
Browse content similar to Life Beyond the Box: Norman Stanley Fletcher. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
In 1974, one of Britain's best-known criminals | 0:00:02 | 0:00:05 | |
was sent away for five years to HM Prison Slade. | 0:00:05 | 0:00:12 | |
Fletcher, Norman Stanley. 42. Five years. | 0:00:12 | 0:00:16 | |
Knows the score, sir. Done a lot of bird. | 0:00:16 | 0:00:20 | |
Water off a duck's back. | 0:00:20 | 0:00:23 | |
Hello, sir! | 0:00:27 | 0:00:29 | |
This is the life story of Norman Stanley Fletcher. Using dramatic reconstructions, | 0:00:29 | 0:00:35 | |
previously unseen footage, and exclusive interviews with family, | 0:00:35 | 0:00:40 | |
friends and associates, | 0:00:40 | 0:00:43 | |
we chart the chequered career of this habitual criminal. | 0:00:43 | 0:00:48 | |
Top bloke, Fletch. Always thinking. | 0:00:48 | 0:00:51 | |
Loved by everyone was Fletch. | 0:00:51 | 0:00:54 | |
Was that the old guy at the bar surrounded by young girls? ..I hate that. | 0:00:54 | 0:00:59 | |
Prison - institution of punishment or rehabilitation? | 0:01:07 | 0:01:11 | |
For the likes of Norman Stanley, it made little difference - porridge was porridge. | 0:01:11 | 0:01:17 | |
-Hello, Dad. -Hello, Ingrid, love. Hello. | 0:01:17 | 0:01:20 | |
-How's your mother? -She's fine. She sends her love and everything. -Good. | 0:01:20 | 0:01:25 | |
For his daughter, Ingrid, prison was always part of family life. | 0:01:25 | 0:01:29 | |
Now in her 50s, she's begun to explore her father's history. | 0:01:29 | 0:01:33 | |
That's the one. That's the house Dad was born in. | 0:01:33 | 0:01:37 | |
February 2nd 1932. | 0:01:37 | 0:01:40 | |
Course, it's not where my grandparents lived, but | 0:01:40 | 0:01:43 | |
Grandad was robbing the place at the time, and Gran's waters broke while she was on lookout. | 0:01:43 | 0:01:49 | |
# We'll meet again Don't know where... # | 0:01:49 | 0:01:54 | |
Fletcher had a rich criminal ancestry, but he was also a child of his time. | 0:01:54 | 0:02:00 | |
In 1940, aged eight, he was evacuated with his older brother George, | 0:02:00 | 0:02:05 | |
who's returned from his home in Australia to take part in this film. | 0:02:05 | 0:02:11 | |
Yeah, me and Norman were evacuated - | 0:02:11 | 0:02:15 | |
1940 - to this farm in Wales. | 0:02:15 | 0:02:18 | |
God-awful place, it was. | 0:02:18 | 0:02:20 | |
Dirty, filthy - stank of pigs. | 0:02:20 | 0:02:24 | |
And that was just the farmer. | 0:02:24 | 0:02:26 | |
Bloody hell! It's still here. | 0:02:28 | 0:02:31 | |
That's Smelly Davies's place. | 0:02:31 | 0:02:34 | |
Cor! They had this son, you know. Now... Now, he was bloody weird. | 0:02:35 | 0:02:41 | |
Can I help you? | 0:02:43 | 0:02:45 | |
I don't believe it! | 0:02:45 | 0:02:48 | |
Wartime rationing gave the Fletcher boys their first criminal opportunity. | 0:02:54 | 0:03:00 | |
We started an egg-smuggling racket. We'd nick enough eggs for a couple of boxes, | 0:03:00 | 0:03:06 | |
give 'em to the guard of the London train, and he gave 'em to Dad to flog around Muswell Hill. | 0:03:06 | 0:03:11 | |
This is amazing. After all this time. | 0:03:11 | 0:03:15 | |
-Do you remember the Fletcher brothers? -Yes. I DO remember. | 0:03:15 | 0:03:21 | |
Get off! | 0:03:21 | 0:03:24 | |
I'm telling Dad about you nicking the eggs. | 0:03:24 | 0:03:27 | |
-Shut up! -You're not telling anyone anything, you great Welsh scrote! | 0:03:27 | 0:03:32 | |
Egg-smuggling was something Fletcher would return to in later life. | 0:03:32 | 0:03:38 | |
Now, then, girls, this is what's known as one of the perks of the job. | 0:03:38 | 0:03:44 | |
With these eggs I'm smuggling, I can get myself a ¼oz of shag, | 0:03:44 | 0:03:48 | |
or two tubes of toothpaste, or three bars of Fruit & Nut, | 0:03:48 | 0:03:53 | |
or I could take 'em down to E Wing and see Smutty Garland, | 0:03:53 | 0:03:56 | |
the king of porn - exchange 'em for two of his dirty books. Yeah. | 0:03:56 | 0:04:00 | |
Full of full-frontal naked nubiles. | 0:04:00 | 0:04:02 | |
Huh. I think I'd rather have the Fruit & Nut meself. | 0:04:02 | 0:04:06 | |
Yeah. Me and Norm got sent home after that. | 0:04:07 | 0:04:11 | |
Wasn't so much the egg-smuggling as the bacon-smuggling, | 0:04:11 | 0:04:15 | |
which we tried to do while it was still in its wrapper. | 0:04:15 | 0:04:19 | |
-# Run, rabbit... -Run, run, run... # | 0:04:19 | 0:04:23 | |
See you, then, Dai! | 0:04:23 | 0:04:25 | |
You great Welsh nerk. | 0:04:25 | 0:04:27 | |
# Bang, bang, bang... # | 0:04:29 | 0:04:30 | |
Strewth! I think we'd better scarper. | 0:04:30 | 0:04:34 | |
# Run, rabbit, run, rabbit Run! Run! Run! # | 0:04:34 | 0:04:38 | |
Returning to war-torn London, the Fletcher boys found their father in uniform - prison uniform - | 0:04:38 | 0:04:45 | |
serving 18 months in Pentonville. Left to their own devices, | 0:04:45 | 0:04:50 | |
Norman and George went further off the rails. | 0:04:50 | 0:04:53 | |
This is it. Norman's first brush with the judicial system. | 0:04:53 | 0:04:58 | |
1947, that'd be. | 0:04:58 | 0:05:00 | |
Nine months in brutal for nicking a load of chocolates out of a confectionery in Holborn - | 0:05:00 | 0:05:06 | |
flogging them off the rations, eh? | 0:05:06 | 0:05:08 | |
The magistrate came down hard on Norman after he tried to bribe him. | 0:05:08 | 0:05:13 | |
Apparently, His Honour didn't fancy Fruit & Nut. | 0:05:13 | 0:05:16 | |
So, are we, er, done yet? | 0:05:18 | 0:05:20 | |
Pubs are open. | 0:05:20 | 0:05:22 | |
NEWSREEL COMMENTARY: 'Here at Larkhall, these young ruffians | 0:05:24 | 0:05:29 | |
'are taught the error of their ways. | 0:05:29 | 0:05:31 | |
'Their natural exuberance is put to good use | 0:05:31 | 0:05:33 | |
'through bricklaying, woodwork, or smashing up copper wire with hammers. | 0:05:33 | 0:05:38 | |
'But what is life like inside for these criminal children? | 0:05:38 | 0:05:42 | |
'Let's ask this young recidivist, Norman Fletcher.' | 0:05:42 | 0:05:46 | |
Naff off! | 0:05:46 | 0:05:48 | |
For Fletcher, borstal was a finishing school in felony. | 0:05:49 | 0:05:53 | |
He left with only two skills - breaking and entering. | 0:05:53 | 0:05:56 | |
My lack of scholastic achievement meant I couldn't do the professions I wanted, like stockbrokering, | 0:05:56 | 0:06:02 | |
or, er, teaching tennis in a girls' school. | 0:06:02 | 0:06:06 | |
As I didn't fancy working in a cardboard-box factory, | 0:06:06 | 0:06:09 | |
I robbed this sub-post office off the North Circular. | 0:06:09 | 0:06:13 | |
And you've never looked back. | 0:06:13 | 0:06:15 | |
No. Nor have I ever been short of threepenny stamps. | 0:06:15 | 0:06:18 | |
But in 1949, Fletcher was dragged away from a promising career in crime to do his National Service. | 0:06:19 | 0:06:26 | |
He did his best to avoid serving his country, claiming flat feet. | 0:06:26 | 0:06:31 | |
Now, I'm going to give you men a stringent medical. | 0:06:31 | 0:06:36 | |
'VD...?' | 0:06:40 | 0:06:42 | |
No! | 0:06:42 | 0:06:43 | |
-Suffer from any illness? -Bad feet. | 0:06:46 | 0:06:49 | |
-Suffer from any illness? -Bad feet! | 0:06:50 | 0:06:52 | |
-..Paid a recent visit to a doctor or a hospital? -Only with my bad feet. | 0:06:52 | 0:06:57 | |
Are you now, or have you at any time been, a practising homosexual? | 0:06:59 | 0:07:04 | |
What, with these feet? | 0:07:04 | 0:07:06 | |
Right. You're A1. | 0:07:08 | 0:07:10 | |
Certified fit for National Service, and institutionalised once again, Fletcher was sent to Malaya, | 0:07:12 | 0:07:18 | |
where he threw himself wholeheartedly into the fine military tradition of skiving. | 0:07:18 | 0:07:25 | |
We return to Malaysia to meet Chan Kai Leong, | 0:07:25 | 0:07:28 | |
who still remembers the exploits of Private Fletcher. | 0:07:28 | 0:07:32 | |
IN CHINESE: | 0:07:32 | 0:07:36 | |
May 1952. Fletcher was back on civvy street, and determined to make up for lost time. | 0:07:56 | 0:08:02 | |
He was also looking for love. | 0:08:02 | 0:08:05 | |
-So, did you, er...enjoy that? -Oh, yes, Norman. | 0:08:05 | 0:08:09 | |
Oh, yeah? What about the film? | 0:08:09 | 0:08:12 | |
Norman! You're incorrigible! | 0:08:12 | 0:08:14 | |
-Come 'ere. INCORRIGE me, then, eh? -SHE GIGGLES | 0:08:14 | 0:08:19 | |
Dad met Mum soon after leaving the Army. She was working in the hardware department at Gammidge's. | 0:08:19 | 0:08:26 | |
Her parents thought he was a bit of a ruffian. | 0:08:26 | 0:08:29 | |
Not that you could blame them. He was only in Gammidge's to buy a new crowbar. So, er... | 0:08:29 | 0:08:35 | |
they had to find places, you know... to be together. | 0:08:35 | 0:08:39 | |
There was the Muswell Hill Odeon, or the back seat of a car... | 0:08:39 | 0:08:43 | |
if I could open one. | 0:08:43 | 0:08:46 | |
Ooh! | 0:08:49 | 0:08:50 | |
Your carriage... | 0:08:52 | 0:08:53 | |
awaits. | 0:08:53 | 0:08:55 | |
Norman, you are awful! | 0:08:55 | 0:08:58 | |
-Hurry up, love. I'm freezing 'em off here. -All right! | 0:09:01 | 0:09:06 | |
Right. Come 'ere, you. | 0:09:06 | 0:09:08 | |
Oh, Norman! | 0:09:09 | 0:09:11 | |
Mind the glass! | 0:09:11 | 0:09:13 | |
My daughter, Ingrid... This is between you and me. | 0:09:15 | 0:09:19 | |
She was actually conceived in Highgate Cemetery. | 0:09:19 | 0:09:22 | |
Where's that grave? They all start to look the same, don't they, after a while? | 0:09:22 | 0:09:29 | |
Oh, what was his name? | 0:09:29 | 0:09:32 | |
-..Spencer? -Marx. | 0:09:32 | 0:09:34 | |
Oh. | 0:09:35 | 0:09:37 | |
We went there to view the tomb of Karl Marx. Cos I was going through a political stage at the time, | 0:09:37 | 0:09:43 | |
and I was also a bit randy. | 0:09:43 | 0:09:45 | |
Mum and Dad got married at Muswell Hill Registry with a reception at the Black Lion. | 0:09:47 | 0:09:52 | |
Lovely spread. Not that I was there. | 0:09:52 | 0:09:55 | |
Well, I WAS, in a way. Mum made sure she got a dress that didn't show too much, | 0:09:55 | 0:10:01 | |
and she paid for it, and all. She wouldn't let Dad nick it for her. | 0:10:01 | 0:10:06 | |
Could you, er... Could you just close them curtains for me? | 0:10:06 | 0:10:11 | |
I'd forgotten we had this. | 0:10:11 | 0:10:13 | |
# We're going to the chapel | 0:10:13 | 0:10:16 | |
# And we're gonna get married... # | 0:10:16 | 0:10:21 | |
But love's young dream quickly turned into a nightmare. | 0:10:21 | 0:10:25 | |
# ..gonna get married Gee, I really love you | 0:10:25 | 0:10:31 | |
# And we're gonna get married | 0:10:31 | 0:10:36 | |
# Going to the chapel of love... # | 0:10:36 | 0:10:40 | |
Fletcher was found guilty of breaking and entering. | 0:10:44 | 0:10:47 | |
His honeymoon and first three years of married life | 0:10:47 | 0:10:51 | |
were spent here in Brixton Prison. | 0:10:51 | 0:10:54 | |
Ah, it was his first taste of real porridge. That sort of thing stays with you, you know. | 0:10:54 | 0:11:00 | |
Brixton certainly changed Norman. | 0:11:01 | 0:11:04 | |
-He learnt a very valuable lesson. -What do you think that was? | 0:11:05 | 0:11:11 | |
Don't get caught. | 0:11:11 | 0:11:13 | |
Martin Gillespie first met Fletcher in Brixton. | 0:11:13 | 0:11:16 | |
Once you've got a criminal record, it's very hard to go back. | 0:11:16 | 0:11:21 | |
You're branded - thief, villain, anti-social element. | 0:11:21 | 0:11:26 | |
For my nerves. ..Prisoners think THEY have it bad. It's the welfare officers who really suffer. | 0:11:27 | 0:11:34 | |
MUSIC: "Jailhouse Rock" by Elvis Presley | 0:11:34 | 0:11:38 | |
Fletcher was released in the summer of 1955, | 0:11:38 | 0:11:41 | |
and soon a one-man crime wave hit North London. | 0:11:41 | 0:11:45 | |
# The band was jumpin' And the joint began to swing | 0:11:45 | 0:11:48 | |
# You should've heard those knocked-out jailbirds sing | 0:11:48 | 0:11:51 | |
# Let's rock Everybody, let's rock... # | 0:11:51 | 0:11:55 | |
While everyone was out rocking and rolling, Fletch was strolling off with all their worldly goods. | 0:11:55 | 0:12:02 | |
# Spider Murphy played the tenor saxophone | 0:12:02 | 0:12:06 | |
# Little Jo was blowin' on the slide trombone... # | 0:12:06 | 0:12:09 | |
And he moved with the times to become king of Muswell Hill's teddy boys. | 0:12:09 | 0:12:15 | |
Fletch? Rock and roll, he was, yeah. King of the Teds, they called him. | 0:12:15 | 0:12:20 | |
The tightest trousers in Muswell Hill. He could be a bit lairy when he wanted. | 0:12:20 | 0:12:26 | |
But he was a very good singer. | 0:12:26 | 0:12:28 | |
I said if he hadn't devoted his life to crime, he could've been just like Cliff Richard. | 0:12:28 | 0:12:33 | |
He said that was the biggest incentive | 0:12:33 | 0:12:36 | |
to keep robbing he ever had. I used to love hearing him sing. | 0:12:36 | 0:12:40 | |
I used to do a lot of singing round the pubs, like the Angel, Friday night... | 0:12:40 | 0:12:46 | |
Ladies and gentlemen, let's have a round of applause now for Frankie Fletcher! | 0:12:46 | 0:12:51 | |
# See the pyramids Along the Nile | 0:12:51 | 0:12:55 | |
# See the sun rise On a desert isle | 0:12:55 | 0:13:00 | |
# Just remember, darlin' All the while | 0:13:02 | 0:13:06 | |
# That you belong to me... # | 0:13:06 | 0:13:09 | |
He only ever sang one song. I tried to get him to learn Jailhouse Rock, but he didn't want to tempt fate. | 0:13:11 | 0:13:18 | |
So, he sang "You Belong To Me." Still, seemed to do the job. | 0:13:18 | 0:13:22 | |
Despite his band of gold, Frankie Fletcher couldn't resist the fringe benefits of rock and roll. | 0:13:24 | 0:13:31 | |
(Oh, Gloria.) | 0:13:31 | 0:13:32 | |
# Just remember till you're home again... # | 0:13:32 | 0:13:36 | |
-Oh, Norman! -Oh, Gloria! | 0:13:36 | 0:13:39 | |
# ..You belong to me-e-e! # | 0:13:39 | 0:13:44 | |
Gloria?! Oh, yeah, there was a Gloria. Course there was once. | 0:13:44 | 0:13:48 | |
Well, lots of times, actually. | 0:13:48 | 0:13:50 | |
-Was that before you met your Isobel? -Well, no. To be honest, Lennie, no. | 0:13:51 | 0:13:56 | |
I mustn't be untruthful. No. That was a bit of an indiscretion around 1955. | 0:13:56 | 0:14:02 | |
'She was a machinist in a clothing factory. I'd go round her place, have my evil way of her, | 0:14:02 | 0:14:08 | |
'and get my trousers narrowed at the same time.' | 0:14:08 | 0:14:11 | |
The affair ended when Fletcher's wife Isobel fell pregnant with their second child. | 0:14:11 | 0:14:17 | |
Dad was in and out of prison. Mum was in out and of labour. | 0:14:17 | 0:14:21 | |
She must have spent the best part of the '60s in visiting rooms of nicks. | 0:14:21 | 0:14:27 | |
# Stand by your man... # | 0:14:29 | 0:14:32 | |
And Isobel Fletcher DID stand by her man...from Brixton... | 0:14:32 | 0:14:36 | |
to the Scrubs... | 0:14:36 | 0:14:38 | |
..to Maidstone. | 0:14:41 | 0:14:43 | |
# ..When nights are cold and lonely | 0:14:43 | 0:14:47 | |
# Stand by your man... # | 0:14:47 | 0:14:50 | |
Course, most people with three kids to look after - they think about settling down. | 0:14:51 | 0:14:58 | |
For Dad, it just meant he had to do three times as many jobs. | 0:14:58 | 0:15:02 | |
Still, to be fair to him, | 0:15:02 | 0:15:05 | |
he always made sure we had a family holiday. Here we are. | 0:15:05 | 0:15:10 | |
This is us on a day trip to Maidstone. | 0:15:10 | 0:15:14 | |
He was there doing three years for breaking and entering. | 0:15:14 | 0:15:18 | |
By the end of the '60s, Fletcher was a free man again, but had he learnt his lesson? | 0:15:18 | 0:15:23 | |
# For goodness' sake | 0:15:23 | 0:15:27 | |
# I got the Hippy Hippy Shakes | 0:15:27 | 0:15:31 | |
# Yeah, I got the Shakes... # | 0:15:31 | 0:15:34 | |
As swinging Londoners tuned in and dropped out, Fletcher dropped in and turned them over. | 0:15:34 | 0:15:40 | |
That was a good time for Dad. Well, for all of us. | 0:15:40 | 0:15:44 | |
It was a long stretch he'd had out of prison. They were the best times, they were. | 0:15:44 | 0:15:49 | |
He was around during the day, | 0:15:49 | 0:15:51 | |
and we was very comfortably off. The house was full of all the latest gadgets from... | 0:15:51 | 0:15:57 | |
Well...from other people's houses. | 0:15:57 | 0:16:00 | |
Crime becomes habit, routine, the norm. | 0:16:00 | 0:16:05 | |
That's what it was for Norman. It was the norm for Norman. | 0:16:05 | 0:16:09 | |
Anyone count how many of those I took? | 0:16:09 | 0:16:13 | |
I believe that criminals often need a shock for them to start to re-evaluate their behaviour. | 0:16:13 | 0:16:18 | |
Not an electric shock. No, no. I'm not advocating torture. | 0:16:18 | 0:16:23 | |
Though if you want torture, try being a welfare officer. | 0:16:23 | 0:16:27 | |
For Fletcher, that shock came in 1974. | 0:16:27 | 0:16:30 | |
Having stayed out of jail for six years, his run of good luck came to an abrupt halt. | 0:16:30 | 0:16:37 | |
I mean, look at this. | 0:16:37 | 0:16:39 | |
"Father of three, Norman Fletcher, has been remanded to Brixton to await trial." | 0:16:39 | 0:16:45 | |
Mum was livid. ..I mean, 42, and behaving like Steve McQueen with a lorry. | 0:16:45 | 0:16:51 | |
I lifts this lorry, don't I? Impulse steal. I thought it'd be a doddle. | 0:16:51 | 0:16:56 | |
-I gather it wasn't. -No. Flamin' brakes failed on me. | 0:16:56 | 0:17:00 | |
It's criminal the way they let the lorries on the roads in that condition. | 0:17:00 | 0:17:05 | |
I hears this lorry, and I said, "Someone's gonna have an accident." | 0:17:05 | 0:17:11 | |
Well, he goes through number 42, 45 and 47. Right through our back wall. | 0:17:11 | 0:17:16 | |
He's flattened Frank's tool shed. Just bad luck Frank wasn't in it at the time. | 0:17:16 | 0:17:22 | |
GOOD luck, obviously. | 0:17:22 | 0:17:24 | |
-Did they get you for wilful destruction of property? -Eh? | 0:17:24 | 0:17:28 | |
-Knocking that wall down, I mean. -Oh, yeah. Oh, yeah. | 0:17:28 | 0:17:32 | |
No. I asked for six other offences to be taken into consideration. | 0:17:32 | 0:17:36 | |
And so, Norman Stanley Fletcher arrived in HM Prison Slade... | 0:17:40 | 0:17:45 | |
..and quickly settled in. | 0:17:49 | 0:17:50 | |
-Hello, Warren. -Will you do the honours? -What, read it out? -Yeah. | 0:17:50 | 0:17:55 | |
-Ready? -Yeah. -"My dearest Bunny..." Bunny?! | 0:17:55 | 0:18:00 | |
-Bunny Warren. -Oh, yeah. That's good, innit? Bunny Warren. | 0:18:00 | 0:18:06 | |
It's not a bad nick, Slade. I've seen worse. | 0:18:06 | 0:18:10 | |
-What's that one in Wandsworth? -Wandsworth. | 0:18:10 | 0:18:13 | |
Yeah. That's the one. Terrible. | 0:18:13 | 0:18:16 | |
No. Slade was OK. Middle of nowhere, mind you. | 0:18:16 | 0:18:20 | |
I tried to find it on the map. I couldn't. | 0:18:20 | 0:18:23 | |
-Why, wasn't it marked? -Oh, yeah. It were there, it was just, at the time, I couldn't read... | 0:18:23 | 0:18:29 | |
anything, let alone maps. | 0:18:29 | 0:18:31 | |
"I miss you, and think of us | 0:18:31 | 0:18:33 | |
"when you was at home, and you used to take my..." | 0:18:33 | 0:18:36 | |
I used to what? | 0:18:37 | 0:18:40 | |
A-hem. Well, it's a bit personal, the next bit. You know what I mean? | 0:18:40 | 0:18:45 | |
I don't think I should read it out loud. Not in front of me. | 0:18:45 | 0:18:49 | |
It's, er...sort of... | 0:18:49 | 0:18:53 | |
Fletch was always helping people out. Very clever fella. | 0:18:53 | 0:18:57 | |
Brains, you see. Not brawn. Not muscle. If I learned anything from being inside, I learned that. | 0:18:57 | 0:19:03 | |
You need to use your brains. | 0:19:03 | 0:19:05 | |
I know it was hard for him. Norman wasn't like the rest of us. | 0:19:09 | 0:19:15 | |
He wasn't like ME. He was older, had more responsibilities. | 0:19:15 | 0:19:19 | |
I had Trevor and the cats, | 0:19:19 | 0:19:22 | |
but he had a whole family to think of. | 0:19:22 | 0:19:25 | |
His poor wife. | 0:19:25 | 0:19:27 | |
I don't know how she does it. I don't know how. | 0:19:27 | 0:19:30 | |
It's hard for her. A few weeks ago, she had to build a new coal bunker for herself. | 0:19:30 | 0:19:36 | |
I mean, that's no job for a woman, is it, eh? | 0:19:36 | 0:19:39 | |
She had to mix the concrete? | 0:19:39 | 0:19:41 | |
-Oh, no. Her mother came over, and did that for her. -Oh. | 0:19:41 | 0:19:45 | |
You DO miss your loved ones inside. I missed Trevor something awful. | 0:19:45 | 0:19:49 | |
You know, just having someone to talk to. | 0:19:49 | 0:19:52 | |
Isn't that right, Trevor? | 0:19:54 | 0:19:56 | |
One man's life would be transformed by the time he spent inside with Fletcher. | 0:19:57 | 0:20:02 | |
He was a survivor, Fletch, | 0:20:02 | 0:20:05 | |
and that's important in the nick. Little victories. | 0:20:05 | 0:20:08 | |
In those days, I was a bit of a hard man. Youthful exuberance. | 0:20:08 | 0:20:12 | |
I was my own worst enemy. Anyone rubbed me up the wrong way, I'd fly off the handle. | 0:20:12 | 0:20:18 | |
I'd pick the handle back up and twat them with it. | 0:20:18 | 0:20:21 | |
-Bloody hell! -Oh, sorry, son. -Don't you watch where you're going?! | 0:20:21 | 0:20:26 | |
-I said sorry. It won't happen again. -Watch it! | 0:20:26 | 0:20:30 | |
I don't want no bother cos I'm not a well man, see. | 0:20:30 | 0:20:33 | |
I don't want no trouble with you, McLaren. | 0:20:36 | 0:20:39 | |
Listen to me, you. I know you're a hard case. We all know that. | 0:20:39 | 0:20:44 | |
If you ever talk to me again like that, | 0:20:44 | 0:20:47 | |
I'm gonna twist your head round | 0:20:47 | 0:20:49 | |
-like a cork in a bottle of Beaujolais, all right? -Yeah. | 0:20:49 | 0:20:53 | |
Fletch saw in me the young man he used to be. Well, not black or Scottish, but you know what I mean. | 0:20:53 | 0:20:59 | |
With Godber, he was a father-figure - the sort that'd allow you to bunk off school | 0:20:59 | 0:21:05 | |
and go shoplifting. Come to think of it, it's the ideal father. | 0:21:05 | 0:21:09 | |
I'm finding it very hard to adjust. | 0:21:09 | 0:21:12 | |
It's unnatural, isn't it, men in cages? | 0:21:12 | 0:21:16 | |
The prisoner who was to make the biggest impact on Fletcher's life | 0:21:16 | 0:21:20 | |
was his cellmate, 23-year-old first-time offender Lennie Godber. | 0:21:20 | 0:21:25 | |
-This is the bit I can't stand. -What? -Lockup. | 0:21:25 | 0:21:28 | |
It's quarter to eight. It's barely dark. If I was at home, | 0:21:28 | 0:21:33 | |
I'd just be getting ready to go out for the evening. | 0:21:33 | 0:21:36 | |
If you're keen, we could go out, you know. | 0:21:36 | 0:21:39 | |
Oh, yeah. I could ring up a couple of birds, you know. | 0:21:40 | 0:21:44 | |
Them darlings that dance on Top Of The Pops. What are they called? | 0:21:44 | 0:21:49 | |
Pan's People. There's one special one - Beautiful Babs. | 0:21:49 | 0:21:53 | |
I don't know what her name is. | 0:21:53 | 0:21:55 | |
No. Why don't we just have a quiet night in? | 0:21:56 | 0:22:00 | |
Trouble is, I've got 698 quiet nights in to go. | 0:22:00 | 0:22:04 | |
Years of porridge, banged up all day - that can do your head in, that can. | 0:22:04 | 0:22:10 | |
The grim, unrelenting monotony. | 0:22:10 | 0:22:13 | |
But you know, anything a bit different | 0:22:13 | 0:22:16 | |
that breaks up the routine - that's good news. | 0:22:16 | 0:22:20 | |
I remember, we had a rock group came and played at Slade. I can't remember their name. | 0:22:20 | 0:22:26 | |
Slade? | 0:22:26 | 0:22:27 | |
You know your stuff, don't you? | 0:22:27 | 0:22:30 | |
# And I don't know why | 0:22:30 | 0:22:34 | |
# So you think my singing's out of time... # | 0:22:34 | 0:22:37 | |
Music from 1973. Number-one single from the mighty Slade. | 0:22:37 | 0:22:42 | |
It was an amazing event and a seminal live recording, | 0:22:44 | 0:22:49 | |
I think. Slade at Slade. I think, it was like Johnny Cash at San Quentin, | 0:22:49 | 0:22:54 | |
and, in this case, there was the added bonus of the pun, which appealed to Noddy in particular. | 0:22:54 | 0:23:01 | |
'We actually covered the gig for the Old Grey Whistle Test, and it was a fantastic experience.' | 0:23:01 | 0:23:07 | |
-I believe it was an experience that made the band more aware. -Of what? | 0:23:07 | 0:23:12 | |
Well, the need to lock the tour bus for a start. I mean, Noddy lost one of his big hats. | 0:23:12 | 0:23:18 | |
Even a couple of pairs of Dave's silver moon-boots were stolen. It was out of order. | 0:23:18 | 0:23:24 | |
One man who made sure he had front-row seats for the concert | 0:23:25 | 0:23:30 | |
was Slade Prison's Mr Big, Harry Grout. | 0:23:30 | 0:23:33 | |
-Bob, when you were at Slade, did you meet Harry Grout? -Harry Grout? | 0:23:35 | 0:23:39 | |
Yes. I met him when we were covering the gig. | 0:23:39 | 0:23:42 | |
'He'd asked the band to do Moon River. They didn't know the song, | 0:23:42 | 0:23:47 | |
'but they pretty quickly learnt it.' | 0:23:47 | 0:23:49 | |
He wasn't a guy to mess around with. | 0:23:49 | 0:23:52 | |
-Cocoa, Fletch? -Oh, thanks. Don't mind if I do. Ta. | 0:23:52 | 0:23:57 | |
-Sugar? -Oh, thank you. Yeah. | 0:23:57 | 0:24:00 | |
A-hem. Short of sugar, are you? Yeah? | 0:24:00 | 0:24:04 | |
-Shall I feed Seymour, Harry? -Yeah. Go on. -Seymour?! Oh, our feathered friend. Yeah. Yeah. Very nice. | 0:24:04 | 0:24:11 | |
He's a bit of company for me of an evening, you know. | 0:24:11 | 0:24:15 | |
-When I was in Parkhurst, I had a pigeon. -Oh, like the Birdman of Alcatraz! | 0:24:15 | 0:24:20 | |
-Not really, no. -Yeah. What did you with it do when you had to move? | 0:24:20 | 0:24:26 | |
I ate it. | 0:24:26 | 0:24:28 | |
Harry Grout was later to become as famous as East End gangster Frankie Fraser | 0:24:33 | 0:24:39 | |
when he published his memoirs Grout and About. | 0:24:39 | 0:24:43 | |
Harry, you mention in your book how much you enjoy | 0:24:43 | 0:24:47 | |
-Desert Island Discs. -That's right, Sue. | 0:24:47 | 0:24:51 | |
Though I preferred Roy Plomley. Not the same with a woman, is it? | 0:24:51 | 0:24:56 | |
-Um... Tell me about your next record. -Moon River... | 0:24:56 | 0:25:01 | |
MUSIC: "Moon River" by Henry Mancini | 0:25:01 | 0:25:04 | |
Grout might have been a career criminal, but Fletcher was ready for a fresh start. | 0:25:04 | 0:25:11 | |
I'm 45 now. 45 years of age. And I've worked out that I've spent about seven days on average - | 0:25:11 | 0:25:17 | |
seven days out of every 30 - in some nick or another. | 0:25:17 | 0:25:21 | |
That's a week in every month. | 0:25:21 | 0:25:24 | |
Shocking waste, though. | 0:25:24 | 0:25:26 | |
Fletcher was paroled in 1978, finally vowing to go straight. | 0:25:26 | 0:25:32 | |
Well, off you go, then. | 0:25:34 | 0:25:37 | |
-Just a minute. -Left something behind, have you? | 0:25:37 | 0:25:40 | |
Yeah. 3½ years of my life. | 0:25:40 | 0:25:44 | |
-Off you go. -I want to hear this door shut behind me first. -I'm supposed to see you off the premises. | 0:25:44 | 0:25:51 | |
-You're never going see me hammering on this door crying, "Let me in." -You'd better move on sharpish. | 0:25:51 | 0:25:58 | |
All right. All right. | 0:25:58 | 0:26:00 | |
Oi! | 0:26:19 | 0:26:20 | |
Oi! Let me in! | 0:26:20 | 0:26:24 | |
So, Dad comes out again, and announces he's going straight. | 0:26:24 | 0:26:29 | |
That's what us and Mum had wanted all those years. | 0:26:29 | 0:26:33 | |
-It's just a pity she wasn't around any more. -What happened to her? | 0:26:33 | 0:26:40 | |
Oh, she'd moved in with Reg Jessop of Jessop's cardboard boxes. | 0:26:40 | 0:26:44 | |
He used to go into her dry cleaner's to get his trousers pressed. | 0:26:44 | 0:26:49 | |
Fletch's wife Isobel had left him, but the house was far from empty. | 0:26:49 | 0:26:54 | |
Ex-cellmate Lennie Godber, now a lorry driver, had started dropping by to see Ingrid. | 0:26:54 | 0:27:00 | |
-Young Godber - are you seeing him, are you? -We keep in touch. | 0:27:00 | 0:27:05 | |
-You can do better than him. -I'm the judge of that. | 0:27:05 | 0:27:09 | |
-All right, then. When do you see him? -When I can. | 0:27:09 | 0:27:13 | |
Well, who are you titivating yourself up tonight for, then, eh? Doing your nails and hair? | 0:27:13 | 0:27:19 | |
-Leonard. -..Oh, he's in London, is he? | 0:27:19 | 0:27:23 | |
Yeah. He's upstairs having a shave. | 0:27:23 | 0:27:26 | |
He's what?! | 0:27:27 | 0:27:28 | |
Poor old Fletch. He'd lost his old lady and gained a son. He wasn't best pleased. | 0:27:28 | 0:27:34 | |
He was very protective of Ingrid. | 0:27:34 | 0:27:37 | |
Wanted Godber's licence withdrawn, if you get my meaning. | 0:27:37 | 0:27:41 | |
There. Oh, are there... | 0:27:41 | 0:27:44 | |
-Are there two Ls at the end of "school"? -No. -Oh. | 0:27:44 | 0:27:48 | |
He promised he'd be back in time. Probably traffic on the M1. | 0:27:52 | 0:27:56 | |
I don't know why he keeps driving at his age. | 0:27:56 | 0:28:00 | |
PHONE RINGS Oh, this'll be him now. | 0:28:00 | 0:28:03 | |
Leonard? | 0:28:06 | 0:28:08 | |
Colchester? | 0:28:08 | 0:28:10 | |
W-What are you doing in Colchester? | 0:28:12 | 0:28:14 | |
Oh, Lennie, you promised you'd be back in time. | 0:28:15 | 0:28:19 | |
They brought the cameras, and everything. Yeah. | 0:28:19 | 0:28:25 | |
Well, I'll just have to tell them about our wedding myself. | 0:28:25 | 0:28:29 | |
Good. ..Fine. | 0:28:29 | 0:28:32 | |
Bye. | 0:28:32 | 0:28:33 | |
-Oh-h! -What's going on 'ere, then? -This is Norman Junior. | 0:28:35 | 0:28:40 | |
-Come on in, love. I'm just talking to the BBC about your grandad. -Oh, yeah? Why's that? | 0:28:40 | 0:28:46 | |
Er, I'm not sure. | 0:28:46 | 0:28:48 | |
-Do you know Cat Deeley? -No, sorry. | 0:28:53 | 0:28:56 | |
Sorry about him. He was planned, and everything. | 0:28:59 | 0:29:03 | |
-Oi! -Hey, it's a compliment, lovey! | 0:29:03 | 0:29:07 | |
-Sorry, where was I? -The wedding. -Oh, yeah. | 0:29:08 | 0:29:12 | |
March the 5th 1978. If there was one good thing to come out of prison, | 0:29:12 | 0:29:19 | |
'it was me and Lennie. It was just perfect.' | 0:29:19 | 0:29:23 | |
Everything was changing for Fletcher. He was even forced to take his first proper job | 0:29:27 | 0:29:33 | |
here at the Dolphin Hotel in Paddington. | 0:29:33 | 0:29:36 | |
The owner Harold McEwan had a policy of taking on ex-cons. | 0:29:36 | 0:29:40 | |
It's changed quite a bit since I had it. | 0:29:40 | 0:29:44 | |
I sold up and moved to Malawi - wonderful place, great quality of life, and so on. | 0:29:44 | 0:29:50 | |
A man can get really close to nature, run with the lions, etc. | 0:29:50 | 0:29:55 | |
And one wears far fewer clothes. | 0:29:55 | 0:29:57 | |
Call it instinct, but I'm generally able to assess a man. | 0:29:57 | 0:30:01 | |
It was the same in Africa. I had to hire natives fresh from the bush. | 0:30:01 | 0:30:06 | |
I had to judge at a glance whether these chappies were the sort who would do an honest day's work. | 0:30:06 | 0:30:13 | |
But I never had cause to regret it except on... two unfortunate occasions. | 0:30:13 | 0:30:19 | |
This... This is where Norman used to sit. | 0:30:19 | 0:30:22 | |
I believe very strongly in giving people a second chance. | 0:30:22 | 0:30:26 | |
I always used to take on convicts. One has to give people a second chance, doesn't one? Oh, yes. | 0:30:26 | 0:30:33 | |
It's ever so strange, Fletch working for a living. | 0:30:33 | 0:30:37 | |
It just didn't seem right. ..Trevor and I went out to see him. | 0:30:37 | 0:30:42 | |
Stayed at the hotel. It was a nice romantic weekend, wasn't it, Trev? | 0:30:42 | 0:30:47 | |
We didn't tell Fletch at the time | 0:30:48 | 0:30:50 | |
that we actually nicked a couple of lovely matching bathrobes. | 0:30:50 | 0:30:56 | |
After two years as the hotel's night porter, | 0:30:56 | 0:30:59 | |
Fletcher was offered a promotion and more responsibility. | 0:30:59 | 0:31:03 | |
He turned me down. Not only that, he resigned - | 0:31:03 | 0:31:07 | |
handed in his notice, and so on. | 0:31:07 | 0:31:10 | |
I said to him, "A man must make his own decisions, etc, etc." But I was sad to see Norman go, | 0:31:10 | 0:31:16 | |
particularly as his replacement had away with the contents of the safe on his first night. | 0:31:16 | 0:31:22 | |
Bad do! That sort of thing would never happen in Malawi. | 0:31:22 | 0:31:26 | |
Oh, except on two unfortunate occasions. | 0:31:29 | 0:31:32 | |
All Fletcher wanted was an easy life. | 0:31:32 | 0:31:36 | |
So, when old associate Jim Grady offered him a night-watchman post at a warehouse, he jumped at it. | 0:31:36 | 0:31:43 | |
Mr Grady, is it true your company | 0:31:43 | 0:31:46 | |
-knowingly employs ex-felons? -Naff off! | 0:31:46 | 0:31:49 | |
And that you have been linked to robberies in premises | 0:31:49 | 0:31:53 | |
-that YOUR company was guarding? -I said, naff off. | 0:31:53 | 0:31:56 | |
-No comment. Naff off! -Mr Grady, why does your company employ criminals as security guards? | 0:31:56 | 0:32:02 | |
Because they know what to look out for. Now, naff off! | 0:32:02 | 0:32:07 | |
Within a month the warehouse was raided by none other than Harry Grout's gang, | 0:32:07 | 0:32:12 | |
and Fletcher found himself dragged back into the criminal world of Grouty. | 0:32:12 | 0:32:18 | |
Nice little reunion we're having. | 0:32:18 | 0:32:20 | |
Get it over with. Make it look as if I put up a struggle. | 0:32:20 | 0:32:24 | |
-Sorry about this. I've gotta make it look realistic. -Get on with it, you nerk. | 0:32:24 | 0:32:30 | |
Fletch enjoyed a short stay in hospital, but when he came out, Harry Grout was waiting for him. | 0:32:31 | 0:32:39 | |
I heard that Fletcher's back in with Grouty. | 0:32:40 | 0:32:43 | |
Sailing a bit close to the wind for a man that's going straight. | 0:32:43 | 0:32:47 | |
If you get caught up with Grouty, you're likely to lose two things - | 0:32:47 | 0:32:51 | |
your clean record, and... Actually, THREE things. | 0:32:51 | 0:32:55 | |
Grouty insisted that Fletch front his latest investment - | 0:32:55 | 0:32:59 | |
a nightclub in Bexley Heath called Montegos. | 0:32:59 | 0:33:02 | |
Fletch couldn't say no. | 0:33:02 | 0:33:05 | |
Peter, what was Montegos like? | 0:33:05 | 0:33:07 | |
Montegos - now that was a really special club. | 0:33:07 | 0:33:11 | |
It was everything the '80s were. It was full of stars - | 0:33:11 | 0:33:16 | |
Brian May, Anita Dobson, | 0:33:16 | 0:33:18 | |
Wincey Willis, Timmy Mallett, Rustie Lee, me... | 0:33:18 | 0:33:22 | |
We all used to go there. | 0:33:22 | 0:33:24 | |
-What was Fletcher like? -Fletcher? Was that the old guy at the end of the bar surrounded by young girls? | 0:33:24 | 0:33:31 | |
I hate that. I mean, I hate that - | 0:33:31 | 0:33:34 | |
old guys chasing young girls. | 0:33:34 | 0:33:36 | |
What? | 0:33:37 | 0:33:38 | |
The subject of Montegos came up | 0:33:38 | 0:33:41 | |
in another celebrity appearance by Grout. | 0:33:41 | 0:33:45 | |
So, what was the thinking behind Montegos? | 0:33:47 | 0:33:51 | |
Well, I've always been fascinated by the hospitality industry, | 0:33:51 | 0:33:56 | |
having spent so many years receiving hospitality at Her Majesty's expense. | 0:33:56 | 0:34:01 | |
I felt it was time to give something back. | 0:34:01 | 0:34:05 | |
Although the '80s was a time to be young and thrusting, | 0:34:05 | 0:34:10 | |
Fletcher was lazy and in his 50s. At Montegos, he kept his head down, | 0:34:10 | 0:34:16 | |
and waited for Grout's inevitable insurance scam. | 0:34:16 | 0:34:20 | |
The club burnt down in suspicious circumstances, didn't it? | 0:34:20 | 0:34:25 | |
Suspicious, Melvin? | 0:34:25 | 0:34:28 | |
Unfortunate, certainly. | 0:34:28 | 0:34:30 | |
Who could have predicted such a freak electrical accident? | 0:34:30 | 0:34:34 | |
-It was rather... -Rather what? | 0:34:34 | 0:34:36 | |
Nothing. | 0:34:37 | 0:34:39 | |
When has a business owned by Harry Grout NOT burnt down? It was Dad's night off when the place went up. | 0:34:40 | 0:34:47 | |
Like he told the police - he didn't know his arson from his elbow! | 0:34:47 | 0:34:53 | |
So then Uncle George sends Dad a video from, er... Melbourne, I think. | 0:34:53 | 0:35:00 | |
George, Fletcher's older brother, had emigrated to Australia in the early '70s. | 0:35:00 | 0:35:07 | |
Phwoar! It's hotter than a Balinese stripper! | 0:35:07 | 0:35:11 | |
This is what you're missing, Norm. | 0:35:11 | 0:35:14 | |
Come on over, mate. You'll love it. | 0:35:14 | 0:35:17 | |
Strewth! | 0:35:17 | 0:35:18 | |
In 1988, Fletcher made the surprising decision to sell up and join George down under. | 0:35:18 | 0:35:24 | |
I think he reckoned Australia would be a new start. | 0:35:24 | 0:35:27 | |
No-one there would mind he was an ex-convict. | 0:35:27 | 0:35:31 | |
It would be like he was their grandad. | 0:35:31 | 0:35:34 | |
But when Fletcher arrived in Sydney - disaster. His brother had vanished. | 0:35:34 | 0:35:39 | |
You see, I had a little setback, | 0:35:39 | 0:35:42 | |
namely 12 months' community service | 0:35:42 | 0:35:45 | |
in the koala reserve, | 0:35:45 | 0:35:49 | |
following a little confusion over some auto... | 0:35:49 | 0:35:54 | |
Some... Some car parts. | 0:35:54 | 0:35:57 | |
I-I know... I know I should have told Norman, | 0:35:58 | 0:36:01 | |
but he never did take bad news well. | 0:36:01 | 0:36:04 | |
Fletcher was running out of options. He returned to London in the midst of a property boom. | 0:36:05 | 0:36:12 | |
When Dad got back from Australia, the money he got for his old house | 0:36:13 | 0:36:19 | |
wasn't enough to buy it back. He was on the street. | 0:36:19 | 0:36:22 | |
On the street outside our front window, to be precise. | 0:36:22 | 0:36:26 | |
Aye, they were hard times. Country was being screwed front and back. | 0:36:26 | 0:36:32 | |
I'd always been angry, but Slade taught me to think a bit more...as well as giving me a welding diploma. | 0:36:32 | 0:36:39 | |
So, I joined the SNP. Shall we go across? | 0:36:39 | 0:36:42 | |
I'm the education spokesman now. | 0:36:44 | 0:36:47 | |
-Not bad for a wee orphaned -BLEEP | 0:36:49 | 0:36:51 | |
that was found wrapped up in the Glasgow Herald | 0:36:51 | 0:36:54 | |
on a Greenock housing estate, eh? | 0:36:54 | 0:36:56 | |
Help the poor blind doggies. | 0:36:56 | 0:36:59 | |
Things were about to get even worse for Fletcher | 0:36:59 | 0:37:02 | |
when he ran into Bernard Ives - another Slade alumnus, and a lifelong conman. | 0:37:02 | 0:37:09 | |
Oh, thank you very much, sir. | 0:37:09 | 0:37:12 | |
'Ere, listen! | 0:37:13 | 0:37:15 | |
This is foreign. Don't you care about the doggies, then? | 0:37:15 | 0:37:19 | |
Cheapskate. | 0:37:21 | 0:37:23 | |
-Got the spuds, Mr Ives? -Yeah. 'Ere. -What? -How much do THEY weigh? | 0:37:24 | 0:37:29 | |
-You know already, don't you? -No. There's no scales out there. | 0:37:29 | 0:37:34 | |
-What's the bet? -All the eggs you've got in there. | 0:37:34 | 0:37:38 | |
You crafty nerk, you. All right. Against what? | 0:37:38 | 0:37:42 | |
-Ounce of snout? -You're on. -..Are you in, son? -Oh, no. | 0:37:42 | 0:37:46 | |
-Nearest one. -Nearest one. | 0:37:46 | 0:37:48 | |
-23lb. -I'll say 27. -You gave that a lot of thought(!) | 0:37:52 | 0:37:56 | |
Just over 27. | 0:37:56 | 0:37:58 | |
Well, would you believe it? | 0:37:59 | 0:38:01 | |
BOTH: Just over 27. | 0:38:01 | 0:38:03 | |
Jobless and homeless, | 0:38:03 | 0:38:06 | |
Fletcher rented this flat from Ives. | 0:38:06 | 0:38:09 | |
'Ere, listen. I rented it to Fletcher in good faith. | 0:38:09 | 0:38:13 | |
How was I to know about the rising damp or the subsidence? | 0:38:13 | 0:38:16 | |
Any road, as I said to him, it's a good job it was condemned, otherwise it would've been a deathtrap. | 0:38:16 | 0:38:23 | |
While Fletcher slummed it in London, Grouty was heading to the Costa del Crime. | 0:38:23 | 0:38:29 | |
In 1997, you moved to Spain. Why was that? | 0:38:29 | 0:38:33 | |
I had business associates in Morocco. Spain was where I kept the Iron Lady. | 0:38:33 | 0:38:38 | |
-Sorry? -My yacht. Named it after Mrs Thatcher. | 0:38:38 | 0:38:42 | |
Now, there's a woman you CAN respect. | 0:38:42 | 0:38:45 | |
Grout? He was a gent, Grout was. Yeah. | 0:38:46 | 0:38:51 | |
He was a down-to-the-salt-of-the-earth, proper London sociopathic...GENT, | 0:38:51 | 0:38:57 | |
like the Krays, or the Richardsons. One of the Richardsons once said to me, "What a piece of work is man, | 0:38:57 | 0:39:04 | |
"How noble in reason, How infinite in faculties, | 0:39:04 | 0:39:08 | |
"In form and moving, How express and admirable." | 0:39:08 | 0:39:11 | |
No, that was RALPH Richardson. | 0:39:15 | 0:39:18 | |
Yeah. | 0:39:18 | 0:39:20 | |
You were in Spain, but continued your business interests here. | 0:39:20 | 0:39:24 | |
I don't know what you mean, Melvin. | 0:39:24 | 0:39:26 | |
-It's in your book, Harry. -Is it? | 0:39:26 | 0:39:30 | |
Oh, dear. I shall have to have a word with my ghost writer. | 0:39:30 | 0:39:34 | |
Police are still searching for the Covent Garden jewel thieves. | 0:39:36 | 0:39:41 | |
The men, armed with shotguns held up a security van | 0:39:41 | 0:39:45 | |
carrying in excess of £5 million worth of jewellery. | 0:39:45 | 0:39:49 | |
We couldn't prove Grout'd organised it. | 0:39:49 | 0:39:52 | |
He'd been in Spain for years. But it had his fingerprints all over it. | 0:39:52 | 0:39:57 | |
Not literally, of course. Unfortunately! | 0:39:57 | 0:40:01 | |
A lot of people have suggested, um, you were involved in last year's Covent Garden jewel robbery. | 0:40:01 | 0:40:08 | |
A lot of people had better keep their mouths shut, then. | 0:40:08 | 0:40:13 | |
I was in Spain, Melvin. How could I have possibly organised that? | 0:40:13 | 0:40:18 | |
Over the phone? | 0:40:18 | 0:40:20 | |
-So, what happened next in the year 2000? -Summer of 2000! | 0:40:26 | 0:40:31 | |
Yeah. We all decided to go on a Fletcher family holiday. | 0:40:32 | 0:40:37 | |
First time in, well... probably ever. Costa del Sol. | 0:40:37 | 0:40:42 | |
Fletcher had no idea that the trip would change his life in more ways than one. | 0:40:42 | 0:40:49 | |
'When we arrived, we hit the beach, and Dad being Dad, he went to the pub. | 0:40:49 | 0:40:55 | |
'And that's where he met her. I couldn't believe it. After all these years! | 0:40:55 | 0:41:02 | |
'There she was pulling pints at the Dog and Dago - | 0:41:02 | 0:41:07 | |
'Gloria!' | 0:41:07 | 0:41:10 | |
Oh, Norman! | 0:41:11 | 0:41:13 | |
Oh, Gloria! | 0:41:13 | 0:41:15 | |
# You belong to me-e-e. # | 0:41:15 | 0:41:20 | |
Gloria?! | 0:41:20 | 0:41:22 | |
Oh, Norman! | 0:41:24 | 0:41:27 | |
Well, I was pleased for Dad. He deserved a bit of romance back in his life. | 0:41:29 | 0:41:35 | |
I'm not condoning him sneaking off with her behind Mum's back, but... | 0:41:35 | 0:41:40 | |
all water under the duck's bridge now, as they say. | 0:41:40 | 0:41:44 | |
Yet another twist of fate awaited Fletch on the plane home in the shape of Harry Grout. | 0:41:44 | 0:41:51 | |
"To Fletch and the family, all the best, Grouty." | 0:41:51 | 0:41:56 | |
We was on our way back from Spain, and there right next to us across the aisle was Harry Grout. | 0:41:56 | 0:42:03 | |
How Dad laughed. | 0:42:03 | 0:42:05 | |
Well, once he'd recovered from the shock. | 0:42:05 | 0:42:08 | |
Grouty wrote this just before he, er... | 0:42:09 | 0:42:12 | |
Well... | 0:42:13 | 0:42:15 | |
'The funeral was held today of one of the East End's most notorious gangland figures, Harry Grout.' | 0:42:15 | 0:42:22 | |
Grout, who died on board a plane from Spain, | 0:42:22 | 0:42:25 | |
was thought to be the brains | 0:42:25 | 0:42:27 | |
behind the Covent Garden jewel robbery - the proceeds from which have still not been recovered. | 0:42:27 | 0:42:34 | |
Police sources revealed that Grout may have taken the whereabouts of the jewels with him to his grave. | 0:42:34 | 0:42:40 | |
He had a lovely send-off. Barbara Windsor was there. | 0:42:40 | 0:42:45 | |
Well, we'd all like that when we go, wouldn't we, Mr Johnson? | 0:42:45 | 0:42:49 | |
Dad went. | 0:42:49 | 0:42:51 | |
He took a lovely floral tribute. | 0:42:51 | 0:42:53 | |
# Moon River... # | 0:42:53 | 0:42:57 | |
You know, Dad was the last person Harry Grout spoke to. | 0:42:57 | 0:43:01 | |
He whispered something to Dad just before he passed away. | 0:43:01 | 0:43:05 | |
This way, Mr Johnson. | 0:43:05 | 0:43:08 | |
Police were stunned today as the jewels | 0:43:12 | 0:43:15 | |
from the Covent Garden robbery were recovered after more than a year. | 0:43:15 | 0:43:21 | |
They were found by a 70-year-old North London man Norman Stanley Fletcher. | 0:43:21 | 0:43:27 | |
Mr Fletcher was delighted to help the police, and was looking forward to receiving his £250,000 reward. | 0:43:27 | 0:43:33 | |
Fletcher's luck had finally changed. | 0:43:33 | 0:43:36 | |
Dad's a wily old fox. | 0:43:36 | 0:43:40 | |
I asked him what Grouty had said to him on the plane. | 0:43:40 | 0:43:44 | |
He just smiled at me and said, | 0:43:45 | 0:43:48 | |
"Ingrid, my love, that man's words of wisdom changed my life." | 0:43:48 | 0:43:52 | |
Aargh! | 0:43:52 | 0:43:54 | |
Thank you, ladies and gentlemen. Thank you. | 0:44:01 | 0:44:05 | |
APPLAUSE | 0:44:05 | 0:44:07 | |
With his reward money, Norman Stanley Fletcher bought a pub in Muswell Hill. | 0:44:07 | 0:44:13 | |
And so it was that at the end of a long and chequered career, | 0:44:13 | 0:44:18 | |
he found happiness with the love of his youth, Gloria. | 0:44:18 | 0:44:22 | |
-And you are? -Are you finished, Norman? | 0:44:24 | 0:44:28 | |
Yes, thank you, Gloria. The light of my life. The puller of my pints. | 0:44:28 | 0:44:33 | |
-Now, who is this lot here? -It's the BBC, Norman. -Oh, yeah? | 0:44:33 | 0:44:38 | |
-They're making that documentary about you. -Why's that? | 0:44:38 | 0:44:42 | |
Oh - your portrait of a recanted recidivist, is it? | 0:44:42 | 0:44:45 | |
The chequered career of your habitual criminal, social history through the personal? | 0:44:45 | 0:44:51 | |
Load of cobblers. | 0:44:51 | 0:44:53 | |
-I think Ted's ready, love. -Is he? ..If you nerks will now excuse me, then. | 0:44:53 | 0:44:59 | |
A-hem. | 0:44:59 | 0:45:01 | |
MUSIC: Opening Chords Of "You Belong To Me" | 0:45:01 | 0:45:04 | |
# See the pyramids Across the Nile | 0:45:10 | 0:45:15 | |
# Watch the sun rise On a tropic isle | 0:45:15 | 0:45:19 | |
# Just remember, darlin' All the while | 0:45:19 | 0:45:25 | |
# You belong to me | 0:45:25 | 0:45:28 | |
# See the marketplace In old Algiers | 0:45:31 | 0:45:35 | |
# Send me photographs And souvenirs | 0:45:35 | 0:45:40 | |
# Just remember When the dream appears | 0:45:40 | 0:45:45 | |
# You belong to me | 0:45:45 | 0:45:47 | |
# Fly the ocean In a silver plane | 0:45:49 | 0:45:53 | |
# See the jungle When it's wet with rain | 0:45:53 | 0:45:58 | |
# Just remember Till you're home again | 0:45:58 | 0:46:03 | |
# You belong to me | 0:46:03 | 0:46:06 | |
# You belong | 0:46:08 | 0:46:12 | |
# To me-e-e-e! # | 0:46:12 | 0:46:17 | |
Hey! Thank you. Thank you. | 0:46:17 | 0:46:20 | |
-Thank you. -Lovely. | 0:46:20 | 0:46:23 | |
THEME FROM PORRIDGE | 0:46:23 | 0:46:26 |