Browse content similar to Dave Allen: The Immaculate Selection. Check below for episodes and series from the same categories and more!
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BIG BAND SWING JAZZ | 0:00:07 | 0:00:11 | |
TEMPO OF MUSIC DOUBLES | 0:00:54 | 0:00:57 | |
MUSIC TEMPO REVERTS TO HALF-TIME | 0:01:22 | 0:01:26 | |
MUSIC CLIMAXES | 0:01:38 | 0:01:40 | |
LAUGHTER | 0:01:40 | 0:01:42 | |
APPLAUSE | 0:01:42 | 0:01:45 | |
The security in this place is getting ridiculous! | 0:01:54 | 0:01:57 | |
LAUGHTER AND APPLAUSE | 0:01:57 | 0:01:59 | |
Thank you very much indeed. Good evening and welcome to the show. | 0:02:22 | 0:02:25 | |
And here we go again. Same old stool. Same ashtray, same dog ends. | 0:02:25 | 0:02:31 | |
LAUGHTER | 0:02:31 | 0:02:33 | |
And thank God they didn't empty that. | 0:02:33 | 0:02:35 | |
LAUGHTER | 0:02:35 | 0:02:37 | |
LAUGHTER | 0:02:44 | 0:02:47 | |
Oh, God! That's great! | 0:02:47 | 0:02:48 | |
LAUGHTER | 0:02:48 | 0:02:52 | |
Do you know, a lot of people write in and ask me, | 0:02:52 | 0:02:54 | |
and say why do I drink during the show | 0:02:54 | 0:02:56 | |
and is it because I need the drink to get through the show. | 0:02:56 | 0:02:59 | |
And I can tell you here and now actually, the reason | 0:02:59 | 0:03:01 | |
I drink is because it does... | 0:03:01 | 0:03:03 | |
Sitting here for 45 minutes, you get very hot. | 0:03:03 | 0:03:06 | |
There's a tremendous amount of lights | 0:03:06 | 0:03:07 | |
and the only reason I have the drink is basically to keep cool. | 0:03:07 | 0:03:12 | |
I want to make it quite clear that I'm not | 0:03:12 | 0:03:14 | |
reliant on alcohol in any way to get me right through... | 0:03:14 | 0:03:17 | |
GET AWAY FROM THAT! | 0:03:17 | 0:03:19 | |
LAUGHTER | 0:03:19 | 0:03:21 | |
We had a very famous man in Ireland once, called Daniel O'Connell. | 0:03:22 | 0:03:27 | |
One of Ireland's greatest wits, writers, | 0:03:27 | 0:03:29 | |
poets and politicians and he once said of alcohol... | 0:03:29 | 0:03:33 | |
INCOMPREHENSIBLE SLURRING | 0:03:33 | 0:03:37 | |
LAUGHTER | 0:03:37 | 0:03:38 | |
APPLAUSE | 0:03:41 | 0:03:42 | |
Little fellow walking into a bar and standing outside is a nun | 0:03:44 | 0:03:49 | |
and she looks at him and she says, | 0:03:49 | 0:03:50 | |
"Before you enter this den of iniquity, | 0:03:50 | 0:03:54 | |
"think of your mother and your father!" | 0:03:54 | 0:03:58 | |
He said, "They're dead. | 0:03:59 | 0:04:00 | |
"They're dead in heaven." | 0:04:03 | 0:04:05 | |
She said, "Well, think of the damage | 0:04:06 | 0:04:08 | |
"the alcohol is going to do to your brain!" | 0:04:08 | 0:04:11 | |
"What? What are you talking about? | 0:04:13 | 0:04:17 | |
"Have you ever had a drink?" | 0:04:17 | 0:04:18 | |
And the nun says, "No." | 0:04:18 | 0:04:20 | |
He says, "Well, how the hell can you stand there talking about it | 0:04:20 | 0:04:23 | |
"and saying drink is going to do damage to your brain | 0:04:23 | 0:04:25 | |
"if you've never had it? | 0:04:25 | 0:04:26 | |
"I'll tell you what, I'll go in, get you a drink, bring it out, | 0:04:26 | 0:04:29 | |
"give it to you, you drink it. | 0:04:29 | 0:04:31 | |
"If you don't like it, THEN you can talk about it | 0:04:31 | 0:04:33 | |
"but don't talk about things you've never experienced." | 0:04:33 | 0:04:36 | |
"What will you have?" And the nun says, "I don't know. | 0:04:36 | 0:04:40 | |
"What do ladies generally drink?" | 0:04:40 | 0:04:42 | |
He says, "Gin." She says, "All right. I'll have a gin." | 0:04:42 | 0:04:45 | |
"But get it in a cup so nobody will notice." | 0:04:46 | 0:04:50 | |
LAUGHTER | 0:04:50 | 0:04:52 | |
And the fellow goes into the bar and he says, "Give us a pint of beer and a double gin in a cup." | 0:04:52 | 0:04:56 | |
And the fella says, "Is that bloody nun out there again?" | 0:04:56 | 0:05:00 | |
LAUGHTER AND APPLAUSE | 0:05:00 | 0:05:01 | |
Get a little drunk in St James's Park. | 0:05:06 | 0:05:09 | |
I don't mean you get a little drunk, I mean there was a little drunk. | 0:05:09 | 0:05:12 | |
And he's looking at the duckies. | 0:05:12 | 0:05:14 | |
"I wouldn't...I wouldn't mind having one of them ducks for my dinner. | 0:05:17 | 0:05:21 | |
"If-If... If I get a big stick | 0:05:23 | 0:05:25 | |
"and I bang one of them ducks on the...on the...on the head... | 0:05:25 | 0:05:28 | |
"..I'm going to take him home and eat him." | 0:05:30 | 0:05:34 | |
And there's one little duck sitting by himself out of the water, nodding. | 0:05:34 | 0:05:38 | |
HE SNORES | 0:05:38 | 0:05:39 | |
LAUGHTER | 0:05:39 | 0:05:42 | |
So the fellow gets a big stick | 0:05:42 | 0:05:43 | |
and he runs over to the duck and he goes...BOOM! | 0:05:43 | 0:05:46 | |
And the duck goes "Eeargh!" | 0:05:46 | 0:05:48 | |
He picks it up by the neck and tears all the feathers out of it. | 0:05:48 | 0:05:51 | |
Plucks it. | 0:05:51 | 0:05:52 | |
And just then, as he's finished plucking the bird, | 0:05:54 | 0:05:56 | |
he sees a park keeper walking towards him | 0:05:56 | 0:05:59 | |
so he throws the duck into the lake. | 0:05:59 | 0:06:01 | |
And the water revives the duck. | 0:06:01 | 0:06:04 | |
And there is this totally bald duck walking around going, | 0:06:06 | 0:06:09 | |
"Quack, quack, quack, quack...!" | 0:06:09 | 0:06:11 | |
And the park keeper comes up and he says, "What are you doing?" | 0:06:13 | 0:06:17 | |
He said, "I'm sit... I'm sitting here." | 0:06:17 | 0:06:18 | |
"I'm sitting here. looking at the duckies in the water going, | 0:06:22 | 0:06:26 | |
"Quackie, quackie, quackie!" | 0:06:26 | 0:06:28 | |
He said, "You are trying to steal one of our ducks." | 0:06:28 | 0:06:31 | |
"I'm not trying to steal a duckie!" | 0:06:31 | 0:06:34 | |
He said, "There is a bald duck in the water | 0:06:34 | 0:06:37 | |
"and there's all these feathers around you. Explain that." | 0:06:37 | 0:06:40 | |
He said, "Well, I was just sitting here having a talk with the duckie | 0:06:40 | 0:06:45 | |
"and he said he'd like to go for a swim | 0:06:45 | 0:06:47 | |
"and I said, 'OK, I'll mind your clothes.' " | 0:06:47 | 0:06:49 | |
LAUGHTER AND APPLAUSE | 0:06:49 | 0:06:52 | |
-SLURS DRUNKENLY: -I name this ship... | 0:06:56 | 0:06:59 | |
I-I name this ship... | 0:06:59 | 0:07:00 | |
-Just a minute, sir. -Ssssh! | 0:07:00 | 0:07:03 | |
What is the... What is the name of this ship? | 0:07:03 | 0:07:07 | |
Hypernen... Hypernenenen. | 0:07:07 | 0:07:11 | |
Hypernenenenenen. | 0:07:11 | 0:07:14 | |
I name this ship... | 0:07:14 | 0:07:16 | |
Hyper... | 0:07:16 | 0:07:18 | |
ALL: Whoooo! | 0:07:18 | 0:07:20 | |
Bloody thing's gone! | 0:07:23 | 0:07:25 | |
At one time of my life, I was what they call a freelance reporter | 0:07:29 | 0:07:33 | |
and I used to spend a great deal of time in the law courts of Dublin. | 0:07:33 | 0:07:36 | |
Now, if you want logic, | 0:07:36 | 0:07:37 | |
that's the strangest place in the world to go to. | 0:07:37 | 0:07:39 | |
I heard a judge say to a fellow one morning, | 0:07:39 | 0:07:42 | |
he said, "Have you ever been up before me?" | 0:07:42 | 0:07:45 | |
And the fellow said, "I don't know. What time do you get up?" | 0:07:45 | 0:07:48 | |
LAUGHTER | 0:07:48 | 0:07:49 | |
I saw a counsel, a rather pompous counsel, | 0:07:52 | 0:07:54 | |
being taken down by the honesty of a little fellow. | 0:07:54 | 0:08:00 | |
The counsel said, "Are you married?" | 0:08:00 | 0:08:04 | |
He says, "Yes, sir." | 0:08:04 | 0:08:06 | |
He said, "To whom are you married?" | 0:08:06 | 0:08:09 | |
He says, "A woman." | 0:08:09 | 0:08:11 | |
And he said, "Really. | 0:08:13 | 0:08:15 | |
"You are actually swearing, under oath, | 0:08:15 | 0:08:16 | |
"that you are married to a woman?" | 0:08:16 | 0:08:19 | |
He said, "Yes, sir." | 0:08:19 | 0:08:20 | |
He said, "Incredible. | 0:08:20 | 0:08:22 | |
"Have you ever heard of anyone being married to a man?" | 0:08:22 | 0:08:25 | |
He said, "Yes, sir. My sister." | 0:08:25 | 0:08:27 | |
LAUGHTER | 0:08:27 | 0:08:29 | |
What are the charges laid against the defendant? | 0:08:31 | 0:08:34 | |
Parking on a double yellow line, my lord. | 0:08:34 | 0:08:37 | |
Parking on a double yellow line. How do you plead? | 0:08:37 | 0:08:41 | |
Not guilty, your honour. | 0:08:41 | 0:08:42 | |
All the evidence before me suggests that you ARE guilty. | 0:08:44 | 0:08:48 | |
And after giving this case due consideration, I so find you guilty. | 0:08:48 | 0:08:54 | |
And the sentence of the court upon you | 0:08:54 | 0:08:56 | |
is that you be taken from this place to a lawful prison | 0:08:56 | 0:09:00 | |
and from thence to a place of execution | 0:09:00 | 0:09:04 | |
and that there, on a date appointed by the court, | 0:09:04 | 0:09:09 | |
you be hanged by the neck until you are dead. | 0:09:09 | 0:09:13 | |
And may the Lord have mercy upon your soul. | 0:09:15 | 0:09:18 | |
-It's only a parking offence, my lord. -What? What? | 0:09:20 | 0:09:24 | |
-It's only a parking offence. It's a £2 fine! -Oh. Oh. | 0:09:24 | 0:09:28 | |
You will also pay a £2 fine. | 0:09:29 | 0:09:30 | |
LAUGHTER AND APPLAUSE | 0:09:30 | 0:09:32 | |
The most boring place ever to be trapped | 0:09:36 | 0:09:38 | |
is in a motorcar in a traffic jam going nowhere. | 0:09:38 | 0:09:41 | |
And what you've got to do is learn to keep yourself occupied. | 0:09:41 | 0:09:44 | |
I do a lot of things in motor cars when I'm sitting there. | 0:09:44 | 0:09:47 | |
I have actually become the most... mobile of conductors | 0:09:47 | 0:09:52 | |
as far as radio is concerned. I sit there and conduct the radio. | 0:09:52 | 0:09:56 | |
I occasionally upset the people who are around me by picking my nose. | 0:09:57 | 0:10:02 | |
Not really. I just drive that up there. | 0:10:03 | 0:10:05 | |
LAUGHTER | 0:10:05 | 0:10:08 | |
Actually, the thing to do is to try and attract the attention | 0:10:14 | 0:10:16 | |
of other people, even if you just blow the horn, it doesn't matter. | 0:10:16 | 0:10:19 | |
Just blow and do odd things. I do one. I go URK! | 0:10:19 | 0:10:22 | |
And they go...and I go... | 0:10:22 | 0:10:25 | |
LAUGHTER | 0:10:25 | 0:10:28 | |
I'll tell you... | 0:10:39 | 0:10:41 | |
If you get a fellow, you know how you sit, | 0:10:41 | 0:10:43 | |
or people sit in a traffic jam and they'll read the paper. | 0:10:43 | 0:10:47 | |
If you get behind one of those fellows | 0:10:47 | 0:10:49 | |
and they're stuck in the paper, they forget the course of time | 0:10:49 | 0:10:52 | |
and they're reading away, all you've got to do is blow your horn. | 0:10:52 | 0:10:55 | |
They think the traffic's moved on and they'll drive straight on. | 0:10:55 | 0:10:58 | |
LAUGHTER | 0:10:58 | 0:11:00 | |
As well as that, you get their attention, and go... | 0:11:02 | 0:11:05 | |
You've got them going then. | 0:11:13 | 0:11:15 | |
And they're all going... | 0:11:17 | 0:11:19 | |
LAUGHTER | 0:11:19 | 0:11:21 | |
Nothing worse than actually watching someone trying to thread a needle. | 0:11:24 | 0:11:27 | |
Everybody thinks they can do it better than you | 0:11:27 | 0:11:29 | |
and I haven't even got one. | 0:11:29 | 0:11:31 | |
LAUGHTER | 0:11:41 | 0:11:47 | |
APPLAUSE | 0:11:47 | 0:11:50 | |
-Yeah? -Tea, please. -One tea. | 0:13:11 | 0:13:14 | |
LAUGHTER | 0:13:33 | 0:13:35 | |
LAUGHTER | 0:13:53 | 0:13:55 | |
LAUGHTER | 0:14:35 | 0:14:39 | |
APPLAUSE | 0:14:39 | 0:14:42 | |
There was a fellow talking to a fellow in Ireland and he said, "Did you go away for your holidays?" | 0:14:44 | 0:14:49 | |
He said, "I did. I went over to the continent with my friend, Charlie." | 0:14:49 | 0:14:52 | |
He said, "Who's Charlie?" | 0:14:52 | 0:14:53 | |
He said, "Remember that fellow I knocked over with the car? | 0:14:53 | 0:14:56 | |
"Broke all his legs, bits, pieces." | 0:14:56 | 0:14:58 | |
He said, "I took him as a kind of just a kind of...feeling. | 0:14:58 | 0:15:02 | |
"We went over to Paris. Went up in the Eiffel Tower." | 0:15:02 | 0:15:06 | |
He said, "Did Charlie go with you?" He said, "No, no. | 0:15:06 | 0:15:08 | |
"Charlie can't walk without his crutches." | 0:15:08 | 0:15:12 | |
I said, "Where did you go, then?" "We went down to Italy, Pisa, | 0:15:12 | 0:15:15 | |
"I went up in the Leaning Tower." "Did Charlie go with you?" "No, no. | 0:15:15 | 0:15:19 | |
"Charlie can't walk without his crutches. | 0:15:19 | 0:15:22 | |
"We went to Rome. Talked to the Pope, we did. | 0:15:22 | 0:15:26 | |
"Actually, he talked to us. | 0:15:26 | 0:15:28 | |
"He talked to Charlie." "What did he say?" | 0:15:28 | 0:15:30 | |
"He says, 'Charlie...' | 0:15:30 | 0:15:33 | |
"He didn't have an Irish accent... | 0:15:34 | 0:15:38 | |
"He said, 'Charlie, throw away your left crutch.' | 0:15:38 | 0:15:42 | |
"And Charlie threw it away." "Did he? | 0:15:45 | 0:15:47 | |
"What did he say, then?" | 0:15:47 | 0:15:48 | |
"He said, 'Charlie, throw away your right crutch. | 0:15:48 | 0:15:52 | |
"And Charlie threw it away." "What happened, then?" | 0:15:52 | 0:15:55 | |
"And the Pope says to Charlie, 'Charlie, walk!' " | 0:15:55 | 0:15:59 | |
"Did he walk?" | 0:15:59 | 0:16:00 | |
"No, he fell over. He can't walk without his crutches." | 0:16:00 | 0:16:03 | |
LAUGHTER AND APPLAUSE | 0:16:03 | 0:16:04 | |
I don't know if you've ever noticed, | 0:16:07 | 0:16:08 | |
but there are times when my glass is nearly empty. | 0:16:08 | 0:16:12 | |
Not very often, but occasionally. | 0:16:12 | 0:16:15 | |
And then, I introduce some sketches | 0:16:15 | 0:16:18 | |
and when we come back after the sketches, by some miracle, | 0:16:18 | 0:16:21 | |
my glass is full again. | 0:16:21 | 0:16:23 | |
Well... | 0:16:25 | 0:16:27 | |
..my glass is very nearly empty now, | 0:16:30 | 0:16:33 | |
which might signify to the more observant members | 0:16:33 | 0:16:36 | |
of the audience that I am about to introduce some sketches. | 0:16:36 | 0:16:39 | |
MOUTHS | 0:16:52 | 0:16:54 | |
Bibble-bibble-bibble! | 0:17:07 | 0:17:09 | |
Rapunzel! | 0:17:12 | 0:17:14 | |
Rapunzel! | 0:17:16 | 0:17:17 | |
It is I, your prince. | 0:17:17 | 0:17:20 | |
Let down your hair. | 0:17:20 | 0:17:23 | |
SHE SCREAMS | 0:17:31 | 0:17:33 | |
APPLAUSE | 0:18:24 | 0:18:28 | |
BATH DRAINS LOUDLY | 0:18:34 | 0:18:38 | |
PLUG GURGLES | 0:18:47 | 0:18:51 | |
Haven't you finished that book yet? | 0:18:53 | 0:18:55 | |
"Haven't you finished that book yet?" | 0:18:55 | 0:18:57 | |
All you do is read. You're on night work all the week, | 0:18:57 | 0:19:00 | |
you only have one night off and what do you do when we get to bed? Read! | 0:19:00 | 0:19:03 | |
-Oh, shut up! -Well, there are other things to do in bed. | 0:19:03 | 0:19:06 | |
Ha-ha! What, with you looking like that? | 0:19:08 | 0:19:11 | |
A month-old trifle! | 0:19:11 | 0:19:13 | |
Oh, very funny, aren't we? | 0:19:13 | 0:19:15 | |
Since we're here to sleep, perhaps you'll get up | 0:19:15 | 0:19:18 | |
and close that window and put that cigarette out. | 0:19:18 | 0:19:20 | |
You know I can't sleep with the window open. And put that light out. | 0:19:20 | 0:19:23 | |
God almighty! | 0:19:23 | 0:19:25 | |
"Put your cigarette out, turn the light off, | 0:19:25 | 0:19:27 | |
"can't sleep with the window open..." Can't do nothing. | 0:19:27 | 0:19:29 | |
GOD! | 0:19:29 | 0:19:30 | |
-What is it? -It's your husband! | 0:19:30 | 0:19:32 | |
Quick! The cupboard! | 0:19:32 | 0:19:34 | |
It's been three and a half years since I worked in television. | 0:19:38 | 0:19:41 | |
Things have changed, I've changed. | 0:19:41 | 0:19:43 | |
One of the main changes | 0:19:43 | 0:19:45 | |
you'll probably notice, there is no ashtray. | 0:19:45 | 0:19:48 | |
I have given it up. | 0:19:48 | 0:19:50 | |
I, a heavy smoker... I used to even smoke in between smokes. | 0:19:51 | 0:19:56 | |
I've given it up. Totally changed. | 0:19:56 | 0:19:58 | |
The most extraordinary thing about giving up smoking, | 0:19:58 | 0:20:02 | |
to non-smokers, I'm... | 0:20:02 | 0:20:05 | |
I'm a convert. | 0:20:05 | 0:20:07 | |
I've come over. I've joined them. | 0:20:07 | 0:20:11 | |
They're proud of me. They say, "Good for you! | 0:20:11 | 0:20:13 | |
"You've given up the filthy habit! Good! Good!" | 0:20:13 | 0:20:17 | |
The heavy smokers who used to be my allies, I'm a traitor! | 0:20:18 | 0:20:23 | |
"Bloody Judas! | 0:20:23 | 0:20:25 | |
"You, of all people!" | 0:20:25 | 0:20:27 | |
But one of the good things, or one of the new things | 0:20:28 | 0:20:32 | |
about giving up smoking, is that I now have my sense of smell back. | 0:20:32 | 0:20:35 | |
I can actually get up in the morning and open the window | 0:20:35 | 0:20:38 | |
and breathe in and smell again... | 0:20:38 | 0:20:42 | |
petrol! | 0:20:42 | 0:20:43 | |
Carbon monoxide, dog shit... | 0:20:44 | 0:20:47 | |
I mean, taste... | 0:20:53 | 0:20:55 | |
I actually thought when I used to eat food it was the smoking, | 0:20:55 | 0:20:58 | |
I had no taste. | 0:20:58 | 0:21:00 | |
It's not the smoking, it's the food! | 0:21:00 | 0:21:02 | |
It's bloody tasteless! | 0:21:02 | 0:21:04 | |
And now, the whole thing about being a smoker is it's very | 0:21:08 | 0:21:12 | |
difficult in today's society because the pressures are on smokers. | 0:21:12 | 0:21:16 | |
Society frowns upon smokers. | 0:21:16 | 0:21:19 | |
There are signs everywhere. See them here? | 0:21:19 | 0:21:22 | |
"No smoking! Smoking is not allowed! Smoking is forbidden!" | 0:21:22 | 0:21:28 | |
The Americans, they're totally lunatic about it. | 0:21:28 | 0:21:30 | |
When I was in America, I was smoking | 0:21:30 | 0:21:32 | |
and a woman stopped me in the street. | 0:21:32 | 0:21:35 | |
She said, "You're smoking!" Like I'd exposed myself! | 0:21:35 | 0:21:39 | |
I said, "Yes, madam." | 0:21:39 | 0:21:41 | |
She said, "You have a cigarette in your mouth!" | 0:21:41 | 0:21:43 | |
I said, "I know. I've been smoking for years. | 0:21:43 | 0:21:45 | |
"That's the only way I know how." | 0:21:45 | 0:21:47 | |
A couple of years ago, I actually decided, | 0:21:49 | 0:21:52 | |
I don't think from pressure or anything else, | 0:21:52 | 0:21:54 | |
I decided I would give up smoking | 0:21:54 | 0:21:56 | |
because I have teenage children and I knew that one day, | 0:21:56 | 0:21:59 | |
my teenage children were going to come in, smoking. | 0:21:59 | 0:22:02 | |
And I didn't actually think that I could be hypocritical enough | 0:22:02 | 0:22:05 | |
to sit there and watch them go... | 0:22:05 | 0:22:06 | |
And I'm going... "Don't do that! | 0:22:06 | 0:22:09 | |
"Filthy habit! Give it to me!" | 0:22:09 | 0:22:10 | |
I decided...I would give up smoking and then I thought that | 0:22:14 | 0:22:18 | |
because what actually happens, if you are a smoker, | 0:22:18 | 0:22:22 | |
when it actually comes to giving up smoking, you're two people. | 0:22:22 | 0:22:25 | |
There's the person who wants to smoke and the person who doesn't. | 0:22:25 | 0:22:28 | |
You have a kind of Jekyll and Hyde going with you all the time. | 0:22:28 | 0:22:32 | |
I woke up one morning, it was 8am, and I sat there and thought, | 0:22:32 | 0:22:37 | |
"That's it. This is actually the day I will give up smoking." | 0:22:37 | 0:22:40 | |
And then I thought, "I don't really want to give it up. | 0:22:42 | 0:22:46 | |
"What you should actually do is cut it down. | 0:22:46 | 0:22:49 | |
"What you should do is actually think, | 0:22:49 | 0:22:51 | |
" 'You'll only smoke when you enjoy smoking.' | 0:22:51 | 0:22:53 | |
"You like smoking, you get a certain pleasure out of it, | 0:22:53 | 0:22:56 | |
"but what you should do is just take the moments that you really | 0:22:56 | 0:23:00 | |
"get the most enjoyment and that's the time to smoke. | 0:23:00 | 0:23:03 | |
"When do you enjoy smoking most?" I thought, "After a meal. | 0:23:03 | 0:23:06 | |
"When I've had a meal, that's when I enjoy smoking." "Fine. | 0:23:06 | 0:23:10 | |
"You can have 12 a day." | 0:23:10 | 0:23:11 | |
I'm actually sitting there, 8am, going, "Fine, 12. That's good. | 0:23:15 | 0:23:19 | |
"Right, 12 cigarettes. | 0:23:20 | 0:23:22 | |
"It's eight o'clock now, | 0:23:22 | 0:23:25 | |
"I won't go to bed before 12 o'clock tonight. | 0:23:25 | 0:23:28 | |
"That's 16 hours. 12 cigarettes. | 0:23:28 | 0:23:31 | |
"That's an hour and 20 minutes for every cigarette. | 0:23:33 | 0:23:37 | |
"And I've finished that one. | 0:23:37 | 0:23:39 | |
"23 minutes past eight. | 0:23:39 | 0:23:41 | |
"I've only got 11 cigarettes." | 0:23:42 | 0:23:45 | |
My wife comes in, "Good morning." "SHUT UP!" | 0:23:45 | 0:23:47 | |
"Why's going to drive the children?" "LET THEM WALK!" | 0:23:49 | 0:23:53 | |
12 o'clock noon, I have gone through nine cigarettes. | 0:23:55 | 0:23:59 | |
I'm a lunatic. | 0:24:00 | 0:24:02 | |
I'm sitting there... "Oh, my God! 12 hours! | 0:24:02 | 0:24:06 | |
"God! What am I doing? | 0:24:07 | 0:24:09 | |
"Please help me! Please help me!" | 0:24:09 | 0:24:12 | |
"Wait! You have some cigarettes. You've got three cigarettes left. | 0:24:12 | 0:24:16 | |
"That's four hours' smoking. | 0:24:16 | 0:24:18 | |
"You can cut them in half." | 0:24:18 | 0:24:20 | |
Then I'm thinking, "That'll be two dog ends. | 0:24:22 | 0:24:24 | |
"Two butts, I'll be throwing away more cigarettes." | 0:24:24 | 0:24:26 | |
"Wait, wait, wait." And I'm trying to explain to myself. | 0:24:26 | 0:24:29 | |
Now here I am, being a smoker since I was so big, I am now going through | 0:24:29 | 0:24:33 | |
the first withdrawal symptoms I have ever gone through in my life. | 0:24:33 | 0:24:37 | |
I explained this. "Listen, listen, wait, calm down. | 0:24:37 | 0:24:41 | |
"You are actually experiencing withdrawal symptoms. | 0:24:41 | 0:24:44 | |
"This is your first time. | 0:24:44 | 0:24:47 | |
"It's difficult, you know it, but you've got to persevere. | 0:24:47 | 0:24:50 | |
"Tomorrow, it's not going to be so difficult | 0:24:50 | 0:24:53 | |
"because you'll have experienced what it is today, | 0:24:53 | 0:24:56 | |
"so tomorrow won't be so bad. | 0:24:56 | 0:24:57 | |
"But you'll still have 12 cigarettes tomorrow | 0:24:57 | 0:25:00 | |
"and you won't need those 12 cigarettes tomorrow. | 0:25:00 | 0:25:03 | |
"You'll probably only need five or six, or four. | 0:25:03 | 0:25:07 | |
"So take those eight today and..." | 0:25:07 | 0:25:08 | |
SOUNDS OF DISTANT BATTLE | 0:25:20 | 0:25:25 | |
Before we shoot you, do you have any last requests? | 0:26:01 | 0:26:05 | |
-Si. -What is it? | 0:26:05 | 0:26:07 | |
I would like to hear you sing a song, huh? | 0:26:07 | 0:26:10 | |
For me, before I die. | 0:26:10 | 0:26:12 | |
-Me? Sing a song? -Yeah, sing a song. | 0:26:12 | 0:26:15 | |
Oh, if you insist. I might not know all the words. | 0:26:15 | 0:26:18 | |
Ahem. | 0:26:18 | 0:26:19 | |
# Granada | 0:26:19 | 0:26:22 | |
# I have you under my spell | 0:26:22 | 0:26:25 | |
# La-la-la, la-la-la | 0:26:25 | 0:26:29 | |
# La-la-la, la-la-la... # | 0:26:30 | 0:26:34 | |
GUNFIRE | 0:26:34 | 0:26:37 | |
-Captain Hardy, sir. Do you think the admiral will live? -I'm not sure. | 0:26:49 | 0:26:53 | |
But stand by to signal any development to the fleet. | 0:26:53 | 0:26:57 | |
I've arranged to fire one cannon should my Lord Nelson recover, | 0:26:57 | 0:27:02 | |
but two shots if he should die. | 0:27:02 | 0:27:05 | |
Look, sir. | 0:27:05 | 0:27:07 | |
The Admiral's reviving. He's getting better! | 0:27:07 | 0:27:10 | |
ALL: Hooray! | 0:27:10 | 0:27:11 | |
Well done, sir! Permission to signal the good news to the fleet. | 0:27:11 | 0:27:15 | |
-Carry on, Hardy. -Aye, aye, sir. | 0:27:15 | 0:27:17 | |
Fire one! | 0:27:18 | 0:27:20 | |
CANNON FIRES | 0:27:20 | 0:27:23 | |
Fire two and three. | 0:27:31 | 0:27:33 | |
Halt. We must inspect this cart. | 0:27:35 | 0:27:39 | |
You British fools, always you are trying to escape. | 0:27:39 | 0:27:43 | |
And always, we are finding you! | 0:27:43 | 0:27:45 | |
Always! | 0:27:45 | 0:27:47 | |
Yargh! | 0:27:47 | 0:27:48 | |
There is no way the wool you are pulling over our eyes. Open ze gate! | 0:27:53 | 0:27:59 | |
Two fellas at the dogs. | 0:28:14 | 0:28:15 | |
And they're saying, "What do you fancy for this one here?" | 0:28:16 | 0:28:20 | |
"I tink... I tink... | 0:28:20 | 0:28:23 | |
"I tink.... | 0:28:23 | 0:28:25 | |
"Trap two. Trap two for this race." | 0:28:25 | 0:28:28 | |
There's a fellow behind him. | 0:28:28 | 0:28:29 | |
He says, "I wouldn't bet on trap two, if I were you. | 0:28:29 | 0:28:32 | |
"Trap five is a winner. | 0:28:32 | 0:28:34 | |
"Trap two is in there as a blind." | 0:28:34 | 0:28:36 | |
"Do you think so?" So they put the money on five. | 0:28:36 | 0:28:40 | |
And it goes down and two wins. | 0:28:40 | 0:28:42 | |
"What about the second race?" He says, "I tink one for this one." | 0:28:44 | 0:28:49 | |
"Right, we'll put the money on one." Your man's behind him again. | 0:28:49 | 0:28:53 | |
He says, "No, one is a terrible lame duck. | 0:28:53 | 0:28:57 | |
"He's only there as a runner. I wouldn't touch him." | 0:28:58 | 0:29:01 | |
"You said that the last time." | 0:29:01 | 0:29:02 | |
"The last time, I made a mistake, but this time, don't bet one! | 0:29:02 | 0:29:07 | |
"Put your money on six!" | 0:29:07 | 0:29:09 | |
"What do you think?" "Well, he seems to know an awful lot about it. | 0:29:10 | 0:29:14 | |
"We'd better put the money on six." | 0:29:18 | 0:29:20 | |
"He says, "Right, put the money on six," it goes down, one wins. | 0:29:20 | 0:29:24 | |
They go right through the card. They lose everything. | 0:29:24 | 0:29:28 | |
At the end of the races, "How much have you got?" | 0:29:28 | 0:29:30 | |
"I've got four bob." "God, I'm starving. | 0:29:30 | 0:29:32 | |
"Will you go and get two cheese sandwiches?" | 0:29:32 | 0:29:35 | |
He goes off, comes back with two ham sandwiches. | 0:29:35 | 0:29:38 | |
He said, "I thought you were going to get cheese." | 0:29:42 | 0:29:44 | |
He said, "I met that fella again." | 0:29:44 | 0:29:46 | |
-Morning. -Morning. | 0:29:54 | 0:29:56 | |
Morning. | 0:29:58 | 0:30:00 | |
Morning. | 0:30:00 | 0:30:01 | |
ALL OTHERS: Morning. | 0:30:01 | 0:30:03 | |
-Morning. -ALL OTHERS: Morning. | 0:30:05 | 0:30:08 | |
-Morning. -ALL OTHERS: Morning. | 0:30:08 | 0:30:10 | |
-Morning. -ALL OTHERS: Morning. | 0:30:22 | 0:30:25 | |
Morning. ALL OTHERS: Morning. | 0:30:25 | 0:30:28 | |
-Morning. -ALL: Morning. | 0:30:31 | 0:30:33 | |
AUDIENCE SIGH | 0:30:47 | 0:30:50 | |
APPLAUSE | 0:30:50 | 0:30:53 | |
People are very intolerant of each other. | 0:30:53 | 0:30:55 | |
The most amazing thing about intolerant people | 0:30:55 | 0:30:57 | |
is that they are generally animal lovers. | 0:30:57 | 0:31:00 | |
And especially in this country, we are brought up to love animals. | 0:31:00 | 0:31:04 | |
Forget about people, animals. | 0:31:04 | 0:31:06 | |
Dogs... Dogs... | 0:31:06 | 0:31:10 | |
You adore them. | 0:31:10 | 0:31:11 | |
Forget about people, dogs! | 0:31:11 | 0:31:14 | |
Dogs get away with anything. | 0:31:14 | 0:31:16 | |
You never hear of anybody saying to a dog, | 0:31:16 | 0:31:18 | |
"Wipe your feet before you come in. | 0:31:18 | 0:31:21 | |
"Don't put your feet on the couch." | 0:31:21 | 0:31:23 | |
People are always talking to dogs. | 0:31:23 | 0:31:25 | |
You hear people, intelligent people... "My baby." | 0:31:25 | 0:31:29 | |
"Who's my watchy-woogie-joogie..?" | 0:31:29 | 0:31:32 | |
Chuckle them under the... The dog's... Hmmmm, hmmm. | 0:31:33 | 0:31:39 | |
Me, I'm sitting there, going, "Me, me, me, cuddle me..." | 0:31:39 | 0:31:42 | |
"How dare you, you swine!" | 0:31:42 | 0:31:44 | |
They brush them. "Mummy's going to brush you nice... | 0:31:47 | 0:31:51 | |
"All those little bits. | 0:31:51 | 0:31:54 | |
"Mummy's got a nice steak for you that she's going to chop up | 0:31:54 | 0:31:57 | |
"so you won't wear your teeth down." | 0:31:57 | 0:32:00 | |
Husband comes home, "Where's my dinner?" | 0:32:00 | 0:32:02 | |
"In the bloody oven, if you want to go and get it, get!" | 0:32:02 | 0:32:05 | |
LAUGHTER | 0:32:05 | 0:32:08 | |
People buy dogs little rubber bones. | 0:32:08 | 0:32:11 | |
Rubber bones. For a dog. | 0:32:11 | 0:32:14 | |
He sits there and he bites it and his teeth fly up. | 0:32:14 | 0:32:17 | |
And he's so thick, he's so happy to bloody do it all day. | 0:32:21 | 0:32:24 | |
APPLAUSE | 0:32:26 | 0:32:31 | |
You walk into a house, you sit down. | 0:32:31 | 0:32:34 | |
It's always those little terriers. | 0:32:34 | 0:32:36 | |
Boom, they're on your leg. | 0:32:36 | 0:32:37 | |
And nobody says a word. They sit there with this thing on. | 0:32:43 | 0:32:47 | |
And the owner of the dog will say, | 0:32:47 | 0:32:49 | |
"That's his way of showing you that he likes you." | 0:32:49 | 0:32:51 | |
LAUGHTER | 0:32:51 | 0:32:54 | |
I actually saw a dog having the leg of a table! | 0:32:54 | 0:32:57 | |
LAUGHTER | 0:32:57 | 0:33:01 | |
And the child said to the mother, "What's he doing, Mummy?" | 0:33:01 | 0:33:05 | |
And the mother said, "He's helping Mummy polish the furniture." | 0:33:05 | 0:33:09 | |
LAUGHTER | 0:33:09 | 0:33:12 | |
You actually think of it here. | 0:33:14 | 0:33:15 | |
If any person in this audience now... | 0:33:15 | 0:33:19 | |
..suddenly wished to perform the act of love | 0:33:21 | 0:33:25 | |
with a member of the opposite sex here. | 0:33:25 | 0:33:29 | |
What the hell would happen? I wouldn't mind. | 0:33:29 | 0:33:31 | |
LAUGHTER | 0:33:31 | 0:33:33 | |
But the rest of you, you'd turn around and say, "Oh, my God, | 0:33:33 | 0:33:36 | |
"you've never seen anything so dirty in your life! | 0:33:36 | 0:33:38 | |
"I went to the studios and there's somebody screwing somebody." | 0:33:38 | 0:33:41 | |
LAUGHTER | 0:33:41 | 0:33:43 | |
But if you're an Alsatian, you'd get away with it! | 0:33:43 | 0:33:45 | |
LAUGHTER | 0:33:45 | 0:33:47 | |
APPLAUSE | 0:33:47 | 0:33:50 | |
There are two subjects that are very touchy regarding the public. | 0:33:56 | 0:34:01 | |
Dogs is one of them. | 0:34:01 | 0:34:03 | |
Religion is the other. | 0:34:03 | 0:34:05 | |
I've just done dogs. | 0:34:05 | 0:34:06 | |
LAUGHTER | 0:34:06 | 0:34:09 | |
Here comes religion. | 0:34:09 | 0:34:11 | |
LAUGHTER | 0:34:20 | 0:34:26 | |
LAUGHTER | 0:34:37 | 0:34:43 | |
HE WHISTLES | 0:34:43 | 0:34:45 | |
HYMN MUSIC PLAYS | 0:35:11 | 0:35:16 | |
LAUGHTER | 0:35:18 | 0:35:22 | |
LAUGHTER AND APPLAUSE | 0:35:32 | 0:35:38 | |
The Pope discussing the existence of God | 0:35:38 | 0:35:41 | |
with an out-and-out atheist starts off very correctly in discussion | 0:35:41 | 0:35:46 | |
and as the hours go by, it gets more and more heated | 0:35:46 | 0:35:49 | |
and eventually the Pope turns to the man and he said, "The mum, | 0:35:49 | 0:35:52 | |
"get the mum and you come here..." | 0:35:52 | 0:35:55 | |
LAUGHTER | 0:35:56 | 0:35:59 | |
"You are like a man who's totally blindfolded. | 0:35:59 | 0:36:05 | |
"In a dark room looking for a black cat that is not there." | 0:36:05 | 0:36:11 | |
The fella said, "Well, with all respect, your Holiness, | 0:36:14 | 0:36:16 | |
"I think there's a great similarity between us both." | 0:36:16 | 0:36:19 | |
He said, "What do you mean, a similarity?" | 0:36:19 | 0:36:21 | |
He said, "Well, as far as I'm concerned, | 0:36:21 | 0:36:23 | |
"YOU are like a man who is blindfolded in a totally dark room | 0:36:23 | 0:36:27 | |
"looking for a black cat that isn't there. | 0:36:27 | 0:36:29 | |
"The only difference is that you've found it." | 0:36:29 | 0:36:32 | |
LAUGHTER | 0:36:32 | 0:36:34 | |
APPLAUSE | 0:36:34 | 0:36:38 | |
But a nun gets up in the morning and leaves and walks down the corridor. | 0:36:38 | 0:36:44 | |
And another nun looks at her and says... | 0:36:44 | 0:36:46 | |
it's a difficult thing to say, "another nun." | 0:36:46 | 0:36:48 | |
LAUGHTER | 0:36:48 | 0:36:50 | |
And says, "You got out of the wrong side of the bed this morning." | 0:36:50 | 0:36:54 | |
And she goes on down and another nun says, | 0:36:57 | 0:36:59 | |
"You got out of the wrong side of the bed this morning." | 0:36:59 | 0:37:02 | |
And this happens 15 times and by then she's livid. | 0:37:02 | 0:37:05 | |
And she meets the Mother Superior. | 0:37:05 | 0:37:07 | |
And the Mother Superior's just about to open her mouth and the Sister says, | 0:37:08 | 0:37:11 | |
"Don't tell me that I got out of the wrong side of the bed this morning!" | 0:37:11 | 0:37:15 | |
And the mother Superior said, "I wasn't going to say that, | 0:37:17 | 0:37:19 | |
"I was just going to say, | 0:37:19 | 0:37:21 | |
" 'What are you doing with the Bishop's shoes on?' " | 0:37:21 | 0:37:23 | |
LAUGHTER AND APPLAUSE | 0:37:23 | 0:37:29 | |
HE GASPS | 0:37:36 | 0:37:37 | |
HE MOANS | 0:37:37 | 0:37:39 | |
HE SNEEZES | 0:37:39 | 0:37:40 | |
LAUGHTER | 0:37:47 | 0:37:49 | |
HE BURPS | 0:37:54 | 0:37:56 | |
LAUGHTER | 0:38:01 | 0:38:03 | |
LAUGHTER | 0:38:14 | 0:38:16 | |
LAUGHTER | 0:38:21 | 0:38:26 | |
MORE LAUGHTER | 0:38:30 | 0:38:33 | |
Who the BLEEP threw that? | 0:38:42 | 0:38:44 | |
APPLAUSE | 0:38:44 | 0:38:48 | |
Any job can get you down. | 0:38:52 | 0:38:54 | |
It's a story about a priest who went to the doctor and said, | 0:38:54 | 0:38:56 | |
he said, "I'm just, I'm just up to here with the job." | 0:38:56 | 0:39:00 | |
He said, "I can't concentrate on the Mass, | 0:39:00 | 0:39:03 | |
"the confessional or the poor or the elderly. I just cannot. | 0:39:03 | 0:39:09 | |
"I don't know why, what it is but I've lost all interest." | 0:39:09 | 0:39:12 | |
And the doctor said, "Well, what you want is a change. | 0:39:12 | 0:39:16 | |
"You want a complete change. A breakaway. | 0:39:16 | 0:39:19 | |
"What you want to do is take your collar off, | 0:39:19 | 0:39:21 | |
"get dressed up as a layman and just go off and do things." | 0:39:21 | 0:39:25 | |
And the priest does. | 0:39:27 | 0:39:29 | |
Four weeks later, he's in the Playboy Club in London. | 0:39:29 | 0:39:32 | |
He is on his third Scotch. | 0:39:33 | 0:39:36 | |
He's won 50 quid on the table upstairs. | 0:39:36 | 0:39:38 | |
"Wheeee!" | 0:39:38 | 0:39:40 | |
And a bunny walks over to him. | 0:39:42 | 0:39:44 | |
With big ears... | 0:39:45 | 0:39:47 | |
..a little tail... | 0:39:48 | 0:39:49 | |
LAUGHTER | 0:39:51 | 0:39:54 | |
You could land a helicopter on them. | 0:39:54 | 0:39:56 | |
LAUGHTER | 0:39:56 | 0:39:59 | |
And she says, "Hello, Father O'Rourke." | 0:40:01 | 0:40:04 | |
"You don't know me, do you?" | 0:40:09 | 0:40:10 | |
She said, "Of course I know you, don't you recognise me?" | 0:40:10 | 0:40:13 | |
He said, "No." | 0:40:13 | 0:40:14 | |
She said, "I'm Sister Bridget, we go to the same doctor." | 0:40:14 | 0:40:16 | |
LAUGHTER | 0:40:16 | 0:40:20 | |
HE CHANTS A PRAYE | 0:40:21 | 0:40:25 | |
LAUGHTER AND APPLAUSE | 0:40:27 | 0:40:33 | |
PUPPET VOICE: Gless 'e Hather, for I ha' sinned. | 0:40:46 | 0:40:50 | |
I had geen 'ery, 'ery wicked. | 0:40:50 | 0:40:53 | |
I had my way with geautiful glondes. | 0:40:53 | 0:40:56 | |
I ha' geen goozing and swearing and I am hery, hery sorry. | 0:40:57 | 0:41:04 | |
-HE SPEAKS WITH PUPPET: -You have geen a very, very... | 0:41:05 | 0:41:08 | |
SPEECH DROWNED BY LAUGHTER | 0:41:08 | 0:41:10 | |
This represents the continuum of Anglican orthodoxy... | 0:41:12 | 0:41:14 | |
MAN SNORERS | 0:41:14 | 0:41:17 | |
..which we embrace within the litany | 0:41:19 | 0:41:22 | |
and indeed the liturgical Canon... | 0:41:22 | 0:41:25 | |
of the term ultra... | 0:41:25 | 0:41:27 | |
PHWEEP! | 0:41:27 | 0:41:28 | |
LAUGHTER AND APPLAUSE | 0:41:28 | 0:41:32 | |
I am...I am what you would... | 0:41:34 | 0:41:37 | |
what you might call a practising atheist. | 0:41:37 | 0:41:40 | |
LAUGHTER | 0:41:40 | 0:41:42 | |
I'm quite happy to be an atheist | 0:41:42 | 0:41:44 | |
because I think actually God likes atheists better. | 0:41:44 | 0:41:48 | |
We never ask him for anything. | 0:41:48 | 0:41:50 | |
We're not bothering him all the time to say, "Oh, God, please help me. | 0:41:50 | 0:41:53 | |
-"I want this..." -LAUGHTER | 0:41:53 | 0:41:55 | |
And, as a practising atheist, there's certain things... | 0:41:55 | 0:41:59 | |
I travel around the world and, no matter where I go, | 0:41:59 | 0:42:01 | |
somebody called Gideon leaves me this book to read. | 0:42:01 | 0:42:04 | |
LAUGHTER | 0:42:04 | 0:42:07 | |
It's an Irish book because it said it all began at the beginning. | 0:42:07 | 0:42:11 | |
There are certain things that when I read the Bible, | 0:42:15 | 0:42:17 | |
and I do read the Bible, that I find difficult to understand. | 0:42:17 | 0:42:21 | |
If God has been there for ever, what was he doing before he got to us? | 0:42:21 | 0:42:25 | |
I mean, what was he out there doing? | 0:42:25 | 0:42:27 | |
Was he sitting there going, "Bibble-bibble-bibble"? | 0:42:27 | 0:42:29 | |
-HE YAWNS -"I'm bored today, what will I do?" | 0:42:29 | 0:42:32 | |
And then suddenly from nowhere, | 0:42:32 | 0:42:33 | |
he suddenly decided to create a world. | 0:42:33 | 0:42:35 | |
"I'll make a world. Make a world, yes, that's what I'll do." | 0:42:35 | 0:42:39 | |
Rivers. | 0:42:39 | 0:42:40 | |
Seas. | 0:42:40 | 0:42:41 | |
Mountains. | 0:42:41 | 0:42:42 | |
HE POPS AND CLICKS | 0:42:42 | 0:42:45 | |
"Whoom!" Everything is there. | 0:42:45 | 0:42:48 | |
"I want a garden. I'd like a nice garden." | 0:42:48 | 0:42:51 | |
"Whack!" Garden of Eden. | 0:42:51 | 0:42:54 | |
"I hate gardening. | 0:42:54 | 0:42:55 | |
"Need a gardener. Ah, gardener, spit and dust..." | 0:42:57 | 0:43:00 | |
Adam. Boo! | 0:43:00 | 0:43:02 | |
And he, Adam, never once says, | 0:43:02 | 0:43:06 | |
"Where in the name of God did I come from?" | 0:43:06 | 0:43:09 | |
I mean, he's 40 years of age. | 0:43:09 | 0:43:11 | |
He has no child, he has no recall. | 0:43:11 | 0:43:12 | |
He doesn't say, "How did I get here?" | 0:43:12 | 0:43:15 | |
But he's quite happy. He just kind of trundles around the garden, | 0:43:15 | 0:43:18 | |
working away, and God is looking at him... | 0:43:18 | 0:43:22 | |
and he sees that Adam was happy. | 0:43:22 | 0:43:23 | |
LAUGHTER | 0:43:25 | 0:43:27 | |
"I didn't put him there to be happy. | 0:43:35 | 0:43:38 | |
"I'll put a stop to that." | 0:43:38 | 0:43:41 | |
And God, during the night, sneaks down like a thief and steals - | 0:43:41 | 0:43:45 | |
doesn't ask, doesn't request - steals his rib. | 0:43:45 | 0:43:50 | |
And from his rib he makes woman. And Adam wakes up in the morning. | 0:43:50 | 0:43:54 | |
He's a real thicky... | 0:43:54 | 0:43:56 | |
..he's lying there and he thinks... There's somebody else. | 0:43:58 | 0:44:01 | |
He doesn't say, "Where did you come from? How the hell did you get here? | 0:44:01 | 0:44:05 | |
"Where did you get those lumps?" | 0:44:05 | 0:44:07 | |
LAUGHTER AND APPLAUSE | 0:44:12 | 0:44:15 | |
He just goes out and goes gardening. | 0:44:20 | 0:44:22 | |
And God comes down and has a conversation with Eve, | 0:44:24 | 0:44:27 | |
and tells her that she can eat of any fruit in the tree... | 0:44:27 | 0:44:30 | |
..in the whole garden, | 0:44:32 | 0:44:34 | |
with the exception of one fruit tree. | 0:44:34 | 0:44:37 | |
He's talking to a woman! | 0:44:37 | 0:44:39 | |
He actually tells her not to eat of the fruit | 0:44:43 | 0:44:46 | |
and then when she says, "Which tree can't I eat?" | 0:44:46 | 0:44:49 | |
He says, "That one over there." He points it out to her. | 0:44:49 | 0:44:52 | |
And when he goes and hides, and she sneaks up to the tree | 0:44:55 | 0:45:00 | |
and a snake comes down and has conversation. A snake. | 0:45:00 | 0:45:05 | |
Now, if I see a snake, I'll back off. | 0:45:05 | 0:45:08 | |
One starts talking, I'll crap myself. | 0:45:08 | 0:45:11 | |
LAUGHTER AND APPLAUSE | 0:45:14 | 0:45:16 | |
And the snake actually convinces her to eat the apple. | 0:45:20 | 0:45:23 | |
And she eats the apple. | 0:45:23 | 0:45:24 | |
And, when she eats the apple, she learns shame. | 0:45:24 | 0:45:27 | |
That's what happens when you eat apples. | 0:45:27 | 0:45:30 | |
She's not ashamed that she's disobeyed God, | 0:45:30 | 0:45:32 | |
or that she's eaten the apple. | 0:45:32 | 0:45:34 | |
She's ashamed of here, one part of her body, that's all. | 0:45:34 | 0:45:37 | |
She becomes ashamed of that area of the body. And why that area? | 0:45:38 | 0:45:43 | |
Why not her elbow? | 0:45:43 | 0:45:44 | |
Her nose? | 0:45:46 | 0:45:48 | |
Do you actually realise that if Eve had been ashamed of her nose, | 0:45:48 | 0:45:52 | |
every woman in the world would now be ashamed of your noses. | 0:45:52 | 0:45:55 | |
You'd all be sitting here tonight with little nose knickers on. | 0:45:55 | 0:45:59 | |
Men would be in night clubs watching totally naked ladies | 0:46:03 | 0:46:06 | |
with G-strings on their nose. | 0:46:06 | 0:46:07 | |
"Take them off! Oh, I saw a nose!" | 0:46:11 | 0:46:13 | |
And this is the book, this is the book that you'll go in to court | 0:46:17 | 0:46:20 | |
and place your hand upon. | 0:46:20 | 0:46:21 | |
And swear to tell the truth, the whole truth | 0:46:24 | 0:46:27 | |
and nothing but the truth. | 0:46:27 | 0:46:28 | |
APPLAUSE | 0:46:28 | 0:46:30 | |
# Amen. # | 0:46:33 | 0:46:35 | |
ORGAN PLAYS | 0:46:37 | 0:46:40 | |
HE MOUTHS | 0:46:50 | 0:46:52 | |
HE MOUTHS | 0:47:01 | 0:47:04 | |
HE MOUTHS | 0:47:11 | 0:47:13 | |
APPLAUSE | 0:48:05 | 0:48:08 | |
A very important part of the Irish way of life is death. | 0:48:11 | 0:48:13 | |
See, if anybody else anywhere else in the world dies, | 0:48:17 | 0:48:19 | |
that's the end of it, they're dead. But in Ireland, when somebody dies, | 0:48:19 | 0:48:23 | |
we lay them out and watch them for a couple of days. | 0:48:23 | 0:48:25 | |
It's called a wake. | 0:48:30 | 0:48:31 | |
And it's a great... It's a party, it's a send-off. | 0:48:32 | 0:48:35 | |
The fellow's laid out on the table and there's drinking and dancing | 0:48:35 | 0:48:39 | |
and all the food you can eat. | 0:48:39 | 0:48:41 | |
And all your friends come from all over the place | 0:48:41 | 0:48:44 | |
and they all stand around the wake table looking at you, | 0:48:44 | 0:48:47 | |
with a glass in their hands and they say, "Here's to your health." | 0:48:47 | 0:48:50 | |
And the terrible thing about dying over there | 0:48:53 | 0:48:55 | |
is you miss your own wake. | 0:48:55 | 0:48:57 | |
It's the best day of your life. | 0:48:59 | 0:49:01 | |
You've paid for everything and you can't join in. | 0:49:01 | 0:49:03 | |
Mind you, if you did, you'd be drinking on your own. | 0:49:05 | 0:49:08 | |
We have... | 0:49:12 | 0:49:13 | |
APPLAUSE | 0:49:13 | 0:49:15 | |
We have a custom, that the dying man is allowed one question | 0:49:15 | 0:49:20 | |
before he dies which must be answered completely truthfully. | 0:49:20 | 0:49:25 | |
Otherwise, the soul is damned. And you get a little fellow dying. | 0:49:25 | 0:49:29 | |
And he's got four sons. | 0:49:30 | 0:49:32 | |
Three of the biggest fellows you've ever seen in your life, | 0:49:32 | 0:49:35 | |
and one skinny, little, puny... nothing. | 0:49:35 | 0:49:41 | |
And he's lying there and he's going, "Mary, Mary, are you there, darling? | 0:49:42 | 0:49:48 | |
"Are you there?" She goes, "I'm here, love. | 0:49:48 | 0:49:51 | |
"I'm here beside you." | 0:49:51 | 0:49:53 | |
"I'm going. I'm going." | 0:49:53 | 0:49:57 | |
She says, "I know, don't hang about now." | 0:49:57 | 0:50:00 | |
"Mary, before I go, I'm going to ask you the question, | 0:50:06 | 0:50:09 | |
"tell me now, | 0:50:09 | 0:50:11 | |
"tell me, is that skinny little runt standing at the end of the bed... | 0:50:11 | 0:50:17 | |
"is he really my son?" | 0:50:17 | 0:50:19 | |
She says, "He is. Honest to God, he is your son." | 0:50:20 | 0:50:26 | |
And he goes... | 0:50:26 | 0:50:27 | |
And she goes, "Thank God he didn't ask about the other three." | 0:50:30 | 0:50:34 | |
If you ever go to see a fellow who is on his way out, | 0:50:38 | 0:50:41 | |
you never talk about death. You never mention it. | 0:50:41 | 0:50:44 | |
You get the fellows who are going to see a fellow who hasn't got long. | 0:50:44 | 0:50:47 | |
And the fellow says, "Don't say a word, don't mention death, | 0:50:47 | 0:50:50 | |
"or anything to do with death, he doesn't know. | 0:50:50 | 0:50:54 | |
"Don't let on. Not a word! | 0:50:54 | 0:50:57 | |
"Just be bright and cheerful and happy!" | 0:50:57 | 0:51:02 | |
They all walk into the little cottage | 0:51:02 | 0:51:03 | |
and go through the little door | 0:51:03 | 0:51:05 | |
and over to the fellow who is lying in the bed. | 0:51:05 | 0:51:07 | |
"Ah, Sean, you're looking great!" | 0:51:11 | 0:51:14 | |
"Still the life and soul of the party!" | 0:51:18 | 0:51:21 | |
"Won't be long before you're up and punching English tourists!" | 0:51:24 | 0:51:27 | |
And they spend half an hour and they talk and they chat | 0:51:31 | 0:51:34 | |
and it's all cheerful and jolly. They don't mention death. | 0:51:34 | 0:51:36 | |
And they all say, "Goodbye, now, Sean. | 0:51:36 | 0:51:39 | |
"See you again." And they all leave. | 0:51:39 | 0:51:41 | |
There's a big fellow going out the door, he's about six foot seven. | 0:51:41 | 0:51:44 | |
As he goes out through the little door | 0:51:44 | 0:51:46 | |
he cracks his head on the top and goes, "God! | 0:51:46 | 0:51:48 | |
"Oh, they'll never get a bloody coffin out of here!" | 0:51:48 | 0:51:51 | |
Dame Doris Dwight will be remembered | 0:51:54 | 0:51:57 | |
as one of the greatest ballerinas of all time. | 0:51:57 | 0:52:01 | |
And perhaps it is very fitting that she was taken from us while | 0:52:01 | 0:52:04 | |
achieving a double arabesque split during a performance of Swan Lake. | 0:52:04 | 0:52:09 | |
She will no doubt be sadly missed by us all. | 0:52:11 | 0:52:14 | |
ORGAN PLAYS MUSIC FROM SWAN LAKE | 0:52:14 | 0:52:18 | |
Well, actually, the first funeral I ever went to, and believe me, | 0:52:41 | 0:52:44 | |
this is true, I was six years of age. | 0:52:44 | 0:52:47 | |
And as they lowered the box into the ground, the priest said, | 0:52:47 | 0:52:50 | |
"In the name of the Father, Son and Holy Ghost." | 0:52:50 | 0:52:53 | |
And I, for years, used to bless myself and say, | 0:52:53 | 0:52:56 | |
"In the name of the Father, the Son and into the hole he goes" | 0:52:56 | 0:52:59 | |
And so we say farewell to Sir Humphrey Potter, | 0:53:06 | 0:53:08 | |
a man who gave his life to dogs. | 0:53:08 | 0:53:11 | |
A judge at Crufts, a creator of three new breeds of terrier | 0:53:11 | 0:53:16 | |
and a lifelong friend and student of the habits of our canine friends. | 0:53:16 | 0:53:21 | |
Let us commend his soul to the Lord. | 0:53:21 | 0:53:26 | |
Amen. | 0:53:26 | 0:53:27 | |
One final custom that we have in Ireland regarding death | 0:53:37 | 0:53:40 | |
and a funeral, is that only one person... | 0:53:40 | 0:53:45 | |
..who is buried in a graveyard can go to heaven. | 0:53:47 | 0:53:51 | |
Which basically means if two people are buried in the same graveyard | 0:53:55 | 0:53:59 | |
on the same day, the last one in has got to wait till tomorrow. | 0:53:59 | 0:54:04 | |
So can you imagine what would happen | 0:54:07 | 0:54:09 | |
if one funeral met another funeral going to the same graveyard? | 0:54:09 | 0:54:14 | |
MUSIC: "Funeral March" by Chopin | 0:54:16 | 0:54:20 | |
MUSIC SPEEDS UP | 0:54:39 | 0:54:43 | |
MUSIC SLOWS DOWN | 0:55:53 | 0:55:55 | |
APPLAUSE | 0:57:11 | 0:57:14 | |
Little fellow dies and goes to heaven. | 0:57:22 | 0:57:25 | |
And St Peter says, "Would you... Would you... | 0:57:25 | 0:57:29 | |
"Would you like to have a look around, um, heaven?" | 0:57:29 | 0:57:33 | |
And the fellow says, "Yes, I would actually." | 0:57:36 | 0:57:39 | |
So they are looking around heaven. | 0:57:39 | 0:57:40 | |
And he says, "Who are those people over there?" | 0:57:40 | 0:57:42 | |
He says, "They are the Muslims. They are Muslims. | 0:57:42 | 0:57:46 | |
"And over there we have the Jewish people. And these are Anglicans. | 0:57:46 | 0:57:51 | |
"And Hindus. Baptists." | 0:57:51 | 0:57:54 | |
He said, "Why do you have this big wall here? | 0:57:54 | 0:57:59 | |
He said, "Oh, um, behind the wall, you see, we have the Catholics." | 0:58:00 | 0:58:05 | |
"He said, why, why, why do you have the Catholics behind a wall?" | 0:58:07 | 0:58:13 | |
He said, "Ssh! | 0:58:13 | 0:58:14 | |
"They like to think that they're the only ones here!" | 0:58:14 | 0:58:17 | |
APPLAUSE | 0:58:17 | 0:58:20 | |
Good night. Thank you and may your God go with you. | 0:58:27 | 0:58:30 |