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|---|---|---|---|
This programme contains some strong language | 0:00:19 | 0:00:25 | |
Ladies and gentlemen, please welcome onto the Clapham Grand stage, | 0:00:32 | 0:00:36 | |
Mr Phill Jupitus! CHEERING | 0:00:36 | 0:00:38 | |
My lords, ladies and gentlemen, | 0:00:46 | 0:00:49 | |
what a fine, magical evening of music hall mystery | 0:00:49 | 0:00:53 | |
we have concocted for... Nobody's dressed up! | 0:00:53 | 0:00:56 | |
No-one else is wearing the gear! They said they'd be wearing the g... | 0:00:59 | 0:01:03 | |
I went to a clinic in west London. These were on Betty Boothroyd 12 hours ago. | 0:01:03 | 0:01:08 | |
And not upstairs either! | 0:01:11 | 0:01:13 | |
Have those, mate. You look like you could use them. | 0:01:16 | 0:01:18 | |
Ladies and gentlemen, we have a fine evening for you of music hall mayhem! | 0:01:21 | 0:01:25 | |
CHEERING | 0:01:25 | 0:01:28 | |
And to kick it off in fine style, a musical turn, ladies and gentlemen. | 0:01:28 | 0:01:33 | |
Seven young men from north London who charge extra for coming south of the Thames. | 0:01:33 | 0:01:38 | |
CHEERING | 0:01:38 | 0:01:40 | |
Men who are worth every shilling. | 0:01:40 | 0:01:42 | |
While I nip offstage and beat the crap out of a researcher, | 0:01:42 | 0:01:45 | |
would you please welcome...MADNESS! | 0:01:45 | 0:01:49 | |
CHEERING | 0:01:49 | 0:01:53 | |
# Good morning, miss | 0:02:08 | 0:02:09 | |
# Can I help you, son? | 0:02:09 | 0:02:11 | |
# 16 today | 0:02:11 | 0:02:13 | |
# And out for fun | 0:02:13 | 0:02:15 | |
# I'm a big boy now or so they say | 0:02:15 | 0:02:17 | |
# So if you serve, I'll be on my way | 0:02:17 | 0:02:19 | |
# Box of balloons with the feather-light touch | 0:02:23 | 0:02:27 | |
# Pack of party poppers that pop in the night | 0:02:27 | 0:02:30 | |
# A toothbrush and hairspray Plastic grin | 0:02:30 | 0:02:32 | |
# Miss Clay on all corners has just walked in | 0:02:32 | 0:02:35 | |
# Welcome to the House of Fun | 0:02:35 | 0:02:37 | |
# Now I've come of age | 0:02:37 | 0:02:38 | |
# Welcome to the House of Fun | 0:02:38 | 0:02:41 | |
# Welcome to the lion's den | 0:02:42 | 0:02:44 | |
# Temptation's on his way | 0:02:44 | 0:02:46 | |
# Welcome to the House of... # | 0:02:46 | 0:02:48 | |
A funny thing happened to me on the way to the theatre tonight. | 0:02:48 | 0:02:52 | |
What was it again? | 0:02:52 | 0:02:54 | |
# N-n-n-n-n-n-no, no, miss | 0:02:54 | 0:02:57 | |
# You have misunderstood | 0:02:57 | 0:02:58 | |
# 16 big boy | 0:02:58 | 0:03:00 | |
# A full pint in my manhood | 0:03:00 | 0:03:02 | |
# I'm up to date and the date's today | 0:03:02 | 0:03:05 | |
# So if you serve, I'll be on my way | 0:03:05 | 0:03:07 | |
# Welcome to the House of Fun | 0:03:07 | 0:03:09 | |
# Now I've come of age | 0:03:09 | 0:03:10 | |
# Welcome to the lion's den | 0:03:10 | 0:03:13 | |
# Temptation's on his way | 0:03:13 | 0:03:14 | |
# Welcome to the House of... # | 0:03:14 | 0:03:16 | |
Ice cream! | 0:03:16 | 0:03:18 | |
Ice cream! | 0:03:18 | 0:03:20 | |
And his amazing dancing teeth! | 0:03:25 | 0:03:27 | |
# I'm sorry, son | 0:03:27 | 0:03:29 | |
# But we don't stock | 0:03:29 | 0:03:31 | |
# Party gimmicks | 0:03:31 | 0:03:33 | |
# In this shop | 0:03:33 | 0:03:35 | |
# Try the House of Fun | 0:03:35 | 0:03:36 | |
# It's quicker if you run | 0:03:36 | 0:03:38 | |
# This is a chemist | 0:03:38 | 0:03:40 | |
# Not a joke shop | 0:03:40 | 0:03:42 | |
# Party hats | 0:03:42 | 0:03:43 | |
# Simple enough, clear | 0:03:43 | 0:03:45 | |
# Comprehende, savvy, understand | 0:03:45 | 0:03:47 | |
# Well, do you hear? | 0:03:47 | 0:03:49 | |
# A pack of party hats | 0:03:49 | 0:03:50 | |
# With the coloured tips | 0:03:50 | 0:03:53 | |
# Too late! | 0:03:53 | 0:03:54 | |
# Gorgon's heard gossip | 0:03:54 | 0:03:57 | |
# "Well, hello, Joe Hello, Miss Clay | 0:03:57 | 0:03:58 | |
# Many happy returns from the day | 0:03:58 | 0:04:00 | |
# Welcome to the House of Fun | 0:04:00 | 0:04:03 | |
# Now I've come of age | 0:04:03 | 0:04:04 | |
# Welcome to the House of Fun | 0:04:04 | 0:04:07 | |
# Welcome to the lion's den | 0:04:08 | 0:04:10 | |
# Temptation's on his way | 0:04:10 | 0:04:12 | |
# Welcome to the House of Fun | 0:04:12 | 0:04:14 | |
# Welcome to the House of Fun | 0:04:15 | 0:04:18 | |
# Now I've come of age | 0:04:18 | 0:04:19 | |
# Welcome to the House of Fun | 0:04:19 | 0:04:21 | |
# Welcome to the lion's den | 0:04:23 | 0:04:25 | |
# Temptation's on his way | 0:04:25 | 0:04:27 | |
# Welcome to the House of Fun | 0:04:27 | 0:04:29 | |
# Welcome to the House of Fun. # CHEERING AND APPLAUSE | 0:04:30 | 0:04:35 | |
Ladies and gentlemen, please welcome your co-host for this evening, Mr Marcus Brigstocke! | 0:04:39 | 0:04:45 | |
Hello! | 0:04:45 | 0:04:48 | |
Hello, ladies and gentlemen, I am Marcus Brigstocke. | 0:04:48 | 0:04:52 | |
What a wonderful knees-up we are having here this evening! | 0:04:52 | 0:04:55 | |
You don't mind me coming in your box there, madam? There's saucy! | 0:04:55 | 0:04:59 | |
Now, what's gonna be on next, I wonder? | 0:04:59 | 0:05:02 | |
Is it gonna be a mind-reading bicyclist | 0:05:02 | 0:05:05 | |
who sets fire to budgerigars to the theme of Crash, Bang, Wallop, What A Picture? | 0:05:05 | 0:05:09 | |
No, I highly doubt it because Phill Jupitus has just come backstage | 0:05:09 | 0:05:13 | |
and said that everybody was dressed up and I'd better put this on. | 0:05:13 | 0:05:16 | |
What a thundering bollock I now feel! | 0:05:18 | 0:05:21 | |
Never mind, ladies and gentlemen, we have got a truly fantastic evening of entertainment for you. | 0:05:22 | 0:05:27 | |
And now I'm going to introduce someone | 0:05:27 | 0:05:29 | |
who I believe to be one of the funniest people I have ever met | 0:05:29 | 0:05:32 | |
and I have met six people. | 0:05:32 | 0:05:34 | |
Ladies and gentlemen, please clap until the meat falls off your hands | 0:05:34 | 0:05:38 | |
for the wonderful Mr Milton Jones! | 0:05:38 | 0:05:41 | |
CHEERING | 0:05:41 | 0:05:45 | |
So, good evening. | 0:05:55 | 0:05:57 | |
AUDIENCE: Hello! | 0:05:57 | 0:05:59 | |
I've just come back from Australia. | 0:05:59 | 0:06:02 | |
CHEERING Thanks. It's great to be back. | 0:06:02 | 0:06:05 | |
While I was there, I learnt some Aborigine words, | 0:06:05 | 0:06:09 | |
like "boo" which means "to return" | 0:06:09 | 0:06:15 | |
cos when you throw an ordinary meringue... | 0:06:15 | 0:06:18 | |
I've just come back from Holland. | 0:06:22 | 0:06:25 | |
CHEERING | 0:06:25 | 0:06:27 | |
Thanks. It's great to be back. | 0:06:27 | 0:06:30 | |
While I was there, I was in a fish restaurant. | 0:06:30 | 0:06:32 | |
The bloke on the table next to me began to cough. I ignored him. | 0:06:32 | 0:06:36 | |
He began to choke. I still ignored him. | 0:06:36 | 0:06:39 | |
Then he began to choke really badly | 0:06:39 | 0:06:41 | |
so in the end, I stood up and I smacked him on the back really hard. | 0:06:41 | 0:06:45 | |
Anyway, it turns out he was just speaking Dutch. | 0:06:45 | 0:06:48 | |
That works with Welsh as well. | 0:06:54 | 0:06:56 | |
So I phoned up the spiritual leader of Tibet | 0:06:58 | 0:07:03 | |
and he sent me a large goat with a long neck. | 0:07:03 | 0:07:07 | |
Turns out I'd phoned Dial-A-Llama. | 0:07:07 | 0:07:11 | |
Did you ever have a conversation with someone and towards the end they say, "Well, I'll let you go"? | 0:07:20 | 0:07:25 | |
And you think, "Yeah, thanks. | 0:07:28 | 0:07:30 | |
"Oh, I see what you're saying - | 0:07:30 | 0:07:32 | |
"you're trying to make me think that you think I've got better things to do, | 0:07:32 | 0:07:36 | |
"but in reality, you're saying that YOU'VE got better things to do." | 0:07:36 | 0:07:39 | |
Next time someone says that to you, | 0:07:39 | 0:07:42 | |
say, "NO!" | 0:07:42 | 0:07:44 | |
Shut the door. | 0:07:47 | 0:07:48 | |
If they make a sudden dive for the window, grab them by the ankles. | 0:07:49 | 0:07:53 | |
As they're dangling four storeys above the car park, screaming, "This has all been a terrible mistake!" | 0:07:53 | 0:07:59 | |
say, "OK, I'll let you go." | 0:07:59 | 0:08:02 | |
If they make it illegal to wear the veil at work, | 0:08:07 | 0:08:11 | |
beekeepers are gonna be furious. | 0:08:11 | 0:08:13 | |
The pollen count... | 0:08:20 | 0:08:23 | |
That's a difficult job. | 0:08:23 | 0:08:25 | |
Especially if you've got hay fever. | 0:08:30 | 0:08:32 | |
One sneeze and you have to start again. | 0:08:34 | 0:08:36 | |
I didn't have a very good summer last year. I set up a clinic for colonic irrigation. | 0:08:38 | 0:08:43 | |
But the hosepipe ban hit us hard. | 0:08:44 | 0:08:46 | |
Incredible to think, isn't it, that every single Scotsman started out as a Scotch egg. | 0:08:53 | 0:08:58 | |
Cold and gingery. | 0:09:05 | 0:09:07 | |
Any Scotsmen here? | 0:09:11 | 0:09:13 | |
-Yes! -I've got a bit of Scottish blood myself | 0:09:13 | 0:09:15 | |
on a kitchen knife. | 0:09:15 | 0:09:18 | |
I enjoy playing Scottish music | 0:09:23 | 0:09:26 | |
on my Och-iPod. | 0:09:26 | 0:09:28 | |
I'm very English, really. I even ordered a book on the internet - | 0:09:33 | 0:09:36 | |
How To Have Absolutely Nothing To Do With Your Neighbours. | 0:09:36 | 0:09:40 | |
Unfortunately I was out when it was delivered. | 0:09:41 | 0:09:44 | |
-Militant feminists! -Woo! -Woo! | 0:09:52 | 0:09:55 | |
I take my hat off to them. They don't like that. | 0:09:55 | 0:09:58 | |
Old ladies in wheelchairs with blankets over their legs - I don't think so. | 0:10:05 | 0:10:09 | |
Retired mermaids. | 0:10:09 | 0:10:11 | |
The worst job I ever had was forensic pathologist for the United Nations. | 0:10:18 | 0:10:23 | |
I remember uncovering the mass grave of 1,000 snowmen. | 0:10:24 | 0:10:28 | |
Fortunately... | 0:10:31 | 0:10:33 | |
it turned out to be a field full of carrots. | 0:10:33 | 0:10:36 | |
Well, it's been great to be here. | 0:10:45 | 0:10:47 | |
To be honest... | 0:10:47 | 0:10:49 | |
People say that as well. "Do you mean everything you've said so far hasn't been honest? | 0:10:49 | 0:10:55 | |
"How can we trust what you're gonna say now?" | 0:10:55 | 0:10:58 | |
Anyway, you've been a great audience, but to be honest... | 0:10:58 | 0:11:02 | |
I'll let you go. | 0:11:05 | 0:11:07 | |
CHEERING Very good. | 0:11:07 | 0:11:10 | |
My life hasn't been entirely wasted. | 0:11:12 | 0:11:14 | |
After all, I was the man who discovered DNA. | 0:11:14 | 0:11:17 | |
Woo! | 0:11:17 | 0:11:19 | |
I wasn't gonna call it that, but I was giving a lecture to the Royal Society. | 0:11:19 | 0:11:24 | |
I said, "Gentlemen, I believe I have discovered the genetic fingerprint of all human life! | 0:11:24 | 0:11:30 | |
"Ta-da!" | 0:11:31 | 0:11:33 | |
APPLAUSE | 0:11:33 | 0:11:36 | |
That's all from me. Thank you very much, good night. CHEERING | 0:11:36 | 0:11:39 | |
Hello! HELLO! | 0:11:44 | 0:11:48 | |
CHEERING | 0:11:48 | 0:11:50 | |
People of London! | 0:11:50 | 0:11:54 | |
So we're now here in the balcony where, back in the ye olde days of music hall, | 0:11:54 | 0:11:58 | |
the landowners would live and throw meat and butlers onto the poor. | 0:11:58 | 0:12:04 | |
But of course it's not like that now cos nobody can afford property in south London! | 0:12:04 | 0:12:10 | |
Anyhow, onwards and upwards, | 0:12:11 | 0:12:13 | |
one of the facets of the music hall industry is of course the magic act | 0:12:13 | 0:12:17 | |
or the prestidigitation as they used to call it then. | 0:12:17 | 0:12:20 | |
Quite rightly, people who practised it were burnt at the stake. | 0:12:20 | 0:12:24 | |
However, things have moved on and now magic is sexy and fabulous | 0:12:24 | 0:12:29 | |
and the kind of thing that makes ladies tingle downstairs. | 0:12:29 | 0:12:32 | |
If you don't believe me, look at these two young men coming on the stage now. | 0:12:32 | 0:12:36 | |
Please welcome the curious stylings of...Barry and Stuart! | 0:12:36 | 0:12:40 | |
CHEERING | 0:12:40 | 0:12:44 | |
It's Mr Barry Jones. | 0:12:53 | 0:12:56 | |
WOLF WHISTLE | 0:12:56 | 0:13:00 | |
6'3", two eyes, | 0:13:00 | 0:13:03 | |
only one functioning testicle. | 0:13:03 | 0:13:06 | |
With an emo haircut like that, it's clear to all that he's got a Myspace. | 0:13:08 | 0:13:12 | |
The thing is that he's only got one friend - Horny For Love, 69. | 0:13:15 | 0:13:20 | |
That's his mum. | 0:13:20 | 0:13:21 | |
OMG! | 0:13:22 | 0:13:24 | |
Barry also likes to think of himself as a bit of an artist. | 0:13:24 | 0:13:28 | |
Tosser. | 0:13:28 | 0:13:30 | |
He spends many a lonely night staring at a blank canvas, waiting for inspiration to strike. | 0:13:30 | 0:13:36 | |
Oh, look, he's found a muse - a girl down at the front. | 0:13:36 | 0:13:40 | |
He throws her the flower. | 0:13:40 | 0:13:43 | |
Gives her a smile. | 0:13:43 | 0:13:44 | |
She flashes Barry her right breast. | 0:13:44 | 0:13:47 | |
In her mind. | 0:13:58 | 0:14:00 | |
Barry takes that inspiration and furiously lets his creativity spill forth onto the page. | 0:14:00 | 0:14:06 | |
He draws the most beautiful thing humanity has ever beheld. | 0:14:06 | 0:14:09 | |
A circle. Does the circle represent the artist's empty soul? | 0:14:12 | 0:14:17 | |
Does it represent the cyclical nature of reality? | 0:14:17 | 0:14:20 | |
Or is it just a massive tit? | 0:14:20 | 0:14:22 | |
He decides to add some detail - some shapes up there, | 0:14:25 | 0:14:28 | |
some shading and texture down there. | 0:14:28 | 0:14:30 | |
It makes his drawing almost lifelike. | 0:14:30 | 0:14:33 | |
He now gives his work a name, the usual pretentious name will do, | 0:14:36 | 0:14:39 | |
Untitled 1 or something like that. | 0:14:39 | 0:14:42 | |
Oh, look, he's calling it Bowling Ball. How enigmatic(!) | 0:14:42 | 0:14:45 | |
Displeased with his design, he covers it up. | 0:14:45 | 0:14:49 | |
He spirals downwards into a state of manic depression. | 0:14:49 | 0:14:53 | |
He decides to give up drawing and takes up sculpture. | 0:14:53 | 0:14:56 | |
Ohhh! CHEERING AND APPLAUSE | 0:14:57 | 0:14:59 | |
Barry! | 0:14:59 | 0:15:01 | |
That's Barry Jones there, also available in straight. | 0:15:11 | 0:15:14 | |
Please make some noise for king AND queen of the hermaphrodites, Stuart! | 0:15:17 | 0:15:22 | |
CHEERING, HORSE NEIGHS | 0:15:22 | 0:15:25 | |
5'8". Arms like Samson. Face like broken Ryvita crackers. | 0:15:28 | 0:15:34 | |
Stuart is the keeper of puzzles, | 0:15:34 | 0:15:37 | |
many of which he keeps... in his mouth. | 0:15:37 | 0:15:40 | |
CHEERING AND APPLAUSE | 0:15:43 | 0:15:47 | |
His favourite puzzle of all is the Rubik's Cube, | 0:15:48 | 0:15:51 | |
except when they're all mixed up. | 0:15:51 | 0:15:54 | |
That mix of colours just gives Stuart a headache. | 0:15:54 | 0:15:57 | |
And although he likes to think himself the keeper of puzzles, | 0:15:57 | 0:16:00 | |
he's certainly not the solver of them, | 0:16:00 | 0:16:03 | |
for every time he moves the bits around, the puzzle remains completely mixed up. | 0:16:03 | 0:16:08 | |
So he has to cheat. | 0:16:08 | 0:16:10 | |
He uses his magic to solve the cube in mid-air. | 0:16:10 | 0:16:13 | |
CHEERING AND APPLAUSE | 0:16:13 | 0:16:15 | |
A feat so impressive that the girl at the front shows Stuart her right breast. | 0:16:23 | 0:16:28 | |
Come on, it was worth a try! | 0:16:30 | 0:16:32 | |
Then, overcome with the guilt of using his magic to solve the Rubik's Cube, | 0:16:32 | 0:16:37 | |
he pretends the whole thing never happened | 0:16:37 | 0:16:39 | |
and he just makes the cube...disappear. | 0:16:39 | 0:16:43 | |
CHEERING AND APPLAUSE | 0:16:43 | 0:16:47 | |
That's Stuart! | 0:16:48 | 0:16:49 | |
CHEERING | 0:16:49 | 0:16:53 | |
Thanks. Right, we're gonna need a willing volunteer from the crowd. | 0:16:55 | 0:16:59 | |
Me! | 0:16:59 | 0:17:02 | |
Now, we understand it can be quite stressful coming up here what with the lights and all the people | 0:17:03 | 0:17:09 | |
and the cameras so you, sir, you right there, make your way to the stage. | 0:17:09 | 0:17:13 | |
Keeps your hands where we can see them. Give him a round of applause! | 0:17:13 | 0:17:16 | |
CHEERING | 0:17:16 | 0:17:19 | |
Come on, come up the stairs. | 0:17:19 | 0:17:21 | |
Keep moving, a little faster than that. | 0:17:21 | 0:17:23 | |
Stand right there. | 0:17:23 | 0:17:25 | |
Right, you got a mobile phone on you? | 0:17:25 | 0:17:27 | |
You got a phone on you? Face the people! | 0:17:27 | 0:17:30 | |
Take it out or we'll kick your nuts right off. | 0:17:30 | 0:17:33 | |
Yeah, then we'll stamp on your empty scrotum. | 0:17:34 | 0:17:37 | |
Give him your phone or we'll give you a wet willy. | 0:17:37 | 0:17:41 | |
With a knife! Come on, give it here! | 0:17:41 | 0:17:44 | |
What you've just witnessed is a mugging. | 0:17:44 | 0:17:46 | |
Sorry about that one, Victim. | 0:17:50 | 0:17:53 | |
-But we did it to prove a point. -Why don't you tell them what that point is? -Love to. | 0:17:53 | 0:17:57 | |
The point is a pocket isn't a safe place to keep a mobile phone. | 0:17:57 | 0:18:02 | |
Where do you think's the safest place to keep your mobile? | 0:18:02 | 0:18:05 | |
Shoes? | 0:18:05 | 0:18:07 | |
-No. -It's inside you. -Right inside you. | 0:18:12 | 0:18:16 | |
You know, behind your skin. | 0:18:16 | 0:18:18 | |
-That's a pretty nifty shirt you've got on today. -Thanks. | 0:18:18 | 0:18:22 | |
-Where did you get that shirt from? -Oh, thank you. | 0:18:22 | 0:18:25 | |
It was Harry's House of Hetero-Retro Fashions. | 0:18:25 | 0:18:27 | |
Just next to Gary's Garage of Gay Garments, you'll know where that is. | 0:18:27 | 0:18:32 | |
-Was it expensive? -It was about £4,500. | 0:18:32 | 0:18:36 | |
-WOLF WHISTLE, CHEERING -Reasonable. | 0:18:36 | 0:18:39 | |
I don't know what you're worrying about. You don't look pigeon-chested. | 0:18:41 | 0:18:45 | |
-You look all right. -Come on, Barry, just hurry up. | 0:18:45 | 0:18:48 | |
Here's how we get your phone into his skin. | 0:18:48 | 0:18:51 | |
-You ready, Stuart? -Aye! | 0:18:51 | 0:18:53 | |
Aaaaaah! | 0:18:53 | 0:18:55 | |
Aaaaah! | 0:18:56 | 0:18:58 | |
-CHEERING AND APPLAUSE -Aaaaaaah! | 0:18:58 | 0:19:01 | |
Aaaaaah! | 0:19:04 | 0:19:05 | |
Aaaaaah! | 0:19:07 | 0:19:10 | |
Aaaaaah! | 0:19:10 | 0:19:12 | |
Thanks, Barry. Now your phone is somewhere near my liver. | 0:19:12 | 0:19:15 | |
To show you the phone's precise location, | 0:19:15 | 0:19:18 | |
we've conveniently brought along this X-ray machine. | 0:19:18 | 0:19:22 | |
Before the show started, I had a barium drink, | 0:19:22 | 0:19:26 | |
a special radioactive fluid. | 0:19:26 | 0:19:28 | |
It means that your phone should show up on an X-ray picture. | 0:19:28 | 0:19:31 | |
I've got this photographic plate | 0:19:31 | 0:19:33 | |
that means a picture will develop here, showing the exact location of your mobile phone. | 0:19:33 | 0:19:39 | |
-I'll just take an image now. -TING! | 0:19:39 | 0:19:42 | |
Oh! Barry, I think it's done. | 0:19:42 | 0:19:45 | |
Let's have a look. | 0:19:46 | 0:19:48 | |
Well, looking at that completely real and in no way fake picture, | 0:19:53 | 0:19:56 | |
I can tell that that mobile phone is poking right into your cock. | 0:19:56 | 0:20:02 | |
Potential victims - listen up. | 0:20:04 | 0:20:08 | |
This is the safest place in the world to keep your phone | 0:20:08 | 0:20:11 | |
because no mugger can get his hands on it. | 0:20:11 | 0:20:13 | |
After all, there is only one way you can get it out. | 0:20:13 | 0:20:16 | |
Do it, Barry. | 0:20:16 | 0:20:18 | |
Aaaaaah! | 0:20:18 | 0:20:20 | |
You've missed it. | 0:20:24 | 0:20:25 | |
I know I missed it! | 0:20:27 | 0:20:30 | |
Pull your arm out and try again. | 0:20:30 | 0:20:32 | |
I can't get my arm back, it's stuck. | 0:20:32 | 0:20:35 | |
Stuart, I'm gonna have to go forward. | 0:20:35 | 0:20:37 | |
Oh God! Aaaaah! | 0:20:37 | 0:20:38 | |
Shitting hell! | 0:20:38 | 0:20:40 | |
Aaaaah! | 0:20:40 | 0:20:42 | |
When was the last time you clipped your nails, man? | 0:20:42 | 0:20:46 | |
CHEERING AND APPLAUSE | 0:20:46 | 0:20:49 | |
Hey, I found your phone! | 0:20:51 | 0:20:53 | |
Take it, take it. | 0:20:53 | 0:20:55 | |
Is it your phone? | 0:20:57 | 0:20:59 | |
It is now! | 0:20:59 | 0:21:01 | |
All right, go back and sit down. | 0:21:01 | 0:21:03 | |
Yeah. Never again will you be called a victim. | 0:21:03 | 0:21:06 | |
CHEERING AND APPLAUSE | 0:21:06 | 0:21:09 | |
Right, Barry, could you get out of my stomach now? | 0:21:14 | 0:21:17 | |
You're on my bladder and I really need a piss. | 0:21:17 | 0:21:19 | |
-All right, but I think we should make a big thing of this. -What do you mean? | 0:21:19 | 0:21:23 | |
-Like a grand finale. -Like a grand ending with music and lights? | 0:21:23 | 0:21:27 | |
-Yeah, one of them. -All right. | 0:21:27 | 0:21:29 | |
FANFARE | 0:21:29 | 0:21:32 | |
Stuart...I'm going to do a back flip! | 0:21:34 | 0:21:37 | |
A back flip? Wow! | 0:21:37 | 0:21:38 | |
CHEERING | 0:21:42 | 0:21:46 | |
This is exactly what it would have been like back in those days | 0:22:07 | 0:22:10 | |
and one of the reasons we at the BBC thought it'd be great if we revived the music halls tradition. | 0:22:10 | 0:22:16 | |
I don't know if any of you read the papers, | 0:22:16 | 0:22:18 | |
but TB and syphilis are back so why not music hall as well to give that authentic feeling? | 0:22:18 | 0:22:24 | |
For your delight, on the stage now, ladies and gentlemen, | 0:22:24 | 0:22:28 | |
a man who describes himself as Britain's most wanted children's act. | 0:22:28 | 0:22:32 | |
Would you please welcome to the stage...Mr Jeremy Lion! | 0:22:32 | 0:22:37 | |
CHEERING AND APPLAUSE | 0:22:37 | 0:22:40 | |
Thank you, thank you. Thank you. | 0:22:45 | 0:22:48 | |
Good evening. My name is... HE BELCHES | 0:22:48 | 0:22:52 | |
My name is Jeremy Lion... | 0:22:52 | 0:22:55 | |
..children's entertainer! | 0:22:56 | 0:22:58 | |
HE BELCHES | 0:22:58 | 0:23:00 | |
It is an extraordinary pleasure for me to be here this evening | 0:23:02 | 0:23:05 | |
in this wonderful Edwardian theatre/leisure centre... HE BELCHES | 0:23:05 | 0:23:10 | |
..to perform for you in my capacity as... | 0:23:10 | 0:23:14 | |
HE BELCHES Jesus! | 0:23:14 | 0:23:15 | |
I'm gonna stop and apologise for a second. | 0:23:15 | 0:23:19 | |
I've got a tiny pocket of wind trapped just below my ribs. | 0:23:19 | 0:23:24 | |
I don't normally get that sort of... HE BELCHES | 0:23:24 | 0:23:27 | |
I'm not entirely sure where that's come from. Earlier on this morning, | 0:23:28 | 0:23:34 | |
I ate 142 mint Poppets for a bet with my hairdresser | 0:23:34 | 0:23:40 | |
and one of them appears to have... HE BELCHES | 0:23:40 | 0:23:42 | |
..to have become lodged just below my sternum, | 0:23:42 | 0:23:45 | |
so apologies for that. | 0:23:45 | 0:23:47 | |
It's causing me some... HE BELCHES ..discomfort. | 0:23:47 | 0:23:51 | |
Now, I'm going to sing a special children's counting song. | 0:23:51 | 0:23:55 | |
A special treat for you. I shall be joined on stage and please welcome him... | 0:23:55 | 0:23:59 | |
HE BELCHES Please welcome him onto the stage, | 0:23:59 | 0:24:02 | |
my pianist, Mr Leslie Keyworth! | 0:24:02 | 0:24:05 | |
Come on, Leslie, on you come! CHEERING AND APPLAUSE | 0:24:05 | 0:24:07 | |
We thought we'd do something rather special for you. | 0:24:13 | 0:24:16 | |
It's Edwardian, it's music hall. | 0:24:16 | 0:24:18 | |
Now, let us take you forward in time for a bit of a festive treat. | 0:24:18 | 0:24:22 | |
It's Christmas! | 0:24:22 | 0:24:23 | |
Ladies and gentlemen, please raise a glass of mulled wine with me | 0:24:27 | 0:24:30 | |
as I sing... HE BELCHES Jesus! | 0:24:30 | 0:24:32 | |
You'd think a Poppet would melt after six hours! | 0:24:32 | 0:24:36 | |
Raise a glass as I sing for you all my beautiful children's counting classic, | 0:24:36 | 0:24:40 | |
The Twelve Days of Christmas. Thank you, Leslie. | 0:24:40 | 0:24:43 | |
# On the first day of Christmas My true love sent to me | 0:24:43 | 0:24:47 | |
# A partridge in a pear tree... # | 0:24:47 | 0:24:50 | |
CHEERING | 0:24:50 | 0:24:53 | |
# On the second day of Christmas My true love sent to me | 0:24:55 | 0:24:58 | |
# Two turtle doves and a partridge in a pear tree... # | 0:24:58 | 0:25:02 | |
CHEERING | 0:25:02 | 0:25:05 | |
You see how it works. | 0:25:05 | 0:25:07 | |
# On the third day of Christmas My true love sent to me | 0:25:09 | 0:25:13 | |
# Three French hens, two turtle doves and a partridge... | 0:25:13 | 0:25:17 | |
# On the fourth day of Christmas My true love sent to me | 0:25:19 | 0:25:22 | |
# Four calling birds Three French hens | 0:25:23 | 0:25:26 | |
# Two French hens and a partridge... # | 0:25:26 | 0:25:29 | |
# On the fifth day of Christmas My true love sent to me | 0:25:34 | 0:25:38 | |
# FIVE GOLD RINGS! | 0:25:38 | 0:25:43 | |
# Four calling birds Three French hens | 0:25:43 | 0:25:45 | |
# Two and a partridge... # | 0:25:45 | 0:25:48 | |
Let's go! | 0:25:50 | 0:25:51 | |
# On the sixth day of Christmas My true love sent... # | 0:25:51 | 0:25:55 | |
-HE BELCHES What's six? -Geese. -Are you sure? | 0:25:55 | 0:25:57 | |
-I'm not sure it's geese. -It says "geese". | 0:25:57 | 0:26:01 | |
# Six geese a-milking | 0:26:01 | 0:26:03 | |
# FIVE GOLD RINGS! | 0:26:03 | 0:26:07 | |
# Four boiling cans Three bent hens | 0:26:07 | 0:26:10 | |
# Two turtles' heads and... # | 0:26:10 | 0:26:13 | |
# On the seventh day of Christmas My true love sent to me... # | 0:26:15 | 0:26:18 | |
HE BELCHES | 0:26:18 | 0:26:20 | |
# Seven brides for seven brothers | 0:26:21 | 0:26:23 | |
# Six milky geese | 0:26:23 | 0:26:26 | |
# FIVE GOLD RINGS! | 0:26:26 | 0:26:30 | |
# Four boiling cans Three bent pens | 0:26:30 | 0:26:34 | |
# Two furry gloves and a partridge... # | 0:26:34 | 0:26:36 | |
Spot-on! HE BELCHES | 0:26:37 | 0:26:40 | |
-What are we on, four? -Eight. | 0:26:40 | 0:26:42 | |
# On the eighth day of Christmas My true love sent to me... # | 0:26:42 | 0:26:46 | |
# Eight legs on a spider | 0:26:50 | 0:26:53 | |
# Seven legs on a weirdo | 0:26:54 | 0:26:57 | |
# Six legs on an insect | 0:26:58 | 0:27:00 | |
# FIVE GOLD RINGS! | 0:27:00 | 0:27:04 | |
# Four legs on a table | 0:27:04 | 0:27:07 | |
# Three on a stool | 0:27:07 | 0:27:09 | |
# Two on a cat | 0:27:09 | 0:27:11 | |
# And a partridge... # | 0:27:11 | 0:27:12 | |
-On a cat? -Yes, on a cat! | 0:27:15 | 0:27:17 | |
If it was on its hind legs, boxing. | 0:27:18 | 0:27:21 | |
Must you question everything I do? | 0:27:22 | 0:27:25 | |
-What are we on, four? -Ten. | 0:27:25 | 0:27:28 | |
# On the tenth day of Christmas My true love sent to me... # | 0:27:28 | 0:27:32 | |
# The Ten O'Clock News | 0:27:34 | 0:27:36 | |
# The Nine O'Clock News | 0:27:36 | 0:27:38 | |
# Eight O'Clock News The Seven O'Clock News | 0:27:38 | 0:27:41 | |
# Six O'Clock News | 0:27:41 | 0:27:42 | |
# FIVE GOLD RINGS! | 0:27:42 | 0:27:45 | |
# Four O'Clock News The Two O'Clock News | 0:27:45 | 0:27:47 | |
# And some news about a partridge. # | 0:27:47 | 0:27:50 | |
I got a bit lost there but I don't think anyone noticed. | 0:27:52 | 0:27:56 | |
-LAUGHTER -Eleven. | 0:27:56 | 0:27:58 | |
# On the eleventh day of Christmas My true love sent to me... # | 0:27:58 | 0:28:01 | |
HE BELCHES | 0:28:01 | 0:28:03 | |
# Oceans Eleven... # | 0:28:04 | 0:28:07 | |
LAUGHTER | 0:28:07 | 0:28:09 | |
# Ten with Bo Derek | 0:28:09 | 0:28:10 | |
# Nine and a half weeks | 0:28:10 | 0:28:12 | |
# Police Academy Eight | 0:28:14 | 0:28:16 | |
# Uh...Seven with Brad Pitt | 0:28:16 | 0:28:18 | |
# Six Degrees of Separation | 0:28:18 | 0:28:21 | |
# FIVE GOLD RINGS | 0:28:21 | 0:28:25 | |
# Four a Few Dollars More | 0:28:25 | 0:28:27 | |
# Three Musketeers | 0:28:27 | 0:28:29 | |
# Two-mb Raider And a partridge... # | 0:28:29 | 0:28:32 | |
We have now... | 0:28:37 | 0:28:38 | |
We have now reached... | 0:28:40 | 0:28:42 | |
..day twelve | 0:28:44 | 0:28:46 | |
of my twelve-step drinking challenge. | 0:28:46 | 0:28:49 | |
Raise your glasses as I sing for you now The Twelve Days of Christmas. | 0:28:50 | 0:28:55 | |
# On the twelfth day of Christmas My true love sent to me | 0:28:57 | 0:29:01 | |
# Twelve Angry Men | 0:29:01 | 0:29:03 | |
# Eleven legs on a spider on a stool | 0:29:05 | 0:29:08 | |
# Ten Angry Men | 0:29:13 | 0:29:15 | |
# Two of them have just calmed down | 0:29:15 | 0:29:18 | |
# Nine years since she left | 0:29:21 | 0:29:24 | |
# Eight Angry Men | 0:29:27 | 0:29:29 | |
# Two of them found some Prozac in a bin | 0:29:29 | 0:29:33 | |
# Seven legs on a buggered spider | 0:29:36 | 0:29:38 | |
# Six of your fucking geese | 0:29:40 | 0:29:43 | |
# FIVE GOLD RINGS... # | 0:29:45 | 0:29:49 | |
Count me down! | 0:29:49 | 0:29:51 | |
Four... | 0:29:51 | 0:29:52 | |
Three... | 0:29:52 | 0:29:54 | |
Two... | 0:29:54 | 0:29:56 | |
ALL: # And a partridge in a pear tree. # | 0:29:56 | 0:30:03 | |
Merry Christmas and good night to all. | 0:30:07 | 0:30:11 | |
Hello, my marvellous music hall muppets. | 0:30:21 | 0:30:26 | |
Good evening, how are you? | 0:30:26 | 0:30:28 | |
Now...time for some music. I know what you're thinking. | 0:30:28 | 0:30:32 | |
"Has he booked Lily Allen?" | 0:30:32 | 0:30:34 | |
No. I've placed Lily Allen in a hessian sack... | 0:30:34 | 0:30:38 | |
in an arch under Waterloo | 0:30:38 | 0:30:41 | |
and made her promise that she will no longer taint the world | 0:30:41 | 0:30:45 | |
with her dreadful Mockney bollocks. | 0:30:45 | 0:30:47 | |
CHEERING AND JEERING | 0:30:47 | 0:30:49 | |
-MOCKNEY ACCENT: -I go round town and it looks nice | 0:30:52 | 0:30:54 | |
And then I think, "No, it's not" | 0:30:54 | 0:30:56 | |
I get a bit tired then and I rely on my dad's career to make me famous | 0:30:56 | 0:31:00 | |
Na-na-na. | 0:31:00 | 0:31:01 | |
-CHEERING -No, ladies and gentlemen, | 0:31:01 | 0:31:03 | |
you will not have to tolerate any such nonsense. | 0:31:03 | 0:31:06 | |
Now would you welcome the achingly talented, | 0:31:06 | 0:31:10 | |
the wonderful, the beautiful Mr Hudson and the Library. | 0:31:10 | 0:31:14 | |
# I've read quite a few of the books that you see | 0:31:20 | 0:31:23 | |
# High on the shelves of this library | 0:31:23 | 0:31:27 | |
# They teach me how to think | 0:31:27 | 0:31:30 | |
# But now I think too much | 0:31:30 | 0:31:32 | |
# Much too much | 0:31:32 | 0:31:34 | |
# Something's not right There's a hole in my life | 0:31:34 | 0:31:39 | |
# So I wander the clubs Looking for some soul, some life | 0:31:39 | 0:31:42 | |
# All I find is you | 0:31:42 | 0:31:45 | |
# But you make me laugh | 0:31:47 | 0:31:49 | |
# And that's a start | 0:31:49 | 0:31:51 | |
# You ask me | 0:31:51 | 0:31:52 | |
# What tune is this? | 0:31:52 | 0:31:55 | |
# I don't know but I like it | 0:31:55 | 0:31:58 | |
# I like it | 0:31:58 | 0:32:01 | |
# If you ask the DJ | 0:32:01 | 0:32:03 | |
# On Monday I'll buy you it | 0:32:03 | 0:32:06 | |
# What tune is this? | 0:32:08 | 0:32:10 | |
# My neighbours won't like it | 0:32:10 | 0:32:13 | |
# My neighbours won't like it | 0:32:13 | 0:32:16 | |
# Don't | 0:32:16 | 0:32:17 | |
# Don't, darling, leave | 0:32:17 | 0:32:21 | |
# Roll down the steps for the annual ball | 0:32:23 | 0:32:27 | |
# Watch out, boys divide And heads line the wall | 0:32:27 | 0:32:30 | |
# All I see is you | 0:32:30 | 0:32:33 | |
# You know she drinks too much | 0:32:34 | 0:32:36 | |
# Well, then, I talk too much | 0:32:36 | 0:32:38 | |
# Something's not right There's a hole in my life | 0:32:38 | 0:32:42 | |
# I wander the Grand Looking for some soul and some life | 0:32:42 | 0:32:46 | |
# But all I find is you | 0:32:46 | 0:32:48 | |
# And you make me laugh | 0:32:48 | 0:32:51 | |
# That's a start | 0:32:51 | 0:32:53 | |
# You ask me | 0:32:55 | 0:32:56 | |
# What tune is this? | 0:32:56 | 0:32:58 | |
# I don't know but I like it | 0:32:58 | 0:33:01 | |
# I like it | 0:33:01 | 0:33:04 | |
# If you ask the DJ | 0:33:04 | 0:33:06 | |
# On Monday I'll buy you it | 0:33:06 | 0:33:10 | |
# What tune is this? | 0:33:11 | 0:33:14 | |
# My neighbours despise it | 0:33:14 | 0:33:16 | |
# My neighbours won't like it | 0:33:16 | 0:33:19 | |
# If you ask the DJ | 0:33:19 | 0:33:21 | |
# On Monday I'll buy you it | 0:33:21 | 0:33:25 | |
# And then we'll dance through the yard | 0:33:25 | 0:33:28 | |
# Till the neighbours decide they don't like it | 0:33:28 | 0:33:32 | |
# We're gonna dance through the yard | 0:33:32 | 0:33:36 | |
# Till the neighbours decide they don't like it | 0:33:36 | 0:33:40 | |
# Oh, we're gonna dance through the yard | 0:33:40 | 0:33:43 | |
# Till the neighbours decide they don't like it | 0:33:43 | 0:33:47 | |
# We're gonna dance through the yard | 0:33:47 | 0:33:51 | |
# Till the neighbours decide they don't like it | 0:33:51 | 0:33:55 | |
# But who are we to care? | 0:33:55 | 0:33:57 | |
# What tune is this? # | 0:33:57 | 0:34:00 | |
CHEERING | 0:34:02 | 0:34:03 | |
Ladies and gentlemen, in the days of the music hall | 0:34:13 | 0:34:18 | |
it was Marie Lloyd who perhaps cornered the market in female filth. | 0:34:18 | 0:34:22 | |
She had a couple of songs... | 0:34:22 | 0:34:24 | |
She had one called She Sits Among The Cabbages And Peas. | 0:34:24 | 0:34:29 | |
LAUGHTER | 0:34:29 | 0:34:31 | |
And she had a recruiting song | 0:34:31 | 0:34:34 | |
about fancying a Scottish soldier called Oh, I Do Like a Cocky One in Khaki. | 0:34:34 | 0:34:40 | |
-LAUGHTER -I'm only hoping that things have moved on a little | 0:34:40 | 0:34:44 | |
as we present a lady to the stage, ladies and gentlemen. | 0:34:44 | 0:34:47 | |
-CHEERING -Welcome the wonderful comedy of Miss Jo Caulfield. | 0:34:47 | 0:34:53 | |
WHISTLING AND CHEERING | 0:34:53 | 0:34:56 | |
Thank you. | 0:34:59 | 0:35:02 | |
Wow! | 0:35:03 | 0:35:05 | |
I like that. That's lovely. Applause for walking. | 0:35:05 | 0:35:08 | |
I feel like Heather McCartney. | 0:35:08 | 0:35:10 | |
Oh, come on! | 0:35:10 | 0:35:13 | |
Am I the only person who thinks that woman should just shut the hell up? | 0:35:13 | 0:35:17 | |
CHEERING | 0:35:17 | 0:35:19 | |
You're going to get about 30 million | 0:35:19 | 0:35:21 | |
for shagging an old man for four years. Be happy! | 0:35:21 | 0:35:25 | |
LAUGHTER There's women all over the country | 0:35:25 | 0:35:27 | |
going, "I've been doing it for 20 and I'm going to get bugger all." | 0:35:27 | 0:35:31 | |
Now, I have to tell you | 0:35:31 | 0:35:33 | |
I did a very stupid thing on Saturday. | 0:35:33 | 0:35:36 | |
I went to my local shopping centre on a Saturday. | 0:35:36 | 0:35:39 | |
Stupid. I don't know if it's the same where you are. | 0:35:39 | 0:35:43 | |
Saturday, the place is packed with teenagers. | 0:35:43 | 0:35:46 | |
And their children. | 0:35:46 | 0:35:48 | |
Isn't it? | 0:35:48 | 0:35:50 | |
I hadn't been to one for a while. I went to an Argos. | 0:35:52 | 0:35:56 | |
People here been to an Argos? AUDIENCE: Yes. | 0:35:56 | 0:35:59 | |
People in the posh seats a bit confused possibly. | 0:35:59 | 0:36:02 | |
They're going, "Is it like John Lewis? I really don't know." | 0:36:02 | 0:36:06 | |
They're not sure. | 0:36:07 | 0:36:09 | |
If you've never been to one, you should go. | 0:36:09 | 0:36:12 | |
Because I'm sure you'd walk in and go, "What the hell is this place?!" | 0:36:12 | 0:36:17 | |
They're not like any other shops in the world. | 0:36:17 | 0:36:20 | |
For a start, I'm looking at the people, "This is weird." | 0:36:20 | 0:36:24 | |
Everyone's dressed for the gym but you know no-one's going. | 0:36:24 | 0:36:27 | |
Honest to God, I felt like phoning up Crimewatch UK. | 0:36:32 | 0:36:36 | |
"You know those people you're looking for? I've found them." | 0:36:36 | 0:36:41 | |
"No, all of them. Bring a van." | 0:36:42 | 0:36:45 | |
"Hurry. They're distracted. They're looking at catalogues." | 0:36:45 | 0:36:49 | |
It's a weirdly complicated system because you have to fill in the form, | 0:36:49 | 0:36:53 | |
then you take the form, queue up, you get a number, | 0:36:53 | 0:36:57 | |
then you have to queue up and wait for the number to be called. | 0:36:57 | 0:37:00 | |
But everyone in there knows the system. | 0:37:00 | 0:37:03 | |
Because they designed it to be as much like signing on as possible. | 0:37:03 | 0:37:06 | |
It's genius, isn't it? | 0:37:14 | 0:37:16 | |
And they give them those little pens | 0:37:16 | 0:37:19 | |
so they think they're in the bookmaker's as well. | 0:37:19 | 0:37:22 | |
Amazingly, Argos, it's like Harrods for chavs. | 0:37:27 | 0:37:31 | |
That's what it is. | 0:37:31 | 0:37:33 | |
< WOMAN SQUEALS | 0:37:33 | 0:37:35 | |
Lady laughing at common people. Did you hear her? | 0:37:35 | 0:37:37 | |
I don't think this is a coincidence - they've got Argos opposite Pizza Hut. | 0:37:40 | 0:37:44 | |
That's wedding list, reception. | 0:37:44 | 0:37:47 | |
It's true. | 0:37:47 | 0:37:49 | |
CHEERING | 0:37:49 | 0:37:51 | |
Where I live I'm very lucky, I live between two supermarkets. | 0:37:55 | 0:37:58 | |
So I can go to both of them and I have a loyalty card for both of them. | 0:37:58 | 0:38:02 | |
I happened to be in Tesco's at the checkout | 0:38:02 | 0:38:05 | |
and by mistake I gave my Sainsbury's loyalty card. | 0:38:05 | 0:38:10 | |
AUDIENCE: Oooh! | 0:38:10 | 0:38:12 | |
God, you're loyal, aren't you? It's the club card room, isn't it? | 0:38:12 | 0:38:16 | |
So the checkout woman, she looked at the card, | 0:38:16 | 0:38:20 | |
she put it down. She looked at her own badge. | 0:38:20 | 0:38:25 | |
"Maybe I DO work in Sainsbury's." | 0:38:33 | 0:38:36 | |
I spoke to my mum today because I don't have caller ID. | 0:38:39 | 0:38:42 | |
LAUGHTER | 0:38:42 | 0:38:45 | |
I think she phoned as a subtle reminder because it's their anniversary coming up. | 0:38:51 | 0:38:55 | |
My parents will soon be married for 42 years. | 0:38:55 | 0:38:58 | |
That's a long time, isn't it? CHEERING | 0:38:58 | 0:39:01 | |
They met when they were at school. | 0:39:01 | 0:39:03 | |
AUDIENCE: Aww! It's sweet, isn't it? | 0:39:03 | 0:39:05 | |
Except my mum was six and my dad was the caretaker. | 0:39:05 | 0:39:08 | |
I'm very happily married to a Scotsman. He's a pussycat. | 0:39:10 | 0:39:14 | |
Well, he pisses in the corner and scratches the furniture. | 0:39:14 | 0:39:18 | |
But we're very happily married. | 0:39:18 | 0:39:20 | |
And even when you're happily married, you do have arguments, don't you? | 0:39:20 | 0:39:24 | |
Cos men are annoying. | 0:39:24 | 0:39:26 | |
We had this row the other day. This was a really stupid argument. | 0:39:29 | 0:39:33 | |
Because he thought that he could win. | 0:39:33 | 0:39:36 | |
Arguing's different for men and women. | 0:39:38 | 0:39:41 | |
For women, the best bit of the argument is always the beginning. | 0:39:41 | 0:39:45 | |
When we start it. Isn't it? | 0:39:45 | 0:39:47 | |
The look of surprise on his face. | 0:39:48 | 0:39:51 | |
Cos we've been working on this for a couple of days, haven't we? | 0:39:52 | 0:39:56 | |
He's just an innocent. | 0:39:56 | 0:39:58 | |
He goes, "I was just watching Dragons' Den. I've done nothing. What?" | 0:39:58 | 0:40:03 | |
And we've got our clipboard of reasons. | 0:40:05 | 0:40:07 | |
Some of which date back many years. | 0:40:09 | 0:40:11 | |
This is what we had a row about. I was listening in to a conversation. | 0:40:15 | 0:40:19 | |
How many here listen to other people's conversations? | 0:40:19 | 0:40:21 | |
AUDIENCE SHOUTS Yes. Oh, and some men. Usually it's just women. | 0:40:21 | 0:40:25 | |
If I'm on a bus, I can go ten miles out of my way if it's a good conversation. | 0:40:25 | 0:40:31 | |
But I overheard this conversation. It was two men. | 0:40:32 | 0:40:34 | |
They were talking about a woman. | 0:40:34 | 0:40:36 | |
One of then said, "She's no oil painting | 0:40:36 | 0:40:39 | |
"but you don't look at the mantelpiece when you're poking the fire." | 0:40:39 | 0:40:44 | |
WHISTLING AND CHEERING | 0:40:44 | 0:40:45 | |
Don't laugh! Terrible, terrible, terrible. | 0:40:45 | 0:40:48 | |
That's what we argued about cos I said women wouldn't talk like that. | 0:40:48 | 0:40:52 | |
I don't know what the female equivalent is. | 0:40:52 | 0:40:55 | |
I've never heard a woman say, "He's no oil painting | 0:40:55 | 0:40:57 | |
"but you don't look at the butcher when you're eating the sausage." | 0:40:57 | 0:41:01 | |
LAUGHTER AND CHEERING | 0:41:01 | 0:41:04 | |
Well, I'm going to have to leave you, | 0:41:07 | 0:41:09 | |
because I... AUDIENCE: Aw! | 0:41:09 | 0:41:12 | |
No, I'm a little bit uncomfortable because I've just come from a waxing. | 0:41:12 | 0:41:16 | |
And... Yeah, my back is killing me. | 0:41:16 | 0:41:19 | |
Thanks very much, ladies and gentlemen. Good night. | 0:41:19 | 0:41:23 | |
Ladies and gentlemen... | 0:41:34 | 0:41:36 | |
in Edwardian times, | 0:41:36 | 0:41:39 | |
music hall was both educational and entertaining | 0:41:39 | 0:41:42 | |
and involved a truly staggering amount of gin. | 0:41:42 | 0:41:46 | |
LAUGHTER | 0:41:46 | 0:41:47 | |
Much of which I've been indulging in this evening | 0:41:47 | 0:41:50 | |
as has become evident as the evening has passed by. | 0:41:50 | 0:41:53 | |
However, through the poverty-stricken, haggish miasma | 0:41:53 | 0:41:58 | |
which you have recreated so beautifully for us this evening, | 0:41:58 | 0:42:01 | |
there was still time for education and enlightenment. | 0:42:01 | 0:42:05 | |
And that is what we're going to bring to the stage now. | 0:42:05 | 0:42:08 | |
Would you please welcome, for your elucidation, | 0:42:08 | 0:42:11 | |
from post-Revolutionary France, | 0:42:11 | 0:42:13 | |
the wonderful Messrs Harry Enfield and Marek Larwood. | 0:42:13 | 0:42:16 | |
CHEERING AND APPLAUSE | 0:42:16 | 0:42:18 | |
LOUD HOOT | 0:42:26 | 0:42:28 | |
Ladies and gentlemen, we are Mr Enfield and Mr Larwood | 0:42:30 | 0:42:33 | |
from the world-famous act Mr Enfield and Mr Larwood, They Fill the Stage with Scenes from History. | 0:42:33 | 0:42:41 | |
CHEERING | 0:42:41 | 0:42:42 | |
And tonight for your entertainment we would like to fill the stage | 0:42:43 | 0:42:48 | |
with the tale of the Emperor's New Clothes. | 0:42:48 | 0:42:52 | |
MUSIC: The Marseillaise | 0:42:52 | 0:42:54 | |
FRENCH ACCENT: I am the Emperor Napoleon. | 0:42:58 | 0:43:01 | |
Emperor of France and conqueror of Europe. | 0:43:01 | 0:43:05 | |
And I'm on my way to see my fabulous tailor. | 0:43:05 | 0:43:07 | |
Hello, Mr Lagerfeld. | 0:43:11 | 0:43:12 | |
-Bonjour. -LAUGHTER | 0:43:12 | 0:43:14 | |
Bonjour, Emperor Napoleon. How may I help you? | 0:43:14 | 0:43:19 | |
I would like some new clothes, please. | 0:43:19 | 0:43:22 | |
I don't like these clothes any more. | 0:43:22 | 0:43:25 | |
I look like an upside-down ship's anchor. | 0:43:25 | 0:43:28 | |
-But I designed this look for you. -I know. | 0:43:30 | 0:43:34 | |
And the whole of France followed my look | 0:43:34 | 0:43:36 | |
and the rest of Europe giggled. | 0:43:36 | 0:43:39 | |
They say we French are a nation of complete and utter anchors. | 0:43:39 | 0:43:44 | |
LAUGHTER | 0:43:44 | 0:43:46 | |
APPLAUSE | 0:43:47 | 0:43:49 | |
-So you would like a new suit. -Yes, please. -I'll measure you. | 0:43:52 | 0:43:57 | |
-You take off your clothes. -OK. | 0:43:57 | 0:43:59 | |
AUDIENCE HOOTS | 0:43:59 | 0:44:02 | |
Emperor, tell me, how was Moscow? | 0:44:05 | 0:44:09 | |
Oh, it was very cold. | 0:44:09 | 0:44:11 | |
I don't like it when it is very cold. | 0:44:11 | 0:44:14 | |
It makes my penis shrink. | 0:44:14 | 0:44:16 | |
Emperor, do you know your shoe size? | 0:44:20 | 0:44:22 | |
My shoe size? Yes. It is one. | 0:44:22 | 0:44:25 | |
Although... | 0:44:25 | 0:44:27 | |
I can slip into a lady's number two when push comes to shove. | 0:44:27 | 0:44:33 | |
You are very accommodating. | 0:44:33 | 0:44:35 | |
Very accommodating. | 0:44:35 | 0:44:37 | |
AUDIENCE SQUEALS | 0:44:40 | 0:44:42 | |
So... | 0:44:48 | 0:44:50 | |
OK, I am ready to measure you. | 0:44:50 | 0:44:53 | |
You want to measure my inside leg? | 0:44:53 | 0:44:55 | |
This one or this one? | 0:44:57 | 0:44:59 | |
Actually, I do not need to measure. | 0:45:01 | 0:45:04 | |
-What?! -There! There is your new suit. | 0:45:04 | 0:45:07 | |
It is very pretty. | 0:45:07 | 0:45:09 | |
-But I am naked. -No, no. | 0:45:09 | 0:45:12 | |
No, it is a very, very fine mix of silk and polyester. | 0:45:12 | 0:45:18 | |
See how the people of France admire their emperor and his new clothes. | 0:45:18 | 0:45:23 | |
AUDIENCE WHISTLES AND CHEERS | 0:45:23 | 0:45:27 | |
People of France, admire my new clothes. | 0:45:31 | 0:45:36 | |
Josephine... | 0:45:40 | 0:45:41 | |
..you know I said not tonight? I changed my mind. | 0:45:42 | 0:45:47 | |
I am very pleased with my new clothes. | 0:45:49 | 0:45:52 | |
-Thank you, Mr Lagerfeld. -You're welcome. Have a nice day. -Thank you. | 0:45:52 | 0:45:56 | |
I'm off to Waterloo. | 0:45:56 | 0:45:57 | |
Watch out for Wellington. They say he looks forward to fighting you. | 0:45:57 | 0:46:03 | |
Wellington fight me? | 0:46:03 | 0:46:05 | |
Pah! He hasn't got the balls. | 0:46:05 | 0:46:08 | |
LAUGHTER AND APPLAUSE | 0:46:09 | 0:46:11 | |
Hello. | 0:46:19 | 0:46:20 | |
Hello, everybody down there, again. | 0:46:20 | 0:46:23 | |
Hello! | 0:46:23 | 0:46:24 | |
Just before the show, I went to an Italian restaurant | 0:46:24 | 0:46:29 | |
and I said to the waiter, "Excuse me, mate, do you do ciabatta?" | 0:46:29 | 0:46:32 | |
And he went, "I'll have a go, sir." | 0:46:32 | 0:46:34 | |
HE IMITATES CHEWBACCA | 0:46:34 | 0:46:36 | |
Star Wars, love. It's a film. | 0:46:39 | 0:46:41 | |
Some people just don't keep up. | 0:46:42 | 0:46:44 | |
Travelling abroad is something the students now do and they love it. | 0:46:44 | 0:46:49 | |
They did it back in the age of the music hall | 0:46:49 | 0:46:51 | |
and they called it World War One. | 0:46:51 | 0:46:53 | |
Coming onto the stage now, boys and girls, | 0:46:53 | 0:46:57 | |
is a man I like to think of as a true global village idiot. | 0:46:57 | 0:47:00 | |
A man who disproves that travel broadens the mind, | 0:47:00 | 0:47:03 | |
the unique stylings, ladies and gentlemen - | 0:47:03 | 0:47:06 | |
a slag show from Giles Wemmbley-Hogg. | 0:47:06 | 0:47:10 | |
CHEERING AND APPLAUSE | 0:47:10 | 0:47:12 | |
# Ah-oh-mm-mm-mm-mm-mm | 0:47:17 | 0:47:21 | |
# Mmmm-mm-mm-mm-mm-mm | 0:47:21 | 0:47:25 | |
# Mmm-waa-aa-aa-aa-aa. # | 0:47:25 | 0:47:27 | |
Hello. | 0:47:27 | 0:47:29 | |
I'm Giles Wemmbley-Hogg. | 0:47:29 | 0:47:31 | |
Two M's, two G's. | 0:47:31 | 0:47:33 | |
From Budleigh Salterton. | 0:47:33 | 0:47:35 | |
Now, how many of you here went to university? | 0:47:35 | 0:47:38 | |
SOME SHOUT, SOME WHOOP | 0:47:38 | 0:47:40 | |
You don't whoop if you've been to university. | 0:47:40 | 0:47:42 | |
Yours is a converted poly, my friend. | 0:47:42 | 0:47:46 | |
But that's not really the point. | 0:47:48 | 0:47:51 | |
Who here has been on a gap year? | 0:47:51 | 0:47:54 | |
SOME AUDIENCE REACTION | 0:47:54 | 0:47:55 | |
-POSH ACCENT -You've been on gap year? | 0:47:55 | 0:47:57 | |
Yah? | 0:47:57 | 0:47:58 | |
Yah. | 0:47:58 | 0:48:00 | |
-Where did you go for your gap year, madam? -To Southeast Asia. | 0:48:00 | 0:48:03 | |
To Southeast Asia. Of course you did. That's where we all go. | 0:48:03 | 0:48:07 | |
That's why I got this sarong. | 0:48:07 | 0:48:09 | |
Forgive me if there's a turtle head showing. | 0:48:09 | 0:48:12 | |
Um... | 0:48:12 | 0:48:13 | |
..I spent a bit of time in Southeast Asia | 0:48:14 | 0:48:17 | |
and it's wonderful. It really does change you. It broadens the mind. | 0:48:17 | 0:48:21 | |
I saw some amazing things over there. I saw a lot of poverty. | 0:48:21 | 0:48:25 | |
And, what's more, I've got it on video, so that's nice. | 0:48:25 | 0:48:29 | |
-LAUGHTER -You've got to bring something back. And, believe me, I did. | 0:48:29 | 0:48:33 | |
Amoebic dysentery. | 0:48:33 | 0:48:35 | |
Um... | 0:48:35 | 0:48:36 | |
No, I just think you haven't really understood the true nature of Southeast Asia | 0:48:36 | 0:48:40 | |
until you've fired pint after pint of boiling-hot, shitty magma down the back of your own legs. | 0:48:40 | 0:48:46 | |
I think that's when you've really absorbed the nature of the place. | 0:48:46 | 0:48:50 | |
But, you know, good times. | 0:48:50 | 0:48:53 | |
I want to recommend travel to all of you because it really can broaden your mind. | 0:48:53 | 0:48:58 | |
It can change your perspective. | 0:48:58 | 0:48:59 | |
When I went to Thailand... | 0:48:59 | 0:49:01 | |
I think one of the key things is to make sure you don't take too much stuff with you. | 0:49:01 | 0:49:06 | |
I was in Thailand for six weeks. You've got to pack small. | 0:49:06 | 0:49:09 | |
Lay your stuff out sensibly on a bed. Get a smaller bed if necessary. | 0:49:09 | 0:49:13 | |
Pop it all in a rucksack. | 0:49:13 | 0:49:14 | |
I'm going to show you what you might need for a six-week trip to Thailand. | 0:49:14 | 0:49:18 | |
This is my rucksack. This is all I took with me for six weeks. | 0:49:18 | 0:49:22 | |
OK, that's it. | 0:49:22 | 0:49:23 | |
Now the first four foot of that is corduroy trousers. | 0:49:25 | 0:49:29 | |
You're going to need those... | 0:49:29 | 0:49:30 | |
You're going to need those until you familiarise yourself with the sarong. | 0:49:30 | 0:49:34 | |
And from thereon in, you've got rugger tops, | 0:49:34 | 0:49:38 | |
sturdy walking boots and then space for as many sarongs as you can carry. | 0:49:38 | 0:49:43 | |
So there we go. That's what a person needs. | 0:49:43 | 0:49:46 | |
Now I'd like to share with you if I may | 0:49:46 | 0:49:49 | |
some of the slides I took on my wonderful trip around Thailand. | 0:49:49 | 0:49:53 | |
Trust me, I think you're going to be blown away by some of these. | 0:49:53 | 0:49:57 | |
Look at that. Isn't it wonderful? The old departure board. | 0:49:57 | 0:50:00 | |
All you have do when you get to the airport is locate the place that you're going to. | 0:50:00 | 0:50:04 | |
I missed it the first time round, but... | 0:50:04 | 0:50:07 | |
And then waiting room, classic. Skiddy chairs. | 0:50:07 | 0:50:11 | |
Very, very skiddy chairs. | 0:50:11 | 0:50:12 | |
Lot of fun. Didn't matter that the flight was seven hours delayed. | 0:50:12 | 0:50:16 | |
Er... | 0:50:16 | 0:50:18 | |
here we are. This is Thailand. | 0:50:18 | 0:50:20 | |
As you can see, Thailand Grand Invitation, Bangkok airport, | 0:50:20 | 0:50:23 | |
extraordinary duty-free. | 0:50:23 | 0:50:24 | |
Um...palace, | 0:50:24 | 0:50:26 | |
palace, | 0:50:26 | 0:50:27 | |
palace... | 0:50:27 | 0:50:29 | |
temple. | 0:50:29 | 0:50:30 | |
Here we are, baggage reclaim. | 0:50:30 | 0:50:32 | |
Now... | 0:50:32 | 0:50:33 | |
APPLAUSE | 0:50:33 | 0:50:35 | |
You're right. It's a goody, isn't it? | 0:50:35 | 0:50:38 | |
For an almost Third-World country, they've really nailed the old reclaim. | 0:50:38 | 0:50:42 | |
Got six of the buggers. | 0:50:42 | 0:50:44 | |
Your rucksack'll come out round there, unless you've got one like mine. | 0:50:44 | 0:50:48 | |
That comes out in a special section labelled "Travelling Twats". | 0:50:48 | 0:50:51 | |
Now not everything in the Thai airports is the same. | 0:50:53 | 0:50:56 | |
Have a look at this. | 0:50:56 | 0:50:57 | |
It's not racist to say that they're smaller than we are. | 0:50:58 | 0:51:02 | |
But that is absurd. It really is. | 0:51:02 | 0:51:05 | |
OK, what else have we got? | 0:51:05 | 0:51:06 | |
Ah, the tuktuk. This is how you'll be travelling around. | 0:51:07 | 0:51:11 | |
I find the easiest thing is to give the man your money in advance | 0:51:11 | 0:51:14 | |
and immediately wet your pants because that's what's gonna happen whilst you're on the tuktuk. | 0:51:14 | 0:51:20 | |
No idea. | 0:51:23 | 0:51:24 | |
A word about Thai food, if I may. | 0:51:26 | 0:51:28 | |
Don't. Don't. | 0:51:28 | 0:51:31 | |
Don't. OK? | 0:51:31 | 0:51:33 | |
That may look delicious | 0:51:34 | 0:51:36 | |
but it isn't. | 0:51:36 | 0:51:38 | |
Stick to Pad Thai. OK? | 0:51:38 | 0:51:40 | |
You know where you are with Pad Thai. | 0:51:40 | 0:51:42 | |
Palaces. To be honest, they shit them out over there. | 0:51:42 | 0:51:46 | |
Now this... | 0:51:46 | 0:51:47 | |
..this is just outside of Bangkok. | 0:51:49 | 0:51:53 | |
This is actually a Christian war memorial. | 0:51:53 | 0:51:56 | |
It's a cemetery. | 0:51:56 | 0:51:57 | |
And a very solemn place, very important for the Thai community. | 0:51:57 | 0:52:02 | |
Many people lost their relatives there. | 0:52:02 | 0:52:05 | |
Now I don't know how many of you ever played off-ground "it"... | 0:52:05 | 0:52:08 | |
-LAUGHTER -A few of you. | 0:52:08 | 0:52:10 | |
A few of you will have done. | 0:52:10 | 0:52:12 | |
Well, take it from me, if you're over there travelling with some of the bloody good blokes that I was, | 0:52:12 | 0:52:18 | |
you really can have a cracking good game of off-ground "it". | 0:52:18 | 0:52:22 | |
We were there for nearly 35 minutes before they kicked us out. | 0:52:22 | 0:52:25 | |
Wonderful, wonderful times. Learned a lot. | 0:52:25 | 0:52:28 | |
Oxford Street? | 0:52:29 | 0:52:30 | |
No, it's Bangkok. | 0:52:30 | 0:52:32 | |
Knock-knock, who's there? | 0:52:33 | 0:52:35 | |
Some sort of gargoyle. Wonderful. | 0:52:35 | 0:52:37 | |
Ah, interesting. | 0:52:37 | 0:52:39 | |
The wonderful sunsets - though, of course, it's a different hemisphere over there, | 0:52:39 | 0:52:43 | |
so when you think the sun is setting, it's actually rising. | 0:52:43 | 0:52:47 | |
And there we are back at the airport. | 0:52:49 | 0:52:51 | |
There's one picture which summarises my trip to Thailand more than any of the others. | 0:52:51 | 0:52:55 | |
I think I will always treasure this as my memory of Thailand. | 0:52:55 | 0:52:59 | |
And it's this... | 0:52:59 | 0:53:00 | |
Where's he going? Do you know what I mean? | 0:53:02 | 0:53:04 | |
Little airport buggy there. He's got one trailer. | 0:53:04 | 0:53:07 | |
I know my rucksack was in there. It never made the plane. | 0:53:07 | 0:53:10 | |
It's almost as if by the end of my six weeks they had something against people like me. | 0:53:10 | 0:53:15 | |
There's no reason to understand why that would be. | 0:53:15 | 0:53:18 | |
You've been very patient. I hope to see you on the road. | 0:53:18 | 0:53:21 | |
APPLAUSE AND CHEERING | 0:53:21 | 0:53:23 | |
Oh, the splendour! | 0:53:27 | 0:53:29 | |
Now music hall covered many bases. | 0:53:31 | 0:53:33 | |
Culturally just there, a marvellous, marvellous moment of entertainment | 0:53:33 | 0:53:38 | |
but they would also occasionally break for culture. | 0:53:38 | 0:53:42 | |
And I felt that it would be in keeping with the fine music-hall tradition we have here this evening | 0:53:42 | 0:53:47 | |
to give you a little culture, a little poetry. | 0:53:47 | 0:53:49 | |
I've written a poem. | 0:53:49 | 0:53:51 | |
WHOOPING AND APPLAUSE | 0:53:51 | 0:53:53 | |
It's about the time I met Paul McCartney. | 0:53:53 | 0:53:55 | |
It's a true story, word for word. | 0:53:55 | 0:53:57 | |
It's called He Loves You. | 0:53:58 | 0:54:00 | |
My nerves jangled and heart strangled | 0:54:03 | 0:54:06 | |
as I made my way towards the man who sang Hey Jude | 0:54:06 | 0:54:11 | |
Holding paper, grasping pen | 0:54:11 | 0:54:14 | |
going over lines again | 0:54:14 | 0:54:15 | |
as I approached the knight who gave us Blackbird | 0:54:15 | 0:54:18 | |
He stood alone, his Hofner bass in hand | 0:54:19 | 0:54:22 | |
deserted by his makeshift megaband | 0:54:22 | 0:54:25 | |
of Pirates, Purples and Pink Floyds | 0:54:25 | 0:54:27 | |
the boy from Penny Lane | 0:54:27 | 0:54:30 | |
As I drew near them | 0:54:30 | 0:54:32 | |
mop-top smiled | 0:54:32 | 0:54:33 | |
Before him stood the little child | 0:54:33 | 0:54:36 | |
who sang She Loves You | 0:54:36 | 0:54:37 | |
with his mum | 0:54:37 | 0:54:39 | |
Yeah, yeah, yeah | 0:54:39 | 0:54:41 | |
My nerves increased | 0:54:42 | 0:54:44 | |
Sir Paul at peace | 0:54:44 | 0:54:45 | |
calmed me down | 0:54:45 | 0:54:47 | |
with a friendly, "I know you. You're off the telly." | 0:54:47 | 0:54:51 | |
And without thinking | 0:54:51 | 0:54:53 | |
I replied, "And I know you, mate. You were in the fucking Beatles." | 0:54:53 | 0:54:58 | |
LAUGHTER AND APPLAUSE | 0:54:58 | 0:55:00 | |
But one man and one poem. | 0:55:03 | 0:55:06 | |
On the stage now, ladies and gentlemen, three voices meshed in harmony | 0:55:06 | 0:55:09 | |
like no others you have ever heard, | 0:55:09 | 0:55:12 | |
cock those listening ears open | 0:55:12 | 0:55:14 | |
for the unique stylings of the Puppini Sisters! | 0:55:14 | 0:55:18 | |
# And so you're back | 0:55:24 | 0:55:25 | |
# from outer space | 0:55:25 | 0:55:27 | |
# I just walked in to find you here | 0:55:27 | 0:55:29 | |
# with that sad look upon your face | 0:55:29 | 0:55:31 | |
# I should have changed my stupid lock | 0:55:31 | 0:55:33 | |
# I should have made you leave your key | 0:55:33 | 0:55:35 | |
# If I had known for just one second | 0:55:35 | 0:55:37 | |
# you'd be back to bother me | 0:55:37 | 0:55:39 | |
# Go on, now, go walk out the door | 0:55:39 | 0:55:42 | |
# just turn around now | 0:55:42 | 0:55:45 | |
# Cos you're not welcome any more | 0:55:45 | 0:55:47 | |
# Weren't you the one | 0:55:47 | 0:55:48 | |
# who tried to hurt me with goodbye? | 0:55:48 | 0:55:50 | |
# You think I'd crumble | 0:55:50 | 0:55:52 | |
# You think I'd lay down and die | 0:55:52 | 0:55:54 | |
# Oh, no, not I | 0:55:54 | 0:55:55 | |
# I will survive | 0:55:55 | 0:55:57 | |
# as long as I know how to love | 0:55:57 | 0:56:00 | |
# I know I'll stay alive | 0:56:00 | 0:56:01 | |
# Cos I've got all my life to live | 0:56:01 | 0:56:03 | |
# And I've got all my love to give | 0:56:03 | 0:56:05 | |
# And I'll survive | 0:56:05 | 0:56:07 | |
# I will survive | 0:56:07 | 0:56:13 | |
# Out on the wily, windy moors | 0:56:15 | 0:56:18 | |
# We'd roll and fall in green | 0:56:18 | 0:56:21 | |
# You had a temper like my jealousy | 0:56:23 | 0:56:27 | |
# Too hot, too greedy | 0:56:27 | 0:56:30 | |
# How could you leave me | 0:56:31 | 0:56:33 | |
# when I needed to possess you? | 0:56:33 | 0:56:36 | |
# I hated you | 0:56:36 | 0:56:39 | |
# I loved you, too | 0:56:39 | 0:56:40 | |
# Bad dreams in the night | 0:56:41 | 0:56:43 | |
# Ooh-ooh | 0:56:43 | 0:56:45 | |
# They told me I was going to lose the fight | 0:56:45 | 0:56:49 | |
# Leave behind my Wuthering, Wuthering | 0:56:49 | 0:56:52 | |
# Wuthering Heights | 0:56:52 | 0:56:54 | |
# Heathcliff, don't you know that it's me, it's Cathy? | 0:56:54 | 0:56:58 | |
# I've come home | 0:56:58 | 0:56:59 | |
# so cold, let me in-a-your window | 0:56:59 | 0:57:04 | |
# Da-da-da | 0:57:04 | 0:57:06 | |
# Heathcliff, don't you know that it's me, it's Cathy? | 0:57:06 | 0:57:10 | |
# I've come home | 0:57:10 | 0:57:11 | |
# So cold, let me in-a-your window | 0:57:11 | 0:57:16 | |
TEMPO CHANGES | 0:57:17 | 0:57:20 | |
# Bam, bam, bam, bam | 0:57:24 | 0:57:26 | |
# Bam, bam, bam, bam, bam, bam, bam, bam, bam, bam, bam, bam | 0:57:26 | 0:57:30 | |
# Once I had a love and it was a gas | 0:57:32 | 0:57:34 | |
# It soon turned out he had a heart of glass | 0:57:36 | 0:57:38 | |
# Seemed like the real thing | 0:57:40 | 0:57:41 | |
# only to find | 0:57:41 | 0:57:44 | |
# A bunch of mistrust | 0:57:44 | 0:57:45 | |
# love's gone behind | 0:57:45 | 0:57:46 | |
# In between... | 0:57:48 | 0:57:50 | |
# what I find is pleasing and I'm feeling fine | 0:57:50 | 0:57:53 | |
# Love is so confusing there's no piece of mind | 0:57:53 | 0:57:58 | |
# If I fear I'm losing you | 0:57:58 | 0:58:00 | |
# It's just no good | 0:58:00 | 0:58:02 | |
# you teasing me like you do | 0:58:02 | 0:58:04 | |
# Ooh-ooh | 0:58:04 | 0:58:07 | |
# Ooh-ooh | 0:58:09 | 0:58:11 | |
# Ooh-ooh | 0:58:13 | 0:58:15 | |
# Ooh-ooh | 0:58:17 | 0:58:19 | |
# Tu vuo' fa' l'Americano, mericano, mericano... | 0:58:22 | 0:58:26 | |
# sient'a me chi te fa-fa'? tu vuoi vivere alla moda | 0:58:26 | 0:58:29 | |
# ma se bevi whisky and soda po' te siente e disturba'... | 0:58:29 | 0:58:33 | |
# Tu a ball' a rock'n'roll tu giochi a baseball... | 0:58:33 | 0:58:37 | |
# ma e solde pe' Camel chi te li da? La borsetta di mamma!? | 0:58:37 | 0:58:41 | |
# Tu vuo' fa' l'Americano, mericano, mericano | 0:58:41 | 0:58:44 | |
# ma si' nato in Italy! | 0:58:44 | 0:58:46 | |
# sient' a me: nun ce sta niente 'a fa' OK, Napulitan! | 0:58:46 | 0:58:49 | |
# Tu vuo' fa' l'American tu vuo' fa' l'American! | 0:58:49 | 0:58:51 | |
# Tu vuo' fa' l'American. # Hey! | 0:58:51 | 0:58:53 | |
APPLAUSE Thank you! | 0:58:53 | 0:58:56 | |
Well, a gentleman, ladies and gentlemen, I'm going to announce to you now | 0:59:07 | 0:59:10 | |
has an astonishing CV in the world of variety entertainment. | 0:59:10 | 0:59:15 | |
He had a triumphant season at the Bankside Working Men's Club, Leeds, | 0:59:15 | 0:59:20 | |
in 1957. | 0:59:20 | 0:59:22 | |
Would you please welcome, still fresh as a daisy, from that triumph | 0:59:22 | 0:59:27 | |
the one and only Count Arthur Strong! | 0:59:27 | 0:59:31 | |
APPLAUSE | 0:59:31 | 0:59:32 | |
I shouldn't be having to bring this on. | 0:59:50 | 0:59:53 | |
It should be all set up for me. | 0:59:54 | 0:59:56 | |
There should be a team of people whose job it is to set all this up for us. | 0:59:56 | 1:00:02 | |
Remember that for another night... | 1:00:03 | 1:00:05 | |
..whosever job it is to remember that. | 1:00:06 | 1:00:09 | |
Ladies and gentlemen, | 1:00:19 | 1:00:21 | |
my name is Count Arthur Strong, | 1:00:21 | 1:00:23 | |
as you full well know, so don't start any of that up. | 1:00:23 | 1:00:28 | |
And this evening I was begoing to do for you | 1:00:31 | 1:00:34 | |
my wonderful memory man act of mine I do, | 1:00:34 | 1:00:38 | |
but unfortunately I am unable to find my turban when I'm doing it. | 1:00:38 | 1:00:44 | |
It's an orange one. | 1:00:44 | 1:00:47 | |
I had it at rehearsals this afternoon. | 1:00:47 | 1:00:50 | |
But I don't know what happened to it after that. | 1:00:50 | 1:00:52 | |
-It's behind you! -Oh! | 1:00:52 | 1:00:54 | |
Anyway, ladies and gentlemen, it's absolutely delightful for me | 1:00:59 | 1:01:04 | |
to be here before you this evening | 1:01:04 | 1:01:06 | |
as part of this contemporary, modern music-hall event | 1:01:06 | 1:01:10 | |
that the BBC or, as I sometimes call it for a joke, | 1:01:10 | 1:01:14 | |
the British Broadcasting Corporation... | 1:01:14 | 1:01:19 | |
LAUGHTER | 1:01:19 | 1:01:21 | |
Anyway, if I can get a word in, | 1:01:21 | 1:01:24 | |
I'm highly delighted to be part of it all. | 1:01:24 | 1:01:27 | |
And I'll tell you something, | 1:01:27 | 1:01:29 | |
they've struck gold dust picking me | 1:01:29 | 1:01:31 | |
because I am one of the few people that can remember what it was like first time round. | 1:01:31 | 1:01:36 | |
Oh, we had some wonderful acts in those days, | 1:01:36 | 1:01:40 | |
acts like, um... | 1:01:40 | 1:01:41 | |
Little Lenny Longarms | 1:01:41 | 1:01:44 | |
And His Very, Very Long Arms. | 1:01:44 | 1:01:48 | |
I tell you something, the things he could reach | 1:01:48 | 1:01:52 | |
was quite frightening | 1:01:52 | 1:01:54 | |
with those long arms | 1:01:54 | 1:01:57 | |
of his. | 1:01:57 | 1:01:58 | |
Who else was there? | 1:01:58 | 1:02:00 | |
Arnold... | 1:02:00 | 1:02:01 | |
Cheatham. | 1:02:01 | 1:02:02 | |
I forget what he did. | 1:02:02 | 1:02:05 | |
But his mother was deaf... | 1:02:05 | 1:02:08 | |
for all you aficionados out there. | 1:02:08 | 1:02:10 | |
Oh, and of course my favourite | 1:02:11 | 1:02:13 | |
who I had the great privilege and honour of working with | 1:02:13 | 1:02:17 | |
at the Bradford Alhambra when I got my start in music hall, | 1:02:17 | 1:02:21 | |
sadly no longer with us, God bless him, | 1:02:21 | 1:02:23 | |
Wee Billy Bugle And His Hoop Of Flames. | 1:02:23 | 1:02:27 | |
Oh, he could make that bugle talk, could Billy. | 1:02:27 | 1:02:30 | |
What was his last words? | 1:02:30 | 1:02:32 | |
"Put me out. I'm on flipping fire!" | 1:02:32 | 1:02:36 | |
Still, he went as he would have wanted. | 1:02:38 | 1:02:40 | |
Up like a soddin' bazooka. | 1:02:40 | 1:02:42 | |
They say there's still some bits of him on the ceiling at the Alhambra. | 1:02:42 | 1:02:47 | |
They haven't got the heart to wipe him off. | 1:02:47 | 1:02:50 | |
Or a long enough ladder, if truth be known. | 1:02:51 | 1:02:55 | |
That's not very hygienic, is it? | 1:02:55 | 1:02:58 | |
Having that stuck above your head when you're watching Babes In The Wood or something, | 1:02:58 | 1:03:03 | |
falling in your bag of crisps, eugh! | 1:03:03 | 1:03:06 | |
So, ladies and gentlemen, I would now like to entertain you further. | 1:03:07 | 1:03:11 | |
Would you journey back in time with me to Ancient Egypt? | 1:03:11 | 1:03:16 | |
GONG BOOMS OUT Oh, for crying out loud! | 1:03:16 | 1:03:18 | |
ORIENTAL MUSIC PLAYS | 1:03:18 | 1:03:20 | |
Nearly gave me a bloody heart attack, that! | 1:03:20 | 1:03:23 | |
I do hope whoever did that won't be doing it for the actual show. | 1:03:23 | 1:03:27 | |
Anyway, ladies and gentlemen, | 1:03:30 | 1:03:32 | |
come to the Pyramids, as I introduce to you | 1:03:32 | 1:03:35 | |
Count Arthur Strong and his little tiny friend, | 1:03:35 | 1:03:39 | |
Little Tiny King Tut. | 1:03:39 | 1:03:41 | |
Come on, Little Tiny Tut. | 1:03:41 | 1:03:43 | |
Don't be shy. | 1:03:46 | 1:03:48 | |
Say hello to the ladies and gentlemen, why don't you? | 1:03:48 | 1:03:52 | |
Oo-ooh, ooh-ooh, ooh-ooh, ooh-ooh... | 1:03:53 | 1:03:56 | |
Oh, what's the matter? Can't you talk? | 1:03:57 | 1:03:59 | |
Whoo-ooh, ooh-ooh, ooh. | 1:03:59 | 1:04:02 | |
See, you've had all your internal organs taken out | 1:04:03 | 1:04:06 | |
and your mouth bandaged up, my goodness me, that's a bit of a let off, isn't it? | 1:04:06 | 1:04:10 | |
A bit of a shame. | 1:04:10 | 1:04:12 | |
Mm-mm-ooh-mm. | 1:04:12 | 1:04:15 | |
And what's more, you're telling me, they painted you from head to foot | 1:04:16 | 1:04:20 | |
in a resin to waterproof you | 1:04:20 | 1:04:22 | |
and wrapped you up in approximately 375 yards of linen bandages?! | 1:04:22 | 1:04:26 | |
My goodness me! You HAVE been in the wars, Tiny Tut. | 1:04:28 | 1:04:31 | |
Tell you what, | 1:04:34 | 1:04:35 | |
as you're obviously so down in the dumps, why don't we do one of our little songs to cheer yourself up? | 1:04:35 | 1:04:42 | |
Wh-ooh-ooh. | 1:04:43 | 1:04:44 | |
You're right. It is one of my good ideas. | 1:04:44 | 1:04:47 | |
After three, then. | 1:04:49 | 1:04:50 | |
One... | 1:04:50 | 1:04:51 | |
# Anything you can do I can do better | 1:04:51 | 1:04:56 | |
# I can do anything better than you | 1:04:56 | 1:04:59 | |
# Ooh-ooh-whoo | 1:04:59 | 1:05:00 | |
# Yes, I can | 1:05:00 | 1:05:01 | |
# No, you can't. # | 1:05:01 | 1:05:03 | |
Yes, I can! | 1:05:03 | 1:05:04 | |
No, you can't! | 1:05:04 | 1:05:05 | |
Yes, I can! | 1:05:05 | 1:05:06 | |
Yes, I can. Yes, I can! | 1:05:06 | 1:05:08 | |
I'd never have suggested it if I'd known you were going to be so argumentative. | 1:05:08 | 1:05:13 | |
Ooh-ooh-ooh. | 1:05:14 | 1:05:16 | |
Tell your mother. I'm not bothered. | 1:05:16 | 1:05:18 | |
Ooh-ooh-ooh. | 1:05:18 | 1:05:20 | |
I don't care if she is Queen Cleopatra of the Nile. | 1:05:21 | 1:05:25 | |
My dad was | 1:05:25 | 1:05:28 | |
the assistant air vice marshal of Doncaster, | 1:05:28 | 1:05:31 | |
so put that in your pipe and smoke it. | 1:05:31 | 1:05:35 | |
Oh, I'm going to have a drink of me drink. | 1:05:35 | 1:05:38 | |
You thought I'd forgot that, didn't you? | 1:05:38 | 1:05:41 | |
Tell you what, Tiny Tut, | 1:05:41 | 1:05:44 | |
while I have a drink of me drink, | 1:05:44 | 1:05:46 | |
why don't you finish the song you were doing, eh? | 1:05:46 | 1:05:49 | |
After three, then... | 1:05:49 | 1:05:52 | |
Three. | 1:05:57 | 1:05:58 | |
Ooh... | 1:05:58 | 1:05:59 | |
mmm... | 1:05:59 | 1:06:01 | |
Mmm... | 1:06:04 | 1:06:05 | |
Ah! | 1:06:06 | 1:06:07 | |
A-agh! | 1:06:08 | 1:06:09 | |
Eh-ahg! | 1:06:09 | 1:06:10 | |
That was you, that, you boggle-eyed bugger! | 1:06:10 | 1:06:15 | |
Back of my throat's red raw now cos of you! | 1:06:15 | 1:06:18 | |
Don't even think of answering me back. | 1:06:18 | 1:06:21 | |
No time at all for your temper tantrums, young man. | 1:06:23 | 1:06:27 | |
What are you looking at? | 1:06:28 | 1:06:31 | |
Trouble with you is you don't know where to draw the line, do you? | 1:06:31 | 1:06:34 | |
APPLAUSE | 1:06:34 | 1:06:36 | |
Well, they've put me back in the box again | 1:06:44 | 1:06:47 | |
like I'm some sort of Patrick Kielty presenter type wannabe. | 1:06:47 | 1:06:52 | |
It's not right, is it? I don't want to be in here. | 1:06:53 | 1:06:55 | |
I am a performer, not just some presenter they can hire in. I'm a bloody turn. | 1:06:55 | 1:06:59 | |
-SPARSE APPLAUSE -That's right. A little applause would be much appreciated. | 1:06:59 | 1:07:03 | |
CHEERING AND APPLAUSE | 1:07:03 | 1:07:06 | |
I've nothing against you people... | 1:07:06 | 1:07:09 | |
What in God's name is that? | 1:07:09 | 1:07:11 | |
Nothing against you people, but the stage beckons to me | 1:07:14 | 1:07:17 | |
and I intend to heed her call. | 1:07:17 | 1:07:19 | |
To the stage. I must make my way now to the stage | 1:07:19 | 1:07:22 | |
so I can give my performance. This way. | 1:07:22 | 1:07:25 | |
Is it? I think. | 1:07:25 | 1:07:26 | |
Where is it? | 1:07:26 | 1:07:28 | |
Yes, that's fine. | 1:07:28 | 1:07:29 | |
Um... | 1:07:29 | 1:07:30 | |
In fairness, I had to leave that one. | 1:07:30 | 1:07:33 | |
I'd floated a bit of an air biscuit in there. | 1:07:33 | 1:07:36 | |
I'm terribly sorry about that. It's all this Edwardian food. | 1:07:37 | 1:07:41 | |
I had nearly a pint of the Gentlemen's Relish earlier | 1:07:41 | 1:07:44 | |
and it's not going to come out in a cold wash. | 1:07:44 | 1:07:46 | |
-GROANS -Now, we should swiftly introduce the next act. | 1:07:46 | 1:07:49 | |
Ladies and gentlemen, mere words cannot even come close to describing this man. | 1:07:49 | 1:07:54 | |
You must now pin your eyelids to your foreheads - not literally, it's dangerous and revolting. | 1:07:54 | 1:07:59 | |
Trust me, you're going to have a wonderful time. | 1:07:59 | 1:08:01 | |
-The incredible Bruce Airhead! -APPLAUSE AND CHEERS | 1:08:01 | 1:08:05 | |
MUSIC: "Mambo No 5" by Lou Bega | 1:08:07 | 1:08:10 | |
AUDIENCE: Whoo! | 1:08:37 | 1:08:39 | |
AUDIENCE CHEER | 1:09:00 | 1:09:02 | |
LAUGHTER AND CHEERS | 1:09:43 | 1:09:46 | |
# Ladies and gentlemen This is Mambo No 5... # | 1:10:05 | 1:10:09 | |
APPLAUSE | 1:10:11 | 1:10:13 | |
# One, two, three, four, five | 1:10:19 | 1:10:21 | |
# Everybody in the car, so come on Let's ride | 1:10:21 | 1:10:24 | |
# To the liquor store around the corner | 1:10:24 | 1:10:27 | |
# The boys say they want some gin and juice | 1:10:27 | 1:10:29 | |
# But I really don't wanna | 1:10:29 | 1:10:30 | |
# Beerbust like I had last week | 1:10:30 | 1:10:33 | |
# I must stay deep because talk is cheap | 1:10:33 | 1:10:35 | |
# I like Angela, Pamela Sandra and Rita | 1:10:35 | 1:10:38 | |
# And as I continue you know they're getting sweeter | 1:10:38 | 1:10:41 | |
# So what can I do I'm really begging you my lord | 1:10:41 | 1:10:44 | |
# To me flirting it's just like sport, anything fly | 1:10:44 | 1:10:48 | |
# It's all good let me dump it Send in the trumpet | 1:10:48 | 1:10:52 | |
# A little bit of Monica in my life | 1:10:52 | 1:10:54 | |
# A little bit of Erica by my side | 1:10:54 | 1:10:57 | |
# A little bit of Rita is all I need | 1:10:57 | 1:10:59 | |
# A little bit of Tina is what I see | 1:10:59 | 1:11:02 | |
# A little bit of Sandra in the sun | 1:11:02 | 1:11:05 | |
# A little bit of Mary all night long | 1:11:05 | 1:11:08 | |
# A little bit of Jessica here I am | 1:11:08 | 1:11:11 | |
# A little bit of you makes me your man | 1:11:11 | 1:11:13 | |
# Mambo No 5! | 1:11:24 | 1:11:27 | |
# Jump up and down and move it all around | 1:11:30 | 1:11:33 | |
# Shake your head to the sound Put your hand on the ground | 1:11:33 | 1:11:36 | |
# Take one step left And one to the side | 1:11:36 | 1:11:39 | |
# Clap your hands once And clap your hands twice | 1:11:39 | 1:11:42 | |
# And if it looks like this Then you're doing it right | 1:11:42 | 1:11:44 | |
# A little bit of Monica in my life | 1:11:44 | 1:11:47 | |
# A little bit of Erica by my side | 1:11:47 | 1:11:49 | |
# A little bit of Rita is all I need | 1:11:49 | 1:11:52 | |
# A little bit of Tina is what I see | 1:11:52 | 1:11:55 | |
# A little bit of Sandra in the sun | 1:11:55 | 1:11:57 | |
# A little bit of Mary all night long | 1:11:57 | 1:12:00 | |
# A little bit of Jessica here I am | 1:12:00 | 1:12:03 | |
# A little bit of you makes me your man... # | 1:12:03 | 1:12:06 | |
Five... | 1:12:16 | 1:12:18 | |
Four... | 1:12:18 | 1:12:20 | |
Three... | 1:12:20 | 1:12:22 | |
Two... | 1:12:22 | 1:12:24 | |
One. | 1:12:24 | 1:12:26 | |
APPLAUSE AND CHEERS | 1:12:29 | 1:12:32 | |
Time now, ladies and gentlemen, for one man, | 1:12:49 | 1:12:53 | |
one Scottish accent, one microphone - | 1:12:53 | 1:12:55 | |
apparently there's some sort of quota to meet. | 1:12:55 | 1:12:58 | |
Please welcome to the stage, Mr Frankie Boyle! | 1:12:58 | 1:13:02 | |
APPLAUSE AND CHEERS | 1:13:02 | 1:13:05 | |
Hello! AUDIENCE SHOUTS | 1:13:13 | 1:13:16 | |
The most Scottish thing I've ever seen, I was going through a town called Bathgate, at night, | 1:13:16 | 1:13:22 | |
and there was a guy pissing against a front door. | 1:13:22 | 1:13:26 | |
Who then took out his keys and went inside! | 1:13:26 | 1:13:30 | |
LAUGHTER | 1:13:30 | 1:13:33 | |
Bathgate's an amazing place. | 1:13:33 | 1:13:35 | |
Scientists have discovered cave paintings in Bathgate | 1:13:35 | 1:13:38 | |
that date back to the 1960s. | 1:13:38 | 1:13:40 | |
LAUGHTER | 1:13:40 | 1:13:42 | |
I have a big beard about half the year | 1:13:43 | 1:13:46 | |
to stop people shouting "Proclaimers!" at me. | 1:13:46 | 1:13:49 | |
And then the beard gets to a certain length, | 1:13:49 | 1:13:52 | |
and they all start shouting "Paedophile!" | 1:13:52 | 1:13:55 | |
LAUGHTER | 1:13:55 | 1:13:57 | |
Apparently they did a survey in America, | 1:13:57 | 1:13:59 | |
that said that Osama Bin Laden is now more famous than Michael Jackson. | 1:13:59 | 1:14:04 | |
And you think, "Yeah, but he puts a lot less effort into his videos." | 1:14:04 | 1:14:09 | |
LAUGHTER | 1:14:09 | 1:14:11 | |
It would really freak the Americans out if he just threw in a wee moonwalk now and again. | 1:14:11 | 1:14:16 | |
Good old Michael Jackson - he's got to live out the life of a Scooby Doo villain. | 1:14:16 | 1:14:21 | |
Hanging around an abandoned funfair wearing a plastic face. | 1:14:21 | 1:14:25 | |
LAUGHTER | 1:14:25 | 1:14:27 | |
British Army have got a recruiting drive on in Scotland at the minute. | 1:14:31 | 1:14:35 | |
Cos that's what you need if you're fighting an unwinnable war in the desert - more ginger people. | 1:14:35 | 1:14:40 | |
LAUGHTER | 1:14:40 | 1:14:43 | |
We've got the big new hope in American politics, Barack Obama. | 1:14:45 | 1:14:49 | |
Pretty much the worst name you could have in American politics, Obama. | 1:14:49 | 1:14:53 | |
Halfway between "Osama" and "a bomber". | 1:14:53 | 1:14:58 | |
He might as well be called Muslim Ogunbomb. | 1:14:58 | 1:15:02 | |
LAUGHTER | 1:15:02 | 1:15:05 | |
Saw a great story recently - they're planning on starting to treat alcoholics | 1:15:08 | 1:15:12 | |
by giving them acid. LSD. | 1:15:12 | 1:15:16 | |
That's gonna make tramps very different people. | 1:15:16 | 1:15:19 | |
"Any spare change, pal? I've got a unicorn to feed." | 1:15:19 | 1:15:24 | |
LAUGHTER | 1:15:24 | 1:15:26 | |
APPLAUSE | 1:15:26 | 1:15:29 | |
Apparently scientists have come up with a condom | 1:15:31 | 1:15:35 | |
for premature ejaculation. | 1:15:35 | 1:15:37 | |
Basically, it's got an anaesthetic in the lining and it makes you numb. | 1:15:37 | 1:15:41 | |
You can last for longer. | 1:15:41 | 1:15:43 | |
Or you can wear it inside out and you don't have to wake anybody up. | 1:15:43 | 1:15:47 | |
AUDIENCE GASPS | 1:15:47 | 1:15:49 | |
LAUGHTER | 1:15:49 | 1:15:52 | |
Cos science isn't all progress, is it? | 1:15:55 | 1:15:57 | |
What was wrong with train toilet doors that just locked? | 1:15:57 | 1:16:01 | |
Instead of this multiple choice system. | 1:16:01 | 1:16:04 | |
So now if anything goes wrong, you're going to be sitting there, | 1:16:04 | 1:16:08 | |
while the whole fucking wall slowly slides away. | 1:16:08 | 1:16:14 | |
And you're unveiled like a prize on a quiz show! | 1:16:14 | 1:16:18 | |
'For 500 points, a shitting woman!' | 1:16:18 | 1:16:22 | |
LAUGHTER | 1:16:22 | 1:16:25 | |
Have you ever heard that science thing that if you put a frog into boiling water, | 1:16:27 | 1:16:32 | |
it'll jump out, but if you put it into cold water, | 1:16:32 | 1:16:36 | |
and you heat the water up, the frog won't realise, and it'll die? | 1:16:36 | 1:16:40 | |
Or to put it another way, scientists have got a lot of time on their hands. | 1:16:40 | 1:16:46 | |
"Shall we have a go at curing cancer?" | 1:16:46 | 1:16:48 | |
"No, I'm going to see how many Fruit Pastilles it takes | 1:16:48 | 1:16:53 | |
"to choke a kestrel." LAUGHTER | 1:16:53 | 1:16:56 | |
Are you all looking forward to the Olympics? No, you're not. | 1:17:05 | 1:17:09 | |
Nobody is. | 1:17:09 | 1:17:11 | |
I mean, I've been to the East End of London, | 1:17:11 | 1:17:15 | |
and what those people really need is a world-class dressage centre(!) | 1:17:15 | 1:17:20 | |
LAUGHTER | 1:17:20 | 1:17:22 | |
There's a Bangladeshi community there crying out for a velodrome. | 1:17:22 | 1:17:27 | |
I mean, it's good that they're holding it in the East End, | 1:17:29 | 1:17:32 | |
cos it'll mean that the athletes have to use more skill | 1:17:32 | 1:17:35 | |
as they work out which of the gunshots they heard was the starting pistol. | 1:17:35 | 1:17:40 | |
"Steady! That was a revenge killing in the doorway of a newsagent's!" | 1:17:40 | 1:17:45 | |
LAUGHTER | 1:17:45 | 1:17:47 | |
They talk about the Olympics instilling national pride in England. | 1:17:47 | 1:17:52 | |
For 9.2 billion, you could have written "Fuck off, Germany" on to the moon. | 1:17:52 | 1:17:57 | |
LAUGHTER | 1:17:57 | 1:18:00 | |
Ladies and gentlemen, it's been a pleasure talking to you. Enjoy the rest of your night. | 1:18:00 | 1:18:05 | |
APPLAUSE AND CHEERS | 1:18:05 | 1:18:07 | |
Now, the music hall... Hello, hello, hello. | 1:18:13 | 1:18:16 | |
The music hall, you probably won't know this, it was, at the time, | 1:18:16 | 1:18:19 | |
it was quite a seditious place. | 1:18:19 | 1:18:21 | |
Because the working classes used to go there to be entertained. | 1:18:21 | 1:18:25 | |
It was one of the only places they could go and shout and express their views, | 1:18:25 | 1:18:29 | |
and a song like My Old Man (Said Follow The Van) | 1:18:29 | 1:18:33 | |
was actually about dodging a rent collector. | 1:18:33 | 1:18:37 | |
There was another song called Let's Go Up Knightsbridge And Beat Up The Toffs, | 1:18:37 | 1:18:41 | |
was actually about global warming. | 1:18:41 | 1:18:44 | |
Lessons to be learned there. | 1:18:44 | 1:18:46 | |
Now on the bill, if you went to a variety show like this, | 1:18:46 | 1:18:50 | |
very often you'd see a mentalist. | 1:18:50 | 1:18:52 | |
And at that time it was someone who would read minds. | 1:18:52 | 1:18:56 | |
Tonight, we thought we could improve on that threefold | 1:18:56 | 1:19:00 | |
and we present now, for your edification, | 1:19:00 | 1:19:03 | |
three mentalists, ladies and gentlemen - We Are Klang. | 1:19:03 | 1:19:09 | |
APPLAUSE AND CHEERS | 1:19:09 | 1:19:11 | |
Good evening, ladies and gentlemen, | 1:19:15 | 1:19:17 | |
welcome, welcome to the theatrical section of this evening's show. | 1:19:17 | 1:19:21 | |
Allow me to introduce myself - I am a theatre impresario, | 1:19:21 | 1:19:25 | |
my name is Derek-upon-Tweed, | 1:19:25 | 1:19:27 | |
it's an honour for you to have me here tonight! | 1:19:27 | 1:19:31 | |
Thank you very much. Now, every year, at the Edinburgh festival, | 1:19:31 | 1:19:35 | |
I showcase to those Scottish shit-eaters | 1:19:35 | 1:19:37 | |
the delights of a wonderful pan-European theatre troupe | 1:19:37 | 1:19:41 | |
entitled Kyatra Bastardski. | 1:19:41 | 1:19:43 | |
I'm absolutely delighted to welcome them to this stage tonight. | 1:19:43 | 1:19:47 | |
I'll be providing a narrative commentary for the partially sighted | 1:19:47 | 1:19:51 | |
in accordance with the terms of my parole! | 1:19:51 | 1:19:54 | |
I'll ask you to now very warmly welcome...les playeurs. | 1:19:54 | 1:19:59 | |
APPLAUSE AND CHEERS | 1:19:59 | 1:20:01 | |
On your right, the beautiful and talented Parisian actress Brigitte Baldot, | 1:20:03 | 1:20:07 | |
and on your left, Jean-Paul Van Dick. | 1:20:07 | 1:20:10 | |
We present Emile - a tale of erotic obsession. | 1:20:13 | 1:20:18 | |
Actors, prepare yourselves! | 1:20:18 | 1:20:21 | |
Oh, what a night! Late September, back in '63. | 1:20:23 | 1:20:28 | |
LAUGHTER | 1:20:28 | 1:20:30 | |
It was a very special night for he and she. | 1:20:30 | 1:20:34 | |
Emile was beautiful, truly beautiful. | 1:20:34 | 1:20:37 | |
She looked just like Britney Spears. | 1:20:37 | 1:20:40 | |
LAUGHTER AND CHEERS | 1:20:42 | 1:20:44 | |
She looked like a fragile woodland creature. | 1:20:47 | 1:20:50 | |
Like a rabbit. | 1:20:50 | 1:20:52 | |
Like a rabbit trapped in the headlights. | 1:20:52 | 1:20:55 | |
That had just eaten a really nice carrot. | 1:20:55 | 1:20:59 | |
LAUGHTER And then met Bill Oddie. | 1:20:59 | 1:21:02 | |
Jacques was a proud man. He had the arrogance of youth - | 1:21:04 | 1:21:07 | |
a youth that had horrendously faded. | 1:21:07 | 1:21:09 | |
But he was handsome and he knew it. | 1:21:11 | 1:21:14 | |
Handsome save for a slight touch of Bell's palsy. | 1:21:14 | 1:21:17 | |
LAUGHTER | 1:21:17 | 1:21:19 | |
From which he had completely recovered. | 1:21:19 | 1:21:22 | |
Though every now and then it returned... | 1:21:22 | 1:21:24 | |
Went away again... | 1:21:24 | 1:21:27 | |
Came back on the other side of his fat face. | 1:21:27 | 1:21:30 | |
In the main, he was fine. | 1:21:31 | 1:21:33 | |
Emile had fallen in love with Jacques | 1:21:33 | 1:21:35 | |
and she longed to express that love. | 1:21:35 | 1:21:37 | |
She flashed him her most winning smile. | 1:21:37 | 1:21:40 | |
LAUGHTER | 1:21:40 | 1:21:42 | |
Not that one - that made her look like Sonia from Eastenders! | 1:21:42 | 1:21:46 | |
She tried again. | 1:21:46 | 1:21:48 | |
And there was the smile that would win Jacques's heart. | 1:21:49 | 1:21:52 | |
Jacques smiled back, the broadest possible smile. | 1:21:52 | 1:21:56 | |
And Jacques's smile transformed Emile's smile to one of lust. | 1:22:00 | 1:22:04 | |
A powerful lust. Overwhelming lust. | 1:22:04 | 1:22:07 | |
The sort of lust that could destroy worlds. | 1:22:07 | 1:22:10 | |
The moment was too intense for both of them, and they fell away to eating their food. | 1:22:12 | 1:22:17 | |
Emile loved to eat grapes and devoured them hungrily. | 1:22:17 | 1:22:20 | |
Grape after grape she popped into her mouth. | 1:22:20 | 1:22:22 | |
Jacques enjoyed the simple biscuits set before him. | 1:22:22 | 1:22:25 | |
But he was a clumsy eater, and got one caught in his lower lip. | 1:22:25 | 1:22:29 | |
LAUGHTER | 1:22:38 | 1:22:40 | |
Emile was still piling grape after grape into her mouth. | 1:22:40 | 1:22:44 | |
Sometimes as many as ten in at one time. | 1:22:44 | 1:22:47 | |
And then another 12... | 1:22:53 | 1:22:56 | |
And then another 17... | 1:23:01 | 1:23:03 | |
Emile smiled at Jacques. | 1:23:10 | 1:23:13 | |
LAUGHTER | 1:23:13 | 1:23:16 | |
LAUGHTER AND APPLAUSE | 1:23:17 | 1:23:20 | |
It was at this point that Jacques decided to impress Emile | 1:23:20 | 1:23:23 | |
by holding his breath for five minutes. | 1:23:23 | 1:23:25 | |
Emile was still piling grape after grape into her mouth. | 1:23:29 | 1:23:32 | |
But she could bear it no longer - she had to speak to Jacques. | 1:23:32 | 1:23:36 | |
-MUFFLED: -I love you! | 1:23:38 | 1:23:40 | |
But Jacques hadn't understood! | 1:23:40 | 1:23:42 | |
Emile panicked, and in her panic | 1:23:42 | 1:23:45 | |
began to squawk like a parrot. | 1:23:45 | 1:23:47 | |
Arrrk! | 1:23:47 | 1:23:49 | |
Arrrk! | 1:23:49 | 1:23:52 | |
This drove Jacques wild with desire. | 1:23:52 | 1:23:54 | |
He longed to touch, he needed to touch...himself. | 1:23:54 | 1:23:57 | |
He began to play with his own breasts. | 1:23:58 | 1:24:02 | |
Not through clothing, actually against the skin. | 1:24:02 | 1:24:06 | |
He began to violently shake his own udders. | 1:24:07 | 1:24:11 | |
WOLF WHISTLE Look at the state of that. | 1:24:11 | 1:24:13 | |
Look at the state of that. | 1:24:13 | 1:24:15 | |
This drove Emile wild with passion. | 1:24:15 | 1:24:18 | |
She was still squawking and shoving grapes in, | 1:24:18 | 1:24:20 | |
but now she took the simple biscuits set before her | 1:24:20 | 1:24:23 | |
and started to slam them into her own forehead! | 1:24:23 | 1:24:26 | |
Alternately shoving grapes in, | 1:24:26 | 1:24:29 | |
squawking, and pile-driving biscuits in. | 1:24:29 | 1:24:32 | |
It was at this point that Jacques's Bell's palsy returned! | 1:24:32 | 1:24:36 | |
On both sides of his face! | 1:24:36 | 1:24:38 | |
-Emile was wild with desire. -Arrrk! | 1:24:40 | 1:24:43 | |
She was still squawking, shoving grapes, slamming biscuits. | 1:24:43 | 1:24:47 | |
But then she began robotic dancing. Robotic dancing. | 1:24:47 | 1:24:51 | |
And Jacques could only express his love in one way - | 1:24:51 | 1:24:54 | |
through the medium of squat thrusts! | 1:24:54 | 1:24:56 | |
Jacques started doing squat thrusts, | 1:24:56 | 1:24:59 | |
hard physical exercise, | 1:24:59 | 1:25:01 | |
the 38-year-old man literally seconds away from a heart attack. | 1:25:01 | 1:25:05 | |
Emile started to grind her pelvis against the floor, | 1:25:05 | 1:25:10 | |
frotting herself on the stage. | 1:25:10 | 1:25:12 | |
And Jacques showed the audience his pubes. | 1:25:12 | 1:25:15 | |
Jacques showed the audience his pubes. | 1:25:15 | 1:25:17 | |
Jacques, show your audience your greying pubic hair. | 1:25:17 | 1:25:21 | |
Jacques showed the audience his greying pubes! | 1:25:22 | 1:25:26 | |
Show your pubes! Come back here now! Come back! | 1:25:26 | 1:25:30 | |
That was the theatre! | 1:25:30 | 1:25:33 | |
APPLAUSE AND CHEERS | 1:25:33 | 1:25:36 | |
Well, what a night we've had, | 1:25:42 | 1:25:45 | |
and it comes to a frothy, exciting climax. | 1:25:45 | 1:25:48 | |
Bringing the evening to its logical conclusion, | 1:25:48 | 1:25:52 | |
performing a number from their newest album, entitled, NW5, | 1:25:52 | 1:25:57 | |
once more with feeling please, for the Camden marauders themselves, | 1:25:57 | 1:26:01 | |
Madness! | 1:26:01 | 1:26:03 | |
APPLAUSE AND CHEERS | 1:26:03 | 1:26:05 | |
I'm not, but he is! | 1:26:14 | 1:26:17 | |
# Ooh, I watched you grow up Only to despise | 1:26:20 | 1:26:25 | |
# I've seen the madness rise up | 1:26:27 | 1:26:30 | |
# through taut bullet eyes | 1:26:30 | 1:26:33 | |
# And I heard you come up Believing your own lies | 1:26:34 | 1:26:40 | |
# Witnessed the blessing rise up In a very strange disguise | 1:26:41 | 1:26:46 | |
# Though you have become a burden | 1:26:48 | 1:26:51 | |
# One thing remains that's for certain | 1:26:51 | 1:26:54 | |
# I will love you all my life | 1:26:54 | 1:26:58 | |
# but without you in my life | 1:26:58 | 1:27:01 | |
# Oh, I've seen you come up | 1:27:03 | 1:27:05 | |
# I've seen you come alive | 1:27:05 | 1:27:08 | |
# From them very humble beginnings in NW5 | 1:27:09 | 1:27:14 | |
# And though we face the final curtain | 1:27:15 | 1:27:19 | |
# One thing remains that's for certain | 1:27:19 | 1:27:22 | |
# I will love you all my life | 1:27:22 | 1:27:26 | |
# But without you in my life | 1:27:26 | 1:27:29 | |
# Cos I would give you everything | 1:27:29 | 1:27:35 | |
# For just the smile you bring | 1:27:35 | 1:27:38 | |
# For just a song to sing... # | 1:27:38 | 1:27:42 | |
Half a saxophone! How can you have half a saxophone? | 1:27:42 | 1:27:45 | |
That's ridiculous! | 1:27:45 | 1:27:47 | |
# I would give you everything | 1:27:56 | 1:28:02 | |
# For just that smile you bring | 1:28:02 | 1:28:05 | |
# For just a song to sing | 1:28:05 | 1:28:09 | |
# Oh, I would give you everything | 1:28:09 | 1:28:15 | |
# For just the smile you bring | 1:28:15 | 1:28:19 | |
# For just a song to sing us now. # | 1:28:19 | 1:28:24 | |
APPLAUSE | 1:28:24 | 1:28:28 | |
Thank you. | 1:28:29 | 1:28:31 | |
Subtitles by Red Bee Media Ltd 2007 | 1:28:32 | 1:28:36 | |
E-mail [email protected] | 1:28:36 | 1:28:39 |