Browse content similar to Britain's Youngest Undertaker. Check below for episodes and series from the same categories and more!
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Rachael Ryan might look like any other teenager, | 0:00:02 | 0:00:06 | |
but she's about to turn 16 | 0:00:06 | 0:00:08 | |
and do something none of her classmates would ever consider. | 0:00:08 | 0:00:12 | |
She's going to join the family business and become... | 0:00:17 | 0:00:21 | |
Britain's youngest undertaker. | 0:00:21 | 0:00:23 | |
Rachael will put be on a three-month trial by her new boss - her dad. | 0:00:26 | 0:00:32 | |
I will be giving her objectives over the first two months | 0:00:32 | 0:00:35 | |
to see if she's capable of doing them objectives. | 0:00:35 | 0:00:37 | |
She's going have to learn to do what she's told... | 0:00:37 | 0:00:41 | |
-See, this is where you're not listening! -I am! | 0:00:41 | 0:00:44 | |
..she'll have to get used to dealing with the deceased... | 0:00:44 | 0:00:46 | |
Oh, God. | 0:00:46 | 0:00:48 | |
She says she can see stars, she felt very faint, | 0:00:49 | 0:00:52 | |
I don't know why she felt faint. | 0:00:52 | 0:00:54 | |
..and at the end, she'll be assessed on whether she's really got | 0:00:54 | 0:00:57 | |
what it takes to join the funeral trade. | 0:00:57 | 0:00:59 | |
I think I am ready. | 0:00:59 | 0:01:00 | |
She thinks she can do this and do that, | 0:01:00 | 0:01:04 | |
but she's only got to make one mistake | 0:01:04 | 0:01:06 | |
and this business could finish, | 0:01:06 | 0:01:08 | |
and I am not putting myself in that position. | 0:01:08 | 0:01:11 | |
# I've been roamin' around | 0:01:17 | 0:01:19 | |
# Always lookin' down at all I see... # | 0:01:19 | 0:01:24 | |
The last music lesson of the year at St Joseph's School in Newport. | 0:01:24 | 0:01:29 | |
Many of the class will be leaving school for good, | 0:01:29 | 0:01:31 | |
trying to make it in the outside world. | 0:01:31 | 0:01:34 | |
# ..Somebody, yeah... # | 0:01:34 | 0:01:37 | |
I can't believe school's nearly over. | 0:01:37 | 0:01:41 | |
It seems like just yesterday I came into year 7. | 0:01:41 | 0:01:44 | |
Rachael is one of the lucky ones - | 0:01:44 | 0:01:47 | |
she's already got a job to go to, | 0:01:47 | 0:01:50 | |
but it's not a job that many of Rachael's friends | 0:01:50 | 0:01:53 | |
have considered doing themselves. | 0:01:53 | 0:01:55 | |
I've told her I find it freaky, | 0:01:55 | 0:01:57 | |
but I said I'll be behind her whatever she chooses, I don't mind. | 0:01:57 | 0:02:01 | |
-Could you be an undertaker? -No, no. | 0:02:01 | 0:02:05 | |
-Why? -because I don't like blood and I don't like dead bodies. | 0:02:05 | 0:02:08 | |
I'm scared in case if I go to put their clothes on or something, | 0:02:08 | 0:02:12 | |
their arm will move and grab me, that's why I'm scared. | 0:02:12 | 0:02:15 | |
I think Rachael would just laugh if that happened. | 0:02:15 | 0:02:17 | |
She'd find it hysterical. | 0:02:17 | 0:02:19 | |
A lot of people do think it's freaky, | 0:02:19 | 0:02:21 | |
because the whole you-see-dead-people thing freaks people out, | 0:02:21 | 0:02:26 | |
but I've been brought up with it and my friends understand that, | 0:02:26 | 0:02:30 | |
that the way you're brought up is the way you're always going to live. | 0:02:30 | 0:02:35 | |
The company that Rachael will be joining is the family firm. | 0:02:41 | 0:02:46 | |
Her dad Mike owns one of the most successful funeral businesses in Newport. | 0:02:46 | 0:02:51 | |
Always wanted to be a funeral director. I can't tell you | 0:02:51 | 0:02:55 | |
the reason why I wanted to be. | 0:02:55 | 0:02:57 | |
It was just me, I wanted to be a funeral director. | 0:02:57 | 0:03:00 | |
He built it from scratch 14 years ago | 0:03:02 | 0:03:04 | |
and now has a thriving operation, handling up to 150 funerals a year. | 0:03:04 | 0:03:10 | |
I simply think I'm the best. | 0:03:10 | 0:03:12 | |
My business is everything. | 0:03:13 | 0:03:15 | |
I've been on board now 14 years, I've worked hard, | 0:03:15 | 0:03:20 | |
I've built it with respect and dignity, and it's everything. | 0:03:20 | 0:03:23 | |
Mike used to run the business with his son Thomas, | 0:03:23 | 0:03:27 | |
but when he left, Mike's eldest daughter Louise | 0:03:27 | 0:03:31 | |
gave up her job in banking to come on board. | 0:03:31 | 0:03:34 | |
Louise is excellent at what she does, there's no question about that, | 0:03:34 | 0:03:37 | |
and if I do say so myself, she's learnt everything from me. | 0:03:37 | 0:03:41 | |
I definitely enjoy it more than banking. Definitely. | 0:03:42 | 0:03:46 | |
There's always something new that you're learning, | 0:03:46 | 0:03:50 | |
whether it's to do with the embalming process, the doctors, the type of religion... | 0:03:50 | 0:03:55 | |
So many different things you come across. It's really interesting. | 0:03:55 | 0:03:59 | |
Mike is 60 years old and, with his retirement looming, | 0:04:01 | 0:04:05 | |
he wants his youngest daughter to become a funeral director too. | 0:04:05 | 0:04:09 | |
I've built this business for my children, nobody else. | 0:04:09 | 0:04:12 | |
At the end of the day, I know that when my life comes to an end, | 0:04:12 | 0:04:16 | |
who am I going to hand it over to? | 0:04:16 | 0:04:18 | |
I'd like to think that the next generation will take that on board, | 0:04:18 | 0:04:22 | |
and make people proud of the Ryan name throughout Newport. | 0:04:22 | 0:04:26 | |
Working for her dad, Rachael will need to pull her weight | 0:04:26 | 0:04:30 | |
if she's going to pass her three-month probation period. | 0:04:30 | 0:04:34 | |
Every obligation she's put in front of her as a challenge, | 0:04:34 | 0:04:37 | |
she will achieve, I've got no doubts in my mind. | 0:04:37 | 0:04:41 | |
But if it's not to be, it's not to be, | 0:04:41 | 0:04:44 | |
and I will make that decision to move her sidewards. | 0:04:44 | 0:04:46 | |
-It'll be a tough decision? -Very tough decision, | 0:04:46 | 0:04:49 | |
but it's got to be made for the benefit of the company. | 0:04:49 | 0:04:52 | |
The Ryan's funeral home is situated on the outskirts of Newport. | 0:04:58 | 0:05:03 | |
Rachael's in the office and ready to start work. | 0:05:03 | 0:05:07 | |
Mike's plan is to teach Rachael every aspect of his business. | 0:05:07 | 0:05:12 | |
Now, what you need to do is put the size on them, 5-10-20, | 0:05:12 | 0:05:16 | |
5-6-20... | 0:05:16 | 0:05:18 | |
The first task for Rachael this morning is to do a stock check of the coffins. | 0:05:18 | 0:05:23 | |
That's the oak, that's the mahogany, | 0:05:23 | 0:05:26 | |
-and that means the raised top. -OK. What about all them? | 0:05:26 | 0:05:30 | |
-You count all them as well, they're oak. -But what...wh... OK. | 0:05:30 | 0:05:33 | |
-See, this is where you're not listening! -I am listening! | 0:05:33 | 0:05:36 | |
One, two, three, four, five, six... | 0:05:36 | 0:05:38 | |
Rachael has to count and mark down the different types and sizes of coffin. | 0:05:38 | 0:05:44 | |
I'm getting bloody confused! | 0:05:44 | 0:05:46 | |
-Do you understand it now, love? -Yeah, but what are they again? | 0:05:46 | 0:05:50 | |
That's an oak, that's a 5-10-20, so what you do now, | 0:05:50 | 0:05:53 | |
-right, oak, 5-10... -I get it, I get it. -Right. | 0:05:53 | 0:05:58 | |
Older sister Louise is on hand to watch over Rachael. | 0:06:01 | 0:06:05 | |
Right, we've got 5-6-20s - one, two, three, four, five, six. | 0:06:05 | 0:06:09 | |
You've got one. | 0:06:09 | 0:06:11 | |
They're all the one I counted. | 0:06:11 | 0:06:13 | |
The sums don't add up. | 0:06:13 | 0:06:15 | |
Chuck that in the bin, I believe Don and Steve. | 0:06:15 | 0:06:18 | |
Oh, thanks! | 0:06:18 | 0:06:20 | |
-Where's Rachael's list? -In the bin. | 0:06:20 | 0:06:22 | |
-In the bin? -Yeah. | 0:06:22 | 0:06:24 | |
-If there wasn't so many numbers involved, I wouldn't mind! -Rach, it's not difficult. | 0:06:24 | 0:06:28 | |
-I got them right, and there was a few that was wrong... -A few that was wrong?! | 0:06:28 | 0:06:33 | |
A few is an understatement! | 0:06:33 | 0:06:35 | |
It's a rocky start for Rachael. | 0:06:35 | 0:06:38 | |
I can put my hand to anything in here, | 0:06:38 | 0:06:41 | |
but it's taken me 14 years to do it. | 0:06:41 | 0:06:43 | |
She's got to learn a lot quicker. | 0:06:43 | 0:06:46 | |
I won't be here in 14 years' time, so she's got to be able to do what I'm doing now, | 0:06:46 | 0:06:50 | |
but she's got to learn it a bit quicker. | 0:06:50 | 0:06:53 | |
You'll still be going in 14 years, Mike. | 0:06:54 | 0:06:57 | |
Knowing me, I'll be dead and gone. | 0:06:57 | 0:06:58 | |
PHONE RINGS | 0:07:03 | 0:07:05 | |
Mike Ryan, can I help you? | 0:07:05 | 0:07:07 | |
'When someone dies, the relatives will contact Mike, | 0:07:07 | 0:07:10 | |
'who arranges for the body to be collected.' | 0:07:10 | 0:07:13 | |
One, two, three. | 0:07:16 | 0:07:19 | |
'He's got three other regular staff - | 0:07:23 | 0:07:25 | |
'John the driver...' | 0:07:25 | 0:07:26 | |
It doesn't bother you, working with dead bodies? | 0:07:26 | 0:07:29 | |
Somebody's got to do it, haven't they? | 0:07:29 | 0:07:32 | |
In the beginning, I was a bit apprehensive, | 0:07:32 | 0:07:34 | |
but now I've done so many...it's just give them the dignity you can and that's the end of it. | 0:07:34 | 0:07:39 | |
'There's also Don, who collects the deceased, | 0:07:39 | 0:07:43 | |
'and prepares the coffins and hearses, alongside Steve.' | 0:07:43 | 0:07:47 | |
-Do you like working here? -Yeah, love it. | 0:07:47 | 0:07:50 | |
Why's that? | 0:07:50 | 0:07:51 | |
Well, I just like working. | 0:07:51 | 0:07:54 | |
I know that I'm helping somebody in their bereavement, | 0:07:54 | 0:07:58 | |
in a sort of way. | 0:07:58 | 0:07:59 | |
I've been wanting to actually go into the funeral service | 0:07:59 | 0:08:02 | |
since I was about seven years old. | 0:08:02 | 0:08:04 | |
Since I learnt about the Egyptians in school. | 0:08:04 | 0:08:07 | |
-Seven years old? -Yeah. | 0:08:07 | 0:08:09 | |
-This was your ambition? -Yes, it was, yes. | 0:08:09 | 0:08:12 | |
Not many seven-year-olds want to work with the deceased, do they? | 0:08:12 | 0:08:16 | |
No, there's not, no. There's some people - "Urgh!" | 0:08:16 | 0:08:19 | |
'There's funeral arranged for tomorrow | 0:08:21 | 0:08:24 | |
'and the grieving family are coming to view their father one last time.' | 0:08:24 | 0:08:28 | |
We're actually bringing the deceased into the restroom for viewing | 0:08:28 | 0:08:33 | |
and laying him in the chapel of rest. | 0:08:33 | 0:08:36 | |
This is for viewing purposes. | 0:08:36 | 0:08:38 | |
-Go down an inch, Steve, you're all right. -Sure? -Yeah. Ready? | 0:08:38 | 0:08:41 | |
-One, two, three... -You OK there? | 0:08:41 | 0:08:45 | |
Yeah, perfect. All right, Steve. | 0:08:45 | 0:08:48 | |
The Baghurst family arrive to see their father, Paul. | 0:08:57 | 0:09:01 | |
Viewing a loved one is a distressing time for any family. | 0:09:01 | 0:09:05 | |
Better come in, Dad's at peace. | 0:09:05 | 0:09:07 | |
A lot of people can handle this, a lot of people can't. | 0:09:11 | 0:09:14 | |
Some people like to come to pay their respects. | 0:09:14 | 0:09:17 | |
Others can pay their respects in their own way at home. | 0:09:17 | 0:09:20 | |
All I can say is, he's at peace. | 0:09:20 | 0:09:21 | |
-Looks good, though, doesn't he? -Yeah. | 0:09:23 | 0:09:25 | |
He looks peaceful, out of pain... | 0:09:25 | 0:09:28 | |
Very sad. | 0:09:28 | 0:09:30 | |
I can't... | 0:09:35 | 0:09:37 | |
WOMAN SOBS | 0:09:37 | 0:09:39 | |
Mike's job as the funeral director is to remain professional | 0:09:46 | 0:09:49 | |
and not get emotionally involved. | 0:09:49 | 0:09:52 | |
It doesn't affect me. | 0:09:52 | 0:09:54 | |
Doesn't affect me whatsoever. | 0:09:54 | 0:09:57 | |
I've got a service to carry out and try and raise their spirits, | 0:09:57 | 0:10:01 | |
and that's the way I try to do it. | 0:10:01 | 0:10:03 | |
You learn to switch off. It's, um... | 0:10:03 | 0:10:06 | |
You learn to put it to one side, really. | 0:10:06 | 0:10:10 | |
It will be a lot for Rachael to take on board. | 0:10:10 | 0:10:14 | |
Keep coming! | 0:10:24 | 0:10:25 | |
'It's the day of the funeral, | 0:10:25 | 0:10:27 | |
'and there are jobs to be done before everyone can leave.' | 0:10:27 | 0:10:31 | |
-Whose shoes are they, Steve? -Mike's. | 0:10:31 | 0:10:34 | |
He's too busy, so I always make sure they're done for him. | 0:10:34 | 0:10:38 | |
Mike's handed Rachael the task of putting the flowers in the hearse, | 0:10:40 | 0:10:44 | |
but he has a particular way of doing it. | 0:10:44 | 0:10:46 | |
Let me explain to you what to do... | 0:10:46 | 0:10:49 | |
Dad, can't I just.. | 0:10:49 | 0:10:50 | |
No, let me explain how I want them set out, Rachael. | 0:10:50 | 0:10:53 | |
I know what to do. | 0:10:53 | 0:10:55 | |
I want the two posies there. | 0:10:55 | 0:10:59 | |
'He has a certain way of everything being done | 0:10:59 | 0:11:02 | |
'and I have a certain way, but because it's his business, I've got to do what he tells me to do, | 0:11:02 | 0:11:07 | |
-'but I hate being told what to do.' -Then I'll leave the rest you. | 0:11:07 | 0:11:10 | |
'Rachael and my dad are ridiculously similar.' | 0:11:10 | 0:11:13 | |
They are both very moody people. | 0:11:13 | 0:11:16 | |
-The big one first. -Do the big one first, darling. -That way? -Yeah. | 0:11:17 | 0:11:22 | |
And then you can do them in any order. | 0:11:23 | 0:11:25 | |
No, the next order... Sorry. ..is the two little 'uns, is the grandchildren. | 0:11:25 | 0:11:30 | |
-You said any order! -No, my fault, my fault. | 0:11:30 | 0:11:33 | |
I'll leave the rest to you, I've got to go and do some work. | 0:11:33 | 0:11:37 | |
Uh, this is not my thing. | 0:11:40 | 0:11:43 | |
-Why's it not your thing? -I've got to lean over. | 0:11:43 | 0:11:46 | |
There we go. | 0:11:54 | 0:11:56 | |
All right, let's have a look. | 0:11:56 | 0:11:58 | |
Let's have a look. Let me have a look at it for you. | 0:11:58 | 0:12:01 | |
Very good. | 0:12:01 | 0:12:03 | |
Right, cards pointing out... I'm not going to touch anything, that's perfect. | 0:12:03 | 0:12:08 | |
No problem at all, we're chuffed to beans. | 0:12:08 | 0:12:11 | |
When you close down, pull it by that handle. | 0:12:11 | 0:12:14 | |
Dad, I know how to close a boot. It's not really that hard! | 0:12:14 | 0:12:17 | |
Be on your own one day, got to learn somehow. | 0:12:17 | 0:12:20 | |
-To close a boot(?) -That's it, perfect. | 0:12:20 | 0:12:22 | |
I don't like being told what to do when and where to go. | 0:12:24 | 0:12:29 | |
It annoys me so much. | 0:12:29 | 0:12:30 | |
It's time to leave for the funeral. | 0:12:36 | 0:12:39 | |
Shit! | 0:12:39 | 0:12:40 | |
Bloody morning. | 0:12:40 | 0:12:42 | |
What's wrong, Mike? | 0:12:45 | 0:12:47 | |
-Me! -Why? | 0:12:47 | 0:12:49 | |
I've come with a shirt without cufflinks, simple as that. | 0:12:49 | 0:12:53 | |
You've come out without cufflinks? | 0:12:53 | 0:12:55 | |
I've come out with a shirt without cufflinks holes in. | 0:12:55 | 0:12:58 | |
Is that bad? | 0:12:58 | 0:13:00 | |
Well, I just like wearing cufflinks on a funeral, simple as that. | 0:13:00 | 0:13:04 | |
Why is he so stressed? | 0:13:04 | 0:13:05 | |
He just likes everything to be done to perfection. | 0:13:05 | 0:13:09 | |
He likes it done his way, and it's just stressful for him for some reason. | 0:13:09 | 0:13:13 | |
I dunno, he's always been the same. | 0:13:13 | 0:13:16 | |
He's got high blood pressure, takes loads of tablets. | 0:13:16 | 0:13:20 | |
-You need to calm down, Mike. -I can't calm down, this is me, you've got to understand that! | 0:13:20 | 0:13:24 | |
I'd like to go put my trousers on without you filming it. | 0:13:27 | 0:13:30 | |
DOGS WHIMPER Get! Get! Get in there! | 0:13:43 | 0:13:47 | |
HE SIGHS Bloody hell! | 0:13:51 | 0:13:53 | |
# The Lord's my shepherd | 0:13:53 | 0:14:00 | |
# I'll not want | 0:14:00 | 0:14:03 | |
# He makes down to lie... # | 0:14:03 | 0:14:10 | |
At first, Rachael's job at the funerals is to hand out | 0:14:10 | 0:14:15 | |
attendance cards so the families have a record of who's come. | 0:14:15 | 0:14:18 | |
It's a far cry from taking charge of the funeral | 0:14:23 | 0:14:26 | |
and leading the hearse, as her dad does. | 0:14:26 | 0:14:29 | |
The funeral director has the most important job at any funeral - | 0:14:34 | 0:14:39 | |
dealing sensitively with the bereaved. | 0:14:39 | 0:14:41 | |
It's a skill Mike's mastered over the years | 0:14:41 | 0:14:44 | |
and one he'll need to pass on to Rachael | 0:14:44 | 0:14:47 | |
if she's to succeed. | 0:14:47 | 0:14:49 | |
You've got to be conscientious. You've got to know what you're saying, | 0:14:49 | 0:14:53 | |
when you're saying and at the right time. | 0:14:53 | 0:14:55 | |
Sometime's it's hard, depending on how upset they are, | 0:15:05 | 0:15:08 | |
because some people are crying non-stop, constantly, | 0:15:08 | 0:15:11 | |
which, obviously, you've got to be prepared for it. | 0:15:11 | 0:15:14 | |
My dad normally deals with it. Trying to calm them down... | 0:15:14 | 0:15:18 | |
and give them the reassurance that they need. | 0:15:18 | 0:15:21 | |
But...I need to learn that. | 0:15:21 | 0:15:24 | |
How did Rachael do today? | 0:15:42 | 0:15:44 | |
She did very well. Erm...you know, she learnt... | 0:15:44 | 0:15:48 | |
She was sorting out the, erm, seating cards in church | 0:15:48 | 0:15:52 | |
and now, straight after that, she puts them in numerical order. | 0:15:52 | 0:15:56 | |
No problems. She's done very well. | 0:15:56 | 0:15:58 | |
The recession has hit Newport hard, | 0:16:09 | 0:16:12 | |
but to Mike, it's still home. | 0:16:12 | 0:16:14 | |
I love Newport. | 0:16:16 | 0:16:17 | |
An old saying - "you can take the boy out of Newport, | 0:16:17 | 0:16:21 | |
"you can't take Newport out of the boy". | 0:16:21 | 0:16:23 | |
I've been bought up here. I've lived here for 50... | 0:16:23 | 0:16:27 | |
HE LAUGHS ..60 years, I am 60 now. | 0:16:27 | 0:16:30 | |
And I love it. | 0:16:30 | 0:16:32 | |
It's not for me to move away. An old saying - | 0:16:32 | 0:16:35 | |
"there's no place like home". | 0:16:35 | 0:16:37 | |
And "home is where the heart is", and my heart is in Newport. | 0:16:37 | 0:16:40 | |
Mike's pulling out all the stops to keep his business thriving. | 0:16:42 | 0:16:47 | |
He's rung the local paper and told them about Rachael being the youngest undertaker in Britain. | 0:16:47 | 0:16:52 | |
Twist your bum to the car. Twist your bum. | 0:16:52 | 0:16:56 | |
The paper sent down a photographer. | 0:16:56 | 0:16:58 | |
Nice. Very nice. | 0:16:58 | 0:17:00 | |
I think I was a bit too posey on, um, some of the photographs | 0:17:00 | 0:17:05 | |
because when I see a camera I just think "pose". | 0:17:05 | 0:17:07 | |
You know, I think I watch a bit too much America's Next Top Model! | 0:17:07 | 0:17:11 | |
Rachael's training continues. Every few weeks, | 0:17:17 | 0:17:20 | |
Mike orders in a batch of coffins | 0:17:20 | 0:17:22 | |
and these need to be prepared before the deceased can be placed in them. | 0:17:22 | 0:17:26 | |
The first thing to do is line the coffin. | 0:17:26 | 0:17:31 | |
What I want you to do now, right, is start from scratch. Open that up. | 0:17:31 | 0:17:36 | |
This is the important job... I can do it! | 0:17:36 | 0:17:39 | |
Right, all it is now, you've got two pieces of this... | 0:17:42 | 0:17:46 | |
Louise thinks the best way for her sister to learn | 0:17:49 | 0:17:51 | |
is to do it herself. | 0:17:51 | 0:17:53 | |
Do you want to place the bottom in the bottom? | 0:17:53 | 0:17:57 | |
Have a guess how it goes. | 0:17:57 | 0:17:59 | |
But Mike finds it difficult to let go. | 0:17:59 | 0:18:02 | |
Place it in how you think it should go, and Dad can check it over. | 0:18:02 | 0:18:06 | |
-No, she needs... -Dad! -She'll need to be taught. | 0:18:06 | 0:18:08 | |
That's what I'm saying, place it in and Dad will check over it and see if it's right. | 0:18:08 | 0:18:13 | |
-Just do it. -I've done it now! Done. -No, you haven't. | 0:18:13 | 0:18:15 | |
Well, I wouldn't know any better. I do everything wrong. | 0:18:15 | 0:18:18 | |
I'll do the first staple for you and then you can do the rest. | 0:18:18 | 0:18:21 | |
-Let her... -I agree with her doing the stapling, it's no problem, | 0:18:21 | 0:18:25 | |
but she's got to learn and she's got to listen first. | 0:18:25 | 0:18:28 | |
'I think he just likes things done his way. | 0:18:28 | 0:18:30 | |
'If they're not done his way, he's not a happy bunny. | 0:18:30 | 0:18:34 | |
'He likes to be in control of everything and everyone.' | 0:18:34 | 0:18:37 | |
-Rachael's supposed to do this. -I'm getting her to... | 0:18:37 | 0:18:39 | |
-No, you're stapling it. -I'm stapling it to show her how to do it. | 0:18:39 | 0:18:42 | |
It's the correct way of doing it, Louise. | 0:18:42 | 0:18:45 | |
-She needs to be doing it herself. -Now I'm asking her to do it herself. | 0:18:45 | 0:18:49 | |
-Take the staple gun and you do it. -Am I allowed? | 0:18:49 | 0:18:52 | |
Right, just do it. | 0:18:52 | 0:18:54 | |
I need to sort a few things out with them and I need to sort it out quick | 0:19:00 | 0:19:04 | |
because other than that, I'm just... | 0:19:04 | 0:19:07 | |
He likes doing everything himself. | 0:19:07 | 0:19:09 | |
And hates... Cos it might go wrong, | 0:19:11 | 0:19:13 | |
he doesn't trust that I might go right. | 0:19:13 | 0:19:16 | |
-Are you going to be all right working with your dad? -I would be all right | 0:19:17 | 0:19:21 | |
-MIKE CALLS OUT FROM OFFICE -..as long as he lets me get on with it myself. | 0:19:21 | 0:19:25 | |
This is a problem and you're interfering. | 0:19:25 | 0:19:27 | |
I was interfering? Yeah. | 0:19:29 | 0:19:31 | |
HE MOCKS RACHAEL | 0:19:31 | 0:19:32 | |
# All the single ladies All the single ladies... # | 0:19:32 | 0:19:35 | |
Working with your dad has its challenges, | 0:19:35 | 0:19:37 | |
especially when you're only just 16 years old. | 0:19:37 | 0:19:40 | |
Mike needs to know if she's ready to work. | 0:19:41 | 0:19:45 | |
She's a spoilt little brat. | 0:19:45 | 0:19:47 | |
Rachael is a teenager of today. Not a teenager of yesterday. | 0:19:47 | 0:19:52 | |
# If you like it then you should have put a ring... # | 0:19:52 | 0:19:54 | |
Back home and Rachael's having a party to celebrate | 0:19:54 | 0:19:57 | |
having turned 16. | 0:19:57 | 0:19:59 | |
'He does give me quite a lot, erm, and I do push it sometimes.' | 0:20:00 | 0:20:05 | |
I am Daddy's little princess. | 0:20:05 | 0:20:06 | |
I've always been Daddy's little princess. | 0:20:06 | 0:20:09 | |
Yes, I give Rachael a little bit too much leeway | 0:20:09 | 0:20:13 | |
and I think, yes, now she's coming into the business | 0:20:13 | 0:20:17 | |
I'm not just her father, I am her boss | 0:20:17 | 0:20:20 | |
and if she doesn't come on board in the right way, | 0:20:20 | 0:20:23 | |
she's out through the door, and I won't hesitate. | 0:20:23 | 0:20:26 | |
I'm a bunny! | 0:20:28 | 0:20:30 | |
I put the tights on. | 0:20:32 | 0:20:34 | |
You sure she's dressed up as a bunny? | 0:20:34 | 0:20:36 | |
-Yeah. -Oh. | 0:20:36 | 0:20:39 | |
The papers have been delivered and Rachael is front-page news. | 0:20:43 | 0:20:47 | |
-See that? -Whoa! | 0:20:49 | 0:20:51 | |
Princess Rachael. | 0:20:51 | 0:20:52 | |
I think the photo of me... on another page is disgusting. | 0:20:54 | 0:20:59 | |
I look like I'm death warmed up. | 0:20:59 | 0:21:01 | |
The girls - absolutely smashing. | 0:21:01 | 0:21:03 | |
They're good for publicity, aren't they, your girls? | 0:21:03 | 0:21:06 | |
It's not about publicity... Well, they're good for publicity, | 0:21:06 | 0:21:10 | |
let's take nothing away, but that's not... | 0:21:10 | 0:21:12 | |
that's not what the funeral trade is all about. | 0:21:12 | 0:21:15 | |
The funeral trade is about, I've always said, | 0:21:15 | 0:21:17 | |
respect, understanding and dignity to the family concerned. | 0:21:17 | 0:21:22 | |
Do you think you get extra business | 0:21:22 | 0:21:24 | |
because of your attractive young girls? | 0:21:24 | 0:21:26 | |
Let's just say, I don't think it's done me any harm. | 0:21:28 | 0:21:30 | |
Mike's staff are busy preparing for a funeral | 0:21:34 | 0:21:37 | |
that's taking place tomorrow, and for Mike's hearse driver, John, | 0:21:37 | 0:21:42 | |
it's particularly poignant. | 0:21:42 | 0:21:44 | |
A big friend of mine. | 0:21:45 | 0:21:46 | |
-Is he? -Yeah. Yep. | 0:21:46 | 0:21:49 | |
A very good friend. We were friends for years and years. | 0:21:49 | 0:21:52 | |
-Is it not upsetting? -It is upsetting in the beginning. | 0:21:52 | 0:21:56 | |
We went to pick up the body, you know, and it was upsetting then | 0:21:56 | 0:22:00 | |
because he died that afternoon. | 0:22:00 | 0:22:02 | |
And, erm... We go back a long way. | 0:22:02 | 0:22:06 | |
-We go back about 30 or 40 years, me and him. -Really? | 0:22:06 | 0:22:09 | |
Been friends since our children were very small. | 0:22:09 | 0:22:13 | |
You know, it's bad enough when you pick up any body, | 0:22:13 | 0:22:16 | |
but when it's one of your best friends, | 0:22:16 | 0:22:18 | |
it is upsetting then. Then again, we've got to look after him now | 0:22:18 | 0:22:21 | |
and do a good job for him and his family. | 0:22:21 | 0:22:23 | |
Mike's given Rachael a special task. | 0:22:26 | 0:22:30 | |
The family of Ken Morgan, who was John's friend, | 0:22:30 | 0:22:33 | |
have asked for a dove release to be performed at his funeral tomorrow. | 0:22:33 | 0:22:37 | |
This involves three doves being set free | 0:22:37 | 0:22:39 | |
at the end of the service. Mike wants Rachael | 0:22:39 | 0:22:42 | |
to organise it. | 0:22:42 | 0:22:44 | |
Come and have a look and you can see that they're all pairing up. | 0:22:44 | 0:22:48 | |
-They've all... -Wow. | 0:22:48 | 0:22:49 | |
You might be lucky to see one of them having a snog in a second. | 0:22:49 | 0:22:54 | |
-Really? -Yeah. | 0:22:54 | 0:22:56 | |
Oh, wow! That's amazing! | 0:22:57 | 0:23:00 | |
So they really do love each other. | 0:23:02 | 0:23:04 | |
When we put in the speeches, especially for weddings, | 0:23:04 | 0:23:07 | |
that the birds find a partner and they mate for life, | 0:23:07 | 0:23:10 | |
they really do love each other. | 0:23:10 | 0:23:11 | |
There's something particular for Rachael to perform | 0:23:11 | 0:23:15 | |
before the doves are released. | 0:23:15 | 0:23:17 | |
You know we normally do a little speech or a poem | 0:23:17 | 0:23:20 | |
before the doves are released, so how would you feel about doing that? | 0:23:20 | 0:23:24 | |
If I put a short reading together for you, so you can help Rod then, | 0:23:24 | 0:23:28 | |
-before the doves are released, would that be OK? -Yeah. | 0:23:28 | 0:23:31 | |
It'll only be short and sweet, | 0:23:31 | 0:23:32 | |
but with a lot of meaning for the family concerned. | 0:23:32 | 0:23:35 | |
Just get used to him. He won't hurt you, I promise. | 0:23:39 | 0:23:41 | |
All you need to do, if you want to step back a bit, | 0:23:41 | 0:23:44 | |
he'll have a fly around, yeah. | 0:23:44 | 0:23:46 | |
Three members of the family want to release the doves, so I don't, | 0:23:57 | 0:24:00 | |
but I got to do it today just in case. | 0:24:00 | 0:24:02 | |
So I've got experience. Yeah. | 0:24:02 | 0:24:04 | |
And I get to do a reading so I'm really happy. | 0:24:04 | 0:24:07 | |
It's the morning of Ken Morgan's funeral | 0:24:14 | 0:24:17 | |
and John's helping out. | 0:24:17 | 0:24:19 | |
You're having the honour today of driving the hearse. | 0:24:19 | 0:24:22 | |
Taking him to his last resting place. So that's a nice touch. | 0:24:22 | 0:24:26 | |
-Yeah. -And the family have also asked him to bear for the funeral. | 0:24:26 | 0:24:30 | |
It's going to be an awkward day for John today. A very sad day. | 0:24:30 | 0:24:33 | |
The service begins, and Rachael has a few moments to practise her lines. | 0:25:07 | 0:25:12 | |
Go on, then. | 0:25:12 | 0:25:14 | |
I feel silly doing this. | 0:25:15 | 0:25:17 | |
"I fly with these doves To heaven above | 0:25:19 | 0:25:21 | |
"Where loved ones await With joy and love | 0:25:21 | 0:25:25 | |
"Will make glorious... | 0:25:25 | 0:25:27 | |
"Will make glorious my journey Set me free." | 0:25:27 | 0:25:30 | |
You want to say that a lot louder and a lot clearer. | 0:25:30 | 0:25:33 | |
Yes, I know. | 0:25:33 | 0:25:34 | |
Was that not good enough? | 0:25:36 | 0:25:38 | |
-No. -Why not? | 0:25:38 | 0:25:39 | |
She wasn't loud enough. There's going to be loads of people, | 0:25:39 | 0:25:42 | |
traffic going past, I can just about hear her going like that. | 0:25:42 | 0:25:46 | |
The funeral is coming to an end. | 0:25:52 | 0:25:56 | |
-Are you getting on all right now? -Yeah. | 0:25:56 | 0:25:58 | |
-Are you going to speak up? -I did. -I know, I know. | 0:25:58 | 0:26:01 | |
You can all keep coming, then you can see the dove release. | 0:26:13 | 0:26:17 | |
"My loved ones do not cry and worry of me | 0:26:26 | 0:26:29 | |
"For like the dove I have been set free | 0:26:29 | 0:26:31 | |
"God has called me to my mansion on high | 0:26:31 | 0:26:34 | |
"There among the clouds and the deep blue sky | 0:26:34 | 0:26:36 | |
"I'll fly with these doves to heaven above | 0:26:36 | 0:26:38 | |
"Where loved ones await with joy and love | 0:26:38 | 0:26:41 | |
"An escort home from you to me | 0:26:41 | 0:26:43 | |
"Will make glorious my journey | 0:26:43 | 0:26:46 | |
"Now set me free." | 0:26:46 | 0:26:47 | |
APPLAUSE | 0:26:51 | 0:26:54 | |
How did that go? | 0:26:58 | 0:26:59 | |
Very well, thank you, very well. | 0:26:59 | 0:27:02 | |
Excellent. Lovely turn out, he had. | 0:27:02 | 0:27:04 | |
She was fantastic. Absolutely superb. Expert. | 0:27:04 | 0:27:07 | |
Thank you. | 0:27:07 | 0:27:09 | |
I thought I was it went quite all right, actually. | 0:27:13 | 0:27:16 | |
I thought I could have gone a bit slower when I was speaking. | 0:27:16 | 0:27:20 | |
-You must have been nervous. There were a lot of people. -I wasn't nervous. | 0:27:20 | 0:27:25 | |
When he started the company, | 0:27:35 | 0:27:36 | |
Mike only carried out four funerals a year, | 0:27:36 | 0:27:39 | |
but, 14 years on, he can now get that many a week. | 0:27:39 | 0:27:43 | |
Because of the massive increase in work, | 0:27:45 | 0:27:47 | |
he's bought the shop next door and is expanding. | 0:27:47 | 0:27:50 | |
He used to be a carpenter, so Mike's doing | 0:27:50 | 0:27:54 | |
the refurb of the parlour himself. | 0:27:54 | 0:27:56 | |
This is going to be the chapel. There's no window going in there. | 0:27:56 | 0:28:00 | |
All the seating is coming forward. | 0:28:00 | 0:28:02 | |
It doesn't even look like a chapel at the moment. | 0:28:02 | 0:28:05 | |
You know, you've got to expect that. | 0:28:05 | 0:28:07 | |
There's a long way to go. | 0:28:07 | 0:28:10 | |
Do me a favour, stick your foot on there. | 0:28:10 | 0:28:12 | |
-So you're going to have, like, a priest in here. -Yeah. | 0:28:14 | 0:28:17 | |
DOG WHIMPERS | 0:28:17 | 0:28:20 | |
DOG WHIMPERS | 0:28:22 | 0:28:24 | |
Shut up! | 0:28:24 | 0:28:26 | |
-Has your doctor told you to be less stressed? -Nope! | 0:28:26 | 0:28:30 | |
I don't actually see a doctor. | 0:28:30 | 0:28:32 | |
-I've had two heart attacks. -You've had two heart attacks? | 0:28:34 | 0:28:38 | |
-You're joking? -You didn't realise that, did you? | 0:28:38 | 0:28:42 | |
And I'm still going strong! | 0:28:42 | 0:28:45 | |
When the lord wants me, he'll take me. | 0:28:45 | 0:28:48 | |
Next door, Rachael continues her training with Steve. | 0:28:51 | 0:28:55 | |
I just never wear tights. I don't know how to put them on! | 0:28:55 | 0:29:00 | |
When relatives come to see their loved ones at a family viewing | 0:29:00 | 0:29:03 | |
they often ask for them to be dressed in the clothes they used to wear. | 0:29:03 | 0:29:07 | |
I'd hope one day that no-one, like, | 0:29:07 | 0:29:09 | |
twitches or anything cos that would scare the living daylights out of me. | 0:29:09 | 0:29:13 | |
Dressing the deceased is a physically demanding job. | 0:29:14 | 0:29:18 | |
-Do you think you could do this on your own? -I couldn't do this on my own yet, I'll admit that. | 0:29:18 | 0:29:23 | |
It's a bit too hard for me, as yet. | 0:29:24 | 0:29:28 | |
She's light this one is, but we've had some 27 stones, | 0:29:28 | 0:29:31 | |
we've had to dress as well and I've done that by myself. | 0:29:31 | 0:29:36 | |
Does it make you feel uncomfortable, being around the dead bodies? | 0:29:36 | 0:29:39 | |
It never makes me uncomfortable. | 0:29:39 | 0:29:41 | |
I feel like they're asleep, I never think | 0:29:41 | 0:29:43 | |
that they're dead I always think they're asleep. | 0:29:43 | 0:29:46 | |
I always talk to the people I'm dressing, as well. | 0:29:46 | 0:29:49 | |
What do you say to them? | 0:29:49 | 0:29:50 | |
I say things like, I'll dress you nice | 0:29:50 | 0:29:54 | |
and make sure you look smart in front of your family. | 0:29:54 | 0:29:59 | |
-I got one little job for you now, Rach... -Yeah. | 0:29:59 | 0:30:02 | |
-This lady's got perfume. -Awww. -So you can put it on. | 0:30:02 | 0:30:07 | |
On her wrist, as well. | 0:30:11 | 0:30:13 | |
There you go. | 0:30:14 | 0:30:16 | |
She's got straight hair this one, hasn't she? | 0:30:16 | 0:30:19 | |
Aw, lover. | 0:30:19 | 0:30:20 | |
Yeah, very good. | 0:30:20 | 0:30:22 | |
-OK. -Thank you very much. | 0:30:22 | 0:30:24 | |
Yeah, she did really well for her first time, | 0:30:24 | 0:30:26 | |
I gotta be honest, she did really well. | 0:30:26 | 0:30:28 | |
It's a steep learning curve for a 16-year-old. | 0:30:28 | 0:30:33 | |
Rachael may have become Britain's youngest undertaker, | 0:30:38 | 0:30:41 | |
but to her mum, Pat, she's not changed a bit. | 0:30:41 | 0:30:46 | |
She's just a normal girl as far as I'm concerned, | 0:30:46 | 0:30:48 | |
she's just my Rachael. | 0:30:48 | 0:30:50 | |
She's a funeral director, but as she says, | 0:30:52 | 0:30:55 | |
she's got her own life, as well, she does do the things she likes | 0:30:55 | 0:30:59 | |
doing, horse-riding, shopping and everything else teenagers do. | 0:30:59 | 0:31:04 | |
Mike too has a hobby... | 0:31:08 | 0:31:11 | |
birds. | 0:31:11 | 0:31:13 | |
He's built an aviary in his back garden. | 0:31:14 | 0:31:18 | |
Hello, babies. | 0:31:19 | 0:31:21 | |
How many have you got, Mike? | 0:31:21 | 0:31:23 | |
It works out about 87 all told at the moment. | 0:31:23 | 0:31:26 | |
My pastime, my enjoyment... | 0:31:26 | 0:31:28 | |
There's a good girl, she is. | 0:31:28 | 0:31:32 | |
-Ah, she's gone. -Have you ever lost any? | 0:31:32 | 0:31:36 | |
Oh, good god, I've lost hundreds, you come in one morning, | 0:31:36 | 0:31:41 | |
a cockatiel has passed on, come in here another day | 0:31:41 | 0:31:45 | |
and a budgie has passed on. | 0:31:45 | 0:31:46 | |
HE WHISTLES You hear that one? | 0:31:46 | 0:31:51 | |
There's been flurry of calls over the weekend | 0:31:55 | 0:31:59 | |
and Mike now has six deceased at rest in his mortuary. | 0:31:59 | 0:32:02 | |
-You got enough coffins? -We got plenty of coffins, no problem! | 0:32:04 | 0:32:08 | |
It's the most he's had in at one time for months. | 0:32:08 | 0:32:12 | |
-Do you normally get so many? -Uh, we've had 15 in, | 0:32:12 | 0:32:15 | |
I've no problems with that. The more the better. | 0:32:15 | 0:32:19 | |
I'd rather them come to me than anyone else, naturally. | 0:32:19 | 0:32:23 | |
When a body comes into Mike's mortuary, there's an important job that needs to be done. | 0:32:26 | 0:32:31 | |
Embalming is a process that makes the deceased hygienic | 0:32:31 | 0:32:34 | |
and presentable for the family to view them. | 0:32:34 | 0:32:36 | |
It's a job considered to be the most difficult in the profession... | 0:32:39 | 0:32:43 | |
I've never done embalming, I've watched embalming | 0:32:43 | 0:32:46 | |
and that's why, its' not my cup of tea. | 0:32:46 | 0:32:48 | |
The actual worst one is where they've opened them up, | 0:32:48 | 0:32:52 | |
the PMs, the post-mortems. | 0:32:52 | 0:32:55 | |
I've watched it, but I'm like John, | 0:32:55 | 0:32:58 | |
if it's out, then I'd prefer not to watch it, any more, we've seen it. | 0:32:58 | 0:33:01 | |
You don't need to carry on seeing it again, do you? | 0:33:01 | 0:33:03 | |
You've seen it once that's enough. | 0:33:03 | 0:33:05 | |
Someone's got to do it, but I'm glad I haven't. | 0:33:05 | 0:33:09 | |
Mike's very keen for Rachael to learn every aspect of the trade | 0:33:14 | 0:33:18 | |
so he's arranged for her to have a lesson with the embalmer, Ian. | 0:33:18 | 0:33:23 | |
From what I've seen of Rachael now, | 0:33:23 | 0:33:25 | |
and what she does, how she perceives it, | 0:33:25 | 0:33:27 | |
I believe Rachael is going to be the embalmer in this company. | 0:33:27 | 0:33:30 | |
I don't know where my dad has got, "she could be an embalmer," from | 0:33:30 | 0:33:34 | |
because yes, I can stand it and I can stand there and watch, | 0:33:34 | 0:33:38 | |
and I am really fascinated by it, | 0:33:38 | 0:33:40 | |
but he just thinks, OK, you're fascinated by it, and because I'm... | 0:33:40 | 0:33:43 | |
"You can be an embalmer, you can be this, you can learn that," | 0:33:43 | 0:33:46 | |
and I'm kinda like, "yeah, OK!" | 0:33:46 | 0:33:48 | |
It takes years to qualify as an embalmer | 0:33:48 | 0:33:51 | |
and is a highly skilled job. | 0:33:51 | 0:33:53 | |
-How are you then? -Hello. | 0:33:55 | 0:33:57 | |
'Ian's been an embalmer for over 30 years.' | 0:33:57 | 0:34:00 | |
I've embalmed more than 30,000 bodies. | 0:34:00 | 0:34:03 | |
You've embalmed 30,000 bodies? | 0:34:05 | 0:34:07 | |
Enough to fill at least a third of the millennium stadium in Cardiff. | 0:34:07 | 0:34:12 | |
-My God! -And when you sit and watch a rugby match there | 0:34:13 | 0:34:16 | |
and you think, well I've embalmed a third of this stadium, potentially. | 0:34:16 | 0:34:21 | |
Would you mind if Rachael stands in and helps you out today | 0:34:21 | 0:34:24 | |
and takes some advice off you? | 0:34:24 | 0:34:26 | |
I'm looking for Rachael possibly, in a few years time, to take on | 0:34:26 | 0:34:30 | |
your position as an embalmer. | 0:34:30 | 0:34:32 | |
And that's not knocking, taking you away, right, | 0:34:32 | 0:34:36 | |
but to support you in your venture. | 0:34:36 | 0:34:39 | |
So Rachael wants to qualify as an embalmer? | 0:34:39 | 0:34:42 | |
Rachael's looking to go into the qualifications of an embalmer, | 0:34:42 | 0:34:45 | |
there's a possibility of that. | 0:34:45 | 0:34:47 | |
Right, it depends how she fairs and takes it on board with you. | 0:34:47 | 0:34:51 | |
-So you don't mind? -Not at all! -There you are. | 0:34:51 | 0:34:54 | |
What I'm going to do is get some instruments out. | 0:34:57 | 0:34:59 | |
Then I'll, I'll make a decision | 0:34:59 | 0:35:01 | |
of where we're going to inject the deceased from. | 0:35:01 | 0:35:04 | |
The main process of embalming is the draining of bodily fluids | 0:35:04 | 0:35:08 | |
and the injection of chemicals that help preserve the deceased. | 0:35:08 | 0:35:12 | |
-Go for it. -I don't want to go for it, | 0:35:12 | 0:35:15 | |
-I don't wanna break anything. -You won't break a thing. | 0:35:15 | 0:35:18 | |
Now I'm going to turn this tap on, cos what | 0:35:18 | 0:35:20 | |
I want to do is not force the fluid into the deceased, | 0:35:20 | 0:35:24 | |
I just want a comfortable, slow flow, to get fluid in. | 0:35:24 | 0:35:30 | |
Now, I'm quite, happy with that. | 0:35:30 | 0:35:32 | |
-Why? -What's up, what's the matter? | 0:35:32 | 0:35:35 | |
-I just feel like I'm going to faint. -You're going to faint? | 0:35:35 | 0:35:38 | |
You know when you feel like... see stars. | 0:35:38 | 0:35:40 | |
Take a deep breath, well not too deep a breath... | 0:35:40 | 0:35:43 | |
-Oh, my God. -Do you need to get out? | 0:35:43 | 0:35:47 | |
Yeah, your sister will come and get you. | 0:35:49 | 0:35:51 | |
-Is she all right? -Can you take her out. | 0:35:51 | 0:35:54 | |
She said she could see stars, | 0:35:54 | 0:35:56 | |
she felt very faint, I don't know why she felt faint, | 0:35:56 | 0:35:59 | |
because we were just talking about, what I've been doing, perhaps its | 0:35:59 | 0:36:03 | |
one of those things that can happen occasionally, it's a learning curve. | 0:36:03 | 0:36:09 | |
No, I don't feel sick, I just feel like I'm going to faint. | 0:36:09 | 0:36:13 | |
Rachael takes a lunch break and will | 0:36:13 | 0:36:15 | |
carry on with the embalming lesson later. | 0:36:15 | 0:36:17 | |
Ian's a very good embalmer, I only use the best. | 0:36:17 | 0:36:22 | |
Very good at his job, he knows his job, it's not a job I could do. | 0:36:25 | 0:36:28 | |
-Do you find it hard to eat with...? -Pardon? -Do you find it hard to eat | 0:36:31 | 0:36:34 | |
-with the deceased around? -Why should I? I've been doing it for 14 years. | 0:36:34 | 0:36:39 | |
No. Not at all. | 0:36:39 | 0:36:41 | |
I wouldn't be in the embalming room eating, let me put it that way. | 0:36:42 | 0:36:46 | |
You'll have to get off that Facebook, | 0:36:50 | 0:36:52 | |
we're going to do a bit more work, you haven't got time. | 0:36:52 | 0:36:55 | |
OK, I need to put all that on don't I? | 0:36:55 | 0:36:58 | |
Good idea. | 0:36:58 | 0:37:00 | |
Rachael now faces a tougher test. | 0:37:00 | 0:37:03 | |
Ian will be embalming a body that has received a post mortem. | 0:37:03 | 0:37:08 | |
In this case a pathologist has had to work out the cause of death. | 0:37:08 | 0:37:12 | |
It's not for the squeamish is it? | 0:37:12 | 0:37:14 | |
Post-mortems, no, because he's had a post mortem examination, | 0:37:14 | 0:37:17 | |
for me to embal means that I will need to open up the deceased. | 0:37:17 | 0:37:21 | |
-You OK with that? -Yeah. | 0:37:21 | 0:37:23 | |
What are your friends doing right now? | 0:37:23 | 0:37:25 | |
My friends right now, one of them's at the cinema, | 0:37:25 | 0:37:27 | |
one of them's in work at the hairdressers, | 0:37:27 | 0:37:31 | |
a few of them are shopping | 0:37:31 | 0:37:34 | |
and I'm in work witnessing an embalming. | 0:37:34 | 0:37:39 | |
-You all right with the smell? -Yeah. | 0:37:39 | 0:37:41 | |
Now what I'm going to do, I need to put this into that bag | 0:37:41 | 0:37:46 | |
and the waste that shouldn't be there,into this bag | 0:37:46 | 0:37:51 | |
W'll have a little test to see if you can remember the organs. | 0:37:51 | 0:37:53 | |
-Oh, yeah. -That's fat which is around the intestines. | 0:37:53 | 0:37:58 | |
That's one thing I don't like. | 0:37:58 | 0:38:01 | |
Don't say urgh, what's that? | 0:38:01 | 0:38:05 | |
Oh, I don't like that! | 0:38:05 | 0:38:06 | |
All right? | 0:38:08 | 0:38:09 | |
-I'm boiling. -You think it's hot in here now, | 0:38:09 | 0:38:12 | |
when you're doing the PMs yourself, it'll be really hot. | 0:38:12 | 0:38:17 | |
I'm just a bit thirsty, I'll be straight back. | 0:38:17 | 0:38:19 | |
-Ah, you're going, are you? -Just a bit thirsty. I'll be back. | 0:38:19 | 0:38:22 | |
-HE SIGHS -I think she actually lasted 30 minutes | 0:38:25 | 0:38:30 | |
this time, I'm a bit surprised she actually threw the towel in. | 0:38:30 | 0:38:36 | |
Perhaps she threw the towel in to mop the sweat off her brow. | 0:38:36 | 0:38:41 | |
Tough job, being an embalmer? | 0:38:41 | 0:38:43 | |
It is a tough job and it's a lot to ask her to do, but she's taken | 0:38:43 | 0:38:48 | |
it on board pretty well so I got no problems with that at all. | 0:38:48 | 0:38:55 | |
Even though Mike is surrounded by death every day | 0:39:02 | 0:39:05 | |
it never brings him down. For him, death is not the end. | 0:39:05 | 0:39:10 | |
I'm a great believer that there is a life beyond ours | 0:39:10 | 0:39:14 | |
and the body is only the shell we come on this earth with. | 0:39:14 | 0:39:18 | |
so the actual deceased in that coffin | 0:39:18 | 0:39:22 | |
has actually moved on into the spiritual world. | 0:39:22 | 0:39:24 | |
A few years ago there was an incident in the mortuary. | 0:39:26 | 0:39:30 | |
Yes, I've seen ghosts, I've seen two, yeah, | 0:39:30 | 0:39:34 | |
since I've been here, couple of years that I've been here. | 0:39:34 | 0:39:37 | |
Really, what happened? | 0:39:37 | 0:39:38 | |
I was working out in the kitchen, | 0:39:38 | 0:39:41 | |
I was doing something out there and I looked round | 0:39:41 | 0:39:44 | |
and there was a gentleman sat on the, on the table over there. | 0:39:44 | 0:39:50 | |
No, Steve says he saw one. I believe it cos that is what I believe in. | 0:39:50 | 0:39:55 | |
It's a bit scary the thought of spirits? | 0:39:55 | 0:39:57 | |
Nothing scary about it at all. Nothing frightening about it at all. | 0:39:57 | 0:40:02 | |
Always remember the dead won't hurt you. | 0:40:02 | 0:40:04 | |
It's those on earth you got to be careful of. | 0:40:04 | 0:40:07 | |
You don't believe in them as well, do you? | 0:40:07 | 0:40:09 | |
Yes, I actually seen, um, a spirit, where I used to live when I was a child. | 0:40:09 | 0:40:13 | |
Biggish guy, he had a shotgun under his arm, dressed in all | 0:40:13 | 0:40:17 | |
the shooting gear he walked out of one railway embankment into another. | 0:40:17 | 0:40:22 | |
The whole Ryan family believe in life after death, so much so | 0:40:28 | 0:40:33 | |
that they regularly go to see a medium. | 0:40:33 | 0:40:35 | |
At a local club, Mike has set up a seance | 0:40:35 | 0:40:38 | |
with a lady who believes she has a special gift. | 0:40:38 | 0:40:41 | |
Basically, I talk to dead people! That's it, I feel sorry for people who feel when you die, you die | 0:40:41 | 0:40:47 | |
and that's the end of it, because, oh no, you're in for a big surprise... | 0:40:47 | 0:40:51 | |
You've heard of psychic Sally, this is psychic Linda! | 0:40:51 | 0:40:54 | |
OK, ah, all right. I've got a lady here with me, | 0:40:58 | 0:41:01 | |
very keen to let you know that she's round and about you at the moment. | 0:41:01 | 0:41:05 | |
I've got Elsie, she's very close to everybody that's here this evening. | 0:41:05 | 0:41:09 | |
Elsie is Mike's mother who died 15 years ago. | 0:41:09 | 0:41:14 | |
Linda I've gotta go over to my boy she says, she tells me | 0:41:14 | 0:41:16 | |
you're panicking about something, you have to slow down slightly, OK. | 0:41:16 | 0:41:21 | |
She says you have to slow down cos you're getting yourself worked up, | 0:41:21 | 0:41:24 | |
and its no good to you. You're sort of, constantly stressed. | 0:41:24 | 0:41:26 | |
Give them a bit more to do and slow down a bit. | 0:41:26 | 0:41:31 | |
-It's getting them to do it! -Excuse me! | 0:41:31 | 0:41:34 | |
-Shut up! -They say they can do it and you say, no you can't. | 0:41:34 | 0:41:36 | |
-Your mother tells you off about that! -Yes, he does that all the time. | 0:41:36 | 0:41:40 | |
Your mother says to me that you give them | 0:41:40 | 0:41:43 | |
the opportunity to do it, they say, "yeah, we can do it," and you say... | 0:41:43 | 0:41:47 | |
-"I'll sort that out." -Very true. | 0:41:47 | 0:41:49 | |
Stop it, she says, cos these girls are quite capable, OK. | 0:41:49 | 0:41:54 | |
God, the spirit world is so proud of you two girls, honestly, | 0:41:54 | 0:41:57 | |
to take this on, they really are. | 0:41:57 | 0:41:59 | |
Thank you ever so much for today, thank you ever so much! | 0:41:59 | 0:42:03 | |
Louise and Rachael are sceptical. | 0:42:03 | 0:42:05 | |
They're not sure Mike will listen to his mother's message. | 0:42:05 | 0:42:08 | |
I don't know, I think everything will come in time, | 0:42:08 | 0:42:11 | |
I don't think he'll start giving us the responsibility. | 0:42:11 | 0:42:14 | |
I think it will just go over time. | 0:42:14 | 0:42:17 | |
Mike's picking up a deceased from a local hospital. | 0:42:24 | 0:42:27 | |
He's starting to wonder if his mum's right | 0:42:27 | 0:42:29 | |
and he should be handing over more control. | 0:42:29 | 0:42:32 | |
Although I gotta respect the girls for taking it on pretty good at the moment, they're doing well, | 0:42:32 | 0:42:37 | |
time to let some of the reins go. But always keep the reins tight. | 0:42:37 | 0:42:43 | |
HORN BEEPS | 0:42:43 | 0:42:45 | |
Very clever, mate! Well done! | 0:42:45 | 0:42:48 | |
I hate people who take you out! | 0:42:50 | 0:42:53 | |
A pop star who had success in the '70s has unfortunately passed on | 0:43:00 | 0:43:06 | |
and Mike is making arrangements for the funeral. | 0:43:06 | 0:43:08 | |
-Who's Bob Young? -Bob Young is an entertainer. | 0:43:11 | 0:43:16 | |
-For what? -Singing, dancing. -Equity card? -Huh? | 0:43:16 | 0:43:19 | |
-Equity card? -I ain't got a clue! Big entertainer. | 0:43:19 | 0:43:24 | |
PHONE RINGS | 0:43:24 | 0:43:26 | |
I knew you'd say that! | 0:43:26 | 0:43:29 | |
During her training period, | 0:43:30 | 0:43:31 | |
Rachael's responsibilities at the funerals | 0:43:31 | 0:43:35 | |
have been limited to handing out attendance cards. | 0:43:35 | 0:43:39 | |
Now, she sees this funeral as a chance to move up the ladder. | 0:43:39 | 0:43:42 | |
She wants to direct. | 0:43:42 | 0:43:44 | |
Direct a funeral, I want to, because even though it's nice, | 0:43:46 | 0:43:50 | |
you know, giving out attendance cards to the congregation, | 0:43:50 | 0:43:54 | |
even though that is good, I've been doing that for quite a while now. | 0:43:54 | 0:43:58 | |
I know my sister had to do that for quite a while before she directed, | 0:43:58 | 0:44:02 | |
which is kind of where I am. | 0:44:02 | 0:44:03 | |
I am ready to take it a step further and I know when I am ready. | 0:44:03 | 0:44:07 | |
It doesn't help when my dad says, | 0:44:07 | 0:44:09 | |
"You're not ready for this, you're not ready for that," | 0:44:09 | 0:44:13 | |
and I know for a fact | 0:44:13 | 0:44:14 | |
that I'm the only one that knows when I'm ready to do what. | 0:44:14 | 0:44:17 | |
The funeral director has | 0:44:20 | 0:44:22 | |
the most important and sought-after job in the trade. | 0:44:22 | 0:44:25 | |
They're in charge of leading the hearse, | 0:44:25 | 0:44:27 | |
telling the family where to sit | 0:44:27 | 0:44:29 | |
and dealing with any crisis that might happen on the day. | 0:44:29 | 0:44:33 | |
It's usually only given to someone with years of experience. | 0:44:33 | 0:44:37 | |
Do you think she's ready to direct? > | 0:44:37 | 0:44:39 | |
She can think what she likes, cos if anything goes wrong, | 0:44:39 | 0:44:43 | |
I've got to realise she's still 16 years of age. | 0:44:43 | 0:44:45 | |
She thinks she's mature but I know better. | 0:44:45 | 0:44:48 | |
She's not going to be pushed into anything. | 0:44:48 | 0:44:51 | |
She thinks she can do this and do that, | 0:44:51 | 0:44:53 | |
but she's only got to make one mistake | 0:44:53 | 0:44:55 | |
and this business could finish. I am not putting myself in that position. | 0:44:55 | 0:45:00 | |
Mike doesn't want Rachael to direct Robert Young's funeral, | 0:45:00 | 0:45:04 | |
but he does want her to progress. | 0:45:04 | 0:45:06 | |
He's going to let her help with some of the funeral arrangements. | 0:45:06 | 0:45:11 | |
She's on her way to see the family. | 0:45:13 | 0:45:15 | |
It's a huge step forward. | 0:45:15 | 0:45:18 | |
I've got to ask a few questions about flower arrangements, | 0:45:18 | 0:45:23 | |
stuff like that. Dad's given me the reponsibility for once. | 0:45:23 | 0:45:27 | |
Finally doing something on my own! | 0:45:27 | 0:45:30 | |
He hasn't even come with me! I'm really chuffed. | 0:45:30 | 0:45:33 | |
So it's quite a big moment for you? | 0:45:33 | 0:45:35 | |
This is the biggest moment of my whole career, I think. | 0:45:35 | 0:45:40 | |
It makes me feel quite proud that my dad has faith in me. | 0:45:40 | 0:45:44 | |
I know that now. I always did. | 0:45:44 | 0:45:47 | |
But it's kind of like this has proved it | 0:45:47 | 0:45:49 | |
because now I know that he does trust me with a lot of things. | 0:45:49 | 0:45:55 | |
MUSIC PLAYS Is that him? | 0:46:00 | 0:46:03 | |
# She may be the face I can't forget... # | 0:46:03 | 0:46:07 | |
-Have you got the right bloke? -Yeah! | 0:46:07 | 0:46:09 | |
Did you check his...? | 0:46:11 | 0:46:12 | |
-Does it say Young on his hand? -What? | 0:46:13 | 0:46:15 | |
Cos it don't look like him. | 0:46:15 | 0:46:17 | |
# ..She may be the song that summer... # | 0:46:17 | 0:46:20 | |
-What do you think? -Very good. | 0:46:20 | 0:46:21 | |
You can have it back. Absolutely beautiful singer. | 0:46:21 | 0:46:24 | |
Yeah, he is a good...or was a good singer, I should say. | 0:46:24 | 0:46:27 | |
Not is, he was. | 0:46:27 | 0:46:29 | |
-I like this one, this colour. -Yeah, it is nice. I like it. | 0:46:29 | 0:46:32 | |
It's a bit deep for his complexion, really. Yeah, it's nice. | 0:46:32 | 0:46:37 | |
-DOORBELL RINGS -Hello. How are you? | 0:46:37 | 0:46:40 | |
Hello, I'm Rachael. | 0:46:40 | 0:46:42 | |
Rachael meets up with Robert Young's son, who's also called Robert, | 0:46:42 | 0:46:45 | |
and his mum, the singer's ex-wife, Sue. | 0:46:45 | 0:46:49 | |
I just want to know what kind of flowers have you got for tomorrow, | 0:46:49 | 0:46:53 | |
for on top of the coffin and by the side of the coffin? | 0:46:53 | 0:46:57 | |
That's for one side. | 0:46:57 | 0:46:59 | |
I couldn't put them in the other way. | 0:46:59 | 0:47:02 | |
-Is that all right? -Yes. | 0:47:02 | 0:47:04 | |
# ..She may be the beauty... # | 0:47:06 | 0:47:09 | |
Although relatively unknown now, | 0:47:09 | 0:47:12 | |
Robert Young was quite a star in his day and released a string of albums. | 0:47:12 | 0:47:16 | |
His records kind of remind me of Elvis Presley or... | 0:47:17 | 0:47:20 | |
-Yes, they're that sort of... -Well, he was born on the same day | 0:47:20 | 0:47:24 | |
-as Elvis Presley! -He was. -Really? -Same day, same year. | 0:47:24 | 0:47:27 | |
-He often used to say that. -Oh, my, that's amazing. | 0:47:27 | 0:47:30 | |
Born on the same day, same year. | 0:47:30 | 0:47:31 | |
Well, I'll be off now, thank you for today. I've got all I need. | 0:47:34 | 0:47:38 | |
-Thank you. -Thanks very much. | 0:47:38 | 0:47:40 | |
As Rachael leaves, | 0:47:40 | 0:47:42 | |
the family mistakenly assume SHE is the funeral director. | 0:47:42 | 0:47:46 | |
We presumed you were doing it. | 0:47:46 | 0:47:49 | |
-Ah, you thought I was doing it on my own? -Yeah! | 0:47:49 | 0:47:51 | |
-I'll ask him then. -We thought you were directing it. | 0:47:51 | 0:47:54 | |
-It's absolutely fine. -If you don't want me to do it, that's fine. | 0:47:54 | 0:47:58 | |
-No, no, genuinely, we were hoping you would. -All right, thank you. | 0:47:58 | 0:48:01 | |
The family's misunderstanding is Rachael's big opportunity. | 0:48:07 | 0:48:11 | |
Well, the family just said they want me to direct, | 0:48:11 | 0:48:14 | |
so I really, really want to. I hope so. | 0:48:14 | 0:48:18 | |
Whether my dad will let me direct tomorrow, I really don't know. | 0:48:18 | 0:48:21 | |
We'll find out at the meal cos that's when I'm going to ask him. | 0:48:21 | 0:48:24 | |
It's going to be fun. | 0:48:24 | 0:48:26 | |
The family are eating out at a local restaurant. | 0:48:29 | 0:48:33 | |
Rachael sees a chance to persuade Mike to give her a go at directing. | 0:48:33 | 0:48:37 | |
The family said when I went down to them, | 0:48:37 | 0:48:40 | |
that they thought I was directing on my own, already. | 0:48:40 | 0:48:43 | |
So I was wondering if you would give me that responsibility, cos I did so well today on my own. | 0:48:43 | 0:48:48 | |
Yeah, but not on a man's funeral, on a woman's funeral... | 0:48:48 | 0:48:51 | |
-They want her to. -> | 0:48:51 | 0:48:52 | |
-They want me to. -They want you to do it on your own, to walk it? -Yeah... | 0:48:52 | 0:48:55 | |
If they're happy with that, I've got no problems at all. | 0:48:55 | 0:48:58 | |
I said, "If you don't want me to do it, that's fine," | 0:48:58 | 0:49:02 | |
-and she said, "No, I really want you to do it." -I got no problem with that! | 0:49:02 | 0:49:05 | |
It's the day of Robert Young's funeral and Rachael is to be the director. | 0:49:11 | 0:49:16 | |
Mike and Louise do a final run-through of what she needs to do. | 0:49:17 | 0:49:21 | |
You say to the family at the crematorium, | 0:49:21 | 0:49:23 | |
-"Can the family please follow behind?" -OK. | 0:49:23 | 0:49:25 | |
It's got to be very delicate and it's got to be perfection. | 0:49:25 | 0:49:30 | |
All I'm saying to you, I'll be the first to congratulate you | 0:49:30 | 0:49:33 | |
and say. "Great, you done a fabulous job," but you listen. | 0:49:33 | 0:49:37 | |
It was the family's request to allow her to direct the funeral. | 0:49:39 | 0:49:43 | |
I believed, and I got to be fair with you, | 0:49:43 | 0:49:45 | |
is it right, is she too naive to direct the funeral? | 0:49:45 | 0:49:49 | |
But I thought, "Well, it's the family's request, I got to put her in at the deep end." | 0:49:49 | 0:49:54 | |
Louise directed her first funeral when she was 19 | 0:50:15 | 0:50:18 | |
and knows how worried Mike will be about anything going wrong. | 0:50:18 | 0:50:22 | |
I think he's worried for her, cos she hasn't done it before. | 0:50:22 | 0:50:25 | |
I would be the same if I was sat there. | 0:50:25 | 0:50:28 | |
I'd probably go in the hearse with her as well. | 0:50:28 | 0:50:31 | |
But once she's done it a few times, he'll be fine. | 0:50:31 | 0:50:35 | |
He was the same when I first done it. | 0:50:35 | 0:50:37 | |
-You introduce me. -I'm not ready yet, I'm rushing round... | 0:50:40 | 0:50:44 | |
There's plenty of time. | 0:50:44 | 0:50:46 | |
As the director, it's Rachael who will walk in front of the hearse. | 0:50:46 | 0:50:51 | |
You're walking around here, you see the gates up there, | 0:50:51 | 0:50:55 | |
you walk up to the gates and take the bow as the hearse passes you. | 0:50:55 | 0:50:59 | |
I'll tell Bernard... Well, Bernard will know when to stop the hearse. | 0:50:59 | 0:51:03 | |
-So you all right with that? -Yeah. | 0:51:03 | 0:51:05 | |
When you're walking, there's your stick. | 0:51:05 | 0:51:09 | |
-I know. -Just to make sure you're right, love, go on. | 0:51:09 | 0:51:12 | |
You're doing well. | 0:51:12 | 0:51:14 | |
It's also Rachael's job to round up the family. | 0:51:20 | 0:51:24 | |
Everyone ready? | 0:51:24 | 0:51:26 | |
Would you like to follow behind Robert. Just make your way... | 0:51:33 | 0:51:37 | |
Gentleman, can I have the bearers please? Thank you. | 0:52:13 | 0:52:16 | |
Oh, Lord God, most holy, oh, Lord most mighty, | 0:52:46 | 0:52:51 | |
oh, holy and most merciful saviour, | 0:52:51 | 0:52:54 | |
deliver us from the bitterness of eternal death. | 0:52:54 | 0:53:01 | |
In the '70s, | 0:53:02 | 0:53:04 | |
Robert Young recorded his own version of You'll Never Walk Alone. | 0:53:04 | 0:53:08 | |
# Walk on, walk on | 0:53:08 | 0:53:13 | |
# With hope in your heart | 0:53:13 | 0:53:19 | |
# And you'll never walk alone | 0:53:19 | 0:53:28 | |
# You'll never | 0:53:28 | 0:53:35 | |
# Walk a-alone. # | 0:53:35 | 0:53:45 | |
Fantastic, really, really good, thank you. | 0:53:45 | 0:53:48 | |
Are you happy with all she did for you today? | 0:53:48 | 0:53:51 | |
I just told her it's the best funeral I've been to. | 0:53:51 | 0:53:54 | |
Honestly, it was really smooth. | 0:53:54 | 0:53:56 | |
It was lovely to hear your dad's voice at the end, nice touch. | 0:53:56 | 0:54:00 | |
Nice touch. | 0:54:00 | 0:54:01 | |
Thanks very much. | 0:54:01 | 0:54:03 | |
Thank you. | 0:54:03 | 0:54:04 | |
Didn't she do well? Magnificently. | 0:54:04 | 0:54:07 | |
And she looks really wonderful, she really looks lovely. | 0:54:07 | 0:54:11 | |
You should be proud. | 0:54:11 | 0:54:13 | |
-I am! -I'm sure your dad is. I'm sure Dad is. | 0:54:13 | 0:54:18 | |
She was really nice then. | 0:54:18 | 0:54:20 | |
She was saying how well I did and everything and, em... | 0:54:20 | 0:54:23 | |
Well, I'm just happy I gave a good send off, to be fair. | 0:54:23 | 0:54:28 | |
And, em, his son, he said that | 0:54:28 | 0:54:29 | |
that was the best service he's ever been at, | 0:54:29 | 0:54:32 | |
it was absolutely beautiful. So I'm just really happy | 0:54:32 | 0:54:35 | |
I made that family happy and proud...of, um, his send-off. | 0:54:35 | 0:54:39 | |
So I'm glad I can do it. | 0:54:39 | 0:54:43 | |
It's a few weeks later | 0:54:54 | 0:54:57 | |
and the success of Robert Young's funeral has had a big impact | 0:54:57 | 0:55:01 | |
on Mike's view of Rachael. | 0:55:01 | 0:55:03 | |
I've loosened the reins. | 0:55:03 | 0:55:05 | |
I gave her the reins. I give her the rope | 0:55:05 | 0:55:07 | |
and, credit to her, she never hung herself. She done me proud. | 0:55:07 | 0:55:11 | |
The confidence in her - | 0:55:11 | 0:55:13 | |
and I had a surprise there I have to be fair - | 0:55:13 | 0:55:16 | |
the confidence that she took on board, | 0:55:16 | 0:55:18 | |
directing that funeral was outstanding. | 0:55:18 | 0:55:21 | |
The added responsibility has also changed Rachael's attitude to work. | 0:55:21 | 0:55:26 | |
The improvement in her behaviour has been 80%. | 0:55:26 | 0:55:30 | |
She came from being a teenager to an adult overnight. | 0:55:30 | 0:55:34 | |
I have changed my behaviour with my dad. | 0:55:34 | 0:55:37 | |
When I first come on full time, I did kind of think, | 0:55:37 | 0:55:39 | |
"Oh, he's my dad, he'll let me off!" | 0:55:39 | 0:55:42 | |
I did think that all the time, but then... | 0:55:42 | 0:55:46 | |
I've had to, em, grow up a bit more. | 0:55:46 | 0:55:49 | |
Rachael's probation is now over and Mike calls a meeting. | 0:55:50 | 0:55:56 | |
You've been with us three months, how do you feel the progress you made? | 0:55:56 | 0:56:00 | |
I feel very happy and I think I'm ready to join the business. | 0:56:00 | 0:56:04 | |
Officially now, she is on board, as a director. | 0:56:04 | 0:56:09 | |
Now this is the way forward and this is the way we're going. | 0:56:09 | 0:56:14 | |
With his two daughters now helping him run the business, | 0:56:14 | 0:56:18 | |
can Mike finally loosen the reins? | 0:56:18 | 0:56:20 | |
No. No, I'll never let go until I'm in my coffin myself. | 0:56:20 | 0:56:25 | |
I'm being honest with you. I will never let go. | 0:56:27 | 0:56:30 |