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This programme contains some strong language and adult humour. | 0:00:02 | 0:00:09 | |
Ladies and gentlemen, please welcome to the stage Simon Amstell. | 0:00:10 | 0:00:15 | |
CHEERING | 0:00:15 | 0:00:18 | |
SONG: "The Inner Light" | 0:00:18 | 0:00:21 | |
Hello. Thank you very much for coming. How are you? | 0:00:31 | 0:00:35 | |
AUDIENCE WHOOPS | 0:00:35 | 0:00:37 | |
Good. | 0:00:37 | 0:00:38 | |
This show that you are about to see is called Numb. | 0:00:40 | 0:00:44 | |
This came from a very real inability to just be in a moment | 0:00:44 | 0:00:50 | |
without anxiety and going home at the end of every day of my life | 0:00:50 | 0:00:55 | |
feeling quite lonely, disconnected and depressed. | 0:00:55 | 0:00:58 | |
So that's the hour. | 0:00:59 | 0:01:02 | |
I didn't know how disconnected I had become | 0:01:03 | 0:01:06 | |
until I was invited to a series of very cool parties last year, | 0:01:06 | 0:01:09 | |
by some cool people. | 0:01:09 | 0:01:11 | |
They took drugs, though, and I don't take drugs | 0:01:11 | 0:01:14 | |
so that was a bit awkward to see happening in front of me, | 0:01:14 | 0:01:17 | |
like these lines of cocaine being wrapped up on a coffee table | 0:01:17 | 0:01:20 | |
and to be offered a line and not know what to say, | 0:01:20 | 0:01:22 | |
so I end up saying, "Oh, no thank you, I've just eaten. You carry on." | 0:01:22 | 0:01:27 | |
I wanted to be there because it meant that I was one of them | 0:01:27 | 0:01:29 | |
and you can't reject the social norms. I know this | 0:01:29 | 0:01:32 | |
because when I was 16 and alcohol was first introduced | 0:01:32 | 0:01:35 | |
to my group of friends, I ended up saying, "This is ridiculous, | 0:01:35 | 0:01:38 | |
"we're children." | 0:01:38 | 0:01:40 | |
And then because I couldn't cope with what was going on, | 0:01:42 | 0:01:45 | |
I would pretend to be asleep on a sofa, thinking, | 0:01:45 | 0:01:48 | |
"I can't wait till I'm 17 so I can drive away from this fun." | 0:01:48 | 0:01:51 | |
And I don't drink now and I understand the reason we drink | 0:01:54 | 0:01:57 | |
in this culture, it creates a fluidity, | 0:01:57 | 0:01:58 | |
it means we can sort of cope with the people we love, but if you... | 0:01:58 | 0:02:01 | |
if you don't have that, then you need other coping mechanisms. | 0:02:02 | 0:02:05 | |
So what I have noticed is that | 0:02:05 | 0:02:07 | |
I tend to say the word "fun" a lot at parties. | 0:02:07 | 0:02:09 | |
Well, this is fun. This is a fun party. You having fun? | 0:02:09 | 0:02:11 | |
I'm having fun, what a fun party. You a couple? | 0:02:11 | 0:02:13 | |
How long have you been together? | 0:02:13 | 0:02:15 | |
How do you get a spark alive in your relationship? | 0:02:15 | 0:02:17 | |
Then they feel awkward and I can relax. | 0:02:17 | 0:02:19 | |
To describe the people at these parties, | 0:02:22 | 0:02:26 | |
there was a guy there called Merlin and that is not the issue. | 0:02:26 | 0:02:30 | |
I noticed one night he had the most incredible straight, white teeth | 0:02:33 | 0:02:37 | |
and I said to him, "Gosh, Merlin, | 0:02:37 | 0:02:41 | |
"you've got such perfect teeth, did you wear a brace as a child? | 0:02:43 | 0:02:47 | |
No. | 0:02:47 | 0:02:48 | |
That's the sort of person that was there. | 0:02:48 | 0:02:51 | |
They just grew out of his gums without anxiety. | 0:02:55 | 0:02:58 | |
The people there were comfortable in their bodies. | 0:02:59 | 0:03:02 | |
There were men wearing vests. Do you know what I mean? | 0:03:02 | 0:03:05 | |
And I, every three to four years, | 0:03:07 | 0:03:09 | |
find myself buying a vest, thinking, "Maybe this time." | 0:03:09 | 0:03:14 | |
I hated my body when I was a teenager | 0:03:17 | 0:03:19 | |
and then I got to about 25 and it suddenly became quite trendy | 0:03:19 | 0:03:22 | |
to be skinny and I got a bit carried away and ended up saying at a party, | 0:03:22 | 0:03:25 | |
"I'm quite skinny," and a girl said, "You're not that skinny," | 0:03:25 | 0:03:28 | |
and then I was fat. | 0:03:28 | 0:03:29 | |
The other issue, and this is often a problem when I meet new people, | 0:03:32 | 0:03:36 | |
they somehow don't realise | 0:03:36 | 0:03:38 | |
that I am funny. | 0:03:38 | 0:03:40 | |
And I think if you don't know that coming in, then the things I say | 0:03:42 | 0:03:45 | |
seem to be a bit odd or aggressive, and I have to say to them, | 0:03:45 | 0:03:49 | |
"Oh no, don't worry, | 0:03:49 | 0:03:51 | |
"I'm professionally funny." | 0:03:51 | 0:03:53 | |
And it wouldn't be a problem | 0:03:55 | 0:03:56 | |
if I was not perversely drawn to the very trendy, yet humourless. | 0:03:56 | 0:04:00 | |
I was in... | 0:04:00 | 0:04:02 | |
East London's Shoreditch recently, | 0:04:03 | 0:04:05 | |
which is where many of them are, | 0:04:05 | 0:04:07 | |
and I don't want to judge these people. I want to be one of them. | 0:04:10 | 0:04:13 | |
I like their courage and I think they would like to experience joy. | 0:04:13 | 0:04:17 | |
I feel them saying, "We would like to laugh but our hair is too heavy." | 0:04:17 | 0:04:21 | |
And I was drawn on this particular night to this guy wearing | 0:04:25 | 0:04:28 | |
very large, round, funny, big glasses. | 0:04:28 | 0:04:32 | |
Really funny, crazy, oversized, big, | 0:04:32 | 0:04:35 | |
round glasses and I said to him, | 0:04:35 | 0:04:38 | |
"Hi, they're big glasses." | 0:04:38 | 0:04:40 | |
And he said, "Not really." | 0:04:40 | 0:04:42 | |
Small face? | 0:04:48 | 0:04:50 | |
He said, "I'm short-sighted." | 0:04:54 | 0:04:56 | |
I said, "Oh, I know. Look, we're all short-sighted | 0:04:56 | 0:04:58 | |
"but if you can't see how big they are... | 0:04:58 | 0:05:00 | |
"Maybe you need bigger glasses." | 0:05:03 | 0:05:05 | |
Then I was worried he thought I was being aggressive, which I wasn't. | 0:05:06 | 0:05:09 | |
I said, "I came over cos I like the look. | 0:05:09 | 0:05:11 | |
"I like what you've got going on. But you seem to be | 0:05:11 | 0:05:13 | |
"wearing them without the humour they were designed with." | 0:05:13 | 0:05:15 | |
I was in New York recently and I met what seemed to be | 0:05:20 | 0:05:22 | |
the female equivalent of him. She is everything you are supposed to be | 0:05:22 | 0:05:26 | |
if you've a girl in this culture, very thin, very pretty but also | 0:05:26 | 0:05:30 | |
subtly subversive, so she's got this fringe that's slightly too short. | 0:05:30 | 0:05:34 | |
She's got socks and... | 0:05:34 | 0:05:36 | |
everything about her says, effortless, cool, success. | 0:05:39 | 0:05:42 | |
She's got this job in design, she's got a boyfriend | 0:05:42 | 0:05:44 | |
with one streak of grey in his hair, it's all very clever. | 0:05:44 | 0:05:47 | |
And we meet up on a day that she's come from a flea market | 0:05:50 | 0:05:55 | |
and she had purchased a vintage crate. | 0:05:55 | 0:05:58 | |
She said to me, | 0:06:00 | 0:06:01 | |
"Don't you think it's a beautiful piece?" | 0:06:01 | 0:06:04 | |
And then I didn't know what to do, because I'm not an idiot who can't | 0:06:04 | 0:06:07 | |
appreciate the beauty of a crate, but... | 0:06:07 | 0:06:09 | |
it didn't feel far away from her saying, | 0:06:12 | 0:06:14 | |
"Look, I've bought a brick." | 0:06:14 | 0:06:16 | |
And all I want to do is connect with her as a human being | 0:06:21 | 0:06:24 | |
and maybe it is all effortless for her. Maybe she has bought it | 0:06:24 | 0:06:27 | |
for its beauty. But I know that everything I've bought | 0:06:27 | 0:06:30 | |
for my flat, everything on the shelves, everything on the walls, | 0:06:30 | 0:06:33 | |
so that people come round, they say, "Wow, this is a cool flat." And then | 0:06:33 | 0:06:36 | |
I have to say, "I know, everything I did is so you would say that." | 0:06:36 | 0:06:39 | |
There was a lot of talk of Jasper at these parties. | 0:06:44 | 0:06:47 | |
You must meet Jasper Simon. You'd love beautiful Jasper. | 0:06:47 | 0:06:50 | |
He's in Paris at the moment but when you meet him, oh, my God. | 0:06:50 | 0:06:52 | |
Jasper arrives six months later and I don't really find him | 0:06:52 | 0:06:56 | |
attractive but I don't feel I should reject the idea, | 0:06:56 | 0:06:59 | |
because I already said no to so much cocaine, and I want to be a guy | 0:06:59 | 0:07:02 | |
who's at the party, there, one of them. I don't want to be a guy | 0:07:02 | 0:07:06 | |
in the corner, secretly making notes for a show. So... | 0:07:06 | 0:07:08 | |
So I find myself sat on a bed with Jasper, | 0:07:12 | 0:07:15 | |
inhaling nitrous oxide from balloons. | 0:07:15 | 0:07:18 | |
I don't do drugs but I will if they've come in balloons. | 0:07:18 | 0:07:21 | |
And I felt a little high. | 0:07:24 | 0:07:26 | |
It made me want to touch him, this drug, | 0:07:26 | 0:07:29 | |
but rather than going with that feeling, | 0:07:29 | 0:07:31 | |
I stuck with my personality, which ended up saying, | 0:07:31 | 0:07:34 | |
"Maybe we should kiss." | 0:07:34 | 0:07:36 | |
He then stands up and says, | 0:07:36 | 0:07:39 | |
"I might get a drink, actually," | 0:07:39 | 0:07:42 | |
leaving me, just surrounded by deflated balloons, | 0:07:42 | 0:07:46 | |
thinking, I didn't even want him but he just got back from Paris. | 0:07:47 | 0:07:51 | |
That's not a reason to go for someone, | 0:07:51 | 0:07:53 | |
otherwise I should be stood on the London terminal of the Eurostar. | 0:07:53 | 0:07:56 | |
Bonjour. | 0:07:58 | 0:08:00 | |
Oh, Brussels, continue tout droit... | 0:08:00 | 0:08:02 | |
I couldn't connect with the people there. | 0:08:05 | 0:08:07 | |
I couldn't connect with Jasper. I found out, recently, | 0:08:07 | 0:08:09 | |
he now works for a magazine that comes out twice a year. | 0:08:09 | 0:08:13 | |
I mean, why not be really interesting, | 0:08:17 | 0:08:18 | |
work for a magazine that doesn't come out? | 0:08:18 | 0:08:21 | |
Have you read Toot? No, no-one has, it's too cool for eyes. | 0:08:22 | 0:08:25 | |
It was interesting, recently, being at my cousin's 18th birthday party. | 0:08:29 | 0:08:33 | |
He somehow has these two distinctive groups of friends. | 0:08:33 | 0:08:35 | |
On one side of the garden these young, healthy, | 0:08:35 | 0:08:38 | |
comfortable-looking guys playing football. | 0:08:38 | 0:08:40 | |
On the other side, these shy, awkward, weirdo, outsider, | 0:08:40 | 0:08:44 | |
odd-balls. The sort of young people who come and see me do comedy - | 0:08:44 | 0:08:47 | |
and thank you for coming. | 0:08:47 | 0:08:48 | |
I decide at that moment in my life I'm going to be with | 0:08:49 | 0:08:53 | |
the comfortable people. I'm going to exist there, and I do. | 0:08:53 | 0:08:56 | |
It's fine, but as I'm leaving I feel bad | 0:08:56 | 0:08:58 | |
that I'm not talking to the other people, and this comes out of me, | 0:08:58 | 0:09:02 | |
"Goodbye, I used to be one of you." | 0:09:02 | 0:09:04 | |
And, because I couldn't connect fully, emotionally with | 0:09:11 | 0:09:14 | |
the people around me, I found myself last year going on holiday alone, | 0:09:14 | 0:09:20 | |
which I've done quite a bit and it isn't a comfortable thing | 0:09:20 | 0:09:23 | |
to talk about or hear, I know, when I tell people I'm going | 0:09:23 | 0:09:26 | |
on holiday on my own, they kind of panic and start saying things like, | 0:09:26 | 0:09:29 | |
"What do you mean? What do you do? How do you do that?" | 0:09:29 | 0:09:32 | |
And you have to reassure them. It's fine, you go to a museum, | 0:09:32 | 0:09:34 | |
you go swimming, you sit in a restaurant, you eat a salad, | 0:09:34 | 0:09:36 | |
you pretend to text. It's fine. | 0:09:36 | 0:09:38 | |
I often take a little notepad with me so I can pretend to be | 0:09:41 | 0:09:44 | |
making some notes on something. Not really, just if anyone is looking, | 0:09:44 | 0:09:47 | |
"Oh, is he lonely? Oh, no, he must be a travelling genius." | 0:09:47 | 0:09:50 | |
But why I'm there and what I like | 0:09:53 | 0:09:55 | |
about being alone in another country, anonymous, | 0:09:55 | 0:09:57 | |
is that you find out who you are. | 0:09:57 | 0:09:59 | |
Who we tend to be are the fixed, limited perceptions | 0:09:59 | 0:10:02 | |
of the people around us and if you are alone, who are you? | 0:10:02 | 0:10:06 | |
Who are you? | 0:10:06 | 0:10:08 | |
It turns out, I... | 0:10:08 | 0:10:10 | |
..am a horny sex pest. | 0:10:12 | 0:10:15 | |
And not a successful one. | 0:10:19 | 0:10:21 | |
Just somebody thinking about but not getting any sex, | 0:10:22 | 0:10:25 | |
all the time, like this ridiculous addiction, like being addicted | 0:10:25 | 0:10:29 | |
to heroin but, somehow, never having found anyone to give you heroin. | 0:10:29 | 0:10:33 | |
Oh, another whole week without any heroin. | 0:10:34 | 0:10:36 | |
How will I overcome this fatal addiction? | 0:10:36 | 0:10:38 | |
I was in Amsterdam for about three days, thinking about sex | 0:10:41 | 0:10:45 | |
the whole time that I was there, apart from, I don't know, | 0:10:45 | 0:10:48 | |
40 minutes in the Anne Frank museum. | 0:10:48 | 0:10:50 | |
And I was there for an hour. | 0:10:54 | 0:10:56 | |
The most sexually exciting it got for me | 0:11:01 | 0:11:03 | |
was being at this swimming pool that had been recommended. | 0:11:03 | 0:11:06 | |
I was changing into my swimming shorts | 0:11:06 | 0:11:08 | |
and then a man says to me, "Oh, no, this is a nude pool." | 0:11:08 | 0:11:11 | |
I do not hear nude because of his accent, I hear "new", | 0:11:11 | 0:11:15 | |
and think that must be just some weird judgement on my shorts. | 0:11:15 | 0:11:18 | |
So I said, "Well, they're all I've got." | 0:11:20 | 0:11:22 | |
I ventured to the swimming pool to find everyone was there, | 0:11:25 | 0:11:28 | |
naked and now looking at me like I'm a deviant, | 0:11:28 | 0:11:32 | |
and I had to take the shorts off, which was OK, | 0:11:33 | 0:11:36 | |
cos I was naked and alone. | 0:11:36 | 0:11:37 | |
If I was there with a friend that would have been quite difficult. | 0:11:37 | 0:11:40 | |
Well... | 0:11:40 | 0:11:42 | |
These are our willies. | 0:11:42 | 0:11:43 | |
We may not have curtseyed, I don't know. | 0:11:46 | 0:11:48 | |
And as I'm swimming, I realise not only is this a wonderful feeling, | 0:11:52 | 0:11:55 | |
but this is not peculiar to the people around me. | 0:11:55 | 0:11:58 | |
It is the cultural norm, but what they don't realise is, | 0:11:58 | 0:12:01 | |
they've got a British pervert in there with them. | 0:12:01 | 0:12:03 | |
Although, I just finished this tour and people from Amsterdam | 0:12:05 | 0:12:09 | |
came into one of the shows and told me afterwards, | 0:12:09 | 0:12:12 | |
"We don't know what pool that was." | 0:12:12 | 0:12:14 | |
So... | 0:12:14 | 0:12:16 | |
it is not the cultural norm. | 0:12:19 | 0:12:22 | |
I was swimming with a bunch of perverts. | 0:12:22 | 0:12:24 | |
I think that disconnection that I'm talking about comes from | 0:12:29 | 0:12:32 | |
a repression of feelings. I think I was oddly sexually repressed | 0:12:32 | 0:12:35 | |
and also, repressing a lot of anger, it turned out. | 0:12:35 | 0:12:37 | |
I didn't even know I had anger. | 0:12:37 | 0:12:39 | |
I would see other people becoming angry and think, | 0:12:39 | 0:12:42 | |
"Well, this is quite silly," especially as I live in Hampstead. | 0:12:42 | 0:12:44 | |
To see people being angry on Hampstead High Street is like, | 0:12:44 | 0:12:47 | |
what? There's crepes, have a crepe. | 0:12:47 | 0:12:49 | |
But then I was at the Dublin airport, | 0:12:56 | 0:12:58 | |
coming home from a comedy festival with a couple of friends | 0:12:58 | 0:13:01 | |
and one of these friends sees this girl that he finds attractive, | 0:13:01 | 0:13:04 | |
working at the MAC make-up counter. | 0:13:04 | 0:13:06 | |
She was quite attractive. She was wearing a lot of make-up | 0:13:06 | 0:13:08 | |
but we can't judge her for that, she works at the make-up counter, | 0:13:08 | 0:13:11 | |
the hours go by, and she gets bored. These things can accumulate. | 0:13:11 | 0:13:14 | |
And I think that's a problem quite specific to the make-up counter. | 0:13:16 | 0:13:19 | |
I've never gone into a shoe shop and somebody's covered in shoes. | 0:13:19 | 0:13:22 | |
So I say, "Well, let's go over and say hello to this woman," | 0:13:27 | 0:13:30 | |
because we're alive and... | 0:13:30 | 0:13:32 | |
That's something I say occasionally. | 0:13:33 | 0:13:35 | |
And I think, it's been my idea, so I should host the flirting, | 0:13:35 | 0:13:39 | |
so I say, "Hello, what's all this?" | 0:13:39 | 0:13:43 | |
She tells us about the exciting new MAC range | 0:13:49 | 0:13:52 | |
and I, in order to get my friend involved with her, | 0:13:52 | 0:13:54 | |
in a flirty sort of silly way, ask, "What do you recommend for | 0:13:54 | 0:13:56 | |
"my friend with his nice, pale skin, what do you recommend for him?" | 0:13:56 | 0:13:59 | |
She says, "Your girlfriend..." I say, "No, there's no girlfriend. | 0:13:59 | 0:14:02 | |
"He's very much single, what do you recommend for him?" | 0:14:02 | 0:14:04 | |
She says, "If you had a girlfriend?" I said, "No, there's no girlfriend. | 0:14:04 | 0:14:08 | |
"What would you recommend for him?" | 0:14:08 | 0:14:09 | |
She says, "Well, women..." and then, and I didn't even know why, | 0:14:09 | 0:14:13 | |
I was warm from fury. | 0:14:13 | 0:14:15 | |
And I start saying things like, | 0:14:18 | 0:14:21 | |
"What if Eddie Izzard walked up? This is very limiting, isn't it?" | 0:14:21 | 0:14:24 | |
She didn't know who he was, which annoyed me. | 0:14:24 | 0:14:26 | |
She was beautiful and she knew that she was beautiful | 0:14:29 | 0:14:31 | |
but I think that's all she knew. | 0:14:31 | 0:14:33 | |
And that's just jealousy, really. | 0:14:37 | 0:14:39 | |
If you are naturally beautiful, that's all you need in this world. | 0:14:39 | 0:14:42 | |
I used to get so excited by models at parties. "Models! There are | 0:14:42 | 0:14:45 | |
"models at this party. I've got to go and flirt with the models." | 0:14:45 | 0:14:47 | |
"Must have a model." I was recently at a party, | 0:14:47 | 0:14:49 | |
there were two models stood in front of me | 0:14:49 | 0:14:51 | |
and I was all ready to go into action and I just thought, | 0:14:51 | 0:14:54 | |
"Oh, fuck you." | 0:14:54 | 0:14:55 | |
Right. | 0:14:59 | 0:15:00 | |
Because what have they done? | 0:15:02 | 0:15:04 | |
They've grown high. | 0:15:04 | 0:15:05 | |
I learnt to juggle. | 0:15:07 | 0:15:09 | |
It hasn't helped. It hasn't helped me. | 0:15:13 | 0:15:15 | |
Why did nobody put a piano in front of me as a child? | 0:15:15 | 0:15:18 | |
Then I could be a guy now, who can play the piano in a bar, | 0:15:18 | 0:15:21 | |
taking requests. There are no requests with juggling, | 0:15:21 | 0:15:23 | |
other than, "Don't juggle." | 0:15:23 | 0:15:26 | |
I was standing there in this airport with no self-consciousness about | 0:15:30 | 0:15:35 | |
shouting at this stranger. I don't care that people are looking. | 0:15:35 | 0:15:38 | |
My other friend comes over and says, "Is everything all right?" | 0:15:38 | 0:15:40 | |
And I say, "No, | 0:15:40 | 0:15:43 | |
"we just want to buy some make-up, | 0:15:43 | 0:15:45 | |
"but apparently we should just fuck off." | 0:15:47 | 0:15:50 | |
And then I see my friend for the first time, who's clearly thinking, | 0:15:52 | 0:15:55 | |
"Well, this isn't quite what we planned." | 0:15:55 | 0:15:57 | |
I didn't even know why I was angry | 0:15:59 | 0:16:02 | |
and I've since come to the realisation | 0:16:02 | 0:16:04 | |
that it was about how limiting she was being about | 0:16:04 | 0:16:07 | |
what was allowed to occur in this world of possibility | 0:16:07 | 0:16:10 | |
that we are actually in and to be still so stuck on gender roles. | 0:16:10 | 0:16:13 | |
We all combine the male and the female. | 0:16:13 | 0:16:15 | |
It's only the most insecure men who are aggressively masculine | 0:16:15 | 0:16:18 | |
because they feel it's all they've got, and often the most | 0:16:18 | 0:16:20 | |
insecure women are wandering around with the least amount of clothes. | 0:16:20 | 0:16:23 | |
I feel them saying, "All I know is I'm a woman. Come on, get involved." | 0:16:23 | 0:16:27 | |
And, obviously, that... | 0:16:34 | 0:16:35 | |
it's not always a thing that comes from insecurity. | 0:16:35 | 0:16:38 | |
I want to, I feel I should say that's not... | 0:16:38 | 0:16:41 | |
It's not something that always comes from insecurity, | 0:16:42 | 0:16:45 | |
like, it can be an empowering, assertive.... | 0:16:45 | 0:16:48 | |
A girl from New York came to see | 0:16:48 | 0:16:49 | |
this show and she was quite brilliant, | 0:16:49 | 0:16:51 | |
she had a problem with that. And what I'm saying is, women... | 0:16:51 | 0:16:54 | |
We all combine the male and the female | 0:17:02 | 0:17:05 | |
and it feels like we're trying to get there. | 0:17:05 | 0:17:07 | |
It feels like, as a culture, | 0:17:07 | 0:17:09 | |
we're trying to be all that we actually are, | 0:17:09 | 0:17:11 | |
but because there is still this fear, | 0:17:11 | 0:17:14 | |
we are being fed these words that don't make any sense. | 0:17:14 | 0:17:18 | |
Like man-bag and guy-liner. | 0:17:18 | 0:17:22 | |
Like men don't have hands or eyes. | 0:17:23 | 0:17:26 | |
Bought this guy-liner, don't know where it goes. | 0:17:31 | 0:17:33 | |
And if I did, no way of putting it on. | 0:17:36 | 0:17:39 | |
It still upsets me to hear even young, trendy couples saying | 0:17:44 | 0:17:47 | |
things like, we're having a baby but we don't know the gender | 0:17:47 | 0:17:49 | |
so we don't know whether to paint the nursery blue or pink. | 0:17:49 | 0:17:52 | |
We might go for yellow just to be safe. | 0:17:52 | 0:17:54 | |
What is the danger here? Go blue, go nuts. | 0:17:54 | 0:17:57 | |
What if it's a girl? We don't want her to grow up to be Bruce Willis. | 0:17:57 | 0:18:00 | |
And then they have the baby and these sentences pour out of them. | 0:18:03 | 0:18:06 | |
Oh, we've had a girl but she's quite a tom-boy. | 0:18:06 | 0:18:08 | |
What is this word? Maybe your idea of what a girl is supposed to be | 0:18:08 | 0:18:10 | |
is quite restrictive. Oh, we've had a boy | 0:18:10 | 0:18:12 | |
but he's playing with dolls. Oh, God, then put him back in? | 0:18:12 | 0:18:15 | |
I'm not keen when the word "but" is inserted into a sentence | 0:18:18 | 0:18:21 | |
when there is no need for it. | 0:18:21 | 0:18:23 | |
When my grandparents had new neighbours, they said, | 0:18:23 | 0:18:25 | |
"Oh, they're Indian but they're so polite." | 0:18:25 | 0:18:27 | |
There's no "but". | 0:18:27 | 0:18:28 | |
When TV dramas don't know what to do with their minority characters, | 0:18:32 | 0:18:35 | |
they give them a little twist. | 0:18:35 | 0:18:36 | |
Well, she's black but she plays the oboe. It's not a twist. | 0:18:36 | 0:18:39 | |
Ooh, the oboe. I thought she'd murder my wife. The oboe. | 0:18:42 | 0:18:45 | |
He's in a wheelchair but he's not sad. What? | 0:18:48 | 0:18:51 | |
He's wearing a turban but he's also wearing a kilt. | 0:18:53 | 0:18:55 | |
Complex. | 0:18:55 | 0:18:57 | |
I'm very impatient for this time that we live in, | 0:19:01 | 0:19:03 | |
the things that are considered normal. People talk about the past, | 0:19:03 | 0:19:05 | |
history, like that was all ridiculous, | 0:19:05 | 0:19:07 | |
how could any of that have happened? | 0:19:07 | 0:19:09 | |
I would like to be in the future now or somewhere else | 0:19:09 | 0:19:13 | |
so I could look back at this time and say, "Do you remember | 0:19:13 | 0:19:17 | |
"when people drank milk from other species?" | 0:19:17 | 0:19:20 | |
Did they see cows feeding their calves and think, | 0:19:24 | 0:19:28 | |
"Yeah, that's probably for me." | 0:19:28 | 0:19:29 | |
Do you remember when people got married before they trusted | 0:19:33 | 0:19:36 | |
that love would be enough? | 0:19:36 | 0:19:38 | |
"Oh, it's just our one special day, it's our one special day." | 0:19:38 | 0:19:41 | |
And then what? Do you remember our special day | 0:19:41 | 0:19:43 | |
before we sat on this sofa and never got up again? | 0:19:43 | 0:19:45 | |
I was thin, wasn't I? You were thin. | 0:19:47 | 0:19:49 | |
We made it all up, marriages. | 0:19:51 | 0:19:53 | |
It's not a naturally occurring thing, we had to have all this | 0:19:53 | 0:19:55 | |
romantic language. Will you marry me? Because it couldn't be | 0:19:55 | 0:19:58 | |
the truth, which is, will you please save me from my loneliest depression | 0:19:58 | 0:20:01 | |
and fear? Because people would have said, "I'm quite busy." | 0:20:01 | 0:20:04 | |
Do you remember when people thought money was the answer? | 0:20:06 | 0:20:09 | |
That money would make them happy? If I could just win the Lottery, | 0:20:09 | 0:20:11 | |
"Oh, I have won it. Oh, I've spent it all. The problem was internal." | 0:20:11 | 0:20:14 | |
Money is just a system for moving things around and to be | 0:20:20 | 0:20:23 | |
so attached to things. "Oh, I love my car. I love my car." | 0:20:23 | 0:20:26 | |
Do you? Or do you just hate your wife? | 0:20:26 | 0:20:29 | |
If you have people excited about a system for moving things around, | 0:20:34 | 0:20:37 | |
then you have control. When I was at primary school, | 0:20:37 | 0:20:39 | |
there was a teacher who couldn't control the class | 0:20:39 | 0:20:42 | |
and then introduced a points system, where at the end of every week, | 0:20:42 | 0:20:45 | |
the person with the most points would win a fun-size chocolate bar | 0:20:45 | 0:20:49 | |
and everyone went nuts for this. | 0:20:49 | 0:20:52 | |
And I remember thinking, don't you people know that | 0:20:52 | 0:20:55 | |
outside of this room there are actual-size chocolate bars? | 0:20:55 | 0:20:58 | |
What about, do you remember when we had that Pope figure | 0:21:02 | 0:21:05 | |
wandering around, saying fatally inaccurate things and eventually | 0:21:05 | 0:21:08 | |
we just had to put him in prison for crimes against humanity | 0:21:08 | 0:21:11 | |
because you couldn't kill him because he just got replaced? | 0:21:11 | 0:21:14 | |
That was when we had prisons, of course. | 0:21:22 | 0:21:24 | |
Do you remember when we had prisons? | 0:21:24 | 0:21:26 | |
When we separated people off into cages rather than giving them | 0:21:26 | 0:21:30 | |
the love they needed that would have stopped all the crime? | 0:21:30 | 0:21:33 | |
You'll have to just trust me on that one. | 0:21:35 | 0:21:37 | |
Do you remember when people got upset when their pets died, | 0:21:39 | 0:21:43 | |
but then when other animals died, they ate them? | 0:21:43 | 0:21:46 | |
Do you remember when food became so processed | 0:21:53 | 0:21:56 | |
and unnatural that certain foods became labelled organic, | 0:21:56 | 0:21:59 | |
like it was a kooky luxury to not consume poison. | 0:21:59 | 0:22:02 | |
And what about when religious people failed to remember that | 0:22:04 | 0:22:07 | |
God is nature. There is nothing more all-encompassing or wise | 0:22:07 | 0:22:11 | |
than Mother Nature. | 0:22:11 | 0:22:12 | |
And atheists forgot that science is the study of nature | 0:22:12 | 0:22:16 | |
and then they both remembered and had amazing sex by a tree. | 0:22:16 | 0:22:19 | |
And do you remember when people felt proud of where they came from, | 0:22:22 | 0:22:25 | |
like it was something to do with them? | 0:22:25 | 0:22:28 | |
It's just where you happened to fall out of your mother's vagina. | 0:22:28 | 0:22:31 | |
Oh, I'm so proud to be British. | 0:22:31 | 0:22:33 | |
You may as well be proud to be Caesarean. | 0:22:33 | 0:22:35 | |
All these separate flags. | 0:22:38 | 0:22:39 | |
If you're going to have a flag, have a flag of a vagina, | 0:22:39 | 0:22:44 | |
so then you can meet people and go, "Oh, hi, where are you from? | 0:22:44 | 0:22:46 | |
"Oh, same as me. Let's be friends." | 0:22:46 | 0:22:48 | |
How was peace finally achieved? | 0:22:54 | 0:22:56 | |
The introduction of the vagina flag. | 0:22:56 | 0:22:58 | |
But that was the past, right? When we fixated on such silliness. | 0:23:03 | 0:23:07 | |
I, when I was turning 30, had a crisis about that | 0:23:07 | 0:23:12 | |
and I didn't even know it was going to be a crisis until this moment. | 0:23:12 | 0:23:14 | |
I was wandering along the street | 0:23:14 | 0:23:16 | |
in some skinny jeans, trainers and a yellow hoody | 0:23:16 | 0:23:18 | |
and I suddenly saw a reflection of myself in a shop window | 0:23:18 | 0:23:22 | |
and thought, | 0:23:22 | 0:23:24 | |
"Does my head look too old for these clothes?" | 0:23:24 | 0:23:26 | |
And I couldn't concentrate on anything else that day | 0:23:28 | 0:23:31 | |
because I thought everything in my life depends on youth. | 0:23:31 | 0:23:34 | |
I'm sort of a bit cheeky, you have to be young for that. | 0:23:34 | 0:23:36 | |
"Oh, young Simon is so cheeky." | 0:23:36 | 0:23:38 | |
Uncle Simon is creepy. | 0:23:38 | 0:23:40 | |
And Grandpa Simon, he's in prison. | 0:23:43 | 0:23:45 | |
I also used to exclusively fancy young men | 0:23:48 | 0:23:50 | |
and I thought I needed to look like them in order to be with them. | 0:23:50 | 0:23:53 | |
If that couldn't happen anymore, then I needed a new look | 0:23:53 | 0:23:56 | |
and this is what I came up with. | 0:23:56 | 0:23:58 | |
So that now I don't have to look like a young guy. | 0:23:59 | 0:24:01 | |
Now, people look at me and think, "Oh, he must be a poet." | 0:24:01 | 0:24:04 | |
So I can be at a party and a young guy can be looking at me thinking, | 0:24:06 | 0:24:10 | |
"Oh, hello, his head looks young for his clothes." | 0:24:10 | 0:24:13 | |
There was also this terrible fear of becoming my father. | 0:24:19 | 0:24:21 | |
We do not have a great relationship. | 0:24:21 | 0:24:23 | |
He invited me to one of his new kids' birthday parties recently. | 0:24:23 | 0:24:26 | |
He started breeding again because... what if we run out of Jews? | 0:24:26 | 0:24:30 | |
That's the actual reason. | 0:24:35 | 0:24:36 | |
I don't feel great about going to the party. We don't have a great relationship. | 0:24:38 | 0:24:41 | |
I don't know the kids well. They're all under nine. I didn't grow up with them. | 0:24:41 | 0:24:45 | |
It's the same sperm but a whole different womb, | 0:24:45 | 0:24:47 | |
but you can't say that to a four-year-old on her birthday. | 0:24:47 | 0:24:49 | |
It's best to write that in the card. | 0:24:51 | 0:24:53 | |
My father also asks if I can bring some of my magic tricks that | 0:24:56 | 0:25:00 | |
I used to do so I can entertain all the children. Because when I was... | 0:25:00 | 0:25:05 | |
I wish this was quite a bit younger. ..17, | 0:25:05 | 0:25:09 | |
because nobody ever said to me, | 0:25:09 | 0:25:11 | |
"Oh, it's nice, Simon, all this magic. You might like sex." | 0:25:11 | 0:25:14 | |
So I had no sex till I was 21 | 0:25:18 | 0:25:19 | |
and I really had to make up for lost time. | 0:25:19 | 0:25:22 | |
So there's been quite a bit of sex but now I very much miss the magic. | 0:25:22 | 0:25:25 | |
I like the idea of having a prop at the party, | 0:25:28 | 0:25:30 | |
having something to do, because it meant I wouldn't | 0:25:30 | 0:25:32 | |
have to be my father's son. I could be the entertainer guy. | 0:25:32 | 0:25:35 | |
I thought I could make balloon animals for all the children. | 0:25:35 | 0:25:37 | |
But he didn't invite all the children, | 0:25:37 | 0:25:40 | |
it was just him and his three kids, | 0:25:40 | 0:25:42 | |
and I'd ordered 200 balloons from the internet | 0:25:42 | 0:25:45 | |
and once I'd made a couple of poodles and a giraffe, | 0:25:45 | 0:25:48 | |
which is the same thing, I... | 0:25:48 | 0:25:49 | |
I had to talk to my father. | 0:25:51 | 0:25:54 | |
He says, "Let's have a chat." | 0:25:54 | 0:25:55 | |
I sit down and he says, | 0:25:55 | 0:25:58 | |
"So?" | 0:25:58 | 0:26:00 | |
Which is a very broad question. | 0:26:00 | 0:26:03 | |
I struggle. He then follows it up with, "So, what else?" | 0:26:03 | 0:26:07 | |
I have accepted, after years of therapy, | 0:26:07 | 0:26:10 | |
that he was a distant father | 0:26:10 | 0:26:11 | |
but that he's such a bad interviewer is unfair. | 0:26:11 | 0:26:14 | |
He then says, "You know, you must come over more often." | 0:26:16 | 0:26:19 | |
It's like being a restaurant, not providing any food and saying, | 0:26:19 | 0:26:22 | |
"Come again!" | 0:26:22 | 0:26:24 | |
But we didn't talk for a while and then he phoned me | 0:26:27 | 0:26:30 | |
and said, "I've been thinking. One day, I'm going to be on my death-bed | 0:26:30 | 0:26:34 | |
"and if we don't have a relationship, there'll be regret." | 0:26:34 | 0:26:37 | |
So now we make sure we see each other, like, once every | 0:26:37 | 0:26:41 | |
couple of months and I always regret it. | 0:26:41 | 0:26:44 | |
But when he dies, | 0:26:46 | 0:26:47 | |
I'm going to feel pretty good. | 0:26:47 | 0:26:49 | |
LAUGHTER | 0:26:49 | 0:26:51 | |
He, er... | 0:26:58 | 0:27:00 | |
HE CHUCKLES | 0:27:00 | 0:27:02 | |
He came over recently, | 0:27:02 | 0:27:05 | |
in a week that I had been dumped by possibly the first person | 0:27:05 | 0:27:09 | |
I've ever actually loved, and... | 0:27:09 | 0:27:11 | |
AUDIENCE AHHS | 0:27:11 | 0:27:13 | |
Oh. Doesn't help, but thank you. | 0:27:13 | 0:27:16 | |
And at the same time as that happening, my washing machine broke. | 0:27:17 | 0:27:22 | |
LAUGHTER | 0:27:22 | 0:27:24 | |
Fuck you. | 0:27:24 | 0:27:26 | |
This is my actual life. | 0:27:28 | 0:27:31 | |
It's not a fun night out. | 0:27:31 | 0:27:33 | |
We really must put that on the posters. | 0:27:33 | 0:27:35 | |
So he comes over to fix the washing machine but I thought that, | 0:27:38 | 0:27:41 | |
perhaps, for the first time, | 0:27:41 | 0:27:42 | |
we could actually have a conversation about something. | 0:27:42 | 0:27:45 | |
There was some nurturing, some wisdom that could be provided. | 0:27:45 | 0:27:48 | |
He did not have the emotional capacity to discuss a break-up. | 0:27:48 | 0:27:51 | |
He fixed the washing machine. | 0:27:51 | 0:27:52 | |
I felt very angry that that's what happened that day | 0:27:52 | 0:27:55 | |
and I've since come to this realisation. | 0:27:55 | 0:27:58 | |
I mean, I know he came over a day early to do that, because | 0:27:58 | 0:28:02 | |
he knew I was upset and he did what he could do and so that's the love. | 0:28:02 | 0:28:07 | |
So now when people say to me, | 0:28:08 | 0:28:10 | |
"That's a nice top, Simon, is it new?" "No." | 0:28:10 | 0:28:13 | |
"My father loves me." | 0:28:13 | 0:28:14 | |
And I accept that because he won't be around for ever | 0:28:20 | 0:28:23 | |
and at some point, I'll have to have that relationship with a plumber. | 0:28:23 | 0:28:26 | |
And who knows who he is, really? Everything is perception. | 0:28:33 | 0:28:36 | |
He came over recently and dealt with this incredible | 0:28:36 | 0:28:39 | |
family crisis that we were having and he dealt with it | 0:28:39 | 0:28:42 | |
so beautifully, like a trained counsellor. | 0:28:42 | 0:28:44 | |
That was not my memory of him from childhood. | 0:28:44 | 0:28:46 | |
In childhood, he was either angry or distant. | 0:28:46 | 0:28:48 | |
So either we didn't know where he was, or we did and it was not ideal. | 0:28:48 | 0:28:52 | |
He dealt with this so beautifully, with such patience and kindness. | 0:28:54 | 0:28:58 | |
I said to him afterwards, "Who are you? | 0:28:58 | 0:29:01 | |
"How did you do that?" | 0:29:01 | 0:29:03 | |
And he said to me, this is what he actually said, | 0:29:03 | 0:29:06 | |
"About two years ago, I cut out wheat." | 0:29:06 | 0:29:10 | |
I could have had a happy childhood, | 0:29:21 | 0:29:23 | |
instead of "Don't disturb Daddy, he's eaten a lot of pasta." | 0:29:26 | 0:29:29 | |
So, because I couldn't talk about that break-up with him, | 0:29:35 | 0:29:37 | |
I'm going to talk about it with you people now on television. | 0:29:37 | 0:29:41 | |
And it took a long time to even become a relationship | 0:29:43 | 0:29:46 | |
and I really wanted something real at that point in my life | 0:29:46 | 0:29:49 | |
and one night we had this whole discussion and he said, "Look, | 0:29:49 | 0:29:51 | |
"Maybe I don't want to be Simon Amstell's boyfriend." | 0:29:51 | 0:29:54 | |
Which was really hard for me to hear because... | 0:29:54 | 0:29:56 | |
I am Simon Amstell. | 0:29:56 | 0:29:59 | |
And he was...he was my exact type. | 0:30:05 | 0:30:07 | |
He was young and vulnerable | 0:30:07 | 0:30:09 | |
and when we first met he had all this crazy, big hair | 0:30:09 | 0:30:13 | |
and I said to him, "That's big hair," | 0:30:13 | 0:30:15 | |
and he agreed, so we could carry on. | 0:30:15 | 0:30:17 | |
And he has some issues with his step-father and | 0:30:20 | 0:30:22 | |
he suffered from a bit of depression and I love all that stuff, so... | 0:30:22 | 0:30:25 | |
Everything was going so well for about six months | 0:30:28 | 0:30:30 | |
and then he found this job, which meant we weren't seeing each other | 0:30:30 | 0:30:33 | |
enough and I wasn't sure if there was this tension now because | 0:30:33 | 0:30:36 | |
of the job or just us and I thought, | 0:30:36 | 0:30:37 | |
if I can just put some dates in our diaries, | 0:30:37 | 0:30:39 | |
there'll be stuff to look forward to, everything will be fine. | 0:30:39 | 0:30:42 | |
And then we meet up in this park square. | 0:30:42 | 0:30:45 | |
We're sat on a bench and he says to me, | 0:30:45 | 0:30:47 | |
"I can't be in this relationship any more." | 0:30:47 | 0:30:50 | |
"Can't." | 0:30:50 | 0:30:51 | |
Can't was the word. | 0:30:51 | 0:30:53 | |
And I thought, "You could." | 0:30:53 | 0:30:56 | |
"Now, pick a date." | 0:30:58 | 0:31:00 | |
But he could not discuss it at that point in his life, so we hugged | 0:31:04 | 0:31:06 | |
and we parted and then I felt like I may cry, | 0:31:06 | 0:31:09 | |
which is quite odd for me, but I didn't feel like I could | 0:31:09 | 0:31:11 | |
in the middle of this public park square. | 0:31:11 | 0:31:13 | |
So I see a coffee shop in the distance and I think, I will go | 0:31:13 | 0:31:15 | |
and cry in the toilet of that coffee shop, which was a worry | 0:31:15 | 0:31:18 | |
cos often they don't let you cry unless you buy something first. | 0:31:18 | 0:31:21 | |
And there's all this build-up, walking to the coffee shop. | 0:31:23 | 0:31:26 | |
I don't have to buy anything. I close the door behind me | 0:31:26 | 0:31:28 | |
and...because I'm so emotionally blocked, | 0:31:28 | 0:31:30 | |
I feel one tear and I'm so thrilled that happened, I stop crying. | 0:31:30 | 0:31:35 | |
I couldn't even cry the pain out of me. | 0:31:37 | 0:31:40 | |
I get into a taxi home. The taxi driver is quite perky. | 0:31:40 | 0:31:42 | |
I end up saying to him, you seem quite happy. | 0:31:42 | 0:31:44 | |
How come you're so happy? | 0:31:44 | 0:31:46 | |
He says, "I'm always happy," | 0:31:46 | 0:31:47 | |
which was a clear lie so I pressed him on it. | 0:31:47 | 0:31:49 | |
I said, "How can you always be happy?" | 0:31:52 | 0:31:54 | |
He said, "I just know there are always people in the world | 0:31:54 | 0:31:57 | |
"much worse off than me." | 0:31:57 | 0:31:58 | |
AUDIENCE GROANS AND LAUGHS | 0:31:58 | 0:32:00 | |
Oh, yeah, that's why I really enjoy eating | 0:32:03 | 0:32:05 | |
cos I always know there are people in the world starving. | 0:32:05 | 0:32:08 | |
Mmm, yummy. | 0:32:08 | 0:32:09 | |
I get home and this is the hardest part for me. | 0:32:12 | 0:32:15 | |
This is the problem. | 0:32:15 | 0:32:17 | |
I get home and I can't feel any of the pain. | 0:32:17 | 0:32:19 | |
I go straight to my computer and start typing up what has happened | 0:32:19 | 0:32:23 | |
so I can tell you people | 0:32:23 | 0:32:25 | |
and I'm so annoyed at my own fingers, like, | 0:32:25 | 0:32:27 | |
"Why are we doing this?" "Because this is all we've got." | 0:32:27 | 0:32:29 | |
I met up with him a while ago to discuss what had happened | 0:32:33 | 0:32:36 | |
and it's very nice during all of that break-up story to see you | 0:32:36 | 0:32:40 | |
hugging there in the third row. | 0:32:40 | 0:32:42 | |
That was sort of nice for me. Thank you. | 0:32:42 | 0:32:44 | |
I mean, is it a bit selfish of you to...? | 0:32:44 | 0:32:47 | |
It's all right. "We're fine, aren't we?" | 0:32:49 | 0:32:51 | |
Everything ends. | 0:32:57 | 0:32:58 | |
LAUGHTER | 0:32:58 | 0:33:01 | |
So we met up a while ago to discuss what had happened | 0:33:05 | 0:33:09 | |
and one of the things he said to me was that he felt that | 0:33:09 | 0:33:12 | |
I was vulnerable and I needed somebody to take care of me. | 0:33:12 | 0:33:16 | |
To save me. | 0:33:16 | 0:33:18 | |
This did not ring true at all, | 0:33:18 | 0:33:20 | |
until I was at a spa hotel in Spain recently. | 0:33:20 | 0:33:23 | |
Because life lessons can come from anywhere. | 0:33:23 | 0:33:26 | |
Many will come tonight and you won't even realise. | 0:33:26 | 0:33:28 | |
You'll think you've seen a comedy show | 0:33:28 | 0:33:30 | |
and then tomorrow you'll think, "Perhaps I should leave my husband." | 0:33:30 | 0:33:33 | |
I request a massage at this hotel and it isn't available so the lady | 0:33:34 | 0:33:39 | |
in charge asks if I'd like this other massage, | 0:33:39 | 0:33:41 | |
which I haven't heard of, | 0:33:41 | 0:33:42 | |
and also this flotation room treatment, which intrigues me. | 0:33:42 | 0:33:45 | |
I say yes to both, thinking they will be two separate events. | 0:33:45 | 0:33:49 | |
What it turned out to be was me lying back in warm water, | 0:33:50 | 0:33:55 | |
in a dark room with a man swinging me about. | 0:33:55 | 0:33:59 | |
And I loved it. | 0:34:07 | 0:34:08 | |
It was this strange womb-like space | 0:34:12 | 0:34:15 | |
and it felt like he was everything in that womb, mother, father, | 0:34:15 | 0:34:20 | |
brother, lover, and also relieving neck and shoulder pain wonderfully. | 0:34:20 | 0:34:23 | |
I also found him quite attractive and not my usual type. | 0:34:25 | 0:34:28 | |
He was quite a muscular chap and I normally go for somebody | 0:34:28 | 0:34:31 | |
with no muscles, no bottom, just a stick and a head. | 0:34:31 | 0:34:33 | |
This guy, not only did he have this strong body, he had this, | 0:34:35 | 0:34:39 | |
like, kind, vulnerable face, which is a good combination for me. | 0:34:39 | 0:34:43 | |
He had, like, this swimmer's body | 0:34:43 | 0:34:45 | |
but the face of someone who maybe can't even swim. | 0:34:45 | 0:34:48 | |
His body's saying, I will heal and protect you, his face saying, | 0:34:53 | 0:34:57 | |
unless I drown. | 0:34:57 | 0:34:58 | |
And as he's massaging my shoulders, in the water, in the darkness, | 0:35:01 | 0:35:06 | |
I can feel his breath on my face and I think, | 0:35:06 | 0:35:11 | |
there are no laws in the womb. | 0:35:11 | 0:35:13 | |
I could, I could perhaps just lean up and kiss him, couldn't I? | 0:35:17 | 0:35:21 | |
I couldn't. Fear, even in that womb-like, dream-like space, | 0:35:21 | 0:35:25 | |
was still present. | 0:35:25 | 0:35:26 | |
I was so annoyed at my own fear, then I told this to a friend and | 0:35:26 | 0:35:30 | |
he said, "It's good fear was present, | 0:35:30 | 0:35:31 | |
"that would have been really odd." | 0:35:31 | 0:35:33 | |
So what happened instead was, eventually, | 0:35:36 | 0:35:40 | |
he got out of the water and told me to get dressed when I was ready | 0:35:40 | 0:35:43 | |
and then I, because he had been healing me and taking care of me, | 0:35:43 | 0:35:48 | |
ended up saying, | 0:35:48 | 0:35:50 | |
"Are you sure you don't want to get back in?" | 0:35:50 | 0:35:53 | |
Like a crazed, middle-aged housewife. | 0:35:53 | 0:35:55 | |
Please, my husband won't touch me! | 0:35:57 | 0:35:59 | |
I live alone | 0:36:05 | 0:36:07 | |
and that's fine. | 0:36:07 | 0:36:10 | |
You just have to make plans, that's the key, especially if you | 0:36:10 | 0:36:13 | |
don't have a normal job because if you live alone and you don't | 0:36:13 | 0:36:16 | |
make plans, here is what happens, | 0:36:16 | 0:36:19 | |
you wake up and it just gets darker. | 0:36:19 | 0:36:23 | |
I caught myself a few weeks ago, | 0:36:29 | 0:36:33 | |
clutching my cat to my chest, | 0:36:33 | 0:36:36 | |
saying, | 0:36:36 | 0:36:38 | |
"We're all right, aren't we?" | 0:36:38 | 0:36:40 | |
There's no-one there taking care of me. There are no rules. | 0:36:45 | 0:36:49 | |
I'm now watching the least ethical porn and... | 0:36:49 | 0:36:52 | |
I don't even know how it happened. | 0:36:54 | 0:36:56 | |
I used to say to people, and it was true, | 0:36:56 | 0:36:58 | |
I can watch pornography as long as the people in it are clearly | 0:36:58 | 0:37:00 | |
smiling and enjoying what they're doing. | 0:37:00 | 0:37:03 | |
That is not the case anymore. | 0:37:03 | 0:37:04 | |
I'm now rarely watching anything | 0:37:07 | 0:37:08 | |
unless there is a person in it who's been tricked. | 0:37:08 | 0:37:11 | |
And everything in my fridge is fair-trade and organic, | 0:37:15 | 0:37:18 | |
the porn is neither. | 0:37:18 | 0:37:19 | |
Just have to make plans, | 0:37:23 | 0:37:24 | |
that's the key, you just have to make plans, | 0:37:24 | 0:37:26 | |
so that life has the illusion of meaning and forward momentum | 0:37:26 | 0:37:29 | |
and that's why you're here, so you've done something tonight. | 0:37:29 | 0:37:32 | |
Because people tomorrow will ask you, "What did you do last night?" | 0:37:32 | 0:37:35 | |
and then you can say, "I went to a live taping at the BBC | 0:37:35 | 0:37:37 | |
"cos I live in London. I'm alive, I'm alive." | 0:37:37 | 0:37:40 | |
Are you, though? | 0:37:43 | 0:37:44 | |
Or are you just desperately filling the time | 0:37:46 | 0:37:48 | |
so you don't have to feel all the pain? | 0:37:48 | 0:37:50 | |
Well, you came to the wrong show. | 0:37:51 | 0:37:53 | |
What are any of us doing? | 0:38:01 | 0:38:02 | |
What are we doing? | 0:38:06 | 0:38:07 | |
There are no rules. | 0:38:10 | 0:38:12 | |
All we have are the conventions of the people who came before us | 0:38:12 | 0:38:15 | |
and we can't just mindlessly follow those, so what's the priority? | 0:38:15 | 0:38:18 | |
What are we supposed to be doing here? | 0:38:18 | 0:38:20 | |
I like the idea that there's a self-improvement going on | 0:38:20 | 0:38:24 | |
and I often feel like this must be some temporary personality | 0:38:24 | 0:38:28 | |
before I get to the good one. | 0:38:28 | 0:38:30 | |
Like, this can't be it for life. | 0:38:30 | 0:38:33 | |
Like, this voice, this is my voice. | 0:38:33 | 0:38:35 | |
And I have this laugh now. | 0:38:37 | 0:38:39 | |
I don't know when it started, but I'm going to have to act it | 0:38:39 | 0:38:42 | |
for you now, but this is my actual laugh in my life. | 0:38:42 | 0:38:45 | |
Haa! | 0:38:45 | 0:38:46 | |
It's like I can't even experience prolonged joy. | 0:38:52 | 0:38:55 | |
I remember reading at school the book To Kill A Mockingbird | 0:38:58 | 0:39:02 | |
and there was a character in it who went on this heroic journey | 0:39:02 | 0:39:04 | |
of self-improvement, attaining a purity. She knew | 0:39:04 | 0:39:07 | |
she was dying and she wanted to give up her addiction to morphine | 0:39:07 | 0:39:10 | |
before that moment. And I remember thinking, | 0:39:10 | 0:39:13 | |
"What a stupid thing to do." | 0:39:13 | 0:39:15 | |
If I knew I had two months to live, | 0:39:15 | 0:39:17 | |
one of the things I would take up would be morphine. | 0:39:17 | 0:39:20 | |
I have had it for an operation | 0:39:21 | 0:39:23 | |
and it is like a hug from the inside. | 0:39:23 | 0:39:26 | |
It feels like love but with none of the bother. | 0:39:27 | 0:39:31 | |
You wouldn't give it up, you'd say, "OK, double the morphine, | 0:39:33 | 0:39:35 | |
"and bring me Atticus Finch." | 0:39:35 | 0:39:37 | |
That story of Mrs Dubose, I think... | 0:39:42 | 0:39:45 | |
I think what that was about was about her wanting to feel | 0:39:45 | 0:39:48 | |
all of life, rather than numbing it in any way. | 0:39:48 | 0:39:51 | |
The pain must be felt. The pain must be felt. | 0:39:51 | 0:39:55 | |
My friend recently told me that I think too much. | 0:39:55 | 0:39:58 | |
I just think too much, which is fine - except he then, | 0:39:58 | 0:40:01 | |
very boastfully said to me, | 0:40:01 | 0:40:03 | |
"You know, I never think." | 0:40:03 | 0:40:05 | |
And I said, "You do, you do think," and he said, | 0:40:09 | 0:40:13 | |
"No." | 0:40:13 | 0:40:14 | |
And I said, "Look, even if you don't discuss philosophy | 0:40:17 | 0:40:21 | |
"every moment of your life, you'll still come to some conclusions. | 0:40:21 | 0:40:24 | |
"Like when you wake up and you get out of bed, why do you do that?" | 0:40:24 | 0:40:28 | |
And he said, "I've got work." | 0:40:28 | 0:40:30 | |
And then I got a bit annoyed and said, "Well, why don't you | 0:40:32 | 0:40:35 | |
"just kill yourself, then?" And then my other friend leaned in and said, | 0:40:35 | 0:40:38 | |
"He seems quite happy, don't ruin another life." | 0:40:38 | 0:40:40 | |
Now he may feel as numb as I felt in the past and be in deeper denial | 0:40:46 | 0:40:49 | |
but there is something in what he is saying. | 0:40:49 | 0:40:51 | |
We're all thinking too much and not feeling enough. | 0:40:51 | 0:40:53 | |
You cannot think your way to enlightenment. And so I find myself | 0:40:53 | 0:40:56 | |
now on this spiritual journey to overcome ego, | 0:40:56 | 0:41:00 | |
which would be great, | 0:41:00 | 0:41:02 | |
except it's such an egotistical journey to be on. | 0:41:02 | 0:41:04 | |
I have a friend and he's on the same journey as I am | 0:41:06 | 0:41:10 | |
and it is clear yet unspoken that we are now in competition. | 0:41:10 | 0:41:13 | |
So I will say something like, | 0:41:17 | 0:41:18 | |
"I'm going to Peru next month to visit the Shaman. | 0:41:18 | 0:41:21 | |
"We'll drink this plant medicine that has been used by | 0:41:21 | 0:41:23 | |
"the indigenous people for thousands of years to heal themselves." | 0:41:23 | 0:41:26 | |
And he will say, "Oh, yeah, I know the guy who invented Peru." | 0:41:26 | 0:41:29 | |
And he is winning, but what I've realised is that | 0:41:33 | 0:41:35 | |
any competition is ridiculous because nobody wins this thing. | 0:41:35 | 0:41:38 | |
We all just die, so... | 0:41:38 | 0:41:41 | |
to do anything from a point of ego is absurd. | 0:41:41 | 0:41:44 | |
Do something from just the joy of doing it in that moment. | 0:41:44 | 0:41:47 | |
There's some integrity there, so what I thought was, | 0:41:47 | 0:41:50 | |
if I can just do everything in my life, from now on, | 0:41:50 | 0:41:52 | |
from a point of pure joy, rather than any ego, | 0:41:52 | 0:41:56 | |
THEN I'll be the best. | 0:41:56 | 0:41:57 | |
And so, because you cannot think your way to enlightenment, to peace, | 0:42:04 | 0:42:08 | |
and because I felt so broken and couldn't fix myself - and I tried - | 0:42:08 | 0:42:12 | |
I found myself in Peru, drinking this plant medicine with a Shaman. | 0:42:12 | 0:42:16 | |
And what I'm about to tell you will sound, perhaps, | 0:42:16 | 0:42:18 | |
like a bit of a crazy drug trip, but I promise you, it isn't that. | 0:42:18 | 0:42:21 | |
I've enjoyed magic mushrooms because I don't do drugs | 0:42:21 | 0:42:25 | |
but I will if they contain magic. | 0:42:25 | 0:42:26 | |
And with that, it just feels like a wonderful, giggly experience | 0:42:29 | 0:42:33 | |
and then at the end, you just go, | 0:42:33 | 0:42:34 | |
"I don't know what that was about, but I had a lovely time." | 0:42:34 | 0:42:37 | |
This was very much the opposite. | 0:42:37 | 0:42:39 | |
It was traumatic, horrific, there was throwing up involved | 0:42:39 | 0:42:43 | |
but it was focused, psychotherapeutic healing. | 0:42:43 | 0:42:46 | |
Everyone got exactly what they needed in their lives somehow. | 0:42:46 | 0:42:50 | |
I was there with about 11 other people from around the world. | 0:42:50 | 0:42:52 | |
All there for various different reasons. Depression... | 0:42:52 | 0:42:55 | |
it was mainly depression. | 0:42:55 | 0:42:57 | |
And it was clear I was there | 0:42:59 | 0:43:02 | |
because I couldn't be in a group of people without anxiety | 0:43:02 | 0:43:05 | |
and I know that's odd me saying that because I do this, | 0:43:05 | 0:43:09 | |
but this was the only way I could cope with talking to people. | 0:43:09 | 0:43:11 | |
Raised and lit. | 0:43:11 | 0:43:13 | |
And the other thing to know about this story | 0:43:17 | 0:43:19 | |
is that it isn't rational. | 0:43:19 | 0:43:21 | |
I tried to find peace in the rational world | 0:43:21 | 0:43:23 | |
and I couldn't find it. | 0:43:23 | 0:43:24 | |
I'd always dealt with trauma from the past in what seemed to me | 0:43:24 | 0:43:27 | |
to be a fairly logical, positive way. I always said, | 0:43:27 | 0:43:29 | |
"Whatever happened, it was perfect." And then something in the rainforest | 0:43:29 | 0:43:33 | |
said to me, because it acted like a psychotherapeutic conversation, | 0:43:33 | 0:43:37 | |
"It wasn't perfect, though, was it?" | 0:43:37 | 0:43:40 | |
And it was such a relief to accept that. | 0:43:40 | 0:43:42 | |
I said, "No, it wasn't. What was it, then?" | 0:43:42 | 0:43:44 | |
And it said, "It was what it was," | 0:43:44 | 0:43:46 | |
and I said, "But it's been very useful for what I do in my career." | 0:43:46 | 0:43:50 | |
And it said, "What you do is what you do, it is not a big deal." | 0:43:50 | 0:43:54 | |
And this was a great relief, but also | 0:43:54 | 0:43:57 | |
very insulting. | 0:43:57 | 0:43:58 | |
There were four ceremonies and | 0:44:03 | 0:44:04 | |
each one we sat in a circle in total darkness. | 0:44:04 | 0:44:07 | |
We drank this medicine. In the second ceremony, I was reborn. | 0:44:07 | 0:44:11 | |
We don't have time to discuss that, but I was reborn. | 0:44:11 | 0:44:14 | |
In the fourth one, I found this strength I did not know | 0:44:15 | 0:44:19 | |
I had before. Even before drinking the medicine, something was | 0:44:19 | 0:44:22 | |
happening because I started singing in my head for some reason, | 0:44:22 | 0:44:25 | |
a prayer that a boy sings during his Bar Mitzvah where he becomes a man. | 0:44:25 | 0:44:32 | |
HE SINGS BAR MITZVAH PRAYER | 0:44:32 | 0:44:37 | |
And then I became a cat. | 0:44:40 | 0:44:42 | |
To my left in the circle was an attractive young American who | 0:44:50 | 0:44:54 | |
had also become a cat. | 0:44:54 | 0:44:55 | |
I heard him meowing. | 0:44:55 | 0:44:57 | |
And I started thinking about him during the ceremony, | 0:44:58 | 0:45:01 | |
sexual thoughts. I found him quite attractive | 0:45:01 | 0:45:03 | |
but I felt ashamed to think these thoughts during the ceremony. | 0:45:03 | 0:45:06 | |
It felt wrong, inappropriate. | 0:45:06 | 0:45:07 | |
And then something in the rainforest said to me, | 0:45:07 | 0:45:09 | |
"Why do you feel ashamed? | 0:45:09 | 0:45:11 | |
"You are a strong, sexy cat." | 0:45:11 | 0:45:13 | |
And so then I turned to him, | 0:45:16 | 0:45:18 | |
beyond my own control, the medicine was in charge now, and rather than | 0:45:18 | 0:45:21 | |
saying something meek like, maybe we should kiss, I did this motion. | 0:45:21 | 0:45:25 | |
And then he, not his physical head, but perhaps his spirit cat energy, | 0:45:29 | 0:45:32 | |
at that moment, landed in my palm and we kissed and then I giggled | 0:45:32 | 0:45:36 | |
cos I felt, "Oh, what a silly thing to have done, what must he think?" | 0:45:36 | 0:45:40 | |
And then the rainforest said to me, "Why do you feel embarrassed? | 0:45:40 | 0:45:43 | |
"Look, he enjoyed it." | 0:45:43 | 0:45:44 | |
I looked over and I had a vision of him enjoying it, | 0:45:44 | 0:45:46 | |
but he also looked quite shocked. | 0:45:46 | 0:45:48 | |
So I said to him, "Do not be concerned." | 0:45:50 | 0:45:52 | |
"This was just a moment between us. It is not your path. Continue." | 0:45:57 | 0:46:01 | |
And that was just one of countless lessons in how | 0:46:07 | 0:46:09 | |
to be in a group without fear. | 0:46:09 | 0:46:11 | |
And something changed in me. When I got back to England, | 0:46:12 | 0:46:15 | |
I was wandering along a country path with some friends | 0:46:15 | 0:46:18 | |
and this guard dog came out of nowhere and started barking at us. | 0:46:18 | 0:46:21 | |
It was quite scary. My friend said, "Let's just keep walking." | 0:46:21 | 0:46:24 | |
I would have followed him, in the past. | 0:46:24 | 0:46:26 | |
In this moment, I stood there, stared at this dog | 0:46:26 | 0:46:31 | |
until it walked away. | 0:46:31 | 0:46:33 | |
And what a stupid dog, because... | 0:46:33 | 0:46:35 | |
I'm a cat. | 0:46:35 | 0:46:36 | |
When that last ceremony ended, I could still feel | 0:46:42 | 0:46:44 | |
the medicine inside of me and there were these urges. | 0:46:44 | 0:46:47 | |
It said, "We need to feel the rain on this body." | 0:46:47 | 0:46:50 | |
And I went into the rain. | 0:46:50 | 0:46:51 | |
I stood naked in the rain, felt comfortable in myself | 0:46:51 | 0:46:54 | |
for the first time in my life and it then said, "We need to dance." | 0:46:54 | 0:46:58 | |
And so I got my headphones and I put on some Michael Jackson. | 0:46:58 | 0:47:00 | |
As the music started, I noticed for the first time | 0:47:02 | 0:47:04 | |
these wet curls in front of my eyes. | 0:47:04 | 0:47:07 | |
Of course, mine from the rain, but in that moment, I thought, | 0:47:07 | 0:47:10 | |
I am Michael Jackson. | 0:47:10 | 0:47:12 | |
And I cannot dance but in those three minutes I lost myself, | 0:47:17 | 0:47:21 | |
my ego, and then found myself, as the music stopped, in this position. | 0:47:21 | 0:47:25 | |
I learnt to feel, to be in the rainforest, rather than think | 0:47:30 | 0:47:34 | |
and analyse and I asked while I was there, what are we here for? | 0:47:34 | 0:47:39 | |
What is the priority? Is it just joy? | 0:47:39 | 0:47:41 | |
Everything else seems absurd. Is it just about joy? | 0:47:41 | 0:47:44 | |
Are we just here for joy? Is it just joy? | 0:47:44 | 0:47:47 | |
And then a tired-looking gorilla appeared before me | 0:47:47 | 0:47:50 | |
and said, "Yes, it's all joy." | 0:47:51 | 0:47:54 | |
And I later wrote down, "Joy confirmed." | 0:47:56 | 0:47:59 | |
There is this knowledge now in me | 0:48:04 | 0:48:06 | |
that I'm here purely to enjoy being here and joy doesn't just | 0:48:06 | 0:48:11 | |
mean laughter. There's joy in tears. There's joy in authentic experience. | 0:48:11 | 0:48:14 | |
But it's difficult to stay connected to that joy, to your true self | 0:48:14 | 0:48:18 | |
if you watch the news. | 0:48:18 | 0:48:19 | |
So I've stopped doing that because it isn't even the news. | 0:48:19 | 0:48:24 | |
What they give us is the worst things they can come up with that | 0:48:24 | 0:48:27 | |
have happened in the world that day | 0:48:27 | 0:48:28 | |
and that's not a fair representation of what's going on in our planet. | 0:48:28 | 0:48:31 | |
If it was the news, I could watch it, | 0:48:31 | 0:48:33 | |
because it would be, "Oh, hi, | 0:48:33 | 0:48:35 | |
"How are you? Did you have a nice day?" | 0:48:35 | 0:48:38 | |
"The news team, we had a barbecue." | 0:48:38 | 0:48:39 | |
Let's see what we've got for you. So the sun came up again, | 0:48:42 | 0:48:44 | |
grass continued to grow. Now, some people have died but you never met. | 0:48:44 | 0:48:48 | |
So you can't feel bad about that. | 0:48:52 | 0:48:53 | |
Don't feel bad about not feeling bad. That would be silly. | 0:48:53 | 0:48:55 | |
And also, everything's being dealt with by experts. | 0:48:55 | 0:48:58 | |
If you're still watching, we'll go | 0:49:01 | 0:49:02 | |
live to our Middle East correspondent, Harold. | 0:49:02 | 0:49:05 | |
What can you tell us? "Well, it's just ridiculous." | 0:49:05 | 0:49:07 | |
Thank you, Harold. | 0:49:07 | 0:49:08 | |
But we have to watch the news, don't we? | 0:49:14 | 0:49:17 | |
Because what if you're at a dinner party | 0:49:17 | 0:49:19 | |
and somebody said, | 0:49:21 | 0:49:23 | |
"Oh, did you hear the news?" | 0:49:23 | 0:49:25 | |
and you weren't able to say, "I know," | 0:49:25 | 0:49:28 | |
and then carry on eating, but with sadder faces? | 0:49:28 | 0:49:31 | |
But is it selfish? | 0:49:34 | 0:49:36 | |
I think we are selfish, as human beings, | 0:49:36 | 0:49:38 | |
and we should embrace this, not feel guilty about it. | 0:49:38 | 0:49:41 | |
What it means to be selfish is you are fully in alignment with | 0:49:41 | 0:49:44 | |
who you really are and after that, | 0:49:44 | 0:49:46 | |
you could be quite useful in the world. | 0:49:46 | 0:49:48 | |
This, I mean, what I'm doing now is completely selfish. | 0:49:48 | 0:49:52 | |
I just like doing this. | 0:49:52 | 0:49:53 | |
I know it doesn't seem selfish because it's brought such joy | 0:49:53 | 0:49:55 | |
to television, but really... | 0:49:55 | 0:49:57 | |
The only news that I need is - Hello, | 0:49:59 | 0:50:01 | |
somebody's coming towards your specific house now with a knife. | 0:50:01 | 0:50:05 | |
And somebody already came towards my house with a knife | 0:50:05 | 0:50:07 | |
and my parents let that rabbi in, so... | 0:50:07 | 0:50:09 | |
And they weren't even religious, these people. | 0:50:14 | 0:50:17 | |
I don't think the buffet was even kosher. "Oh, no, | 0:50:17 | 0:50:19 | |
"we don't care about that bit. We just loved the cock-cutting." | 0:50:19 | 0:50:22 | |
Didn't love it, of course. | 0:50:25 | 0:50:26 | |
They did it cos it was the thing to do. | 0:50:26 | 0:50:28 | |
They thought, we've had a boy, we'd better slice off a bit | 0:50:28 | 0:50:30 | |
of his penis, otherwise people might think we're weird parents. | 0:50:30 | 0:50:33 | |
And I've decided I am angry about it. | 0:50:36 | 0:50:39 | |
There is a loss of sensation in sex. | 0:50:39 | 0:50:40 | |
So I'm with someone and they say, "Wow, that was incredible." | 0:50:40 | 0:50:43 | |
Yeah, would have been, I don't know. | 0:50:43 | 0:50:44 | |
For me to enjoy that fully, I had to keep going into my head | 0:50:47 | 0:50:49 | |
and imagining that you were Justin Bieber. | 0:50:49 | 0:50:51 | |
Right. | 0:50:55 | 0:50:57 | |
In reality, I do not find Justin Bieber attractive. | 0:51:00 | 0:51:03 | |
I'm quite indifferent to Justin Bieber | 0:51:03 | 0:51:05 | |
but there is this fantasy being sold on television, | 0:51:05 | 0:51:08 | |
this sort of sexless, neutered yet cocky sex person, | 0:51:08 | 0:51:13 | |
which has meant that, I think, | 0:51:17 | 0:51:18 | |
anger has got mixed up with sexual attraction. | 0:51:18 | 0:51:22 | |
So I would now like to meet Justin Bieber | 0:51:22 | 0:51:25 | |
so I can do something to him, | 0:51:25 | 0:51:27 | |
so next time I see him on television, | 0:51:30 | 0:51:32 | |
he's got a look that says, "My life has been changed for ever." | 0:51:32 | 0:51:35 | |
But that's not the reality. | 0:51:38 | 0:51:40 | |
In reality, if I'm anywhere, I'll say, "Hello, nice to meet you." | 0:51:40 | 0:51:43 | |
But there is something in me that wants to fuck him till he cries. | 0:51:43 | 0:51:47 | |
I don't think it's my fault. | 0:52:01 | 0:52:03 | |
And, of course, it's a metaphor. | 0:52:05 | 0:52:08 | |
When I say Justin Bieber, of course, what I mean is | 0:52:14 | 0:52:16 | |
the mainstream media disconnecting us from who we really are. | 0:52:16 | 0:52:19 | |
Because at this point in our time, | 0:52:21 | 0:52:22 | |
I feel we need to be fully connected to who we are, which is each other, | 0:52:22 | 0:52:27 | |
nature, the universe, or at least be in a relationship. | 0:52:27 | 0:52:31 | |
Otherwise, you feel alone | 0:52:31 | 0:52:33 | |
and you eat everything. | 0:52:33 | 0:52:34 | |
I know this because I was in a hotel room recently, alone. | 0:52:36 | 0:52:39 | |
I'm in a relationship now and there was a chance he could come out | 0:52:39 | 0:52:42 | |
and meet me for the weekend. He didn't. | 0:52:42 | 0:52:44 | |
The first thing I do when I get to this hotel room is | 0:52:44 | 0:52:46 | |
go to the minibar, which I thought was an act of curiosity | 0:52:46 | 0:52:50 | |
because I don't drink alcohol, I'm pretty much a vegan now, | 0:52:50 | 0:52:53 | |
so there's nothing in there for me and I thought it was curiosity. | 0:52:53 | 0:52:56 | |
But it was clear loneliness, because I then just started opening | 0:52:56 | 0:52:59 | |
every drawer in the room hoping to find | 0:52:59 | 0:53:02 | |
a little friend somewhere. | 0:53:02 | 0:53:04 | |
I order a salad from room service. | 0:53:06 | 0:53:09 | |
The reason I became a vegan, by the way, is because last year | 0:53:09 | 0:53:11 | |
I became addicted to eating a chocolate cake every night. | 0:53:11 | 0:53:14 | |
And... | 0:53:14 | 0:53:15 | |
I needed a label to stop that from happening. | 0:53:17 | 0:53:19 | |
Sometimes you need a label. | 0:53:21 | 0:53:23 | |
Like the only way to not drink alcohol at a party is to be | 0:53:23 | 0:53:25 | |
a recovering alcoholic, cos people say, "Do you want a drink?" | 0:53:25 | 0:53:28 | |
"I'm a recovering alcoholic." "Fair enough." Otherwise it's, | 0:53:28 | 0:53:30 | |
"Do you want a drink?" "No, thank you." | 0:53:30 | 0:53:32 | |
"Have a drink!" | 0:53:32 | 0:53:34 | |
It's like these people, their only aim is to turn everyone into | 0:53:34 | 0:53:37 | |
an alcoholic and if they meet one they think, "Oh, you're done, fine." | 0:53:37 | 0:53:40 | |
It's very difficult to be a vegan, | 0:53:44 | 0:53:46 | |
especially if you're into the idea of joy. | 0:53:46 | 0:53:48 | |
You... | 0:53:48 | 0:53:50 | |
You see, I mean, you certainly must never watch a Nigella | 0:53:52 | 0:53:55 | |
cookery programme, because she has no rules, and we need rules. | 0:53:55 | 0:54:00 | |
Oh, I wouldn't normally use double cream | 0:54:00 | 0:54:03 | |
but it is Tuesday. | 0:54:03 | 0:54:04 | |
Of course we wouldn't normally eat the whole goat but it is raining. | 0:54:08 | 0:54:11 | |
I wouldn't normally go to the fridge in the middle of the night | 0:54:12 | 0:54:15 | |
secretly at the end of every programme while the credits roll | 0:54:15 | 0:54:17 | |
for more cake but I've clearly got an eating disorder. | 0:54:17 | 0:54:20 | |
I eat my salad whilst watching a film and I'm fairly content. | 0:54:22 | 0:54:27 | |
I think the reason maybe they started giving us | 0:54:27 | 0:54:29 | |
popcorn in cinemas so that all senses are then stimulated, | 0:54:29 | 0:54:32 | |
not just sight and sound but taste, touch, smell, all senses stimulated. | 0:54:32 | 0:54:36 | |
We've been encouraged, over time, to numb our feelings. | 0:54:36 | 0:54:39 | |
No need for feelings, buy this alcohol, | 0:54:39 | 0:54:41 | |
you won't have to feel anxious. | 0:54:41 | 0:54:42 | |
Buy this ice cream, you won't have to feel sad. | 0:54:42 | 0:54:45 | |
But I think we need to feel, as human beings. | 0:54:45 | 0:54:48 | |
Perhaps there should be an advert that says, "Hey, | 0:54:48 | 0:54:50 | |
"why don't you have a little cry?" | 0:54:53 | 0:54:55 | |
"You're doing so well, you're so beautiful, | 0:54:59 | 0:55:03 | |
"you don't need anything external. | 0:55:03 | 0:55:05 | |
"The source of you is pure love." | 0:55:05 | 0:55:09 | |
I don't know who would pay for that advert. | 0:55:09 | 0:55:11 | |
But I think it will be preferable to the advert | 0:55:12 | 0:55:14 | |
I saw this year for Galaxy chocolate bars, | 0:55:14 | 0:55:16 | |
where they were trying to encourage people to eat it secretly. | 0:55:16 | 0:55:20 | |
The tag line on this advert was, | 0:55:23 | 0:55:26 | |
"Think hiding it. Think Galaxy." | 0:55:26 | 0:55:30 | |
That's bulimia! | 0:55:34 | 0:55:36 | |
And I want to believe they just didn't know that, | 0:55:38 | 0:55:40 | |
but there's something in me that feels there may have been | 0:55:40 | 0:55:43 | |
a meeting where somebody said, | 0:55:43 | 0:55:44 | |
"Now, who eats a lot of chocolate?" | 0:55:44 | 0:55:46 | |
Galaxy. Hide it, eat it, | 0:55:52 | 0:55:53 | |
throw it up, buy some more. | 0:55:53 | 0:55:56 | |
All too soon, I finished the salad, but the film continues | 0:56:00 | 0:56:04 | |
and that isn't enough for me, just sight and sound. | 0:56:04 | 0:56:06 | |
So I see the bread that they've brought up, which I didn't order. | 0:56:06 | 0:56:09 | |
I don't eat bread, cos why would you eat bread? | 0:56:09 | 0:56:11 | |
At some point I might want to be a good father. | 0:56:11 | 0:56:13 | |
But because I'm alone and it's there. | 0:56:18 | 0:56:20 | |
Because I'm alone and it's there, I start spreading butter | 0:56:20 | 0:56:23 | |
on the bread, I'm eating all the bread, breaking all my rules | 0:56:23 | 0:56:26 | |
and I now can't stop thinking about the chocolate in the minibar. | 0:56:26 | 0:56:29 | |
I can't stop thinking about it for half an hour. I think the only way | 0:56:29 | 0:56:32 | |
to stop thinking about it is to get it out of the room. | 0:56:32 | 0:56:34 | |
Just get it out the room. | 0:56:34 | 0:56:35 | |
And the only way I could do that was to put it into my mouth. | 0:56:35 | 0:56:38 | |
And that's why he had to be there on that holiday with me. | 0:56:41 | 0:56:43 | |
I'm texting things like, | 0:56:43 | 0:56:44 | |
"It would be lovely if you came for the weekend.! | 0:56:44 | 0:56:46 | |
That's not what I mean. what I mean is, | 0:56:46 | 0:56:48 | |
"Marry me, it's an emergency." | 0:56:48 | 0:56:50 | |
We need to feel, as human beings, otherwise we will just consume | 0:56:55 | 0:56:58 | |
and consume until there is nothing left. | 0:56:58 | 0:57:01 | |
Why did we almost destroy the Earth? | 0:57:01 | 0:57:02 | |
Because we felt alone and it was there, but we're not alone. | 0:57:02 | 0:57:06 | |
We're so profoundly connected to each other, to nature. | 0:57:06 | 0:57:10 | |
Last week I ate an apple. | 0:57:10 | 0:57:13 | |
Do you know what I mean? | 0:57:13 | 0:57:14 | |
Thank you for listening, good night. | 0:57:18 | 0:57:20 | |
CHEERING | 0:57:20 | 0:57:22 | |
MUSIC: "The Inner Light" by The Beatles | 0:57:22 | 0:57:25 | |
# Without going out of my door | 0:57:25 | 0:57:29 | |
# I can know all things on Earth | 0:57:29 | 0:57:35 | |
# Without looking out of my window | 0:57:35 | 0:57:40 | |
# I can know the ways of heaven | 0:57:40 | 0:57:45 | |
# The farther one travels | 0:57:45 | 0:57:50 | |
# The less one knows | 0:57:50 | 0:57:55 | |
# The less one really knows... # | 0:57:55 | 0:58:01 | |
Subtitles by Red Bee Media Ltd | 0:58:01 | 0:58:03 |