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The Great British countryside. Beautiful, glorious... | 0:00:08 | 0:00:11 | |
And very, very old. | 0:00:11 | 0:00:13 | |
For three billion years these British Isles have been growing and changing. | 0:00:16 | 0:00:20 | |
They've never stood still. | 0:00:20 | 0:00:23 | |
If you love the British landscape the way we both do, | 0:00:23 | 0:00:26 | |
then you might be very familiar with it, | 0:00:26 | 0:00:28 | |
but there is another story to be told. | 0:00:28 | 0:00:30 | |
The story that has always fascinated me, | 0:00:30 | 0:00:33 | |
of what happened here those millions of years ago. | 0:00:33 | 0:00:35 | |
And how that still affects our lives every day. | 0:00:35 | 0:00:37 | |
Woah! | 0:00:37 | 0:00:39 | |
Hey! Look out! | 0:00:40 | 0:00:42 | |
Look at that! | 0:00:42 | 0:00:44 | |
For a country of our size, we have a greater variety of landscapes | 0:00:44 | 0:00:48 | |
than anywhere else on Earth. | 0:00:48 | 0:00:50 | |
It's all down to our dramatic history. | 0:00:50 | 0:00:53 | |
Over millions of years, we've been flooded, frozen and ravaged | 0:00:54 | 0:00:58 | |
by mighty earth movements. | 0:00:58 | 0:01:00 | |
What's even more astonishing is how that distant past | 0:01:03 | 0:01:07 | |
still shapes the countryside today. | 0:01:07 | 0:01:09 | |
I'm alive! | 0:01:14 | 0:01:16 | |
We're going to all four corners of the country | 0:01:16 | 0:01:18 | |
to discover how Britain's epic past lives on in the most surprising ways. | 0:01:18 | 0:01:25 | |
I'm ready for a bit of adventuring, but you're the geology buff. | 0:01:25 | 0:01:29 | |
-Where do you want to go first? -I want to go everywhere. -Of course you do. | 0:01:29 | 0:01:32 | |
-I'm a boy! -Can I come with you? -Yeah. | 0:01:32 | 0:01:35 | |
-Where are you going? -Is this a footpath(?) | 0:01:35 | 0:01:38 | |
This is the essence of England. A green and pleasant land. | 0:01:56 | 0:02:01 | |
This is the South Downs. | 0:02:04 | 0:02:07 | |
It's not what do you think of as the wilds. It's comfortable, | 0:02:07 | 0:02:11 | |
familiar commuter-land. | 0:02:11 | 0:02:13 | |
10 million people live round here. I live round here! | 0:02:16 | 0:02:20 | |
And it has the sort of scenery you find on a tin of biscuits. | 0:02:20 | 0:02:24 | |
It has a gentle, rolling feeling, a softness of character. | 0:02:25 | 0:02:30 | |
Here we go! | 0:02:30 | 0:02:32 | |
Full of secrets and surprises. | 0:02:33 | 0:02:36 | |
-Keep running, keep running! Arms back. -How fantastic is that! | 0:02:36 | 0:02:39 | |
This is a landscape built on chalk, | 0:02:39 | 0:02:41 | |
one of the crumbliest rocks there is. | 0:02:41 | 0:02:44 | |
The chalk affects just about everything that lives here. | 0:02:46 | 0:02:49 | |
And nowhere is it more visible than here on the south-east coast. | 0:02:49 | 0:02:54 | |
Don't you think the British landscape is fantastic? | 0:02:54 | 0:02:57 | |
And today, that is just breathtaking, | 0:02:58 | 0:03:02 | |
the sun reflecting off the chalk cliffs. Gorgeous. | 0:03:02 | 0:03:05 | |
They look like slightly badly drawn curtains to me, chalk cliffs. | 0:03:05 | 0:03:10 | |
I first came here when I was about 11, | 0:03:10 | 0:03:12 | |
and I walked along the top of these with my dad. | 0:03:12 | 0:03:15 | |
I think we were meant to walk all the way to Winchester | 0:03:15 | 0:03:18 | |
and we stopped short, because I felt quite ill. | 0:03:18 | 0:03:21 | |
That's pretty good for 11, though. | 0:03:21 | 0:03:23 | |
I think I am probably at my happiest, | 0:03:23 | 0:03:25 | |
when I'm on the top of a hill. | 0:03:25 | 0:03:27 | |
And looking at something like that, | 0:03:27 | 0:03:29 | |
and trying to imagine what happened to create that shape. | 0:03:29 | 0:03:34 | |
Now THAT is a very good question. | 0:03:37 | 0:03:39 | |
Because when you discover what happened in the distant past, | 0:03:41 | 0:03:44 | |
it explains an awful lot about how things are today. | 0:03:44 | 0:03:48 | |
This is a place with an unexpectedly dramatic past. | 0:03:51 | 0:03:55 | |
A hundred million years ago, this south east corner of England | 0:03:55 | 0:03:58 | |
was under a massive dome of chalk. | 0:03:58 | 0:04:02 | |
Since then, it's been weathering away, | 0:04:04 | 0:04:07 | |
and this is what it looks like today. | 0:04:07 | 0:04:09 | |
One of the most famous landscapes in the world. | 0:04:09 | 0:04:11 | |
These cliffs are best seen from a distance, | 0:04:14 | 0:04:17 | |
but to really get to grips with the chalk they're made of, | 0:04:17 | 0:04:20 | |
you need to be much, much closer. | 0:04:20 | 0:04:22 | |
Dave Pegler is a world-class ice climber, | 0:04:24 | 0:04:28 | |
which is why he climbs on chalk, | 0:04:28 | 0:04:30 | |
because climbing this stuff needs the same techniques as ice. | 0:04:30 | 0:04:34 | |
That's what I'm climbing? | 0:04:34 | 0:04:36 | |
Yeah, this is your introduction to chalk climbing. | 0:04:36 | 0:04:38 | |
-You have one of these in your hand. -OK. | 0:04:38 | 0:04:40 | |
And that's just the same as we'd use for climbing ice. | 0:04:40 | 0:04:44 | |
-This has moved on since Trotsky's murder, hasn't it? -Well, yeah. | 0:04:44 | 0:04:48 | |
Gordon Bennett! It's like a sort of bird of prey but in shoe form! | 0:04:48 | 0:04:52 | |
What I find slightly alarming is | 0:04:55 | 0:04:56 | |
that chalk climbing is apparently the most dangerous climbing | 0:04:56 | 0:04:59 | |
in the world. | 0:04:59 | 0:05:00 | |
Still, not to worry, it'll be fine. | 0:05:03 | 0:05:07 | |
-In a way, I'm wishing I'd never agreed to do this programme. -A little bit of nerves there, maybe. | 0:05:08 | 0:05:13 | |
It doesn't look that far, really(?) | 0:05:13 | 0:05:16 | |
You could slide down that on your bottom(!) | 0:05:16 | 0:05:19 | |
Then you'd only have 30 feet to fall. | 0:05:19 | 0:05:21 | |
-Well, let's get on with it, there's no time like the present. -OK. | 0:05:21 | 0:05:25 | |
Oh, yes. Good moves. | 0:05:35 | 0:05:37 | |
That it, go on, yeah, that's a good stick. | 0:05:39 | 0:05:41 | |
What do I do now? | 0:05:41 | 0:05:43 | |
Left stick up, up, into that hole. | 0:05:43 | 0:05:45 | |
Yes, you're there! Brilliant. | 0:05:45 | 0:05:48 | |
Is that going to break off? | 0:05:48 | 0:05:50 | |
Well, it looks a bit more... | 0:05:50 | 0:05:52 | |
And that, in a nutshell, is chalk. | 0:05:54 | 0:05:57 | |
An Austrian man called Mr Mohs, in the 19th century, | 0:05:58 | 0:06:02 | |
introduced the scale of mineral hardness, | 0:06:02 | 0:06:04 | |
and on it, diamond is a 10. | 0:06:04 | 0:06:07 | |
Chalk would be about one. It really is very crumbly, look at that. | 0:06:07 | 0:06:14 | |
They say chalk and cheese are very different things, | 0:06:16 | 0:06:19 | |
but I have eaten Parmesan which is harder than this. | 0:06:19 | 0:06:22 | |
Oh, thank you. Bang. | 0:06:27 | 0:06:28 | |
That is the most hard to get to viewing point that I've ever got to! | 0:06:30 | 0:06:34 | |
This rock is so soft because of what it's made of. | 0:06:39 | 0:06:43 | |
When this cliff was originally formed, | 0:06:43 | 0:06:47 | |
it was at the bottom of a vast ocean. | 0:06:47 | 0:06:49 | |
The chalk is basically the remains of billions of tiny sea creatures | 0:06:50 | 0:06:54 | |
that died and sank to the sea floor. | 0:06:54 | 0:06:57 | |
I'm trusting my life to a crumbling pile of miniature skeletons. | 0:06:59 | 0:07:03 | |
Bit more! Bit more! | 0:07:08 | 0:07:12 | |
Down! | 0:07:12 | 0:07:14 | |
YES! | 0:07:14 | 0:07:17 | |
HUGH LAUGHS | 0:07:17 | 0:07:21 | |
My legs are like jelly! | 0:07:21 | 0:07:23 | |
Chalk is so characteristic of this coastline. | 0:07:27 | 0:07:30 | |
Inland, it disappears under grass and trees. | 0:07:30 | 0:07:34 | |
But the chalk is there all right. | 0:07:34 | 0:07:36 | |
The South Downs run for a hundred miles, | 0:07:39 | 0:07:41 | |
from Hampshire to East Sussex. | 0:07:41 | 0:07:44 | |
Chalk gives the South Downs their soft and sweeping character. | 0:07:46 | 0:07:50 | |
And that makes it one of my favourite places in England to walk. | 0:07:50 | 0:07:54 | |
It's not just pretty to look at. | 0:07:55 | 0:07:57 | |
The chalk has a powerful effect on what lives here. | 0:07:57 | 0:08:01 | |
My mother always told me to eat my greens when I was little, | 0:08:03 | 0:08:06 | |
sound advice. | 0:08:06 | 0:08:07 | |
And I'm sure the same applies to these horses. | 0:08:07 | 0:08:10 | |
Because growing up eating this grass | 0:08:10 | 0:08:12 | |
couldn't give them a better start in life. | 0:08:12 | 0:08:15 | |
But these are not any old horses. | 0:08:17 | 0:08:19 | |
These are champion, thoroughbred racehorses. | 0:08:19 | 0:08:23 | |
And the one I am about to meet is enormous. | 0:08:23 | 0:08:26 | |
He's certainly lively! | 0:08:26 | 0:08:28 | |
Well, he's ready to go and do a job now, really. | 0:08:28 | 0:08:31 | |
Claxon is a giant of a racehorse. | 0:08:33 | 0:08:36 | |
Much larger than your average one year old. | 0:08:36 | 0:08:38 | |
OK, so he's 181 centimetres around his girth. | 0:08:43 | 0:08:47 | |
-Right. -Good man. | 0:08:47 | 0:08:49 | |
Polly Bonner is a horse nutritionist | 0:08:49 | 0:08:51 | |
and she's been monitoring Claxon since he was born. | 0:08:51 | 0:08:54 | |
Well, we know he's tall. How tall is the question! | 0:08:54 | 0:08:57 | |
He's 161 centimetres, which isn't far off 16 hands, in old money. | 0:08:57 | 0:09:03 | |
Ginormous! You're going to need a bigger stick soon! | 0:09:03 | 0:09:07 | |
Claxon owes a lot to the chalky ground he's grown up on. | 0:09:11 | 0:09:14 | |
Chalk is mostly calcium, from the remains of all those sea creatures. | 0:09:14 | 0:09:19 | |
The calcium leaches into the grass. | 0:09:19 | 0:09:21 | |
When these horses eat it, it builds strong bones. | 0:09:21 | 0:09:25 | |
The South Downs grow some of the best racehorses in Britain. | 0:09:29 | 0:09:33 | |
So you can see from here that is our growth curve. | 0:09:35 | 0:09:39 | |
-He's followed that line, but been well above it. -That's incredible. | 0:09:39 | 0:09:42 | |
That's a direct impact of the grass. | 0:09:42 | 0:09:45 | |
-Exactly. -Which is the calcium, | 0:09:45 | 0:09:46 | |
-which is the goodness of this particular ground. -Certainly. | 0:09:46 | 0:09:50 | |
Because the chalkland and the way the water flows through it | 0:09:50 | 0:09:53 | |
gives us great access to fantastic calcium levels | 0:09:53 | 0:09:56 | |
which are very easy to absorb. | 0:09:56 | 0:09:58 | |
-When you get this right, the rewards are huge, aren't they? -Absolutely. | 0:09:58 | 0:10:04 | |
Top price was 1.7 million guineas for a Galileo f... | 0:10:04 | 0:10:07 | |
What's that in real money? | 0:10:07 | 0:10:08 | |
A guinea is a pound and five-pence. So, it's a fair chunk of cash! | 0:10:08 | 0:10:13 | |
These horses have a golden future, | 0:10:16 | 0:10:17 | |
as long as they keep eating their greens. | 0:10:17 | 0:10:20 | |
And, with a price tag like that, | 0:10:20 | 0:10:24 | |
it's not surprising they call it the sport of kings. | 0:10:24 | 0:10:28 | |
A half ton thoroughbred racehorse | 0:10:35 | 0:10:37 | |
can go from 0-40 in a couple of seconds. | 0:10:37 | 0:10:40 | |
That's quicker than an Aston Martin. | 0:10:40 | 0:10:43 | |
The last thing an owner wants is ground they can't trust. | 0:10:46 | 0:10:50 | |
If the turf's too soft, the horses can stumble. | 0:10:50 | 0:10:52 | |
Too hard, and a fall could break their bones. | 0:10:52 | 0:10:55 | |
Good turf needs a firm bedrock that drains well. | 0:10:55 | 0:11:00 | |
And South Downs chalk is ideal. | 0:11:00 | 0:11:01 | |
This is Goodwood. It's famous for the quality of its racetrack. | 0:11:04 | 0:11:08 | |
And it's critical that the turf is just right. | 0:11:10 | 0:11:14 | |
The man who has to make sure it is | 0:11:15 | 0:11:16 | |
is the clerk of the course, Seamus Buckley. | 0:11:16 | 0:11:20 | |
Before a race can go ahead, he has to assess how soft the ground is. | 0:11:21 | 0:11:24 | |
-So, what's this made of? -It's just ash, it lasts about a year | 0:11:24 | 0:11:28 | |
and we'd be putting it in the ground a thousand times a week or so, | 0:11:28 | 0:11:31 | |
it wears down very quickly, | 0:11:31 | 0:11:33 | |
especially if the ground is softish and I'm hitting down to the chalk. | 0:11:33 | 0:11:36 | |
-This gets transferred? -I transfer that from stick to stick, yeah. | 0:11:36 | 0:11:40 | |
It's very Harry Potter, isn't it? | 0:11:40 | 0:11:42 | |
-Who's Harry Potter? -Who's Harry Potter is a very good question! | 0:11:42 | 0:11:46 | |
Well, he may not know his boy-wizards, | 0:11:48 | 0:11:50 | |
but after 44 years in the racing business he knows his turf. | 0:11:50 | 0:11:54 | |
So how far down is the chalk here? | 0:11:55 | 0:11:57 | |
Up the straight about six inches of top soil, | 0:11:57 | 0:12:00 | |
and then you're onto chalk. On the outer loops, | 0:12:00 | 0:12:02 | |
there is only about three inches of top soil and then onto solid chalk. | 0:12:02 | 0:12:06 | |
And chalk courses are the best courses? | 0:12:06 | 0:12:09 | |
When a chalk racecourse is in perfect condition, | 0:12:09 | 0:12:12 | |
it's the best surface you can race on. | 0:12:12 | 0:12:14 | |
Chalk is full of tiny holes, | 0:12:19 | 0:12:22 | |
and allows the rain that falls to drain quickly. | 0:12:22 | 0:12:25 | |
In the racing world, how wet or dry the turf is is called "the going", | 0:12:25 | 0:12:28 | |
and it can make the difference between triumph and disaster. | 0:12:28 | 0:12:33 | |
The official assessment of the going is critical. | 0:12:35 | 0:12:38 | |
So, it's a bit of a surprise that he relies on a simple stick | 0:12:39 | 0:12:43 | |
to test the softness of the turf. | 0:12:43 | 0:12:45 | |
It's down to each individual clerk at the course, | 0:12:45 | 0:12:48 | |
and the clerk's word on the going is the official going of the day. | 0:12:48 | 0:12:53 | |
But it's all determined by that stick? | 0:12:53 | 0:12:55 | |
Yeah. We have another type of mechanism | 0:12:55 | 0:12:57 | |
which is called a TurfTrax GoingStick | 0:12:57 | 0:12:59 | |
which is computerised, and very modern, and does the job well. | 0:12:59 | 0:13:02 | |
Seamus clearly knows the chalk better than any computerised poker, | 0:13:04 | 0:13:08 | |
but he's happy to demonstrate the new technology. | 0:13:08 | 0:13:12 | |
Stab it, just gently, in. Well done. Pull back. | 0:13:14 | 0:13:17 | |
-This is like flying an aeroplane! -Exactly. | 0:13:17 | 0:13:19 | |
-Now... -You should have a reading. I'm not going to look. | 0:13:19 | 0:13:22 | |
But, I'm expecting... I'm happy if it's between 6.5 to 7.5. | 0:13:22 | 0:13:28 | |
-7.1. -Bang on. Yep, that's where I'd like it to be. Well done. | 0:13:28 | 0:13:32 | |
So you've got it exactly right with your ash Harry Potter stick, | 0:13:32 | 0:13:37 | |
-but you've got to use this? -Yeah. | 0:13:37 | 0:13:40 | |
Seamus gives the go-ahead for the racing to begin. | 0:13:44 | 0:13:48 | |
And what Seamus says, goes. | 0:13:50 | 0:13:51 | |
Seamus has told me I'm not quite smart enough to be here, | 0:13:54 | 0:13:58 | |
so I've been given this tie. | 0:13:58 | 0:14:01 | |
Seamus, because he thinks I don't often wear a tie, | 0:14:01 | 0:14:03 | |
and I might not know how to tie it, so he is doing it for me. | 0:14:03 | 0:14:07 | |
-A different man, huh? -He's not the kind of man you refuse! | 0:14:07 | 0:14:10 | |
My new-found understanding of the geology of horseracing | 0:14:12 | 0:14:15 | |
has made me reckless, and I've decided to risk a crisp fiver. | 0:14:15 | 0:14:20 | |
-Come on! -Go on! -Come on! | 0:14:27 | 0:14:31 | |
-Come on! -Come on! | 0:14:31 | 0:14:33 | |
CHEERING | 0:14:35 | 0:14:37 | |
But when it comes to picking a winner, | 0:14:37 | 0:14:39 | |
there's obviously more to it than just the chalk. | 0:14:39 | 0:14:43 | |
Two in a row! | 0:14:43 | 0:14:44 | |
Third last! Third last! | 0:14:44 | 0:14:46 | |
What about that one? | 0:14:46 | 0:14:49 | |
Fourth last! There's still one coming! | 0:14:49 | 0:14:52 | |
'..another winner for him on the day. Green Warrior second.' | 0:14:55 | 0:14:59 | |
It's hard to believe that this is so close | 0:15:05 | 0:15:07 | |
to one of the most densely populated parts of Britain. | 0:15:07 | 0:15:11 | |
This is the bit I remember | 0:15:16 | 0:15:18 | |
from when I walked the South Downs Way with my dad. | 0:15:18 | 0:15:21 | |
We came over a ridge just behind here, | 0:15:21 | 0:15:23 | |
and it gave out into this fantastic valley of the River Cuckmere, | 0:15:23 | 0:15:28 | |
where the river winds and snakes, | 0:15:28 | 0:15:30 | |
meanders its way across this beautiful floodplain | 0:15:30 | 0:15:34 | |
in sort of perfect, lazy symmetry. | 0:15:34 | 0:15:39 | |
If you were to push me, | 0:15:40 | 0:15:42 | |
I think I'd say that that is why I decided to study landscape. | 0:15:42 | 0:15:47 | |
When you look at a landscape, you might think that it's permanent. | 0:15:51 | 0:15:55 | |
But nothing could be further from the truth. | 0:15:55 | 0:15:58 | |
If you'd been walking here 100 million years ago, | 0:15:58 | 0:16:01 | |
you simply wouldn't have recognised the place. | 0:16:01 | 0:16:03 | |
But then the whole world looked different. | 0:16:03 | 0:16:06 | |
All the landmasses on Earth are very slowly moving about. | 0:16:06 | 0:16:10 | |
Hundreds of millions of years ago, | 0:16:10 | 0:16:13 | |
what would become the continents of Europe and Africa | 0:16:13 | 0:16:17 | |
crashed into each other. | 0:16:17 | 0:16:18 | |
In southern Europe, this mighty collision created the Alps, | 0:16:20 | 0:16:24 | |
in an event known as the Alpine Orogeny. | 0:16:24 | 0:16:27 | |
But the ripples extended much further north. | 0:16:31 | 0:16:34 | |
They rucked up the thick layer of chalk that covered southern England, | 0:16:36 | 0:16:40 | |
leaving it in a dome nearly a mile high. | 0:16:40 | 0:16:43 | |
Over millions of years, the middle was worn away, | 0:16:45 | 0:16:48 | |
and all that was left were two ridges sticking up at the sides. | 0:16:48 | 0:16:53 | |
And those chalk ridges are still there. | 0:16:53 | 0:16:56 | |
They're the North and South Downs. | 0:16:57 | 0:17:00 | |
That dramatic past has given us this very distinctive, sweeping landscape. | 0:17:09 | 0:17:13 | |
These rolling hills have something very valuable hidden in them. | 0:17:15 | 0:17:18 | |
Deep beneath the surface, there are millions of litres of water. | 0:17:20 | 0:17:25 | |
Rainwater that falls onto the chalk downs doesn't actually run off. | 0:17:26 | 0:17:29 | |
It percolates into the ground, | 0:17:29 | 0:17:31 | |
and it can take 100 years for it to reappear. | 0:17:31 | 0:17:34 | |
The reason for this sluggish progress | 0:17:34 | 0:17:37 | |
is the structure of the chalk itself. | 0:17:37 | 0:17:40 | |
The chalk, with its mass of tiny holes, acts like a giant sponge - | 0:17:44 | 0:17:49 | |
dry on the surface, but full of water below. | 0:17:49 | 0:17:53 | |
The water collects in these holes to form vast underground reservoirs, called aquifers. | 0:17:53 | 0:17:57 | |
But, in places, it overflows and bubbles to the surface. | 0:17:57 | 0:18:01 | |
By the time the water does reappear, | 0:18:03 | 0:18:05 | |
it's been so well filtered on its journey, it's incredibly pure. | 0:18:05 | 0:18:08 | |
Here it is, bubbling out of the ground naturally. | 0:18:11 | 0:18:15 | |
The water maintains a steady temperature of around ten degrees throughout the year. | 0:18:15 | 0:18:20 | |
All of these advantages mean that this is the perfect place | 0:18:20 | 0:18:23 | |
to grow one of nature's most extraordinary super foods. | 0:18:23 | 0:18:26 | |
Down the ages, it's been claimed to prevent baldness and make you brainy. | 0:18:33 | 0:18:37 | |
The Romans used it as an aphrodisiac, | 0:18:37 | 0:18:39 | |
and the Egyptian Pharaohs fed it to their slaves to build them up. | 0:18:39 | 0:18:43 | |
It's watercress. | 0:18:43 | 0:18:45 | |
This area of Hampshire, | 0:18:45 | 0:18:46 | |
with its plentiful water filtered through chalk, | 0:18:46 | 0:18:49 | |
is the perfect place to grow it. | 0:18:49 | 0:18:51 | |
I've never met anyone quite as enthusiastic about it | 0:18:51 | 0:18:54 | |
as Dr Steve Rothwell. | 0:18:54 | 0:18:56 | |
He calls himself a professor of watercress. | 0:18:56 | 0:18:59 | |
I often say it's the original superfood. | 0:19:01 | 0:19:03 | |
And the water is very important to the vitality of this vegetable. | 0:19:03 | 0:19:07 | |
Yes, well, the water filters through the chalk. | 0:19:07 | 0:19:10 | |
It dissolves a lot of minerals on its way through the chalk aquifer, | 0:19:10 | 0:19:15 | |
and the watercress then draws those in from the flowing water, | 0:19:15 | 0:19:19 | |
and that's why it is so rich in both minerals and vitamins. | 0:19:19 | 0:19:22 | |
It's got more calcium than whole milk, thanks to the chalk. | 0:19:22 | 0:19:26 | |
It's got more vitamin C than oranges. It's high in B vitamins. | 0:19:26 | 0:19:30 | |
It's got about as much vitamin A and beta-carotene as carrots. | 0:19:30 | 0:19:34 | |
I mean, it's right up there. | 0:19:34 | 0:19:36 | |
Watercress has another unusual claim to fame. | 0:19:37 | 0:19:40 | |
It was the original fast food - the first British take-away. | 0:19:40 | 0:19:44 | |
When the railways came to this part of England, | 0:19:48 | 0:19:51 | |
the speed of the trains meant that fresh bunches of watercress | 0:19:51 | 0:19:54 | |
could be in London within hours of picking. | 0:19:54 | 0:19:57 | |
The Watercress Line carried up to 14 tons of cress a day. | 0:19:57 | 0:20:02 | |
In Victorian times, it became the poor man's breakfast, | 0:20:02 | 0:20:05 | |
bought at market and eaten on the run. | 0:20:05 | 0:20:08 | |
This place became a watercress boom-town, | 0:20:12 | 0:20:15 | |
with farms covering 1,000 acres. | 0:20:15 | 0:20:17 | |
But, the boom-time passed, | 0:20:17 | 0:20:19 | |
and in the 1960s, people almost stopped eating it. | 0:20:19 | 0:20:23 | |
It's only now that demand for watercress is on the rise again. | 0:20:23 | 0:20:26 | |
And Dr Steve can't get enough of it. | 0:20:26 | 0:20:30 | |
I eat it every day, I must say. | 0:20:30 | 0:20:32 | |
Really? Every day of your life? | 0:20:32 | 0:20:34 | |
Yeah, I do. I used to make a sandwich of it, | 0:20:34 | 0:20:37 | |
but now I just eat so much, I can't actually fit it in the bread! | 0:20:37 | 0:20:40 | |
I eat my watercress and the bread. | 0:20:40 | 0:20:42 | |
At weekends, I'll often take some home as well. | 0:20:42 | 0:20:46 | |
Yes, most days, I will eat a lot of watercress. | 0:20:46 | 0:20:49 | |
There's a good chance that the bag of watercress in your fridge today | 0:20:51 | 0:20:55 | |
will have come from these very beds. | 0:20:55 | 0:20:58 | |
That's if Dr Steve doesn't eat it all first! | 0:20:58 | 0:21:01 | |
You don't walk far around this stretch of Southern England | 0:21:05 | 0:21:08 | |
without coming across a stream fed by a chalk aquifer. | 0:21:08 | 0:21:12 | |
They're the most important source of domestic water in southern Britain. | 0:21:12 | 0:21:16 | |
The rivers they feed run clear and constant throughout the year. | 0:21:16 | 0:21:20 | |
And endless running water is exactly what you need to drive a watermill. | 0:21:24 | 0:21:29 | |
Industries sprang up along chalk rivers like the Test in Hampshire. | 0:21:29 | 0:21:33 | |
And some of these industries are quite a surprise. | 0:21:33 | 0:21:37 | |
In 1724, the owner of this mill, Sir Henry Portal, | 0:21:38 | 0:21:43 | |
won a lucrative contract | 0:21:43 | 0:21:44 | |
to be the sole supplier of a high quality printing paper. | 0:21:44 | 0:21:47 | |
Paper which was to be used to print something | 0:21:47 | 0:21:50 | |
which we all carry on us somewhere - | 0:21:50 | 0:21:52 | |
except possibly the Queen - bank notes. | 0:21:52 | 0:21:55 | |
The company started out with just English bank notes. | 0:21:57 | 0:22:00 | |
Before long, this little corner of Hampshire | 0:22:00 | 0:22:03 | |
was supplying folding stuff to all four corners of the British Empire. | 0:22:03 | 0:22:08 | |
Bank note paper is made from cotton rags, | 0:22:10 | 0:22:13 | |
which makes it tougher than ordinary paper. | 0:22:13 | 0:22:16 | |
But the rags need a huge amount of clean water | 0:22:18 | 0:22:21 | |
to wash and pulp them, | 0:22:21 | 0:22:22 | |
and the South Downs provided plenty of that. | 0:22:22 | 0:22:25 | |
Even the paper for postal orders was made on this site, | 0:22:28 | 0:22:32 | |
and, in the 1940s, the first bank notes with a metal security strip | 0:22:32 | 0:22:36 | |
were invented right here in this very company. | 0:22:36 | 0:22:39 | |
At the centre of it all was this river. | 0:22:39 | 0:22:42 | |
It snakes its way through the sides, | 0:22:42 | 0:22:45 | |
appearing and disappearing under little walkways and bridges, | 0:22:45 | 0:22:49 | |
and all the time, quietly and efficiently providing the power | 0:22:49 | 0:22:53 | |
to drive the machinery. | 0:22:53 | 0:22:54 | |
For nearly 300 years, the Portals' business passed down the family. | 0:22:58 | 0:23:02 | |
In 1966, the papermaking moved to a new factory | 0:23:04 | 0:23:09 | |
a couple of miles upstream, | 0:23:09 | 0:23:10 | |
where they're still making the paper for our bank notes. | 0:23:10 | 0:23:13 | |
So, that fiver in your pocket | 0:23:13 | 0:23:16 | |
will have been washed in water filtered through the chalk rock of the South Downs. | 0:23:16 | 0:23:21 | |
Which I think counts as money laundering. | 0:23:21 | 0:23:25 | |
As we travel across this stretch of Southern England, | 0:23:32 | 0:23:34 | |
we're discovering that the delightful rural landscape | 0:23:34 | 0:23:38 | |
is not as tranquil as it might look. | 0:23:38 | 0:23:41 | |
It's full of activity, some of it totally unexpected. | 0:23:41 | 0:23:46 | |
And some of it goes back thousands of years. | 0:23:49 | 0:23:52 | |
Yeah! | 0:23:52 | 0:23:53 | |
There's a lot of history written into these chalk hills. | 0:23:55 | 0:23:58 | |
If you'd been here 6,000 years ago, | 0:24:05 | 0:24:07 | |
you'd have seen a landscape covered in dense woodland. | 0:24:07 | 0:24:11 | |
When our ancestors cut down most of the trees, and settled here | 0:24:11 | 0:24:15 | |
with their farm animals, they transformed the place. | 0:24:15 | 0:24:18 | |
Some of the animals were better suited than others. | 0:24:18 | 0:24:21 | |
Once the trees were cleared, | 0:24:21 | 0:24:22 | |
the nutrients were quickly washed out of this newly exposed downland. | 0:24:22 | 0:24:27 | |
Conditions were perfect for sheep. | 0:24:27 | 0:24:29 | |
They kept the grass short and gave us the classic rolling chalk downs. | 0:24:29 | 0:24:34 | |
Over the centuries, | 0:24:39 | 0:24:40 | |
a hardy breed of sheep grew up on the thin soil of these chalk hills | 0:24:40 | 0:24:44 | |
and became known, not surprisingly, as the South Down. | 0:24:44 | 0:24:47 | |
It could thrive anywhere, | 0:24:47 | 0:24:49 | |
and it became one of the most important sheep in the world. | 0:24:49 | 0:24:52 | |
One majestic pedigree ram is being brought up the valley | 0:24:56 | 0:25:00 | |
to spend a few weeks with the ladies. And there's a lot at stake. | 0:25:00 | 0:25:04 | |
Hello, handsome! | 0:25:04 | 0:25:05 | |
Right, first things first... | 0:25:05 | 0:25:07 | |
Release the ram! | 0:25:09 | 0:25:11 | |
For farming brothers Steve and Paul Humphries, | 0:25:11 | 0:25:14 | |
this is a very serious business. | 0:25:14 | 0:25:16 | |
Here he is. | 0:25:16 | 0:25:17 | |
What's his name? | 0:25:17 | 0:25:18 | |
He doesn't have a name. He's 2015. | 0:25:18 | 0:25:22 | |
I quite like 2015 - it gives him a sort of double agent appeal! | 0:25:22 | 0:25:25 | |
Yeah! Yeah! | 0:25:25 | 0:25:28 | |
Sturdy beast! Lovely. | 0:25:28 | 0:25:30 | |
We like him. | 0:25:30 | 0:25:31 | |
-Right, am I going to do the business? -Yes. | 0:25:31 | 0:25:34 | |
OK, if we put him over, and, um... | 0:25:34 | 0:25:36 | |
Yep. | 0:25:36 | 0:25:38 | |
-This is messy stuff. -That's it. -On there? | 0:25:38 | 0:25:40 | |
-Yes, yes. -It's a good old dollop, isn't it? | 0:25:40 | 0:25:43 | |
That's it. A good old dollop, just on here. | 0:25:43 | 0:25:46 | |
-There we go. -Good boy. | 0:25:46 | 0:25:47 | |
And this is so you know, basically, which ewes he's been busy with? | 0:25:47 | 0:25:51 | |
That's right. | 0:25:51 | 0:25:52 | |
What is this gunky stuff made of? It's paint and...? | 0:25:52 | 0:25:55 | |
A bit of engine oil. | 0:25:55 | 0:25:56 | |
Engine oil, of course! | 0:25:56 | 0:25:58 | |
It doesn't seem very technical. | 0:25:58 | 0:26:00 | |
But Paul and Steve have raised South Downs here for decades, | 0:26:00 | 0:26:04 | |
so it clearly works. | 0:26:04 | 0:26:05 | |
How long have your family been on this farm? | 0:26:05 | 0:26:08 | |
-Since the beginning of the century. About 100 years, yeah. -Right. | 0:26:08 | 0:26:13 | |
At one time, there would have been a quarter of a million sheep | 0:26:13 | 0:26:18 | |
roaming these hillsides. | 0:26:18 | 0:26:20 | |
And these South Downs were exported far and wide. | 0:26:20 | 0:26:24 | |
They were probably the first pure bred British sheep to be introduced to Australia. | 0:26:24 | 0:26:28 | |
By 1900, they were the most widely distributed sheep breed in the world. | 0:26:28 | 0:26:33 | |
These little sheep helped build the British Empire! | 0:26:33 | 0:26:38 | |
They do do well on very little nutrition. | 0:26:38 | 0:26:42 | |
They will thrive on poor grasses, even if it's a very dry year. | 0:26:42 | 0:26:46 | |
In fact, sometimes they really do outstanding in dry years. | 0:26:46 | 0:26:49 | |
Basically, because they're one of the traditional native breeds. | 0:26:49 | 0:26:54 | |
No kidding! | 0:26:54 | 0:26:55 | |
It's been said that these sheep would grow fat on concrete. | 0:26:55 | 0:26:58 | |
But then bigger, meatier breeds became more fashionable, | 0:26:58 | 0:27:02 | |
and these sturdy little South Downs fell out of favour. | 0:27:02 | 0:27:07 | |
In the '70s, they hit a low point, but now they're making a comeback | 0:27:07 | 0:27:10 | |
and they're established all over the country. | 0:27:10 | 0:27:12 | |
-And all over the world. -And all over the world, yes. | 0:27:12 | 0:27:15 | |
It's down to farmers like Steve and rams like 2015 to keep numbers up. | 0:27:15 | 0:27:20 | |
He is set to go. | 0:27:20 | 0:27:21 | |
And there's only one way to do that. | 0:27:21 | 0:27:23 | |
The girls are just about to meet their pedigree chum! | 0:27:23 | 0:27:27 | |
-Once he starts working, it'll be perfect. -Yes... | 0:27:27 | 0:27:31 | |
He's interested in that one. | 0:27:31 | 0:27:33 | |
-He's definitely interested! Straight in there! -Good sign. | 0:27:33 | 0:27:36 | |
We're going to have lambs next spring! | 0:27:36 | 0:27:38 | |
Sheep do well up on these hills, | 0:27:48 | 0:27:50 | |
but it's not at all an easy landscape to farm. | 0:27:50 | 0:27:54 | |
The chalky soils are thin and, more to the point, | 0:27:57 | 0:28:00 | |
the hills are very steep. | 0:28:00 | 0:28:01 | |
They're like great folds in a giant carpet. | 0:28:03 | 0:28:07 | |
That's the Alpine Orogeny for you! | 0:28:07 | 0:28:09 | |
But, for some people, these precipitous slopes | 0:28:11 | 0:28:14 | |
were just what they were after. | 0:28:14 | 0:28:16 | |
40 years ago, | 0:28:18 | 0:28:20 | |
in the early 1970s, | 0:28:20 | 0:28:22 | |
a group of pioneering, thrill-seeking DIY oddballs, | 0:28:22 | 0:28:26 | |
who were looking for a steep hill to jump off, | 0:28:26 | 0:28:29 | |
recognised the advantages of the Alpine Orogeny for their new sport. | 0:28:29 | 0:28:33 | |
When you think about it, it sounds like a monumentally bad idea. | 0:28:35 | 0:28:38 | |
You climb to the top of a big hill and then, | 0:28:38 | 0:28:42 | |
holding nothing more substantial than a flimsy bit of cloth, | 0:28:42 | 0:28:45 | |
you jump off! | 0:28:45 | 0:28:47 | |
Right here in the South Downs was where British hang-gliding was born, | 0:28:47 | 0:28:51 | |
and, hot on its heels, came paragliding. | 0:28:51 | 0:28:54 | |
I'm told that the difference between a hang glider and a paraglider | 0:28:54 | 0:28:58 | |
is that a hang-glider is a "stiffy" and a paraglider is a "floppy", | 0:28:58 | 0:29:01 | |
but I've decided not to go into that any further. | 0:29:01 | 0:29:04 | |
Whatever it is you're flying, this is the place to do it. | 0:29:04 | 0:29:07 | |
I'm here to meet an old hand in the skies. | 0:29:09 | 0:29:13 | |
He's at the top of the hill, but I'm guessing, not for very long. | 0:29:13 | 0:29:17 | |
Good day for it? | 0:29:17 | 0:29:19 | |
Absolutely perfect, as you can see! | 0:29:19 | 0:29:21 | |
You should be looking at the geology as you fly over, | 0:29:21 | 0:29:24 | |
but I suspect you're not, are you? You're going "Woooah!" | 0:29:24 | 0:29:27 | |
We're always looking for the next bit of lift, | 0:29:27 | 0:29:30 | |
and the geology round here is what creates that lift. | 0:29:30 | 0:29:32 | |
So this is why it's a mecca for paragliding. | 0:29:32 | 0:29:36 | |
All you need for paragliding is a smooth, high ridge to jump off, | 0:29:36 | 0:29:41 | |
no sharp bits to impale yourself on, | 0:29:41 | 0:29:43 | |
and a steady breeze coming towards you. | 0:29:43 | 0:29:46 | |
Thanks to the folding of a chalk dome, | 0:29:46 | 0:29:48 | |
that's exactly what you've got in these hills. | 0:29:48 | 0:29:51 | |
It definitely started here though, didn't it? | 0:29:51 | 0:29:53 | |
-It did! -Because this is 1972, I think. | 0:29:53 | 0:29:56 | |
That's the black plastic and bamboo bat glider, I think it was called. | 0:29:56 | 0:30:00 | |
The guy flying it is Dave Watts. | 0:30:00 | 0:30:02 | |
So he would have made that himself? That's not bought? | 0:30:02 | 0:30:06 | |
Yeah... Would you buy one of them?! | 0:30:06 | 0:30:08 | |
He's got some bamboo from a garden centre and some gaffer tape. | 0:30:08 | 0:30:13 | |
He was one of the first guys to do it in this country. | 0:30:13 | 0:30:15 | |
It's much safer nowadays. | 0:30:15 | 0:30:17 | |
They've tidied up the aerodynamics and the science behind it. | 0:30:17 | 0:30:21 | |
-This is looking very aerodynamic(!) -They fly beautifully. | 0:30:21 | 0:30:24 | |
-Sorry! -That's all right. -It happens. -Drop in any time! | 0:30:29 | 0:30:33 | |
Do you want to get rigged up and have a go then? | 0:30:41 | 0:30:44 | |
Yes, I do. I want to get up there. | 0:30:44 | 0:30:46 | |
No, really, I do! | 0:30:46 | 0:30:48 | |
Go, Hugh! Go, Hugh! Keep running, keep running, arms back. | 0:30:49 | 0:30:53 | |
Hey, look out! | 0:30:56 | 0:30:58 | |
How fantastic is that?! | 0:30:58 | 0:31:00 | |
Oh-oh, lean back, lean back. | 0:31:13 | 0:31:15 | |
That's good. Now we're going to land. | 0:31:19 | 0:31:21 | |
This rim of chalk is clearly a paraglider's dream, | 0:31:31 | 0:31:35 | |
but what's at the bottom of the slope is just as fascinating. | 0:31:35 | 0:31:38 | |
When the middle bit of the chalk mountain wore away, | 0:31:40 | 0:31:44 | |
what was left was a flat plain of much older rocks. | 0:31:44 | 0:31:47 | |
This is the Sussex Weald, | 0:31:47 | 0:31:49 | |
and geologically it's a whole new ballgame. | 0:31:49 | 0:31:53 | |
It's not all chalk. Not by a long chalk! | 0:31:53 | 0:31:56 | |
Do you want to see my demonstration of the formation of the Weald, | 0:31:57 | 0:32:01 | |
using only cheese, ham and bread? | 0:32:01 | 0:32:03 | |
I have a feeling that, whether or not I want you to show me... | 0:32:03 | 0:32:06 | |
-Correct, I'm going to show you anyway. -You are going to, yes. | 0:32:06 | 0:32:09 | |
So... That's nothing. That's rock way, way down below. | 0:32:09 | 0:32:13 | |
Then the first bit is... | 0:32:13 | 0:32:15 | |
Red Leicester. | 0:32:15 | 0:32:16 | |
No. That is clay. OK? | 0:32:16 | 0:32:19 | |
This is millions of years - | 0:32:19 | 0:32:20 | |
hundreds of millions of years before the chalk comes. | 0:32:20 | 0:32:23 | |
Then, on top of that, there is a layer of sandstone - ham. | 0:32:23 | 0:32:26 | |
then there's another layer of clay, slightly different clay, | 0:32:26 | 0:32:30 | |
but for the purposes of this, same cheese. | 0:32:30 | 0:32:33 | |
then there's another layer of sandstone - | 0:32:33 | 0:32:36 | |
slightly different sandstone, same ham. On top of the lot, the chalk. | 0:32:36 | 0:32:40 | |
And that's 150 million years it's taken to build that sandwich. | 0:32:40 | 0:32:44 | |
And then, the whole thing gets lifted up | 0:32:44 | 0:32:47 | |
so it goes into a big dome like that. Get the knife, boom! | 0:32:47 | 0:32:49 | |
-Yes. -And then, you have to slice this top bit off. | 0:32:49 | 0:32:54 | |
OK. Mind your fingers. | 0:32:54 | 0:32:55 | |
This is very, very... | 0:32:55 | 0:32:56 | |
-Shall I just chop that out? -You chop all that out. -Yes. | 0:32:56 | 0:33:00 | |
It's going to be messy. There you go. | 0:33:00 | 0:33:02 | |
-Right? -Yeah. | 0:33:02 | 0:33:03 | |
And that bit in the middle, | 0:33:03 | 0:33:05 | |
this complicated lump of cheese and ham, | 0:33:05 | 0:33:07 | |
is the Weald. | 0:33:07 | 0:33:08 | |
It's cracking - in some places, the ham underneath is exposed. | 0:33:08 | 0:33:13 | |
In other places, | 0:33:13 | 0:33:14 | |
the cheese underneath is exposed. | 0:33:14 | 0:33:18 | |
It's all incredibly complicated. | 0:33:18 | 0:33:20 | |
Your three years at university were very well spent. | 0:33:20 | 0:33:22 | |
I've made a lot of sandwiches. | 0:33:22 | 0:33:24 | |
And you have made geology interesting. | 0:33:24 | 0:33:26 | |
Well, I've made it edible. | 0:33:26 | 0:33:29 | |
-Can I test your Weald? -You can, yeah. | 0:33:29 | 0:33:31 | |
Mmm. | 0:33:31 | 0:33:32 | |
I've never eaten an area of outstanding natural beauty before. | 0:33:32 | 0:33:37 | |
It's good, isn't it? Excellent. | 0:33:37 | 0:33:38 | |
Is there anywhere else I could make? | 0:33:41 | 0:33:44 | |
In reality, the Weald is a great flat area | 0:33:46 | 0:33:49 | |
with the M23 running through it, | 0:33:49 | 0:33:52 | |
not to mention a major railway line and Gatwick Airport. | 0:33:52 | 0:33:56 | |
But that great sandwich of rocks that lies deep below the surface - | 0:33:56 | 0:34:00 | |
the clay and the sandstone - also contains something unexpected - | 0:34:00 | 0:34:04 | |
something that makes you feel you must be lost - | 0:34:04 | 0:34:07 | |
you can't possibly be in Sussex any more. | 0:34:07 | 0:34:10 | |
It's like Texas. | 0:34:11 | 0:34:13 | |
In 1987, just north of Chichester, they struck oil. | 0:34:17 | 0:34:23 | |
So far, they've found 37 million barrels. | 0:34:23 | 0:34:26 | |
Oil geologist John O'Sullivan | 0:34:26 | 0:34:29 | |
is a bit of a connoisseur of the black gold. | 0:34:29 | 0:34:32 | |
But, to the uninitiated, it can be a bit confusing. | 0:34:32 | 0:34:36 | |
There you go. | 0:34:36 | 0:34:38 | |
That looks more like a cappuccino than it does oil, doesn't it? | 0:34:38 | 0:34:42 | |
Expensive cappuccino! | 0:34:42 | 0:34:44 | |
Really? How much do you reckon? | 0:34:44 | 0:34:46 | |
Actually, the price of a cappuccino... | 0:34:46 | 0:34:49 | |
Exactly! A cappuccino is probably more expensive than that! | 0:34:49 | 0:34:52 | |
A mile down, squashed between all those layers of rock, | 0:34:56 | 0:35:00 | |
are the remains of animals and plants | 0:35:00 | 0:35:02 | |
that died millions of years ago. | 0:35:02 | 0:35:04 | |
Over time, with the right pressure and temperature, | 0:35:05 | 0:35:08 | |
their sludgy remains turned into oil. | 0:35:08 | 0:35:12 | |
The snag is, those reserves lie under some of the most attractive countryside in southern England. | 0:35:12 | 0:35:17 | |
You can't just put a derrick up and drill straight down. | 0:35:17 | 0:35:21 | |
The field isn't directly beneath us. | 0:35:21 | 0:35:23 | |
The field is to the south of where we're standing right now. | 0:35:23 | 0:35:27 | |
So the wells tend to drop down vertically | 0:35:27 | 0:35:30 | |
and then they begin to turn and spread out | 0:35:30 | 0:35:33 | |
and snake through the reservoir horizontally | 0:35:33 | 0:35:37 | |
so most of the wells are at 90 degrees, | 0:35:37 | 0:35:39 | |
so they're called J-wells or horizontal wells. | 0:35:39 | 0:35:41 | |
-And you can control your drill to that extent? -Yeah. | 0:35:41 | 0:35:44 | |
I can't control... I can't put a Rawlplug in without it going... | 0:35:44 | 0:35:47 | |
something weird happening to it. | 0:35:47 | 0:35:49 | |
It's an expensive PlayStation! | 0:35:49 | 0:35:51 | |
Do you ever get a well... | 0:35:52 | 0:35:54 | |
You know, in films, there's always a gusher that you drill | 0:35:54 | 0:35:57 | |
and suddenly the oil spurts out the top and everybody dances | 0:35:57 | 0:36:00 | |
and lets themselves get covered in oil. | 0:36:00 | 0:36:02 | |
-No? Not here? -Not here. | 0:36:02 | 0:36:05 | |
I mean, people think that oil fields are these large caverns | 0:36:05 | 0:36:09 | |
under the ground full of lakes of oil, which is sadly not the case. | 0:36:09 | 0:36:13 | |
Oil tends to get trapped within the minute spaces within a rock. | 0:36:13 | 0:36:19 | |
And this sucks it out? | 0:36:19 | 0:36:20 | |
This is a like a child sucking fluid with a straw out of a rock? | 0:36:20 | 0:36:26 | |
Basically, you've got a straw | 0:36:26 | 0:36:28 | |
that's a couple of thousand feet in length | 0:36:28 | 0:36:30 | |
and you're pulling on one end. | 0:36:30 | 0:36:32 | |
It is worth the effort though. | 0:36:33 | 0:36:35 | |
So far, they've taken barely a quarter of what might still be down there. | 0:36:35 | 0:36:39 | |
It just feels so unlikely to have an oilfield | 0:36:44 | 0:36:47 | |
in the middle of an English wood. | 0:36:47 | 0:36:48 | |
So that's how a little bit of Sussex | 0:36:52 | 0:36:54 | |
might find its way into your petrol tank. | 0:36:54 | 0:36:58 | |
But then there are all sorts of geological surprises | 0:36:58 | 0:37:01 | |
that you wouldn't expect in the Home Counties. | 0:37:01 | 0:37:04 | |
From the surface, you'd never guess what's hidden away | 0:37:10 | 0:37:13 | |
beneath this gentle countryside. | 0:37:13 | 0:37:15 | |
The first clue is this strange conveyor belt | 0:37:15 | 0:37:18 | |
which snakes its way through the Weald for three and a half miles. | 0:37:18 | 0:37:22 | |
The second clue is this modest shutter door in the hillside - | 0:37:22 | 0:37:27 | |
The unlikely entrance to the largest underground mine in southern England. | 0:37:27 | 0:37:32 | |
Are you sure it's not a car wash? | 0:37:34 | 0:37:36 | |
No, I can assure you of that. It's a very big hole | 0:37:36 | 0:37:40 | |
and we're continuing to make it bigger. | 0:37:40 | 0:37:43 | |
Mine supervisor David Dunk has been working in this dark, | 0:37:47 | 0:37:51 | |
subterranean world for a long time. | 0:37:51 | 0:37:54 | |
I come through some of the most beautiful countryside in England | 0:37:54 | 0:37:58 | |
to get to my job, and then go underneath it, | 0:37:58 | 0:38:00 | |
a thousand feet and into a totally alien, almost moonscape landscape | 0:38:00 | 0:38:06 | |
to dig out the minerals 1,000 feet below it all. | 0:38:06 | 0:38:10 | |
-And how long have you worked down here? -33 years. | 0:38:10 | 0:38:13 | |
Once a miner, you're always a miner, it just sticks in your blood. | 0:38:13 | 0:38:17 | |
Well, I'm very glad you know where you're going, that's all I can say! | 0:38:17 | 0:38:22 | |
You do get used to it. | 0:38:22 | 0:38:24 | |
You wouldn't want to get lost down here. It's vast. | 0:38:27 | 0:38:31 | |
Ten square miles of mine workings, great underground tunnels. | 0:38:31 | 0:38:36 | |
It's like a film set. Dr Evil's secret lair. | 0:38:36 | 0:38:40 | |
But this very valuable piece of the Weald was created 150 million years ago. | 0:38:40 | 0:38:47 | |
Where I'm standing now was once a coastal tidal mudflat | 0:38:51 | 0:38:55 | |
and above us... Well, none of that rock would be there. | 0:38:55 | 0:38:59 | |
All you would have been able to see is a blazing tropical sun | 0:38:59 | 0:39:02 | |
which evaporated the mud to leave this stuff. | 0:39:02 | 0:39:05 | |
It's a mineral called gypsum, known to you and me as Plaster of Paris. | 0:39:07 | 0:39:11 | |
It's often used to make plasterboard, but most of this mine's output goes into cement. | 0:39:11 | 0:39:16 | |
Virtually every bag of cement sold in Britain contains gypsum from down here. | 0:39:18 | 0:39:24 | |
You'll almost certainly have some of this very mine in your house. | 0:39:26 | 0:39:30 | |
Now, this gypsum would have taken about ten million years to lay down, | 0:39:32 | 0:39:37 | |
and it's going to come out a whole lot quicker than that! | 0:39:37 | 0:39:40 | |
The process starts at the rock face with this monster drilling rig. | 0:39:43 | 0:39:48 | |
The twin boom jumbo. | 0:39:48 | 0:39:50 | |
What they're doing is making holes for dynamite. | 0:39:52 | 0:39:56 | |
The blast will go 100 yards up the road | 0:39:56 | 0:39:59 | |
and, provided the drilling is to the required standard, | 0:39:59 | 0:40:02 | |
the main beam will stay intact. | 0:40:02 | 0:40:04 | |
-Yeah. -Support the roof. -I'm hoping that as well(!) | 0:40:04 | 0:40:08 | |
The explosives arrive, driven by Ron, the blast technician, | 0:40:12 | 0:40:16 | |
who quickly trained me in the use of his highly specialised tools. | 0:40:16 | 0:40:21 | |
I have to admit, pushing detonators into sticks of dynamite leaves me a little bit nervous. | 0:40:22 | 0:40:28 | |
But Ron seems very jolly as he wires it all together. | 0:40:28 | 0:40:32 | |
When we press the detonator, | 0:40:37 | 0:40:39 | |
it's going to set off 140 kilos of explosives down here. | 0:40:39 | 0:40:42 | |
But the people of the Home Counties above us won't know a thing about it... | 0:40:42 | 0:40:47 | |
we hope. | 0:40:47 | 0:40:49 | |
-Is that enough? -Yeah, that's fine. -Ready? -Yeah. -Here we go! | 0:40:51 | 0:40:55 | |
EXPLOSION | 0:40:57 | 0:41:00 | |
-Quite pleased with that, to be honest! -We're pleased as well. | 0:41:18 | 0:41:22 | |
Excellent contribution, thank you very much! | 0:41:22 | 0:41:25 | |
And when the dust has settled, there's 300 tons of gypsum | 0:41:27 | 0:41:30 | |
ready to begin its journey by conveyor belt across Sussex | 0:41:30 | 0:41:34 | |
and possibly, ultimately, bringing a bit of the Sussex Weald | 0:41:34 | 0:41:38 | |
into the walls of your new extension. | 0:41:38 | 0:41:40 | |
Sussex gypsum makes a vital contribution | 0:41:44 | 0:41:47 | |
to the building industry, but like chalk it's incredibly soft. | 0:41:47 | 0:41:51 | |
Buried deep in this landscape is one of the toughest substances there is... | 0:41:52 | 0:41:56 | |
not far behind diamond. | 0:41:56 | 0:41:59 | |
Up in the cliffs, where the chalk is exposed, | 0:41:59 | 0:42:02 | |
there are thin bands of black rock. | 0:42:02 | 0:42:04 | |
It's flint, and you only find it in chalk. | 0:42:04 | 0:42:08 | |
Away from the coast, it comes to the surface in great chunks. | 0:42:09 | 0:42:13 | |
You can find flint lying around everywhere in the South Downs. | 0:42:14 | 0:42:18 | |
It's wonderful stuff. Not only is it incredibly hard, | 0:42:18 | 0:42:21 | |
it can be razor sharp and, if you know what you're doing, | 0:42:21 | 0:42:24 | |
absolutely deadly. | 0:42:24 | 0:42:27 | |
It was flint that put stone into the Stone Age. | 0:42:27 | 0:42:32 | |
'It might look basic, | 0:42:42 | 0:42:43 | |
'but you wouldn't want to be on the receiving end of that. | 0:42:43 | 0:42:47 | |
'James Dilley is an ancient craftsman...' | 0:42:47 | 0:42:50 | |
Good shot! | 0:42:50 | 0:42:51 | |
'..and he's fascinated by flint.' | 0:42:51 | 0:42:53 | |
It's impressive stuff, isn't it, James, flint? | 0:42:53 | 0:42:55 | |
Yeah, it's a really sharp material and it's very versatile, | 0:42:55 | 0:42:59 | |
and it's a bit mysterious as well, how it was formed. | 0:42:59 | 0:43:01 | |
No-one's totally sure how it was formed. | 0:43:01 | 0:43:04 | |
How long have you been interested in flint because you make these bows and arrows, don't you? | 0:43:04 | 0:43:08 | |
Yeah, well, I've been collecting sticks and stones, | 0:43:08 | 0:43:11 | |
like any young boy, since I was...a young boy! | 0:43:11 | 0:43:14 | |
-Basically, you watched Robin Hood, as a boy. -It must have been that! | 0:43:14 | 0:43:18 | |
Could you show me how to make one of these? | 0:43:18 | 0:43:20 | |
-Well, hopefully. -How long would it take? | 0:43:20 | 0:43:23 | |
Hours. Days, maybe. | 0:43:23 | 0:43:26 | |
Good job I brought a packed lunch. | 0:43:26 | 0:43:27 | |
So James, how are you going to turn that incredible bulk of flint | 0:43:33 | 0:43:37 | |
into a dainty little arrowhead? | 0:43:37 | 0:43:39 | |
Well, I'm hoping to take some flakes off because that's how | 0:43:39 | 0:43:42 | |
we get the arrowhead out of it. | 0:43:42 | 0:43:44 | |
Sometimes, if you hit the flint in different places, | 0:43:44 | 0:43:48 | |
you get a slightly different sound. | 0:43:48 | 0:43:50 | |
That suggests to me that that piece has got a big, natural crack | 0:43:50 | 0:43:54 | |
running through it so that should just fall off. | 0:43:54 | 0:43:58 | |
And it did. | 0:43:59 | 0:44:01 | |
'This really is an ancient craft. | 0:44:01 | 0:44:04 | |
'Long before people knew how to work with metal, | 0:44:04 | 0:44:07 | |
'making tools from flint meant the difference between life and death. | 0:44:07 | 0:44:10 | |
'With the right weapon you could bring down a bear or a deer | 0:44:10 | 0:44:14 | |
'and keep your family from starvation. | 0:44:14 | 0:44:17 | |
'It's a bit of a lost art, but James has got the gift.' | 0:44:17 | 0:44:20 | |
-It's beautiful, isn't it? -Yeah, like many natural materials, | 0:44:20 | 0:44:23 | |
when you work with wood or flint, it can produce some real surprises | 0:44:23 | 0:44:27 | |
and you get fossils inside the flint of shells and sea creatures. | 0:44:27 | 0:44:31 | |
Their remains were trapped in the flint like amber. | 0:44:31 | 0:44:34 | |
The stone gets sharper and sharper. | 0:44:38 | 0:44:40 | |
This could slice through flesh and bone. | 0:44:40 | 0:44:44 | |
That one could be used for an arrowhead with little work to it. | 0:44:44 | 0:44:48 | |
That's sound like my kind of job! | 0:44:48 | 0:44:51 | |
Flint is formed under the sea, but no-one is quite sure how. | 0:44:53 | 0:44:58 | |
It's not calcium, like the chalk, but silica, | 0:44:58 | 0:45:00 | |
the same sort of material as glass. | 0:45:00 | 0:45:03 | |
So working flint is like working shards of glass. | 0:45:03 | 0:45:07 | |
Time to test my arrowhead on a piece of leather. | 0:45:07 | 0:45:10 | |
-That is incredibly sharp. -Yeah. | 0:45:13 | 0:45:15 | |
-As sharp as any kitchen knife I've got. -Easily, yeah. | 0:45:15 | 0:45:19 | |
And this is why people think that flint, | 0:45:19 | 0:45:22 | |
when worked like this, can be as sharp as, | 0:45:22 | 0:45:25 | |
if not sharper than glass, and even up to a level of sharpness as steel. | 0:45:25 | 0:45:29 | |
It's got a lovely teardrop shape. | 0:45:29 | 0:45:33 | |
That could definitely cause some damage. | 0:45:33 | 0:45:36 | |
'Now all I need is a bow.' | 0:45:36 | 0:45:40 | |
It's not an incredibly powerful bow, | 0:45:40 | 0:45:43 | |
but it's enough to take down an animal for hunting | 0:45:43 | 0:45:46 | |
and that's what it was designed for. | 0:45:46 | 0:45:48 | |
-So this shot is to save your family, effectively. -OK. | 0:45:48 | 0:45:53 | |
So it needs to be just right. | 0:45:53 | 0:45:55 | |
Right, out the way, everyone! | 0:45:55 | 0:45:57 | |
Just right. So you fed your family for a week now! | 0:46:07 | 0:46:12 | |
Yes! | 0:46:12 | 0:46:13 | |
My child will eat! I feel like the cavewoman! | 0:46:13 | 0:46:16 | |
As a rock, flint is a bit of an oddity in the South Downs. | 0:46:27 | 0:46:30 | |
Most of the rocks round here are extremely soft. | 0:46:30 | 0:46:34 | |
As a result, the buildings aren't quite what they seem. | 0:46:34 | 0:46:38 | |
The magnificent Regency buildings of Brighton | 0:46:38 | 0:46:40 | |
are basically made of chalk rubble, | 0:46:40 | 0:46:42 | |
with a bit of flint thrown in. | 0:46:42 | 0:46:45 | |
They say you could knock them down with a well-aimed water hose. | 0:46:45 | 0:46:49 | |
You might think that anyone wanting to build big around here | 0:46:53 | 0:46:56 | |
wouldn't choose local stone. | 0:46:56 | 0:46:59 | |
But there is one quite astonishing exception. | 0:46:59 | 0:47:02 | |
This is the largest school chapel in the world. | 0:47:17 | 0:47:21 | |
It's huge, bigger than most cathedrals. | 0:47:30 | 0:47:34 | |
You can see it bulging out of the landscape for miles around, | 0:47:34 | 0:47:38 | |
and it dwarves the school. | 0:47:38 | 0:47:40 | |
It belongs to Lancing College | 0:47:41 | 0:47:44 | |
and was built by an ambitious Victorian curate | 0:47:44 | 0:47:47 | |
called Nathaniel Woodard | 0:47:47 | 0:47:49 | |
who was determined to build big. | 0:47:49 | 0:47:51 | |
Jeremy Tomlinson was a teacher here for 30 years, | 0:47:56 | 0:48:00 | |
and loves this building. | 0:48:00 | 0:48:01 | |
It is amazing! | 0:48:01 | 0:48:03 | |
It is absolutely amazing! | 0:48:03 | 0:48:05 | |
And the more you look at the beauty of the architecture, | 0:48:05 | 0:48:09 | |
-the more amazing it is. -But he couldn't quite afford it. | 0:48:09 | 0:48:12 | |
He couldn't really afford any of it! | 0:48:12 | 0:48:15 | |
He raised money | 0:48:15 | 0:48:16 | |
by putting tremendous pressure on wealthy and important people. | 0:48:16 | 0:48:21 | |
Nathanial Woodard set about building his vast chapel | 0:48:23 | 0:48:26 | |
with local sandstone, which was all he could afford. | 0:48:26 | 0:48:31 | |
And that was rash, | 0:48:31 | 0:48:33 | |
because Sussex sandstone might be cheap, but it's extremely crumbly. | 0:48:33 | 0:48:38 | |
So what is the nature of this stone, then? | 0:48:38 | 0:48:41 | |
The stone splits very easily. We can probably quite easily split a piece. | 0:48:41 | 0:48:46 | |
That's a bit out of one of the windows on the south side | 0:48:46 | 0:48:51 | |
and it doesn't give you a lot of confidence really, does it? | 0:48:51 | 0:48:54 | |
Yeah, never has it been more obvious that sandstone is essentially sand. | 0:48:54 | 0:48:59 | |
No, because there it is. And they're very, very small grains. | 0:48:59 | 0:49:03 | |
-Astonishing. -It's really quite like a digestive biscuit. | 0:49:03 | 0:49:06 | |
And everywhere in this building, if you leave it long enough, | 0:49:06 | 0:49:09 | |
a fine coat of sand appears which is gradually, gradually coming off the stone. | 0:49:09 | 0:49:15 | |
-It irritates the verger! -THEY LAUGH | 0:49:16 | 0:49:19 | |
You've got to be a bit worried about the structure, | 0:49:28 | 0:49:31 | |
if that's the state of the windows. | 0:49:31 | 0:49:33 | |
-I hope you know where you're going! -Yes! Come back down here. | 0:49:33 | 0:49:37 | |
When you climb up, you can see the scale of the thing | 0:49:37 | 0:49:39 | |
and you can also see how badly the stone is weathering in the sea air. | 0:49:39 | 0:49:45 | |
The only reason it's still in one piece | 0:49:48 | 0:49:51 | |
is because the school is constantly mending it. | 0:49:51 | 0:49:54 | |
When a bit crumbles, they have to replace it with a stronger kind of sandstone. | 0:49:55 | 0:49:59 | |
They've had to bolster the rods holding up the magnificent rose window. | 0:50:01 | 0:50:05 | |
The flying buttresses are reinforced with bolts. | 0:50:09 | 0:50:12 | |
So far, it's cost more than a million pounds in repairs. | 0:50:15 | 0:50:19 | |
But maybe they're getting off lightly. | 0:50:24 | 0:50:27 | |
If Nathanial Woodard had had his way, | 0:50:27 | 0:50:29 | |
he'd have gone on to add a 350 foot tower | 0:50:29 | 0:50:33 | |
with a lighthouse on top. | 0:50:33 | 0:50:35 | |
There is something about this part of the country that is just so... | 0:50:44 | 0:50:48 | |
British. | 0:50:48 | 0:50:50 | |
These white cliffs of southern England have become a sort of national symbol. | 0:50:57 | 0:51:03 | |
We sing songs about them and they're what you look out for | 0:51:03 | 0:51:07 | |
when you're going backwards and forwards on the ferry. | 0:51:07 | 0:51:10 | |
If Britain was a brand, the white cliffs would probably be the logo, | 0:51:10 | 0:51:15 | |
and you can see why. | 0:51:15 | 0:51:17 | |
They seem to rise like castle walls out of the sea, | 0:51:17 | 0:51:21 | |
giving this impression of permanence and strength and impregnability. | 0:51:21 | 0:51:28 | |
But in fact, these cliffs are relatively recent. | 0:51:29 | 0:51:33 | |
Where the English Channel is now, there was once all dry land. | 0:51:33 | 0:51:37 | |
A mere 200,000 years ago, you could have strolled from southern England | 0:51:37 | 0:51:42 | |
right across to France. | 0:51:42 | 0:51:43 | |
It was the middle of the Ice Age. | 0:51:48 | 0:51:50 | |
Britain was physically joined to Europe. | 0:51:50 | 0:51:52 | |
The dry land that joined us together | 0:51:52 | 0:51:55 | |
had a rim of chalk at one edge holding back a huge lake. | 0:51:55 | 0:51:59 | |
But suddenly, almost overnight in geological terms, this rim broke. | 0:52:04 | 0:52:11 | |
A deluge of mud, rocks and water | 0:52:11 | 0:52:14 | |
rushed across the land between Dover and Calais. | 0:52:14 | 0:52:18 | |
Over the next couple of hundred thousand years, | 0:52:18 | 0:52:21 | |
the channel got wider and wider. | 0:52:21 | 0:52:24 | |
And so we became an island. | 0:52:24 | 0:52:27 | |
When you stand on the beach on the south coast, | 0:52:33 | 0:52:36 | |
you can still see France. | 0:52:36 | 0:52:38 | |
Not today, obviously. | 0:52:38 | 0:52:41 | |
But geology most certainly cut us adrift, and as an island race | 0:52:41 | 0:52:45 | |
we could now start to develop those distinctly British virtues | 0:52:45 | 0:52:48 | |
like fair play, a stiff upper lip, | 0:52:48 | 0:52:51 | |
and having ideas that other people pinch and do much better. | 0:52:51 | 0:52:54 | |
And on the hills of Hampshire, | 0:52:59 | 0:53:01 | |
there is something you'd never believe we thought of first. | 0:53:01 | 0:53:05 | |
One of Britain's lesser known inventors was a man called | 0:53:05 | 0:53:08 | |
Christopher Merrett. | 0:53:08 | 0:53:10 | |
In 1662, he suggested that wine could be improved | 0:53:10 | 0:53:14 | |
if you added a bit of sugar to it, to make it bubbly. | 0:53:14 | 0:53:17 | |
Typically, here, no-one took any notice. | 0:53:17 | 0:53:20 | |
But in the Champagne region of France, | 0:53:20 | 0:53:23 | |
they thought it was quite a good idea. | 0:53:23 | 0:53:25 | |
Now, 350 years later, we are racing to catch up. | 0:53:30 | 0:53:34 | |
Christian Seely has spent his life in the wine trade, | 0:53:36 | 0:53:39 | |
and has managed a string of world-renowned vineyards. | 0:53:39 | 0:53:43 | |
So why did he choose to set up a vineyard of his own | 0:53:43 | 0:53:46 | |
on a chalky hillside in Hampshire? | 0:53:46 | 0:53:48 | |
Because, believe it or not, it's just like France. | 0:53:48 | 0:53:52 | |
It's quite a large map! As you can see! | 0:53:55 | 0:53:57 | |
It's a large map, but it's the wrong way up. | 0:53:57 | 0:53:59 | |
'I've brought my pocket-sized geological map of Europe along, | 0:53:59 | 0:54:02 | |
'so Christian can show me what he means.' | 0:54:02 | 0:54:06 | |
There we go, so this is Britain. | 0:54:06 | 0:54:09 | |
And we're here, aren't we? We're in the Hampshire Downs. | 0:54:09 | 0:54:13 | |
So this whole green area here is chalk. | 0:54:13 | 0:54:16 | |
Yeah, it's what they call the Paris Basin | 0:54:16 | 0:54:19 | |
and it starts over here in the east. | 0:54:19 | 0:54:21 | |
He's dead right of course. | 0:54:21 | 0:54:24 | |
When you look at it, it's so obvious. | 0:54:24 | 0:54:26 | |
Northern France is made of exactly the same stuff as the south of England. | 0:54:26 | 0:54:31 | |
It's just a bit of water separating us. | 0:54:31 | 0:54:33 | |
It's geologically more or less identical to what exists in Champagne. | 0:54:33 | 0:54:38 | |
And that's what's exciting about the potential here. | 0:54:38 | 0:54:41 | |
Although we can't really say we're part of France, can we? | 0:54:41 | 0:54:44 | |
We have to be very careful. | 0:54:44 | 0:54:46 | |
That's true, but one could also say that France was part of us. | 0:54:46 | 0:54:51 | |
We can, yes. Let's say that! | 0:54:51 | 0:54:55 | |
Chalk soil is poor soil | 0:55:00 | 0:55:02 | |
but it makes the vines dig deeper for their nutrients, | 0:55:02 | 0:55:06 | |
and that really concentrates the flavours in the developing fruit. | 0:55:06 | 0:55:10 | |
Poor soil means perfect grapes. | 0:55:10 | 0:55:13 | |
So you got the chalk here, but does it matter that you haven't necessarily got the sun? | 0:55:15 | 0:55:19 | |
Yes, a little more sun would sometimes be welcome, | 0:55:19 | 0:55:22 | |
but we've got just enough sun here to make a sparkling wine. | 0:55:22 | 0:55:26 | |
And the point about champagne was that it was invented | 0:55:26 | 0:55:29 | |
to make a great drink out of grapes | 0:55:29 | 0:55:31 | |
that were grown in a northern climate | 0:55:31 | 0:55:33 | |
and Champagne is quite far north, like here. | 0:55:33 | 0:55:35 | |
-So, Hampshire wins? -Hampshire wins! | 0:55:35 | 0:55:37 | |
Rather looking forward to this. It's a very satisfying noise. | 0:55:41 | 0:55:45 | |
'Now this is clearly not the sort of wine you'd knock back with | 0:55:45 | 0:55:49 | |
'a packet of porky scratchings.' | 0:55:49 | 0:55:51 | |
-Well, cheers. -Cheers! | 0:55:53 | 0:55:56 | |
Well, that is delicious. | 0:56:02 | 0:56:04 | |
-Thank you. -If ever I launch a ship, I'm going to use this stuff. | 0:56:04 | 0:56:09 | |
I think it would be highly appropriate. | 0:56:09 | 0:56:11 | |
Is that a good use for champagne, do you think? | 0:56:11 | 0:56:15 | |
It's quite an extravagance. | 0:56:15 | 0:56:17 | |
Who'd have thought it? Hampshire, the home of world-class bubbly. | 0:56:23 | 0:56:28 | |
But that's the South Downs for you. | 0:56:28 | 0:56:30 | |
Always something unexpected up its respectable sleeves. | 0:56:30 | 0:56:34 | |
This corner of Britain has given us sparkling wine | 0:56:35 | 0:56:39 | |
and super-sized racehorses | 0:56:39 | 0:56:40 | |
and tough little sheep that helped build the empire. | 0:56:40 | 0:56:43 | |
There are hidden mines and secret reserves of oil. | 0:56:43 | 0:56:48 | |
Not to mention all the watercress you can eat. | 0:56:48 | 0:56:51 | |
And these riches are down to the land that lies beneath. | 0:56:51 | 0:56:56 | |
These chalk hills themselves have a magnificence about them. | 0:56:58 | 0:57:03 | |
A real sense of dependability. | 0:57:03 | 0:57:05 | |
They've always had that. | 0:57:08 | 0:57:10 | |
Down the ages, people would take to these hills | 0:57:10 | 0:57:12 | |
whenever there was any threat of invasion and light bonfires, | 0:57:12 | 0:57:16 | |
to let everyone know that there was trouble brewing. | 0:57:16 | 0:57:18 | |
And up here, in 1588, a beacon fire on this very hill | 0:57:21 | 0:57:27 | |
warned Elizabethan England that the Spanish Armada was heading our way. | 0:57:27 | 0:57:31 | |
Such terrific views from the South Downs. | 0:57:32 | 0:57:35 | |
You must be able to see this beacon for miles and miles! | 0:57:35 | 0:57:39 | |
I can almost feel Sir Francis Drake out there, | 0:57:39 | 0:57:42 | |
and I'm sending him the Tudor equivalent of a text message. | 0:57:42 | 0:57:45 | |
Well, there was a beacon there at that time | 0:57:45 | 0:57:48 | |
but this one actually dates from the Queen's Jubilee in 2002. | 0:57:48 | 0:57:51 | |
I don't know what happened to the old one. Possibly it burnt down. | 0:57:51 | 0:57:55 | |
Nothing lasts for ever! | 0:57:55 | 0:57:57 | |
No. Including the whole of the South Downs, of course, | 0:57:57 | 0:57:59 | |
cos eventually all the chalk will be worn away | 0:57:59 | 0:58:01 | |
and there won't be any hills anywhere. | 0:58:01 | 0:58:04 | |
No need for us to rush though. | 0:58:04 | 0:58:05 | |
No, we'll be fine. It's going to be millions of years. | 0:58:05 | 0:58:08 | |
Millions of them. | 0:58:08 | 0:58:10 | |
That's the thing about landscape. It just won't be hurried. | 0:58:11 | 0:58:15 | |
Next time, Hugh and I are in the Scottish Highlands. | 0:58:19 | 0:58:23 | |
We get a real taste of powerful forces... | 0:58:23 | 0:58:27 | |
that shaped this spectacular landscape. | 0:58:27 | 0:58:30 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:43 |