
Browse content similar to Victoria Wood's Short Term Memories. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Don't even go there. | 0:00:01 | 0:00:04 | |
'Always wanted to talk rubbish, but never had the confidence to try? | 0:00:04 | 0:00:07 | |
'With Let's Talk Rubbish, | 0:00:07 | 0:00:09 | |
'you can learn to talk rubbish, easily, with no memorising. | 0:00:09 | 0:00:13 | |
'Let's Talk Rubbish uses everyday situations. | 0:00:13 | 0:00:16 | |
'You'll be talking rubbish in no time. | 0:00:16 | 0:00:20 | |
'You'll learn how to answer, "How are you?" | 0:00:20 | 0:00:23 | |
'with a meaningless, "Yeah." | 0:00:23 | 0:00:25 | |
'As well as banal replies, you'll learn pointless banter.' | 0:00:27 | 0:00:30 | |
COMPUTER: Don't even go there. | 0:00:30 | 0:00:32 | |
Don't even go there. | 0:00:32 | 0:00:34 | |
'And you'll master that tricky upward inflection.' | 0:00:34 | 0:00:38 | |
You meet a friend and want to tell her that you've seen a table. | 0:00:38 | 0:00:40 | |
And there was, like, this table. | 0:00:40 | 0:00:43 | |
'Soon you'll be talking rubbish with everyone you meet.' | 0:00:43 | 0:00:46 | |
Don't even go there! | 0:00:46 | 0:00:48 | |
-Nightmare! -Tell me about it. -Fair enough. To be honest with you. | 0:00:48 | 0:00:51 | |
-Whatever. -That's it, at the end of the day. | 0:00:51 | 0:00:54 | |
How are you doing, guys? | 0:00:54 | 0:00:55 | |
ALL: Yeah! | 0:00:55 | 0:00:57 | |
When I remember my childhood, it's always in sunlight. | 0:01:12 | 0:01:18 | |
We were poor, but we were contented. | 0:01:18 | 0:01:22 | |
And although we knew grief, there were always joyous times. | 0:01:27 | 0:01:31 | |
You won't find us on the map now. | 0:01:42 | 0:01:45 | |
The cottages are long gone, | 0:01:45 | 0:01:48 | |
and where they stood is the loading bay of River Island. | 0:01:48 | 0:01:52 | |
But I shall never forget that cluster of tumbledown houses | 0:01:52 | 0:01:56 | |
next to our field with our old grey donkey. | 0:01:56 | 0:01:59 | |
Where every spring, the larks would rise, rise up, | 0:01:59 | 0:02:04 | |
and hover in the blue sky. | 0:02:04 | 0:02:07 | |
What was the name of this lark filled place? | 0:02:07 | 0:02:10 | |
We just knew it as Donkeyfield. | 0:02:11 | 0:02:15 | |
It'll be busy - | 0:02:17 | 0:02:19 | |
market day in Cranchesterford. | 0:02:19 | 0:02:20 | |
No larks in the sky there. | 0:02:20 | 0:02:22 | |
No. Just in pastry. | 0:02:22 | 0:02:25 | |
That was Ma and Pa's cottage, and that's me, | 0:02:36 | 0:02:39 | |
Araminty, the day my life changed for ever. | 0:02:39 | 0:02:43 | |
No, Mother! Araminty's to stay under this roof. | 0:02:45 | 0:02:50 | |
She's to take no job | 0:02:50 | 0:02:52 | |
at Cranchesterford post and potato office | 0:02:52 | 0:02:54 | |
and let that be the last pickle in the crock! | 0:02:54 | 0:02:57 | |
Do you want her to live as we have? | 0:02:57 | 0:02:58 | |
Every stick of furniture sold for boots | 0:02:58 | 0:03:00 | |
and not a right foot amongst them. | 0:03:00 | 0:03:03 | |
Do you want to break her heart as your father broke yours? | 0:03:03 | 0:03:07 | |
You told me how it he would not let you work the land. | 0:03:07 | 0:03:10 | |
How you yearned to thresh the wheat, to tend the corn. | 0:03:10 | 0:03:14 | |
I could have been somebody. | 0:03:14 | 0:03:16 | |
I could have been a corn tender. | 0:03:16 | 0:03:19 | |
Then let her go, Hal Finch, for one thing, we could use her nightie. | 0:03:19 | 0:03:25 | |
Cath Finch, are you with child? | 0:03:25 | 0:03:28 | |
Again?! How could this happen? | 0:03:28 | 0:03:32 | |
I told you, there was a hole in the bolster. | 0:03:32 | 0:03:35 | |
Call the children down. | 0:03:35 | 0:03:37 | |
I don't know their names. | 0:03:37 | 0:03:39 | |
They cannot come down. We sold the stairs. | 0:03:39 | 0:03:42 | |
Araminty! | 0:03:53 | 0:03:54 | |
I learned so much in those simple sunlit days, | 0:04:04 | 0:04:06 | |
that when you wipe your nose on a patchwork quilt, | 0:04:06 | 0:04:11 | |
there will always be one square stiffer than all the others. | 0:04:11 | 0:04:14 | |
And that love is one thing, but without stairs, | 0:04:16 | 0:04:20 | |
you can't really get up to the bedroom. | 0:04:20 | 0:04:24 | |
Cranchesterford was only seven miles away over the fields, | 0:04:26 | 0:04:31 | |
but so different was it from our simple hamlet | 0:04:31 | 0:04:34 | |
it might as well have been more like eight. | 0:04:34 | 0:04:36 | |
I shall never forget my first sight of Cranchesterford, | 0:04:38 | 0:04:42 | |
that day I was to start work with Miss Finch | 0:04:42 | 0:04:44 | |
at the post and potato office. | 0:04:44 | 0:04:45 | |
'Action!' | 0:04:45 | 0:04:48 | |
The hustle and bustle, | 0:04:48 | 0:04:50 | |
the crowds, so much noise and gaiety | 0:04:50 | 0:04:53 | |
and movement. | 0:04:53 | 0:04:55 | |
I could barely catch my breath. | 0:04:55 | 0:04:57 | |
Miss Finch. | 0:05:02 | 0:05:04 | |
Lord Cranborne. | 0:05:06 | 0:05:07 | |
Have you considered further my proposal? | 0:05:07 | 0:05:11 | |
It is not practical, Charles. | 0:05:11 | 0:05:13 | |
I am attracted to you, | 0:05:13 | 0:05:14 | |
but it takes 20 minutes to take my corsets off | 0:05:14 | 0:05:16 | |
and 35 minutes to get them back on. | 0:05:16 | 0:05:18 | |
I can only close the Post Office for an hour. You do the math. | 0:05:18 | 0:05:21 | |
And will you continue to handle my potatoes? | 0:05:22 | 0:05:24 | |
Of course. | 0:05:24 | 0:05:26 | |
Oh, Arnica, my Araminty has gone | 0:05:38 | 0:05:41 | |
and had her hair straightened. | 0:05:41 | 0:05:44 | |
But he's a well-known gambler... | 0:06:02 | 0:06:04 | |
It is some years since the closed sign went up | 0:06:04 | 0:06:08 | |
on the door of Manchesterford's famous antique shop. | 0:06:08 | 0:06:10 | |
I'll make some sherry, Miss Babs. | 0:06:10 | 0:06:12 | |
And though the faithful cleaner Mrs Overall | 0:06:12 | 0:06:14 | |
may have hung up her rubber gloves, | 0:06:14 | 0:06:17 | |
the actress Bo Beaumont is a busy working actress. | 0:06:17 | 0:06:19 | |
Oh, yes, I like that, busy, busy. | 0:06:19 | 0:06:22 | |
Embracing the challenges of a modern media career, | 0:06:22 | 0:06:25 | |
this film follows a week in Bo's life as she moves | 0:06:25 | 0:06:29 | |
Beyond The Marigolds. | 0:06:29 | 0:06:32 | |
APPLAUSE | 0:06:32 | 0:06:33 | |
-What can I do for you? -Hello. | 0:06:33 | 0:06:36 | |
Was I Mrs overall? Was she me? | 0:06:36 | 0:06:39 | |
On the face of it, no. | 0:06:39 | 0:06:40 | |
She was a simple good-hearted Brummie | 0:06:40 | 0:06:44 | |
and I'm a sophisticated, modern actress | 0:06:44 | 0:06:46 | |
living on the borders of Paddington. | 0:06:46 | 0:06:48 | |
And yet... | 0:06:48 | 0:06:50 | |
And yet, Colin, I like to think I have her tenacity, | 0:06:50 | 0:06:53 | |
her loyalty. | 0:06:53 | 0:06:54 | |
-I've just said it, her good-heartedness. -May I? | 0:06:54 | 0:06:57 | |
No, sorry, those are for Saturdays. | 0:06:57 | 0:06:59 | |
-Wendy, you didn't put the biscuits away, dear! -Oh, sorry. | 0:06:59 | 0:07:03 | |
Of course, I should never have got the part of Mrs Overall. | 0:07:03 | 0:07:07 | |
I was actually down to the last two for Emma Peel in the Avengers. | 0:07:07 | 0:07:12 | |
'Bo seems keen, almost desperate, that I should understand how she came | 0:07:12 | 0:07:17 | |
'to be cast in what was, let's face it, | 0:07:17 | 0:07:19 | |
'a rather low budget and derided soap.' | 0:07:19 | 0:07:21 | |
..goes through one door. | 0:07:21 | 0:07:24 | |
I go through.... | 0:07:24 | 0:07:26 | |
'And yet, she generally seems to believe that she ended up | 0:07:26 | 0:07:29 | |
'with the better part.' | 0:07:29 | 0:07:30 | |
..I got Mrs Overall | 0:07:30 | 0:07:31 | |
and poor old Diana Rigg was stuck with the Avengers, | 0:07:31 | 0:07:36 | |
which ran, what? Two series? | 0:07:36 | 0:07:38 | |
Oh, it was a nice little show. | 0:07:38 | 0:07:40 | |
-Oh, it was a nice enough show and Diana... -Dame Diana. | 0:07:40 | 0:07:44 | |
Yes, for charity work. | 0:07:44 | 0:07:46 | |
-She was respected. -But she's not loved. -No. | 0:07:48 | 0:07:51 | |
Bo is loved. | 0:07:51 | 0:07:53 | |
'Bo lives in London with her friend and companion Wendy | 0:07:56 | 0:07:59 | |
'and their Yorkshire terrier, Binky. | 0:07:59 | 0:08:02 | |
'It's the start of a very important week for Bo as she begins rehearsals | 0:08:02 | 0:08:07 | |
'for the very popular BBC One series Strictly Come Dancing.' | 0:08:07 | 0:08:11 | |
Did you get the Ovaltine off the wraparound? | 0:08:11 | 0:08:14 | |
'Dance professional Anton du Beke has no idea who his celebrity partner | 0:08:15 | 0:08:20 | |
'is to be.' | 0:08:20 | 0:08:21 | |
To be honest with you, I just want somebody fairly young who can move. | 0:08:21 | 0:08:25 | |
-Hello. -Hello. -Anton du Beke. -No, doesn't ring a bell. | 0:08:31 | 0:08:35 | |
-Have you ever won? -No. | 0:08:35 | 0:08:38 | |
Well, Luck Be a Lady. | 0:08:38 | 0:08:40 | |
Shall we dance? | 0:08:40 | 0:08:42 | |
Yes. I'll just get ready. | 0:08:42 | 0:08:45 | |
Roll back the rug. | 0:09:03 | 0:09:05 | |
OK, let's warm up a little. | 0:09:07 | 0:09:09 | |
Just try moving to the music. | 0:09:09 | 0:09:12 | |
# My baby don't care for shows | 0:09:14 | 0:09:17 | |
# My baby don't care for clothes... # | 0:09:17 | 0:09:20 | |
OK, well, let's try a little sequence of steps. Try this. | 0:09:20 | 0:09:24 | |
A-one, two, three. | 0:09:24 | 0:09:26 | |
A-one, two, three... | 0:09:26 | 0:09:27 | |
Have a go. | 0:09:30 | 0:09:32 | |
Show me again. | 0:09:32 | 0:09:33 | |
It goes, and a-one, two, three. | 0:09:33 | 0:09:37 | |
And a-one, two, three. | 0:09:37 | 0:09:39 | |
Oh, I think that's going to be lovely. Wendy? | 0:09:39 | 0:09:42 | |
-A winning routine, wouldn't you say? -Snazzy. | 0:09:42 | 0:09:45 | |
Do you want to give it a try? | 0:09:45 | 0:09:47 | |
Go again. | 0:09:47 | 0:09:50 | |
A-one, two, three. | 0:09:50 | 0:09:53 | |
A-one, two, three. | 0:09:53 | 0:09:56 | |
It's sinking in, but I think we'll leave it there. | 0:09:56 | 0:09:59 | |
I don't want to overload myself on the first day. | 0:09:59 | 0:10:01 | |
Lovely meeting you and I should have remembered your name, and I haven't. | 0:10:01 | 0:10:06 | |
A typical scatty actress. | 0:10:06 | 0:10:07 | |
Bye. | 0:10:09 | 0:10:10 | |
Welcome back to Brentford | 0:10:27 | 0:10:29 | |
to the Midlife Olympics, 2009 | 0:10:29 | 0:10:32 | |
and what a cracking start we've just had. | 0:10:32 | 0:10:34 | |
As you saw earlier, Robin Carmichael and his team | 0:10:34 | 0:10:37 | |
bringing home the gold for Great Britain | 0:10:37 | 0:10:39 | |
in the 4x4 100 hedge trimming. | 0:10:39 | 0:10:41 | |
Now it's very much the turn of the ladies. | 0:10:41 | 0:10:43 | |
-Carol. -Yes, indeed, Steve. | 0:10:43 | 0:10:46 | |
There's the music. The team is just coming into the women's arena now. | 0:10:46 | 0:10:49 | |
This is, of course, | 0:10:49 | 0:10:51 | |
the Midlife Ladies Pentathlon. | 0:10:51 | 0:10:53 | |
Not too much of a crowd there, Carol. | 0:10:53 | 0:10:55 | |
No, the supporters will be mainly middle-aged | 0:10:55 | 0:10:57 | |
women themselves, they may have gone shopping | 0:10:57 | 0:10:59 | |
or forgotten about coming into the stadium. | 0:10:59 | 0:11:02 | |
There's Kerry Perry, hoping to bounce back after | 0:11:03 | 0:11:06 | |
the Ladies Indoor texting, | 0:11:06 | 0:11:07 | |
where she held her phone | 0:11:07 | 0:11:08 | |
the wrong way round | 0:11:08 | 0:11:09 | |
and sent a photo of her left breast | 0:11:09 | 0:11:10 | |
to everyone on her Christmas card list. | 0:11:10 | 0:11:13 | |
We're going over to Andy Cafferty in the parking Stadium. | 0:11:13 | 0:11:16 | |
-Andy, how are things going down there? -Mixed fortunes, Steve. | 0:11:16 | 0:11:20 | |
Britain pipped to the medals | 0:11:20 | 0:11:22 | |
in the Ladies outdoor parking. | 0:11:22 | 0:11:23 | |
Kathy Daker struggling, | 0:11:23 | 0:11:24 | |
as usual, with Chevrons. | 0:11:24 | 0:11:26 | |
She was in a Volvo with a dog cage. | 0:11:26 | 0:11:27 | |
That may have affected | 0:11:27 | 0:11:28 | |
her reversing. | 0:11:28 | 0:11:29 | |
And how did you get on in the multi-storey time-trials? | 0:11:29 | 0:11:32 | |
Not too great, I'm afraid. | 0:11:32 | 0:11:34 | |
The American Laura Sabatini got gold. | 0:11:34 | 0:11:36 | |
A little bit controversial. | 0:11:36 | 0:11:38 | |
Failed on her third attempt, burst into tears, | 0:11:38 | 0:11:40 | |
and the car was parked for her by a passing male motorist. | 0:11:40 | 0:11:45 | |
What did you make of that manoeuvre? Very quickly. | 0:11:45 | 0:11:48 | |
Well, there's nothing in the rulebook against it. | 0:11:48 | 0:11:50 | |
Personally, I don't like it. | 0:11:50 | 0:11:51 | |
I don't think it helps the cause of women's parking. | 0:11:51 | 0:11:53 | |
Well, there, I've said it. I don't like it. I'm sorry. | 0:11:53 | 0:11:56 | |
Ciao, for now. | 0:11:56 | 0:11:57 | |
As the weeks went by, | 0:12:04 | 0:12:05 | |
I became accustomed to the non-stop hurly-burly of Cranchesterford, | 0:12:05 | 0:12:09 | |
to my work in the post and potato office, | 0:12:09 | 0:12:11 | |
and I began to get to know Miss Finch and the postman | 0:12:11 | 0:12:15 | |
a little better. | 0:12:15 | 0:12:16 | |
Excuse I, marrow! | 0:12:16 | 0:12:18 | |
Getting the kiddies off to school? | 0:12:23 | 0:12:25 | |
No, I've just seen them across the lane. | 0:12:25 | 0:12:27 | |
Them pie wagons come along at such a lick, | 0:12:27 | 0:12:29 | |
you're lucky if you've got 20 minutes to get over. | 0:12:29 | 0:12:31 | |
Are you all right, Arnica? | 0:12:33 | 0:12:36 | |
It's not getting you down, is it, living in a hovel? | 0:12:36 | 0:12:39 | |
Lord bless you, I don't want for nothing. | 0:12:39 | 0:12:41 | |
Clean air, good neighbours, | 0:12:41 | 0:12:43 | |
them's my riches. But... | 0:12:43 | 0:12:47 | |
But what? | 0:12:47 | 0:12:48 | |
I don't know. | 0:12:48 | 0:12:50 | |
Sometimes, I fancy a fur coat and a bunk up. | 0:12:50 | 0:12:54 | |
You're depressed. You need a folk dance. | 0:12:54 | 0:12:57 | |
Oh, no, Cath, I'm on six a day already from my doctor. | 0:12:57 | 0:13:00 | |
I'm trying to cut down. | 0:13:00 | 0:13:02 | |
I'd better go. | 0:13:02 | 0:13:04 | |
I've got some pigs bladders to rot down for Lammas tide. | 0:13:04 | 0:13:07 | |
-Just nibbles for when folks pop in. -And ain't you giving birth today? | 0:13:07 | 0:13:12 | |
I knew there was something else! Thank you. | 0:13:14 | 0:13:17 | |
-Take care. -Bye, my dear. | 0:13:17 | 0:13:22 | |
Poorly-paid assistant number three, please. | 0:13:22 | 0:13:25 | |
-Miss Finch. -Mrs Goddard. Miss Muslin. | 0:13:27 | 0:13:32 | |
I saw you in conversation with Lord Cranborne, did I not? | 0:13:32 | 0:13:36 | |
We were discussing the best protection for his Pentland Javelin. | 0:13:36 | 0:13:39 | |
-Is that a euphemism? -No, it's a potato. | 0:13:39 | 0:13:43 | |
Badly-exploited assistant number one, please. | 0:13:43 | 0:13:45 | |
What are you smirking at? | 0:13:45 | 0:13:47 | |
If you want to smirk, go outside. | 0:13:47 | 0:13:50 | |
I love Ma and Pa, but now that I had straight hair and an umbrella, | 0:14:04 | 0:14:09 | |
it was getting harder to tear myself away from the excitements | 0:14:09 | 0:14:11 | |
of Cranchesterford to walk home to see them. | 0:14:11 | 0:14:14 | |
Araminty, come with us. | 0:14:14 | 0:14:17 | |
There has been enough rain for Walt's Big Puddle. | 0:14:17 | 0:14:19 | |
It's my day off. | 0:14:19 | 0:14:20 | |
I'm off to Donkeyfield to see Ma and Pa and the children. | 0:14:20 | 0:14:23 | |
Araminty, you're like really going to have to choose | 0:14:23 | 0:14:26 | |
between Donkeyfield and Cranchesterford, | 0:14:26 | 0:14:27 | |
cos you can't have friends in both places. End of. | 0:14:27 | 0:14:31 | |
It's a fine cup of tea, postman. | 0:14:33 | 0:14:35 | |
I swirl it around before I pour. | 0:14:35 | 0:14:37 | |
It just brings out the flavour. | 0:14:37 | 0:14:38 | |
We're both bachelors. | 0:14:38 | 0:14:40 | |
You got that right, girlfriend. | 0:14:40 | 0:14:42 | |
But lately, I've had a terrible yearning for postmistress Finch. | 0:14:42 | 0:14:47 | |
I need to know if you have any sort of intentions towards her. | 0:14:47 | 0:14:52 | |
Ooh, no. | 0:14:52 | 0:14:54 | |
So, I could plight my trough. | 0:14:54 | 0:14:56 | |
You can plight it and paint it purple, don't mind me. | 0:14:56 | 0:14:59 | |
I wouldn't know where to start with a lady. | 0:14:59 | 0:15:01 | |
They're all slither and curves. | 0:15:01 | 0:15:03 | |
-A nightmare. -Have you never been courting, postman? | 0:15:03 | 0:15:06 | |
Not as such. | 0:15:06 | 0:15:08 | |
I have a lot of shallow meaningless encounters with boys, though, | 0:15:08 | 0:15:11 | |
so, I don't feel I'm missing out. | 0:15:11 | 0:15:12 | |
Still-not-paid-enough assistant number three, please. | 0:15:16 | 0:15:20 | |
What do you reckon? | 0:15:20 | 0:15:22 | |
-It's a little youthful. -Meaning? | 0:15:22 | 0:15:24 | |
That its gay frivolity may not sit so well on the more mature - | 0:15:24 | 0:15:27 | |
not to say miserable and sagging - countenance. | 0:15:27 | 0:15:29 | |
May I remind you who pays your wages? | 0:15:29 | 0:15:31 | |
-On you, it's fabulous. -I'll take it. | 0:15:31 | 0:15:34 | |
Enjoy. | 0:15:36 | 0:15:37 | |
Oh, my God! | 0:16:00 | 0:16:01 | |
I'm like eeeer! | 0:16:01 | 0:16:03 | |
I'm like mmmmmm! | 0:16:03 | 0:16:05 | |
Oh, ta! | 0:16:13 | 0:16:15 | |
Got any plans for the weekend? | 0:16:15 | 0:16:17 | |
I'll just be bitterly musing on my arid existence. | 0:16:17 | 0:16:20 | |
I might stare out of a few windows. | 0:16:20 | 0:16:22 | |
I'll see how I go. Yourself? | 0:16:22 | 0:16:24 | |
A boy from the Haberdashers | 0:16:24 | 0:16:26 | |
is coming round. | 0:16:26 | 0:16:28 | |
We're going to send out for Broth | 0:16:28 | 0:16:30 | |
and I've got the new wax cylinder of Gladstone. | 0:16:30 | 0:16:32 | |
I wish I was gay. | 0:16:32 | 0:16:34 | |
It's day two of Strictly Come Dancing | 0:16:39 | 0:16:42 | |
and Bo has still not got to grips | 0:16:42 | 0:16:44 | |
with the first two steps of the warm-up. | 0:16:44 | 0:16:47 | |
One, two, three, | 0:16:47 | 0:16:49 | |
and one, two, three. | 0:16:49 | 0:16:50 | |
One, two, three, | 0:16:50 | 0:16:52 | |
and one, two, three. | 0:16:52 | 0:16:55 | |
I think the problem is, Bekton, it's a lovely routine, | 0:16:55 | 0:16:59 | |
but I'm not getting it because I'm not feeling it. | 0:16:59 | 0:17:02 | |
But it's not actually the routine... | 0:17:02 | 0:17:04 | |
No, I know. You're waiting for me to put in my own little flourishes. | 0:17:04 | 0:17:07 | |
Look, how about we cook up something a little bit more sassy. | 0:17:07 | 0:17:11 | |
-Sassy. -Calypso, rumba, something with a bit of a hip action. | 0:17:11 | 0:17:16 | |
Hocha-cocha! | 0:17:16 | 0:17:17 | |
I'll get some music. | 0:17:17 | 0:17:21 | |
Good. You're changing? | 0:17:21 | 0:17:22 | |
-Changing the routine? -I think so. It's a little dull. | 0:17:22 | 0:17:26 | |
You know, you don't have very much time left to learn the routine, Bo. | 0:17:26 | 0:17:30 | |
We've got 16 weeks. It's tight, but it's manageable. | 0:17:30 | 0:17:33 | |
No, the whole series is 16 weeks. | 0:17:33 | 0:17:36 | |
You do your first show this Saturday. | 0:17:36 | 0:17:39 | |
It goes out live. | 0:17:39 | 0:17:42 | |
# Like a flower bending in the breeze... # | 0:17:42 | 0:17:45 | |
Wendy! | 0:17:45 | 0:17:46 | |
WENDY! | 0:17:46 | 0:17:47 | |
Colin, no cameras. | 0:17:47 | 0:17:49 | |
Sorry about all this. | 0:17:55 | 0:17:57 | |
Bo has decided against appearing on Strictly Come Dancing | 0:18:03 | 0:18:07 | |
and is on her way to visit Delia Smith | 0:18:07 | 0:18:10 | |
to talk about taking part in Delia's new cookery | 0:18:10 | 0:18:13 | |
and travel show, The Gravy Train. | 0:18:13 | 0:18:16 | |
-These are very good. Did you make them, dear? -Mm-hm. | 0:18:32 | 0:18:35 | |
A little tip, whip them out a couple of minutes earlier. | 0:18:35 | 0:18:41 | |
Can you taste, they've slightly gone over. | 0:18:41 | 0:18:44 | |
Can you, Karen, explain to Bo what our new project is? | 0:18:47 | 0:18:51 | |
OK. | 0:18:51 | 0:18:52 | |
Well, The Gravy Train is basically Delia | 0:18:52 | 0:18:54 | |
going from town to town on a steam train, | 0:18:54 | 0:18:56 | |
meeting members of the public... | 0:18:56 | 0:18:59 | |
'I sense Bo's enthusiasm for this cookery programme | 0:18:59 | 0:19:03 | |
'and wonder if this might not be the thing that puts her back | 0:19:03 | 0:19:06 | |
'in the TV limelight.' | 0:19:06 | 0:19:08 | |
..so, basically, you would tell us your signature dish. | 0:19:09 | 0:19:12 | |
We'd sort out all the ingredients, and everything, | 0:19:12 | 0:19:14 | |
you just have to turn up on the day and teach it to Delia. | 0:19:14 | 0:19:16 | |
All we need to know from you, Bo, is, what is your signature dish? | 0:19:16 | 0:19:21 | |
Which shall we reveal, Wendy? | 0:19:21 | 0:19:24 | |
The mince timbale? | 0:19:24 | 0:19:26 | |
Fish finger surprise? | 0:19:26 | 0:19:28 | |
Cracker-mole. | 0:19:30 | 0:19:32 | |
Cracker-mole! | 0:19:32 | 0:19:34 | |
What it is, Smithy, you take an ordinary pack of Tuc crackers... | 0:19:34 | 0:19:39 | |
MUSIC DROWNS SPEECH | 0:19:39 | 0:19:43 | |
Can I just, you know, get this straight? | 0:19:57 | 0:20:00 | |
Tuc Crackers... | 0:20:00 | 0:20:02 | |
..a piece of sardine | 0:20:05 | 0:20:06 | |
and then a squeeze of lemon...lime. | 0:20:06 | 0:20:08 | |
Lime juice. | 0:20:08 | 0:20:10 | |
That's the kick of the mole. | 0:20:10 | 0:20:12 | |
-And then on a plate. -That's right. | 0:20:12 | 0:20:16 | |
In a spiral. Arranged in a spiral. | 0:20:16 | 0:20:19 | |
We used to lay them out in concentric circles. | 0:20:19 | 0:20:22 | |
And then I was looking at the crackers one day. | 0:20:22 | 0:20:25 | |
It was just after 9/11. | 0:20:25 | 0:20:27 | |
I suppose I just wanted to do something life-affirming. | 0:20:27 | 0:20:31 | |
Like any chef, I was in the zone. | 0:20:31 | 0:20:34 | |
I said to Wendy, ditch the circles. | 0:20:34 | 0:20:39 | |
Put them in a spiral. | 0:20:39 | 0:20:40 | |
Later that day, Bo got a call from Delia's office | 0:20:58 | 0:21:01 | |
to say there had been a double-booking | 0:21:01 | 0:21:03 | |
and instead of Bo's cracker-mole, | 0:21:03 | 0:21:06 | |
they were going ahead | 0:21:06 | 0:21:07 | |
with the Archbishop of Canterbury's Spam curry. | 0:21:07 | 0:21:10 | |
It was just an ordinary day at work and then, bang! | 0:21:18 | 0:21:21 | |
I slipped on a chip... | 0:21:23 | 0:21:24 | |
..someone had left on the ground. | 0:21:27 | 0:21:29 | |
I phoned slippedonachip.com. | 0:21:31 | 0:21:34 | |
They couldn't have been more helpful. | 0:21:34 | 0:21:37 | |
I received £8,000 in compensation. | 0:21:37 | 0:21:40 | |
So, when my friend at work | 0:21:40 | 0:21:42 | |
tripped over a miniature cuckoo clock | 0:21:42 | 0:21:45 | |
someone had glued to the curb, | 0:21:45 | 0:21:47 | |
she got in touch with slippedonachip.com straightaway. | 0:21:47 | 0:21:51 | |
But they wouldn't take the case cos it wasn't a chip. | 0:21:51 | 0:21:56 | |
Slippedonachip.com | 0:21:57 | 0:21:58 | |
Does not apply in the case of French fries, curly fries or mash. | 0:21:58 | 0:22:03 | |
Welcome back. | 0:22:06 | 0:22:07 | |
Women's pentathlon hotting up. | 0:22:07 | 0:22:09 | |
As we just heard on the news, pentathlon stalwart | 0:22:09 | 0:22:12 | |
Kerry Perry has failed her drugs test. | 0:22:12 | 0:22:15 | |
That's official. | 0:22:15 | 0:22:16 | |
She tested positive in an on-the-spot testing for, what was it, Carol? | 0:22:16 | 0:22:20 | |
Vienetta. | 0:22:20 | 0:22:23 | |
A sad day, but the stuff is out there, unfortunately. | 0:22:23 | 0:22:27 | |
And being realistic, anyone can get hold of it. | 0:22:27 | 0:22:29 | |
Coming in today, I was offered a petit four. | 0:22:29 | 0:22:32 | |
Oh, and we're just hearing that | 0:22:32 | 0:22:34 | |
the third event in the Ladies Pentathlon - | 0:22:34 | 0:22:36 | |
the Supermarket Checkout Relay, has been halted. | 0:22:36 | 0:22:40 | |
Deirdre, this is pretty unheard of. | 0:22:40 | 0:22:43 | |
Can you tell us what happened? | 0:22:43 | 0:22:44 | |
The relay was halted | 0:22:44 | 0:22:45 | |
when one of the Kenyans | 0:22:45 | 0:22:46 | |
chose the five-items-or-less aisle | 0:22:46 | 0:22:48 | |
but was found to have six items in her basket. | 0:22:48 | 0:22:51 | |
So, she's out then? | 0:22:51 | 0:22:53 | |
The Kenyans are claiming that | 0:22:53 | 0:22:54 | |
two of the items were part of | 0:22:54 | 0:22:56 | |
a buy-one-get-one-free offer, | 0:22:56 | 0:22:58 | |
so count, in effect, as one item. | 0:22:58 | 0:23:01 | |
So, Carol, should she have gone for a different aisle? | 0:23:01 | 0:23:04 | |
It's a tough call, so much depends on the checkout operative. | 0:23:04 | 0:23:06 | |
Younger operatives are not always quicker. | 0:23:06 | 0:23:09 | |
It was a young lad, you may remember, | 0:23:09 | 0:23:11 | |
who scotched Sweden's chances in the semis, | 0:23:11 | 0:23:13 | |
when he couldn't recognise a kiwi. | 0:23:13 | 0:23:14 | |
We lost out, of course, in the European Shopping Championships | 0:23:14 | 0:23:17 | |
two years ago when our girl took a risk | 0:23:17 | 0:23:19 | |
with a packet of maxi pads | 0:23:19 | 0:23:20 | |
and they were beeped through as a white Hovis. | 0:23:20 | 0:23:24 | |
Let us look back at the history of this shopping event. | 0:23:24 | 0:23:26 | |
This is the 1912 Games in Stockholm. | 0:23:28 | 0:23:30 | |
As you see, the shopping element is quite embryonic. | 0:23:30 | 0:23:33 | |
Minimal choice, none of the trickier-to-manage items | 0:23:33 | 0:23:35 | |
we see today - no cat litter, no Toilet Duck... | 0:23:35 | 0:23:38 | |
And not the easiest of kit to run in. | 0:23:38 | 0:23:41 | |
No, indeed, a lady hitting the deck, there, with her long skirt. | 0:23:41 | 0:23:45 | |
And this is, of course, Connie Flanders Bentham, | 0:23:46 | 0:23:49 | |
who won in front of the home crowd here in London in 1948. | 0:23:49 | 0:23:53 | |
1948, the austerity Games, | 0:23:53 | 0:23:57 | |
the medals were cast in a cheap metal | 0:23:57 | 0:23:59 | |
and many athletes did suffer an allergic reaction. | 0:23:59 | 0:24:02 | |
-In fact, Connie did die later that day. -That's right. | 0:24:02 | 0:24:05 | |
That really is a day of contrasts. | 0:24:05 | 0:24:08 | |
Winning and then dying. | 0:24:08 | 0:24:10 | |
Real bad luck there. | 0:24:14 | 0:24:17 | |
Back after this. | 0:24:17 | 0:24:19 | |
It's 8am | 0:24:26 | 0:24:27 | |
and Nick and Margaret have both arrived early | 0:24:27 | 0:24:29 | |
for their meeting with Sir Alan. | 0:24:29 | 0:24:31 | |
SWING RHYTHM | 0:24:39 | 0:24:41 | |
Big changes came to all of us that summer. | 0:26:11 | 0:26:13 | |
Ma and Pa had separated. | 0:26:13 | 0:26:16 | |
She was working as a private dancer in a gentleman's club | 0:26:16 | 0:26:18 | |
in the red bonnet district, | 0:26:18 | 0:26:20 | |
and Pa had been reunited with his childhood sweetheart, Lolly Coggins, | 0:26:20 | 0:26:25 | |
the rich widow, Mrs Godchild. | 0:26:25 | 0:26:28 | |
-What's wrong, my darling? -I cannot get used to these garments. | 0:26:28 | 0:26:32 | |
I am a flitcher. | 0:26:32 | 0:26:34 | |
And flitchers don't wear such stuff. | 0:26:34 | 0:26:37 | |
Our shirts are rough hemp, | 0:26:37 | 0:26:39 | |
our trousers moleskin, | 0:26:39 | 0:26:41 | |
softened by wind and weather, | 0:26:41 | 0:26:43 | |
creased at the knee and groin. | 0:26:43 | 0:26:45 | |
I am loving the sound of that. Maybe a neckerchief, | 0:26:45 | 0:26:48 | |
chunky belt. | 0:26:48 | 0:26:49 | |
Araminty! | 0:26:51 | 0:26:52 | |
I had no time for Ma and Pa. | 0:26:55 | 0:26:57 | |
One of the new spray-whitening booths | 0:26:57 | 0:26:59 | |
had opened in Cranchesterford, | 0:26:59 | 0:27:01 | |
and soon, my rosy cheeks would be gone for ever. | 0:27:01 | 0:27:04 | |
Turn around, please. | 0:27:04 | 0:27:05 | |
And, er, lift your ringlets. | 0:27:08 | 0:27:12 | |
I reckon you could go a shade lighter than that. | 0:27:12 | 0:27:14 | |
Araminty! Ain't you got no shame?! | 0:27:14 | 0:27:18 | |
Whitening the good brown bosoms the Lord gave you. | 0:27:18 | 0:27:22 | |
My Pa shacked up with a fine lady | 0:27:22 | 0:27:24 | |
an Ma showing her bonnet to anyone with a threepenny bit! | 0:27:24 | 0:27:28 | |
I reckon I don't have no shame. No. | 0:27:28 | 0:27:31 | |
Fair point. Well made. | 0:27:32 | 0:27:35 | |
Ah! Miss Muslin, I fear I cannot serve you. | 0:27:40 | 0:27:43 | |
Our postman is out on his rounds | 0:27:43 | 0:27:45 | |
and I've a most urgent delivery to make to Lord Cranborne. | 0:27:45 | 0:27:48 | |
-Is he missing some potatoes? -I'm hoping not. -It would seem you have a bee in your bonnet. | 0:27:48 | 0:27:52 | |
-I admit I have feelings for him. -No, you have a bee in your bonnet. | 0:27:52 | 0:27:54 | |
Oh! Doh, woah! Ah! God, I hate the country. | 0:27:54 | 0:27:59 | |
Best call it midsummer madness, Ma. | 0:27:59 | 0:28:01 | |
Me shacking up with Mrs Godchild. | 0:28:01 | 0:28:04 | |
-Me doing the private dancing. -That's no life. | 0:28:04 | 0:28:07 | |
I never want to hear Greensleeves again, I can tell you that. | 0:28:07 | 0:28:10 | |
If we could just set things straight with Araminty. | 0:28:10 | 0:28:14 | |
Take a look yonder. | 0:28:14 | 0:28:15 | |
It's Araminty with the children! | 0:28:20 | 0:28:24 | |
-I sold my flitching tools to get them out of the pawnshop. -Oh, Pa! | 0:28:24 | 0:28:30 | |
Wrong children. Little beggar. | 0:28:39 | 0:28:41 | |
Never mind. Still got the tickets. Come on, tiddlers. | 0:28:41 | 0:28:45 | |
Easy mistake. | 0:28:46 | 0:28:48 | |
I love you, Albert Finch. | 0:28:50 | 0:28:52 | |
Not as much as I love you, Catheter Finch. | 0:28:52 | 0:28:55 | |
Lord Cranborne, please. | 0:29:06 | 0:29:08 | |
I have a registered package and an Innovations catalogue. | 0:29:08 | 0:29:13 | |
KNOCK Hang on. | 0:29:13 | 0:29:17 | |
Ah, Lord Cranborne, the matter we discussed previously, | 0:29:21 | 0:29:24 | |
regarding ladies' netherwear and the time taken in removal... | 0:29:24 | 0:29:28 | |
-I'm not sure I recall. -Corsets. | 0:29:28 | 0:29:32 | |
The blacksmith has come up with a gadget | 0:29:32 | 0:29:34 | |
that will make it much quicker for the dog to see the euphemism. | 0:29:34 | 0:29:39 | |
I'm afraid my circumstances now are such that I have no desire | 0:29:39 | 0:29:41 | |
to see your euphemism. | 0:29:41 | 0:29:43 | |
Might I know what has altered your circumstances? | 0:29:43 | 0:29:47 | |
We just clicked. | 0:29:47 | 0:29:48 | |
I should have said something, but I was waiting to see how it went. | 0:29:48 | 0:29:51 | |
I see. | 0:29:51 | 0:29:53 | |
-Do you want to see how the corset works, just for info? -No fear. | 0:29:54 | 0:29:58 | |
I was saying to Lord C, here, I delivered a telegram, once, | 0:29:58 | 0:30:01 | |
and a woman was naked. | 0:30:01 | 0:30:02 | |
It was like a go-slow in a blancmange factory. | 0:30:02 | 0:30:04 | |
I was sleeping with the light on for weeks. | 0:30:04 | 0:30:07 | |
I'll see myself out. | 0:30:07 | 0:30:10 | |
We weren't to know that sunlit evening, Ma and Pa and me, | 0:30:18 | 0:30:21 | |
how swiftly life would change in that lark-filled place. | 0:30:21 | 0:30:24 | |
That Pa would finally admit there was no such trade as flitching, | 0:30:24 | 0:30:29 | |
and that he'd been spending all day in the reference library. | 0:30:29 | 0:30:31 | |
That Ma would do an external degree in Gender Politics | 0:30:31 | 0:30:34 | |
at Cranchesterford Technical College, | 0:30:34 | 0:30:36 | |
and that although she would always love Pa, | 0:30:36 | 0:30:39 | |
she would always slightly despise him. | 0:30:39 | 0:30:42 | |
We could never have realised, as we waltzed on that sunlit meadow, | 0:30:44 | 0:30:48 | |
that we were actually dancing on a badly maintained septic tank, | 0:30:48 | 0:30:52 | |
and that many of us would die horribly | 0:30:52 | 0:30:54 | |
from sewage-related illnesses. | 0:30:54 | 0:30:56 | |
Or that Ma and Pa's children would have children of their own, | 0:30:56 | 0:31:01 | |
and some of them would become the Nolan Sisters, | 0:31:01 | 0:31:04 | |
Nigel Kennedy | 0:31:04 | 0:31:05 | |
and Gary Wilmot. | 0:31:05 | 0:31:08 | |
And as for the girl I was, Araminty, | 0:31:11 | 0:31:14 | |
she fell in love with the blacksmith | 0:31:14 | 0:31:16 | |
and they were as happy as larks in the sky. | 0:31:16 | 0:31:18 | |
For a bit, anyway. | 0:31:23 | 0:31:25 | |
Wednesday morning, and Bo has an appointment with the producers | 0:31:37 | 0:31:40 | |
of the genealogy programme | 0:31:40 | 0:31:42 | |
Who Do You Think You Are? | 0:31:42 | 0:31:45 | |
The meeting hasn't gone well. | 0:31:49 | 0:31:52 | |
Bo has walked out, having refused to give the researchers | 0:31:52 | 0:31:54 | |
her real name or her date of birth. | 0:31:54 | 0:31:58 | |
But Bo is not deterred by this latest setback | 0:31:58 | 0:32:01 | |
and has contacted an old friend at ITV. | 0:32:01 | 0:32:04 | |
He was very interested. Very. | 0:32:05 | 0:32:08 | |
What's the programme, Bo? | 0:32:08 | 0:32:10 | |
It's called I Am A Celebrity. | 0:32:10 | 0:32:13 | |
Ooh, I like the sound of that. | 0:32:13 | 0:32:14 | |
Yes, and to be fair, I did work for the commercial channel years ago. | 0:32:14 | 0:32:17 | |
Do you remember, Wendy? | 0:32:17 | 0:32:19 | |
-Emergency-Ward 10. -That's right. I was a comedy nosebleed. | 0:32:19 | 0:32:23 | |
A little scrap of raw talent. | 0:32:23 | 0:32:27 | |
Here I am, whizzing through the streets of the capital, | 0:32:27 | 0:32:31 | |
on my way to meet the producers of I Am A Celebrity. | 0:32:31 | 0:32:35 | |
Ah, the whirligig of time. | 0:32:38 | 0:32:40 | |
The producer of I'm A Celebrity | 0:32:48 | 0:32:50 | |
has explained that it is a Japanese-style endurance game. | 0:32:50 | 0:32:53 | |
You get all the jungle gear, the boots and the shorts, and so on. | 0:32:53 | 0:32:57 | |
Sometimes we fly people in as a surprise. | 0:32:57 | 0:33:00 | |
I think we did that with Cannon and Ball. | 0:33:00 | 0:33:02 | |
But Bo seems still to be interested. | 0:33:02 | 0:33:06 | |
We have these things called Bushtucker Trials, | 0:33:06 | 0:33:09 | |
where the celebrities have to eat rather disgusting things, | 0:33:09 | 0:33:12 | |
like edible grubs and locusts | 0:33:12 | 0:33:15 | |
and kangaroo anus. | 0:33:15 | 0:33:18 | |
I think Jan Leeming ate wombat penis. | 0:33:18 | 0:33:20 | |
Well, that's about it. | 0:33:23 | 0:33:26 | |
How dare you! | 0:33:27 | 0:33:29 | |
What? | 0:33:30 | 0:33:31 | |
Do you seriously think I would give an instant's consideration | 0:33:31 | 0:33:35 | |
to your fetid little programme? | 0:33:35 | 0:33:37 | |
-Why? What? -I am an actress. | 0:33:37 | 0:33:41 | |
A loved and respected actress. | 0:33:41 | 0:33:44 | |
I was voted Best Loved Character in a Soap 1987, 1989 and 1990, | 0:33:44 | 0:33:52 | |
and there are three things on television I will never do. | 0:33:52 | 0:33:55 | |
I will not wear shorts. | 0:33:55 | 0:33:57 | |
I will not take part in any repellent eating trial. | 0:33:57 | 0:34:01 | |
And I will not appear on any programme | 0:34:01 | 0:34:05 | |
that considers Jan Leeming to be a celebrity. Come on, Wendy. | 0:34:05 | 0:34:10 | |
Some ladies may need to kick-start their careers | 0:34:14 | 0:34:16 | |
by chomping on the private parts of a marsupial. | 0:34:16 | 0:34:18 | |
In the unlikely event that I ever have to boost my profile, | 0:34:18 | 0:34:21 | |
you'll find me on Channel 4. | 0:34:21 | 0:34:23 | |
In Dictionary Corner on Countdown. Good day. | 0:34:23 | 0:34:26 | |
Out of my way. | 0:34:26 | 0:34:28 | |
Sorry. | 0:34:30 | 0:34:32 | |
Oh, Bo, isn't that the Olympic skaters? | 0:34:38 | 0:34:42 | |
That's right. | 0:34:42 | 0:34:44 | |
It's Pearl and Dean. | 0:34:44 | 0:34:46 | |
Now that looks like an elegant show to be on. | 0:34:46 | 0:34:49 | |
I don't suppose they have to chow down on wallaby scrotum. | 0:34:49 | 0:34:55 | |
Is it worth giving them a ring? While we're here? | 0:34:55 | 0:34:58 | |
MUSIC: Ravel's Bolero | 0:35:00 | 0:35:02 | |
-Have you skated before, Bo? -Not for some time. | 0:35:08 | 0:35:13 | |
-We used to go to Richmond. -That's right. | 0:35:13 | 0:35:14 | |
We used to go round the edge, didn't we? Once round the edge. | 0:35:14 | 0:35:17 | |
-What, just hanging on? -That's right. I'm sure it'll come back to me. | 0:35:17 | 0:35:22 | |
What do they call it? Muscle... | 0:35:22 | 0:35:24 | |
-Memory. -That's it. Muscle-memory. | 0:35:24 | 0:35:27 | |
Bo. | 0:35:27 | 0:35:29 | |
Here they are, the plucky little East Midlanders. | 0:35:29 | 0:35:35 | |
-Ooh! Hello. Hello. -Hello. | 0:35:35 | 0:35:38 | |
Hello. | 0:35:38 | 0:35:39 | |
'While Bo makes friends | 0:35:39 | 0:35:41 | |
'with Dancing On Ice Stars Torvill and Dean, | 0:35:41 | 0:35:45 | |
'I take a minute to chat to Wendy.' | 0:35:45 | 0:35:47 | |
Wendy, you do an awful lot for Bo, don't you? | 0:35:47 | 0:35:51 | |
There's the shopping, cooking, cleaning and driving. | 0:35:51 | 0:35:54 | |
I mean, you're almost a dogsbody. | 0:35:54 | 0:35:56 | |
I'm very privileged. | 0:35:56 | 0:35:58 | |
You don't see what she does for me. | 0:35:58 | 0:35:59 | |
Actually, no, I don't. | 0:35:59 | 0:36:01 | |
What does she do for you? I'm intrigued. | 0:36:01 | 0:36:04 | |
She's my life! | 0:36:04 | 0:36:05 | |
She is my life. | 0:36:08 | 0:36:09 | |
I thought I might get a hot chocolate. | 0:36:12 | 0:36:14 | |
Only if Bo shows some competence on the ice | 0:36:23 | 0:36:26 | |
will she be allowed to take part in the show. | 0:36:26 | 0:36:29 | |
Get back. | 0:36:31 | 0:36:32 | |
Thank you. Thank you, Christopher. | 0:36:41 | 0:36:43 | |
All right, Bo? | 0:36:43 | 0:36:44 | |
Yes. | 0:36:50 | 0:36:52 | |
-It's a lot about poise, isn't it? -Gliding. | 0:37:14 | 0:37:17 | |
Is that a moment? | 0:37:17 | 0:37:19 | |
I think, yes. | 0:37:19 | 0:37:21 | |
She's relaxing a bit more now, I think. | 0:37:23 | 0:37:26 | |
Oh, my god! Wendy! | 0:37:39 | 0:37:42 | |
-Thank you. -Keep practising. | 0:37:47 | 0:37:49 | |
What did they say? | 0:37:54 | 0:37:56 | |
They say it would be a very big time commitment | 0:37:56 | 0:38:00 | |
if I stayed in right to the final. | 0:38:00 | 0:38:02 | |
We wouldn't want to miss Crufts. | 0:38:02 | 0:38:04 | |
I might have to turn it down, sadly. | 0:38:04 | 0:38:07 | |
-Can you get yourself up off the ice? -No. | 0:38:09 | 0:38:14 | |
Come on, insy-pooh! | 0:38:33 | 0:38:35 | |
'Saturday evening. | 0:38:35 | 0:38:37 | |
'It's my last chance to talk to Bo and there's one question | 0:38:37 | 0:38:41 | |
'I feel I must put to her.' | 0:38:41 | 0:38:43 | |
Has it been a humiliating week, Bo? | 0:38:46 | 0:38:49 | |
Oh, that's a pretty probing question, Colin. | 0:38:49 | 0:38:52 | |
Deserves an honest answer. | 0:38:52 | 0:38:54 | |
It was a hard week, shall we say. | 0:38:54 | 0:38:57 | |
And I did have to be forceful at times. | 0:38:57 | 0:39:00 | |
But humiliating, no. I don't think I humiliated anyone. | 0:39:00 | 0:39:05 | |
Not my style. | 0:39:05 | 0:39:07 | |
-Ooh, lovely. -So, you weren't out of your comfort zone this week? | 0:39:07 | 0:39:12 | |
Colin, I'm an actress. | 0:39:12 | 0:39:15 | |
You can take me to risk, you can take me to danger, | 0:39:15 | 0:39:19 | |
but never ask me to visit comfort zone. | 0:39:19 | 0:39:23 | |
That's one place Bo Beaumont ain't never going to go. | 0:39:23 | 0:39:28 | |
Oh, cracker-mole. | 0:39:30 | 0:39:32 | |
What's on the gogglebox, Wendy? | 0:39:34 | 0:39:36 | |
When Celebrity Gastric Bands Wear Out. | 0:39:38 | 0:39:42 | |
Lovely. | 0:39:42 | 0:39:43 | |
Mmm. | 0:39:45 | 0:39:46 | |
Mmm. | 0:39:48 | 0:39:50 | |
Well, what a Games it's been. | 0:40:01 | 0:40:02 | |
An unforgettable Midlife Olympics. | 0:40:02 | 0:40:05 | |
Carol and I would like to thank you for spending time with us | 0:40:05 | 0:40:08 | |
here in Middlesex. | 0:40:08 | 0:40:11 | |
Let's take a look at our medal highlights, | 0:40:11 | 0:40:13 | |
including that unforgettable closing ceremony. | 0:40:13 | 0:40:16 | |
But first, we're going to take a look at that magical moment | 0:40:16 | 0:40:19 | |
when the Midlife Olympic flame finished its long journey | 0:40:19 | 0:40:23 | |
from Addis Ababa and arrived in Brentford. | 0:40:23 | 0:40:27 | |
And what a solemn moment this is. | 0:40:30 | 0:40:33 | |
Veteran Tony Middleton, | 0:40:33 | 0:40:35 | |
holder of the world speed record for Setting The Table, | 0:40:35 | 0:40:40 | |
lighting the Olympic flame that will mark the start | 0:40:40 | 0:40:43 | |
of the Midlife Games of 2009. | 0:40:43 | 0:40:47 | |
Lit by wife Sheila, there. | 0:40:53 | 0:40:56 | |
Eve Bluston, first attempt | 0:41:01 | 0:41:03 | |
on the balance beam, | 0:41:03 | 0:41:05 | |
pipped to silver in Nagasaki, | 0:41:05 | 0:41:06 | |
looking to conquer today. | 0:41:06 | 0:41:08 | |
And, oh... | 0:41:08 | 0:41:09 | |
No. It's not happening. Lost momentum. First refusal. | 0:41:09 | 0:41:14 | |
Pain etched on the face | 0:41:14 | 0:41:15 | |
of Graham Gardner, | 0:41:15 | 0:41:16 | |
back on the pedalo only weeks | 0:41:16 | 0:41:17 | |
after a botched hip-replacement. | 0:41:17 | 0:41:19 | |
Ghanaians giving their all, but it's not enough. | 0:41:19 | 0:41:21 | |
Yes! Britain has gold | 0:41:21 | 0:41:23 | |
and the Ghanaians are nowhere. | 0:41:23 | 0:41:24 | |
Come in, number three, you've got a gold medal. | 0:41:24 | 0:41:27 | |
Second attempt from Eve Bluston, now. | 0:41:27 | 0:41:30 | |
That's a lovely run. | 0:41:31 | 0:41:33 | |
Achieves good height. No, no. Second leg not coming up. | 0:41:33 | 0:41:36 | |
And coach Alan Lily there, with the official bunk-up. | 0:41:36 | 0:41:39 | |
No, no, doesn't want it. Second refusal. | 0:41:39 | 0:41:42 | |
Well, I think we can say goodbye to the silver. | 0:41:42 | 0:41:45 | |
India, | 0:41:45 | 0:41:46 | |
very good in all flat-pack events, | 0:41:46 | 0:41:48 | |
but Babs and Nigel Conway | 0:41:48 | 0:41:50 | |
are racing ahead with only one shelf to go. | 0:41:50 | 0:41:52 | |
Is it solid? It's solid! | 0:41:52 | 0:41:54 | |
Married Couples Self-assembly | 0:41:54 | 0:41:57 | |
Flat-pack Olympic gold | 0:41:57 | 0:41:58 | |
back where it belongs - in Britain. | 0:41:58 | 0:42:01 | |
Nice use of the hand | 0:42:01 | 0:42:03 | |
to steady herself. | 0:42:03 | 0:42:05 | |
One leg on. That's a new plastic knee she's holding. She's up. | 0:42:05 | 0:42:08 | |
She needs both hands up to secure the medal. | 0:42:08 | 0:42:11 | |
Alan lets go. Up go the arms. | 0:42:11 | 0:42:13 | |
Bluston has silver. | 0:42:13 | 0:42:14 | |
And what a breathtaking sight | 0:42:16 | 0:42:18 | |
that is. | 0:42:18 | 0:42:19 | |
Ken Falloway forming the shape | 0:42:19 | 0:42:21 | |
of the Olympic Rings in fire against the night sky | 0:42:21 | 0:42:24 | |
of our host city, Brentford in Middlesex. | 0:42:24 | 0:42:27 | |
And one can only marvel at the months of dedication | 0:42:29 | 0:42:32 | |
and sheer slog that have resulted | 0:42:32 | 0:42:34 | |
in this flawless closing display. | 0:42:34 | 0:42:36 | |
And there it goes. | 0:42:39 | 0:42:40 | |
Gold and silver fountain, one of the hardest fireworks to light, | 0:42:40 | 0:42:43 | |
but it lit for the British Olympic hosts in Brentford tonight. | 0:42:43 | 0:42:46 | |
And on that triumphant note, | 0:42:46 | 0:42:49 | |
we say a very good night to middle-aged people everywhere. | 0:42:49 | 0:42:52 | |
Well, we've come to the end of the show | 0:43:03 | 0:43:05 | |
and we're going to finish with a song. | 0:43:05 | 0:43:07 | |
We wanted to have a big musical number with big orchestration | 0:43:07 | 0:43:10 | |
and lots of dancers but, you know, we can't afford it, so... | 0:43:10 | 0:43:13 | |
Anyway. Never mind. | 0:43:16 | 0:43:17 | |
We've got a piano, which is more than we had this morning | 0:43:17 | 0:43:19 | |
when I came in and it was a Bontempi. | 0:43:19 | 0:43:21 | |
So I'm going to dedicate this song to all the middle-aged people | 0:43:24 | 0:43:29 | |
watching out there. | 0:43:29 | 0:43:31 | |
All the Barrys and Fridas. | 0:43:31 | 0:43:32 | |
They may have been married for a long time. | 0:43:32 | 0:43:35 | |
Perhaps the spark has gone out of their relationship. | 0:43:35 | 0:43:37 | |
Perhaps they don't have quite as good a sex life as they once had. | 0:43:37 | 0:43:41 | |
This is for them. | 0:43:42 | 0:43:44 | |
# Frida and Barry sat one night | 0:43:48 | 0:43:50 | |
# The sky was clear, the stars were bright | 0:43:50 | 0:43:54 | |
# The wind was soft, the moon was up | 0:43:54 | 0:43:57 | |
# Frida drained her cocoa cup | 0:43:57 | 0:44:00 | |
# She licked her lips, she felt sublime | 0:44:00 | 0:44:04 | |
# She switched off Gardener's Question Time | 0:44:04 | 0:44:07 | |
# Barry cringed in fear and dread | 0:44:07 | 0:44:10 | |
# As Frida grabbed his tie and said | 0:44:10 | 0:44:17 | |
# Let's do it, let's do it | 0:44:17 | 0:44:18 | |
# Do it while the mood is right | 0:44:18 | 0:44:21 | |
# I'm feeling appealing | 0:44:21 | 0:44:23 | |
# I really got an appetite | 0:44:23 | 0:44:24 | |
# I'm on fire with desire | 0:44:24 | 0:44:27 | |
# I could handle half the tenors in the male-voice choir | 0:44:27 | 0:44:29 | |
# Let's do it, let's do it tonight | 0:44:29 | 0:44:33 | |
# But he said, I can't do it, I can't do it | 0:44:33 | 0:44:36 | |
# I'm not exactly Russell Brand | 0:44:36 | 0:44:38 | |
# Your thwarted, I'm sorted | 0:44:38 | 0:44:40 | |
# Got me evening's telly planned | 0:44:40 | 0:44:43 | |
# It's a pity, the nitty-gritty | 0:44:43 | 0:44:45 | |
# I've taped 11 episodes of Holby City | 0:44:45 | 0:44:47 | |
# Can't do it, can't do it tonight | 0:44:47 | 0:44:51 | |
# So she said, let's do it, let's do it | 0:44:51 | 0:44:53 | |
# Do it till our hearts go boom | 0:44:53 | 0:44:56 | |
# Go native, creative | 0:44:56 | 0:44:57 | |
# Living in the living room | 0:44:57 | 0:45:00 | |
# This folly is jolly | 0:45:00 | 0:45:02 | |
# Bend me over backwards on my hostess trolley | 0:45:02 | 0:45:04 | |
# Let's do it, let's do it tonight | 0:45:04 | 0:45:08 | |
# Can't do it, can't do it | 0:45:08 | 0:45:11 | |
# Me heavy breathing days have gone | 0:45:11 | 0:45:13 | |
# Niagara, Viagra | 0:45:13 | 0:45:15 | |
# Nothing really turns me on | 0:45:15 | 0:45:17 | |
# Stops stewing, boo-hooing | 0:45:17 | 0:45:19 | |
# I've had a good look down there and there's nothing doing | 0:45:19 | 0:45:22 | |
# Can't do it, can't do it tonight | 0:45:22 | 0:45:26 | |
# Let's do it, let's do it | 0:45:26 | 0:45:28 | |
# While I'm really in the mood | 0:45:28 | 0:45:30 | |
# Three cheers, it's years | 0:45:30 | 0:45:32 | |
# Since I caught you even semi-nude | 0:45:32 | 0:45:34 | |
# Get drastic, gymnastic | 0:45:34 | 0:45:37 | |
# Wear your baggy Y-fronts with the loose elastic | 0:45:37 | 0:45:39 | |
# But let's do it, let's do it tonight | 0:45:39 | 0:45:43 | |
# Can't do it, can't do it | 0:45:43 | 0:45:45 | |
# It's really not my cup of tea | 0:45:45 | 0:45:47 | |
# I'm harassed, embarrassed | 0:45:47 | 0:45:49 | |
# Wish you hadn't picked on me | 0:45:49 | 0:45:52 | |
# Don't choose me, don't use me | 0:45:52 | 0:45:53 | |
# My mother's sent a note to say you must excuse me | 0:45:53 | 0:45:56 | |
# Can't do it, can't do it tonight | 0:45:56 | 0:46:00 | |
# Let's do it, let's do it | 0:46:00 | 0:46:02 | |
# I feel absolutely must | 0:46:02 | 0:46:05 | |
# I won't exempt you, what to tempt you | 0:46:05 | 0:46:07 | |
# Want to drive you mad with lust | 0:46:07 | 0:46:09 | |
# No cautions, just contortions | 0:46:09 | 0:46:11 | |
# Skewer an avocado on my lower portions | 0:46:11 | 0:46:13 | |
# Let's do it | 0:46:13 | 0:46:15 | |
# Let's do it tonight | 0:46:15 | 0:46:17 | |
# I can't do it, can't do it, | 0:46:17 | 0:46:19 | |
# I must refuse to get unzipped | 0:46:19 | 0:46:22 | |
# I'm tearful, I'm fearful | 0:46:22 | 0:46:23 | |
# Worried that I'm ill-equipped | 0:46:23 | 0:46:26 | |
# Don't bully, I can't fully | 0:46:26 | 0:46:28 | |
# Guarantee to cope without a rope and pulley | 0:46:28 | 0:46:30 | |
# Can't do it, can't do it tonight | 0:46:30 | 0:46:34 | |
# Let's do it, let's do it | 0:46:34 | 0:46:36 | |
# I really want to run amok | 0:46:36 | 0:46:38 | |
# Let's wiggle, let's jiggle | 0:46:38 | 0:46:40 | |
# Let's really make the rafters rock | 0:46:40 | 0:46:42 | |
# Be mighty, be flighty | 0:46:42 | 0:46:44 | |
# Come and light the buttons on my flameproof nightie | 0:46:44 | 0:46:47 | |
# Let's handle some scandal | 0:46:47 | 0:46:48 | |
# Come and suck Ribena from my peep-toe sandal | 0:46:48 | 0:46:51 | |
# Surprise me, chastise me | 0:46:51 | 0:46:53 | |
# Let's be Fern and Phil and you can patronise me | 0:46:53 | 0:46:56 | |
# Let's do it, let's do it tonight. | 0:46:56 | 0:46:58 | |
# Get festive, get restive | 0:47:45 | 0:47:47 | |
# Dunk me in the duvet like a big Digestive | 0:47:47 | 0:47:49 | |
# Just humour a late bloomer | 0:47:49 | 0:47:51 | |
# Stuff my Christmas stocking with your big satsuma | 0:47:51 | 0:47:53 | |
# Not bleakly, not meekly | 0:47:53 | 0:47:55 | |
# Beat me on the bottom with a Woman's Weekly | 0:47:55 | 0:47:58 | |
# Let's do it | 0:47:58 | 0:48:00 | |
# Let's do it toni-i-ght. | 0:48:00 | 0:48:10 | |
APPLAUSE | 0:48:10 | 0:48:12 | |
Subtitles by Red Bee Media Ltd | 0:48:49 | 0:48:52 |