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APPLAUSE AND CHEERING | 0:00:02 | 0:00:04 | |
Well, I'd just like to say it's so lovely to be on the television at Christmas. | 0:00:15 | 0:00:20 | |
It's such a special time of year. | 0:00:20 | 0:00:21 | |
And I like to think of all those ladies standing in kitchens, | 0:00:21 | 0:00:24 | |
wearing the paper hats they put on when they were still in a good mood. | 0:00:24 | 0:00:27 | |
LAUGHTER | 0:00:27 | 0:00:30 | |
I like to think of all those gentlemen in their front rooms, | 0:00:33 | 0:00:36 | |
-edging their bottoms casually towards a plug-in air freshener... -LAUGHTER | 0:00:36 | 0:00:42 | |
..hoping that cinnamon and vanilla will get to grips with sprouts and stuffing. | 0:00:47 | 0:00:51 | |
It's such a special time of year when we can all gather round the television, exchanging | 0:00:53 | 0:00:57 | |
that age-old Christmas greeting, "Don't bother, there's nothing on." | 0:00:57 | 0:01:01 | |
But please spare a thought for middle-aged people because | 0:01:03 | 0:01:06 | |
they can feel excluded from television at this time of year. | 0:01:06 | 0:01:10 | |
They're sitting on their sofas somewhere, all those Barrys and Fredas, | 0:01:10 | 0:01:13 | |
they've had their Christmas dinner, they've exchanged presents. | 0:01:13 | 0:01:17 | |
He's given her an Alan Titchmarsh beanbag lap tray... | 0:01:17 | 0:01:21 | |
She's given him a solar-powered biscuit dunker. | 0:01:24 | 0:01:27 | |
Evening stretches drearily ahead. | 0:01:31 | 0:01:33 | |
But wait, there is something on the television for them. | 0:01:33 | 0:01:36 | |
It's my present to Barrys and Fredas and middle-aged people everywhere. | 0:01:36 | 0:01:41 | |
It is My Mid Life Christmas. | 0:01:41 | 0:01:44 | |
APPLAUSE AND CHEERING | 0:01:44 | 0:01:48 | |
When I remember my childhood, it's always in sunlight. | 0:01:58 | 0:02:01 | |
We were poor, but we were contented. | 0:02:03 | 0:02:07 | |
And, although we knew grief, | 0:02:12 | 0:02:14 | |
there were always joyous times. | 0:02:14 | 0:02:16 | |
A JIG PLAYS | 0:02:18 | 0:02:20 | |
You won't find us on the map now. | 0:02:27 | 0:02:30 | |
The cottages are long gone. | 0:02:30 | 0:02:33 | |
Where they stood is the loading bay of River Island. | 0:02:33 | 0:02:35 | |
But I shall never forget that cluster of tumbledown houses next to our field with our old grey donkey | 0:02:38 | 0:02:44 | |
where, every spring, the larks would rise, | 0:02:44 | 0:02:48 | |
rise up and hover in the blue sky. | 0:02:48 | 0:02:50 | |
What was the name of this lark-filled place? | 0:02:52 | 0:02:55 | |
We just knew it as... | 0:02:56 | 0:02:59 | |
Donkeyfield. | 0:02:59 | 0:03:00 | |
It will be busy, market day in Cranchesterford. | 0:03:02 | 0:03:05 | |
No larks in the sky there. | 0:03:05 | 0:03:07 | |
No, just in pastry. | 0:03:07 | 0:03:10 | |
That was Ma and Pa's cottage. | 0:03:21 | 0:03:23 | |
And that's me, Arrowminty, the day my life changed forever. | 0:03:23 | 0:03:28 | |
No, Mother. Arrowminty is to stay under this roof. | 0:03:31 | 0:03:35 | |
She's to take no job at Cranchesterford Post and Potato Office. | 0:03:35 | 0:03:39 | |
And let that be the last pickle in the crock. | 0:03:39 | 0:03:42 | |
Do you want her to live as we have? | 0:03:42 | 0:03:43 | |
Every stick of furniture sold for boots and not a right foot amongst them. | 0:03:43 | 0:03:46 | |
Do you want to break her heart as your father broke yours? | 0:03:46 | 0:03:52 | |
-Arrr! -You told me how he would not let you work the land, | 0:03:52 | 0:03:55 | |
how you yearned to thresh the wheat, to tend the corm. | 0:03:55 | 0:03:59 | |
I could have been somebody. | 0:03:59 | 0:04:02 | |
I could have been a corn tender. | 0:04:02 | 0:04:04 | |
Then let her go, Hal Finch. | 0:04:04 | 0:04:06 | |
For one thing, we could use her nightie. | 0:04:06 | 0:04:10 | |
Cath Finch, are you with child? | 0:04:10 | 0:04:13 | |
Again? How could this happen? | 0:04:13 | 0:04:17 | |
I told you there was a hole in the bolster. | 0:04:17 | 0:04:20 | |
Call the children down. | 0:04:20 | 0:04:22 | |
-I don't know their names. -They cannot come down, we sold the stairs. | 0:04:22 | 0:04:27 | |
Arrowminty... | 0:04:37 | 0:04:39 | |
THEY LAUGH | 0:04:44 | 0:04:46 | |
I learned so much in those simple, sunlit days. That, when you wipe your nose on a patchwork quilt, | 0:04:49 | 0:04:54 | |
there will always be one square stiffer than all the others. | 0:04:54 | 0:04:59 | |
And that love is one thing but, without stairs, you can't really get up to the bedroom. | 0:05:01 | 0:05:07 | |
Cranchesterford was only seven miles away over the fields. | 0:05:11 | 0:05:15 | |
But so different was it from our simple hamlet, | 0:05:15 | 0:05:18 | |
it might as well have been more like eight. | 0:05:18 | 0:05:21 | |
I shall never forget my first sight of Cranchesterford, that day I was | 0:05:23 | 0:05:27 | |
to start work with Miss Finch at the Post and Potato Office. | 0:05:27 | 0:05:30 | |
-MAN: -Action! | 0:05:30 | 0:05:33 | |
The hustle and bustle, the crowds. | 0:05:33 | 0:05:35 | |
So much noise and gaiety and movement. | 0:05:35 | 0:05:38 | |
I could barely catch my breath. | 0:05:38 | 0:05:41 | |
Miss Finch. | 0:05:46 | 0:05:49 | |
-Lord Cranborne. -Have you considered further my proposal? | 0:05:51 | 0:05:55 | |
It is not practical, Charles. | 0:05:55 | 0:05:57 | |
I am attracted to you but it takes 20 minutes to take my corsets off and 35 minutes to get them back on. | 0:05:57 | 0:06:03 | |
I can only close the Post Office for an hour, you do the math. | 0:06:03 | 0:06:06 | |
-And will you continue to handle my potatoes? -Of course. | 0:06:06 | 0:06:11 | |
Oh, Arnica. Why, Arrowminty's gone and had her hair straightened. | 0:06:24 | 0:06:29 | |
HE LAUGHS | 0:06:43 | 0:06:44 | |
Don't even go there. | 0:06:44 | 0:06:46 | |
Always wanted to talk rubbish but never had the confidence to try? | 0:06:46 | 0:06:51 | |
With "Let's Talk Rubbish", you can learn to talk rubbish easily with no memorising. "Let's Talk Rubbish" | 0:06:51 | 0:06:57 | |
uses everyday situations. You'll be talking rubbish in no time. | 0:06:57 | 0:07:03 | |
You'll learn to answer, "How are you?" | 0:07:03 | 0:07:06 | |
With a meaningless, "Yeah." | 0:07:06 | 0:07:08 | |
As well as banal replies, you'll learn pointless banter. | 0:07:10 | 0:07:13 | |
-'Don't even go there.' -Don't even go there. | 0:07:13 | 0:07:17 | |
And you'll master that tricky upward inflection. | 0:07:17 | 0:07:19 | |
'You meet a friend and want to tell her that you have seen a table.' | 0:07:19 | 0:07:23 | |
And there was, like, this table. | 0:07:23 | 0:07:26 | |
Soon, you'll be talking rubbish with everyone you meet. | 0:07:27 | 0:07:30 | |
-Don't even go there. -Nightmare! -Tell me about it. -Fair enough, to be honest with you. | 0:07:30 | 0:07:35 | |
-Whatever. -That's it, at the end of the day. | 0:07:35 | 0:07:37 | |
How you doing, guys? | 0:07:37 | 0:07:38 | |
Yeah! | 0:07:38 | 0:07:40 | |
But he's a well known gambler and... | 0:07:48 | 0:07:50 | |
It is some years since the closed sign went up on the door | 0:07:50 | 0:07:54 | |
of Manchesterford's famous antique shop. | 0:07:54 | 0:07:56 | |
I'll make some sherry, Miss Babs. | 0:07:56 | 0:07:58 | |
And, though the faithful cleaner, Mrs Overall, may have hung up | 0:07:58 | 0:08:01 | |
her rubber gloves, the actress, Bo Beaumont, is a busy working actress. | 0:08:01 | 0:08:06 | |
Oh, yes, I like that. Busy, busy. | 0:08:06 | 0:08:08 | |
Embracing the challenges of a modern media career, | 0:08:08 | 0:08:12 | |
this film follows a week in Bo's life | 0:08:12 | 0:08:15 | |
as she moves Beyond The Marigolds. | 0:08:15 | 0:08:18 | |
Was I Mrs Overall, was she me? | 0:08:22 | 0:08:25 | |
On the face of it, no. | 0:08:25 | 0:08:27 | |
She was a simple, good-hearted Brummie and I'm a sophisticated, | 0:08:27 | 0:08:32 | |
-modern actress living on the borders of Paddington. -And yet, you've... | 0:08:32 | 0:08:36 | |
And yet, Colin, I like to think I have her tenacity, her loyalty. | 0:08:36 | 0:08:39 | |
Well, I've just said it, her good-heartedness. | 0:08:39 | 0:08:42 | |
-May I? -No, sorry. Those are for Saturdays. | 0:08:42 | 0:08:46 | |
-Wendy, you didn't put to the biscuits away, dear. -Oh, sorry. | 0:08:46 | 0:08:49 | |
Of course, I should never have got the part of Mrs Overall. | 0:08:49 | 0:08:53 | |
I was actually down to the last two for Emma Peel in The Avengers. | 0:08:53 | 0:08:58 | |
We had... 'Bo seems keen, almost desperate, that I should | 0:08:58 | 0:09:02 | |
'understand how she came to be cast in what was, | 0:09:02 | 0:09:05 | |
'let's face it, a rather low-budget and derided soap. | 0:09:05 | 0:09:08 | |
..goes through one door, I go through... | 0:09:08 | 0:09:12 | |
'And yet, she genuinely seems to believe that she ended up with the better part.' | 0:09:12 | 0:09:16 | |
I got Mrs Overall and poor old Diana Rigg | 0:09:16 | 0:09:20 | |
was stuck with The Avengers, which ran, what, two series? | 0:09:20 | 0:09:24 | |
Oh, it was a nice little show. | 0:09:24 | 0:09:26 | |
Oh, it was a nice enough show. And Diana... | 0:09:26 | 0:09:29 | |
-Dame Diana. -Yes, for charity work. | 0:09:29 | 0:09:31 | |
She's had a decent enough career, she's respected... | 0:09:31 | 0:09:34 | |
But she's not loved. | 0:09:34 | 0:09:35 | |
-No. -Bo is loved. -Thank you. | 0:09:35 | 0:09:40 | |
Bo lives in London with her friend and companion, Wendy, | 0:09:42 | 0:09:46 | |
and their Yorkshire terrier, Binkie. | 0:09:46 | 0:09:49 | |
Did you, em...? | 0:09:49 | 0:09:50 | |
It's the start of a very important week for Bo, as she begins rehearsals | 0:09:50 | 0:09:54 | |
for the very popular BBC One series, Strictly Come Dancing. | 0:09:54 | 0:09:57 | |
...might be good. Did you get the Ovaltine off the wraparound? | 0:09:57 | 0:10:01 | |
Dance professional, Anton du Beke, has no idea who his celebrity partner is to be. | 0:10:01 | 0:10:06 | |
But, to be honest, you just want someone fairly young who can move. | 0:10:06 | 0:10:11 | |
-Hello. -Hello. -Anton du Beke. | 0:10:18 | 0:10:20 | |
No, doesn't ring a bell. | 0:10:20 | 0:10:21 | |
-Have you ever won? -Er, no. | 0:10:21 | 0:10:24 | |
Oh, luck be a lady. | 0:10:24 | 0:10:27 | |
Shall we dance? | 0:10:27 | 0:10:29 | |
Yes, I'll just get ready. | 0:10:29 | 0:10:30 | |
Roll back the rug. | 0:10:50 | 0:10:51 | |
MUSIC: My Baby Don't Care For Me by Nina Simone | 0:10:51 | 0:10:53 | |
OK. Let's warm up a little. | 0:10:53 | 0:10:56 | |
Just try moving to the music. | 0:10:56 | 0:10:59 | |
Oh, OK. Well, let's try a little sequence of steps. | 0:11:04 | 0:11:09 | |
Try this. | 0:11:09 | 0:11:10 | |
A-one-two-three, a-one-two-three. | 0:11:10 | 0:11:15 | |
Have a go. | 0:11:16 | 0:11:18 | |
Show me again. | 0:11:18 | 0:11:19 | |
It goes, and a-one-two-three | 0:11:19 | 0:11:23 | |
and a-one-two-three. | 0:11:23 | 0:11:25 | |
-Oh, I think that's going to be lovely. Wendy, a winning routine, wouldn't you say? -Snazzy. | 0:11:25 | 0:11:31 | |
Do you want to give it a try? | 0:11:32 | 0:11:35 | |
Go again. | 0:11:35 | 0:11:36 | |
A-one-two-three, a-one-two-three. | 0:11:38 | 0:11:42 | |
It's sinking in. But I think we'll leave it there. | 0:11:42 | 0:11:45 | |
I don't want to overload myself on the first day. | 0:11:45 | 0:11:47 | |
Lovely meeting you. And I should have remembered your name and I haven't. Typical scatty actress. | 0:11:47 | 0:11:53 | |
Bye. | 0:11:55 | 0:11:57 | |
As the weeks went by, I became accustomed to the non-stop hurly burly of Cranchesterford, | 0:12:24 | 0:12:30 | |
to my work in the Post and Potato Office, | 0:12:30 | 0:12:32 | |
and I began to get to know Miss Finch and the postman a little better. | 0:12:32 | 0:12:36 | |
HE FARTS 'scuse I. Marrow. | 0:12:36 | 0:12:38 | |
-There was so much to learn. -BELL RINGS | 0:12:38 | 0:12:41 | |
-Finally. I was in danger of denting my fan. -I'm so sorry. | 0:12:48 | 0:12:52 | |
Can I get you a tuppenny stamp? They're on special offer. | 0:12:52 | 0:12:55 | |
And what is the special offer? | 0:12:55 | 0:12:57 | |
That was it. Just me offering it. | 0:12:57 | 0:13:00 | |
Muslin, these are useless. | 0:13:04 | 0:13:06 | |
-Run to the corn chandler's and get me another pair. -At once, Mrs Godchild. | 0:13:06 | 0:13:10 | |
Are you Halibut Finch's child? | 0:13:13 | 0:13:15 | |
Yes, ma'am. The flitcher. | 0:13:15 | 0:13:17 | |
-What trade is that? -I dunno. | 0:13:17 | 0:13:19 | |
I think it's something to do with, like, outdoors. | 0:13:19 | 0:13:22 | |
When I knew him, he was famed for his dancing. | 0:13:22 | 0:13:26 | |
His polka was the talk of Cranchesterford. | 0:13:26 | 0:13:30 | |
-It's a dance. -Right. | 0:13:30 | 0:13:32 | |
Big woo. | 0:13:34 | 0:13:36 | |
Oh, my God! It's from Bessie. You know that guy we were talking about before? | 0:13:43 | 0:13:48 | |
-He, like, totally blanked her. -Oh. -Oh. -Hang on. | 0:13:48 | 0:13:52 | |
-Don't read it, OK? -He can't read, anyway. | 0:13:58 | 0:14:01 | |
-He's an urchin. -Oh, yeah, duh! | 0:14:01 | 0:14:03 | |
Poorly paid assistant number three, please. | 0:14:05 | 0:14:08 | |
-Miss Finch. -Mrs Godchild. | 0:14:12 | 0:14:15 | |
-Miss Muslin. -I saw you in conversation with Lord Cranborne, did I not? | 0:14:15 | 0:14:19 | |
We were discussing the best protection for his Pentland javelin. | 0:14:19 | 0:14:23 | |
-Is that a euphemism? -No, it's a potato. | 0:14:23 | 0:14:25 | |
Badly exploited assistant number one, please. | 0:14:25 | 0:14:29 | |
What are you smirking at? | 0:14:29 | 0:14:31 | |
If you want to smirk, go outside. | 0:14:31 | 0:14:33 | |
Getting the kiddies off to school? | 0:14:49 | 0:14:52 | |
I just seen them across the lane. | 0:14:52 | 0:14:53 | |
Them pie wagons come along at such a lick, you're lucky if you've got 20 minutes to get over. | 0:14:53 | 0:14:58 | |
Are you all right, Arnica? It's not getting you down, is it, living in a hovel? | 0:15:00 | 0:15:04 | |
Oh, Lord bless you, I don't want for nothing. | 0:15:04 | 0:15:08 | |
Clean air, good neighbours, them's my riches. | 0:15:08 | 0:15:12 | |
But... | 0:15:12 | 0:15:13 | |
But what? | 0:15:13 | 0:15:15 | |
-I don't know. Sometimes I fancy a fur coat and a bunk-up. -You're depressed. | 0:15:15 | 0:15:22 | |
You need a folk dance. | 0:15:22 | 0:15:24 | |
Oh, no Kath! | 0:15:24 | 0:15:25 | |
I'm on six a day already from the doctor. I'm trying to cut down. | 0:15:25 | 0:15:29 | |
I better go. I got some pig's bladders to rot down for Lammastide Just nibbles for when folks pop in. | 0:15:29 | 0:15:36 | |
Ain't you givin' birth today? | 0:15:36 | 0:15:38 | |
I knew there was something else! | 0:15:41 | 0:15:43 | |
Thank you. Take care. | 0:15:43 | 0:15:45 | |
Bye, my dear. | 0:15:45 | 0:15:47 | |
Oh, ta. Got any plans for the weekend? | 0:15:54 | 0:15:57 | |
I'll just be bitterly musing on my arid existence. | 0:15:57 | 0:16:01 | |
I might stare out of a few windows. I'll see how I go. Yourself? | 0:16:01 | 0:16:04 | |
A boy from the haberdashers is coming round. | 0:16:05 | 0:16:08 | |
We're going to send out for broth, | 0:16:08 | 0:16:10 | |
and I got the new wax cylinder of Gladstone. | 0:16:10 | 0:16:12 | |
Wish I was gay. | 0:16:12 | 0:16:14 | |
Oh... | 0:16:14 | 0:16:15 | |
Welcome back to Brentford to the Midlife Olympics 2009, | 0:16:20 | 0:16:24 | |
and what a cracking start we've just had. | 0:16:24 | 0:16:27 | |
As you saw earlier, Robin Carmichael and his team bringing home the gold | 0:16:27 | 0:16:31 | |
for Great Britain in the 4 x 400 hedge trimming. | 0:16:31 | 0:16:34 | |
Now it's very much the turn of the ladies. Carol... | 0:16:34 | 0:16:36 | |
Yes indeed, Steve. Oh, and there's the music. | 0:16:36 | 0:16:38 | |
Teams just coming into the women's arena now. | 0:16:38 | 0:16:41 | |
And this is, of course, the Midlife Ladies' Pentathlon. | 0:16:41 | 0:16:45 | |
Not too much of a crowd there, Carol? | 0:16:45 | 0:16:47 | |
No, the supporters will be mainly middle-aged women. | 0:16:47 | 0:16:50 | |
They may have gone shopping or just forgotten about coming into the stadium altogether. | 0:16:50 | 0:16:54 | |
Kerry Perry, hoping to bounce back | 0:16:56 | 0:16:58 | |
after the Ladies' Indoor Texting, where she held | 0:16:58 | 0:17:00 | |
her phone the wrong way round and sent a photo | 0:17:00 | 0:17:02 | |
of her left breast to everyone on her Christmas card list. | 0:17:02 | 0:17:05 | |
Oh, and we're going over to Andy Cafferty in the Parking Stadium. | 0:17:05 | 0:17:09 | |
Andy, how are things going down there? | 0:17:09 | 0:17:11 | |
Mixed fortunes, Steve. | 0:17:11 | 0:17:13 | |
Britain pipped to the medals in the Ladies' Outdoor Parking. | 0:17:13 | 0:17:16 | |
Cathy Daker struggling as usual with chevrons. | 0:17:16 | 0:17:18 | |
She was in a Volvo with a dog cage - | 0:17:18 | 0:17:20 | |
that may have affected her reversing. | 0:17:20 | 0:17:22 | |
And how did we get on in the Multi-Storey Time Trials? | 0:17:22 | 0:17:25 | |
Not too great, I'm afraid. The American, Laura Sabatini, got gold. | 0:17:25 | 0:17:29 | |
Little bit controversial. | 0:17:29 | 0:17:31 | |
Failed on her third attempt, burst into tears, and the car was parked for her by a passing male motorist. | 0:17:31 | 0:17:38 | |
What did you make of that manoeuvre, very quickly? | 0:17:38 | 0:17:40 | |
Well, there's nothing in the rulebook against it. | 0:17:40 | 0:17:42 | |
Personally I don't like it, I don't think it helps the cause of women's parking. | 0:17:42 | 0:17:46 | |
Well, there, I've said it, I don't like it. Sorry. | 0:17:46 | 0:17:49 | |
Ciao for now. | 0:17:49 | 0:17:50 | |
It's day two of Strictly Come Dancing, and Bo has | 0:17:54 | 0:17:57 | |
still not got to grips with the first two steps of the warm-up. | 0:17:57 | 0:18:02 | |
And one, two, three... | 0:18:02 | 0:18:05 | |
One, two, three and one, two, three. | 0:18:05 | 0:18:09 | |
I think the problem is, Beckton, it's a lovely routine | 0:18:09 | 0:18:14 | |
-but I'm not getting it because I'm not feeling it. -But it's not actually the routine... | 0:18:14 | 0:18:18 | |
I know - you're waiting for me to put in my own little flourishes. | 0:18:18 | 0:18:21 | |
-Look, how about we cook up something a little bit more sassy? -Sassy... | 0:18:21 | 0:18:28 | |
Calypso, rhumba, something with a bit of hip action? Hocha-cocha! | 0:18:28 | 0:18:32 | |
I'll get some music. | 0:18:32 | 0:18:34 | |
Good. You changing? Changing the routine? | 0:18:36 | 0:18:38 | |
You know, you don't have very much time left to learn the routine, Bo. | 0:18:41 | 0:18:44 | |
Well, I've got 16 weeks. | 0:18:44 | 0:18:46 | |
It's tight, but it's manageable. | 0:18:46 | 0:18:48 | |
No, no. The whole series is 16 weeks. | 0:18:48 | 0:18:52 | |
You do your first show this Saturday. | 0:18:52 | 0:18:54 | |
It goes out live. | 0:18:55 | 0:18:57 | |
Wendy... | 0:19:00 | 0:19:01 | |
Wendy! Come here. Colin! No cameras! | 0:19:01 | 0:19:04 | |
Love the fingers... | 0:19:11 | 0:19:13 | |
Bo has decided against appearing in Strictly Come Dancing, and is on her way to visit Delia Smith, | 0:19:18 | 0:19:24 | |
to talk about taking part in Delia's new cookery and travel show, The Gravy Train. | 0:19:24 | 0:19:31 | |
Are you a fan of Delia Smith? | 0:19:43 | 0:19:45 | |
Oh, yes. I mean, she's taken something we can all do, good plain cooking, and somehow | 0:19:45 | 0:19:52 | |
managed to wrangle that into quite a respectable career. Hats off to her! | 0:19:52 | 0:19:56 | |
And she has a football club. | 0:19:56 | 0:19:58 | |
Does she? How lovely! | 0:19:58 | 0:20:01 | |
Garden full of kiddies, muddy kit. | 0:20:01 | 0:20:04 | |
-These are very good. Did you make them, Del? -Hmm-mm. | 0:20:09 | 0:20:13 | |
Little tip - | 0:20:13 | 0:20:15 | |
whip them out a couple of minutes earlier. | 0:20:15 | 0:20:19 | |
Can you taste? They've slightly gone over. | 0:20:19 | 0:20:22 | |
Could you, Karen, explain to Bo what our new project is? | 0:20:25 | 0:20:29 | |
OK. Well, The Gravy Train is basically Delia going from town to town on a steam train, | 0:20:29 | 0:20:34 | |
meeting members of the public, asking them what their likes and dislikes... | 0:20:34 | 0:20:38 | |
'I sensed Bo's enthusiasm for this cookery programme and wonder if | 0:20:38 | 0:20:41 | |
'this might not be the thing that puts her back in the TV limelight.' | 0:20:41 | 0:20:46 | |
So, basically you would tell us your signature dish, we'd sort out the ingredients. | 0:20:46 | 0:20:52 | |
You just have to turn up on the day and teach it to Delia. | 0:20:52 | 0:20:55 | |
All we need to know from you, Bo, is, what is your signature dish? | 0:20:55 | 0:20:59 | |
Which shall we reveal, Wendy? | 0:20:59 | 0:21:03 | |
The mince timbale? | 0:21:03 | 0:21:05 | |
Fish finger surprise? | 0:21:05 | 0:21:08 | |
-Crackamole! -Crackamole! | 0:21:08 | 0:21:12 | |
What it is, Smithy, | 0:21:12 | 0:21:14 | |
you take an ordinary pack of Tuc crackers... | 0:21:14 | 0:21:17 | |
MUSIC DROWNS SPEECH | 0:21:17 | 0:21:20 | |
Can I just, you know, get this straight? | 0:21:36 | 0:21:38 | |
Tuc crackers? | 0:21:38 | 0:21:40 | |
A piece of sardine. | 0:21:42 | 0:21:44 | |
And then a squeeze of lemon - lime... | 0:21:44 | 0:21:47 | |
Lime juice. That's the kick of the mole. | 0:21:47 | 0:21:51 | |
-And then on a plate? -That's right. | 0:21:51 | 0:21:53 | |
In a spiral, arranged in a spiral. | 0:21:53 | 0:21:57 | |
-We used to lay them out in concentric circles. -And then... | 0:21:57 | 0:22:01 | |
I was looking at the crackers one day. | 0:22:01 | 0:22:03 | |
It was just after 9/11. | 0:22:03 | 0:22:05 | |
I think I just wanted to do something life-affirming. Like any chef, I was in the zone. | 0:22:05 | 0:22:11 | |
I said to Wendy, | 0:22:11 | 0:22:14 | |
"Ditch the circles." | 0:22:14 | 0:22:16 | |
"Put them in a spiral." | 0:22:17 | 0:22:19 | |
WENDY SNIFFS | 0:22:19 | 0:22:20 | |
Later that day, Bo got a call from Delia's office to say there had been a double booking. | 0:22:36 | 0:22:41 | |
And instead of Bo's crackamole, they were going ahead with | 0:22:41 | 0:22:44 | |
the Archbishop of Canterbury's spam curry. | 0:22:44 | 0:22:47 | |
ORGAN PLAYS | 0:22:56 | 0:22:58 | |
How many times have we prayed to God for something? | 0:23:07 | 0:23:11 | |
And he hasn't given it to us. | 0:23:11 | 0:23:14 | |
What do we do? We blame ourselves. | 0:23:14 | 0:23:16 | |
"Oh, we weren't good enough. I didn't deserve it." Or we blame God. | 0:23:16 | 0:23:21 | |
"He has let us down." | 0:23:21 | 0:23:24 | |
It was my birthday the other day. | 0:23:24 | 0:23:26 | |
And as you do when you're in a relationship, | 0:23:26 | 0:23:29 | |
I dropped hints with my partner about what I would like for a present. | 0:23:29 | 0:23:33 | |
In fact, I told him what I wanted, which is what we do with God, isn't it? We tell him what we want. | 0:23:33 | 0:23:38 | |
So I told my partner, Eric, | 0:23:38 | 0:23:41 | |
that I would like an espresso machine. | 0:23:41 | 0:23:45 | |
Because I love me espresso. | 0:23:45 | 0:23:48 | |
And come the great day there was a big parcel waiting for me. | 0:23:48 | 0:23:51 | |
And I thought, that's a very big espresso machine, and I opened it. | 0:23:51 | 0:23:55 | |
And it was two... | 0:23:55 | 0:23:57 | |
imitation leather... | 0:23:57 | 0:24:00 | |
outdoor beanbags. | 0:24:00 | 0:24:02 | |
And I was disappointed. | 0:24:03 | 0:24:05 | |
Because Eric had known what I wanted, | 0:24:05 | 0:24:08 | |
and he hadn't given it to me. | 0:24:08 | 0:24:10 | |
Very nice beanbags, but I didn't want beanbags. I wanted... | 0:24:10 | 0:24:14 | |
an espresso machine. And he could see I was disappointed. | 0:24:14 | 0:24:18 | |
And he said to me, "Bobby...", | 0:24:18 | 0:24:21 | |
which is what he calls me, | 0:24:21 | 0:24:23 | |
"I didn't give you the espresso machine because you have high blood pressure, you drink too much coffee. | 0:24:23 | 0:24:29 | |
"I gave you the outdoor beanbags so we could sit in the garden | 0:24:29 | 0:24:33 | |
"together in the evening, hold hands and chill out. | 0:24:33 | 0:24:37 | |
"Chillax. Because I love you." | 0:24:37 | 0:24:41 | |
And that's what God does. | 0:24:41 | 0:24:43 | |
Doesn't give us what we want. | 0:24:43 | 0:24:45 | |
The espresso machine. | 0:24:45 | 0:24:47 | |
He gives us what we need. | 0:24:47 | 0:24:49 | |
The outdoor beanbags. | 0:24:49 | 0:24:51 | |
Because he loves us. | 0:24:51 | 0:24:53 | |
He loves us and he wants us to chillax. | 0:24:53 | 0:24:56 | |
It's 8.00am, and Nick and Margaret have both arrived early for their meeting with Sir Alan. | 0:25:14 | 0:25:20 | |
"THE APPRENTICE" THEME FADES | 0:25:23 | 0:25:26 | |
JAZZ MUSIC PLAYS | 0:25:31 | 0:25:35 | |
APPLAUSE | 0:26:57 | 0:26:59 | |
I loved ma and pa, | 0:27:06 | 0:27:07 | |
but now that I had straight hair and an umbrella, it was getting harder | 0:27:07 | 0:27:11 | |
to tear myself away from the excitements of Cranchesterford to walk home to see them. | 0:27:11 | 0:27:16 | |
Arrowminty, come with us. | 0:27:16 | 0:27:18 | |
-There's been enough rain for Walt's Big Puddle. -It's my day off. | 0:27:18 | 0:27:21 | |
I'm off to Donkeyfield to see Ma and Pa and the children. | 0:27:21 | 0:27:25 | |
You're, like, really going to have to choose between Donkeyfield and Cranchesterford. | 0:27:25 | 0:27:29 | |
You can't have friends in both places. End of. | 0:27:29 | 0:27:32 | |
THUNDER RUMBLES | 0:27:32 | 0:27:34 | |
That's a fine cup of tea, postman. | 0:27:34 | 0:27:36 | |
I swill around before I pour. | 0:27:36 | 0:27:38 | |
It just brings out the flavour. | 0:27:38 | 0:27:40 | |
We're both bachelors. | 0:27:40 | 0:27:42 | |
You got that right, girlfriend! | 0:27:42 | 0:27:44 | |
But lately, I've had a terrible yearning for Postmistress Finch. | 0:27:44 | 0:27:48 | |
And I need to know if you have any sort of intentions towards her. | 0:27:48 | 0:27:53 | |
Oh! No. | 0:27:53 | 0:27:55 | |
So I could plight my troth? | 0:27:55 | 0:27:57 | |
You can plight it and paint it purple, don't mind me. | 0:27:57 | 0:28:00 | |
I wouldn't know where to start with a lady. They're all slither and curves. | 0:28:00 | 0:28:04 | |
-Nightmare. -Have you never been courtin', Postman? | 0:28:04 | 0:28:07 | |
Not as such. | 0:28:07 | 0:28:09 | |
I have a lot of shallow, meaningless encounters with boys though, so I don't feel I'm missing out. | 0:28:09 | 0:28:14 | |
-I'm just looking out for Arrowminty. -Oh, yes, she's coming home today! | 0:28:17 | 0:28:21 | |
-Where's the kiddies? -We had to pawn them. | 0:28:21 | 0:28:25 | |
We'll get them out Saturday, God willing. | 0:28:25 | 0:28:27 | |
How's your medication? | 0:28:27 | 0:28:29 | |
Down to two dances a day. | 0:28:29 | 0:28:31 | |
-Feel loads better. -Yeah? -Yes. | 0:28:31 | 0:28:34 | |
I don't have that endless critical interior monologue. | 0:28:34 | 0:28:39 | |
Anyway, tell Arrowminty to pop in - the hovel's looking top notch. | 0:28:39 | 0:28:45 | |
I've got a new dead cat in the doorway. | 0:28:45 | 0:28:48 | |
Ginger. Picks up the trim in the scatter cushions. | 0:28:48 | 0:28:52 | |
Oh... | 0:28:52 | 0:28:54 | |
Enjoy! | 0:28:56 | 0:28:57 | |
THEY SCREAM | 0:29:08 | 0:29:10 | |
Oh, my God! | 0:29:20 | 0:29:21 | |
I'm, like, "Argh!" | 0:29:21 | 0:29:24 | |
I'm like... | 0:29:24 | 0:29:25 | |
There you go. Good as new. | 0:29:31 | 0:29:34 | |
Thank you, Blacksmith. That's better. | 0:29:34 | 0:29:37 | |
Postmistress Finch, the other night your curtains was open. | 0:29:37 | 0:29:43 | |
Yes, a badger had got into my pelmet. | 0:29:43 | 0:29:46 | |
I couldn't help seeing you disrobing. | 0:29:46 | 0:29:48 | |
How much did you see? | 0:29:48 | 0:29:50 | |
I stayed for the first 20 minutes. | 0:29:50 | 0:29:52 | |
Yes, I admit my undergarments are a little labour-intensive. | 0:29:52 | 0:29:55 | |
-Well, what you need is... -Yes... | 0:29:55 | 0:29:59 | |
-Some sort of quick-release mechanism. -Oh...! | 0:29:59 | 0:30:02 | |
-Let me have a think. -OK. Ta. | 0:30:02 | 0:30:05 | |
No sign of our girl. | 0:30:09 | 0:30:11 | |
-What could have happened? -Either she's struck with the quinsy at death's door... | 0:30:11 | 0:30:16 | |
In which case, fair do's. | 0:30:16 | 0:30:18 | |
Or else she reckons she's too uppity-tuppity to visit her old ma and pa and their... | 0:30:18 | 0:30:23 | |
-Children. -Well, Halibut Finch will not be disrespected. | 0:30:25 | 0:30:29 | |
I'm a simple man, but I have my pride. | 0:30:29 | 0:30:33 | |
Just take a bull's-eye. | 0:30:40 | 0:30:41 | |
Bit garlicky from lunch. | 0:30:41 | 0:30:43 | |
My pa wasn't rich. | 0:30:46 | 0:30:48 | |
Not money-rich. He didn't have a big house or a fine carriage. | 0:30:48 | 0:30:53 | |
And that was really depressing. | 0:30:53 | 0:30:55 | |
Still not paid enough assistant number three, please. | 0:30:55 | 0:31:00 | |
What do you reckon? | 0:31:00 | 0:31:02 | |
-It's a little youthful. -Meaning? | 0:31:02 | 0:31:04 | |
That it's gay frivolity may not sit so well on a more mature, | 0:31:04 | 0:31:07 | |
not to say, miserable and sagging, countenance. | 0:31:07 | 0:31:10 | |
May I remind you who pays your wages? | 0:31:10 | 0:31:12 | |
On you, it's fabulous. | 0:31:12 | 0:31:13 | |
I'll take it. | 0:31:13 | 0:31:16 | |
Just one tug. | 0:31:17 | 0:31:19 | |
Blacksmith, you have triumphed. What should be your reward? | 0:31:19 | 0:31:22 | |
What do you care to give me? | 0:31:22 | 0:31:26 | |
There's a Desiree with no postcode. Go lovely with some coleslaw. | 0:31:31 | 0:31:34 | |
Cheers. | 0:31:34 | 0:31:36 | |
Arrowminty! | 0:31:42 | 0:31:44 | |
'Scuse me, my lady, I'm looking for my daughter. | 0:31:44 | 0:31:47 | |
Lolly Goggins. | 0:31:49 | 0:31:51 | |
Halibut Finch. | 0:31:51 | 0:31:52 | |
You still have your half of the pork scratching? | 0:31:52 | 0:31:55 | |
Oh... | 0:31:59 | 0:32:01 | |
Wednesday morning. | 0:32:13 | 0:32:14 | |
Bo has an appointment with the producers of the genealogy programme, | 0:32:14 | 0:32:18 | |
Who Do You Think You Are? | 0:32:18 | 0:32:20 | |
The meeting hasn't gone well. | 0:32:25 | 0:32:28 | |
Bo has walked out having refused to give the researchers her real name or her date of birth. | 0:32:28 | 0:32:33 | |
But Bo is not deterred by this latest setback and has contacted an old friend at ITV. | 0:32:33 | 0:32:40 | |
-He was very interested. Very. -What's the programme, Bo? | 0:32:41 | 0:32:45 | |
-It's called, I Am A Celebrity. -I like the sound of that. | 0:32:45 | 0:32:50 | |
Yes, to be fair, I did work for the commercial channel years ago. | 0:32:50 | 0:32:53 | |
-Do you remember, Wendy, in the Rediffusion days? -Emergency Ward 10. -That's right. | 0:32:53 | 0:32:57 | |
-I was a comedy nosebleed. -...Bleed. -A little scrap of raw talent. Here I am, | 0:32:57 | 0:33:04 | |
whizzing through the streets of the capital... | 0:33:04 | 0:33:07 | |
on my way to meet the producers of I Am A Celebrity. | 0:33:07 | 0:33:11 | |
Ah, the whirligig of time. | 0:33:14 | 0:33:16 | |
The producer of I Am A Celebrity has explained that it is a Japanese-style endurance game. | 0:33:24 | 0:33:29 | |
You get all the jungle gear, the boots and the shorts and so on. | 0:33:29 | 0:33:33 | |
Sometimes, we fly people in as a surprise. | 0:33:33 | 0:33:36 | |
I think we did that with Cannon and Ball. | 0:33:36 | 0:33:39 | |
But, Bo seems still to be interested. | 0:33:39 | 0:33:42 | |
We have these things called Bush Tucker trials, where the celebrities have to eat... | 0:33:42 | 0:33:46 | |
rather disgusting things. Like, erm, edible grubs, and locusts and kangaroo anus. | 0:33:46 | 0:33:54 | |
I think Jan Leeming ate wombat penis. | 0:33:54 | 0:33:57 | |
Well, that's about it. | 0:33:59 | 0:34:02 | |
-How dare you. -What? | 0:34:03 | 0:34:06 | |
Do you seriously think I would give an instance consideration to your fetid little programme? | 0:34:06 | 0:34:13 | |
Why...? | 0:34:13 | 0:34:15 | |
I am an actress. | 0:34:15 | 0:34:18 | |
A loved and respected actress. | 0:34:18 | 0:34:20 | |
I was voted best loved character in a soap 1987, 1989 and 1990. | 0:34:20 | 0:34:27 | |
And there are three things on television I will never do. | 0:34:27 | 0:34:31 | |
I will not wear shorts. | 0:34:31 | 0:34:33 | |
I will not take part in any repellent eating trial. | 0:34:33 | 0:34:37 | |
And I will not appear on any programme that considers Jan Leeming | 0:34:37 | 0:34:43 | |
to be a celebrity. Come on, Wendy. | 0:34:43 | 0:34:46 | |
Some ladies may need to kick start their careers by chomping on the private parts of a marsupial. | 0:34:50 | 0:34:54 | |
In the unlikely event that I ever need to boost my profile, you will find me on Channel 4. | 0:34:54 | 0:34:59 | |
In Dictionary Corner On Countdown. Good day. | 0:34:59 | 0:35:02 | |
Out of they way! | 0:35:02 | 0:35:03 | |
Sorry. | 0:35:06 | 0:35:08 | |
Welcome back. Women's pentathlon hotting up as you just heard on the news. | 0:35:18 | 0:35:23 | |
Pentathlon stalwart, Kerry Perry, has failed her drugs test. | 0:35:23 | 0:35:28 | |
That's official. She tested positive on an on-the-spot testing for... | 0:35:28 | 0:35:32 | |
What was it, Carol? | 0:35:32 | 0:35:33 | |
Viennetta. | 0:35:33 | 0:35:34 | |
Sad day, but the stuff is out there, unfortunately. | 0:35:34 | 0:35:38 | |
Being realistic, anyone can get hold of it. | 0:35:38 | 0:35:41 | |
Coming in today, I was offered a petit four. | 0:35:41 | 0:35:45 | |
And we're just hearing that the third event in the Ladies' Pentathlon, | 0:35:45 | 0:35:49 | |
the Supermarket Checkout Relay, has been halted. | 0:35:49 | 0:35:52 | |
Deirdre, this is pretty unheard of. Can you tell us what actually happened? | 0:35:52 | 0:35:57 | |
The relay was halted when one of the Kenyans chose the "five items | 0:35:57 | 0:36:00 | |
"or less" aisle but was then found to have six items in her basket. | 0:36:00 | 0:36:03 | |
So, she's out, then? | 0:36:03 | 0:36:05 | |
The Kenyans are claiming that two of the items were part of a | 0:36:05 | 0:36:08 | |
buy-one-get-one-free offer so count, in effect, as one item. | 0:36:08 | 0:36:13 | |
So, Carol, should she have gone for a different aisle? | 0:36:13 | 0:36:16 | |
It's a tough call. So much depends on the checkout operative. | 0:36:16 | 0:36:19 | |
-Younger operatives are not always quicker. -It was a young lad, you may remember, who scotched | 0:36:19 | 0:36:23 | |
Sweden's chances in the semis when he couldn't recognise a kiwi. | 0:36:23 | 0:36:26 | |
And we lost out, of course, in the European Shopping Championships two years ago, when our girl took a risk | 0:36:26 | 0:36:32 | |
with a packet of Maxi-pads and they were beeped through as a white Hovis. | 0:36:32 | 0:36:35 | |
Let's have a quick look back at the history of this shopping event. | 0:36:35 | 0:36:41 | |
This is the 1912 Games in Stockholm. | 0:36:41 | 0:36:42 | |
As you see, the shopping element is quite embryonic. | 0:36:42 | 0:36:45 | |
Minimal choice, none of the trickier to manage items we see today. | 0:36:45 | 0:36:48 | |
No cat litter, no Toilet Duck. | 0:36:48 | 0:36:50 | |
And not the easiest of kit to run in. | 0:36:50 | 0:36:53 | |
No, indeed. Oh, a lady hitting the deck there. | 0:36:53 | 0:36:56 | |
With her long skirt. | 0:36:56 | 0:36:59 | |
And this is, of course, Connie Flanders-Bentham, | 0:36:59 | 0:37:02 | |
who won in front of the home crowd here in London in 1948. | 0:37:02 | 0:37:06 | |
1948, the Austerity Games. | 0:37:06 | 0:37:08 | |
The medals were cast in cheap metal and many athletes did suffer an allergic reaction. | 0:37:08 | 0:37:14 | |
In fact, Connie did die later that day. | 0:37:14 | 0:37:17 | |
That's right. That really is a day of contrasts. | 0:37:17 | 0:37:20 | |
Winning...and then dying. | 0:37:20 | 0:37:23 | |
Real bad luck, there. | 0:37:28 | 0:37:29 | |
Back after this. | 0:37:29 | 0:37:32 | |
'It was just an ordinary day at work | 0:37:40 | 0:37:42 | |
'and then, bang! | 0:37:42 | 0:37:44 | |
'I slipped on a chip...' | 0:37:44 | 0:37:47 | |
Help, I've slipped on a chip! | 0:37:47 | 0:37:49 | |
'..someone had left on the ground.' | 0:37:49 | 0:37:51 | |
SHE GROANS | 0:37:51 | 0:37:54 | |
-'I phoned slippedonachip.com. They couldn't have been more helpful.' -It's our pleasure. | 0:37:54 | 0:37:58 | |
'I received £8,000 in compensation. | 0:37:58 | 0:38:02 | |
'So, when my friend at work tripped over a miniature cuckoo clock someone had glued to the kerb... | 0:38:02 | 0:38:08 | |
CUCKOO! | 0:38:08 | 0:38:09 | |
'She got in touch with slippedonachip.com straight away. | 0:38:09 | 0:38:12 | |
'But they wouldn't take the case cos... | 0:38:13 | 0:38:16 | |
'it wasn't a chip. | 0:38:16 | 0:38:17 | |
'slippedonachip.com.' | 0:38:19 | 0:38:21 | |
Does not apply in the case of French fries, curly fries or mash. | 0:38:21 | 0:38:24 | |
Big changes came to all of us that summer. | 0:38:31 | 0:38:33 | |
Ma and Pa had separated. | 0:38:33 | 0:38:35 | |
She was working as a private dancer in a gentlemen's club in the red bonnet district. | 0:38:35 | 0:38:39 | |
And Pa had been reunited with his childhood sweetheart, Lolly Goggins, | 0:38:39 | 0:38:43 | |
the rich widow, Mrs Godchild. | 0:38:43 | 0:38:47 | |
What's wrong, my darling? | 0:38:47 | 0:38:49 | |
I cannot get used to these garments. | 0:38:49 | 0:38:51 | |
I am at a flitcher. And flitchers don't wear such stuff. | 0:38:51 | 0:38:56 | |
Our shirts are rough hemp. | 0:38:56 | 0:38:58 | |
Our trousers moleskin softened by wind and weather, creased at the knee and groin. | 0:38:58 | 0:39:03 | |
I am loving the sound of that. And maybe a little neckerchief? Chunky belt? | 0:39:03 | 0:39:08 | |
Arrowminty? | 0:39:10 | 0:39:11 | |
I had no time for Ma and Pa. | 0:39:14 | 0:39:16 | |
One of the new spray-whitening booths had opened in Cranchesterford | 0:39:16 | 0:39:20 | |
and soon my rosy cheeks would be gone for ever. | 0:39:20 | 0:39:23 | |
Lift your ringlets. | 0:39:27 | 0:39:28 | |
I reckon you could go a shade lighter than that. | 0:39:31 | 0:39:33 | |
Arrowminty Finch, ain't you got no shame? | 0:39:34 | 0:39:37 | |
Whitening the good brown bosoms the Lord gave you. | 0:39:37 | 0:39:40 | |
With a pa shacked up with a fine lady. | 0:39:40 | 0:39:43 | |
And a ma showing her bonnet to anyone with a threepenny bit. | 0:39:43 | 0:39:47 | |
I reckon I don't have no shame, no. | 0:39:47 | 0:39:50 | |
Fair point, well made. | 0:39:51 | 0:39:53 | |
DOORBELL RINGS | 0:39:54 | 0:39:56 | |
Ah, Miss Muslin. I fear I cannot serve you. | 0:39:58 | 0:40:02 | |
Our postman is out on his rounds and I have a most urgent delivery to make to Lord Cranborne. | 0:40:02 | 0:40:07 | |
-Is he missing some potatoes? -I'm hoping not. -It would seem you have a bee in your bonnet. | 0:40:07 | 0:40:10 | |
-I admit I have feelings for him. -No, you have a bee in your bonnet. | 0:40:10 | 0:40:13 | |
Oh! Ah! | 0:40:13 | 0:40:15 | |
God, I hate the country. | 0:40:15 | 0:40:17 | |
Best call it midsummer madness, Ma. Me shacking up with Mrs Godchild. | 0:40:17 | 0:40:21 | |
-Me doing the private dancing. -That's no life. | 0:40:21 | 0:40:25 | |
I never want to want to hear Greensleeves again, I tell you that. | 0:40:25 | 0:40:29 | |
If we could just set things straight with Arrowminty. | 0:40:29 | 0:40:32 | |
Take a look yonder. | 0:40:32 | 0:40:34 | |
It's Arrowminty... | 0:40:38 | 0:40:39 | |
with the children. | 0:40:39 | 0:40:42 | |
I sold my flitching tools to get them out of the pawnshop. | 0:40:43 | 0:40:46 | |
Oh, Pa. | 0:40:46 | 0:40:48 | |
Wrong children. | 0:40:58 | 0:41:00 | |
Oh, beggar. Never mind. Still got the tickets. | 0:41:00 | 0:41:02 | |
Come on, tiddlers. | 0:41:02 | 0:41:05 | |
Easy mistake. | 0:41:05 | 0:41:07 | |
Mmm. | 0:41:07 | 0:41:08 | |
I love you, Halibut Finch. | 0:41:08 | 0:41:11 | |
Not as much as I love you, Catheter Finch. | 0:41:11 | 0:41:14 | |
Lord Cranborne, please. | 0:41:25 | 0:41:27 | |
I have a registered package and an Innovations catalogue. | 0:41:27 | 0:41:31 | |
KNOCK AT DOOR | 0:41:31 | 0:41:33 | |
Hang on. | 0:41:33 | 0:41:34 | |
Ah, Lord Cranborne. | 0:41:40 | 0:41:42 | |
The matter we discussed previously, regarding ladies netherwear and time taken in removal. | 0:41:42 | 0:41:47 | |
-I'm not sure I recall... -Corsets. The blacksmith has come up with a gadget... -Really? | 0:41:47 | 0:41:53 | |
..that will make it much quicker for the dog to see the euphemism. | 0:41:53 | 0:41:57 | |
I'm afraid my circumstances now are such that I really have no great desire to see your euphemism. | 0:41:57 | 0:42:01 | |
Might I know what has altered your circumstances? | 0:42:01 | 0:42:04 | |
We just clicked. | 0:42:06 | 0:42:07 | |
-I should have said something, but I was waiting to see how it went. -I see. | 0:42:07 | 0:42:11 | |
Do you want to see how the corset works? Just for info? | 0:42:11 | 0:42:15 | |
No fear! I was saying to Lord C here, I delivered a telegram once and the woman was naked. | 0:42:15 | 0:42:21 | |
It was like a go-slow in a blancmange factory. | 0:42:21 | 0:42:23 | |
I was sleeping with the light on for weeks. | 0:42:23 | 0:42:25 | |
I'll see myself out. | 0:42:27 | 0:42:29 | |
We weren't to know that sunlit evening, Ma and Pa and me, | 0:42:37 | 0:42:40 | |
how swiftly life would change in that lark-filled place. | 0:42:40 | 0:42:44 | |
That Pa would finally admit there was no such trade as flitching. | 0:42:44 | 0:42:48 | |
And that he'd been spending all day in the reference library. | 0:42:48 | 0:42:50 | |
That Ma would to an external degree in gender politics at Cranchesterford Technical College | 0:42:50 | 0:42:55 | |
and that, although she would always love Pa, she would always slightly despise him. | 0:42:55 | 0:43:00 | |
We could never have realised, as we waltzed on that sunlit meadow, | 0:43:03 | 0:43:07 | |
that we were actually dancing on a badly maintained septic tank. | 0:43:07 | 0:43:11 | |
And that many of us would die horribly from sewage-related illnesses. | 0:43:11 | 0:43:16 | |
Or that Ma and Pa's children would have children of their own. | 0:43:16 | 0:43:20 | |
And some of them would become the Nolan Sisters... | 0:43:20 | 0:43:22 | |
Nigel Kennedy... | 0:43:22 | 0:43:24 | |
and Gary Wilmot. | 0:43:24 | 0:43:26 | |
And as for the girl I was, Arrowminty, she fell in love with the blacksmith | 0:43:30 | 0:43:34 | |
and they were as happy as larks in the sky. | 0:43:34 | 0:43:37 | |
For a bit, anyway. | 0:43:42 | 0:43:43 | |
Half-an-hour later and Bo is still fuming. | 0:43:59 | 0:44:03 | |
Jan Leeming, | 0:44:03 | 0:44:06 | |
don't think so. | 0:44:06 | 0:44:08 | |
Bo, isn't that the Olympic skaters? | 0:44:10 | 0:44:13 | |
Oh, that's right, it's Pearl and Dean. | 0:44:13 | 0:44:17 | |
Now that looks like an elegant show to be on. | 0:44:17 | 0:44:21 | |
I don't suppose they have to chow down on wallaby scrotum. | 0:44:21 | 0:44:26 | |
Is it worth giving them a ring? While we're here? | 0:44:26 | 0:44:29 | |
You skated before, Bo? | 0:44:39 | 0:44:42 | |
-Not for some time. -We used to to go to Richmond. | 0:44:42 | 0:44:46 | |
That's right, we used to go round the edge, didn't we? Once round the edge. | 0:44:46 | 0:44:49 | |
-What, just hanging on? -That's right. I'm sure it'll come back to me. | 0:44:49 | 0:44:53 | |
What do they call it? Muscle... | 0:44:53 | 0:44:55 | |
-Memory. -That's it. Muscle memory. | 0:44:55 | 0:44:58 | |
Bo! | 0:44:58 | 0:44:59 | |
Here they are, those plucky little East Midlanders. | 0:45:00 | 0:45:05 | |
-Hello. -Hello. | 0:45:08 | 0:45:11 | |
How are you? | 0:45:11 | 0:45:13 | |
'While Bo makes friends with Dancing On Ice stars Torvill and Dean, I take a minute to chat to Wendy.' | 0:45:13 | 0:45:19 | |
Wendy, you do an awful lot for Bo, don't you? There's the shopping, cooking, cleaning and driving. | 0:45:19 | 0:45:25 | |
I mean, you're almost a dogsbody. | 0:45:25 | 0:45:27 | |
I'm very privileged. | 0:45:27 | 0:45:29 | |
You don't see what she does for me. | 0:45:29 | 0:45:31 | |
Actually, no, I don't. | 0:45:31 | 0:45:33 | |
What does she do for you? I'm intrigued. | 0:45:33 | 0:45:35 | |
She's my life! | 0:45:35 | 0:45:39 | |
She is my life. | 0:45:39 | 0:45:41 | |
I thought I might get a hot chocolate. | 0:45:43 | 0:45:45 | |
Only if Bo shows some competence on the ice, will she be allowed to take part in the show. | 0:45:54 | 0:46:00 | |
Get back! | 0:46:02 | 0:46:05 | |
Thank you, Christopher, thank you. | 0:46:11 | 0:46:14 | |
Yes... | 0:46:21 | 0:46:22 | |
MUSIC: "Bolero" by Ravel | 0:46:40 | 0:46:42 | |
-It's a lot about poise, isn't it? -Gliding. | 0:46:45 | 0:46:49 | |
-Is that a move? -I think, yeah... | 0:46:49 | 0:46:52 | |
She's relaxing a bit more now, I think. | 0:46:54 | 0:46:57 | |
Wendy! | 0:47:12 | 0:47:13 | |
-How did you think that went? -Yeah, no, it's fine. Thank you. | 0:47:21 | 0:47:24 | |
-Yeah, I thought it went... -It was OK. | 0:47:24 | 0:47:27 | |
OK, yeah. | 0:47:27 | 0:47:29 | |
Why don't we call your agent and we'll sort things out? | 0:47:29 | 0:47:33 | |
-Yeah. -Yeah? -Great. -Keep practising. -Will do, thanks. -Lots. | 0:47:33 | 0:47:37 | |
What did they say? | 0:47:42 | 0:47:44 | |
They say it would be a very big time commitment if I stayed in right to the final. It's a lot of weekends. | 0:47:44 | 0:47:51 | |
We wouldn't want to miss Crufts. | 0:47:51 | 0:47:53 | |
I might have to turn it down, sadly. | 0:47:53 | 0:47:55 | |
Can you get yourself up off the ice? | 0:47:59 | 0:48:02 | |
No. | 0:48:02 | 0:48:03 | |
Saturday evening. | 0:48:26 | 0:48:27 | |
It's my last chance to talk to Bo and there's one question I feel I must put to her. | 0:48:27 | 0:48:32 | |
Has it been a humiliating week, Bo? | 0:48:35 | 0:48:38 | |
Oh, that's a pretty probing question, Colin. | 0:48:38 | 0:48:41 | |
Deserves an honest answer. | 0:48:41 | 0:48:44 | |
It was a hard week, shall we say, | 0:48:44 | 0:48:46 | |
and I did have to be forceful at times, but humiliating? No. | 0:48:46 | 0:48:52 | |
I don't think I humiliated anyone, not my style. Oh, lovely. | 0:48:52 | 0:48:57 | |
So you weren't out of your comfort zone this week? | 0:48:59 | 0:49:03 | |
Colin, I'm an actress. | 0:49:03 | 0:49:05 | |
You can take me to risk, you can take me to danger, but never ask me to visit comfort zone! | 0:49:05 | 0:49:12 | |
That's one place Bo Beaumont ain't never going to go. | 0:49:12 | 0:49:18 | |
Ooh, Crackamole. | 0:49:19 | 0:49:21 | |
What's on the goggle box, Wendy? | 0:49:23 | 0:49:25 | |
When Celebrity Gastric Bands Wear Out. | 0:49:28 | 0:49:31 | |
Ah, lovely. | 0:49:31 | 0:49:32 | |
Well, what a Games it's been, an unforgettable Midlife Olympics. | 0:49:50 | 0:49:54 | |
Carol and I would like to thank you for spending time with us here in Middlesex. | 0:49:54 | 0:50:00 | |
Let's take a look at our medal highlights, including that unforgettable closing ceremony, | 0:50:00 | 0:50:05 | |
but first, we're going to take a look of that magical moment when the Midlife Olympic flame finished its | 0:50:05 | 0:50:10 | |
long journey from Addis Ababa and arrived in Brentford. | 0:50:10 | 0:50:16 | |
And what a solemn moment this is. | 0:50:19 | 0:50:22 | |
Veteran Tony Middleton, holder of the world speed record for setting the table, | 0:50:22 | 0:50:29 | |
lighting the Olympic flame that will mark the start of the Midlife Games of 2009. | 0:50:29 | 0:50:36 | |
Lit by wife, Sheila, there. | 0:50:42 | 0:50:45 | |
Eve Bluston, first attempt on the balance beam. | 0:50:51 | 0:50:53 | |
Pipped to silver in Nagasaki. Looking to come good today. | 0:50:53 | 0:50:57 | |
Oh, oh, ah... | 0:50:57 | 0:50:59 | |
It's not happening. | 0:50:59 | 0:51:01 | |
Ah, lost momentum. First refusal. | 0:51:01 | 0:51:03 | |
Pain etched on the face of Graham Gardner, | 0:51:03 | 0:51:05 | |
back on the pedalo only weeks after a botched hip replacement. | 0:51:05 | 0:51:08 | |
Ghanaians giving their all, but it's not enough. | 0:51:08 | 0:51:10 | |
Yes, Britain has gold and the Ghanaians are nowhere! | 0:51:10 | 0:51:13 | |
Come in number three, you've got a gold medal. | 0:51:13 | 0:51:15 | |
Second attempt from Eve Bluston now. | 0:51:17 | 0:51:18 | |
That's a lovely run. She used good height. | 0:51:20 | 0:51:23 | |
No, no, second leg not coming up. | 0:51:23 | 0:51:25 | |
Coach Alan Lilley there with the official bunk-up. | 0:51:25 | 0:51:28 | |
No, no, doesn't want it. | 0:51:28 | 0:51:30 | |
Second refusal. | 0:51:30 | 0:51:32 | |
Well, I think we can say goodbye to the silver. | 0:51:32 | 0:51:34 | |
India, very good in all flat-pack events | 0:51:36 | 0:51:38 | |
but Babs and Nigel Conway are racing ahead with only one shelf to go. | 0:51:38 | 0:51:41 | |
Is it solid? It's solid! | 0:51:41 | 0:51:44 | |
Married Couples Self-assembly Flat-pack Olympic gold, | 0:51:44 | 0:51:47 | |
back where it belongs, in Britain. | 0:51:47 | 0:51:48 | |
Nice use of the hand to steady herself. | 0:51:51 | 0:51:53 | |
One leg on, that the new plastic knee she's holding. | 0:51:54 | 0:51:57 | |
She's up. She needs both hands up to secure the medal. Alan lets go. | 0:51:57 | 0:52:01 | |
Up go the arms. | 0:52:01 | 0:52:03 | |
Bluston has silver. | 0:52:03 | 0:52:04 | |
And what a breathtaking sight that is. | 0:52:06 | 0:52:09 | |
Ken Fallaway forming the shape of the Olympic rings | 0:52:09 | 0:52:12 | |
in fire against the night sky of our host city, Brentford in Middlesex. | 0:52:12 | 0:52:16 | |
And one can only marvel at the months of dedication and sheer slog | 0:52:18 | 0:52:23 | |
that have resulted in this flawless closing display. | 0:52:23 | 0:52:25 | |
And there it goes, gold and silver fountain, | 0:52:28 | 0:52:30 | |
one of the hardest fireworks to light, | 0:52:30 | 0:52:32 | |
but it lit for the British Olympic hosts in Brentford tonight. | 0:52:32 | 0:52:36 | |
And on that triumphant note, | 0:52:36 | 0:52:37 | |
we say a very good night to middle-aged people everywhere. | 0:52:37 | 0:52:41 | |
CHEERING | 0:52:41 | 0:52:45 | |
Well, we've come to the end of the show and we're going to finish with a song. | 0:52:57 | 0:53:00 | |
We wanted to have a big musical number with big orchestration and | 0:53:00 | 0:53:03 | |
lots of dancers, but you know, we can't afford it. | 0:53:03 | 0:53:07 | |
So I am going to sing at the piano and if you could | 0:53:07 | 0:53:10 | |
just sort of imagine a big band and the lovely costumes and some sort of Christmassy background. | 0:53:10 | 0:53:17 | |
So I'm going to dedicate this song | 0:53:19 | 0:53:22 | |
to all the middle-aged people watching out there, | 0:53:22 | 0:53:24 | |
all the Barrys and Fredas, they may have been married | 0:53:24 | 0:53:28 | |
for a long time, perhaps the spark has gone out of their relationship, | 0:53:28 | 0:53:31 | |
perhaps they don't have quite as good a sex life as they once had. | 0:53:31 | 0:53:36 | |
This is for them. | 0:53:36 | 0:53:37 | |
# Freda and Barry sat one night | 0:53:41 | 0:53:45 | |
# The sky was clear the stars were bright | 0:53:45 | 0:53:48 | |
# The wind was soft, the moon was up | 0:53:48 | 0:53:50 | |
# Freda drained her cocoa cup | 0:53:50 | 0:53:54 | |
# She licked her lips, she felt sublime | 0:53:54 | 0:53:57 | |
# She switched off Gardeners' Question Time | 0:53:57 | 0:54:00 | |
# Barry cringed in fear and dread | 0:54:01 | 0:54:04 | |
# As Freda grabbed his tie and said | 0:54:04 | 0:54:09 | |
# "Let's do it, let's do it, do it while the mood is right. | 0:54:11 | 0:54:15 | |
# "I'm feeling appealing, I've really got an appetite | 0:54:15 | 0:54:19 | |
# "I'm on fire, with desire, I could handle half the tenors in a male voice choir. | 0:54:19 | 0:54:24 | |
# "Let's do it, let's do it tonight." | 0:54:24 | 0:54:27 | |
# But he said, "I can't do it, I can't do it, | 0:54:27 | 0:54:29 | |
# "I'm not exactly Russell Brand. | 0:54:29 | 0:54:32 | |
# "You're thwarted, I'm sorted, got me evening's telly planned | 0:54:32 | 0:54:37 | |
# "It's a pity, the nitty-gritty, I've taped 11 episodes of Holby City | 0:54:37 | 0:54:41 | |
# "Can't do it, can't do it tonight." | 0:54:41 | 0:54:45 | |
# So she said, "Let's do it, let's do it, do it till our hearts go boom | 0:54:45 | 0:54:49 | |
# "Go native, creative, living in the living room | 0:54:49 | 0:54:54 | |
# "This folly, it's jolly, bend me over backwards on me hostess trolley | 0:54:54 | 0:54:59 | |
# "Let's do it, let's do it tonight." | 0:54:59 | 0:55:02 | |
# "Can't do it, can't do it, my heavy breathing days are gone | 0:55:02 | 0:55:07 | |
# "Niagara, Viagra, nothing really turns me on | 0:55:07 | 0:55:11 | |
# "Stop stewing, boo-hooing, I've had a look down there | 0:55:11 | 0:55:14 | |
# "and there's nothing doing. Can't do it, can't do it tonight." | 0:55:14 | 0:55:20 | |
# "Let's do it, let's do it, while I'm really in the mood | 0:55:20 | 0:55:24 | |
# "Three cheers, it's years since I caught you even semi-nude | 0:55:24 | 0:55:28 | |
# "Get drastic, gymnastic, wear your baggy Y-fronts with the loose elastic. | 0:55:28 | 0:55:33 | |
# "But let's do it, let's do it tonight." | 0:55:33 | 0:55:37 | |
# "Can't do it, can't do it, it's really not my cup of tea. | 0:55:37 | 0:55:41 | |
# "I'm harassed, embarrassed, I wish you hadn't picked on me. | 0:55:41 | 0:55:46 | |
# "Don't choose me, don't use me, my mother's sent a note to say you must excuse me. | 0:55:46 | 0:55:50 | |
# "Can't do it, can't do it tonight." | 0:55:50 | 0:55:53 | |
# "Let's do it, let's do it, we really absolutely must | 0:55:54 | 0:55:57 | |
# "I won't exempt you, want to tempt you, want to drive you mad with lust. | 0:55:57 | 0:56:03 | |
# "No cautions, just contortions, spear an avocado on me lower portions | 0:56:03 | 0:56:07 | |
# "Let's do it, let's do it tonight." | 0:56:07 | 0:56:11 | |
# "I can't do it, I can't do it, I must refuse to get unzipped. | 0:56:11 | 0:56:15 | |
# "I'm tearful, | 0:56:15 | 0:56:17 | |
# "I'm fearful, worried that I'm ill-equipped. | 0:56:17 | 0:56:20 | |
# "Don't bully, I can't fully guarantee to cope without a rope and pulley | 0:56:20 | 0:56:24 | |
# "Can't do it, can't do it tonight." | 0:56:24 | 0:56:28 | |
# "Let's do it, let's do it, I really want to run amok | 0:56:28 | 0:56:32 | |
# "Let's wiggle, let's jiggle, let's really make the rafters rock | 0:56:32 | 0:56:36 | |
# "Be mighty, be flighty, come and knock the buttons off me flameproof nightie. | 0:56:36 | 0:56:41 | |
# "Let's handle some scandal, come and sip Ribena from my peep-toe sandal | 0:56:41 | 0:56:45 | |
# "Surprise me, chastise me, | 0:56:45 | 0:56:47 | |
# "Let's be Fern and Phil and you can patronise me. | 0:56:47 | 0:56:49 | |
# "Let's do it, let's do it tonight." | 0:56:49 | 0:56:53 | |
# "Get festive, get restive, dunk me in the duvet like a big digestive. | 0:57:39 | 0:57:43 | |
# "Just humour, a late bloomer, stuff my Christmas stocking with your big satsuma. | 0:57:43 | 0:57:48 | |
# "Not bleakly, not meekly, beat me on the bottom with a Woman's Weekly. | 0:57:48 | 0:57:52 | |
# "Let's do it, let's do it tonight." # | 0:57:52 | 0:58:03 | |
APPLAUSE AND CHEERING | 0:58:03 | 0:58:07 | |
Subtitles by Red Bee Media Ltd | 0:58:24 | 0:58:27 | |
E-mail [email protected] | 0:58:27 | 0:58:30 |