Comedy Bloopers


Comedy Bloopers

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Transcript


LineFromTo

Well, hello to you, and a hearty Happy Christmas.

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Oh, I've missed you. Thrilled to be reunited.

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I said "reunited" with a sort of weird thing then, didn't I?

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-POSH ACCENT:

-"Re-your-nited!"

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Thank you, "Mi'w'anda." I'll take it from here.

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Welcome to a special selection of epic fails...

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-..fluffs..

-What?

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-What, what, what?

-What, what, what, what?

-What, what, what?

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..and funnies from the comedy archives.

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That's mental!

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To kick us off, a selection of scripts, meticulously learnt.

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Oh, you're going on a date, with clown.

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His name is Clune, mammy. Thomas Clune, not clown.

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-I didn't finish me line.

-Did you not?

-No.

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I know, I'm not wild about it, either, but don't worry, because

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-afterwards, we're all going to....

-HE MUMBLES RAPIDLY

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-Look, it's Lillian Stevens.

-Who?

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Well, that nice lady we met over there who you said had, erm,

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had, was tall and had long black hair and...

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LAUGHTER

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It's written down!

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If you were with me, it'd give me the confidence to face my fear.

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Oh, no, I've got another line, haven't I? sorry.

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The numbskulls in me brain were so busy celebrating that line

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they forgot to carry on.

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They were going, "PAR-TAY!".

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Of course nice, because she's Indian.

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-Not the Queen?

-All of them, the whole Royal family - Indian.

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But, wh-wh-wh-wh-wh...

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LAUGHTER AND APPLAUSE

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What language was that?

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Indian.

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LAUGHTER AND APPLAUSE

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-Have you got any of those mints with a hole in?

-Oh, mints with a hole in,

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-yes, sir, yes, sir.

-How big is the hole?

-Eh?

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Well, I don't want it to be too big, you see.

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You got something to measure with, sir?

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LAUGHTER

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I don't care to come to a so-called dinner party to be insulted

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by your girlfriend's freaky friends and dysfunctional family.

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Excuse me, we are not ffff... No.

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You are a vision. Da Vinci's Madonna and child, a, uh...

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HE SPEAKS ITALIAN

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Oh, Master Bill.

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You made me forget my lines!

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No, there's nothing else this good for ages, Toby should feel bad.

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I'm glad we're in, You're... Oh, piddle, poo, fart, pants.

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He got up on round nine, the count of nine.

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He got up on the count of nine - He didn't get up at all.

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You'd think props would be a blessing -

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they never forget their lines, darling.

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But unfortunately they can misbehave almost as much as an actor,

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particularly if they haven't had a coffee, love.

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Absolutely fine.

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LAUGHTER AND APPLAUSE

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Come on.

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LAUGHTER

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LAUGHTER

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LAUGHTER

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No, no, no, no, no!

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Oh, fine. Do you know what? You win.

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-I now declare this marriage...

-Get the ring off.

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-Oh, God.

-They're swelling.

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Can we get an actress with less chubby fingers?

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Oh, do you know what? Fine, you win, then.

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Oh. Sorry.

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We've changed the ring, we're all right.

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Luckily, somebody had a bulldog's collar and we're going to try it.

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LAUGHTER

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Yes! I knew it! Why did you open it?

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-That's mental.

-I can't believe it.

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Priceless. Priceless, Joe.

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-I don't like it, I don't like this one, Jackie.

-It's horrible.

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I'm going to rip off this catalogue and I'm going to put it in

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-my mini desktop paper shredder with optional mains adapter.

-Absolutely.

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-Let them try and stop me.

-Yes. Yes, that's a very...

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There.

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Unauthorised giggling can cause the comedy business up to £7,000 a year,

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which is the equivalent to one spray tan for Anton du Beke.

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Sad times.

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Dermot's taking Marie off to Venice for the weekend.

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Going to be going up and down in their gonorrhoea.

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LAUGHTER AND APPLAUSE

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I have to go to Iraq to rescue some hostages,

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and I get there and they're all women,

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-and they're naked because their clothes have all rotted away.

-Sure.

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HE LAUGHS

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-All her clothes fall off?

-Yeah.

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They fall off onto the ground

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and she's scrabbling to get them back on again,

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but before she can get her knickers on...

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HE LAUGHS

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-I think we should lose the axe.

-I like the axe.

-I like my face.

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I like your face.

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-Let's keep the axe.

-Thanks.

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You tell them you are Mr Majinder.

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64 years old travelling to Calcutta.

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-SHE WHISPERS

-"Do I make you horny?"

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LAUGHTER

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Upper frontal buttocks.

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What?

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-New words for br...

-HE LAUGHS

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Action!

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Sorry.

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Upper frontal buttocks.

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What?

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HE LAUGHS APPLAUSE

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Cold as ice!

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I walk in there, I'm Queen Bee, I'm Top of the Pops.

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-That is brilliant.

-Hang on, hang on.

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Action!

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-SHE SQUEALS

-Yeah, I know. Julie, terrible news.

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-What?

-She's cancelled the date with Vic, Mary.

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-But that's going to break his heart.

-Yeah, I know, he'll be devastated.

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We're both smirking there, aren't we?

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-Julie, Julie. Terrible news.

-What?

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Mary's cancelled the date with Vic.

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LAUGHTER

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-Julie, terrible news.

-What?

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Mary has cancelled the date with Vic.

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Listen, I don't want to name any names - Bernard, Geoffrey, Denise -

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largely because it's extremely difficult. I mean, look at this lot.

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Henderson might drop in to have a cup of tea with his provost.

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-That'd be a happy coincidence, wouldn't it, Brian?

-Oh, er...Brian?

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LAUGHTER

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So why didn't you just tell Mum about Lionel?

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Because it's Eric.

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LAUGHTER

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I hardly think a girl of Deborah's sophistication is going to go after

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the grand master of sleaze and his sensational pencil case.

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I've improved my technique since then, Deborah.

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HE LAUGHS

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APPLAUSE

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Acting isn't just remembering your lines, however.

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There's a lot more to it, oh, yes!

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You also have to remember how to walk,

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breathe and use your opposable thumbs.

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Yes, there was a time when things were very different.

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-BLEEP,

-wrong camera.

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LAUGHTER AND APPLAUSE

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Oh, you must have heard the fecking kettle boiling, did ya?

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-Is there anything she didn't

-BLEEP

-kick on the way in?

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BLEEP.

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CLATTERING

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"Oh, look, Winne's sneaking in."

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He has to learn, too.

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BANGING LAUGHTER

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APPLAUSE

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-Really?

-PLANE PASSES OVERHEAD

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Yes, there's a carving of you in a museum somewhere

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with a tail between your legs.

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-I like my idea best.

-Yeah, well, you would.

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I think it's more interesting.

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-Toss a coin?

-OK, then.

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Now, this next song proved very popular on the continent.

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It sounds rather good sung in French,

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which is a shame, really, because in English it sounds ruddy awful.

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-PIANO MUSIC STARTS

-Oh, hang on.

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APPLAUSE

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Oh, hello, Richard. Aargh!

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OK, folks! It's...

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Oh!

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There you are, Jay.

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Here you are, Jay.

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BLEEP.

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Range - 15,000 gigooks and closing.

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-Direct collision course. Suggest evasive action.

-Engaging re-heat.

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LAUGHTER

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But if you don't come up with the other £1,854

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by the end of the month, we shall have to repossess your property.

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BELL RINGS

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HE LAUGHS

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What my brain was thinking then was,

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"I'll carry on despite the doorbell."

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Sometimes, the crew gets a little jealous that the actors

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get to do all the messing up.

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So, now and then, they just jump in as well.

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PHONE RINGS

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Hello?

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Kieran? Yes, hold on, he's here. Kieran, it's for you.

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LAUGHTER

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APPLAUSE

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-DIRECTOR:

-One second. One moment, please.

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Here we go, now it's funny.

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LAUGHTER

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You and me!

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SHE MOUTHS

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INDISTINCT CHATTER

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LAUGHTER

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Now, we're British. You'd think that we'd be good at cueing, yeah?

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Apparently not.

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And action!

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-LEE:

-Did you say action?

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LAUGHTER

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-Did you say action?

-I did.

-Right.

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How many would succumb, do you think?

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LAUGHTER

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Oh, you're really very fit, Howard.

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Wait a minute! I haven't done my line, yet.

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You did know there was something wrong.

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You knew about his s-thumb all the time. No, his thumb.

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LAUGHTER AND APPLAUSE

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-It's nothing to do with me.

-It's everything to do with you.

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-It's nothing to do with...

-He's...

-All week she hasn't known this line,

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-so I've been going...

-LAUGHTER

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He's been doing this.

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Tonight he doesn't do it.

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I didn't do it tonight. So...

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Is Eileen Atkins free? Maggie Smith? Geraldine McEwan?

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What you're about to see here are prime examples of a very important

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part of the comedy making process, that we like to call:

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Clappy board.

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-346, take 4, A and B Cameras.

-Then run out the way cos you shouldn't be

0:14:180:14:22

in this, it'd look weird.

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-I can see you out of the corner of my eye.

-RICKY:

-Shall I get out?

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-No, it's all right. It's fine.

-I can go anywhere, as long as Paul

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-can see me. Is that OK?

-It's all right, I can cope with it.

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Can you see that? Cos I'm...

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It's fine, it's fine, really.

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-Six

-BLEEP

-BAFTAs.

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RICKY LAUGHS

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-Three for performance, the other three for...

-Shh, shut up.

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OK, settle down, and...action.

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BLEEP!

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It wasn't my fault. No-one look at me.

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Slate 14, 61, take 2.

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-Oh, sorry.

-Sorry.

-Sorry.

-Me again.

-Sorry.

-That was me.

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WHACK!

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LAUGHTER AND APPLAUSE

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Be much better without the sound effects.

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CRUNCHING SOUND EFFECT

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There go me underpants again.

0:15:240:15:26

LAUGHTER

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You're going to have to widen the shots, just to...

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Just stop, just stop.

0:15:400:15:42

Well, I'm just saying. If you got 'em, you know, flaunt 'em.

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LAUGHTER

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What, what?

0:15:500:15:52

-And just as you...

-What?

-Just be careful not to mask Jo,

0:15:560:16:01

-at the very beginning.

-I try not to mask Jo.

0:16:010:16:03

I couldn't help being masked, I'm so slim.

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LAUGHTER

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Whooooa! Try doing that, honey!

0:16:130:16:16

Pavement. Cup. Pudding.

0:16:170:16:21

It's not that difficult.

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Sometimes all it takes is just one word.

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Relaxed. Tense.

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Soft. Hard.

0:16:310:16:33

-No, no.

-HE LAUGHS

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Tim Canterbury, Archbishop of Canterbury.

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Bishop Muzorewa.

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THEY LAUGH

0:16:470:16:50

Oh, God!

0:16:540:16:56

We've just heard that Swediss Mashage -

0:16:590:17:01

Sorry, I'll repeat that again, if I may.

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We have just...

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LAUGHTER

0:17:060:17:08

OK. We've just heard that Swediss Mashage Parlours Limited...

0:17:080:17:12

LAUGHTER

0:17:120:17:16

-I can't tell if I'm saying it right.

-I'll give you a hand.

0:17:160:17:20

OK, I've got quite warm thinking about it.

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LAUGHTER

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Right. We've just heard that Swediss...

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LAUGHTER

0:17:300:17:33

We're absolutely sick of hearing that Swedish -

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-You said it right then.

-I said it right.

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Is that cos you're bald, is that why they call you Razor?

0:17:460:17:49

Is that cos you're bald, is that why they call you Razor?

0:17:490:17:52

-Cos you're bald?

-No.

0:17:520:17:54

That's enough, isn't it? We can carry on.

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Is that cos you're bald, is that why you're called Razor? Cos you're...

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THEY LAUGH

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This is madness.

0:18:020:18:04

LAUGHTER

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I know you're not going to shoot me.

0:18:080:18:10

-Is it what?

-"Madness!"

0:18:110:18:14

-How is he?

-Touch and go.

0:18:140:18:17

Where was he shot?

0:18:170:18:20

Just near the bollards.

0:18:200:18:21

LAUGHTER AND APPLAUSE

0:18:240:18:28

I'm going to move out of the halls of residence.

0:18:280:18:31

-DEEP VOICE:

-Nooo!

0:18:310:18:33

LAUGHTER

0:18:330:18:35

APPLAUSE

0:18:390:18:42

Comedy is easy.

0:18:440:18:45

You just have to say all the right the words all in the.

0:18:450:18:49

Oh, hang on.

0:18:490:18:50

Where am I going, Tracy? And who with, eh?

0:18:520:18:56

-I wish I knew what I was going to say next.

-I can't even help you.

0:18:560:19:00

Why don't you stick around, we'll talk it after over.

0:19:010:19:04

Or...we'll talk it over after.

0:19:040:19:07

Depends how you feel, all right?

0:19:070:19:08

Why don't you stick around and we'll talk it after over.

0:19:080:19:12

LAUGHTER

0:19:120:19:16

So we are, in a minute, once you say your line.

0:19:160:19:19

Once I say the line that I've completely forgotten.

0:19:190:19:22

Mother of Jesus!

0:19:220:19:24

-Oh, I know what it is!

-It doesn't matter now!

0:19:240:19:28

-It does appear that the problem lies with...

-Yes?

0:19:280:19:31

BLEEP.

0:19:330:19:35

-Happy Birthday, Ritchie.

-Oh, Eddie, you shouldn't have.

0:19:370:19:40

You know I don't like anyone to make a f...

0:19:400:19:43

HE SPEAKS GIBBERISH

0:19:430:19:45

LAUGHTER

0:19:450:19:47

-It's a rat.

-Pigeon.

-That's a rat.

0:19:470:19:50

No, no, no, it's hamster.

0:19:500:19:52

It's a rat, of course, it's a rat. You have rats in Spain, don't you?

0:19:520:19:55

Or did Franco have them all shot?

0:19:550:19:57

-No, it's pigeon.

-It's a rat!

0:19:570:20:00

It's not a pigeon, it's a hamster.

0:20:000:20:03

LAUGHTER

0:20:030:20:05

Clown in the woods!

0:20:050:20:07

I don't know, we ran off.

0:20:070:20:09

-MUMBLING:

-"Oh, God, do you reckon he's a psychopath?"

0:20:120:20:16

Oh, God, do you reckon he's a psychopath?

0:20:160:20:18

LAUGHTER

0:20:180:20:22

Well, don't worry. I won't leave you to do it alone.

0:20:220:20:24

That way, if they rush us, at least we won't be a dwindling minority.

0:20:240:20:29

I've no idea what I'm saying!

0:20:290:20:32

I've no idea what I'm saying. No idea...

0:20:320:20:35

Ladies, such unbearable privations.

0:20:350:20:37

-I know, and we have an, a-a-a... Oh, flipping

-BLEEP BLEEP!

0:20:370:20:42

Gwen!

0:20:420:20:44

I can't do with being bundled up with too many clothes.

0:20:440:20:47

You don't seem to be any a-a-a, s-sh-sh-s...

0:20:470:20:50

LAUGHTER

0:20:500:20:54

Corn plasters, telephone money, dandruff brush, animal...

0:20:540:20:58

Nyip, nyip, nyip, nyip, nyip.

0:21:020:21:05

-Thermos, sandwiches, er... Oh,

-BLEEP.

0:21:050:21:09

Corn plasters, telephone money, dandruff brush, uh...

0:21:100:21:16

animal footprint chart, and one triple-thick condom.

0:21:160:21:21

You never know.

0:21:230:21:25

-Right, let's get into the... Oh,

-BLEEP.

0:21:250:21:29

Now, it's vitally important the director remembers to say, "Cut".

0:21:310:21:34

We all know what the secret of great comedy is.

0:21:340:21:37

Timing. There, got it.

0:21:390:21:41

-Are we running?

-Speed.

0:21:410:21:44

LAUGHTER

0:21:440:21:46

LAUGHTER

0:21:570:21:59

Thomas. Thomas.

0:21:590:22:03

Thomas.

0:22:030:22:04

LAUGHTER

0:22:070:22:10

That's got to be enough.

0:22:300:22:31

LAUGHTER AND APPLAUSE

0:22:310:22:35

HE LAUGHS

0:22:350:22:37

Ah!

0:22:370:22:38

Ahh, ha-ha-ha. Ahhh!

0:22:380:22:41

HE LAUGHS

0:22:410:22:43

Ahh, ha-ha-ha. Ahhh!

0:22:430:22:46

HE LAUGHS

0:22:460:22:48

Ahh, ha-ha-ha. Ahhh!

0:22:480:22:54

Ahh!

0:22:540:22:55

Ahh, ha-ha-ha. Ahhh!

0:22:550:22:59

LAUGHTER

0:22:590:23:02

More fun with inanimate objects now.

0:23:030:23:06

Who's at number one, prop pickers? Hmm.

0:23:060:23:10

Here we go, then, in...

0:23:120:23:14

-three, two, one, action.

-Oh!

0:23:140:23:18

LAUGHTER AND APPLAUSE

0:23:180:23:20

Have you got any cocktails?

0:23:230:23:24

LAUGHTER

0:23:260:23:30

OK, ruffle your hair now. That's it.

0:23:300:23:32

And, I just want to, like that. That's it. And, like, it's...

0:23:320:23:35

These are his bits and pieces.

0:23:390:23:42

Blimey, we're going inter... No, we're not going inter-railing.

0:23:420:23:46

The pram got jammed in the doorway and it threw me.

0:23:460:23:50

-Yeah, blame it on me.

-I was worried about the safety of the child.

0:23:500:23:53

I say child...look at that horrible thing.

0:23:530:23:56

-LAUGHTER, BABY CRIES

-Look at that!

0:23:560:23:59

Look at it!

0:24:000:24:03

It was never like this on Outnumbered.

0:24:030:24:05

LAUGHTER AND APPLAUSE

0:24:050:24:08

CUP SMASHES

0:24:100:24:12

-Was that filming?

-Yes.

0:24:120:24:15

HE LAUGHS

0:24:150:24:16

Fantastic. Fantastic. Fantastic.

0:24:160:24:20

Huh!

0:24:200:24:21

LAUGHTER

0:24:290:24:33

APPLAUSE

0:24:330:24:34

ENGINE STALLS

0:24:390:24:41

Yet more unbelievable footage of grown adults

0:24:440:24:48

refusing to take the serious business of comedy seriously.

0:24:480:24:52

Last of the Summer Wine, take 7.

0:24:540:24:56

LAUGHTER

0:24:560:24:59

I think it looks a little odd with the jacket on.

0:24:590:25:04

Did you see that?!

0:25:040:25:06

Did you see him nod at me?! And I went...

0:25:060:25:08

HE LAUGHS

0:25:080:25:09

Brilliant. Can you concentrate for a second?

0:25:090:25:11

I think it looks a little odd with the jacket.

0:25:110:25:14

LAUGHTER

0:25:150:25:18

He owns all this land, as far as the sparshly, er...

0:25:240:25:27

He owns all this land, as far as the... What?

0:25:270:25:30

Partially sighted.

0:25:300:25:32

-He owns all this land as far as the sparsh...

-BLEEP, BLEEP, BLEEP.

0:25:320:25:36

LAUGHTER

0:25:360:25:38

"He owns all this land as far as the partially sighted eye can see."

0:25:380:25:42

-He owns all this land as far as the partially sighted

-BLEEP, BLEEP.

0:25:420:25:47

-Owns this land, what? Partially what?

-Sighted.

0:25:470:25:51

He owns this land as far as the partially sighted eye can see.

0:25:510:25:56

We're just waiting for Miss Saunders.

0:25:560:25:58

-Er...

-Something we do quite a lot.

-Yeah.

0:25:580:26:03

She can be difficult!

0:26:030:26:05

She's sweet and she's fun and we're terribly grateful

0:26:050:26:07

and we love her dearly, but at this time of the evening,

0:26:070:26:10

it gets a little bit tiring and she has to have a little bit of help.

0:26:100:26:13

-A little...

-SHE SNORTS

0:26:130:26:15

LAUGHTER AND APPLAUSE

0:26:150:26:16

Now, darlings, I've worked with some great, great professionals.

0:26:160:26:21

There are some actors out there that you work with

0:26:210:26:23

who really can open doors for you.

0:26:230:26:26

-I can't open the

-BLEEP

-door!

0:26:280:26:30

LAUGHTER

0:26:300:26:33

-Sorry, I couldn't get the

-BLEEP

-door.

0:26:330:26:35

LAUGHTER AND APPLAUSE

0:26:430:26:47

LAUGHTER AND APPLAUSE

0:26:550:26:58

Looks easy, doesn't it? Opening a door.

0:27:030:27:05

LAUGHTER AND APPLAUSE

0:27:080:27:11

All right, stop fussing, then. Oh, dear, look, that's proper comedy.

0:27:140:27:19

LAUGHTER

0:27:190:27:21

At last, something funny.

0:27:210:27:23

Who's locked the door? Who has locked the door?

0:27:250:27:29

LAUGHTER AND APPLAUSE

0:27:320:27:36

Right.

0:27:380:27:39

LAUGHTER

0:27:410:27:44

APPLAUSE

0:27:440:27:48

And finally, as every comedian knows,

0:27:540:27:57

if you don't know how to finish a show, just do a ruddy song.

0:27:570:28:01

Take it away.

0:28:010:28:02

Sem, any sep, hup, mm.

0:28:030:28:06

LAUGHTER

0:28:060:28:08

Is that the rap version?

0:28:080:28:10

HE TALKS GIBBERISH

0:28:120:28:14

Lar, lor, lar, lor.

0:28:140:28:15

Ooo-ooo, ee-ee-ee.

0:28:180:28:21

-Lulululu, lu.

-Lulululu, lu.

0:28:210:28:23

# Listen at ya' baby and you're coming all the way... #

0:28:230:28:27

LAUGHTER

0:28:270:28:30

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