
Browse content similar to My Lives and Times. Check below for episodes and series from the same categories and more!
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This programme contains very strong language | 0:00:02 | 0:00:08 | |
-Can you hear me? -Yes. | 0:00:08 | 0:00:13 | |
-Daddy, daddy. -Two seconds, baby. | 0:00:15 | 0:00:17 | |
'I was taken into the care system as a vulnerable eight-year-old. | 0:00:20 | 0:00:24 | |
'I was released back onto the streets, | 0:00:24 | 0:00:27 | |
'a multi-tasking criminal, at 16 years old, | 0:00:27 | 0:00:30 | |
'heading straight for the revolving doors of Her Majesty's Prison.' | 0:00:30 | 0:00:35 | |
'Film-making has managed to take me away from all that | 0:00:38 | 0:00:41 | |
'and overcome barriers that I never ever thought would be possible.' | 0:00:41 | 0:00:45 | |
'I love using my environment to my advantage. | 0:00:46 | 0:00:49 | |
'When you're somebody like me, your past works for you, or your past works against you.' | 0:00:49 | 0:00:54 | |
They look for the realness in people. | 0:00:54 | 0:00:57 | |
The way I see myself right now or the way I see myself... | 0:00:57 | 0:01:01 | |
Happening, boys? | 0:01:01 | 0:01:03 | |
'Mon then. | 0:01:04 | 0:01:05 | |
Bring your fuckin' blade, didn't fuckin' put up... | 0:01:07 | 0:01:10 | |
It's not a fuckin' blade, ya fuckin' bam! | 0:01:10 | 0:01:13 | |
ALL SHOUT OVER ONE ANOTHER | 0:01:13 | 0:01:16 | |
Do him, Mikey, he's a wee fanny. | 0:01:19 | 0:01:20 | |
-Andrew! -What the fuck you done, ya wee fanny?! | 0:01:20 | 0:01:23 | |
-Ya bunch of arseholes! -SHE WEEPS | 0:01:23 | 0:01:28 | |
Ya wee bastards. | 0:01:28 | 0:01:30 | |
SHE SCREAMS, SIRENS BLARE | 0:01:30 | 0:01:33 | |
RAPS: Trod up to some raw livin' Headin' for a Scottish prison | 0:01:38 | 0:01:41 | |
Fuck your flawed system I've risen above the law, listen | 0:01:41 | 0:01:43 | |
I've been to hell and back Smokin' crack, sellin' smack | 0:01:43 | 0:01:46 | |
Tryin' to get my story straight So I can tell it back | 0:01:46 | 0:01:49 | |
Became a man at eight Every night my ma was late | 0:01:49 | 0:01:51 | |
Makin' sure my sister had a warm plate | 0:01:51 | 0:01:53 | |
But what thanks did I get? Treated like I'm a regret | 0:01:53 | 0:01:56 | |
Exiled from my family and friends | 0:01:56 | 0:01:58 | |
And so I go nuts | 0:01:58 | 0:02:00 | |
The youngest Scot they'd ever locked up | 0:02:00 | 0:02:01 | |
So fucked, nobody understands the way I've grown up | 0:02:01 | 0:02:04 | |
I've been through physical and sexual abuse... | 0:02:04 | 0:02:07 | |
'I wasn't born into this world, I was thrown into it | 0:02:25 | 0:02:28 | |
'with an alcoholic for a dad | 0:02:28 | 0:02:30 | |
'and a mum who just didn't know how to love. | 0:02:30 | 0:02:32 | |
'I was up against the odds right from the start.' | 0:02:32 | 0:02:35 | |
'This is my Muirhouse, it's just not here anymore. | 0:02:36 | 0:02:39 | |
'The buildings are all knocked down.' | 0:02:39 | 0:02:41 | |
'I can still see the place where my mum held my hand out | 0:02:44 | 0:02:46 | |
'and slowly burnt it with a cigarette | 0:02:46 | 0:02:48 | |
'just to teach me a lesson for playing with matches.' | 0:02:48 | 0:02:51 | |
'I can still see the place where they took me into care, | 0:02:52 | 0:02:55 | |
'36 different care homes in eight years. | 0:02:55 | 0:02:58 | |
'I bet you they didn't even know why I never fitted in.' | 0:02:58 | 0:03:01 | |
'I want to tell you a story, | 0:03:02 | 0:03:04 | |
'but in order for me to tell you this story | 0:03:04 | 0:03:06 | |
'I'm going to have to delve into the demons of my past, | 0:03:06 | 0:03:10 | |
'to find some answers, | 0:03:10 | 0:03:11 | |
'and some of them aren't going to be pretty.' | 0:03:11 | 0:03:14 | |
CAR ALARM BLARES | 0:03:15 | 0:03:18 | |
'My area's completely destroyed | 0:03:24 | 0:03:25 | |
'through AIDS, through drugs, through nobody just giving a fuck. | 0:03:25 | 0:03:31 | |
'They've let a full generation of people die down here | 0:03:31 | 0:03:35 | |
'and just be forgotten. | 0:03:35 | 0:03:36 | |
'Just forgotten.' | 0:03:38 | 0:03:39 | |
It's hard to believe, next to New York, | 0:03:51 | 0:03:54 | |
Edinburgh was the biggest city with AIDS, | 0:03:54 | 0:03:56 | |
and now it's like it never even happened. | 0:03:56 | 0:03:59 | |
I've lost so many pals, friends, family, my peers. | 0:03:59 | 0:04:02 | |
It's hard walking along here, looking at the photographs... | 0:04:04 | 0:04:08 | |
my distant memories. | 0:04:08 | 0:04:10 | |
This just looks like a bit of barren waste ground to all youse. | 0:04:10 | 0:04:14 | |
But for me, this was my childhood. | 0:04:14 | 0:04:17 | |
'When I have a feeling like this, my first thought is heroin. | 0:04:27 | 0:04:31 | |
'There's no other thought. | 0:04:31 | 0:04:33 | |
'The first thing I think about is smack, that tin foil... | 0:04:35 | 0:04:38 | |
'..the taste...' | 0:04:42 | 0:04:43 | |
'..the money.' | 0:04:49 | 0:04:50 | |
I fuckin' miss it. I miss it a lot. | 0:04:51 | 0:04:53 | |
I miss the smack days a lot, which sounds fucking weird. | 0:04:55 | 0:04:58 | |
But I'll tell you what, when I was on smack... | 0:05:00 | 0:05:03 | |
I never, ever felt any of this pain and my hands never shook. | 0:05:03 | 0:05:08 | |
My hands did never shake on smack. | 0:05:08 | 0:05:11 | |
And I didn't ever have a conscience. | 0:05:12 | 0:05:15 | |
Never, ever had a guilty conscience on smack. | 0:05:15 | 0:05:17 | |
Now I feel like I'm fuckin' guilty for everything. | 0:05:20 | 0:05:22 | |
Now I feel like I apologise at every given opportunity. | 0:05:24 | 0:05:28 | |
I almost feel like cunts like me don't deserve to be here. | 0:05:29 | 0:05:32 | |
-REPORTER: -Edinburgh has not learned to live with its title | 0:05:34 | 0:05:37 | |
of AIDS capital of Europe. | 0:05:37 | 0:05:39 | |
The widespread use of drugs in some areas has led | 0:05:39 | 0:05:41 | |
to an explosive spread of the infection. | 0:05:41 | 0:05:44 | |
The sharing of needles to inject heroin | 0:05:44 | 0:05:47 | |
and the passing on of infected blood | 0:05:47 | 0:05:48 | |
is the main way in which the virus can be spread. | 0:05:48 | 0:05:52 | |
The issuing of clean needles may be controversial, | 0:05:52 | 0:05:54 | |
but the report's author says the AIDS problem | 0:05:54 | 0:05:57 | |
is a more serious one than drug abuse. | 0:05:57 | 0:05:59 | |
'To get a better understanding of my community | 0:06:02 | 0:06:04 | |
'and what addiction and drugs and poverty have done, | 0:06:04 | 0:06:07 | |
'there's only one man I know who has really got a unique insight into it. | 0:06:07 | 0:06:11 | |
'Steph, he's my own drug worker, | 0:06:11 | 0:06:13 | |
'who helped me come off the methadone.' | 0:06:13 | 0:06:15 | |
When I was first here in '84, that was the explosion, | 0:06:16 | 0:06:20 | |
that was the kind of HIV explosion, then. | 0:06:20 | 0:06:23 | |
Roy Robertson did his paper, | 0:06:23 | 0:06:25 | |
which he published in '85, I think it was, | 0:06:25 | 0:06:27 | |
so Roy from Muirhouse Medical Group, and he looked at blood samples | 0:06:27 | 0:06:30 | |
that he had refrigerated for his drug-using patients. | 0:06:30 | 0:06:34 | |
I think it was 167 patients, um, | 0:06:34 | 0:06:38 | |
51% of those patients were found to be HIV positive, | 0:06:38 | 0:06:42 | |
and this added to sort of the burgeoning global realisation | 0:06:42 | 0:06:45 | |
that there was a connection between injecting drug use and HIV. | 0:06:45 | 0:06:49 | |
Um, similar studies were done in Glasgow, England and Wales. | 0:06:49 | 0:06:53 | |
In Glasgow, 5%, 4.5% of the patients in Glasgow | 0:06:53 | 0:06:57 | |
were found to be HIV positive. | 0:06:57 | 0:06:59 | |
In England and Wales it fluctuated between 5% and 10%. | 0:06:59 | 0:07:02 | |
So Muirhouse, 51%, the rest of the country, somewhere between 5 and 10% | 0:07:02 | 0:07:08 | |
and I think that's why Edinburgh was tagged the AIDS capital of Europe | 0:07:08 | 0:07:12 | |
in the mid '80s and Muirhouse was probably the hub of that capital. | 0:07:12 | 0:07:15 | |
Go and put your jumper on, Garry Jay. | 0:07:34 | 0:07:36 | |
-Where is it? -It's on the door. | 0:07:36 | 0:07:37 | |
You've not changed your socks so get them changed. | 0:07:37 | 0:07:41 | |
BABY GIGGLES | 0:07:44 | 0:07:46 | |
Go in the bedroom and get dressed. | 0:07:48 | 0:07:51 | |
Please! | 0:07:52 | 0:07:54 | |
LITTLE GIRL SHOUTS | 0:07:54 | 0:07:56 | |
Brian, what did you find? Which one? | 0:07:56 | 0:07:59 | |
Is it a lottery? | 0:08:03 | 0:08:05 | |
'Looking at my kids, I dread to think what they would do without me. | 0:08:09 | 0:08:14 | |
'After all the years of taking drugs, | 0:08:14 | 0:08:15 | |
'it's about time I went and got myself checked | 0:08:15 | 0:08:19 | |
'for AIDS and Hep C.' | 0:08:19 | 0:08:20 | |
So, that's me just been for an AIDS test and a Hep B booster. | 0:08:29 | 0:08:34 | |
That's where the needle went in for the...HIV. | 0:08:35 | 0:08:39 | |
It's funny, an ex-junkie - I'm not even an ex-junkie... | 0:08:43 | 0:08:46 | |
..the doctor doesn't think that, that I'm an addict | 0:08:48 | 0:08:52 | |
because I'm on five dihydrocodeine and if I'd wanted to there, | 0:08:52 | 0:08:55 | |
I could've went and got methadone because I'm in such a low mood. | 0:08:55 | 0:08:59 | |
He says if I want to go and get methadone | 0:08:59 | 0:09:02 | |
I can go back on my methadone programme any time I want, | 0:09:02 | 0:09:04 | |
which I just think's fucking appalling. | 0:09:04 | 0:09:06 | |
I'm sitting in that fucking surgery | 0:09:06 | 0:09:09 | |
and as I'm sitting in that surgery I'm looking around me | 0:09:09 | 0:09:12 | |
thinking how many people have been here before me. | 0:09:12 | 0:09:16 | |
The story I'm trying to tell... how many of them? | 0:09:16 | 0:09:19 | |
I'm running out of numbers now. I've ran out of numbers | 0:09:19 | 0:09:22 | |
for the amount of pals that I know that have died. | 0:09:22 | 0:09:26 | |
'Tam's had the virus for 21 years. | 0:09:30 | 0:09:32 | |
'When he first got told he had the virus, | 0:09:32 | 0:09:34 | |
'he was told he was handed a death sentence. | 0:09:34 | 0:09:38 | |
'Everything I know about living with somebody with AIDS has come from Tam. | 0:09:38 | 0:09:42 | |
'But Tam's beat the virus. | 0:09:42 | 0:09:43 | |
'I think the combinational therapy of drugs have helped that.' | 0:09:43 | 0:09:47 | |
Aye, we've...five years. | 0:09:47 | 0:09:49 | |
Jay's 21 now. Thomas must be 33? | 0:09:49 | 0:09:54 | |
-Aye. -Sarah, 28? | 0:09:54 | 0:09:56 | |
28 and pregnant. I'm going to be a granda. | 0:09:59 | 0:10:01 | |
-Oh! Granda Tam! -Just think, before the combination come out, | 0:10:01 | 0:10:05 | |
I just used to live day to day. | 0:10:05 | 0:10:06 | |
I didn't even used to bother if I'd die in the morning. | 0:10:06 | 0:10:09 | |
I used to fall asleep and say, | 0:10:09 | 0:10:10 | |
"If I fall asleep and die, I'm not bothered." | 0:10:10 | 0:10:13 | |
Did you get to a point when you were like, | 0:10:13 | 0:10:15 | |
"Fuck it," with the virus? You must have. | 0:10:15 | 0:10:16 | |
Aye, that was before the combination come out. | 0:10:16 | 0:10:19 | |
It was in the '80s, and there was people catching the virus | 0:10:23 | 0:10:29 | |
like in Leith and stuff like that. | 0:10:29 | 0:10:31 | |
But, um... | 0:10:31 | 0:10:33 | |
..if it, it was a thing like if you... | 0:10:34 | 0:10:38 | |
if you had the virus, you're a fucking alien, know what I mean? | 0:10:38 | 0:10:41 | |
Nobody would come near you, sort of thing, | 0:10:41 | 0:10:43 | |
but I'm just the sort of guy that would say, | 0:10:43 | 0:10:45 | |
"Aye, I've got the virus, how?" Ken what I mean? | 0:10:45 | 0:10:49 | |
-And if anybody said anything, it's always behind your back. -Aye, never to your face. | 0:10:49 | 0:10:52 | |
Ken what I mean? So it doesn't matter to me! | 0:10:52 | 0:10:55 | |
Remember when that guy says... remember when he says to you, | 0:10:55 | 0:10:58 | |
"Can you give me some of your blood so I can get on DLA?" | 0:10:58 | 0:11:01 | |
Aye, unbelievable! | 0:11:01 | 0:11:04 | |
The guy wanted to inject your blood so he could get the virus | 0:11:04 | 0:11:08 | |
-so he could get more brew money. -Aye, so he could get the high rate. | 0:11:08 | 0:11:11 | |
I was like, you've got to be fuckin' kidding! | 0:11:11 | 0:11:13 | |
I remember when you told me that, I was like... | 0:11:13 | 0:11:15 | |
I says to the guy, I says, "Are you fucking nuts?!" | 0:11:15 | 0:11:18 | |
Fucking unbelievable, man, that's mad. | 0:11:18 | 0:11:20 | |
The best one was when you went down to my house | 0:11:20 | 0:11:23 | |
and I had all they vallies and all that, | 0:11:23 | 0:11:26 | |
and I put them all down... all down the toilet, | 0:11:26 | 0:11:29 | |
and flushed them away! | 0:11:29 | 0:11:30 | |
-You were fucking boaking! -I was like, "How can you do that?! | 0:11:30 | 0:11:33 | |
"You could've just gave them to me. It's a waste!" | 0:11:33 | 0:11:36 | |
I just seen them going down the sink and I'm like, "You can't do that!" | 0:11:36 | 0:11:39 | |
It's like throwing an ounce of kit into the water. | 0:11:39 | 0:11:41 | |
It's like, "Well, I'd much rather burn it away, but..." | 0:11:41 | 0:11:43 | |
-Done you a favour. -You did. | 0:11:43 | 0:11:44 | |
I'll tell you something now that you might not know, right? | 0:11:44 | 0:11:47 | |
Ken I says I flushed the smack down the toilet? | 0:11:47 | 0:11:49 | |
I never. I took it up to the house with Brian. | 0:11:49 | 0:11:52 | |
-How much do you owe me now? -BOTH LAUGH | 0:11:52 | 0:11:54 | |
Ha-ha! You just stuck yourself in, you wido! | 0:11:54 | 0:11:56 | |
You're still not learning! | 0:11:57 | 0:11:59 | |
'To continue with my future, | 0:12:08 | 0:12:10 | |
'I've got to face up to the demons from my past. | 0:12:10 | 0:12:12 | |
'One of these demons is something I did to Tam's mum. | 0:12:12 | 0:12:16 | |
'I want to apologise to her.' | 0:12:16 | 0:12:18 | |
So how are we going to get in the stair, press the buzzer? | 0:12:18 | 0:12:22 | |
Not bad, passable. What you been doing, lying gouching, Garry? | 0:12:22 | 0:12:27 | |
Not for a long time, not for a long time, hen. | 0:12:27 | 0:12:30 | |
What my ma's been through... | 0:12:31 | 0:12:33 | |
-Aye. -Aye. | 0:12:35 | 0:12:37 | |
Through hell and back, with a family like we've got. | 0:12:37 | 0:12:40 | |
We had...Derek using, that passed away. | 0:12:42 | 0:12:47 | |
Trisha, his wife, passed away. | 0:12:47 | 0:12:48 | |
-Brian did now and again. -No, not often, no. | 0:12:50 | 0:12:53 | |
-Not very often. -Unless he met Garry. -Unless he met me. | 0:12:53 | 0:12:56 | |
Wullie did, but not very often. | 0:12:56 | 0:12:58 | |
He got Hep C, but he managed to get rid of it. | 0:12:58 | 0:13:01 | |
-Aye. -Because of his insurance and the car and all that stuff. | 0:13:01 | 0:13:06 | |
And I was the worst. | 0:13:06 | 0:13:07 | |
You ken the Christmases and everything that you gave me, | 0:13:09 | 0:13:11 | |
when I first came out of care and... | 0:13:11 | 0:13:13 | |
-Remember the laughs we used to have at Christmas? -Aye. | 0:13:13 | 0:13:15 | |
I'd never had that before, cos being in a children's home, | 0:13:15 | 0:13:18 | |
you never seen any of that. | 0:13:18 | 0:13:20 | |
Anybody could come in my house at Christmas, New Year, anytime they wanted. | 0:13:20 | 0:13:23 | |
I need to apologise for something, I... | 0:13:23 | 0:13:26 | |
Like, I... | 0:13:26 | 0:13:28 | |
Let me get this right. | 0:13:28 | 0:13:30 | |
I want to apologise for something that I done in the '90s, | 0:13:30 | 0:13:35 | |
which was bring heroin back into your house | 0:13:35 | 0:13:39 | |
and I should've learned, after Tam and that, | 0:13:39 | 0:13:41 | |
that heroin just fuckin' destroys families | 0:13:41 | 0:13:45 | |
and I never. | 0:13:45 | 0:13:47 | |
And I want to apologise to you for that, | 0:13:47 | 0:13:50 | |
just that in itself. There's a million and one other things | 0:13:50 | 0:13:52 | |
I've to apologise for, but... | 0:13:52 | 0:13:54 | |
-You want me to start? -SHE LAUGHS | 0:13:54 | 0:13:57 | |
Where will I start, Garry? | 0:13:57 | 0:13:58 | |
But that's just the one, | 0:13:58 | 0:14:00 | |
because if youse never done what you done, | 0:14:00 | 0:14:02 | |
like, when I was 16 and my nana had obviously died, I wouldn't be here. | 0:14:02 | 0:14:07 | |
But your wife was the same, Garry. | 0:14:07 | 0:14:08 | |
She never gave you much - if she was on it and you were on it, what... | 0:14:08 | 0:14:11 | |
-No chance. -You've no chance in hell of you coming off. | 0:14:11 | 0:14:14 | |
-No. -Because you're trying to come off and she's taking it | 0:14:14 | 0:14:17 | |
and you're, "Ach, just have, go on, just a wee bit, Garry," | 0:14:17 | 0:14:20 | |
and that's what I says to you then, but you wouldn't listen to me then. | 0:14:20 | 0:14:23 | |
I don't think I could listen at all. | 0:14:23 | 0:14:25 | |
You says to me, "No, no, I'm coming," | 0:14:25 | 0:14:27 | |
but I knew, as soon as I looked at your face, I knew. | 0:14:27 | 0:14:29 | |
That's what... Looking back on it now, | 0:14:29 | 0:14:31 | |
thinking about how me and Angie would walk in and go... | 0:14:31 | 0:14:33 | |
Like that, but now I feel like how, how could you do that, Garry? | 0:14:33 | 0:14:38 | |
Ken like, but at the time... | 0:14:38 | 0:14:39 | |
But at the time that's what was done. | 0:14:39 | 0:14:41 | |
It didn't seem like I was doing anything wrong, ken like... | 0:14:41 | 0:14:45 | |
You used to say, "She's coming off." | 0:14:45 | 0:14:46 | |
I said, "She's not coming off, have a good look at her." | 0:14:46 | 0:14:49 | |
But you couldn't look at her, | 0:14:49 | 0:14:51 | |
cos you were seeing the same as what you were doing. | 0:14:51 | 0:14:53 | |
'I wanted to pay my respects | 0:15:01 | 0:15:03 | |
'and I lay flowers at the graves of Tam's brother, Tam's sister-in-law. | 0:15:03 | 0:15:07 | |
'I don't want to say any names, | 0:15:07 | 0:15:09 | |
'but I know a lot of my own people are buried here.' | 0:15:09 | 0:15:12 | |
'And it's horrible looking around | 0:15:15 | 0:15:17 | |
'seeing name after name, after name, after name, after name that I know.' | 0:15:17 | 0:15:21 | |
'There wasn't even enough flowers to go around, | 0:15:23 | 0:15:27 | |
'and I feel so fuckin' sad for that.' | 0:15:27 | 0:15:29 | |
PHONE RINGS | 0:15:38 | 0:15:40 | |
'Hello, there, doctors' surgery, can I help you?' | 0:15:47 | 0:15:50 | |
Hi, I wonder if you could help me, please, yeah. | 0:15:50 | 0:15:52 | |
I had a, um, an appointment with Dr... Well, David. | 0:15:52 | 0:15:56 | |
-'Uh-uh.' -And the... And the purpose of the... | 0:15:56 | 0:15:59 | |
the appointment was for a HIV test. | 0:15:59 | 0:16:02 | |
'OK, I'll get a message to your doctor first thing in the morning | 0:16:02 | 0:16:05 | |
-'and he'll give you a ring.' -OK, that's brilliant. Thank you. | 0:16:05 | 0:16:08 | |
-'No problem. Thanks.' -Cheers, bye. | 0:16:08 | 0:16:10 | |
Sometimes when you stay in a council estate | 0:16:27 | 0:16:29 | |
it's like staying on Big Brother. | 0:16:29 | 0:16:30 | |
There's that many cameras, you don't know who's looking. | 0:16:30 | 0:16:33 | |
Is it any surprise we all cover our faces? | 0:16:33 | 0:16:36 | |
I'm shocked that other people find it shocking that we live like this. | 0:16:36 | 0:16:40 | |
From the age of six or seven my life's been fully recorded. | 0:16:45 | 0:16:48 | |
It's funny, that. No wonder I'm a product of the system. | 0:16:48 | 0:16:52 | |
'Hello, this is Jennifer Bryson at Birthlink. | 0:16:56 | 0:16:59 | |
'I'm looking for Garry Fraser. | 0:16:59 | 0:17:01 | |
'Garry, it's about the files that you want access to. | 0:17:01 | 0:17:06 | |
'I've been allocated to share that information | 0:17:06 | 0:17:10 | |
'and they're ready for you to get whenever you want. | 0:17:10 | 0:17:13 | |
'OK, thank you, bye.' | 0:17:13 | 0:17:15 | |
Fuck it, whatever doesn't kill you makes you stronger, eh? | 0:17:17 | 0:17:20 | |
I've read through, and I was getting a real sense | 0:17:25 | 0:17:29 | |
of you being a real character | 0:17:29 | 0:17:31 | |
and some of the things you got up to, | 0:17:31 | 0:17:33 | |
I was like, "Oh, want to meet this guy." | 0:17:33 | 0:17:36 | |
-What was...what was the ones that... -Well, you were forever running away, | 0:17:36 | 0:17:39 | |
so obviously the system wasn't doing it for you, um... | 0:17:39 | 0:17:44 | |
I've got Howdenhall, Rothesay, Midfields, St Joseph's. | 0:17:44 | 0:17:50 | |
I've got foster placement - | 0:17:50 | 0:17:53 | |
Kenmuir, St Mary's, Woodland School, Newton Stewart. | 0:17:53 | 0:17:58 | |
But remember, I reckon there's about 1,500 pages, | 0:17:58 | 0:18:02 | |
cos I've got 287 here, | 0:18:02 | 0:18:06 | |
but the one I noticed there was that you'd stolen a boat. | 0:18:06 | 0:18:10 | |
"Garry has been arrested and charged with theft of a boat | 0:18:10 | 0:18:14 | |
"and will probably be held | 0:18:14 | 0:18:16 | |
"in police custody for the rest of the weekend." | 0:18:16 | 0:18:18 | |
Yeah, so there was...there's loads of, you know, | 0:18:18 | 0:18:22 | |
loads of...these are emergency social work reports, | 0:18:22 | 0:18:27 | |
so these are, you know, um... | 0:18:27 | 0:18:29 | |
"Contacted by A&E Royal Infirmary, | 0:18:30 | 0:18:33 | |
"Garry made his own way, reporting he'd taken too many jellies." | 0:18:33 | 0:18:37 | |
I never drunk alcohol or that, | 0:18:39 | 0:18:41 | |
so as you can see I wasn't one of they type of teenagers | 0:18:41 | 0:18:43 | |
-that went away and drunk. -Right enough. | 0:18:43 | 0:18:45 | |
D'you know, there's never, when I went through this, there was never any mention of alcohol. | 0:18:45 | 0:18:49 | |
I was too scared that I was going to end up like my dad, | 0:18:49 | 0:18:51 | |
-so I stayed away from the drink. -Right, yeah. | 0:18:51 | 0:18:54 | |
And I think...see, cos of being street wide, | 0:18:54 | 0:18:58 | |
I was always scared that, see, if I was drunk, | 0:18:58 | 0:19:00 | |
that's when I was going to end up getting, like... | 0:19:00 | 0:19:03 | |
-Something would happen to you. -That's when I thought... | 0:19:03 | 0:19:06 | |
Somebody would take advantage. Sexually, aye. | 0:19:06 | 0:19:08 | |
The hardest thing about the care system is that the members of staff | 0:19:08 | 0:19:15 | |
that are the best are the ones that are more likely to lose their jobs. | 0:19:15 | 0:19:18 | |
Yeah. | 0:19:18 | 0:19:19 | |
Most people have got photographs from their childhood, | 0:19:19 | 0:19:22 | |
I says, I've got care files. | 0:19:22 | 0:19:24 | |
It seems to be a recurring theme in Garry's life, eh, | 0:19:42 | 0:19:44 | |
that everybody just takes me in. | 0:19:44 | 0:19:47 | |
Families take me in left, right and centre. | 0:19:47 | 0:19:50 | |
'Always in the search for a family or people to take me in and love me.' | 0:19:51 | 0:19:55 | |
'Can't believe that I'm driving past the same houses | 0:20:00 | 0:20:03 | |
'that I used to stay in when I was a bairn on the run.' | 0:20:03 | 0:20:06 | |
'Walking up to my first ever children's home | 0:20:13 | 0:20:15 | |
'is probably one of the hardest decisions I've ever made. | 0:20:15 | 0:20:19 | |
'As I'm walking up the pathway, it just feels so different | 0:20:20 | 0:20:22 | |
'coming up here as a man. I had some good times in there. | 0:20:22 | 0:20:26 | |
'There was laughs, we got to go bowling, you got clothing grants, | 0:20:26 | 0:20:29 | |
'but by that time, the damage had already been done. | 0:20:29 | 0:20:32 | |
My first placement was foster parents. | 0:20:35 | 0:20:38 | |
After they took me out of Muirhouse, | 0:20:38 | 0:20:40 | |
they put me in a young person's unit in Balerno. | 0:20:40 | 0:20:43 | |
Within the first week, I was sexually abused and this guy, | 0:20:43 | 0:20:47 | |
a 14-year-old guy, | 0:20:47 | 0:20:50 | |
walked into my room and told me that if I didn't put his penis in my mouth | 0:20:50 | 0:20:55 | |
and suck it like a lollypop, he was going to batter me. | 0:20:55 | 0:21:01 | |
And I couldn't tell anybody down Muirhouse about that. | 0:21:03 | 0:21:06 | |
I couldn't tell anybody about that apart from a member of staff. | 0:21:06 | 0:21:09 | |
How can I tell anybody about that? | 0:21:09 | 0:21:11 | |
Everybody will just think I'm a poof or they'll just let it happen. | 0:21:11 | 0:21:14 | |
"Ha, ha, ha, Garry. Ha, ha, ha, Garry." | 0:21:14 | 0:21:16 | |
And within about three months of that happening, | 0:21:18 | 0:21:20 | |
I was in self-destruct mode until I left care, | 0:21:20 | 0:21:24 | |
and not once did anybody ask me if I was ever abused | 0:21:24 | 0:21:27 | |
when I was in children's homes. | 0:21:27 | 0:21:29 | |
Is it any wonder I had a deep distrust of adults | 0:21:30 | 0:21:33 | |
from ten years old onwards? | 0:21:33 | 0:21:35 | |
'This is me going back to visit a woman who tried to foster me | 0:21:40 | 0:21:45 | |
'when I was in Sycamore. | 0:21:45 | 0:21:47 | |
'It's funny, because the first time she met me, | 0:21:47 | 0:21:50 | |
basically what had happened is, | 0:21:50 | 0:21:52 | |
'her daughter Tracey's a year younger than me, | 0:21:52 | 0:21:54 | |
'and she snuck me into her home, | 0:21:54 | 0:21:56 | |
'and when she snuck me into her home she hid me in the linen cupboard, | 0:21:56 | 0:22:01 | |
'so at 6 o'clock in the morning, her mum's getting ready for work and puts her hand into the linen cupboard | 0:22:01 | 0:22:05 | |
'and what does she find? A wee 11-year-old laddie lying in the fucking linen cupboard.' | 0:22:05 | 0:22:10 | |
Hello? | 0:22:22 | 0:22:24 | |
-Hiya, is your name Roseann? -Aye. | 0:22:25 | 0:22:28 | |
-Oh, you don't remember me, eh not? -No. | 0:22:28 | 0:22:30 | |
Remember I was in a children's home - Garry? | 0:22:30 | 0:22:32 | |
-I was the wee laddie that you found in the... -..Cupboard? | 0:22:32 | 0:22:35 | |
-Uh-huh. -You're not the window cleaner? Are you taking the piss? | 0:22:35 | 0:22:39 | |
No, I'm not the window cleaner. | 0:22:39 | 0:22:41 | |
I only came through to see you, just to thank you. | 0:22:41 | 0:22:44 | |
Oh, right, are you Garry Fraser? | 0:22:44 | 0:22:46 | |
Anyway, I'm glad you're all right, son. | 0:22:46 | 0:22:49 | |
I think out of everybody, this was the place I wanted to come, | 0:22:52 | 0:22:55 | |
-when I was younger. -Aye. | 0:22:55 | 0:22:56 | |
So I think, like, what I wanted to do the most | 0:22:56 | 0:22:59 | |
when I came through here was, like, thank you | 0:22:59 | 0:23:01 | |
for showing me affection and showing me, like, | 0:23:01 | 0:23:03 | |
what a family was like, because I came out of the homes like a nutter. | 0:23:03 | 0:23:07 | |
I thought, like, the way I came out the homes was like... | 0:23:07 | 0:23:11 | |
Well, when you came here you were calm and you loved it, | 0:23:11 | 0:23:14 | |
but then they dragged you away from here, then you just went... | 0:23:14 | 0:23:17 | |
That's the problem, they took me away from somewhere that was all right. | 0:23:17 | 0:23:20 | |
-That was right, they took you away. -They plonked me in again! | 0:23:20 | 0:23:22 | |
Then you fought against them and done something wrong again. | 0:23:22 | 0:23:25 | |
Aye, it was like they didn't listen. I think this place would've been perfect. | 0:23:25 | 0:23:28 | |
I think your family, everything would've been perfect. | 0:23:28 | 0:23:31 | |
There wasn't any reason for them to be the way they were, | 0:23:31 | 0:23:34 | |
but I just don't think they listened that much. | 0:23:34 | 0:23:36 | |
So why did you never come back after you reached a certain age? | 0:23:36 | 0:23:39 | |
Once I started taking drugs, I started dealing them heavy. | 0:23:39 | 0:23:42 | |
I started going down to London. Hooked up with the Turkish Mafia. | 0:23:42 | 0:23:45 | |
-My God. -And then came back up here, started dealing loads of heroin, | 0:23:45 | 0:23:48 | |
and then that's when I started hearing stories about Fife, | 0:23:48 | 0:23:52 | |
that Sinky was on this and so and so was on this, | 0:23:52 | 0:23:55 | |
and I'd never experienced any of that | 0:23:55 | 0:23:57 | |
and I wanted to come through in a big flash BM | 0:23:57 | 0:23:59 | |
and I thought, that's not me, like I didn't want to come back | 0:23:59 | 0:24:02 | |
through to Kirkcaldy like, "Look at me, I'm the big man." | 0:24:02 | 0:24:04 | |
As if, "Look at me now", aye, that's right. | 0:24:04 | 0:24:06 | |
I wanted to come back. I didn't ever... | 0:24:06 | 0:24:08 | |
-You didn't forget your roots, put it that way, eh? -No, nothing like that. | 0:24:08 | 0:24:11 | |
-That's why I'm sort of back through here to... -Oh, Garry. Oh, God, son. | 0:24:11 | 0:24:15 | |
God bless you, son, eh? What a shame. | 0:24:17 | 0:24:19 | |
It's not a shame, because everything's turned out brilliant. | 0:24:19 | 0:24:23 | |
'As I left Roseann, she gave me a letter, | 0:24:27 | 0:24:29 | |
'a letter that she must've kept back after all these years. | 0:24:29 | 0:24:33 | |
'This is what it read.' | 0:24:34 | 0:24:36 | |
"Dear Roseann. Hi, how's things? | 0:24:38 | 0:24:41 | |
"Are you still in hospital? | 0:24:41 | 0:24:42 | |
"I had to cry myself to sleep last night. | 0:24:42 | 0:24:45 | |
"I will probably have to do the same tonight. | 0:24:45 | 0:24:48 | |
"That's how depressing it is and I'm being God's honestly truthful. | 0:24:48 | 0:24:51 | |
"I've cried every night and day since I've got back. | 0:24:51 | 0:24:54 | |
"I got told I'm not allowed to phone you or nothing. | 0:24:54 | 0:24:57 | |
"I swear to God I'm going to go mad in this shit hole. | 0:24:57 | 0:25:00 | |
"Sorry I never got you a get well soon card. | 0:25:00 | 0:25:03 | |
"Well, if you're still in hospital you will be all right. | 0:25:03 | 0:25:07 | |
"Well, got to go. Love from Garry. | 0:25:07 | 0:25:09 | |
"PS I miss you very much and I love you and I will give you a tear". | 0:25:09 | 0:25:14 | |
INDISTINCT CHATTER | 0:25:27 | 0:25:29 | |
Connor, Thomas, Andy, | 0:25:36 | 0:25:39 | |
yous have got your characters, do you know what your characters are? | 0:25:39 | 0:25:42 | |
'I know these guys are at a critical age. | 0:25:42 | 0:25:46 | |
'I was at that age once as well. | 0:25:46 | 0:25:47 | |
'That's why I started Wideo Media. | 0:25:47 | 0:25:50 | |
'I'm so proud of them. | 0:25:50 | 0:25:52 | |
'Seeing them coming here every week doing what they do, | 0:25:52 | 0:25:55 | |
'doing something creative instead of getting into trouble | 0:25:55 | 0:25:58 | |
'on the street. That makes my life very, very special." | 0:25:58 | 0:26:01 | |
Cut. That's brilliant. | 0:26:05 | 0:26:07 | |
That's fucking amazing compared to last week. | 0:26:07 | 0:26:09 | |
That's what I just want to end it on, a fucking high like that. | 0:26:09 | 0:26:12 | |
Look at the difference from last week till now. Now yous are acting. | 0:26:12 | 0:26:15 | |
Now yous are beginning to understand characters, changing them. | 0:26:15 | 0:26:17 | |
I'm going to keep doing this and I'm always going to trip yous. | 0:26:17 | 0:26:20 | |
I'm always going to try and bounce it off, | 0:26:20 | 0:26:22 | |
cos I want to just see the difference between it all. | 0:26:22 | 0:26:25 | |
See the whole point of our project that we're doing here | 0:26:25 | 0:26:27 | |
is about knife culture, right? | 0:26:27 | 0:26:28 | |
Can I ask you just one question each, right, | 0:26:28 | 0:26:32 | |
is just your attitude on knife culture, that's all I want. | 0:26:32 | 0:26:35 | |
Just what yous think about knife culture. | 0:26:35 | 0:26:37 | |
The general thing about, especially in Muirhouse, Pilton, areas that, | 0:26:37 | 0:26:41 | |
he could be walking down the street analysing | 0:26:41 | 0:26:43 | |
his reasons for not carrying a knife and get plugged for nothing. | 0:26:43 | 0:26:47 | |
Well, I used to carry when I was like from the age of like 12 to 14, | 0:26:47 | 0:26:51 | |
and then that's when Garry came. | 0:26:51 | 0:26:55 | |
I think that's what changed me. | 0:26:55 | 0:26:57 | |
Garry showed me a path, of him doing film and I got very interested | 0:26:57 | 0:27:00 | |
and actually I asked you if I could come to college. | 0:27:00 | 0:27:04 | |
I don't agree with knife crime, I don't agree with knife culture. | 0:27:04 | 0:27:07 | |
I don't, I don't believe in it, | 0:27:07 | 0:27:09 | |
but obviously like I've been saying all night, I... | 0:27:09 | 0:27:12 | |
I'm not trying to glorify it either by what I'm saying, | 0:27:12 | 0:27:14 | |
it's just for me, it's one of these things that won't go away. | 0:27:14 | 0:27:17 | |
Yous are the ones that are realising yous have got potential. | 0:27:17 | 0:27:20 | |
Every one of yous - and I, on my bairns' life, | 0:27:20 | 0:27:22 | |
anything crossed, I'm not patronising yous - | 0:27:22 | 0:27:24 | |
I honestly believe every one of yous have got something special - I do - | 0:27:24 | 0:27:28 | |
and you can see it in yous, that more and more's coming out. | 0:27:28 | 0:27:30 | |
BABBLING | 0:27:41 | 0:27:43 | |
I went to the doctors last week - aye, last week - | 0:27:51 | 0:27:57 | |
and I was trying to tell them that I was struggling with the prescription that I'm on. | 0:27:57 | 0:28:02 | |
I was saying to them that I was having a problem | 0:28:06 | 0:28:10 | |
when it came to... | 0:28:10 | 0:28:13 | |
..maybe using again because I'm making a film... | 0:28:14 | 0:28:17 | |
..which has got a lot of emotional shit in it, blah, blah, blah, etc. | 0:28:20 | 0:28:23 | |
And the doctor's response to it was that they can get me | 0:28:23 | 0:28:29 | |
back to CDPS by Monday, which would've been last Monday. | 0:28:29 | 0:28:33 | |
So my plan is that I'm going to come off of these - | 0:28:33 | 0:28:37 | |
that's the plan - | 0:28:37 | 0:28:38 | |
so by the time that yous watch this film I'll be drug free. | 0:28:38 | 0:28:42 | |
By the time that I speak to the doctor I'll be drug free, | 0:28:42 | 0:28:45 | |
so it means they've got fuck all on me. | 0:28:45 | 0:28:47 | |
But this is the bottom end of drug addiction. | 0:28:47 | 0:28:50 | |
This is the... | 0:28:50 | 0:28:52 | |
This is the... | 0:28:54 | 0:28:57 | |
grassroots of drug addiction. | 0:28:57 | 0:29:00 | |
This is how they handle you. | 0:29:00 | 0:29:03 | |
One for anxiety. | 0:29:03 | 0:29:04 | |
Painkillers, when I'm not in pain, | 0:29:06 | 0:29:08 | |
but they've got opiates in them, so it numbs emotional pain. | 0:29:08 | 0:29:12 | |
The only bastard about taking drugs that numb emotional pain is when you come off, | 0:29:12 | 0:29:17 | |
it's like that pain's ten-folded and you'll probably see | 0:29:17 | 0:29:20 | |
that soon as well when I come off, when you see me lying on the bed. | 0:29:20 | 0:29:23 | |
The Government in this country is spending 28 million a year on methadone | 0:29:31 | 0:29:35 | |
to deal with heroin addicts. | 0:29:35 | 0:29:36 | |
That's what I call a successful dealer, but I think it's a waste of money. | 0:29:36 | 0:29:41 | |
It's a fucking disgrace. | 0:29:41 | 0:29:43 | |
Methadone just keeps people like me trapped into the system. | 0:29:43 | 0:29:45 | |
'I never thought I'd end up growing up and turning into a junkie. | 0:29:55 | 0:29:59 | |
'I didn't think that would happen to me, not on my path. | 0:29:59 | 0:30:02 | |
'At 16 years old, when I came out the secure units, | 0:30:02 | 0:30:05 | |
'I was so fit that I was advised to join the Marines or the Army, | 0:30:05 | 0:30:08 | |
'but then I tried my first drug, Dihydrocodeine, DFs, | 0:30:08 | 0:30:13 | |
'and my career in the drug world took off from there.' | 0:30:13 | 0:30:16 | |
Oh, this is fucking weird, like, coming back up here. | 0:30:36 | 0:30:41 | |
This is where I got my first flat after being in the young offenders'. | 0:30:43 | 0:30:47 | |
Done a lot of damage up here, like. | 0:30:50 | 0:30:52 | |
This is probably where my life changed. | 0:30:57 | 0:31:00 | |
I used to be under surveillance from two of these top flats | 0:31:02 | 0:31:06 | |
from the West End bizzies when I used to deal my smack up here. | 0:31:06 | 0:31:09 | |
I used to control all the heroin at one, two, three, four - four streets, | 0:31:09 | 0:31:14 | |
five, five streets. | 0:31:14 | 0:31:16 | |
I made so much money. | 0:31:17 | 0:31:19 | |
Come on, we'll try and go on my old stair and see what the fuck happens. | 0:31:20 | 0:31:24 | |
I'll show you what I done to the back doors - | 0:31:27 | 0:31:29 | |
and this is why I never ever got any healthy sentences up here. | 0:31:29 | 0:31:33 | |
See the lock on the door? | 0:31:33 | 0:31:35 | |
All of these back greens have got certain locks on them | 0:31:38 | 0:31:41 | |
that I took off, so when I ran out, when I got chased off the polis, | 0:31:41 | 0:31:45 | |
or I knew that the polis were coming, | 0:31:45 | 0:31:47 | |
or I knew somebody was coming to my door, | 0:31:47 | 0:31:51 | |
or just say that I was wanting to go out stealing, | 0:31:51 | 0:31:53 | |
cos a lot of the shit that we done | 0:31:53 | 0:31:55 | |
was at night-time, so it's quite hard when you're... | 0:31:55 | 0:31:58 | |
This is quite dark at night and all these back greens are really dark, | 0:31:58 | 0:32:01 | |
so what I done was went out with a screwdriver | 0:32:01 | 0:32:03 | |
and took the lock off of this door | 0:32:03 | 0:32:05 | |
and about eight other doors in the back greens, | 0:32:05 | 0:32:08 | |
so I could run out from here into this back square | 0:32:08 | 0:32:11 | |
and then choose about three doors, | 0:32:11 | 0:32:13 | |
go into one of them, be out another street, | 0:32:13 | 0:32:16 | |
and the polis were always chasing their tail. | 0:32:16 | 0:32:19 | |
Shit. | 0:32:31 | 0:32:33 | |
Even when I had a habit and that I was still trying to do stuff | 0:32:33 | 0:32:37 | |
like go to college or try and do something for myself, | 0:32:37 | 0:32:40 | |
not be a waster, basically, and then on the Easter break from college | 0:32:40 | 0:32:46 | |
I took a bag of smack, I was sick all about the place. | 0:32:46 | 0:32:50 | |
I think we all thought by burning heroin, it was different. | 0:32:50 | 0:32:55 | |
It was a different feeling by burning heroin what it was to | 0:32:57 | 0:33:00 | |
injecting it, and you couldn't get a habit if you burnt it, | 0:33:00 | 0:33:02 | |
and the cunts in Trainspotting, they were from the 80's, | 0:33:02 | 0:33:05 | |
they were all dafties, we're different, | 0:33:05 | 0:33:07 | |
and it's a lot cooler when you've got a bit of foil in your hand. | 0:33:07 | 0:33:09 | |
Obviously it wasn't, but it seemed like that at the time. | 0:33:09 | 0:33:12 | |
It just seemed like that was a fashionable thing to do | 0:33:12 | 0:33:15 | |
and every cunt was doing it - and I mean like fucking pure random. | 0:33:15 | 0:33:18 | |
I used to come out and every cunt was sitting out here, like literally | 0:33:18 | 0:33:21 | |
open my window, "Right, who's wanting?" | 0:33:21 | 0:33:23 | |
And you used to have like four here, four in there, | 0:33:23 | 0:33:26 | |
cos I wasn't letting cunts up to the house. | 0:33:26 | 0:33:29 | |
I became more violent. | 0:33:29 | 0:33:30 | |
What I done, we just rattled this cunt's knee about, I don't know, | 0:33:30 | 0:33:34 | |
about 20 times, 30 times, with a ballpoint hammer, | 0:33:34 | 0:33:36 | |
and then the guy tried to stand up and when he stood up, | 0:33:36 | 0:33:41 | |
his leg folded backwards, | 0:33:41 | 0:33:42 | |
so it went like in on itself, and me and Ronnie were like, "Ew." | 0:33:42 | 0:33:47 | |
So if we were like that, | 0:33:47 | 0:33:48 | |
you can just imagine what the fucking guy's scream was like | 0:33:48 | 0:33:52 | |
and that just made me feel even more fucking invincible, | 0:33:52 | 0:33:54 | |
that I was just going to keep managing to do what I was doing | 0:33:54 | 0:33:57 | |
and there wasn't going to be any consequences for my actions. | 0:33:57 | 0:34:01 | |
The last time that I was here... | 0:34:14 | 0:34:17 | |
The last time that I was here | 0:34:17 | 0:34:19 | |
was probably what you would call rock bottom. | 0:34:19 | 0:34:21 | |
I think most alkies or most junkies and that | 0:34:21 | 0:34:24 | |
say you've got to hit rock bottom first, | 0:34:24 | 0:34:27 | |
and I hit rock bottom with the crack. | 0:34:27 | 0:34:30 | |
In hindsight, looking back on it, I pretty much say the reason | 0:34:30 | 0:34:34 | |
that I never got caught is because the West End polis were | 0:34:34 | 0:34:37 | |
probably building up a big massive case on me, | 0:34:37 | 0:34:40 | |
so if I'd kept on the path that I was going, | 0:34:40 | 0:34:42 | |
the bizzies would've got me, but because I fucked up with the crack | 0:34:42 | 0:34:45 | |
I just started taking the crack and then before I knew it | 0:34:45 | 0:34:47 | |
I was spending like a grand a day on crack. | 0:34:47 | 0:34:50 | |
The person that I was when I was here just isn't inside me any more. | 0:34:50 | 0:34:55 | |
I don't know if I believe in God or that, or not, but I know that | 0:34:55 | 0:35:00 | |
if there is such a thing as God, and there is a heaven or a hell, | 0:35:00 | 0:35:03 | |
for the shit that I've done on this stair, definitely I'm going to hell. | 0:35:03 | 0:35:07 | |
MOBILE RINGS | 0:35:30 | 0:35:33 | |
It's like you've rung a door bell and it's fucking stuck. | 0:35:33 | 0:35:37 | |
I can just imagine like a wee immigrant | 0:35:48 | 0:35:52 | |
or something like that there. | 0:35:52 | 0:35:53 | |
-'Hi, Garry.' -Hiya. | 0:35:53 | 0:35:56 | |
'The results are here, but I can't really read them. | 0:35:56 | 0:35:59 | |
'Do you want to phone back about...half past 11 | 0:35:59 | 0:36:04 | |
'and you can speak to one of the doctors and they'll go through it with you?' | 0:36:04 | 0:36:07 | |
-Aye, that'd be brilliant. Thank you. -'OK?' -Thank you very much. | 0:36:07 | 0:36:10 | |
-'OK.' -Cheers, bye. | 0:36:10 | 0:36:12 | |
Daddy! Daddy. | 0:36:14 | 0:36:17 | |
Daddy! | 0:36:17 | 0:36:19 | |
Daddy! | 0:36:24 | 0:36:26 | |
Do you want milk? Listen, you have to go sleepy now. | 0:36:29 | 0:36:33 | |
Do you want some milk? Want some milk? Mummy'll put it there. | 0:36:35 | 0:36:39 | |
No, you go sleepy now. | 0:36:39 | 0:36:43 | |
I'll put it there. | 0:36:43 | 0:36:45 | |
Say "night night". Night night, Destiny. | 0:36:45 | 0:36:49 | |
Do you remember this? When Garry Jay was lying in his cot? | 0:36:59 | 0:37:03 | |
When did you first know that you had fallen in love with me? | 0:37:03 | 0:37:07 | |
I first heard about you in Dalry. | 0:37:07 | 0:37:10 | |
You were the one that tortured people. | 0:37:10 | 0:37:13 | |
You were the one that put somebody's head through a wall. | 0:37:13 | 0:37:17 | |
I think the first time that I knew that we were in love was when | 0:37:17 | 0:37:20 | |
I first took that pregnancy test and sadly, obviously, we miscarried. | 0:37:20 | 0:37:28 | |
I just remember lying up in my dad's for that long, | 0:37:30 | 0:37:33 | |
just cuddling into you. | 0:37:33 | 0:37:35 | |
You made me feel so safe and just so... It was hard for the both | 0:37:35 | 0:37:39 | |
of us, but obviously everybody felt sorry for me and I felt | 0:37:39 | 0:37:43 | |
sorry for you because nobody seemed to think it affected you. | 0:37:43 | 0:37:47 | |
Do you know what I mean? | 0:37:47 | 0:37:48 | |
Mmm. What was it like to see me getting stabbed? | 0:37:48 | 0:37:53 | |
I tell you what, | 0:37:53 | 0:37:55 | |
that was one of the most scariest moments of my life | 0:37:55 | 0:37:57 | |
and I did always say to you when I first met you | 0:37:57 | 0:38:00 | |
that I'm going to see you getting stabbed with your own blade | 0:38:00 | 0:38:04 | |
and it happened and I knew it was going to happen one day, | 0:38:04 | 0:38:07 | |
and I remember going up the lift in Oxgangs | 0:38:07 | 0:38:11 | |
and being absolutely petrified cos all I seen was blood everywhere. | 0:38:11 | 0:38:15 | |
When I first met my wife, Angela, | 0:38:23 | 0:38:25 | |
I didn't think I'd ever seen anything so beautiful in all my life. | 0:38:25 | 0:38:28 | |
I proposed to her within the first week after taking her out on a date. | 0:38:28 | 0:38:32 | |
Angela was definitely my first love. | 0:38:32 | 0:38:34 | |
Without a doubt, the turning point for me was when Garry Jay, | 0:38:34 | 0:38:38 | |
our first son, was born. I think that once I cut that cord I knew something, | 0:38:38 | 0:38:42 | |
even back then, had to change. | 0:38:42 | 0:38:44 | |
We now have three lovely kids and I love them all dearly. | 0:38:47 | 0:38:51 | |
I know our lives would be much better off | 0:38:51 | 0:38:53 | |
if I could come off all the drugs and beat my addiction. | 0:38:53 | 0:38:56 | |
I wish there was a magic way out, | 0:38:56 | 0:38:58 | |
but in real life it doesn't work like that. | 0:38:58 | 0:39:01 | |
This isn't a fucking fairy tale. | 0:39:01 | 0:39:04 | |
'I haven't taken any drugs. | 0:39:10 | 0:39:13 | |
'I want to come off, but withdrawing is hard as fuck, | 0:39:13 | 0:39:17 | |
'and it's hitting me really hard. | 0:39:17 | 0:39:20 | |
'This is my second night rattling. | 0:39:20 | 0:39:22 | |
'Two days without fuck all, and I feel pure shit.' | 0:39:22 | 0:39:25 | |
'This is my second night rattling, two days without fuck all, | 0:39:27 | 0:39:31 | |
'I feel fucking shit.' | 0:39:31 | 0:39:33 | |
My nose is runny. | 0:39:33 | 0:39:34 | |
Diarrhoea's just coming out me. I can't even film it. | 0:39:36 | 0:39:39 | |
I'm not even going to get anybody to film it cos it's just fucking... | 0:39:39 | 0:39:42 | |
It's too hard. | 0:39:42 | 0:39:43 | |
I keep having panic attacks - like, left, right and centre I'm having panic attacks. | 0:39:44 | 0:39:48 | |
Oh. | 0:39:51 | 0:39:53 | |
I just think to myself, "Why the fuck have I chose to do this | 0:39:53 | 0:39:56 | |
"in the middle of a film?" | 0:39:56 | 0:39:58 | |
Especially my first fucking film. | 0:39:58 | 0:40:00 | |
Why did I chose to try and do this in the middle of my... | 0:40:00 | 0:40:02 | |
Why did I try and chose to do this in the middle of my first film? | 0:40:02 | 0:40:05 | |
Every time before, like, I've rattled in the jail... | 0:40:06 | 0:40:09 | |
..or rattled somewhere else. | 0:40:11 | 0:40:13 | |
Like, "rattling" just means withdrawing. | 0:40:13 | 0:40:15 | |
Every time I've done it, I've done it. | 0:40:15 | 0:40:18 | |
I don't know - maybe I've done the fucking wrong thing, | 0:40:18 | 0:40:21 | |
especially trying to do it like this. Like, I want my film to be good. | 0:40:21 | 0:40:24 | |
I want my film to show people certain things. | 0:40:24 | 0:40:27 | |
I want my story to show people certain things and... | 0:40:27 | 0:40:29 | |
..you cannae do it if you're having fucking panic attacks | 0:40:31 | 0:40:34 | |
and in the morning I'm supposed to be out working or doing something. | 0:40:34 | 0:40:37 | |
I'm supposed to be doing something...to do with the film, | 0:40:37 | 0:40:40 | |
to do with the story. | 0:40:40 | 0:40:41 | |
I want to shoot this video diary. I really do want to shoot this video diary. | 0:40:44 | 0:40:47 | |
I want to show people what it's like to come off opiates, | 0:40:47 | 0:40:51 | |
just on camera. | 0:40:51 | 0:40:52 | |
I don't think I'm going to manage to do it. | 0:40:55 | 0:40:58 | |
I really don't think I'm going to manage to do it. | 0:40:58 | 0:41:00 | |
HE GROANS | 0:41:05 | 0:41:07 | |
LIGHTER CLICKS | 0:41:08 | 0:41:10 | |
This is... | 0:41:21 | 0:41:22 | |
Well, er... I hate doing this shit - like being on valium or whatever, | 0:41:24 | 0:41:28 | |
but I think if you've noticed one thing by now... | 0:41:28 | 0:41:32 | |
..I dinnae ken what I'm talking about. What the fuck am I doing? | 0:41:34 | 0:41:37 | |
Just cut. I dinnae ken what I'm doing. | 0:41:37 | 0:41:40 | |
'I feel ashamed for taking the smack. | 0:41:43 | 0:41:47 | |
'I feel dirty for taking the smack, for relapsing. | 0:41:47 | 0:41:51 | |
'Nobody will give me a harder time for relapsing than me. | 0:41:51 | 0:41:55 | |
'I don't know. | 0:41:55 | 0:41:56 | |
'Me being expressive in the way I am...' | 0:41:56 | 0:41:59 | |
'..it takes my mind off of having a habit. | 0:42:01 | 0:42:03 | |
'It takes my mind off of where I came from. | 0:42:03 | 0:42:05 | |
'It takes my mind off of my past. | 0:42:05 | 0:42:07 | |
'It takes my mind off of... | 0:42:07 | 0:42:09 | |
'everything that's bad in my life | 0:42:09 | 0:42:10 | |
'because when you're me, you want to just do everything. | 0:42:10 | 0:42:14 | |
'You want to taste everything. I want to go everywhere. I want... | 0:42:14 | 0:42:17 | |
'But you don't understand how you cannae. It's like, "Well, how can I not go to Spain? | 0:42:17 | 0:42:21 | |
' "How can I not go to Berlin? How can I not do all that stuff?" | 0:42:21 | 0:42:24 | |
'You've got to understand why you can't | 0:42:24 | 0:42:26 | |
'and it's like ambition and achievement is in me, | 0:42:26 | 0:42:29 | |
'but I just dinnae ken where it's gone - do you know what I mean? | 0:42:29 | 0:42:32 | |
'When you're on the drugs, | 0:42:32 | 0:42:34 | |
'that ambition and achievement is definitely suppressed, | 0:42:34 | 0:42:36 | |
'so you don't feel half as bad about being a failure.' | 0:42:36 | 0:42:39 | |
This is the road that we all used to fight and play at. | 0:42:51 | 0:42:53 | |
That's where I got the scar on my head. | 0:42:55 | 0:42:58 | |
I still don't know whether to believe half the stories that I've been told now. | 0:43:04 | 0:43:07 | |
This was me, Garry, at four years old. | 0:43:17 | 0:43:21 | |
My dad climbing up that drainpipe when he was drunk, trying to kidnap me. | 0:43:21 | 0:43:24 | |
I don't know why my mum moved about so much. | 0:43:31 | 0:43:34 | |
I don't know why I went from pillar to post. | 0:43:34 | 0:43:37 | |
I was just about killed when my mum moved across this side. | 0:43:38 | 0:43:41 | |
See, to outsiders this doesn't mean much, | 0:43:41 | 0:43:44 | |
but this is Pilton and where I come from is Muirhouse. | 0:43:44 | 0:43:47 | |
I used to have to get chased along these streets | 0:43:49 | 0:43:51 | |
to get into my mum's house, where she stayed with her boyfriend. | 0:43:51 | 0:43:54 | |
Just as soon as I get closer to that flat, though, | 0:43:57 | 0:43:59 | |
the smells, the shouting, the feelings come back as if it just happened yesterday. | 0:43:59 | 0:44:05 | |
I can still hear my wee sister greeting as the belt hits her. | 0:44:11 | 0:44:14 | |
I wasn't really that bothered about the pain of the belt. | 0:44:14 | 0:44:17 | |
Even at a young age, I just couldn't understand why my mum let her boyfriend hit me. | 0:44:17 | 0:44:20 | |
I'm not just talking about hit - | 0:44:20 | 0:44:23 | |
I'm talking about whipping with a rubber diving belt. | 0:44:23 | 0:44:26 | |
Now everything's different. I never, ever thought I'd be back here like this. | 0:44:33 | 0:44:36 | |
I've proved my mum wrong. I've proven them all wrong. | 0:44:38 | 0:44:41 | |
I'm not going to spend my whole life in the jail. | 0:44:41 | 0:44:44 | |
Mum doesn't want to take part in this film. | 0:44:49 | 0:44:52 | |
That doesn't surprise me. | 0:44:52 | 0:44:53 | |
I think Ella's always been too scared to face the truth, | 0:44:55 | 0:44:58 | |
but I need to go back to my dad, | 0:44:58 | 0:45:01 | |
just to ask him why. | 0:45:01 | 0:45:03 | |
Why did all this fucking happen? | 0:45:03 | 0:45:05 | |
How did everything in my whole life become so fucked up? | 0:45:05 | 0:45:08 | |
'I could come through here and just go straight into conflict with my old man | 0:45:36 | 0:45:40 | |
'and I could just say to him, "Why did you hit me like I was a fucking man when I was just a child? | 0:45:40 | 0:45:45 | |
' "Why did you do it?" But that's pointless. | 0:45:45 | 0:45:48 | |
'That's not intelligence. That's just telling youse what happened. | 0:45:48 | 0:45:52 | |
'I actually want to show youse. | 0:45:52 | 0:45:54 | |
'And to show youse what happened, I can't have that aggression and conflict there. | 0:45:54 | 0:45:58 | |
'It needs to be... an observational point of view. | 0:45:58 | 0:46:02 | |
'When you're the...' | 0:46:02 | 0:46:04 | |
'..person on the other end of that belt...' | 0:46:05 | 0:46:08 | |
'..it's very hard to have an observational point of view,' | 0:46:11 | 0:46:15 | |
but let's see how good a film-maker I am | 0:46:15 | 0:46:18 | |
by having an impartial, observational point of view. | 0:46:18 | 0:46:23 | |
I don't know why I'm so scared. | 0:46:26 | 0:46:28 | |
Nervous. Don't know why I'm so nervous. | 0:46:28 | 0:46:30 | |
Hey, you ugly bastard. | 0:46:39 | 0:46:41 | |
Right. Er... | 0:47:07 | 0:47:09 | |
When you're looking back on your own life and stuff like that, | 0:47:09 | 0:47:12 | |
how do you feel about it? | 0:47:12 | 0:47:13 | |
I just wish I could turn the clock back. | 0:47:13 | 0:47:15 | |
-Do you? -But whether you would do the same again | 0:47:15 | 0:47:17 | |
if you turned the clock back, it would be a different... | 0:47:17 | 0:47:20 | |
You dinnae ken if you'd do the same carry on or not. | 0:47:20 | 0:47:23 | |
Was there always a lot of fighting between you and Mum? | 0:47:23 | 0:47:26 | |
I can't remember. I can just remember a couple of arguments. | 0:47:26 | 0:47:28 | |
I think it was just more arguing all the time. | 0:47:28 | 0:47:31 | |
Just through money, as usual. | 0:47:31 | 0:47:32 | |
-Money, money, money? -That's it. | 0:47:32 | 0:47:35 | |
-See temper - do you think temper's been a problem for you? -Oh, aye. | 0:47:36 | 0:47:39 | |
I've not got a bad temper now, not compared to what it was like years ago. | 0:47:39 | 0:47:43 | |
-Do you your old age has sort of just mellowed you out a bit? -Aye. -Wiser? -Aye. | 0:47:43 | 0:47:47 | |
I think I've inherited your temper. I've got it. | 0:47:47 | 0:47:50 | |
-I just can't control it sometimes. -Aye, well, I'm the same, pal. | 0:47:50 | 0:47:53 | |
I'm not bad now, not compared to what it used to be years ago. | 0:47:53 | 0:47:56 | |
When I first started running away and stuff like that, | 0:47:56 | 0:48:00 | |
how did that make you feel, like when I first started running away? | 0:48:00 | 0:48:04 | |
Ach, I just didnae ken if I was coming or going. | 0:48:04 | 0:48:06 | |
When you ran away, you just went to the phone box | 0:48:06 | 0:48:08 | |
and you phoned the polis and the polis come and got you and brought you home. | 0:48:08 | 0:48:12 | |
-Aye. Can you remember the time that my Uncle Shaun and everybody was in the house? -Aye. | 0:48:12 | 0:48:16 | |
I think that was, like, the last time that I was here | 0:48:16 | 0:48:18 | |
before they took me away to foster care or something like that. | 0:48:18 | 0:48:21 | |
-Yeah. -Do you remember that time? | 0:48:21 | 0:48:23 | |
-Er... -Aye, cos when the polis brought you back in, | 0:48:23 | 0:48:27 | |
I was going to hit you and the polis said, "If you hit him we'll do you with assault." | 0:48:27 | 0:48:31 | |
-Aye, well... -Just temper-wise. | 0:48:31 | 0:48:34 | |
-You had a healthy reputation for a fighter and that in the pubs and that, as well. -Aye. | 0:48:34 | 0:48:39 | |
I bet you can't remember half of your fights, no? | 0:48:39 | 0:48:42 | |
Och, half the times it was through stupidness, but I wouldnae... | 0:48:42 | 0:48:45 | |
I would bang them first before I... Before I'd ask questions. | 0:48:45 | 0:48:48 | |
I'd hit them and then I would ask questions after it. | 0:48:48 | 0:48:51 | |
Not now. I'd rather have a pint of beer and walk away. | 0:48:51 | 0:48:54 | |
-Aye. -Fuckin' safer. | 0:48:54 | 0:48:57 | |
How did Granddad discipline you? | 0:48:57 | 0:48:59 | |
Just used to batter us. | 0:48:59 | 0:49:01 | |
With his... Like his hands or was it like a skelped arse or belt? | 0:49:01 | 0:49:04 | |
Sometimes I got a skelped arse, sometimes we got the belt. | 0:49:04 | 0:49:08 | |
It depends how bad... How bad you've been. | 0:49:08 | 0:49:10 | |
Like, I remember like you skelping my bum and stuff like that, | 0:49:10 | 0:49:13 | |
-like, and with the belt. -Aye. | 0:49:13 | 0:49:15 | |
See, do you think you just done exactly the way... | 0:49:15 | 0:49:19 | |
Obviously less, cos it wasn't as sore as what obviously you got from Granddad, but do you think | 0:49:19 | 0:49:23 | |
-it's a generation thing? -Aye, aye. -You learned from your dad and disciplined like that? -That's it. | 0:49:23 | 0:49:29 | |
Shut that door. | 0:49:41 | 0:49:42 | |
Er... So how does it feel? | 0:49:50 | 0:49:52 | |
How did it feel when I first came back into your life now? | 0:49:54 | 0:49:57 | |
It's good. It was good just to get back into a relationship again. | 0:49:57 | 0:50:01 | |
Cos it was like, you think you were never going to get in contact again, eh? | 0:50:01 | 0:50:05 | |
It made me feel a lot better an' all. It wasn't... Not telling any lies, | 0:50:05 | 0:50:09 | |
I was quite happy when I got to ken you again. | 0:50:09 | 0:50:12 | |
I'd not seen you for that fucking long. | 0:50:12 | 0:50:14 | |
Once we got back together, it was fucking brilliant. | 0:50:14 | 0:50:17 | |
-I didn't ever think we'd have a relationship again. -Well, I was the same frame of mind as well, eh, | 0:50:17 | 0:50:21 | |
but we got back together and that's the main. | 0:50:21 | 0:50:24 | |
-I think it took me to become a man to realise what a man was... -That's it. | 0:50:24 | 0:50:27 | |
-..and his frustrations and what... -You realise what hassle you caused an' all, eh? | 0:50:27 | 0:50:31 | |
-Right, no bother. -Cheers. Thank you. -Right, no problem. | 0:50:35 | 0:50:38 | |
Speak to you some time. | 0:50:40 | 0:50:42 | |
'Without a doubt, education saved my life. | 0:51:21 | 0:51:23 | |
'I've come back to the college where I first learned how to use a camera, | 0:51:23 | 0:51:27 | |
'to speak to my ex-lecturer and see what it was like for him | 0:51:27 | 0:51:30 | |
'actually having a student like me.' | 0:51:30 | 0:51:33 | |
-How are you doing? -You all right? -How you keeping? | 0:51:33 | 0:51:36 | |
The chance that you gave me definitely saved my life, or the... | 0:51:36 | 0:51:39 | |
The opportunity that was presented. | 0:51:39 | 0:51:41 | |
I remember going up to the old college... | 0:51:41 | 0:51:45 | |
I think it was you that sort of did it, really, | 0:51:45 | 0:51:48 | |
cos, I mean, my instinct was, you know, | 0:51:48 | 0:51:50 | |
"This guy's like obviously on something and, you know, | 0:51:50 | 0:51:53 | |
"there's no way," just looking at you, "that he's going to, like, be able to succeed in the media," | 0:51:53 | 0:51:57 | |
cos you know what media people are like. | 0:51:57 | 0:51:59 | |
And so I'm, like, making an instant judgement there, | 0:51:59 | 0:52:02 | |
but then you were so determined, and you kept coming round and pushing me and pushing me. | 0:52:02 | 0:52:06 | |
I thought, "What the hell? Give it a shot. If he..." | 0:52:06 | 0:52:09 | |
I said, "If you finish your NC, I'll let you on the course." | 0:52:09 | 0:52:11 | |
But you were the first person to show me what I looked like on drugs. | 0:52:11 | 0:52:16 | |
We done a mock interview and the mock interview we done, I was... | 0:52:16 | 0:52:20 | |
I was on my normal prescription and we showed it back upstairs. | 0:52:20 | 0:52:23 | |
You never showed it to anybody else. | 0:52:23 | 0:52:26 | |
You just put it on and I remember how stoned I actually looked | 0:52:26 | 0:52:28 | |
and I thought that I put myself across in such a presentable way. | 0:52:28 | 0:52:32 | |
I came in with a suit and that on, I think. | 0:52:32 | 0:52:33 | |
I came with my suit and that on and I gave the mock interview. | 0:52:33 | 0:52:36 | |
When I looked at it back, | 0:52:36 | 0:52:38 | |
that was the first ever time that I'd seen, | 0:52:38 | 0:52:40 | |
"This is what people see with Garry, then." | 0:52:40 | 0:52:43 | |
And for me, that was time to come off. | 0:52:43 | 0:52:46 | |
-Aye. -That was one of those moments where it was like, | 0:52:46 | 0:52:49 | |
"No, this is time to start really looking to getting clean and coming off." | 0:52:49 | 0:52:53 | |
The noticeable changes were, | 0:52:53 | 0:52:56 | |
obviously coming off the drugs... | 0:52:56 | 0:52:59 | |
I mean, I remember you trying to come off the methadone once or twice and that was a struggle. | 0:52:59 | 0:53:04 | |
So seeing that and you were consciously aware that that was a problem for you | 0:53:04 | 0:53:08 | |
and you were, you know, working... Working through it. | 0:53:08 | 0:53:11 | |
You also used to mention Garry Jay a lot. | 0:53:11 | 0:53:14 | |
You know, you used to say Garry Jay was a turning point in your life, | 0:53:14 | 0:53:17 | |
and so as a family guy, you know, | 0:53:17 | 0:53:20 | |
I mean, I think that was driving you, as well. | 0:53:20 | 0:53:22 | |
I mean, and you were driven. | 0:53:22 | 0:53:23 | |
For the writing now, I really feel like there's a moral responsibility that I've got | 0:53:23 | 0:53:27 | |
that the previous experience that I've got... | 0:53:27 | 0:53:31 | |
is all dripped in blood. | 0:53:31 | 0:53:34 | |
Yeah, that's one of the things that always... | 0:53:34 | 0:53:37 | |
That sort of blew me away when you'd written the... | 0:53:37 | 0:53:41 | |
I can't remember which draft it was. You did do the draft. | 0:53:41 | 0:53:44 | |
You did several drafts of scripts of Tolerance. | 0:53:44 | 0:53:47 | |
-It wasn't called that then. What was... -Green. | 0:53:47 | 0:53:51 | |
Green, aye. And I said, "Yeah, it's all right, it's good, | 0:53:51 | 0:53:55 | |
"but there's something wrong with the end. You know, the end's not really working. | 0:53:55 | 0:53:59 | |
"I mean, what you need is an end that makes people go 'Wow, I've never seen that before.' " | 0:53:59 | 0:54:03 | |
And I said, "So, away you go." And so you went away and you came back and I thought, | 0:54:03 | 0:54:07 | |
"Bloody hell, that's amazing! Where did that come from?" | 0:54:07 | 0:54:10 | |
That thing about the ambulance guy standing outside the door | 0:54:10 | 0:54:13 | |
and being scared to come in or not being allowed to come in. You know, I thought... | 0:54:13 | 0:54:16 | |
That never even occurred to me that that might happen and yet, it happens, obviously. | 0:54:16 | 0:54:21 | |
People like me wear their heart on their sleeves. | 0:54:28 | 0:54:31 | |
Outspoken. | 0:54:32 | 0:54:33 | |
Not afraid to... | 0:54:36 | 0:54:37 | |
speak about social issues that... | 0:54:37 | 0:54:42 | |
other people shy away from. | 0:54:42 | 0:54:44 | |
Sometimes in life you've just got to nail your colours to the mast | 0:54:44 | 0:54:48 | |
and that's what I've done when it's come to the film-making. | 0:54:48 | 0:54:51 | |
I've decided not to be a criminal, not to be a drug dealer... | 0:54:51 | 0:54:55 | |
help bairns... | 0:54:55 | 0:54:57 | |
..and nail my colours to the mast | 0:54:59 | 0:55:01 | |
that this is what makes sense to me - being creative... | 0:55:01 | 0:55:04 | |
..and experiencing different colours and how to use everything to your advantage. | 0:55:05 | 0:55:10 | |
This is the fourth time I've tried to get my results | 0:55:14 | 0:55:18 | |
so I'm just going to go into the doctors' and... Fuck it. | 0:55:18 | 0:55:21 | |
We'll see, eh? | 0:55:21 | 0:55:22 | |
Negative. | 0:55:58 | 0:55:59 | |
The result was negative. | 0:56:02 | 0:56:04 | |
It's just some chance to play, eh? | 0:56:08 | 0:56:10 | |
This is the area that taught me everything that I needed to know to survive on the streets. | 0:56:14 | 0:56:19 | |
This is where all my family were. | 0:56:19 | 0:56:21 | |
All my life, I ran away in search of a family that wanted to love me, | 0:56:21 | 0:56:24 | |
but now I've got one of my own. | 0:56:24 | 0:56:27 | |
I'm a proud father with two daughters and a son. | 0:56:27 | 0:56:30 | |
BANGING AND LAUGHTER | 0:56:38 | 0:56:40 | |
The drinks for her, eh? Mummy try and find 'em the day. | 0:56:42 | 0:56:46 | |
Hugs? | 0:56:46 | 0:56:47 | |
-Ah, no, no, no, no! -SHE CHUCKLES | 0:56:49 | 0:56:54 | |
GIRL CHATTERS | 0:56:55 | 0:56:58 | |
It's funny coming down here. | 0:57:19 | 0:57:22 | |
This is the last-ever place that I was innocent. | 0:57:25 | 0:57:27 | |
This is the place where I jumped about with my first-ever... | 0:57:31 | 0:57:34 | |
..crew or whatever... It's not even a crew, just fucking stupid bairns. | 0:57:36 | 0:57:40 | |
And I think... | 0:57:42 | 0:57:45 | |
there's two of us left alive out of the five of us that were down here that day, probably. | 0:57:45 | 0:57:49 | |
Maybe this whole fucking world just doesn't make sense to me | 0:57:52 | 0:57:55 | |
and that's just the way it's supposed to be. | 0:57:55 | 0:57:58 | |
Being a writer/director, it's not a job. | 0:58:04 | 0:58:07 | |
It's all I know and it's the only thing that keeps me out of trouble. | 0:58:07 | 0:58:11 | |
And it makes my kids proud and it makes my family proud | 0:58:11 | 0:58:15 | |
and I've beaten all the odds. | 0:58:15 | 0:58:18 | |
And I can take some pride in the fact I am who I am | 0:58:18 | 0:58:22 | |
and I'll continue my life and keep making films in my very own Garry Fraser way. | 0:58:22 | 0:58:27 | |
-RAPS: -Product of some raw living | 0:58:28 | 0:58:30 | |
Heading for a Scottish prison | 0:58:30 | 0:58:31 | |
Fuck your flawed system I've risen above the law | 0:58:31 | 0:58:34 | |
Listen, I've been to hell and back | 0:58:34 | 0:58:35 | |
Smoking crack, selling smack | 0:58:35 | 0:58:37 | |
Trying to get my story straight so I can tell it back | 0:58:37 | 0:58:39 | |
So I'd go nuts | 0:58:39 | 0:58:40 | |
The youngest Scot they'd ever locked up | 0:58:40 | 0:58:42 | |
So fucked, naebody understands the way I've grown up | 0:58:42 | 0:58:44 | |
I've been through physical and sexual abuse | 0:58:44 | 0:58:46 | |
Living with prostitutes peddling themselves for a boost | 0:58:46 | 0:58:49 | |
The drug and thug culture | 0:58:49 | 0:58:51 | |
I'm stuck with bloodthirsty vultures | 0:58:51 | 0:58:53 | |
And I wonder what I've done to get my lung punctured. | 0:58:53 | 0:58:55 |