
Browse content similar to Greg Davies: Firing Cheeseballs at a Dog. Check below for episodes and series from the same categories and more!
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This programme contains strong language | 0:00:02 | 0:00:15 | |
This programme contains adult humour | 0:00:15 | 0:00:29 | |
Ladies and gentlemen, please welcome to the stage Greg Davies. | 0:00:36 | 0:00:42 | |
CHEERING AND APPLAUSE | 0:00:42 | 0:00:45 | |
How lovely. Thank you very much. | 0:00:51 | 0:00:53 | |
Hello, hello, hello, all right? Hello. ALL: Hello. | 0:00:55 | 0:00:59 | |
Thanks for coming, nice to be here. | 0:00:59 | 0:01:01 | |
Um... Yes, well, there we are. | 0:01:01 | 0:01:04 | |
A quick flash through my childhood | 0:01:04 | 0:01:06 | |
and there is the horrific up-to-date specimen. | 0:01:06 | 0:01:10 | |
Nice to have this immortalised. | 0:01:10 | 0:01:12 | |
Hello. ALL: Hello. | 0:01:15 | 0:01:18 | |
I'll apologise, before we start, for this shirt. | 0:01:18 | 0:01:20 | |
As you can see, it is clearly for a man three feet shorter than me. | 0:01:20 | 0:01:25 | |
I thought I'd got away with it because I've done | 0:01:25 | 0:01:27 | |
that classic fat-man thing of combining an ill-fitting shirt | 0:01:27 | 0:01:31 | |
with a T-shirt, | 0:01:31 | 0:01:33 | |
not realising that this clearly also doesn't fit me. | 0:01:33 | 0:01:35 | |
I can only apologise to you and the people at home, indeed. | 0:01:37 | 0:01:41 | |
As I get more animated during the show, as I surely will... | 0:01:41 | 0:01:44 | |
I don't know what that was. | 0:01:46 | 0:01:48 | |
..you're going to see a lot more of me than you bargained for. | 0:01:48 | 0:01:51 | |
I'm very sorry. The only thing I can offer to put ladies at ease | 0:01:51 | 0:01:54 | |
is that I am of no sexual threat whatsoever. | 0:01:54 | 0:01:57 | |
I'm 42 years of age, I literally have to hit it with nettles. | 0:01:59 | 0:02:02 | |
Sex with me these days is akin to thumbing marshmallows | 0:02:06 | 0:02:10 | |
into the anus of a cat. | 0:02:10 | 0:02:12 | |
Thought I'd start low, build it up. | 0:02:15 | 0:02:17 | |
There's kind of two versions of the show - clean and dirty. | 0:02:17 | 0:02:20 | |
I'm going to go with dirty, based on that reaction. | 0:02:20 | 0:02:23 | |
My show, ladies and gentlemen, is called Firing Cheeseballs At A Dog. | 0:02:25 | 0:02:28 | |
Why is that, Greg? Why is that, Greg? I'll tell you. | 0:02:28 | 0:02:32 | |
I went on holiday last year with a friend and colleague of mine, | 0:02:32 | 0:02:35 | |
Marek Larwood. Yay! He's a small bald man. There we are. | 0:02:35 | 0:02:37 | |
Some people know him, he's hilarious. We decided... | 0:02:37 | 0:02:39 | |
And this is an insult to every person in the country with a job. | 0:02:39 | 0:02:43 | |
We decided, last year, | 0:02:43 | 0:02:45 | |
that through our work, we had become incredibly stressed. | 0:02:45 | 0:02:48 | |
Now, look at what I do for a living. It's not hard work, right? | 0:02:48 | 0:02:51 | |
We thought we were terribly stressed. | 0:02:51 | 0:02:53 | |
"We will have to go and discover ourselves!" | 0:02:53 | 0:02:56 | |
We hired a remote cottage on a mountainside in Andalucia in Spain. | 0:02:56 | 0:03:01 | |
Two things happened in the remote hideaway | 0:03:03 | 0:03:05 | |
that gave the show its title. | 0:03:05 | 0:03:07 | |
Number one, day one, I almost died. Right? | 0:03:07 | 0:03:10 | |
QUIET LAUGHTER Thank you. | 0:03:10 | 0:03:12 | |
I got electrocuted. I genuinely got electrocuted. | 0:03:12 | 0:03:15 | |
I picked up a wire in this cottage, | 0:03:15 | 0:03:17 | |
thinking it was just an innocent wire. It was live. | 0:03:17 | 0:03:19 | |
I took 300 volts through my fat carcass, | 0:03:19 | 0:03:23 | |
I danced off the end of that wire | 0:03:23 | 0:03:25 | |
like an out-of-shape epileptic Michael Flatley. | 0:03:25 | 0:03:28 | |
It was one of the more humiliating sights you will ever see - | 0:03:28 | 0:03:32 | |
a 6'8", 20-stone man screaming like a child. | 0:03:32 | 0:03:36 | |
I was going, "No, please! Please! Let me live, let me live!" | 0:03:36 | 0:03:42 | |
I finally freed myself from the thing, | 0:03:42 | 0:03:45 | |
I ran round to find Marek. | 0:03:45 | 0:03:46 | |
I went, "Did you not hear me?" He went, "What?" | 0:03:46 | 0:03:49 | |
I said, "Did you not hear me screaming? | 0:03:49 | 0:03:51 | |
"I've just been electrocuted!" This is a side point, really. | 0:03:51 | 0:03:54 | |
He said, "Yes, I heard you screaming. | 0:03:54 | 0:03:56 | |
"I just thought you'd seen a spider." | 0:03:56 | 0:03:59 | |
To make me scream like that, | 0:04:00 | 0:04:02 | |
it would have to have been a giant spider | 0:04:02 | 0:04:03 | |
with Peter Mandelson on its back, wanking. | 0:04:03 | 0:04:06 | |
I managed to calm myself down and waited for what I think is | 0:04:10 | 0:04:13 | |
a God-given right for anyone who's almost died - | 0:04:13 | 0:04:16 | |
I waited for my epiphany. | 0:04:16 | 0:04:19 | |
The moment where I would understand life, | 0:04:19 | 0:04:21 | |
cos if you almost die, that's what happens, right? | 0:04:21 | 0:04:23 | |
You suddenly understand life better. | 0:04:23 | 0:04:25 | |
I waited for ten hours. I gave up in the end and fell asleep. | 0:04:25 | 0:04:28 | |
Day two, incident two, | 0:04:28 | 0:04:30 | |
Marek and I came down the little winding concrete track | 0:04:30 | 0:04:34 | |
from the house on the hill in our hire car to buy provisions | 0:04:34 | 0:04:38 | |
for the whole week away. | 0:04:38 | 0:04:40 | |
Now, I am an adult, right? I am 42 years of age, hard to believe. | 0:04:40 | 0:04:45 | |
LAUGHTER | 0:04:45 | 0:04:47 | |
Marek is an adult. | 0:04:47 | 0:04:49 | |
After one hour of shopping for seven days away, | 0:04:49 | 0:04:52 | |
we returned up the mountain track with two things. | 0:04:52 | 0:04:55 | |
I had bought a massive bag of these - Cheeseballs. | 0:04:55 | 0:04:59 | |
They are a round, Wotsit-like snack, they are nutrition-free, | 0:04:59 | 0:05:03 | |
they will sustain a human being for six fucking seconds. | 0:05:03 | 0:05:08 | |
If you think THAT'S pathetic, Marek had bought a catapult. | 0:05:08 | 0:05:13 | |
That's it, right? For a whole week away. | 0:05:15 | 0:05:17 | |
We were driving back up the mountain track going, | 0:05:17 | 0:05:20 | |
"Yeah, that'll do! We'll survive on that for a whole week!" | 0:05:20 | 0:05:22 | |
When we met the first character of my story, | 0:05:22 | 0:05:26 | |
we met this character here. A dog. It was the dog. | 0:05:26 | 0:05:30 | |
It was sitting in the middle of the track, | 0:05:30 | 0:05:32 | |
blocking the path of the hire car. | 0:05:32 | 0:05:35 | |
If I'm honest with you, it pissed me off straight away. | 0:05:35 | 0:05:37 | |
I gave it a little beep on the horn. In my mind, the dog did this. | 0:05:39 | 0:05:43 | |
What the fuck is this? | 0:05:46 | 0:05:48 | |
I gave him another little beep and in my mind, the dog did this. | 0:05:49 | 0:05:54 | |
Oh, my God. | 0:05:57 | 0:05:58 | |
So I gave him a third beep and in my mind, the dog did this. | 0:05:58 | 0:06:03 | |
("MEXICAN" ACCENT) "Yes! Yes, my friend! | 0:06:04 | 0:06:09 | |
"I block your path! | 0:06:09 | 0:06:12 | |
"I will... | 0:06:12 | 0:06:14 | |
"I will not move for you! | 0:06:14 | 0:06:16 | |
"And yes, that's right - I am a Mexican dog!" | 0:06:16 | 0:06:20 | |
"You weren't expecting THAT in Spain, were you? | 0:06:22 | 0:06:26 | |
"If any of the other shows on my tour are anything to go by, | 0:06:26 | 0:06:29 | |
"I could become French in a minute!" | 0:06:29 | 0:06:32 | |
("FRENCH" ACCENT) "I will not move for you!" I'm pretty French already. | 0:06:34 | 0:06:38 | |
"I will not move for you! | 0:06:38 | 0:06:42 | |
"I will block your path! | 0:06:42 | 0:06:45 | |
"And I will flagrantly lick my penis and testicles, | 0:06:45 | 0:06:50 | |
"without so much of a hint of a bad back..." | 0:06:50 | 0:06:55 | |
(NORMAL VOICE) "Unlike you when you were 14... | 0:06:55 | 0:06:59 | |
"and you only managed to get the tip in." Right. | 0:06:59 | 0:07:02 | |
Deal with it, it happened. | 0:07:02 | 0:07:04 | |
It wasn't going to move. It wasn't going to move. | 0:07:04 | 0:07:08 | |
Then we realised... we had everything we needed. | 0:07:08 | 0:07:14 | |
I got the massive bag of Cheeseballs out. Marek got the catapult out. | 0:07:14 | 0:07:18 | |
Not a word went between us. We knelt down and, one by one, | 0:07:18 | 0:07:21 | |
we fired a whole family bag of snacks | 0:07:21 | 0:07:24 | |
into that arrogant prick's face. | 0:07:24 | 0:07:27 | |
Ladies and gentlemen, I laughed my bollocks off. | 0:07:29 | 0:07:34 | |
That's when it happened. | 0:07:34 | 0:07:36 | |
That's when I got the epiphany that I should have had 24 hours earlier, | 0:07:36 | 0:07:40 | |
because, as I fired crisps into that confused animal's face, | 0:07:40 | 0:07:45 | |
I thought, "Oh, my God, | 0:07:45 | 0:07:47 | |
"this is as good as life gets." | 0:07:47 | 0:07:51 | |
Because when I was firing crisps into a dog's face, | 0:07:53 | 0:07:55 | |
I wasn't worried about my past, I wasn't worried about the present, | 0:07:55 | 0:07:58 | |
about health, about my parents, about the future. | 0:07:58 | 0:08:01 | |
I would just thinking, "If I hit him in the nose often enough, | 0:08:01 | 0:08:03 | |
"it will turn orange." | 0:08:03 | 0:08:06 | |
It was liberating. | 0:08:06 | 0:08:07 | |
I was laughing for an hour afterwards. | 0:08:09 | 0:08:11 | |
After one hour I was still, "Hee-hee-hee!" | 0:08:11 | 0:08:14 | |
Two hours, "Ooh-ha-ha-ha!" | 0:08:14 | 0:08:16 | |
On hour three, I thought, "This isn't normal. | 0:08:16 | 0:08:19 | |
"You shouldn't be laughing at this any more. It's not that funny." | 0:08:19 | 0:08:22 | |
So I did bit of psychoanalysis on myself and I worked it out. | 0:08:22 | 0:08:26 | |
I've worked out that I inherited two things off my mum. | 0:08:26 | 0:08:29 | |
Number one, massive tits. | 0:08:29 | 0:08:32 | |
Number two, a glass-is-half-empty approach to life. | 0:08:35 | 0:08:40 | |
Whatever I'm doing, I think it's going to go wrong. | 0:08:40 | 0:08:43 | |
Whatever I'm looking forward to, | 0:08:43 | 0:08:45 | |
I think it's going to get cancelled and someone is going to die. | 0:08:45 | 0:08:49 | |
It is the worst way to live your life, | 0:08:49 | 0:08:51 | |
because you are never truly present. | 0:08:51 | 0:08:54 | |
You are never just DOING something, you're thinking outside it, | 0:08:54 | 0:08:58 | |
worrying about what's happened or what's about to happen. | 0:08:58 | 0:09:00 | |
For once, when I was firing crisps at a dog, | 0:09:00 | 0:09:02 | |
I was just DOING something, right? | 0:09:02 | 0:09:05 | |
I thought, this is how I want to remember my life. | 0:09:05 | 0:09:07 | |
I want to look back on my life and remember only the times | 0:09:07 | 0:09:10 | |
where I was lost in time, just doing something. | 0:09:10 | 0:09:13 | |
I thought, I wonder if I can sustain a whole life story | 0:09:13 | 0:09:16 | |
using that system. You'd think no. Yes! | 0:09:16 | 0:09:19 | |
Let's crack on with the main narrative. | 0:09:19 | 0:09:21 | |
Years one to ten. I will cover years one to ten in one incident. | 0:09:21 | 0:09:26 | |
I will summarise that incident with the word AWKWARD. | 0:09:26 | 0:09:29 | |
Because I want to remember the first time ever | 0:09:32 | 0:09:35 | |
that I was lost in space just doing something. | 0:09:35 | 0:09:37 | |
I've remembered it, it's my first memory. | 0:09:37 | 0:09:39 | |
I was three years of age, I was sitting in a pram | 0:09:39 | 0:09:41 | |
outside a supermarket, waiting for my mum to do her shopping. | 0:09:41 | 0:09:44 | |
She'd left me outside, on my own at three years of age. | 0:09:44 | 0:09:49 | |
It would appear, in the early 1970s, there weren't any paedophiles. | 0:09:49 | 0:09:54 | |
I'll do a little diagram of this for you. | 0:09:56 | 0:09:58 | |
I was sitting in a pram, here's the pram. Yes, there it is. | 0:09:58 | 0:10:01 | |
Here's the little wheels. Look, there they are. Yes. | 0:10:04 | 0:10:09 | |
Here's little Greg. | 0:10:09 | 0:10:10 | |
Little three-year-old Greg, smiling away. There he is. Nice. | 0:10:11 | 0:10:16 | |
Here's his legs. | 0:10:16 | 0:10:17 | |
Here's his fucking arms, look. | 0:10:22 | 0:10:24 | |
It looked like someone had tried to Sellotape | 0:10:26 | 0:10:29 | |
a spider monkey into an egg cup. | 0:10:29 | 0:10:31 | |
I've seen the pictures, humiliating. Half child, half mutant octopus. | 0:10:31 | 0:10:36 | |
I was sitting there minding my own business | 0:10:36 | 0:10:39 | |
when a little old lady came up. | 0:10:39 | 0:10:41 | |
She put an ice pop in my hand and I remember like it was yesterday. | 0:10:41 | 0:10:44 | |
I took it off her, I started eating the ice pop, | 0:10:44 | 0:10:48 | |
I didn't give a shit who she was, | 0:10:48 | 0:10:49 | |
I didn't give a shit where my mum had gone. | 0:10:49 | 0:10:51 | |
I was just eating an ice pop. I was just there, in time. Nice memory. | 0:10:51 | 0:10:57 | |
I thought! Until I told my mum about it. | 0:10:57 | 0:11:00 | |
She said, "I remember that, love. | 0:11:00 | 0:11:03 | |
"There's something about that you don't remember." | 0:11:03 | 0:11:05 | |
I went, "I'm sorry?" | 0:11:05 | 0:11:08 | |
She said, "I came out of the supermarket, love, | 0:11:08 | 0:11:10 | |
"and that old lady was still there and you are eating your ice pop | 0:11:10 | 0:11:13 | |
"and she looked down at you and when she realised I was your mum, | 0:11:13 | 0:11:16 | |
"she looked up at me and said only these words..." | 0:11:16 | 0:11:18 | |
This is a real quote. | 0:11:18 | 0:11:20 | |
"Oh, I'm so sorry for you. THAT is a shame." | 0:11:20 | 0:11:24 | |
What the fuck is that? | 0:11:27 | 0:11:29 | |
That is an adult saying to my mother, | 0:11:31 | 0:11:33 | |
"I am so sorry that your foetid vagina | 0:11:33 | 0:11:36 | |
"threw up this aborted Mr Tickle. | 0:11:36 | 0:11:39 | |
"Take it home and stamp it to death." | 0:11:39 | 0:11:44 | |
They're not all going to be happy memories, that's my point. | 0:11:44 | 0:11:47 | |
11 to 18, secondary school, formative years. | 0:11:50 | 0:11:53 | |
I was quite bullied in secondary school, | 0:11:53 | 0:11:56 | |
but I won't mention that because this is a comedy show. | 0:11:56 | 0:11:58 | |
Instead, I will just mention a man first of all. This man here. | 0:11:58 | 0:12:02 | |
FAT CHAN! | 0:12:02 | 0:12:04 | |
Here he is. Yes, please. | 0:12:07 | 0:12:10 | |
Fat Chan was the name of the head teacher at my school. | 0:12:14 | 0:12:16 | |
Obviously, not his real name. It was a nickname we gave him. | 0:12:16 | 0:12:20 | |
It was a nickname, ladies and gentlemen, | 0:12:20 | 0:12:22 | |
that was 50% accurate. | 0:12:22 | 0:12:25 | |
Fat Chan, as you can see from my diagram, was certainly fat. | 0:12:25 | 0:12:28 | |
Tick. | 0:12:28 | 0:12:30 | |
He wasn't, however, of a racially Oriental background. | 0:12:31 | 0:12:35 | |
We called him Fat Chan | 0:12:38 | 0:12:40 | |
because he had slightly slittier eyes than an average person. | 0:12:40 | 0:12:43 | |
Let me tell you, in 1980s Shropshire, | 0:12:43 | 0:12:46 | |
that kind of racism was entirely acceptable. | 0:12:46 | 0:12:48 | |
Names. | 0:12:54 | 0:12:56 | |
I was shitting myself about being bullied when I went to school. | 0:12:57 | 0:13:01 | |
My mother pulled me to one side and she said this. | 0:13:01 | 0:13:04 | |
She said, "You listen to me, Greg Davies. | 0:13:04 | 0:13:07 | |
"The bullies, yeah? | 0:13:07 | 0:13:10 | |
(LISPING) "They can take your sweets, they can take your..." | 0:13:10 | 0:13:14 | |
I'm sorry, I've no idea why my mum sounds like a camp man. | 0:13:14 | 0:13:17 | |
(CAMPLY) "They can take your sweets." | 0:13:19 | 0:13:21 | |
She was wearing a ruffled shirt. | 0:13:21 | 0:13:23 | |
She said, "They can take your sweets. | 0:13:23 | 0:13:27 | |
"They can take your dinner money. | 0:13:27 | 0:13:30 | |
"They can take your clothes..." Which was a strange one. | 0:13:30 | 0:13:33 | |
She said, "..but I'll tell you | 0:13:33 | 0:13:35 | |
"what they can't take off you, Greg Davies. | 0:13:35 | 0:13:37 | |
"They can never take your name. We gave you that. | 0:13:37 | 0:13:42 | |
"No-one can take your name off you. That's yours for ever." | 0:13:42 | 0:13:46 | |
Well, ladies and gentlemen, that, of course, is horseshit, isn't it? | 0:13:46 | 0:13:51 | |
As I think I have already proved with Fat Chan. | 0:13:51 | 0:13:54 | |
Children can take your name in a heartbeat with no reason, | 0:13:56 | 0:14:01 | |
with no reason. | 0:14:01 | 0:14:03 | |
I can prove it. I've prepared some for you. | 0:14:03 | 0:14:05 | |
These are all genuine nicknames from my year group at school. | 0:14:05 | 0:14:07 | |
Not even my whole school. This is my year group. They are all real. | 0:14:07 | 0:14:12 | |
Feast your eyes on these. | 0:14:12 | 0:14:14 | |
I've not made any of them up. Tell me how fair you think they are. | 0:14:19 | 0:14:23 | |
Badback, boy in my year. | 0:14:23 | 0:14:25 | |
I'll throw this in for you, a bit of side fun. | 0:14:25 | 0:14:27 | |
He was round at my mum's house a couple of weeks ago, | 0:14:27 | 0:14:29 | |
fitting a new shower. | 0:14:29 | 0:14:31 | |
Badback was called Badback for five school years | 0:14:38 | 0:14:44 | |
because on ONE DAY, | 0:14:44 | 0:14:47 | |
he had a bad back. | 0:14:47 | 0:14:49 | |
It wasn't a re-occurring injury. | 0:14:49 | 0:14:51 | |
He came in one day and went, | 0:14:51 | 0:14:54 | |
"I've got a bit of a bad back today, lads." | 0:14:54 | 0:14:56 | |
We went, "Right, that's you fucked for five years. Lovely." | 0:14:56 | 0:14:59 | |
Polly, slightly more sinister. | 0:15:01 | 0:15:02 | |
He had a nasty burn down one of his arms. | 0:15:02 | 0:15:05 | |
It would appear on that occasion, Polly... | 0:15:05 | 0:15:07 | |
put the kettle on his arm, so that's... | 0:15:07 | 0:15:10 | |
Don't shoot the messenger! | 0:15:14 | 0:15:17 | |
Spunk Eye AKA Popeye. | 0:15:17 | 0:15:19 | |
Two nicknames, one boy, Stephen Jenkins, | 0:15:21 | 0:15:24 | |
let me tell you how Stephen got those nicknames | 0:15:24 | 0:15:26 | |
using only the facts. | 0:15:26 | 0:15:28 | |
Because I was there, this is what happened, ready? | 0:15:28 | 0:15:31 | |
Stephen Jenkins was in a science lesson. | 0:15:32 | 0:15:36 | |
He rubbed his eye... | 0:15:36 | 0:15:38 | |
It went a little bit red. | 0:15:38 | 0:15:40 | |
There are NO MORE FACTS associated with either of those names. | 0:15:43 | 0:15:48 | |
Within 24 hours, everyone was calling him Popeye, | 0:15:48 | 0:15:51 | |
because the rumour went round that he had rubbed his eye so hard | 0:15:51 | 0:15:54 | |
it had popped out onto his cheek! | 0:15:54 | 0:15:55 | |
And he chased everyone round like a Doctor Who monster. | 0:15:55 | 0:15:58 | |
A work of fiction, right? | 0:15:58 | 0:16:00 | |
Then someone overheard him in the corridor say | 0:16:00 | 0:16:03 | |
"I quite like the nickname Popeye" | 0:16:03 | 0:16:04 | |
and a whole school year went, "Well, that's not fucking happening!" | 0:16:04 | 0:16:08 | |
So, a new rumour went round that we all believed. | 0:16:08 | 0:16:11 | |
That Stephen Jenkins was in a science lesson, | 0:16:11 | 0:16:13 | |
POWER-WANKING... | 0:16:13 | 0:16:15 | |
and a jet of teenage spunk | 0:16:15 | 0:16:19 | |
had flew out of the end of his cannon-like penis, | 0:16:19 | 0:16:22 | |
knocked his eye out of his head, | 0:16:22 | 0:16:25 | |
and it flew out of a window and into the playground. | 0:16:25 | 0:16:28 | |
A total work of fiction. | 0:16:28 | 0:16:29 | |
A nice short one this, he was a boy called Kevin | 0:16:31 | 0:16:33 | |
and he had long hair. Lovely. | 0:16:33 | 0:16:35 | |
This is my favourite, Baghdad. I still know this man. | 0:16:40 | 0:16:43 | |
David. He's a friend of mine. | 0:16:43 | 0:16:46 | |
He's still called Baghdad. | 0:16:46 | 0:16:48 | |
He's 43 years of age, he is a father of three, | 0:16:48 | 0:16:52 | |
he has his own business... | 0:16:52 | 0:16:55 | |
He got it at age 11 and you might be thinking, | 0:16:55 | 0:16:57 | |
"Well, maybe it was some clever connection with the Middle East?" | 0:16:57 | 0:17:00 | |
"Oh, that's why David got the name Baghdad! | 0:17:01 | 0:17:04 | |
"That's clever!" No. | 0:17:04 | 0:17:07 | |
David was called Baghdad after the first summer of school, | 0:17:07 | 0:17:10 | |
because he came in with a new bag... | 0:17:10 | 0:17:12 | |
..that he informed us... | 0:17:15 | 0:17:18 | |
had been bought for him... | 0:17:18 | 0:17:20 | |
..by his dad! | 0:17:21 | 0:17:24 | |
30 years! | 0:17:26 | 0:17:28 | |
30 years I've been laughing at that! | 0:17:28 | 0:17:31 | |
And here's the best bit. His kids call him Baghdad! | 0:17:31 | 0:17:34 | |
So, I've been kind of gathering nicknames on my tour so far. | 0:17:42 | 0:17:46 | |
My favourite audience suggestions are as follows. | 0:17:46 | 0:17:49 | |
That one made me laugh... | 0:17:49 | 0:17:52 | |
That one pleased me... | 0:17:52 | 0:17:54 | |
And this last one I think is the greatest nickname of all time. | 0:17:54 | 0:17:59 | |
Arrogant statement, but I'll prove it. | 0:17:59 | 0:18:00 | |
I think this gentleman was in Birmingham, he was a lovely, | 0:18:00 | 0:18:04 | |
very camp 18-year-old who was sitting in the front. | 0:18:04 | 0:18:08 | |
I went, "What's your nickname?" and he said, "It is Gandhi still." | 0:18:08 | 0:18:11 | |
I said, "Why're you called Gandhi?" "Because I'm Andy, | 0:18:11 | 0:18:14 | |
"and I'm gay and they just..." | 0:18:14 | 0:18:17 | |
Think this was in Scotland. He'd had half an ear bitten off in a fight | 0:18:21 | 0:18:25 | |
and I went, "Right 18 months, why?" | 0:18:25 | 0:18:27 | |
And he said, "Oh, ear and a half." Lovely! | 0:18:27 | 0:18:30 | |
In my opinion, the greatest nickname of all time, Mumbo. | 0:18:32 | 0:18:36 | |
And the reason I think that is because he was fucked off still. | 0:18:36 | 0:18:39 | |
He was about 45 and he was angry. | 0:18:39 | 0:18:41 | |
I saw him out of the corner of my eye, his friends were going, "Tell him yours!" | 0:18:41 | 0:18:45 | |
He was going, "Fuck off!" | 0:18:45 | 0:18:46 | |
I went, "Go on, mate! Tell us! It's only a bit of a laugh!" | 0:18:46 | 0:18:49 | |
He says, "OK. It was Mumbo, all right?" | 0:18:49 | 0:18:51 | |
I went, "OK, it's fine, it was a long time ago!" | 0:18:51 | 0:18:54 | |
"Why were you called Mumbo?" And this is how he said it. | 0:18:54 | 0:18:56 | |
He goes, "Well, because apparently my mum's got BO!" | 0:18:56 | 0:19:00 | |
Not even anything he'd done! | 0:19:05 | 0:19:06 | |
He just had a stinky fucking mum! | 0:19:06 | 0:19:08 | |
21 to 33. The dark years! | 0:19:12 | 0:19:16 | |
And I made the worst decision of my entire life. | 0:19:18 | 0:19:21 | |
I decided at 21 it would be a good idea to become a teacher. | 0:19:21 | 0:19:25 | |
Not a pretend telly teacher, a real teacher. | 0:19:25 | 0:19:29 | |
I did the hard yards for that fucking part! | 0:19:29 | 0:19:31 | |
Any teachers here? | 0:19:33 | 0:19:35 | |
Awesome! Primary or secondary. Primary? | 0:19:35 | 0:19:39 | |
Not really teaching, is it? | 0:19:39 | 0:19:42 | |
I'm joking, of course! | 0:19:42 | 0:19:44 | |
I think teachers are amazing and I shouldn't be taking the piss | 0:19:44 | 0:19:47 | |
out of a primary school teacher, because I used to teach drama! | 0:19:47 | 0:19:51 | |
I say teach... "What are we doing today, Sir?" | 0:19:52 | 0:19:54 | |
"Make up a play, see you in an hour!" | 0:19:54 | 0:19:57 | |
"What about homelessness?" Whatever! | 0:19:58 | 0:20:00 | |
The one thing that got me through it was the kids. | 0:20:02 | 0:20:04 | |
Because kids' behaviour, and even parents will agree with me on this, | 0:20:04 | 0:20:08 | |
kids behaviour is all of the following things - | 0:20:08 | 0:20:11 | |
it is wonderful, it is horrific | 0:20:11 | 0:20:16 | |
and it is - my favourite - really fucking odd. | 0:20:16 | 0:20:20 | |
I taught a group of children in North London. | 0:20:20 | 0:20:23 | |
They are the strangest group of human beings | 0:20:23 | 0:20:25 | |
I have ever seen assembled in one place together, right? | 0:20:25 | 0:20:28 | |
You can all relax, they weren't special needs! | 0:20:28 | 0:20:31 | |
I'll talk you through some of them. | 0:20:31 | 0:20:35 | |
There was a child called Marwood in that group. | 0:20:35 | 0:20:37 | |
Never believed that was his real name. | 0:20:37 | 0:20:39 | |
He was the king of the weirdos and I'll prove it with one description. | 0:20:39 | 0:20:42 | |
I once said to him, "Hey, Marwood, what you going to do when you leave school?" | 0:20:42 | 0:20:45 | |
No hesitation. He goes, "I'm going to be one of two things, sir. | 0:20:45 | 0:20:48 | |
"I'm going to be a train driver or a gynaecologist." | 0:20:48 | 0:20:50 | |
I said, "They're rather contrasting professions, Marwood." | 0:20:53 | 0:20:55 | |
He didn't pause, he went, "No, you're right, sir. They are. | 0:20:55 | 0:20:59 | |
"I suppose, at the end of the day, I just like tunnels!" | 0:20:59 | 0:21:01 | |
Ginger Pete. Naughtiest child I ever taught. | 0:21:07 | 0:21:10 | |
This kid, he was in trouble 20 times a day, serious trouble, | 0:21:10 | 0:21:14 | |
he had one redeeming feature. | 0:21:14 | 0:21:16 | |
He admitted to anything he'd done straight away. | 0:21:16 | 0:21:19 | |
We didn't have to waterboard Ginger Pete, he'd just tell you. | 0:21:19 | 0:21:22 | |
And I'll prove it. | 0:21:22 | 0:21:24 | |
I once came to my drama studio and in big letters on the door, a child had written this. | 0:21:24 | 0:21:27 | |
"Mr Davies is a bellend." | 0:21:27 | 0:21:32 | |
And I went in and I went "Eh? Sorry?! | 0:21:34 | 0:21:38 | |
"Has anyone seem what's been written on my door? | 0:21:38 | 0:21:41 | |
"Because I actually find that very offensive." | 0:21:41 | 0:21:44 | |
And they all went... HE MUMBLES | 0:21:44 | 0:21:45 | |
I went, "Seriously, who's written "Mr Davies is a bellend" on the door?" | 0:21:45 | 0:21:48 | |
This is what Ginger Pete did. "Oh, yeah, that was me, sir!" | 0:21:48 | 0:21:52 | |
I forgave him 90% there and then. I forgave him 100% when I realised | 0:21:54 | 0:21:58 | |
he'd included the word Mr. Mr Bellend, that's respect! | 0:21:58 | 0:22:02 | |
There was a child called Gavin in the group. | 0:22:05 | 0:22:08 | |
When you were at school, any of you, | 0:22:08 | 0:22:10 | |
and you didn't believe something that someone was saying to you, | 0:22:10 | 0:22:14 | |
how many of you here would use this physical motion? | 0:22:14 | 0:22:18 | |
Now, at my school, we used to say "chinny reckon". | 0:22:20 | 0:22:22 | |
To this day, I don't know what "chinny reckon" means. | 0:22:22 | 0:22:26 | |
I've discovered that around the country, | 0:22:26 | 0:22:28 | |
people had different ones, so what did you say? | 0:22:28 | 0:22:30 | |
-Jimmy Hill. -Jimmy Hill! Old school! | 0:22:30 | 0:22:33 | |
-Nice! It's the chin... -Desperate Dan. | 0:22:33 | 0:22:37 | |
Desperate Dan, that's lovely! Even older school! Anyone else? What? | 0:22:37 | 0:22:40 | |
-Arsehole. -What? -Arsehole. -Arsehole. Seriously? Arsehole? | 0:22:40 | 0:22:49 | |
Is that honestly what you said? Arsehole? You went to a convent? | 0:22:49 | 0:22:54 | |
Well, that explains it! | 0:22:54 | 0:22:57 | |
I heard one the other day that I've never heard before, | 0:22:57 | 0:23:00 | |
which I think is amazing. Tutankhamen, which is lovely. | 0:23:00 | 0:23:04 | |
If it's a really big lie, Tutankhamen all the way to the moon. | 0:23:04 | 0:23:08 | |
At the school I taught at, it was just the word beard, that's it. | 0:23:08 | 0:23:12 | |
Beard. Don't believe you, beard. Beard. | 0:23:12 | 0:23:17 | |
But Gavin hadn't been through puberty yet, so he said it like this. | 0:23:17 | 0:23:20 | |
(HIGH-PITCHED) Beard! Beard! | 0:23:20 | 0:23:24 | |
I would go, "Gavin, how are you today?" "Beard!" | 0:23:24 | 0:23:27 | |
"No, I said how are you today?" "Beard!" "Gavin, how are you today?" | 0:23:27 | 0:23:29 | |
"Beard!" And then for the whole lesson. "You're not in our group." "Beard!" | 0:23:29 | 0:23:33 | |
"Gavin, stop messing around!" "Beard!" "Gavin, give me my coat back!" "Beard!" | 0:23:33 | 0:23:37 | |
"Gavin, get off the chair!" "Beard! Beard! Beard! Beard!" | 0:23:37 | 0:23:40 | |
50 times a lesson, every week, he was a fat prick! | 0:23:40 | 0:23:45 | |
There was a child that more than made up for him, though. Karen Powell. | 0:23:49 | 0:23:54 | |
My favourite pupil that I ever taught. | 0:23:54 | 0:23:56 | |
Karen was 11 years of age and she had two fascinating characteristics. | 0:23:56 | 0:24:01 | |
No! | 0:24:01 | 0:24:02 | |
Number one, her internal compass was fucked. | 0:24:04 | 0:24:09 | |
For some reason, she was 20 minutes late to every single lesson, | 0:24:09 | 0:24:12 | |
I don't know why. Number two, even though | 0:24:12 | 0:24:16 | |
she was 11, she spoke like a repressed 1940s housewife. | 0:24:16 | 0:24:19 | |
You will think I'm exaggerating this impression, I'm not. | 0:24:19 | 0:24:23 | |
This is how she spoke. "Hello, sir, how are you today?" | 0:24:23 | 0:24:28 | |
I'd be biting through my fucking lip trying not to laugh when she came in. | 0:24:28 | 0:24:32 | |
I would go, "I'm all right, thanks, Karen, yeah. How are you?" | 0:24:32 | 0:24:35 | |
She would say, "I'm very well!" | 0:24:35 | 0:24:36 | |
I'll give you an idea of her compass. | 0:24:39 | 0:24:41 | |
She once came to see me after a lesson and she went, | 0:24:41 | 0:24:44 | |
"Excuse me, sir, could I have a word with you, please?" | 0:24:44 | 0:24:46 | |
I went, "Always, Karen." | 0:24:46 | 0:24:48 | |
She said, "I just wanted to say something to you. | 0:24:48 | 0:24:51 | |
"I thought that my performance in your lesson today was a little below par." | 0:24:51 | 0:24:55 | |
"I thought you were excellent." "That's very kind. That's very kind. No, but no... | 0:24:58 | 0:25:01 | |
"No, I thought my characterisation was paper thin, | 0:25:01 | 0:25:04 | |
"my use of space was appalling and my group work was an abomination. | 0:25:04 | 0:25:08 | |
"And if you would permit me, I would like to offer you my most humble of apologies." | 0:25:08 | 0:25:13 | |
I said, "You listen to me, Karen Powell. | 0:25:16 | 0:25:19 | |
"You never need to apologise to me, young lady. | 0:25:19 | 0:25:22 | |
"You are my favourite pupil. | 0:25:22 | 0:25:24 | |
"Because you make me laugh my fucking head off." | 0:25:24 | 0:25:28 | |
"Now go outside and enjoy your lunch time. You've deserved it. | 0:25:30 | 0:25:32 | |
She said, "Do you know what, sir? I think I will." | 0:25:32 | 0:25:34 | |
Now, at the time, I was depressed. I didn't want to be there. | 0:25:36 | 0:25:40 | |
I blamed them for trapping me there. | 0:25:40 | 0:25:43 | |
And one of the worst things - any teacher will tell you - | 0:25:43 | 0:25:46 | |
is the amount of paperwork we have to do. | 0:25:46 | 0:25:49 | |
You have to do a thing called a scheme of work. | 0:25:49 | 0:25:52 | |
You have to plan, for years, for all year groups, for all ability groups, | 0:25:52 | 0:25:57 | |
take into consideration pupils' personalities, everything. | 0:25:57 | 0:26:01 | |
Takes hours, weeks. | 0:26:01 | 0:26:04 | |
I didn't want to do any of that, cos I was depressed and I hated them. | 0:26:04 | 0:26:08 | |
So I created one lesson | 0:26:08 | 0:26:12 | |
for all children. | 0:26:12 | 0:26:15 | |
It was called | 0:26:16 | 0:26:18 | |
CLOSE UP TO MIC: Space Mission. | 0:26:18 | 0:26:20 | |
And it was a clinically depressed man reading from an empty book, | 0:26:20 | 0:26:24 | |
it was blank, I used to read out this space mission, | 0:26:24 | 0:26:27 | |
they would act it out in shuttle groups around the room, | 0:26:27 | 0:26:30 | |
they'd act it out in silence, I'd make it up as I was going along, | 0:26:30 | 0:26:33 | |
at the end of the lesson, I'd fuck off, that was it, right? | 0:26:33 | 0:26:36 | |
The only mistake I made was that they loved it. | 0:26:36 | 0:26:38 | |
I didn't want them to, I hated them. But they loved it. | 0:26:39 | 0:26:43 | |
So I would be sitting in between lessons like this. | 0:26:43 | 0:26:45 | |
"Kill me, please." And they would come into my lesson like this. | 0:26:45 | 0:26:49 | |
"Can we come in, sir? | 0:26:49 | 0:26:52 | |
"Can we come in? | 0:26:52 | 0:26:53 | |
And I go, "Yes. Come in." | 0:26:53 | 0:26:57 | |
They'd go, "Oh! Are we doing Space Mission again? | 0:26:58 | 0:27:00 | |
"Are we doing Space Mission today?" | 0:27:00 | 0:27:02 | |
And I'd go, "Yes, we're doing Space Mission. Get into your shuttles. | 0:27:02 | 0:27:06 | |
SHOUTING: "Get into your shuttles!" | 0:27:06 | 0:27:08 | |
And they'd go running into their little shuttles. | 0:27:08 | 0:27:10 | |
I'd go, "All right, yes, calm down. | 0:27:10 | 0:27:13 | |
"Right, where were we last week?" All the hands. | 0:27:16 | 0:27:18 | |
"Yes, Alan, where were we?" | 0:27:18 | 0:27:20 | |
"Sir, we were on the surface of a dangerous planet." | 0:27:20 | 0:27:23 | |
"We were, weren't we, Alan? I'm glad you told me, because I can't fucking remember. | 0:27:23 | 0:27:27 | |
"And how were we feeling? Sophie?" | 0:27:27 | 0:27:29 | |
"Oh, we were nervous, we were nervous and excited!" | 0:27:29 | 0:27:32 | |
"We were, weren't we, Sophie? We were so nervous, so excited. | 0:27:32 | 0:27:35 | |
"And what did the commander of all the shuttles say?" | 0:27:35 | 0:27:38 | |
I let Marwood answer this. This is a real conversation with me and that boy. | 0:27:38 | 0:27:41 | |
"Yes, Marwood. What did the commander of the shuttle say?" | 0:27:41 | 0:27:44 | |
"Oh, no, sir, I want to ask you a question." | 0:27:44 | 0:27:46 | |
I went, "OK, fine, thanks." He said, "Can you do the lambada?" | 0:27:46 | 0:27:50 | |
I said, "No, I can't." He went, "OK. Thanks, carry on." | 0:27:52 | 0:27:55 | |
I'd start the lesson, right. | 0:27:59 | 0:28:01 | |
I used to have a mic in my hand, pathetic, just to make myself laugh. | 0:28:01 | 0:28:05 | |
Control of the drama studio lights. I'd go, "Right, let's start." | 0:28:05 | 0:28:08 | |
CLOSE UP INTO MIC: "Space Mission. | 0:28:09 | 0:28:12 | |
"Episode 143." | 0:28:12 | 0:28:14 | |
"And so, our brave warriors were on the surface of the dangerous planet. | 0:28:17 | 0:28:24 | |
"They were all very, very frightened." | 0:28:24 | 0:28:27 | |
"Beard!" "Yes, they were, Gavin!" INAUDIBLE | 0:28:27 | 0:28:30 | |
"They decide... | 0:28:31 | 0:28:34 | |
"They decided they would take off from the dangerous planet, | 0:28:34 | 0:28:37 | |
"so they strapped themselves in." | 0:28:37 | 0:28:39 | |
Then the door would open. CREAKING "I'm sorry I'm late, sir." | 0:28:39 | 0:28:42 | |
"That's fine, Karen. Go and join Ginger Pete's group." | 0:28:42 | 0:28:45 | |
"They fired the boosters." | 0:28:47 | 0:28:49 | |
All of them shaking, they were convinced they were taking off. | 0:28:49 | 0:28:52 | |
"Oh! We're taking off!" On their little stools, and I'd look at them and I'd think, | 0:28:52 | 0:28:56 | |
"I want you all fucking dead." | 0:28:56 | 0:28:58 | |
So I'd change the story just to piss them off. | 0:28:59 | 0:29:02 | |
I'd go, "And then something awful happened." "Ah! What happened?" | 0:29:02 | 0:29:05 | |
"The power failed." | 0:29:05 | 0:29:07 | |
I'd go to red. | 0:29:10 | 0:29:12 | |
They would shit themselves. | 0:29:12 | 0:29:14 | |
And I'd go, "Yes!" | 0:29:18 | 0:29:19 | |
"Yes, my little friends. The power failed. | 0:29:21 | 0:29:25 | |
"And each of them thought about their mummies and daddies..." | 0:29:28 | 0:29:31 | |
"..who they'd never see again." | 0:29:33 | 0:29:36 | |
"And one by one, each of the astronauts thought, 'Oh, God.'" | 0:29:38 | 0:29:43 | |
"'How did I get here?'" | 0:29:45 | 0:29:47 | |
"'In this little, dark space with these people.'" | 0:29:48 | 0:29:53 | |
"'I mean, I worked so hard at school.'" | 0:29:55 | 0:29:57 | |
"'They said at college I'd definitely get acting work. | 0:30:00 | 0:30:03 | |
"'Just because I was tall, they said. | 0:30:03 | 0:30:06 | |
"'And yet here I am. | 0:30:06 | 0:30:08 | |
"'Trapped with these little rats, eating my soul from inside. | 0:30:08 | 0:30:13 | |
"'It's like the slowest death of all time. | 0:30:13 | 0:30:18 | |
"'It's awful. It's fu...'" | 0:30:18 | 0:30:20 | |
"Excuse me, sir? Is this part of the story?" | 0:30:20 | 0:30:23 | |
"No, it's not, Karen, I do apologise." | 0:30:23 | 0:30:25 | |
"And then, in the darkness, they heard footsteps." "Ah!" | 0:30:27 | 0:30:33 | |
"No!" "Yes!" | 0:30:34 | 0:30:37 | |
"Oh, Sir! What is it?" | 0:30:38 | 0:30:41 | |
"Fuck knows!" | 0:30:41 | 0:30:43 | |
"And then, just for a second, | 0:30:46 | 0:30:51 | |
"the whole window was filled with one giant set of teeth!" | 0:30:51 | 0:30:55 | |
I go to blackout, they'd go mental. | 0:30:55 | 0:30:58 | |
I'd put the lights back on, and I go, | 0:30:58 | 0:31:00 | |
"Yep, well, that's it for this lesson, kids. | 0:31:00 | 0:31:03 | |
"Find out what happens next time." And they'd all go, | 0:31:03 | 0:31:05 | |
"Ah! He's the greatest teacher of all time! | 0:31:05 | 0:31:08 | |
"He's the greatest teacher of all time." | 0:31:08 | 0:31:11 | |
And I'd go out to the back of the drama studio and smoke and cry. | 0:31:11 | 0:31:15 | |
On that particular occasion, Karen Powell made me laugh harder than I think I can ever remember laughing. | 0:31:16 | 0:31:21 | |
She walked past me and I went, "See you next lesson, Karen." | 0:31:21 | 0:31:24 | |
And she went, "Perhaps." | 0:31:24 | 0:31:26 | |
I said, "Perhaps? Did you not enjoy that?" | 0:31:28 | 0:31:30 | |
She goes, "No, I didn't, actually." I said, "But you love drama." | 0:31:30 | 0:31:33 | |
She goes, "Yes, but I didn't enjoy that very much." | 0:31:33 | 0:31:35 | |
I said, "Why not?" She said, "I'll tell you." | 0:31:35 | 0:31:37 | |
"I'm pretty sure that during that blackout, yeah? | 0:31:40 | 0:31:45 | |
"Pretty sure, not 100%, | 0:31:45 | 0:31:46 | |
"I'm pretty sure that someone tried to pull my trousers and pants down." | 0:31:46 | 0:31:49 | |
And I went, "Who the hell did that?" | 0:31:51 | 0:31:53 | |
And Ginger Pete went, "That was me, sir!" | 0:31:53 | 0:31:55 | |
I thought I was going to laugh in her face. | 0:32:03 | 0:32:05 | |
I managed to stop myself by bollocking him, | 0:32:05 | 0:32:08 | |
full-on bollocking, and he stopped me and said - | 0:32:08 | 0:32:10 | |
the greatest quote I think I've ever heard - | 0:32:10 | 0:32:12 | |
"Hang on, Sir, sorry. I feel awful, I'm really sorry. I feel really guilty about Karen. | 0:32:12 | 0:32:16 | |
"I just thought it was the opportunity of a lifetime." | 0:32:16 | 0:32:20 | |
33 to present day, the home stretch. SHOUTS: Old! | 0:32:22 | 0:32:25 | |
Not quite in keeping with the rest of the show, this. | 0:32:26 | 0:32:29 | |
I do try and keep it light. | 0:32:29 | 0:32:31 | |
But I find the aging process extremely difficult. | 0:32:31 | 0:32:34 | |
The build up to being 40 is horrific. | 0:32:34 | 0:32:36 | |
A lot of middle-aged men get very angry with young people. | 0:32:36 | 0:32:40 | |
I'm not one of those men. I love seeing the kids have a nice time. | 0:32:40 | 0:32:45 | |
Some lovely young, fresh faces here. It's nice. | 0:32:45 | 0:32:48 | |
Just prove it to you now. | 0:32:48 | 0:32:50 | |
Hello. Hello. What's your name? | 0:32:52 | 0:32:55 | |
-Lucy. -Hello, Lucy. Welcome to the show. | 0:32:55 | 0:32:59 | |
APPLAUSE | 0:32:59 | 0:33:01 | |
-And tell me, Lucy. How old are you? -21. -21. | 0:33:02 | 0:33:07 | |
Do you like being 21, Lucy? | 0:33:14 | 0:33:16 | |
Course you do, it's amazing. | 0:33:16 | 0:33:18 | |
It's amazing, isn't it? Lucy... | 0:33:18 | 0:33:20 | |
Do you know what happens when you get to 42? | 0:33:34 | 0:33:35 | |
I'll tell you. Look at me. | 0:33:38 | 0:33:40 | |
You walk past a nightclub, Lucy, | 0:33:41 | 0:33:45 | |
no-one offers you a flyer. | 0:33:45 | 0:33:47 | |
APPLAUSE AND CHEERING | 0:33:49 | 0:33:53 | |
What the fuck is that? | 0:33:53 | 0:33:55 | |
Like I don't want to throw some shapes. | 0:33:57 | 0:34:00 | |
Like I don't know exactly who the renegade master is. | 0:34:00 | 0:34:04 | |
D for Damage, with the ill behaviour. | 0:34:06 | 0:34:08 | |
Erm, you know... | 0:34:08 | 0:34:10 | |
You know when I knew I was officially middle-aged? Hang on. | 0:34:10 | 0:34:13 | |
Well, here's one of the moments. | 0:34:13 | 0:34:15 | |
CHEERING AND APPLAUSE Don't! Don't patronise me. | 0:34:18 | 0:34:22 | |
You know when I knew I was officially middle-aged? | 0:34:24 | 0:34:26 | |
I was in a shop called FCUK about three months ago. | 0:34:26 | 0:34:28 | |
I shouldn't have been in there, Lucy. Look at the fucking state of me. | 0:34:28 | 0:34:31 | |
But I was in there, | 0:34:31 | 0:34:33 | |
and I was feeling pretty depressed about none of the clothes fitting, | 0:34:33 | 0:34:36 | |
me being too old or too fat or too tall for them. | 0:34:36 | 0:34:38 | |
I was feeling pretty low, when I realised in the background there was | 0:34:38 | 0:34:42 | |
a song playing from my youth, and it made me happy in an instant, right? | 0:34:42 | 0:34:46 | |
It was a song by a band called Dead Or Alive. | 0:34:46 | 0:34:48 | |
Who remembers Dead Or Alive? CHEERING | 0:34:48 | 0:34:50 | |
What was their biggest hit? SHOUTS FROM THE AUDIENCE | 0:34:50 | 0:34:53 | |
You Spin Me Round. You Spin Me Round, Lucy. | 0:34:53 | 0:34:56 | |
A 1984 classic slice of high-energy, gay pop disco. | 0:34:57 | 0:35:03 | |
In 1984 I had one thing on my mind, right? | 0:35:03 | 0:35:07 | |
It was a girl I was totally in love with, called Nicola Francis. | 0:35:07 | 0:35:11 | |
I was absolutely obsessed with her, right? Totally besotted by her. | 0:35:11 | 0:35:15 | |
And just for a side note, again, for you, | 0:35:15 | 0:35:17 | |
I saw her about three months ago for the first time in all those years. | 0:35:17 | 0:35:22 | |
Lucky escape. | 0:35:22 | 0:35:23 | |
Erm... Munter. Munter. | 0:35:23 | 0:35:27 | |
Er... HE CHUCKLES | 0:35:27 | 0:35:30 | |
Says me! | 0:35:30 | 0:35:31 | |
At the time I loved her, you know? | 0:35:33 | 0:35:35 | |
And every time I walked past her, for some reason, | 0:35:35 | 0:35:37 | |
that song seemed to be playing in the background, summing up my feelings, right. | 0:35:37 | 0:35:41 | |
It's not Shakespeare, Lucy. It's a simple sentiment. | 0:35:41 | 0:35:44 | |
"You spin me right round, baby, right round, like record, baby." | 0:35:44 | 0:35:48 | |
That's a music storage system. | 0:35:49 | 0:35:51 | |
"Like a record, baby, right round." Here's the twist - "round, round." | 0:35:55 | 0:35:58 | |
Not Shakespeare, but it reminds me of a happy time, of a simple time. | 0:35:58 | 0:36:01 | |
So it made me happy. | 0:36:01 | 0:36:03 | |
Until I realised I wasn't listening to the original. | 0:36:03 | 0:36:07 | |
I was listening to a cover version by a gentleman called Flo Rida. | 0:36:07 | 0:36:12 | |
Some of the young people may be familiar with Flo's work. | 0:36:13 | 0:36:17 | |
Flo's taken a bit of artistic licence with a dance classic | 0:36:17 | 0:36:20 | |
and reworded it in the following way. | 0:36:20 | 0:36:22 | |
And this is when I knew I was officially middle-aged, | 0:36:47 | 0:36:49 | |
cos I promise you, I heard that lyric | 0:36:49 | 0:36:51 | |
and out loud in a shop I reacted like this... | 0:36:51 | 0:36:54 | |
"Oh, no!" | 0:36:54 | 0:36:56 | |
I thought, "Can we not have ONE song?! | 0:36:59 | 0:37:03 | |
"One song in the hit parade that doesn't allude | 0:37:03 | 0:37:06 | |
"to munching away on each other's private parts?!" | 0:37:06 | 0:37:09 | |
I'll tell you something else, Lucy, maybe I shouldn't, | 0:37:09 | 0:37:12 | |
maybe this is inappropriate but I'm going to... | 0:37:12 | 0:37:14 | |
At 42, I don't make the effort to go down very often these days. | 0:37:14 | 0:37:18 | |
If it's a special occasion - a birthday, something like that... | 0:37:18 | 0:37:22 | |
I'll tell you kids what I don't want to look up and see, | 0:37:22 | 0:37:24 | |
and that's someone's fucking head spinning round. | 0:37:24 | 0:37:27 | |
Like a massive owl! | 0:37:28 | 0:37:31 | |
SHOUTS: Is that what you want, you young people?! | 0:37:32 | 0:37:35 | |
To see me, a 42-year-old man, licking the vagina of a massive owl?! | 0:37:35 | 0:37:40 | |
LAUGHTER | 0:37:40 | 0:37:43 | |
A man old enough to be Lucy's father, | 0:37:43 | 0:37:45 | |
lapping away at the soft folds of a seven-foot hooting bird?! | 0:37:45 | 0:37:50 | |
You can't even get owls that big! | 0:37:51 | 0:37:53 | |
It would have to be the owl from Jason And The Argonauts! | 0:37:55 | 0:37:57 | |
"Oh, Jason the Mighty Owl doth block our path." | 0:37:57 | 0:38:00 | |
"Bring forth Gregious of Shropshire, | 0:38:00 | 0:38:01 | |
"he will move the beast by lapping away at its feathery growler!" | 0:38:01 | 0:38:06 | |
You are fucking sick, you children. | 0:38:10 | 0:38:11 | |
Warning... | 0:38:16 | 0:38:17 | |
Warning is a poem that I used to do with the kids | 0:38:19 | 0:38:22 | |
when I was briefly an English teacher before I was...discovered. | 0:38:22 | 0:38:25 | |
It's a nice poem, you know. It's by a woman called... | 0:38:25 | 0:38:28 | |
HE LAUGHS I've just realised this... | 0:38:28 | 0:38:31 | |
Look at this device that they've used to hide my water. | 0:38:31 | 0:38:35 | |
LAUGHTER Why? | 0:38:35 | 0:38:38 | |
Why? Were you all going to go, "Look at that water, it's disgusting! | 0:38:38 | 0:38:42 | |
"Fucking water on stage!" There. | 0:38:42 | 0:38:45 | |
"I don't want to look at a fresh bottle of water! Fuck!" | 0:38:47 | 0:38:52 | |
I mean, what were you thinking? | 0:38:56 | 0:38:58 | |
Did you think it would be a magic trick halfway through? | 0:38:58 | 0:39:01 | |
I'm quite thirsty, ah! | 0:39:01 | 0:39:03 | |
CHEERING AND APPLAUSE | 0:39:03 | 0:39:06 | |
That's right, I reached into the darkness and I had water. | 0:39:08 | 0:39:11 | |
CHEERING AND APPLAUSE | 0:39:22 | 0:39:25 | |
I like the poem. This young woman says she wants to become a pensioner | 0:39:27 | 0:39:30 | |
and the reason is she thinks that her youth has been boring. | 0:39:30 | 0:39:34 | |
She thinks that she's wasted those golden years | 0:39:34 | 0:39:36 | |
by being sober, | 0:39:36 | 0:39:38 | |
she says she wants to make up for the sobriety of her youth, | 0:39:38 | 0:39:40 | |
it's a nice sentiment. | 0:39:40 | 0:39:42 | |
I like it because it tells young people to stop messing about, | 0:39:42 | 0:39:46 | |
get on with life, and it also paints an incredible picture of old age, I think. | 0:39:46 | 0:39:50 | |
"If we're all heading towards a period where at last | 0:39:50 | 0:39:52 | |
"we're ourselves and we're free, then bring on old age," | 0:39:52 | 0:39:54 | |
is what I thought when I first read the poem. | 0:39:54 | 0:39:57 | |
However... | 0:39:58 | 0:39:59 | |
If Jenny Joseph met my dad... | 0:40:01 | 0:40:02 | |
..and saw the way that he's been behaving for the last few years, | 0:40:04 | 0:40:07 | |
she would rip her poem up and put it in the bin | 0:40:07 | 0:40:09 | |
because he - has gone - too - far. | 0:40:09 | 0:40:14 | |
He said to me, two years ago, before Christmas, this. | 0:40:14 | 0:40:17 | |
"Son, I'm 72." | 0:40:17 | 0:40:20 | |
I said, "I'm aware of that." He said, "Yes. | 0:40:20 | 0:40:22 | |
"I've decided that from now on I should behave exactly as I see fit." | 0:40:22 | 0:40:26 | |
I thought of Jenny Joseph straight away and I said, "I would welcome that, Dad." | 0:40:26 | 0:40:30 | |
He said, "Well, I'm glad you agree because this year, | 0:40:30 | 0:40:32 | |
"when you come home for Christmas, I shall be wearing a festive outfit." | 0:40:32 | 0:40:37 | |
I went, "All right, then." | 0:40:37 | 0:40:38 | |
I got home for Christmas, he was wearing his festive outfit. | 0:40:38 | 0:40:42 | |
I swear to you, it was one giant pair of white underpants | 0:40:42 | 0:40:47 | |
that stretched from his knees to just below his nipples. | 0:40:47 | 0:40:50 | |
Just BELOW his nipples. | 0:40:50 | 0:40:52 | |
So much more offensive than just above, | 0:40:52 | 0:40:53 | |
and a novelty Santa hat with a flashing bulb on the end. | 0:40:53 | 0:40:57 | |
And he came downstairs, and this is a quote, "D'you like?" | 0:40:57 | 0:41:00 | |
I said, "I find it a bit challenging." | 0:41:02 | 0:41:04 | |
He said, "I don't give a shit what you think." | 0:41:04 | 0:41:06 | |
Then he went off to eat some cheese. | 0:41:06 | 0:41:09 | |
This is where it gets weird. | 0:41:11 | 0:41:13 | |
I went out that night with some of the people in my home town. | 0:41:13 | 0:41:16 | |
Midnight, in our home town, | 0:41:16 | 0:41:18 | |
my mother tells me in anticipation of me coming home he did this. | 0:41:18 | 0:41:22 | |
He went upstairs in his Panta outfit... | 0:41:22 | 0:41:25 | |
He went to my mother's sheet drawer, | 0:41:28 | 0:41:31 | |
he took out a double white sheet, he placed that over his head, | 0:41:31 | 0:41:36 | |
he went out into their garden and he hid in a bush. | 0:41:36 | 0:41:39 | |
With a view to giving me, his then 40-year-old son, | 0:41:41 | 0:41:45 | |
a bit of a scare! | 0:41:45 | 0:41:47 | |
Now, presumably, my mother is so sick of his shit, | 0:41:49 | 0:41:52 | |
that she decided not to tell him | 0:41:52 | 0:41:54 | |
something that she full well knew - that on that occasion, | 0:41:54 | 0:41:57 | |
I'd stayed over at a friend's house. | 0:41:57 | 0:41:59 | |
And she left a 72-year-old fat man with a sheet on his fucking head | 0:42:01 | 0:42:06 | |
in a bush for two hours. | 0:42:06 | 0:42:09 | |
There's no punchline. | 0:42:09 | 0:42:11 | |
My mum just felt guilty, | 0:42:11 | 0:42:12 | |
after two hours, put her arm around him and went, "Come in, love. | 0:42:12 | 0:42:14 | |
"He's not coming home." | 0:42:14 | 0:42:17 | |
And he apparently got to the front door and said, "Oh, thank you, love. | 0:42:17 | 0:42:20 | |
"I was starting to get dreadfully chilly." | 0:42:20 | 0:42:22 | |
I've been trying to work out what's wrong with him for years. | 0:42:22 | 0:42:26 | |
I got my answer one year later. | 0:42:26 | 0:42:28 | |
We were sitting around the Christmas table, | 0:42:28 | 0:42:30 | |
my sister had come home with her baby and my brother-in-law | 0:42:30 | 0:42:32 | |
was looking after little Lucy in the other room, right? | 0:42:32 | 0:42:36 | |
We're sitting round the table, Dad was reading a broadsheet newspaper for all of Christmas lunch, | 0:42:36 | 0:42:40 | |
the only reason we knew it was him | 0:42:40 | 0:42:42 | |
was cos we could see his flashing Santa hat around the table. | 0:42:42 | 0:42:44 | |
My sister made up for being pregnant for the last year by drinking | 0:42:44 | 0:42:49 | |
nearly three bottles of wine to herself | 0:42:49 | 0:42:51 | |
and on Christmas Day she was, in old-fashioned parlance, shit-faced! | 0:42:51 | 0:42:56 | |
She said a word that rather put the cat amongst the pigeons. | 0:42:58 | 0:43:01 | |
She said the word "blow job." | 0:43:01 | 0:43:03 | |
Now, maybe your mums would be cool with that, | 0:43:03 | 0:43:06 | |
my mother is a very naive 67-year-old. | 0:43:06 | 0:43:09 | |
Lovely lady, but fiercely naive. | 0:43:09 | 0:43:11 | |
She heard the word "blow job" and this is how she reacted. | 0:43:11 | 0:43:14 | |
"I'm sorry, love, what was that word?" | 0:43:14 | 0:43:17 | |
My sister went, "Oh, God, I'm sorry, Mum. I'm drunk, I didn't mean to." | 0:43:17 | 0:43:20 | |
She goes, "It's fine, you say what you want around this house. | 0:43:20 | 0:43:22 | |
"You know that. This is your home. | 0:43:22 | 0:43:24 | |
"I just need you to explain to me | 0:43:24 | 0:43:27 | |
"EXACTLY WHAT A BLOW JOB IS." | 0:43:27 | 0:43:30 | |
My sister sobered up like this, right? | 0:43:30 | 0:43:33 | |
And then she started to panic and she went, "Seriously, Mum. | 0:43:33 | 0:43:36 | |
"It doesn't matter, I'm just drunk." | 0:43:36 | 0:43:38 | |
I went back 30 years in time, I went, | 0:43:38 | 0:43:40 | |
SHOUTS: "Yes, it does matter, Sharon! | 0:43:40 | 0:43:42 | |
"Yes, it does matter!" | 0:43:42 | 0:43:44 | |
"We can't be using words that Mum doesn't understand." | 0:43:45 | 0:43:48 | |
Mum went, "I would like to know what it means." | 0:43:48 | 0:43:50 | |
I said, "You've got every right to know what it means! | 0:43:50 | 0:43:54 | |
"What does it mean, Sharon?" | 0:43:54 | 0:43:55 | |
My sister was shuffling like a dog on parquet flooring. | 0:43:55 | 0:43:59 | |
I have never seen a woman look that uncomfortable. | 0:44:00 | 0:44:03 | |
I thought I would puke my liver up laughing. | 0:44:03 | 0:44:06 | |
I was hooting like an animal. | 0:44:08 | 0:44:09 | |
I stopped laughing when my sister made her decision, | 0:44:09 | 0:44:12 | |
which was to explain that particular sex act to my mum, | 0:44:12 | 0:44:15 | |
using the almost forgotten art of mime. | 0:44:15 | 0:44:19 | |
LAUGHTER | 0:44:19 | 0:44:21 | |
So... So she started going, "It's kind of a sexual thing, Mum." | 0:44:21 | 0:44:25 | |
I thought, "This is horrendous!" | 0:44:29 | 0:44:31 | |
And then it got 400 times worse, | 0:44:31 | 0:44:35 | |
cos my mum, to try and understand what was going on over here - | 0:44:35 | 0:44:38 | |
you're ahead of me already - decided that she would copy the mime. | 0:44:38 | 0:44:43 | |
So, I don't know how bad your Christmases have been in recent years, | 0:44:45 | 0:44:48 | |
but that one for me consisted of watching my mother and my sister | 0:44:48 | 0:44:53 | |
pumping air-cock in front of my face. | 0:44:53 | 0:44:56 | |
It was the most disturbing image I've ever seen, | 0:44:58 | 0:45:01 | |
and I've seen someone kill a pony with a golf club. | 0:45:01 | 0:45:04 | |
So my mum's going, "I don't know what this is at all, love. | 0:45:06 | 0:45:08 | |
"I don't know what any of these movements are. I don't know what any of this means. | 0:45:08 | 0:45:12 | |
"Why am I tickling under here? I don't know what that is" | 0:45:12 | 0:45:15 | |
Yes, it would appear my sister is... rather good. | 0:45:15 | 0:45:18 | |
LAUGHTER | 0:45:18 | 0:45:21 | |
She was in mid-mime, my mum, when she realised what she was doing. This image is burned on my mind. | 0:45:22 | 0:45:26 | |
"I don't know what any of this..." She was really going for it, she was properly wanking. | 0:45:26 | 0:45:30 | |
"I don't know what any of this is. | 0:45:30 | 0:45:32 | |
"I don't know what any of these movements are. What are they? | 0:45:32 | 0:45:34 | |
"I don't know any of these movements." Then she realised. | 0:45:34 | 0:45:37 | |
"I don't know any of these..." | 0:45:37 | 0:45:38 | |
"Oh, God. | 0:45:44 | 0:45:46 | |
"Oh, good God, no!" | 0:45:46 | 0:45:48 | |
And then she said something that I think many women in this room | 0:45:48 | 0:45:51 | |
might identify with. | 0:45:51 | 0:45:52 | |
She went, "Oh, no, love. Oh, no, no, no. | 0:45:52 | 0:45:55 | |
"No, I find it hard enough to touch one of those things, | 0:45:55 | 0:45:59 | |
"let alone put it in my mouth." | 0:45:59 | 0:46:01 | |
At which point, my dad summed up 40 years of marriage | 0:46:01 | 0:46:06 | |
and all of his weird behaviour with one look | 0:46:06 | 0:46:09 | |
from behind a newspaper that I will now demonstrate to you. | 0:46:09 | 0:46:12 | |
"Oh, no, love. Oh, God, no, no. | 0:46:14 | 0:46:16 | |
"I find it hard enough to touch one of those things, | 0:46:16 | 0:46:19 | |
"let alone put it in my mouth." | 0:46:19 | 0:46:21 | |
To his own fucking children! | 0:46:32 | 0:46:35 | |
Before I let you go home, the last section of my show | 0:46:43 | 0:46:46 | |
is called Selfish Mum. | 0:46:46 | 0:46:47 | |
Not for the reasons I've just outlined! | 0:46:47 | 0:46:50 | |
That'd be awful! "Come on, Mum, make an effort." | 0:46:52 | 0:46:54 | |
It's called Selfish Mum because at this point in the story, | 0:46:59 | 0:47:02 | |
my mum forces me to tell you something serious. I promised at the beginning of the show | 0:47:02 | 0:47:05 | |
that I wouldn't - you know, that it would just be moments in time. | 0:47:05 | 0:47:09 | |
But to get to where I want to get | 0:47:09 | 0:47:10 | |
before we all go out of here, I have to tell you something serious. | 0:47:10 | 0:47:14 | |
But I don't want you to think | 0:47:14 | 0:47:15 | |
that this is me hijacking the end of the show for some emotional... | 0:47:15 | 0:47:19 | |
where we all get to sing We Are The World, right? | 0:47:19 | 0:47:22 | |
There's no emotional... There's no sad end to this. | 0:47:22 | 0:47:24 | |
I'll ruin the story for you now by telling you that my mum is fine. | 0:47:24 | 0:47:28 | |
Everything I'm about to tell you, she got through, all right? | 0:47:28 | 0:47:31 | |
However... | 0:47:31 | 0:47:32 | |
..a year after "Blow-job-gate"... | 0:47:33 | 0:47:35 | |
..my mother ruined Christmas by having a massive heart attack. | 0:47:37 | 0:47:41 | |
It was horrible. It was horrific. Of course it was horrific. | 0:47:47 | 0:47:51 | |
My sister was looking after her now two children, | 0:47:51 | 0:47:54 | |
so she couldn't go home. | 0:47:54 | 0:47:55 | |
My mum was having an operation to essentially save her life, | 0:47:55 | 0:47:58 | |
so my dad was on his own, so I went home to see him. | 0:47:58 | 0:48:02 | |
Now, you've probably got an idea of my dad. He's brilliant. | 0:48:02 | 0:48:05 | |
He's a brilliant dad | 0:48:05 | 0:48:06 | |
and he's dealt with every crisis we've ever had with humour, right? | 0:48:06 | 0:48:10 | |
So when I went into the kitchen, where he always sits, | 0:48:10 | 0:48:13 | |
on his little stool, I went in expecting to find the sheet man | 0:48:13 | 0:48:17 | |
dealing with the situation by making us all laugh. | 0:48:17 | 0:48:21 | |
And on this occasion, I went into the kitchen and I found, | 0:48:21 | 0:48:25 | |
sitting on the stool, a little old frightened man that I didn't recognise. | 0:48:25 | 0:48:29 | |
Just to be clear... | 0:48:31 | 0:48:33 | |
it WAS my dad. | 0:48:33 | 0:48:34 | |
And I went in and I went, "You all right?" And he went, "No." | 0:48:39 | 0:48:44 | |
And I went, "Eh?" He went, "No, I'm not all right." | 0:48:44 | 0:48:47 | |
And I went, "Oh, she'll be fine. She's in good hands. She'll be fine." | 0:48:47 | 0:48:52 | |
And he said... | 0:48:52 | 0:48:53 | |
Now, look, this is the worst thing anyone's ever said to me. | 0:48:53 | 0:48:55 | |
I know loads of you will have heard worse but this is the worst thing | 0:48:55 | 0:48:58 | |
another human being's ever said to me. He said, | 0:48:58 | 0:49:01 | |
"I hope you're right, love, because without your mother I am nothing." And I went... | 0:49:01 | 0:49:06 | |
"Er... | 0:49:12 | 0:49:14 | |
"Do I have to look after YOU now?" | 0:49:14 | 0:49:15 | |
"Cos I'm pretty sure you're the parent here." | 0:49:17 | 0:49:20 | |
But he was inconsolable. | 0:49:20 | 0:49:22 | |
And I tried to cheer him up, and I failed. | 0:49:23 | 0:49:26 | |
I tried to make him laugh - I failed. I put my arm around him, | 0:49:26 | 0:49:29 | |
I told him that whatever happened we'd be all right as a family, you know? | 0:49:29 | 0:49:33 | |
All of the things you'd say to your loved ones - like anyone would say. Nothing worked. | 0:49:33 | 0:49:37 | |
I made him a cup of tea. | 0:49:37 | 0:49:40 | |
In the end, I just... | 0:49:40 | 0:49:42 | |
You know, I walked him upstairs to bed and I tucked him into bed. | 0:49:42 | 0:49:45 | |
Ever tucked your dad in? Weird! | 0:49:45 | 0:49:47 | |
And, er... And I sat with him till he fell asleep. | 0:49:47 | 0:49:51 | |
And I went back to my bed and I... | 0:49:51 | 0:49:53 | |
I felt sorry for three people. | 0:49:55 | 0:49:57 | |
I felt sorry for her, obviously, I felt sorry for him, | 0:49:57 | 0:50:01 | |
and I felt sorry for myself. | 0:50:01 | 0:50:03 | |
If this hasn't happened to you, it will happen to you - sorry - | 0:50:03 | 0:50:06 | |
and it is the realisation that your parents are not superhuman. | 0:50:06 | 0:50:09 | |
It came to me fairly late in life but it's like somebody telling you, | 0:50:09 | 0:50:13 | |
"That's the end of childhood, officially." | 0:50:13 | 0:50:15 | |
Bang! Right? | 0:50:15 | 0:50:16 | |
So I went to sleep that night feeling pretty... | 0:50:18 | 0:50:21 | |
miserable. | 0:50:21 | 0:50:22 | |
Then... | 0:50:25 | 0:50:26 | |
..in the middle of the night... | 0:50:27 | 0:50:30 | |
..something happened to kind of make things a bit better. | 0:50:30 | 0:50:34 | |
Cos as I slept in the middle of the night, in my new role, I suppose, | 0:50:35 | 0:50:38 | |
as, sort of, head of the family, I suppose, I... | 0:50:38 | 0:50:42 | |
..did a massive shit in my pants. | 0:50:43 | 0:50:46 | |
Not a little shit. I mean, it was horrendous! | 0:50:48 | 0:50:51 | |
It was like someone had gone through there with an industrial crop spreader. | 0:50:51 | 0:50:55 | |
It was fucking awful. I had to peel the shitty sheet off my bed at six in the morning, | 0:50:56 | 0:51:00 | |
trying to keep as much of it in as I could, | 0:51:00 | 0:51:02 | |
and I snuck downstairs, hoping to avoid Dad, | 0:51:02 | 0:51:05 | |
with this shit vol-au-vent in my hand, | 0:51:05 | 0:51:07 | |
and he was up at six in the morning in the kitchen. | 0:51:07 | 0:51:10 | |
I went, "All right?" And he went, "Morning, love!" | 0:51:10 | 0:51:13 | |
I went, "Are you all right?" | 0:51:13 | 0:51:14 | |
"More than all right - I've spoken to the hospital. Your mum's fine." | 0:51:14 | 0:51:17 | |
I said, "Oh, that's brilliant. That's brilliant. I'm just going to go to the toilet." | 0:51:17 | 0:51:21 | |
And he went, "Er... I want a word with you." | 0:51:21 | 0:51:24 | |
I went, "I'm... I just need to pop to the..." | 0:51:24 | 0:51:27 | |
He went, "I need to speak to you now." | 0:51:27 | 0:51:29 | |
"I just need to pop to the toilet." "I need to speak to you NOW!" | 0:51:29 | 0:51:32 | |
I went, "OK." | 0:51:32 | 0:51:33 | |
He said, "Thanks for last night." I said, "That's my pleasure." | 0:51:35 | 0:51:38 | |
He said, "You were amazing." | 0:51:38 | 0:51:40 | |
I said, "That's fine, Dad. I'm just going to pop to..." He goes, "I haven't finished." | 0:51:40 | 0:51:44 | |
He said, "I'm so proud of you." | 0:51:48 | 0:51:50 | |
I said, "Are you?" | 0:51:53 | 0:51:55 | |
He said, "Yes, I am. | 0:51:55 | 0:51:57 | |
"I remember when you were my weak little asthmatic boy. | 0:51:57 | 0:52:01 | |
"Now look at you. A man!" | 0:52:01 | 0:52:03 | |
"Big, strong man, looking after his dad in the hard times. | 0:52:06 | 0:52:10 | |
"So strong. So brave." | 0:52:10 | 0:52:12 | |
And I went, "Dad..." He went, "Yeah?" | 0:52:13 | 0:52:16 | |
I said, "I'm really sorry about this. | 0:52:16 | 0:52:19 | |
"I appear to have done a massive shit in the bed." | 0:52:19 | 0:52:22 | |
Ladies and gentleman, he took that sheet out of my hand without a word. | 0:52:23 | 0:52:27 | |
He went into our washroom, he pushed it into a washing machine. | 0:52:27 | 0:52:31 | |
He looked up at me and he said the most beautiful thing that anyone's ever said to me. | 0:52:31 | 0:52:35 | |
He said, "You, son, are a fucking knob." | 0:52:35 | 0:52:38 | |
Kind of like getting a bit of childhood back - | 0:52:45 | 0:52:48 | |
d'you know what I mean? | 0:52:48 | 0:52:50 | |
Being the kid again, being the idiot. I loved it. | 0:52:50 | 0:52:52 | |
So we went to see Mum in hospital. | 0:52:52 | 0:52:54 | |
She was sitting upright in bed after a horrific operation like that. | 0:52:54 | 0:52:58 | |
God bless the NHS and those fucking miracle workers, you know? | 0:52:58 | 0:53:02 | |
You'd think nothing had happened to her. She was sitting up. | 0:53:02 | 0:53:05 | |
I did the obvious thing - threw my arms around her, | 0:53:05 | 0:53:07 | |
told her how great she looked. | 0:53:07 | 0:53:09 | |
My dad - slightly less conventional - | 0:53:09 | 0:53:11 | |
told her how angry he was with me for having ruined his ghost outfit. | 0:53:11 | 0:53:15 | |
Then he went off to get some teas. | 0:53:19 | 0:53:22 | |
As soon as he'd gone, my mum said, "Can I have a word with you?" And I went, "Of course." | 0:53:22 | 0:53:26 | |
She goes, "I want to speak to you while your dad's not here." And I said, "Anything. Of course." | 0:53:26 | 0:53:30 | |
She said, "I've woken up from the anaesthetic thinking something stupid and I've got to ask you." | 0:53:30 | 0:53:36 | |
And I went, "What?" She said, | 0:53:36 | 0:53:39 | |
"Do you still talk about me and your dad when you do your shows?" | 0:53:39 | 0:53:43 | |
And I said... | 0:53:43 | 0:53:45 | |
"Are you fucking joking?! You're 90% of my material." | 0:53:45 | 0:53:49 | |
And she said, "Oh, thank God." I said, "Thank God"? She goes, "Thank God!" | 0:53:49 | 0:53:53 | |
I said, "Why do you say that?" | 0:53:53 | 0:53:55 | |
She said... | 0:53:57 | 0:53:58 | |
"You'll think I'm a stupid old woman | 0:53:58 | 0:54:00 | |
"but I woke up from the anaesthetic, just with this thought going through my head. | 0:54:00 | 0:54:05 | |
"I thought, er, 'What if I died? | 0:54:05 | 0:54:09 | |
" 'Maybe he would stop talking about me.' " | 0:54:09 | 0:54:12 | |
And I went, "What?" | 0:54:12 | 0:54:14 | |
She said, "I just thought... that if I wasn't here, | 0:54:16 | 0:54:19 | |
"you wouldn't feel comfortable talking about me." | 0:54:19 | 0:54:22 | |
I said, "Of course I would. Don't be so stupid. | 0:54:22 | 0:54:25 | |
"I'm not going to erase you cos you're not here any more, am I?" | 0:54:25 | 0:54:28 | |
And she went, "Good, love. I really don't want you to stop it." | 0:54:28 | 0:54:32 | |
And I went, "I would never do that." | 0:54:32 | 0:54:34 | |
She said, "Even the awful stuff, love. | 0:54:36 | 0:54:38 | |
"Even that awful blow-job story. Keep telling that. | 0:54:38 | 0:54:42 | |
"You promise me you'll keep telling that?" I said, "You have my word! | 0:54:42 | 0:54:46 | |
"In the event of your death, I'll keep telling the United Kingdom you don't like sucking cock." | 0:54:46 | 0:54:51 | |
And she said, "Oh, thank you, that means a lot to me," | 0:54:51 | 0:54:54 | |
which, in itself, was a strange thing to say. | 0:54:54 | 0:54:57 | |
And then, she said something that, | 0:54:58 | 0:55:01 | |
of all the things I've shared with you tonight, | 0:55:01 | 0:55:04 | |
it is the single best example | 0:55:04 | 0:55:07 | |
of a moment in time where I had to exist just in the moment | 0:55:07 | 0:55:11 | |
and then move on with my life, | 0:55:11 | 0:55:13 | |
and I think you'll see why when I tell you. | 0:55:13 | 0:55:15 | |
And you... Look, you'll think this isn't the end of the show. | 0:55:15 | 0:55:18 | |
It is, right? It's just this line and then I'm out of here. | 0:55:18 | 0:55:21 | |
You'll think it's a strange choice but, honestly, you'll see why it's the best example. | 0:55:21 | 0:55:25 | |
If you know anything about comedy, | 0:55:25 | 0:55:27 | |
you'll know what I'm doing now - dragging out the build-up to a punchline - is suicide. | 0:55:27 | 0:55:33 | |
Cos it can't possibly be good enough. But I honestly think this is. | 0:55:34 | 0:55:38 | |
To the extent... | 0:55:39 | 0:55:41 | |
..I'm going to drag it out a bit more. | 0:55:42 | 0:55:44 | |
She said, "Er... | 0:55:49 | 0:55:51 | |
"There's something I've been meaning to tell you about that story, love. | 0:55:51 | 0:55:55 | |
I went, "Oh, yeah?" She goes, "Yeah. It's not 100% accurate." | 0:55:55 | 0:55:59 | |
I said, "Well, I want it to be, cos all of my stories are true." | 0:56:00 | 0:56:03 | |
And they are, you know - with the exception of me having seen someone kill a pony with a golf club. | 0:56:03 | 0:56:07 | |
But they are true. I said, "I want to get it right - what have I got wrong?" | 0:56:09 | 0:56:12 | |
"It's only a little detail." "Well, what is it, Mum?" | 0:56:12 | 0:56:15 | |
Here it comes. | 0:56:17 | 0:56:18 | |
She said, "Er..." | 0:56:21 | 0:56:22 | |
"Well, listen, love. | 0:56:24 | 0:56:26 | |
"I never told you I haven't sucked a penis. | 0:56:26 | 0:56:28 | |
"I just told you I've never sucked your dad's!" | 0:56:28 | 0:56:31 | |
LAUGHTER | 0:56:31 | 0:56:33 | |
Er, look, it's been really nice. Thanks for coming. | 0:56:44 | 0:56:47 | |
I will leave you on a moving piece of music - something for the kids. | 0:56:47 | 0:56:51 | |
For Lucy and for all the young people in the room, I hope, | 0:56:51 | 0:56:55 | |
maybe emotionally you'll learn something on the way out, OK? | 0:56:55 | 0:56:58 | |
You can probably play that in now... | 0:56:58 | 0:57:00 | |
MUSIC: "You Spin Me Round (Like A Record)" by Dead Or Alive | 0:57:00 | 0:57:03 | |
Lyrically it's lovely, I think. Try and listen to it. It's been a real pleasure. | 0:57:03 | 0:57:07 | |
Thank you so much. Thanks for coming. I really appreciate it. Thank you! | 0:57:07 | 0:57:11 | |
CHEERING | 0:57:11 | 0:57:13 | |
CHEERING | 0:57:33 | 0:57:35 | |
Subtitles by Red Bee Media Ltd | 0:57:42 | 0:57:45 |