Browse content similar to Charlie Brooker's 2011 Wipe. Check below for episodes and series from the same categories and more!
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This programme contains some strong language | 0:00:00 | 0:00:03 | |
and some scenes which some viewers may find upsetting | 0:00:03 | 0:00:06 | |
Hello. I'm Charlie Brooker and you're watching 2011 Wipe | 0:00:21 | 0:00:25 | |
about the least eventful year in human history | 0:00:25 | 0:00:28 | |
in which so little happened, it's embarrassing trying to drum up interest. | 0:00:28 | 0:00:33 | |
This year, Kim Jong-il died, too late to be featured in this show, | 0:00:33 | 0:00:37 | |
Jeremy Clarkson made a serious call for cold-blooded murder. | 0:00:37 | 0:00:41 | |
Frankly, I'd have them all shot. | 0:00:41 | 0:00:44 | |
That wasn't the only TV controversy. | 0:00:44 | 0:00:46 | |
The winner is The Only Way Is Essex. | 0:00:46 | 0:00:49 | |
The glamorous BAFTAs tail-spun into absurdity when The Only Way Is Essex won an Audience Award, | 0:00:49 | 0:00:55 | |
defining the moment humankind lost any right to claim it was more sophisticated than lichen. | 0:00:55 | 0:01:00 | |
TOWIE, as people insist on calling it, is a reality soap about a town full of vinyl sex dolls | 0:01:00 | 0:01:06 | |
and is the first BAFTA-winning show to feature a sequence in which its cast try to light their own farts. | 0:01:06 | 0:01:13 | |
It's been such a hit, it's been joined by similar fodder like E4's terrifying Made In Chelsea, | 0:01:13 | 0:01:18 | |
which is more a glossy commercial for depersonalisation disorder. | 0:01:18 | 0:01:23 | |
I watched it online and it was interrupted by a bizarre advert with the Dolmio puppets. | 0:01:23 | 0:01:28 | |
I realised that the Dolmio puppets' world was more realistic | 0:01:28 | 0:01:31 | |
than Made In Chelsea. | 0:01:31 | 0:01:33 | |
The year started well for Britain with the triumph of nostalgic tongue-twister, The King's Speech, | 0:01:33 | 0:01:39 | |
which starred Colin Firth as Mr George King | 0:01:39 | 0:01:42 | |
whose mouth wouldn't do what it was told | 0:01:42 | 0:01:45 | |
and Helena Bonham Carter as the Empire's first quilf. | 0:01:45 | 0:01:48 | |
The bulk of the film is a sort of Rocky for stammerers | 0:01:48 | 0:01:51 | |
as George King overcomes several hurdles and learns to smile and speak like a human being, | 0:01:51 | 0:01:57 | |
instead of an excruciatingly buffering podcast. | 0:01:57 | 0:02:00 | |
It all builds to a finale in which Timothy Spall playing Baron Greenback, the royals | 0:02:00 | 0:02:05 | |
and a shitload of plebs gather to hear Mr George King deliver a speech | 0:02:05 | 0:02:09 | |
during which he can't drop below 60 words per minute or the bomb on the bus will explode. | 0:02:09 | 0:02:14 | |
I nodded off in the middle section. | 0:02:14 | 0:02:16 | |
Since it was the speech he gave announcing the advent of World War Two, | 0:02:16 | 0:02:21 | |
it's like a feel-good movie about a doctor who overcomes his fear of X-rays to diagnose your death. | 0:02:21 | 0:02:27 | |
Come on, King, tell them about the advent of World War Two. Announce their doom. Come on! | 0:02:27 | 0:02:32 | |
With God's help... | 0:02:32 | 0:02:35 | |
..we shall... | 0:02:36 | 0:02:38 | |
..prevail. | 0:02:39 | 0:02:40 | |
Yes, he did it! He announced the advent of World War Two during which 450,000 Britons died | 0:02:40 | 0:02:45 | |
and millions were butchered worldwide. Hooray for George King! Yeah! | 0:02:45 | 0:02:50 | |
In summary, a good film. You know, a bit t-talky. | 0:02:50 | 0:02:53 | |
Meanwhile, in foreign lands, Tunisia was getting a bit fighty. | 0:02:53 | 0:02:57 | |
Way back in 2010, the average Briton only knew two things about Tunisia. | 0:02:57 | 0:03:01 | |
One, it was where they filmed Star Wars and two, that was all we knew about Tunisia. | 0:03:01 | 0:03:07 | |
As you could see from the footage, Tunisia seemed like a great holiday destination. Look at it. | 0:03:07 | 0:03:13 | |
It's got a lovely beach, idyllic sunset, a massive bloody fire. | 0:03:13 | 0:03:17 | |
Tunisia's sun spot status quickly changed when thousands took to the streets | 0:03:17 | 0:03:22 | |
after a desperate young vegetable seller set himself on fire, | 0:03:22 | 0:03:26 | |
an act of "to-martyrdom" that sent shock waves across the Arab world. | 0:03:26 | 0:03:30 | |
President Zine El Abidine Ben Ali, which sounds like a can of springs bouncing down stairs, was toppled, | 0:03:30 | 0:03:36 | |
the first in a cut-out-and-keep series of badly dyed despots who got the heave-ho. | 0:03:36 | 0:03:41 | |
The Arab Spring posed a quandary. | 0:03:41 | 0:03:44 | |
For years, the news had shown us footage of furious Arabs chanting "Death to the West". | 0:03:44 | 0:03:49 | |
Now the furious Arabs were the good guys. | 0:03:49 | 0:03:52 | |
Prior to this year, there was little reporting of who the Arab leaders were. | 0:03:52 | 0:03:56 | |
Suddenly, they were everywhere, being hit in the face with shoes, sometimes a whole shoe factory, | 0:03:56 | 0:04:02 | |
as in this alarming Sky News moment. | 0:04:02 | 0:04:05 | |
Soon, the despot-toppling craze was sweeping through the Arab world like the norovirus on a cruise ship | 0:04:05 | 0:04:11 | |
and next up was Egypt, run by Hosni Mubarak, played here by the Count from Sesame Street. | 0:04:11 | 0:04:16 | |
Mubarak was a bit of a tyrant whose zany resistance-crushing affectations were tolerated | 0:04:16 | 0:04:22 | |
because he brought "stability" to the region. As February arrived, we could see how stable he made things. | 0:04:22 | 0:04:29 | |
In a normal year, a revolution in Egypt would be the biggest story, but 2011 wasn't normal, | 0:04:29 | 0:04:34 | |
more like an end-of-season finale for all of mankind. | 0:04:34 | 0:04:38 | |
As Mubarak left the stage, Colonel Gaddafi began feeling the heat. | 0:04:38 | 0:04:42 | |
To millions, Gaddafi was a cartoon character from the '80s, like Garfield, slightly less plausible. | 0:04:42 | 0:04:48 | |
The West regarded him as a bad guy due to his links to very bad events. | 0:04:48 | 0:04:52 | |
Like many '80s icons, a few decades later, Gaddafi reinvented himself for a new audience | 0:04:52 | 0:04:57 | |
with an ironic nice guy act which earned him this roadside snog from Tony Blair, | 0:04:57 | 0:05:02 | |
but millions of Libyans didn't find him so sexy. | 0:05:02 | 0:05:05 | |
Emboldened by what had happened in Tunisia and Egypt, they rose up... | 0:05:05 | 0:05:09 | |
Cue a brutal crackdown which led to these tragic scenes. | 0:05:09 | 0:05:13 | |
When rumours spread that Gaddafi had fled to Venezuela, | 0:05:13 | 0:05:16 | |
he appeared on TV to deny it in a Vic and Bob style sketch, captured for posterity | 0:05:16 | 0:05:21 | |
by Sky News. | 0:05:21 | 0:05:23 | |
Rest assured... Oh, it's raining. | 0:05:23 | 0:05:25 | |
I was going to talk with the youth in Green Square tonight, | 0:05:25 | 0:05:28 | |
but it's raining and that's a good omen, | 0:05:28 | 0:05:31 | |
so I just want to show them I am in Tripoli and not in Venezuela. | 0:05:31 | 0:05:35 | |
Don't believe the broadcasts of those stray dogs. Bye! | 0:05:35 | 0:05:40 | |
Yeah, bye, you mad prick! | 0:05:40 | 0:05:41 | |
Gaddafi's charm offensive continued with a dinner date with journalists including the BBC's Jeremy Bowen. | 0:05:41 | 0:05:48 | |
If I had to interview a possibly insane, murderous despot, I'd be nervous, | 0:05:48 | 0:05:53 | |
but Jeremy is such a pro, | 0:05:53 | 0:05:55 | |
he can launch into small talk. | 0:05:55 | 0:05:57 | |
This is a very nice spot. Excellent. | 0:05:57 | 0:05:59 | |
This date's going well. I wonder if they'll get to third base? | 0:05:59 | 0:06:03 | |
Bowen opened with a hard question which Gaddafi answered expertly and cogently. | 0:06:03 | 0:06:09 | |
Mr Gaddafi, thanks for seeing us. | 0:06:09 | 0:06:11 | |
It's nearly seven o'clock in the evening here in Tripoli | 0:06:11 | 0:06:15 | |
and you're in your capital city, | 0:06:15 | 0:06:17 | |
but there are large areas of this country which you no longer control. | 0:06:17 | 0:06:21 | |
There are even people in towns quite near here | 0:06:21 | 0:06:24 | |
who are part of this rising, this rebellion. | 0:06:24 | 0:06:27 | |
What will you do about all of that? | 0:06:27 | 0:06:30 | |
HE CHUCKLES | 0:06:30 | 0:06:32 | |
What is the question? | 0:06:35 | 0:06:38 | |
Another megalomaniac who was making waves was Charlie Sheen | 0:06:38 | 0:06:42 | |
who in the war on drugs was the official spokesman for drugs. | 0:06:42 | 0:06:46 | |
Having gone through a public drug-fuelled meltdown, Sheen confounded the US media | 0:06:46 | 0:06:51 | |
by refusing to respond in an apologetic manner | 0:06:51 | 0:06:55 | |
when interviewed by a reporter with a stick up her arse. | 0:06:55 | 0:06:58 | |
If you look at when you used drugs, are you disgusted with yourself? | 0:06:58 | 0:07:02 | |
No, I'm proud of what I created. It was radical. | 0:07:02 | 0:07:05 | |
You're proud of that party moment? | 0:07:05 | 0:07:07 | |
-Why wouldn't I be? -Why would you be? | 0:07:07 | 0:07:10 | |
Hit him till he says he hates drugs! | 0:07:10 | 0:07:12 | |
All these radio rants have people thinking, "Charlie Sheen has got to be on drugs." | 0:07:12 | 0:07:18 | |
Sure. Yeah. Yeah, I am on a drug. It's called Charlie Sheen. | 0:07:18 | 0:07:23 | |
Charlie Sheen describing a drug called Charlie Sheen. | 0:07:23 | 0:07:26 | |
I don't know how you'd take Charlie Sheen, although I suspect vaginally or anally or orally. In that order. | 0:07:26 | 0:07:32 | |
March is rarely a pretty month and this one was uglier than usual. | 0:07:32 | 0:07:37 | |
In Japan, cameras caught footage of a natural disaster so ghastly, | 0:07:37 | 0:07:41 | |
it was hard for us to comprehend. | 0:07:41 | 0:07:44 | |
This was followed by a crisis at the Fukushima nuclear plant. | 0:07:44 | 0:07:47 | |
This was terrifying because the news had to try and explain how a nuclear reactor worked, | 0:07:47 | 0:07:53 | |
so hysterical Fox News Pollyanna Glenn Beck proved his expertise | 0:07:53 | 0:07:57 | |
by simulating nuclear fusion with tubes of M&M's and some saucepans. | 0:07:57 | 0:08:01 | |
The core is in this facility, containment facility. | 0:08:01 | 0:08:05 | |
I'm going to have to take these M&M's out. Darn it! | 0:08:05 | 0:08:09 | |
Well done, butter fingers! You've killed millions! | 0:08:09 | 0:08:12 | |
My Big Fat Gypsy Wedding was great. | 0:08:12 | 0:08:14 | |
It was like an Attenborough thing with gypsies instead of polar bears. | 0:08:14 | 0:08:18 | |
-Come to me, woman! -It let you look at a group of people you never get to see and judge 'em, | 0:08:18 | 0:08:24 | |
but also laugh at 'em, so we had two things - judging and laughing. | 0:08:24 | 0:08:28 | |
It looked like Star Trek, but with sort of Irish people. | 0:08:28 | 0:08:32 | |
Like Irish Star Trek. It gave you a deep cultural insight into what thighs and arses look like | 0:08:32 | 0:08:38 | |
but ones from a forbidden world. | 0:08:38 | 0:08:41 | |
It had all these garish outfits you could look down on | 0:08:41 | 0:08:44 | |
and these dodgy cultural practices. | 0:08:44 | 0:08:46 | |
It's not long before the grabbing begins. | 0:08:46 | 0:08:50 | |
People said it was racist. It wasn't because none of 'em were black. | 0:08:50 | 0:08:54 | |
Even if they had been, it wouldn't b racist. You weren't laughing at thei skin, but everything else about them | 0:08:54 | 0:09:00 | |
In London, a demonstration opposing government cuts began with a speech from Ed Miliband. | 0:09:00 | 0:09:06 | |
This government will say this is a march of the minority. | 0:09:06 | 0:09:10 | |
They are so wrong. | 0:09:11 | 0:09:13 | |
But barnstorming Ed was overshadowed at least in terms of news coverage | 0:09:13 | 0:09:17 | |
when trouble reared its head. | 0:09:17 | 0:09:19 | |
The "black bloc" of anarchists dressed head to toe | 0:09:19 | 0:09:22 | |
in a face-obscuring leisurewear burka attacked anything shop-shaped. | 0:09:22 | 0:09:26 | |
They kicked a bank in the bollocks. | 0:09:26 | 0:09:29 | |
A Sky News cameraman got carried away and seemed to join in | 0:09:29 | 0:09:32 | |
to be rewarded with footage of an anarchist fearlessly breaking in | 0:09:32 | 0:09:36 | |
and attacking some leaflets. | 0:09:36 | 0:09:39 | |
UK Uncut carried out a genteel protest in Fortnum & Mason's, | 0:09:39 | 0:09:43 | |
only to find themselves kettled in | 0:09:43 | 0:09:45 | |
by cops in scenes which resembled the game Tetris. | 0:09:45 | 0:09:48 | |
There was anger around the cuts, reflected in the House of Commons. | 0:09:48 | 0:09:53 | |
There were tense exchanges between Lord David Camera Bum and Edwardian Miliband that we can't show. | 0:09:53 | 0:09:58 | |
We're not allowed to use footage from the House of Commons or the Select Committee or Leveson Inquiry. | 0:09:58 | 0:10:04 | |
We can't show you Prime Minister's Questions or Murdoch getting hit with a pie or Hugh Grant. | 0:10:04 | 0:10:11 | |
We're seen as an entertainment show, | 0:10:11 | 0:10:13 | |
unlike This Week which can use the footage | 0:10:13 | 0:10:16 | |
as it's a proper current affairs show. Look, proper current affairs! | 0:10:16 | 0:10:20 | |
MUSIC: "Born Slippy" - Underworld | 0:10:20 | 0:10:22 | |
Fortunately, however, we can bring you a theatrical reconstruction, so we have. | 0:10:22 | 0:10:28 | |
For the purposes of this show, several stars from Made In Chelsea | 0:10:28 | 0:10:32 | |
have staged a performance of parliamentary proceedings in the Hen & Chickens Theatre, Islington. | 0:10:32 | 0:10:37 | |
Here, Chelsea's Ollie Locke relives the controversial moment David Cameron said, "Calm down, dear." | 0:10:37 | 0:10:43 | |
He's no longer an MP because he lost the election. | 0:10:43 | 0:10:47 | |
I'm afraid he is now a GP. MUTTERING | 0:10:47 | 0:10:50 | |
Calm down, dear. Listen to the doctor. | 0:10:50 | 0:10:53 | |
See, brilliant! Take that, the law! | 0:10:53 | 0:10:55 | |
Wildlife and viewers of Britain's premier controversy hothouse, | 0:10:55 | 0:10:59 | |
The One Show, tuned in to see a peculiar creature staring at an owl. | 0:10:59 | 0:11:04 | |
I think he'll eat it. Prime Minibot David Replicant sat there as a man tried to sell him a bird of prey. | 0:11:04 | 0:11:10 | |
This is the complete predator. If you look at the feathers, they're totally soft along the edge, | 0:11:10 | 0:11:16 | |
so she flies completely silently. The prey never hears her coming. | 0:11:16 | 0:11:20 | |
I've heard an owl coming. It went, "Twit-twoo-oo-oo!" | 0:11:20 | 0:11:24 | |
-Four mice a day. This could be competition. -How many mice do you eat? Five? | 0:11:24 | 0:11:29 | |
Having failed to buy or eat the owl and having seen footage of it eating a mouse without licking his lips, | 0:11:29 | 0:11:36 | |
the PM-a-tron was now free to leave, but not before Matt Baker kerplunked him with an awkward question. | 0:11:36 | 0:11:42 | |
How on earth do you sleep at night? | 0:11:42 | 0:11:45 | |
-Um... -Cameron must have thought, "Who the hell does this Countryfile presenter think he is?" | 0:11:45 | 0:11:51 | |
April and what could be better to take the nation's mind off the background stench of doom | 0:11:51 | 0:11:56 | |
than a feel-good royal wedding? | 0:11:56 | 0:11:58 | |
The BBC showed an advert proving it would be watched by stars and plebs. | 0:11:58 | 0:12:03 | |
They milked the build-up, conducting a series of hard-hitting interviews with royal experts like this. | 0:12:03 | 0:12:10 | |
-Young Matilda here... Hello, are you excited about this? -Yes, I am. | 0:12:10 | 0:12:14 | |
-Yes? -Yes. -And do you think Kate will be a nice princess? -Yes. | 0:12:14 | 0:12:18 | |
-Yes? -Yes. -She's very pretty, isn't she? -Yes, she is. | 0:12:18 | 0:12:21 | |
Well done, you. Have a lovely day. | 0:12:21 | 0:12:24 | |
Come the day, there was wall-to-wall coverage as Kate got into a car which drove down a road and stopped, | 0:12:24 | 0:12:30 | |
then she got out, revealing her dress, which made some crowd members almost spew with joy! | 0:12:30 | 0:12:35 | |
I was glued to my screen because I was playing Portal 2, one of the best video games ever. | 0:12:35 | 0:12:41 | |
Why waste my afternoon watching Ben Fogle get married when I could clamber through teleportation holes? | 0:12:41 | 0:12:46 | |
Everyone else seemed to be watching a global Rear of the Year contest | 0:12:46 | 0:12:51 | |
as Kate's sister Pippa stole the show by owning buttocks. | 0:12:51 | 0:12:55 | |
You'd have thought she stuck her bum in the font! | 0:12:55 | 0:12:58 | |
The US networks were even more butt-happy with report after report. | 0:12:58 | 0:13:02 | |
There were sinister features in which viewers were told | 0:13:02 | 0:13:05 | |
how to get a booty like Pippa's using surgery. | 0:13:05 | 0:13:08 | |
If you asked women, "Would you like a sexier, curvaceous buttock," | 0:13:08 | 0:13:13 | |
there would almost be an overwhelming "yes". | 0:13:13 | 0:13:16 | |
One American who wasn't massively impressed with the royal wedding was comedian Doug Stanhope | 0:13:16 | 0:13:22 | |
who joins us now for some whining in an accent. | 0:13:22 | 0:13:26 | |
MUSIC: "Hail To The Chief" | 0:13:26 | 0:13:28 | |
I'm Doug Stanhope and that's why I drink. | 0:13:30 | 0:13:33 | |
There was a big royal wedding that happened over here. | 0:13:33 | 0:13:37 | |
I didn't hear about it because I was in the Antarctic somewhere with my head in a bucket of tar, | 0:13:37 | 0:13:43 | |
like a David Blaine trick, for six months, so I didn't have to hear about it. | 0:13:43 | 0:13:48 | |
It irks me that I spent eight years coming over here under the George Bush regime | 0:13:48 | 0:13:53 | |
with my head hung in shame saying, "It's not my fault, it's not my fault," | 0:13:53 | 0:13:58 | |
the whole time not realising you guys still have royalty. How embarrassing is that? | 0:13:58 | 0:14:03 | |
You have queens and dukes and princesses. | 0:14:03 | 0:14:07 | |
Do you have wizards and fairies and dragons? | 0:14:07 | 0:14:11 | |
For God's sake, is this a country or a Renaissance festival? | 0:14:11 | 0:14:15 | |
What kind of Dungeons and Dragons bullshit is that? I'm apologising for George...? | 0:14:15 | 0:14:20 | |
How dare you ever make fun of any democratically elected official | 0:14:20 | 0:14:24 | |
when you still have this Dark Ages nonsense going on? | 0:14:24 | 0:14:28 | |
There was this thing called super-injunctions | 0:14:28 | 0:14:31 | |
which meant you weren't allowed to say things which everybody knew about Ryan Giggs, | 0:14:31 | 0:14:36 | |
except you were allowed to type about them on the internet. | 0:14:36 | 0:14:40 | |
The police can't find you because the internet doesn't have a postcode | 0:14:40 | 0:14:44 | |
Andrew Marr had a super-injunction. I felt sorry for him because every week at the start of his show, | 0:14:44 | 0:14:50 | |
he had to drive to work in that toy car to make him look stupid | 0:14:50 | 0:14:53 | |
get the papers himself and go into the office knowing all the staff wer talking about his super-injunction | 0:14:53 | 0:15:00 | |
and stand in the lift with his ears burning. That's the price you pay for going on telly. | 0:15:00 | 0:15:06 | |
Once someone's on telly, you have the right to know who they're sleeping with | 0:15:06 | 0:15:11 | |
or what's on their phone or what their secret fears are or what hand they wipe their arse with | 0:15:11 | 0:15:16 | |
or what it would look like if you pulled their pants down and stared right up their arsehole | 0:15:16 | 0:15:22 | |
because it's in the public interest. | 0:15:22 | 0:15:24 | |
If you're wondering what an anonymous tabloid hack might make of the super-injunction saga, | 0:15:24 | 0:15:30 | |
here's anonymous tabloid hack Fleet Street Fox with her personal view. | 0:15:30 | 0:15:34 | |
It was very frustrating as a journalist | 0:15:34 | 0:15:37 | |
to know that everyone on Twitter was talking about the things | 0:15:37 | 0:15:41 | |
that we weren't allowed to report. | 0:15:41 | 0:15:43 | |
Quite a few of them were in the public interest, but if I mentioned it, I could lose my job or my home, | 0:15:43 | 0:15:49 | |
whereas the average man in the stree can repeat the gossip he's heard in the pub. | 0:15:49 | 0:15:54 | |
75,000-odd people broke the Giggs injunction on Twitter and not one ha any court action taken against them. | 0:15:54 | 0:16:01 | |
The media couldn't cover it. That was why it was a farce. | 0:16:01 | 0:16:04 | |
We couldn't even report the fact that people were breaching an injunction. It was ridiculous. | 0:16:04 | 0:16:10 | |
The injunctions were brought under Article 8 of the Human Rights Act | 0:16:10 | 0:16:14 | |
which says everybody has a right to respect for privacy in family life. | 0:16:14 | 0:16:18 | |
It doesn't say you have a right to a secret life and the two are very, very different. | 0:16:18 | 0:16:24 | |
Marriage is a public thing and a public record. | 0:16:24 | 0:16:27 | |
If you're making money out of your marriage or out of being in a happy relationship | 0:16:27 | 0:16:32 | |
or misleading the public in some way, perhaps you ought to be honest about the fact that it's not working | 0:16:32 | 0:16:38 | |
If you don't respect your privacy and your family life by sleeping with hookers, | 0:16:38 | 0:16:43 | |
I'm not going to respect you either. | 0:16:43 | 0:16:45 | |
Hooray, it's May and after battling to victory | 0:16:45 | 0:16:48 | |
in a thrilling edition of WWE Extreme Rules Wrestling, | 0:16:48 | 0:16:52 | |
beefy John Cena makes a shock announcement. | 0:16:52 | 0:16:55 | |
We have caught and compromised to a permanent end | 0:16:55 | 0:17:00 | |
Osama Bin Laden. | 0:17:00 | 0:17:03 | |
Once the crowd had slowly unlocked the meaning of those words, | 0:17:03 | 0:17:07 | |
an inspiring scene transpired as John prowled the cheering arena, | 0:17:07 | 0:17:12 | |
everyone bathed in the reflected glory of a criminal | 0:17:12 | 0:17:15 | |
thousands of miles away being shot by soldiers they didn't know | 0:17:15 | 0:17:19 | |
in a manner that is in no way disturbing or homo-erotic. | 0:17:19 | 0:17:23 | |
Let's not judge. That may look like an outpouring of joy, but it's actually just relief. | 0:17:26 | 0:17:31 | |
Fox News anchor Geraldo Rivera was so relieved when he heard the news, | 0:17:31 | 0:17:35 | |
he livened up his broadcast by spontaneously spouting lyrics. | 0:17:35 | 0:17:39 | |
Bin Laden is dead, Bin Laden is dead | 0:17:39 | 0:17:42 | |
Shot in the chest, then in the head. | 0:17:42 | 0:17:44 | |
Multiple sources, Osama Bin Laden is dead. Happy days! | 0:17:44 | 0:17:49 | |
Yay! | 0:17:49 | 0:17:51 | |
This is the greatest night of my career. The bum is dead! | 0:17:51 | 0:17:55 | |
They shot four other people too. One of them was a woman. Hooray! | 0:17:55 | 0:17:59 | |
I'm so blessed, I'm so privileged to be at this desk at this moment. | 0:17:59 | 0:18:05 | |
Yay! Have a pint of blood on me. Cheers! | 0:18:05 | 0:18:08 | |
It's just relief he's expressing, not joy. | 0:18:08 | 0:18:11 | |
Jubilant scenes spread across all the news networks as crowds gathered | 0:18:11 | 0:18:15 | |
in not a ghoulish way to celebrate the death of the bearded murderer. More relief, not joy. | 0:18:15 | 0:18:20 | |
Within months, Osama's take-down had been turned into a docu-drama | 0:18:20 | 0:18:24 | |
full of interviews with the people responsible. It's nice to know | 0:18:24 | 0:18:28 | |
that in battling a monster, the Americans didn't become monsters themselves which is often the case. | 0:18:28 | 0:18:34 | |
A monster revels in death, but they were expressing relief, not joy. | 0:18:34 | 0:18:39 | |
One image that comes out of this is the fact | 0:18:39 | 0:18:42 | |
that Bin Laden's final sight on this Earth | 0:18:42 | 0:18:45 | |
was the muzzle of a US Navy SEAL. | 0:18:45 | 0:18:48 | |
For those of us who have been lookin for Bin Laden for a long time, | 0:18:48 | 0:18:52 | |
to know that that was the last thing that he saw is actually a moment of joy. | 0:18:52 | 0:18:58 | |
Ed Miliband is brilliant, right? | 0:18:58 | 0:19:00 | |
He's like a boy who's won a competition to lead a party, | 0:19:00 | 0:19:03 | |
but he always looks worried like someone is going to throw his satchel on the roof. | 0:19:03 | 0:19:08 | |
Then in June, Ed Miliband broke. | 0:19:08 | 0:19:10 | |
He was being interviewed on the news about strikes. | 0:19:10 | 0:19:13 | |
They asked him what he thinks about the strikes and he says... | 0:19:13 | 0:19:18 | |
These strikes are wrong when negotiations are still going on. | 0:19:18 | 0:19:22 | |
Then they ask him another question. | 0:19:22 | 0:19:24 | |
When negotiations are still going on, these strikes are wrong. | 0:19:24 | 0:19:29 | |
-Then he says it again, right? -The strikes are wrong when negotiations are still going on. | 0:19:29 | 0:19:34 | |
-He keeps saying it. -These strikes are wrong because negotiations are still going on. -I'm going mental. | 0:19:34 | 0:19:40 | |
Stop him saying it. It's like you're stuck in a box with him saying... | 0:19:40 | 0:19:44 | |
It's wrong at a time when negotiations are still going on. | 0:19:44 | 0:19:48 | |
After a while, they give up. Someone must have reset his Wi-Fi as he was all right the next day. | 0:19:48 | 0:19:54 | |
Then he was back to walking around looking sexy because he is really sexy, he's a powerhouse. | 0:19:54 | 0:19:59 | |
I bet he goes at it like a jackhammer. Cor! | 0:19:59 | 0:20:03 | |
We were entertained by thousands of brilliant TV commercials, none of which we'll look at now. | 0:20:03 | 0:20:09 | |
We start with a terrifying horror film set in a world | 0:20:09 | 0:20:12 | |
in which the human brain no longer exists. | 0:20:12 | 0:20:15 | |
Isn't this the sort of thing the losing team make in The Apprentice during Advert Week? | 0:20:22 | 0:20:28 | |
The one crumb of comfort you can draw from this commercial | 0:20:33 | 0:20:36 | |
is the knowledge that everyone involved in making it or merely watching it will one day die. | 0:20:36 | 0:20:42 | |
Teeth. In a sinister development for dental care, a bastard bothers shoppers with a probe. | 0:20:45 | 0:20:51 | |
-Is your toothpaste working? -Of course. -Time for a quick check. | 0:20:51 | 0:20:55 | |
Bacteria? But I brushed this morning | 0:20:55 | 0:20:57 | |
Don't lie, you bitch! The probe knows everything. | 0:20:57 | 0:21:01 | |
-The next day, she obeyed the regime's orders. -See? | 0:21:01 | 0:21:04 | |
Wow! Where's all that bacteria? I'm impressed. | 0:21:04 | 0:21:07 | |
Now pull your pants down for stage two of the inspection. | 0:21:07 | 0:21:11 | |
Coffee! These absurd ads try to seduce women by shoving fantasy men | 0:21:11 | 0:21:15 | |
before them like man carrots. | 0:21:15 | 0:21:17 | |
How do you like your coffee? | 0:21:17 | 0:21:19 | |
-How about smooth, sensual and with these? -Not really. Mauve doesn't do anything for my legs. | 0:21:19 | 0:21:25 | |
I'm going to move my stuff out of the bedroom, | 0:21:25 | 0:21:28 | |
so there's more room for your enormous handbags. | 0:21:29 | 0:21:31 | |
-Don't talk about my testicles like that! -How do you like your coffee? | 0:21:31 | 0:21:36 | |
Er... Black? | 0:21:36 | 0:21:39 | |
How about smooth, aromatic | 0:21:39 | 0:21:42 | |
and with a long conversation? | 0:21:42 | 0:21:44 | |
-No, just black. -How do you like YOUR coffee? | 0:21:44 | 0:21:48 | |
-Tossed in your -BLEEP -face? -How about smooth, aromatic... | 0:21:48 | 0:21:52 | |
-and in Paris? -No, I prefer it in mugs. | 0:21:52 | 0:21:56 | |
As July arrived, the phone-hacking saga suddenly became a horror story. | 0:21:56 | 0:22:01 | |
The story had gained momentum, but no-one cared if the tabloids were hacking celebrities' phones. | 0:22:01 | 0:22:06 | |
They're not real, probably a form of animated pate! | 0:22:06 | 0:22:10 | |
-If they got stories by waterboarding soap stars, no-one would mind. -Are you pregnant? Are you up the duff? | 0:22:10 | 0:22:16 | |
-Got a bun in the oven? -But on July 4th, the story broke which changed everything. | 0:22:16 | 0:22:21 | |
More revelations in the News Of The World hacking scandal. | 0:22:21 | 0:22:25 | |
It's accused of intercepting Milly Dowler's phone. | 0:22:25 | 0:22:28 | |
Never again could the paper be seen as a bit of crinkly bog roll that was cruel to celebs. | 0:22:28 | 0:22:33 | |
Now it was cruel to real people. | 0:22:33 | 0:22:35 | |
The story got worse. The shocking, grim headlines kept coming. | 0:22:35 | 0:22:39 | |
It was as if the paper was in a game of onedownmanship with itself. | 0:22:39 | 0:22:44 | |
With so many victims of tragedy, I'm surprised the cast of The Poseidon Adventure weren't on the list. | 0:22:44 | 0:22:50 | |
Later, The Guardian admitted | 0:22:50 | 0:22:52 | |
The Screws probably hadn't deleted Milly's voicemails, | 0:22:52 | 0:22:55 | |
but they had accessed them and people weren't impressed. | 0:22:55 | 0:22:59 | |
Being a tabloid reporter is not the most noble profession, | 0:22:59 | 0:23:03 | |
but now it was on a par with necrophiliac porn wrangler | 0:23:03 | 0:23:07 | |
and it didn't help that the only person defending the red tops | 0:23:07 | 0:23:10 | |
was former Screws hack and ethical vacuum, Paul McMullan. | 0:23:10 | 0:23:14 | |
I've always said I've just tried to write articles in a truthful way | 0:23:14 | 0:23:18 | |
and what better source of getting the truth | 0:23:18 | 0:23:21 | |
is to listen to someone's messages? | 0:23:21 | 0:23:23 | |
-That might sound frivolous, but... -It's also immoral? | 0:23:23 | 0:23:27 | |
You're a walking PR disaster for the tabloids as you don't come across in a sympathetic way. | 0:23:27 | 0:23:32 | |
You come across as a risible individual. | 0:23:32 | 0:23:35 | |
That is amazing of Steve Coogan - | 0:23:35 | 0:23:37 | |
to be able to play Alan Partridge and Paul McMullan in the same room at the same time! | 0:23:37 | 0:23:42 | |
We'll no longer be able to expose celebrities for taking coke and cheating on their wives | 0:23:42 | 0:23:48 | |
which, to be honest, I always found a bit of fun. | 0:23:48 | 0:23:52 | |
Everyone had a go - Liverpudlians... | 0:23:52 | 0:23:54 | |
You had to ask me who I was. You didn't even know what I'd done. | 0:23:54 | 0:23:59 | |
-Former colleagues... -People have been thrown out of work because of things people like you have done | 0:23:59 | 0:24:05 | |
and besmirched the name of a good paper. | 0:24:05 | 0:24:08 | |
-Hugh Grant. -Your only motive was profit. | 0:24:08 | 0:24:11 | |
You have no interest in journalism. It's money, money, money. | 0:24:11 | 0:24:14 | |
You should try real journalism. You could probably do it. | 0:24:14 | 0:24:18 | |
He had to eat more shit than David Walliams swimming up the Thames. | 0:24:18 | 0:24:22 | |
You could watch him getting shabbier and shabbier, limping from studio | 0:24:22 | 0:24:27 | |
to studio like he was trying to keep warm | 0:24:27 | 0:24:29 | |
until viewers texted in, trying to vote him off. | 0:24:29 | 0:24:32 | |
BEEPING Sorry, my phone's beeping. I'll just turn that off. | 0:24:32 | 0:24:36 | |
I'd leave him a voicemail, but I don't know if he'd listen to it. | 0:24:36 | 0:24:40 | |
It's fine sniggering at tabloid hacks, but what about their editors? | 0:24:40 | 0:24:45 | |
Imagine being a tabloid editor! It's like working down a shit mine. | 0:24:45 | 0:24:49 | |
Imagine going to work every day and actively making the world worse! | 0:24:49 | 0:24:53 | |
"What did you do today, darling?" | 0:24:53 | 0:24:55 | |
"I ran a story about a Muslim council banning the word 'chalk' because it sounds like 'pork'." | 0:24:55 | 0:25:01 | |
"Really? Is that true?" "Nah." | 0:25:01 | 0:25:03 | |
Attention focused on the editors who did or didn't know what was going on. | 0:25:03 | 0:25:08 | |
Andy Coulson had claimed total ignorance and resigned twice. | 0:25:08 | 0:25:12 | |
Now pressure was mounting on News International CEO Rebekah Brooks | 0:25:12 | 0:25:16 | |
who had kept the News Of The Screws going, spending years expertly stopping the monitors wobbling. | 0:25:16 | 0:25:22 | |
An unimpressed public organised boycotts, trying to bring down the empire with their keyboards. | 0:25:22 | 0:25:28 | |
At the end of the week, the Death Star exploded. Cue excitable headlines from around the globe! | 0:25:28 | 0:25:34 | |
Sunday's News Of The World will be the last edition of the paper. | 0:25:34 | 0:25:37 | |
This is massive news. I don't think anyone could have predicted | 0:25:37 | 0:25:41 | |
that it would end like this. | 0:25:41 | 0:25:44 | |
We do know tonight that after 168 years, the World is ending | 0:25:44 | 0:25:50 | |
I bought the final News Of The World. In the newsagent's, no-one would look anyone else in the eye. | 0:25:50 | 0:25:55 | |
It was like we had found a corpse of a bear in the woods and we were queuing up to have sex with it. | 0:25:55 | 0:26:01 | |
The thing itself is a curious artefact. | 0:26:01 | 0:26:04 | |
It had a strangely muted final front page - "thank you & goodbye". | 0:26:04 | 0:26:08 | |
Normally when a despised monster is killed, it just lets out a howl like, "Aaargh!" | 0:26:08 | 0:26:13 | |
That should have been what was on the front page. | 0:26:13 | 0:26:16 | |
It's the strangest edition of the News Of The World ever. | 0:26:16 | 0:26:20 | |
First of all, they've got this final editorial saying goodbye. | 0:26:20 | 0:26:24 | |
That must have been tricky, concentrating on the paper's good points, | 0:26:24 | 0:26:29 | |
a bit like writing the eulogy at Fred West's funeral. | 0:26:29 | 0:26:32 | |
What do you say? "He was good with his hands, virile"? | 0:26:32 | 0:26:35 | |
There was the usual mix of, "Here's the good things we did. Look, here's a bum we showed you." | 0:26:35 | 0:26:42 | |
And these little farewell messages from readers scattered around like little tragic croutons. | 0:26:42 | 0:26:48 | |
"Britain will never be the same again," says Les from Manchester. Yes, it will. | 0:26:48 | 0:26:53 | |
Then in the middle they've got this special souvenir pull-out, | 0:26:53 | 0:26:57 | |
a souvenir pull-out of all their greatest front pages. | 0:26:57 | 0:27:01 | |
Kerry Katona doing coke. Proud of that. | 0:27:01 | 0:27:04 | |
Someone hid a camera in Kerry Katona's bathroom. | 0:27:04 | 0:27:07 | |
If I hid a camera in a woman's bathroom, I'd expect to go to prison. | 0:27:07 | 0:27:11 | |
Luckily, I hide them so well, no-one will find them. | 0:27:11 | 0:27:15 | |
"Jacko's deathbed." Now, that's tasteful, isn't it? | 0:27:15 | 0:27:18 | |
"This is the sensational first picture of the bed where Michael Jackson took his last breath." | 0:27:18 | 0:27:24 | |
That's nice, isn't it? And you look at all of this, all these sort of gaudy front pages | 0:27:24 | 0:27:30 | |
and you just go, "Yeah, I'm glad it died." | 0:27:30 | 0:27:34 | |
But deleting The Screws from history did not help stem the crisis. | 0:27:34 | 0:27:38 | |
Before long, Brooks had to resign, seen leaving the building disguised as an unhappy Charles II. | 0:27:38 | 0:27:44 | |
Attention was also on her boss, media tycoon Rupert Murdoch, | 0:27:44 | 0:27:47 | |
seen here in the least convincing match.com poster campaign ever. | 0:27:47 | 0:27:52 | |
For years, it was as though Rupert Murdoch represented God | 0:27:52 | 0:27:55 | |
and all our public figures were medieval villagers terrified of speaking ill of him. | 0:27:55 | 0:28:01 | |
You must never anger God. God can hear everything you say, especially if you say it in a voicemail. | 0:28:01 | 0:28:07 | |
God has the power to destroy you, for he controls The Sun | 0:28:07 | 0:28:10 | |
and soon he will control the entire Sky, and there's nothing anyone can do about it. | 0:28:10 | 0:28:15 | |
Suddenly, after the phone-hacking revelations, it was like a jamming signal had been switched off | 0:28:15 | 0:28:21 | |
and everyone could talk openly about him for the first time ever. | 0:28:21 | 0:28:25 | |
This media oligarch was losing his touch and soon he had to appear before the Select Committee | 0:28:25 | 0:28:31 | |
with his sidekick James-Bot 2.0. | 0:28:31 | 0:28:33 | |
In accordance with regulations, Made In Chelsea's Oliver Proudlock plays Rupert Murdoch | 0:28:33 | 0:28:39 | |
while Jamie Laing plays his robot offspring James. | 0:28:39 | 0:28:42 | |
Louise Mensch is performed by Cesca Hull. | 0:28:42 | 0:28:44 | |
The Select Committee was like a bush tucker trial for Murdoch. He began by swallowing his own dignity. | 0:28:44 | 0:28:51 | |
Before you get to that, I would just like to say one sentence. This is the most humble day of my life. | 0:28:51 | 0:28:57 | |
And for seconds, a slice of unexpected foam pie. | 0:28:57 | 0:29:00 | |
Oh, no! | 0:29:02 | 0:29:03 | |
What exactly is a Rupert Murdoch? Here's a short film from Adam Curtis explaining what he thinks. | 0:29:03 | 0:29:10 | |
This is the story of how Rupert Murdoch took over the old newspapers of Fleet Street | 0:29:11 | 0:29:16 | |
and used them to wage a cultural revolution against the snobbish elites that dominated Britain. | 0:29:16 | 0:29:23 | |
But there was a weird logic to Murdoch's revolution | 0:29:23 | 0:29:26 | |
that would lead him to intrude ever more deeply into people's private lives | 0:29:26 | 0:29:31 | |
and would eventually bring his empire to the brink of destruction. | 0:29:31 | 0:29:35 | |
And it talks on the phone? | 0:29:35 | 0:29:37 | |
The world's top talking parrot... | 0:29:39 | 0:29:41 | |
Murdoch's populist revolution failed to change Britain's power structure, | 0:29:41 | 0:29:46 | |
yet his failure would open the way for the rise of a new elite | 0:29:46 | 0:29:51 | |
who are far more invasive into all our private lives than Murdoch's papers ever were. | 0:29:51 | 0:29:57 | |
Well, we'll send one of our best parrot photographers. How's that? | 0:29:58 | 0:30:03 | |
Rupert Murdoch shocked the British establishment right from the start. | 0:30:03 | 0:30:08 | |
In 1969 he bought the News of the World and published the diaries of call girl Christine Keeler. | 0:30:08 | 0:30:15 | |
They unearthed an old sex scandal about a Conservative politician called John Profumo | 0:30:15 | 0:30:20 | |
and the British establishment were scandalised. | 0:30:20 | 0:30:24 | |
Christine Keeler, the girl who sparked off a drama of government scandal, intrigue and even death. | 0:30:24 | 0:30:30 | |
On Sunday, Christine opens her secret diary and tells the first full story in the News of the World. | 0:30:30 | 0:30:37 | |
I was young and naive then, but now I've had time to think. | 0:30:37 | 0:30:42 | |
This is the first time the public are able to read the real truth. | 0:30:42 | 0:30:46 | |
Do you have any qualms about that as muckraking and going over an old scandal that should be buried now? | 0:30:46 | 0:30:52 | |
No, no, certainly not. It shouldn't be dead and buried. | 0:30:52 | 0:30:55 | |
The vicious reaction of the British upper classes shocked Murdoch | 0:30:55 | 0:30:59 | |
and in the 1970s he fled with his young family to the United States. | 0:30:59 | 0:31:04 | |
And he used the money pouring in from his British newspapers to start building an American empire. | 0:31:04 | 0:31:11 | |
His personal myth began to take shape - that he was a revolutionary outsider, | 0:31:11 | 0:31:16 | |
challenging the decadent British system. In 1976, he said in an interview, | 0:31:16 | 0:31:22 | |
"In Britain it's very easy to get sucked into the establishment. | 0:31:22 | 0:31:26 | |
"I think when people start taking knighthoods and peerages, it's telling the world you've sold out. | 0:31:26 | 0:31:33 | |
"I just wasn't prepared to join the system." | 0:31:33 | 0:31:37 | |
And in 1981 Murdoch came back and took his revenge. | 0:31:37 | 0:31:41 | |
He bought The Times and made it clear that he was now challenging the hypocritical elites | 0:31:41 | 0:31:47 | |
wherever they were in Britain or America. | 0:31:47 | 0:31:50 | |
They hate someone communicating with the masses. They feel that the written word is not for the masses. | 0:31:52 | 0:31:58 | |
That should be left to television, or nobody. There's great elitism. | 0:31:58 | 0:32:03 | |
It was a typical piece of slanting or elitism by the BBC | 0:32:03 | 0:32:07 | |
I don't know what you mean by downmarket or upmarket. That is so English, class-ridden snobbery. | 0:32:07 | 0:32:13 | |
Over the next 30 years, Murdoch's newspapers promoted a populist idea of democracy. | 0:32:13 | 0:32:19 | |
This challenged the idea that anyone could set themselves up in Britain as a superior elite | 0:32:19 | 0:32:25 | |
and tell people what was best. But there was a ferocious logic to this idea of democracy. | 0:32:25 | 0:32:31 | |
Because if everyone was equal, then no one was special. | 0:32:31 | 0:32:36 | |
And that had big implications for the celebrities who had become central to Murdoch's newspapers. | 0:32:36 | 0:32:42 | |
If they were more famous than us, it meant they were different from us. | 0:32:42 | 0:32:47 | |
And the Murdoch vision didn't like the idea of anyone being different. | 0:32:47 | 0:32:52 | |
So celebrities had to be transformed so they would become more like us - | 0:32:52 | 0:32:56 | |
flawed and unhappy, drinking too much and eating too little, | 0:32:56 | 0:33:01 | |
struggling with emotional problems and with cellulite. | 0:33:01 | 0:33:05 | |
But most celebrities didn't want to be seen like that | 0:33:05 | 0:33:09 | |
so Murdoch's journalists had to resort to increasingly devious methods to give us what we craved - | 0:33:09 | 0:33:17 | |
the private weaknesses and failings of the famous. | 0:33:17 | 0:33:22 | |
Today, Murdoch may be on the way out, but we all still distrust elites | 0:33:22 | 0:33:28 | |
and there is a new empire that offers the same dream of a world without hierarchies | 0:33:28 | 0:33:34 | |
where we are in control. Google - with its promise of information | 0:33:34 | 0:33:39 | |
flowing free of all political control and where everyone talks to each other as equals. | 0:33:39 | 0:33:45 | |
But the price we pay for this is that Google's machines watch us all the time | 0:33:45 | 0:33:51 | |
and know everything about us. | 0:33:51 | 0:33:54 | |
And they don't even have to pay for private detectives or for phone taps. | 0:33:54 | 0:33:59 | |
And the strange thing is we don't seem to be bothered about this at all. | 0:33:59 | 0:34:05 | |
Food! And the spiritual world's answer to Lady Gaga drops in to illuminate Australian MasterChef. | 0:34:10 | 0:34:17 | |
I'm at my bench mincing garlic... | 0:34:17 | 0:34:20 | |
We're going to meet the seven contestants. | 0:34:20 | 0:34:23 | |
..when I look up and His Holiness The Dalai Lama himself | 0:34:23 | 0:34:29 | |
has come into our kitchen. | 0:34:29 | 0:34:31 | |
Serenity doesn't get tougher than this. His sort-of-Christliness was on hand to spread vibes | 0:34:31 | 0:34:37 | |
-and to ask and answer the big questions. -What is this? -Cheese. | 0:34:37 | 0:34:43 | |
-Yes, you like cheese, don't you? -Yes. | 0:34:43 | 0:34:46 | |
But there was more to his trip than cheese-liking. He was here to judge so he sat for the Last Supper | 0:34:46 | 0:34:53 | |
and, lo, when the nervous contestants shuffled in, lobbing plates in front of His Superness, | 0:34:53 | 0:34:59 | |
one woman was afeared, for her creation was not up to par. | 0:34:59 | 0:35:03 | |
Your Holiness, today I had a bit of a disaster in the kitchen. | 0:35:03 | 0:35:07 | |
It's not what I wanted on the plate. | 0:35:07 | 0:35:10 | |
Go from this place! | 0:35:10 | 0:35:12 | |
I wanted to share it with you today, but I didn't get it on the plate. | 0:35:12 | 0:35:16 | |
Sorry. | 0:35:16 | 0:35:18 | |
Thank you. | 0:35:18 | 0:35:21 | |
She's in there! Hand-rubbing aside, MasterChef wouldn't be MasterChef without a tense judging scene | 0:35:23 | 0:35:29 | |
-and this was no exception. -Well, she's obviously during plating up got some gnocchi up. | 0:35:29 | 0:35:37 | |
But mine's actually quite raw and doughy. | 0:35:37 | 0:35:41 | |
-She tried her best. -You haven't really got the hang of this judging thing, have you? | 0:35:41 | 0:35:48 | |
August is traditionally a quiet month in terms of events, but 2011 had other plans. | 0:35:48 | 0:35:54 | |
After the shooting of Mark Duggan by police, feelings were running high in Tottenham. | 0:35:54 | 0:36:00 | |
After a protest demonstration turned violent, TV quickly filled with scenes of wanton destruction | 0:36:00 | 0:36:06 | |
and furious crowds, like the start of a zombie film. | 0:36:06 | 0:36:09 | |
At other times it resembled a bonus stage from Streetfighter 2. | 0:36:09 | 0:36:14 | |
Nothing was safe, including the camera crews. | 0:36:14 | 0:36:18 | |
There are no riot police officers around. They are down the road dealing with... | 0:36:18 | 0:36:24 | |
..with... Somebody just attacked our camera. | 0:36:24 | 0:36:28 | |
Soon TV screens were full of depressing images of burnt-out buildings and a dead bus. | 0:36:28 | 0:36:34 | |
But it was far from over. Trouble then broke out in other areas | 0:36:34 | 0:36:39 | |
and there came more and more footage of looting. | 0:36:39 | 0:36:43 | |
Violence and hysteria seemed to be spreading in an almost viral manner, | 0:36:43 | 0:36:48 | |
At times it looked more like a zombie film than most zombie films. | 0:36:48 | 0:36:52 | |
The apocalyptic feel carried through in endless helicopter coverage, | 0:36:52 | 0:36:56 | |
resembling the most depressing Command and Conquer level ever. | 0:36:56 | 0:37:01 | |
Even from this vulture's perspective, the brazen lack of respect for police was startling. | 0:37:01 | 0:37:07 | |
It wasn't just violent, it was cheeky. | 0:37:07 | 0:37:10 | |
That led to one of the most bizarre identity parades in history. | 0:37:10 | 0:37:15 | |
Just take your time. Anything look familiar? | 0:37:15 | 0:37:19 | |
Maybe number three? | 0:37:20 | 0:37:22 | |
-Number three? -Yeah. | 0:37:22 | 0:37:26 | |
As time wore on, the trouble spread as if some sort of lawlessness gas had been released. | 0:37:26 | 0:37:31 | |
Disturbing footage showed Croydon now twinned with the Eye of Sauron, | 0:37:31 | 0:37:35 | |
and Sky reporter Mark Stone was busy capturing unprecedented scenes of pixelated anarchy on his phone. | 0:37:35 | 0:37:42 | |
Whoever fitted that bracket did a hell of a job! | 0:37:42 | 0:37:46 | |
He also held impromptu interviews with alleged looters. | 0:37:46 | 0:37:50 | |
-These people appear to have been at it. What... -Are you a journalist? -No, I live here. | 0:37:50 | 0:37:56 | |
-I'm astounded at what you're doing. -We're getting our taxes back. | 0:37:56 | 0:38:01 | |
Fair enough. They will need taxis back to carry all that stuff. | 0:38:01 | 0:38:05 | |
Trouble was much of the live coverage depicted shops being looted and no one to stop it. | 0:38:05 | 0:38:10 | |
It was almost like a giveaway sale. | 0:38:10 | 0:38:13 | |
Kicking off now is Britain's most terrifying sale! | 0:38:13 | 0:38:18 | |
Thousands of prices and windows smashed! Get the top-name brands! | 0:38:18 | 0:38:23 | |
Plasma screens worth £750 are now no pounds! | 0:38:23 | 0:38:27 | |
Trainers worth £79 now no pounds! | 0:38:27 | 0:38:31 | |
Basmati rice was £8.99, now no 99! | 0:38:31 | 0:38:34 | |
If you can get it off the wall, it's yours. | 0:38:34 | 0:38:38 | |
Get an increased sentence absolutely free! | 0:38:38 | 0:38:41 | |
Branches in Hackney, Ealing, Croydon, Clapham Junction and soon Manchester! | 0:38:41 | 0:38:46 | |
Please, God, let it end soon! | 0:38:46 | 0:38:49 | |
Aside from the violence, what was depressing was the nature of the looting. | 0:38:49 | 0:38:55 | |
It was about getting phones and tellies and trainers. | 0:38:55 | 0:38:59 | |
What's so great about trainers? Stick 'em on your feet and walk. Woo-hoo! | 0:38:59 | 0:39:04 | |
If we're so impressed by footwear, we might as well give up. | 0:39:04 | 0:39:09 | |
Having thoroughly depressed us all, the news now needed to give us something to cling to, | 0:39:09 | 0:39:16 | |
so it began to highlight some cheery side effects. | 0:39:16 | 0:39:19 | |
There was widespread coverage of heartening, impromptu broom armies that assembled. | 0:39:19 | 0:39:25 | |
Yeah, but somewhere a broom showroom has been gutted. | 0:39:25 | 0:39:29 | |
There was even a breakout viral star in the form of Pauline Pearce, who ranted at looters on YouTube. | 0:39:29 | 0:39:35 | |
She's working hard to make her business work and then you burn it. | 0:39:35 | 0:39:39 | |
-For what? To say you're a bad man?! -She was the Susan Boyle of the riots, | 0:39:39 | 0:39:45 | |
except she was standing in front of graffiti that said "Cameroon suck my dick" bellowing abuse. | 0:39:45 | 0:39:52 | |
You lot piss me the fuck off! I'm ashamed to be a Hackney person! | 0:39:52 | 0:39:56 | |
More like the Sex Pistols, really. | 0:39:56 | 0:39:59 | |
Not that these punk roots stopped her from appearing on This Morning, | 0:39:59 | 0:40:04 | |
and being profiled like a pop star on the news. But people wanted to see the wrongdoers banged up. | 0:40:04 | 0:40:10 | |
Many seemed to revel in their crimes, posing like winners of a Gadget Show competition. | 0:40:10 | 0:40:17 | |
Sky News carried an illuminating interview with looters in disguise. | 0:40:17 | 0:40:21 | |
To protect their identities, two dressed as ninjas, one as a man peering from an elephant's arse. | 0:40:21 | 0:40:27 | |
Let's hear what they have to say. | 0:40:27 | 0:40:30 | |
-What did you get? -What did I get? Tracksuits. | 0:40:30 | 0:40:34 | |
A couple of electronic stuff. | 0:40:34 | 0:40:37 | |
-Nice green scarf. -I know people that know people, so I got a van. | 0:40:37 | 0:40:42 | |
-You were going round in a van filling it up at stores? -Yeah, but we also dropped it off. | 0:40:42 | 0:40:48 | |
-A bit like Ocado. -Any bad feelings? Ever thought about it at night in your bed? | 0:40:48 | 0:40:54 | |
No, cos I'm watching my plasma! It's like Christmas came early. | 0:40:54 | 0:40:57 | |
And with that this troubled band of teenagers walked off into the sunset with their trousers falling down. | 0:40:57 | 0:41:05 | |
Should have nicked a belt! The media went into full-blown hand-wringing, | 0:41:05 | 0:41:10 | |
trying to work out why the riots happened. | 0:41:10 | 0:41:13 | |
The riots just hardened whatever opinion you had beforehand. | 0:41:13 | 0:41:17 | |
-Masked youths blamed anger and anger. -What do you think drove the people that smashed this up? | 0:41:17 | 0:41:24 | |
Anger, innit? Anger as well. | 0:41:24 | 0:41:27 | |
-Grown men blamed the Big Society. -The Big Society, it's a load of crap what they say. | 0:41:27 | 0:41:33 | |
It's not worth ten bob. | 0:41:33 | 0:41:35 | |
On civilised Sky News, posh people blamed people from the estates. | 0:41:35 | 0:41:40 | |
It's people from local estates. | 0:41:40 | 0:41:42 | |
-And arseholes on horrible US shitcasts blamed immigrants. -Many of them are immigrants, | 0:41:42 | 0:41:48 | |
can't speak the language. Of course they're unemployed. | 0:41:48 | 0:41:52 | |
In an unusually angry Newsnight, David Starkey seemed to join in, blaming race. | 0:41:52 | 0:41:58 | |
The whites have become black. | 0:41:58 | 0:42:01 | |
A particular sort of violent, destructive, nihilistic gangsta culture has become the fashion. | 0:42:01 | 0:42:08 | |
Yeah, black people, it's your fault, even when you try not being black. | 0:42:08 | 0:42:13 | |
Look at this white black bastard! How dare he?! White as the ace of spades! Go back to Africa or Surrey! | 0:42:13 | 0:42:20 | |
I was in London for the big riots. I was amazed that anything over here could burn | 0:42:20 | 0:42:26 | |
in this damp, stone, brick, ugly, mossy rock. | 0:42:26 | 0:42:32 | |
I'm amazed I can keep a cigarette lit outside. | 0:42:32 | 0:42:36 | |
And I don't know why it happened. They happened for whatever reason. | 0:42:36 | 0:42:41 | |
They're trying to say it's a socio-economic thing. I don't think so. | 0:42:41 | 0:42:46 | |
Unless you had some flatscreens for the needy programme that got chiselled out of the budgets. | 0:42:46 | 0:42:53 | |
Take your little rioter at home and put him on your lap and explain, "Loot and riot and steal | 0:42:53 | 0:43:00 | |
"every flatscreen out of that shop, you little chimney sweep! You little scamp! | 0:43:00 | 0:43:06 | |
"Fill your entire walls with flatscreens everywhere you look | 0:43:06 | 0:43:11 | |
"and all that's on is Friends and Top Gear. And with your hours you'll get the deaf interpreter, | 0:43:11 | 0:43:18 | |
"flailing away in a seizure in the bottom of your screen." | 0:43:18 | 0:43:23 | |
I've literally wet a napkin and stuck it to the lower quarter of my television screen | 0:43:23 | 0:43:30 | |
so I could get through an episode of a show I didn't want to watch anyway. | 0:43:30 | 0:43:36 | |
What you have to explain to your youth is their outlook is bleak regardless. | 0:43:36 | 0:43:41 | |
It doesn't matter if you have money over here. You're in the UK. | 0:43:41 | 0:43:45 | |
Your outlook is fucked. | 0:43:45 | 0:43:47 | |
The Killing, that was good, right, but it was really weird. | 0:43:47 | 0:43:52 | |
It was about Sue Perkins, | 0:43:52 | 0:43:55 | |
but instead of judging baking, she's being a policeman. A man. | 0:43:55 | 0:44:00 | |
With a jumper on. The same jumper for weeks, so she stunk. | 0:44:00 | 0:44:04 | |
And there wasn't much killing except the girl at the start. Her parents took ages to get over it. | 0:44:04 | 0:44:10 | |
Usually you see the relatives for one scene, boo hoo. | 0:44:10 | 0:44:15 | |
But this kept showing them, sitting around looking upset | 0:44:15 | 0:44:19 | |
and crying and getting angry. And looking lost, until, "All right. | 0:44:19 | 0:44:24 | |
"The murder was nine whole episodes ago. Get over it! | 0:44:24 | 0:44:28 | |
"Have some ice cream. Jesus! You've two other kids. Take them to the zoo and don't get THEM killed!" | 0:44:28 | 0:44:36 | |
Then it was so popular, they did it again. | 0:44:36 | 0:44:39 | |
It was like The Killing I, but with Sarah Lund in a different jumper | 0:44:39 | 0:44:44 | |
and it had Giant Haystacks in it and this man hiding, in the army, | 0:44:44 | 0:44:49 | |
and the army blokes were a bit weird and tossed each other off. | 0:44:49 | 0:44:54 | |
Didn't really get it. | 0:45:01 | 0:45:03 | |
September is for authenticity and there were red faces all round | 0:45:03 | 0:45:08 | |
when ITV's new documentary strand Exposure included footage from a video game | 0:45:08 | 0:45:14 | |
as a real IRA home movie. | 0:45:14 | 0:45:17 | |
With Gaddafi's machine guns, it was possible to shoot down a helicopter | 0:45:17 | 0:45:22 | |
as the terrorists' own footage of 1988 shows. | 0:45:22 | 0:45:26 | |
This was what security forces feared most. | 0:45:26 | 0:45:30 | |
It was the most eye-opening documentary since that Panorama on the big monkey lobbing barrels. | 0:45:30 | 0:45:37 | |
Sticking with games, it was a bumper year with the sumptuous and epic Skyrim | 0:45:37 | 0:45:43 | |
and the ground-breaking LA Noire, a cinematic homage to film noir, with hot man-on-corpse action, | 0:45:43 | 0:45:49 | |
-faintly eerie cameos from the cast of Mad Men. -You're Fifth Columnists. | 0:45:49 | 0:45:54 | |
-And plentiful sequences in which you quizzed creepily realistic suspects. -You want a confession? | 0:45:54 | 0:46:01 | |
-That's what you want? -That's exactly what we want. -Where were you on Super Mario Land? | 0:46:01 | 0:46:07 | |
It was also a good year for shooting in the face | 0:46:07 | 0:46:11 | |
as two of the biggest video game franchises went to war - Modern Warfare 3 versus Battlefield 3. | 0:46:11 | 0:46:17 | |
They look macho as heck, these things, but they're homoerotic. Check out this guy's moustache. | 0:46:17 | 0:46:23 | |
You crawl behind him with his bum right in your face. It says Follow, like a direction from your heart. | 0:46:23 | 0:46:31 | |
Although sometimes the action seems unnecessarily cruel. Watch my pal deal with this guard. | 0:46:31 | 0:46:38 | |
I just don't want to be friends with someone who shrugs that off. | 0:46:42 | 0:46:46 | |
Entertainment! And in a noble bid to repeal our something for nothing culture, | 0:46:46 | 0:46:51 | |
ITV broadcast Cowell-devised guessing game Red or Black? | 0:46:51 | 0:46:55 | |
It was basically a massive coin toss without the coin. A massive toss. | 0:46:55 | 0:46:59 | |
Since the show was about evenly matched odds, it was presented by conjoined twins Ant and Dec | 0:46:59 | 0:47:05 | |
and had cameos from the likes of Louis Walsh, blowing David Hasselhoff's arse off. | 0:47:05 | 0:47:11 | |
Eventually the contestants were whittled down until a winner emerged victorious. | 0:47:11 | 0:47:17 | |
Since contestant backstory is everything, it was fortunate the first winner had a good one. | 0:47:17 | 0:47:24 | |
-He'd served five years for beating up an ex-girlfriend. -Nathan... | 0:47:24 | 0:47:28 | |
I've been dying to say this. You are now a millionaire! | 0:47:28 | 0:47:33 | |
If I was him, I'd spend it covering up my past. | 0:47:33 | 0:47:37 | |
Things were hairy down Gaddafi way. World leaders had launched Operation Odyssey Dawn, | 0:47:37 | 0:47:42 | |
a prog rock military campaign supporting the Libyan rebels. | 0:47:42 | 0:47:46 | |
Berlusconi only took part because he thought it was invading Labia. | 0:47:46 | 0:47:51 | |
Now with NATO assistance, rebels played tug of war with Gaddafi's forces between Tripoli and Benghazi. | 0:47:51 | 0:47:58 | |
-Despite hours of nailbiting footage of reporters dodging bullets... -They were rebel vehicles. | 0:47:58 | 0:48:05 | |
..for the average viewer it was confusing. I know I'm meant to be on the side of the rebels, | 0:48:09 | 0:48:15 | |
but the narrative is all over the place. It's all map this, map that, | 0:48:15 | 0:48:20 | |
different flags and place names. Keep it simple for God's sake! | 0:48:20 | 0:48:25 | |
And the ammo they get through is mental. There'll be a lead shortage. | 0:48:25 | 0:48:30 | |
The news just showed them shooting everything. It was bloody chaos! | 0:48:30 | 0:48:35 | |
They even seemed to have declared war on the sky. The average lifespan of a Libyan sparrow is 15 seconds. | 0:48:37 | 0:48:45 | |
It was fun for onlookers, taking photos like it was Alton Towers. | 0:48:45 | 0:48:50 | |
In September, the rebels made a final advance into Tripoli and Sky News' Alex Crawford, | 0:48:50 | 0:48:54 | |
broadcasting live from a rebel vehicle, was first on the scene as Gaddafi's compound was overrun. | 0:48:54 | 0:49:00 | |
She even conducted a fun interview with a guy who swiped Gaddafi's hat. | 0:49:00 | 0:49:05 | |
I was like, "Oh, my God! I'm in Gaddafi's room! Oh, my God!" | 0:49:05 | 0:49:10 | |
But even as his compound became a sort of adventure playground and people dissed his image, | 0:49:10 | 0:49:17 | |
there was no sign of Gaddafi and it looked like he might never be seen again, until he was. | 0:49:17 | 0:49:25 | |
When his convoy was intercepted, he sought shelter in a tunnel | 0:49:25 | 0:49:29 | |
and might not have been caught if he hadn't tweeted. | 0:49:29 | 0:49:33 | |
What happened next was one of the most nightmarish images of the year and it only got worse. | 0:49:33 | 0:49:38 | |
We show these pictures with a warning that the video has images of Gaddafi's dead, bloodied body. | 0:49:38 | 0:49:45 | |
-The pictures are graphic and may be distressing. -How bad can it be? | 0:49:45 | 0:49:50 | |
'So this is how it ended - the body of Gaddafi lying in a freezer...' | 0:49:50 | 0:49:55 | |
There was no respite. It's odd that newspapers won't print nipples on the front cover, | 0:49:55 | 0:50:00 | |
but a triumphant photo of a dead man is OK. So many people wanted a Facebook snap of the body, | 0:50:00 | 0:50:06 | |
it was kept in cold storage until it went off. Let's not judge - we'd have had him in a shopping centre. | 0:50:06 | 0:50:13 | |
We used to believe a camera would steal part of your soul. | 0:50:13 | 0:50:18 | |
Watch the news today and it looks like the people taking the photos had their souls stolen. | 0:50:18 | 0:50:24 | |
Along with urban violence and unbridled despair, Twitter hashtags were all the rage. | 0:50:24 | 0:50:29 | |
Here's BAFTA-winning human being Brian "Limmy" Limond. | 0:50:29 | 0:50:34 | |
-Welcome to Question Time. -Ah, my favourite programme. An hour of intense political discourse. | 0:50:34 | 0:50:41 | |
-But wait, what's this? -If you're tweeting... -I can tweet along using the hashtag #bbcqt. | 0:50:41 | 0:50:49 | |
That's a great idea! Join the debate. Let's see what people say. | 0:50:49 | 0:50:54 | |
"Oh, my God! Theresa May is wearing her spacesuit coat again. She looks like a fucking astronaut." | 0:50:54 | 0:51:01 | |
She does as well, she does! | 0:51:01 | 0:51:03 | |
Reply: she does as well, she does. | 0:51:03 | 0:51:08 | |
But now I'm missing this. Rewind. | 0:51:08 | 0:51:11 | |
She does as well, she does. | 0:51:11 | 0:51:14 | |
Play. Ah, Afghanistan. Good question. Mm-hm. Mm-hm. | 0:51:14 | 0:51:19 | |
She looks like him from that comic with the jumper up to his nose. I have to tweet that. Who was that? | 0:51:19 | 0:51:25 | |
I'll look it up. Pause. | 0:51:25 | 0:51:27 | |
Who was that? | 0:51:28 | 0:51:31 | |
Who the fuck WAS that? | 0:51:32 | 0:51:34 | |
Oh, forget it. I'm miles behind now. OK, Afghanistan. Play. | 0:51:35 | 0:51:40 | |
Bendy bananas? | 0:51:42 | 0:51:44 | |
Oh,, I see! It's that idiot Farage. going on about bendy bananas again. | 0:51:45 | 0:51:50 | |
He'll turn into a banana at this rate. Oh, that's good. He'll turn into a banana at this rate. Send. | 0:51:50 | 0:51:58 | |
But now everyone's talking about the massacre. | 0:51:58 | 0:52:02 | |
And I'm talking about...bananas. | 0:52:02 | 0:52:05 | |
-OK, I think I'll just catch up. -Good night. -And that's it finished. | 0:52:05 | 0:52:10 | |
Great idea. | 0:52:12 | 0:52:14 | |
Not everything was awful in 2011. There was some good stuff on telly. | 0:52:17 | 0:52:21 | |
To pick some examples at random, there was The Hour, | 0:52:21 | 0:52:25 | |
a saga of impassioned reporters in the '50s starring Ben Wishaw, Romola Garai and Fred West, | 0:52:25 | 0:52:31 | |
who also popped up in harrowing bleak-'em-up Appropriate Adult. | 0:52:31 | 0:52:35 | |
-It's about the world's nastiest Hobbit. -Eight killings. | 0:52:35 | 0:52:39 | |
Eight? | 0:52:41 | 0:52:43 | |
-All right, nine. -Oh, Fred! | 0:52:46 | 0:52:49 | |
There was also eye-opening teach-'em-up Educating Essex | 0:52:49 | 0:52:52 | |
and shocking melancholy with nostalgia-fest This Is England '88. | 0:52:52 | 0:52:57 | |
And there was that bakery thing. | 0:52:57 | 0:52:59 | |
There was this show, right, which was like MasterChef with baking. | 0:52:59 | 0:53:04 | |
The Great British Bake Off. Just baking. It was good, | 0:53:04 | 0:53:08 | |
but particular. Like living in a future with only baking allowed. | 0:53:08 | 0:53:13 | |
You weren't allowed to fry anything. No frying. | 0:53:13 | 0:53:16 | |
If you tried to fry something, they'd take you round the back and shoot you. Bang, back of the head. | 0:53:16 | 0:53:22 | |
-On your marks, get set... -Bake. | 0:53:22 | 0:53:25 | |
There was all this jeopardy, like will the pastry be too tough? | 0:53:25 | 0:53:29 | |
Or will they forget to use pastry? Anything could happen. | 0:53:29 | 0:53:33 | |
They might knock over a pan or go mad and fuck the oven. | 0:53:33 | 0:53:38 | |
It all had this great footage of things coming out of ovens and people eating them | 0:53:38 | 0:53:43 | |
and squirrels' bollocks. And pies and cakes. It was class. | 0:53:43 | 0:53:47 | |
If you won, you got to run a Greggs. | 0:53:47 | 0:53:50 | |
By November, we'd all had just about enough of 2011, | 0:53:50 | 0:53:55 | |
but maybe things would cheer up. Maybe they wouldn't. | 0:53:55 | 0:53:59 | |
The global economy was lurching along like a dying dog with a harpoon in its gut. | 0:53:59 | 0:54:05 | |
Little wonder people were so angry when confronted by scenes like this | 0:54:05 | 0:54:10 | |
as a slick hobby trader blurted out a few uncomfortable home truths. | 0:54:10 | 0:54:15 | |
This is not a time right now to think the government will sort it out. They don't rule the world. | 0:54:15 | 0:54:22 | |
-Goldman Sachs rules the world. -Fortunately, he's just some clown. | 0:54:22 | 0:54:27 | |
If you look at the professionals, you'll see they know precisely what they're doing... Oh, Christ! | 0:54:27 | 0:54:34 | |
The Smurfs opening the Stock Exchange this morning. | 0:54:34 | 0:54:39 | |
Surreal coverage like this added to the sense of catastrophe. | 0:54:39 | 0:54:43 | |
The most boring apocalypse ever. Numbergeddon. It doesn't help that the numbers are either too massive | 0:54:43 | 0:54:49 | |
-or too small. -The European Central Bank has raised its key interest rate by 0.25% to 1.25%. | 0:54:49 | 0:54:57 | |
Because digits are dull, news used dramatic language to convey terror. | 0:54:57 | 0:55:01 | |
Billions more wiped off the markets in the week the world stared into the abyss of recession again. | 0:55:01 | 0:55:08 | |
The economy was continually "on the brink" or "gazing into the abyss" or "teetering on the precipice" | 0:55:08 | 0:55:15 | |
or "gawping over the brink of both the abyss and the precipice into a bottomless pit | 0:55:15 | 0:55:21 | |
"of decaying banknotes being pecked at by vultures with coins for eyes". | 0:55:21 | 0:55:25 | |
There was one financial train wreck after another. Ireland, Portugal and, of course, Greece. | 0:55:25 | 0:55:32 | |
Greece was the Enron of Europe and things looked awful, but brilliant for TV news | 0:55:32 | 0:55:38 | |
as it added panic and fire. Greece does catch fire easily. Ask anyone who's made chips. | 0:55:38 | 0:55:44 | |
Next it was Italy, which had a liquidity problem, | 0:55:44 | 0:55:47 | |
possibly because its leader spent years trying to spurt all the liquid out of his body. | 0:55:47 | 0:55:53 | |
-But now he was in a hole he hadn't cheerfully lubricated first. -Silvio Berlusconi resigns. | 0:55:53 | 0:56:00 | |
While throughout the Arab world leaders were ousted by the people, in Europe it was by cold numbers | 0:56:00 | 0:56:06 | |
and the financial buggeration keeps on buggering. We'll end up with a medieval bartering system | 0:56:06 | 0:56:13 | |
where you trade sexual favours for food. Sainsbury's will be grim, | 0:56:13 | 0:56:18 | |
everyone standing at the checkout tearfully masturbating for a fruit drink. | 0:56:18 | 0:56:23 | |
Berlusconi would be in his element. Not the first time he's tossed off over an innocent smoothie. | 0:56:23 | 0:56:29 | |
A frank edition of This Morning highlights the importance of prostate exams | 0:56:29 | 0:56:34 | |
by examining a famous anus. | 0:56:34 | 0:56:37 | |
Mr Paul Ross looked remarkably relaxed as he got the finger | 0:56:37 | 0:56:41 | |
and Phillip Schofield stood rigidly still wearing the terse expression | 0:56:41 | 0:56:46 | |
of a man witnessing an unconventional new puppet show. | 0:56:46 | 0:56:50 | |
I'm just sliding my finger in. I'm into the rectum now. | 0:56:50 | 0:56:55 | |
Feeling the back of his prostate gland, which is smooth, it's not enlarged. | 0:56:55 | 0:57:01 | |
A tenner if you flick his kidneys. | 0:57:01 | 0:57:04 | |
-You have to go quite deep. -Sniggering aside, this did much to raise awareness | 0:57:04 | 0:57:10 | |
of stinky winky finger bum. | 0:57:10 | 0:57:13 | |
There was this thing with Hugh Grant and Alan Partridge, | 0:57:13 | 0:57:16 | |
but I didn't really get it. It didn't even have a theme tune. | 0:57:16 | 0:57:21 | |
They just moaned about newspapers for hours. Rubbish. | 0:57:21 | 0:57:25 | |
-December means one thing and the Christmas adverts had already been on for six -BLEEP -weeks! | 0:57:25 | 0:57:33 | |
In a commercial twice as depressing as the average DEC famine appeal, Littlewoods destroyed the Santa myth | 0:57:33 | 0:57:39 | |
with this horrible musical where kiddie winks reveal who really doles out presents. | 0:57:39 | 0:57:45 | |
-# Who put an Xbox under the tree? -Who got a Fijit just for me? | 0:57:45 | 0:57:49 | |
# And who put a laptop on Grandpa's knee? | 0:57:49 | 0:57:53 | |
-# My mother. # -Mum was active in the looting. | 0:57:53 | 0:57:57 | |
Meanwhile, in this alarming sales pitch, Lord Frederick Flintoff builds a supermarket, | 0:57:57 | 0:58:02 | |
which he reckons will make people come. | 0:58:02 | 0:58:06 | |
-If you build it, people will come. -Really? | 0:58:06 | 0:58:09 | |
-Because they want Christmas to be special. -Well, I suppose it would be. | 0:58:09 | 0:58:15 | |
-They'll come for the fresh British turkey. -And the British beef. | 0:58:15 | 0:58:19 | |
-Oooh! -Oh, that's disgusting! | 0:58:19 | 0:58:22 | |
-They'll come for the Stilton. And a Panettone. -Doesn't take much to make these -BLEEP -come! | 0:58:22 | 0:58:29 | |
-They'll come for the game pie. -And the Christmas quiche! -Eugh. | 0:58:29 | 0:58:34 | |
-People will most definitely come. -As long as they don't come on the food. Someone has to eat that. | 0:58:34 | 0:58:41 | |
I'll do the jokes! | 0:58:41 | 0:58:44 | |
Speaking of expelling liquid, this melancholy tale reduced millions to tears. | 0:58:44 | 0:58:51 | |
This made people cry. We cry at adverts for shops! | 0:58:51 | 0:58:55 | |
Weeping IQ points out of our bodies. | 0:58:55 | 0:58:57 | |
Worse still, it's a dog's head in that box. He killed it in July and he's been waiting. | 0:58:57 | 0:59:03 | |
Something about this reminds me of the Hammer House of Horror episode The House That Bled To Death. | 0:59:03 | 0:59:09 | |
-I wish that was happening. -Where the hell did you get that? | 0:59:09 | 0:59:14 | |
-Aaaaieee! -Hooray for Christmas! | 0:59:15 | 0:59:19 | |
Well, that's it for 2011. Happy New Year, unless you're watching on the iPlayer. | 0:59:19 | 0:59:25 | |
Why didn't you watch it on proper TV? It's not a video game. This is your life. Go away! | 0:59:25 | 0:59:31 | |
Subtitles by Subtext for Red Bee Media Ltd - 2011 | 0:59:46 | 0:59:50 | |
Email [email protected] | 0:59:51 | 0:59:54 |