Edinburgh Comedy Live


Edinburgh Comedy Live

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Transcript


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This programme contains some strong language

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APPLAUSE AND CHEERING

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Hello everybody!

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Hello!

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Here we are

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at the Edinburgh Festival, where you are never more

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than 16 feet from a drama student in period costume.

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We have a whole selection of comedians tonight.

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These are the BBC4 type comedians,

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they're not only funny, they're also brilliant, interesting,

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and they will instruct you on the nature of the world as well.

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I, myself, am the old fart who will be linking them together.

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I am delighted to see this lot.

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They're going to be acting as the house band as well.

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Their lead singer, an eponymous hero,

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is a comedian and birdwatcher in his own right,

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but he's gathered together a group of brilliant musicians,

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who come together tonight, in the form, here they are,

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of the Horne Section.

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APPLAUSE AND CHEERING

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Thank you very much.

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Hello, hello, hello.

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There's a lot of them. Hi.

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How is everyone?

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CHEERING

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Good. How are you? All fine? That's good for me.

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I'm Alex Horne, this is my section. We've all got a section.

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This is my one.

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I thought I'd introduce them to you,

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by creating a sort of theme tune.

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We'll create a theme tune to our bit using audience suggestions,

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if that's all right,

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so please welcome, on drums, Mr Ben Reynolds.

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See if you can clap. Why not?

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APPLAUSE

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Very handsome.

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Completely hairless from the neck down.

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What rhythm would you like him to play, any rhythm at all?

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-AUDIENCE:

-Jazz.

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Can you play jazz rhythm? I don't know if there is one.

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HE PLAYS

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Well, that's sort of his natural state.

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I think you're the one person enjoying this. I don't mind it.

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I don't like jazz.

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Can you do a different facial expression?

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Different facial expression, slightly. Better!

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LAUGHTER

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Everyone happy with this? Really? Fine.

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On bass, Mr Will Collier. There he is!

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Very slender. He's a vegetarian. He's a vegetarian.

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What key would you like the bassist to play in, any key at all?

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E or B?

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B flat minor.

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OK, B flat minor, please.

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None of us have any idea if this is B flat minor or not.

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Let's assume it is. What you were hoping for?

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It sounds quite flat, minor and B. It'll do.

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Good work. You happy?

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On keys, Mr Joe Stilgoe, on the piano.

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And he's just going to

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add some music on top.

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Is this music? I never know.

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He's going to make it better music and add a tune.

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Shout out a tune, ideally a BBC tune.

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-AUDIENCE:

-Ivor The Engine

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Ivor The Engine and Blue Peter.

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LAUGHTER

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He can do any tune except Ivor The Engine. It's his Achilles.

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Blue Peter?

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HE PLAYS THE BLUE PETER THEME TUNE

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Look at them!

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It's all right. Let's go for one other tune.

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Jim'll Fix It, quite right, yes.

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HE PLAYS THE JIM'LL FIX IT THEME TUNE

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It's good. Let's introduce Mark Brown on top of this.

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Bit of '80s saxophone.

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Lovely!

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Maybe keep your legs still. Keep your legs still.

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Lean back,

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just look a bit happier. That's it.

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Mr Joe Auckland on trumpet, to play all over it.

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Lovely.

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Good.

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Go a bit redder,

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a bit louder, don't breathe,

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louder,

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you play as well,

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good...

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and then stop.

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There we go!

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CHEERING AND APPLAUSE

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Very good. Very good band! Well done!

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Grade 4 this summer, the trumpet. Grade 4.

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Theory, theory.

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They're going to stay on throughout this

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and either ruin it or enhance it. We'll see.

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I think, Will, I'm going to talk to you lastly, before we go.

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Will has got a massive instrument and all the notes,

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all the notes.

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Have you ever heard a C before, madam? Do want to hear a C?

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Listen to it. C's all right.

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All right, isn't it? Not as good as the A, by far my favourite.

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I call him up in the morning to do an A down the phone. Do an A. Wow!

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Compare that to the B. B is nothing. The B is awful. Do a B.

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Horrible. Do another B.

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Yuck! Do the A again.

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He plays. Wow!

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LAUGHTER

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G, I can't make my mind up about the G. G's sort of...

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Oooommm!

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Exactly. And the E. Have you heard an E? Do the E.

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There we go.

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That spells cabbage. That's what it sounds like.

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You're eating cabbage, thinking,

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"Fine, but what does it sound like?" That's what. Play it again.

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# C-A-B-B-A-G-E

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# C-A-B-B-A-G-E Sounds better than you think!

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# C-A-B-B-A-G-E

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Where are we eating it? In the cafe. Listen to the cafe.

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# C-A-F-E

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The cabbage cafe.

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# C-A-F-E

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Two more cabbages, please.

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# C-A-B-B-A-G-E

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I'm getting thirsty. Give me a coffee. A decaf.

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# D-E-C-A-F

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Pretty good!

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# D-E-C-A-F

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A decaf coffee. One more cabbage.

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# C-A-B-B-A-G-E

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Another cabbage.

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# C-A-B-B-A-G-E

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I need some meat. Give me some beef. A bit of beef.

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# B-E-E-F

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# B-E-E-F

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You got anything else?

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# E-G-G. #

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Egg, not bad.

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LAUGHTER

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Finish off with a bit of beetroot.

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B-E-E-troot. You can't do them all.

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We'll crack on now.

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I am delighted to welcome to the stage,

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a member of the Royal Shakespeare Company...

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mailing list.

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She was a member of the Royal Shakespeare Company went I met her

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and jacked it in to do a proper job, which is to be a ventriloquist.

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It's Nina Conti!

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Hello!

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Thank you.

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Hello! Hi! Thank you. How lovely.

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Yes, I am a ventriloquist and I try to say that without shame.

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I love it. I'll just cut the crap and get the monkey out.

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LAUGHTER

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Come on out. One, two, three...hup!

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Hello, hello.

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Edinburgh, thank you.

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APPLAUSE

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-There's no going back.

-No.

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So, monkey, why did the monkey cross the road?

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Because he saw you standing behind him, rolling up your sleeve, Nina.

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Oh, God!

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-Is that BBC4 enough for you?

-I don't know.

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LAUGHTER

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We got lots to look forward to tonight.

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-I'm going to hit Lothian Road later.

-Are you?

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Going to get me some sweet Edinburgh ass.

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Excuse me, you're a monkey.

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They're not fussy, Nina.

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-What's that stuck to your face?

-My microphone.

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-All right. That's fancy. Where's mine?

-You haven't got one.

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That ruins the illusion.

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LAUGHTER

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-You can talk into mine.

-Testing, one, two, three.

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Testing, one, two, three.

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Makes no bloody difference.

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Can you not deconstruct the act so early on?

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Do you reckon they think you're talking to a real monkey?

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This isn't Glasgow, Nina.

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LAUGHTER

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-Cheap.

-Appealing to the hate in their hearts.

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Tonight I want to talk to some actual human beings.

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Hello, Missy, how do you do? What do you do with your life?

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-AUDIENCE: Just graduated.

-She just graduated.

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And she says it with such hope in her heart.

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LAUGHTER

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You look like the whole thing is over already.

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What did you study? Was it a total misnomer?

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-AUDIENCE:

-Master of Theology.

-Master of Theology.

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Oh, hence the pessimism.

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-What are you going to do with that?

-And your imaginary friends?

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Cute, monkey. You study religions,

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but you're not necessarily religious?

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No, she's not religious. I can tell.

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-Why?

-Never mind.

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I don't know where you were going with that.

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You couldn't finish my sentence.

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When you laugh, I can't finish my sentences, Nina.

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-This multitasking...

-You're deconstructing it now!

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-Is that your mother?

-Is that your mother?

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Who are you here with?

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-AUDIENCE: Myself.

-Yourself.

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-You should have studied something else, bitch.

-Monkey!

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I'm going to leave you to humiliate someone else.

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-Do you want to just say good night then?

-Yes. Who's next?

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-Next is going to be someone in the audience.

-Good luck.

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-This will be dire.

-It won't. The last audience really enjoyed it.

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For the first hour, they did.

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And then they all left, except one lady, who stayed.

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Cos she was dead!

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-Say good night.

-Good night.

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That was the monkey. Thank you.

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-APPLAUSE

-Can I borrow you? What's your name?

-Sharmani.

-Sharmani.

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Give it up for Sharmani, the theology student.

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Could you come up here? That would be fabulous.

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-APPLAUSE

-Thank you. So, Sharmani, that's a lovely name.

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I'm just going to put a little makeover on you.

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Oh, you are so nice to come up because I never would.

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I'm just going to put that on your face. Are you all right?

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Yeah, loving it.

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Ha-ha-ha-ha-ha!

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-Are you all right?

-Yeah, this is hilarious, I am loving it.

-OK, good.

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-Oh, God, theology. Oh, what a life choice.

-Yes.

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Oh, God. Yes. Isn't it terrible?

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-I'd rather be on the game.

-Oh, come on.

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I think I'd rather be a ventriloquist.

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I'm disappointed, I thought you were going to put your hand up my skirt.

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-Ha-ha-ha-ha!

-No, I'm not.

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-Oh, isn't this fun!

-So, yes, it's lovely.

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-Yes, I'm so glad you got me up here.

-Why is that?

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Because I'm going to actually do something

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I've always wanted to do to.

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All the time I was studying theology, I just wanted to dance.

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Yes, I did.

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And I'm glad I've got these shoes on because I'm nifty in them.

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-You don't have to dance.

-No, I really want to.

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-I'm so sorry.

-Don't be sorry, I'm loving it.

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It's the best fun I have had in years.

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Oh, the Catholics and the Christians and the Muslims, oh, God,

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sod 'em all!

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-Oh, God, I hate it. I like the devil.

-OK.

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I'm going to dance the devil's dance.

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-You don't have to.

-Yes, I will.

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-You've got a funny voice.

-Yes, thank you for that.

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-OK, you can have music if you want to dance.

-Yes, hit the music.

-OK.

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JAZZY MUSIC PLAYS

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-Oh, yeah. Oh, yeah, check it out, check it out!

-That's lovely!

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-Thank you very much!

-That was awesome.

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Sharmani! Thank you, Sharmani!

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APPLAUSE AND CHEERING

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Thank you, and I was Nina. Good night!

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Now, our next act won the big comedy award a couple of years ago.

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I, myself, am an award-winning comedian,

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although the award was for swimming.

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If this place floods, it's not a comedian you want, it's a lifeguard.

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Will you please welcome onto the stage, here he is, the poet, Tim Key?!

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Hi.

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"I went out with a model

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"But I found her dull

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"And also she was one of those fatty models

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"and not much to look at."

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I do sort of poems.

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Some of them are autobiographical.

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This next one is semiautobiographical,

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by which, I mean I wrote it but I'm not in it.

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PIANO PLAYS SOFTLY

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Very nice. This is quite short.

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If you could play something short. PIANIST PLAYS ONE CHORD

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A bit longer. A bit longer.

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HE PLAYS SOFT MUSIC "Tanya googled herself

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"Still nothing."

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It's quite a sad one.

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Good. Good length. Very nice length.

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It was a good fit. I did that one and my dad was in the audience.

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You may as well play some double bass under this. Oh, lovely.

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My dad was in the audience, he didn't understand it.

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He didn't know what googling yourself was.

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"Different generation," I said. "What do you think it might be?

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"Come on, old friend.

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"Come on, you beast, what do you think it could be? Googling yourself."

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He said, "I don't know." I said, "Hazard a guess, you muppet, come on."

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He said, "Is it like...

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"Is it like mooning but with the front?"

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He doesn't get it, does he? He doesn't get it in that example.

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Lovely. Don't mind it. This next one is a bit old-fashioned.

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If you could play something quite old-fashioned.

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PLAYS JAUNTY TUNE

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Lovely.

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In terms of my own influences, it's really largely Shakespeare. Love him.

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Himself also very old-fashioned.

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But, er...

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He had no real control over that.

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I love him, though, so florid. Beautiful writer.

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At his best, I think, almost Dickensian.

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Almost Dickensian.

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"Jon, no H, bowed deeply to the girl."

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Lovely that, another era.

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"She in turn curtseyed.

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"Jon bowed deeply again, concentrating hard on his technique

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"The girl blew him a kiss as she curtseyed

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"In response to Jon's bowing

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"Jon caught the kiss

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"And made as if to shove it down his underpants."

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Oh, Jon. Same old Jon!

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What will we do with Jon?

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"Appalled, the girl jumped backwards into the road and was crushed."

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I went to Egypt to...

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Each of my poems takes between six and eight months to write

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and I went to Egypt to, er...

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Sometimes an idea comes into your head and you think

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I need to flesh that out and I went to Egypt for, er,

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I was there for about four months.

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Do you want to play something Egyptian?

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Less racist if poss.

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Ah, nice.

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Yeah. Oh, lovely,

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I feel like I'm back there.

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I wound up on a beach in the south, just leaning against a, er...

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another poet.

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I wrote this one, it's a summary of some of my experiences in Egypt.

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"Bedecked in white shawls

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"A local tailor floated across the hot sand on his camel

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"Nearby a handsome Englishman

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"Fingered an Egyptian girl against a pyramid."

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OK, this is, can you play...? Can you go bop, bop, bop-bop, bop, bop?

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HE PLAYS THE REFRAIN

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And then if you go...

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bum, bum, bum-bum-bum, bum. You, you.

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Bum, bum, bum-bum-bum bum.

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Now that sort of fits, yes.

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And then you, bop, bop, bop, bop.

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THEY PLAY

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Nice.

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Can you do something? Can you play?

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PLAYS HIGH PIANO KEYS

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That's it, nice. Bit of composing.

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It's not that hard. It's just having the courage.

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# Ba-ba, ba-da-ba-ba

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# Ba-ba, ba-ba-ba-ba. #

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-Do you want to put some vocals on?

-Here we are.

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-Here we are.

-Oh, yes.

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Here we are.

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Here we are.

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-Here we are.

-Lovely. Thank you.

0:18:140:18:17

Here we go. We'll lose the music for a second, that's horrible.

0:18:170:18:20

"Some of the other cubs convinced Kenneth there was a badge for arson."

0:18:200:18:25

-OK. "Jane had an egg..."

-Oh, no.

0:18:270:18:31

Sorry, carry on, I didn't mean to say anything.

0:18:340:18:37

I don't like egg, I don't like egg. I shouldn't have said anything.

0:18:370:18:40

I don't like egg. Carry on.

0:18:400:18:42

Sorry, sorry.

0:18:420:18:43

OK. "Jane had an egg."

0:18:450:18:47

I don't...

0:18:470:18:49

-What?

-You know I don't like egg.

0:18:490:18:51

That's OK, I'm just doing a poem about egg.

0:18:510:18:53

I know but I really don't like egg.

0:18:530:18:56

Yeah, but I can still do a... Fine. OK.

0:18:560:18:58

-I'd seriously rather you didn't.

-Sorry?

0:18:580:19:01

I'm not going to get an egg out, I'm just doing a poem about an egg.

0:19:010:19:05

-What?

-I've got strong feelings, I've never had an egg,

0:19:080:19:11

-I don't like them.

-You have had an egg.

0:19:110:19:12

-I've never had an egg.

-Of course you've had an egg.

0:19:120:19:15

There's no "of course", I've never had an egg.

0:19:150:19:18

-You've had an egg.

-I avoid them.

-You'd have had an omelette.

0:19:180:19:20

I haven't. I know they're made of eggs

0:19:200:19:22

so I'd chose something different, maybe ham.

0:19:220:19:25

-What? Like a what?

-Ham or something that isn't egg.

0:19:250:19:27

Fine, but you'd have had egg in something.

0:19:270:19:30

-I wouldn't, I'd just chose something else.

-You'd have had a cake.

0:19:300:19:34

Of course I've had a cake, but I've not had egg cake I'd have a chocolate cake.

0:19:340:19:37

-It would be in the mixture, they mix it in.

-Yeah, of course(!)

0:19:370:19:40

"Lovely cake, oh, there's an egg in it!"

0:19:400:19:42

-It would be like a chocolate cake.

-I've had chocolate cake.

0:19:420:19:45

Well, that would have had egg in it.

0:19:450:19:47

-Mm, nice bit of chopped egg(!)

-No, they mix it up.

0:19:470:19:50

They secretly put egg in it?

0:19:500:19:51

Rachel would put egg into something...

0:19:510:19:53

-Don't bring Rachel into it.

-OK, fine.

0:19:530:19:55

-You'd have had... Have you had a boiled egg?

-Say that again?

0:19:550:19:58

-Have you had a boiled egg?

-Yes.

-Right, well, that's egg.

-Is it?

-Yes.

0:19:580:20:02

Sorry, mate, I had two for lunch, lovely.

0:20:030:20:06

I'm going to finish with this one.

0:20:090:20:12

This is quite... I guess this is quite harrowing so...

0:20:120:20:18

MOURNFUL SAX PLAYS

0:20:200:20:23

"Let's get a joint account

0:20:250:20:29

"But she had absolutely no money..."

0:20:310:20:35

Guys?

0:20:360:20:37

"I bit her lip

0:20:390:20:41

"And drew blood

0:20:440:20:46

VERY MOURNFUL SAX PLAYS

0:20:460:20:48

"And immediately we were arguing about that

0:20:520:20:55

"And not about all this joint account bullshit."

0:20:550:20:58

That's all my poems, thank you very much. Enjoy the rest of the show.

0:20:580:21:02

CHEERING AND APPLAUSE

0:21:020:21:04

And now I'm delighted to introduce to the stage

0:21:060:21:10

an extremely funny man, he is Hannibal Buress.

0:21:100:21:13

Hi, hello. Stand right here.

0:21:160:21:19

I'm renting a flat here in Edinburgh

0:21:200:21:23

and a couple of mornings ago I had somebody knocking on my door.

0:21:230:21:28

And I'm thinking, "Who's knocking on my door, I don't know anybody here."

0:21:280:21:33

So I say, "Who is it?!" The guy says, "Scottish Power!"

0:21:330:21:38

I say, "Good for you, man.

0:21:410:21:44

"Patriotism is a great thing.

0:21:460:21:50

"I don't know why you feel the need to knock on my door about it, but...

0:21:500:21:55

"I'm going back to bed."

0:21:550:21:57

I get into arguments with taxi drivers all the time

0:21:570:22:00

and I get out the cab and I slam the door,

0:22:000:22:02

but that's not the way to win an argument with a taxi driver.

0:22:020:22:06

The way to win is you get out the cab and you leave the door open.

0:22:060:22:09

Then he has to step out, come round, close the door.

0:22:090:22:12

While he's doing that, I'm on the other side opening the other doors.

0:22:120:22:16

And we just keep going around and around and around.

0:22:160:22:19

And I've got my own Benny Hill situation going on.

0:22:190:22:23

Life is great.

0:22:230:22:24

Cue the music.

0:22:240:22:26

I get upset easily by people. I saw this guy, he was on the phone.

0:22:260:22:29

He had the phone between his ear and his shoulder like that,

0:22:290:22:34

but he didn't have anything in his hands.

0:22:340:22:37

And I was really upset. "Who the hell do you think you are?

0:22:390:22:42

"This action is for people who are multi-tasking.

0:22:420:22:45

"Where's your other task? You're not doing anything else!"

0:22:450:22:48

I was hoping somebody would throw a pumpkin at him.

0:22:480:22:51

"Yeah, I'm still here. You won't believe it,

0:22:510:22:53

"somebody just threw a pumpkin at me, man.

0:22:530:22:55

"Yeah, but don't worry, you know what my phone technique is.

0:22:550:22:59

"I keep my hands free,

0:22:590:23:01

"you never know what's going to happen on these crazy streets.

0:23:010:23:04

"These streets are so crazy. Why am I still holding this pumpkin?"

0:23:040:23:08

I was in the airport, there was this kid,

0:23:080:23:11

he was about four or five years old.

0:23:110:23:13

This kid fixed his fingers in a fake gun and he popped the shot at me.

0:23:130:23:16

I looked at the wall to see if there was something there

0:23:160:23:19

he could have been shooting at.

0:23:190:23:21

Looked back at him, he looked me in my eyes, popped two more shots.

0:23:210:23:24

Now, I'm in a predicament. What do I do?

0:23:240:23:27

This kid, I'm hit three times.

0:23:270:23:29

I have to defend myself, I'm a man before anything.

0:23:290:23:31

I will point blank face-shoot this kid right here in the terminal.

0:23:310:23:35

I don't care...

0:23:350:23:36

"That bitch, little kid, argh! Arghh-h-h-h!

0:23:360:23:39

"What you looking at, lady? Mind your business, lady. Everybody shut up!"

0:23:400:23:45

My other airport nemesis is...

0:23:470:23:50

..airport security, I don't like them at all.

0:23:520:23:54

They're so dedicated to keeping bottled water out of the sky,

0:23:540:23:58

that's their main thing.

0:23:580:24:00

It's probably easier to get cocaine on a plane than it is to get

0:24:000:24:03

a bottle of water.

0:24:030:24:04

Because one terrorist a few years ago did some weird liquid bomb thing

0:24:040:24:08

now no-one can bring liquids on a plane.

0:24:080:24:11

I think that's being reactive instead of proactive

0:24:110:24:14

because terrorists are always on to something new.

0:24:140:24:17

So next time it'll be some weird Snickers bomb,

0:24:170:24:20

then after that you can't bring full-size Snickers on a plane,

0:24:200:24:23

you can only bring miniature Snickers

0:24:230:24:25

cos that guy messed it up for everybody.

0:24:250:24:27

Now you're at the terminal negotiating your Snickers situation,

0:24:270:24:31

"What if I bring four miniature Snickers,

0:24:310:24:34

"that's about the same size as a full-size Snicker."

0:24:340:24:37

And the guy is like, "Don't play with me right now, this is not a game."

0:24:370:24:41

"You can't bring your bottled water, sir." "Why not? It's not bomb water.

0:24:430:24:47

"What if I sip this water to show you it's not bomb water?"

0:24:470:24:50

"What if it's sippable bomb water?"

0:24:500:24:52

"There's no such thing as sippable bomb water!

0:24:520:24:55

"You're playing silly right now. There's no such thing as bomb water."

0:24:550:25:00

They try to make conversation with me -

0:25:000:25:02

"You goin' to Edinboro for business or pleasure?"

0:25:020:25:05

"I'm going to Edinburgh to talk about you in front of strangers.

0:25:050:25:09

"So I guess both."

0:25:100:25:12

I don't wear my glasses in my drivers' licence photo, so one guy says,

0:25:130:25:17

"Can you take off your glasses?"

0:25:170:25:18

Yeah, sure, Captain America, it's still me.

0:25:180:25:21

Who are you catching like this?

0:25:210:25:23

What terrorists are getting caught using only glasses as a disguise?

0:25:240:25:29

"Goddammit, how'd they find me? No!

0:25:310:25:36

"I paid so much money for this disguise, I thought I was paying for the simplicity - ahh!"

0:25:360:25:40

Yeah, man, it's still me, do you want me to put the shirt on that I had on in the licence photo too?

0:25:400:25:45

How are we going to do that? That shirt's in checked baggage man.

0:25:450:25:49

I eat out in restaurants a bunch.

0:25:490:25:51

Whenever I go to restaurants I never put the napkin in my lap,

0:25:510:25:55

never put the napkin in my lap.

0:25:550:25:57

People say, "Why don't you put the napkin in your lap?"

0:25:570:26:02

Because I believe in myself.

0:26:020:26:03

I believe in my ability to not spill food in my pants

0:26:060:26:10

cos I'm a goddamn adult

0:26:100:26:11

and I've mastered the art of getting food from my plate to my mouth

0:26:110:26:16

without soiling my jeans,

0:26:160:26:18

you need to believe in yourself too and get your life together.

0:26:180:26:20

That's for babies. Have some confidence.

0:26:200:26:23

Thanks a lot, y'all! I'm Hannibal Buress, later.

0:26:230:26:25

CHEERING AND APPLAUSE

0:26:250:26:28

Cheers, Hannibal.

0:26:300:26:32

I'd now like to introduce an act

0:26:320:26:34

that's been slayin' 'em around Edinburgh,

0:26:340:26:37

I can't wait to see them, here they are, The Pajama Men.

0:26:370:26:41

Wa-hey!

0:26:410:26:42

IMITATES DOOR OPENING

0:26:540:26:58

Oh, what a beautiful parlour you have.

0:26:580:27:01

Well, thank you.

0:27:010:27:02

Such beautiful trophies.

0:27:020:27:05

Yes, these are things I collected all over the world

0:27:050:27:07

in my time as an explorer.

0:27:070:27:09

-You were an explorer? Fantastic!

-I was.

-Hey, what's this?

0:27:090:27:12

That's a porcupine, otherwise known as the blowfish of the land.

0:27:120:27:17

-Fantastic. Shall we have a drink?

-Sure.

0:27:170:27:21

Join me right here, we'll use the chair door as regular chairs.

0:27:210:27:25

IMITATES POURING WINE

0:27:290:27:32

Would you mind? I can't make that sound.

0:27:370:27:41

Not at all.

0:27:410:27:43

GLUG! GLUG! GLUG! GLUG!

0:27:430:27:48

Too kind.

0:27:480:27:51

-What do they call you, friend?

-Oh, I have a boring name.

0:27:510:27:54

My name is Chance.

0:27:540:27:56

Chance Thunderstance.

0:27:560:27:58

See what you mean. Shame you don't have a cool-sounding name like Dave.

0:28:010:28:05

-What's yours?

-Dave.

0:28:050:28:08

-Why did you give up exploring, Dave?

-I'll tell you. And then you'll know.

0:28:080:28:14

I couldn't stand what it did to my relationships.

0:28:160:28:19

I gave up the most fantastic girl.

0:28:190:28:22

You know the kind - legs up to her neck, tits down to her knees.

0:28:220:28:27

Looked like a giraffe if you held her right.

0:28:270:28:31

-She sounds beautiful.

-She was.

0:28:330:28:35

I know what you mean, I just left behind my wife and a newborn babe.

0:28:350:28:41

You know, I always find it weird calling a child a babe.

0:28:410:28:44

Well, sometimes you can tell they're going to grow up to be hot.

0:28:440:28:47

I never had any children of my own, it skips a generation in my family.

0:28:510:28:57

Suppose that's why my parents were never around while I was growing up.

0:29:000:29:04

I know what that's like.

0:29:040:29:06

I never knew my father - he died before I was conceived.

0:29:060:29:10

Well, that's disgusting.

0:29:110:29:13

Would you like to know the real reason I gave up exploring?

0:29:140:29:18

-Of course!

-Allow me to demonstrate with my marionettes.

-All right!

0:29:180:29:21

My partner and I were trekking through the snow.

0:29:270:29:30

We came upon a bear.

0:29:340:29:35

We ran!

0:29:380:29:39

We ran all the way to the edge of the box I keep my marionettes in

0:29:420:29:45

and ran back the other way.

0:29:450:29:47

-Oh, no, you dropped one.

-Yes.

-I want to have a try anyway.

0:29:490:29:54

Give them to me. All right, there we go.

0:29:540:29:56

-Got that one?

-Just going to get the other one over here.

0:29:560:30:00

-Yes, take this one also.

-OK. Hold on, I got...

0:30:000:30:03

One of the legs is caught on the arm here.

0:30:030:30:05

-I can't really... The strings...

-Loop the string around.

0:30:050:30:09

-I'm trying, trying to shake it off.

-Let go with this finger.

-I'm trying.

0:30:090:30:14

There we go. OK, there we are. That's nice.

0:30:140:30:18

Going to make them sit down here. There we go.

0:30:180:30:21

Pretty good, yes. You're getting it.

0:30:210:30:24

-OK, good.

-Not sure what they're doing now.

0:30:240:30:27

Hello. How are you?

0:30:270:30:30

-Good. Pleasure's all mine.

-Nice to meet you.

0:30:300:30:33

-Would you like some tea?

-I love tea.

-OK. Here's tea.

0:30:330:30:38

-Oh, good.

-Delicious.

0:30:380:30:40

-Delicious tea.

-It's too good.

-I love to drink tea.

-Yes.

0:30:400:30:45

-Would you like some crumpets?

-I love crumpets.

-OK.

0:30:450:30:48

Here's crumpets. Oh, yum. Delicious.

0:30:480:30:51

-Crumpets are nice.

-Yum yum.

-Oh, yes.

0:30:510:30:55

-Well, good night. Time for bed.

-Good night.

0:30:550:30:59

-OK, goodbye.

-Bye.

0:30:590:31:01

Uh-oh. Oh, no. What are they doing?

0:31:010:31:04

-What are you doing?

-Oh, no.

-Stop that.

0:31:040:31:07

-What are they doing?

-It's not funny.

-They love each other.

0:31:070:31:10

-Don't be childish.

-Come on, it's hilarious.

0:31:100:31:12

-Stop them.

-Oh, come on.

-How old are you?

0:31:120:31:15

-Come on, they're loving it. Look at them.

-Give me those.

0:31:150:31:19

CHEERING AND APPLAUSE

0:31:230:31:26

I'd like to introduce...

0:31:330:31:34

Well, I'd like to introduce Lenny Bruce but he's long dead.

0:31:340:31:38

But instead I'm delighted to introduce one of the funniest women in Edinburgh this year,

0:31:390:31:44

and indeed in the world, as you're about to find out, as we welcome to the stage Josie Long.

0:31:440:31:50

Thank you. Thank you very much.

0:31:560:31:59

Hello, hello. This is a bit high. Give me 10 seconds.

0:31:590:32:03

Then I'm going to entertain you so hard.

0:32:030:32:06

Good. Hi! There we go. That's perfect.

0:32:060:32:10

I'm going to take it out now anyway, so what's the point?

0:32:100:32:13

Well, that's life, innit?

0:32:130:32:16

What I'm going to do for you today is open with a song

0:32:160:32:19

because I've got the band. Be a good start.

0:32:190:32:22

Then I've got the letters of Charles Darwin that I thought I'd read out for you.

0:32:220:32:26

LAUGHTER

0:32:260:32:28

Evolution fans down the front.

0:32:280:32:31

Not so much at the back. That's fine.

0:32:310:32:33

I like to do a lot of different types of thing.

0:32:330:32:36

I like to think of myself as a Renaissance woman,

0:32:360:32:38

insofar as I'm a little bit chubby and I like LYING AROUND IN THE NUDE!

0:32:380:32:43

Basically this is a song about how I have problems differentiating

0:32:430:32:48

between a thing that's sort of similar but not entirely identical.

0:32:480:32:52

-OK. Shall we do it?

-Mm.

0:32:520:32:54

Wait, before we start.

0:32:540:32:57

I love to sing but I'm not a natural singer.

0:32:570:33:01

LAUGHTER

0:33:010:33:02

I just think, please, it's my last chance. Please, Simon. Please.

0:33:020:33:07

I've failed at everything else, Simon. Please.

0:33:070:33:11

"She's 19, Simon. She's failed at everything. Please."

0:33:110:33:16

I know, I'm not 19. OK.

0:33:160:33:18

Let's do it.

0:33:180:33:21

JAUNTY MUSIC PLAYS

0:33:210:33:23

Ladies and gentlemen, I'm about to sing you a song about two similar

0:33:260:33:30

but not entirely identical things.

0:33:300:33:33

And how you might differentiate between the two of them.

0:33:350:33:39

# Let me tell you... # I love to sing, I love to sing!

0:33:430:33:48

# One of them is into it

0:33:510:33:54

-# The other not so much

-Not so much

0:33:540:33:58

-# One of them enjoys himself

-Enjoys himself

0:33:580:34:02

# The other longs for death

0:34:020:34:06

# One of them, he loves to dance

0:34:060:34:10

# The other thinks

0:34:100:34:11

# Is it too late for university?

0:34:110:34:14

-# Talking about Jedward

-Jedward

0:34:160:34:19

-# Jedward

-Jedward

0:34:210:34:23

-# I'm talking about Jedward

-Jedward

0:34:230:34:26

# That's what I'm talking about. # I just enjoy it.

0:34:270:34:31

-MUSIC STOPS

-I'm serious, if you look at them,

0:34:320:34:35

it really is the case, because if you look at John,

0:34:350:34:39

John's always like, "Hey, everything's great, yeah."

0:34:390:34:42

-MUSIC JANGLES

-What is that?

0:34:420:34:46

LAUGHTER

0:34:460:34:47

OK, and if you look at Edward, Edward's like...

0:34:470:34:50

PIANIST PLAYS SINGLE NOTES

0:34:510:34:54

"I wanted to be a surgeon."

0:34:540:34:57

MUSIC PICKS UP AGAIN

0:34:570:35:01

"John. John. When can we stop this?"

0:35:030:35:10

-MUSIC STOPS

-"When I am dead, Edward."

0:35:140:35:18

MUSIC STARTS

0:35:180:35:20

-MUSIC STOPS

-"Would you kill your own twin for your freedom, Edward?"

0:35:220:35:28

MUSIC STARTS

0:35:280:35:30

-MUSIC STOPS

-"Why are you blocking your thoughts from me, Edward?"

0:35:320:35:37

MUSIC STARTS

0:35:370:35:38

-MUSIC STOPS

-Ha! That was too early!

0:35:400:35:43

"Why are you thinking of a brick wall, Edward?"

0:35:430:35:45

I mean, admittedly I messed up the last bit

0:35:450:35:48

but that's what I think about Jedward.

0:35:480:35:51

-Do you want a big finish?

-Yeah.

0:35:510:35:54

# Talking about Jedward right now. #

0:35:540:35:57

-DRUM ROLL AND TRUMPET

-That's what we're talking about.

0:35:570:36:00

APPLAUSE

0:36:000:36:02

Thank you very much. Oh, they're so talented. How do they do it?

0:36:020:36:06

It's like they know.

0:36:060:36:08

You just have to wave your hand at them and they stop and start.

0:36:080:36:12

So that's my song.

0:36:120:36:14

The next bit was letters from Charles Darwin, wasn't it?

0:36:140:36:17

Somebody gave me this book of letters

0:36:170:36:20

that Charles Darwin wrote home when he was going around the Galapagos Islands.

0:36:200:36:24

Before I got this book, my main opinions of Charles Darwin were like,

0:36:240:36:28

-AS A MAN:

-He's from Bromley, he's got a beard, he's got to be all right.

0:36:280:36:32

I'm from Bromley.

0:36:320:36:33

-AS A MAN:

-Got to be all right. Beards, lovely. Bromley, Bromley! You know.

0:36:330:36:38

He wrote to his friend Henslow as he was forming his theories of evolution.

0:36:380:36:42

That's all you need to know, so here we go.

0:36:420:36:44

-Do you want music?

-Sorry?

-Do you want any music?

-Yeah, I reckon.

0:36:440:36:49

Could you do me something sort of sedate?

0:36:490:36:52

Almost like dur-dur-dur. Like that?

0:36:520:36:56

HE PLAYS THE TUNE SHE HUMMED

0:36:560:36:58

Exactly what I sang! No, no, no.

0:36:580:37:01

Like a gentle harpsichord, Royal Tenenbaums kind of thing.

0:37:010:37:06

-No big deal. I like Wes Anderson.

-GENTLE MUSIC PLAYS

0:37:060:37:09

That's very good. That's very good. OK.

0:37:090:37:12

January 28th, my dear Henslow,

0:37:140:37:17

this morning we docked at a new island

0:37:180:37:22

and as we disembarked the vessel we encountered some turtles.

0:37:220:37:25

I saw one of them had markings upon its back which I found to be most unusual.

0:37:250:37:30

I remarked upon this to my guide and he informed me that these turtles

0:37:300:37:35

are native to this island, and this island alone.

0:37:350:37:40

So I ate it.

0:37:410:37:44

LAUGHTER

0:37:440:37:46

February 5th. My dear Henslow,

0:37:490:37:53

this afternoon as I sat writing in my journal, I was sat on the beach.

0:37:530:37:58

In the corner of one of my eyes as I wrote furiously,

0:37:580:38:02

I saw a giant lizard walking along the sea's edge.

0:38:020:38:05

I began to stare at it.

0:38:050:38:07

I concluded it was a salamander some two metres in length.

0:38:070:38:11

What a giant, proud beast it was.

0:38:110:38:13

Oh, thought I, what a thing it would be to see such a beast up close

0:38:130:38:16

but surely such a beast would be too frightened to approach me.

0:38:160:38:19

No sooner had I thought this thought,

0:38:190:38:22

that the beast indeed began to approach me, slowly, steadfastly,

0:38:220:38:26

but all the same with sureness.

0:38:260:38:27

Oh, thought I, what a shame such a beast would not come close enough

0:38:270:38:31

to allow me to see it closely and perhaps even touch it.

0:38:310:38:33

But no sooner had I thought this thought than the beast approached me to within my arm's reach

0:38:330:38:38

and allowed me to touch its head, leg and tail.

0:38:380:38:42

So I wanged it into the sea!

0:38:430:38:46

LAUGHTER

0:38:460:38:48

After much spluttering, the beast recovered itself

0:38:490:38:52

and, tentatively at first, brought its way back onto shore.

0:38:520:38:56

Oh, thought I, what a shame it is that I should not get to see such a beast again.

0:38:560:39:01

I have thrown away this opportunity for it should never approach me again after such treatment.

0:39:010:39:06

No sooner had I thought this thought, than the beast began to approach me again

0:39:060:39:10

as slowly and steadfastly as ever before. Oh, thought I,

0:39:100:39:14

surely the beast will not allow me to touch it again,

0:39:140:39:17

but no sooner had I thought this thought than the beast

0:39:170:39:20

allowed me again to touch its head, leg and tail as if to suggest

0:39:200:39:23

it had not encountered such treatment previously and did not expect it again.

0:39:230:39:28

So I wanged it into the sea again! This time I wanged it much harder.

0:39:280:39:32

The first time I was like, "Whatever, if you come near me I'll wang you into the sea."

0:39:320:39:37

That's my catchphrase. If I see a thing I've got to wang that thing right into the sea.

0:39:370:39:41

It's how I roll. Everybody knows that about me.

0:39:410:39:44

That's the second thing about me after the Bromley thing.

0:39:440:39:47

It comes back. I wang it into the sea.

0:39:470:39:50

Three hours I was there. Every time it would come back,

0:39:500:39:54

I'd be like, "Oh, you want some more of this little man?

0:39:540:39:57

"By all means, I've got plenty. I've got it in the pantry.

0:39:570:40:00

"There could be a nuclear holocaust, mate,

0:40:000:40:03

"and I'd have enough of this backed up to wang you into the sea.

0:40:030:40:07

"I will wang you until you are no longer wangable.

0:40:070:40:10

"Come back, you'll get wanged into the sea again.

0:40:100:40:12

"That is what's going to happen this afternoon. Wang, wang, wang."

0:40:120:40:17

And then I ate it.

0:40:190:40:21

LAUGHTER

0:40:210:40:22

Goodbye.

0:40:220:40:24

APPLAUSE

0:40:240:40:26

Josie! Here he is, Sammy J.

0:40:260:40:29

NOSTALGIC MUSIC PLAYS

0:40:290:40:31

# When Grandma died, my father drove us to her house to clean it up

0:40:350:40:40

# And sort possessions into piles

0:40:400:40:43

# Things to keep and things to chuck away

0:40:430:40:47

# And Saturday became a whole weekend

0:40:470:40:50

# As we would stop to read her letters

0:40:500:40:53

# Look at photos like we were getting to know her

0:40:530:40:56

# And I can't help but feel

0:40:560:40:58

# That my grandkids won't treat me with such respect when I go

0:40:580:41:03

# There'll be no box of photo albums to collect

0:41:030:41:07

# Just a hard drive full of folders

0:41:070:41:10

# And in the folders there's be files

0:41:100:41:12

# And if they double-click those files they'll see me

0:41:120:41:16

# But there'll be no heavy lifting so there'll be no nostalgic sifting

0:41:170:41:21

# Through my life because I can see now

0:41:210:41:25

FASTER MUSIC

0:41:250:41:27

# When my life is completed I'll be deleted

0:41:270:41:31

# Click one button There goes Grandad

0:41:310:41:33

# Now it's time for brunch

0:41:330:41:35

# Every e-mail sent Every iCal event

0:41:350:41:38

# But future grandkids give me a chance

0:41:380:41:42

# Just treat that hard drive like my house and walk in through the door

0:41:420:41:47

# Watch your step The desktop's messy

0:41:470:41:49

# And my junk's all on the floor

0:41:490:41:51

# But keep on going to the study

0:41:510:41:54

# Then in the bottom drawer

0:41:540:41:56

# You'll find pictures that tell my story

0:41:560:42:00

# Like the one of me and Keith in France

0:42:000:42:02

# With a croissant in my pants that looks like a penis

0:42:020:42:05

# Good times

0:42:070:42:09

# Or the one of me and Hannah in North Queensland

0:42:090:42:12

# Sitting inside a fibreglass orange and trying not to laugh

0:42:120:42:15

# Cos the guy who built the fibreglass orange was taking the photo for us

0:42:150:42:20

# And he seemed so proud and we felt so bad

0:42:200:42:22

# Cos up until the moment he'd approached us

0:42:220:42:25

# We'd been standing there taking the piss

0:42:250:42:27

# Cos it looked nothing like an orange

0:42:270:42:29

# We thought it was an armadillo

0:42:290:42:31

# OK, I confess you had to be there

0:42:310:42:34

# And to you it might seem boring but I guess

0:42:340:42:37

# I still thought 20 gig of JPEGs were worth storing

0:42:370:42:41

# Cos someone someday might care that their grandad once stood there

0:42:410:42:44

# On the Champs Elysee with a croissant in his pants

0:42:440:42:48

# But because they're not collated in an album laminated

0:42:490:42:53

# To protect the tears that fall

0:42:530:42:56

# Will there be any tears at all?

0:42:560:42:58

# Then open up my inbox and try to understand

0:42:580:43:02

# That's a lifetime's correspondence

0:43:020:43:05

# That you're holding in your hand

0:43:050:43:08

# Every YouTube link I sent Every eBay bid recorded

0:43:080:43:12

# Every e-mail that's meant to be for someone

0:43:120:43:15

# But got forwarded accidentally

0:43:150:43:18

# Cos some dickhead pressed reply all

0:43:180:43:20

# So that 20 people now know

0:43:200:43:23

# That I think I'm being overcharged by my graphic designer

0:43:230:43:28

# And one of those 20 people is my graphic designer

0:43:280:43:32

# And you might like to read your grandad's grovelling reply

0:43:320:43:36

# In which he tries to walk the fine line

0:43:360:43:39

# Between apologising and blaming someone else

0:43:390:43:42

# And that's just one of many thousand conversations you'll find there

0:43:420:43:47

# But you won't bother You won't care, I know

0:43:470:43:50

# You'll just press delete

0:43:500:43:51

# A lifetime on earth Delete

0:43:510:43:53

# So that's what I'm worth

0:43:530:43:55

# Just hold down alt-delete-control And format my heart and soul

0:43:550:43:58

# And grandkids I know you can hear me now

0:43:580:44:01

# Because I'm giving this song to my lawyer

0:44:010:44:04

# To play to you when you ask about my will

0:44:040:44:07

# Cos you won't get anything until

0:44:070:44:10

# You've opened every file And that could take a while

0:44:100:44:14

# Because my iTunes library

0:44:140:44:16

# Will bear witness to my flagrant disregard for copyright

0:44:160:44:20

# And the toolbar at the bottom

0:44:200:44:22

# Indicates that it will take you 16 days

0:44:220:44:25

# To get through all my random songs

0:44:250:44:27

# Like Do The Bartman

0:44:270:44:29

# And the instrumental album

0:44:290:44:30

# That's inspired by the music from The Lion King

0:44:300:44:33

# It's not actually the music from The Lion King

0:44:330:44:36

# Just inspired by it

0:44:360:44:38

# I don't know why I bought it

0:44:380:44:40

# I never listen to it but I hope that you enjoy it

0:44:400:44:43

# And that song Tubthumping by that band Chumbawamba

0:44:430:44:47

# That's the sort of crap your grandad liked when he was younger

0:44:470:44:51

# He synced it to his iPhone like all his generation

0:44:510:44:54

# Long before they started dying out from iPhone radiation

0:44:540:44:59

# Oh, I just remembered

0:45:000:45:02

# If you come across a folder marked home movies, best avoid that

0:45:020:45:07

# Your grandma and I were young and that led to you

0:45:070:45:11

# So show some respect

0:45:110:45:13

# Don't eject me, no

0:45:130:45:16

# And please don't press delete. #

0:45:160:45:19

APPLAUSE

0:45:190:45:20

Thanks, guys. Cheers.

0:45:200:45:22

Sammy J!

0:45:250:45:27

Now please give a big round of applause. From Australia, it's Sam Simmons!

0:45:270:45:32

APPLAUSE

0:45:320:45:34

All right, let's do this nice and loud.

0:45:400:45:44

FUNKY MUSIC PLAYS

0:45:440:45:46

TRUMPETS PLAY

0:45:510:45:53

I'm going to play a gameshow inside my own mind. You can't play.

0:45:550:46:00

It's a gameshow in my mind beginning now.

0:46:000:46:04

GAMESHOW JINGLE PLAYS

0:46:050:46:07

'Question number one. What are baby whales called?'

0:46:090:46:12

Sardines.

0:46:120:46:13

DING!

0:46:130:46:15

'Question number two. Is it wrong to feed a cat Viennetta?'

0:46:160:46:19

Not if you're a millionaire!

0:46:190:46:21

DING!

0:46:210:46:22

'Question number 17. Pick the odd one out. Philip, Janine, Peter or Margaret?'

0:46:230:46:28

-Janine.

-BUZZ!

0:46:280:46:30

-'No, it's Philip because he's only got one arm.'

-How the fuck would I know?

0:46:300:46:34

'Question number 45. What is 14 plus 22?'

0:46:360:46:40

36.

0:46:400:46:41

'No, the answer is maths.'

0:46:410:46:43

BUZZ!

0:46:430:46:44

'Now it's time for everybody's second favourite game. Carpet Or Floor.'

0:46:440:46:49

ELECTRONIC MUSIC PLAYS

0:46:490:46:52

# Carpet Or Floor

0:46:550:46:57

# Carpet Or Floor. #

0:47:110:47:13

BUZZ!

0:47:140:47:16

Meanwhile in Portugal, Raul is learning to clap.

0:47:160:47:19

He's trying his best.

0:47:190:47:22

CLAPPING

0:47:220:47:23

MUSIC PLAYS

0:47:230:47:24

CLAPPING

0:47:240:47:26

MUSIC PLAYS

0:47:260:47:27

CLAPPING

0:47:270:47:28

Fuck!

0:47:280:47:30

'Question number 56.

0:47:300:47:32

'Is it me but are Glenn Close and Meryl Streep the same person?'

0:47:320:47:36

RUSHING NOISE

0:47:360:47:37

BEEP!

0:47:370:47:39

CAT MIAOWS

0:47:390:47:41

HE HISSES

0:47:410:47:43

MEOWING AND HISSING CONTINUE

0:47:430:47:45

DING!

0:47:470:47:48

In Mexico, some people in the village think that Pablo is a weirdo.

0:47:480:47:52

ROMANTIC MUSIC PLAYS

0:47:520:47:54

WOLF WHISTLES

0:47:540:47:56

BEEP!

0:48:050:48:07

Sam Simmons, there he is.

0:48:070:48:09

So this is our debut single,

0:48:090:48:11

a debut single which we're going to release in winter 2016.

0:48:110:48:14

We're aiming for the Easter number one slot in 2017,

0:48:140:48:19

the coveted Easter number one slot.

0:48:190:48:21

It's quite a tender song. If you know it, do join in.

0:48:210:48:25

FUNKY MUSIC PLAYS

0:48:250:48:27

# Monday

0:48:310:48:33

# Tuesday

0:48:330:48:35

# Wednesday

0:48:350:48:37

# Thursday. # He knows it!

0:48:380:48:41

# Friday, Saturday, Sunday. # OK, second verse.

0:48:410:48:46

# Monday. # It's quite similar.

0:48:460:48:48

# Tuesday. # It's a bit more heartfelt.

0:48:480:48:50

# Wednesday

0:48:500:48:52

# Thursday

0:48:520:48:55

# Friday, Saturday, Sunday. #

0:48:550:48:57

Now it's French with a key change.

0:48:570:49:00

# Lundi

0:49:000:49:02

# Mardi. # Oui! Bonjour.

0:49:020:49:04

# Mercredi

0:49:040:49:06

# Jeudi. # Baguette!

0:49:060:49:09

# Vendredi, samedi, dimanche. #

0:49:090:49:11

Now it's in German! Up again.

0:49:110:49:14

# Montag

0:49:140:49:15

# Dienstag. # Then my favourite.

0:49:150:49:18

# Mittwoch

0:49:180:49:20

# Donnerstag

0:49:200:49:22

# Freitag, Samstag, Sonntag. #

0:49:220:49:25

Now everybody, Japanese! # Getsuyobi

0:49:250:49:29

# Kayobi. # Everyone!

0:49:290:49:31

LAUGHTER

0:49:310:49:33

Very good.

0:49:330:49:34

# Mokuyobi, obviously

0:49:340:49:36

# Kin'yobi, doyobi, nichiyobi. #

0:49:360:49:39

Last time back in English!

0:49:390:49:41

# Monday

0:49:410:49:43

# Tuesday

0:49:430:49:45

# Wednesday

0:49:450:49:47

# Thursday. # Last time!

0:49:470:49:50

# Friday, Saturday, Sunday. #

0:49:500:49:53

Oh, those were the days.

0:49:530:49:56

It's a nostalgic song, a nostalgic song.

0:49:560:49:58

Thank you. That's us.

0:49:580:50:00

So closing tonight's show,

0:50:020:50:05

he won the Big Comedy Award a couple of years ago, he is a class act.

0:50:050:50:09

He is David O'Doherty.

0:50:090:50:11

MELANCHOLY MUSIC PLAYS

0:50:150:50:17

# I grew up thinking

0:50:170:50:19

# I was just an ordinary kid

0:50:190:50:22

# Just doing things ordinary kids did

0:50:230:50:29

# But years passed me and I began to see certain strange abilities

0:50:290:50:35

# I'm not a hero but I'm not a freak, freak, freak

0:50:350:50:40

FASTER MUSIC

0:50:400:50:42

# I just have very mild superpowers

0:50:420:50:47

# Very mild superpowers

0:50:470:50:50

# Like sometimes when I'm cycling with headphones on

0:50:500:50:54

# I can predict exactly where I'll be at the end of a song

0:50:540:50:57

# Very mild superpowers

0:50:570:51:01

# Frequently in kitchens where I've never been

0:51:010:51:04

# I can sense the location of the cups and crockery

0:51:040:51:08

# I'm talking about very mild superpowers

0:51:080:51:11

# My legs aren't bionic My eyes aren't X-rays

0:51:110:51:15

# But I'm a very good judge of whether things will fit through doorways

0:51:150:51:19

# Sofas, tables in particular

0:51:190:51:21

# But for every very mild superpower

0:51:210:51:23

# There's also a very mild super weakness too

0:51:230:51:27

# I get nauseous around the smell of bins

0:51:270:51:30

# I'm afraid of certain shop mannequins

0:51:300:51:33

# I hate the cheese that's individually sliced and vacuum-wrapped in plastic

0:51:350:51:39

# I can never tell when people are being sarcastic. #

0:51:390:51:42

'Oh, Dave, I really like that song.'

0:51:420:51:45

Do you?

0:51:450:51:46

'No.'

0:51:480:51:49

Maybe it's just because you fear...

0:51:500:51:53

# My very mild superpowers

0:51:530:51:55

# Look, I'm not a mutant I'm just a man

0:51:550:51:59

# A man who happens to be frighteningly good at getting

0:51:590:52:03

# Broken pens to work...again

0:52:030:52:06

CHEERING

0:52:060:52:09

Thank you.

0:52:090:52:10

Sure, these are grim economic times,

0:52:150:52:20

it's just important to remember it's not the end of the world, you know.

0:52:200:52:24

It's a recession

0:52:240:52:26

but we've all lived through several recessi in the past.

0:52:260:52:29

It's important just to remember it's still possible to find joy even in the darkest places.

0:52:290:52:36

My friend got the final warning from the gas company recently,

0:52:360:52:39

which is a three-paragraph letter designed to put the shits is up you

0:52:390:52:43

with a fake signature laser-printed upon it.

0:52:430:52:45

Oh, my God, they mean business.

0:52:450:52:47

How does he keep such a steady hand at a time like this?

0:52:470:52:50

But what removed any tension from her whatsoever

0:52:500:52:54

was the headline across the top of the letter in bold writing,

0:52:540:52:57

because that just said, "Your balance is outstanding"!

0:52:570:53:01

LAUGHTER

0:53:010:53:02

And it's impossible to look at that and not think, "Oh, I thank you."

0:53:020:53:07

You just have to ask yourself where you find joy in the world and just follow that.

0:53:070:53:14

I get so much joy just from imagining doing things I will never have the guts to do.

0:53:140:53:20

I love the idea of going to Cats, the musical, in a dog costume.

0:53:200:53:25

There's one on aeroplanes that I nearly have the guts to do but not quite

0:53:270:53:31

and that's to slightly overreact to the pre-flight announcement.

0:53:310:53:34

Just sitting beside a stranger, completely silent,

0:53:340:53:38

just wait until the captain's name is announced. "Oh, yes!

0:53:380:53:42

"Legend. Legend! Top five, top five."

0:53:420:53:46

And then just go silent just until the co-pilot's name is announced and be like, "Oh, shit.

0:53:480:53:54

"You killed my father. You will not take my life!"

0:53:540:53:57

My friend recently carried out one of the greatest pranks

0:53:570:54:01

that has ever been carried out in the history of pranking.

0:54:010:54:04

He was at the cinema with his good lady. They had been going out for some time.

0:54:040:54:08

This isn't as sleazy as it might sound at first.

0:54:080:54:11

He decided to place his man wanger up through the bottom of the box of popcorn,

0:54:110:54:17

which is a classic

0:54:170:54:20

and 50% of you have considered doing it at some stage.

0:54:200:54:23

I certainly have and in my mind it's always seemed like such a straightforward prank.

0:54:230:54:29

It's just a question of yoik, and then, "Could I interest you in some popcorn, my darling?"

0:54:290:54:34

"Oh, yes." Rummage, rummage.

0:54:340:54:37

"Ah! You are so romantic." Mwah, mwah.

0:54:370:54:40

Reality, it turns out, is starkly different.

0:54:400:54:44

Problem one, contemporary cinema popcorn, as we all know,

0:54:440:54:48

comes in, like, a wastepaper basket that's about that size

0:54:480:54:51

so having entered the box, he then had to eat his way down for a foot and a half.

0:54:510:54:56

"Arg, arg."

0:54:560:54:57

Problem two is much worse.

0:54:570:54:59

Contemporary cinema popcorn is highly over-salted.

0:54:590:55:03

So all this time he was basically pickling his own unit.

0:55:030:55:09

A thousand years after his death,

0:55:100:55:12

his wanger will be found perfectly preserved.

0:55:120:55:15

Someone will take it on the Antiques Roadshow.

0:55:150:55:18

"Looks like a ceremonial flute of some kind."

0:55:180:55:21

Well, to some extent...

0:55:210:55:23

My friend recently broke up with his girlfriend of a long time

0:55:230:55:27

and I tried to write a song to cheer him up. I'll leave you with this. Thank you.

0:55:270:55:31

MOURNFUL MUSIC PLAYS

0:55:310:55:32

# There's no point in telling you to delete her number

0:55:340:55:37

# Cos you won't

0:55:370:55:38

# And anyway you probably know it off by heart from staring at it like a dick

0:55:380:55:42

# Just don't ring it You're not allowed

0:55:430:55:46

# You've nothing new to say

0:55:460:55:49

# You've to try to think about other things

0:55:490:55:52

# In about two weeks you will start to feel OK

0:55:520:55:56

# Go to IKEA

0:55:560:55:58

# Buy yourself a whiteboard

0:55:580:56:01

# Get the special IKEA whiteboard markers with it too

0:56:010:56:05

# Then when you get it home

0:56:050:56:08

# Immediately take it back to IKEA again

0:56:080:56:12

# Nobody needs a fucking whiteboard

0:56:120:56:15

# Seriously, what is the fridge if not just a big whiteboard?

0:56:150:56:19

# Exchange it for bath mats or something that you might actually use

0:56:190:56:22

# Now there's one afternoon gone Only about 13 more shitty ones to go

0:56:220:56:27

# Don't listen to music

0:56:280:56:30

# Or at least only instrumental music

0:56:300:56:33

# Or music with lyrics with no emotional impact whatsoever

0:56:330:56:38

# World Cup songs

0:56:380:56:42

# It Wasn't Me by Shaggy

0:56:420:56:45

# Who Let The Dogs Out?

0:56:450:56:48

# Actually that's inappropriate cos in the end she took your dog

0:56:480:56:52

# Go and visit elderly neighbours

0:56:540:56:57

# Ask them about the war

0:56:570:56:59

# Or how cold it used to be

0:56:590:57:00

# Or the first time they saw a television or a pineapple

0:57:000:57:04

# Perspective

0:57:070:57:09

# Try and do things, you know, where you move around a bit

0:57:090:57:13

# Go for a walk by the canal

0:57:130:57:15

# Well, how was I to know that's where you met?

0:57:150:57:18

# Then go for a run by the sea

0:57:180:57:20

# Oh, that's where she broke up with you

0:57:200:57:23

# Well, go there anyway

0:57:230:57:26

# She can't have the sea

0:57:260:57:29

# It's 60% of the planet

0:57:290:57:32

# You have to take the fucking sea back

0:57:320:57:36

# If you really need to think about her

0:57:360:57:39

# Try and focus on the bad stuff

0:57:390:57:42

# Her voice was actually pretty monotone

0:57:420:57:45

# I think she had contact lenses

0:57:450:57:48

# You wear glasses

0:57:480:57:51

# That means your babies would have had flippers

0:57:510:57:55

LAUGHTER

0:57:550:57:57

# There was definitely a time before you met her when you used to be OK

0:57:570:58:01

# Give it about two weeks and you'll be starting to feel that way

0:58:010:58:06

Thank you very much.

0:58:080:58:10

CHEERING AND APPLAUSE

0:58:100:58:12

David O'Doherty there!

0:58:170:58:19

We have reached the end of the evening.

0:58:200:58:23

Let me leave you and say goodbye with two little final thoughts.

0:58:230:58:27

If at first you don't succeed, then skydiving is not for you.

0:58:270:58:32

LAUGHTER

0:58:320:58:34

And always, always remember the words of Lothian Council.

0:58:340:58:38

Tuesdays and Fridays are rubbish days.

0:58:380:58:42

LAUGHTER

0:58:420:58:44

See you again sometime. Farewell.

0:58:440:58:48

CHEERING AND APPLAUSE

0:58:480:58:50

Subtitles by Red Bee Media Ltd

0:59:000:59:04

E-mail [email protected]

0:59:040:59:08

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