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This programme contains some strong language | 0:00:02 | 0:00:07 | |
Good evening. I'm Michael White, Jack's dad. | 0:00:07 | 0:00:11 | |
I've been asked to make one or two announcements about this show, | 0:00:11 | 0:00:15 | |
so SIT DOWN! | 0:00:15 | 0:00:16 | |
Jack attracts the most terrible load of riff-raff, doesn't he? | 0:00:19 | 0:00:23 | |
Mobile phones, all off. My wife gave me a mobile phone recently. | 0:00:23 | 0:00:27 | |
It's absolutely outrageous. It goes off all the time. | 0:00:27 | 0:00:31 | |
We go to the theatre, it goes off. I don't know how to switch it off. | 0:00:31 | 0:00:34 | |
She doesn't know how to switch it off. | 0:00:34 | 0:00:36 | |
So, shut them down now and no flash photography, please. | 0:00:36 | 0:00:40 | |
No flash photography. | 0:00:40 | 0:00:42 | |
We don't want you downing your loads onto some Twatbook | 0:00:42 | 0:00:45 | |
or whatever it is because that's not permitted. | 0:00:45 | 0:00:48 | |
I've also been told to warn you that there will be a lot of bad | 0:00:48 | 0:00:51 | |
language in this show which is very depressing | 0:00:51 | 0:00:54 | |
because I always say to Jack, the more bad language he uses, | 0:00:54 | 0:00:58 | |
the more it makes him sound like a complete wanker. | 0:00:58 | 0:01:01 | |
There are also, as you would expect, adult themes of sex, | 0:01:02 | 0:01:08 | |
all that sort of stuff, which again is so classic of Jack. You know? | 0:01:08 | 0:01:12 | |
That's his audience, slags basically. | 0:01:12 | 0:01:15 | |
Anyway, when the show gets to its interval, | 0:01:17 | 0:01:20 | |
which I'm sure many of you will be looking forward to, | 0:01:20 | 0:01:22 | |
don't leave it too late to get to the bar | 0:01:22 | 0:01:24 | |
because there will be chaos out there. | 0:01:24 | 0:01:26 | |
So rush there, and don't go anywhere near the wine, which is ghastly. | 0:01:26 | 0:01:31 | |
Go for the gin and tonics, vodkas, that kind of stuff. | 0:01:31 | 0:01:35 | |
So enjoy the show. That's the end of my contribution. | 0:01:35 | 0:01:39 | |
And buy the DVD if you haven't already bought it. | 0:01:39 | 0:01:42 | |
But why you could conceivably think it was worth buying, I cannot think, | 0:01:42 | 0:01:47 | |
when there are so many good really good DVDs out there on the market. | 0:01:47 | 0:01:51 | |
I mean, you could buy the new re-release of Colditz, you could | 0:01:51 | 0:01:54 | |
go for The Forsyte Saga | 0:01:54 | 0:01:56 | |
or World At War, I see, has come out again on DVD. | 0:01:56 | 0:02:00 | |
The Onedin Line, with my dear friend, Anne Stallybrass. | 0:02:00 | 0:02:04 | |
Andrew Marr's new series about the Canals of Britain. | 0:02:04 | 0:02:09 | |
The original Tinker Tailor Soldier Spy, which was, I tell you, | 0:02:09 | 0:02:13 | |
a hell of a lot better than the current one. | 0:02:13 | 0:02:16 | |
The Duchess of Duke Street... | 0:02:16 | 0:02:17 | |
To The Manor Born, | 0:02:21 | 0:02:22 | |
you could get that on DVD, with Penelope Keith and Peter Bowles. | 0:02:22 | 0:02:26 | |
Now, there's a comedian for you. | 0:02:26 | 0:02:29 | |
And of course, anything with Nigel Havers. | 0:02:29 | 0:02:32 | |
Horseman Riding By, the Cook Report, there's another show that... | 0:02:32 | 0:02:37 | |
Fantastic. | 0:02:37 | 0:02:39 | |
APPLAUSE | 0:02:40 | 0:02:44 | |
He's sold no albums. | 0:02:46 | 0:02:49 | |
He's not had a number one | 0:02:49 | 0:02:51 | |
and he's got a tiny little penis. | 0:02:51 | 0:02:54 | |
It's Jack Whitehall! | 0:02:54 | 0:02:58 | |
# Welcome to the Jungle | 0:03:00 | 0:03:02 | |
# We got fun and games | 0:03:02 | 0:03:04 | |
# We got everything you want | 0:03:04 | 0:03:06 | |
# Honey, we know the names | 0:03:06 | 0:03:08 | |
# We are the people that can find | 0:03:08 | 0:03:10 | |
# Whatever you may need | 0:03:10 | 0:03:11 | |
# If you got the money, honey | 0:03:11 | 0:03:13 | |
# We got your disease | 0:03:13 | 0:03:16 | |
# In the jungle | 0:03:16 | 0:03:17 | |
# Welcome to the jungle | 0:03:17 | 0:03:18 | |
# Watch it bring you to your sha-kn-kn-knees, knees | 0:03:18 | 0:03:22 | |
# I wanna watch you bleed | 0:03:24 | 0:03:27 | |
# Welcome to the jungle | 0:03:27 | 0:03:29 | |
# We take it day by day | 0:03:29 | 0:03:31 | |
# If you want it you're gonna bleed | 0:03:31 | 0:03:33 | |
# But it's the price you pay | 0:03:33 | 0:03:35 | |
# And you're a very sexy girl | 0:03:35 | 0:03:36 | |
# Who's very hard to please | 0:03:36 | 0:03:38 | |
# You can taste the bright lights | 0:03:38 | 0:03:40 | |
# But you won't get them for free | 0:03:40 | 0:03:42 | |
# In the jungle | 0:03:42 | 0:03:44 | |
# Welcome to the jungle | 0:03:44 | 0:03:45 | |
# Feel my, my... # | 0:03:45 | 0:03:47 | |
I saw Al Murray do that at the beginning of his DVD | 0:03:47 | 0:03:50 | |
and he made it look a lot easier. | 0:03:50 | 0:03:52 | |
Ladies and gentlemen, | 0:03:53 | 0:03:55 | |
good evening and welcome to the Hammersmith Apollo! | 0:03:55 | 0:03:58 | |
CHEERING AND APPLAUSE | 0:03:58 | 0:04:00 | |
Ladies and gentlemen, | 0:04:02 | 0:04:04 | |
thank you so much for coming to Hammersmith in London. | 0:04:04 | 0:04:06 | |
My ends, oh, yeah. | 0:04:06 | 0:04:08 | |
Have we got anyone in from Hammersmith? Give me a cheer. | 0:04:08 | 0:04:11 | |
Yeah, a couple of you. I love Hammersmith. | 0:04:11 | 0:04:13 | |
Hammersmith is a great place. Great place to go out on a night out. | 0:04:13 | 0:04:16 | |
Hammersmith Palais, | 0:04:16 | 0:04:17 | |
one of my favourite nightclubs back in the day. | 0:04:17 | 0:04:19 | |
That's where the after party is tonight. | 0:04:19 | 0:04:22 | |
The only club in the country that makes Tiger Tiger look classy. | 0:04:22 | 0:04:26 | |
Anyone been to Hammersmith Palais? Of course he has, look at him. | 0:04:26 | 0:04:30 | |
He looks like a regular. | 0:04:30 | 0:04:31 | |
You look like you could spike a drink just by looking at it, mate. | 0:04:31 | 0:04:35 | |
I love it. Great drinks offers there as well. | 0:04:35 | 0:04:38 | |
You buy two Jagerbombs, you get the morning after pill free. Class. | 0:04:38 | 0:04:42 | |
So, let's find out about this beautiful audience that we have in tonight. | 0:04:42 | 0:04:45 | |
All the ladies, can you make some noise? | 0:04:45 | 0:04:48 | |
CHEERING | 0:04:48 | 0:04:49 | |
-Woo! -Oh, lovely. Guys, give me a grr. | 0:04:49 | 0:04:51 | |
-ALL MEN: -Grrr! | 0:04:51 | 0:04:53 | |
Oh, yeah. Yeah, we've got some guys in, some proper men. | 0:04:53 | 0:04:56 | |
Look at this fella in the front row. | 0:04:56 | 0:04:58 | |
Had to sit right down the front | 0:04:58 | 0:05:00 | |
just to accommodate the sheer size of your bollocks. | 0:05:00 | 0:05:04 | |
"Bought two tickets for tonight, one for me and one for the twins." | 0:05:04 | 0:05:08 | |
-What's your name, fella? You there. -Darren. -Darren, yeah. | 0:05:08 | 0:05:12 | |
Proper man's name. | 0:05:12 | 0:05:13 | |
I bet your dad named you that whilst he was pushing a plough | 0:05:13 | 0:05:16 | |
through a field with his dick. Nice. | 0:05:16 | 0:05:18 | |
Have you got a man's trade, Darren? What do you do? | 0:05:18 | 0:05:21 | |
I work in a factory, lifting. | 0:05:21 | 0:05:24 | |
You work in a factory, lifting shit! Oh, yes! | 0:05:24 | 0:05:27 | |
Darren, you've not let me down. And you're wearing a suit. | 0:05:27 | 0:05:31 | |
You've got a shaved head but you're still rocking the suit. | 0:05:31 | 0:05:34 | |
You look like a footballer on his way to court up on rape allegations. | 0:05:34 | 0:05:38 | |
I like it. A real man. | 0:05:38 | 0:05:40 | |
I would love to be like you, a real man, cos I love men... | 0:05:40 | 0:05:43 | |
That came out wrong. | 0:05:43 | 0:05:45 | |
No, I'd love to be like you, a real man, like Darren. | 0:05:45 | 0:05:48 | |
And my man here, lumberjack shirt, three buttons undone, | 0:05:48 | 0:05:50 | |
the chest is bursting out. | 0:05:50 | 0:05:52 | |
Real man like you, I'd love to be like you. A real man like you. | 0:05:52 | 0:05:56 | |
Because it's hard for us, isn't it, sir? | 0:05:56 | 0:05:58 | |
Camp men like ourselves, we get it tough. | 0:06:00 | 0:06:02 | |
You wouldn't know where to start with bleeding a radiator | 0:06:02 | 0:06:05 | |
but I bet you make an incredible bechamel sauce. Am I right? Yeah. | 0:06:05 | 0:06:08 | |
Stick a bay leaf in, I know your tricks. | 0:06:08 | 0:06:11 | |
So, I'm excited that all of the men | 0:06:11 | 0:06:13 | |
and all of the ladies are here tonight because this is my show. | 0:06:13 | 0:06:17 | |
I've been touring it all around the country. I went to Bristol. | 0:06:17 | 0:06:21 | |
That was the last stop on my tour. I went to the West Country. | 0:06:21 | 0:06:25 | |
I love the West Country. Yeah, anyone in from the West Country? Nice. Great. | 0:06:25 | 0:06:28 | |
Very laid-back pace of life there in the West Country. | 0:06:28 | 0:06:31 | |
Very different to London. | 0:06:31 | 0:06:32 | |
I had a bit of trouble getting down there, truth be told. | 0:06:32 | 0:06:35 | |
I was on the train, on my way to Bristol. | 0:06:35 | 0:06:37 | |
The train went through this place called Bedwin. | 0:06:37 | 0:06:39 | |
Not many of you will know Bedwin. | 0:06:39 | 0:06:41 | |
Bedwin is a tiny little rural village | 0:06:41 | 0:06:43 | |
right in the middle of Wiltshire. | 0:06:43 | 0:06:45 | |
The only time you might have heard of Bedwin | 0:06:45 | 0:06:47 | |
is it was once on an episode of Time Team. | 0:06:47 | 0:06:49 | |
Really good dig, actually. | 0:06:49 | 0:06:50 | |
I watched it. In one of the trenches, | 0:06:50 | 0:06:52 | |
Baldrick, right, he found the remains of a woman that had been | 0:06:52 | 0:06:55 | |
burnt as a witch... last March. | 0:06:55 | 0:06:58 | |
It's really backward. | 0:06:58 | 0:07:00 | |
So I'm in a little place, little Bedwin, on the train. | 0:07:01 | 0:07:04 | |
All of a sudden, the train stops and the PA system comes on. | 0:07:04 | 0:07:07 | |
It's the conductor. | 0:07:07 | 0:07:08 | |
He's like, "Ladies and gentlemen, unfortunately, | 0:07:08 | 0:07:11 | |
"this train is now being evacuated due to a terror alert." | 0:07:11 | 0:07:15 | |
I beg your pardon! We're in Bedwin. | 0:07:17 | 0:07:21 | |
I suspect Al-Qaeda might have slightly higher priorities | 0:07:21 | 0:07:26 | |
on their hit list than rural Wiltshire. | 0:07:26 | 0:07:30 | |
Also, I thought terrorism, that's done. We've dealt with that now. | 0:07:30 | 0:07:33 | |
It's not an issue any more. I watch the news. I listen to it. | 0:07:33 | 0:07:36 | |
There was a guy on the news recently, | 0:07:36 | 0:07:38 | |
an expert, and he genuinely said that apparently, | 0:07:38 | 0:07:41 | |
obesity is now a bigger threat to this country than Al-Qaeda. | 0:07:41 | 0:07:45 | |
I thought, it's definitely not. | 0:07:46 | 0:07:49 | |
What would you rather have sat opposite you | 0:07:49 | 0:07:51 | |
on the tube on the way home tonight? | 0:07:51 | 0:07:54 | |
Some mental guy with a beard and a hundred-yard stare with a backpack full of Semtex | 0:07:54 | 0:07:58 | |
or just a jolly little fat kid with a backpack full of Quavers? | 0:07:58 | 0:08:02 | |
I get confused when I see it. I went onto the plane recently | 0:08:03 | 0:08:06 | |
and they were still trying to take away my toiletries. | 0:08:06 | 0:08:09 | |
I mean, what is that is about? I was like, "Madam, have you not seen the news? | 0:08:09 | 0:08:12 | |
"Mr Bin Laden has been shot and dumped at sea. | 0:08:12 | 0:08:15 | |
"The War on Terror is won. | 0:08:15 | 0:08:17 | |
"There are now far more pressing issues at hand | 0:08:17 | 0:08:19 | |
"like the war on dry skin. This exfoliator is coming on, bitch." | 0:08:19 | 0:08:23 | |
You know what I'm talking about, eh? Clarins, the natural glow. | 0:08:23 | 0:08:27 | |
She didn't let me onto the plane. | 0:08:27 | 0:08:30 | |
So, we're carted out we're at Bedwin station. | 0:08:30 | 0:08:33 | |
We get carted out onto the station platform. It's freezing cold. | 0:08:33 | 0:08:36 | |
It's a Sunday night as well, to add insult to injury, | 0:08:36 | 0:08:39 | |
so we're all there, feeling pretty depressed, tutting away. | 0:08:39 | 0:08:42 | |
"Sunday night, I'm going to miss the X factor results show. | 0:08:42 | 0:08:44 | |
"This is so shit." | 0:08:44 | 0:08:46 | |
Not me, Darren. I was going to go home and watch something manly. | 0:08:46 | 0:08:50 | |
Turning on Bravo. | 0:08:50 | 0:08:51 | |
Danny Dyer's Top Ten Ways To Kick A Dog. | 0:08:51 | 0:08:55 | |
Yeah, naughty. | 0:08:55 | 0:08:58 | |
So, I'm there stood on the platform. I'm next to this big, posh guy as well. | 0:08:58 | 0:09:02 | |
This is the worst thing that's ever happened to him. | 0:09:02 | 0:09:04 | |
He's having like a tut fit. "It's absolutely outrageous. This country's gone to the dogs." | 0:09:04 | 0:09:08 | |
And I'm stood there, right, and the guy from National Rail comes | 0:09:08 | 0:09:11 | |
out to address the assembled crowd and I could tell | 0:09:11 | 0:09:13 | |
that he was excited. This was his big moment. | 0:09:13 | 0:09:15 | |
He had worked at Bedwin station for his entire life. He was pumped. | 0:09:15 | 0:09:19 | |
He walks out and he's trying to sound intimidating as well, | 0:09:19 | 0:09:22 | |
which simply doesn't work if you've got a West Country accent. | 0:09:22 | 0:09:25 | |
If you want proof of this, | 0:09:25 | 0:09:27 | |
watch that docu-drama they had on Fred West on ITV. | 0:09:27 | 0:09:30 | |
It documented the life of one of the most evil serial killers | 0:09:30 | 0:09:33 | |
this country has ever seen, but at no point were you ever scared | 0:09:33 | 0:09:35 | |
because of his voice. | 0:09:35 | 0:09:37 | |
"What did you do with her next, Mr West?" | 0:09:37 | 0:09:39 | |
-WEST COUNTRY ACCENT: -"I chopped her up and I put her in a bin liner." | 0:09:39 | 0:09:43 | |
"What are you like?" | 0:09:43 | 0:09:45 | |
So out he comes, Mr National Rail. | 0:09:45 | 0:09:47 | |
He's ready for his moment. He clears his throat. | 0:09:47 | 0:09:49 | |
He's like, "Ladies and gentlemen, unfortunately, | 0:09:49 | 0:09:52 | |
"all of the trains from the station will now be delayed | 0:09:52 | 0:09:56 | |
"because I have personally spotted on Platform Two... | 0:09:56 | 0:10:00 | |
"..a suspicious package." | 0:10:01 | 0:10:04 | |
To which the massive posh guy next to me shouts back at him, | 0:10:04 | 0:10:07 | |
"Well, put it on the train to Swindon and we can all fuck off home." | 0:10:07 | 0:10:11 | |
I got there in the end. I got to Bristol in the end. | 0:10:15 | 0:10:18 | |
Bristol's a very cool place. | 0:10:18 | 0:10:19 | |
I went to a farmers' market in Bristol, but like a proper | 0:10:19 | 0:10:22 | |
farmers' market, not like the farmers' markets you get in London. | 0:10:22 | 0:10:25 | |
There's a farmers' market in Highgate I went to recently, | 0:10:25 | 0:10:28 | |
not a real farmers' market. | 0:10:28 | 0:10:29 | |
There's a woman called Arraminta who has a cheese stall. You go up, | 0:10:29 | 0:10:33 | |
"What would you care for today, sir? | 0:10:33 | 0:10:35 | |
"I have this goats' cheese from the scorched valleys of Tuscany | 0:10:35 | 0:10:38 | |
"or maybe you would prefer this Gruyere from the Alpine peaks." | 0:10:38 | 0:10:42 | |
I picked up a bit of cheese | 0:10:42 | 0:10:43 | |
at the Fish Ponds farmers' market in Bristol. | 0:10:43 | 0:10:46 | |
I asked the man where it was from. He went, "A FARM!" | 0:10:46 | 0:10:50 | |
That's a farmers' market. | 0:10:50 | 0:10:53 | |
That's not to say Bristol is a place that is not impervious to | 0:10:55 | 0:10:58 | |
a little bit of pretentiousness because Bristol, as we all know, | 0:10:58 | 0:11:01 | |
is the home of one of the worst breed of girls you will ever find, | 0:11:01 | 0:11:04 | |
because it has Bristol University, | 0:11:04 | 0:11:05 | |
and that girl is the Lesser Spotted Did I Tell You About My Gap Year? | 0:11:05 | 0:11:09 | |
I've been trapped by them a couple of times, | 0:11:12 | 0:11:14 | |
these girls that go off travelling in their year out | 0:11:14 | 0:11:17 | |
and the only reason they've done it | 0:11:17 | 0:11:19 | |
is so they can shove it down your fucking throats. | 0:11:19 | 0:11:21 | |
You go to the pub with them. "Oh, my God, where to start?" | 0:11:21 | 0:11:24 | |
"Preferably near the end." | 0:11:24 | 0:11:26 | |
"It was amazing. | 0:11:26 | 0:11:27 | |
"Me and my friend, Visciri, who's ethnic by the way, did I mention? | 0:11:27 | 0:11:31 | |
"And Cassandra, who didn't get into Leeds so she went to Liverpool | 0:11:31 | 0:11:34 | |
"which means she's so good with foreign languages now. | 0:11:34 | 0:11:37 | |
"We just tottered around Tibet | 0:11:37 | 0:11:38 | |
"smoking the most amazing Thai grass and felching lepers | 0:11:38 | 0:11:41 | |
"and we found the most wonderful little monastery | 0:11:41 | 0:11:43 | |
"on the foot of Mount Hiccha Piccha Naccha Focacia Arto. | 0:11:43 | 0:11:47 | |
"And we stayed there for weeks just helping the orphans." | 0:11:47 | 0:11:52 | |
I just think, "Haven't the orphans suffered enough?" | 0:11:52 | 0:11:55 | |
I'm not having a go at charity work, though, I'm not. | 0:11:59 | 0:12:02 | |
APPLAUSE | 0:12:02 | 0:12:03 | |
Look, I actually did some charity work when I left my school. | 0:12:03 | 0:12:07 | |
Like, I don't want to show off, but it was pretty amazing what I did, you know? | 0:12:07 | 0:12:11 | |
Just a couple of weeks' volunteer work in a special needs school | 0:12:11 | 0:12:14 | |
for children, just playing games with them, football, tennis, | 0:12:14 | 0:12:17 | |
and it does actually make you feel good inside... | 0:12:17 | 0:12:20 | |
because you always win. | 0:12:20 | 0:12:22 | |
They're shit. | 0:12:25 | 0:12:27 | |
So that was the West Country. I went to the West Country. | 0:12:28 | 0:12:31 | |
Where else did I...? I went to Scotland. I went to Glasgow. | 0:12:31 | 0:12:34 | |
Have we got any Glaswegians in? | 0:12:34 | 0:12:36 | |
Two? Well, that's enough for a fight. | 0:12:36 | 0:12:38 | |
I love Glasgow. Glasgow's a great place. Quite a tough city though. | 0:12:40 | 0:12:43 | |
Glasgow's the only place I've ever been where you see toddlers walking | 0:12:43 | 0:12:46 | |
around with muzzles on so they don't rip off Rottweilers' faces. | 0:12:46 | 0:12:50 | |
But I arrived in Glasgow and I decided what I needed, when I was in | 0:12:50 | 0:12:54 | |
Glasgow, was to go out and start my day by getting a proper breakfast. | 0:12:54 | 0:12:58 | |
I needed some energy, some food inside me. | 0:12:58 | 0:13:00 | |
So I set off into the centre of Glasgow and I found myself | 0:13:00 | 0:13:04 | |
a classic, sort of traditional greasy spoon Scottish cafe. | 0:13:04 | 0:13:08 | |
I walked in. | 0:13:08 | 0:13:09 | |
There was a dour looking Scottish waiter staring at me, | 0:13:09 | 0:13:13 | |
wishing that I was dead with every fibre of his being. | 0:13:13 | 0:13:16 | |
I sat down and I ordered myself a big, | 0:13:16 | 0:13:19 | |
big bowl of Bircher muesli with all the fruits. | 0:13:19 | 0:13:23 | |
And I took out my laptop and I started typing away, | 0:13:24 | 0:13:27 | |
just having a... Yeah, that's how I type. | 0:13:27 | 0:13:29 | |
It's a pedal-assisted laptop, and I was there... | 0:13:29 | 0:13:32 | |
..typing away, on my laptop and then I made the fatal error, | 0:13:33 | 0:13:37 | |
right, of asking my new-found Scottish chum, the waiter, | 0:13:37 | 0:13:40 | |
whether he had any Wi-Fi access. | 0:13:40 | 0:13:42 | |
To which he looked at me as if to say, | 0:13:42 | 0:13:45 | |
"I haven't even got access to my fucking kids." | 0:13:45 | 0:13:48 | |
I was like, "Oh, God." | 0:13:48 | 0:13:50 | |
So at this point, I wasn't feeling particularly well loved. | 0:13:51 | 0:13:54 | |
And then, thank God, the best thing that could possibly | 0:13:54 | 0:13:57 | |
happen in this situation then occurred. | 0:13:57 | 0:14:00 | |
An American couple walked in. | 0:14:00 | 0:14:02 | |
And all of a sudden I was no longer public enemy number one. | 0:14:04 | 0:14:07 | |
As soon as this woman waddled in the shop, | 0:14:09 | 0:14:11 | |
"Hey, Maury, come in here. They're definitely going to have waffles." | 0:14:11 | 0:14:14 | |
The waiter, he's clocked them. He's having | 0:14:14 | 0:14:16 | |
a xenophobic stroke in the corner. "Yankee doodle fucking bitch. | 0:14:16 | 0:14:19 | |
"She's as welcome in here as a bowl of couscous. | 0:14:19 | 0:14:22 | |
"I'm going to take a shit in her omelette." | 0:14:22 | 0:14:24 | |
She sits down. She's eating loudly. She's slurping on her coffee. | 0:14:24 | 0:14:28 | |
She gets the end of her coffee. She slams it down | 0:14:28 | 0:14:30 | |
and starts clicking at the waiter. | 0:14:30 | 0:14:32 | |
I'm like, "This shit's going to get messy". | 0:14:32 | 0:14:34 | |
She's like, "Sir, sir, sir. Come over here. I've finished my coffee. | 0:14:35 | 0:14:39 | |
"I will now have my free refill of coffee." | 0:14:39 | 0:14:43 | |
Oh, dear. | 0:14:43 | 0:14:45 | |
He did not like that. | 0:14:46 | 0:14:48 | |
He looked at her like she had just ordered dead baby soup or | 0:14:48 | 0:14:52 | |
something without batter. | 0:14:52 | 0:14:55 | |
He couldn't even formulate a response. | 0:14:56 | 0:14:58 | |
He wanted to say something but no sentences came out of his mouth. | 0:14:58 | 0:15:01 | |
After a minute of just aching and squealing, eventually, | 0:15:01 | 0:15:04 | |
he managed to shit out just a, "NO!" | 0:15:04 | 0:15:07 | |
She, cool as a cucumber, goes, | 0:15:08 | 0:15:10 | |
"Sir, I'm going to give you a little reality check here. OK? | 0:15:10 | 0:15:14 | |
"In America, if you order a coffee, we give you a free refill." | 0:15:14 | 0:15:19 | |
In front of everyone he looks her dead in the eye and he goes, "Love, | 0:15:19 | 0:15:22 | |
"in Glasgow, we don't give a fuck." | 0:15:22 | 0:15:25 | |
People were applauding him, patting him on the back. | 0:15:27 | 0:15:30 | |
There was a guy in the corner of the cafe in a wheelchair that | 0:15:30 | 0:15:32 | |
stood up to shout, "Freedom!" as she waddled out of the cafe. | 0:15:32 | 0:15:36 | |
LAUGHTER AND APPLAUSE | 0:15:38 | 0:15:40 | |
That's the thing. | 0:15:40 | 0:15:41 | |
There are some things that I don't think will ever make | 0:15:41 | 0:15:44 | |
the cultural crossover. | 0:15:44 | 0:15:45 | |
We're similar to Americans in many ways | 0:15:45 | 0:15:47 | |
but some things they will never get. | 0:15:47 | 0:15:49 | |
Like customer service, for example. They love that in America. | 0:15:49 | 0:15:52 | |
We will never have that in the UK. | 0:15:52 | 0:15:55 | |
We don't do customer service. I think that should be celebrated. | 0:15:55 | 0:15:58 | |
I do not like customer service. I think it's an ugly thing. | 0:15:58 | 0:16:01 | |
I like going into a shop anywhere in this country | 0:16:01 | 0:16:04 | |
and knowing exactly where I stand. | 0:16:04 | 0:16:07 | |
Knowing that I'm a piece of shit. | 0:16:07 | 0:16:08 | |
Phone shopping, for example. Phone shopping here is so easy. | 0:16:11 | 0:16:14 | |
You walk into the Carphone Warehouse. You know the drill. | 0:16:14 | 0:16:17 | |
You're going to get ignored for days. | 0:16:17 | 0:16:19 | |
There'll be a corpse at the counter where some elderly man has | 0:16:19 | 0:16:22 | |
gone in and tried to upgrade without his wife there to help. | 0:16:22 | 0:16:26 | |
Even when you do get assistance, | 0:16:26 | 0:16:27 | |
it'll be from some patronising little teenager in a suit that's | 0:16:27 | 0:16:30 | |
constantly ak-sing you, | 0:16:30 | 0:16:31 | |
"How many minutes you talking in a month, bruv?" | 0:16:31 | 0:16:34 | |
I don't know. | 0:16:34 | 0:16:35 | |
But when you leave the shop, you feel like you've earned your phone. | 0:16:37 | 0:16:40 | |
I had to go to the Apple Store recently in New York. Oh, my God. | 0:16:41 | 0:16:47 | |
Before you even have your foot in the threshold of the door, | 0:16:47 | 0:16:50 | |
there's some wank-tub with a fringe in your face. "Hey, buddy. | 0:16:50 | 0:16:54 | |
"My name's Drew. How's your day been going, hombre? | 0:16:54 | 0:16:58 | |
"What brings you to the Apple Store?" | 0:16:58 | 0:16:59 | |
"I'm here to buy a phone not make a friend. Fuck off!" | 0:16:59 | 0:17:02 | |
They applaud the first customer in of the day. | 0:17:05 | 0:17:07 | |
The Apple store in New York, they stand around clapping | 0:17:07 | 0:17:09 | |
as he walks into the shop. "Woo, we love you man! | 0:17:09 | 0:17:11 | |
"Customer number one! You rock!" | 0:17:11 | 0:17:14 | |
Can you imagine getting away with that behaviour at a UK phone shop? | 0:17:14 | 0:17:18 | |
At my local T-Mobile, the only customer that's getting | 0:17:18 | 0:17:21 | |
applauded there is the last one out of the door. | 0:17:21 | 0:17:23 | |
"Thank fuck you've gone. | 0:17:23 | 0:17:24 | |
"We're going down the pub, you BlackBerry wanker!" | 0:17:24 | 0:17:27 | |
It works both ways as well. I had to get a train when I was in America. | 0:17:31 | 0:17:35 | |
I got on to the platform and on the platform they had a poster. | 0:17:35 | 0:17:38 | |
On this poster was one of the American rail employees. | 0:17:38 | 0:17:41 | |
She was this woman, she was all made up. Her eyes were all full of hope. | 0:17:41 | 0:17:45 | |
She had a smile on her face. | 0:17:45 | 0:17:47 | |
Underneath it, a little slogan. | 0:17:47 | 0:17:49 | |
"Hey, you got enough snacks for the journey? Enjoy your trip!" | 0:17:49 | 0:17:53 | |
HE RETCHES | 0:17:53 | 0:17:55 | |
Compare that to the posters you get on every station platform | 0:17:56 | 0:18:00 | |
up and down this great country. What do you get? | 0:18:00 | 0:18:02 | |
You get a picture of a National Rail employee with a massive | 0:18:02 | 0:18:06 | |
black eye and underneath it, "Please don't hit our staff." | 0:18:06 | 0:18:09 | |
LAUGHTER AND APPLAUSE | 0:18:13 | 0:18:16 | |
APPLAUSE DROWNS SPEECH | 0:18:20 | 0:18:21 | |
I'm depressed as well that I even have to go to the Apple Store. | 0:18:22 | 0:18:25 | |
I never wanted that for my life. I was perfectly content before. | 0:18:25 | 0:18:29 | |
I was a non-iPhone user and I was happy. | 0:18:29 | 0:18:32 | |
But like all non-iPhone users, eventually I gave in. | 0:18:32 | 0:18:35 | |
I listened to them. I gave in to the iPhone Nazis. | 0:18:35 | 0:18:39 | |
These people that force you to get it. | 0:18:39 | 0:18:41 | |
They make you buy it and they lie to you | 0:18:41 | 0:18:43 | |
They don't tell you about the bad shit. | 0:18:43 | 0:18:45 | |
They only tell you about the good things. | 0:18:45 | 0:18:46 | |
They don't say, "Yeah, this phone is amazing | 0:18:46 | 0:18:49 | |
"but unfortunately it has a battery life of 20 seconds." | 0:18:49 | 0:18:52 | |
"It's a smartphone. You need to get a smartphone." | 0:18:52 | 0:18:54 | |
Fuck a smartphone. Do you know what I wish I still had? | 0:18:54 | 0:18:57 | |
A dumb-phone. That's what I like. | 0:18:57 | 0:18:59 | |
A phone where I knew where I stood. | 0:18:59 | 0:19:00 | |
You know the phone I wish I still had? The Nokia 3310! | 0:19:00 | 0:19:04 | |
CHEERING AND APPLAUSE | 0:19:04 | 0:19:06 | |
That was a phone. | 0:19:06 | 0:19:08 | |
Fuck the iPhone with all of its apps and its maps and its GPS shit. | 0:19:08 | 0:19:12 | |
The 3310 gave a man all he needed. | 0:19:12 | 0:19:15 | |
Stopwatch, calculator and Snake. Fuck anything else. | 0:19:15 | 0:19:18 | |
LAUGHTER AND APPLAUSE | 0:19:18 | 0:19:20 | |
There was no pretension with it. | 0:19:20 | 0:19:23 | |
The most pretentious the 3310 got | 0:19:23 | 0:19:25 | |
is when it upgraded itself to the 3330. | 0:19:25 | 0:19:28 | |
The only thing they added to that model was a currency converter | 0:19:28 | 0:19:32 | |
on a phone that didn't even work abroad. | 0:19:32 | 0:19:34 | |
And no pretension as well. | 0:19:36 | 0:19:38 | |
No pretension with predictive text messaging. | 0:19:38 | 0:19:40 | |
Predictive text messaging on the 3310 was bliss. | 0:19:40 | 0:19:43 | |
You tried to type a word into it, that was more than | 0:19:43 | 0:19:46 | |
five letters long, it would give up. | 0:19:46 | 0:19:48 | |
It was like it was saying, | 0:19:48 | 0:19:50 | |
"Yeah, you want to use poncey language like that? | 0:19:50 | 0:19:53 | |
"You're on your own, knobhead." | 0:19:53 | 0:19:55 | |
Not with the iPhone. Where does the iPhone get this vocabulary? | 0:19:55 | 0:19:58 | |
Constantly jumping to conclusions. Nobody fucking talks like that. | 0:19:58 | 0:20:02 | |
It doesn't matter what you put into the thing. You're like "a-n". | 0:20:02 | 0:20:05 | |
"Did you mean androgynous?" No! I meant "AND"! | 0:20:05 | 0:20:09 | |
LAUGHTER AND APPLAUSE | 0:20:09 | 0:20:12 | |
I realise this is probably looking now like I'm falling down | 0:20:12 | 0:20:16 | |
on the side of the consumer - that is not the case. | 0:20:16 | 0:20:18 | |
That is not the case at all. | 0:20:18 | 0:20:20 | |
I'm going to share with you tonight, Hammersmith Apollo, | 0:20:20 | 0:20:22 | |
I have actually done a little bit of time right on the front line. | 0:20:22 | 0:20:26 | |
I did four weeks one summer holidays working in Clinton Cards. | 0:20:26 | 0:20:31 | |
The horror. | 0:20:33 | 0:20:35 | |
Have we got any other survivors in? | 0:20:35 | 0:20:37 | |
Who else has worked in a shop? Show of hands. Yeah? Front row. | 0:20:37 | 0:20:42 | |
Where did you work? | 0:20:42 | 0:20:43 | |
-Burton. -Burton? -No, Burton's shoe shop. | 0:20:43 | 0:20:48 | |
Burton's shoe shop? What did you get it confused with initially? | 0:20:48 | 0:20:51 | |
There's different types of Burton's? It's probably why you didn't | 0:20:53 | 0:20:56 | |
last very long there. | 0:20:56 | 0:20:58 | |
Have you been drinking? You're an alcoholic. OK. | 0:20:58 | 0:21:00 | |
The, er... | 0:21:00 | 0:21:02 | |
You were thrown out of the shoe shop, weren't you? | 0:21:02 | 0:21:04 | |
Stole all the shoes. | 0:21:04 | 0:21:06 | |
What was your worst type of customer to come into Burton's shoe shop? | 0:21:06 | 0:21:09 | |
The most annoying? Someone like me? | 0:21:09 | 0:21:11 | |
Why someone like me? I have feet. I buy shoes. Why? | 0:21:13 | 0:21:16 | |
Because I'd be picky with the shoes? I'd want something nice, would I? | 0:21:16 | 0:21:19 | |
What are you rocking down there? You look like a guard in | 0:21:19 | 0:21:23 | |
a women's prison. | 0:21:23 | 0:21:25 | |
I used to find the worst coming into Clinton Cards, | 0:21:27 | 0:21:30 | |
the worst customer was the elderly. I hated the elderly coming in. | 0:21:30 | 0:21:33 | |
They'd always come in at the end of the day. | 0:21:33 | 0:21:35 | |
They picked their moments | 0:21:35 | 0:21:37 | |
We had this old woman once. She came in Friday afternoon, 5.55. | 0:21:37 | 0:21:41 | |
"Hello, I need to buy a birthday card for my grandson." | 0:21:43 | 0:21:47 | |
"If you're not out of shop in five minutes, love, | 0:21:47 | 0:21:50 | |
"the only card he'll require is a condolence card. Make it quick." | 0:21:50 | 0:21:54 | |
-How did you leave Burton's? Did you walk out? -I was sacked. | 0:21:57 | 0:22:00 | |
-You got sacked? What for? What did you do? -I didn't sell enough... | 0:22:00 | 0:22:05 | |
-You didn't sell enough shoes? -No, products. | 0:22:05 | 0:22:07 | |
-Products? -With the shoes. -With the shoes? There's additional stuff | 0:22:07 | 0:22:12 | |
-that you have to sell? -Leather cleaner. -Leather cleaner? | 0:22:12 | 0:22:15 | |
Who the fuck buys leather cleaner? They sacked you for that? | 0:22:15 | 0:22:18 | |
These bastards! Where are they? | 0:22:18 | 0:22:20 | |
Next time there's a riot, we're going to fuck them up. | 0:22:20 | 0:22:23 | |
Sacking you for shit like that. That is so unfair! | 0:22:24 | 0:22:27 | |
CHEERING AND APPLAUSE | 0:22:27 | 0:22:29 | |
Do you know what they got me on? Clinton Cards? | 0:22:29 | 0:22:32 | |
It's so unfair because there was this stipulation when I signed up | 0:22:32 | 0:22:35 | |
to the contract that I couldn't do what it did. | 0:22:35 | 0:22:37 | |
About 5.30 I couldn't be arsed, I wanted to go down the pub. | 0:22:37 | 0:22:40 | |
I used to stand in the doorway, ushering people out of the shop. | 0:22:40 | 0:22:42 | |
If anyone did try to get by me I'd be like, "Moonpig.com." Try it. | 0:22:42 | 0:22:47 | |
I mentioned the riots. | 0:22:50 | 0:22:52 | |
The riots, for me, those were the people I felt sorry for. | 0:22:52 | 0:22:54 | |
People having to clean up the shop the following day. | 0:22:54 | 0:22:57 | |
I was trapped in the middle of the riots. | 0:22:57 | 0:22:59 | |
When it was all kicking off last year, | 0:22:59 | 0:23:01 | |
I was in Manchester when the shit hit the fan. It was amazing. | 0:23:01 | 0:23:04 | |
I saw some incredible sights. | 0:23:04 | 0:23:05 | |
I saw a group of youths, in Manchester, trying to loot | 0:23:05 | 0:23:11 | |
a Lidl. | 0:23:11 | 0:23:13 | |
Now, I'm not an expert looter, I don't do much looting myself, | 0:23:13 | 0:23:17 | |
but I would imagine that one of the major advantages | 0:23:17 | 0:23:20 | |
of looting, smashing in the window of a shop and stealing | 0:23:20 | 0:23:24 | |
their shit, is that there aren't any budgetary restrictions. | 0:23:24 | 0:23:29 | |
Go a little bit more upmarket! | 0:23:30 | 0:23:32 | |
I just wanted to see one of these scallies taking | 0:23:32 | 0:23:34 | |
a bit of initiative, | 0:23:34 | 0:23:35 | |
coming round the corner on his BMX with a handful of quail's eggs | 0:23:35 | 0:23:38 | |
and Prosecco. | 0:23:38 | 0:23:40 | |
"Yeah, this ain't just looting. This is M&S looting." | 0:23:40 | 0:23:43 | |
LAUGHTER AND APPLAUSE | 0:23:46 | 0:23:48 | |
I did see, though... | 0:23:48 | 0:23:50 | |
I did see one thing that for me made the whole riots worth it. | 0:23:50 | 0:23:53 | |
A lovely little bit of poetic justice. | 0:23:53 | 0:23:56 | |
There were these two scallies in Manchester, | 0:23:56 | 0:23:58 | |
they can't have been more than 14 or 15. | 0:23:58 | 0:24:00 | |
They'd smashed in the window of the Diesel shop in town. | 0:24:00 | 0:24:03 | |
They'd stolen loads of clothes. | 0:24:03 | 0:24:05 | |
They ran past me, stopped at the end of the street and then | 0:24:05 | 0:24:08 | |
I heard the line that made all of the riots worthwhile. | 0:24:08 | 0:24:11 | |
This guy picked up this pair of jeans, | 0:24:11 | 0:24:13 | |
turned to his mate and he went, "Oh, Deano, you knobhead. | 0:24:13 | 0:24:16 | |
"These are all women's." | 0:24:16 | 0:24:18 | |
But I bought a pair anyway. | 0:24:22 | 0:24:24 | |
That shows how angry we were as a nation, the riots. | 0:24:27 | 0:24:30 | |
That's why we are so unpopular. We are, let's face it. | 0:24:30 | 0:24:33 | |
We're not very popular here in the UK. Look at Europe. Europe hate us. | 0:24:33 | 0:24:37 | |
I always think that's so unfair. We've done so much shit for Europe. | 0:24:37 | 0:24:41 | |
We've helped bail out Greece and Ireland, helped put a stop to | 0:24:41 | 0:24:44 | |
racially-motivated genocide in the Balkans, | 0:24:44 | 0:24:46 | |
liberated half of Europe from Nazi occupation. | 0:24:46 | 0:24:49 | |
But do they show us any thanks | 0:24:49 | 0:24:52 | |
come Eurovision time? | 0:24:52 | 0:24:54 | |
Oh, no, no, no! I get fed up. I love Eurovision, I do. | 0:24:54 | 0:24:57 | |
I think it's brilliant. | 0:24:57 | 0:24:59 | |
Every year we get fucked over by the rest of Europe | 0:24:59 | 0:25:01 | |
because they say it's political. | 0:25:01 | 0:25:03 | |
"Oh, it's very political, the Eurovision Song Contest." | 0:25:03 | 0:25:06 | |
Even when we send over the big guns like Blue, | 0:25:06 | 0:25:08 | |
or Engelbert Humperdinck, it's "Nil points." | 0:25:08 | 0:25:10 | |
Because it's political. | 0:25:10 | 0:25:12 | |
You know what I've decided? We fight back. | 0:25:12 | 0:25:14 | |
We get political on their asses. | 0:25:14 | 0:25:16 | |
The next time the Eurovision Song Contest comes round | 0:25:16 | 0:25:18 | |
and it's the bit where they give out the points, | 0:25:18 | 0:25:20 | |
"This year Moldova have decided we will only be sending two points | 0:25:20 | 0:25:24 | |
"to the UK because we did not agree | 0:25:24 | 0:25:27 | |
"with the wars in Afghanistan and Iraq." | 0:25:27 | 0:25:29 | |
-HIGH-PITCHED: -"Ooh, very well, Moldova, | 0:25:29 | 0:25:32 | |
"only sending us two points. | 0:25:32 | 0:25:34 | |
"Well, do you know what we're going to be sending you over, Dov? | 0:25:34 | 0:25:37 | |
"Those Tomahawk missiles! | 0:25:37 | 0:25:40 | |
"You saw that shit we were pulling Libya? Well, you're next, | 0:25:40 | 0:25:43 | |
"Moldova, just as soon as we've found out where the fuck you are!" | 0:25:43 | 0:25:47 | |
CHEERING | 0:25:50 | 0:25:52 | |
That's about as far as my politics goes, by the way. | 0:25:56 | 0:25:59 | |
I'm not a very political person, which I think is sometimes | 0:25:59 | 0:26:01 | |
quite good, cos I can look at a problem and see a simple solution. | 0:26:01 | 0:26:06 | |
You know, like health for example. | 0:26:06 | 0:26:08 | |
We're constantly told we're a very fat and obese nation - | 0:26:08 | 0:26:11 | |
I could sort it out like that, cos it's the government's fault. | 0:26:11 | 0:26:13 | |
They're not doing enough. | 0:26:13 | 0:26:15 | |
With some shit that's unhealthy for us they do their bit, like smoking. | 0:26:15 | 0:26:19 | |
Smokers, you go in, you buy your packet of cigarettes, | 0:26:19 | 0:26:21 | |
every single pack has got a picture of like, a lung kicked in shit. | 0:26:21 | 0:26:26 | |
You're like, "Oh, I don't want to smoke these | 0:26:26 | 0:26:28 | |
"cos I don't want my lungs to get kicked in shit as well. | 0:26:28 | 0:26:31 | |
"Thanks very much, government, for looking out for me there." | 0:26:31 | 0:26:33 | |
That's fine if you're doing that with cigarettes - great. | 0:26:33 | 0:26:36 | |
But you got to start doing that shit across the board. | 0:26:36 | 0:26:39 | |
You've got to start doing that with everyone that's unhealthy for us, | 0:26:39 | 0:26:42 | |
with food. | 0:26:42 | 0:26:44 | |
If you walk into a Tesco's | 0:26:44 | 0:26:45 | |
and you want to buy yourself a massive chocolate cake, | 0:26:45 | 0:26:48 | |
that thing should come with a picture on it of a fat lady | 0:26:48 | 0:26:51 | |
crying as she comes out of Topshop empty-handed. | 0:26:51 | 0:26:53 | |
Problem solved. | 0:26:57 | 0:26:58 | |
Cos I am trying to take more of an interest in politics, | 0:27:03 | 0:27:06 | |
basically, I am trying to become more of a grown-up. | 0:27:06 | 0:27:08 | |
This is a big thing in my life, Hammersmith, | 0:27:08 | 0:27:10 | |
I've had some big changes going on. | 0:27:10 | 0:27:13 | |
One of these I'm really proud to share you with this evening | 0:27:13 | 0:27:16 | |
is that I am no longer living at home with my mother, | 0:27:16 | 0:27:20 | |
I am now in rented accommodation! | 0:27:20 | 0:27:23 | |
CHEERING | 0:27:23 | 0:27:24 | |
I know. | 0:27:24 | 0:27:26 | |
And I'm doing shit I never thought I'd do, | 0:27:26 | 0:27:28 | |
surprising myself all the time. | 0:27:28 | 0:27:31 | |
The other day I invited a friend over for a cup of tea, | 0:27:31 | 0:27:34 | |
cos that's what I do now, I don't go out to nightclubs | 0:27:34 | 0:27:37 | |
and take class As and finger people by bins - that's over. | 0:27:37 | 0:27:40 | |
I have friends over to mine, | 0:27:40 | 0:27:42 | |
we drink herbal tea and we watch Eggheads. | 0:27:42 | 0:27:44 | |
So fuck you, CJ. | 0:27:44 | 0:27:46 | |
So I invited my friend round, hand her this herbal tea, | 0:27:47 | 0:27:50 | |
she goes to put it down on the coffee table, | 0:27:50 | 0:27:52 | |
before that mug has made contact with the coffee table - boom - | 0:27:52 | 0:27:55 | |
I had a coaster underneath it! | 0:27:55 | 0:27:57 | |
I'm not the coaster guy - all of a sudden, I'm the coaster guy. | 0:27:57 | 0:28:01 | |
And that's just the tip of the iceberg. | 0:28:01 | 0:28:04 | |
This one is even more incredible. | 0:28:04 | 0:28:06 | |
I was sat on my own, in my flat, and I saw a light bulb flicker | 0:28:06 | 0:28:12 | |
and go out, and my instant response was this... | 0:28:12 | 0:28:15 | |
"Ah, fuck...I'm going to have to change that." | 0:28:15 | 0:28:18 | |
And then I did! | 0:28:20 | 0:28:21 | |
I got a chair out, I cha... I CHANGED A LIGHT BULB! | 0:28:23 | 0:28:26 | |
Compare that to me in my student flat three years ago. | 0:28:26 | 0:28:29 | |
If I was sat in a room and a light bulb flickered out, | 0:28:29 | 0:28:32 | |
my instant response was this... | 0:28:32 | 0:28:34 | |
"Ah, fuck, | 0:28:34 | 0:28:35 | |
"we're only going to be able to use this room in the day now." | 0:28:35 | 0:28:38 | |
There's some shit I draw the line at, some stuff I will not be doing. | 0:28:43 | 0:28:46 | |
I received a terrifying phone call from a friend the other day, | 0:28:46 | 0:28:50 | |
from this girl, she goes, "Jack, Jack, | 0:28:50 | 0:28:52 | |
"when are you going to invite me over for a dinner party?" | 0:28:52 | 0:28:55 | |
I was like, "Hm, how about...never? | 0:28:56 | 0:28:59 | |
"I've seen Come Dine With Me, I'm | 0:28:59 | 0:29:01 | |
"not putting myself through that shit." | 0:29:01 | 0:29:03 | |
Cos if anyone's seen Come Dine With Me, that will put you off having | 0:29:04 | 0:29:08 | |
a dinner party, or even having friends, for the rest of your life. | 0:29:08 | 0:29:12 | |
Where do they find those people? | 0:29:12 | 0:29:14 | |
You could give them the best night of their entire lives, | 0:29:14 | 0:29:17 | |
as soon as they get in the back of the cab, they're | 0:29:17 | 0:29:19 | |
thinking about one thing and one thing alone - the tray of cash. | 0:29:19 | 0:29:23 | |
They're greedy bastards! | 0:29:23 | 0:29:25 | |
"So, tell me, how was your evening?" "Oh, my God, it was amazing. | 0:29:25 | 0:29:29 | |
"We arrived early, we were given vol-au-vents and champagne. | 0:29:29 | 0:29:31 | |
"We were then ushered through to the garden where we witnessed | 0:29:31 | 0:29:34 | |
"the most wonderful fireworks display | 0:29:34 | 0:29:36 | |
"and a live performance from the Beatles. | 0:29:36 | 0:29:38 | |
"We then tottered on through to the dining area, | 0:29:38 | 0:29:41 | |
"where I sat down NOT upon a chair - | 0:29:41 | 0:29:43 | |
"but upon the naked, coiled body of Megan Fox. | 0:29:43 | 0:29:47 | |
"For starter we had a fruit de la mer platter followed by | 0:29:47 | 0:29:51 | |
"a rare unicorn steak. | 0:29:51 | 0:29:52 | |
"Midway through the meal I went to relieve myself, there was | 0:29:52 | 0:29:55 | |
"no toilet to piss into, so I got to urinate into the mouth | 0:29:55 | 0:29:59 | |
"of the boy that bullied me in school! | 0:29:59 | 0:30:00 | |
"At the end of the evening, | 0:30:00 | 0:30:02 | |
"we were all given a goody bag which contained | 0:30:02 | 0:30:04 | |
"a Nebuchadnezzar of champagne, rich Belgian chocolates | 0:30:04 | 0:30:08 | |
"and the love and attention that I craved from my father as a child. | 0:30:08 | 0:30:12 | |
"And, oh, I nearly forgot to mention. | 0:30:12 | 0:30:15 | |
"At the beginning of the evening one of our assembled party | 0:30:15 | 0:30:18 | |
"announced to the group that they were in fact a vegetarian. | 0:30:18 | 0:30:23 | |
"So they were captured in a tuna net, dragged outside into the garden, | 0:30:23 | 0:30:27 | |
"told to stop seeking attention | 0:30:27 | 0:30:29 | |
"and then shot in the face with a whaling harpoon! | 0:30:29 | 0:30:32 | |
"It was the most wonderful evening of my life, | 0:30:32 | 0:30:34 | |
"and that's why I'm giving our host for this evening...a two." | 0:30:34 | 0:30:38 | |
Outrageous! | 0:30:42 | 0:30:43 | |
So my grown-up living was going very well in my flat with my coasters | 0:30:49 | 0:30:53 | |
and everything, but then it took a bit of a nosedive, because | 0:30:53 | 0:30:56 | |
I realised there was one thing I no longer had which I really relied on. | 0:30:56 | 0:31:01 | |
And that was my mother. | 0:31:01 | 0:31:02 | |
Cos I will be the first to admit, Hammersmith, I am | 0:31:03 | 0:31:06 | |
a MASSIVE mummy's boy, OK, she is incredible, | 0:31:06 | 0:31:09 | |
she does everything for me. | 0:31:09 | 0:31:10 | |
I wouldn't be here today if it wasn't for my mum - that's a fact. | 0:31:10 | 0:31:14 | |
No, but when I first started doing stand-up and stuff, | 0:31:15 | 0:31:20 | |
my mum would drive me to all my gigs. | 0:31:20 | 0:31:23 | |
I'd do the show and then she'd take me back afterwards. | 0:31:23 | 0:31:26 | |
I know, rock n' roll. | 0:31:27 | 0:31:28 | |
It meant it was quite hard to pick up ladies after shows. | 0:31:30 | 0:31:33 | |
"Yeah, you want to come back to my crib, babe? | 0:31:33 | 0:31:35 | |
"My ride's outside, it's the Volvo estate, you'll have to sit | 0:31:35 | 0:31:38 | |
"in the back cos me and Mother like | 0:31:38 | 0:31:40 | |
"to ride up front, listen to Radio 4." | 0:31:40 | 0:31:42 | |
Not many people came back with me. | 0:31:45 | 0:31:48 | |
But I realised I didn't have my mum any more, and I decided this | 0:31:48 | 0:31:52 | |
was what I was going to do - I thought I could start dating my mum. | 0:31:52 | 0:31:58 | |
Not my actual mum! That sounds weird, | 0:32:00 | 0:32:01 | |
but like a version of my mum that there would be a sexual aspect to... | 0:32:01 | 0:32:08 | |
This is coming out wrong. | 0:32:08 | 0:32:09 | |
When I was living at home with my mum there was one sexual element, | 0:32:12 | 0:32:15 | |
and that was my mum had garnered the greatest weapon | 0:32:15 | 0:32:19 | |
any women can have in any relationship with a man - | 0:32:19 | 0:32:21 | |
the ability to deny a man from having sex. | 0:32:21 | 0:32:25 | |
Cos men, we just want to have sex all the time. | 0:32:25 | 0:32:29 | |
How old are you, over there in the T-shirt? | 0:32:29 | 0:32:32 | |
19? You must be like a fucking ball of spunk! | 0:32:32 | 0:32:35 | |
You haven't listened to a word I've said, you've just been | 0:32:36 | 0:32:39 | |
working out whether you can climb onto the stage and fuck that E. | 0:32:39 | 0:32:42 | |
But we do, we want sex all the time, we're animalistic. | 0:32:46 | 0:32:49 | |
And if a woman can turn round and be like, "No come for you," | 0:32:49 | 0:32:52 | |
you have control. | 0:32:52 | 0:32:54 | |
I realise that's not how women do it. | 0:32:54 | 0:32:56 | |
"Do you want to make love?" "NO COME FOR YOU!" | 0:32:56 | 0:32:58 | |
But my mum did, she tried to stop me from having sex | 0:33:01 | 0:33:03 | |
when I was living at home. | 0:33:03 | 0:33:06 | |
She didn't mind me having sex elsewhere, like, | 0:33:06 | 0:33:09 | |
I remember going away to my first stag weekend to this | 0:33:09 | 0:33:13 | |
horny, hookering pimple in Eastern Europe called Tallinn. | 0:33:13 | 0:33:17 | |
My mum helped me pack my bag, in the front pocket she put 30 condoms! | 0:33:17 | 0:33:21 | |
30! I was there for two days. | 0:33:23 | 0:33:25 | |
I counted them when I came back - there was 31. | 0:33:25 | 0:33:28 | |
But it was sex in the house she wasn't happy with, and she had | 0:33:31 | 0:33:34 | |
a whole arsenal of ways of stopping me from having sex in the house. | 0:33:34 | 0:33:37 | |
The first thing she did was to try and desexualise my bedroom. | 0:33:37 | 0:33:41 | |
She thinks I didn't notice, it was so obvious. | 0:33:41 | 0:33:43 | |
The longer I'd been going out with a girl, | 0:33:43 | 0:33:45 | |
the more children's toys would appear on the floor, | 0:33:45 | 0:33:49 | |
family photographs adorning every mantelpiece, | 0:33:49 | 0:33:53 | |
a massive framed picture of my creepy uncle above the bed. | 0:33:53 | 0:33:56 | |
And this huge mound of cushions as well, | 0:33:56 | 0:33:59 | |
towered high above the bedspread, that you'd have to hack | 0:33:59 | 0:34:01 | |
through before you could even get into the sheets! | 0:34:01 | 0:34:04 | |
And they all had little things embroidered on them | 0:34:04 | 0:34:06 | |
to kill any sexual mood - "Home sweet home", "Mummy knows best", | 0:34:06 | 0:34:09 | |
"Daddy's under the bed" - what the fuck?! | 0:34:09 | 0:34:13 | |
And it didn't stop there, another one she did was buy me | 0:34:14 | 0:34:17 | |
a new bed as soon as I turned 18. | 0:34:17 | 0:34:21 | |
I was like, "Oh, thanks, Mum, a new bed." | 0:34:21 | 0:34:23 | |
The LOUDEST bed I've ever had sex on in my entire life. | 0:34:23 | 0:34:27 | |
This thing would creak in space. | 0:34:27 | 0:34:30 | |
And it's not like I was having loud sex on it. | 0:34:30 | 0:34:33 | |
(I would have the quietest...) | 0:34:33 | 0:34:35 | |
Don't know why I'm looking at you, Darren, sorry. | 0:34:35 | 0:34:37 | |
Yeah, but I was trying to have the quietest sex possible, | 0:34:39 | 0:34:41 | |
I was very conscious that my mum was beneath me... | 0:34:41 | 0:34:44 | |
No, not beneath! No, no! | 0:34:44 | 0:34:45 | |
I mean, the room below, you sick fucks! | 0:34:47 | 0:34:49 | |
Stealth sex, that's what I used to call it. | 0:34:50 | 0:34:54 | |
Me and my girlfriend would do it so quietly, | 0:34:54 | 0:34:59 | |
like...like we were Anne Frank's parents. | 0:34:59 | 0:35:02 | |
Shh. | 0:35:02 | 0:35:03 | |
Yeah, she didn't put that in the diary! | 0:35:06 | 0:35:08 | |
I can't do anything fun either, anything experimental. | 0:35:14 | 0:35:18 | |
Came home from a night out a bit tipsy maybe, | 0:35:18 | 0:35:20 | |
"Oh, Jack, do you want to try a bit of role play?" | 0:35:20 | 0:35:22 | |
"Um, could you just play dead? Honestly, that would help." | 0:35:22 | 0:35:26 | |
Sex for me at home, in my mum's house, became a little bit | 0:35:26 | 0:35:29 | |
like arriving late at the theatre and trying to find your seat. | 0:35:29 | 0:35:33 | |
A lot of shuffling, a bit of shooshing, then a pause | 0:35:33 | 0:35:36 | |
and somewhere in the darkness a whispered "I'm sorry." | 0:35:36 | 0:35:39 | |
And that's not to say I ever wanted weird sex, | 0:35:46 | 0:35:48 | |
I don't like anything odd. | 0:35:48 | 0:35:50 | |
When it comes to sex, I like it very simple, | 0:35:50 | 0:35:53 | |
I'm quite British about the whole thing. | 0:35:53 | 0:35:55 | |
Victorian British. | 0:35:55 | 0:35:56 | |
I want three minutes in the dark, then we both roll over, | 0:35:56 | 0:35:59 | |
assume the foetal position and cry for a bit. | 0:35:59 | 0:36:01 | |
That's how it's done. And none of that talking, I hate the talking. | 0:36:01 | 0:36:07 | |
They say during sex a woman should lie back and think of England. | 0:36:07 | 0:36:10 | |
I couldn't agree more but let's make it more specific - lie back | 0:36:10 | 0:36:14 | |
and think of London. | 0:36:14 | 0:36:15 | |
Don't make any eye-contact with me | 0:36:15 | 0:36:17 | |
and don't you dare start a conversation. | 0:36:17 | 0:36:19 | |
Cos I had a girl who tried to get me to do the dirty talk thing, | 0:36:21 | 0:36:24 | |
and I warned her that it wouldn't work, | 0:36:24 | 0:36:27 | |
this voice does not work within the echelons of a sexy environment. | 0:36:27 | 0:36:31 | |
Therefore any sexual conduct will be conducted in complete silence. | 0:36:31 | 0:36:36 | |
But she insisted on doing it, she was, | 0:36:36 | 0:36:39 | |
"Oh, Jack, tell me I've been a bad girl!" | 0:36:39 | 0:36:43 | |
"You-you've been a very bad girl." | 0:36:43 | 0:36:46 | |
"How bad, how bad?!" | 0:36:46 | 0:36:48 | |
"I don't know, is there a scale? | 0:36:48 | 0:36:50 | |
"Worse than a looter, not as bad as Harold Shipman, are you happy now?" | 0:36:50 | 0:36:53 | |
That's not even the worst one. This has haunted me for a long time. | 0:36:59 | 0:37:04 | |
I was going out with this girl at university, | 0:37:04 | 0:37:07 | |
and she had this thing where, basically, in sixth form, | 0:37:07 | 0:37:10 | |
she had gone out with her PE teacher at school. | 0:37:10 | 0:37:15 | |
So she asked me to do a role play reversal in the bedroom, | 0:37:15 | 0:37:20 | |
where she was the PE teacher and I was the pupil. | 0:37:20 | 0:37:24 | |
I was like, "I am NOT comfortable with this whatsoever." | 0:37:25 | 0:37:28 | |
I really didn't want to do it, but I didn't know how to get out of it! | 0:37:28 | 0:37:33 | |
Eventually I turned up with a note from my mum, I was like... | 0:37:33 | 0:37:36 | |
So, I haven't yet mentioned where my father lies in all of this, | 0:37:45 | 0:37:50 | |
which is really to not give a flying fuck about any of it. | 0:37:50 | 0:37:53 | |
Because my dad, he's from an older generation of fathers, | 0:37:53 | 0:37:58 | |
he's quite old-fashioned. | 0:37:58 | 0:37:59 | |
"Old-fashioned"? Racist. | 0:37:59 | 0:38:02 | |
Because he's an older dad. | 0:38:05 | 0:38:08 | |
Show of hands, where are the dads in the room? Put your hands up, dads. | 0:38:08 | 0:38:13 | |
That one took ages to go up, sir. | 0:38:13 | 0:38:15 | |
You're not sure whether the child's yours? | 0:38:15 | 0:38:18 | |
"We got a lot in common - I like Chinese food, | 0:38:18 | 0:38:20 | |
"she was Chinese, I just put her in the car." | 0:38:20 | 0:38:22 | |
No, keep your hands up, dads. | 0:38:24 | 0:38:26 | |
Now, I want you to keep your hands up | 0:38:26 | 0:38:29 | |
if you think of yourselves as being cool dads. | 0:38:29 | 0:38:32 | |
One over there, no more...? This one's staying up. | 0:38:34 | 0:38:37 | |
You think you're a cool dad, | 0:38:38 | 0:38:40 | |
you got a cool dad's name like Lance or Troy? | 0:38:40 | 0:38:43 | |
What's your name? | 0:38:43 | 0:38:45 | |
-Graham. -Graham? | 0:38:45 | 0:38:46 | |
So, Graham, have you prepared for the birds and the bees talk? | 0:38:50 | 0:38:54 | |
You laugh, your wife was like, "No, he fucking hasn't." | 0:38:54 | 0:38:56 | |
What I'm saying is, you need to prepare for the birds and the bees talk, | 0:38:57 | 0:39:01 | |
it's very important, cos if you don't, you'll cock it up. | 0:39:01 | 0:39:03 | |
It will never be as bad as what my dad showed me - not "showed", | 0:39:03 | 0:39:07 | |
that sounds terrible! | 0:39:07 | 0:39:08 | |
"Jack, come in here! Right, this is the way your mother likes it. | 0:39:09 | 0:39:12 | |
"I just lean over and spank her tits, yeah." | 0:39:13 | 0:39:15 | |
Sorry. That's a rough image for me as well. | 0:39:16 | 0:39:19 | |
Cos my mum's tits are rank. | 0:39:21 | 0:39:22 | |
They're not, they're lovely - not "lovely"! | 0:39:24 | 0:39:27 | |
Aw... She's in tonight, that's awkward. | 0:39:28 | 0:39:31 | |
No, I didn't really get a birds and the bees talk from my dad, | 0:39:35 | 0:39:39 | |
all I got - when I was about 15 - my dad picked me up from school, | 0:39:39 | 0:39:44 | |
we were driving along in the car in complete silence, | 0:39:44 | 0:39:47 | |
he hadn't said anything to me, we stopped at the traffic lights, | 0:39:47 | 0:39:50 | |
and he just turned me and went, | 0:39:50 | 0:39:52 | |
"Jack, I've had a lock installed on your door. | 0:39:52 | 0:39:55 | |
"The last thing I want is for your mother Hillary to walk in | 0:39:55 | 0:39:58 | |
"and find you... HAVING ONE OFF THE WRIST." | 0:39:58 | 0:40:01 | |
That's all I got from him! | 0:40:05 | 0:40:07 | |
Cos my dad, he's quite a stern man. | 0:40:09 | 0:40:11 | |
Two brief stories that sort of set him up, | 0:40:11 | 0:40:14 | |
so you can understand what he's like. | 0:40:14 | 0:40:17 | |
Both of them involve my dad watching the news with me. | 0:40:17 | 0:40:20 | |
Cos that's when he's at his most "Dad". | 0:40:20 | 0:40:22 | |
The first of which, we're watching this very sad news story, | 0:40:22 | 0:40:26 | |
really emotional, it was about this girl who'd been | 0:40:26 | 0:40:29 | |
shot in a drive-by shooting outside a KFC in Brixton, it was horrible. | 0:40:29 | 0:40:33 | |
They were interviewing friends, family, witnesses, | 0:40:33 | 0:40:36 | |
a lot of tears, it was really emotionally engaging. | 0:40:36 | 0:40:39 | |
And it got to the end, a news reporter summed it up. | 0:40:39 | 0:40:41 | |
He said, "An innocent woman has been gunned down in her prime here | 0:40:41 | 0:40:45 | |
"outside a KFC restaurant in Brixton. | 0:40:45 | 0:40:48 | |
"Back to you in the studio." | 0:40:48 | 0:40:49 | |
There was a pause in my sitting room, and my dad turned to me | 0:40:49 | 0:40:52 | |
and went, "Huh! That's not a restaurant." | 0:40:52 | 0:40:55 | |
Not the point! | 0:40:58 | 0:40:59 | |
The other one, which in my mind is even worse, me and my dad watching | 0:41:01 | 0:41:06 | |
the news with my mum in the kitchen, lovely little family dinner. | 0:41:06 | 0:41:10 | |
A story came on about a certain Robert Mugabe. | 0:41:10 | 0:41:14 | |
Now, my dad's not really a fan of Robert Mugabe, I mean, | 0:41:14 | 0:41:18 | |
no-one's a fan of Robert Mugabe! | 0:41:18 | 0:41:20 | |
If we've got any fans in, I suggest you leave now, | 0:41:20 | 0:41:22 | |
cos you won't like this next bit. | 0:41:22 | 0:41:24 | |
But Robert Mugabe was on the screen | 0:41:24 | 0:41:25 | |
and I could see my dad was getting quite irate. | 0:41:25 | 0:41:28 | |
He was tremoring, there was veins popping out of his forehead, | 0:41:28 | 0:41:31 | |
and then suddenly, from nowhere, he just erupted, | 0:41:31 | 0:41:34 | |
the biggest temper tantrum I'd ever see him throw. | 0:41:34 | 0:41:37 | |
He stood up from the table, started shouting at the TV, | 0:41:37 | 0:41:40 | |
"Oh, my God, he is the most odious man, he's a ghastly, nasty | 0:41:40 | 0:41:44 | |
"wretched Rhodesian little pimp, he's a horrible, nasty, odious, | 0:41:44 | 0:41:50 | |
-"wretched, ghastly, fucking -BLEEP! | 0:41:50 | 0:41:53 | |
He said it, in front of my mum, my dad dropped the C bomb. | 0:41:54 | 0:41:57 | |
And my mother went ballistic! | 0:41:58 | 0:42:00 | |
She went, "Michael, how dare you? | 0:42:01 | 0:42:04 | |
"I realise that he is a terrible man, | 0:42:04 | 0:42:06 | |
"but you do not use that word in this household. | 0:42:06 | 0:42:09 | |
"You do not use that word in front of my children!" | 0:42:09 | 0:42:14 | |
My dad, no word of a lie, he swing round, looked her in the eye | 0:42:14 | 0:42:17 | |
and he said, "This is typical of you, Hillary. | 0:42:17 | 0:42:20 | |
"You are always defending Mugabe!" | 0:42:20 | 0:42:23 | |
So that's the kind of man he is and when we were growing up, | 0:42:33 | 0:42:37 | |
me and my dad, we argued quite a lot, | 0:42:37 | 0:42:39 | |
we clashed quite a lot over some things that were | 0:42:39 | 0:42:41 | |
sort of recurring, because, basically, when I was younger, | 0:42:41 | 0:42:45 | |
when I was growing up, I was quite a creative child. | 0:42:45 | 0:42:48 | |
Creative - gay! | 0:42:48 | 0:42:49 | |
My dad didn't like that | 0:42:51 | 0:42:52 | |
because he was always sort of trying to butch me up. | 0:42:52 | 0:42:55 | |
He was trying to make me more sort of macho, um... | 0:42:55 | 0:42:58 | |
and I think you'll agree he's done a pretty fabulous job. | 0:42:58 | 0:43:02 | |
I mean, we used to argue all the time, we used argue all the time, | 0:43:02 | 0:43:07 | |
and every time we argued as well, I'd always do the same thing, | 0:43:07 | 0:43:10 | |
I'd run away from home. That's what I'd do, | 0:43:10 | 0:43:12 | |
no matter what the argument was about, it was, "I'm running away. | 0:43:12 | 0:43:14 | |
"I'm leaving home, I'm going for ever to live on the streets, | 0:43:14 | 0:43:17 | |
"you won't be seeing me again. Mother, pack my bag. | 0:43:17 | 0:43:21 | |
"Put in all the essentials, Frubes, | 0:43:21 | 0:43:23 | |
"I'll need some Frubes to eat and some... | 0:43:23 | 0:43:24 | |
"My sticker album and my Tamagotchi | 0:43:24 | 0:43:26 | |
"cos homeless people get more money if they have pets. | 0:43:26 | 0:43:29 | |
"Now bring it here, Mother." | 0:43:29 | 0:43:31 | |
Put on my bag and off I'd go. "You'll never see me again." | 0:43:31 | 0:43:33 | |
"Where are you going, Jack? | 0:43:33 | 0:43:35 | |
"I don't know, I hear Moldova is very nice this time of year." | 0:43:35 | 0:43:39 | |
And I'd go, and then I'd wait at the end of the street. | 0:43:39 | 0:43:41 | |
I wouldn't actually properly run away, | 0:43:41 | 0:43:44 | |
I'd be about 100 yards away from the house | 0:43:44 | 0:43:45 | |
and I'd be waiting there for my dad to come and pick me up in the car. | 0:43:45 | 0:43:49 | |
It was very important that he got into the car, | 0:43:49 | 0:43:51 | |
I needed him physically to get in the car, | 0:43:51 | 0:43:53 | |
drive 100 yards down the road, pick me up, tell me that he loved me. | 0:43:53 | 0:43:56 | |
I had to hear him say that and then I'd get back in the car | 0:43:56 | 0:43:59 | |
and we'd go home and it would all be happy families again and I'd say | 0:43:59 | 0:44:04 | |
this happened on average once or twice a week... | 0:44:04 | 0:44:07 | |
..and, as I say, often over recurring issues. | 0:44:08 | 0:44:11 | |
One of them was that I went through a phase when I was younger, | 0:44:11 | 0:44:14 | |
for about two or three years, when I really liked Robin Hood. | 0:44:14 | 0:44:19 | |
And I mean, REALLY liked Robin Hood, to the point where I wanted to dress | 0:44:19 | 0:44:26 | |
up as him all the time and I had the most wonderful outfit as well. | 0:44:26 | 0:44:29 | |
They were these little sort of green, | 0:44:29 | 0:44:31 | |
I guess you'd call them fishnet tights, and then a tunic, | 0:44:31 | 0:44:34 | |
Claire's Accessories belt, feather tumbling out the side of my cap. | 0:44:34 | 0:44:37 | |
I looked fierce. "Come and get me, Merry Men." | 0:44:37 | 0:44:41 | |
And my dad didn't like that, he didn't like that, | 0:44:41 | 0:44:43 | |
because I wore that outfit to everything, | 0:44:43 | 0:44:45 | |
everything - family functions, holidays, the supermarket, | 0:44:45 | 0:44:49 | |
his brother's funeral, he really... | 0:44:49 | 0:44:52 | |
didn't like that, so that was sort of constantly bubbling over | 0:44:52 | 0:44:55 | |
throughout my childhood and there was one Christmas, | 0:44:55 | 0:44:58 | |
though, there was one Christmas where he really let loose, OK? | 0:44:58 | 0:45:01 | |
And that was because I had requested a couple of very specific | 0:45:01 | 0:45:04 | |
Christmas presents which he didn't agree with. | 0:45:04 | 0:45:07 | |
Now the first of these, my mum had actually given in and bought me | 0:45:07 | 0:45:09 | |
a couple of weeks before Christmas and that was a pair of Rollerblades. | 0:45:09 | 0:45:13 | |
I really wanted Rollerblades, my mum got me Rollerblades, | 0:45:13 | 0:45:16 | |
I was so excited and then my father confiscated them. | 0:45:16 | 0:45:20 | |
He said, "No son of mine will be gliding around like a woofter." | 0:45:20 | 0:45:25 | |
So I didn't have my Rollerblades, I didn't have my Rollerblades, | 0:45:25 | 0:45:29 | |
so come Christmas morning, right, I was ready to blow at anything, OK? | 0:45:29 | 0:45:34 | |
I was pretty pissed off, which leads me on to the second present | 0:45:34 | 0:45:38 | |
that I requested that year for Christmas | 0:45:38 | 0:45:41 | |
and that was a Pocahontas doll. | 0:45:41 | 0:45:43 | |
Now a couple of judgy laughs there, which is fine, | 0:45:46 | 0:45:48 | |
but I didn't actually want it in a gay way, all right? | 0:45:48 | 0:45:51 | |
I wanted a Pocahontas doll cos I had an Action Man figurine | 0:45:51 | 0:45:53 | |
I thought it would be nice, as Action Man is a soldier | 0:45:53 | 0:45:55 | |
and he goes off and fights in all these wars, | 0:45:55 | 0:45:57 | |
that when he comes back, there's a woman there to look after him. | 0:45:57 | 0:46:00 | |
Help for Heroes, all right? | 0:46:00 | 0:46:03 | |
But my dad wouldn't get me the Pocahontas doll. | 0:46:03 | 0:46:05 | |
I went down Christmas morning, opened all of my presents, | 0:46:05 | 0:46:08 | |
expecting to see Pocahontas there. | 0:46:08 | 0:46:10 | |
She was not there and I went apoplectic. | 0:46:10 | 0:46:14 | |
I was like, "This is the final straw. | 0:46:14 | 0:46:18 | |
"If you don't give me my pocket money right this instant | 0:46:18 | 0:46:21 | |
"so I can go and buy my Pocahontas doll, you will never be seeing me | 0:46:21 | 0:46:24 | |
"again, I will walk out of that door | 0:46:24 | 0:46:27 | |
"and that will be this time for good." | 0:46:27 | 0:46:29 | |
My father was like, "Over my dead body." I was like, "Fine. | 0:46:29 | 0:46:34 | |
"Mother, pack my bag." "It's already done." "Thank you, Mother." | 0:46:34 | 0:46:38 | |
Off I went, into my father's study, I took out my Rollerblades | 0:46:38 | 0:46:42 | |
and I glided out of their lives. | 0:46:42 | 0:46:44 | |
I waited on the edge of the street for my father to come | 0:46:47 | 0:46:51 | |
and get me and I remember at the time thinking, | 0:46:51 | 0:46:54 | |
"What a heartless, cold bastard, what a bastard," | 0:46:54 | 0:47:00 | |
but in hindsight now I look back on it | 0:47:00 | 0:47:03 | |
and I feel sorry for my father because let me tell you, | 0:47:03 | 0:47:07 | |
you get some very bizarre looks when aged 13 on a cold Christmas morning, | 0:47:07 | 0:47:14 | |
you're stood on the corner of the pavement in a woman's dress, | 0:47:14 | 0:47:19 | |
green fishnet tights and Rollerblades, | 0:47:19 | 0:47:22 | |
looking a little bit like a hooker out of Starlight Express | 0:47:22 | 0:47:26 | |
and essentially getting kerb-crawled by your own father | 0:47:26 | 0:47:29 | |
who drives up in his Mercedes, puts down the window, hands you £20 | 0:47:29 | 0:47:34 | |
and shouts, "I love you, now get in the fucking car!" | 0:47:34 | 0:47:38 | |
And you know, I genuinely thought as I grew up these pressures | 0:47:48 | 0:47:52 | |
would evaporate, but they don't, do they, | 0:47:52 | 0:47:53 | |
they change, the pressures that your parents put onto you? | 0:47:53 | 0:47:56 | |
The one I'm dealing with now, right, | 0:47:56 | 0:47:58 | |
is that my mum wants me to get married. | 0:47:58 | 0:47:59 | |
She's obsessed with me getting married | 0:47:59 | 0:48:01 | |
and specifically she wants me to get married to Kate Middleton, | 0:48:01 | 0:48:05 | |
which sounds mental, cos it is, | 0:48:05 | 0:48:06 | |
but it's made slightly less mental by the fact that | 0:48:06 | 0:48:08 | |
I was at school with Kate Middleton, | 0:48:08 | 0:48:10 | |
so my mum sees that as a kind of missed opportunity, | 0:48:10 | 0:48:12 | |
that I was at school with Kate Middleton and I didn't | 0:48:12 | 0:48:15 | |
end up marrying her, like I stood a chance. | 0:48:15 | 0:48:17 | |
I mean, like, Kate Middleton is, like, five years older than me. | 0:48:17 | 0:48:20 | |
When we were at school, she was in sixth form, I was in a head brace, | 0:48:20 | 0:48:24 | |
I mean, I wasn't particularly cool when I was at school. | 0:48:24 | 0:48:28 | |
I played the recorder. My mum forced me to learn the recorder at school. | 0:48:28 | 0:48:32 | |
She was like, "Oh, no, women love a musician." | 0:48:32 | 0:48:34 | |
"Not a recordist, Mother." | 0:48:34 | 0:48:36 | |
The only way I'm going to get a girl into my bed by using | 0:48:36 | 0:48:38 | |
the recorder is if I fucking knock her out with it. | 0:48:38 | 0:48:41 | |
But she gets annoyed with me now. | 0:48:42 | 0:48:44 | |
She thinks it's my fault, she gets annoyed at me all the time | 0:48:44 | 0:48:47 | |
and always brings up the Kate Middleton thing. | 0:48:47 | 0:48:49 | |
Like, the other day I was staying at her house, I'd taken off all my | 0:48:49 | 0:48:52 | |
clothes to get in to bed, I'd thrown a couple of them on the floor. | 0:48:52 | 0:48:54 | |
There was a pair of my boxer shorts on the floor in which was | 0:48:54 | 0:48:57 | |
the tiniest, weeniest little skidmark. | 0:48:57 | 0:49:00 | |
I mean, you could barely see it. | 0:49:00 | 0:49:02 | |
My mother walks in with the laundry basket, scoops it up, | 0:49:02 | 0:49:04 | |
says, "That's why Kate didn't want you." | 0:49:04 | 0:49:07 | |
So unfair. | 0:49:10 | 0:49:11 | |
That's why I found the royal wedding so hard to watch, | 0:49:13 | 0:49:15 | |
cos in one ear I had my mother, "Why can't you be marrying her?" | 0:49:15 | 0:49:19 | |
In the other ear, I had the television | 0:49:19 | 0:49:21 | |
which was talking even more nonsense. | 0:49:21 | 0:49:23 | |
Remember they kept saying that thing, "Kate Middleton is of course | 0:49:23 | 0:49:26 | |
"the first commoner to marry into the royal family. | 0:49:26 | 0:49:29 | |
"The first commoner to marry into the royal family." | 0:49:29 | 0:49:32 | |
Commoner! What's this commoner they keep talking about? | 0:49:32 | 0:49:34 | |
She attended my school. | 0:49:34 | 0:49:36 | |
As you will already gauge from my voice, demeanour and, hey, | 0:49:38 | 0:49:41 | |
everything about me, | 0:49:41 | 0:49:42 | |
the school I attended was not particularly common. | 0:49:42 | 0:49:46 | |
They were writing and talking about Kate Middleton | 0:49:46 | 0:49:49 | |
as if she was from Harlem, like straight out of the ghetto. | 0:49:49 | 0:49:52 | |
She went to my school, Marlborough College. | 0:49:52 | 0:49:54 | |
I'll let you into a little secret about Marlborough College - | 0:49:54 | 0:49:57 | |
Marlborough College made Midsomer Murders | 0:49:57 | 0:50:00 | |
look like The fucking Wire, all right? | 0:50:00 | 0:50:03 | |
We had one black guy in the entire school when I was there. | 0:50:04 | 0:50:07 | |
It was ridiculous, he was a friend of mine called Daniel | 0:50:07 | 0:50:10 | |
and I shit you not, | 0:50:10 | 0:50:11 | |
the headmaster of Marlborough College genuinely used to put | 0:50:11 | 0:50:14 | |
Daniel in every single school photograph to try | 0:50:14 | 0:50:18 | |
and make our school look more diverse. | 0:50:18 | 0:50:20 | |
"So, come on Daniel, pop yourself on the end of the row there." | 0:50:22 | 0:50:26 | |
"But I wasn't in the first 11 cricket team." "Well, you are now." | 0:50:26 | 0:50:29 | |
"And afterwards you'll be combing that Afro into pigtails, Head Girl." | 0:50:29 | 0:50:34 | |
Mentioned Midsomer Murders there, my favourite story of last year, | 0:50:39 | 0:50:42 | |
the producer of Midsomer Murders suspended, | 0:50:42 | 0:50:45 | |
pending an investigation into racism, | 0:50:45 | 0:50:47 | |
because he claimed the only reason Midsomer Murders | 0:50:47 | 0:50:49 | |
worked as a show is because there was no black people | 0:50:49 | 0:50:52 | |
living in the village of Midsomer | 0:50:52 | 0:50:53 | |
and there was an outcry from the press, quite rightly. | 0:50:53 | 0:50:56 | |
But they all said the same thing, | 0:50:56 | 0:50:58 | |
"The only way they can make this situation any better is | 0:50:58 | 0:51:00 | |
"that they take a black person | 0:51:00 | 0:51:02 | |
and put them in the village of Midsomer." | 0:51:02 | 0:51:04 | |
It definitely is not. | 0:51:05 | 0:51:06 | |
Let's face it, if you were the first black person | 0:51:08 | 0:51:11 | |
to live in the village of Midsomer, that's quite a tough gig. | 0:51:11 | 0:51:16 | |
Every time there's a murder, getting hauled in for questioning. | 0:51:16 | 0:51:21 | |
"Do you know why you're here?" "Is it because I'm black?" "Yes." | 0:51:22 | 0:51:26 | |
So my mum wants me to get married and, you know what, | 0:51:31 | 0:51:34 | |
I decided that I would like to be in a proper relationship | 0:51:34 | 0:51:37 | |
and most of my relationships have never worked out, | 0:51:37 | 0:51:40 | |
so this was my idea, right? | 0:51:40 | 0:51:42 | |
I decided what I needed to do is to work out what it was that | 0:51:42 | 0:51:45 | |
make a relationship work, | 0:51:45 | 0:51:46 | |
so I did what any sensible guy would do in that situation. | 0:51:46 | 0:51:51 | |
I went to a live recording of the Jeremy Kyle show in Manchester. | 0:51:51 | 0:51:55 | |
Let me tell you, I learned some things that day, | 0:51:58 | 0:52:01 | |
some lessons that will stay with me for the rest of my life, | 0:52:01 | 0:52:04 | |
because at that live recording of the Jeremy Kyle | 0:52:04 | 0:52:07 | |
show in Manchester, I witnessed in front of my very eyes, | 0:52:07 | 0:52:10 | |
a gentleman take on Jeremy Kyle and nearly walk away the victor. | 0:52:10 | 0:52:15 | |
It was amazing. | 0:52:16 | 0:52:17 | |
Because when he walked into the studio, none of us gave him | 0:52:17 | 0:52:20 | |
a hope in hell. | 0:52:20 | 0:52:22 | |
His name was Spider, right, | 0:52:22 | 0:52:23 | |
and he was wearing a matching shell suit and cap? | 0:52:23 | 0:52:26 | |
I was like, "Oh, my God, man, Jeremy Kyle is going to chew you up | 0:52:26 | 0:52:29 | |
"and spit you out the other end, I hope he gets done with you quickly | 0:52:29 | 0:52:32 | |
"so that we can get onto the squabbling sisters that are both | 0:52:32 | 0:52:34 | |
"fucking the same guy," because that's why I came this afternoon. | 0:52:34 | 0:52:37 | |
But right from the outset, Spider showed some serious promise. | 0:52:37 | 0:52:42 | |
Kyle started out with a standard, Jeremy Kyle opening round, | 0:52:42 | 0:52:46 | |
little teaser question. | 0:52:46 | 0:52:48 | |
He was like, "So, Spider, | 0:52:48 | 0:52:50 | |
"I hear that you don't see much of your children." | 0:52:50 | 0:52:53 | |
Oh, let's see what you've got in your locker, Spider, | 0:52:53 | 0:52:56 | |
old buddy, old pal. | 0:52:56 | 0:52:58 | |
"Well, Jeremy, I admit that I don't see much of my children, | 0:52:58 | 0:53:01 | |
"but that's because I got to work two jobs, one during the day | 0:53:01 | 0:53:04 | |
"and then I've also got to a nightshift to earn enough | 0:53:04 | 0:53:07 | |
"money to pay them the child support that they deserve." | 0:53:07 | 0:53:12 | |
I sat up in my chair, I was, "Oooh, this guy's good. | 0:53:12 | 0:53:16 | |
"What have you got next, Kyle?" Kyle coils back for another blow. | 0:53:16 | 0:53:21 | |
"So, Spider, I hear..." | 0:53:21 | 0:53:24 | |
Like a viper. "..I hear that you are a bit of a drinker." Oooh! | 0:53:33 | 0:53:36 | |
It's a low blow. | 0:53:36 | 0:53:38 | |
The sobriety test early on, this normally separates | 0:53:38 | 0:53:41 | |
the wheat from the chaff, "What you got this time, Spider?" | 0:53:41 | 0:53:45 | |
"Well, Jeremy, I was a bit of a drinker | 0:53:45 | 0:53:48 | |
"but I've faced up to my demons | 0:53:48 | 0:53:50 | |
"and I have attended various AA-AA-AA-AA meetings | 0:53:50 | 0:53:54 | |
"and I'm now proud to say that I have been sober for three years." | 0:53:54 | 0:53:59 | |
What the fuck is going on here?! | 0:53:59 | 0:54:02 | |
Have I just seen the man sidestep Jeremy Kyle two times in a row? | 0:54:02 | 0:54:07 | |
That's not in the script. | 0:54:07 | 0:54:08 | |
I'll telling my grandchildren about this momentous day | 0:54:08 | 0:54:11 | |
when the matador finally met his match in this deadly dance of death. | 0:54:11 | 0:54:16 | |
Kyle didn't know what to do, he sweeps to his side, | 0:54:16 | 0:54:18 | |
he draws up an envelope, we all know what that means. | 0:54:18 | 0:54:21 | |
It's lie-detector time. | 0:54:21 | 0:54:23 | |
"Spider, I asked you on the lie detector whether you had ever | 0:54:23 | 0:54:26 | |
"cheated on your partner Raquel | 0:54:26 | 0:54:28 | |
"when you were in a relationship with her. | 0:54:28 | 0:54:30 | |
"You said that you hadn't. You were in fact... Telling the truth." | 0:54:30 | 0:54:36 | |
OMG. | 0:54:36 | 0:54:38 | |
FML! | 0:54:38 | 0:54:40 | |
The audience then cheered for Spider. | 0:54:40 | 0:54:43 | |
It was like Rocky IV - | 0:54:43 | 0:54:45 | |
we were the Russians and we had sided with Rocky. | 0:54:45 | 0:54:48 | |
Kyle didn't know what to do, he was on the ropes. | 0:54:48 | 0:54:50 | |
He had one last throw of the dice and it needed to be doubles | 0:54:50 | 0:54:53 | |
because he was in jail but then | 0:54:53 | 0:54:55 | |
he put his hand up to his ear I'm like, "Fuck me, | 0:54:55 | 0:54:58 | |
"Kyle is calling them for backup. | 0:54:58 | 0:55:00 | |
"I ain't seen this shit go down before." | 0:55:00 | 0:55:03 | |
"Spider, I've had a word with our researchers and they tell me | 0:55:03 | 0:55:06 | |
"that you have a motto." | 0:55:06 | 0:55:11 | |
"Oh, Jeremy, is that all you've got, a motto? | 0:55:11 | 0:55:15 | |
"Of course Spider's got a motto, | 0:55:15 | 0:55:17 | |
"we've already established that this gentleman in a shell suit is | 0:55:17 | 0:55:21 | |
"no mug - what, | 0:55:21 | 0:55:22 | |
"you thought he'd walk into the arena of battle without a motto? | 0:55:22 | 0:55:25 | |
"Do me a favour, Jeremy. | 0:55:25 | 0:55:27 | |
"Well, come on, Spider, old buddy, old pal, | 0:55:27 | 0:55:30 | |
"tell Jezza what your motto is. | 0:55:30 | 0:55:32 | |
"Put him to the sword and then you can parade around the studio | 0:55:32 | 0:55:35 | |
"with his head on a bloody fucking spike. What's it going to be? | 0:55:35 | 0:55:40 | |
"We can't wait, carpe diem, Mother knows best, | 0:55:40 | 0:55:42 | |
"do unto others as you would have done unto yourself? | 0:55:42 | 0:55:46 | |
"Spider, the floor is yours." Complete silence befell the studio. | 0:55:46 | 0:55:51 | |
Everyone's gaze turning to Spider, suddenly elevated | 0:55:51 | 0:55:54 | |
to being like Jesus delivering the Sermon on the Mount. | 0:55:54 | 0:55:58 | |
Everyone looking and then in front of the entire studio, | 0:55:58 | 0:56:01 | |
Spider stood up and said... | 0:56:01 | 0:56:04 | |
"Well, Jeremy, my motto is, 'If a woman can give a punch, | 0:56:04 | 0:56:08 | |
"'she can take one.'" | 0:56:08 | 0:56:09 | |
Subtle! I learned an important lesson that day. | 0:56:19 | 0:56:23 | |
Relationships never require mottos. | 0:56:23 | 0:56:27 | |
Look, I'm a sensible guy. I realised... I realised... | 0:56:29 | 0:56:32 | |
I would not get all my answers from The Jeremy Kyle Show. | 0:56:32 | 0:56:36 | |
I knew that I had to look elsewhere | 0:56:36 | 0:56:37 | |
if I wanted to know what it was that made relationships work. | 0:56:37 | 0:56:40 | |
So, I decided my next port of call was to look for inspiration | 0:56:40 | 0:56:44 | |
with the people that I knew. | 0:56:44 | 0:56:45 | |
And I started with my grandparents, | 0:56:45 | 0:56:48 | |
because my grandparents have been married for longer | 0:56:48 | 0:56:51 | |
than I've ever even heard of people being married. | 0:56:51 | 0:56:53 | |
65 years! | 0:56:53 | 0:56:56 | |
And I looked at them and I thought, "What is it that's kept them | 0:56:56 | 0:56:59 | |
"together over such a long period of time? | 0:56:59 | 0:57:01 | |
"How have they stayed so in love over all that time?" | 0:57:01 | 0:57:05 | |
And I realised what it was. | 0:57:05 | 0:57:07 | |
It was something so simple, yet beautiful. | 0:57:07 | 0:57:09 | |
Fear. | 0:57:11 | 0:57:13 | |
Because my grandad is terrified of my granny. And that shit works. | 0:57:13 | 0:57:19 | |
And don't get me wrong. | 0:57:19 | 0:57:20 | |
He's got just cause to be afraid of my granny. | 0:57:20 | 0:57:22 | |
My granny is the scariest 82-year-old battle-axe | 0:57:22 | 0:57:26 | |
you've ever met. | 0:57:26 | 0:57:27 | |
We call her Dorothy Soprano. She runs our firm. | 0:57:27 | 0:57:30 | |
Because have we got couples in tonight? Where are couples? | 0:57:32 | 0:57:35 | |
This gentleman here in the check... | 0:57:35 | 0:57:37 | |
Is this your lady wife next to you there? Beautiful, beautiful. | 0:57:37 | 0:57:40 | |
How long have you been married for? | 0:57:40 | 0:57:42 | |
-24 years. -24 years. See, in America, that would get a round of applause. | 0:57:43 | 0:57:47 | |
But here, people are just like, "They must fucking hate each other." | 0:57:47 | 0:57:50 | |
Oh! That's great. 24 years. | 0:57:53 | 0:57:56 | |
No way. | 0:57:56 | 0:57:57 | |
And let me ask you something as well. | 0:57:59 | 0:58:00 | |
Are you scared of your wife? | 0:58:00 | 0:58:03 | |
That was amazing. If we caught that on camera... | 0:58:03 | 0:58:05 | |
As soon as I asked a question, her head just went... | 0:58:05 | 0:58:08 | |
And you know what that look was she was giving you? | 0:58:10 | 0:58:13 | |
That's, "You fuck this up, no come for you." | 0:58:13 | 0:58:15 | |
Embrace the fear. | 0:58:23 | 0:58:24 | |
Fear is good. Fear is a good thing to have in a relationship, I think. | 0:58:24 | 0:58:28 | |
Like, the longest relationship I'd ever had was based on fear, | 0:58:28 | 0:58:31 | |
because I was terrified of the girl I was going out with. She was... | 0:58:31 | 0:58:35 | |
She was from the northeast of England. | 0:58:35 | 0:58:37 | |
-Have we got any Geordies in? -AUDIENCE MEMBERS CHEER | 0:58:37 | 0:58:39 | |
Yeah? Geordie... Whoo! | 0:58:39 | 0:58:41 | |
You're going to hate this bit. The, er... | 0:58:41 | 0:58:43 | |
No, because it's not the accent. I love the Geordie accent. | 0:58:43 | 0:58:46 | |
I think the Geordie accent is a beautiful accent. | 0:58:46 | 0:58:48 | |
I'm quite defensive of it, actually. | 0:58:48 | 0:58:50 | |
Like, that whole Cheryl Cole thing, I was really annoyed by that. | 0:58:50 | 0:58:53 | |
Sacking Cheryl Cole from American X Factor because they claimed | 0:58:53 | 0:58:56 | |
they couldn't understand her because of her Geordie accent. Bollocks. | 0:58:56 | 0:59:00 | |
Nothing to do with that. It was to do with Americanisms, wasn't it? | 0:59:00 | 0:59:03 | |
Those words that are different in America | 0:59:03 | 0:59:05 | |
to they are in, say, in Newcastle. | 0:59:05 | 0:59:07 | |
Like in America, they say "sidewalk". | 0:59:07 | 0:59:10 | |
In Newcastle, you say "path". | 0:59:10 | 0:59:13 | |
In America, when it comes to sexual contraceptives, they use rubbers. | 0:59:13 | 0:59:17 | |
In Newcastle, you don't. | 0:59:17 | 0:59:19 | |
That's right. | 0:59:20 | 0:59:21 | |
I warned you. The... | 0:59:24 | 0:59:26 | |
No, I love the accent. I think the accent is beautiful. | 0:59:26 | 0:59:28 | |
She had a very strong Geordie accent, and I loved it. | 0:59:28 | 0:59:31 | |
It kind of turned me on. | 0:59:31 | 0:59:32 | |
It was a bit of a problem, really, because I loved her accent | 0:59:32 | 0:59:35 | |
so much, I was never really listening to a word she was saying. | 0:59:35 | 0:59:38 | |
You know, we'd be out shopping in town, | 0:59:38 | 0:59:40 | |
she might catch me looking at another girl. She'd be like... | 0:59:40 | 0:59:43 | |
-GEORDIE ACCENT: -"Oh, Jack, pet, if I ever catch yous looking at another | 0:59:43 | 0:59:47 | |
"girl like that again, I'll cut your dick off with a fucking spoon." | 0:59:47 | 0:59:52 | |
"Ooh, who's a little Geordie?! Come on." | 0:59:52 | 0:59:54 | |
She wasn't on a lead. I didn't... | 0:59:56 | 0:59:58 | |
No, she was very nice, but she sort of changed | 1:00:01 | 1:00:03 | |
as the relationship developed, as women sometimes will. | 1:00:03 | 1:00:06 | |
Like, when I first met her, she was cool, she was funny, | 1:00:06 | 1:00:08 | |
she was exciting. | 1:00:08 | 1:00:09 | |
She said she was bi. I was like, "Ooh, sexy." | 1:00:09 | 1:00:13 | |
It turns out she meant bipolar. She was fucking mental. | 1:00:13 | 1:00:16 | |
She was a bit like one of them girls from Geordie Shore. | 1:00:19 | 1:00:21 | |
You know the Geordie Shore programme? Has anyone seen that? | 1:00:21 | 1:00:24 | |
For those of you that haven't, right, it's one of these, like, | 1:00:24 | 1:00:27 | |
sort of mock reality shows, a bit like The Only Way Is Essex. | 1:00:27 | 1:00:30 | |
Except it's not like The Only Way Is Essex. | 1:00:30 | 1:00:32 | |
Geordie Shore makes The Only Way Is Essex | 1:00:32 | 1:00:34 | |
look like fucking Downton Abbey. | 1:00:34 | 1:00:36 | |
On Geordie Shore, they just fuck anything. You'd love it. The... | 1:00:36 | 1:00:41 | |
It's great. But the girls on it, they are terrifying. They are so scary. | 1:00:41 | 1:00:44 | |
They look scary, for starters, cos of some of the clothes they wear. | 1:00:44 | 1:00:47 | |
There's a girl on it who wears a skintight fishnet boob tube. | 1:00:47 | 1:00:50 | |
Now, I'm not a fashion expert, but a skintight fishnet boob tube, | 1:00:50 | 1:00:54 | |
that's probably a look to avoid for most women, even if you've got | 1:00:54 | 1:00:57 | |
the slenderest of figures, but this girl, no stranger to a kebab. | 1:00:57 | 1:01:01 | |
I mean, she's like... | 1:01:01 | 1:01:02 | |
I'm not being rude, but, you know, her BMI number is pie. | 1:01:02 | 1:01:05 | |
She's like a big... | 1:01:05 | 1:01:06 | |
And she goes around Newcastle city centre in this | 1:01:06 | 1:01:09 | |
skintight fishnet boob tube. | 1:01:09 | 1:01:11 | |
She looks like a manatee that's been hauled in by a sea trawler. | 1:01:11 | 1:01:14 | |
They are terrifying. | 1:01:16 | 1:01:17 | |
And, look, a lot of people say of Geordie Shore, | 1:01:17 | 1:01:19 | |
"Oh, it shouldn't be on TV. They should ban it. | 1:01:19 | 1:01:22 | |
"They should get it off air." No, that's not true. | 1:01:22 | 1:01:24 | |
They've just got it on the wrong channel. | 1:01:24 | 1:01:26 | |
Geordie Shore should not be on MTV. | 1:01:26 | 1:01:28 | |
It should be on the Discovery Channel. | 1:01:28 | 1:01:30 | |
That would make it so much better. | 1:01:30 | 1:01:32 | |
If it had, like, a little David Attenborough voice-over. | 1:01:32 | 1:01:35 | |
-AS DAVID ATTENBOROUGH: -Here is the Geordie Shore | 1:01:35 | 1:01:37 | |
in its natural environment, | 1:01:37 | 1:01:39 | |
cocking her leg by a wheelie bin | 1:01:39 | 1:01:41 | |
to expose her minge to strangers for chips. | 1:01:41 | 1:01:43 | |
So, we were going out. | 1:01:55 | 1:01:57 | |
We were going out, me and this wonderful Geordie girl. | 1:01:57 | 1:01:59 | |
And there were problems. | 1:01:59 | 1:02:00 | |
There were a lot of problems right from the outset. | 1:02:00 | 1:02:02 | |
One of the big ones, right, was that her friends hated me. | 1:02:02 | 1:02:06 | |
And as a guy, if a girl's friends hate you, you're fucked. | 1:02:06 | 1:02:09 | |
There's nothing you can do. Because, girls, you look after each other. | 1:02:09 | 1:02:13 | |
You care for one another. It's gracious. You're like a pride. | 1:02:13 | 1:02:16 | |
You will nurture and look after the weakest of the pack. | 1:02:16 | 1:02:18 | |
Guys, we don't give a shit. | 1:02:18 | 1:02:20 | |
We will kick the weakest out to rot in the sun. | 1:02:20 | 1:02:24 | |
And the savanna, if you will, of all of this, if you want to observe | 1:02:24 | 1:02:27 | |
it happening in all its glory, I always think, is the airport, right? | 1:02:27 | 1:02:31 | |
When you see groups of girls | 1:02:31 | 1:02:32 | |
and groups of guys going on holidays together. | 1:02:32 | 1:02:35 | |
The lads on tour and the girls on tour. You see it in the airports. | 1:02:35 | 1:02:39 | |
That's where it starts, right? | 1:02:39 | 1:02:40 | |
In the queues for Ayia Napa, Magaluf, Marbella, Ibiza. | 1:02:40 | 1:02:44 | |
CHEERING | 1:02:44 | 1:02:45 | |
Girls on tour! | 1:02:45 | 1:02:46 | |
It starts with the tour T-shirts and the tour hoodies that they | 1:02:48 | 1:02:52 | |
all have made up for these holidays, right? | 1:02:52 | 1:02:55 | |
You see the girls first, they come in with their little wheelie bags. | 1:02:55 | 1:02:58 | |
And they take out their nice, neatly-ironed pink hoodies that | 1:02:58 | 1:03:01 | |
they've all had organised months in advance. | 1:03:01 | 1:03:04 | |
And they've got little nicknames on the back in glitter. | 1:03:04 | 1:03:07 | |
Except with girls, it's not nicknames, is it? | 1:03:07 | 1:03:09 | |
It's character building. | 1:03:09 | 1:03:11 | |
You'll find any positive about your friends and you will celebrate it. | 1:03:11 | 1:03:15 | |
It's glorious to see. | 1:03:15 | 1:03:17 | |
You'll see a group of girls, and then at the back of the group, | 1:03:17 | 1:03:19 | |
there will be this 500-ton hunk of ham with, | 1:03:19 | 1:03:22 | |
like, a cleft palate and a gammy leg, chins growing | 1:03:22 | 1:03:25 | |
out of areas you didn't even know a chin could grow out of. | 1:03:25 | 1:03:28 | |
She winches herself round to see | 1:03:28 | 1:03:29 | |
whether there is still a queue outside Burger King, | 1:03:29 | 1:03:31 | |
and on her back in glitter it just reads, "Angel Eyes". | 1:03:31 | 1:03:35 | |
"You can't deny her eyes are gorgeous. | 1:03:38 | 1:03:39 | |
"They follow you round the room." | 1:03:39 | 1:03:41 | |
Yes, cos one of them is lazy. | 1:03:41 | 1:03:42 | |
Next to them in the queue, you've got the guys, | 1:03:45 | 1:03:47 | |
and the guys are all just fighting over a bin liner full of T-shirts, | 1:03:47 | 1:03:50 | |
all desperate to get the one that says, "Shagger". | 1:03:50 | 1:03:53 | |
And they start dishing them out amongst their mates, | 1:03:53 | 1:03:56 | |
except with guys, it's not nicknames either. | 1:03:56 | 1:03:58 | |
It's character assassination. | 1:03:58 | 1:04:00 | |
With no wit or reason to it whatsoever. | 1:04:00 | 1:04:04 | |
It's just, like, "Dick Splash", "AIDS-wipe", "Shit-head". | 1:04:04 | 1:04:07 | |
Some poor guy in a wheelchair getting forced into one that | 1:04:07 | 1:04:10 | |
says "Top Gear". It's cruel. | 1:04:10 | 1:04:12 | |
He's not even part of their group. | 1:04:13 | 1:04:15 | |
And they get on the holidays, no different | 1:04:18 | 1:04:20 | |
when you are actually at the destination. | 1:04:20 | 1:04:23 | |
A group of girls that go to the beach to sunbathe, | 1:04:23 | 1:04:25 | |
if one of their friends falls asleep in the sun, they will wake them up. | 1:04:25 | 1:04:30 | |
A guy wouldn't dream of pulling that shit. | 1:04:30 | 1:04:33 | |
You see the girls, it's like, "Angel Eyes, Angel Eyes, wake up! | 1:04:33 | 1:04:37 | |
"Wake up! You've fallen asleep in the sun. | 1:04:37 | 1:04:39 | |
"I can't wake her up, girls. | 1:04:39 | 1:04:41 | |
"Oh, my God. I think someone might have spiked her sangria." | 1:04:41 | 1:04:46 | |
Very unlikely. "Come on, girls. Come on. | 1:04:46 | 1:04:49 | |
"Bring me some suntan lotion now! We are going to need more than that. | 1:04:49 | 1:04:52 | |
"Bring a fucking bucket of it. Let's put it on you. | 1:04:52 | 1:04:55 | |
"We are looking out for you, Angel Eyes. | 1:04:55 | 1:04:57 | |
"We are looking out for you because we are BFF friends for ever." | 1:04:57 | 1:05:02 | |
Further down the beach, you've got the guys. "Oi, what's Jay doing?" | 1:05:02 | 1:05:06 | |
"Shhh! | 1:05:06 | 1:05:08 | |
"He's fallen asleep. | 1:05:08 | 1:05:11 | |
"In the midday sun. Oh, wow!" | 1:05:11 | 1:05:15 | |
"Shall we put some suntan lotion on him?" | 1:05:15 | 1:05:17 | |
"Yeah. I'll draw the bollocks, you do the shaft." | 1:05:17 | 1:05:20 | |
Very funny, isn't it, Hammersmith? Laugh it all up. | 1:05:24 | 1:05:27 | |
That will take months to get off. | 1:05:27 | 1:05:29 | |
Never changes, no matter what happens in your life, | 1:05:39 | 1:05:42 | |
what you achieve, it's always that same dynamic. | 1:05:42 | 1:05:44 | |
I heard a story recently that made me feel so happy, all right? | 1:05:44 | 1:05:47 | |
A friend of mine went to a house party in London. | 1:05:47 | 1:05:50 | |
At this house party, right, he said that Daniel Radcliffe turned up. | 1:05:50 | 1:05:54 | |
I was like, "Harry Potter? At your house party? That is so cool." | 1:05:54 | 1:06:00 | |
Presumably, because Daniel Radcliffe is one of the most successful | 1:06:00 | 1:06:03 | |
people for his age in the world, a multimillionaire, | 1:06:03 | 1:06:05 | |
a movie star, no less, people were coming up, asking for autographs, | 1:06:05 | 1:06:10 | |
fans wanting to have their photograph taken with him. | 1:06:10 | 1:06:13 | |
My friend said, "No. That's not what happened. | 1:06:13 | 1:06:16 | |
"At two o'clock in the morning, I went upstairs at this house party | 1:06:16 | 1:06:19 | |
"and four of Daniel Radcliffe's mates had locked him in a cupboard | 1:06:19 | 1:06:23 | |
"and was stood outside it, chanting, | 1:06:23 | 1:06:25 | |
"Magic your way out of that, dickhead." | 1:06:25 | 1:06:28 | |
-SINGSONGY: -He's still there! | 1:06:35 | 1:06:37 | |
So, yeah, I didn't get on with her friends very well. | 1:06:39 | 1:06:43 | |
So that relationship ended pretty abruptly. | 1:06:43 | 1:06:45 | |
No, we split up when I left university, and it was for the best. | 1:06:47 | 1:06:50 | |
It definitely was, because we weren't compatible. | 1:06:50 | 1:06:53 | |
And after that, I didn't really have many other relationships. | 1:06:53 | 1:06:56 | |
Which brings me up to sort of eight months ago. | 1:06:56 | 1:06:59 | |
And I met this girl who was absolutely incredible. | 1:06:59 | 1:07:02 | |
And I fell head over heels in love with her. She was amazing. | 1:07:02 | 1:07:05 | |
Like no other girl I'd ever met. | 1:07:05 | 1:07:06 | |
And, you know, she was a bit older than me, she was mature. | 1:07:06 | 1:07:09 | |
Reminded me of my mum. Perfect. | 1:07:09 | 1:07:12 | |
And...we started going out. And it was brilliant. | 1:07:12 | 1:07:16 | |
It was like, finally, I've got a grown-up relationship. | 1:07:16 | 1:07:19 | |
You know, we are going to have coasters all over the house. | 1:07:19 | 1:07:23 | |
We'll put our posters up in frames. We'll get a bag for life. | 1:07:23 | 1:07:29 | |
Ooh! | 1:07:29 | 1:07:30 | |
But I ruined it. | 1:07:31 | 1:07:33 | |
I cocked it all up because I realised, even though | 1:07:33 | 1:07:37 | |
I was very happy to be in a grown-up relationship, the problem was, | 1:07:37 | 1:07:41 | |
I'm not a grown-up, and that makes it very hard. | 1:07:41 | 1:07:45 | |
And it all came to a crux, right, on a Friday night. | 1:07:46 | 1:07:49 | |
About six months in, it was Friday night. | 1:07:49 | 1:07:51 | |
I'd gone on to my Facebook | 1:07:51 | 1:07:53 | |
and I'd been invited online to a fancy dress party. Sweet. | 1:07:53 | 1:07:57 | |
Out I go, rented myself a big chicken costume. | 1:07:57 | 1:08:01 | |
Correct, I WILL be winning best dressed this evening. | 1:08:01 | 1:08:04 | |
Got myself two large bottles of Jagermeister | 1:08:04 | 1:08:06 | |
and I was ready to hit the fucking town! | 1:08:06 | 1:08:09 | |
Came downstairs and my girlfriend was stood in front of the door, | 1:08:09 | 1:08:13 | |
staring at me. | 1:08:13 | 1:08:15 | |
"Jack, why are you dressed like that?" | 1:08:15 | 1:08:18 | |
"Er, well, because...I'm going to a fancy dress party." | 1:08:18 | 1:08:23 | |
HE CLUCKS | 1:08:23 | 1:08:24 | |
Nothing. | 1:08:28 | 1:08:30 | |
She was like, "Jack, you've forgotten, haven't you? | 1:08:30 | 1:08:32 | |
"Tonight is the sixth-month anniversary of our first date. | 1:08:32 | 1:08:36 | |
"We have booked a table at the restaurant | 1:08:36 | 1:08:39 | |
"we went on our first date to. | 1:08:39 | 1:08:41 | |
"And you've forgotten." | 1:08:41 | 1:08:43 | |
Well, I don't remember seeing it as an event on Facebook, | 1:08:43 | 1:08:46 | |
so...does it count? | 1:08:46 | 1:08:49 | |
Yes, it definitely counts. | 1:08:49 | 1:08:51 | |
And I felt like a dick, I really did. | 1:08:51 | 1:08:53 | |
This was someone I cared about a great deal | 1:08:53 | 1:08:55 | |
and this was something that meant a lot to her, | 1:08:55 | 1:08:57 | |
and it had gone in one ear, out the other. | 1:08:57 | 1:09:00 | |
And I felt so stupid, | 1:09:00 | 1:09:01 | |
because I look at my inspiration for relationships... | 1:09:01 | 1:09:04 | |
I've already mentioned my grandad, all right? | 1:09:04 | 1:09:06 | |
My grandad is in the severe clutches of Alzheimer's. | 1:09:06 | 1:09:10 | |
Most of the time, he doesn't even know why he's in the room. | 1:09:10 | 1:09:13 | |
But the one memory that he clings onto for dear life, the one | 1:09:13 | 1:09:17 | |
anchor of his sanity, is the memory of when he first met my grandmother. | 1:09:17 | 1:09:21 | |
And he tells it to me all the time. It's heart-wrenching. | 1:09:21 | 1:09:25 | |
I'll be sat with him, he'll be like, "Jack... | 1:09:25 | 1:09:28 | |
"Have I ever told you about the time that I met your grandmother?" | 1:09:28 | 1:09:31 | |
"Yeah, like, five minutes ago and then ten before that. | 1:09:33 | 1:09:36 | |
"But fire away, Grandad. We've got all day." | 1:09:36 | 1:09:38 | |
"I was in Dublin, having left the Royal Navy, | 1:09:39 | 1:09:43 | |
"and I was walking through town late at night | 1:09:43 | 1:09:46 | |
"and I saw this group of ladies stood by the Ha'penny Bridge. | 1:09:46 | 1:09:49 | |
"And in amongst them was your grandmother. | 1:09:51 | 1:09:54 | |
"And she looked divine. | 1:09:54 | 1:09:56 | |
"So, I decided I would go up and ask her for directions. | 1:09:56 | 1:10:00 | |
"Of course, I knew where I was going." | 1:10:00 | 1:10:03 | |
HE CLICKS HIS TONGUE | 1:10:03 | 1:10:04 | |
"And as I talked to them, | 1:10:06 | 1:10:07 | |
"I realised that if I didn't pluck up the courage to ask her | 1:10:07 | 1:10:09 | |
"to go for a drink, I'd regret it for the rest of my life. | 1:10:09 | 1:10:12 | |
"So, I did, and she agreed. | 1:10:12 | 1:10:14 | |
"And we went for a drink, we talked for hours. | 1:10:14 | 1:10:16 | |
"I'd never believed in love at first sight, | 1:10:16 | 1:10:18 | |
"but when I met your grandmother, I knew." | 1:10:18 | 1:10:20 | |
And six months later, they were married. | 1:10:20 | 1:10:23 | |
Because he said that she was the most beautiful woman | 1:10:23 | 1:10:25 | |
that he'd ever seen. | 1:10:25 | 1:10:27 | |
And she was pregnant. | 1:10:27 | 1:10:29 | |
Randy old beast! | 1:10:31 | 1:10:33 | |
But I look at him and I think everything else, | 1:10:33 | 1:10:35 | |
his whole mind is fucked, | 1:10:35 | 1:10:37 | |
but the one thing he holds on to, the one anchor of his sanity | 1:10:37 | 1:10:40 | |
is the memory of when he first met my grandmother. | 1:10:40 | 1:10:42 | |
And I can't even remember | 1:10:42 | 1:10:43 | |
the restaurant I went to with my girlfriend six months ago. | 1:10:43 | 1:10:47 | |
And that's partly a guy thing, | 1:10:47 | 1:10:48 | |
us guys are so bad at forgetting every anniversary, | 1:10:48 | 1:10:50 | |
and girls are the opposite. You love all the little anniversaries. | 1:10:50 | 1:10:53 | |
The anniversary of when you first kissed, first met, | 1:10:53 | 1:10:55 | |
when you first went on a date. | 1:10:55 | 1:10:57 | |
Guys don't remember all those lovely little ones. | 1:10:57 | 1:10:59 | |
We'd remember the bad ones. | 1:10:59 | 1:11:01 | |
If we were going out to dinner to commemorate | 1:11:01 | 1:11:03 | |
the anniversary of the time she broke my PlayStation 3 | 1:11:03 | 1:11:06 | |
by spilling red wine on it - | 1:11:06 | 1:11:07 | |
ooh, Shiraz-gate's in the fuckin' diary! | 1:11:07 | 1:11:10 | |
But this whole night as well basically summed up | 1:11:12 | 1:11:15 | |
why our relationship was never going to work. | 1:11:15 | 1:11:17 | |
Because of the date, the nature of it, | 1:11:17 | 1:11:19 | |
the restaurant that we were going to, | 1:11:19 | 1:11:21 | |
the restaurant that we'd been on our first date in, | 1:11:21 | 1:11:23 | |
was not my kind of restaurant. | 1:11:23 | 1:11:24 | |
It was one of these really fancy places, | 1:11:24 | 1:11:26 | |
and I don't like a fancy restaurant, | 1:11:26 | 1:11:28 | |
I don't like pretentious restaurants, | 1:11:28 | 1:11:30 | |
especially on dates, because they make you look like idiots. | 1:11:30 | 1:11:32 | |
I went on one recently with a girl, | 1:11:32 | 1:11:34 | |
the wine guy comes up, right, the sommelier, | 1:11:34 | 1:11:36 | |
and he has the wine list and it's on an iPad. | 1:11:36 | 1:11:39 | |
Thrusts it in front of my face in front of this woman, | 1:11:39 | 1:11:42 | |
he's like, "Does sir have any questions?" Um... | 1:11:42 | 1:11:45 | |
Has this got Angry Birds? | 1:11:45 | 1:11:48 | |
No! If you go to a restaurant on a date, | 1:11:49 | 1:11:51 | |
you want to go somewhere where you can look like you know your shit. | 1:11:51 | 1:11:54 | |
Where you look like you're in control. | 1:11:54 | 1:11:56 | |
Which is why if you ever take a girl on a date | 1:11:56 | 1:11:58 | |
there is only one venue and one venue alone. Any ideas? | 1:11:58 | 1:12:01 | |
-SHOUTING -Nando's! | 1:12:01 | 1:12:03 | |
Correct, ladies! Nando's is where you take your date. | 1:12:03 | 1:12:07 | |
Because if you go to Nando's, you look like you know your shit! | 1:12:07 | 1:12:10 | |
You arrive, you're greeted at the door. | 1:12:10 | 1:12:12 | |
"Hello, sir, have you been to Nando's before?" | 1:12:12 | 1:12:14 | |
Yes, I have, my good man. | 1:12:14 | 1:12:16 | |
We both know that you're going to be doing fuck-all this evening, | 1:12:16 | 1:12:19 | |
so stand aside. I'll have this booth in the corner. | 1:12:19 | 1:12:22 | |
Ooh, banquette seating, | 1:12:22 | 1:12:23 | |
that'll be nice for scooching up together | 1:12:23 | 1:12:25 | |
when this date gets interesting later on tonight. | 1:12:25 | 1:12:28 | |
So first it's time for the wine. What would madam like? | 1:12:28 | 1:12:31 | |
A dry Sancerre or a crisp Sauvignon Blanc? | 1:12:31 | 1:12:33 | |
It doesn't matter, babe, it's Nando's - | 1:12:33 | 1:12:36 | |
they both taste exactly the same. | 1:12:36 | 1:12:38 | |
Which leads us on to the food. Do you like chicken? | 1:12:38 | 1:12:40 | |
Good, cos it's all fucking chicken. I already know what I'm getting, | 1:12:40 | 1:12:43 | |
double chicken breast in pitta, lemon and herb spice, | 1:12:43 | 1:12:45 | |
but at the last minute I'm asking the guy to switch round the flags they put on the top | 1:12:45 | 1:12:49 | |
so it says that mine is extra-hot | 1:12:49 | 1:12:51 | |
so that when I'm tucking in to it she thinks that I'm hard as nails! | 1:12:51 | 1:12:54 | |
"Would sir like cheese and pineapple with that?" | 1:12:54 | 1:12:56 | |
Why would anyone want cheese and pineapple with chicken, | 1:12:56 | 1:12:59 | |
it makes no logical sense! | 1:12:59 | 1:13:00 | |
Her food has arrived. She's ordered it with two sides. | 1:13:00 | 1:13:03 | |
One of Macho Peas, one of witty repartee! | 1:13:03 | 1:13:08 | |
Right now she's eating out of the palm of my hand. | 1:13:08 | 1:13:12 | |
Mainly because I've forgotten to get the fucking cutlery | 1:13:12 | 1:13:15 | |
from the desk once again. | 1:13:15 | 1:13:16 | |
But it doesn't matter, | 1:13:16 | 1:13:18 | |
it's now make-or-break time. | 1:13:18 | 1:13:19 | |
She's about to ask the question that every girl will ask you | 1:13:19 | 1:13:22 | |
if you take them on a date to Nando's. | 1:13:22 | 1:13:24 | |
She looks longingly and lovingly into my eyes and says, | 1:13:24 | 1:13:26 | |
"Jack, tell me, what's Peri-Peri?" Ooh! | 1:13:26 | 1:13:31 | |
A very good question. | 1:13:31 | 1:13:32 | |
Oh, and I will let you in to a little secret - | 1:13:32 | 1:13:34 | |
it is a question that nobody actually knows the answer to, | 1:13:34 | 1:13:38 | |
so you can make up whatever the fuck you like. | 1:13:38 | 1:13:40 | |
She's still going to be impressed. | 1:13:40 | 1:13:42 | |
Peri-Peri, my dear, is a blend of aromatic spices | 1:13:42 | 1:13:45 | |
bonded together by the tears of Portuguese widows | 1:13:45 | 1:13:49 | |
that have lost their husbands at sea. | 1:13:49 | 1:13:51 | |
El hombre is still morte! And she's mine! | 1:13:51 | 1:13:56 | |
Nando's - great! | 1:13:56 | 1:13:57 | |
CHEERING AND APPLAUSE | 1:13:57 | 1:14:01 | |
She didn't want Nando's. | 1:14:08 | 1:14:11 | |
She didn't want me. I went out, | 1:14:11 | 1:14:13 | |
fancy-dress party, | 1:14:13 | 1:14:15 | |
got completely rat-arsed, right? | 1:14:15 | 1:14:17 | |
Came back to her flat about three o'clock in the morning, | 1:14:17 | 1:14:20 | |
smashing on her door. | 1:14:20 | 1:14:22 | |
She let me in at about four. | 1:14:23 | 1:14:25 | |
We went upstairs. | 1:14:26 | 1:14:28 | |
And she broke up with me, then and there. | 1:14:28 | 1:14:31 | |
And the reason that she gave, | 1:14:31 | 1:14:33 | |
for splitting up with me - | 1:14:33 | 1:14:35 | |
get ready for this... | 1:14:35 | 1:14:37 | |
She said that apparently I... | 1:14:37 | 1:14:40 | |
was too immature. | 1:14:40 | 1:14:42 | |
Which is such a... | 1:14:44 | 1:14:46 | |
gay thing to say. | 1:14:46 | 1:14:48 | |
Mmmh! | 1:14:49 | 1:14:50 | |
Cos there is nothing in the world you can say | 1:14:52 | 1:14:56 | |
in response to a girl | 1:14:56 | 1:14:58 | |
when they've just split up with you for being too immature... | 1:14:58 | 1:15:01 | |
when you are stood in their flat | 1:15:01 | 1:15:06 | |
at four o'clock in the morning, | 1:15:06 | 1:15:08 | |
pissed off your tits, | 1:15:08 | 1:15:11 | |
crying - and I mean uncontrollably crying, | 1:15:11 | 1:15:15 | |
I mean getting kicked in the bollocks with a football | 1:15:15 | 1:15:17 | |
to the power of Mufasa dying in Lion King tears. | 1:15:17 | 1:15:21 | |
That are uncontrollably tumbling down your beak | 1:15:23 | 1:15:26 | |
in a large Jagermeister-sodden chicken costume, | 1:15:26 | 1:15:31 | |
having just walked in, | 1:15:31 | 1:15:33 | |
and boasted that you've just been thrown out of a KFC | 1:15:33 | 1:15:36 | |
for storming in and demanding to have your children back. | 1:15:36 | 1:15:40 | |
APPLAUSE AND CHEERING | 1:15:40 | 1:15:42 | |
# Lonely | 1:15:42 | 1:15:44 | |
# I'm Mr Lonely | 1:15:44 | 1:15:46 | |
# I have nobody | 1:15:46 | 1:15:48 | |
# For my own | 1:15:48 | 1:15:51 | |
# I am so lonely... # | 1:15:51 | 1:15:54 | |
APPLAUSE AND CHEERING | 1:15:54 | 1:15:57 | |
So... | 1:16:14 | 1:16:15 | |
Who's immature now? | 1:16:15 | 1:16:17 | |
LAUGHTER | 1:16:17 | 1:16:19 | |
Ladies and gentlemen, you've been absolutely wonderful. | 1:16:19 | 1:16:21 | |
Thank you so much for coming out to see my show this evening. | 1:16:21 | 1:16:24 | |
APPLAUSE AND CHEERING | 1:16:24 | 1:16:27 | |
Now, one thing. | 1:16:29 | 1:16:31 | |
Before I go now, some of you who have seen me before | 1:16:31 | 1:16:33 | |
will know that quite a lot of the time when I'm on stage, | 1:16:33 | 1:16:36 | |
and indeed television, | 1:16:36 | 1:16:37 | |
I spend quite a lot of my time | 1:16:37 | 1:16:39 | |
talking about someone that I grew up with, | 1:16:39 | 1:16:43 | |
that I attended the same school as, | 1:16:43 | 1:16:44 | |
and pouring quite a lot of scorn upon said person. | 1:16:44 | 1:16:47 | |
That person is Robert Pattinson. | 1:16:47 | 1:16:51 | |
The renowned Hollywood actor, | 1:16:51 | 1:16:54 | |
star of the Twilight films, who I went to school with, | 1:16:54 | 1:16:57 | |
and was better than me at school | 1:16:57 | 1:16:58 | |
and is indeed probably better than me now. | 1:16:58 | 1:17:00 | |
But let me tell you, this evening I will not be slagging him off, | 1:17:00 | 1:17:03 | |
because I am over it, all right? | 1:17:03 | 1:17:05 | |
I've dealt with it, I've faced my own demons, | 1:17:05 | 1:17:08 | |
and I'm not bitter any more. | 1:17:08 | 1:17:10 | |
So... | 1:17:10 | 1:17:11 | |
-HE COUGHS -Team Jacob. | 1:17:11 | 1:17:13 | |
LAUGHTER | 1:17:13 | 1:17:14 | |
Now, what... | 1:17:14 | 1:17:16 | |
What I thought I'd do instead | 1:17:18 | 1:17:19 | |
is give him, in many ways, | 1:17:19 | 1:17:21 | |
the right to reply. | 1:17:21 | 1:17:23 | |
Because I went out and I got hold of | 1:17:23 | 1:17:27 | |
every single autobiography and biography | 1:17:27 | 1:17:30 | |
that's ever been written on Robert Pattinson. | 1:17:30 | 1:17:34 | |
And I will end this evening | 1:17:34 | 1:17:36 | |
by reading to you a couple of extracts | 1:17:36 | 1:17:39 | |
from one of these tomes of shit. | 1:17:39 | 1:17:43 | |
Lock the doors. | 1:17:44 | 1:17:45 | |
We're in for the long haul. | 1:17:45 | 1:17:48 | |
So this is the book that I'm going to end the show | 1:17:48 | 1:17:50 | |
by reading to you from. | 1:17:50 | 1:17:52 | |
Robert Pattinson: A Biography, by Victoria Blackburn. | 1:17:52 | 1:17:57 | |
19.99. | 1:17:57 | 1:17:59 | |
Bit of a steal! | 1:17:59 | 1:18:00 | |
Literally - I shoplifted all of those. | 1:18:00 | 1:18:03 | |
And I will be reading to you from the section, the chapter, | 1:18:05 | 1:18:08 | |
entitled Rob At School. | 1:18:08 | 1:18:10 | |
"Rob At School." | 1:18:10 | 1:18:13 | |
LAUGHTER | 1:18:13 | 1:18:16 | |
CHEERING | 1:18:16 | 1:18:19 | |
Although it's about when I was at school with Rob, together, | 1:18:20 | 1:18:24 | |
I'm not actually mentioned at any point in the book. | 1:18:24 | 1:18:26 | |
Which is fine, cos I didn't want to be in your shit book anyway. | 1:18:26 | 1:18:29 | |
So, here we are. | 1:18:29 | 1:18:31 | |
Chapter Rob At School. | 1:18:31 | 1:18:33 | |
"Rob's school friend Hugo | 1:18:33 | 1:18:36 | |
"remembers how Rob was forever larking around..." | 1:18:36 | 1:18:40 | |
Ha! What a larker! | 1:18:40 | 1:18:42 | |
What a fucking larker! | 1:18:44 | 1:18:45 | |
"'Rob was made lunch monitor,'" recalls Hugo, | 1:18:47 | 1:18:51 | |
"'but it wasn't a role he ever took seriously. | 1:18:51 | 1:18:53 | |
"'He used to pinch everyone's chips in the queue.'" | 1:18:53 | 1:18:57 | |
How funny - stealing people's chips in the queue! | 1:18:57 | 1:19:00 | |
I went hungry every fucking lunch time! | 1:19:00 | 1:19:05 | |
We move on. | 1:19:07 | 1:19:09 | |
"Although Rob's now a Hollywood heart-throb..." | 1:19:10 | 1:19:13 | |
Bleurgh! | 1:19:13 | 1:19:15 | |
"..he also has a softer side. | 1:19:16 | 1:19:19 | |
"Rob admits to having quite a few phobias, | 1:19:19 | 1:19:23 | |
"which are listed below." | 1:19:23 | 1:19:25 | |
Ooh, Robert Pattinson's phobias. | 1:19:25 | 1:19:28 | |
I wonder what these will be(!) | 1:19:28 | 1:19:31 | |
Maybe one of them's acting. | 1:19:31 | 1:19:33 | |
LAUGHTER | 1:19:33 | 1:19:36 | |
APPLAUSE | 1:19:36 | 1:19:38 | |
-I like this bit! -HE SNIGGERS | 1:19:42 | 1:19:44 | |
"One - Robert Pattinson's Phobias. | 1:19:44 | 1:19:48 | |
"Heights." | 1:19:48 | 1:19:49 | |
Ooh, scary. | 1:19:49 | 1:19:51 | |
Probably couldn't have pulled off a stunt like that! | 1:19:52 | 1:19:56 | |
CHEERING | 1:19:56 | 1:19:58 | |
"Two - darkness." | 1:19:58 | 1:20:00 | |
Ooh! | 1:20:00 | 1:20:03 | |
"Three - flying." | 1:20:04 | 1:20:07 | |
So, so far, it's not great for a vampire, is it? | 1:20:07 | 1:20:10 | |
"Four - driving. | 1:20:13 | 1:20:15 | |
"Five - getting stabbed." | 1:20:15 | 1:20:17 | |
Right, getting stabbed is not a phobia. | 1:20:17 | 1:20:19 | |
Yeah, I wouldn't be keen | 1:20:19 | 1:20:20 | |
if someone just walked up to me in the middle of the street | 1:20:20 | 1:20:23 | |
and started stabbing me for no reason, | 1:20:23 | 1:20:25 | |
but I wouldn't list it as a specific phobia. | 1:20:25 | 1:20:28 | |
And therefore, what, are we meant to assume that anything that's not on Robert's stupid list of phobias | 1:20:28 | 1:20:32 | |
is something Robert's not afraid of?! | 1:20:32 | 1:20:35 | |
LAUGHTER | 1:20:35 | 1:20:36 | |
"Six - floating." Floating! | 1:20:38 | 1:20:41 | |
Having seen your performance in Water For Elephants, | 1:20:41 | 1:20:44 | |
your acting is so wooden you would probably float. | 1:20:44 | 1:20:47 | |
"Three - school is where Robert discovered his love of acting. | 1:20:48 | 1:20:51 | |
"One of his earliest roles | 1:20:51 | 1:20:53 | |
"was one of the leads in a school production of The Crucible | 1:20:53 | 1:20:56 | |
"in which he wowed both pupils and teachers alike... | 1:20:56 | 1:20:58 | |
"although many say that night he was somewhat overshadowed | 1:20:58 | 1:21:01 | |
"by the performance of the child playing Villager Six | 1:21:01 | 1:21:04 | |
"dressed as Robin fucking Hood!" | 1:21:04 | 1:21:06 | |
CHEERING | 1:21:08 | 1:21:10 | |
Paraphrasing a little... | 1:21:20 | 1:21:22 | |
I'm going to end on this little section here. | 1:21:24 | 1:21:26 | |
We've all had a very jolly time this evening, | 1:21:26 | 1:21:29 | |
it's all been very fun, | 1:21:29 | 1:21:30 | |
but this bit is very serious, OK? | 1:21:30 | 1:21:33 | |
Because I'm about to read you | 1:21:33 | 1:21:34 | |
the section of Robert Pattinson's biography, | 1:21:34 | 1:21:37 | |
which deals with the very sensitive subject of bullying. | 1:21:37 | 1:21:41 | |
GENTLE LAUGHTER | 1:21:41 | 1:21:44 | |
I don't know why there is sniggering over there. | 1:21:44 | 1:21:48 | |
This is the serious bit. | 1:21:50 | 1:21:52 | |
There will be no sniggers allowed. | 1:21:52 | 1:21:54 | |
It's the first time I've ever said that phrase out loud. | 1:21:56 | 1:21:59 | |
You realise with "no sniggers allowed", | 1:21:59 | 1:22:01 | |
one slip of the tongue with that and you are fucked. | 1:22:01 | 1:22:03 | |
Look, I don't want anyone thinking, here or at home, | 1:22:10 | 1:22:12 | |
that I'm making light of bullying, | 1:22:12 | 1:22:14 | |
because I'm not making light of bullying. | 1:22:14 | 1:22:16 | |
You know, I'm a big supporter of anti-bullying. | 1:22:16 | 1:22:19 | |
I actually bought one of those anti-bullying charity wristbands | 1:22:19 | 1:22:22 | |
when they first came out. So... | 1:22:22 | 1:22:24 | |
I say bought, I stole it off a fat ginger kid. But... | 1:22:24 | 1:22:27 | |
LAUGHTER | 1:22:27 | 1:22:30 | |
Serious, please. "Bullying..." | 1:22:30 | 1:22:34 | |
"It was not all plain sailing for Rob." | 1:22:40 | 1:22:43 | |
"Although difficult to imagine, | 1:22:44 | 1:22:46 | |
"Rob was actually bullied at school." | 1:22:46 | 1:22:50 | |
HE FIGHTS BACK TEARS | 1:22:50 | 1:22:53 | |
"In a recent interview with the press, | 1:22:53 | 1:22:56 | |
"he recalled how once, at school, in year eight, | 1:22:56 | 1:22:58 | |
"someone..." Some bastard! | 1:22:58 | 1:23:01 | |
"..stole... | 1:23:04 | 1:23:06 | |
"the shoelaces from his gym shoes." | 1:23:06 | 1:23:09 | |
"But he didn't let it get to him, | 1:23:12 | 1:23:15 | |
"he just carried on wearing them without." | 1:23:15 | 1:23:18 | |
-Who's laughing now? -CHEERING | 1:23:19 | 1:23:22 | |
Ladies and gentlemen, thank you very much. Good night! | 1:23:25 | 1:23:28 | |
# Walking on, walking on broken glass | 1:23:32 | 1:23:37 | |
# Walking on, walking on broken glass | 1:23:39 | 1:23:45 | |
# You were the sweetest thing | 1:23:50 | 1:23:54 | |
# That I ever knew | 1:23:54 | 1:23:58 | |
# But I don't care for sugar, honey | 1:23:58 | 1:24:02 | |
# If I can't have you | 1:24:02 | 1:24:07 | |
# Since you've abandoned me | 1:24:07 | 1:24:11 | |
# My whole life has crashed... # | 1:24:11 | 1:24:14 | |
Ooh, hi, Jack! | 1:24:16 | 1:24:19 | |
-Hey. -Hi. Pop your seat belt on. | 1:24:29 | 1:24:32 | |
-It's Book At Bedtime. -Oh, great. | 1:24:35 | 1:24:38 | |
Subtitles by Red Bee Media Ltd | 1:24:39 | 1:24:42 |