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|---|---|---|---|
This programme contains strong language. | :00:00. | :00:00. | |
Good evening, I'm Michael Whitehall, Jack's dad. | :00:07. | :00:09. | |
And I've been asked to make one or two announcements about this show. | :00:10. | :00:14. | |
Jack attracts the most terrible load of riffraff, doesn't he? | :00:15. | :00:22. | |
Now, mobile phones, all off. My wife gave me a mobile phone recently. | :00:23. | :00:27. | |
Absolutely outrageous. And it goes off all the time. | :00:28. | :00:30. | |
she doesn't know how to switch it off. | :00:31. | :00:35. | |
Don't want to downing your loads onto some Twatbook | :00:36. | :00:44. | |
or whatever you call it. Cos that's not permitted. | :00:45. | :00:47. | |
that there will be a lot of bad language in this show, | :00:48. | :00:52. | |
because I always say to Jack, the more bad language he uses, | :00:53. | :00:58. | |
the more it makes him sound like a complete wanker. | :00:59. | :01:01. | |
There are also, as you would expect, adult themes, sex, | :01:02. | :01:06. | |
all that sort of stuff. Which, again, is so classic of Jack. | :01:07. | :01:11. | |
Slags, basically, I've always thought. | :01:12. | :01:16. | |
Anyway, when the show gets to its interval, | :01:17. | :01:18. | |
which I'm sure many of you will be looking forward to, | :01:19. | :01:22. | |
don't leave it too late to get to the bar | :01:23. | :01:24. | |
So rush there, and don't go anywhere near the wine which is ghastly. | :01:25. | :01:31. | |
Go in for the gin and tonics, vodkas, that kind of stuff. | :01:32. | :01:34. | |
So, enjoy the show. That's the end of my contribution. | :01:35. | :01:38. | |
And buy the DVD if you haven't already bought it. | :01:39. | :01:42. | |
But why you could conceivably think it was worth buying I cannot think, | :01:43. | :01:47. | |
when there are so many really good DVDs out there on the market. | :01:48. | :01:51. | |
I mean, you could buy the new rerelease of Colditz, | :01:52. | :01:55. | |
you could go for The Forsyte Saga or World At War, I see, | :01:56. | :01:58. | |
The Onedin Line with my dear friend Anne Stallybrass. | :01:59. | :02:04. | |
Andrew Marr's new series about the canals of Britain, | :02:05. | :02:08. | |
the original Tinker Tailor Soldier Spy, which was, I tell you, | :02:09. | :02:13. | |
a hell of a lot better than the current one. | :02:14. | :02:15. | |
..To The Manor Born, you could get that on DVD, with Penelope Keith | :02:16. | :02:25. | |
and Peter Bowles. Now, there's a comedian for you. | :02:26. | :02:28. | |
And, of course, anything with Nigel Havers. | :02:29. | :02:31. | |
The Cook Report, there's another show that...fantastic... | :02:32. | :02:40. | |
MUSIC: "Welcome To The Jungle" by Guns N' Roses | :02:41. | :02:46. | |
# Feel my... # MUSIC STOPS ABRUPTLY | :02:47. | :03:48. | |
I saw Al Murray do that the beginning of his DVD | :03:49. | :03:50. | |
good evening and welcome to the Hammersmith Apollo! | :03:51. | :03:57. | |
CHEERING Oh! | :03:58. | :04:01. | |
Ladies and gentlemen, thank you so much for coming out. | :04:02. | :04:04. | |
We're in Hammersmith, we're in London, my endz, oh yeah! | :04:05. | :04:07. | |
Anyone in from Hammersmith? Give me a cheer. | :04:08. | :04:09. | |
CHEERING A couple of you! | :04:10. | :04:11. | |
I love Hammersmith, Hammersmith is a great place. | :04:12. | :04:13. | |
Hammersmith Palais, one of my favourite nightclubs | :04:14. | :04:18. | |
back in the day, that's where the after party is tonight! | :04:19. | :04:21. | |
The only club in the country that makes Tiger Tiger look classy. | :04:22. | :04:25. | |
MAN: Wheyyy! Course he has, look at him! | :04:26. | :04:29. | |
You look like you could spike a drink just by looking at, mate. | :04:30. | :04:35. | |
I love it. Great drinks offers as well. | :04:36. | :04:37. | |
You buy two Jagerbombs, you get the morning after pill for free, class. | :04:38. | :04:41. | |
So let's find out about this beautiful audience | :04:42. | :04:43. | |
All the ladies, can you make some noise? | :04:44. | :04:47. | |
Yeah, great, got some guys in, some proper men. | :04:48. | :04:56. | |
Had to sit right down the front just to accommodate | :04:57. | :05:00. | |
"Bought two tickets for tonight, one for me and one for the twins." | :05:01. | :05:07. | |
Darren. Darren, yeah, proper ... man's name! | :05:08. | :05:22. | |
What do you do, Darren? Work in a factory, lifting. | :05:23. | :05:24. | |
Oh, yes! Darren, you have not let me down. | :05:25. | :05:28. | |
And you're wearing the suit, I like that, | :05:29. | :05:30. | |
you've got the shaved head but you're still rocking the suit. | :05:31. | :05:33. | |
You look like a footballer on his way to court up on rape allegations, | :05:34. | :05:36. | |
Because I'd love to be like you, a real man. | :05:37. | :05:42. | |
Because I love men... Not love men, that came out wrong. | :05:43. | :05:45. | |
I'd love to be a real man like Darren and my man here, | :05:46. | :05:48. | |
lumberjack shirt, three buttons undone, the chest is bursting out. | :05:49. | :05:52. | |
Real man like you, I'd love to be like you, a real man like you. | :05:53. | :05:56. | |
Because it's hard for us, isn't it, sir? No! | :05:57. | :05:58. | |
Camp men like ourselves, we get it tough. | :05:59. | :06:01. | |
You wouldn't know where to start with bleeding a radiator | :06:02. | :06:04. | |
but I bet you make an incredible bechamel sauce, am I right? | :06:05. | :06:07. | |
Yeah! Stick a bay leaf in, I know your tricks. | :06:08. | :06:11. | |
and all the ladies are here tonight, because this is my show. | :06:12. | :06:16. | |
This is my show, I've been touring it, been all round the country. | :06:17. | :06:19. | |
I went to Bristol, that was the last stop on my tour, | :06:20. | :06:23. | |
went to the West Country. Love the West Country. | :06:24. | :06:25. | |
Anyone in from the West Country? Nice! Great. | :06:26. | :06:28. | |
Very laid-back pace of life there in the West Country, | :06:29. | :06:31. | |
I had trouble getting down there, truth be told. | :06:32. | :06:34. | |
I was on the train on the way to Bristol, | :06:35. | :06:36. | |
the train went through this place called Bedwyn, OK? | :06:37. | :06:39. | |
Now, not many of you will know Bedwyn. | :06:40. | :06:40. | |
Bedwyn is a tiny rural village right in the middle of Wiltshire. | :06:41. | :06:44. | |
The only time you might have heard of Bedwyn | :06:45. | :06:46. | |
is it was once on an episode of Time Team. | :06:47. | :06:48. | |
Really good dig, actually, I watched it. | :06:49. | :06:50. | |
In one of the trenches, Baldrick, right, | :06:51. | :06:53. | |
he found the remains of a woman that had been burnt as a witch. | :06:54. | :06:57. | |
So I'm in a little place, Little Bedwyn, on the train, | :06:58. | :07:03. | |
all of a sudden the train stops and the PA system comes on. | :07:04. | :07:06. | |
It's the conductor. He is like, "Ladies and gentlemen, | :07:07. | :07:09. | |
"unfortunately this train is now being evacuated | :07:10. | :07:12. | |
I suspect Al-Qaeda might have slightly higher priorities | :07:13. | :07:26. | |
on their hitlist than rural Wiltshire! | :07:27. | :07:29. | |
Also, I thought, terrorism, that's done, we've dealt with that now, | :07:30. | :07:33. | |
it's not an issue any more. I watch the news, I listen to it. | :07:34. | :07:36. | |
There was a guy on the news recently, an expert | :07:37. | :07:38. | |
obesity is now a bigger threat to this country than Al-Qaeda. | :07:39. | :07:46. | |
What would you rather have sat opposite you | :07:47. | :07:50. | |
on the tube on your way home tonight? | :07:51. | :07:54. | |
Some mental guy with a beard and a 100-yard stare | :07:55. | :07:56. | |
or just a jolly little fat kid with a backpack full of Quavers? | :07:57. | :08:03. | |
and they were still trying to take away my toiletries. | :08:04. | :08:08. | |
I was like, "Madam, have you not seen the news? | :08:09. | :08:12. | |
"Mr Bin Laden has been shot and dumped at sea! | :08:13. | :08:15. | |
"There are now far more pressing issues at hand | :08:16. | :08:18. | |
"like the war on dry skin! This exfoliator is coming on, bitch!" | :08:19. | :08:23. | |
You know what I'm talking about, eh? Clarins, natural glow. | :08:24. | :08:28. | |
So we're carted out, at Bedwyn station, | :08:29. | :08:32. | |
we all get carted out onto the station platform. | :08:33. | :08:34. | |
It's freezing cold, it's Sunday night as well, to add insult to injury. | :08:35. | :08:38. | |
So we're all there feeling pretty depressed, tutting away. | :08:39. | :08:42. | |
"Sunday night, missed the X Factor results show, this is so shit." | :08:43. | :08:45. | |
Danny Dyer's Top 10 Ways To Kick A Dog. | :08:46. | :08:55. | |
And I'm stood there, and the guy from National Rail | :08:56. | :09:10. | |
comes out to address the assembled crowd. | :09:11. | :09:12. | |
And I could tell that he was excited. This was his big moment. | :09:13. | :09:15. | |
He'd worked at Bedwyn station for his entire life, he was pumped. | :09:16. | :09:18. | |
He walks out, and he's trying to sound intimidating as well, | :09:19. | :09:21. | |
which simply doesn't work if you've got a West Country accent. | :09:22. | :09:25. | |
watch that docudrama they had on Fred West on ITV. | :09:26. | :09:29. | |
It documented the life of one of the most evil serial killers | :09:30. | :09:32. | |
this country's ever seen but at no point were you ever scared | :09:33. | :09:35. | |
"What did you do with her next, Mr West?" | :09:36. | :09:38. | |
WEST COUNTRY ACCENT: "I chopped her up and I put her in a bin liner!" | :09:39. | :09:42. | |
So out he comes, Mr National Rail. He's ready for his moment. | :09:43. | :09:48. | |
Clears his throat, he's like, "Ladies and gentlemen, | :09:49. | :09:50. | |
"unfortunately all of the trains from this station will now be delayed | :09:51. | :09:55. | |
"because I have personally spotted on platform two | :09:56. | :10:00. | |
To which the massive posh guy next to me shouts back at him, | :10:01. | :10:07. | |
"Well, put it on the train to Swindon, | :10:08. | :10:09. | |
I got there in the end, I got to Bristol in the end. | :10:10. | :10:18. | |
I went to a farmers' market in Bristol, | :10:19. | :10:21. | |
Not like the farmers' markets you get in London. | :10:22. | :10:25. | |
There's a farmers' market in Highgate I went to recently, | :10:26. | :10:28. | |
There's a woman called Araminta who has a cheese stall. | :10:29. | :10:32. | |
You go up, "What would you care for today, sir? | :10:33. | :10:35. | |
"I have this goat's cheese from the scorched valleys of Tuscany, | :10:36. | :10:37. | |
"or maybe you'll prefer this Gruyere from the Alpine peaks?" | :10:38. | :10:42. | |
I picked up a bit of cheese at the Fishponds farmers' market in Bristol, | :10:43. | :10:45. | |
I asked the man where it was from, he went, "A FARM!" | :10:46. | :10:51. | |
That's not to say Bristol as a place is not impervious | :10:52. | :10:57. | |
to a little bit of pretentiousness, because Bristol, as we all know, | :10:58. | :11:00. | |
is the home of one of the worst breed of girls you will ever find, | :11:01. | :11:03. | |
And that girl is the lesser spotted Did I Tell You About My Gap Year. | :11:04. | :11:13. | |
"Me and my friend Vascheri, who's ethnic, by the way, | :11:14. | :11:30. | |
"did I mention? And Cassandra, who didn't get into Leeds | :11:31. | :11:32. | |
"so she went to Liverpool which means she's so good with foreign languages, | :11:33. | :11:36. | |
"we just tottered round Tibet smoking the most amazing Thai grass | :11:37. | :11:39. | |
"And we found the most wonderful little monastery on the foot | :11:40. | :11:44. | |
"of Mount Hicha-picha-nacha-foccacia-arddurrrn, | :11:45. | :11:47. | |
"and we stayed there for weeks just helping the orphans." | :11:48. | :11:52. | |
You just think, haven't the orphans suffered enough? | :11:53. | :11:58. | |
I'm not having a go at charity work, though, I'm not. | :11:59. | :12:02. | |
Look, I did, I actually did some charity work when I left my school. | :12:03. | :12:07. | |
I don't want to, you know, show off, but it was pretty amazing what I did. | :12:08. | :12:10. | |
Just a couple of weeks' volunteer work in a special needs | :12:11. | :12:12. | |
school for children, just playing games with them, football, tennis. | :12:13. | :12:17. | |
And it does actually make you feel really good inside. | :12:18. | :12:21. | |
So that was the West Country, I went to the West Country. | :12:22. | :12:31. | |
I went to Scotland, I went to Glasgow. | :12:32. | :12:33. | |
I love Glasgow, Glasgow's a great place, quite a tough city though. | :12:34. | :12:42. | |
Glasgow's the only place I've ever been where you see toddlers | :12:43. | :12:45. | |
so they don't rip off Rottweilers' faces. | :12:46. | :12:49. | |
But I arrived in Glasgow and I decided, right, what I needed | :12:50. | :12:53. | |
and start my day by getting a proper breakfast. | :12:54. | :12:57. | |
I needed some energy, some food inside me. | :12:58. | :12:59. | |
So I set off into the central of Glasgow | :13:00. | :13:02. | |
sort of traditional greasy spoon Scottish cafe. | :13:03. | :13:08. | |
I walked in, there was a very dour-looking Scottish waiter, | :13:09. | :13:11. | |
staring at me, wishing that I was dead with every fibre of his being. | :13:12. | :13:16. | |
I sat down and I ordered myself a big, big bowl | :13:17. | :13:19. | |
of bircher muesli with all the fruits. | :13:20. | :13:24. | |
And I took out my laptop and I just started typing away, | :13:25. | :13:26. | |
just having it... Yeah, that's how I type. It's a pedal-assisted laptop. | :13:27. | :13:31. | |
And I was there, typing away, on my laptop, | :13:32. | :13:35. | |
and then, I made the fatal error, right, | :13:36. | :13:38. | |
of asking my newfound Scottish chum, the waiter, | :13:39. | :13:41. | |
To which he looked at me as if to say, | :13:42. | :13:44. | |
"I haven't even got access to my fucking kids." | :13:45. | :13:48. | |
So at this point, I wasn't feeling particularly well loved. | :13:49. | :13:54. | |
And then, thank God, the best thing that could possibly happen | :13:55. | :13:58. | |
And all of a sudden, I was no longer public enemy number one. | :13:59. | :14:07. | |
As soon as this woman waddled in the shop, "Hey, Marty, come in here, | :14:08. | :14:11. | |
"they're definitely going to have waffles." | :14:12. | :14:14. | |
"She's as welcome in here as a bowl of couscous! | :14:15. | :14:21. | |
"I'm going to take a shit in her omelette!" | :14:22. | :14:23. | |
She sits down, she's eating really loudly, she's slurping on her coffee. | :14:24. | :14:28. | |
She gets to the end of her coffee, she slams it down and start clicking | :14:29. | :14:31. | |
at the waiter, I'm like, "Oh my God, this shit's going to get messy." | :14:32. | :14:35. | |
She's like, "Sir, sir, come over here. I've finished my coffee. | :14:36. | :14:38. | |
"I will now have my free refill of coffee." | :14:39. | :14:43. | |
He looked at her like she had just ordered dead baby soup, | :14:44. | :14:52. | |
And he couldn't even formulate a response. | :14:53. | :14:57. | |
He wanted to say something but no sentences came out of his mouth. | :14:58. | :15:00. | |
After a minute of just aching and squealing, eventually, | :15:01. | :15:03. | |
She, cool as a cucumber, goes, "Sir, sir. | :15:04. | :15:10. | |
"I'm going to give you a little reality check here. OK? | :15:11. | :15:19. | |
In front of everyone, he looks her dead in the eye, | :15:20. | :15:27. | |
People were applauding him, patting him on the back. | :15:28. | :15:30. | |
There was a guy in the corner of the cafe in a wheelchair | :15:31. | :15:32. | |
that stood up to shout "Freedom!" as she waddled out the cafe. | :15:33. | :15:39. | |
Cos that's the thing, isn't it? There are some things, right, | :15:40. | :15:41. | |
that I don't think will ever make the cultural crossover. | :15:42. | :15:44. | |
We're so similar to Americans in many ways but some things, | :15:45. | :15:47. | |
Like customer service, for example. They love that in America. | :15:48. | :15:52. | |
We will never have that in the UK. We don't do customer service. | :15:53. | :15:56. | |
And I think that should be celebrated. | :15:57. | :15:58. | |
Cos I do not like customer service. I think it's an ugly thing. | :15:59. | :16:01. | |
I like going into a shop anywhere in this country | :16:02. | :16:04. | |
Phone shopping, for example. Phone shopping here is so easy. | :16:05. | :16:13. | |
You walk into the Carphone Warehouse, you know the drill, | :16:14. | :16:16. | |
you're going to get ignored for days. | :16:17. | :16:19. | |
There'll be a corpse at the counter where some elderly man | :16:20. | :16:22. | |
has gone in and tried to upgrade without his wife there to help. | :16:23. | :16:25. | |
it's going be from some patronising little teenager in a suit, | :16:26. | :16:29. | |
"How many minutes you talking in a month, bruv?" | :16:30. | :16:33. | |
But when you leave the shop, you feel like you've earned your phone. | :16:34. | :16:41. | |
I had to go to the Apple store recently in New York. | :16:42. | :16:44. | |
Before you even have your foot in the threshold of the door, | :16:45. | :16:50. | |
there's some wanktard with a fringe in your face. | :16:51. | :16:53. | |
"Hey, buddy, my name's Drew. How's your day been going, hombre? | :16:54. | :16:56. | |
"What brings you to the Apple Store today?" | :16:57. | :16:59. | |
I'm here to buy a phone, not make a friend, fuck off. | :17:00. | :17:04. | |
They applaud the first customer in of the day. | :17:05. | :17:06. | |
The Apple Store in New York, they all stand around clapping | :17:07. | :17:09. | |
like dickheads as he walks into the shop. "Whoo, we love you, man! | :17:10. | :17:12. | |
At my local T-Mobile, the only customer that's getting applauded | :17:13. | :17:18. | |
"Thank fuck you've gone, we're going down the pub, you BlackBerry wanker!" | :17:19. | :17:30. | |
And it works both ways as well. I had to get a train when I was in America. | :17:31. | :17:34. | |
I got onto the platform and on the platform they had a poster. | :17:35. | :17:38. | |
On this poster was one of the American Rail employees. | :17:39. | :17:40. | |
She was this woman, she was all made up, | :17:41. | :17:42. | |
her eyes were full of hope and life. She had a smile on her face. | :17:43. | :17:47. | |
And then underneath it, a little slogan. | :17:48. | :17:50. | |
"Hey, you got enough snacks for the journey? Enjoy your trip!" | :17:51. | :17:53. | |
Compare that to the posters that you get on every single station | :17:54. | :17:59. | |
platform up and down this great country. What do you get? | :18:00. | :18:02. | |
You get the picture of a National Rail employee | :18:03. | :18:05. | |
Then underneath it, "Please don't hit our staff!" | :18:06. | :18:19. | |
I'm depressed as well that I even have to go to the Apple store. | :18:20. | :18:25. | |
Because I never wanted that from my life. I was perfectly content before. | :18:26. | :18:29. | |
I was a non-iPhone user and I was happy. | :18:30. | :18:31. | |
But like all non-iPhone users, eventually, | :18:32. | :18:33. | |
I gave in, I listened to them. I gave in to the iPhone Nazis. | :18:34. | :18:39. | |
These people that force you to get it, | :18:40. | :18:41. | |
they make you buy it and they lie to you. | :18:42. | :18:43. | |
They don't tell you about the bad shit, only the good things. | :18:44. | :18:46. | |
They don't say, "This phone IS amazing, | :18:47. | :18:48. | |
"but unfortunately it has a battery life of 20 seconds. | :18:49. | :18:51. | |
"It's a smart phone, smart phone, you need to get a smart phone." | :18:52. | :18:54. | |
Fuck a smart phone! Do you know what I wish I still had? A dumb phone. | :18:55. | :18:57. | |
That's what I like. A phone where I knew where I stood. | :18:58. | :19:00. | |
You know the phone I wish I still had? The Nokia 3310. | :19:01. | :19:03. | |
CHEERING That was a phone! | :19:04. | :19:07. | |
Fuck the iPhone with all of its apps and its maps and its GPS shit. | :19:08. | :19:11. | |
The most pretentious the 3310 got is when it upgraded itself to the 3330. | :19:12. | :19:27. | |
The only thing they added to that model was a currency converter | :19:28. | :19:31. | |
on a phone that didn't even work abroad. | :19:32. | :19:36. | |
No pretension with, like, predictive text messaging. | :19:37. | :19:40. | |
Predictive text messaging on the 3310 was bliss. | :19:41. | :19:43. | |
that was more than, like, five letters long, it would give up. | :19:44. | :19:48. | |
It was like it was saying, "Yeah, you want to use poncey, fancy, | :19:49. | :19:51. | |
"prick language like that, you're on your own, knobhead!" | :19:52. | :19:55. | |
Not with the iPhone. Where does the iPhone get this vocabulary? | :19:56. | :19:58. | |
Constantly jumping to conclusions. Nobody fucking talks like that. | :19:59. | :20:01. | |
It doesn't matter what you put into the bloody thing, you're like, | :20:02. | :20:04. | |
Basically, I'm trying to become a little bit more of a grown-up. | :20:05. | :20:14. | |
This is a big thing in my life, OK, Hammersmith? | :20:15. | :20:17. | |
I've had some quite big changes that have been going on. | :20:18. | :20:19. | |
One of these I'm really proud to share with you this evening, | :20:20. | :20:22. | |
is that basically, I am no longer living at home with my mother. | :20:23. | :20:26. | |
CHEERING I know! | :20:27. | :20:32. | |
And I'm doing shit that I never thought I would do. | :20:33. | :20:34. | |
I invited a friend over for a cup of tea, cos that's what I do now. | :20:35. | :20:41. | |
and take class As and finger people by bins, that's over. | :20:42. | :20:46. | |
we drink herbal tea and we watch Eggheads, so fuck you, CJ. | :20:47. | :20:52. | |
So I invited my friend round, hand her this herbal tea, | :20:53. | :20:56. | |
she goes to put it down on the coffee table. | :20:57. | :20:58. | |
Before that mug has made contact with the coffee table, | :20:59. | :21:00. | |
I'm not the coaster guy, all of a sudden, I'm the coaster guy. | :21:01. | :21:06. | |
And that's just the tip of the iceberg. | :21:07. | :21:09. | |
and I saw a light bulb flicker and go out | :21:10. | :21:18. | |
I got a chair out, I changed a... I changed a lightbulb! | :21:19. | :21:32. | |
Compare that to me in my student flat three years ago. | :21:33. | :21:35. | |
If I was sat in a room and a light bulb flickered and went out, | :21:36. | :21:38. | |
my instant response was this. Oh, fuck. | :21:39. | :21:41. | |
We're only going to be able to use this room in the day now. | :21:42. | :21:48. | |
So my grown-up living was going very well, going very well, | :21:49. | :21:50. | |
my grown-up living, in my flat, with my coasters and everything. | :21:51. | :21:53. | |
But then it took a little bit of a nosedive because I realised | :21:54. | :21:56. | |
there was one thing I no longer had which I really relied on. | :21:57. | :22:00. | |
Because I will be the first to admit, Hammersmith, | :22:01. | :22:05. | |
I'm a massive mummy's boy. My mum is incredible. | :22:06. | :22:07. | |
I wouldn't be here today if it wasn't for my mum. | :22:08. | :22:11. | |
No, but when I first started doing stand-up and stuff, | :22:12. | :22:16. | |
I was too young to drive, for example. | :22:17. | :22:19. | |
So my mum used to drive me to all of my gigs. | :22:20. | :22:21. | |
She'd drive me there, I'd do the show, she'd wait outside | :22:22. | :22:23. | |
and then she'd take me back afterwards. So... | :22:24. | :22:26. | |
It meant it was quite hard to pick up ladies after shows. | :22:27. | :22:32. | |
Yeah, you want to come back to my crib, babe? | :22:33. | :22:34. | |
My ride's outside, it's the Volvo estate. | :22:35. | :22:36. | |
But I realised, I didn't have my mum any more, I didn't have my mum. | :22:37. | :22:49. | |
And I decided what I was going to do, OK, this was my idea, | :22:50. | :22:53. | |
I thought I could start dating my mum. | :22:54. | :22:58. | |
Not my actual mum, that sounds weird. | :22:59. | :23:01. | |
No, I mean a version of my mum, there would obviously be | :23:02. | :23:03. | |
a sexual aspect to it as well that there wasn't with my real mum... | :23:04. | :23:06. | |
Which is not to say when I was living at home with my mum, | :23:07. | :23:13. | |
And that was my mum had garnered the greatest weapon | :23:14. | :23:17. | |
that any woman can have in any relationship with a man. | :23:18. | :23:24. | |
Cos men, they just want to have sex all the time. | :23:25. | :23:28. | |
Like, how old are you over there in the T-shirt? How old are you? | :23:29. | :23:30. | |
Me? 19. 19, you must be like a fucking ball of spunk. | :23:31. | :23:34. | |
You haven't been listening to a word I've been saying | :23:35. | :23:37. | |
when you can clamber onto the stage and fuck that E! | :23:38. | :23:45. | |
But we do, we want sex all the time. We're animalistic. | :23:46. | :23:48. | |
And if a woman can turn around and be like, "No cum for you," | :23:49. | :23:51. | |
you have control. I realise that's not how women do it. | :23:52. | :23:55. | |
"Do you want to make love?" "No cum for you!" | :23:56. | :24:00. | |
But my mum did, she tried to stop me from having sex | :24:01. | :24:02. | |
And it wasn't that she...she didn't mind me having sex elsewhere, | :24:03. | :24:06. | |
Like, I remember I went away on my first ever stag weekend | :24:07. | :24:11. | |
My mum helped me pack my bag. In the front pocket, my mum put 30 condoms. | :24:12. | :24:20. | |
I counted them went I came back, there were 31. | :24:21. | :24:29. | |
But it was sex in her house that she wasn't happy with. | :24:30. | :24:31. | |
a whole arsenal of ways of stopping me from having sex in her house. | :24:32. | :24:36. | |
The first thing she did was try and de-sexualise my bedroom. | :24:37. | :24:40. | |
She thinks I didn't notice, it was so obvious. | :24:41. | :24:42. | |
The longer I'd been going out with a girl, the more children's toys | :24:43. | :24:46. | |
would suddenly appear littered on the floor. | :24:47. | :24:48. | |
Family photographs adorning every single mantelpiece. | :24:49. | :24:52. | |
A massive framed picture of my creepy uncle above the bed. | :24:53. | :24:55. | |
And this huge mound of cushions as well, | :24:56. | :24:57. | |
towered high over the bedspread, that you'd have to hack through | :24:58. | :25:01. | |
before you can even get into the sheets. | :25:02. | :25:02. | |
They all had little things embroidered on them | :25:03. | :25:05. | |
"Home sweet home," "Mummy knows best," | :25:06. | :25:09. | |
"Daddy's under the bed." What the fuck? | :25:10. | :25:13. | |
And it didn't stop there. Didn't stop there, no. | :25:14. | :25:26. | |
And it's not like I was having loud sex on it as well. | :25:27. | :25:32. | |
I don't know why I'm looking at you there, Darren, I'm sorry. | :25:33. | :25:37. | |
I was trying to have the quietest sex that I could possibly have. | :25:38. | :25:40. | |
I was very conscious that my mum was beneath me. Not beneath, no, no! | :25:41. | :25:45. | |
Anyway, stealth sex, that's what I used to call it. Proper stealth sex. | :25:46. | :25:53. | |
Me and my girlfriend at the time, we'd be having sex so quietly | :25:54. | :25:56. | |
we were doing it like... like we were Anne Frank's parents. | :25:57. | :26:00. | |
Yeah! She didn't put that in the diary. | :26:01. | :26:13. | |
You can't do anything fun as well. Can't do anything experimental. | :26:14. | :26:16. | |
If I came home from a night out, little bit tipsy maybe, | :26:17. | :26:18. | |
she might be like, "Jack, do you want to try role-playing?" | :26:19. | :26:21. | |
"Could you just play dead? Honestly, that would help." | :26:22. | :26:25. | |
Sex for me at home, in my mum's house, became a little bit | :26:26. | :26:28. | |
like arriving late at the theatre and trying to find your seat. | :26:29. | :26:32. | |
Just a lot of shuffling, a bit of shushing, a pause, | :26:33. | :26:35. | |
And it's not to say, as well, that I ever wanted any sort of weird sex. | :26:36. | :26:47. | |
When it comes to sex, I like it very simple. | :26:48. | :26:52. | |
I'm quite British about the whole thing. Quite Victorian British. | :26:53. | :26:55. | |
I want three minutes in the dark, then we both roll over, | :26:56. | :26:58. | |
assume the foetal position and cry for a bit. That's how it's done. | :26:59. | :27:01. | |
And none of that talking. I hate the talking, | :27:02. | :27:03. | |
I can't stand any of the talking during sex. I hate that shit. | :27:04. | :27:06. | |
They say during sex a woman should lie back and think of England. | :27:07. | :27:09. | |
I couldn't agree more. I think maybe let's make it more specific. | :27:10. | :27:12. | |
and don't you dare start a conversation. | :27:13. | :27:17. | |
Cos I've had a girl that tried to get me to do the dirty talk thing. | :27:18. | :27:23. | |
And I warned her that it wouldn't work, this is not a sexy voice, | :27:24. | :27:26. | |
this voice does not work within the echelons of a sexual environment. | :27:27. | :27:30. | |
Therefore any sexual contact will be conducted in complete silence. | :27:31. | :27:34. | |
But she wouldn't listen, she insisted on doing it. | :27:35. | :27:37. | |
She was like, "Oh, Jack, tell me I've been a bad girl!" | :27:38. | :27:42. | |
I don't know. Is there a scale? | :27:43. | :27:49. | |
Worse than a looter, not as bad as Harold Shipman, are you happy now? | :27:50. | :27:58. | |
I was going out with this girl when I was at university | :27:59. | :28:06. | |
and she had this thing where, basically, in sixth form, | :28:07. | :28:09. | |
she had gone out with her PE teacher at school. | :28:10. | :28:14. | |
So she asked me to do a role-play reversal in the bedroom | :28:15. | :28:19. | |
where she was the PE teacher and I was the pupil. | :28:20. | :28:24. | |
I was like, I am not comfortable with this whatsoever. | :28:25. | :28:27. | |
I really didn't want to do it. But I didn't know how to get out of it. | :28:28. | :28:31. | |
Eventually I turned up with a note from my mum. I was like... | :28:32. | :28:37. | |
APPLAUSE Oh... | :28:38. | :28:44. | |
So, I haven't yet mentioned where my father lives in all of this. | :28:45. | :28:49. | |
Which is, really, to not give a flying fuck about any of it. | :28:50. | :28:52. | |
When we were growing up, me and my dad, we argued quite a lot. | :28:53. | :28:55. | |
over some things that were sort of recurring, because basically, | :28:56. | :29:00. | |
when I was younger, when I was growing up, | :29:01. | :29:02. | |
because he was always sort of trying to butch me up. | :29:03. | :29:12. | |
He was trying to make me more macho. | :29:13. | :29:14. | |
And I think you'll agree, he's done a pretty fabulous job, I mean... | :29:15. | :29:23. | |
And every time we argued as well, I'd always do the same thing, | :29:24. | :29:27. | |
I'd run away from home. No matter what the argument was about, | :29:28. | :29:29. | |
it was like, "I'm running away, leaving home, I'm going forever | :29:30. | :29:32. | |
"Froobs, I'll need some Froobs to eat, and a Merlin sticker album | :29:33. | :29:41. | |
Put on my bag and off I'd go You'll never see me again. | :29:42. | :29:49. | |
"I don't know, I hear Moldova's very nice this time of year." | :29:50. | :29:55. | |
And off I'd go and then I'd wait at the end of the street, | :29:56. | :29:58. | |
I wouldn't actually properly run away, | :29:59. | :30:00. | |
I'd be, like, 100 yards away from the house. | :30:01. | :30:02. | |
I'd be waiting there for my dad to come and pick me up in the car. | :30:03. | :30:05. | |
It was very important that he got into the car, | :30:06. | :30:07. | |
I needed him physically to get into the car, | :30:08. | :30:09. | |
drive 100 yards down the road, pick me up, tell me that he loved me. | :30:10. | :30:13. | |
Then I'd get back in the car, we'd go home, | :30:14. | :30:16. | |
and it would all be happy families again. | :30:17. | :30:20. | |
And I'd say this happened on average once or twice a week. | :30:21. | :30:24. | |
And, as I say, often over recurring issues. | :30:25. | :30:28. | |
One of them was that I went through a phase when I was younger, | :30:29. | :30:31. | |
about two or three years, where I really liked Robin Hood. | :30:32. | :30:36. | |
To the point where I wanted to dress up as him all the time. | :30:37. | :30:44. | |
And I had the most wonderful outfit as well. | :30:45. | :30:46. | |
And then a spangled tunic, Claire's Accessories belt, | :30:47. | :30:52. | |
feather tumbling out of the side of my cap, I looked fierce. | :30:53. | :30:55. | |
My dad didn't like that, because I wore that outfit to everything, | :30:56. | :31:02. | |
everything. Family functions, holidays, the supermarket. | :31:03. | :31:06. | |
His brother's funeral. He really didn't like that. | :31:07. | :31:09. | |
So that was constantly bubbling over throughout my childhood. | :31:10. | :31:12. | |
though, there was one Christmas where he really let loose. | :31:13. | :31:26. | |
a couple of weeks before Christmas. And that was a pair of roller blades. | :31:27. | :31:30. | |
I really wanted roller blades, my mum got them, | :31:31. | :31:32. | |
I was so excited and then my father confiscated them. | :31:33. | :31:36. | |
He said, "No son of mine will be gliding around like a woofter!" | :31:37. | :31:43. | |
So I didn't have my roller blades, I didn't have my roller blades. | :31:44. | :31:46. | |
So come Christmas morning, right, I was ready to blow at anything. OK? | :31:47. | :31:50. | |
Which leads me on to the second present that | :31:51. | :31:55. | |
I requested that year for Christmas. And that was a Pocahontas doll. | :31:56. | :32:02. | |
Now, a couple of judgy laughs there which is fine. | :32:03. | :32:05. | |
I didn't actually want it in a gay way, I wanted a Pocahontas doll | :32:06. | :32:08. | |
because I had an Action Man figurine and I thought it would be nice | :32:09. | :32:11. | |
as Action Man is a soldier and he goes off and fights all these wars | :32:12. | :32:13. | |
But my dad wouldn't get me the Pocahontas doll. | :32:14. | :32:22. | |
I went down, Christmas morning, opened all of my presents | :32:23. | :32:24. | |
expecting to see Pocahontas there, she was not there. | :32:25. | :32:28. | |
If I don't give me my pocket money right this instant so | :32:29. | :32:38. | |
I can go out and buy my Pocahontas doll, | :32:39. | :32:40. | |
I will walk out of that door and that will be this time for good. | :32:41. | :32:45. | |
My father was like, "Over my dead body." | :32:46. | :32:49. | |
I was like, "Fine. Mother, pack my bag." | :32:50. | :32:52. | |
"It's already done." "Thank you, Mother." | :32:53. | :32:55. | |
Off I went, into my father's study, I took out my roller blades | :32:56. | :32:58. | |
I remember at the time thinking, what a heartless, cold bastard. | :32:59. | :33:14. | |
Because, let me tell you, you get some very bizarre looks | :33:15. | :33:26. | |
when, aged 13, on a cold Christmas morning, | :33:27. | :33:30. | |
you're stood on the corner of the pavement in a women's dress, | :33:31. | :33:35. | |
green fishnet tights and roller blades | :33:36. | :33:38. | |
looking a little bit like a hooker out of Starlight Express, | :33:39. | :33:41. | |
and essentially getting kerb-crawled by your own father | :33:42. | :33:44. | |
who drives up in a Mercedes, puts down the window, | :33:45. | :33:49. | |
hands you ?20 and shouts, "I love you, now get in the fucking car!" | :33:50. | :34:05. | |
And, you know, I genuinely thought, as I grew up, | :34:06. | :34:07. | |
these pressures would evaporate. But they don't, do they? | :34:08. | :34:10. | |
They change, the pressures that your parents put onto you. | :34:11. | :34:13. | |
The one I'm dealing with now is that my mum wants me to get married. | :34:14. | :34:16. | |
She's obsessed with me getting married, and, specifically, | :34:17. | :34:19. | |
she wants me to get married to Kate Middleton. Right. | :34:20. | :34:22. | |
Which sounds mental, cos it is, but it's made slightly less mental | :34:23. | :34:25. | |
by the fact that I was at school with Kate Middleton. | :34:26. | :34:27. | |
So, my mum sees that as, like, a missed opportunity, | :34:28. | :34:29. | |
that I was at school with Kate Middleton | :34:30. | :34:31. | |
I mean, Kate Middleton is five years older than me. | :34:32. | :34:36. | |
When we were at school, she was in sixth form. | :34:37. | :34:38. | |
I wasn't particularly cool when I was at school. | :34:39. | :34:44. | |
I played the recorder, my mum forced me to learn the recorder at school. | :34:45. | :34:48. | |
She was like, "Oh, no, women love a musician." | :34:49. | :34:50. | |
The only way I'm going to get a girl into my bed | :34:51. | :34:54. | |
by using the recorder is if I fucking knock her out with it. | :34:55. | :34:59. | |
But she gets annoyed at me now. She thinks it's my fault. | :35:00. | :35:02. | |
and always brings up the Kate Middleton thing. | :35:03. | :35:05. | |
The other day, I was staying at her house, right? | :35:06. | :35:07. | |
I'd taken off my clothes to get into bed, | :35:08. | :35:09. | |
There was a pair of my boxer shorts on the floor, | :35:10. | :35:13. | |
in which was the tiniest, weeny little skidmark. | :35:14. | :35:16. | |
My mother walks in with the laundry basket, scoops it up, | :35:17. | :35:21. | |
she's like, "That's why Kate didn't want you." | :35:22. | :35:27. | |
That's why I found the royal wedding so hard to watch. | :35:28. | :35:32. | |
Cos in one ear I had my mother, "Why can't you get married? | :35:33. | :35:35. | |
In the other ear I had the television, | :35:36. | :35:38. | |
Remember, they kept saying that thing, "Kate Middleton is, of course, | :35:39. | :35:43. | |
"the first commoner to marry in to the royal family. | :35:44. | :35:46. | |
"The first COMMONER to marry in to the royal fa..." | :35:47. | :35:48. | |
"Commoner." What's this "commoner" they keep talking about? | :35:49. | :35:51. | |
As you've all already gauged from my voice, demeanour | :35:52. | :35:57. | |
the school I attended was not particularly common. | :35:58. | :36:02. | |
They were writing and talking about Kate Middleton | :36:03. | :36:05. | |
like she was from Harlem, like, straight out the ghetto. | :36:06. | :36:08. | |
I'll let you into a little secret about my school, Marlborough College. | :36:09. | :36:14. | |
Marlborough College made Midsomer Murders | :36:15. | :36:17. | |
look like The fucking Wire, all right? | :36:18. | :36:20. | |
We had one black guy in the entire school when I was there. | :36:21. | :36:24. | |
He was a friend of mine called Daniel, and I shit you not, | :36:25. | :36:28. | |
genuinely used to put Daniel in every single school photograph, | :36:29. | :36:34. | |
to try and make our school look more diverse. | :36:35. | :36:38. | |
"So, come on, Daniel, pop yourself on the end of the row, there." | :36:39. | :36:42. | |
"But I wasn't in the First XI cricket team." | :36:43. | :36:45. | |
"And afterwards you'll be combing that afro into pigtails, | :36:46. | :36:49. | |
Mentioned Midsomer Murders, there. My favourite story of last year - | :36:50. | :36:59. | |
the producer of Midsomer Murders suspended | :37:00. | :37:01. | |
because he claimed the only reason Midsomer Murders worked as a show | :37:02. | :37:07. | |
is because there was no black people living in the village of Midsomer. | :37:08. | :37:10. | |
"The only way they can make this situation any better, | :37:11. | :37:24. | |
If you were the first black person to live in the village of Midsomer... | :37:25. | :37:30. | |
Every time there's a murder, getting hauled in for questioning. | :37:31. | :37:38. | |
So, my mum wants me to get married, and you know what? | :37:39. | :37:50. | |
I decided that I would actually like to be in a proper relationship. | :37:51. | :37:54. | |
And most of my relationships have never worked out. | :37:55. | :37:57. | |
is to work out what it was that made a relationship work, | :37:58. | :38:03. | |
so I did what any sensible guy would do in that situation. | :38:04. | :38:08. | |
I went to a live recording of the Jeremy Kyle Show in Manchester. | :38:09. | :38:14. | |
Now, let me tell you, I learnt some things that day. | :38:15. | :38:18. | |
Some lessons that will remain with me for the rest of my life. | :38:19. | :38:22. | |
Cos at that live recording of the Jeremy Kyle | :38:23. | :38:24. | |
Show in Manchester, I witnessed, in front of my very eyes, | :38:25. | :38:28. | |
Cos when he walked into the studio, none of us gave him a hope in hell. | :38:29. | :38:38. | |
and he was wearing a matching shell suit and cap. | :38:39. | :38:42. | |
I was like, "Oh, my God, man, Jeremy Kyle is going to chew you up | :38:43. | :38:45. | |
"and I hope he gets done with you quickly | :38:46. | :38:48. | |
"so we can see the squabbling sisters who are fucking the same guy, | :38:49. | :38:51. | |
"cos that's why I came this afternoon." | :38:52. | :38:54. | |
But right from the outset, Spider showed some serious promise. | :38:55. | :38:58. | |
Kyle started out with a standard Jeremy Kyle opening round | :38:59. | :39:02. | |
He was like, "So, Spider, I hear that you don't see much of your children." | :39:03. | :39:10. | |
"Let's see what you got in your locker, Spider, old buddy, old pal." | :39:11. | :39:14. | |
I admit that I don't see much of my children, | :39:15. | :39:18. | |
"but that's cos I've got to work two jobs - one during the day, | :39:19. | :39:21. | |
"and then I've also got to do a night shift to earn enough money | :39:22. | :39:28. | |
I sat up in my chair - I was like, "Ooh, this guy's good." | :39:29. | :39:34. | |
Kyle coils back for another blow. "So, Spider, I hear..." | :39:35. | :39:47. | |
"I hear that you are a bit of a drinker." | :39:48. | :39:53. | |
Ooh, it's a low blow! The sobriety test early on. | :39:54. | :39:57. | |
This normally separates the wheat from the chaff. | :39:58. | :39:59. | |
"What have you got this time, Spider?" | :40:00. | :40:01. | |
"Well, Jeremy, I admit that I was a bit of a drinker, | :40:02. | :40:03. | |
"And I am now proud to say that I have been sober for three years." | :40:04. | :40:16. | |
Have in just seen a man sidestep Jeremy Kyle two times in a row?! | :40:17. | :40:23. | |
I'll be telling my grandchildren about this momentous day, | :40:24. | :40:28. | |
when the matador finally met his match in this deadly dance of death. | :40:29. | :40:32. | |
He swoops to his side, he draws up an envelope. | :40:33. | :40:36. | |
We all know what that means - it's lie detector time! | :40:37. | :40:40. | |
"I asked you on the lie detector whether you'd ever cheated | :40:41. | :40:44. | |
"on your partner Raquel when you were in a relationship with her. | :40:45. | :40:47. | |
"You said that you hadn't. You were in fact... | :40:48. | :40:50. | |
It was like Rocky IV, we were the Russians, and we'd sided with Rocky. | :40:51. | :41:04. | |
Kyle didn't know what to do. He was on the ropes. | :41:05. | :41:06. | |
He had one last throw of the dice, and it needed to be doubles, | :41:07. | :41:09. | |
I'm like, "Fuck me, Kyle's calling in for backup! | :41:10. | :41:16. | |
"I ain't seen this shit go down before." | :41:17. | :41:19. | |
"Spider, I've had a word with our researchers, | :41:20. | :41:22. | |
"and they tell me that you have a motto." | :41:23. | :41:26. | |
"Oh, Jeremy, is that all you've got? A motto? | :41:27. | :41:31. | |
"we've already established that this gentleman in a shell suit is no mug. | :41:32. | :41:38. | |
"What, you thought he'd walk into the arena of battle without a motto? | :41:39. | :41:41. | |
"Well, come on, Spider, old buddy, old pal, | :41:42. | :41:46. | |
"Put him to the sword, and then you can parade round the studio | :41:47. | :41:51. | |
"with his head on a bloody, fucking spike." | :41:52. | :41:54. | |
"Do unto others as you would have done unto yourself?" | :41:55. | :42:02. | |
Suddenly elevated to being like Jesus delivering the Sermon on the Mount. | :42:03. | :42:14. | |
Everyone looking, and then, in front of the entire studio, | :42:15. | :42:18. | |
"'If a woman can give a punch, she can take one.'" | :42:19. | :42:36. | |
I learnt an important lesson that day. | :42:37. | :42:40. | |
I realised I would not get all my answers from the Jeremy Kyle Show. | :42:41. | :42:52. | |
if I wanted to know what it was that made relationships work. | :42:53. | :42:57. | |
So, I decided my next port of call was to look for inspiration | :42:58. | :43:00. | |
Cos my grandparents have been married for longer | :43:01. | :43:07. | |
than I've ever even heard of people being married. | :43:08. | :43:10. | |
And I looked at them, and I thought, "What is it that's kept them | :43:11. | :43:16. | |
"together over such a long period of time? | :43:17. | :43:18. | |
"How have they stayed so in love over all that time?" | :43:19. | :43:22. | |
It was something so simple yet beautiful. | :43:23. | :43:27. | |
Because my grandad is terrified of my granny. | :43:28. | :43:33. | |
Now, don't get me wrong, he's got just cause to be afraid of my granny. | :43:34. | :43:39. | |
My granny is the scariest 82-year-old battleaxe you've ever met. | :43:40. | :43:44. | |
We call her Dorothy Soprano, she runs our firm. | :43:45. | :43:48. | |
Cos have we got couples in tonight? Where are couples in the crowd? | :43:49. | :43:51. | |
This gentleman here in the chequered shirt - | :43:52. | :43:53. | |
is this your lady wife next to you, there? | :43:54. | :43:55. | |
Beautiful, beautiful. How long have you been married for? | :43:56. | :43:59. | |
See, in America, that would get a round of applause. | :44:00. | :44:03. | |
But here, people are just like, "They must fucking hate each other." | :44:04. | :44:09. | |
If we caught that on camera, as soon as I asked the question, | :44:10. | :44:23. | |
And you know what that look was she was giving you? | :44:24. | :44:29. | |
Fear is a good thing to have in a relationship, I think. | :44:30. | :44:44. | |
Like, the longest relationship I've ever had was based on fear, | :44:45. | :44:47. | |
cos I was terrified of the girl I was going out with. | :44:48. | :44:51. | |
She was from the Northeast of England. | :44:52. | :44:53. | |
No, cos it's not the accent. I love the Geordie accent. | :44:54. | :45:02. | |
I think the Geordie accent is a beautiful accent. | :45:03. | :45:05. | |
Um, I'm quite defensive of it, actually. | :45:06. | :45:06. | |
Like that whole Cheryl Cole thing, I was really annoyed by that. | :45:07. | :45:09. | |
Sacking Cheryl Cole from American X Factor cos they claimed | :45:10. | :45:12. | |
they couldn't understand her because of her Geordie accent. | :45:13. | :45:15. | |
Nothing to do with that, it was to do with Americanisms, wasn't it? | :45:16. | :45:19. | |
There's words that are different in America | :45:20. | :45:28. | |
In America, when it comes to sexual contraceptives, they use "rubbers". | :45:29. | :45:33. | |
No, I love the accent, the accent's beautiful. | :45:34. | :45:45. | |
And she had a very strong Geordie accent, and I loved it. | :45:46. | :45:47. | |
In fact, it was a bit of a problem, really, | :45:48. | :45:50. | |
I was never really listening to a word she was saying. | :45:51. | :45:55. | |
You know, we'd be out shopping in town, | :45:56. | :45:57. | |
she might catch me looking at another girl. | :45:58. | :45:59. | |
"if I ever catch you looking at another girl like that again, | :46:00. | :46:05. | |
"I'll cut your dick off with a fucking spoon." | :46:06. | :46:08. | |
"Ooh, who's a little Geordie? Come on!" | :46:09. | :46:13. | |
She wasn't on a lead. That wasn't... I didn't... | :46:14. | :46:17. | |
but she sort of changed as the relationship developed, | :46:18. | :46:21. | |
When I first met her she was cool, she was funny, she was exciting, | :46:22. | :46:25. | |
she said she was bi, and I was like, "Ooh, sexy." | :46:26. | :46:29. | |
No, we split up when I left university, | :46:30. | :46:39. | |
and it was for the best, it definitely was. | :46:40. | :46:41. | |
and after that I didn't really have many other relationships. | :46:42. | :46:46. | |
Which brings me up to sort of about eight months ago, | :46:47. | :46:48. | |
and I met this girl who was absolutely incredible, | :46:49. | :46:51. | |
and I fell head over heels in love with her. | :46:52. | :46:53. | |
She was amazing, like no other girl I'd ever met. | :46:54. | :46:56. | |
And, you know, she was a bit older than me, she was mature. | :46:57. | :46:59. | |
It was like, "Finally, I've got a grown-up relationship." | :47:00. | :47:09. | |
You know, "We're going to have coasters all over the house. | :47:10. | :47:13. | |
even though I was very happy to be in a grown-up relationship, | :47:14. | :47:28. | |
on a Friday night, about six months in. | :47:29. | :47:39. | |
It was Friday night, I'd gone on to my Facebook | :47:40. | :47:42. | |
and I'd been invited, online, to a fancy-dress party. | :47:43. | :47:45. | |
Out I go, rented myself a big chicken costume - | :47:46. | :47:50. | |
correct, I will be winning Best-Dressed this evening. | :47:51. | :47:53. | |
Got myself two large bottles of Jagermeister | :47:54. | :47:55. | |
and I was ready to hit the fucking town! | :47:56. | :47:58. | |
Came downstairs and my girlfriend was stood in front of the door, | :47:59. | :48:02. | |
She was like, "Jack, you've forgotten, haven't you? | :48:03. | :48:22. | |
"Tonight is the six-month anniversary of our first date. | :48:23. | :48:26. | |
"at the restaurant we went on our first date to. | :48:27. | :48:30. | |
"Well, I don't remember seeing it as an event on Facebook, so... | :48:31. | :48:37. | |
This was someone I cared about a great deal | :48:38. | :48:44. | |
and this was something that meant a lot to her | :48:45. | :48:47. | |
and it had gone in one ear, out the other. | :48:48. | :48:49. | |
And I felt so stupid, cos I look at my inspiration for relationships - | :48:50. | :48:53. | |
I've already mentioned my grandad, all right? | :48:54. | :48:56. | |
My grandad is in the severe clutches of Alzheimer's. | :48:57. | :48:59. | |
Most of the time, he doesn't even know why he's in the room. | :49:00. | :49:02. | |
But the one memory that he clings on to for dear life, | :49:03. | :49:06. | |
is the memory of when he first met my grandmother. | :49:07. | :49:11. | |
And he tells it to me all the time. It's heart-wrenching. | :49:12. | :49:14. | |
I'll be sat with him, he'll be like, "Jack... | :49:15. | :49:17. | |
"have I ever told you about the time that I met your grandmother?" | :49:18. | :49:25. | |
"But fire away, Grandad - we've got all day." | :49:26. | :49:29. | |
"I was in Dublin, having left the Royal Navy. | :49:30. | :49:32. | |
"And I was walking through town late at night | :49:33. | :49:35. | |
"and I saw this group of ladies stood by the Ha'penny Bridge. | :49:36. | :49:40. | |
"And in amongst them was your grandmother. | :49:41. | :49:43. | |
"So I decided I would go up and ask her for directions. | :49:44. | :49:50. | |
"Of course, I knew where I was going!" | :49:51. | :49:52. | |
"that if I didn't pluck up the courage to ask her to go for a drink, | :49:53. | :49:59. | |
"I'd regret it for the rest of my life." | :50:00. | :50:01. | |
"And we went for a drink, we talked for hours. | :50:02. | :50:05. | |
"I'd never believed in love at first sight | :50:06. | :50:07. | |
"but, when I met your grandmother, I knew." | :50:08. | :50:09. | |
And, six months later, they were married. | :50:10. | :50:12. | |
Cos he said that she was the most beautiful woman that he'd ever seen. | :50:13. | :50:17. | |
But I look at him and I think, "Everything else, | :50:18. | :50:24. | |
"his whole mind, is fucked but the one thing he holds on to, | :50:25. | :50:27. | |
"is the memory of when he first met my grandmother | :50:28. | :50:31. | |
"and I can't even remember the restaurant I went to | :50:32. | :50:34. | |
us guys are so bad at forgetting every anniversary. | :50:35. | :50:40. | |
Girls are the opposite - you love the little anniversaries. | :50:41. | :50:43. | |
The anniversary of when you first kissed, first met, | :50:44. | :50:45. | |
Guys don't remember those lovely little ones. | :50:46. | :50:48. | |
If we were going out to dinner to commemorate the anniversary | :50:49. | :50:53. | |
of the time she broke my PlayStation 3 | :50:54. | :50:55. | |
"Ooh, Shiraz-gate's in the fucking diary!" | :50:56. | :51:02. | |
basically summed up why our relationship was never going to work. | :51:03. | :51:06. | |
Because of the date, the nature of it, | :51:07. | :51:09. | |
The restaurant we'd been on our first date in | :51:10. | :51:12. | |
was not my kind of restaurant - it was one of these really fancy places, | :51:13. | :51:16. | |
and I don't like a fancy restaurant, I don't like pretentious restaurants, | :51:17. | :51:19. | |
especially on dates, cos they make you look like idiots. | :51:20. | :51:25. | |
And he has the wine list and it's on an iPad. | :51:26. | :51:29. | |
Thrusts it in front of my face in front of this woman, he's like, | :51:30. | :51:31. | |
No! If you go to a restaurant on a date, | :51:32. | :51:40. | |
you want to go somewhere where you can look like you know your shit, | :51:41. | :51:43. | |
where you look like you're in control. | :51:44. | :51:45. | |
Which is why, if you ever take a girl on a date, | :51:46. | :51:47. | |
there is only one venue and one venue alone. Any ideas? | :51:48. | :51:50. | |
AUDIENCE SHOUTS: Nando's! NANDO'S! | :51:51. | :51:53. | |
Correct, ladies! Nando's is where you take your date. | :51:54. | :51:56. | |
Cos, if you go to Nando's, you look like you know your shit! | :51:57. | :51:59. | |
You arrive. You are greeted at the door. | :52:00. | :52:01. | |
"Hello. Has Sir ever been to Nando's before?" | :52:02. | :52:04. | |
"and we both know that you're going to be doing fuck all this evening, | :52:05. | :52:08. | |
"I'll have this booth in the corner. Ooh, banquette seating! | :52:09. | :52:12. | |
That'll be nice for scooching up together | :52:13. | :52:14. | |
"when this date gets interesting later on tonight." | :52:15. | :52:17. | |
"What would Madame like? A dry Sancerre or a crisp Sauvignon Blanc? | :52:18. | :52:23. | |
"It doesn't matter, babe, it's Nando's - | :52:24. | :52:25. | |
"Do you like chicken? Good, cos it's all fucking chicken!" | :52:26. | :52:31. | |
I know what I'm getting - double chicken breast in pitta, | :52:32. | :52:34. | |
they put on the top of it, so it says that mine is Extra Hot, | :52:35. | :52:40. | |
so when I'm tucking into it, she thinks that I'm hard as nails! | :52:41. | :52:43. | |
"Would Sir like cheese and pineapple with that?" | :52:44. | :52:46. | |
Why would anyone want cheese and pineapple with chicken?! | :52:47. | :52:49. | |
She ordered it with two sides - one of Macho Peas, one of witty repartee. | :52:50. | :52:57. | |
Right now, she is eating out of the palm of my hand. | :52:58. | :53:02. | |
Mainly cos I've forgotten to get the fucking cutlery | :53:03. | :53:04. | |
But it doesn't matter. It's now make-or-break time. | :53:05. | :53:09. | |
She's about to ask the question every girl will ask you | :53:10. | :53:11. | |
if you take them on a date to Nando's. | :53:12. | :53:13. | |
She looks longingly and lovingly into my eyes and says, | :53:14. | :53:16. | |
And I will let you into a little secret - | :53:17. | :53:24. | |
it is a question that nobody actually knows the answer to. | :53:25. | :53:30. | |
"Peri-peri, my dear, is a blend of aromatic spices, | :53:31. | :53:35. | |
"bonded together by the tears of Portuguese widows | :53:36. | :53:38. | |
"that have lost their husbands at sea. | :53:39. | :53:40. | |
Came back to her flat about three o'clock in the morning, | :53:41. | :54:10. | |
..and she broke up with me, then and there. | :54:11. | :54:20. | |
And the reason that she gave for splitting up with me? | :54:21. | :54:24. | |
Cos there is nothing in the world you can say in response to a girl | :54:25. | :54:47. | |
when they've just split up with you for being too immature... | :54:48. | :54:50. | |
..crying - and I mean UNCONTROLLABLY crying... | :54:51. | :55:04. | |
I mean "getting kicked in the bollocks with a football | :55:05. | :55:07. | |
"to the power of Mufasa dying in Lion King" tears - | :55:08. | :55:12. | |
that are uncontrollably tumbling down your BEAK | :55:13. | :55:16. | |
in a large, Jagermeister-sodden chicken costume, | :55:17. | :55:20. | |
for storming in and demanding to have your children back. | :55:21. | :55:29. | |
# I am so lonely I am so lonely | :55:30. | :55:46. | |
Ladies and gentlemen, you've been absolutely wonderful. | :55:47. | :56:10. | |
Thank you so much for coming out to see my show this evening! | :56:11. | :56:13. | |
# Walking on Walking on broken glass | :56:14. | :57:59. | |
Hi, I'm Tina. Here's the latest news in 60 | :58:00. | :58:01. |