the cue ball by the blue it would have been | :38:37. | :38:42. | |
a good chance. Nothing that will tempt marquee. He is playing safe. | :38:43. | :38:53. | |
Cat that much too sick. But he has left nothing. When you're playing | :38:54. | :39:04. | |
well, you always seem to get the run of the balls. Mark Williams would | :39:05. | :39:20. | |
like to have that one occasion. -- that one occasion. | :39:21. | :39:32. | |
It is not a straightforward return to the baulk end. At least with his | :39:33. | :39:38. | |
hand on the table he can venue for the cue ball better than he could | :39:39. | :39:41. | |
have done had it been paid to the baulk cushion. | :39:42. | :40:41. | |
You could save Mark Selby certainly did not want but interval. He was | :40:42. | :40:44. | |
absolutely flying. He was more concerned with getting | :40:45. | :41:20. | |
the cue ball back to the baulk end. Had it gone in it would have been a | :41:21. | :41:22. | |
bonus. More than 40 minutes since Mark | :41:23. | :41:42. | |
Williams last pot of a ball. -- potted a ball. | :41:43. | :42:28. | |
They were good shots, but just thinking, is there a gap, is there a | :42:29. | :42:34. | |
red that might be pottable into the red corner here. He can just get to | :42:35. | :42:44. | |
the potting and. He might have a chance at this. There was no easy | :42:45. | :42:45. | |
safely. He was so close to the cushion so he | :42:46. | :43:28. | |
had to just put the blue in. He would have liked to court the red | :43:29. | :43:33. | |
ball a bit harder to catch the cue ball. It is a little bit awkward, | :43:34. | :43:34. | |
this. That was really well controlled. | :43:35. | :44:16. | |
Very well played. He has got an angle if he wanted to go into the | :44:17. | :44:20. | |
black and the red. With the pink being in the open, he does not have | :44:21. | :44:22. | |
complained that shot. The way he was going in the last | :44:23. | :44:42. | |
three frames, I would have to say, there is a strong possibility of 4-1 | :44:43. | :44:54. | |
from this visit. He has not scored a point since winning the first frame, | :44:55. | :44:55. | |
Mark Williams. Of course, that is one of the things | :44:56. | :45:14. | |
that is unique to snooker. When your opponent is at the table, all you | :45:15. | :45:19. | |
Kunduz sit and watch. You have no right of reply. You have to sit | :45:20. | :45:20. | |
there and suffer. He has a problem with this right | :45:21. | :46:09. | |
corner pocket. There are five Red Bull is all covering each other. | :46:10. | :46:23. | |
He would like to finish high on the pink to give him the angle to | :46:24. | :47:00. | |
stumble across. He is going for the blue. If he finished high on the | :47:01. | :47:06. | |
pink he could stun off the black cushion and go into the five reds. | :47:07. | :47:12. | |
He can still do it offer this glue. Brilliant. If he had another 50 | :47:13. | :47:27. | |
shots, he would not do that again. How has he not made contact with a | :47:28. | :47:32. | |
red. That is amazing. If the cue ball had gone another couple of | :47:33. | :47:36. | |
inches he would have snookered himself. The balloon would have gone | :47:37. | :47:42. | |
back on its spot. He held the blue spot and the brown spot was | :47:43. | :47:43. | |
available. Had to bite the bullet and put every | :47:44. | :48:14. | |
effort into playing a good safety, which he has done. | :48:15. | :48:57. | |
That was a bit careless. I think he has left this red on. If he has left | :48:58. | :49:12. | |
the red, that is as bad a shock as you will see Mark Selby play. He has | :49:13. | :49:18. | |
an angle to go into these five reds as well. The first ball he has | :49:19. | :49:31. | |
partnered since the first frame. Gifted it, you could say. There is | :49:32. | :49:36. | |
pressure on this pink, I will tell you. Good shot. It is not easy when | :49:37. | :49:51. | |
you have been frozen out. This was the gift. He just caught the red | :49:52. | :50:01. | |
little bit too thick. Mark their needs to screw back. He was playing | :50:02. | :50:11. | |
to hit a bit thinner. When you're flying in a match and everything is | :50:12. | :50:15. | |
going well, the thing you battle against is a lack of concentration. | :50:16. | :50:51. | |
He is on the pink in a fashion. He might be able to pot the pink and | :50:52. | :50:58. | |
carried the two reds on the right-hand side of the table. | :50:59. | :51:10. | |
Stunned across. The one on the extreme left, he must feel he can | :51:11. | :51:14. | |
get through to that. A good shot on the pink. The only thing he doesn't | :51:15. | :51:28. | |
want to become too straight on the pink. He has. He might have the | :51:29. | :51:38. | |
angle to play top spin and cannon into the two reds on the side | :51:39. | :51:43. | |
cushion. He won't have angle to force into the black, will he? This | :51:44. | :51:50. | |
is tough. He will have to play with a bit of Pierce to get the cue ball | :51:51. | :51:56. | |
out. He will probably just play for the | :51:57. | :52:09. | |
pink it was always going to be tough. That was a pretty good | :52:10. | :52:15. | |
contribution. Remember he hadn't potted a ball for three frames. Then | :52:16. | :52:21. | |
he had the mid-session interval. He got some good balls there. He got | :52:22. | :52:26. | |
himself right back in this frame. Just 11 points behind. | :52:27. | :53:37. | |
Excellent safety. I don't know if he can play the pot on this red and | :53:38. | :53:48. | |
avoid the case and the two reds. In the end, I don't think he even | :53:49. | :53:52. | |
played the pot, he just had the city. He could not afford the colour | :53:53. | :53:59. | |
on the baulk line. It is never going to be that good a safety. It is | :54:00. | :54:04. | |
quite a big target now. Green, brown, blue, to try to hide behind. | :54:05. | :54:18. | |
It is going to be a bits and pieces end to this frame. You wouldn't | :54:19. | :54:51. | |
expect the next mistake will cost the frame. I just get the feeling | :54:52. | :55:03. | |
that this is the type of frame that Mark Williams has got to win. | :55:04. | :55:23. | |
That is probably the recent Mark Selby has taken that red on. He | :55:24. | :55:28. | |
knows it would not have cost them the frame. In fact, it hasn't. It | :55:29. | :55:34. | |
won't cost anything. Even if he left the red on, you could safely say, | :55:35. | :55:40. | |
Mark Williams would not have cleared up. | :55:41. | :55:59. | |
It is going to be a game of cat and mouse. | :56:00. | :56:13. | |
Why was he looking at the pot on this red? | :56:14. | :56:30. | |
I thought the only red he could leave was the one he was playing. He | :56:31. | :56:37. | |
got close, but he has not left that one. That was a sort of half-hearted | :56:38. | :56:44. | |
attempt at the double. As you say, Stephen, Mark Selby | :56:45. | :57:23. | |
looks to me, and the opportunity he will go for it. If he knocked the | :57:24. | :57:32. | |
red in, it could build on his 11 point advantage. He got close, but | :57:33. | :57:45. | |
once again, I think, looking at Mark Selby's facial expression, that Mark | :57:46. | :57:50. | |
Williams can just get past the yellow. As we said, the chances of | :57:51. | :58:03. | |
winning the frame on this visit, practically impossible. | :58:04. | :58:19. | |
That was a lovely little shot. A beautiful touch. | :58:20. | :58:35. | |
That one was as bad as the last one was good. Just got into the cue ball | :58:36. | :58:49. | |
a little too much. The little flick on the green ruined his position. | :58:50. | :58:53. | |
There are only five points in it now. | :58:54. | :59:06. | |
That was a good head. Excellent shot. | :59:07. | :59:39. | |
Well, Wilma pink stop or drop? It stopped. He was a bit fortunate | :59:40. | :59:48. | |
there because the red knocked the pink out of the way because it might | :59:49. | :59:50. | |
have run into the pink. Believe it or not, I'm sure that was | :59:51. | :00:08. | |
an attempt at up pot, when you play that sort of shot, you always error | :00:09. | :00:20. | |
on the side of hitting it to sin. -- seven. Quite easy to play safe now | :00:21. | :00:26. | |
with the pink in the left corner. I wonder if he'll play the shot we | :00:27. | :00:44. | |
saw Ali Carter play, the red tape to the cushion, fitted full ball and | :00:45. | :00:47. | |
get the double-kiss to get the cue ball back to the baulk end. That's | :00:48. | :00:54. | |
what he's played. But the problem is with that shot you're never certain | :00:55. | :00:58. | |
how much the cue ball's going to go back on the red is going to come out | :00:59. | :01:02. | |
and he's left the pot on for his opponent. | :01:03. | :01:08. | |
APPLAUSE Good pot. Didn't overhit it. Stroked | :01:09. | :01:17. | |
it in nicely. That was a good shot. That's | :01:18. | :01:25. | |
unlikely. -- unlucky. Slowly but surely he's got a two | :01:26. | :01:48. | |
advantage in this frame. The reason he wanted to play safe | :01:49. | :02:33. | |
from the red, he feels he can get in behind the yellow, blue or brown but | :02:34. | :02:42. | |
he doesn't feel he can get it with this red at the top cushion. He | :02:43. | :02:48. | |
didn't hit that one at all. Norway she should be leaving pot on. | :02:49. | :02:57. | |
Misjudgement. I think he oversaw tip, really. -- over thought it. | :02:58. | :03:18. | |
Mark Selby has definitely been knocked out of the rhythm he was in | :03:19. | :03:26. | |
before the interval. Long way away from that pot. | :03:27. | :03:56. | |
APPLAUSE Good pot there from Mark Williams. | :03:57. | :04:09. | |
Here's a short maker. And he pulled one out there. -- shot maker. But | :04:10. | :04:15. | |
didn't play that position will shot very well but is a good opportunity | :04:16. | :04:22. | |
to get the cue ball back to the old cushion and get the snooker behind | :04:23. | :04:26. | |
the yellow, blue or brown to give them a real good advantage. I | :04:27. | :04:31. | |
wouldn't be concerned by the red finishes, just get the cue ball down | :04:32. | :04:42. | |
in that area. He's got the snooker. To take it to the frame now, ten | :04:43. | :04:47. | |
points in the lead. Mark Selby faced with the age-old problem, got to hit | :04:48. | :04:51. | |
the red and somehow get it safe. So here's a chance. But he cannot | :04:52. | :05:32. | |
this red in and get on a colour, it should be a free man. A frame he | :05:33. | :05:37. | |
needs badly. -- should be a frame-winner. | :05:38. | :05:41. | |
Yes, you can almost see it was like a typical Mark Williams winning | :05:42. | :06:08. | |
frame. Always been so good at winning this type of frame. He's | :06:09. | :06:15. | |
just left a tricky angle where he cannot avoid the cannon on the blue, | :06:16. | :06:25. | |
can he? He could, comfortably. Don't know what the problem was there. | :06:26. | :06:38. | |
It should be all over now. Just the brown needed to go 24 ahead with 18 | :06:39. | :06:52. | |
remaining. Battled hard to get this frame on the scoreboard. And that's | :06:53. | :06:57. | |
why I thought it was an important frame for Mark. If you can't win | :06:58. | :07:01. | |
scrappy once he's not going to get anything out of this match. As you | :07:02. | :07:10. | |
alluded to, Stephen, knocked Mark Selby out of his stride here a | :07:11. | :07:15. | |
little bit with this type of frame. But they all count. There are no | :07:16. | :07:22. | |
pictures on score boards, Mark Williams is back in the match, just | :07:23. | :07:26. | |
one behind, 3-2 to the World Championship. STUDIO: It's not a bad | :07:27. | :07:32. | |
effort considering that half an hour of playing time he didn't pot the | :07:33. | :07:37. | |
ball and then had the interval, so almost on our he's had to wait | :07:38. | :07:40. | |
before getting himself right back into the thick of this match. I hate | :07:41. | :07:44. | |
seeing vintage Williams because he's obviously a scoring machine as well | :07:45. | :07:49. | |
at his big but that frame is why he's been a champion he's been | :07:50. | :07:52. | |
because I don't know many players who can play and quite horrible type | :07:53. | :07:57. | |
of frame better than he can play. Mark Selby's good at it but Mark | :07:58. | :08:01. | |
Williams was absolutely superb. Individual pot, lost position a | :08:02. | :08:05. | |
couple of times. Individual potting, Aqua charts, leaving his opponent in | :08:06. | :08:11. | |
awkward positions, that was a fabulous frame for Mark Williams to | :08:12. | :08:16. | |
win. Stephen put it, potting the champion out of his stride, the | :08:17. | :08:18. | |
world number one actually looking slightly uncomfortable for a minute. | :08:19. | :08:22. | |
Possibly, the interval changes thing sometimes, one of those types of | :08:23. | :08:25. | |
frames. Mark Williams had a chance with the second to last red and | :08:26. | :08:30. | |
potted the black and failed to get position. He's not clinching but | :08:31. | :08:34. | |
he's scrapping and would be very unfair to criticise him because he's | :08:35. | :08:38. | |
3-1 behind and playing against one of the greatest players of the | :08:39. | :08:41. | |
modern-day game. Every credit in that respect for him to win this | :08:42. | :08:44. | |
match, somewhere down the line he has the stamp his authority more in | :08:45. | :08:48. | |
the match and win a bit more comfortably in frame. Job done. He's | :08:49. | :08:54. | |
got his way back. He dollar Mark, you're looking at 4-1 and probably | :08:55. | :09:00. | |
all over. Very much so, very much with Mark Selby in the form he's in. | :09:01. | :09:05. | |
In the context of the match, a very important frame. Vintage Williams, | :09:06. | :09:08. | |
it was a nightmare playing against them when you had things like that, | :09:09. | :09:12. | |
so you think it's a clever shot, I'm in trouble here, clever shot. He's | :09:13. | :09:17. | |
very adept at it. Makes you think, that's the mark of a champion. Two | :09:18. | :09:21. | |
great champions out there. It's getting close, only one frame | :09:22. | :09:25. | |
between them now as we head into the sixth. | :09:26. | :09:56. | |
Fees on the green. Doesn't look to have the perfect angle. | :09:57. | :10:24. | |
Just dropping in, that will ease himself that long straight red. The | :10:25. | :10:34. | |
black is available to the opposite corner, soulful concentration on | :10:35. | :10:38. | |
this one. Got to fully commit to these. And dead and played it | :10:39. | :10:44. | |
superbly. APPLAUSE Yes, good confident pot. That was a | :10:45. | :11:11. | |
valid point that Steve Davis made in the studio,. You can hang on in the | :11:12. | :11:17. | |
match in those scrappy frames but when he gets opportunities like that | :11:18. | :11:20. | |
he's got to start winning frames in one visit. | :11:21. | :11:32. | |
Needs to run. He's on the red but hampered. It's amazing how many | :11:33. | :11:48. | |
times Mark Williams gets out of position. He still on this red... | :11:49. | :12:00. | |
Again, didn't play that with the power a lot of players would have | :12:01. | :12:44. | |
played with. It's end of break. So, again, not able to win the frame in | :12:45. | :12:46. | |
the first scoring visit. Much too thin and very fortunate. | :12:47. | :13:49. | |
He's cannoned into the green but the blues covering the red to the left | :13:50. | :13:50. | |
corner. As you can see. Typical Mark Williams. One of the | :13:51. | :14:30. | |
best ball putters the game has ever seen. -- potters. I was gone to say | :14:31. | :14:39. | |
that but I never understood really what it meant. I think what it means | :14:40. | :14:45. | |
and I remember Ray Reardon, they always seemed to be able to pot | :14:46. | :14:49. | |
these balls with an element of safety, they always aimed to see it | :14:50. | :14:55. | |
as shot to nothing. There's no doubt, he has started to knock the | :14:56. | :15:00. | |
long ones in. Four in a row the last of frames. I think a lot of players, | :15:01. | :15:06. | |
when they actually play to pot a ball, they're determined to get | :15:07. | :15:10. | |
position on the next one but I think Mark has bat that he thinks it's a | :15:11. | :15:14. | |
difficult shot, you can just put all concentration into the red and not | :15:15. | :15:19. | |
be too bothered about position. Sometimes it's hard to tell yourself | :15:20. | :15:24. | |
to do that. Yeah, I suppose, it's like when you bring a pot and you | :15:25. | :15:28. | |
know you possibly not going to get anything from it, just making sure | :15:29. | :15:33. | |
of the pot so you're playing the next shot. So close, just the pace | :15:34. | :15:41. | |
kept it out but fortunately he missed the cannon. | :15:42. | :15:44. | |
APPLAUSE Was only the pace that kept it out. | :15:45. | :15:53. | |
Rattle, rattle, rattle. APPLAUSE | :15:54. | :16:05. | |
Good length. Asking a question of Mark | :16:06. | :16:24. | |
Williams, 32 point advantage in this frame. We'll have to be a good | :16:25. | :16:31. | |
safety year. -- will have to be a good safety here. That's the | :16:32. | :16:36. | |
player's view. He could hit the red on the | :16:37. | :16:46. | |
left-hand side of the table but you'd try to get back to baulk of | :16:47. | :16:50. | |
that, you could easily get a double-kiss. Just nudging into it. | :16:51. | :16:57. | |
Feels as though that's going to be safe enough. He didn't want to risk | :16:58. | :17:01. | |
playing off the main bunch because he could have knocked one over the | :17:02. | :17:05. | |
corner pocket, so just played a containing safety. | :17:06. | :17:28. | |
Struck it beautifully. Struck the right side of the blue but couldn't | :17:29. | :17:51. | |
have played that much better. Trace of right-hand side. Not enough | :17:52. | :18:02. | |
right-hand side. That's careless. I mean, that was so | :18:03. | :18:50. | |
obvious that red was going to go to the right corner. He's just lost his | :18:51. | :18:58. | |
focus, it appears, at the moment. I did see. That's a shocker from Mark | :18:59. | :19:05. | |
Williams. I did say the only thing that Mark Selby is going to battle | :19:06. | :19:08. | |
against this lack of concentration when everything is coming so easy | :19:09. | :19:15. | |
for you. This is a tough black that Mark Williams has left himself. | :19:16. | :19:25. | |
Lovely shot. At first glance I don't know how the next red is coming | :19:26. | :19:29. | |
from. Typical Mark Williams pot this. Dropping it in dead weight. I | :19:30. | :19:39. | |
think he's on this one along the black cushion. How will he play it? | :19:40. | :19:45. | |
As a shock to nothing so he comes away from the pocket? He's gone all | :19:46. | :19:50. | |
out and it's a great pot. Looks like he might have the natural | :19:51. | :20:03. | |
angle just to miss the yellow of two cushions for a choice of raids to | :20:04. | :20:13. | |
the right corner -- reds. Just picked a lovely time to leave the | :20:14. | :20:14. | |
arena. Hard enough, is it? Maybe he can | :20:15. | :21:42. | |
just get through to the bottom red. He do it and it was commonly easier. | :21:43. | :21:53. | |
Only the red required that 55 points in front with one remaining. | :21:54. | :21:57. | |
Comeback complete. Highly unlikely that Mark Williams | :21:58. | :22:31. | |
will be asked to play on here. Mark having a look. 62 points difference, | :22:32. | :22:33. | |
51 remaining. That equates three, four point snooker is | :22:34. | :22:53. | |
required. Where's the blue ball going? Only a half-hearted attempt, | :22:54. | :23:06. | |
so unbelievably of the mid-session interval Mark Williams is now all | :23:07. | :23:07. | |
square. 3-3. And would you believe it, Mark | :23:08. | :24:13. | |
Williams is mopping them up again? He's been in float mode. | :24:14. | :24:25. | |
I disagree with you. You don't have to win in one visit, he are | :24:26. | :24:31. | |
uselessly at this level but is 12 things with 36 and 59 breaks. In a | :24:32. | :24:42. | |
perfect world is one of the few. Full of shots raising heavily saying | :24:43. | :24:48. | |
that Mark Williams Bilis 's office says that once again. Yes, | :24:49. | :24:51. | |
Featherweight frothing device if this affect positional shot. Potting | :24:52. | :24:56. | |
along the top position to commit to the positional shot. Nothing wrong | :24:57. | :24:59. | |
with his bottle, perhaps he just needed a bit more confidence and we | :25:00. | :25:03. | |
all need that. Fascinating the first four frames, saying we have the best | :25:04. | :25:14. | |
-- the best we've seen absolutely. You can play well for the two is a | :25:15. | :25:19. | |
different contracts. Mark Selby can graft as well and a great match | :25:20. | :25:24. | |
played at the end of matches. A strike rate winning the last rate | :25:25. | :25:27. | |
was important. I think Mark Williams's style, definitely | :25:28. | :25:32. | |
contracting the world number one. Real test of nerve for them both | :25:33. | :25:34. | |
coming up. COMMENTATOR: All look so good at | :25:35. | :25:50. | |
3-1, 3-3 now. We're going to show you a shot year. Playing the blue | :25:51. | :25:53. | |
into the five reds in the corner, if he makes contact with a red dirt on | :25:54. | :25:59. | |
its 4-1 and it could be a completely different match. In the late lost | :26:00. | :26:05. | |
concentration and focus. But now that shot the opening long red Sea | :26:06. | :26:17. | |
life of the mission. Unless he's lining up an angle on this thread to | :26:18. | :26:20. | |
make a cannon on the black. It's very risky. -- lining up an angle on | :26:21. | :26:32. | |
this red. Olly tempted to play the cannon on | :26:33. | :27:04. | |
the black. It might bring one of those players well. In the cannon | :27:05. | :27:19. | |
and got the cannon. Might just have one of the wrecked it is just that | :27:20. | :27:25. | |
it out. When that black move, just like a red and black is available | :27:26. | :27:32. | |
into the same pocket. When it's free spotted. | :27:33. | :27:42. | |
Just watch the black it just nudges this red. Was that enough to make | :27:43. | :27:47. | |
the black available? He can play the cannon you possibly. | :27:48. | :27:59. | |
The red to the left corner of the cushion. To the right of the black. | :28:00. | :28:04. | |
Can he do that without missing the black? He didn't get anywhere near | :28:05. | :28:15. | |
enough side on the cue ball. He got no reaction. | :28:16. | :28:27. | |
Make the best of that opportunity. -- didn't make the best. | :28:28. | :28:55. | |
Missed it. And left it. One of those reviewed play date shot and think | :28:56. | :29:11. | |
the only red you are leaving is the one you are playing. You don't want | :29:12. | :29:16. | |
the red to come back to the baulk with the cue ball. | :29:17. | :29:23. | |
Not the best positional shot from Mark Selby. Clear | :29:24. | :29:57. | |
From here onwards, the best it is going to be tough match snooker of | :29:58. | :32:27. | |
these two. Yeah. And this type of frame, as we have alluded to a few | :32:28. | :32:31. | |
times, suits Mark Williams more than Mark Selby. It is probably the only | :32:32. | :32:40. | |
time we would say that, that this sort of friends sued someone over | :32:41. | :32:47. | |
Mark Selby. -- this sort of frame suits someone better. A better way | :32:48. | :32:53. | |
of explaining it is to say someone is comfortable playing this type of | :32:54. | :32:54. | |
frame as Mark Selby. A mistake. The green is not coming | :32:55. | :33:01. | |
to his rescue. He is certainly rolling back the | :33:02. | :33:11. | |
years now. Well, I say that, and he misses it. | :33:12. | :34:06. | |
But he may have just about got away with that. That was pressure. It was | :34:07. | :34:18. | |
like he had seen a chance to go 4-3 ahead. That was a much easier shot | :34:19. | :34:32. | |
than the peak he just ported. But the black and pink have come to his | :34:33. | :34:34. | |
rescue. I thought it was a bit too thick, | :34:35. | :35:26. | |
but such is the pace of this table that he has played it perfectly. | :35:27. | :36:13. | |
That is a bit thick. Mark Williams can't get through to the red. | :36:14. | :36:29. | |
Is he forced into playing the plant here? I don't know if the red that | :36:30. | :36:45. | |
is nearest the black goes past. It is one of those situations where the | :36:46. | :36:52. | |
safety is as difficult as the pot. Very difficult, the plant. | :36:53. | :38:02. | |
Sometimes, when you're in this type of situation where you can't see a | :38:03. | :38:08. | |
safety, you try and put your way out of trouble. -- pot your way out of | :38:09. | :38:20. | |
trouble. But he can't even do that, I don't think. | :38:21. | :38:33. | |
Coming up to one and a half minutes of thinking time. | :38:34. | :39:07. | |
He thought he could find a safety, and boy, that's a good shot. That is | :39:08. | :39:13. | |
an absolute cracker. It's funny how the run of the ball | :39:14. | :39:49. | |
is just turning slightly. Not like that good safety shot from Mark | :39:50. | :39:53. | |
Selby. The blue this time comes to Mark Williams' rescue. That is more | :39:54. | :40:06. | |
like the Mark Williams of old. I think he used to say the same thing | :40:07. | :40:08. | |
about you, Stephen! Has he got away with that again? I | :40:09. | :41:11. | |
think he was half-heartedly playing the plant and then he was saying he | :41:12. | :41:15. | |
thought it rolled off, but he has not left the easy read. There are | :41:16. | :41:21. | |
couple of other reds that are pottable, but they are very awkward. | :41:22. | :41:25. | |
Funnily enough, Mark has put his hand up and apologise. But I just | :41:26. | :41:30. | |
looked at Mark Selby's face, and he was getting a bit frustrated it all. | :41:31. | :41:38. | |
As we said before, bar for the cannon, he probably would have been | :41:39. | :41:46. | |
4-1 up. When things start running against you, there have been three | :41:47. | :41:50. | |
occasions here were Mark Williams was entitled to leave with a pot on. | :41:51. | :41:59. | |
You think, is it not my day? Well, he has got the plant. He is on the | :42:00. | :42:16. | |
brown, so a chance. Let's see if he can get back to focusing on where he | :42:17. | :42:21. | |
was before the mid-session interval. This brown is not as easy as it | :42:22. | :42:23. | |
looks on the screen. Before the interval, you said this | :42:24. | :43:26. | |
was frame over. He needs to be straight on the blue | :43:27. | :43:46. | |
than this. Just over two hours of playing time. | :43:47. | :44:09. | |
Still not back in prime position. The pot on the red is easy enough, | :44:10. | :44:13. | |
but he has a bit of work to do with the cue ball. He has got to Matt | :44:14. | :44:24. | |
Angle on the red. -- too much angle on the red. | :44:25. | :45:15. | |
The two reds to the left of the pink, at least one of them is | :45:16. | :45:19. | |
available into the opposite corner. Would you believe it? He kept slowly | :45:20. | :46:15. | |
but surely running out of position and in the end, it caught him out. I | :46:16. | :46:26. | |
didn't see him missing that, but of course, when you have to do a little | :46:27. | :46:30. | |
bit with the cue ball, you can always just take your eye off the | :46:31. | :46:33. | |
pot. And got one. Excellent shot. He | :46:34. | :47:02. | |
would love to be open to play the red below the black for the right | :47:03. | :47:03. | |
corner. It is a good shot, but he never had | :47:04. | :47:53. | |
the perfect angle to screw a bit further across to be on the red. | :47:54. | :47:57. | |
He's not going to win the frame at this visit. | :47:58. | :48:10. | |
Just one red left on the table, easy to hit. But you have got to get it | :48:11. | :48:28. | |
safe. The lead that Mark Selby has no count for nothing if he leaves | :48:29. | :48:29. | |
the red on. Would you believe it? He has left | :48:30. | :48:51. | |
the red now. Boy, this game sometimes will have you tearing your | :48:52. | :48:53. | |
hair out. He looked to have hit the red | :48:54. | :49:03. | |
absolutely perfect. The yellow must have been too | :49:04. | :49:33. | |
straight. He is just the wrong side of this green. I don't think he can | :49:34. | :49:36. | |
drop it in dead weight, he will have to come in up and off the table. | :49:37. | :50:01. | |
He has thought about playing it into the corner pocket. | :50:02. | :50:12. | |
We have seen him so many times drop these types of shots in dead weight, | :50:13. | :50:19. | |
but he would still be living a distance between himself and the | :50:20. | :50:24. | |
brown if he played it that way. He has gone for the corner pocket. Oh, | :50:25. | :50:29. | |
so close! But not there. A great effort at the pot, but he | :50:30. | :50:48. | |
has missed a fantastic opportunity to win the seventh frame. This isn't | :50:49. | :50:50. | |
easy. Never easy to judge when the object | :50:51. | :51:04. | |
ball is right in the jaws of the pocket. Still needs brown and blue. | :51:05. | :51:29. | |
Well, it's wobbled its way in and the blue is all he needs. | :51:30. | :51:41. | |
Mark Williams missed a golden chance and he won't be getting another one. | :51:42. | :51:53. | |
Mark Selby led 3-1. He was pulled back to 3-3 and looked to be | :51:54. | :51:57. | |
wobbling a bit. Mark Williams let him off the hook there. | :51:58. | :52:03. | |
HAZEL IRVINE: and stopped the rot after the last couple of frames, | :52:04. | :52:10. | |
having won by Mark Williams. There was a really good opportunity for | :52:11. | :52:13. | |
Mark to close that out and make it three in a row. What was the | :52:14. | :52:17. | |
situation you are about to refer to? Mark Selby has knocked the red | :52:18. | :52:21. | |
towards the bolt and unluckily gone off in the corner pocket and he | :52:22. | :52:24. | |
leaves Mark Williams with the cue ball-in-hand. Here is the situation. | :52:25. | :52:30. | |
I might have been tempted, the yellow into the green might be the | :52:31. | :52:32. | |
awkward position of shot. I might have been tempted to drop that in | :52:33. | :52:35. | |
and leave myself virtually straight on the green. I pot the green with | :52:36. | :52:40. | |
the rest, I'm on the yellow and the rest of the break is easy. The | :52:41. | :52:46. | |
difference between a player who is confident and absolutely on former | :52:47. | :52:48. | |
is that they make clear decisions under pressure. He plays the shot, | :52:49. | :52:54. | |
he's got a bit of an angle. He gets on the blue, he gets back on the | :52:55. | :52:59. | |
green. He probably thinks he will be able to play yellow to green well, | :53:00. | :53:03. | |
but he misjudges the pace of deep positional shot, which he has done a | :53:04. | :53:06. | |
couple of times already. But putting the green on its spot is so much | :53:07. | :53:12. | |
easier. So this is the pressure manifesting itself when you are out | :53:13. | :53:16. | |
there. To think clearly is easier said than done. Of course it is. It | :53:17. | :53:22. | |
is a lot easier sitting up here in judging it, but if you showed that | :53:23. | :53:26. | |
to Mark Williams again, he would go, you're right. But there is such a | :53:27. | :53:30. | |
dramatic change in the rhythm of this match. This is the key thing to | :53:31. | :53:34. | |
it. I haven't been in the seat that long, but I can't remember playing | :53:35. | :53:39. | |
Mark Williams. It gets bitty and awkward. The frames become horrible. | :53:40. | :53:43. | |
And to score when all of that is going on is why Mark Williams is | :53:44. | :53:46. | |
brilliant at winning these friends and other people find it more | :53:47. | :53:49. | |
difficult. Mark Selby is one of those that can do that, but it is | :53:50. | :53:54. | |
difficult to play. It is the world number one who is on top again. | :53:55. | :54:09. | |
They just had to play a slight swerve. There was a possibility he | :54:10. | :54:15. | |
could have parted the red, but that was the last thing on his mind. Just | :54:16. | :54:19. | |
wanted to contain the situation, which he has done well enough. | :54:20. | :55:17. | |
He needs a bit of luck here. Is he on one? The one to the left of the | :55:18. | :55:26. | |
black is available, but is the one above the black? He thinks he can. | :55:27. | :55:36. | |
A difficult pot, but a good one. Wrong side of the blue. | :55:37. | :56:17. | |
Every time Mark Williams gets to the table, you sense that he is battling | :56:18. | :56:24. | |
the whole time to keep the break going. He is eyeing up this red to | :56:25. | :56:33. | |
the right of the bunch. Excellent reply there. We have seen | :56:34. | :56:39. | |
some very good safety. What we are seeing here is the fact | :56:40. | :58:17. | |
that Mark Selby and everyone saying he is the number one player and has | :58:18. | :58:22. | |
been now for nearly two years, and he is the man that everybody has got | :58:23. | :58:26. | |
to beat. But fair play to Mark Williams, he is certainly bring the | :58:27. | :58:34. | |
game to him. Absolutely. He is maybe not winning frames in one visit, but | :58:35. | :58:39. | |
he is in this match. Another excellent safety shot their, | :58:40. | :59:08. | |
and I can't see another path back to the baulk at first glance. | :59:09. | :59:31. | |
Touching ball, which means that Mark Selby can now fire away. | :59:32. | :59:52. | |
Steady hand needed. He has not managed to do it. | :59:53. | :00:27. | |
These players are both excellent at playing Finn glances -- thin | :00:28. | :00:36. | |
glances. not as thin as that. But again, no | :00:37. | :00:54. | |
damage done, I don't think. Looking at this plant but it's the | :00:55. | :01:13. | |
safety shot that's the most important part of this. He'll be on | :01:14. | :01:22. | |
the green if he gets it. That cue ball travel. | :01:23. | :01:44. | |
If you could easily get black and played. But he can't. He's just | :01:45. | :01:48. | |
playing the safety. They clapped in the wilderness. But | :01:49. | :04:23. | |
that's the only thing he could do, of course. That's the danger ball to | :04:24. | :04:32. | |
the right corner, got to cover that. Needs to. Have done. Good shot, that | :04:33. | :04:42. | |
was a more attacking safety. Having replaced because he can get | :04:43. | :05:36. | |
through to this red to the right corner. | :05:37. | :05:50. | |
And that's where it was, that's for it is now. Looks pretty good to me. | :05:51. | :06:12. | |
Had to catch it didn't, he caught it too sick. -- caught it too sick. It | :06:13. | :06:25. | |
might be Mark Selby's turned to be fortunate. | :06:26. | :06:39. | |
Unless someone does something drastically wrong, which you | :06:40. | :07:19. | |
wouldn't expect or these two players were in for a long frame. The red | :07:20. | :07:26. | |
just below the pink might be available to the right corner. And | :07:27. | :07:34. | |
it is. There's up path back to baulk, so he can play this. Caught | :07:35. | :07:45. | |
it two Extra seven. He's not got a bad cue ball, not bad at all. | :07:46. | :08:30. | |
Well, better to miss them than them on the way down. There is a red left | :08:31. | :08:40. | |
of the black spot that is portable to the left corner. | :08:41. | :08:54. | |
Surely he can't refuse it. He is, he's having it put back. Surprises | :08:55. | :09:16. | |
me a little. Me to. The way the balls are situated on the way this | :09:17. | :09:19. | |
frame is going, it's half chances that you've got to take. | :09:20. | :09:35. | |
That looked almost all. Mark Williams missed a trick there. | :09:36. | :09:51. | |
The red he's looking at, he could come off | :09:52. | :10:34. | |
Is hoping to force a mistake from Mark Selby but could be a long time | :10:35. | :10:57. | |
waiting for that. Did well to take on that red there. Good pot from | :10:58. | :11:05. | |
Mark and just a little bit too far. We'll just add to his frustration. | :11:06. | :11:23. | |
Not certain how much she can get on this. Might have to play a little | :11:24. | :11:30. | |
bit site. That's one way. Just don't want to | :11:31. | :11:46. | |
put too much side on it and hit the reds on the way down. Follow the | :11:47. | :11:55. | |
white line all the way down. Brilliant. | :11:56. | :12:35. | |
Now this is top quality. Tactical smoker. -- tactical snooker. | :12:36. | :13:07. | |
Looks like just another containing safety here. Get the ball up to | :13:08. | :13:17. | |
these riots. -- these reds. Is it going to reach? That's so careless. | :13:18. | :13:37. | |
Left with choice of three reds. Just trying to drop on the red and as | :13:38. | :13:50. | |
soon as he hit it he knew he didn't hit it hard enough. | :13:51. | :14:10. | |
The cue ball. He's got three reds near this right corner. , the | :14:11. | :14:18. | |
right-hand one will go to the right corner pocket, got to be closer to | :14:19. | :14:21. | |
control the cue ball. Yes, this moment in time, and | :14:22. | :14:38. | |
definitely getting two marks. 34 points is the lead. Four reds by | :14:39. | :16:41. | |
slit open. But as it would be enough to get because at that stage. | :16:42. | :16:57. | |
And he does win the frame at this minute, it would become the best of | :16:58. | :17:04. | |
these. Red and colour. He's on the pink. | :17:05. | :18:07. | |
That will put him 62 points in front with just 59 remaining. Mark Selby | :18:08. | :18:16. | |
has caught about along here. Bart Williams is potting Mark Selby | :18:17. | :19:03. | |
under a lot of pressure. STUDIO: He seems to be unsettling him. Doesn't | :19:04. | :19:07. | |
matter how well you've been playing in the past. Number one in the | :19:08. | :19:14. | |
world, well ahead as number one. You have to keep proving it every time | :19:15. | :19:21. | |
you go on the table you can turn this around. You really want the | :19:22. | :19:29. | |
entry, top quality and safety we're watching. Paramedic or Stephen | :19:30. | :19:33. | |
Hendry in the commentary box! He's absolutely right. It happens in the | :19:34. | :19:39. | |
Gimelstob and Mark Williams at the moment is playing a brand of sticker | :19:40. | :19:42. | |
that's very difficult to play against. Done that everything gets | :19:43. | :19:53. | |
petty, look at the scoreboard, 139, 69 and 100 and since then Mark | :19:54. | :19:55. | |
Selby's biggest break is 39. Mark Selby is used to playing a lot | :19:56. | :20:18. | |
more open, aggressive Snooker amongst the players he is bumping | :20:19. | :20:22. | |
into often, so he is not getting so much of the style. | :20:23. | :20:28. | |
As it is, it has become an old-fashioned style game and that is | :20:29. | :20:35. | |
more to Mark Williams' likely than Mark Selby, who is becoming pretty | :20:36. | :20:40. | |
free amongst this scoring department. It is fascinating. 100%. | :20:41. | :20:49. | |
I think they are matched up in that department. Ring craft is a massive | :20:50. | :20:54. | |
part of the game. Maybe is not as much as it used to be, but both | :20:55. | :20:57. | |
these players have tonnes of it. So when you get these two players, | :20:58. | :21:03. | |
where it is going, Mark might even be favourite. Best-of-3, boys. | :21:04. | :21:19. | |
They were talking about winning frames in one visit and since the | :21:20. | :21:36. | |
interval, that break from Mark Williams has been the highest break | :21:37. | :21:43. | |
on offer. They say there are no two friends alike in snooker. But the | :21:44. | :21:52. | |
last four frames have been very tactical. Any idea what Mark Selby | :21:53. | :22:00. | |
could do to change the flow? I was about to say, maybe play a more | :22:01. | :22:05. | |
aggressive safety shot, get the reds opened up early, force Mark Williams | :22:06. | :22:15. | |
into scoring again. At the moment, Mark Williams is outSelbying Selby! | :22:16. | :22:38. | |
He thought he could play that as a shock for nothing. Has he got away | :22:39. | :22:52. | |
with it? Has he covered it? Mark Selby must be thinking, what has | :22:53. | :23:01. | |
happened here? You can't take away from Mark Williams to get back into | :23:02. | :23:06. | |
this match. He has scrapped so hard. The boy has had a tremendous run of | :23:07. | :23:11. | |
the ball since the interval. The strange thing about this one is that | :23:12. | :23:15. | |
if he could hit the right-hand side of the cue ball, he could maybe | :23:16. | :23:19. | |
swerve this slightly to pot this red, but he can't because the yellow | :23:20. | :23:22. | |
is in the way. It is a double whammy. Look at the opportunity if | :23:23. | :23:32. | |
he can get the black in the open. If you tempted by a double here? | :23:33. | :23:49. | |
A puff of the cheeks. It is hard work at the moment. | :23:50. | :24:13. | |
Come on, JV. In all honesty, I can't see one. I can see how you could hit | :24:14. | :24:25. | |
a red, but to cover or not leave a pot on is nigh on impossible for me. | :24:26. | :24:36. | |
It is one of those situations where you just hit in hope. | :24:37. | :24:46. | |
You would think he could flick on. But he is so tight to the green. | :24:47. | :25:02. | |
He would love to nestle on the red that is near the corner pocket. | :25:03. | :25:39. | |
Looks like this red just goes past the red that is closest to the | :25:40. | :25:56. | |
pocket. He doesn't have to do anything with the cue ball to get | :25:57. | :25:58. | |
position on the pink. He let that cue ball run three | :25:59. | :27:10. | |
inches too far. Still shouldn't be a problem, but he has had to think | :27:11. | :27:12. | |
about it. I think the red immediately below | :27:13. | :27:27. | |
the pink is available. Those two reds to the left of the | :27:28. | :28:29. | |
red he has just put it look as though they are almost set for a | :28:30. | :28:33. | |
plant. He is just having a look at it now. It certainly could be made. | :28:34. | :29:08. | |
If he does have to squeeze it, he will not be playing for the black. | :29:09. | :29:16. | |
He's going to have to hit the right-hand side. The positional side | :29:17. | :29:30. | |
of this is not straightforward now. It is not a formality to get | :29:31. | :29:34. | |
position on the pink. He could play the red to the left of the two | :29:35. | :29:37. | |
together and stun up for the pink or blue. | :29:38. | :29:49. | |
He is on the pink, but not as he would like. | :29:50. | :30:07. | |
Hmm, not there. He was taking full advantage of those types of | :30:08. | :30:19. | |
opportunities. He has dried up since the interval. | :30:20. | :30:31. | |
He was automatic before the interval. Didn't have to think about | :30:32. | :30:39. | |
any shot. Almost every single shot in that break, he had to get up and | :30:40. | :30:42. | |
down, look at the situation. And remember, that plant is still | :30:43. | :31:07. | |
there. He could play it. I can see no reason why he wouldn't. He is | :31:08. | :31:13. | |
nice and high with the cue ball, so he can play this comfortably. I | :31:14. | :31:19. | |
understand why he is not playing it already. From where the cue ball is, | :31:20. | :31:22. | |
it looks unmissable. He had a huge margin for error to | :31:23. | :32:17. | |
finish on a red there. This was where he thinks he had a big bounce. | :32:18. | :32:32. | |
Poor shot. It is situations like that that might just make Mark Selby | :32:33. | :32:36. | |
settle a little bit. When he missed the pink, he thought it could have | :32:37. | :32:41. | |
cost him the frame. It hasn't done. In fact, it didn't cost him much at | :32:42. | :32:42. | |
all. A chance for Mark Williams. It is | :32:43. | :33:03. | |
getting tough out there for both of them. | :33:04. | :33:13. | |
15 points behind. That will equate to taking the remaining reds with | :33:14. | :33:38. | |
colours to get to snooker's required stage. | :33:39. | :34:19. | |
This pink to just go one point behind. | :34:20. | :34:47. | |
That wasn't a clean pot, but in it went. The red that is close to the | :34:48. | :34:59. | |
blue, I think he can get on that to the left middle. | :35:00. | :35:20. | |
It was a bit careless to leave himself short. | :35:21. | :35:33. | |
Not the best positional shot, but this gives him another opportunity. | :35:34. | :35:46. | |
The only problem with leaving the red behind the black till last is | :35:47. | :35:49. | |
that now he will have to play a decent positional shot to get on | :35:50. | :35:58. | |
that. And it is not going to be easy from there. | :35:59. | :36:12. | |
You see the disappointment on Mark's face that he didn't win the frame on | :36:13. | :36:48. | |
that visit. He is a big favourite now. | :36:49. | :37:03. | |
Good hit, and a double-kiss. Mark Selby suddenly put his hand up to | :37:04. | :37:10. | |
apologise. I don't think I would have been apologising. He has been | :37:11. | :37:16. | |
favouring his opponent for the last couple of frames. But even though he | :37:17. | :37:25. | |
has left this red safe, there is every chance that Mark Williams can | :37:26. | :37:27. | |
lay another snooker here. That wasn't the best shot for me. He | :37:28. | :37:53. | |
has not put Mark Selby in any trouble here. So any advantage he | :37:54. | :38:01. | |
had in this tactical exchange has gone now. Mark Selby is brilliant at | :38:02. | :38:11. | |
digging himself out of holes in matches, and he is going to need | :38:12. | :38:23. | |
that. He is in one here. He is scratching his head now. I know he | :38:24. | :38:29. | |
can't hit the right-hand side of the wreck, but he could try answering | :38:30. | :38:31. | |
around behind the angles. Normally, he wouldn't think twice | :38:32. | :38:42. | |
about it. I think he has left this red. | :38:43. | :39:42. | |
Certainly, he has left a pot one. That does surprise me a little bit. | :39:43. | :40:21. | |
I thought he might have been tempted by the pot there. | :40:22. | :40:35. | |
You wouldn't believe there was a gap around the back of that read. You'll | :40:36. | :40:39. | |
have it replaced. The fact he's got this natural two | :40:40. | :41:02. | |
cushion escape. He is looking to hit the red full in the face, leave the | :41:03. | :41:06. | |
cue ball at this end. Just a minor adjustment required. But misjudged | :41:07. | :41:16. | |
it again and now this time we will be taking this red one. This is a | :41:17. | :41:28. | |
test, this first red. He's not been comfortable, not comfortable at all, | :41:29. | :41:31. | |
since the interval, certainly since that break he was on in the fifth | :41:32. | :41:49. | |
frame. There is pressure on this. Good shot. Here, Mark Williams will | :41:50. | :42:05. | |
be fearing the worst now. Still a little bit to do of course. | :42:06. | :42:09. | |
Particularly with the Brown not being on its box, makes it a little | :42:10. | :42:14. | |
bit more awkward. The blue will be going back on its spot after this. | :42:15. | :42:21. | |
Couple of key shots coming up now. Position from yellow to green, then | :42:22. | :42:27. | |
green to brown, if he can cope with those three, then the frame's at his | :42:28. | :42:36. | |
mercy. Yeah, he needs to be closer to this yellow. The shot from green | :42:37. | :42:40. | |
to brown is the deciding shot in this frame but because he's left | :42:41. | :42:44. | |
himself a tough shot just to get on the green... Even tougher to get the | :42:45. | :42:48. | |
right angle on the green. He's up there saying it's a bad | :42:49. | :43:11. | |
contact. It certainly looked heavy. The cue ball seemed to jump. That's | :43:12. | :43:19. | |
the thing, if you're striking down slightly. Unless he's got the | :43:20. | :43:26. | |
perfect angle to roll this green in and can the Brown... It's a tough | :43:27. | :43:30. | |
pot. Tough to get good position. Good pot, where is the cue ball? | :43:31. | :43:47. | |
Flicks off the Brown. Nearly went in the middle. The other downside, | :43:48. | :44:00. | |
knocked the Brown safe. The difference, three points. Both | :44:01. | :44:10. | |
players now needing brown, blue and pink. | :44:11. | :44:24. | |
Good line. Isn't length, the only problem with this is if Mark | :44:25. | :44:38. | |
Williams can come off the top cushion and hit this brown full in | :44:39. | :44:44. | |
the face, he could get a snooker back here. Not beyond the realms of | :44:45. | :44:53. | |
possibility. Didn't hit it full in the face, though. So Mark Selby gets | :44:54. | :45:01. | |
another chance. He looks very much under pressure, | :45:02. | :45:51. | |
to me, at the moment, the world number one. | :45:52. | :46:02. | |
This is a tough shot. But he's had a look at the potting angle, so you | :46:03. | :46:06. | |
feel as if he's going to take it on. So close. He hit that good, didn't | :46:07. | :46:23. | |
he? He's left a very awkward Brown. It's difficult to say from our | :46:24. | :47:06. | |
commentary position whether it's easier to cut it in the right, | :47:07. | :47:12. | |
Middle or... Looks like the right middle. He's played it well, where | :47:13. | :47:16. | |
is the cue ball going? Where is the cue ball going? Four. Still needs | :47:17. | :47:29. | |
blue and pink. Whatever happens with blue, it'll be a pressure pink from | :47:30. | :47:38. | |
distance. That cue ball is a little bit closer to the side cushion than | :47:39. | :47:39. | |
he would have liked. Big shot. Right into the heart of the pocket, | :47:40. | :47:57. | |
puts his cue down. You storming off to the dressing room. He's a mighty | :47:58. | :48:02. | |
relieved man just one frame away from a place in the quarterfinal. | :48:03. | :48:06. | |
He is, really having to work hard for this, a fight on the Brown, then | :48:07. | :48:12. | |
the difficult cue ball went over the pink. There was a situation early on | :48:13. | :48:16. | |
in the frame, Mark Williams possibly could have passed on from here. This | :48:17. | :48:21. | |
different from Mark Williams in his prime and now, perhaps the thinking | :48:22. | :48:27. | |
process isn't as good. He's in full control of the table. You don't | :48:28. | :48:30. | |
leave the last red on the top cushion, as Stephen Hendry said, | :48:31. | :48:35. | |
until last, it can go wrong positionally. He gets himself a bit | :48:36. | :48:38. | |
in trouble and has to play the safety shot. It was good, but let | :48:39. | :48:43. | |
his opponent back to the table. Mark Williams of old would have | :48:44. | :48:47. | |
identified it quicker, made sure he got on the last red, second to last | :48:48. | :48:51. | |
red, then all of a sudden it makes it easier. In that break we were | :48:52. | :48:57. | |
talking about it, he only had two reds left, what next the blue | :48:58. | :49:00. | |
committee should have made sure he was high the other side so he didn't | :49:01. | :49:04. | |
have to play the cannon on the blue, making the top red easier. You sit | :49:05. | :49:09. | |
here watching but in the pit it's a lot more difficult. Mark Williams | :49:10. | :49:13. | |
still sitting out there. Is there one last gasp left in him in this | :49:14. | :49:17. | |
match? He played a good shot with the rest, could have gone in, he | :49:18. | :49:21. | |
played it to the far jaw, the right place to play it. Still skin of the | :49:22. | :49:26. | |
cheap stuff. Not easy to predict the outcome because both players are | :49:27. | :49:30. | |
looking slightly wobbly, no one has quite got control of the game. | :49:31. | :49:33. | |
Williams has to take confidence the way he's come back into this match, | :49:34. | :49:38. | |
the way Mark Selby was flying before the interval. The old craft has come | :49:39. | :49:42. | |
back. I don't subscribe to him not caring about winning or losing, it's | :49:43. | :49:47. | |
a mechanism for taking pressure off. If somebody was like that he | :49:48. | :49:51. | |
wouldn't be trying as hard as he is this afternoon. He is still in | :49:52. | :49:54. | |
there. I agree with Stephen in commentary, he's had a good run of | :49:55. | :49:58. | |
the balls as well. People may expect me to go out, nothing to lose, I'll | :49:59. | :50:03. | |
keep plugging away. Mark Williams is still in the top 16, hasn't been | :50:04. | :50:06. | |
winning events. It's a step back up the ladder to beat Mark Selby in the | :50:07. | :50:12. | |
Masters. It's an OK win for Mark Selby if he gets over the line but | :50:13. | :50:16. | |
it would be an excellent win for Mark Williams, the position he's in | :50:17. | :50:22. | |
in the game, players struggling a fraction. I read some very funny | :50:23. | :50:26. | |
quotes from him the other day, he said he had to laugh at himself, the | :50:27. | :50:31. | |
fact he's still in the top 16. He's very self-deprecating, does himself | :50:32. | :50:36. | |
down, that could be a mechanism. No danger of that, Hazel, he's too good | :50:37. | :50:41. | |
a player, he knows deep down. His game still stands up to as close | :50:42. | :50:45. | |
scrutiny. If Mark Selby comes through this, this will have been a | :50:46. | :50:48. | |
proper work-out for him, make no mistake. I was about to mention this | :50:49. | :50:53. | |
time last year when Ronnie O'Sullivan was in here and it was | :50:54. | :50:56. | |
Mark Williams who gave him the toughest work-out of the entire week | :50:57. | :51:02. | |
with a final frame decider. We've got history when it comes to causing | :51:03. | :51:07. | |
quite a few banana skins for top player Mark Williams. Here we go, | :51:08. | :51:08. | |
with the break. Hoping that his last break shot of | :51:09. | :51:21. | |
the match. If he wins this frame he's through to the quarterfinal. | :51:22. | :51:29. | |
Mark Williams has put him through the ringer. Friends have started to | :51:30. | :51:39. | |
be a bit more drawn out, that's why we're onto the three hour mark. | :51:40. | :51:51. | |
The obvious frame time is practically 20 minutes. | :51:52. | :52:02. | |
He came over to look at the black. Thinking about the red, to the light | :52:03. | :52:11. | |
of the pink, stunning the cue ball across... Now, this shot, you can | :52:12. | :52:19. | |
play it more positively around the ankles, thicker contact on the pack, | :52:20. | :52:23. | |
or you can just brush it, which is what he's done. That was a nice | :52:24. | :52:32. | |
little brush off the yellow, blocked the left-hand side of the pack. It | :52:33. | :52:41. | |
certainly was. Stopped the escape room down the left-hand side of the | :52:42. | :52:50. | |
table. He's taking this red one. Tremendous shot. Look at the cue | :52:51. | :53:07. | |
ball control. Brilliant pot. If Mark Selby doesn't get the lucky brush | :53:08. | :53:11. | |
off the yellow he plays a safety shot, Mark Williams. Absolutely. He | :53:12. | :53:16. | |
was forced into playing it because he couldn't see safety. | :53:17. | :53:29. | |
Again, doesn't take him long to get out of position. Frustrating to | :53:30. | :53:35. | |
watch, never mind how he must feel. He's got this red to left middle. He | :53:36. | :54:01. | |
likes it easier than this. In it goes. He needs a good angle on the | :54:02. | :54:11. | |
blue. Then he just dropped this in and hole for one of those two reds, | :54:12. | :54:16. | |
to the right of the cluster. He couldn't, he's having to play for | :54:17. | :54:21. | |
the red along the top cushion. These are tough. Especially because he's | :54:22. | :54:29. | |
going to play it with a bit of pace to get out for the black. Plenty of | :54:30. | :54:39. | |
shots into the pack. A bit tentatively so far. How is he going | :54:40. | :54:46. | |
to play this one? Again, played a touch shot. It's not worked out. | :54:47. | :54:55. | |
This red does cut to the right corner and he can play for the | :54:56. | :55:00. | |
black. With lots of bottle. On the left-hand side, with the cue ball. | :55:01. | :55:16. | |
That was a Mark Williams special coming up there, the only player in | :55:17. | :55:18. | |
the world who can do that. Now, is he on a colour? Does he get | :55:19. | :55:39. | |
a good angle on the green? It's not a bad one. It's not bad. The red | :55:40. | :55:46. | |
that's loose is available, amazing how he can contort himself into that | :55:47. | :55:59. | |
position. Textbook. Rolled it in and it's perfect on the next red. Choice | :56:00. | :56:05. | |
of two reds and in playing this one he will nudge another interplay. -- | :56:06. | :56:13. | |
into play. What a time in the match to win a frame in one visit. It'll | :56:14. | :56:16. | |
take us to a decider. Once again, under hit it. Should | :56:17. | :56:34. | |
have been straight. He'll go for the blue now. But it gave him an | :56:35. | :56:47. | |
opportunity. His wife, Jo, feeling every anguish, willing every ball | :56:48. | :56:56. | |
into the pocket. It's worth watching them playing. | :56:57. | :57:16. | |
This is a good positional shot. If you're being picky, you would say | :57:17. | :57:27. | |
maybe it should have been a fraction more. | :57:28. | :57:32. | |
It doesn't. I think he can stun down for the black. No problem. He's got | :57:33. | :57:44. | |
a nice angle on the black. Mark. It can only be a little bit of | :57:45. | :58:09. | |
tension in the arm, can't be anything else. | :58:10. | :58:40. | |
A disappointing round. He was going to win the frame in one visit there. | :58:41. | :58:47. | |
A strong 53 point lead. The last thing he wants is the pink | :58:48. | :59:31. | |
tight against the cushion. But then I suppose he is forcing Mark to | :59:32. | :59:35. | |
bring this red away from the cushion. He's not played it well. So | :59:36. | :59:45. | |
here's a chance for the counterattack now, for Mark Selby. | :59:46. | :00:15. | |
Well, I think decider here we come. Looks like Mark Selby is going to | :00:16. | :00:30. | |
win this match, he'll have to fall over the line. -- if Mark Selby is | :00:31. | :00:33. | |
going to win, you'll have to fork over the line. He can't buy a | :00:34. | :00:43. | |
positional shot at the moment. Nope. He's looking at the scoreboard, he | :00:44. | :00:57. | |
needs red - colour- red. Played it well, upload it nicely. It's on the | :00:58. | :01:01. | |
Brown. And he's on the red to clinch the | :01:02. | :01:17. | |
frame. This red will put him 65 points in front with just 59 | :01:18. | :01:28. | |
remaining. It goes. We're going to have a decider for Joe to have to | :01:29. | :01:40. | |
live through. -- for Jo to have to live through. Mark Selby will not be | :01:41. | :01:44. | |
coming back to the table, even now he will be preparing for the | :01:45. | :01:50. | |
deciding frame. Should you go out the arena and wash your hands or sit | :01:51. | :01:53. | |
there and wait for the referee to set the balls up? We've already had | :01:54. | :02:05. | |
three of these first-round matches that have gone to a deciding frame. | :02:06. | :02:14. | |
I don't supposed you'd expect to have any runaway victories. | :02:15. | :02:18. | |
Particularly with the top 16 players in the world. I'll be honest with | :02:19. | :02:27. | |
you, Stephen, went Mark Selby went to the midsection interval three in | :02:28. | :02:33. | |
front, I didn't see this. No, not at all. We have mentioned that shot | :02:34. | :02:37. | |
that went wrong for Mark Selby when it looked like he was going to go | :02:38. | :02:41. | |
for one up. Every credit to Mark Williams. He keep mentioning he | :02:42. | :02:47. | |
hasn't won a frame in one visit. Tremendous character, tremendous | :02:48. | :02:47. | |
matchplay. As we all say with a decider, it | :02:48. | :03:18. | |
literally can be the toss of a coin. World champion, UK champion, world | :03:19. | :03:26. | |
number one... And the chances of holding the three majors at the same | :03:27. | :03:34. | |
time are all going to be down to a deciding frame. Not on the blue, but | :03:35. | :03:42. | |
he's not bothered. Once again, we have parity. This | :03:43. | :04:02. | |
time it's five apiece. First to six. Decider to come. | :04:03. | :04:06. | |
Isn't it ironic, the man who last held all three of snooker's majors | :04:07. | :04:15. | |
simultaneously, Williams coming 2003-2004, goodness me, could he be | :04:16. | :04:19. | |
the man to prevent Selby from doing it? Yes, not necessarily in the | :04:20. | :04:23. | |
style you were big, nicking this particular match would be a feather | :04:24. | :04:29. | |
in Mark Williams's cap. It would be. Mike Williams cue ball patrol is not | :04:30. | :04:31. | |
vintage but he's getting away with it. You said it's an under suit at | :04:32. | :04:37. | |
the moment but he's finding a way. Yeah, he was always very good at it. | :04:38. | :04:42. | |
He is under enormous pressure. I still believe he wants to win as | :04:43. | :04:45. | |
hard as he ever did, I'm not falling for that line. He's in they're | :04:46. | :04:51. | |
competing, his matchplay has been exemplary, he's not been scoring in | :04:52. | :04:55. | |
one visit. He's tough to play against and the games get fractured | :04:56. | :04:59. | |
and broken up and you have to beat him when he plays like that. You | :05:00. | :05:03. | |
come to the table and every time you come there is something awkward | :05:04. | :05:07. | |
about him. He's saying, that is the shot I played, play better than | :05:08. | :05:10. | |
that. I say, Mark Selby has been on the end of it this afternoon, it's | :05:11. | :05:14. | |
been a very hard work-out for him. Does he seem like a man under | :05:15. | :05:19. | |
pressure this afternoon? The hole has been dogged by not keeping the | :05:20. | :05:23. | |
pressure on Mark Williams. Whilst the? May still be if Mark Williams | :05:24. | :05:28. | |
gets a chance in the last frame can he hold it together and keep | :05:29. | :05:32. | |
position? There are? Over whether there is a little bit of tension. | :05:33. | :05:38. | |
And expectation. More so on this man than we think. He's succumbed a bit | :05:39. | :05:43. | |
to the problems of thinking too much ahead, as to what it would be like | :05:44. | :05:48. | |
to hold the grand slam victories. He's now in a pressure situation in | :05:49. | :05:52. | |
a match and it's about a pure fight, how much but has he got? Is that | :05:53. | :05:57. | |
you're reading? The fact these factors might come in. Stephen made | :05:58. | :06:00. | |
a point about the concentration, when you're playing that well and | :06:01. | :06:06. | |
things are coming easily, how easy is it to lose focus when it's going | :06:07. | :06:12. | |
your way? The hard bit is getting it back, it's not some you can switch | :06:13. | :06:15. | |
on and off. One point he made, we've seen time and time again, the | :06:16. | :06:19. | |
interval came at the right time, Williams and the wrong time for Mark | :06:20. | :06:23. | |
Selby. Mark Williams lost the final frame decider. At this point last | :06:24. | :06:28. | |
year, to Ronnie O'Sullivan. Will there be a sting in the tail this | :06:29. | :06:32. | |
time? Can he defeat the world number one? | :06:33. | :06:44. | |
The brake off. Left a possibility of a pot. Not getting the cue ball so | :06:45. | :06:55. | |
close to the cushion. Not too difficult a safety shot either. | :06:56. | :07:32. | |
Looks like he's just going to play the containing safety. Surprises me | :07:33. | :07:46. | |
a little bit. I assume he's not left this red to the right of the black. | :07:47. | :08:02. | |
I wonder if he can play the double. A kind of shot to nothing. He can | :08:03. | :08:14. | |
maintain some sort of position on the black. He's played it. He | :08:15. | :08:19. | |
thought he would leave the cue ball further to the right-hand side the | :08:20. | :08:22. | |
table. This is definitely on. It doesn't appear he can get a read | :08:23. | :08:38. | |
to the left middle, the only problem with the one to the right middle is | :08:39. | :08:47. | |
it's definitely miscible. He has to play it and he's not happy, though. | :08:48. | :08:53. | |
If he was comfortable with the shot he would have been down by now, so | :08:54. | :08:59. | |
he's feeling it. The comfort zone has long since gone in this match, | :09:00. | :09:07. | |
Vermaak. I'm shocked that he has refused that red. Fair enough, the | :09:08. | :09:13. | |
cue ball might have been cannoned into ball colours. Will he get a | :09:14. | :09:18. | |
better chance than that? He is looking at this long red to | :09:19. | :10:03. | |
the left corner. A dead weight for the black or is he looking at | :10:04. | :10:09. | |
another containing safety? I I suppose if he rolled it in he | :10:10. | :10:16. | |
could get position on the black, but... I think he's getting a bit | :10:17. | :10:23. | |
bogged down now, it can get you, the game, it has not been smooth, smooth | :10:24. | :10:28. | |
running in the last few frames, and he is just getting to him a bit. | :10:29. | :10:36. | |
Yes, I can only presume he couldn't see the red on the left hand cushion | :10:37. | :10:40. | |
because of the yellow, a simple cue ball to bring it back to where it | :10:41. | :10:51. | |
was. That could be a mistake, he has left | :10:52. | :10:55. | |
his red on to the middle. He won't refuse this one. | :10:56. | :11:04. | |
This is, again, one of these that looks very easy on the screen. But | :11:05. | :11:12. | |
under this pressure, it is very smelly indeed. And the fact that you | :11:13. | :11:18. | |
have to roll it in dead weight, if he plays it with any pace, he is not | :11:19. | :11:22. | |
certain to be on a colour, he wants to roll it and be on the blue. You | :11:23. | :11:26. | |
have to trust the table and trust your cueing and hit the centre of | :11:27. | :11:28. | |
the cue ball. Oh, and he missed it. So the first | :11:29. | :11:40. | |
chance falls to Mark Williams. Like the red to the left middle is | :11:41. | :12:02. | |
the one to play, but slightly hampereded so no gimme. | :12:03. | :12:05. | |
-- hampered. Surely not! Surely not. He had a | :12:06. | :13:03. | |
choice of two reds, the one below the pink and the one past the pink, | :13:04. | :13:09. | |
to the right-hand side. Surely he is on one of them. Again, it is the | :13:10. | :13:14. | |
position that has let him down, isn't it John. Yes, but to be fair, | :13:15. | :13:20. | |
you would have to say there a bit unfortunate. I mean you play to an | :13:21. | :13:23. | |
area, as you say there was a couple of reds you could be on, but to not | :13:24. | :13:29. | |
be on one of them, it is unbelievable really. | :13:30. | :13:37. | |
So he is now having to play this very risky pot. | :13:38. | :13:44. | |
Good shot. To wipe the dispointsn't of not being on an easy red, that | :13:45. | :13:59. | |
was fantastic temperament. -- disappointment. | :14:00. | :14:35. | |
That is what it's like, folk, watching your hubby play snooker. | :14:36. | :14:46. | |
Ooh, he got the kick. Has it thrown the blue off line? It has. He has | :14:47. | :14:57. | |
had a very good run of the ball since the interval but that was | :14:58. | :15:03. | |
cruel. If that has cost him the match, that is awful. | :15:04. | :15:11. | |
This is horrendous. And the worst type of bad contact, the fact that | :15:12. | :15:29. | |
it threw the blue off line. Count have played this better. Yes, why | :15:30. | :15:36. | |
was he playing for the blue? Well, OK, he might think he wanted it on | :15:37. | :15:41. | |
the spot, but I mean you play it hard enough so you are on blue or | :15:42. | :15:48. | |
baulk colour. Now using the rest, OK, I mean he's, he is quite capable | :15:49. | :15:54. | |
of playing the deep screw and getting the cue ball back to this | :15:55. | :15:57. | |
end. The more distance the cue ball has to travel, the more likely it is | :15:58. | :16:00. | |
to not get perfect position. He has played this well. At this | :16:01. | :16:27. | |
stage, it is just one shot at a time. Can't start thinking ahead of | :16:28. | :16:30. | |
yourself at this stage. Now referee Paul Collier probably | :16:31. | :17:29. | |
here him say give me a second Mark, because I don't think the pink spot | :17:30. | :17:35. | |
is available. There is one red that is on. So it is not going to affect | :17:36. | :17:47. | |
the next pot. Close to its spot, not touching the red, as it can go. He | :17:48. | :17:56. | |
will pot this and try and nudge the red near the right middle. Just | :17:57. | :17:59. | |
nudge it over the middle. He will still be on the blue. | :18:00. | :18:02. | |
That is where he played. Didn't want it to drop. That is the last thing | :18:03. | :18:06. | |
he wanted. He didn't want that, he wanted that | :18:07. | :18:11. | |
red to stay over the pocket. Now it has gone in, he will have a | :18:12. | :18:23. | |
problem getting on the next red. Oh, that is is a good shot. Well, a | :18:24. | :18:30. | |
good shot. He has cued it well, but, you have to say sometimes it just | :18:31. | :18:35. | |
dedepends on the potting angle and it was perfect to play the blue and | :18:36. | :18:39. | |
bring that red into play It was a natural, wasn't it. | :18:40. | :18:43. | |
Unfortunate to knock the red in the middle, but a bit fortunate to have | :18:44. | :18:49. | |
that natural angle. Now, green and into the bunch of | :18:50. | :18:52. | |
five reds and the pink. This could be the frame and match winning shot, | :18:53. | :18:54. | |
coming right up here. Could have been better. Could have | :18:55. | :19:10. | |
been better. Yes, absolutely once you got into | :19:11. | :19:15. | |
them, you thought, well, he will have a nice easy red to continue | :19:16. | :19:24. | |
with, but that is not the case. He almost needed to hit the pink | :19:25. | :19:29. | |
there to get the perfect split. And this red he is looking at, to | :19:30. | :19:33. | |
left middle. I think he can play for the black to perhaps the left | :19:34. | :19:37. | |
corner, but he won't leave anything should he miss it. | :19:38. | :19:50. | |
Looking to see where the cue ball... He is locking at playing this to the | :19:51. | :19:54. | |
far left corner, the yellow pocket. Again playing for the black, but, I | :19:55. | :19:59. | |
wouldn't like to be playing that shot under pressure. | :20:00. | :20:04. | |
Back to this one. Good shot. He won't be taking this for granted. | :20:05. | :20:33. | |
Liang Wenbo will tell you that. Great shot. | :20:34. | :20:39. | |
OK, can't play for the black after this, but this was a much better pot | :20:40. | :20:41. | |
than it looked. The kick on the blue, it would be a | :20:42. | :21:06. | |
terrible way to lose a match. This was it, straightforward blue, | :21:07. | :21:11. | |
you never fancied to miss it. You got the heavy contact and you see | :21:12. | :21:14. | |
through his cue on the table, apart from the heavy contact, it threw the | :21:15. | :21:17. | |
blue off line. So 18 points the lead. Three reds, | :21:18. | :21:32. | |
three colours. And he has three reds in the open. | :21:33. | :21:40. | |
Would take him into the quarterfinal. He may have to take | :21:41. | :21:46. | |
this red with the rest. He has finished awkward on that red beside | :21:47. | :21:47. | |
the pink. Just got to put a positive stroke on | :21:48. | :22:11. | |
this. Decelerate in any way, he will miss to it the left knuckle. | :22:12. | :22:17. | |
He is screwing back for the blue to take that out of the equation, this | :22:18. | :22:28. | |
is a more positive way of playing. He has not gone far enough. | :22:29. | :22:33. | |
He will probably play in between green and brown, lots of right-hand | :22:34. | :22:39. | |
side, baulk cushion, right-hand side cushion. | :22:40. | :22:52. | |
That's a good shot. I thought maybe he wouldn't play it, because if you | :22:53. | :22:56. | |
have too much side on it you end up nowhere. He couldn't have played it | :22:57. | :23:03. | |
better but if the black doesn't go to the right corner, it is not a | :23:04. | :23:06. | |
formality to win the frame at this visit. | :23:07. | :23:21. | |
Good pot. What song of angle on the blue? Absolutely inch perfect. | :23:22. | :23:42. | |
Is he too hard? Is he too hard? He's too hard. | :23:43. | :23:52. | |
And I don't think he can see enough of the red above the pin. To pot it | :23:53. | :23:56. | |
in the right middle. So the chance of winning Frayne and match has | :23:57. | :23:58. | |
gone. -- frame. He was looking at the | :23:59. | :24:04. | |
cushion, like a big bounce, unlike you I thought it was too hard toe | :24:05. | :24:08. | |
start with. As soon as it came off the blue it looked like he has too | :24:09. | :24:13. | |
much pace on it. Can he hit enough of that red to pot it in the middle? | :24:14. | :24:19. | |
It is not what he played for. I don't know, it is tight. | :24:20. | :24:25. | |
Needs a red and colour, he thinks he can pot it. | :24:26. | :24:33. | |
He is lucky to have this alternative. It is not the red he | :24:34. | :24:36. | |
played for. If you are in the practice room you can play this | :24:37. | :24:40. | |
right-hand side, to make the angle thicker to allow yourself to pot it. | :24:41. | :24:52. | |
Brave man to play that shot here. I think he is convincing himself to | :24:53. | :24:54. | |
go for it. It o only when you are right down | :24:55. | :25:13. | |
behind it you feel you can pot it or not. This is decision, he is playing | :25:14. | :25:20. | |
it with right-hand side, you can see that, to try and square the red up. | :25:21. | :25:30. | |
And he did it. He has done it. And that is frame and match. | :25:31. | :25:36. | |
He knows he didn't think that red could go, he didn'tn't play for that | :25:37. | :25:47. | |
red. -- didn't play for that red. Mark Williams must be cursing his | :25:48. | :25:51. | |
luck, how hard he has battled in this match. | :25:52. | :26:00. | |
APPLAUSE Fortunate to still be on this red, | :26:01. | :26:12. | |
but he looked comely -- completely under pressure, out of sorts. | :26:13. | :26:16. | |
Terrible bad fortune for Mark Williams but this has been an | :26:17. | :26:21. | |
awesome break to win the match. Yes, Hazel said in the studio, last | :26:22. | :26:26. | |
year, Mark Williams took Ronnie O'Sullivan all the way. It is a bad | :26:27. | :26:35. | |
habit to have, just losing in the odd frame. It is a heart pill to | :26:36. | :26:40. | |
swam hoe, particularly the way it has gone, without bad contacts on | :26:41. | :26:43. | |
the blue. -- swallow. | :26:44. | :26:59. | |
Extension in hand, ready to leave the arena. | :27:00. | :27:02. | |
In goes the pink. APPLAUSE And in goes the black, so | :27:03. | :27:23. | |
Mark Selby, world number one, world champion, UK champion, eventually | :27:24. | :27:27. | |
gets over the line, every credit to Mark Williams, really really pushed | :27:28. | :27:31. | |
it all the way. But the Triple Crown is still on. He is in threw to the | :27:32. | :27:39. | |
quarterfinal. He wins 6-5. HAZEL IRVINE: It was tough. Very | :27:40. | :27:43. | |
very tough. The world number one knows all about that, if it hassen | :27:44. | :27:47. | |
been for that kick on 20, from Mark Williams, it moo have been a | :27:48. | :27:52. | |
different story. A fourth day afternoon, on the trot we have had a | :27:53. | :27:56. | |
decider. People think we are setting it up. Unbelievable match. I feel | :27:57. | :28:00. | |
sorry for him. There is no way worse to lose than a kick like that. He | :28:01. | :28:04. | |
was playing the shot and I thought we haven't had many kick, the table | :28:05. | :28:09. | |
seems to be good. He gets a monster kick, after that Mark Selby showed | :28:10. | :28:13. | |
why why he is world number one. The cue ball jumped up in the air. It's | :28:14. | :28:16. | |
a horrible way to lose. It is not great. Mark would be honest and say | :28:17. | :28:21. | |
his positional play let him down, sometimes if you start at the top of | :28:22. | :28:25. | |
the table you wouldn't have got that anning but in the end Mark Selby | :28:26. | :28:31. | |
showed what he was worth, he has been under pressure situations so | :28:32. | :28:34. | |
often you fancy she going to get out of jail. Mark Williams, there is no | :28:35. | :28:42. | |
way it won't hurt. Yes. And Mark Selby thought long and hard there, | :28:43. | :28:45. | |
but it went for him. You said it was going to go. Steve said it would | :28:46. | :28:49. | |
pot. It is one of those you don't want to play. Congratulations Mark. | :28:50. | :28:55. | |
Briefly, he put you through the wringer there. Yes, he showed his | :28:56. | :29:00. | |
class, he didn't win that many frames in one visit but he is such a | :29:01. | :29:03. | |
clever player, he puts you in trouble. Pots a great long red and | :29:04. | :29:09. | |
that is how he found his way back, to shut me out for a while. You had | :29:10. | :29:15. | |
the run of three, two on thes and a 60 break and what happened to turn | :29:16. | :29:20. | |
things round? Frame five. I was in control. I played a blue to go into | :29:21. | :29:25. | |
reds, went through the gap but later on I played like, just amateur | :29:26. | :29:28. | |
safety shot. I am clipping off the red and left him a cut back in the | :29:29. | :29:32. | |
middle. He got back and showed his class then the match seemed to turn | :29:33. | :29:36. | |
on that point. It did. We were talking about that kick in the final | :29:37. | :29:41. | |
frame. If I am playing I would probably punch it in to take the | :29:42. | :29:47. | |
kick out, but that is the way Mark play, he rolls everything and it has | :29:48. | :29:53. | |
won so much so why should he change, it is unfortunate. Selby slam is | :29:54. | :29:59. | |
alive but how much extra weight does it carry? That was on my mind coming | :30:00. | :30:04. | |
here, it is such a tough tournament to win, but it will be better if I | :30:05. | :30:08. | |
go out there and just play and I did that at the start. Well played. We | :30:09. | :30:12. | |
will have to leave it there. You can get your breath. Thank you for | :30:13. | :30:19. | |
coming in. Mark will play either Shaun Murphy or Barry Hawkins, you | :30:20. | :30:23. | |
will see it live on the red Button and online, Jason will be back with | :30:24. | :30:28. | |
the highlights at 11.15. But, goodness me, another afternoon of | :30:29. | :30:33. | |
high drama, after noons are made for pure neat a at Ally Pally. Thanks | :30:34. | :30:37. | |
for being with us here. Tara for now. | :30:38. | :30:39. | |
-- pure theatre. To break someone physically... Agh! | :30:40. | :30:52. | |
..is not a problem. | :30:53. | :30:57. |