
Browse content similar to Comedy Bloopers. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Well, hello to you, and a hearty Happy Christmas. | 0:00:21 | 0:00:27 | |
Oh, I've missed you. Thrilled to be reunited. | 0:00:27 | 0:00:30 | |
I said "reunited" with a sort of weird thing then, didn't I? | 0:00:30 | 0:00:34 | |
-POSH ACCENT: -"Re-your-nited!" | 0:00:34 | 0:00:36 | |
Thank you, "Mi'w'anda." I'll take it from here. | 0:00:38 | 0:00:41 | |
Welcome to a special selection of epic fails... | 0:00:41 | 0:00:44 | |
-..fluffs.. -What? | 0:00:47 | 0:00:49 | |
-What, what, what? -What, what, what, what? -What, what, what? | 0:00:49 | 0:00:52 | |
..and funnies from the comedy archives. | 0:00:52 | 0:00:54 | |
That's mental! | 0:00:54 | 0:00:56 | |
To kick us off, a selection of scripts, meticulously learnt. | 0:00:58 | 0:01:02 | |
Oh, you're going on a date, with clown. | 0:01:04 | 0:01:09 | |
His name is Clune, mammy. Thomas Clune, not clown. | 0:01:09 | 0:01:14 | |
-I didn't finish me line. -Did you not? -No. | 0:01:14 | 0:01:16 | |
I know, I'm not wild about it, either, but don't worry, because | 0:01:19 | 0:01:23 | |
-afterwards, we're all going to.... -HE MUMBLES RAPIDLY | 0:01:23 | 0:01:27 | |
-Look, it's Lillian Stevens. -Who? | 0:01:30 | 0:01:34 | |
Well, that nice lady we met over there who you said had, erm, | 0:01:34 | 0:01:37 | |
had, was tall and had long black hair and... | 0:01:37 | 0:01:40 | |
LAUGHTER | 0:01:40 | 0:01:42 | |
It's written down! | 0:01:42 | 0:01:44 | |
If you were with me, it'd give me the confidence to face my fear. | 0:01:46 | 0:01:49 | |
Oh, no, I've got another line, haven't I? sorry. | 0:01:52 | 0:01:55 | |
The numbskulls in me brain were so busy celebrating that line | 0:01:55 | 0:01:57 | |
they forgot to carry on. | 0:01:57 | 0:01:59 | |
They were going, "PAR-TAY!". | 0:01:59 | 0:02:02 | |
Of course nice, because she's Indian. | 0:02:02 | 0:02:04 | |
-Not the Queen? -All of them, the whole Royal family - Indian. | 0:02:04 | 0:02:07 | |
But, wh-wh-wh-wh-wh... | 0:02:07 | 0:02:10 | |
LAUGHTER AND APPLAUSE | 0:02:10 | 0:02:13 | |
What language was that? | 0:02:15 | 0:02:17 | |
Indian. | 0:02:18 | 0:02:19 | |
LAUGHTER AND APPLAUSE | 0:02:19 | 0:02:22 | |
-Have you got any of those mints with a hole in? -Oh, mints with a hole in, | 0:02:22 | 0:02:25 | |
-yes, sir, yes, sir. -How big is the hole? -Eh? | 0:02:25 | 0:02:31 | |
Well, I don't want it to be too big, you see. | 0:02:31 | 0:02:34 | |
You got something to measure with, sir? | 0:02:34 | 0:02:36 | |
LAUGHTER | 0:02:36 | 0:02:39 | |
I don't care to come to a so-called dinner party to be insulted | 0:02:42 | 0:02:45 | |
by your girlfriend's freaky friends and dysfunctional family. | 0:02:45 | 0:02:48 | |
Excuse me, we are not ffff... No. | 0:02:48 | 0:02:51 | |
You are a vision. Da Vinci's Madonna and child, a, uh... | 0:02:54 | 0:02:58 | |
HE SPEAKS ITALIAN | 0:02:58 | 0:03:00 | |
Oh, Master Bill. | 0:03:00 | 0:03:03 | |
You made me forget my lines! | 0:03:03 | 0:03:06 | |
No, there's nothing else this good for ages, Toby should feel bad. | 0:03:08 | 0:03:12 | |
I'm glad we're in, You're... Oh, piddle, poo, fart, pants. | 0:03:12 | 0:03:17 | |
He got up on round nine, the count of nine. | 0:03:17 | 0:03:21 | |
He got up on the count of nine - He didn't get up at all. | 0:03:21 | 0:03:25 | |
You'd think props would be a blessing - | 0:03:27 | 0:03:29 | |
they never forget their lines, darling. | 0:03:29 | 0:03:32 | |
But unfortunately they can misbehave almost as much as an actor, | 0:03:32 | 0:03:35 | |
particularly if they haven't had a coffee, love. | 0:03:35 | 0:03:38 | |
Absolutely fine. | 0:03:39 | 0:03:40 | |
LAUGHTER AND APPLAUSE | 0:03:48 | 0:03:51 | |
Come on. | 0:04:02 | 0:04:03 | |
LAUGHTER | 0:04:07 | 0:04:10 | |
LAUGHTER | 0:04:14 | 0:04:16 | |
LAUGHTER | 0:04:19 | 0:04:22 | |
No, no, no, no, no! | 0:04:25 | 0:04:27 | |
Oh, fine. Do you know what? You win. | 0:04:29 | 0:04:32 | |
-I now declare this marriage... -Get the ring off. | 0:04:32 | 0:04:36 | |
-Oh, God. -They're swelling. | 0:04:36 | 0:04:38 | |
Can we get an actress with less chubby fingers? | 0:04:38 | 0:04:41 | |
Oh, do you know what? Fine, you win, then. | 0:04:41 | 0:04:45 | |
Oh. Sorry. | 0:04:45 | 0:04:46 | |
We've changed the ring, we're all right. | 0:04:48 | 0:04:50 | |
Luckily, somebody had a bulldog's collar and we're going to try it. | 0:04:50 | 0:04:54 | |
LAUGHTER | 0:04:54 | 0:04:56 | |
Yes! I knew it! Why did you open it? | 0:05:10 | 0:05:13 | |
-That's mental. -I can't believe it. | 0:05:13 | 0:05:16 | |
Priceless. Priceless, Joe. | 0:05:16 | 0:05:18 | |
-I don't like it, I don't like this one, Jackie. -It's horrible. | 0:05:18 | 0:05:21 | |
I'm going to rip off this catalogue and I'm going to put it in | 0:05:21 | 0:05:23 | |
-my mini desktop paper shredder with optional mains adapter. -Absolutely. | 0:05:23 | 0:05:27 | |
-Let them try and stop me. -Yes. Yes, that's a very... | 0:05:27 | 0:05:30 | |
There. | 0:05:32 | 0:05:34 | |
Unauthorised giggling can cause the comedy business up to £7,000 a year, | 0:05:37 | 0:05:42 | |
which is the equivalent to one spray tan for Anton du Beke. | 0:05:42 | 0:05:45 | |
Sad times. | 0:05:45 | 0:05:46 | |
Dermot's taking Marie off to Venice for the weekend. | 0:05:48 | 0:05:51 | |
Going to be going up and down in their gonorrhoea. | 0:05:51 | 0:05:54 | |
LAUGHTER AND APPLAUSE | 0:05:54 | 0:05:57 | |
I have to go to Iraq to rescue some hostages, | 0:06:05 | 0:06:08 | |
and I get there and they're all women, | 0:06:08 | 0:06:10 | |
-and they're naked because their clothes have all rotted away. -Sure. | 0:06:10 | 0:06:15 | |
HE LAUGHS | 0:06:15 | 0:06:17 | |
-All her clothes fall off? -Yeah. | 0:06:17 | 0:06:19 | |
They fall off onto the ground | 0:06:19 | 0:06:21 | |
and she's scrabbling to get them back on again, | 0:06:21 | 0:06:24 | |
but before she can get her knickers on... | 0:06:24 | 0:06:27 | |
HE LAUGHS | 0:06:27 | 0:06:30 | |
-I think we should lose the axe. -I like the axe. -I like my face. | 0:06:30 | 0:06:34 | |
I like your face. | 0:06:34 | 0:06:36 | |
-Let's keep the axe. -Thanks. | 0:06:36 | 0:06:38 | |
You tell them you are Mr Majinder. | 0:06:41 | 0:06:44 | |
64 years old travelling to Calcutta. | 0:06:44 | 0:06:47 | |
-SHE WHISPERS -"Do I make you horny?" | 0:06:47 | 0:06:50 | |
LAUGHTER | 0:06:50 | 0:06:52 | |
Upper frontal buttocks. | 0:06:58 | 0:07:00 | |
What? | 0:07:01 | 0:07:03 | |
-New words for br... -HE LAUGHS | 0:07:03 | 0:07:07 | |
Action! | 0:07:07 | 0:07:08 | |
Sorry. | 0:07:10 | 0:07:12 | |
Upper frontal buttocks. | 0:07:15 | 0:07:17 | |
What? | 0:07:18 | 0:07:19 | |
HE LAUGHS APPLAUSE | 0:07:19 | 0:07:22 | |
Cold as ice! | 0:07:22 | 0:07:25 | |
I walk in there, I'm Queen Bee, I'm Top of the Pops. | 0:07:25 | 0:07:29 | |
-That is brilliant. -Hang on, hang on. | 0:07:29 | 0:07:32 | |
Action! | 0:07:32 | 0:07:34 | |
-SHE SQUEALS -Yeah, I know. Julie, terrible news. | 0:07:34 | 0:07:37 | |
-What? -She's cancelled the date with Vic, Mary. | 0:07:37 | 0:07:40 | |
-But that's going to break his heart. -Yeah, I know, he'll be devastated. | 0:07:40 | 0:07:43 | |
We're both smirking there, aren't we? | 0:07:43 | 0:07:45 | |
-Julie, Julie. Terrible news. -What? | 0:07:46 | 0:07:49 | |
Mary's cancelled the date with Vic. | 0:07:49 | 0:07:51 | |
LAUGHTER | 0:07:56 | 0:07:58 | |
-Julie, terrible news. -What? | 0:07:58 | 0:08:00 | |
Mary has cancelled the date with Vic. | 0:08:00 | 0:08:03 | |
Listen, I don't want to name any names - Bernard, Geoffrey, Denise - | 0:08:10 | 0:08:15 | |
largely because it's extremely difficult. I mean, look at this lot. | 0:08:15 | 0:08:19 | |
Henderson might drop in to have a cup of tea with his provost. | 0:08:20 | 0:08:24 | |
-That'd be a happy coincidence, wouldn't it, Brian? -Oh, er...Brian? | 0:08:24 | 0:08:28 | |
LAUGHTER | 0:08:28 | 0:08:33 | |
So why didn't you just tell Mum about Lionel? | 0:08:33 | 0:08:36 | |
Because it's Eric. | 0:08:36 | 0:08:37 | |
LAUGHTER | 0:08:37 | 0:08:40 | |
I hardly think a girl of Deborah's sophistication is going to go after | 0:08:43 | 0:08:46 | |
the grand master of sleaze and his sensational pencil case. | 0:08:46 | 0:08:49 | |
I've improved my technique since then, Deborah. | 0:08:49 | 0:08:53 | |
HE LAUGHS | 0:08:53 | 0:08:55 | |
APPLAUSE | 0:08:55 | 0:08:58 | |
Acting isn't just remembering your lines, however. | 0:09:00 | 0:09:03 | |
There's a lot more to it, oh, yes! | 0:09:03 | 0:09:06 | |
You also have to remember how to walk, | 0:09:06 | 0:09:08 | |
breathe and use your opposable thumbs. | 0:09:08 | 0:09:11 | |
Yes, there was a time when things were very different. | 0:09:11 | 0:09:14 | |
-BLEEP, -wrong camera. | 0:09:19 | 0:09:21 | |
LAUGHTER AND APPLAUSE | 0:09:21 | 0:09:24 | |
Oh, you must have heard the fecking kettle boiling, did ya? | 0:09:24 | 0:09:27 | |
-Is there anything she didn't -BLEEP -kick on the way in? | 0:09:31 | 0:09:35 | |
BLEEP. | 0:09:35 | 0:09:37 | |
CLATTERING | 0:09:37 | 0:09:41 | |
"Oh, look, Winne's sneaking in." | 0:09:41 | 0:09:44 | |
He has to learn, too. | 0:09:44 | 0:09:46 | |
BANGING LAUGHTER | 0:09:46 | 0:09:48 | |
APPLAUSE | 0:09:52 | 0:09:55 | |
-Really? -PLANE PASSES OVERHEAD | 0:09:56 | 0:09:58 | |
Yes, there's a carving of you in a museum somewhere | 0:09:58 | 0:10:01 | |
with a tail between your legs. | 0:10:01 | 0:10:03 | |
-I like my idea best. -Yeah, well, you would. | 0:10:03 | 0:10:06 | |
I think it's more interesting. | 0:10:06 | 0:10:08 | |
-Toss a coin? -OK, then. | 0:10:08 | 0:10:10 | |
Now, this next song proved very popular on the continent. | 0:10:13 | 0:10:16 | |
It sounds rather good sung in French, | 0:10:16 | 0:10:18 | |
which is a shame, really, because in English it sounds ruddy awful. | 0:10:18 | 0:10:22 | |
-PIANO MUSIC STARTS -Oh, hang on. | 0:10:22 | 0:10:24 | |
APPLAUSE | 0:10:28 | 0:10:31 | |
Oh, hello, Richard. Aargh! | 0:10:31 | 0:10:33 | |
OK, folks! It's... | 0:10:39 | 0:10:42 | |
Oh! | 0:10:42 | 0:10:43 | |
There you are, Jay. | 0:10:43 | 0:10:45 | |
Here you are, Jay. | 0:10:46 | 0:10:48 | |
BLEEP. | 0:10:51 | 0:10:53 | |
Range - 15,000 gigooks and closing. | 0:10:53 | 0:10:56 | |
-Direct collision course. Suggest evasive action. -Engaging re-heat. | 0:10:56 | 0:11:00 | |
LAUGHTER | 0:11:03 | 0:11:05 | |
But if you don't come up with the other £1,854 | 0:11:11 | 0:11:15 | |
by the end of the month, we shall have to repossess your property. | 0:11:15 | 0:11:19 | |
BELL RINGS | 0:11:19 | 0:11:21 | |
HE LAUGHS | 0:11:21 | 0:11:23 | |
What my brain was thinking then was, | 0:11:23 | 0:11:26 | |
"I'll carry on despite the doorbell." | 0:11:26 | 0:11:29 | |
Sometimes, the crew gets a little jealous that the actors | 0:11:31 | 0:11:34 | |
get to do all the messing up. | 0:11:34 | 0:11:36 | |
So, now and then, they just jump in as well. | 0:11:36 | 0:11:39 | |
PHONE RINGS | 0:11:41 | 0:11:43 | |
Hello? | 0:11:43 | 0:11:45 | |
Kieran? Yes, hold on, he's here. Kieran, it's for you. | 0:11:47 | 0:11:50 | |
LAUGHTER | 0:11:50 | 0:11:53 | |
APPLAUSE | 0:11:53 | 0:11:55 | |
-DIRECTOR: -One second. One moment, please. | 0:12:01 | 0:12:04 | |
Here we go, now it's funny. | 0:12:05 | 0:12:07 | |
LAUGHTER | 0:12:07 | 0:12:09 | |
You and me! | 0:12:14 | 0:12:16 | |
SHE MOUTHS | 0:12:18 | 0:12:23 | |
INDISTINCT CHATTER | 0:12:30 | 0:12:35 | |
LAUGHTER | 0:12:36 | 0:12:39 | |
Now, we're British. You'd think that we'd be good at cueing, yeah? | 0:12:44 | 0:12:50 | |
Apparently not. | 0:12:50 | 0:12:51 | |
And action! | 0:12:53 | 0:12:55 | |
-LEE: -Did you say action? | 0:12:55 | 0:12:57 | |
LAUGHTER | 0:12:57 | 0:12:58 | |
-Did you say action? -I did. -Right. | 0:13:01 | 0:13:05 | |
How many would succumb, do you think? | 0:13:07 | 0:13:09 | |
LAUGHTER | 0:13:12 | 0:13:15 | |
Oh, you're really very fit, Howard. | 0:13:17 | 0:13:22 | |
Wait a minute! I haven't done my line, yet. | 0:13:22 | 0:13:24 | |
You did know there was something wrong. | 0:13:30 | 0:13:32 | |
You knew about his s-thumb all the time. No, his thumb. | 0:13:32 | 0:13:35 | |
LAUGHTER AND APPLAUSE | 0:13:35 | 0:13:38 | |
-It's nothing to do with me. -It's everything to do with you. | 0:13:42 | 0:13:45 | |
-It's nothing to do with... -He's... -All week she hasn't known this line, | 0:13:45 | 0:13:49 | |
-so I've been going... -LAUGHTER | 0:13:49 | 0:13:52 | |
He's been doing this. | 0:13:52 | 0:13:54 | |
Tonight he doesn't do it. | 0:13:55 | 0:13:57 | |
I didn't do it tonight. So... | 0:13:57 | 0:13:59 | |
Is Eileen Atkins free? Maggie Smith? Geraldine McEwan? | 0:14:01 | 0:14:06 | |
What you're about to see here are prime examples of a very important | 0:14:07 | 0:14:10 | |
part of the comedy making process, that we like to call: | 0:14:10 | 0:14:14 | |
Clappy board. | 0:14:17 | 0:14:18 | |
-346, take 4, A and B Cameras. -Then run out the way cos you shouldn't be | 0:14:18 | 0:14:22 | |
in this, it'd look weird. | 0:14:22 | 0:14:24 | |
-I can see you out of the corner of my eye. -RICKY: -Shall I get out? | 0:14:24 | 0:14:26 | |
-No, it's all right. It's fine. -I can go anywhere, as long as Paul | 0:14:26 | 0:14:29 | |
-can see me. Is that OK? -It's all right, I can cope with it. | 0:14:29 | 0:14:32 | |
Can you see that? Cos I'm... | 0:14:32 | 0:14:34 | |
It's fine, it's fine, really. | 0:14:34 | 0:14:36 | |
-Six -BLEEP -BAFTAs. | 0:14:39 | 0:14:41 | |
RICKY LAUGHS | 0:14:41 | 0:14:42 | |
-Three for performance, the other three for... -Shh, shut up. | 0:14:42 | 0:14:46 | |
OK, settle down, and...action. | 0:14:47 | 0:14:50 | |
BLEEP! | 0:14:52 | 0:14:54 | |
It wasn't my fault. No-one look at me. | 0:14:54 | 0:14:56 | |
Slate 14, 61, take 2. | 0:14:56 | 0:14:59 | |
-Oh, sorry. -Sorry. -Sorry. -Me again. -Sorry. -That was me. | 0:15:04 | 0:15:11 | |
WHACK! | 0:15:11 | 0:15:13 | |
LAUGHTER AND APPLAUSE | 0:15:13 | 0:15:16 | |
Be much better without the sound effects. | 0:15:18 | 0:15:21 | |
CRUNCHING SOUND EFFECT | 0:15:21 | 0:15:24 | |
There go me underpants again. | 0:15:24 | 0:15:26 | |
LAUGHTER | 0:15:26 | 0:15:29 | |
You're going to have to widen the shots, just to... | 0:15:37 | 0:15:40 | |
Just stop, just stop. | 0:15:40 | 0:15:42 | |
Well, I'm just saying. If you got 'em, you know, flaunt 'em. | 0:15:42 | 0:15:46 | |
LAUGHTER | 0:15:48 | 0:15:50 | |
What, what? | 0:15:50 | 0:15:52 | |
-And just as you... -What? -Just be careful not to mask Jo, | 0:15:56 | 0:16:01 | |
-at the very beginning. -I try not to mask Jo. | 0:16:01 | 0:16:03 | |
I couldn't help being masked, I'm so slim. | 0:16:03 | 0:16:06 | |
LAUGHTER | 0:16:06 | 0:16:09 | |
Whooooa! Try doing that, honey! | 0:16:13 | 0:16:16 | |
Pavement. Cup. Pudding. | 0:16:17 | 0:16:21 | |
It's not that difficult. | 0:16:21 | 0:16:23 | |
Sometimes all it takes is just one word. | 0:16:23 | 0:16:26 | |
Relaxed. Tense. | 0:16:28 | 0:16:31 | |
Soft. Hard. | 0:16:31 | 0:16:33 | |
-No, no. -HE LAUGHS | 0:16:33 | 0:16:35 | |
Tim Canterbury, Archbishop of Canterbury. | 0:16:41 | 0:16:45 | |
Bishop Muzorewa. | 0:16:45 | 0:16:47 | |
THEY LAUGH | 0:16:47 | 0:16:50 | |
Oh, God! | 0:16:54 | 0:16:56 | |
We've just heard that Swediss Mashage - | 0:16:59 | 0:17:01 | |
Sorry, I'll repeat that again, if I may. | 0:17:01 | 0:17:04 | |
We have just... | 0:17:04 | 0:17:06 | |
LAUGHTER | 0:17:06 | 0:17:08 | |
OK. We've just heard that Swediss Mashage Parlours Limited... | 0:17:08 | 0:17:12 | |
LAUGHTER | 0:17:12 | 0:17:16 | |
-I can't tell if I'm saying it right. -I'll give you a hand. | 0:17:16 | 0:17:20 | |
OK, I've got quite warm thinking about it. | 0:17:20 | 0:17:22 | |
LAUGHTER | 0:17:22 | 0:17:27 | |
Right. We've just heard that Swediss... | 0:17:27 | 0:17:30 | |
LAUGHTER | 0:17:30 | 0:17:33 | |
We're absolutely sick of hearing that Swedish - | 0:17:40 | 0:17:43 | |
-You said it right then. -I said it right. | 0:17:43 | 0:17:46 | |
Is that cos you're bald, is that why they call you Razor? | 0:17:46 | 0:17:49 | |
Is that cos you're bald, is that why they call you Razor? | 0:17:49 | 0:17:52 | |
-Cos you're bald? -No. | 0:17:52 | 0:17:54 | |
That's enough, isn't it? We can carry on. | 0:17:54 | 0:17:56 | |
Is that cos you're bald, is that why you're called Razor? Cos you're... | 0:17:56 | 0:17:59 | |
THEY LAUGH | 0:17:59 | 0:18:02 | |
This is madness. | 0:18:02 | 0:18:04 | |
LAUGHTER | 0:18:06 | 0:18:08 | |
I know you're not going to shoot me. | 0:18:08 | 0:18:10 | |
-Is it what? -"Madness!" | 0:18:11 | 0:18:14 | |
-How is he? -Touch and go. | 0:18:14 | 0:18:17 | |
Where was he shot? | 0:18:17 | 0:18:20 | |
Just near the bollards. | 0:18:20 | 0:18:21 | |
LAUGHTER AND APPLAUSE | 0:18:24 | 0:18:28 | |
I'm going to move out of the halls of residence. | 0:18:28 | 0:18:31 | |
-DEEP VOICE: -Nooo! | 0:18:31 | 0:18:33 | |
LAUGHTER | 0:18:33 | 0:18:35 | |
APPLAUSE | 0:18:39 | 0:18:42 | |
Comedy is easy. | 0:18:44 | 0:18:45 | |
You just have to say all the right the words all in the. | 0:18:45 | 0:18:49 | |
Oh, hang on. | 0:18:49 | 0:18:50 | |
Where am I going, Tracy? And who with, eh? | 0:18:52 | 0:18:56 | |
-I wish I knew what I was going to say next. -I can't even help you. | 0:18:56 | 0:19:00 | |
Why don't you stick around, we'll talk it after over. | 0:19:01 | 0:19:04 | |
Or...we'll talk it over after. | 0:19:04 | 0:19:07 | |
Depends how you feel, all right? | 0:19:07 | 0:19:08 | |
Why don't you stick around and we'll talk it after over. | 0:19:08 | 0:19:12 | |
LAUGHTER | 0:19:12 | 0:19:16 | |
So we are, in a minute, once you say your line. | 0:19:16 | 0:19:19 | |
Once I say the line that I've completely forgotten. | 0:19:19 | 0:19:22 | |
Mother of Jesus! | 0:19:22 | 0:19:24 | |
-Oh, I know what it is! -It doesn't matter now! | 0:19:24 | 0:19:28 | |
-It does appear that the problem lies with... -Yes? | 0:19:28 | 0:19:31 | |
BLEEP. | 0:19:33 | 0:19:35 | |
-Happy Birthday, Ritchie. -Oh, Eddie, you shouldn't have. | 0:19:37 | 0:19:40 | |
You know I don't like anyone to make a f... | 0:19:40 | 0:19:43 | |
HE SPEAKS GIBBERISH | 0:19:43 | 0:19:45 | |
LAUGHTER | 0:19:45 | 0:19:47 | |
-It's a rat. -Pigeon. -That's a rat. | 0:19:47 | 0:19:50 | |
No, no, no, it's hamster. | 0:19:50 | 0:19:52 | |
It's a rat, of course, it's a rat. You have rats in Spain, don't you? | 0:19:52 | 0:19:55 | |
Or did Franco have them all shot? | 0:19:55 | 0:19:57 | |
-No, it's pigeon. -It's a rat! | 0:19:57 | 0:20:00 | |
It's not a pigeon, it's a hamster. | 0:20:00 | 0:20:03 | |
LAUGHTER | 0:20:03 | 0:20:05 | |
Clown in the woods! | 0:20:05 | 0:20:07 | |
I don't know, we ran off. | 0:20:07 | 0:20:09 | |
-MUMBLING: -"Oh, God, do you reckon he's a psychopath?" | 0:20:12 | 0:20:16 | |
Oh, God, do you reckon he's a psychopath? | 0:20:16 | 0:20:18 | |
LAUGHTER | 0:20:18 | 0:20:22 | |
Well, don't worry. I won't leave you to do it alone. | 0:20:22 | 0:20:24 | |
That way, if they rush us, at least we won't be a dwindling minority. | 0:20:24 | 0:20:29 | |
I've no idea what I'm saying! | 0:20:29 | 0:20:32 | |
I've no idea what I'm saying. No idea... | 0:20:32 | 0:20:35 | |
Ladies, such unbearable privations. | 0:20:35 | 0:20:37 | |
-I know, and we have an, a-a-a... Oh, flipping -BLEEP BLEEP! | 0:20:37 | 0:20:42 | |
Gwen! | 0:20:42 | 0:20:44 | |
I can't do with being bundled up with too many clothes. | 0:20:44 | 0:20:47 | |
You don't seem to be any a-a-a, s-sh-sh-s... | 0:20:47 | 0:20:50 | |
LAUGHTER | 0:20:50 | 0:20:54 | |
Corn plasters, telephone money, dandruff brush, animal... | 0:20:54 | 0:20:58 | |
Nyip, nyip, nyip, nyip, nyip. | 0:21:02 | 0:21:05 | |
-Thermos, sandwiches, er... Oh, -BLEEP. | 0:21:05 | 0:21:09 | |
Corn plasters, telephone money, dandruff brush, uh... | 0:21:10 | 0:21:16 | |
animal footprint chart, and one triple-thick condom. | 0:21:16 | 0:21:21 | |
You never know. | 0:21:23 | 0:21:25 | |
-Right, let's get into the... Oh, -BLEEP. | 0:21:25 | 0:21:29 | |
Now, it's vitally important the director remembers to say, "Cut". | 0:21:31 | 0:21:34 | |
We all know what the secret of great comedy is. | 0:21:34 | 0:21:37 | |
Timing. There, got it. | 0:21:39 | 0:21:41 | |
-Are we running? -Speed. | 0:21:41 | 0:21:44 | |
LAUGHTER | 0:21:44 | 0:21:46 | |
LAUGHTER | 0:21:57 | 0:21:59 | |
Thomas. Thomas. | 0:21:59 | 0:22:03 | |
Thomas. | 0:22:03 | 0:22:04 | |
LAUGHTER | 0:22:07 | 0:22:10 | |
That's got to be enough. | 0:22:30 | 0:22:31 | |
LAUGHTER AND APPLAUSE | 0:22:31 | 0:22:35 | |
HE LAUGHS | 0:22:35 | 0:22:37 | |
Ah! | 0:22:37 | 0:22:38 | |
Ahh, ha-ha-ha. Ahhh! | 0:22:38 | 0:22:41 | |
HE LAUGHS | 0:22:41 | 0:22:43 | |
Ahh, ha-ha-ha. Ahhh! | 0:22:43 | 0:22:46 | |
HE LAUGHS | 0:22:46 | 0:22:48 | |
Ahh, ha-ha-ha. Ahhh! | 0:22:48 | 0:22:54 | |
Ahh! | 0:22:54 | 0:22:55 | |
Ahh, ha-ha-ha. Ahhh! | 0:22:55 | 0:22:59 | |
LAUGHTER | 0:22:59 | 0:23:02 | |
More fun with inanimate objects now. | 0:23:03 | 0:23:06 | |
Who's at number one, prop pickers? Hmm. | 0:23:06 | 0:23:10 | |
Here we go, then, in... | 0:23:12 | 0:23:14 | |
-three, two, one, action. -Oh! | 0:23:14 | 0:23:18 | |
LAUGHTER AND APPLAUSE | 0:23:18 | 0:23:20 | |
Have you got any cocktails? | 0:23:23 | 0:23:24 | |
LAUGHTER | 0:23:26 | 0:23:30 | |
OK, ruffle your hair now. That's it. | 0:23:30 | 0:23:32 | |
And, I just want to, like that. That's it. And, like, it's... | 0:23:32 | 0:23:35 | |
These are his bits and pieces. | 0:23:39 | 0:23:42 | |
Blimey, we're going inter... No, we're not going inter-railing. | 0:23:42 | 0:23:46 | |
The pram got jammed in the doorway and it threw me. | 0:23:46 | 0:23:50 | |
-Yeah, blame it on me. -I was worried about the safety of the child. | 0:23:50 | 0:23:53 | |
I say child...look at that horrible thing. | 0:23:53 | 0:23:56 | |
-LAUGHTER, BABY CRIES -Look at that! | 0:23:56 | 0:23:59 | |
Look at it! | 0:24:00 | 0:24:03 | |
It was never like this on Outnumbered. | 0:24:03 | 0:24:05 | |
LAUGHTER AND APPLAUSE | 0:24:05 | 0:24:08 | |
CUP SMASHES | 0:24:10 | 0:24:12 | |
-Was that filming? -Yes. | 0:24:12 | 0:24:15 | |
HE LAUGHS | 0:24:15 | 0:24:16 | |
Fantastic. Fantastic. Fantastic. | 0:24:16 | 0:24:20 | |
Huh! | 0:24:20 | 0:24:21 | |
LAUGHTER | 0:24:29 | 0:24:33 | |
APPLAUSE | 0:24:33 | 0:24:34 | |
ENGINE STALLS | 0:24:39 | 0:24:41 | |
Yet more unbelievable footage of grown adults | 0:24:44 | 0:24:48 | |
refusing to take the serious business of comedy seriously. | 0:24:48 | 0:24:52 | |
Last of the Summer Wine, take 7. | 0:24:54 | 0:24:56 | |
LAUGHTER | 0:24:56 | 0:24:59 | |
I think it looks a little odd with the jacket on. | 0:24:59 | 0:25:04 | |
Did you see that?! | 0:25:04 | 0:25:06 | |
Did you see him nod at me?! And I went... | 0:25:06 | 0:25:08 | |
HE LAUGHS | 0:25:08 | 0:25:09 | |
Brilliant. Can you concentrate for a second? | 0:25:09 | 0:25:11 | |
I think it looks a little odd with the jacket. | 0:25:11 | 0:25:14 | |
LAUGHTER | 0:25:15 | 0:25:18 | |
He owns all this land, as far as the sparshly, er... | 0:25:24 | 0:25:27 | |
He owns all this land, as far as the... What? | 0:25:27 | 0:25:30 | |
Partially sighted. | 0:25:30 | 0:25:32 | |
-He owns all this land as far as the sparsh... -BLEEP, BLEEP, BLEEP. | 0:25:32 | 0:25:36 | |
LAUGHTER | 0:25:36 | 0:25:38 | |
"He owns all this land as far as the partially sighted eye can see." | 0:25:38 | 0:25:42 | |
-He owns all this land as far as the partially sighted -BLEEP, BLEEP. | 0:25:42 | 0:25:47 | |
-Owns this land, what? Partially what? -Sighted. | 0:25:47 | 0:25:51 | |
He owns this land as far as the partially sighted eye can see. | 0:25:51 | 0:25:56 | |
We're just waiting for Miss Saunders. | 0:25:56 | 0:25:58 | |
-Er... -Something we do quite a lot. -Yeah. | 0:25:58 | 0:26:03 | |
She can be difficult! | 0:26:03 | 0:26:05 | |
She's sweet and she's fun and we're terribly grateful | 0:26:05 | 0:26:07 | |
and we love her dearly, but at this time of the evening, | 0:26:07 | 0:26:10 | |
it gets a little bit tiring and she has to have a little bit of help. | 0:26:10 | 0:26:13 | |
-A little... -SHE SNORTS | 0:26:13 | 0:26:15 | |
LAUGHTER AND APPLAUSE | 0:26:15 | 0:26:16 | |
Now, darlings, I've worked with some great, great professionals. | 0:26:16 | 0:26:21 | |
There are some actors out there that you work with | 0:26:21 | 0:26:23 | |
who really can open doors for you. | 0:26:23 | 0:26:26 | |
-I can't open the -BLEEP -door! | 0:26:28 | 0:26:30 | |
LAUGHTER | 0:26:30 | 0:26:33 | |
-Sorry, I couldn't get the -BLEEP -door. | 0:26:33 | 0:26:35 | |
LAUGHTER AND APPLAUSE | 0:26:43 | 0:26:47 | |
LAUGHTER AND APPLAUSE | 0:26:55 | 0:26:58 | |
Looks easy, doesn't it? Opening a door. | 0:27:03 | 0:27:05 | |
LAUGHTER AND APPLAUSE | 0:27:08 | 0:27:11 | |
All right, stop fussing, then. Oh, dear, look, that's proper comedy. | 0:27:14 | 0:27:19 | |
LAUGHTER | 0:27:19 | 0:27:21 | |
At last, something funny. | 0:27:21 | 0:27:23 | |
Who's locked the door? Who has locked the door? | 0:27:25 | 0:27:29 | |
LAUGHTER AND APPLAUSE | 0:27:32 | 0:27:36 | |
Right. | 0:27:38 | 0:27:39 | |
LAUGHTER | 0:27:41 | 0:27:44 | |
APPLAUSE | 0:27:44 | 0:27:48 | |
And finally, as every comedian knows, | 0:27:54 | 0:27:57 | |
if you don't know how to finish a show, just do a ruddy song. | 0:27:57 | 0:28:01 | |
Take it away. | 0:28:01 | 0:28:02 | |
Sem, any sep, hup, mm. | 0:28:03 | 0:28:06 | |
LAUGHTER | 0:28:06 | 0:28:08 | |
Is that the rap version? | 0:28:08 | 0:28:10 | |
HE TALKS GIBBERISH | 0:28:12 | 0:28:14 | |
Lar, lor, lar, lor. | 0:28:14 | 0:28:15 | |
Ooo-ooo, ee-ee-ee. | 0:28:18 | 0:28:21 | |
-Lulululu, lu. -Lulululu, lu. | 0:28:21 | 0:28:23 | |
# Listen at ya' baby and you're coming all the way... # | 0:28:23 | 0:28:27 | |
LAUGHTER | 0:28:27 | 0:28:30 |