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This programme contains strong language and adult behaviour. I'm | :00:12. | :00:16. | |
Russell Brand this is Give It Up Gig we are raising money to get | :00:16. | :00:22. | |
people off drugs and booze. We will be here with Kasabian, Eddie Izzard, | :00:22. | :00:27. | |
Noel Gallagher, John Bishop will be here. We are doing this because we | :00:27. | :00:32. | |
wants to take your money to give to drug addicts. Not for them to buy | :00:32. | :00:40. | |
drugs, to get them off drugs. To donate: your money will help people | :00:40. | :00:44. | |
affected by drug and alcohol affected by drug and alcohol | :00:44. | :00:48. | |
addiction right here in the UK. Texts cost �5 plus your standard | :00:48. | :00:51. | |
network message. We can't do nothing about that standard network | :00:51. | :00:59. | |
charge. That is standard. That is the network. The whole �5 goes to | :00:59. | :01:02. | |
Comic Relief. For full terms and Comic Relief. For full terms and | :01:02. | :01:07. | |
conditions go to: That has deal with a lot of admin. Let's have a | :01:07. | :01:10. | |
wonderful evening of comedy and rock-and-roll, no drugs though. | :01:10. | :01:19. | |
Ladies and gentlemen, please welcome to the stage the genius | :01:19. | :01:24. | |
behind Give It Up for Comic Relief, Wembley, give it up for Mr Russell | :01:24. | :01:34. | |
| :01:34. | :01:41. | ||
CHEERING AND APPLAUSE Hello and welcome to Give It Up for | :01:41. | :01:44. | |
kr. Thank you for being here to support people with drug addiction | :01:44. | :01:52. | |
and alcohol issues. Very generous of you. Thank you. You will have an | :01:52. | :01:56. | |
amazing evening tonight. Remember, that all of the performers here, | :01:56. | :02:00. | |
they are doing it for nothing. No money they are getting. I know | :02:00. | :02:07. | |
you've paid. That is good, isn't it? Bear that in mind. We have | :02:07. | :02:11. | |
amazing performance tonight. Simon Amstell will be performing. I just | :02:11. | :02:16. | |
saw him. Noel Fielding will be here. I will come down here and menace | :02:16. | :02:20. | |
someone. Who has their phone switched on so I can demonstrate | :02:20. | :02:25. | |
the manner in which we can give. This lady right at the front. Come | :02:25. | :02:29. | |
here, darling. What is your name? Bearing in mind, this is on the BBC, | :02:29. | :02:33. | |
I'm playing with someone's phone, we are already deep into risky | :02:33. | :02:38. | |
territory. Do you mind... This is to demonstrate how to do this. You | :02:38. | :02:43. | |
are a viewer at home. You are living your life. Your life is | :02:43. | :02:47. | |
affected by alcohol, drugs and addiction. Perhaps you are watching | :02:47. | :02:52. | |
this in a frenzy of cocaine. I know that here at Wembley most people | :02:52. | :02:58. | |
are on crystal meth right now. We have to get these people clean. We | :02:58. | :03:04. | |
have to do something. What is your name again? Sara. I forgot I'm so | :03:04. | :03:10. | |
high. I can't remember a person's name for a matter of seconds. We | :03:10. | :03:19. | |
would type a 7000 5. How do you do it? I'm out of my depth. Send. | :03:19. | :03:24. | |
She's done it. That is �5. A round of applause for Sara. Sit down, | :03:24. | :03:30. | |
darling. The first of our many fantastics acts, giving her time | :03:30. | :03:34. | |
freely to benefit people less fortunate than herself is the | :03:34. | :03:36. | |
gifted and beautiful Jessie J everyone. | :03:36. | :03:46. | |
| :03:46. | :03:46. | ||
Apology for the loss of subtitles for 293 seconds | :03:46. | :08:39. | |
$:/STARTFEED. The one thing that I cannot give up? Reality TV. | :08:39. | :08:47. | |
Celebrity Big Brother. I like blinking me. That was it. It got me. | :08:47. | :08:57. | |
| :08:57. | :09:08. | ||
I think my wife contemplating being in the Beverley Housewives of... | :09:08. | :09:18. | |
| :09:18. | :09:33. | ||
Will I ever be able to give reality Are you having a lovely evening so | :09:33. | :09:40. | |
far? YES! It's spectacular, isn't it? This is a change of pace for | :09:40. | :09:43. | |
the evening. Do you remember when you were at school you would have a | :09:43. | :09:48. | |
police officer come with a little container with different drugs in | :09:48. | :09:51. | |
it to advise you against ever taking drugs, but you would | :09:51. | :09:55. | |
actually think, "I can't wait to do that one, I can't wait to do that | :09:55. | :10:00. | |
one. That look as good one, tell us more about heroin?" We are doing a | :10:00. | :10:06. | |
version of that now. It's a different tone for the evening. We | :10:06. | :10:09. | |
wanted a component of information. This will be serious. Please | :10:09. | :10:14. | |
welcome an official from the New York City Police Department. This | :10:14. | :10:17. | |
is a genuine police officer with genuine drug information that I | :10:17. | :10:27. | |
| :10:27. | :10:42. | ||
think is going to help us all. Ladies and gentlemen, my names is | :10:42. | :10:50. | |
Sergeant Raymond Boom Box I'm from the New York Police Department. Hey. | :10:50. | :10:54. | |
Ladies and gentlemen, I am not a comedian, I'm not a singer. I am | :10:54. | :11:00. | |
here to warn you of the dangers of drugs. I am here to give you a | :11:00. | :11:03. | |
strong message. It's very easy, ladies and gentlemen, in the modern | :11:04. | :11:09. | |
world to lose your way. You, lovely lady, you have a glass of wine with | :11:09. | :11:14. | |
dinner maybe in a romantic setting, occasionally. You have lost your | :11:14. | :11:21. | |
way! You sir, over there. You are having like four teas every day, | :11:21. | :11:26. | |
maybe a lady grey after. You've lost your way, sir. You've lost | :11:26. | :11:29. | |
your way. Ladies and gentlemen, if you feel you are losing wouraway on | :11:29. | :11:36. | |
the path to addiction, what you need to do is get a role model. I'm | :11:36. | :11:40. | |
Russell's role model. He comes to me - how can I be like you? You can | :11:40. | :11:45. | |
never be like me. You get the point. My role model, ladies and gentlemen, | :11:45. | :11:53. | |
is Bob Marley. Granted, not a great example of a role model in a | :11:53. | :12:02. | |
function like this. It's a great man and a reggae legend I love his | :12:02. | :12:07. | |
mysterious reggae beats. I would love to make a little song for you | :12:07. | :12:12. | |
now. I've made a little song. I'm from the police force. I don't have | :12:12. | :12:18. | |
talent like these other guys. I've made a song inspired by my role | :12:18. | :12:23. | |
model, Bob Marley. We can do it here. It has a poignant message. Do | :12:23. | :12:31. | |
you fancy doing it with me, ladies and gentlemen? OK. Hit it! | :12:31. | :12:34. | |
# Don't do drugs # Yeah, can you feel it? | :12:34. | :12:37. | |
# Don't do drugs # Yeah, come on | :12:37. | :12:41. | |
# Don't do drugs # Let me hear you. | :12:41. | :12:45. | |
# Don't do drugs. # You are getting it now, a bit | :12:45. | :12:47. | |
louder # Don't do drugs. | :12:47. | :12:51. | |
# Don't do drugs # Because they make you kind of | :12:51. | :12:53. | |
boring # Don't do drugs | :12:53. | :12:57. | |
# They use up all your cash # Don't do drugs | :12:57. | :13:02. | |
# They make you slightly horn # You'll wind up in a bag | :13:02. | :13:06. | |
# Don't do drugs # They make you a little bit clammy | :13:06. | :13:11. | |
# Don't do drugs because they make you lose your way | :13:11. | :13:16. | |
# Don't do drugs... # OK, stop it. As I said, I'm not a | :13:16. | :13:21. | |
singer or a comedian, I ran out of lyrics there. You guys were great. | :13:21. | :13:29. | |
Give yourselves a round of applause. APPLAUSE | :13:30. | :13:34. | |
Anyway, ladies and gentlemen, I have to introduce the next band now. | :13:34. | :13:39. | |
You have been a lovely delightful crowd. I'd love to come in there | :13:39. | :13:47. | |
and lick all your heads like chop- a-chop lollies. This band I do know | :13:47. | :13:51. | |
them, I have followed their career like a hawk. They are great guys. | :13:51. | :13:59. | |
They are like sons to me. They're wonderful. Ladies and gentlemen, I | :13:59. | :14:09. | |
| :14:09. | :14:09. | ||
Apology for the loss of subtitles for 293 seconds | :14:09. | :18:46. | |
know these guyss -- guys. Welcome That was really exciting, Kasabian. | :18:46. | :18:50. | |
What we need now is I'm going to now bring to the stage a very | :18:50. | :18:55. | |
brilliant comedian. I need you to sit down, prepare to listen because | :18:55. | :19:00. | |
he's very insightful, he's very deep. Please welcome the | :19:01. | :19:10. | |
| :19:11. | :19:30. | ||
APPLAUSE Hello. I knew Russell Brand when he | :19:30. | :19:35. | |
was on drugs. And, I didn't know that he was on drugs. I just | :19:35. | :19:42. | |
thought he was like a cool guy with a pipe. And I'm really quite | :19:42. | :19:47. | |
pleased he's not on drugs any more because when we first met he was | :19:47. | :19:53. | |
hosting a stand-up gig I was the first act on. To get the crowd | :19:53. | :19:57. | |
warmed up he threw dead mice at them. He got into a fight with a | :19:57. | :20:03. | |
large man in the front row. To avoid that man said, "please | :20:03. | :20:11. | |
welcome Simon Amstell." Tonight isn't about blame. Today, tonight, | :20:11. | :20:14. | |
it's all about getting people off drugs. I don't really know much | :20:14. | :20:20. | |
about drug use. I don't know much about heroin, but I remember | :20:20. | :20:26. | |
reading at school a book called To Kill A Mocking Bird. A character in | :20:26. | :20:32. | |
that knew she was dying. She wanted to give up her addiction to | :20:32. | :20:35. | |
morphine before that moment. I remember thinking - what a stupid | :20:35. | :20:39. | |
thing to do. If I knew I had two months to live, one of the things I | :20:39. | :20:44. | |
would take up would be morphine. I had it for an operation. It's like | :20:44. | :20:51. | |
a hug from inside. It feels like love, but with none of the bother. | :20:51. | :20:58. | |
You wouldn't give it up. You would say, double me the more fin and | :20:58. | :21:08. | |
| :21:08. | :21:09. | ||
bring me atikissFinch. They have been going for 25 years, you know. | :21:09. | :21:19. | |
They have raised �800 million. CHEERING AND APPLAUSE | :21:19. | :21:27. | |
And yet, it isn't enough! Is it just that the problem of poverty is | :21:27. | :21:32. | |
so complicated that just throwing money at it endlessly won't solve | :21:32. | :21:42. | |
| :21:42. | :21:43. | ||
it? Well, yes, but do keep throwing your money text GIVE to 7005. Thank | :21:43. | :21:53. | |
| :21:53. | :21:53. | ||
you very much. Have a good night. This evening continues to yield to | :21:53. | :22:01. | |
us. Welcome the man who continues to be controversial, it's Jason | :22:01. | :22:09. | |
Manford. Hello. Good evening. Lovely. Hello, Wembley. How are | :22:09. | :22:14. | |
you? Good. What a pleasure to be here. Comic Relief I couldn't have | :22:14. | :22:19. | |
picked a worse titled event to turn up at this week. God bless you. I | :22:19. | :22:23. | |
brought my family tonight. My parents are here somewhere. It's | :22:23. | :22:27. | |
Mother's Day of course on Sunday. That made sense, I thought a free | :22:27. | :22:31. | |
trip out. Mother's Day sorted. Be careful where you go. I was walking | :22:31. | :22:37. | |
down the high street a few days ago in the shop windows sthre the signs | :22:37. | :22:42. | |
up, "don't forget Mother's Day" everyone has got them. All the card | :22:42. | :22:48. | |
shops have them much I walked past Ann Summers, there is a poster in | :22:48. | :22:54. | |
the window that says, "don't forget Mother's Day this Sunday" I felt | :22:54. | :23:00. | |
like going in and saying, this is not a day for you! Nobody has come | :23:00. | :23:09. | |
home and said, "mum, I got you some love balls." That has never | :23:09. | :23:14. | |
happened. That is a weird shop. Down stairs someone will get hurt. | :23:14. | :23:18. | |
My brothers are here. My brother is not the brightest. He will be the | :23:18. | :23:22. | |
first to tell you. I played football with him a while ago, he | :23:22. | :23:27. | |
brought a brand new pair of shin pads. He opened them up and looked | :23:27. | :23:31. | |
disappointed. I said what is wrong with you, "one is a large and one | :23:32. | :23:38. | |
is a regular" I said I think that is left or right. His wife is a | :23:38. | :23:41. | |
primary school teacher. She works very hard. He is always moaning | :23:41. | :23:46. | |
about stuff that is going on with the youth of today, like. He said, | :23:46. | :23:52. | |
he come back one day and said, "have you heard what is going on at | :23:52. | :24:02. | |
| :24:02. | :24:08. | ||
her school?" I said, "no" they have new thing called "sandwich | :24:08. | :24:18. | |
| :24:18. | :24:20. | ||
punishment punishment." Six-year- olds are not getting proper | :24:20. | :24:26. | |
bollockings any more. Imagine that during the London riots, "put that | :24:26. | :24:33. | |
telly down" but, "it is the best range, good choice." I said, give | :24:33. | :24:37. | |
me an example. You get the kid, you are good at colouring in, I will | :24:37. | :24:44. | |
give you that. Then, you are a little shit. Then there is a pause | :24:44. | :24:51. | |
and, your mum is quite fit, off you go. My brother came in and said, | :24:51. | :24:55. | |
mum, dad, I'm going to Australia. He finished university, I'm out of | :24:55. | :25:00. | |
here. My dad said why, what is wrong with Manchester? He said, I'm | :25:00. | :25:06. | |
going to Australia, dad. I have to find myself. He said, you want to | :25:06. | :25:11. | |
find yourself a job. He said, you can't stop me I'm going to | :25:11. | :25:17. | |
Australia to find myself. What if you find yourself and he's a | :25:17. | :25:21. | |
dickhead, what are you going to do again? That is one of my favourite | :25:21. | :25:28. | |
words, dickhead. Not as good as knobhead. It's a proper northern | :25:28. | :25:31. | |
word. They don't use it much in London. It's weird because there | :25:31. | :25:36. | |
are lots of them here. APPLAUSE | :25:36. | :25:40. | |
You have a brilliant line-up. Fantastic line-up. Are you having a | :25:40. | :25:47. | |
good night so far? YES! I hope you will give it up for your next act. | :25:47. | :25:52. | |
We will start a massive round of applause and build it up. That's | :25:52. | :25:57. | |
what we should do. Let's start. Keep going. We have the Rizzle | :25:57. | :26:05. | |
Kicks coming on very shortly. I've been Jason Manford, good night and | :26:05. | :26:15. | |
| :26:15. | :26:15. | ||
Apology for the loss of subtitles for 293 seconds | :26:15. | :29:48. | |
The line-up is absolutely ridiculous. Thank you. Thank you so | :29:48. | :29:58. | |
| :29:58. | :30:01. | ||
much. �5, �5. Good evening. Are you enjoying your self-so far? -- your | :30:01. | :30:07. | |
self so far? Weren't they beautiful? I want to talk to you | :30:07. | :30:10. | |
about something which is really important to me. One of the reasons | :30:10. | :30:16. | |
why Comic Relief and I wanted to do this concert is because when Amy | :30:16. | :30:24. | |
Winehouse died, a year or so ago, God love her, I had. Very sad, of | :30:24. | :30:31. | |
course. I had a realisation about the sadness and futility of her | :30:31. | :30:35. | |
death. More importantingly than that, I realised the disease of | :30:35. | :30:38. | |
addiction and alcoholism can be arrested with the correct treatment | :30:38. | :30:42. | |
one day at a time. When I was drinking and using drugs there was | :30:42. | :30:46. | |
something that weren't right about. It it made me a little unwell. I | :30:46. | :30:51. | |
was doing it because I felt sad and lonely inside. I think Amy | :30:51. | :30:56. | |
Winehouse was doing it for the same reason. I think that is why we lost | :30:56. | :31:01. | |
them. The reason the performers are giving their time for few and | :31:01. | :31:04. | |
entertaining us is because they believe in this cause. If the | :31:04. | :31:09. | |
information is there, if we regard addiction, alcoholism not as a | :31:09. | :31:12. | |
criminal issue, but as a health issue we can help more people to | :31:12. | :31:22. | |
| :31:22. | :31:22. | ||
get better. All of the money raised by you tonight, both at home and | :31:22. | :31:28. | |
present here, will go to the people that are affected by this condition. | :31:28. | :31:32. | |
Amy Winehouse was a catalyst. Her death, while very sad, need not be | :31:32. | :31:40. | |
in vain if we use it to raise awareness and money. The Amy | :31:40. | :31:44. | |
Winehouse Foundation let us put together this tribute film. Please | :31:44. | :31:51. | |
any of you here who have further resources of generosity please text | :31:51. | :32:00. | |
70005 the word "give" we will get �5. Let's commemorate the wonderful | :32:00. | :32:06. | |
life and genius of Amy Winehouse. Thank you very much. I can confirm | :32:06. | :32:13. | |
that the the deceased is Amy Winehouse. Struggled with drink and | :32:13. | :32:22. | |
drug problems. Well above the level that can be fatal. I was born in | :32:22. | :32:25. | |
North London. Yeah, I'm a jazz singer. I thought everyone could | :32:25. | :32:29. | |
sing. I didn't think it was that special, really. Then, I heard my | :32:29. | :32:34. | |
mum sing one day and it became apparent that not everyone can sing. | :32:34. | :32:40. | |
I just do what I love, you know. I'm lucky I have been able to do | :32:40. | :32:46. | |
that. # Stroke my hand... # | :32:46. | :32:54. | |
The winner of the Best British Female, Amy Winehouse! Thank you | :32:54. | :33:03. | |
very much. I'm just glad my mum and dad are here, to be honest. | :33:03. | :33:10. | |
# My tears dry on their own... # A truly amazing voice, Amy | :33:10. | :33:14. | |
Winehouse. Amy Winehouse won five Grammy Awards. She dominated a show | :33:14. | :33:24. | |
| :33:24. | :33:24. | ||
crowded with superstars. I want to go out and have fun. I ain't | :33:24. | :33:30. | |
bothered really. I'm enjoying myself. She is one of British | :33:30. | :33:36. | |
music's brightest tall wepbts a reputation for hard-drinking -- | :33:36. | :33:40. | |
talents with a reputation of hard- drinking. There wasn't anything | :33:40. | :33:44. | |
that would have told us this was going to happen. The singer, Amy | :33:44. | :33:49. | |
Winehouse, has been arrested and is being questioned on suspicion of | :33:49. | :33:53. | |
drug offences. Dogged by rumours of drug and alcohol abuse. She was | :33:53. | :33:57. | |
booed off stage in Birmingham after what was described as a shambolic | :33:57. | :34:01. | |
performance. She has been forced to cancel more gigs after she was | :34:01. | :34:06. | |
treated in hospital for severe exhaustion. She would say to me, I | :34:06. | :34:09. | |
will always tell you the truth dad. If you don't want to know, don't | :34:09. | :34:16. | |
skfplt I would ask about the drugs. I asked her about the drugs and the | :34:16. | :34:26. | |
| :34:26. | :34:26. | ||
drinking which she was conkering -- conquering. Amy was about one thing, | :34:27. | :34:32. | |
that was love. We are devastated. I'm speechless. An inquest heard | :34:32. | :34:36. | |
she died after drinking a large quantity of alcohol. Well above the | :34:36. | :34:42. | |
level that can be fatal. Those who lived with the ups and downs and | :34:42. | :34:46. | |
successes and addictions. I was drinking a lot. Having a good time. | :34:46. | :34:56. | |
| :34:56. | :35:11. | ||
I was just doing one destructive Your money will help people with | :35:11. | :35:21. | |
| :35:21. | :35:30. | ||
drug and alcohol addiction here in That was a wonderful film about Amy, | :35:30. | :35:34. | |
wasn't it? Whilst it is very sad to recall those events, the feeling it | :35:34. | :35:40. | |
gives you in your tummy we can convert that into postivity by not | :35:40. | :35:44. | |
feeling apathy or leather gi, but it's something that we can | :35:44. | :35:52. | |
effectively amend with our own conduct. Text the word "give" to | :35:52. | :35:56. | |
70005. What better way to transition the atmosphere from one | :35:56. | :36:01. | |
of sombreness and sadness at the loss of a great genius than with | :36:01. | :36:04. | |
the introduction of another one. Please, ladies and gentlemen, | :36:04. | :36:14. | |
welcome to the stage, perhaps our greatest living stand-up comedian, | :36:14. | :36:24. | |
| :36:24. | :36:30. | ||
Eddie Izzard. Wembley, Wembley, Wembley. Very | :36:30. | :36:39. | |
good to be here. How to start? Ah... Human sacrifice. Now, human | :36:39. | :36:42. | |
sacrifice we know we did it, we are not doing it now so much. We know | :36:42. | :36:48. | |
we did it way back. We sacrificed our brothers and our sisters for | :36:48. | :36:53. | |
Gods, we did it for Gods. We don't didn't do it not for Gods. People | :36:53. | :36:59. | |
weren't going - I like spoons. I would like more spoons. Maybe if I | :36:59. | :37:05. | |
kill Steve... I would get more spoons. I wish I did logic at | :37:05. | :37:12. | |
school. Steve, are you busy? Taking the axe down the aqua park. Put | :37:12. | :37:19. | |
your head on that tree stump. Why? To see if we can hear steam trains | :37:19. | :37:29. | |
| :37:29. | :37:30. | ||
from the future. Just do it... Charles I. A line very rarely used | :37:31. | :37:37. | |
in stand-up. He was the King of England. He was what we called a | :37:37. | :37:40. | |
kickhead King. We cut his head off. He said he was appointed by God. We | :37:41. | :37:45. | |
cut his head off, nothing happened. So, apparently, not. If he had been | :37:45. | :37:54. | |
appointed by God his execution would have sounded like this. Bong, | :37:54. | :38:03. | |
bong, bong. Hang on a minute. Dong, pong. I think he is appointed by | :38:03. | :38:09. | |
God, lads. Charles I. He got his appointment by God. 450 years after | :38:09. | :38:13. | |
the Magna Carter was signed. The beginnings of democracy in the | :38:13. | :38:22. | |
world. Magna Carter signed in 1215, just before lunchtime. It is Latin | :38:22. | :38:30. | |
for the big card. And the Barons of England they forced bad King, happy | :38:30. | :38:36. | |
bifrt day all the Barons. I promise to give you some of my power. You | :38:36. | :38:42. | |
will play the bad guy in the Robin Hood movies. Who is playing the | :38:42. | :38:50. | |
good guy? Sean Connery. Who played Richard the Lion Heart. He was | :38:50. | :38:56. | |
maybe the greatest English King that had been. The David Beckham of | :38:56. | :39:00. | |
Kings. A statue of him outside the Houses of Parliament with a big | :39:00. | :39:05. | |
sword. Great Waror all that stuff. English as English, he spoke French, | :39:05. | :39:12. | |
actually. That is what he spoke.he was going around going - IN FRENCH | :39:12. | :39:16. | |
ACCENT I like all you English people, very nice. I'm very good | :39:16. | :39:21. | |
atifyinging. I could kill you. Run at me with a banana, I could kill | :39:21. | :39:31. | |
| :39:31. | :39:36. | ||
you. I'm pretty good at that. How strange. We had 3 00 years of | :39:36. | :39:40. | |
French-speaking kings. Here is a story boo my ego. Shows how healthy | :39:40. | :39:43. | |
it is. Wembley, this place right here, I have a relationship with. | :39:43. | :39:48. | |
It I have played it 10 times. I was a street performer and worked up to | :39:48. | :39:53. | |
play at Wembley. I love this barn of a place. A few months ago I came | :39:53. | :40:02. | |
here to see Jesus Christ Superstar. A musical. Die Hard the musical, | :40:02. | :40:08. | |
maybe I would see that. # Where are my detonators? | :40:08. | :40:14. | |
# I need my detonators... # I don't know if it would work, I | :40:14. | :40:20. | |
would watch it. We went back in a taxi from here from Wembley into | :40:20. | :40:26. | |
the centre of town. I'm getting to the point about egg e. Taxi driver | :40:26. | :40:36. | |
| :40:36. | :40:39. | ||
gets into The bright lights of the centre. He said, will you go back | :40:39. | :40:49. | |
| :40:49. | :40:51. | ||
to Wembley. I took it in a different way. He said, will you go | :40:51. | :40:56. | |
back to Wembley. I said, I think I will go back to Wembley. I have to | :40:56. | :41:00. | |
go to Wembley. I struggled to hard to get to Wembley. It's right and | :41:00. | :41:05. | |
proper I should return, don't you? I think it's my duty. It is my | :41:05. | :41:09. | |
right. There will always... This is true. I was going off on one. He is | :41:09. | :41:14. | |
going, what the lock is he talking about. Here is my card, I knock off | :41:14. | :41:19. | |
at 3.00 am. I can give you a lift back. Tonight, no, no. I thought... | :41:19. | :41:24. | |
Who are you talking to? I was talking to another guy out the | :41:24. | :41:31. | |
window! My ego is dangerously healthy. I'm driving a Volvo Hubris. | :41:31. | :41:37. | |
Wisdom. We need to be... The ancient Greeks had an idea of being | :41:37. | :41:41. | |
fit of mind and fit of body. If you could be wise before you die, that | :41:41. | :41:44. | |
was good. Pipes were an amazing thing. You could have a pipe. You | :41:45. | :41:48. | |
were suddenly wise. You said wise things. That is a good point. I | :41:48. | :41:52. | |
have a big book on. That I will look that up on the internet. You | :41:52. | :41:57. | |
said wise stuff. Now, the Lord of the Ring that is is a pipe-smoking | :41:57. | :42:01. | |
film. Wise stuff happens. We must take the Ring of Power and put it | :42:01. | :42:05. | |
into the Mount of Doom. Who will take it? I'm but half the man. I | :42:05. | :42:13. | |
will take the Ring of Power to the Mount Doom. Who will come? I'm a | :42:13. | :42:18. | |
dwarf. It's all pipes. Can you imagine Lord of the Rings done with | :42:18. | :42:24. | |
cigarettes? It's an entirely different film. It's, what are you | :42:24. | :42:29. | |
talking about. I'm not taking that ring to that locking mountain. No- | :42:29. | :42:34. | |
one will notice you. You go, you are a wizard. You have a big hat. | :42:34. | :42:40. | |
You die and come back to life. I've seen the book. It's got a huge eye | :42:40. | :42:47. | |
on fire, revolving over the locking mountain. You locking. My dad say, | :42:47. | :42:51. | |
never go to mountains that have huge revolving eyes over them. | :42:51. | :42:58. | |
Thank you very much, ladies and gentlemen. Don't forget to text. | :42:58. | :43:02. | |
Text GIVE, to 70005. Thank you very much for being here. It's a good | :43:02. | :43:09. | |
cause. Good night. CHEERING AND APPLAUSE | :43:09. | :43:12. | |
Ladies and gentlemen, please welcome to the stage, Nicole | :43:12. | :43:22. | |
| :43:22. | :43:22. | ||
Apology for the loss of subtitles for 293 seconds | :43:22. | :46:02. | |
You have that kind of anticipation. Quite excited. Then you get there | :46:02. | :46:07. | |
and you're shopping. It feels fantastic. When you stop shopping | :46:07. | :46:14. | |
you just feel really guilty. It got me into trouble with my mum and dad, | :46:14. | :46:18. | |
when I was younger. With my husband, quite frequently and with the bank | :46:18. | :46:26. | |
as well. Not good for you. It makes you feel great. I can't imagine a | :46:26. | :46:36. | |
| :46:36. | :46:46. | ||
time when I won't want to shop, not Ladies and gentlemen, it's been an | :46:46. | :46:50. | |
incredible evening. Give it up so far, please now urge to welcome | :46:50. | :47:00. | |
| :47:00. | :47:00. | ||
Apology for the loss of subtitles for 293 seconds | :47:00. | :50:37. | |
with all your mighty hearts, the $:/STARTFEED. Thank you so much. | :50:37. | :50:41. | |
Text 70005 to donate �5 to Comic Relief. Thank you so much, have a | :50:41. | :50:49. | |
good evening. Good night. Imagine being a mum to three boys who you | :50:49. | :50:54. | |
love to bits and who you would do absolutely anything for. For them, | :50:54. | :51:02. | |
life just does not run smoothly. This is Cathy's story. My name is | :51:02. | :51:10. | |
Cathy. I live in Derry, Northern Ireland, I have three sons. Emmitt | :51:10. | :51:14. | |
was an outgoing child. He was street wise. He took up boxing. He | :51:14. | :51:21. | |
was All Ireland Champion. Emmitt I didn't realise was on drugs. I | :51:21. | :51:25. | |
thought his problem was alcohol. What I didn't know was he was | :51:25. | :51:35. | |
| :51:35. | :51:37. | ||
taking prescription drugs. The like. The phone rang and one of his so- | :51:38. | :51:43. | |
called mates kept shouting down the phone, "he's not breathing." My | :51:43. | :51:46. | |
heart started to pound much I thought something was wrong here. | :51:46. | :51:52. | |
We went to a flat. The ambulance men were working on him. They took | :51:52. | :51:58. | |
him out. I knew she was dead then. I knew it. It was heartbreaking to | :51:58. | :52:06. | |
see them carrying the coffin down the street. Sorry. It just kind of | :52:06. | :52:13. | |
brings it all back. When I was younger, I had a drink and drug | :52:13. | :52:21. | |
problem and when I was in real trouble and I really needed help, I | :52:21. | :52:29. | |
got lucky. I got it. It probably saved my life. But emmitt wasn't so | :52:29. | :52:37. | |
lucky. He lost his. I don't think that Cathy and her family will ever | :52:37. | :52:43. | |
ever get over it. Cathy's been so brave sharing her story with us. | :52:43. | :52:48. | |
She's done it because she doesn't want any other parents to have to | :52:48. | :52:57. | |
go through the same agony. Please, text the word "give" to 70005 to | :52:57. | :53:05. | |
donate �5. It really will make a difference. Thank you. Your money | :53:05. | :53:10. | |
will help people affected with drug and alcohol addiction right here in | :53:10. | :53:13. | |
and alcohol addiction right here in the UK. Texts cost �5 plus your | :53:13. | :53:17. | |
standard network message charge. The whole �5 goes to Comic Relief. | :53:17. | :53:23. | |
You must be 16 or over. Ask the bill payers permission. For more | :53:23. | :53:28. | |
bill payers permission. For more information go to: Ladies and | :53:28. | :53:38. | |
| :53:38. | :53:42. | ||
gentlemen, we have our suspicions they are intox gaited. This | :53:42. | :53:50. | |
gentleman has never tried a drug, as far as we know, unless it's | :53:50. | :53:55. | |
brilliance. Welcome to the stage, Jimmy Carr everyone. Thank you very | :53:55. | :54:05. | |
| :54:05. | :54:05. | ||
much. Hello. Hello. CHEERING AND APPLAUSE | :54:05. | :54:15. | |
Good evening, Wembley. That was nice, it's nice to be here in my | :54:15. | :54:21. | |
home down of -- town of London. When I'm away from home I get love | :54:21. | :54:27. | |
sick. They call it chlamydia. I tell you who I blame for all the | :54:27. | :54:33. | |
drugs in schools, the supply teachers! How do you they get so | :54:33. | :54:39. | |
many drugs into prisons. I guess they are smuggled in by some | :54:39. | :54:48. | |
loophole. The pubs retired. He has pulled out early - typical Catholic | :54:48. | :54:55. | |
-- Pope. Sure, sure, why not. Treat yourselves. The first few weeks of | :54:55. | :54:58. | |
joining Weight Watchers, you're just finding your feet. I told that | :54:58. | :55:05. | |
joke, it is only a joke, it is a bit of fun. I told that joke and a | :55:05. | :55:09. | |
larger lady came up to me after the show. Larger lady, is that the | :55:09. | :55:18. | |
right term a fattyboombatty. She came up to me. She surrounded me. | :55:18. | :55:28. | |
| :55:28. | :55:29. | ||
do you think I feel? I said, squiggy. It's difficult, gentlemen, | :55:29. | :55:33. | |
it's difficult to get the first kiss right. You want to be firm, | :55:33. | :55:40. | |
but gentle. You want to be manly, you don't want it wake her up. | :55:40. | :55:44. | |
Let's hear it from the ladies. Give me a shout out all the ladies in | :55:44. | :55:48. | |
the room. You sound in good voice. Do you think you are easy to live | :55:48. | :55:54. | |
with, ladies? YES. This will be educational and fun. I will tell | :55:54. | :55:58. | |
you how easy you are to live with a couple of simple questions. Are you | :55:58. | :56:04. | |
up for this, yes? YES. I will tell you how easy you are to live with. | :56:04. | :56:10. | |
Ladies, have you ever met a gay man? YES. Have you noticed how | :56:10. | :56:16. | |
happy homosexual men are? How joyful and carefree of life gay | :56:16. | :56:26. | |
| :56:26. | :56:27. | ||
dudes dudes tend to be? YES. What is missing from their lives? YOU! I | :56:28. | :56:31. | |
had a classic pub conversation the other day. I was in the bar... Have | :56:31. | :56:36. | |
you had this conversation. If you had to sleep with a guy, who would | :56:36. | :56:39. | |
it be. Have you had that conversation. You haven't? I will | :56:39. | :56:44. | |
tell you how it goes. You are in a pub with the mate, relaxing having | :56:44. | :56:49. | |
a lovely time. Ourfriend says - if you had to sleep with a man who | :56:49. | :56:55. | |
would it be. I wouldn't. If you had to. I wouldn't. It wouldn't be | :56:55. | :57:00. | |
anyone. If you had to sleep with a man, who would it be? I wouldn't | :57:00. | :57:07. | |
know. If you had to... Well I wouldn't. If you had to who would | :57:07. | :57:17. | |
| :57:17. | :57:20. | ||
it be? Well. Poof. I saw a woman on the news in her flooded kitchen | :57:20. | :57:26. | |
crying. I thought, crying is not helping. I know I don't sound that | :57:26. | :57:31. | |
charitable. I'm here this evening. I don't sound like a chartable man. | :57:31. | :57:37. | |
Let me tell you this, I'm not blowing smoke up my own... 10p from | :57:37. | :57:47. | |
| :57:47. | :57:47. | ||
the sale of everyone every one of my DVDs go towards the poor | :57:47. | :57:52. | |
children of Cambodia who manufacturer them. They do a good | :57:52. | :57:55. | |
job. We are here this evening to raise money to get Russell Brand | :57:55. | :58:02. | |
back on drugs. If you want to help this very worthy cause please text | :58:02. | :58:10. | |
"give" to 70005 to donate �5. Now, the wonderful and talented Jake | :58:10. | :58:20. | |
| :58:20. | :58:20. | ||
Apology for the loss of subtitles for 293 seconds | :58:20. | :04:12. | |
Thank you very much, have a good I cannot live without quantum | :04:12. | :04:17. | |
dynamics. Shopping. At university having to solve a very complicated | :04:17. | :04:22. | |
equation about how protons bounce off each other. I used to pick and | :04:22. | :04:29. | |
choose anything I wanted from this catalogue. Exhilarated? You have | :04:29. | :04:32. | |
that anticipation. Quite excited. Then you get there and you're | :04:32. | :04:37. | |
shopping. It feels fantastic. When you stop shopping you just feel | :04:37. | :04:44. | |
really guilty. It has got me into trouble with my mum and dad, when I | :04:44. | :04:48. | |
was younger. With my husband, quite frequently. And, with the bank as | :04:48. | :04:54. | |
well. Not good for you. It makes you feel great! I find that it is | :04:54. | :05:01. | |
highly inappropriate to talk about it or engage in calculations based | :05:01. | :05:09. | |
on them when having sex. I can't imagine a time when I won't want to | :05:09. | :05:16. | |
shop. Not an option. I don't think I will be able to ever give up even | :05:16. | :05:19. | |
if it become as problem beyond the bedroom because I think it really | :05:19. | :05:29. | |
| :05:29. | :05:29. | ||
Apology for the loss of subtitles for 293 seconds | :05:29. | :08:56. | |
Thank you. Wasn't Paloma Faith beautiful and delightful really? | :08:56. | :08:59. | |
What a sexy individual. Ladies and gentlemen, something wonderful is | :08:59. | :09:04. | |
about to hurtle into your consciousness. Get ready to | :09:04. | :09:09. | |
escalate your joy as this evening reaches its climax. Welcome to the | :09:09. | :09:19. | |
| :09:19. | :09:45. | ||
stage, the fantastic, Doc Brown. He Hi. Kiss off. What's up Wembley? | :09:45. | :09:49. | |
This is an honour for me to do something like this for Comic | :09:49. | :09:53. | |
Relief. I try to do as many gigs as I can for charity. Especially, if | :09:53. | :10:01. | |
the money is, you know, good. In fact, you won't know this, it's an | :10:01. | :10:04. | |
emotional one as well, Comic Relief, for me. Backstage you won't know | :10:04. | :10:11. | |
this, we have a bunch of TV screens. You constantly see the emotional | :10:11. | :10:17. | |
adverts. The harrowing ads, heartbreaking. I saw one with Lenny | :10:17. | :10:25. | |
Henry for Premier Inn. This charity thing, it is nothing new to me. | :10:25. | :10:31. | |
Before comedy I worked a lot with difficult teenagers, doing music | :10:31. | :10:38. | |
workshops. Some of those areas that state agents might refer to | :10:38. | :10:43. | |
"vibrant." We bonded me and these kids through rap music. I was | :10:43. | :10:48. | |
amazing to see how their aggression, their anger they channeled it to | :10:48. | :10:52. | |
inspire their lyrics. We could be together in a workshop, right, | :10:53. | :10:56. | |
discussing the relationship between young people and like the police. | :10:56. | :11:03. | |
These kids, honestly, they would explode into verse, incredible. | :11:03. | :11:08. | |
Like # Check this out, yo, yo | :11:08. | :11:15. | |
# I just want to live my life # But feds keep watching me | :11:15. | :11:21. | |
# Yeah every second man police are clocking me | :11:21. | :11:26. | |
# So many times I get this in a day # Somebody tell me why they | :11:26. | :11:29. | |
discriminate # I'm on my way to a weed sale | :11:29. | :11:35. | |
# Got the drugs in the car # By the knife, no seatbelt | :11:35. | :11:39. | |
# Yeah, no wing mirror # No licence | :11:39. | :11:44. | |
# My nephew taught me how to drive this | :11:44. | :11:50. | |
# Cocaine and a big glass of rum # Shoot my gun in the air through | :11:50. | :11:55. | |
the sun roof # Oh, man, I don't believe this | :11:55. | :11:59. | |
# Prejudice policeman, what's the reason! | :11:59. | :12:03. | |
# My gun, my knife, my drugs you want to take | :12:03. | :12:11. | |
# My book leg DVDs you confiscate # Now I can't drink and drive | :12:11. | :12:17. | |
# Why won't these pigs let me live my life... # | :12:17. | :12:26. | |
Cheers, thank you very much, Cheers, thank you very much, | :12:26. | :12:36. | |
| :12:36. | :12:36. | ||
If I'm being really honest about it, it's biscuits and milk. Any | :12:36. | :12:40. | |
biscuits, it doesn't matter what they are. I can't pinpoint a | :12:40. | :12:44. | |
specific moment, it would have been from a very young age. I've loved | :12:44. | :12:49. | |
milk as long as I can remember. First my mother's of course. A top | :12:49. | :12:56. | |
quality provider of milk. She didn't charge. I feel safe. I feel | :12:57. | :13:06. | |
home. It's important the milk is chilled. It can't be room | :13:06. | :13:11. | |
temperature. Comfort and security and warmth with biscuits and milk. | :13:11. | :13:17. | |
At the same time, like any drugs, Russell, if you have too many of | :13:17. | :13:21. | |
them, they're bad for you. You have to control the biscuits. Don't let | :13:22. | :13:31. | |
| :13:32. | :13:41. | ||
Just when you think there can't be any more excellence upon the stage, | :13:41. | :13:48. | |
I have the opportunity to welcome our last comic of the evening. Huh! | :13:48. | :13:56. | |
What are you saying, our last comic tonight, the beautiful, the human, | :13:56. | :13:58. | |
the cheeky, ladies and gentlemen you are going to love him, you | :13:58. | :14:08. | |
| :14:08. | :14:21. | ||
already love John Bishop everyone. Thank you. Thank you, Wembley. How | :14:21. | :14:27. | |
are you? Good. I've got to be honest with you, I've been watching | :14:27. | :14:34. | |
the gig all night. Coming on last is like being a plumber in a porn | :14:34. | :14:39. | |
film. You know, by the time I've come on, you're all spent. You've | :14:39. | :14:43. | |
done all you want to do. You are wiping the mess off your chest | :14:43. | :14:48. | |
because there has been a girlie orgy, I want to come on and deliver | :14:48. | :14:54. | |
my lines about fixing your boiler. Have you enjoyed this evening? | :14:54. | :15:00. | |
I think this evening has been brilliant, but before we move on, | :15:00. | :15:04. | |
there's - because I'm on as the last of the speakers, as it were, | :15:04. | :15:07. | |
I'm the last one with an opportunity to do this. This gig | :15:07. | :15:10. | |
was put together by Russell Brand, who I've never met before tonight. | :15:10. | :15:15. | |
Like a number of people in this room, every time I've seen him on | :15:15. | :15:20. | |
the telly I have thought he's a bit of a cock. He is a little bit too | :15:20. | :15:25. | |
long. Speak as little bit too much. He is a little bit too handsome. | :15:25. | :15:31. | |
Like most men though, he has flagged too many weapons of mass | :15:31. | :15:34. | |
destruction. However, I met him tonight, not only is he all of | :15:34. | :15:40. | |
those things he is also a wonderful, beautiful person who thinks he's | :15:40. | :15:43. | |
not something... CHEERING AND APPLAUSE | :15:43. | :15:50. | |
Who thinks he's not something often spoke about. When it is it is spoke | :15:50. | :15:55. | |
in ignorance. You will see people say, see that fella drunk shouting | :15:55. | :16:01. | |
at buses drinking Special Brew sat in his own wee. He wants to be like | :16:01. | :16:08. | |
that. That guy injecting himself into the only vein he can find in | :16:08. | :16:13. | |
his cock wants to be like thasm he would rather be an addict than an | :16:13. | :16:23. | |
| :16:23. | :16:25. | ||
estate agent. That is was not the best option. It's not a option but | :16:25. | :16:30. | |
it takes someone brave to put on a gig like this. Put your hands | :16:30. | :16:37. | |
together for Russell Brand. Having said that, it is only putting on a | :16:37. | :16:40. | |
gig. I did a lot more locking than that, to be perfectly honest for | :16:40. | :16:48. | |
you. No, thank you. I did something last year for Sport Leaf. I have to | :16:48. | :16:53. | |
be -- sport Relief, I have to be honest with you I won't do it again. | :16:53. | :16:58. | |
Don't clap. I won't do it again not that I found out those Africans | :16:58. | :17:06. | |
don't buy DVDs, lock them. I'm not saying you can't buy my DVDs in | :17:06. | :17:10. | |
Africa, you can. You can only get them in Somalia, they are all | :17:11. | :17:17. | |
pirates. Come on, it's 11.00pm. You have to smile. Locking hell, that | :17:17. | :17:21. | |
is gold dust that is. Also, I have to remind you as well to do | :17:21. | :17:26. | |
something that is really important. Don't forget to get your phone out, | :17:26. | :17:33. | |
those who haven't done it, can do it now. Get your phone out and text, | :17:33. | :17:39. | |
text the word "give" to 70005. I'm saying that. I went to a gig a few | :17:39. | :17:47. | |
years ago to watch U2. Bono was on. He was on the stage. If you have | :17:47. | :17:54. | |
been to a U2gig. He is electric. He is on the stage. He drops to his | :17:54. | :18:01. | |
one knee. He looked at everyone and said, "do you want to end poverty?" | :18:01. | :18:08. | |
I was in Man City's ground we were watching it. We said, of course we | :18:08. | :18:14. | |
do. He said, "if you want to end poverty text this number now." A | :18:14. | :18:17. | |
number came up. We got our phones out. It was amazing to see all the | :18:18. | :18:21. | |
phones, like stars in the crowd. Everybody texted the number. Bono | :18:21. | :18:26. | |
got up, the Edge started playing. The other two lads who came with | :18:26. | :18:35. | |
them, they did what they do. Bono turned round and sang a few songs | :18:35. | :18:41. | |
and said, all these people, you sent a text you ended poverty. We | :18:41. | :18:45. | |
thought, if it was that easy I would have done it yesterday. What | :18:45. | :18:48. | |
was brilliant all the names of those who texted came over the top. | :18:48. | :18:54. | |
They were told to text their own name. All of a sudden you could see | :18:54. | :19:01. | |
everyone getting their phone out and going, "Billy is a wanke." We | :19:01. | :19:05. | |
have another message for someone who couldn't be here. I want you to | :19:05. | :19:09. | |
listen to the words of the only spaceman who is allowed to live on | :19:09. | :19:19. | |
| :19:19. | :19:25. | ||
I happen to look through the menu of the phone it had a game there | :19:26. | :19:30. | |
Brick Breaker seemed pretty innocent. The feeling of shame | :19:30. | :19:35. | |
really. I would spend a loft time in the toilet just sat there, not | :19:35. | :19:39. | |
actually using the toilet for what it was meant to be used for. So I | :19:39. | :19:45. | |
was somewhere quiet to be able to play the game. Every session would | :19:45. | :19:48. | |
go on for at least an hour-and-a- half. Basically, a lot of my life | :19:48. | :19:57. | |
went out of the wend owe. -- window. I'm kind of four years clean. The | :19:57. | :20:07. | |
| :20:07. | :20:08. | ||
way I gave up Brick Breaker I had to give up the phone. If only other | :20:08. | :20:18. | |
| :20:18. | :20:23. | ||
depend cyst were so easy to get rid of. -- dependeciees. I started | :20:23. | :20:28. | |
using tat nine-and-a-half years old. I used drugs for 22 years. For all | :20:28. | :20:34. | |
of my adult life. I started when I was maybe 12. I was on heroin for | :20:34. | :20:40. | |
15 years. I was addicted for 18 years. I used drugs on a daily | :20:40. | :20:45. | |
basis. There was one single day when I willingly didn't use. Once I | :20:45. | :20:50. | |
started I couldn't stop. If I was awake, I was drinking. I used | :20:50. | :20:56. | |
anything and anywhere, at any place, at any time. I couldn't cope with | :20:56. | :21:04. | |
life. Drugs helped me cope with life. It doesn't matter what you're | :21:04. | :21:07. | |
background is. It doesn't discriminate. Everybody, you know, | :21:07. | :21:12. | |
anybody can be affected by. It Drugs have no boundaries. Drugs can | :21:12. | :21:16. | |
affect anybody. They don't have to be poor. They don't have to live in | :21:17. | :21:20. | |
deprivation. Coming from a middle- class public school back ground I | :21:20. | :21:24. | |
never believed that addiction would get me. It did get me. I ended up | :21:24. | :21:29. | |
homeless, on the streets. It's all consuming. It's all I could think | :21:29. | :21:34. | |
about. When you are in that position, you are ridden with guilt | :21:34. | :21:44. | |
| :21:44. | :21:49. | ||
and shame with what you are doing I was a DOA, dead on arrival, I | :21:49. | :21:52. | |
clinically died. I don't know what this doctor was doing. He didn't | :21:52. | :21:59. | |
give up on me, when I flatlined. I came back into my body. I tried to | :21:59. | :22:04. | |
hang myself. I was taking a whole lot of drugs that were slowing down | :22:04. | :22:10. | |
my heart. On top of a whole lot of benzo and I was using heroin on top | :22:10. | :22:20. | |
| :22:20. | :22:25. | ||
of that. That combination had I was lucky enough to get a place | :22:25. | :22:32. | |
in a rehab. I detoxed. I haven't used since. Happy to say I haven't | :22:32. | :22:37. | |
used mood altering substances for coming on two years now. Over 10 | :22:37. | :22:42. | |
months clean. I'm working as a supporter. I feel positive. I'm | :22:42. | :22:48. | |
making good steps to build a career for myself and a life beyond using | :22:48. | :22:53. | |
drugs. You can see life can get better. You can have a really | :22:53. | :22:57. | |
beautiful drug-free life. Do you know what I mean? With help and | :22:57. | :23:01. | |
support. If you reach a point in the pit of your stomach where you | :23:01. | :23:05. | |
know you want your life to change, make the leap. It will be the best | :23:05. | :23:09. | |
leap you ever made. It will be the biggest fight of your life, the | :23:09. | :23:19. | |
| :23:19. | :23:29. | ||
CHEERING AND APPLAUSE All right! I've come here because | :23:29. | :23:33. | |
obviously, you are the finale of the gig. There is no higher than we | :23:33. | :23:37. | |
can go. Before we wrap up the night's proceedings I want to thank | :23:37. | :23:46. | |
everyone that has participated tonight. Please applaud for Jessie | :23:46. | :23:56. | |
| :23:56. | :23:57. | ||
J, Noel Fielding, Kasabian, Simon Amstell, Jason Manford, Rizzle | :23:57. | :24:05. | |
Kicks, Eddie Izzard, Nicole Scherzinger, Emeli Sande, Jimmy | :24:05. | :24:15. | |
| :24:15. | :24:16. | ||
Carr, Jake Bugg, Frankie Boyle, Paloma Faith, Doc Brown and John | :24:16. | :24:19. | |
Bishop. Now, of course, thank you all very much for attending this | :24:19. | :24:24. | |
evening. Thanks all of you for watching at home. Thank you to our | :24:24. | :24:28. | |
beloved Amy Winehouse for inspiring this event. We have one more | :24:28. | :24:36. | |
opportunity to text 70005 text the word "give". Jack Whitehall, yeah | :24:36. | :24:42. | |
some locking... Come here, Jack. Do you know who I particularly enjoyed | :24:42. | :24:46. | |
this evening it was Jack Whitehall everyone. | :24:46. | :24:48. | |
APPLAUSE Jack Whitehall walking the | :24:48. | :24:55. | |
tightrope of saving people from drugs and consuming them. I bet | :24:55. | :25:02. | |
they spell his name right. Some people are respected artists. | :25:02. | :25:10. | |
Others we thought, save that "H for Scramble. Thank you for watching | :25:10. | :25:14. | |
and Comic Relief and all the people who put on this gig. Thank you to | :25:14. | :25:16. | |
everyone who dedicated that time. Thank you very much. Now, ladies | :25:17. | :25:21. | |
and gentlemen, to take us out of this wonderful evening, the poet | :25:22. | :25:30. |