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This programme contains strong language and adult humour. | 0:00:02 | 0:00:07 | |
Ladies and gentlemen, please, put your hands together | 0:00:07 | 0:00:09 | |
and welcome on stage Dara O Briain. | 0:00:09 | 0:00:11 | |
Good evening. Good evening, ladies and gentlemen. | 0:00:16 | 0:00:18 | |
How are you? Hello, hello, hello. | 0:00:18 | 0:00:21 | |
You're very good. | 0:00:23 | 0:00:25 | |
Ladies and gentlemen, welcome. | 0:00:25 | 0:00:27 | |
-How are you? Are you in good form? -THEY CHEER | 0:00:27 | 0:00:29 | |
Course you are - it's Edinburgh, it's spectacularly warm, | 0:00:29 | 0:00:32 | |
it's almost unnaturally warm in Edinburgh. | 0:00:32 | 0:00:34 | |
The glow off the heads of the lot of you is insane. | 0:00:34 | 0:00:38 | |
Welcome to the show, ladies and gentlemen. | 0:00:38 | 0:00:41 | |
We're five months into the tour at this stage | 0:00:41 | 0:00:43 | |
and, generally, in relatively good health under the circumstances. | 0:00:43 | 0:00:46 | |
Even the throat is holding up. | 0:00:46 | 0:00:48 | |
Right at the start of the tour we were in Dublin, I felt | 0:00:48 | 0:00:50 | |
a tickle in the throat and you're going, | 0:00:50 | 0:00:52 | |
"Oh, Jesus. Don't lose the voice now." | 0:00:52 | 0:00:55 | |
And I went into a Boots and I said, "I'm about to do | 0:00:55 | 0:00:58 | |
"a lot of talking, and a lot of roaring, do you have anything?" | 0:00:58 | 0:01:01 | |
This is the pharmacy counter. "Do you have some...?" | 0:01:01 | 0:01:04 | |
Practically leaning in and kind of, | 0:01:04 | 0:01:06 | |
"Not the shite you sell these fecking eejits behind me. | 0:01:06 | 0:01:09 | |
"The good stuff." | 0:01:09 | 0:01:11 | |
And the woman goes, "I have just the thing," and stepped out from | 0:01:11 | 0:01:14 | |
behind the counter, walked to the throat section, | 0:01:14 | 0:01:18 | |
picked these things up and said, "These are very good. | 0:01:18 | 0:01:21 | |
"Because not only can you suck them, but on the inside, there's honey." | 0:01:21 | 0:01:25 | |
LAUGHTER | 0:01:25 | 0:01:26 | |
I went, "I'm sorry? Are you explaining Lockets to me?" | 0:01:26 | 0:01:30 | |
LAUGHTER | 0:01:30 | 0:01:32 | |
"Cos they've been on the market for some time now, pet, | 0:01:32 | 0:01:34 | |
"we've mastered that technology. | 0:01:34 | 0:01:36 | |
"Tell me, how do Rolos work?" | 0:01:36 | 0:01:38 | |
Now, the joy about it is, I'll be doing a lot of the talking, | 0:01:41 | 0:01:44 | |
but you'll be throwing things in. That changes the show. | 0:01:44 | 0:01:46 | |
It's one of the joys of doing live stand up. | 0:01:46 | 0:01:49 | |
If you do a TV show and something goes weird or wrong, | 0:01:49 | 0:01:52 | |
they make you do it again. | 0:01:52 | 0:01:53 | |
Do another take of that, right. If you were doing a stage play, | 0:01:53 | 0:01:56 | |
you've got a script and you've got to stick to that. | 0:01:56 | 0:01:58 | |
This stuff, if something changes, or you say something weird, | 0:01:58 | 0:02:01 | |
or someone runs naked across the stage or whatever, right, you've got to go with it. | 0:02:01 | 0:02:05 | |
You've got to commit to it. | 0:02:05 | 0:02:06 | |
There are very few things in the arts in which you have to commit... | 0:02:06 | 0:02:09 | |
There are very few things in life you just have to absolutely go for. | 0:02:09 | 0:02:13 | |
One thing. One thing. | 0:02:13 | 0:02:14 | |
When you rent a car in a foreign country where they | 0:02:14 | 0:02:17 | |
drive on the other side of the road, | 0:02:17 | 0:02:20 | |
and you're fucked if you're taking any instruction from the kid | 0:02:20 | 0:02:22 | |
who gives you the keys, | 0:02:22 | 0:02:23 | |
cos you've been driving longer than he's been alive. | 0:02:23 | 0:02:26 | |
"So get into the car, Mary and let's go." | 0:02:26 | 0:02:28 | |
And the first road you drive on is a roundabout to a motorway | 0:02:28 | 0:02:32 | |
and you don't even know which way round the roundabout they drive... | 0:02:32 | 0:02:36 | |
But you're going to go for it. Let's get into gear. | 0:02:36 | 0:02:38 | |
Oh, Jesus, where's the gear stick? Why is the window going down? | 0:02:38 | 0:02:41 | |
What? What the fuck is the gear stick doing here? | 0:02:41 | 0:02:44 | |
What are you doing here? Get off the roundabout. | 0:02:44 | 0:02:46 | |
Any turn, any turn. Which one is that one? | 0:02:46 | 0:02:48 | |
-Oh, Jesus, it's the airport, it's your man. Head down, head down. -LAUGHTER | 0:02:48 | 0:02:53 | |
You've just got to commit to it. | 0:02:53 | 0:02:54 | |
There's one event that sums up perfectly for me, | 0:02:54 | 0:02:57 | |
that kind of - boom, and here we go. | 0:02:57 | 0:03:00 | |
One event that occurred last November which some of you will | 0:03:00 | 0:03:03 | |
know about, because it occurred in a small Scottish town called Oban. | 0:03:03 | 0:03:07 | |
Right. Now. | 0:03:07 | 0:03:08 | |
Oban, you'll be familiar with here. | 0:03:08 | 0:03:10 | |
Oban, for those that are joining us that are not from Scotland - | 0:03:10 | 0:03:13 | |
beautiful little ferry/fisheries town. | 0:03:13 | 0:03:15 | |
You take the boat there to visit the Mull of Kintyre | 0:03:15 | 0:03:18 | |
and the Highlands and Islands. | 0:03:18 | 0:03:20 | |
There's a distillery, lovely part of the world. Beautiful community. | 0:03:20 | 0:03:23 | |
And last November, | 0:03:23 | 0:03:24 | |
they went out to watch their annual firework display... | 0:03:24 | 0:03:27 | |
LAUGHTER | 0:03:27 | 0:03:29 | |
And what a fabulous evening it was for the people of Oban. | 0:03:29 | 0:03:32 | |
Glorious, almost flawless. | 0:03:32 | 0:03:35 | |
Almost without one teeny-tiny technical error. | 0:03:35 | 0:03:39 | |
Hardly worth even... | 0:03:39 | 0:03:41 | |
The entire fireworks went off at the same time. | 0:03:41 | 0:03:45 | |
A massive explosion - the entire sky erupting in an... | 0:03:45 | 0:03:51 | |
Those who haven't seen it - Google it and YouTube - it is fucking epic. | 0:03:51 | 0:03:56 | |
LAUGHTER | 0:03:56 | 0:03:58 | |
The sky erupting in colour as the people of a small Scottish town | 0:03:58 | 0:04:04 | |
cling to their children as they're being blown back by the velocity. | 0:04:04 | 0:04:08 | |
"No-o-o! | 0:04:08 | 0:04:10 | |
"We're going into hyperspace." | 0:04:10 | 0:04:14 | |
47 seconds of the greatest firework display in history. | 0:04:14 | 0:04:19 | |
Immediately followed by 30 seconds of silence... | 0:04:20 | 0:04:23 | |
..and then a voice goes, "You can all go home now." | 0:04:24 | 0:04:28 | |
LAUGHTER | 0:04:28 | 0:04:30 | |
Oh, if you could just create that kind of moment, it would be fantastic. | 0:04:31 | 0:04:36 | |
There will be moments we create. There will be things that are random | 0:04:36 | 0:04:39 | |
and different as they are in any given show. | 0:04:39 | 0:04:41 | |
Some rules of engagement, for example. | 0:04:41 | 0:04:43 | |
I will be speaking at this speed for most of the show. | 0:04:43 | 0:04:47 | |
This is an Irish thing. | 0:04:47 | 0:04:48 | |
I'll be saying "fuck" and "feck" a bit, right. | 0:04:48 | 0:04:50 | |
Go with me on that. There's one really bad word a little bit | 0:04:50 | 0:04:53 | |
later in the show - keep an eye out for that. | 0:04:53 | 0:04:56 | |
And I'll be doing... Are there any other Irish in, by the way? | 0:04:56 | 0:04:59 | |
-SOME PEOPLE CHEER -A few Irish. | 0:04:59 | 0:05:02 | |
There'll be more of that as the years go by, there'll be more | 0:05:02 | 0:05:04 | |
Irish appearing here in the UK | 0:05:04 | 0:05:06 | |
because things are a little tough at the moment in Ireland and... | 0:05:06 | 0:05:10 | |
-You sent us a bail out - thanks for that. -LAUGHTER | 0:05:10 | 0:05:13 | |
We were supposed to spend it on whisky, | 0:05:13 | 0:05:16 | |
Welsh lamb and Kit Kats and we thought, "Screw that. | 0:05:16 | 0:05:18 | |
"We'll just spend it on tickets to go and live in the UK." | 0:05:18 | 0:05:21 | |
Keep an eye out for the new Irish - soft hands, soft, | 0:05:22 | 0:05:25 | |
we've been working with IT hands. | 0:05:25 | 0:05:28 | |
There isn't a construction worker amongst them, | 0:05:28 | 0:05:31 | |
ladies and gentlemen, but when they get here, they'll take the gig. | 0:05:31 | 0:05:34 | |
They will happily stand... | 0:05:34 | 0:05:35 | |
"I'll do that. You want me to do that? | 0:05:35 | 0:05:38 | |
"You want that knocked through and...? | 0:05:38 | 0:05:39 | |
"No problem. We can do that. | 0:05:39 | 0:05:41 | |
"That's not an issue, we'll get that done. | 0:05:41 | 0:05:43 | |
-"Google it. Google it." -LAUGHTER | 0:05:43 | 0:05:46 | |
"Bound to be a website somewhere that explains what he wants. | 0:05:46 | 0:05:49 | |
"Jesus! | 0:05:49 | 0:05:50 | |
"Well, translate it from Polish." | 0:05:50 | 0:05:52 | |
LAUGHTER | 0:05:52 | 0:05:55 | |
APPLAUSE | 0:05:55 | 0:05:58 | |
You will be sending planes to Warsaw to fly back the Polish | 0:06:00 | 0:06:04 | |
builders that you were so dismissive of. | 0:06:04 | 0:06:06 | |
Oh, yeah, it's funny the first time you flush the toilet | 0:06:06 | 0:06:09 | |
and the lights go off, but... | 0:06:09 | 0:06:11 | |
-LAUGHTER -The shite we're about to make your houses... | 0:06:11 | 0:06:14 | |
In six months' time every Wickes, every Homebase, | 0:06:14 | 0:06:17 | |
every DIY store in this country is going to be rammed with Irish | 0:06:17 | 0:06:21 | |
"builders" trying to describe tools they vaguely | 0:06:21 | 0:06:26 | |
remember from a generation ago. | 0:06:26 | 0:06:29 | |
"Do you have anything that'll make wood shorter?" | 0:06:29 | 0:06:33 | |
LAUGHTER | 0:06:33 | 0:06:35 | |
"Cos I have a gap and I have a plank | 0:06:36 | 0:06:39 | |
"and I can't get the two of them to match up. | 0:06:39 | 0:06:42 | |
"There must be some way, do you have a tool for that? | 0:06:42 | 0:06:45 | |
"While I have you, I have a tin of paint and a wall. | 0:06:45 | 0:06:48 | |
"How do I transfer the paint...? | 0:06:48 | 0:06:50 | |
"I have tried lifting it. I have tried scooping it. | 0:06:50 | 0:06:53 | |
"I have tried flinging it. | 0:06:53 | 0:06:55 | |
"I have tried smearing it. | 0:06:55 | 0:06:56 | |
"In my mind, there's a thing like a Jedward's head." | 0:06:56 | 0:06:59 | |
LAUGHTER | 0:06:59 | 0:07:02 | |
"I could lower it in and run it along the wall. | 0:07:02 | 0:07:04 | |
"Does such a thing even exist?" | 0:07:04 | 0:07:07 | |
I honestly believe that this country needs more Irish | 0:07:07 | 0:07:10 | |
people to come into it. | 0:07:10 | 0:07:11 | |
The Irish occasionally need to emigrate, just to see | 0:07:11 | 0:07:14 | |
more of the world and also give their unique takes on things. | 0:07:14 | 0:07:17 | |
Because we've kind of slipped off the radar in the UK, | 0:07:17 | 0:07:20 | |
you've kind of forgotten who we are. | 0:07:20 | 0:07:21 | |
Even, for example, the sign of the show - Craic Dealer, | 0:07:21 | 0:07:24 | |
that's the pun which I presume most people got, | 0:07:24 | 0:07:26 | |
craic being an old Irish word meaning fun. | 0:07:26 | 0:07:29 | |
And I went online and went, | 0:07:29 | 0:07:31 | |
"Jeez, I have to come up with a name for a DVD. | 0:07:31 | 0:07:33 | |
"I'm sick of calling them Live At The... and Live here." | 0:07:33 | 0:07:36 | |
And somebody suggested Craic Dealer. We said, that's brilliant. | 0:07:36 | 0:07:39 | |
A fantastic title for a show. | 0:07:39 | 0:07:41 | |
We stuck in on the box and showed to loads of people who went, | 0:07:41 | 0:07:43 | |
"Fantastic. Dara O Briain: Craic Dealer, I get it, that's great." | 0:07:43 | 0:07:46 | |
Apart from one major retailer in this country. | 0:07:46 | 0:07:49 | |
One massive chain of shops in this country that said, | 0:07:49 | 0:07:51 | |
"No, we won't stock something called Craic Dealer. | 0:07:51 | 0:07:55 | |
"Because it promotes drug use." | 0:07:55 | 0:07:56 | |
LAUGHTER | 0:07:56 | 0:07:58 | |
As if people would walk into their supermarkets, see a DVD with | 0:07:58 | 0:08:01 | |
Craic Dealer on it and go, "Jesus, I'd love a bit of crack." | 0:08:01 | 0:08:04 | |
LAUGHTER | 0:08:04 | 0:08:07 | |
"It'd really hit the spot. | 0:08:07 | 0:08:09 | |
"I've been meaning to try it for years | 0:08:09 | 0:08:11 | |
"and I was scared by the reputation it had. | 0:08:11 | 0:08:13 | |
"But if the man off the telly is selling it then clearly | 0:08:13 | 0:08:16 | |
"they've ironed out those initial problems. | 0:08:16 | 0:08:19 | |
"Kids, will we have some crack?" | 0:08:19 | 0:08:20 | |
"Let's have some crack, Daddy! Let's have some crack!" | 0:08:20 | 0:08:24 | |
Now, I'm not so unprofessional as to tell you which major | 0:08:24 | 0:08:28 | |
retailer in this country refused to stock a DVD... | 0:08:28 | 0:08:32 | |
I wouldn't dream of doing such a thing. | 0:08:32 | 0:08:35 | |
I would merely point out that | 0:08:35 | 0:08:36 | |
if you were to come up with an advertising slogan that best | 0:08:36 | 0:08:39 | |
sums up the day-to-day existence of a class A drug addict, | 0:08:39 | 0:08:44 | |
you're not going to do better than "Every little helps." | 0:08:44 | 0:08:46 | |
LAUGHTER | 0:08:46 | 0:08:49 | |
APPLAUSE | 0:08:49 | 0:08:52 | |
This may backfire on me, | 0:08:57 | 0:08:58 | |
cos the thing is, on the back of the DVD box there is | 0:08:58 | 0:09:02 | |
a picture of the show as it goes along, | 0:09:02 | 0:09:04 | |
so it means even if I keep it off the front, | 0:09:04 | 0:09:06 | |
the back of the box will have tiny letters of Craic Dealer, | 0:09:06 | 0:09:10 | |
which they're not going to be happy about. | 0:09:10 | 0:09:12 | |
I should be more sensitive to their desires not to have had this | 0:09:12 | 0:09:15 | |
here where they would see it. | 0:09:15 | 0:09:17 | |
I've got to do everything I can to avoid them | 0:09:17 | 0:09:19 | |
being embarrassed or angry by the words appearing... | 0:09:19 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:25 | |
APPLAUSE AND CHEERING | 0:09:25 | 0:09:28 | |
How unfortunate. | 0:09:35 | 0:09:37 | |
There will be messing around. | 0:09:40 | 0:09:41 | |
Look at your little faces. | 0:09:41 | 0:09:43 | |
Look at the people I'm going to come to and have chats to | 0:09:43 | 0:09:45 | |
and it's going to be fantastic. | 0:09:45 | 0:09:47 | |
Some more than others, by the way. | 0:09:47 | 0:09:48 | |
Don't be shy, just throw it out... | 0:09:48 | 0:09:50 | |
Go with it, enjoy yourselves. | 0:09:50 | 0:09:52 | |
You can probably... | 0:09:52 | 0:09:53 | |
You're quite young, how old is this group here? | 0:09:53 | 0:09:56 | |
24, 24. How old are you? | 0:09:56 | 0:09:58 | |
Who's young, who's young? 22. How old are you? | 0:09:58 | 0:10:01 | |
-21. -21. Any teenagers here? | 0:10:01 | 0:10:03 | |
-You. How old are you guys? -19. | 0:10:03 | 0:10:06 | |
19. Lovely stuff. Right, you're off the hook, I'm not talking to you. | 0:10:06 | 0:10:09 | |
You know why? Cos you've fucking done nothing. | 0:10:09 | 0:10:12 | |
LAUGHTER | 0:10:12 | 0:10:15 | |
You guys, I might not take the gamble - | 0:10:18 | 0:10:20 | |
you're only starting doing stuff. | 0:10:20 | 0:10:22 | |
But this lot - nothing. | 0:10:22 | 0:10:24 | |
Hey, what do you do? I don't need to know an essay title, right. | 0:10:24 | 0:10:28 | |
You're only just starting off. | 0:10:28 | 0:10:30 | |
Look at these gnarled fuckers here. | 0:10:30 | 0:10:32 | |
Far more interesting to talk to. | 0:10:33 | 0:10:34 | |
There is a point for a comedian, where the comedian goes, | 0:10:34 | 0:10:37 | |
"Hey, what do you do?" | 0:10:37 | 0:10:38 | |
We do it like we have any clue, | 0:10:38 | 0:10:40 | |
like we have any notion of the real nature of jobs. | 0:10:40 | 0:10:43 | |
This is the rubbish we do, we don't know the actual nine to five, | 0:10:43 | 0:10:46 | |
the commute, the tension, the hierarchies - | 0:10:46 | 0:10:48 | |
all that stuff that exists when you work within organisations. | 0:10:48 | 0:10:51 | |
We know none of that stuff. | 0:10:51 | 0:10:53 | |
We have no skills in that world - nothing. | 0:10:53 | 0:10:55 | |
This is all I have done. | 0:10:55 | 0:10:56 | |
I would be gone. I have nothing transferable. | 0:10:56 | 0:10:59 | |
If this ends, I got nothing, right. | 0:10:59 | 0:11:01 | |
Nothing. I am institutionalised at this stage. | 0:11:01 | 0:11:04 | |
I'm like that guy in Shawshank who ran the library. | 0:11:04 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:10 | |
Sorry. Sorry, I've lost you there. | 0:11:10 | 0:11:12 | |
It was a film that was released in the '90s. | 0:11:13 | 0:11:16 | |
Much like yourself. | 0:11:16 | 0:11:17 | |
LAUGHTER | 0:11:17 | 0:11:20 | |
APPLAUSE | 0:11:20 | 0:11:23 | |
When we go, "Hey, what do you do?" | 0:11:23 | 0:11:25 | |
we genuinely know nothing, we haven't a clue about stuff. | 0:11:25 | 0:11:29 | |
Particularly people who work in large organisations. | 0:11:29 | 0:11:31 | |
Do you work in a large organisation? | 0:11:31 | 0:11:33 | |
-You work for yourself? What's your name, firstly? -My name's Keith. | 0:11:33 | 0:11:36 | |
-How are you, Keith? Are you a local? -No, I come from Dunblane. | 0:11:36 | 0:11:39 | |
You've come from Dunblane. Good to have you down, Keith. Andy Murray, of course... | 0:11:39 | 0:11:42 | |
-Keith, what do you do? -I have my own business. | 0:11:42 | 0:11:45 | |
You've your own business? | 0:11:45 | 0:11:46 | |
Oh, you're at the top of that kind of stuff, right? | 0:11:46 | 0:11:48 | |
Oh, this is exciting. | 0:11:48 | 0:11:51 | |
-How many people do you employ, Keith? -Only three. | 0:11:51 | 0:11:54 | |
Only three. | 0:11:54 | 0:11:55 | |
Keith, you are the bedrock of this economy. | 0:11:55 | 0:11:58 | |
You have three now, but Facebook started with three, | 0:11:58 | 0:12:01 | |
four or possibly 12 - I don't know. | 0:12:01 | 0:12:03 | |
Apple. | 0:12:03 | 0:12:04 | |
They all started with three. | 0:12:04 | 0:12:06 | |
Keith, you will take your industry and you will... | 0:12:06 | 0:12:08 | |
-What do you do? -I sell furniture. | 0:12:08 | 0:12:11 | |
You sell furniture. Maybe not so much. | 0:12:11 | 0:12:12 | |
LAUGHTER | 0:12:12 | 0:12:14 | |
Really, most of us have chairs at this stage, Keith, it's done. | 0:12:14 | 0:12:18 | |
-Do you make it or sell other people's furniture? -Sell other people's. | 0:12:18 | 0:12:21 | |
You sell other people's furniture. | 0:12:21 | 0:12:22 | |
What's the big thing going out the door at the moment in Dunblane? | 0:12:22 | 0:12:26 | |
-Hardly anything. -Hardly anything? | 0:12:26 | 0:12:28 | |
LAUGHTER | 0:12:28 | 0:12:31 | |
Harsh, Keith. | 0:12:31 | 0:12:32 | |
You say you've got three, is one looking a big shaky at the moment? | 0:12:33 | 0:12:36 | |
Have you already got your eye on which one it is? | 0:12:36 | 0:12:39 | |
Is it last in, first out, or is there a difficult chat to be had? | 0:12:39 | 0:12:43 | |
"We're not selling a lot of chairs here, lads, tick-tock, tick-tock. | 0:12:43 | 0:12:46 | |
"That's all I'm saying. | 0:12:46 | 0:12:48 | |
"Bring some of those lamps home and see if you can shift them | 0:12:48 | 0:12:50 | |
"on the open market at the weekend. Back of the car - anything." | 0:12:50 | 0:12:54 | |
What's the...? | 0:12:54 | 0:12:55 | |
Any ridiculous thing that you've never had to shift? | 0:12:55 | 0:12:58 | |
How many beds do you have, for example? | 0:12:58 | 0:13:01 | |
-A dozen, or so. -A dozen, or so at any given time. | 0:13:01 | 0:13:03 | |
Do you ever...? Do you ever sleep in the office? | 0:13:03 | 0:13:05 | |
Do you ever...? Do you ever jump from one to one? | 0:13:05 | 0:13:08 | |
Do you ever line them up, right...? | 0:13:08 | 0:13:10 | |
It's quiet, you're not selling anything. | 0:13:10 | 0:13:12 | |
Do you ever line them up and bounce from one bed to the other? | 0:13:12 | 0:13:16 | |
Have you ever come back and caught the lads doing that? | 0:13:16 | 0:13:19 | |
They make tunnels... They make forts out of all the furniture. | 0:13:19 | 0:13:21 | |
Oh, the fun they have when you're not here. | 0:13:21 | 0:13:23 | |
When you fuck off down to Edinburgh to see the show, do you know what they've done to the place? | 0:13:23 | 0:13:28 | |
It's insane. Two of them are dressed as cowboys, | 0:13:28 | 0:13:30 | |
the others as Indians, they're firing arrows across the place. | 0:13:30 | 0:13:33 | |
"Shite, Keith's back! Flatten the beds." | 0:13:33 | 0:13:36 | |
How big are the beds? How small are the beds? | 0:13:37 | 0:13:40 | |
-Oh, up to seven feet square. -Up to seven foot square? | 0:13:40 | 0:13:45 | |
-Who the fuck needs a seven foot square...? -LAUGHTER | 0:13:45 | 0:13:48 | |
Possible... | 0:13:48 | 0:13:50 | |
Giants are coming into... | 0:13:50 | 0:13:53 | |
"Hello. I want to buy a bed. | 0:13:53 | 0:13:56 | |
"I can't go in the door for I am seven foot tall | 0:13:56 | 0:13:59 | |
"and also seven foot wide." | 0:13:59 | 0:14:02 | |
LAUGHTER | 0:14:02 | 0:14:05 | |
"I am a giant who likes group sex. Please... | 0:14:05 | 0:14:10 | |
"Please, can I find a bed that is large enough for me | 0:14:10 | 0:14:13 | |
"and the many women I lure back to it?" | 0:14:13 | 0:14:15 | |
What kind of sexy basketball players are hanging | 0:14:15 | 0:14:18 | |
around in Dunblane looking for beds to ship women through? | 0:14:18 | 0:14:22 | |
What is the target market for a seven foot...? | 0:14:22 | 0:14:24 | |
49 square feet of bed. | 0:14:24 | 0:14:26 | |
There are flats in London you would just use that as carpet. | 0:14:28 | 0:14:31 | |
Just push it through the door - thump. | 0:14:31 | 0:14:34 | |
How great would that be? | 0:14:34 | 0:14:35 | |
"Honey, do you want to come home? This is my house, this is my house." | 0:14:35 | 0:14:39 | |
Boing. | 0:14:39 | 0:14:41 | |
That'd be great. | 0:14:41 | 0:14:43 | |
How high is the bed? Does it have things underneath it? | 0:14:43 | 0:14:45 | |
Does it have drawers and shelves - can you hide? | 0:14:45 | 0:14:48 | |
-If you want to, yeah. -Do people ever hide? | 0:14:48 | 0:14:50 | |
Do you ever do hide and seek during the day? | 0:14:50 | 0:14:52 | |
When somebody goes into a cupboard, they go, "Boo! | 0:14:52 | 0:14:54 | |
"I'm here, Keith. Ah-ha-ha-ha!" | 0:14:54 | 0:14:56 | |
You see, it's not the most business-minded conversation | 0:14:58 | 0:15:01 | |
you have with people about what they do. | 0:15:01 | 0:15:03 | |
Have you ever sold a seven foot bed? | 0:15:03 | 0:15:06 | |
You have? How big was the person you sold the seven foot by seven foot bed to? | 0:15:06 | 0:15:09 | |
He was five feet three. | 0:15:09 | 0:15:10 | |
He was five foot three! | 0:15:10 | 0:15:12 | |
LAUGHTER | 0:15:12 | 0:15:14 | |
Lying on the bed, just swirling around. | 0:15:14 | 0:15:19 | |
Stars, crucifix - every possible shape. | 0:15:19 | 0:15:25 | |
I'm going to sleep this way and this way. | 0:15:25 | 0:15:27 | |
Was he single or was he married? | 0:15:27 | 0:15:29 | |
He was married. | 0:15:29 | 0:15:30 | |
And was the wife nine foot eight? | 0:15:30 | 0:15:33 | |
He could have slept in one corner in a foetal position | 0:15:33 | 0:15:36 | |
while she slept like a starfish. | 0:15:36 | 0:15:38 | |
Was she a starfish? Did he marry a giant starfish? | 0:15:38 | 0:15:42 | |
She was six foot and she was Russian. | 0:15:42 | 0:15:44 | |
She was six foot and she was Russian. | 0:15:44 | 0:15:46 | |
I love the details you know. | 0:15:46 | 0:15:47 | |
LAUGHTER | 0:15:47 | 0:15:50 | |
Typical of those Russians coming in here and demanding huge beds. | 0:15:50 | 0:15:54 | |
They're like that, the Russians. | 0:15:54 | 0:15:56 | |
Are there any Russians in the room tonight? | 0:15:56 | 0:15:58 | |
-ONE MAN SHOUTS OUT -Good. What are the fucking chances that that's a Russian? | 0:15:58 | 0:16:02 | |
What are the chances? Going "Hey, yeah, I'm Russian." | 0:16:02 | 0:16:07 | |
Via Leith. | 0:16:09 | 0:16:10 | |
So you genuinely are Russian? | 0:16:11 | 0:16:13 | |
Is your chair large enough for you at the moment, | 0:16:13 | 0:16:15 | |
or do you wish to spread out? | 0:16:15 | 0:16:17 | |
So to impress the Russian wife, he had the bed, very good. | 0:16:17 | 0:16:21 | |
Are you related to Keith, that lad there? | 0:16:21 | 0:16:23 | |
And do you work in the same industry? | 0:16:23 | 0:16:25 | |
-Do you work in a big company or a little company? -I've got my own. | 0:16:25 | 0:16:28 | |
You've got your own company. | 0:16:28 | 0:16:30 | |
Lads, this is impressive. | 0:16:30 | 0:16:31 | |
It's like the Dunblane Small Business Association night out. | 0:16:31 | 0:16:34 | |
LAUGHTER | 0:16:34 | 0:16:36 | |
It's like the Chamber of Commerce. | 0:16:38 | 0:16:41 | |
Promoting local industry in the Dunblane area. | 0:16:41 | 0:16:43 | |
How many people do you employ, my friend? | 0:16:43 | 0:16:45 | |
-Eh, 18. -18! | 0:16:45 | 0:16:47 | |
Don't look down on him! | 0:16:47 | 0:16:48 | |
LAUGHTER | 0:16:48 | 0:16:50 | |
What does the company do? | 0:16:52 | 0:16:53 | |
We're opticians. | 0:16:53 | 0:16:54 | |
You're opticians. Could be 18 - could be nine - you're never sure... | 0:16:54 | 0:16:58 | |
LAUGHTER | 0:16:58 | 0:17:01 | |
You can move further back and around. | 0:17:01 | 0:17:04 | |
Wait a minute! That's the same guy. | 0:17:04 | 0:17:08 | |
"Yes, I'm here to collect my pay." | 0:17:08 | 0:17:10 | |
Fucking hat change. | 0:17:10 | 0:17:11 | |
"I am here to collect my pay." | 0:17:11 | 0:17:13 | |
"This is for my beautiful Russian wife, Olga." | 0:17:13 | 0:17:17 | |
18 opticians. People in Dunblane - | 0:17:17 | 0:17:19 | |
big beds, can't see for fuck... | 0:17:19 | 0:17:21 | |
LAUGHTER | 0:17:21 | 0:17:23 | |
What kind of...? | 0:17:23 | 0:17:24 | |
Who needs 18 opticians? Is it one branch? | 0:17:24 | 0:17:27 | |
-18 staff. -You've got 18 staff. | 0:17:27 | 0:17:30 | |
How many opticians? | 0:17:30 | 0:17:32 | |
-Five. -Five, OK. | 0:17:32 | 0:17:33 | |
And there's loads of support staff doing all the bits and pieces? | 0:17:33 | 0:17:36 | |
Still, it's a fairly huge branch, isn't it? | 0:17:36 | 0:17:38 | |
No, no, we've got four places. | 0:17:38 | 0:17:39 | |
Oh, four places. So, five opticians and four places. | 0:17:39 | 0:17:42 | |
What does the fifth optician do? | 0:17:42 | 0:17:44 | |
Is he just there with an engine running the whole time on a moped? | 0:17:45 | 0:17:49 | |
"We've got an optical emergency. You've got to get to branch four. | 0:17:49 | 0:17:52 | |
"I'll be there in half an hour." | 0:17:52 | 0:17:54 | |
MIMICS MOPED ENGINE | 0:17:54 | 0:17:56 | |
"I'm here." | 0:17:56 | 0:17:57 | |
"Thank God you're here. We had two people come in at the same time - | 0:17:57 | 0:18:00 | |
"I can't deal with that kind of pace. | 0:18:00 | 0:18:03 | |
"One's saying E, the other's saying G, the other's saying L - | 0:18:03 | 0:18:06 | |
"I'm confused!" | 0:18:06 | 0:18:07 | |
"It's just a blur of Fs and Gs and Ls. | 0:18:08 | 0:18:12 | |
"I just have to put the Qs up to fuck them up. | 0:18:12 | 0:18:14 | |
"Just have loads of Qs | 0:18:14 | 0:18:16 | |
"and someone in a holding pattern just going, "Q. Q... | 0:18:16 | 0:18:20 | |
"Q." | 0:18:20 | 0:18:21 | |
"This isn't very difficult." | 0:18:22 | 0:18:23 | |
"I'll be back with you when the other optician comes!" | 0:18:23 | 0:18:27 | |
-MIMICS MOPED ENGINE -Good work, my friend. | 0:18:27 | 0:18:29 | |
I'm 40 now - 40 with a couple of kids, which means that | 0:18:29 | 0:18:32 | |
I am now the focus of a phenomena that I hate. | 0:18:32 | 0:18:35 | |
It's a thing that television producers do, | 0:18:35 | 0:18:37 | |
and it's called "something for the dads". | 0:18:37 | 0:18:40 | |
Something for the dads is that really irritating | 0:18:40 | 0:18:43 | |
phenomena of putting totty into a show, particularly family shows, | 0:18:43 | 0:18:47 | |
as it's presumed it's the only way I'll keep watching. | 0:18:47 | 0:18:51 | |
If there's a bit of flesh on show. | 0:18:51 | 0:18:54 | |
Like, the lady dancers' outfits in Strictly Come Dancing is | 0:18:54 | 0:18:57 | |
textbook "something for the dads". | 0:18:57 | 0:19:00 | |
That's the way you say it - something for the dads. | 0:19:00 | 0:19:03 | |
Filthy, dirty, Sid James, "Ha-ha-ha! Something for the dads!" | 0:19:03 | 0:19:07 | |
It is cos you sit down with your family and you go, | 0:19:07 | 0:19:10 | |
"Are we watching the bloody dancing thing again? | 0:19:10 | 0:19:12 | |
"There's nothing for me in this. Hello." | 0:19:12 | 0:19:14 | |
Women on game shows standing next to prizes, | 0:19:15 | 0:19:17 | |
Doctor Who's sexy assistant, weather girls. | 0:19:17 | 0:19:20 | |
I mean, the presumption that I have to be kept slightly horny | 0:19:20 | 0:19:22 | |
all the time or I'll get angry about it - "I'm not horny. | 0:19:22 | 0:19:25 | |
"I can't concentrate unless I'm a little bit horny. | 0:19:25 | 0:19:28 | |
"What rain? Give me horniness or I can't concentrate on the rain." | 0:19:28 | 0:19:32 | |
Irritating. I hate the "something for the dad" thing, | 0:19:32 | 0:19:34 | |
cos it's patronising to men, and limiting to young women. | 0:19:34 | 0:19:38 | |
Men get fecking tragic as we get older. | 0:19:39 | 0:19:41 | |
Women, I know it's difficult, but men - it's ludicrous. | 0:19:41 | 0:19:43 | |
Apparently, all I have to look forward to | 0:19:43 | 0:19:45 | |
when I hit my mid-50s is a pair of leather trousers | 0:19:45 | 0:19:48 | |
and hovering around the back of a lap dancing club, until the | 0:19:48 | 0:19:51 | |
shift finishes, to go, "Please, give me a chance, Aurora, this is real." | 0:19:51 | 0:19:56 | |
That kind of shit. | 0:19:56 | 0:19:58 | |
"But, Starburst, this could work." | 0:19:58 | 0:20:01 | |
Starburst is a top quality name for a lap dancer, by the way. | 0:20:01 | 0:20:05 | |
She didn't make a penny when she was called Opal Fruits. | 0:20:05 | 0:20:07 | |
LAUGHTER | 0:20:07 | 0:20:10 | |
The minute she changed it, the cash came rolling in. | 0:20:12 | 0:20:15 | |
If you're going to come up with a lap dancing name, | 0:20:15 | 0:20:17 | |
confectionery is a bit of a mixed bag, I'm afraid. | 0:20:17 | 0:20:20 | |
Some of them work beautifully. | 0:20:20 | 0:20:22 | |
"On the main stage, Candy | 0:20:22 | 0:20:24 | |
"and Bubblicious are on the stage at the moment. | 0:20:24 | 0:20:26 | |
"And on the second stage, Double Decker. Double Decker..." | 0:20:26 | 0:20:29 | |
LAUGHTER | 0:20:29 | 0:20:31 | |
"..and Tunnock's Tea Cake. | 0:20:31 | 0:20:32 | |
"Tunnock's Tea Cakes is dancing on the second stage for your pleasure." | 0:20:32 | 0:20:36 | |
It may be that I'm sensitive cos I've got little ones - | 0:20:38 | 0:20:42 | |
I've got a daughter and a son. | 0:20:42 | 0:20:45 | |
The whole gender thing is one of these things that's raised. | 0:20:45 | 0:20:47 | |
Nationality is another thing as well. | 0:20:47 | 0:20:49 | |
I'm Irish, my wife is English and we live in London. | 0:20:49 | 0:20:51 | |
But I want our children to be respectful of the two | 0:20:51 | 0:20:54 | |
traditions that they came from. | 0:20:54 | 0:20:57 | |
You'll understand that. You want them to celebrate that. | 0:20:57 | 0:21:00 | |
Even when we were naming our children, I wanted their names | 0:21:00 | 0:21:03 | |
to be respectful and part of the two great histories. | 0:21:03 | 0:21:06 | |
My son is called Patrick Cromwell O Briain... | 0:21:06 | 0:21:10 | |
LAUGHTER | 0:21:10 | 0:21:12 | |
Love that you get that. | 0:21:15 | 0:21:17 | |
It's not true. | 0:21:17 | 0:21:19 | |
Ridiculous, course not, no. | 0:21:19 | 0:21:20 | |
Other issues, for example, | 0:21:20 | 0:21:22 | |
I was watching a football match with a two-and-a-half-year-old of mine, | 0:21:22 | 0:21:26 | |
and I get very passionate and I was roaring at the television. | 0:21:26 | 0:21:29 | |
Roaring, like that, right. | 0:21:29 | 0:21:31 | |
And then game ends and I go quiet and I'm in repose | 0:21:31 | 0:21:33 | |
and I look at this little face. | 0:21:33 | 0:21:35 | |
This little face that was glowing with learning | 0:21:35 | 0:21:38 | |
and this child looks at me and goes, | 0:21:38 | 0:21:41 | |
"Bloody Jesus Christ." | 0:21:41 | 0:21:42 | |
LAUGHTER | 0:21:42 | 0:21:45 | |
And my wife goes, "Dara!" | 0:21:50 | 0:21:52 | |
And I go, "What? We're atheists!" | 0:21:52 | 0:21:54 | |
This is hilarious. | 0:21:56 | 0:21:57 | |
We've gone non-denominational, secular education. | 0:21:58 | 0:22:01 | |
There's no religion in our schools, yeah, that's the way we're doing it. | 0:22:01 | 0:22:04 | |
So imagine my surprise - the twist - that I have had to sit | 0:22:04 | 0:22:07 | |
though two Nativity plays already. | 0:22:07 | 0:22:10 | |
We're atheists in a non-denominational school. | 0:22:11 | 0:22:14 | |
What the hell am I doing watching...? | 0:22:14 | 0:22:15 | |
HE MUMBLES | 0:22:15 | 0:22:18 | |
There is, by the way, a crib under the baby Jesus, here. | 0:22:29 | 0:22:32 | |
This isn't the first ever production of Limbo Christ. | 0:22:32 | 0:22:35 | |
HE MUMBLES | 0:22:35 | 0:22:38 | |
My objections are predominately theatrical rather than theological. | 0:22:38 | 0:22:42 | |
But I've got to sit it through a lot of these things on tiny | 0:22:42 | 0:22:44 | |
chairs in school halls. | 0:22:44 | 0:22:46 | |
It's not comfortable. I'm saying to my wife, "Why are we here?" | 0:22:46 | 0:22:49 | |
She's going, "Dara, it's a Christmas story." | 0:22:49 | 0:22:51 | |
And I'm going, "There are lots of Christmas stories they could do." | 0:22:51 | 0:22:54 | |
They could do A Christmas Carol - a delight. | 0:22:54 | 0:22:56 | |
It's A Wonderful Life - a beautiful... | 0:22:56 | 0:22:59 | |
-Die Hard... -LAUGHTER | 0:22:59 | 0:23:02 | |
Die Hard is one of our finest and most beloved Christmas tales. | 0:23:07 | 0:23:10 | |
Who among us would not prefer to see an under-fives version of Die Hard? | 0:23:10 | 0:23:14 | |
-Small, barefoot child shouting, "Yippee-ki-yay, -BLEEP!" | 0:23:16 | 0:23:20 | |
-as they run... -LAUGHTER | 0:23:20 | 0:23:23 | |
..to a cardboard representation of the Nakatomi Plaza. | 0:23:23 | 0:23:27 | |
I, for one, would love to see that. | 0:23:27 | 0:23:29 | |
At the Nativity play, there was a nice moment, | 0:23:31 | 0:23:33 | |
cos they went really quiet - even a hard-hearted old cynic like me. | 0:23:33 | 0:23:38 | |
There was a presentation of the baby and they all leaned in | 0:23:38 | 0:23:41 | |
and it was all very quiet and still and nice. | 0:23:41 | 0:23:45 | |
Then one voice at the back of the room goes, | 0:23:45 | 0:23:47 | |
"Bloody Jesus Christ." | 0:23:47 | 0:23:49 | |
LAUGHTER | 0:23:49 | 0:23:52 | |
I felt proud. | 0:23:53 | 0:23:54 | |
As I'm sure she did, cos at the end her teacher came out and said, | 0:23:56 | 0:23:59 | |
"Thank you all so much for coming along | 0:23:59 | 0:24:01 | |
"to class 1A's Christmas production this year." | 0:24:01 | 0:24:04 | |
And, I, at the back of the room, nudged my wife and went, | 0:24:04 | 0:24:07 | |
"Finally, something for the dads." | 0:24:07 | 0:24:09 | |
LAUGHTER | 0:24:09 | 0:24:11 | |
The thing about this proper big type of room, you see the other | 0:24:14 | 0:24:19 | |
shows that are on are musicals and they're all big shows. | 0:24:19 | 0:24:22 | |
A lot of the time you're playing with, you know, cover bands | 0:24:22 | 0:24:26 | |
and psychics - a lot of psychics. | 0:24:26 | 0:24:28 | |
I was in Wolverhampton a couple of weeks ago and there was a | 0:24:28 | 0:24:31 | |
book you have to sign at the end - "Thank you very much for the night." | 0:24:31 | 0:24:35 | |
And I flipped back through to see who else was there. | 0:24:35 | 0:24:37 | |
Derek Acorah was about ten pages before me. | 0:24:37 | 0:24:41 | |
And his message was quite sweet, he just wrote, | 0:24:41 | 0:24:43 | |
"Got away with it again!" | 0:24:43 | 0:24:45 | |
LAUGHTER | 0:24:45 | 0:24:48 | |
Sally Morgan, TV psychic, I find myself on tour in the same | 0:24:48 | 0:24:51 | |
venues as her a lot. | 0:24:51 | 0:24:53 | |
Either there just after she's been or before she's been. | 0:24:53 | 0:24:57 | |
And it's a bit of a chore. | 0:24:57 | 0:24:58 | |
Sally Morgan comes onto my radar because of my nerd rants - | 0:24:58 | 0:25:02 | |
I have a tendency to look at things that offend me | 0:25:02 | 0:25:05 | |
on a rational level and to get irrationally angry about them. | 0:25:05 | 0:25:09 | |
My current favourite nerd rant at the moment is the | 0:25:09 | 0:25:13 | |
Dettol No-Touch antibacterial soap dispenser. | 0:25:13 | 0:25:17 | |
Pisses me off. | 0:25:19 | 0:25:20 | |
For those unfamiliar with it, it is a soap dispenser that you | 0:25:20 | 0:25:23 | |
wave your hand underneath and it squirts out the soap. | 0:25:23 | 0:25:26 | |
Thus saving you touching that plunger that has been | 0:25:26 | 0:25:29 | |
touched by, urgh, your family. | 0:25:29 | 0:25:31 | |
Pox-laden creatures like that. | 0:25:33 | 0:25:35 | |
You certainly don't want to be catching any | 0:25:35 | 0:25:37 | |
bacteria in the microsecond before you wash your fucking hands. | 0:25:37 | 0:25:41 | |
LAUGHTER | 0:25:41 | 0:25:44 | |
My favourite at the moment - | 0:25:44 | 0:25:46 | |
I'm in a battle at the moment with astrologers. | 0:25:46 | 0:25:48 | |
Now, I say astrologers in the knowledge that half the room, | 0:25:48 | 0:25:51 | |
myself included, have to do a quick, "Jesus, which one was that? | 0:25:51 | 0:25:55 | |
"Astrologer, astronomer. Astronomer, astrologer. Which one is which?" | 0:25:55 | 0:25:58 | |
Irritating it is that these two things that have | 0:25:58 | 0:26:00 | |
incredibly different philosophies have such ridiculously | 0:26:00 | 0:26:03 | |
similar names as astrology and astronomy. | 0:26:03 | 0:26:07 | |
Karren Brady off The Apprentice, ultra-efficient as she is, | 0:26:07 | 0:26:10 | |
very professional woman, very smart, I met her just before I did | 0:26:10 | 0:26:14 | |
the show Stargazing LIVE, the science show I did with Brian Cox. | 0:26:14 | 0:26:17 | |
I met her just before that in the BBC. She said, "What are you doing next?" | 0:26:17 | 0:26:20 | |
I said, "I'm doing a show about astronomy." | 0:26:20 | 0:26:23 | |
And Karren Brady went, "Ooh, you don't believe in that, do you?" | 0:26:23 | 0:26:27 | |
LAUGHTER | 0:26:27 | 0:26:31 | |
I went, "Yes, Karren, I believe in the stars." | 0:26:31 | 0:26:33 | |
Everyone makes that mistake. | 0:26:35 | 0:26:37 | |
In fact, I will give you a little hint, a little learning aid | 0:26:37 | 0:26:41 | |
so that you don't... | 0:26:41 | 0:26:43 | |
Remember "Richard Of York Gave Battle In Vain" to remember the colours of the spectrum? | 0:26:43 | 0:26:47 | |
Here's a very simple one to remember which one is astronomy and which one is astrology. | 0:26:47 | 0:26:50 | |
It's all in the word. | 0:26:50 | 0:26:52 | |
Astronomy - "nomy", | 0:26:52 | 0:26:54 | |
"nom", as in nom, nom, nom, | 0:26:54 | 0:26:57 | |
Brian Cox is delicious. | 0:26:57 | 0:26:58 | |
LAUGHTER | 0:26:58 | 0:27:01 | |
Astrology - "logy", | 0:27:03 | 0:27:05 | |
"log", a unit of poo. | 0:27:05 | 0:27:06 | |
LAUGHTER | 0:27:06 | 0:27:09 | |
We got into a fight with astrologists cos on Stargazing | 0:27:11 | 0:27:14 | |
we had a model of the solar system - all eight planets out and we were | 0:27:14 | 0:27:18 | |
going to show that it was rock, rock, rock, rock, gas, gas, gas, right? | 0:27:18 | 0:27:21 | |
I had an extra point - I got the earth and I spun it around, I went, "There it goes. | 0:27:21 | 0:27:26 | |
"Round again in a year. And look, there it goes around in another year." | 0:27:26 | 0:27:29 | |
The earth has an orbit of exactly a year. None of the other planets have an orbit of a year, | 0:27:29 | 0:27:33 | |
or any multiple of a year or a fraction of a year, | 0:27:33 | 0:27:37 | |
like, a year later they're all over the place. | 0:27:37 | 0:27:39 | |
The year after that they're all over the place even more. | 0:27:39 | 0:27:41 | |
There's no reason you would share any personality traits with | 0:27:41 | 0:27:45 | |
somebody born the year after you, it makes no sense. | 0:27:45 | 0:27:48 | |
Brian Cox, to his eternal credit, stood beside me and went, | 0:27:48 | 0:27:51 | |
"Obviously, on behalf of the BBC, we must have balance. | 0:27:51 | 0:27:54 | |
"Can I just say, yes, astrology is nonsense." | 0:27:54 | 0:27:58 | |
LAUGHTER | 0:27:58 | 0:28:00 | |
And we got a million letters from angry medieval soothsayers | 0:28:00 | 0:28:05 | |
furious that we weren't giving them due credit. | 0:28:05 | 0:28:08 | |
And on Twitter, they were tweeting me, going, | 0:28:08 | 0:28:10 | |
"If you were a real scientist, you'd be more open-minded about the evidence." | 0:28:10 | 0:28:14 | |
And I'm going, "Lucky for me, I'm a fucking comedian." | 0:28:14 | 0:28:17 | |
LAUGHTER | 0:28:17 | 0:28:20 | |
And they all want... | 0:28:22 | 0:28:24 | |
They all wanted to come onto this BBC science show to | 0:28:24 | 0:28:28 | |
give their side of the "argument". | 0:28:28 | 0:28:30 | |
And you're going, "No, you can't come on. Why? It's a science show. | 0:28:30 | 0:28:33 | |
"You can't come onto it, cos your work clothes are a cape, with... | 0:28:33 | 0:28:39 | |
"stars sewn onto it. | 0:28:39 | 0:28:41 | |
"You're called Madame Zacharino. | 0:28:41 | 0:28:43 | |
"That's why you don't get to go on a science show. | 0:28:43 | 0:28:45 | |
"You get to do premium rate phone lines in the back | 0:28:45 | 0:28:48 | |
"of the newspapers, you don't get to do science shows. | 0:28:48 | 0:28:50 | |
"These are the choices we make, so..." | 0:28:50 | 0:28:52 | |
There was a part of me going, "Jesus, bring them on. Bring them on." | 0:28:52 | 0:28:55 | |
That means I am allowed - quid pro quo - | 0:28:55 | 0:28:58 | |
to appear on any television show they do. | 0:28:58 | 0:29:02 | |
Just on Daybreak on ITV, I'd be sitting at the end of the couch just reading the newspaper, | 0:29:02 | 0:29:06 | |
while they're over there warbling on about Aries this or Virgo that. | 0:29:06 | 0:29:11 | |
And the host goes, "Thank you very much, Madame Zacharino, | 0:29:11 | 0:29:13 | |
"but under broadcasting regulations, I must turn to Dara." | 0:29:13 | 0:29:16 | |
And I put done my paper and go, | 0:29:16 | 0:29:17 | |
"Ah, everything she said is shite." | 0:29:17 | 0:29:20 | |
LAUGHTER | 0:29:20 | 0:29:21 | |
"Same time next week? We'll see you then. Good stuff." | 0:29:21 | 0:29:25 | |
A lot people say it's a very soft target. | 0:29:27 | 0:29:30 | |
It's a bit of craic, we all know that. | 0:29:30 | 0:29:32 | |
You open the paper in the tea break in the office and you go, | 0:29:32 | 0:29:34 | |
"Ah, John, you're going on a long journey. | 0:29:34 | 0:29:36 | |
"Oh, Mary, you might come into some money." | 0:29:36 | 0:29:38 | |
That's fine, it's just a bit of a laugh, I get that. | 0:29:38 | 0:29:41 | |
In fact, in Newcastle on the tour, | 0:29:41 | 0:29:43 | |
we had three prison officers from a prison called Frankland Prison. | 0:29:43 | 0:29:46 | |
And we were saying to them, how brilliant would that be if every | 0:29:46 | 0:29:50 | |
day they went round to the cells and read the lads their horoscopes? | 0:29:50 | 0:29:54 | |
How fantastic? "Oh, you might be going on a long journey. No..." | 0:29:54 | 0:29:57 | |
LAUGHTER | 0:29:57 | 0:30:00 | |
"Oh, but there's new love!" | 0:30:00 | 0:30:02 | |
LAUGHTER | 0:30:02 | 0:30:05 | |
It is a soft target, but here is why I like doing it. | 0:30:08 | 0:30:11 | |
They took a complaint against me and they submitted it to the BBC | 0:30:11 | 0:30:15 | |
and they did one against Brian Cox as well. | 0:30:15 | 0:30:17 | |
Every time the complaint was rejected they'd resubmit it, so it moved up the levels. | 0:30:17 | 0:30:21 | |
And it kept going up the levels to a thing called the BBC Trust, | 0:30:21 | 0:30:25 | |
which is like the head of the BBC. | 0:30:25 | 0:30:27 | |
You should read the ruling of the BBC. | 0:30:27 | 0:30:30 | |
You should just read the tone, which is just, | 0:30:30 | 0:30:35 | |
"Ah, would you ever fuck off? | 0:30:35 | 0:30:37 | |
"What? I've got to worry about this? | 0:30:39 | 0:30:41 | |
"I've got all of Mexico complaining about Top Gear." | 0:30:41 | 0:30:44 | |
LAUGHTER | 0:30:44 | 0:30:46 | |
"I don't give a shite about this." | 0:30:46 | 0:30:48 | |
Cos the bloke who runs the BBC Trust is an old Dublin lad going, | 0:30:48 | 0:30:51 | |
"Ah, Jesus, stop it... | 0:30:51 | 0:30:54 | |
"Ya big prick. Ha-ha-ha-ha..." | 0:30:54 | 0:30:57 | |
Sorry, just one for the Dubs. | 0:30:57 | 0:30:59 | |
Sorry. Anyway, they took the complaint. | 0:30:59 | 0:31:01 | |
If you want a fight, let's have a fight. | 0:31:01 | 0:31:03 | |
Very, very straightforward. Here's my argument against them - | 0:31:03 | 0:31:06 | |
you have to come with me a little bit, but I know you will. | 0:31:06 | 0:31:09 | |
This is how it starts. | 0:31:09 | 0:31:11 | |
A lot of people are very down on racism. | 0:31:11 | 0:31:15 | |
I do like pausing at this stage and feeling an audience go, | 0:31:18 | 0:31:21 | |
"Where's he going with this?" | 0:31:21 | 0:31:22 | |
LAUGHTER | 0:31:22 | 0:31:24 | |
"An unexpected twist!" | 0:31:24 | 0:31:26 | |
Very down on racism - | 0:31:26 | 0:31:27 | |
they say it is one of the worst social evils they can imagine. | 0:31:27 | 0:31:30 | |
"How dare you do that?" they say. | 0:31:30 | 0:31:31 | |
"How dare you ascribe to me personality traits? | 0:31:31 | 0:31:34 | |
"You don't even know me, but you tell me that you know me | 0:31:34 | 0:31:36 | |
"and you know these things about me. | 0:31:36 | 0:31:38 | |
"You say I share these traits with a large group, you don't | 0:31:38 | 0:31:41 | |
"know them, I don't know them, | 0:31:41 | 0:31:43 | |
"and you're saying not only do we have these same character traits, | 0:31:43 | 0:31:45 | |
"but we have some sort of common history and some common destiny. | 0:31:45 | 0:31:48 | |
"And you make all of these horrible presumptions on the back of what? | 0:31:48 | 0:31:51 | |
"On the back of a fluke of birth. | 0:31:51 | 0:31:53 | |
"How dare you do that? What? | 0:31:53 | 0:31:55 | |
"Oh, Capricorn." | 0:31:55 | 0:31:56 | |
LAUGHTER | 0:31:56 | 0:31:59 | |
Here's the thing. | 0:32:00 | 0:32:01 | |
If you want a clumsy tool to divide the population into distinct groups | 0:32:01 | 0:32:05 | |
so that you can make predictions, racism is way better than astrology. | 0:32:05 | 0:32:10 | |
In fact, if you remember nothing else from this gig, | 0:32:11 | 0:32:14 | |
if you wake up with everything else out of your head, remember just | 0:32:14 | 0:32:17 | |
that fragment where I went, | 0:32:17 | 0:32:20 | |
"Racism is way better than astrology." | 0:32:20 | 0:32:24 | |
That's your hashtag for the gig - #racismiswaybetterthanastrology. | 0:32:24 | 0:32:28 | |
Don't mix it up. Don't you...! | 0:32:28 | 0:32:31 | |
If I find any of you going, "What was the show about?" | 0:32:31 | 0:32:34 | |
"Oh, it was great. He said, 'Racism is for the dads.'" | 0:32:34 | 0:32:36 | |
LAUGHTER | 0:32:36 | 0:32:39 | |
"When you're a dad, you're allowed to be a little bit racist." | 0:32:39 | 0:32:42 | |
"He's right, I've learnt a lot of things..." | 0:32:42 | 0:32:44 | |
Anyway, racism - way better than astrology. | 0:32:44 | 0:32:47 | |
Here's the proof. | 0:32:47 | 0:32:49 | |
Write down all the star signs - 12 of them. | 0:32:49 | 0:32:51 | |
Then get another piece of paper | 0:32:51 | 0:32:52 | |
and write down all the different racial groupings you can think of. | 0:32:52 | 0:32:55 | |
You get to 50, 60, easily. | 0:32:55 | 0:32:57 | |
Then, if you're Irish, you can start going county by county. | 0:32:57 | 0:33:00 | |
That's another 32. | 0:33:00 | 0:33:02 | |
Here, in this country, you start going, | 0:33:02 | 0:33:04 | |
"Glaswegians do this, whatever. | 0:33:04 | 0:33:05 | |
"Geordies do this and Scousers..." | 0:33:05 | 0:33:07 | |
You'll get up to 80 easily, at which point racism is six or seven | 0:33:07 | 0:33:10 | |
times more powerful than astrology in dividing up the population. | 0:33:10 | 0:33:14 | |
And here's the clincher... | 0:33:14 | 0:33:16 | |
how much better would Daybreak be... | 0:33:16 | 0:33:19 | |
LAUGHTER | 0:33:19 | 0:33:21 | |
..if once a week they had a racist in making predictions? | 0:33:21 | 0:33:24 | |
LAUGHTER | 0:33:24 | 0:33:27 | |
We'd all tune in to watch that. | 0:33:27 | 0:33:30 | |
"So, Terry, what's ahead of us for the next seven days?" | 0:33:30 | 0:33:32 | |
"Well, it's going to be a big week for the Jews." | 0:33:32 | 0:33:35 | |
LAUGHTER | 0:33:35 | 0:33:37 | |
That's my racist face. | 0:33:42 | 0:33:43 | |
I am a nerd. I'm a tech-nerd as well. | 0:33:45 | 0:33:48 | |
I quite like watching us scrabble to keep up with technology. | 0:33:48 | 0:33:52 | |
We think because we're at the very breaking edge of all | 0:33:52 | 0:33:54 | |
technology that somehow we're geniuses. | 0:33:54 | 0:33:56 | |
If we ever fell back in time, fell through a wormhole | 0:33:56 | 0:33:59 | |
and landed in Renaissance Italy and | 0:33:59 | 0:34:01 | |
we landed in front of a council of the finest minds - | 0:34:01 | 0:34:03 | |
Leonardo da Vinci, Botticelli, Michelangelo - | 0:34:03 | 0:34:06 | |
and we think we'd be gods. | 0:34:06 | 0:34:07 | |
They'd look to us, like, oh, my God. | 0:34:07 | 0:34:09 | |
We'd jump-start science. We'd be a wonder of the age. | 0:34:09 | 0:34:12 | |
We'd tell them things they've never heard - it would be incredible. | 0:34:12 | 0:34:15 | |
No, we're three questions away from looking like fucking eejits. | 0:34:15 | 0:34:18 | |
Question one - "What do you have in the future, traveller in time?" | 0:34:18 | 0:34:21 | |
And you go, "We have an amazing think called a computer. | 0:34:21 | 0:34:23 | |
"A computer sits in the room. We have them in all houses in the world | 0:34:23 | 0:34:26 | |
"and it sends information all over the world and it draws information in." | 0:34:26 | 0:34:30 | |
"My God," they'd say, sketching furiously, "that is amazing." "And how does it keep going?" | 0:34:30 | 0:34:34 | |
"Well, it's connected to the wall by a cable." | 0:34:34 | 0:34:37 | |
"And what happens there?" | 0:34:37 | 0:34:39 | |
"I don't really know." | 0:34:39 | 0:34:40 | |
LAUGHTER | 0:34:40 | 0:34:43 | |
"They've tried to explain it to me any number of times. | 0:34:47 | 0:34:50 | |
"I've never really got it, to be honest. | 0:34:50 | 0:34:54 | |
"Basically, there's a thing that lives in the wall... | 0:34:54 | 0:34:57 | |
"and it makes the pictures change." | 0:34:57 | 0:34:59 | |
They are walking away at this stage and you are clutching, | 0:35:01 | 0:35:04 | |
"Wait, wait. We have a thing called a fridge in the future. | 0:35:04 | 0:35:06 | |
"A fridge is an amazing machine because it keeps cold on the inside and we can put food in it | 0:35:06 | 0:35:10 | |
"and it doesn't rot and that means we are healthier for longer..." | 0:35:10 | 0:35:14 | |
They'll go, "That's amazing. How does it work?" | 0:35:14 | 0:35:16 | |
-"It hums." -LAUGHTER | 0:35:16 | 0:35:20 | |
"And the humming is in some way related to the cold." | 0:35:20 | 0:35:23 | |
"What keeps it humming?" | 0:35:24 | 0:35:26 | |
"Ah, it's connected to the wall..." | 0:35:26 | 0:35:28 | |
LAUGHTER | 0:35:28 | 0:35:30 | |
"Is this the same thing that made the pictures change?" | 0:35:30 | 0:35:33 | |
"Could be." | 0:35:33 | 0:35:34 | |
Name a simple machine we use every day. | 0:35:36 | 0:35:39 | |
MAN: Microwave. | 0:35:39 | 0:35:40 | |
Microwave is the simplest fucking machine you could think of? | 0:35:40 | 0:35:43 | |
What house of the future do you live in where the simplest machine | 0:35:43 | 0:35:47 | |
you have...? "I'll just go to the microwave...on my jetpack." | 0:35:47 | 0:35:50 | |
-Simpler than that. -AUDIENCE SHOUTS OUT | 0:35:51 | 0:35:54 | |
Kettle, toaster - very good. | 0:35:54 | 0:35:56 | |
Could you imagine explaining a toaster to Michelangelo? | 0:35:56 | 0:35:58 | |
"You take a piece of bread, you put it into the machine. | 0:35:58 | 0:36:01 | |
"You press down...and you wait." | 0:36:01 | 0:36:03 | |
LAUGHTER | 0:36:03 | 0:36:06 | |
"What happens? Does it double the bread, change the bread into other foodstuffs, | 0:36:06 | 0:36:10 | |
"thus ending hunger? | 0:36:10 | 0:36:11 | |
"Does this machine stop famine?" | 0:36:11 | 0:36:13 | |
-"No, it just makes toast." -LAUGHTER | 0:36:13 | 0:36:16 | |
"But we can make toast. We hold bread up to a flame on a fork." | 0:36:16 | 0:36:20 | |
"Ah, but this does two sides." | 0:36:20 | 0:36:22 | |
LAUGHTER | 0:36:22 | 0:36:24 | |
APPLAUSE | 0:36:28 | 0:36:31 | |
"500 years of science and advancement | 0:36:31 | 0:36:34 | |
"and you can make two-sided toast?" | 0:36:34 | 0:36:36 | |
"I like two-sided toast." | 0:36:37 | 0:36:40 | |
"And what keeps the machine hot?" | 0:36:40 | 0:36:43 | |
LAUGHTER | 0:36:43 | 0:36:45 | |
HE MUMBLES | 0:36:47 | 0:36:48 | |
"It's connected to the wall." | 0:36:48 | 0:36:51 | |
All right. Non-electrical. | 0:36:51 | 0:36:52 | |
Simple non-electrical machine we use every day? | 0:36:52 | 0:36:55 | |
AUDIENCE SHOUT SUGGESTIONS | 0:36:55 | 0:36:56 | |
Toilet! Of all the things. Can you imagine explaining a toilet to Botticelli? | 0:36:56 | 0:37:00 | |
"You gather your robes around you and evacuate your waist into it. | 0:37:00 | 0:37:04 | |
"Then you press a button and it's all taken away." | 0:37:04 | 0:37:07 | |
"Where does it go?" | 0:37:08 | 0:37:10 | |
LAUGHTER | 0:37:10 | 0:37:12 | |
"It goes into the wall." | 0:37:14 | 0:37:15 | |
LAUGHTER | 0:37:15 | 0:37:18 | |
"Does it feed the thing that makes the pictures change?" | 0:37:24 | 0:37:28 | |
"Yeah, whatever, eh..." | 0:37:28 | 0:37:29 | |
I love the fact that people get bewildered by technology, | 0:37:30 | 0:37:34 | |
I love the fact that people get really negative about it, like, there's something wrong about this. | 0:37:34 | 0:37:38 | |
Twitter, I am very fond of Twitter, for example. | 0:37:38 | 0:37:40 | |
I think it's great fun, that title came from Twitter. | 0:37:40 | 0:37:42 | |
It creates community and jokes get passed around. | 0:37:42 | 0:37:45 | |
Twitter's very good | 0:37:45 | 0:37:46 | |
because it's allowed up to 40,000 people to contact me directly | 0:37:46 | 0:37:51 | |
and tell me I look like Gru from Despicable Me. | 0:37:51 | 0:37:54 | |
LAUGHTER | 0:37:54 | 0:37:56 | |
APPLAUSE | 0:37:56 | 0:37:59 | |
Hate the round of applause that gets every night. | 0:37:59 | 0:38:02 | |
Eh... | 0:38:02 | 0:38:04 | |
I think it's good for... | 0:38:04 | 0:38:06 | |
And also, people say there's something natural | 0:38:06 | 0:38:08 | |
about the form of communication, it's brevity, it's what we do. | 0:38:08 | 0:38:11 | |
Brevity is the very soul of wit, we've known that since Shakespeare. | 0:38:11 | 0:38:14 | |
It is brief and to the point. | 0:38:14 | 0:38:15 | |
If you're a comic, you love a thing that you explain in seconds. | 0:38:15 | 0:38:19 | |
I had a routine that I used to do about, | 0:38:19 | 0:38:21 | |
what's the stupidest thing you've done on your holidays? I've retired it. | 0:38:21 | 0:38:24 | |
I've almost entirely rested it because it was won. | 0:38:24 | 0:38:27 | |
It was won in January by one bloke from Killarney. | 0:38:27 | 0:38:30 | |
Just nailed it, right. | 0:38:30 | 0:38:32 | |
Now, we just ask to set the bar. | 0:38:32 | 0:38:34 | |
All I want is the first line - | 0:38:34 | 0:38:35 | |
what's the stupidest thing you've done on your holidays? | 0:38:35 | 0:38:38 | |
-MAN: -Gone to the wrong place. | 0:38:38 | 0:38:40 | |
Went to the wrong place - loving that! What was that that just occurred there? | 0:38:40 | 0:38:44 | |
Went to the wrong place. What did you shout? | 0:38:44 | 0:38:47 | |
-MAN: -Married my wife. -Married your wife. Aw! | 0:38:47 | 0:38:51 | |
LAUGHTER | 0:38:51 | 0:38:54 | |
Thing is, up there's a woman going, "Did you get a big laugh? | 0:38:54 | 0:38:56 | |
"Did you like that? Funny, was it? Did you get a good laugh off them? | 0:38:56 | 0:39:00 | |
"Why don't you go home to bed with them | 0:39:00 | 0:39:02 | |
-"cos you're not going to bed with me right now." -LAUGHTER | 0:39:02 | 0:39:06 | |
I went out in Killarney and said, "What's the stupidest thing you've ever done on your holiday?" | 0:39:06 | 0:39:10 | |
One bloke goes, "I kicked an armadillo." | 0:39:10 | 0:39:12 | |
LAUGHTER | 0:39:12 | 0:39:14 | |
"That is epic, my friend. | 0:39:21 | 0:39:23 | |
"Why did you do that?" And he said, "I don't know. | 0:39:24 | 0:39:26 | |
"He just walked out in front of me, I didn't know what the fuck to do." | 0:39:26 | 0:39:30 | |
He was on a jungle trek, like, a guided tour of the wildlife, | 0:39:30 | 0:39:34 | |
with the local guide showing him, | 0:39:34 | 0:39:37 | |
"This is the nest of the such-and-such. | 0:39:37 | 0:39:39 | |
"You can see the tracks there and occasionally, | 0:39:39 | 0:39:42 | |
"those birds will find their fruit and they will bring it..." | 0:39:42 | 0:39:45 | |
All this kind of stuff and in the background he's standing next | 0:39:45 | 0:39:47 | |
to a bush and an armadillo walks out and he just goes, "Oh, fuck!" | 0:39:47 | 0:39:50 | |
And he just hoofs it. | 0:39:50 | 0:39:51 | |
LAUGHTER | 0:39:51 | 0:39:55 | |
Properly...boof! | 0:39:55 | 0:39:58 | |
Apparently, got his foot underneath it with the instep, | 0:39:59 | 0:40:02 | |
lifted it over a tree. | 0:40:02 | 0:40:06 | |
See, I don't know what I find more exciting about that, the face | 0:40:06 | 0:40:09 | |
of the local guide, going, "Don't kick the fucking wildlife," | 0:40:09 | 0:40:16 | |
or of the armadillo, going, "This is a bad day for me." | 0:40:16 | 0:40:21 | |
LAUGHTER | 0:40:21 | 0:40:22 | |
Apropos of nothing - stupidest thing I've ever | 0:40:26 | 0:40:28 | |
done on my holidays was on Bondi Beach in Australia. | 0:40:28 | 0:40:30 | |
I was watching the surfers go fizz, fizz, fizz up and down, | 0:40:30 | 0:40:33 | |
standing on the boards, comfortable, looking very... | 0:40:33 | 0:40:36 | |
And I went, "I can do that." | 0:40:36 | 0:40:37 | |
I went to the board rental area, rented the largest board they had, | 0:40:37 | 0:40:41 | |
ran to the water with the music from Hawaii Five-0 playing in my head. | 0:40:41 | 0:40:46 | |
Ran to the water. | 0:40:46 | 0:40:47 | |
It's amazing - the minute you hit the water it instantly | 0:40:47 | 0:40:49 | |
goes from surfboard to bar of soap, floomp - out of your hands. | 0:40:49 | 0:40:53 | |
LAUGHTER | 0:40:53 | 0:40:54 | |
And then there's an interesting moment of tension. | 0:40:54 | 0:40:57 | |
Cos when they rent you a surfboard, they strap it to your leg. | 0:40:57 | 0:40:59 | |
So it goes...and then you go as well. | 0:40:59 | 0:41:04 | |
Drags you out of the water. You're hoping nobody spotted. You run back in again. | 0:41:04 | 0:41:07 | |
Every time I tried - floomp - gone. Then - floom - again. | 0:41:07 | 0:41:11 | |
Just 20 minutes of watching this thing disappear off | 0:41:11 | 0:41:13 | |
and yank me with it. | 0:41:13 | 0:41:16 | |
That sounds like it's just embarrassing. | 0:41:16 | 0:41:18 | |
No, it's actually painful, cos the underside of a surfboard has | 0:41:18 | 0:41:21 | |
three bloody razor blades stuck onto it. | 0:41:21 | 0:41:23 | |
They're meant as guides or something, | 0:41:23 | 0:41:25 | |
but it cuts across your thigh each time it shoots out of your hand. | 0:41:25 | 0:41:28 | |
I got all these scratches and nicks and dinks. | 0:41:28 | 0:41:31 | |
After 20 minutes, I looked like some weird emo chick. | 0:41:31 | 0:41:34 | |
Just sitting in the water with all these tiny little cuts. | 0:41:34 | 0:41:36 | |
I was bleeding into the waters off Australia. | 0:41:36 | 0:41:39 | |
LAUGHTER | 0:41:39 | 0:41:41 | |
I'm luring sharks into Bondi Beach. | 0:41:41 | 0:41:44 | |
But I kept trying. | 0:41:44 | 0:41:46 | |
I ran into the water, I caught a wave coming at me, | 0:41:46 | 0:41:48 | |
just about shoulder height - very important in that situation... | 0:41:48 | 0:41:52 | |
Surfing 101 - when that happens, lift the board over the wave, | 0:41:52 | 0:41:56 | |
or break the wave with the pointy end of the board. | 0:41:56 | 0:42:00 | |
Don't do what I did... | 0:42:00 | 0:42:01 | |
which is hold the board up flat... | 0:42:01 | 0:42:03 | |
LAUGHTER | 0:42:03 | 0:42:06 | |
..in an effort to deflect the Southern Ocean away from myself. | 0:42:06 | 0:42:10 | |
I managed to harness the entire gravitational pull of the moon. | 0:42:12 | 0:42:17 | |
Boof - "Aw, Jesus!" | 0:42:17 | 0:42:19 | |
-LAUGHTER -"Agh!" Gone, right. | 0:42:19 | 0:42:22 | |
Now, there's a man looking at me and laughing. | 0:42:22 | 0:42:25 | |
Just standing there in his trunks laughing at me. | 0:42:25 | 0:42:30 | |
I'm going, "I'm going to do this, right." | 0:42:30 | 0:42:32 | |
Ran into the water and leapt onto the board, as if to mount it - | 0:42:32 | 0:42:36 | |
like a rodeo thing. | 0:42:36 | 0:42:37 | |
I went, "I've fucking... I've got you now! I've got you! | 0:42:37 | 0:42:39 | |
"Oh, Jesus, you're not as buoyant as you let on." | 0:42:39 | 0:42:43 | |
End up forcing it down and wedging myself on the sand with | 0:42:43 | 0:42:47 | |
the waves just lapping in and out around me. | 0:42:47 | 0:42:49 | |
I'm just staring at the other surfers, going, | 0:42:49 | 0:42:52 | |
"How are you, lads? Good day in the water, isn't it? | 0:42:52 | 0:42:54 | |
"Couple of great breakers out there, aren't they? Fantastic. | 0:42:54 | 0:42:57 | |
"Might take a bit of break myself as I'm weak with the blood loss." | 0:42:57 | 0:43:01 | |
But I had to walk past your man. | 0:43:02 | 0:43:04 | |
I picked up the board, walked past the man, | 0:43:04 | 0:43:06 | |
who was in tears laughing at me. | 0:43:06 | 0:43:09 | |
I walked past him and I vividly remember - this is a true story - | 0:43:09 | 0:43:12 | |
I walked past the man just going, "Ooh!" | 0:43:12 | 0:43:14 | |
Your man looks at me, and in the thickest accent | 0:43:14 | 0:43:17 | |
I have ever heard, just goes, | 0:43:17 | 0:43:19 | |
"Oh, Jesus, Dara, we Irish are shite at surfing." | 0:43:19 | 0:43:22 | |
LAUGHTER | 0:43:22 | 0:43:25 | |
Where was I? Oh, yeah, I was talking about the technology. | 0:43:32 | 0:43:36 | |
One of the things I love about Twitter, for example, is just | 0:43:36 | 0:43:39 | |
that instantaneous community. | 0:43:39 | 0:43:41 | |
We see an event happening, | 0:43:41 | 0:43:42 | |
and we react to it and we have our water cooler moment there and then. | 0:43:42 | 0:43:46 | |
It's fantastic. It's good if you're all watching the same TV show. | 0:43:46 | 0:43:49 | |
It's particularly good for political events. | 0:43:49 | 0:43:52 | |
Last summer during the London riots it was very evident as well. | 0:43:52 | 0:43:55 | |
Did you watch the London riots? | 0:43:55 | 0:43:57 | |
About seven of you did. | 0:43:57 | 0:43:58 | |
The rest of you, waiting for the box set to come out? | 0:43:58 | 0:44:02 | |
There was a big deal at the London riots. | 0:44:02 | 0:44:04 | |
The reaction to it was fast, but it wasn't necessarily profound. | 0:44:04 | 0:44:07 | |
Everyone's reaction was that standard hackneyed | 0:44:07 | 0:44:09 | |
reaction to the riots, which was, "I wouldn't have done that. | 0:44:09 | 0:44:12 | |
"Look at those children. Those 16-year-olds are feral. | 0:44:12 | 0:44:15 | |
"I would not have done that when I was 16." | 0:44:15 | 0:44:17 | |
I would not have done it when I was 16. | 0:44:17 | 0:44:19 | |
I wouldn't have been phoning round organising riots at 16, | 0:44:19 | 0:44:22 | |
cos when I was 16, we had one phone in the house | 0:44:22 | 0:44:24 | |
and it was in the sitting room with the TV and the couch. | 0:44:24 | 0:44:27 | |
And there was literally no way you could organise a riot... | 0:44:27 | 0:44:29 | |
"Yeah, we're going to have a riot. It's going to be amazing... | 0:44:29 | 0:44:33 | |
"I'm on the phone. Leave me be, I'm on the phone." | 0:44:33 | 0:44:36 | |
"We're going to smash the system, | 0:44:36 | 0:44:37 | |
"We're going to destroy capitalism - it's going to be amazing. | 0:44:37 | 0:44:40 | |
"Plea... I am allowed my calls as well. It's a private call. | 0:44:40 | 0:44:44 | |
"I'll see you in town in half an hour. | 0:44:44 | 0:44:45 | |
"See you in town in half an hour. Yay-hay, very good. | 0:44:45 | 0:44:48 | |
"I need a lift into town." | 0:44:48 | 0:44:50 | |
LAUGHTER | 0:44:50 | 0:44:52 | |
Besides which, I was 16 in 1988. | 0:44:54 | 0:44:56 | |
In 1988, NOBODY is looting a television. | 0:44:56 | 0:44:59 | |
LAUGHTER | 0:45:01 | 0:45:04 | |
"How fucking heavy is this thing?" | 0:45:04 | 0:45:06 | |
"Bloody... God almighty! Me arms are killing me! | 0:45:06 | 0:45:10 | |
"Hello, officer." | 0:45:10 | 0:45:12 | |
I haven't even got out of the shop yet. | 0:45:12 | 0:45:14 | |
What was intriguing for me about the way Twitter reacted, | 0:45:17 | 0:45:21 | |
cos the corner of Twitter I live in will be quite media, | 0:45:21 | 0:45:24 | |
quite liberal, quite left-leaning, right. | 0:45:24 | 0:45:27 | |
It was amazing how quickly these people, | 0:45:27 | 0:45:29 | |
seeing riots in the streets, went authoritarian. | 0:45:29 | 0:45:33 | |
Went very harshly right wing, right. | 0:45:33 | 0:45:35 | |
Suddenly, they're all crying out for rubber bullets to be used | 0:45:35 | 0:45:39 | |
and water cannons to be introduced to the streets. | 0:45:39 | 0:45:42 | |
These things are not as sweet and whimsical as these names suggest. | 0:45:42 | 0:45:47 | |
Rubber bullets in particular. | 0:45:47 | 0:45:48 | |
"Oh, we've got some rubber bullets, what do we do with these? | 0:45:48 | 0:45:51 | |
"People have taken over the bouncy castle - boing, boing, boing! | 0:45:51 | 0:45:54 | |
"And water cannons. What do we do with water cannons? | 0:45:54 | 0:45:57 | |
"Distract them with the rainbow. | 0:45:57 | 0:45:59 | |
"Oh, so many colours, it's lovely. | 0:45:59 | 0:46:01 | |
"Oh, I'm all wet - sexy time." | 0:46:01 | 0:46:03 | |
That's what they're for, right. | 0:46:04 | 0:46:06 | |
People get scared, | 0:46:07 | 0:46:08 | |
they get scared of crime as they don't want it to affect them. | 0:46:08 | 0:46:11 | |
When you've got kids, you get scared very, very quickly, cos you want | 0:46:11 | 0:46:14 | |
the walls built higher, you don't want crime coming into your home. | 0:46:14 | 0:46:17 | |
I have a very specific fear about crime in the home, cos I work nights. | 0:46:17 | 0:46:22 | |
I'll be giddy every evening cos I work until 11 o'clock | 0:46:22 | 0:46:24 | |
at night, I don't get to sleep until four/five in the morning. | 0:46:24 | 0:46:28 | |
Most nights I'm up till four/five in the morning. | 0:46:28 | 0:46:32 | |
I'm an owl. | 0:46:32 | 0:46:33 | |
Basically, I will be up when the burglar comes. | 0:46:33 | 0:46:36 | |
And I know the way I say that makes me sound like my own mother. | 0:46:36 | 0:46:39 | |
"Oh, I was up when the burglar came. | 0:46:39 | 0:46:41 | |
"Oh, Jesus, the burglar's here. | 0:46:41 | 0:46:42 | |
"Go down the shops, we've nothing here. | 0:46:42 | 0:46:44 | |
"Go down get some biscuits for the burglar. | 0:46:44 | 0:46:46 | |
"Burglar, don't look at the mess. The place is a state." | 0:46:46 | 0:46:50 | |
It's a genuine fear cos I'm going to be in my hall | 0:46:51 | 0:46:54 | |
and there's a burglar in my kitchen. | 0:46:54 | 0:46:55 | |
I'm going to be behind the hall door, which has wood to here | 0:46:55 | 0:46:58 | |
and frosted glass to here, and I'm going to... | 0:46:58 | 0:47:01 | |
I don't want to fight the guy. | 0:47:01 | 0:47:03 | |
I want to threaten him out of the house. I want to scare him out. | 0:47:03 | 0:47:05 | |
I don't know how to do a threat, I've never done a threat in my life. | 0:47:05 | 0:47:08 | |
I have a vague sense that it has to be quite punchy. | 0:47:08 | 0:47:10 | |
You can't threaten somebody and let it tail off. | 0:47:10 | 0:47:13 | |
You can't go, "Get out the house now or I don't know what I'll do, I'll do something, it'll be bad." | 0:47:13 | 0:47:17 | |
If I'm behind the door, give me the first thing you'd shout. | 0:47:17 | 0:47:20 | |
MAN: Get tae fuck! | 0:47:20 | 0:47:21 | |
Get tae fuck! | 0:47:21 | 0:47:22 | |
LAUGHTER | 0:47:22 | 0:47:26 | |
It's more the exasperated tone, "Get to fuck." | 0:47:30 | 0:47:33 | |
Like it's a wasp. | 0:47:33 | 0:47:34 | |
Like you're at a picnic and you're going, "Ah, get tae fuck!" | 0:47:34 | 0:47:38 | |
"Ah, fucking, ah! Sick of the fucking burglar. Get tae fuck." | 0:47:38 | 0:47:43 | |
The key is, once you get past the "get tae fucks", then you're into, | 0:47:45 | 0:47:49 | |
I'm in the hall, what world can I create in the hall to scare the guy away? | 0:47:49 | 0:47:53 | |
I was in Cork and I made the mistake of saying, | 0:47:53 | 0:47:55 | |
"What world will we create behind the door?" | 0:47:55 | 0:47:57 | |
And a bloke in row three, with genuine excitement, went, "Narnia." | 0:47:57 | 0:48:01 | |
LAUGHTER | 0:48:01 | 0:48:05 | |
As if I should slightly open the door | 0:48:06 | 0:48:08 | |
and throw fake snow into the gap. | 0:48:08 | 0:48:10 | |
And go, "You must leave now. The Ice Queen is coming." | 0:48:11 | 0:48:15 | |
What would you do behind the door to create the illusion you've | 0:48:15 | 0:48:18 | |
got something with you? Bark! Of course, like a dog. | 0:48:18 | 0:48:21 | |
Let's hear you do it, right. | 0:48:21 | 0:48:24 | |
I'm the burglar, this is the door, I'm rooting through your stuff | 0:48:24 | 0:48:28 | |
when I hear this... | 0:48:28 | 0:48:29 | |
None of the rest of you now. | 0:48:29 | 0:48:31 | |
I hear this noise... | 0:48:31 | 0:48:33 | |
WOMAN BARKS | 0:48:33 | 0:48:34 | |
LAUGHTER | 0:48:34 | 0:48:37 | |
Nothing scares a burglar more than a tiny dog. | 0:48:44 | 0:48:48 | |
A tiny dog released from the handbag he lives in. | 0:48:48 | 0:48:51 | |
"Go on, go on!" | 0:48:51 | 0:48:52 | |
HE BARKS | 0:48:52 | 0:48:54 | |
"Fucking thing." | 0:48:55 | 0:48:56 | |
If you can kick an armadillo, you can kick that fucking dog. | 0:48:56 | 0:48:59 | |
No difficulty doing that. Anything else? One more over here. | 0:48:59 | 0:49:02 | |
-WOMAN: -Peekaboo! | 0:49:02 | 0:49:04 | |
LAUGHTER | 0:49:06 | 0:49:09 | |
I'm sorry, my attention has entirely been got. | 0:49:09 | 0:49:13 | |
That was the scariest thing I have ever heard in my life. | 0:49:13 | 0:49:16 | |
Is it just me, or is that woman going, "Peekaboo," | 0:49:16 | 0:49:20 | |
the most frightening thing you could possibly...? | 0:49:20 | 0:49:25 | |
What kind of fucked-up horror movie...? | 0:49:25 | 0:49:29 | |
The doll is alive, "Peekaboo!" | 0:49:29 | 0:49:34 | |
LAUGHTER | 0:49:34 | 0:49:36 | |
What kind of crazy, haunted, | 0:49:38 | 0:49:40 | |
possessed house does the guy think he's in? | 0:49:40 | 0:49:43 | |
Should I put a plate on top of a fishing line | 0:49:43 | 0:49:45 | |
and wave it around as well | 0:49:45 | 0:49:47 | |
and go, "Peekaboo. I've got you." | 0:49:47 | 0:49:51 | |
Why don't we just play jack-in-the-box music? | 0:49:51 | 0:49:53 | |
HE SINGS "HERE WE GO ROUND THE MULBERRY BUSH" TUNE | 0:49:53 | 0:49:56 | |
"Peekaboo!" | 0:49:56 | 0:49:57 | |
LAUGHTER | 0:49:57 | 0:49:59 | |
"You're mine now." | 0:49:59 | 0:50:02 | |
There was one answer - not as creepy and weird as that... | 0:50:05 | 0:50:09 | |
There was one answer that always appears in Ireland, interestingly. | 0:50:09 | 0:50:12 | |
Always appears in Ireland | 0:50:12 | 0:50:14 | |
and it would 100% work in getting an Irish burglar out of an Irish house. | 0:50:14 | 0:50:17 | |
It never gets shouted in the UK, ever. | 0:50:17 | 0:50:19 | |
AUDIENCE MEMBERS SHOUT OUT | 0:50:19 | 0:50:23 | |
You're just shouting every... | 0:50:23 | 0:50:25 | |
I'm waiting for potato to be shouted, | 0:50:25 | 0:50:27 | |
the level of the stuff that's been poured out. | 0:50:27 | 0:50:30 | |
What did you say down there? | 0:50:30 | 0:50:32 | |
-WOMAN: -Jesus is watching. | 0:50:32 | 0:50:33 | |
Jesus is watching. | 0:50:33 | 0:50:35 | |
LAUGHTER | 0:50:35 | 0:50:37 | |
These days, I think | 0:50:43 | 0:50:44 | |
you might be overestimating the power of the Catholic Church! | 0:50:44 | 0:50:47 | |
If you said the local priest is watching, | 0:50:47 | 0:50:50 | |
that'd be more scary for them! | 0:50:50 | 0:50:51 | |
The killer phrase, in Ireland, if you want to get an Irish | 0:50:53 | 0:50:58 | |
burglar out of your house, you open the door slightly and just shout, | 0:50:58 | 0:51:02 | |
"I know your mother." | 0:51:02 | 0:51:03 | |
LAUGHTER | 0:51:03 | 0:51:05 | |
No Irish burglar stays in a house. "Jesus! You probably do." | 0:51:05 | 0:51:09 | |
And they're gone. | 0:51:09 | 0:51:10 | |
Listen, they're all brilliant suggestions. | 0:51:10 | 0:51:13 | |
You're creepy. They're all brilliant suggestions. | 0:51:13 | 0:51:15 | |
Don't get me wrong, I have an alarm. | 0:51:15 | 0:51:17 | |
I'm not an idiot, I have an alarm in the house. | 0:51:17 | 0:51:19 | |
In fact, I'm not showing off here, I've got a motion sensor alarm in the house. | 0:51:19 | 0:51:22 | |
AUDIENCE OOHS | 0:51:22 | 0:51:24 | |
They're great. Nothing to do with home security, | 0:51:24 | 0:51:26 | |
but every time you come home pissed, you try to beat it. | 0:51:26 | 0:51:30 | |
I thought being a homeowner was really responsible, | 0:51:30 | 0:51:33 | |
but now I find myself tiptoeing through my own house, going, | 0:51:33 | 0:51:36 | |
"I've almost got it this time." | 0:51:36 | 0:51:38 | |
The amount of times I've gone to bed and my wife has gone, "Did the alarm go off?" | 0:51:38 | 0:51:42 | |
And I've gone, "Shh. Shh. Go to sleep now. | 0:51:42 | 0:51:44 | |
"Nothing to be worried about. It was a short circuit - some sort of error. | 0:51:44 | 0:51:47 | |
"Nothing to be worried about. You go to sleep. Everything is safe. | 0:51:47 | 0:51:50 | |
"Sleepy time for you. Sleepy time for you." | 0:51:50 | 0:51:52 | |
She's gone, "Were you playing Mission: Impossible again?" | 0:51:52 | 0:51:55 | |
LAUGHTER | 0:51:55 | 0:51:57 | |
"I got to the stairs." | 0:51:57 | 0:51:58 | |
LAUGHTER | 0:51:58 | 0:52:00 | |
The bloke came in to install this alarm and | 0:52:00 | 0:52:02 | |
stood in the kitchen and went, "Sensor over there. | 0:52:02 | 0:52:05 | |
"Sensor over there and a sensor over there." | 0:52:05 | 0:52:07 | |
And as he was doing this, one of our cats just walked past him. | 0:52:07 | 0:52:10 | |
Your man goes, "Is that a cat?" | 0:52:10 | 0:52:12 | |
LAUGHTER | 0:52:12 | 0:52:14 | |
When a grown man does that, you just have to savour | 0:52:14 | 0:52:17 | |
the moment before you launch in and go, "Is that what it is?" | 0:52:17 | 0:52:20 | |
LAUGHTER | 0:52:20 | 0:52:23 | |
"We have been Googling furiously for weeks. | 0:52:23 | 0:52:25 | |
"We've even scanned him in at one stage. | 0:52:26 | 0:52:29 | |
"We've narrowed it down to slightly larger than a hamster, | 0:52:29 | 0:52:32 | |
"but smaller than a small elk. | 0:52:32 | 0:52:33 | |
"With this new information, we can narrow the search down even more. | 0:52:33 | 0:52:37 | |
"Honey, it's a cat! "I know, we never thought. That's great." | 0:52:37 | 0:52:41 | |
"Yeah, it's a cat. So what?" | 0:52:41 | 0:52:42 | |
And your man goes, "Well, it's not going to work now." | 0:52:42 | 0:52:45 | |
I said, "What do you mean?" He says, "Because of the system. | 0:52:45 | 0:52:48 | |
"The system cannot tell the difference between a cat | 0:52:48 | 0:52:51 | |
"and a burglar." | 0:52:51 | 0:52:52 | |
I'm standing looking at him, going, "Well, let me explain it to the system." | 0:52:54 | 0:52:58 | |
"A cat is about this height. | 0:52:58 | 0:53:00 | |
"A burglar is about this height. | 0:53:00 | 0:53:02 | |
"If a cat ever breaks into my house and it's this height, | 0:53:02 | 0:53:07 | |
"I want the fucking alarm to go off." | 0:53:07 | 0:53:09 | |
LAUGHTER | 0:53:09 | 0:53:11 | |
"I don't want any debate, any pause, | 0:53:17 | 0:53:19 | |
"I want the alarm to erupt into life and go, whah-whah-whah. | 0:53:19 | 0:53:23 | |
"Get up, there's a sabre-toothed tiger in your kitchen, get up! | 0:53:23 | 0:53:27 | |
"Get up, there's a tiger in the house! | 0:53:27 | 0:53:29 | |
"Relax, he's found the Frosties, we've bought some time." | 0:53:29 | 0:53:32 | |
"If your system cannot tell the difference between a cat | 0:53:32 | 0:53:35 | |
"and a burglar, rip it out, | 0:53:35 | 0:53:37 | |
"and we will dangle a piece of string from the ceiling. | 0:53:37 | 0:53:40 | |
"And in the morning, I will come down | 0:53:40 | 0:53:42 | |
"and find the burglars batting distractedly at the string." | 0:53:42 | 0:53:45 | |
"And I'll open the back door - get out, get out! | 0:53:49 | 0:53:52 | |
"Sick of the burglars coming in here every night. | 0:53:52 | 0:53:54 | |
"It's the neighbour's burglars, we're infested with them." | 0:53:54 | 0:53:57 | |
LAUGHTER | 0:53:57 | 0:53:58 | |
"It is a digital alarm system," I said. | 0:53:58 | 0:54:00 | |
"Can I not just upload a sound file to it? | 0:54:00 | 0:54:03 | |
"Like an MP3 of a voice going, 'Intruder. Intruder. Intruder.'" | 0:54:03 | 0:54:08 | |
No burglar stays in the house if the house goes, "Intruder. Intruder. Intruder." | 0:54:08 | 0:54:14 | |
But it filters delightfully, because cats don't move. | 0:54:14 | 0:54:16 | |
I've leaned over my cat and gone, "Intruder. Intruder. Intruder." | 0:54:16 | 0:54:19 | |
And the cat has just looked up and gone, "I am on...the phone." | 0:54:19 | 0:54:22 | |
LAUGHTER | 0:54:22 | 0:54:24 | |
A fried said, "That is amazing. | 0:54:24 | 0:54:26 | |
"If you could upload any music, you should upload the Benny Hill theme tune." | 0:54:26 | 0:54:30 | |
How epic would that be? | 0:54:30 | 0:54:32 | |
A burglar breaks in and suddenly the house goes... | 0:54:32 | 0:54:34 | |
HE HUMS THE BENNY HILL SHOW THEME TUNE | 0:54:34 | 0:54:37 | |
Naturally, you run down in your underwear from bed. | 0:54:37 | 0:54:39 | |
HE HUMS THE BENNY HILL SHOW THEME TUNE | 0:54:39 | 0:54:42 | |
Around the burglar, back out into the hall. | 0:54:43 | 0:54:45 | |
Back in again. With you, two girls in stilettos. | 0:54:45 | 0:54:49 | |
Something for the dads. | 0:54:49 | 0:54:50 | |
LAUGHTER | 0:54:50 | 0:54:53 | |
My wife said, "No, you are not having Aurora | 0:54:53 | 0:54:55 | |
"and Starburst hanging round the house." I said, "It is for home security. | 0:54:55 | 0:54:58 | |
"You are not taking the security of this family seriously enough." | 0:54:58 | 0:55:01 | |
I do not want to have to deal with the burglar in that situation. | 0:55:01 | 0:55:04 | |
I will give one piece of advice before I pretend to walk off - | 0:55:04 | 0:55:06 | |
I'll do the thing where I'll walk to there, come out again. | 0:55:06 | 0:55:09 | |
Keep an eye on it. | 0:55:09 | 0:55:11 | |
If you are ever facing a burglar in your home, | 0:55:11 | 0:55:14 | |
don't be fooled by the propaganda of the frying pan industry. | 0:55:14 | 0:55:19 | |
If you hit a person with a frying pan, it doesn't go, "dong". | 0:55:19 | 0:55:22 | |
And the person goes...like that. | 0:55:22 | 0:55:24 | |
There is no setting for stun on a frying pan. | 0:55:24 | 0:55:28 | |
There are two settings on a frying pan. | 0:55:28 | 0:55:30 | |
You're either going to hurt and anger them, | 0:55:30 | 0:55:32 | |
or you're going to fucking kill them. | 0:55:32 | 0:55:35 | |
LAUGHTER | 0:55:35 | 0:55:38 | |
Either you've got a burglar in your kitchen, going, | 0:55:38 | 0:55:41 | |
"What the fuck did you do that for?" | 0:55:41 | 0:55:43 | |
Or you're in your own garden...digging a grave. | 0:55:43 | 0:55:48 | |
With a frying pan. | 0:55:48 | 0:55:49 | |
You're dragging the corpse, you're patting it down. | 0:55:49 | 0:55:52 | |
You're looking at your own hands which are covered in soil | 0:55:52 | 0:55:55 | |
and blood and brains. | 0:55:55 | 0:55:56 | |
You're going, "Oh, my God. So much evidence, how can I get rid of it? | 0:55:56 | 0:56:00 | |
"If only I'd bought the Dettol No-Touch antibacterial soap dispenser." | 0:56:00 | 0:56:06 | |
Ladies and gentleman, I'll walk to here. | 0:56:06 | 0:56:09 | |
CHEERING | 0:56:09 | 0:56:11 | |
Going to here...almost disappearing. | 0:56:11 | 0:56:16 | |
And I'm back out again! | 0:56:16 | 0:56:18 | |
CHEERING | 0:56:18 | 0:56:22 | |
Absolute pleasure to talk to you, you've been fantastic. | 0:56:27 | 0:56:30 | |
Going to leave you with a story. Phones are great, but... | 0:56:30 | 0:56:33 | |
There was a piece in the Guardian not long ago, | 0:56:33 | 0:56:36 | |
they'd seen an interview with Paul McCartney, | 0:56:36 | 0:56:38 | |
where he said he can't finish a meal without people constantly coming up for a photograph on the phone. | 0:56:38 | 0:56:42 | |
And the Guardian were quite snarky about it and quite, | 0:56:42 | 0:56:44 | |
"Oh, Paul, if this is the worst thing you have to face with your millions..." | 0:56:44 | 0:56:48 | |
You're going, "It probably is a hassle." | 0:56:48 | 0:56:50 | |
Paul McCartney's the eighth most famous man in the world. | 0:56:50 | 0:56:52 | |
We'd all want a photograph with Paul McCartney if we saw him, right? | 0:56:52 | 0:56:55 | |
I'm the 9,000th most famous man in Ireland, I can't | 0:56:55 | 0:56:58 | |
finish a fucking pint in Cork, in particular. | 0:56:58 | 0:57:01 | |
Cork is a great town, | 0:57:01 | 0:57:02 | |
but Jesus, they're obsessed with their Facebook update status. | 0:57:02 | 0:57:05 | |
If I go for pints in Cork, | 0:57:05 | 0:57:07 | |
the next day I could flick through Facebook and in the correct | 0:57:07 | 0:57:10 | |
order I could watch a stop-motion animation of myself. | 0:57:10 | 0:57:13 | |
LAUGHTER | 0:57:13 | 0:57:15 | |
Once, I was sitting in a bar in Dublin, I was drinking angrily. | 0:57:18 | 0:57:22 | |
You know those occasions where you just... | 0:57:22 | 0:57:24 | |
Having a pint about something with a mate of mine. | 0:57:24 | 0:57:26 | |
A woman came over and tapped me on the shoulder with a camera and said, | 0:57:26 | 0:57:29 | |
"Is there any chance of getting...?" | 0:57:29 | 0:57:31 | |
And I said, "Of course. Of course." | 0:57:31 | 0:57:33 | |
I took the camera off her, put my arm around her, | 0:57:33 | 0:57:35 | |
held the camera and went click, click, click, flash. | 0:57:35 | 0:57:38 | |
I handed it back and said, "There you go, have a lovely day." | 0:57:38 | 0:57:41 | |
Away she goes. I turned to my mate who is laughing, and I said, "What is so funny? | 0:57:41 | 0:57:44 | |
"This is what you have to do now. It's what you have to do." | 0:57:44 | 0:57:47 | |
And he said, "I'm not sure it is, really, to be honest. | 0:57:47 | 0:57:49 | |
"I think she just wanted you, or anyone, | 0:57:49 | 0:57:52 | |
"to take a photograph of her and her friends." | 0:57:52 | 0:57:54 | |
LAUGHTER | 0:57:54 | 0:57:56 | |
There was nothing more earthing, more grounding, | 0:58:03 | 0:58:07 | |
more good for the soul than slowly turning in a bar to see a woman | 0:58:07 | 0:58:13 | |
holding up your face on a camera and mouthing the words, | 0:58:13 | 0:58:18 | |
"Who the fuck...is this?" | 0:58:18 | 0:58:21 | |
LAUGHTER | 0:58:21 | 0:58:24 | |
"Who is this man who insisted I be photographed? | 0:58:26 | 0:58:31 | |
"Who put his arm around me and went, | 0:58:31 | 0:58:33 | |
"'You don't want them, you want this.'" | 0:58:33 | 0:58:35 | |
"This is the happy memory you want of your trip to Dublin. | 0:58:35 | 0:58:39 | |
"Give me a big smile. | 0:58:39 | 0:58:41 | |
"There you go, pet, have a lovely weekend. Bang." | 0:58:41 | 0:58:44 | |
LAUGHTER | 0:58:44 | 0:58:45 | |
It has been a pleasure talking to you, to every one of you, it's been a delight. | 0:58:45 | 0:58:49 | |
You've been a joy, as always. | 0:58:49 | 0:58:51 | |
I'm Dara O Briain, good night, see you later. | 0:58:51 | 0:58:55 | |
CHEERING | 0:58:55 | 0:58:56 | |
Absolute pleasure, ladies and gentlemen. We'll see you again. | 0:58:58 | 0:59:01 | |
Good night, folks. See you. | 0:59:01 | 0:59:03 | |
CHEERING | 0:59:03 | 0:59:05 | |
Good night, folks. Good night. | 0:59:17 | 0:59:19 | |
Subtitles by Red Bee Media Ltd | 0:59:33 | 0:59:35 |