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Ladies and gentlemen, welcome to Smokescreens & Castles, | 0:00:02 | 0:00:05 | |
live at Westcliff's Palace Theatre! | 0:00:05 | 0:00:08 | |
CHEERING AND APPLAUSE | 0:00:08 | 0:00:11 | |
Now, welcome to the stage, it's Russell Kane. | 0:00:15 | 0:00:18 | |
CHEERING AND APPLAUSE | 0:00:18 | 0:00:22 | |
This programme contains strong language. | 0:00:22 | 0:00:28 | |
Evening, how are you doing, Southend? Are you all right? | 0:00:30 | 0:00:33 | |
CHEERING | 0:00:33 | 0:00:35 | |
People from Southend, give me a cheer. | 0:00:35 | 0:00:37 | |
CHEERING | 0:00:37 | 0:00:39 | |
Westcliff people, give me a cheer. | 0:00:39 | 0:00:42 | |
MUTED CHEERING Yes, we don't cheer, it's rather base. | 0:00:42 | 0:00:45 | |
People from outside the area, give me a cheer. | 0:00:45 | 0:00:49 | |
RAUCOUS CHEERING | 0:00:49 | 0:00:51 | |
Shit. What's that paving stone all about on the corner? | 0:00:51 | 0:00:54 | |
"I don't know, mate, I'm not from your country." | 0:00:54 | 0:00:57 | |
LAUGHTER | 0:00:57 | 0:00:59 | |
"It did not really relate to me, but I found it quite funny." | 0:00:59 | 0:01:03 | |
He did a Nigerian accent. Panic, I'm not sure if we're safe. Panic! | 0:01:03 | 0:01:06 | |
How many copies of the Guardian? He did a racial accent, cover me. | 0:01:06 | 0:01:11 | |
I thought you'd be artistic, it's an Edinburgh show. Heckle him with a quail's egg, he's a chav. | 0:01:11 | 0:01:15 | |
It's been such a mixed year. | 0:01:15 | 0:01:17 | |
Having to rediscover life as a single man - can you believe that? I'm single again. | 0:01:17 | 0:01:21 | |
I know, "Aw!" It's panto, why not? It's the right stage for it. | 0:01:21 | 0:01:26 | |
It's horrible, there's all these pressures. You have to go dating to recover. | 0:01:26 | 0:01:30 | |
Why don't you just go out on a date and recover? All the Essex blokes, | 0:01:30 | 0:01:33 | |
"If I was in your position. Stand up. | 0:01:33 | 0:01:36 | |
"Yeah, kick 'em all in the van. I'd take 'em all out." | 0:01:36 | 0:01:40 | |
So, Essex, I'm actually a bit disabled. | 0:01:41 | 0:01:46 | |
I'm so full of rape and hatred, I can't move. | 0:01:46 | 0:01:50 | |
LAUGHTER AND APPLAUSE | 0:01:50 | 0:01:52 | |
My mum's here tonight to witness some of these stories. Awkward! | 0:01:56 | 0:01:59 | |
Awkward! | 0:01:59 | 0:02:01 | |
I don't even have one, I've just got a Ken lump. | 0:02:02 | 0:02:06 | |
Let's begin the story, then. It's time for the formal humour. | 0:02:07 | 0:02:10 | |
Formal humour begins, ding! | 0:02:10 | 0:02:13 | |
That's my old man in Banksy style. That's my mum, me and my brother James in a Wotsits box. | 0:02:14 | 0:02:19 | |
That's my dad looking over me, still scaring the shit out of me. | 0:02:19 | 0:02:22 | |
"Get it right, prat!" "Sorry, Dad." | 0:02:22 | 0:02:24 | |
"Not being funny, at the end of the day, does that make sense?" | 0:02:24 | 0:02:27 | |
That's my mum. "Does that make sense?" Course it makes sense. | 0:02:27 | 0:02:30 | |
"I'm getting the early train, does that make sense?" Course it does! | 0:02:30 | 0:02:33 | |
Cos I'm not remedial, all right? | 0:02:33 | 0:02:36 | |
"Does that make sens-s-s-s-e?" | 0:02:37 | 0:02:40 | |
Why have I got a castle on the stage? Cos that was the nickname of my home from the neighbours. | 0:02:40 | 0:02:45 | |
This is an Essex story, I live in Essex. | 0:02:45 | 0:02:47 | |
My dad's from Leigh. But when he got my mum up the duff, | 0:02:47 | 0:02:49 | |
she was over the border in Hertfordshire. | 0:02:49 | 0:02:51 | |
We get a council house, fine. | 0:02:51 | 0:02:54 | |
Who grew up in a council house? Give me a cheer. | 0:02:54 | 0:02:55 | |
CHEERING Quite different to a council flat. | 0:02:55 | 0:02:59 | |
Cos it's end of terrace, and then Thatcher passes a law that says, | 0:02:59 | 0:03:03 | |
the white, working-class, cash-in-hand male, if he likes, if he so ...ing chooses, | 0:03:03 | 0:03:08 | |
he can buy his own gaff. Wallop, crunch, right? | 0:03:08 | 0:03:11 | |
And that's what my dad does. Immediately, | 0:03:11 | 0:03:14 | |
alienating him from true chav neighbours. | 0:03:14 | 0:03:17 | |
Yeah. It got nicknamed the castle, cos my dad, bearing in mind he's 18 stone and shaven-headed, hard, | 0:03:17 | 0:03:23 | |
Cockney, racist, Nick Griffin-loving... | 0:03:23 | 0:03:25 | |
takes the JCB round the side, built an extension. | 0:03:25 | 0:03:29 | |
That's when the nickname begins, the castle. | 0:03:29 | 0:03:31 | |
Then, what completely excluded us from the neighbours was when my dad took the JCB down the side, | 0:03:31 | 0:03:36 | |
dug a 21ft long ditch in our back garden, 6ft one end, 5ft the other, | 0:03:36 | 0:03:41 | |
and sunk what into the garden of our former council home? | 0:03:41 | 0:03:43 | |
A swimming pool, ladies and gentlemen. | 0:03:43 | 0:03:46 | |
Julie and Dave, my mum and dad, Julie, Dave, | 0:03:46 | 0:03:49 | |
becoming Juliette and David overnight. | 0:03:49 | 0:03:53 | |
Their accents changing from the broad London accent | 0:03:53 | 0:03:56 | |
to the pinched, Leigh-on-Sea, slightly try-hard Essex accent, | 0:03:56 | 0:04:00 | |
which ironically sounds more moronic than the original, doesn't it? | 0:04:00 | 0:04:04 | |
Cos the vowels aren't fixed, but the end of the words make the effort. | 0:04:04 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:10 | |
You must hold in your head the image of the castle, | 0:04:10 | 0:04:13 | |
not just for where I live, I mean, what's behind there? | 0:04:13 | 0:04:17 | |
Do you think it's cold and empty in a castle? Of course not, it's warm, luxury inside, fires burning, | 0:04:17 | 0:04:22 | |
it's just us, the peasants, never get to frickin' see it. | 0:04:22 | 0:04:25 | |
My dad was exactly the same - the outer granite wall, the ET lump of love - | 0:04:25 | 0:04:29 | |
it's locked inside him, he never shows it. He only shows it | 0:04:29 | 0:04:32 | |
to the Essex friends down the pub of the same age, after five Stellas. | 0:04:32 | 0:04:36 | |
The love never coming out. That's the curse of these men - to want emotional acceptance | 0:04:36 | 0:04:42 | |
with complete emotional illiteracy. That's why a lot of the racism and right-wing views are fake. | 0:04:42 | 0:04:47 | |
It's just fear, fear of the other. | 0:04:47 | 0:04:48 | |
"Keep 'em out, boy, keep everyone out." | 0:04:48 | 0:04:51 | |
Even having a Nick Griffin magnet on the fridge. | 0:04:51 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:55 | |
The lowest point was Nick Griffin on the fridge. | 0:04:55 | 0:04:59 | |
A man so right wing, even his eye has collapsed to the right. | 0:04:59 | 0:05:03 | |
The racism begins, doesn't it? Will that happen to me? Do all middle-aged men become right wing? | 0:05:03 | 0:05:08 | |
Will I at one stage just scrape the hummus from my body | 0:05:08 | 0:05:10 | |
and go, "Right, let's be racist"? | 0:05:10 | 0:05:12 | |
A lot of my left-wing views, I only got them to annoy my dad. | 0:05:12 | 0:05:15 | |
Some of you will be, "I always felt the call to be good. I went on visiting projects, | 0:05:15 | 0:05:19 | |
"I just wanted to help others. It grew from inside me." | 0:05:19 | 0:05:21 | |
I wish I could say that. Mine was pure... It is now, but it was purely to spite him in the beginning. | 0:05:21 | 0:05:27 | |
"Yeah, I hate all these people." "I love them then, Papa." | 0:05:27 | 0:05:30 | |
"Get 'em out!" "Let them in, everyone in!" | 0:05:30 | 0:05:33 | |
So I just ended up in the garden covered in Tzatziki going, "Free Tibet! Eh-eh-ay! | 0:05:33 | 0:05:39 | |
"Eh-eh-ay, free Tibet!" | 0:05:39 | 0:05:40 | |
But now I'm left wing. | 0:05:40 | 0:05:43 | |
No, I am, so we clash over everything. | 0:05:43 | 0:05:45 | |
The Nick Griffin magnet. "I'm not racist, boy." | 0:05:45 | 0:05:47 | |
Cos he sees himself on these programmes having the piss taken out of him by me. | 0:05:47 | 0:05:51 | |
He gets the names of the programmes wrong. I know you do it on purpose, middle-aged men, to annoy your sons. | 0:05:51 | 0:05:56 | |
"When you're on that Mock Out Of Ten Apollos, boy... | 0:05:56 | 0:05:59 | |
"why do you make o-o-out, | 0:05:59 | 0:06:02 | |
"why..." Three-syllable Essex "why" - W-A-Y? | 0:06:02 | 0:06:06 | |
W-A-Y? | 0:06:06 | 0:06:08 | |
"Why do you make o-o-out... I'm racist? | 0:06:08 | 0:06:12 | |
"Some of the things you... I'm not racist, | 0:06:12 | 0:06:15 | |
"but..." That's the danger word. | 0:06:15 | 0:06:17 | |
Nothing very good normally follows that comma, does it, Westcliff? | 0:06:17 | 0:06:21 | |
"I'm not racist, but..." That's like saying I'm not a rapist, but get in the van, get in! | 0:06:21 | 0:06:25 | |
This is the latest one, innit? "Why do you make out I'm racist? I'm not." That's what my dad says. | 0:06:25 | 0:06:30 | |
"All I want to do is have a sensible discussion about immigration, yeah?" | 0:06:30 | 0:06:35 | |
LAUGHTER | 0:06:35 | 0:06:37 | |
"All I want to do is have a sensible little chat about..." | 0:06:37 | 0:06:41 | |
No-one with that face wants a sensible discussion about anything. | 0:06:41 | 0:06:45 | |
Trust me, yeah. | 0:06:45 | 0:06:46 | |
"Sensible little chat in the back of that Transit van over there... | 0:06:46 | 0:06:50 | |
"and me and my brothers and the rest of your family, Mr Wullama-Wullama, however you pronounce it, | 0:06:50 | 0:06:55 | |
"cos it ain't Smith, mate, let's face it, right? | 0:06:55 | 0:06:58 | |
"A little chat about immigra..." Listen, | 0:06:58 | 0:07:01 | |
I am very left wing cos the things I've experienced, | 0:07:01 | 0:07:04 | |
I can't stand homophobia, I can't stand racism, but I love democracy. | 0:07:04 | 0:07:07 | |
I love the fact there are people in this room thinking I am like that. | 0:07:07 | 0:07:10 | |
I'm not slating you, saying you're wrong, I just disagree with you. | 0:07:10 | 0:07:13 | |
Hurrah that you can express those views within the law | 0:07:13 | 0:07:15 | |
and I can express mine and we can have a debate. But I wish you'd have the courage | 0:07:15 | 0:07:18 | |
to go, "I use phrases like that, what I mean is people of colour offend me | 0:07:18 | 0:07:21 | |
"and I don't want them here." Wouldn't it be refreshing | 0:07:21 | 0:07:24 | |
just to hear the truth for once? | 0:07:24 | 0:07:26 | |
That's why women should be in government, cos they can spot lies, no problem whatsoever. | 0:07:26 | 0:07:32 | |
You can't even finish a lie. "I'm sorry I'm late..." "You're lying, Gary!" | 0:07:32 | 0:07:36 | |
Let me finish the lie before you spot it, you psychic bitch! | 0:07:36 | 0:07:39 | |
I know, cos it's... You've evolved the capacity cos of us pervy men, you have to spot our lies. | 0:07:41 | 0:07:47 | |
"Come in, come in." "I'm not trying to have sex with you, it's not about that tonight." "Come in." | 0:07:47 | 0:07:51 | |
"Why don't we just... Look, rather than doing it, we'll just lie under the duvet together naked, | 0:07:51 | 0:07:56 | |
"with our bodies touching for the emotional experience of nakedness." | 0:07:56 | 0:07:59 | |
Five minutes till you feel the no-handed kidney punch, girls. "What was that?" | 0:07:59 | 0:08:05 | |
"Touch it, touch it." | 0:08:05 | 0:08:07 | |
"Expelliarmus!" Never say that. | 0:08:07 | 0:08:09 | |
"Anyway, don't worry about it." | 0:08:09 | 0:08:13 | |
LAUGHTER | 0:08:13 | 0:08:15 | |
"All I want to do is have a sensible discussion, right?" | 0:08:15 | 0:08:19 | |
And it's the same with the emotional language. These guys, we're not slating you, we love you. | 0:08:19 | 0:08:24 | |
You're our dads, we know how much you love us, | 0:08:24 | 0:08:27 | |
but how can someone have so much love and such inability to show it? | 0:08:27 | 0:08:31 | |
My dad's like this, "Why do you make out when you're on that Mock Out Of Ten News quiz, right... | 0:08:31 | 0:08:36 | |
"why do you make out I'm not a loving father? | 0:08:36 | 0:08:38 | |
"You do all this and it makes out I wasn't loving or I wasn't..." | 0:08:38 | 0:08:42 | |
Listen, there's a difference between love and loving, is there not? | 0:08:42 | 0:08:45 | |
Love, what any normal man in this room will feel for his offspring, | 0:08:45 | 0:08:49 | |
no matter how of a shit dad he is, you cannot deny he loves it, right? | 0:08:49 | 0:08:52 | |
But that's not the same. You know, "I love you, son. | 0:08:52 | 0:08:55 | |
"I'd throw myself in front of a car for you. But I won't speak to you between the ages of 12 and 18." | 0:08:55 | 0:09:00 | |
LAUGHTER | 0:09:00 | 0:09:02 | |
Cos I'm emotionally retarded by my own dad, and in turn, I'm attempting to retard you. | 0:09:02 | 0:09:07 | |
Right? | 0:09:07 | 0:09:09 | |
And that's not the same as "loving", is it, Dad? | 0:09:09 | 0:09:12 | |
It's not. And I've not got any of these memories. | 0:09:12 | 0:09:14 | |
"Stop it, Dad." We're playing football. "Stop kissing my head." | 0:09:14 | 0:09:17 | |
"I can't help it, I love you. Me in goal next. Ha-ha!" | 0:09:17 | 0:09:20 | |
I've not got any of those. I've got plenty of those - | 0:09:20 | 0:09:23 | |
"Prat, clear it up!" | 0:09:23 | 0:09:25 | |
"Why do you make out, why do you make o-o-out... | 0:09:27 | 0:09:30 | |
"I wasn't a loving father?" | 0:09:30 | 0:09:34 | |
As pathetic as it is, I got excited, cos I'd never seen him like it. | 0:09:34 | 0:09:37 | |
He passes the age of 50 and he's changed so much. | 0:09:37 | 0:09:40 | |
I've come to the conclusion that's when men finish puberty. | 0:09:40 | 0:09:44 | |
We're complete arseholes mostly until that point. | 0:09:44 | 0:09:46 | |
"I'm 51, I've lost my car keys, I'm not going to smash up the living room. Brilliant!" | 0:09:46 | 0:09:50 | |
It's an opportunity to relax. Puberty has finished. | 0:09:50 | 0:09:54 | |
So I thought that's what happened, these apes suddenly chill out when they get into their 50s. | 0:09:54 | 0:09:59 | |
He's got the Christmas hat on, it's Christmas Day, the eyes fill. | 0:09:59 | 0:10:03 | |
It starts happening, these hard men have tears in their eyes. | 0:10:03 | 0:10:06 | |
It never breaks lid, though. "Do not go onto cheek." | 0:10:06 | 0:10:09 | |
Show the love, take it back the next day. | 0:10:09 | 0:10:11 | |
The love boomerang. | 0:10:11 | 0:10:13 | |
I love you... Not really, prick, not really. | 0:10:13 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:17 | |
What's coming? Every boy in the room, and you are all boys on the inside, you want to hear it. | 0:10:17 | 0:10:22 | |
If your dad's around, you want to hear it. As American and cringy as it is, you'd love to hear it | 0:10:22 | 0:10:26 | |
just once. They can't say it, though. | 0:10:26 | 0:10:28 | |
I think it's coming. Want to know what he actually said? "Why do you make out I'm not a loving father? | 0:10:28 | 0:10:34 | |
"I never fuckin' hit you." That was it. | 0:10:34 | 0:10:37 | |
LAUGHTER AND APPLAUSE | 0:10:37 | 0:10:40 | |
That's all it takes, ladies and gentlemen. | 0:10:40 | 0:10:43 | |
As long as you don't close your fist and beat the little shit... | 0:10:45 | 0:10:48 | |
there's no A-level clubs, no journeys, no fancy dress, no talent competition, | 0:10:48 | 0:10:53 | |
no Alton Towers, just don't break its neck. | 0:10:53 | 0:10:55 | |
And then I was laughing, like you guys on the inside, a bit disappointed, | 0:10:55 | 0:11:00 | |
but then he carried on. I thought I've judged him too quickly. He went, "Do you know why I never hit you?" | 0:11:00 | 0:11:05 | |
"Why, Daddy?" Cos secretly you mean "daddy". | 0:11:05 | 0:11:07 | |
"Why, Dad? Why?" And he started... I thought it was going to be that overwhelming bond. | 0:11:07 | 0:11:12 | |
You know, those in the room with kids, which will be hardly any of you, because comedy attracts | 0:11:12 | 0:11:16 | |
childless people, we love it. "Let's have no children, let's laugh at everything, then die alone. Ha!" | 0:11:16 | 0:11:22 | |
LAUGHTER | 0:11:22 | 0:11:24 | |
You're always telling us, you people with kids. Shut up! We don't want to hear it. | 0:11:24 | 0:11:28 | |
We're confused by the fact we don't have children. You don't even describe it. You're more annoying. | 0:11:28 | 0:11:32 | |
"When you hold that baby and it's your own, you'll know. | 0:11:32 | 0:11:34 | |
"I wish I could put it into words, but I simply can't." | 0:11:34 | 0:11:37 | |
Get out of my fucking arse then, you smug bastard. | 0:11:37 | 0:11:40 | |
Don't describe the greatest happiness in life and... | 0:11:40 | 0:11:44 | |
Of course, I'm pretending to be a bit more against it than I am | 0:11:44 | 0:11:47 | |
cos I've got no girlfriend, and there'll be people in the room... | 0:11:47 | 0:11:51 | |
Who...couples in the room, adult age, | 0:11:51 | 0:11:53 | |
living together, choosing not to have children, give me a cheer. | 0:11:53 | 0:11:56 | |
You are statistically the happiest people in the UK, according to a recent survey. | 0:11:56 | 0:12:01 | |
But the smugness of us is even worse. | 0:12:01 | 0:12:03 | |
"We're not going to have kids. Why would we? Losers. | 0:12:03 | 0:12:06 | |
"I can't believe you lot getting up at six. Boring! | 0:12:06 | 0:12:09 | |
"We're going to take joints till we're 50. Faliraki for ever! | 0:12:09 | 0:12:13 | |
"Here come the cats. They're just like babies anyway. Stop it, cats. | 0:12:13 | 0:12:16 | |
"Stop it. Here come the dogs. Stop licking my face, I'm lactating. | 0:12:16 | 0:12:20 | |
"Ha-ha-ha!" | 0:12:20 | 0:12:23 | |
Anyway, I thought that's what my old man was going to come out with. Something like that. | 0:12:23 | 0:12:27 | |
Not in those words, but the overwhelming love. I'm assuming most | 0:12:27 | 0:12:31 | |
mentally, genetically normal dads don't want to crush their children's skulls. | 0:12:31 | 0:12:36 | |
"Do you know why I never hit you?" I'm still holding on, pathetic, the 8-year-old boy on the inside. | 0:12:36 | 0:12:40 | |
"Do you know why I never hit you?" "Why, Dad?" | 0:12:40 | 0:12:42 | |
And this is what he said. | 0:12:42 | 0:12:43 | |
"Cos if I'd started, I wouldn't have fuckin' stopped." | 0:12:43 | 0:12:46 | |
Murder. Murder! | 0:12:46 | 0:12:49 | |
That's murder. | 0:12:51 | 0:12:53 | |
Take the child and punch it without stopping. | 0:12:53 | 0:12:56 | |
Do you know what'll happen? You'll kill it. It'll die. | 0:12:56 | 0:12:59 | |
And what's weird is the look of pride on these men's face when they say it. | 0:12:59 | 0:13:03 | |
"I wouldn't have fuckin' stopped, cos I'm that... | 0:13:03 | 0:13:06 | |
"Ain't that impressive, boy, that I could've murdered you?" Not really, no, it's a bit worrying. | 0:13:06 | 0:13:12 | |
And he backed it up with this. "I don't know my own strength." And walked out of the room. | 0:13:12 | 0:13:16 | |
Learn it, you nut-jobs, learn it! | 0:13:16 | 0:13:19 | |
Especially you lot around children. Have a weekend | 0:13:19 | 0:13:21 | |
in Belfair Woods with some meat and metal hanging down, punching it, | 0:13:21 | 0:13:25 | |
squeezing it. Come back with a realistic assessment of how strong you are. | 0:13:25 | 0:13:29 | |
Do you think any woman on the planet's going to be impressed if you show that type of strength? | 0:13:29 | 0:13:34 | |
"Mind if I hold the baby?" | 0:13:34 | 0:13:36 | |
I popped its fucking head, I don't know my own strength. | 0:13:36 | 0:13:40 | |
"You've destroyed my child, but you're very strong, Gary." | 0:13:40 | 0:13:44 | |
The emotional illiteracy's wed to the physicality of the man. | 0:13:46 | 0:13:50 | |
I could have looked like him, been post-feminist male and looked like him. | 0:13:50 | 0:13:54 | |
Cos I look like me, it doesn't have the impact. | 0:13:54 | 0:13:57 | |
You know what I mean, those of you that had... | 0:13:57 | 0:13:59 | |
If there's any guys in the room had hard dads like mine. | 0:13:59 | 0:14:01 | |
He's a god when you're growing up, just a lump of meat god. | 0:14:01 | 0:14:04 | |
The only thing you can hope for when you're a baby is to look like him, | 0:14:04 | 0:14:07 | |
you don't have any other aspirations. | 0:14:07 | 0:14:08 | |
"I want to physically resemble my dad, God in my eyes." | 0:14:08 | 0:14:12 | |
Some of us, me and you, grow up to be photocopies of our mum. | 0:14:12 | 0:14:16 | |
There's something emasculating about being a cross-gender lookalike. | 0:14:16 | 0:14:19 | |
I'm sorry. You should look a little bit like both parents. | 0:14:19 | 0:14:22 | |
It must be worse for you girls that look like your dads, | 0:14:22 | 0:14:25 | |
don't get me wrong, that must be... | 0:14:25 | 0:14:26 | |
Here's the dad coming into the pub, | 0:14:26 | 0:14:29 | |
"I'll have a beer, and I'll have a white wine, my daughter's with me." | 0:14:29 | 0:14:32 | |
"Here come the twins!" | 0:14:32 | 0:14:33 | |
So I don't have any of my dad's six-foot, | 0:14:36 | 0:14:38 | |
18-stone, steroid-using, muscle-rippling, | 0:14:38 | 0:14:41 | |
curly fair hair, blue eyes - I got the dark hair of my mum, like. | 0:14:41 | 0:14:46 | |
My dad, like when his hair eventually drops out, not one ripple, | 0:14:46 | 0:14:49 | |
not two ripples, but three ripples of meat between head and neck! | 0:14:49 | 0:14:52 | |
That's right, an Essex triple ripple! | 0:14:52 | 0:14:54 | |
"Want me to carry a brick? Sick it in my triple ripple!" | 0:14:54 | 0:14:57 | |
There are friends of mine in tonight, speak to them in the bar afterwards, | 0:14:57 | 0:15:01 | |
I'm not exaggerating, they used to take it in turns | 0:15:01 | 0:15:03 | |
to have the courage to knock at my door, | 0:15:03 | 0:15:05 | |
so imposing and terrifying was my dad. | 0:15:05 | 0:15:08 | |
Even the man's urine used to scare me as a child. | 0:15:08 | 0:15:11 | |
Remember the first time you see that horrible dark yellow dad wee | 0:15:11 | 0:15:15 | |
that's been left in the night? Just left there. | 0:15:15 | 0:15:17 | |
Dad up to the toilet, naked. | 0:15:17 | 0:15:19 | |
Discharge urine, retreat, leave display for son. | 0:15:19 | 0:15:22 | |
What is it?! Orange! Almost orange! | 0:15:23 | 0:15:26 | |
With a film on it! | 0:15:27 | 0:15:28 | |
With a film of oil! How manly... | 0:15:28 | 0:15:30 | |
Maybe a seagull in it. Awk! | 0:15:30 | 0:15:33 | |
Here's me with my clear stream of water. | 0:15:37 | 0:15:39 | |
"Papa, I'm in the performing arts! I love them!" | 0:15:39 | 0:15:43 | |
Imagine that. The only thing that trumps his racism is his homophobia. | 0:15:43 | 0:15:46 | |
"Please don't let my son be one of those. Please, God bless. | 0:15:46 | 0:15:50 | |
"I'll do anything. I'd trade my whole disability for that, I really would." | 0:15:50 | 0:15:53 | |
Always looking for evidence of my manliness. | 0:15:53 | 0:15:55 | |
"That's right, boy, get a trade." | 0:15:55 | 0:15:57 | |
"I think I'm going to read a Penguin Classic." "Is that a biscuit?" | 0:15:57 | 0:16:00 | |
"Get a trade, boy, work with your hands. | 0:16:00 | 0:16:02 | |
"That's what men do." "No, Papa, I don't wish to." | 0:16:02 | 0:16:04 | |
"You know, Julie, he's one of them." That's my mum. | 0:16:04 | 0:16:06 | |
Everything about him, brutally manly. Even his answerphone message. | 0:16:08 | 0:16:13 | |
That's what we do. We talk less as we get older. | 0:16:13 | 0:16:15 | |
Make the most of it now, 17 to 25-year-olds, | 0:16:15 | 0:16:18 | |
because men's happiness is testosterone-related. | 0:16:18 | 0:16:20 | |
Testosterone depletes, along with hair, bones, eyes, | 0:16:20 | 0:16:23 | |
and happiness, heading towards the chair of piss in the corner. | 0:16:23 | 0:16:27 | |
30s, 40s, 50s, 60s, | 0:16:28 | 0:16:31 | |
unexplained heart attack, death. Right? | 0:16:31 | 0:16:34 | |
Then the women suddenly come into their own again. | 0:16:34 | 0:16:36 | |
"Hooray, he's dead, how will I cope without him?! Oh, my God." | 0:16:36 | 0:16:39 | |
"He sapped my confidence for 30 years, how will I ever get over it? | 0:16:39 | 0:16:43 | |
"Didn't even get a driving licence because he said I'd be shit. | 0:16:43 | 0:16:46 | |
"Didn't get out the house. Doesn't matter!" | 0:16:46 | 0:16:48 | |
My dad's answerphone message is just his name. Just his fricking name! | 0:16:48 | 0:16:52 | |
Some of you guys in your 20s and 30s now, | 0:16:52 | 0:16:55 | |
you just put a little comedy lift in at the end, | 0:16:55 | 0:16:57 | |
just the traces of the personality you once had, eh? | 0:16:57 | 0:17:00 | |
"This is Scott, leave a message, dink!" Just a little bit.. | 0:17:00 | 0:17:04 | |
Just a little lift. | 0:17:04 | 0:17:06 | |
As you hang on to the last cells | 0:17:06 | 0:17:07 | |
before you become a true miserable fuck for the rest of your life. | 0:17:07 | 0:17:11 | |
And now my dad's answerphone message is now just his name, right. | 0:17:11 | 0:17:14 | |
He even has the computer lady from Orange, | 0:17:14 | 0:17:17 | |
she gets you ready to leave your message! Right? | 0:17:17 | 0:17:20 | |
You know the one who was in a different mood | 0:17:20 | 0:17:21 | |
when she recorded every number, that woman? | 0:17:21 | 0:17:23 | |
07450 351. | 0:17:23 | 0:17:25 | |
That one. | 0:17:25 | 0:17:27 | |
At least do them... You've got ten numbers, | 0:17:29 | 0:17:30 | |
do them in the same mood, you weird bitch, right? | 0:17:30 | 0:17:33 | |
"I've had a cracking day, I've won a scratchcard. | 0:17:33 | 0:17:36 | |
"Seven. See you tomorrow!" | 0:17:36 | 0:17:37 | |
"My husband left me. Oh." | 0:17:37 | 0:17:40 | |
"Oh. Seven!" | 0:17:40 | 0:17:42 | |
She does all the hard work. He comes in, | 0:17:45 | 0:17:48 | |
shouts just his name, and sods off again. | 0:17:48 | 0:17:50 | |
It's one of the most depressing proofs of everything | 0:17:50 | 0:17:53 | |
I'm discussing tonight, when I phone my dad's mobile and have to hear, | 0:17:53 | 0:17:56 | |
"I'm sorry, but..." "DAVE!" "..is not available to take your call." | 0:17:56 | 0:18:00 | |
LAUGHTER AND APPLAUSE | 0:18:00 | 0:18:02 | |
Anyone who's 17 in the room, give me a cheer. | 0:18:07 | 0:18:10 | |
SCATTERED CHEERS Loads of you. Any of those blokes? | 0:18:10 | 0:18:13 | |
Because you're the ones that are going to have the problem, right? | 0:18:13 | 0:18:16 | |
Cos you're about to choose your first car. I don't even care | 0:18:16 | 0:18:19 | |
if you've been working since the age of 14 in a Saturday job | 0:18:19 | 0:18:22 | |
and saved up every penny for yourself, right, to pay for that car. | 0:18:22 | 0:18:26 | |
If the alpha male is around, just let him buy it. Have no input. | 0:18:26 | 0:18:31 | |
Don't even comment. Everything will be a test. Because whatever you buy, | 0:18:31 | 0:18:34 | |
right, whatever you choose, "Wee pile of shit." | 0:18:34 | 0:18:36 | |
"Death trap." "Waste of money." | 0:18:36 | 0:18:38 | |
My dad said when he saw my Vauxhall Corsa, right, | 0:18:38 | 0:18:40 | |
he walked up to it and went, "You'll die in that." And walked off. | 0:18:40 | 0:18:43 | |
Total review. "You'll die in it." | 0:18:43 | 0:18:46 | |
Even managing to be racist about cars! WTF, right? | 0:18:47 | 0:18:53 | |
He said, "Do not bring Jap crap onto my driveway. | 0:18:53 | 0:18:56 | |
"I will not repair Crapanese..." - Crapanese! - | 0:18:56 | 0:18:59 | |
"I will not repair Crapanese shit." | 0:18:59 | 0:19:02 | |
Cos he's got his man's vehicles, in't he? | 0:19:04 | 0:19:06 | |
The white van, the Transit full of tools, Swarfega, rivets, yeah? | 0:19:06 | 0:19:10 | |
Spanners. "What's the difference between a Phillips and a slot?" | 0:19:10 | 0:19:13 | |
"I don't know, Papa!" "Get out of me house!" | 0:19:13 | 0:19:15 | |
Slot, Phillips, slot, Phillips, slot, Phillips. | 0:19:16 | 0:19:18 | |
WAILS | 0:19:18 | 0:19:20 | |
Got the white van, powered by diesel, of course. | 0:19:20 | 0:19:23 | |
What else would it be powered by? | 0:19:23 | 0:19:25 | |
Diesel is the fuel of men. GROWLS | 0:19:25 | 0:19:27 | |
And then eventually, eventually, after years of manual labour, | 0:19:27 | 0:19:31 | |
hard work and saving, he gets the dream car. | 0:19:31 | 0:19:33 | |
The black diesel automatic Mercedes. | 0:19:33 | 0:19:36 | |
What, bought on credit? | 0:19:36 | 0:19:38 | |
Don't be ridiculous. Rely on no-one. | 0:19:38 | 0:19:41 | |
Save for years until all pleasure is removed from the future purchase! | 0:19:41 | 0:19:44 | |
Only then are you ready to buy the thing | 0:19:44 | 0:19:47 | |
and fricking hate it because you had to save for it. | 0:19:47 | 0:19:49 | |
You broke me, you broke me! | 0:19:49 | 0:19:51 | |
That diesel, of course - he even sounds like diesel, my dad. | 0:19:51 | 0:19:55 | |
I bet if my mum has any sex toys, they're probably powered by diesel. | 0:19:55 | 0:19:59 | |
Rrrrr! "That'll go for hours, Julie, and burn no fuel." | 0:19:59 | 0:20:04 | |
And, er... He sounds... | 0:20:08 | 0:20:10 | |
When he's formulating his next right-wing thought - "Rrrrr... | 0:20:10 | 0:20:14 | |
"Polish go home!" Right? | 0:20:14 | 0:20:17 | |
And I choose the car that's caused the biggest arguments ever - | 0:20:19 | 0:20:22 | |
the Toyota Prius. | 0:20:22 | 0:20:23 | |
Look at the intakes of breath from some of the Garys and Daves in the room. | 0:20:23 | 0:20:26 | |
"Fucking waste of money, load of shit..." Right? | 0:20:26 | 0:20:30 | |
What harm am I doing anyone? | 0:20:30 | 0:20:32 | |
You can be as angry as you like about green taxes, | 0:20:32 | 0:20:34 | |
if you don't believe in climate change, | 0:20:34 | 0:20:36 | |
fair play, you've got a point. | 0:20:36 | 0:20:37 | |
I'm doing no-one any harm if I want to waste my money | 0:20:37 | 0:20:39 | |
on a half-electric, half-petrol car | 0:20:39 | 0:20:41 | |
and drive to the airport five times a year, fly to Australia, | 0:20:41 | 0:20:44 | |
but look, I'm going home in my hybrid, right? | 0:20:44 | 0:20:47 | |
At worst, I'm a hypocrite, but the anger it draws from my dad! | 0:20:47 | 0:20:50 | |
"Why do you want to drive that shit, boy? | 0:20:50 | 0:20:53 | |
"You're a comedian, you can have anything you want, for the birds, | 0:20:53 | 0:20:55 | |
"and impress them. And you drive a car that's..." | 0:20:55 | 0:20:58 | |
Not only is it half petrol, right, | 0:20:58 | 0:21:00 | |
that alone is Glee boxset enough, right? Yeah? | 0:21:00 | 0:21:04 | |
But it's half electric. | 0:21:04 | 0:21:07 | |
The noise it used to make when I drive off from Sunday lunch. | 0:21:07 | 0:21:09 | |
Even that would have been, "See you next week for lunch, Papa." | 0:21:09 | 0:21:12 | |
MIMICS WEAK CAR ENGINE "That's my fricking boy in there! | 0:21:12 | 0:21:14 | |
"That's my boy in there!" Yeah? SCATTERED APPLAUSE | 0:21:14 | 0:21:17 | |
"Why not have Liza Minnelli hanging out the exhaust, get it over with?" | 0:21:17 | 0:21:21 | |
LAUGHTER | 0:21:21 | 0:21:22 | |
Are there any Prius drivers in the room? Any? | 0:21:22 | 0:21:25 | |
No, they won't put their hands up. "Just think of the planet and the energy I'd be using. | 0:21:25 | 0:21:29 | |
"Stop the car! A daisy grows. Look!" | 0:21:29 | 0:21:32 | |
LAUGHTER | 0:21:32 | 0:21:34 | |
"Wait, here's a tramp. Suckle from me, suckle from me!" | 0:21:34 | 0:21:38 | |
And I crashed it. 70mph. Bang, po-pom! | 0:21:38 | 0:21:41 | |
I was on the hard shoulder, called my mum straightaway. "You all right, Russ? | 0:21:41 | 0:21:45 | |
"Let us know you're OK. Call me from casualty, call me..." | 0:21:45 | 0:21:47 | |
Nothing from my dad. Nothing! Not even a text message. | 0:21:47 | 0:21:50 | |
All right, maybe he couldn't manage it with his primordial stumps. | 0:21:50 | 0:21:53 | |
HE GRUNTS | 0:21:53 | 0:21:55 | |
Why do men of this age just stop texting? Why, what's wrong with you? | 0:21:55 | 0:21:59 | |
It's cos we can't spell... HE ROARS | 0:21:59 | 0:22:03 | |
Right? | 0:22:03 | 0:22:04 | |
I was dreading turning up in a courtesy car. | 0:22:08 | 0:22:10 | |
The courtesy car was a purple Nissan Micra. This did not help me! | 0:22:10 | 0:22:14 | |
If he wants to think it, I just play to it now. | 0:22:14 | 0:22:17 | |
"I dropped my keys. Sorry, Daddy!" LAUGHTER | 0:22:17 | 0:22:21 | |
Nothing! And do you know the weirdest thing of all? | 0:22:21 | 0:22:23 | |
He was waiting at the front of the property, going... | 0:22:23 | 0:22:26 | |
He was waiting like that. He was waiting to greet me. | 0:22:26 | 0:22:28 | |
He didn't know what time I was arriving. | 0:22:28 | 0:22:30 | |
Those of you that grew up with a dad like mine, if you are now an adult, | 0:22:30 | 0:22:33 | |
count - you'll need one hand - the amount of times | 0:22:33 | 0:22:35 | |
the alpha comes out of the nest to greet you upon arrival. It does not happen. | 0:22:35 | 0:22:40 | |
Yeah, my mum comes out, you must go inside to seek out the alpha. | 0:22:40 | 0:22:44 | |
In study or garden or office. Often with silver back facing you as you approach, like that. | 0:22:44 | 0:22:48 | |
MIMICS GORILLA GRUNTS | 0:22:48 | 0:22:52 | |
You have to chuck a poo to show he's dominant. | 0:22:54 | 0:22:56 | |
HE MIMICS MONKEY CHATTERING | 0:22:56 | 0:22:58 | |
Not this time, though. He was there, chest facing me, waiting to greet me. | 0:23:01 | 0:23:06 | |
Yeah, I know this is bad. It was mock... It was mock love. I could see the smile on his face. | 0:23:06 | 0:23:10 | |
He'd pre-prepared what he wanted to say. Probably been thinking about it since Thursday. | 0:23:10 | 0:23:14 | |
It's Sunday, and I got out the car. "Hi, Dad, just turn that techno off." | 0:23:14 | 0:23:17 | |
HE MIMICS THUMPING BASS | 0:23:17 | 0:23:19 | |
"Oh, my God! Woo!" | 0:23:19 | 0:23:21 | |
He was in this sort of, you know, Boycie, Superman position like that. | 0:23:21 | 0:23:24 | |
The first noise was a laugh, like a machine gun. "Ha-ha-ha-ha." Like that. | 0:23:24 | 0:23:29 | |
"Ha-ha-ha-ha." I swear to God, this is what he came out with. | 0:23:29 | 0:23:31 | |
He must have been preparing it for about three days. | 0:23:31 | 0:23:34 | |
He just said this, turned around and went straight into the hallway. | 0:23:34 | 0:23:38 | |
"Ha-ha-ha-ha, crashed the Toyota Prius?" "Yes, Dad." | 0:23:38 | 0:23:41 | |
"Well, it's zero emissions now, innit, boy?" | 0:23:41 | 0:23:44 | |
LAUGHTER AND APPLAUSE | 0:23:44 | 0:23:47 | |
Went abroad to Australia. | 0:23:51 | 0:23:52 | |
You know, I got to fly first class for the first time, right? | 0:23:52 | 0:23:56 | |
It's unbelievable, guys. Has anyone flown first or business? | 0:23:56 | 0:23:59 | |
It's better then you can fricking imagine. There's an unlimited buffet. | 0:23:59 | 0:24:02 | |
That's the thing that shocked me when I walked in. Tray of unlimited food. | 0:24:02 | 0:24:06 | |
A table of it. Boof, like that. | 0:24:06 | 0:24:09 | |
What's the thought of most people in this room when you see a buffet? | 0:24:09 | 0:24:12 | |
And I'm not talking about Iceland prawn rings, right? I'm talking... | 0:24:12 | 0:24:15 | |
This is champagne, caviar, the works. First class, as much as you can get down you. | 0:24:15 | 0:24:19 | |
Everyone in this room is thinking, "Nick it, nick it, fill the pockets." | 0:24:19 | 0:24:23 | |
But you can't! You're about to get on a plane. | 0:24:23 | 0:24:25 | |
My old man, Dad, has trained me and James, my brother. | 0:24:25 | 0:24:28 | |
He trained us on all-you-can-eat Chinese. We were trained on it! | 0:24:28 | 0:24:31 | |
Because of my energy levels, I've always been able to eat a freakish amount of food. | 0:24:31 | 0:24:35 | |
I've always looked young for my age. | 0:24:35 | 0:24:36 | |
So when I was 12, I was tiny but I could eat a man's meal. | 0:24:36 | 0:24:39 | |
The pride on my dad's face that I could do 'em over for the £7.95 child's price. | 0:24:39 | 0:24:44 | |
He used to make me stretch in the garden. "Stretch boy, fucking stretch! Stretch! | 0:24:44 | 0:24:49 | |
"I'll show that prick children's prices. We'll do 'em right over." | 0:24:49 | 0:24:53 | |
LAUGHTER | 0:24:53 | 0:24:54 | |
"Here comes the prawn crackers. | 0:24:54 | 0:24:56 | |
"No, thanks, mate, we're not idiots. No, thank you!" | 0:24:56 | 0:24:58 | |
All right? LAUGHTER AND APPLAUSE | 0:24:58 | 0:25:02 | |
I've got all that going through my mind. All-you-can-eat buffet, and I thought, "I've got one option here. | 0:25:05 | 0:25:09 | |
"I've got to call my mum and share it with her." | 0:25:09 | 0:25:11 | |
I can't yet afford to do ridiculous things like that. | 0:25:11 | 0:25:14 | |
I can't fly my mum to Australia, I can't afford it. | 0:25:14 | 0:25:17 | |
So I got my mum up on the old laptop. Vring, like that. | 0:25:17 | 0:25:20 | |
One of our recent, lovely three days we spent together was teaching my mum | 0:25:20 | 0:25:25 | |
how to use a laptop from scratch. Anyone else had that... | 0:25:25 | 0:25:29 | |
joyous experience, right? LAUGHTER | 0:25:29 | 0:25:32 | |
Most middle-aged ladies in this room, if you can use a computer, you've been taught by the... | 0:25:32 | 0:25:36 | |
Middle-aged men - "Wasn't invented when I was young, doesn't count. | 0:25:36 | 0:25:40 | |
"Clearly, it's not important if it didn't exist when I was in my prime." | 0:25:40 | 0:25:44 | |
Right? But women, "I want to learn it. | 0:25:44 | 0:25:46 | |
"Helena's on the internet, and Lynn. Helena and Lynn, Lynn and Helena!" | 0:25:46 | 0:25:51 | |
HE CHUCKLES I wanted her there, right? So I bought my mum a laptop. | 0:25:51 | 0:25:54 | |
She cried with happiness, cos it was main present, main, main present! | 0:25:54 | 0:25:58 | |
"I can't believe you got me a laptop." | 0:25:58 | 0:26:01 | |
Listen, I'm not a violent man at all. LAUGHTER | 0:26:01 | 0:26:04 | |
I'm a gentle, silly human being. It's why I've got into theatre. | 0:26:04 | 0:26:07 | |
However, those three days where I... LAUGHTER | 0:26:07 | 0:26:10 | |
..taught Mum laptop through on button, internet, Facebook, Twatter... | 0:26:10 | 0:26:13 | |
And she still calls it "Twatter"! | 0:26:13 | 0:26:15 | |
LAUGHTER | 0:26:15 | 0:26:18 | |
Is the closest I've ever come to closing my fists, right, | 0:26:18 | 0:26:22 | |
and unleashing a punch so powerful into the side of someone's head. | 0:26:22 | 0:26:27 | |
You know, so that it detaches without any blood, like in a kung fu movie? | 0:26:27 | 0:26:31 | |
Ding-ding! With the same expression on her face. | 0:26:31 | 0:26:34 | |
"What does a space-bar put into a document?" "Space, bitch!" Boof! | 0:26:34 | 0:26:38 | |
LAUGHTER | 0:26:38 | 0:26:40 | |
"What did you think it was, a semicolon?!" | 0:26:40 | 0:26:43 | |
Kicking the torso afterwards. | 0:26:43 | 0:26:45 | |
So I did it. I'm in first class, I'm fine, taught my mum how to use Skype. | 0:26:45 | 0:26:48 | |
She's on the old Skype and everything. | 0:26:48 | 0:26:50 | |
"Get me on Skype, Russ," or "Sky-pe" as she calls it. "Get me on the Sky-pe," right? | 0:26:50 | 0:26:55 | |
Open it up, and there's my mum with her eye right against the webcam. | 0:26:55 | 0:26:58 | |
"Russ, Russ!" LAUGHTER | 0:26:58 | 0:27:01 | |
APPLAUSE Like I'm in it. | 0:27:01 | 0:27:03 | |
Like I'm IN it! "Someone shrunk my son! He's in there and he's tiny!" | 0:27:03 | 0:27:06 | |
Like I was a little computer man. "Mommy, help me! "Mo-o-ommy! | 0:27:08 | 0:27:13 | |
"I've become data, Mommy!" | 0:27:14 | 0:27:17 | |
"Back up, Mum, back up!" She backed away from it. | 0:27:17 | 0:27:20 | |
You know, like, when a rainforest villager has seen... | 0:27:20 | 0:27:23 | |
LAUGHTER ..seen a tractor for the first time like that. | 0:27:23 | 0:27:27 | |
Right? My mum's like, "Russ, Russ, show us, what's first class like?" | 0:27:31 | 0:27:34 | |
This is the chavviest thing, almost endearing, depending on where you come from. | 0:27:34 | 0:27:38 | |
I didn't know how to put it into words, so with everyone else | 0:27:38 | 0:27:41 | |
from first class looking on at a table they barely noticed, | 0:27:41 | 0:27:45 | |
I just flipped my computer round and Skyped the entire buffet to my mum. | 0:27:45 | 0:27:48 | |
LAUGHTER AND APPLAUSE | 0:27:48 | 0:27:51 | |
"Go back, Russ. Go back! Go back, go back." | 0:27:51 | 0:27:53 | |
"Go back." She's like, "Go back, go back, go back! | 0:27:53 | 0:27:56 | |
"Elaine, Elaine, get over 'ere! | 0:27:56 | 0:27:59 | |
"The fucker has got unlimited salmon. Unlimited!" | 0:27:59 | 0:28:02 | |
Like I said before, I know I'm all lefty, it's all a bit cosy, | 0:28:06 | 0:28:09 | |
those of you who read the Daily Mail would like to beat me up with it outside after the gig. | 0:28:09 | 0:28:13 | |
Stand up for your rights. Could someone, please, explain to me, | 0:28:13 | 0:28:16 | |
someone who's quite right-wing, or racist as my dad is, | 0:28:16 | 0:28:19 | |
naturally disbelieves climate change? | 0:28:19 | 0:28:21 | |
There is no link whatsoever between hating brown and black people | 0:28:21 | 0:28:26 | |
and not being into recycling. | 0:28:26 | 0:28:27 | |
If you must be racist, be racist, | 0:28:27 | 0:28:29 | |
but put a bit of recycling out, we're all on the same... | 0:28:29 | 0:28:32 | |
You can literally be in the middle of a lynching with your white hood | 0:28:32 | 0:28:35 | |
and a crossbow, you go, "Do you mind if we delay the hanging, I've got to go down the bottle bank." | 0:28:35 | 0:28:40 | |
LAUGHTER | 0:28:40 | 0:28:42 | |
If anything, you would think that recycling appealed to the racist mind - | 0:28:42 | 0:28:45 | |
tin in one bag, paper in another bag, card in a separate bag. | 0:28:45 | 0:28:49 | |
Everything in its different groups. | 0:28:49 | 0:28:51 | |
APPLAUSE | 0:28:51 | 0:28:53 | |
Off to the incinerator. | 0:28:57 | 0:28:59 | |
Then there's the garage, there's a sociology of garages, isn't there? | 0:28:59 | 0:29:03 | |
What's it like in Westcliff and Southend - | 0:29:03 | 0:29:05 | |
parking is horrible, isn't it? | 0:29:05 | 0:29:06 | |
Bit of off-street, they've got off-street and a garage. | 0:29:06 | 0:29:10 | |
# Off-street and a ga-a-a-a-arage, boy. # | 0:29:10 | 0:29:15 | |
There's the middle-class garage, plenty of space, isn't it? | 0:29:15 | 0:29:18 | |
Look how wide it is, you can park the car, | 0:29:18 | 0:29:20 | |
you can come back past the lawnmower, close it with a button, | 0:29:20 | 0:29:22 | |
in though the hallway, | 0:29:22 | 0:29:23 | |
past achievements of son, achievements of daughter, | 0:29:23 | 0:29:26 | |
into the kitchen, relax by the Aga, you've got all afternoon. | 0:29:26 | 0:29:28 | |
Then there's the working-class garage, | 0:29:28 | 0:29:31 | |
you've got to lock yourself inside it, pull the bit of blue string down | 0:29:31 | 0:29:35 | |
that's been there for about ten years. | 0:29:35 | 0:29:38 | |
You're trapped inside your own garage. | 0:29:38 | 0:29:40 | |
Anyone had that garage where you're trapped inside? | 0:29:40 | 0:29:43 | |
You've got to do the Irish dance. | 0:29:43 | 0:29:44 | |
LAUGHTER | 0:29:44 | 0:29:46 | |
Remember, part of these men, they want you to scratch their car, | 0:29:46 | 0:29:49 | |
they fantasise about you scratching it. | 0:29:49 | 0:29:51 | |
"Please, let me find a rusty scratch that he's done on it, please, God." | 0:29:51 | 0:29:55 | |
So you've got to go past it in your jeans with your spiky bits on - | 0:29:55 | 0:29:57 | |
look, there's a patch of oil, why not tread into it, broken ankle, aah! | 0:29:57 | 0:30:02 | |
Past the spare freezer, the second freezer full of more meat. | 0:30:02 | 0:30:05 | |
Yeah, more meat frozen, in case the primary supply of meat runs out. | 0:30:05 | 0:30:10 | |
"But, Papa, I'm vegetarian." | 0:30:10 | 0:30:12 | |
"Move to Brighton, put me out of my suffering!" | 0:30:12 | 0:30:14 | |
LAUGHTER | 0:30:14 | 0:30:18 | |
Into the kitchen, it's my mum's domain, | 0:30:18 | 0:30:19 | |
there she is, moving around like me, got the same energy - meerkat. | 0:30:19 | 0:30:23 | |
Always awake, always up for duty, Mr Muscle, Dettol, scrub it, | 0:30:23 | 0:30:26 | |
scrub it, scrub it, nothing left. | 0:30:26 | 0:30:28 | |
Scrub it, there's still shit in it, there's still shit in it! | 0:30:28 | 0:30:32 | |
That's my mum with the Essex accent, same as me. | 0:30:32 | 0:30:35 | |
Quite precise, a lot of us will have it in this room, | 0:30:35 | 0:30:38 | |
it's an uncomfortable part of the show for us when we realise, | 0:30:38 | 0:30:41 | |
cos we think we speak a bit better than everyone else, an' that. | 0:30:41 | 0:30:44 | |
It's a castle accent. The way Essex words form... | 0:30:44 | 0:30:46 | |
The reason we're perceived as so unfriendly is it's quite | 0:30:46 | 0:30:49 | |
an unfriendly accent, there's words with walls around them. | 0:30:49 | 0:30:52 | |
Not like the London accent, which is open, quite rolling, | 0:30:52 | 0:30:54 | |
inviting everyone in, not finishing words, | 0:30:54 | 0:30:56 | |
very rarely get to the end of my sent... Right? | 0:30:56 | 0:30:58 | |
Essex people have moved out. | 0:31:01 | 0:31:03 | |
The London accent, different to the Essex accent, | 0:31:03 | 0:31:06 | |
the London accent is the only one in the United Kingdom | 0:31:06 | 0:31:08 | |
that becomes friendlier the more it's shouted, do you know what I mean? | 0:31:08 | 0:31:12 | |
Are there any Cockneys in, any proper Cockneys? | 0:31:12 | 0:31:14 | |
The louder it gets, the freaking friendlier I sound. | 0:31:14 | 0:31:17 | |
Any other accent, Welsh. | 0:31:17 | 0:31:19 | |
WELSH ACCENT: Rolling, mellifluous, honey-like, | 0:31:19 | 0:31:21 | |
friendly, musical, wonderful, fits with the speaker. | 0:31:21 | 0:31:24 | |
But the moment it's shouted... | 0:31:24 | 0:31:27 | |
WELSH ACCENT: Incredibly frightening! | 0:31:27 | 0:31:29 | |
LAUGHTER | 0:31:29 | 0:31:30 | |
Same with a Glaswegian accent. | 0:31:30 | 0:31:32 | |
Say what you like, it can be quite trustworthy, | 0:31:32 | 0:31:34 | |
like a mate when it's speaking. | 0:31:34 | 0:31:35 | |
When it gets angry, you don't want to fucking hear it! | 0:31:35 | 0:31:39 | |
Any accent, except the London accent, | 0:31:39 | 0:31:42 | |
which, when shouted, even with an aggressive face, is friendly. | 0:31:42 | 0:31:45 | |
You feel like I'm about to wheel on a tray of bargains, like that. | 0:31:45 | 0:31:50 | |
I will nick it back from you in the car park, though. | 0:31:50 | 0:31:54 | |
But the flip side is also true. | 0:31:54 | 0:31:55 | |
If an accent is friendly, | 0:31:55 | 0:31:57 | |
the London accent is friendly with an aggressive face while shouting, | 0:31:57 | 0:32:00 | |
the reverse is also true. | 0:32:00 | 0:32:01 | |
The moment it becomes polite, or a little bit friendly... | 0:32:01 | 0:32:06 | |
LAUGHTER | 0:32:06 | 0:32:07 | |
Isn't it fucking menacing, yeah? | 0:32:07 | 0:32:10 | |
APPLAUSE | 0:32:11 | 0:32:14 | |
But we can slag all of these accents off - at least they fit together, | 0:32:19 | 0:32:22 | |
unlike our accent. | 0:32:22 | 0:32:23 | |
Even the posh accent, I know most of us find it offensive, | 0:32:23 | 0:32:26 | |
its traces of privilege, it's very unfriendly, | 0:32:26 | 0:32:28 | |
the vowels are tight, the consonants are tight, my body language is tight, | 0:32:28 | 0:32:32 | |
"I don't know you, you don't know me, clean my house, go back to Poland." | 0:32:32 | 0:32:35 | |
LAUGHTER | 0:32:35 | 0:32:37 | |
Every vowel is in Essex, "Do you want a sambucaaaaa?" | 0:32:37 | 0:32:41 | |
"Do you want a sambuca, Kell-yyy?" | 0:32:41 | 0:32:45 | |
They're stolen from Wales, any Welsh people in? | 0:32:45 | 0:32:47 | |
We've got your vowels, we stole them in Essex, we're running out, | 0:32:47 | 0:32:50 | |
quickly, run across the bridge, take your £5.50, you prick. | 0:32:50 | 0:32:54 | |
Into Cardiff, see you late-e-er! | 0:32:54 | 0:32:57 | |
They're just left in Wales going, "ch, ch, ch!" | 0:32:57 | 0:33:01 | |
"Ch....!" | 0:33:01 | 0:33:03 | |
LAUGHTER | 0:33:05 | 0:33:06 | |
In my mum's domain, the kitchen. | 0:33:09 | 0:33:11 | |
With the Essex microwave. | 0:33:11 | 0:33:13 | |
The first generation of working people, we had the posh possessions. | 0:33:13 | 0:33:16 | |
My mum and dad... Why shouldn't we now that we've got cash in hand, | 0:33:16 | 0:33:20 | |
the '80s are finished, got a bit of dosh, | 0:33:20 | 0:33:22 | |
we'll get our black tarmac driveway | 0:33:22 | 0:33:24 | |
with a sprinkling of white pebble dash. | 0:33:24 | 0:33:26 | |
It's nearly the '90s, let's scatter white pebble dash. | 0:33:26 | 0:33:29 | |
I don't even understand these fashions. | 0:33:29 | 0:33:31 | |
Then into the dining room, oh, look, it's the dining room, | 0:33:31 | 0:33:34 | |
welcome to the dining room. | 0:33:34 | 0:33:35 | |
Who's got a dining room? Cheer if you've got a separate dining room. | 0:33:35 | 0:33:38 | |
CHEERING Loads of you have! It's a rarity. | 0:33:38 | 0:33:40 | |
These old properties round here, we've got them. My dad built one. | 0:33:40 | 0:33:44 | |
Some of you are cheering and you don't mean it, | 0:33:44 | 0:33:46 | |
cos you've caught knock-it-through disease from the generation before. | 0:33:46 | 0:33:49 | |
There used to be one, let's knock it through, it's an archway. | 0:33:49 | 0:33:52 | |
Why get together as a family and eat when we can knock it through? | 0:33:52 | 0:33:55 | |
Have one big space with a telly at the end | 0:33:55 | 0:33:57 | |
so we can watch it even when eating. | 0:33:57 | 0:33:59 | |
Knock it though. | 0:33:59 | 0:34:01 | |
You haven't still got bedrooms? | 0:34:01 | 0:34:03 | |
We knocked the floors off, the loft off, knocked the walls in, | 0:34:03 | 0:34:06 | |
I'm in the garden, knocked it, knocked it. The house is gone. | 0:34:06 | 0:34:09 | |
We knocked it down, knocked it, I can see Kent. Bit rainy, but I can see Kent. | 0:34:09 | 0:34:13 | |
Knocked the lot, knocked down. | 0:34:13 | 0:34:16 | |
And that's my mum's ideal home. | 0:34:16 | 0:34:18 | |
Why would you want an old house when you can have a new-build? | 0:34:18 | 0:34:21 | |
"Oh, Russ, a new-build, right?" | 0:34:21 | 0:34:22 | |
"Why would you want character? It smells." | 0:34:24 | 0:34:26 | |
That would be her ideal house, just a giant, magnolia cube | 0:34:26 | 0:34:29 | |
with her in the corner going like that. | 0:34:29 | 0:34:32 | |
LAUGHTER | 0:34:32 | 0:34:33 | |
With one Ikea halogen spotlight so powerful | 0:34:33 | 0:34:36 | |
that it burns your corneas out of your skull when you look at it. | 0:34:36 | 0:34:40 | |
Five Glade plug-ins in every wall, five. | 0:34:42 | 0:34:44 | |
Five, so if you so much as sniff their coniferous freshness | 0:34:44 | 0:34:48 | |
your nose bleeds. | 0:34:48 | 0:34:50 | |
"How clean it is, Russ, it hurts, how clean it is." | 0:34:52 | 0:34:54 | |
Blinking your eyes. | 0:34:54 | 0:34:55 | |
We've lost something though by not getting together once a day for dinner. | 0:34:57 | 0:35:00 | |
I know we can't with how busy we are, | 0:35:00 | 0:35:02 | |
but we have lost something, don't you think? | 0:35:02 | 0:35:04 | |
Getting together once a day for a verbal argument then food. | 0:35:04 | 0:35:08 | |
Even to this day, if I hear, "You're fucking useless!" I fancy a sandwich. | 0:35:08 | 0:35:12 | |
Who invented the equation of overly posh dining room table, | 0:35:12 | 0:35:16 | |
working class family, who? What a cruel... | 0:35:16 | 0:35:19 | |
Why couldn't we have had a piece of shit to eat our dinner off? | 0:35:19 | 0:35:21 | |
Why did we have to have solid mahogany, £300 worth, | 0:35:21 | 0:35:25 | |
oh, hunt for a scratch, hunt for a scratch. | 0:35:25 | 0:35:28 | |
# Hunt for a scratch Hunt for a scratch, hunt, hunt, | 0:35:28 | 0:35:30 | |
# Hunt for a scratch | 0:35:30 | 0:35:32 | |
# Hunt for a scratch so the son may break his hands. # | 0:35:32 | 0:35:34 | |
LAUGHTER | 0:35:34 | 0:35:35 | |
# Dreaming of a scratch in the mahogany table | 0:35:35 | 0:35:38 | |
# I'm dreaming of a scratch...# | 0:35:38 | 0:35:40 | |
I'm eight years old, I can't even use my limbs yet, what's for dinner, Dad? | 0:35:40 | 0:35:43 | |
"It's spaghetti, on a mechanical spoon." Drrrrr. | 0:35:43 | 0:35:48 | |
I'm surprised the face of Christ did not appear in the leaf of the table. | 0:35:48 | 0:35:52 | |
"Get the leaf out, Eileen and Ivan are coming over, | 0:35:52 | 0:35:55 | |
"get the leaf out, more table for you to scratch." | 0:35:55 | 0:35:59 | |
I wouldn't have been surprised if I came in | 0:35:59 | 0:36:01 | |
and the face of Jesus was going, # Ah-eh-eh-a-oh, I'm Dave's table. # | 0:36:01 | 0:36:05 | |
LAUGHTER | 0:36:05 | 0:36:07 | |
I would rather have eaten cat biscuits on the fricking floor. | 0:36:07 | 0:36:11 | |
With Albert the Burmese... | 0:36:12 | 0:36:15 | |
Albert the Burmese cat, by the way, for those of you, not a tiny... | 0:36:15 | 0:36:19 | |
Imagine that, "Thank you for freeing me from oppression, but..." | 0:36:19 | 0:36:24 | |
"May I eat at the table?" | 0:36:24 | 0:36:26 | |
"You may not, you will eat biscuits on the floor! | 0:36:26 | 0:36:29 | |
"You're lucky to be here." | 0:36:29 | 0:36:31 | |
For my nan, my nan's the head of that side of the family. | 0:36:36 | 0:36:39 | |
There's two types of family, isn't there? | 0:36:39 | 0:36:41 | |
And this is not class-related, for once. | 0:36:41 | 0:36:43 | |
There's castle family, with walls, keeping everything in, | 0:36:43 | 0:36:45 | |
and there's open family. | 0:36:45 | 0:36:47 | |
Open family, sometimes the poorer family, cos they don't care about the material. | 0:36:47 | 0:36:51 | |
That's my mum's side of the family - some of us are on disability benefit, | 0:36:51 | 0:36:54 | |
some of us don't have the same dad, but who cares? | 0:36:54 | 0:36:56 | |
When the shit hits the fan, we're there for each other. Love is the gel. | 0:36:56 | 0:36:59 | |
Then there's the castle family, my dad. | 0:36:59 | 0:37:01 | |
"Do not give in to anyone, make your own wealth. | 0:37:01 | 0:37:03 | |
"Even your own brother, if he asks you for anything, is a ponce. | 0:37:03 | 0:37:08 | |
"I'm sorry, I've done this on my own, | 0:37:08 | 0:37:09 | |
"close the walls, die alone, rule Britannia." | 0:37:09 | 0:37:13 | |
My dad's castle family and my mum's non-castle family, led by my nan. | 0:37:13 | 0:37:17 | |
That's my nan, my beautiful, glorious nan, | 0:37:17 | 0:37:20 | |
I wish, I wish. There's a few people I wish was here today to see this, | 0:37:20 | 0:37:24 | |
and she's one of them. She should be here - | 0:37:24 | 0:37:27 | |
my nan was only 39 years old when I was born, for Christ's sake. | 0:37:27 | 0:37:30 | |
Look at the maths going through the head of the posh people. | 0:37:30 | 0:37:32 | |
"39, that doesn't work out - how did she do her gap year? | 0:37:32 | 0:37:36 | |
"Why does he exaggerate, why?" | 0:37:36 | 0:37:38 | |
LAUGHTER | 0:37:38 | 0:37:40 | |
"Go on, Olivia, it's time for your gap year." | 0:37:40 | 0:37:42 | |
"I'll go to Africa. Brown person, photo, and home again." | 0:37:42 | 0:37:45 | |
LAUGHTER | 0:37:45 | 0:37:46 | |
"Poverty is so boring, I'm going to go to Oxbridge now, Mummy." | 0:37:46 | 0:37:50 | |
My nan was 39, we're a family of young breeders, | 0:37:51 | 0:37:54 | |
I've bucked the trend. | 0:37:54 | 0:37:56 | |
They are, my mum was a kid when she had me, | 0:37:57 | 0:38:00 | |
my nan was a kid when she had my mum, blah, blah, blah. | 0:38:00 | 0:38:02 | |
But my nan, of course, isn't here | 0:38:02 | 0:38:03 | |
because she had the Embassy filter, bottle of vodka disease. | 0:38:03 | 0:38:06 | |
Not Embassy, Embassy filter, you can get through 60 a day. | 0:38:06 | 0:38:09 | |
A much shorter, quicker route to cancer. | 0:38:09 | 0:38:12 | |
A bottle of vodka, drink it every day. | 0:38:12 | 0:38:14 | |
She did survive, amazingly, | 0:38:14 | 0:38:15 | |
I swear, she must have kicked death out the door about five times. | 0:38:15 | 0:38:18 | |
"It's Death." "You want to come in, do you?" | 0:38:18 | 0:38:20 | |
"Or do you want to get out, and take your scythe with you, you prick!" | 0:38:20 | 0:38:23 | |
"I'm sorry, I'm sorry." "That's right, dickhead." | 0:38:23 | 0:38:25 | |
At the end, so hard, so hard these women, these working-class women. | 0:38:25 | 0:38:29 | |
Nothing left at the end, just a stick. | 0:38:29 | 0:38:31 | |
She weighed four stone at the end, I still wouldn't have crossed her. | 0:38:31 | 0:38:35 | |
Four stone, just a few cells, some egg eyes, | 0:38:35 | 0:38:38 | |
and then hair like a Latvian imported firework, | 0:38:38 | 0:38:40 | |
just coming out of her head. | 0:38:40 | 0:38:42 | |
Just anger. Like a Pepperami, that's what she was like at the end. | 0:38:42 | 0:38:45 | |
Swearing. | 0:38:47 | 0:38:49 | |
The wheelchair, | 0:38:49 | 0:38:50 | |
she got a wheelchair from the NHS which she left folded, scornfully... | 0:38:50 | 0:38:55 | |
Have you known anyone who can choose not to use a wheelchair out of anger? | 0:38:55 | 0:38:58 | |
"Fuck it." | 0:38:58 | 0:38:59 | |
She would pull herself along the street, one millimetre at a time. | 0:38:59 | 0:39:05 | |
On rage alone, "I hate life, but I really need biscuits." | 0:39:05 | 0:39:10 | |
My nan talked about everything as well, talk about sex, | 0:39:11 | 0:39:14 | |
talk about religion, talk about drugs. | 0:39:14 | 0:39:16 | |
Drugs weren't hidden at my nan's house, right, | 0:39:16 | 0:39:18 | |
so...I'm not going to go much further than that, | 0:39:18 | 0:39:20 | |
we've got some friends in the room, she was a cool nan's to hang out at. | 0:39:20 | 0:39:24 | |
But what it did was - some of you now looking judgementally - | 0:39:24 | 0:39:26 | |
is it took away the mystery of all that shit quicker. | 0:39:26 | 0:39:29 | |
Whereas the British model is a castle model, suppress, prevent, prevent, that will get rid of. | 0:39:29 | 0:39:34 | |
Of course it won't, that's not how the British mind works. | 0:39:34 | 0:39:36 | |
The more you push us at one end, up we come at the other, | 0:39:36 | 0:39:38 | |
the same with our young people. | 0:39:38 | 0:39:41 | |
That's my dad, "if I ever smell any of that Jamaican shit in my house..." | 0:39:41 | 0:39:46 | |
LAUGHTER | 0:39:46 | 0:39:48 | |
I just want to smoke the biggest joined ever rolled in humanity | 0:39:48 | 0:39:51 | |
just to piss him off, do you know what I mean? | 0:39:51 | 0:39:53 | |
My nan was like, "I don't want you to take it, | 0:39:53 | 0:39:55 | |
"but tell me what you've taken, we'll have a discussion, we'll have a cup of tea." | 0:39:55 | 0:39:59 | |
My beautiful nan, and my loving dad, all that love, | 0:39:59 | 0:40:03 | |
how can all that love be mixed up with all that sadness? | 0:40:03 | 0:40:06 | |
You men in the room, working hard jobs, | 0:40:06 | 0:40:08 | |
you will die ten to 15 years before the posh fuckers | 0:40:08 | 0:40:11 | |
cos you've worked so hard. | 0:40:11 | 0:40:12 | |
What a horrible statistical fact, | 0:40:12 | 0:40:14 | |
you lifting, nail-knocking, lagging - | 0:40:14 | 0:40:16 | |
That's what my dad does, puts lagging on the outside of pipes, | 0:40:16 | 0:40:20 | |
in boiler rooms, fibreglass, asbestos - | 0:40:20 | 0:40:21 | |
will peg it earlier. Why work, then? | 0:40:21 | 0:40:23 | |
Out of love, out of the need to provide, | 0:40:23 | 0:40:25 | |
some primal drive to provide love and material wealth for the offspring. | 0:40:25 | 0:40:30 | |
Brilliant. | 0:40:30 | 0:40:31 | |
Then why, as you hand over that plasticky piece of tat | 0:40:31 | 0:40:34 | |
I've been begging for since October, or the school shoes that I need, | 0:40:34 | 0:40:37 | |
why do you have to provide the little cancerous bit of sadness with it at the same time? | 0:40:37 | 0:40:42 | |
Oh, constantly reminding us how shit it was for you | 0:40:42 | 0:40:45 | |
at an equivalent stage. | 0:40:45 | 0:40:47 | |
I've got a visual imagination. | 0:40:47 | 0:40:49 | |
"There we are boy, take your toys, | 0:40:49 | 0:40:51 | |
"remember, I rocked back and forth with nothing." | 0:40:51 | 0:40:54 | |
LAUGHTER | 0:40:54 | 0:40:56 | |
"And in some way you can't understand, it's your fault." | 0:40:56 | 0:40:59 | |
Christmas, Christmas brings out the worst in these men, with their, | 0:41:02 | 0:41:05 | |
with their fucking, "I never even had a dad." | 0:41:05 | 0:41:08 | |
That's their favourite, isn't it? | 0:41:08 | 0:41:10 | |
# I never even had a dad | 0:41:10 | 0:41:12 | |
# I never even had a dad, dad | 0:41:12 | 0:41:13 | |
# Never had a dad, I never had a dad | 0:41:13 | 0:41:16 | |
# You don't know how lucky you are | 0:41:16 | 0:41:18 | |
# I never even had a dad. # | 0:41:18 | 0:41:21 | |
How many times I wanted to go, "You lucky bastard." | 0:41:21 | 0:41:24 | |
LAUGHTER | 0:41:24 | 0:41:27 | |
Coming into the bedroom one Christmas, there I am, | 0:41:27 | 0:41:30 | |
the reason this one, my poor old mum sticks in my head... | 0:41:30 | 0:41:33 | |
This is the nan on the other side | 0:41:33 | 0:41:34 | |
who died nice and young from a horrible disease just to add to the guilt and misery. | 0:41:34 | 0:41:38 | |
Always, you'd find me on Christmas, hat skew-whiff, | 0:41:38 | 0:41:41 | |
the sixth Stella is in the chamber, | 0:41:41 | 0:41:43 | |
time to find the son to put a tragic image of my childhood. | 0:41:43 | 0:41:47 | |
I'm surrounded by piles and piles of spoilt-bastard plastic, | 0:41:47 | 0:41:51 | |
I'm full of turkey and trifle, I'm in bliss. | 0:41:51 | 0:41:53 | |
I'm also cursed with a visual imagination | 0:41:53 | 0:41:55 | |
and can't bear to think of that little, blonde boy | 0:41:55 | 0:41:57 | |
in pain or alone when he was a kid. | 0:41:57 | 0:41:59 | |
I hate thinking of my dad as a boy being hurt. | 0:41:59 | 0:42:01 | |
It's a horrible thought. He'd always find me, and come and go, | 0:42:01 | 0:42:04 | |
"Got all the toys you want, have you, boy? Yeah?" | 0:42:04 | 0:42:06 | |
"Good, I'm glad you're happy." | 0:42:08 | 0:42:09 | |
This one sticks in my head, because it's so surreal, the image, | 0:42:09 | 0:42:12 | |
and the angle he delivered it at. | 0:42:12 | 0:42:14 | |
"I'm glad you're happy at Christmas." | 0:42:14 | 0:42:16 | |
He went out diagonally, like that. | 0:42:16 | 0:42:18 | |
As though to fully penetrate my inner emotional core | 0:42:18 | 0:42:22 | |
with an arrow, right? | 0:42:22 | 0:42:23 | |
And he was sort of like a phantom in the half-light of the hall. | 0:42:23 | 0:42:27 | |
I knew it was coming. I'm 10 years old. He went, | 0:42:27 | 0:42:29 | |
"I'm glad you're happy, boy, but I want you to know one thing. | 0:42:29 | 0:42:32 | |
"I was seven the first time I tried an egg." | 0:42:34 | 0:42:36 | |
And then went out. LAUGHTER | 0:42:36 | 0:42:40 | |
A powdered egg memory, out of nowhere! So poor, he never... | 0:42:42 | 0:42:45 | |
This was another one. "The first time I tried a fizzy drink... | 0:42:45 | 0:42:48 | |
"I fucking cried." | 0:42:48 | 0:42:50 | |
The one thing that made him happy... Was it football? Was it rugby? | 0:42:52 | 0:42:55 | |
Was it his son's surprising academic achievement, | 0:42:55 | 0:42:58 | |
given the brims down and level of... HE MIMICS HOUSE MUSIC | 0:42:58 | 0:43:00 | |
..MDMA Ibiza action? Right? | 0:43:00 | 0:43:02 | |
Was it any of that? | 0:43:03 | 0:43:04 | |
There's only one substance that drew together father and son. One event. | 0:43:04 | 0:43:09 | |
Curry. The Akash, Potter's Bar. | 0:43:09 | 0:43:12 | |
The only time I ever saw a smile on that man's face, yeah? | 0:43:12 | 0:43:16 | |
The only thing he's passionate about is Bangladeshi cuisine. | 0:43:16 | 0:43:19 | |
"Fucking curry, boy." I've got not a single Alton Towers story. | 0:43:19 | 0:43:21 | |
I don't have a football practice story. | 0:43:21 | 0:43:23 | |
I don't have a school play story, | 0:43:23 | 0:43:25 | |
I don't have a Disney World story. | 0:43:25 | 0:43:27 | |
I've got loads of brilliant stories about The Akash, though. | 0:43:27 | 0:43:29 | |
10th birthday, new job, band week - takeaway from The Akash. | 0:43:29 | 0:43:33 | |
He cried when it closed. | 0:43:33 | 0:43:36 | |
Cried full-fat tears. | 0:43:36 | 0:43:38 | |
Right down over his silver fur on his back | 0:43:38 | 0:43:41 | |
and down to his primordial fists. | 0:43:41 | 0:43:43 | |
Curry - different man. Different man! | 0:43:44 | 0:43:47 | |
Bad week, takeaway from The Akash. | 0:43:47 | 0:43:48 | |
Good week, into The Akash. Cried when it closed. | 0:43:48 | 0:43:51 | |
HE SOBS "The Akash is closed, boy! | 0:43:51 | 0:43:53 | |
"It's closed!" | 0:43:53 | 0:43:54 | |
More then he cried over anything I've ever done. How hurtful! | 0:43:54 | 0:43:58 | |
"The Akash is closed! That's real pain! | 0:43:58 | 0:44:01 | |
"That's real pain, boy!" | 0:44:01 | 0:44:02 | |
"My bone's hanging out!" | 0:44:02 | 0:44:04 | |
"Don't matter, The Akash..." | 0:44:04 | 0:44:06 | |
Every meal started with an argument. | 0:44:06 | 0:44:08 | |
We've got no religion. | 0:44:08 | 0:44:09 | |
It's very rare to find religious families these days. | 0:44:09 | 0:44:11 | |
You religious families, you're saying grace before dinner. | 0:44:11 | 0:44:14 | |
"Thank you, God, for this food we are about to receive." | 0:44:14 | 0:44:17 | |
But we don't. | 0:44:17 | 0:44:19 | |
What's replaced grace in a working-class family, | 0:44:19 | 0:44:22 | |
bit of a ROW before we eat, yeah? | 0:44:22 | 0:44:24 | |
Bit of a row, slag each other off, | 0:44:24 | 0:44:25 | |
damage your son's confidence, and eat. | 0:44:25 | 0:44:28 | |
My dad is a hero. | 0:44:29 | 0:44:30 | |
The whole story is an homage to him. | 0:44:30 | 0:44:32 | |
But this is a particular hero memory. | 0:44:32 | 0:44:34 | |
You've got different hero memories. | 0:44:34 | 0:44:36 | |
Maybe your dad's wealthy, maybe he's spiritual, | 0:44:36 | 0:44:39 | |
maybe he's intellectual. Whatever. | 0:44:39 | 0:44:41 | |
Hopefully, you all have a moment when you go, | 0:44:41 | 0:44:43 | |
"That's the day my dad came through for me." | 0:44:43 | 0:44:45 | |
And this is my one. The Akash. | 0:44:45 | 0:44:47 | |
We're there and a fight breaks out. | 0:44:47 | 0:44:49 | |
There had already been quite a lot of tension in the air, | 0:44:49 | 0:44:51 | |
because we'd had our traditional arguments. | 0:44:51 | 0:44:53 | |
My 10th birthday, I'm allowed to order shashlik for the first time. | 0:44:53 | 0:44:56 | |
My first time of being allowed to order a sizzler. | 0:44:56 | 0:44:58 | |
£12.95, five bits of meat, yeah? Fuckin' what?! | 0:44:58 | 0:45:02 | |
The sizzler. Who loves the sizzler when they're out for a curry? | 0:45:03 | 0:45:06 | |
You can hear it. It's the only dish where it's in the kitchen, | 0:45:06 | 0:45:09 | |
and you already know it's coming. | 0:45:09 | 0:45:10 | |
"Don't turn round. HE MIMICS SIZZLES | 0:45:10 | 0:45:12 | |
"It's definitely ours!" | 0:45:14 | 0:45:16 | |
Comes past all you other morons with your ordinary tikka | 0:45:16 | 0:45:19 | |
that doesn't sizzle, you fucking wankers! | 0:45:19 | 0:45:21 | |
LAUGHTER | 0:45:21 | 0:45:25 | |
My dad, "Look at them! They don't even know what we've got!" | 0:45:25 | 0:45:27 | |
Honestly, that's how he measured everything. | 0:45:27 | 0:45:30 | |
And I'm allowed to order my first shashlik. | 0:45:30 | 0:45:32 | |
I'm 10. Up it comes. | 0:45:32 | 0:45:34 | |
Chicken tikka shashlik. There it is. | 0:45:34 | 0:45:36 | |
"All right, boy, you know what to do. You know exactly what to do." | 0:45:36 | 0:45:40 | |
"Squeeze your lemon on your chicken tikka..." | 0:45:40 | 0:45:42 | |
And I didn't like lemons, and I'd been dreading this moment. | 0:45:42 | 0:45:45 | |
But it was part of the religious ceremony. | 0:45:45 | 0:45:47 | |
This is the argument. The most bizarre and ridiculous | 0:45:47 | 0:45:49 | |
verbal violence of my whole childhood. | 0:45:49 | 0:45:51 | |
"Squeeze your lemon on your tikka." | 0:45:51 | 0:45:53 | |
"Please, Dad. You know I don't like lemon." | 0:45:53 | 0:45:55 | |
HE SHOUTS "Squeeze your lemon | 0:45:55 | 0:45:57 | |
"on your fucking tik-ka!" | 0:45:57 | 0:45:59 | |
"Tik-ka!" Like that! | 0:45:59 | 0:46:01 | |
Everyone looking round. | 0:46:01 | 0:46:03 | |
And then we settled in. | 0:46:03 | 0:46:05 | |
I'm eating chicken tikka, I've got my poppadoms. | 0:46:05 | 0:46:07 | |
I associate it with complete safety and happiness. | 0:46:07 | 0:46:09 | |
It might seem pathetic to some of you, but I genuinely do. | 0:46:09 | 0:46:12 | |
And then this fight kicks off. | 0:46:12 | 0:46:13 | |
A fight in The Akash, right? | 0:46:13 | 0:46:15 | |
These kids..."kids," I say, | 0:46:15 | 0:46:17 | |
but 19-year-old, big, muscly fuckers. | 0:46:17 | 0:46:19 | |
Lighting serviettes and throwing them into the air and letting them | 0:46:19 | 0:46:23 | |
burn out till they fall down. | 0:46:23 | 0:46:26 | |
HE LAUGHS Up there, "That's what I fucking did when I was in my prime!" | 0:46:26 | 0:46:29 | |
Now, most of you are thinking, | 0:46:29 | 0:46:31 | |
"If it's not affecting your table, | 0:46:31 | 0:46:33 | |
"Let Abdul deal with it. et the manager..." | 0:46:33 | 0:46:36 | |
Make sure that the manager IS called Abdul. Don't just... | 0:46:36 | 0:46:39 | |
That can sound a bit racist if you just use that name for any man. | 0:46:39 | 0:46:42 | |
LAUGHTER "Abdul, over 'ere, mate!" | 0:46:42 | 0:46:45 | |
"Let Abdul deal with it. It's his restaurant," | 0:46:47 | 0:46:49 | |
is the correct thing to do. | 0:46:49 | 0:46:51 | |
But, unfortunately, sitting next to these pissed-up, | 0:46:51 | 0:46:54 | |
Kronenbourg, 19-year-old hard bastards | 0:46:54 | 0:46:56 | |
was posh guy with a roll neck and beard, | 0:46:56 | 0:46:58 | |
who, when he sees injustice, must address the situation, | 0:46:58 | 0:47:02 | |
thereby causing more violence by being a dick. | 0:47:02 | 0:47:05 | |
LAUGHTER Is there anyone in this room | 0:47:05 | 0:47:07 | |
who would have the courage to address a restaurant of strangers | 0:47:07 | 0:47:11 | |
about their dining experience? | 0:47:11 | 0:47:12 | |
I'm a stand-up. Not even I have the cringe factor necessary to do that. | 0:47:12 | 0:47:16 | |
And he stood up, and he went, "Excuse me! | 0:47:16 | 0:47:18 | |
"Fellow diners of The Ay-kash." | 0:47:18 | 0:47:20 | |
LAUGHTER | 0:47:20 | 0:47:22 | |
Not Akash, Ay-kash. | 0:47:22 | 0:47:23 | |
Show knowledge of Latin! Show it! | 0:47:23 | 0:47:25 | |
"Fellow diners of the Ay-kash." | 0:47:25 | 0:47:28 | |
And he pointed, | 0:47:28 | 0:47:30 | |
so his finger was about as far from this 16-stone hard fucker. | 0:47:30 | 0:47:33 | |
He went, | 0:47:33 | 0:47:34 | |
"Does anyone else find THIS behaviour despic..." | 0:47:34 | 0:47:37 | |
And he was punched on that exact syllable of despicable. | 0:47:37 | 0:47:40 | |
That exact. Right in the side of the head, like that. | 0:47:40 | 0:47:43 | |
Have you ever seen someone punched in the side of the head | 0:47:43 | 0:47:45 | |
when they're not expecting it? | 0:47:45 | 0:47:47 | |
It's majestic! | 0:47:47 | 0:47:49 | |
Cos the head comes up and they make the effort at consciousness, | 0:47:49 | 0:47:52 | |
but they fail at the last minute. | 0:47:52 | 0:47:53 | |
"I'm fine! No...I'm gone. Sorry." | 0:47:53 | 0:47:55 | |
LAUGHTER | 0:47:55 | 0:47:58 | |
But, unfortunately for this kid, | 0:47:58 | 0:48:00 | |
the posh guy had fat posh sons with him. And they've stood up. | 0:48:00 | 0:48:03 | |
You can tell you're middle-class, cos you approach from the side. | 0:48:03 | 0:48:06 | |
"I'm sorry. You really are annoying me at the moment. | 0:48:06 | 0:48:08 | |
"There'll be trouble. I'll use my specialist attack. | 0:48:08 | 0:48:11 | |
"SIDE ATTACK! SIDE ATTACK!" | 0:48:11 | 0:48:12 | |
Working-class people attack from the front, like that. | 0:48:12 | 0:48:15 | |
"Look at my organs! Want to try and stab my organs, mate?" | 0:48:15 | 0:48:17 | |
And it's kicked off. Proper, violent fight. | 0:48:21 | 0:48:23 | |
Really quickly. Punches thrown. | 0:48:23 | 0:48:25 | |
My brother, my little brother James, there, | 0:48:25 | 0:48:27 | |
The smaller guy in the Wotsits box. | 0:48:27 | 0:48:29 | |
James has got out, along with my mum and my great-nan, | 0:48:29 | 0:48:32 | |
who was there for my 10th birthday. | 0:48:32 | 0:48:33 | |
Has anyone else, like me, got where the great-nan | 0:48:33 | 0:48:36 | |
became more like the nan, | 0:48:36 | 0:48:38 | |
due to the fact your nan was so young? | 0:48:38 | 0:48:39 | |
Great-nan is the grandmother. | 0:48:39 | 0:48:41 | |
She has the curly silver hair, | 0:48:41 | 0:48:42 | |
buggy-pushing, story-reading. | 0:48:42 | 0:48:44 | |
Dies when you're 19, 20. Normal gran behaviour. | 0:48:44 | 0:48:46 | |
Unlike my real nan, who's still at it down the nightclub, | 0:48:46 | 0:48:49 | |
getting done behind a skip. She's still partying. | 0:48:49 | 0:48:51 | |
LAUGHTER She partied till the end. | 0:48:51 | 0:48:54 | |
So Connie, great-gran, or grandma, as we called her, | 0:48:56 | 0:48:59 | |
she got out just before the door got blocked with the violence. | 0:48:59 | 0:49:02 | |
James is out, thank God. James is like, "Aargh!" from the violence. | 0:49:02 | 0:49:06 | |
I'm crying, terrified, and it's just me and dad left. | 0:49:06 | 0:49:08 | |
I will never forget the warmth of his bicep against my chest. | 0:49:08 | 0:49:11 | |
Sounds a bit of a sentimental memory, but it's amazing one for me. | 0:49:11 | 0:49:15 | |
Just there it is, across me. | 0:49:15 | 0:49:17 | |
The first time ever, some sort of affection, | 0:49:17 | 0:49:19 | |
some sort of primal connection between father and son. | 0:49:19 | 0:49:22 | |
"Just leave it. Let Abdul call the Old Bill. | 0:49:22 | 0:49:24 | |
"Don't watch, boy." | 0:49:24 | 0:49:26 | |
He used to be a doorman, so he knew. He's judging the fight. | 0:49:26 | 0:49:28 | |
Then, then, one of them, the smallest one, | 0:49:28 | 0:49:30 | |
a little shit, looked about 17, 18. | 0:49:30 | 0:49:32 | |
Has smashed a glass, and he's walking in | 0:49:32 | 0:49:35 | |
behind one of the posh kids. | 0:49:35 | 0:49:36 | |
He's going to glass him in the side of the neck. | 0:49:36 | 0:49:38 | |
And you know when a weapon comes out at a party or a fight, | 0:49:38 | 0:49:41 | |
a knife or a glass, the atmosphere sort of tightens, doesn't it? | 0:49:41 | 0:49:44 | |
It sort of zooms in. Everything's still. | 0:49:44 | 0:49:45 | |
He's walking towards him, and that's when my old man's kicked in. | 0:49:45 | 0:49:48 | |
The ex-bouncer, the bodybuilder. | 0:49:48 | 0:49:50 | |
He's just risen, just swollen. | 0:49:50 | 0:49:52 | |
LAUGHTER | 0:49:52 | 0:49:54 | |
Swollen out of the seat like a... | 0:49:54 | 0:49:56 | |
like a Wheat Crunchie left in a toilet. | 0:49:56 | 0:49:59 | |
LAUGHTER | 0:49:59 | 0:50:00 | |
What do you think? Truly hard men, by the way, | 0:50:02 | 0:50:04 | |
those of you vicious shits, they don't take weapons. | 0:50:04 | 0:50:07 | |
They don't need them. | 0:50:07 | 0:50:08 | |
But this is the man's faith in Bangladeshi cuisine. | 0:50:08 | 0:50:11 | |
He's picked up the only thing which could roughly be... | 0:50:11 | 0:50:14 | |
construed as a weapon. | 0:50:14 | 0:50:15 | |
Which is the still sizzling... | 0:50:15 | 0:50:18 | |
HE MIMICS SIZZLING | 0:50:18 | 0:50:20 | |
..set in wood, obviously, to protect their hands. | 0:50:20 | 0:50:23 | |
We know how hot those dishes are. | 0:50:23 | 0:50:25 | |
INDIAN ACCENT | 0:50:25 | 0:50:26 | |
"Please don't touch, very hot. Please." | 0:50:26 | 0:50:29 | |
We know how they are. | 0:50:29 | 0:50:30 | |
APPLAUSE | 0:50:30 | 0:50:33 | |
# Please don't touch my dish I'm very hot right now | 0:50:33 | 0:50:36 | |
# Don't touch my dish I'm so hot, baby. # | 0:50:36 | 0:50:38 | |
R&B, why not?! | 0:50:38 | 0:50:40 | |
By the way, I checked on Wikipedia. | 0:50:40 | 0:50:41 | |
That's the maximum time I can do that accent. Relax. | 0:50:41 | 0:50:44 | |
And he's gone in, | 0:50:44 | 0:50:46 | |
waving it like that. | 0:50:46 | 0:50:47 | |
Everyone stops, and it's just the little shit with the weapon | 0:50:47 | 0:50:50 | |
and my dad, 18 stone of pure man, | 0:50:50 | 0:50:53 | |
with a triple ripple. Walking in. | 0:50:53 | 0:50:56 | |
Waving it like that. | 0:50:56 | 0:50:57 | |
Think how hot that metal is. | 0:50:57 | 0:50:59 | |
Mediaeval Tudor peasant-branding black metal. | 0:50:59 | 0:51:03 | |
And the peppers and onions in there, like a little infantry. | 0:51:03 | 0:51:06 | |
Just showing you. "It's fucking hot in 'ere, mate. | 0:51:06 | 0:51:09 | |
"I used to be a pepper! I used to be a fucking pepper!" | 0:51:09 | 0:51:11 | |
"You want to look like this, do ya? I don't think so." | 0:51:14 | 0:51:17 | |
And this kid's just looking at him. | 0:51:17 | 0:51:19 | |
He's about as big as my old man's areola, at best. | 0:51:19 | 0:51:21 | |
And I'm crying, | 0:51:23 | 0:51:25 | |
but I'm at that...that terror crying. | 0:51:25 | 0:51:26 | |
When you're a kid, when you're crying, but scared, | 0:51:26 | 0:51:29 | |
so the tears are rolling, but you're not making any noise. | 0:51:29 | 0:51:31 | |
And he's got the smoke like that. And he went, "Now..." | 0:51:31 | 0:51:34 | |
"..put the glass back..." | 0:51:35 | 0:51:36 | |
"..and calm it. Yooueah?" | 0:51:37 | 0:51:39 | |
Three-syllable Essex "yeah". | 0:51:39 | 0:51:42 | |
Yoo-Uh-Eah Yoo-Uh-Eh. | 0:51:42 | 0:51:44 | |
Yooueah. Right? | 0:51:44 | 0:51:47 | |
If you're outside Essex and you want to do it at home, that's how you do it. | 0:51:47 | 0:51:50 | |
Yooueah. Bring it up from the chest and out. | 0:51:50 | 0:51:53 | |
"Put the glass back and calm it, yooueah?" | 0:51:53 | 0:51:56 | |
Now, I'd never seen anyone, | 0:51:57 | 0:51:59 | |
ANYONE, answer my old man back. | 0:51:59 | 0:52:01 | |
Not any of my friends, not my brother, not my mum. | 0:52:01 | 0:52:03 | |
In a car accident, two cars came out, my dad's fault, smashed in. | 0:52:03 | 0:52:07 | |
They took one look at my dad and went, "It's only my wing, | 0:52:07 | 0:52:10 | |
"I'll repair it in my garage!" | 0:52:10 | 0:52:12 | |
He's that type of man, right? | 0:52:12 | 0:52:13 | |
I just thought, well, this is a no-brainer. | 0:52:15 | 0:52:17 | |
And I couldn't believe what came out of the little shit's mouth. | 0:52:17 | 0:52:20 | |
He took one look at my dad...such is the POWER of Kronenbourg! | 0:52:20 | 0:52:23 | |
I don't know what the did in 1664, | 0:52:23 | 0:52:24 | |
but they got violence from it. | 0:52:24 | 0:52:26 | |
He looked my dad up and down, and he went, | 0:52:26 | 0:52:29 | |
"Put the chicken tikka down, old man." | 0:52:29 | 0:52:31 | |
LAUGHTER | 0:52:31 | 0:52:33 | |
Mouth open. | 0:52:33 | 0:52:35 | |
You could see my old man, it hit him, like that. The rudeness of it. | 0:52:36 | 0:52:40 | |
He was affronted as much by the offence to his masculinity, | 0:52:40 | 0:52:43 | |
as the slight inaccuracy of the description. | 0:52:43 | 0:52:46 | |
You could see it bothering him. | 0:52:46 | 0:52:47 | |
You could see it playing on his fucking mind. | 0:52:47 | 0:52:50 | |
Like, "This is a sizzler. | 0:52:50 | 0:52:51 | |
"This ain't no fucking tikka!" | 0:52:51 | 0:52:53 | |
You could see it bothering him. | 0:52:53 | 0:52:55 | |
These are the words, more or less, that came out of the man's mouth. | 0:52:57 | 0:53:01 | |
He even did a kung-fu look before he responded. | 0:53:01 | 0:53:03 | |
LAUGHTER | 0:53:03 | 0:53:05 | |
This is my Dirty Harry moment, it was just amazing! | 0:53:09 | 0:53:11 | |
He leant right in, so their lips were almost touching. He went, | 0:53:11 | 0:53:14 | |
"That ain't chicken tikka." | 0:53:16 | 0:53:17 | |
LAUGHTER | 0:53:17 | 0:53:20 | |
"That's a shashlik." LAUGHTER | 0:53:22 | 0:53:24 | |
"Let's see if you're laughing when I smash it in your face, mate." | 0:53:28 | 0:53:32 | |
He turned around to me, just sobbing, | 0:53:32 | 0:53:33 | |
shivering in my seat, and went, | 0:53:33 | 0:53:35 | |
"Now, squeeze your lemon!" | 0:53:35 | 0:53:37 | |
Straight across. | 0:53:37 | 0:53:39 | |
LAUGHTER AND APPLAUSE | 0:53:39 | 0:53:41 | |
Who spotted that I kept correcting my tense when I talked about my dad? | 0:53:52 | 0:53:56 | |
Did anyone spot that? I kept going from was to is, did, does. | 0:53:56 | 0:53:58 | |
He should be sat up there, of course he should. But he's not there. | 0:53:58 | 0:54:02 | |
And why is he not there? | 0:54:02 | 0:54:04 | |
It doesn't take Columbo to work it out. | 0:54:04 | 0:54:06 | |
The sad truth of this fucking story, right, | 0:54:06 | 0:54:09 | |
is that he will never see this show. He'll never know this show. | 0:54:09 | 0:54:13 | |
That's it. I'm drifting into my dad's voice now. | 0:54:13 | 0:54:15 | |
What a sick, fucked-up way to close the show. | 0:54:15 | 0:54:17 | |
"That's it, boy. Keep them laughing, | 0:54:17 | 0:54:19 | |
"cos the next bit is not particularly funny. | 0:54:19 | 0:54:21 | |
"You can clear off your piss-taking driveway, | 0:54:21 | 0:54:23 | |
"turn off your plasma in the knock-it-through dining room, | 0:54:23 | 0:54:25 | |
"put the He-Man in its original packaging. | 0:54:25 | 0:54:27 | |
"You sell that on eBay in 2008 and get some money for it. | 0:54:27 | 0:54:31 | |
"When Mum's done grieving me, you move her to a new build in Cheshunt, | 0:54:31 | 0:54:34 | |
"with a carpenter from Woodford called Danny. That's who that is." | 0:54:34 | 0:54:37 | |
LAUGHTER | 0:54:37 | 0:54:40 | |
Happens to be a nice bloke, comes to see this show. | 0:54:40 | 0:54:42 | |
Mum begins a new life. | 0:54:42 | 0:54:43 | |
"After the funeral, where, bizarrely, | 0:54:43 | 0:54:45 | |
"I'm cremated to the music of Barry White, | 0:54:45 | 0:54:47 | |
"while your heart breaks in fucking two, | 0:54:47 | 0:54:49 | |
"and you don't cry a tear, cos you're trying to be strong for James. | 0:54:49 | 0:54:52 | |
"You take the white transit. | 0:54:52 | 0:54:54 | |
"You and Uncle Tony sell that in Auto Trader. | 0:54:54 | 0:54:56 | |
"You drive the black diesel automatic Mercedes | 0:54:56 | 0:54:59 | |
"back to the dealership. You trade it in. | 0:54:59 | 0:55:01 | |
"You can't believe you're driving your dad's car. | 0:55:01 | 0:55:03 | |
"You dismantle the gym in the garden | 0:55:03 | 0:55:05 | |
"that I worked out in right until the end. | 0:55:05 | 0:55:07 | |
"You give the tools away at a car boot sale. You give everything away. | 0:55:07 | 0:55:10 | |
"Everything gets filed. | 0:55:10 | 0:55:11 | |
"It disappears, like a concentric fucking ripple in a brook. | 0:55:11 | 0:55:15 | |
"You even, finally, in 2010, | 0:55:15 | 0:55:16 | |
"grow the balls to give the stories about me away | 0:55:16 | 0:55:19 | |
"and then tell the truth at the end. | 0:55:19 | 0:55:22 | |
"Well done, you. All I ask is one last thing. | 0:55:22 | 0:55:24 | |
"Now and again, have a little knock on those castle bricks, yeah? | 0:55:24 | 0:55:27 | |
"And know that even if you think you're lying to yourself, | 0:55:27 | 0:55:30 | |
"there's something very good worth looking at in there. | 0:55:30 | 0:55:32 | |
"For about an hour. | 0:55:32 | 0:55:33 | |
"Now, good luck without me, and good night." | 0:55:33 | 0:55:36 | |
"Good night." Good night. | 0:55:36 | 0:55:37 | |
APPLAUSE AND CHEERING | 0:55:37 | 0:55:42 | |
Subtitles by Red Bee Media Ltd | 0:56:39 | 0:56:43 |