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Ho-ho-ho, let's pick up my guests. | 0:00:02 | 0:00:04 | |
It's international megastar Dame Edna Everage, | 0:00:04 | 0:00:06 | |
reigning America's Got Talent winner Paul Zerdin, | 0:00:06 | 0:00:09 | |
Irish comedy hero Dara O Briain, | 0:00:09 | 0:00:12 | |
the legendary Sir Tom Jones, | 0:00:12 | 0:00:16 | |
singing sensation Ellie Goulding, | 0:00:16 | 0:00:18 | |
and a whole host of Christmas treats and surprises | 0:00:18 | 0:00:22 | |
tonight, on my Big Christmas Show. | 0:00:22 | 0:00:26 | |
MUSIC: Merry Christmas Everybody by Slade | 0:00:26 | 0:00:28 | |
# So here it is, merry Christmas | 0:00:30 | 0:00:33 | |
# Everybody's having fun | 0:00:33 | 0:00:37 | |
-# It's Christmas -Look to the future now | 0:00:37 | 0:00:42 | |
# It's only just begun... # | 0:00:42 | 0:00:46 | |
Ho-ho-ho-ho, ladies and gentlemen, please welcome Michael McIntyre. | 0:00:46 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:54 | |
# ..Merry Christmas Everybody's having fun | 0:00:54 | 0:00:59 | |
# Look to the future now | 0:00:59 | 0:01:03 | |
# It's only just begun... # | 0:01:03 | 0:01:10 | |
CHEERING AND APPLAUSE | 0:01:10 | 0:01:13 | |
Yes! | 0:01:13 | 0:01:15 | |
Whoa! | 0:01:15 | 0:01:17 | |
HE LAUGHS | 0:01:17 | 0:01:20 | |
Oh, ladies and gentlemen, | 0:01:20 | 0:01:23 | |
welcome to Michael McIntyre's Big Christmas Show. | 0:01:23 | 0:01:28 | |
CHEERING AND APPLAUSE | 0:01:28 | 0:01:30 | |
Thank you so much. | 0:01:31 | 0:01:33 | |
Thank you for coming. Now, is everybody OK? | 0:01:35 | 0:01:37 | |
There are so many layers of people. | 0:01:37 | 0:01:39 | |
Are you OK at the top, everybody up there? | 0:01:39 | 0:01:41 | |
CHEERING | 0:01:41 | 0:01:42 | |
Very good. You there? The next one? | 0:01:42 | 0:01:45 | |
Yes, what about you guys? Come on! | 0:01:45 | 0:01:48 | |
Look at you! | 0:01:49 | 0:01:51 | |
Feeling that. | 0:01:51 | 0:01:53 | |
So, this show, | 0:01:53 | 0:01:55 | |
ladies and gentlemen, is going out on Christmas Day itself. | 0:01:55 | 0:01:58 | |
Christmas Day! | 0:01:58 | 0:02:00 | |
Yes. There's such a magic, isn't there, to that day. | 0:02:00 | 0:02:04 | |
It's very different doing a Christmas show leading up to Christmas, | 0:02:04 | 0:02:07 | |
as opposed to doing it on Christmas Day. | 0:02:07 | 0:02:09 | |
It's such a special, magical day, there's such a build-up to it | 0:02:09 | 0:02:12 | |
that, when you're in it, you can't even believe that you're in it. | 0:02:12 | 0:02:16 | |
You know, you open the curtains and you're like, "That's my road..." | 0:02:16 | 0:02:20 | |
LAUGHTER | 0:02:20 | 0:02:21 | |
"..on Christmas Day!" | 0:02:23 | 0:02:25 | |
Sometimes you see other people. | 0:02:26 | 0:02:27 | |
"Look at that man walking his dog...on Christmas Day!" | 0:02:27 | 0:02:31 | |
"I'm having my morning pee... | 0:02:33 | 0:02:36 | |
"on Christmas Day!" | 0:02:36 | 0:02:38 | |
Some of you, you visit relatives, you see other people | 0:02:39 | 0:02:42 | |
in their cars. You look at them at the traffic lights, "Look at them... | 0:02:42 | 0:02:45 | |
"on Christmas Day!" | 0:02:45 | 0:02:47 | |
"There's an aeroplane in the sky... | 0:02:47 | 0:02:50 | |
"on Christmas Day!" | 0:02:50 | 0:02:52 | |
This goes through the whole day, | 0:02:52 | 0:02:54 | |
until you go to bed, when you're just drifting off to sleep going, | 0:02:54 | 0:02:57 | |
"That's the end... | 0:02:57 | 0:02:58 | |
"of Christmas Day!" | 0:02:58 | 0:03:00 | |
And then all the magic completely disappears overnight. | 0:03:00 | 0:03:04 | |
And the next day you're just walking along going, | 0:03:04 | 0:03:06 | |
"I'm going for a walk... | 0:03:06 | 0:03:08 | |
"on Boxing Day." | 0:03:08 | 0:03:09 | |
It's gone. The magic has gone! | 0:03:12 | 0:03:16 | |
And then, quite frankly, | 0:03:18 | 0:03:21 | |
you are into the strangest six days of the whole year. | 0:03:21 | 0:03:26 | |
It is six days, between Christmas Day | 0:03:26 | 0:03:29 | |
and New Year's, where nobody quite knows what's going on, who they are, | 0:03:29 | 0:03:33 | |
you don't even know what day it is. | 0:03:33 | 0:03:35 | |
We get so confused by... They've started to change... The days | 0:03:35 | 0:03:38 | |
aren't called Monday, Tuesday, Wednesday. Now they're called, | 0:03:38 | 0:03:41 | |
you know, Boxing Day, Christmas Eve, so you lose track of it. | 0:03:41 | 0:03:44 | |
And you're so full and hungover as well. | 0:03:44 | 0:03:46 | |
People are just wandering around in a daze. | 0:03:46 | 0:03:49 | |
"What day is it? I don't even know what day it is. | 0:03:49 | 0:03:52 | |
"Are the shops open? Do the shops open? | 0:03:52 | 0:03:55 | |
"Have the sales started? I don't know what day it is. | 0:03:55 | 0:03:58 | |
"Shall I start my diet today? Do I start it today? | 0:03:58 | 0:04:02 | |
"Is there post today? Does the post come back? | 0:04:02 | 0:04:05 | |
"Can I park here today? What day is it? | 0:04:05 | 0:04:08 | |
"Can I park here? | 0:04:08 | 0:04:09 | |
"When do the bins get taken away? | 0:04:11 | 0:04:13 | |
"I've never had more rubbish in my life. | 0:04:14 | 0:04:17 | |
"Can I eat this bit of the turkey or is the turkey finished? | 0:04:17 | 0:04:20 | |
"Can I have this bit of the turkey? | 0:04:20 | 0:04:22 | |
"What time is Chitty Chitty Bang Bang on?" | 0:04:22 | 0:04:25 | |
Nobody knows what they're doing. | 0:04:26 | 0:04:28 | |
Also, all the stuff that you get for Christmas, what happens to it? | 0:04:28 | 0:04:32 | |
I know we get big presents and it's exciting, | 0:04:32 | 0:04:35 | |
but there are certain things that I don't remember throwing away | 0:04:35 | 0:04:38 | |
but I never see them again after Christmas Day. | 0:04:38 | 0:04:41 | |
Everything I or anyone in my family has ever won in a cracker, | 0:04:41 | 0:04:45 | |
where is it? | 0:04:45 | 0:04:47 | |
Where does it go? | 0:04:49 | 0:04:51 | |
I have no recollection of binning it, but I've never had anybody... | 0:04:51 | 0:04:54 | |
Nobody has experienced somebody at any stage of the year just saying | 0:04:54 | 0:04:58 | |
anything along the lines of, "Does anyone fancy a game of mini cards? | 0:04:58 | 0:05:01 | |
"Mini cards? | 0:05:01 | 0:05:02 | |
"I find the full-sized deck a little bit overwhelming. | 0:05:02 | 0:05:05 | |
"Can we just play with the tiny cards? | 0:05:05 | 0:05:08 | |
"I'm almost at my baggage allowance | 0:05:08 | 0:05:10 | |
"so I've brought my miniature cards that I won at Christmas. | 0:05:10 | 0:05:13 | |
"Why measure the whole carpet when we can measure this section | 0:05:13 | 0:05:16 | |
"and guess the rest | 0:05:16 | 0:05:17 | |
"with my mini tape measure I won at Christmas? | 0:05:17 | 0:05:20 | |
"Does anyone have the tiniest amount of sewing I can attend to? | 0:05:21 | 0:05:25 | |
"Not a lot of sewing. | 0:05:25 | 0:05:26 | |
"Not a rip or a tear, just a fray. | 0:05:26 | 0:05:29 | |
"So anyway, how are you? | 0:05:30 | 0:05:32 | |
"Let me consult my mini coloured curly fish. | 0:05:32 | 0:05:34 | |
"Look, it's curling up at the sides. | 0:05:36 | 0:05:38 | |
"I'm jealous." | 0:05:38 | 0:05:40 | |
So, I want to tell you, we're in for an absolutely sensational | 0:05:48 | 0:05:52 | |
night's entertainment tonight. Are you up for that? | 0:05:52 | 0:05:54 | |
CHEERING | 0:05:54 | 0:05:57 | |
It's so lovely to be here amongst you. It's such a beautiful theatre | 0:05:57 | 0:06:01 | |
and, I've got to be honest, there is, as you well know, a... | 0:06:01 | 0:06:05 | |
HE GASPS There's a royal box. | 0:06:05 | 0:06:07 | |
And just for fun, I thought I would write to Buckingham Palace and | 0:06:07 | 0:06:11 | |
ask if there was any chance that the Queen herself could attend tonight. | 0:06:11 | 0:06:14 | |
If you don't ask, you don't get. | 0:06:14 | 0:06:16 | |
Well, I did ask...and I didn't get. | 0:06:16 | 0:06:19 | |
But amazingly, amazingly, I got a reply. | 0:06:19 | 0:06:22 | |
I actually got a reply from Buckingham Palace, | 0:06:22 | 0:06:24 | |
so I thought I'd read this out for you. | 0:06:24 | 0:06:26 | |
Here we go. By Royal Appointment. | 0:06:26 | 0:06:29 | |
AUDIENCE: Ooh... | 0:06:29 | 0:06:31 | |
"Dear Michael, thank you so much for your kind invitation, | 0:06:31 | 0:06:35 | |
"but Her Majesty has an engagement of national importance | 0:06:35 | 0:06:39 | |
"that she simply must attend. | 0:06:39 | 0:06:41 | |
"However..." | 0:06:41 | 0:06:43 | |
AUDIENCE: Ooh... | 0:06:43 | 0:06:45 | |
"..Prince Philip is a huge admirer of Michael McIntyre, | 0:06:45 | 0:06:48 | |
"and indeed of Chinese comedy in general." | 0:06:48 | 0:06:51 | |
LAUGHTER AND APPLAUSE | 0:06:51 | 0:06:53 | |
"Therefore we have arranged to send the only other equally high-ranking | 0:06:59 | 0:07:04 | |
"dignitary in the world to stand in for the Queen on this occasion." | 0:07:04 | 0:07:10 | |
Ladies and gentlemen, | 0:07:10 | 0:07:12 | |
what an absolute privilege it is to welcome... | 0:07:12 | 0:07:16 | |
FANFARE PLAYS | 0:07:16 | 0:07:18 | |
It's Dame Edna! | 0:07:18 | 0:07:20 | |
Oh, dear. | 0:07:25 | 0:07:27 | |
Merry, merry Christmas, possums. | 0:07:29 | 0:07:33 | |
Oh, Michael, you are deservedly popular, darling. | 0:07:33 | 0:07:37 | |
-Thank you. -You really, really are. | 0:07:37 | 0:07:39 | |
The Queen sends her apologies. She couldn't be here tonight | 0:07:39 | 0:07:43 | |
and the reason is that she actually didn't want to be here tonight. | 0:07:43 | 0:07:47 | |
She said... She said, "Wild horses won't drag me to that show, Edna." | 0:07:47 | 0:07:53 | |
She's a big fan of Michaels - Michael Flatley, | 0:07:55 | 0:07:58 | |
Michael Yorke, Michael Jackson, Michael Caine, | 0:07:58 | 0:08:02 | |
Princess Michael of Kent, Michaelmas. | 0:08:02 | 0:08:06 | |
But she doesn't... | 0:08:08 | 0:08:10 | |
She's actually never heard of YOU, Michael. | 0:08:10 | 0:08:13 | |
She hasn't, I'm afraid. | 0:08:13 | 0:08:15 | |
AUDIENCE: Aww... | 0:08:15 | 0:08:17 | |
I know! | 0:08:17 | 0:08:18 | |
To me, you are all those Michaels rolled into one, | 0:08:18 | 0:08:23 | |
and when I say rolled, I mean ROLLED. | 0:08:23 | 0:08:26 | |
I do. | 0:08:29 | 0:08:31 | |
-What?! -No. | 0:08:31 | 0:08:32 | |
There's a beautiful atmosphere here tonight, and I'm in the royal box. | 0:08:34 | 0:08:38 | |
-You've never been here, have you? -I haven't. -Why would you? | 0:08:38 | 0:08:41 | |
I mean, under what circumstances would you be here? | 0:08:41 | 0:08:45 | |
Those Corgis have been here. | 0:08:45 | 0:08:47 | |
There's been an orgi of Corgis here. | 0:08:49 | 0:08:51 | |
-Look at that, Michael. -Urgh! -Disgusting! | 0:08:52 | 0:08:55 | |
No! | 0:08:55 | 0:08:56 | |
OK, Dame Edna, do you mind if I start the show? | 0:09:01 | 0:09:04 | |
You may, darling. Please be my guest, and I'll sit here on the | 0:09:04 | 0:09:09 | |
royal throne, which has a reclining facility. | 0:09:09 | 0:09:12 | |
The Queen likes to have a little snooze | 0:09:13 | 0:09:15 | |
during those Royal Command Performances. | 0:09:15 | 0:09:18 | |
But wake me up if there's anything entertaining. | 0:09:18 | 0:09:21 | |
Bye! | 0:09:23 | 0:09:24 | |
SHE LAUGHS | 0:09:24 | 0:09:26 | |
What an absolute treat tonight, Dame Edna's with us. | 0:09:28 | 0:09:31 | |
OK, so, Christmas is all about fun and games, and a little game | 0:09:34 | 0:09:39 | |
that some of you may know that I like to play is called Send To All. | 0:09:39 | 0:09:45 | |
I have to say, this game is always hilarious, | 0:09:47 | 0:09:49 | |
and we're going to play it tonight. | 0:09:49 | 0:09:51 | |
Basically, I need someone in the audience with a mobile telephone | 0:09:51 | 0:09:54 | |
and a sense of humour. | 0:09:54 | 0:09:56 | |
I'm going to send a message of my choosing | 0:09:56 | 0:09:59 | |
to every one of their contacts | 0:09:59 | 0:10:00 | |
in their phone, just so you know what you're getting yourself into, | 0:10:00 | 0:10:03 | |
and we'll see throughout the show what replies we get. | 0:10:03 | 0:10:07 | |
So, who here is up for it? | 0:10:07 | 0:10:09 | |
Who wants to play Send To All tonight? | 0:10:09 | 0:10:11 | |
If you just put your hand up... | 0:10:11 | 0:10:13 | |
Some people are putting other people's hands up. | 0:10:13 | 0:10:16 | |
Um, you are up for it. This is good. | 0:10:16 | 0:10:18 | |
All right, I'm coming in, I'm coming down. I'm coming down. | 0:10:18 | 0:10:22 | |
-What's your name, my friend? -Dan. -Dan? -Yeah. | 0:10:22 | 0:10:26 | |
-Dan, so, you're up for a laugh? -Yeah. | 0:10:26 | 0:10:27 | |
What do you do for a living, Dan? | 0:10:27 | 0:10:29 | |
Business development in a 24-hour call centre. | 0:10:29 | 0:10:32 | |
-Business development in a 24-hour call centre? -Yeah. | 0:10:35 | 0:10:38 | |
This basically means you're unemployed | 0:10:38 | 0:10:40 | |
and you're waiting for the phone to ring. | 0:10:40 | 0:10:42 | |
You're trying to develop your own business in what you're | 0:10:44 | 0:10:48 | |
calling your 24-hour call centre. | 0:10:48 | 0:10:51 | |
"Welcome to my home or, as I like to call it, my 24-hour call centre." | 0:10:51 | 0:10:56 | |
All right. Maybe we shouldn't ring out on your phone that you're | 0:10:57 | 0:11:00 | |
-waiting to ring. What's your name? -Ben. | 0:11:00 | 0:11:02 | |
Ben? What do you do for a living, Ben? | 0:11:02 | 0:11:04 | |
I'm a team leader of a sales company, basically. | 0:11:04 | 0:11:07 | |
-Team leader? -Really. -Round of applause - team leader. | 0:11:07 | 0:11:10 | |
Yeah. | 0:11:10 | 0:11:11 | |
Ben, how many people are you leading, Ben? | 0:11:14 | 0:11:17 | |
At the moment, there's about five or six. | 0:11:17 | 0:11:19 | |
-Five or six? Yeah, about five or six? -About five... | 0:11:19 | 0:11:21 | |
You haven't decided whether one of these people is a person? | 0:11:21 | 0:11:25 | |
You would know if it was five or... You're leading... | 0:11:25 | 0:11:28 | |
You're a leader of these people, Ben. | 0:11:28 | 0:11:30 | |
Every time you come in, "Is it five or six? | 0:11:30 | 0:11:32 | |
"I don't know. How many people am I leading?" | 0:11:32 | 0:11:34 | |
All right, Ben, I'll take your phone. | 0:11:34 | 0:11:36 | |
You're an amazing sport, thank you so much. | 0:11:36 | 0:11:38 | |
Thank you so much for coming. All right. | 0:11:38 | 0:11:41 | |
Ben - he leads five or six people. | 0:11:41 | 0:11:43 | |
Um, really, you're a very good sport, Ben. | 0:11:45 | 0:11:48 | |
Oh, good, there's no code or anything. | 0:11:48 | 0:11:50 | |
I'm just going to hand this phone | 0:11:50 | 0:11:52 | |
to my team, who are going to work their Christmas magic to | 0:11:52 | 0:11:54 | |
enable the phone to send to all. It needs an app, basically. | 0:11:54 | 0:11:57 | |
Hello. Thank you. Good one. | 0:11:57 | 0:11:59 | |
You can tell so much, can't you, Ben, about somebody from their phone. | 0:11:59 | 0:12:04 | |
Wouldn't it be fun, I thought, for the whole audience, | 0:12:04 | 0:12:08 | |
and excruciatingly embarrassing for Ben, | 0:12:08 | 0:12:11 | |
if we could all see what's on his phone? | 0:12:11 | 0:12:14 | |
If only there were some kind of a device that would enable... | 0:12:18 | 0:12:22 | |
CHEERING AND APPLAUSE | 0:12:22 | 0:12:24 | |
..that situation. | 0:12:24 | 0:12:26 | |
Oh... Oh! | 0:12:28 | 0:12:30 | |
What's this? | 0:12:30 | 0:12:32 | |
OK, Ben, so this... It's a bit of a look into the future, really. | 0:12:34 | 0:12:38 | |
This is actually the iPhone 18. | 0:12:38 | 0:12:41 | |
The way things are going, this is how we're going to be behaving. | 0:12:45 | 0:12:47 | |
"Yeah, I've just picked up the new iPhone, it's amazing, yeah. | 0:12:47 | 0:12:50 | |
"No, there was, like, massive queues but it's huge, | 0:12:50 | 0:12:53 | |
"it's absolutely huge. I actually like it. | 0:12:53 | 0:12:55 | |
"It doesn't fit in my pocket but I actually like it, yeah." | 0:12:55 | 0:12:59 | |
OK, so let's get Ben's phone, and we're going to try | 0:12:59 | 0:13:02 | |
and work some magic. Thank you very much. | 0:13:02 | 0:13:04 | |
So, basically, I'm going to press a button here | 0:13:04 | 0:13:07 | |
and with a little bit, a huge dollop of luck, this might pop up now. | 0:13:07 | 0:13:13 | |
CHEERING AND APPLAUSE | 0:13:13 | 0:13:16 | |
Oh, Ben! Oh, Ben! This is your life, Ben. | 0:13:19 | 0:13:25 | |
This is it, this is what goes on. What have we got here, then? | 0:13:25 | 0:13:30 | |
Oh. | 0:13:30 | 0:13:31 | |
PEOPLE SHOUT OUT | 0:13:31 | 0:13:33 | |
What are you shouting? Tinder? | 0:13:33 | 0:13:36 | |
Is there Tinder there? | 0:13:36 | 0:13:38 | |
Oh, there is. | 0:13:38 | 0:13:40 | |
I don't know how to work Tinder. | 0:13:40 | 0:13:41 | |
I don't know how to work it. | 0:13:43 | 0:13:45 | |
MICHAEL SCREAMS | 0:13:45 | 0:13:47 | |
How do you do it? What do I do? | 0:13:49 | 0:13:51 | |
It's just your head pulsating. | 0:13:51 | 0:13:53 | |
Ben, are you in... Are you in a... | 0:13:55 | 0:13:58 | |
No, someone's behind there going, "No. No." | 0:13:58 | 0:14:01 | |
-Ben, are you in a relationship? -No. | 0:14:02 | 0:14:04 | |
You're not in a relationship? OK. | 0:14:04 | 0:14:06 | |
Let's have a look at your photos. How do you get into photos? | 0:14:06 | 0:14:10 | |
Where are the photos? Photos! There it is. Argh! | 0:14:12 | 0:14:16 | |
Whoa. | 0:14:17 | 0:14:18 | |
"Last beers before he ruins his life." | 0:14:18 | 0:14:21 | |
This is fun. You're a bit of a party animal, I like this. | 0:14:24 | 0:14:27 | |
Oh, is that... Is he getting married, or something? | 0:14:27 | 0:14:29 | |
-Yeah, he's... -Yeah, that's nice and supportive(!) | 0:14:29 | 0:14:33 | |
This is a gig you went to from a distance? | 0:14:34 | 0:14:37 | |
This is just a view of a field. | 0:14:37 | 0:14:39 | |
Oh, this is nice, this is, it's the Thames. | 0:14:40 | 0:14:43 | |
Oh, my God, are you chasing this person? | 0:14:43 | 0:14:46 | |
Oh, goodness, what's happening? | 0:14:50 | 0:14:52 | |
LAUGHTER AND CHEERING | 0:14:52 | 0:14:53 | |
# Risin' up Back on the streets | 0:15:19 | 0:15:22 | |
# I took my time, took my chances | 0:15:22 | 0:15:26 | |
# It's the EYE of the tiger | 0:15:26 | 0:15:28 | |
# It's the thrill of the fight | 0:15:28 | 0:15:31 | |
# As he gets to the challenge of his rivals | 0:15:31 | 0:15:35 | |
# And the last known survivor is dead in the night | 0:15:35 | 0:15:38 | |
# Ne-ne-na-na-na-na-na-agh-agh | 0:15:38 | 0:15:42 | |
# Of the tiger. # | 0:15:42 | 0:15:45 | |
Oh, my God, what's going on now? | 0:15:49 | 0:15:51 | |
Now you're going into outer space... | 0:15:51 | 0:15:53 | |
..where you've been violently attacked. | 0:15:55 | 0:15:58 | |
Oh, yes, this is good. | 0:15:58 | 0:16:00 | |
I like a man who takes a photo of a Sunday roast. | 0:16:00 | 0:16:03 | |
"Let's have it. Lots of 'tatoes, get it in. | 0:16:03 | 0:16:06 | |
"I've had a busy day, went to the moon, | 0:16:06 | 0:16:09 | |
"did a couple of naked selfies, now let's get the carbs in." | 0:16:09 | 0:16:13 | |
All right, I'm so sorry but this is too funny. | 0:16:13 | 0:16:16 | |
What on earth is going on there? | 0:16:18 | 0:16:20 | |
PEOPLE SHOUT OUT | 0:16:20 | 0:16:22 | |
If that was your Tinder profile, | 0:16:34 | 0:16:37 | |
can you imagine the kind of responses you'd get? | 0:16:37 | 0:16:41 | |
What is that on your face? | 0:16:41 | 0:16:42 | |
Is that part of Halloween or something? | 0:16:42 | 0:16:44 | |
Yeah, the morning after Halloween. | 0:16:44 | 0:16:46 | |
The morning after Halloween. All right, brilliant. | 0:16:46 | 0:16:48 | |
Let's play Send To All. What an amazing sport Ben is. | 0:16:48 | 0:16:51 | |
Let's send this message now. What do I... Messages, OK, | 0:16:55 | 0:16:58 | |
here we go. All right. | 0:16:58 | 0:16:59 | |
The text we're going to send, Ben, to everybody on your phone is, | 0:16:59 | 0:17:03 | |
"Would you like... | 0:17:03 | 0:17:07 | |
"to come round | 0:17:07 | 0:17:11 | |
"on Christmas Day?" | 0:17:11 | 0:17:14 | |
MICHAEL CHUCKLES | 0:17:16 | 0:17:18 | |
"Need to know NOW... | 0:17:20 | 0:17:25 | |
"..as I'm about to | 0:17:27 | 0:17:31 | |
"order the turkey. | 0:17:31 | 0:17:35 | |
"Hope you can make it. The more, the merrier". Let's really put this. | 0:17:37 | 0:17:41 | |
Right, OK, maybe we should... Oh, look, do you use these? | 0:17:42 | 0:17:46 | |
Recent...frequently used. OK. | 0:17:46 | 0:17:48 | |
Turkey, I'm just going to put turkey. Yeah? All right. | 0:17:48 | 0:17:51 | |
Now, apparently, all I do is I press this, | 0:17:51 | 0:17:54 | |
and then it comes up, "send to all", and... Shall we send it? | 0:17:54 | 0:17:57 | |
CHEERING | 0:17:57 | 0:18:00 | |
Shall we send it, Ben? | 0:18:00 | 0:18:03 | |
Too late! OK. | 0:18:03 | 0:18:04 | |
That is...gone! | 0:18:04 | 0:18:08 | |
Oh, thank you so much, Ben. | 0:18:09 | 0:18:11 | |
All right. We will catch up on all your Christmas Day RSVPs | 0:18:13 | 0:18:17 | |
later in the show. OK. | 0:18:17 | 0:18:19 | |
I'm so excited about my next act. | 0:18:19 | 0:18:22 | |
She is a Brit-Award-winning, | 0:18:22 | 0:18:25 | |
multimillion-album-selling pop sensation. | 0:18:25 | 0:18:28 | |
I love this girl, and I'm so pleased that she's on my show, | 0:18:28 | 0:18:31 | |
what an honour, the magnificent Ellie Goulding is here. | 0:18:31 | 0:18:35 | |
CHEERING AND APPLAUSE | 0:18:35 | 0:18:38 | |
MUSIC: O Holy Night | 0:18:42 | 0:18:44 | |
# O holy night | 0:18:48 | 0:18:51 | |
# The stars are brightly shining | 0:18:51 | 0:18:55 | |
# It is the night of our dear Saviour's birth | 0:18:55 | 0:19:02 | |
# Long lay the world in sin and error pining | 0:19:03 | 0:19:11 | |
# Till he appears and my soul felt its worth | 0:19:11 | 0:19:17 | |
# A thrill of hope The weary world rejoices | 0:19:18 | 0:19:25 | |
# From yonder breaks a new and glorious morn | 0:19:25 | 0:19:32 | |
# Fall on your knees | 0:19:32 | 0:19:38 | |
# O hear the angel voices | 0:19:38 | 0:19:45 | |
# O night divine | 0:19:45 | 0:19:52 | |
# The night when Christ was born | 0:19:52 | 0:19:57 | |
# When Christ was born | 0:19:59 | 0:20:02 | |
# When Christ was born. # | 0:20:02 | 0:20:04 | |
CHEERING AND APPLAUSE | 0:20:04 | 0:20:07 | |
MUSIC: Army | 0:20:07 | 0:20:09 | |
# I know that I've been messed up | 0:20:12 | 0:20:13 | |
# You never let me give up | 0:20:13 | 0:20:15 | |
# All the nights and the fights | 0:20:15 | 0:20:16 | |
# And the blood and the break-ups | 0:20:16 | 0:20:18 | |
# You're always there to call up | 0:20:18 | 0:20:21 | |
# I'm a pain, I'm a child I'm afraid | 0:20:21 | 0:20:24 | |
# But yet you understand | 0:20:24 | 0:20:26 | |
# Yeah, like no-one can | 0:20:26 | 0:20:28 | |
# I know that we don't look like much | 0:20:28 | 0:20:32 | |
# But no-one screws it up like us | 0:20:32 | 0:20:34 | |
# Sixteen and you never even judged me | 0:20:34 | 0:20:37 | |
# Matter of fact, always thought you were too cool for me | 0:20:37 | 0:20:41 | |
# Sitting there in the caravan | 0:20:41 | 0:20:43 | |
# All the nights we've been drunk on the floor | 0:20:43 | 0:20:46 | |
# And yet you understand | 0:20:46 | 0:20:48 | |
# Yeah, like no-one can | 0:20:48 | 0:20:50 | |
# We both know what they say about us | 0:20:50 | 0:20:53 | |
# But they don't stand a chance because | 0:20:53 | 0:20:56 | |
-# When I'm with you -When I'm with you | 0:20:56 | 0:20:59 | |
-# When I'm with you -When I'm with you | 0:20:59 | 0:21:02 | |
# I'm standing with an army I'm standing with an army | 0:21:02 | 0:21:06 | |
-# When I'm with you -When I'm with you | 0:21:06 | 0:21:10 | |
-# When I'm with you -When I'm with you | 0:21:10 | 0:21:13 | |
# I'm standing with an army | 0:21:13 | 0:21:16 | |
# I'm standing with an army | 0:21:16 | 0:21:19 | |
# Standing with an army | 0:21:19 | 0:21:21 | |
# Standing with an army | 0:21:21 | 0:21:24 | |
# Standing with an army | 0:21:24 | 0:21:27 | |
# Standing with an army | 0:21:27 | 0:21:29 | |
# I'm with you | 0:21:29 | 0:21:31 | |
# Standing with an army | 0:21:31 | 0:21:32 | |
# Standing with an army... | 0:21:32 | 0:21:38 | |
# Standing with an army | 0:21:38 | 0:21:41 | |
# Oh, oh, oh, oh | 0:21:45 | 0:21:48 | |
# Yeah, yeah, yeah | 0:21:48 | 0:21:51 | |
# Yeah, you understand | 0:21:51 | 0:21:54 | |
# Yeah, like no-one can | 0:21:54 | 0:21:57 | |
# We both know what they say about us | 0:21:57 | 0:22:00 | |
# When I'm with you When I'm with you | 0:22:06 | 0:22:10 | |
# I'm standing with an army | 0:22:10 | 0:22:14 | |
# I'm standing with an army | 0:22:14 | 0:22:16 | |
# When I'm with you | 0:22:16 | 0:22:19 | |
# When I'm with you | 0:22:19 | 0:22:21 | |
# I'm standing with an army | 0:22:21 | 0:22:25 | |
# But they don't stand a chance because | 0:22:25 | 0:22:28 | |
# I'm standing with you | 0:22:31 | 0:22:34 | |
# I'm standing with you | 0:22:34 | 0:22:36 | |
# I'm standing with you | 0:22:36 | 0:22:38 | |
# Standing with an army | 0:22:38 | 0:22:41 | |
# Standing with an army... | 0:22:41 | 0:22:46 | |
# Standing with an army. # | 0:22:46 | 0:22:51 | |
CHEERING | 0:22:52 | 0:22:54 | |
The incredible Ellie Goulding, ladies and gentlemen. Amazing. Wonderful. | 0:23:00 | 0:23:05 | |
Gorgeous. Sensational. | 0:23:06 | 0:23:09 | |
Oh, darling, did you enjoy the whole performance tonight? | 0:23:10 | 0:23:14 | |
Yes, it was lovely, Michael, it really was. | 0:23:14 | 0:23:17 | |
I've done sell-out shows here, of course, to PAYING audiences. | 0:23:17 | 0:23:22 | |
LAUGHTER | 0:23:22 | 0:23:24 | |
How many of you possums paid tonight? | 0:23:24 | 0:23:28 | |
I rest my case. | 0:23:29 | 0:23:31 | |
I notice there's two empty seats down there, it's terrible. | 0:23:32 | 0:23:37 | |
I mean, we all get empty seats, Michael. I have found them | 0:23:37 | 0:23:42 | |
in my audiences, but they're general pre-paid. They're seats purchased | 0:23:42 | 0:23:46 | |
by elderly and wealthy people in advance, and then... | 0:23:46 | 0:23:51 | |
..they die. | 0:23:53 | 0:23:54 | |
If I'm honest with you, Dame Edna, there is | 0:23:55 | 0:23:58 | |
a reason why these seats are empty. | 0:23:58 | 0:24:00 | |
I've been saving these two seats, um, for two people, | 0:24:00 | 0:24:03 | |
Dame Edna, who are about to become a very big part of tonight's show. | 0:24:03 | 0:24:08 | |
-Oh. -They just don't know it yet. OK? | 0:24:08 | 0:24:11 | |
They have actually been set up, | 0:24:11 | 0:24:13 | |
and they're having dinner right now across the road | 0:24:13 | 0:24:17 | |
in an Italian restaurant, and I think that we can see them now. | 0:24:17 | 0:24:21 | |
That's actually across the road from this theatre. | 0:24:21 | 0:24:25 | |
So that is, let me tell you, Dean and Dawn Sotnick. | 0:24:25 | 0:24:28 | |
Their son and daughter have set them up and, well, I'm going to | 0:24:28 | 0:24:32 | |
go and get them and we're going to put them in those seats | 0:24:32 | 0:24:35 | |
and then have some fun with them. | 0:24:35 | 0:24:37 | |
All they know is that they're eating Italian food, | 0:24:37 | 0:24:39 | |
so let's see how that pans out. So I will be back. | 0:24:39 | 0:24:44 | |
I'm actually going to leave the theatre. | 0:24:44 | 0:24:47 | |
-Isn't this daring, Michael? -It is daring, Dame Edna. | 0:24:47 | 0:24:50 | |
Hopefully, I'll be back with these people. OK, bear with me. | 0:24:50 | 0:24:54 | |
Here we go. | 0:24:54 | 0:24:55 | |
All right, we're in the street, look at this, | 0:24:56 | 0:24:58 | |
this is the actual street, so it's quiet. | 0:24:58 | 0:25:01 | |
All right. Ah, here we are, so here's the restaurant. | 0:25:01 | 0:25:05 | |
What is going on here? | 0:25:05 | 0:25:08 | |
I believe you might be called Dean, is that right? | 0:25:08 | 0:25:10 | |
-That's correct. -Oh, and are you Dawn? Is it Dean and Dawn? | 0:25:10 | 0:25:13 | |
Is it Michael and Vicky? | 0:25:13 | 0:25:15 | |
Hi, well, listen... Oh, hi, everyone in the restaurant. | 0:25:15 | 0:25:18 | |
It's a very intimate restaurant. | 0:25:18 | 0:25:21 | |
Sorry to interrupt but I'm here for Dean and Dawn. | 0:25:21 | 0:25:23 | |
I am... What are you enjoying here? | 0:25:23 | 0:25:25 | |
There's a little bit of Parma ham. | 0:25:25 | 0:25:27 | |
It's that polite last bite, isn't it? | 0:25:27 | 0:25:30 | |
I'll have it, if you don't mind. | 0:25:30 | 0:25:32 | |
So, listen, I'm actually doing a show across the road | 0:25:32 | 0:25:35 | |
and dearest Michael and Vicky have organised a little surprise | 0:25:35 | 0:25:38 | |
for you, that you're going to actually be in the show. | 0:25:38 | 0:25:41 | |
It's taking place across the road at the Theatre Royal, Drury Lane, | 0:25:41 | 0:25:44 | |
the whole audience are actually watching this right now. | 0:25:44 | 0:25:47 | |
So all I'm going to ask you to do is if you'd like to come with me | 0:25:47 | 0:25:50 | |
-and I'll take you across the road. -OK. -Thank God for that! | 0:25:50 | 0:25:53 | |
All right, Dean and Dawn! Dean and Dawn, they're coming with me! | 0:25:53 | 0:25:57 | |
Come in, come on, Dean. Come on, Dean. | 0:25:57 | 0:26:00 | |
Let's bring your last bite. | 0:26:00 | 0:26:02 | |
Here we go. | 0:26:02 | 0:26:04 | |
And wait, I've got Dean... I've only got Dean. | 0:26:04 | 0:26:06 | |
Dawn, darling. Come with me. | 0:26:06 | 0:26:08 | |
Dean, take your Parma ham. DEAN MUTTERS | 0:26:08 | 0:26:10 | |
Yes. No don't worry. We're going to cover the bill. | 0:26:10 | 0:26:13 | |
And even if we don't, it's show business, we'll always win. | 0:26:13 | 0:26:16 | |
All right. | 0:26:16 | 0:26:18 | |
You seem like wonderful people and you deserve | 0:26:18 | 0:26:21 | |
a place in my audience, so if you'd just like to step this way. | 0:26:21 | 0:26:24 | |
-OK. -Here we are. | 0:26:24 | 0:26:26 | |
Follow me. | 0:26:29 | 0:26:31 | |
Follow me, Dean. | 0:26:31 | 0:26:32 | |
Here we have them, Dean and Dawn. This way. | 0:26:33 | 0:26:38 | |
This is my audience. | 0:26:38 | 0:26:40 | |
All right, here we go. | 0:26:44 | 0:26:46 | |
Dean and Dawn! | 0:26:46 | 0:26:48 | |
There you go, guys. If you'd just like to take a seat here. | 0:26:49 | 0:26:52 | |
Number six and number five. | 0:26:52 | 0:26:55 | |
We now have a full house, ladies and gentlemen, | 0:26:55 | 0:26:57 | |
it's Dean and Dawn Sotnick! | 0:26:57 | 0:26:59 | |
Oh, bless him. | 0:27:02 | 0:27:04 | |
He's still got a little bite of Parma ham. | 0:27:06 | 0:27:09 | |
So, tell me about why you're in London tonight. | 0:27:09 | 0:27:12 | |
Our son lives in London and works in London, and we've just come up | 0:27:12 | 0:27:15 | |
for a meal and a bit of shopping and...have a family day. | 0:27:15 | 0:27:19 | |
Well, I'll let you calm down and relax. | 0:27:19 | 0:27:21 | |
We probably will be chatting to you a bit later on. | 0:27:21 | 0:27:23 | |
-OK. -We have a full house, ladies and gentlemen. | 0:27:23 | 0:27:26 | |
Dean and Dawn Sotnick are in the house! | 0:27:26 | 0:27:29 | |
Go on, Dean, have your last bite of Parma ham. | 0:27:31 | 0:27:34 | |
Go on. Ladies and gentlemen, | 0:27:34 | 0:27:36 | |
next, we have a very exciting television exclusive. | 0:27:36 | 0:27:40 | |
He's British, brilliantly gifted | 0:27:40 | 0:27:42 | |
and has just been crowned the winner of America's Got Talent. | 0:27:42 | 0:27:45 | |
Please welcome the wonderful Paul Zerdin, ladies and gentlemen. | 0:27:49 | 0:27:53 | |
Paul Zerdin. | 0:27:53 | 0:27:55 | |
Thank you very much indeed, Michael. Great to be here. | 0:28:00 | 0:28:02 | |
Hello, good evening! Tonight, especially for you, | 0:28:02 | 0:28:05 | |
I'm going to be doing some ventriloquism for you. | 0:28:05 | 0:28:08 | |
AUDIENCE: Ooh... | 0:28:08 | 0:28:10 | |
I'm going to come down into the audience | 0:28:10 | 0:28:12 | |
and I need some people to help me up here on stage. | 0:28:12 | 0:28:15 | |
I love going into the audience. | 0:28:15 | 0:28:17 | |
NERVOUS LAUGHTER | 0:28:17 | 0:28:19 | |
I'm looking for a couple that look very much like Dean and Dawn. | 0:28:19 | 0:28:24 | |
It's Dean and Dawn, everybody. | 0:28:25 | 0:28:28 | |
Come and join me, you two. | 0:28:28 | 0:28:30 | |
Dean and Dawn. | 0:28:36 | 0:28:37 | |
Thank you so much, Dean. Great to meet you, Dawn. | 0:28:40 | 0:28:43 | |
And if you just go that way there. OK, Dawn. | 0:28:43 | 0:28:45 | |
You just go that way there, | 0:28:45 | 0:28:47 | |
that's it. Take your clothes off and then, um, we'll see... | 0:28:47 | 0:28:50 | |
But, you know, ventriloquism is a very strange thing | 0:28:54 | 0:28:56 | |
and I know a lot of you are sitting there thinking, "What a freak!" | 0:28:56 | 0:28:59 | |
It takes a long time to become a fr...a ventriloquist, | 0:28:59 | 0:29:01 | |
and whenever I can do it I can't stop doing it - | 0:29:01 | 0:29:04 | |
anywhere, any time, any place. | 0:29:04 | 0:29:05 | |
If I see a young mother walking down the street with a baby in a pram, | 0:29:05 | 0:29:08 | |
I'll ask her how old the baby is, she's says whatever, three months, | 0:29:08 | 0:29:11 | |
then I do this. Hello! | 0:29:11 | 0:29:13 | |
HE MIMICS A BABY GURGLING | 0:29:13 | 0:29:15 | |
-Hello. -HE MIMICS A BABY MUTTERING | 0:29:15 | 0:29:18 | |
Hello! | 0:29:18 | 0:29:19 | |
-IN CHILD'S VOICE: -Hello! | 0:29:19 | 0:29:21 | |
Ladies and gentlemen, | 0:29:28 | 0:29:29 | |
would you please give it up for my two new dummies, it's Dean and Dawn! | 0:29:29 | 0:29:34 | |
And we're going to find you a voice. We're going to start with you, Dawn, | 0:29:44 | 0:29:47 | |
a voice that we can have some fun with. | 0:29:47 | 0:29:48 | |
OK. What about this one, are you OK? | 0:29:48 | 0:29:50 | |
-DEEP MALE VOICE: -Yes, I am. | 0:29:50 | 0:29:52 | |
Ha-ha-ha-ha-ha! | 0:29:52 | 0:29:55 | |
But I like it. | 0:29:56 | 0:29:58 | |
No, no. I was only joking, I'll change it. | 0:29:58 | 0:30:01 | |
-Yeah, change it now. -OK. Let's find you a nice feminine voice. | 0:30:01 | 0:30:04 | |
-What about this one? -SMOOTH FEMALE VOICE: -Hello. | 0:30:04 | 0:30:07 | |
Ha-ha-ha-ha-ha. | 0:30:07 | 0:30:09 | |
-You like that? -Oh, yes. I like that, yes, yes. -You're OK? | 0:30:09 | 0:30:12 | |
-I'm going to talk to Dean now. -Good luck. | 0:30:12 | 0:30:15 | |
Are you OK? | 0:30:15 | 0:30:16 | |
-POSH MALE VOICE: -Don't touch me. | 0:30:16 | 0:30:17 | |
Ha-ha-ha-ha-ha-ha. | 0:30:19 | 0:30:21 | |
Do you mind just leaving us alone for a moment? | 0:30:21 | 0:30:24 | |
-Pardon? -Just leave us alone. | 0:30:24 | 0:30:25 | |
Don't go. | 0:30:25 | 0:30:27 | |
I'm not quite sure, I don't quite know what you mean. | 0:30:27 | 0:30:30 | |
Well, just let me explain. | 0:30:30 | 0:30:32 | |
Get lost. | 0:30:32 | 0:30:33 | |
Maybe I could just sit here? | 0:30:36 | 0:30:37 | |
-Just sit there. -Just there. | 0:30:37 | 0:30:39 | |
Just there. | 0:30:39 | 0:30:41 | |
Look, I've pointed. | 0:30:41 | 0:30:43 | |
I've got the hang of this. | 0:30:45 | 0:30:47 | |
-I'm going to sit here. -Yes. Just there. -Oh, finally. | 0:30:48 | 0:30:52 | |
LAUGHTER AND APPLAUSE | 0:30:52 | 0:30:54 | |
I've got a question. How the hell are you controlling us? | 0:30:55 | 0:30:59 | |
I've got this little remote control in my hand here. | 0:30:59 | 0:31:02 | |
-My goodness, that's amazing. -Look at that, darling. | 0:31:02 | 0:31:05 | |
Every time he wiggles his fingers, my lips move. | 0:31:05 | 0:31:08 | |
LAUGHTER | 0:31:08 | 0:31:11 | |
Ha-ha-ha-ha-ha. | 0:31:12 | 0:31:14 | |
Good one, yes. | 0:31:14 | 0:31:16 | |
Well, I must say, I'm enjoying this, I think I might stand up now. | 0:31:16 | 0:31:20 | |
Any second now. | 0:31:20 | 0:31:22 | |
I'm going to take a slightly closer look at the audience. | 0:31:24 | 0:31:26 | |
Here I go, that's it. | 0:31:26 | 0:31:28 | |
I'm going to walk towards the edge of the stage, not too close. | 0:31:28 | 0:31:31 | |
Health and safety and all that crap. | 0:31:31 | 0:31:34 | |
I might wave at the audience now. | 0:31:34 | 0:31:37 | |
Hello, everyone. Hello. | 0:31:37 | 0:31:39 | |
-Merry Christmas to you all. -Darling, while you're there... -Yes, darling? | 0:31:43 | 0:31:47 | |
Why don't you do your little Christmas party trick? | 0:31:47 | 0:31:50 | |
Yes, that's a great idea. | 0:31:52 | 0:31:54 | |
It's the one where I turn my back on the audience... | 0:31:56 | 0:31:59 | |
..like that, | 0:32:00 | 0:32:02 | |
I lean forward | 0:32:02 | 0:32:04 | |
and I wiggle my bum. | 0:32:04 | 0:32:06 | |
CHEERING | 0:32:06 | 0:32:09 | |
-All right, sit down now, darling. -OK, yes. | 0:32:12 | 0:32:14 | |
I couldn't wait to get back on the seat. | 0:32:14 | 0:32:17 | |
It's my turn now. | 0:32:17 | 0:32:19 | |
I'm going to stand up. | 0:32:22 | 0:32:24 | |
I'm going to walk behind the stool. | 0:32:26 | 0:32:29 | |
This one here. | 0:32:29 | 0:32:30 | |
I'm going to pick up this lovely piece of mistletoe, | 0:32:30 | 0:32:34 | |
like so, I'm going to walk over to Mr Zerdin. | 0:32:34 | 0:32:38 | |
That's... I'm going to go the long way around. | 0:32:38 | 0:32:41 | |
I'm going to walk over to Paul Zerdin, the ventriloquist! | 0:32:43 | 0:32:46 | |
LAUGHTER AND APPLAUSE | 0:32:46 | 0:32:49 | |
I'm going to hold it above his head | 0:32:53 | 0:32:56 | |
and I'm going to give him a big kiss. | 0:32:56 | 0:32:59 | |
Mwah! | 0:32:59 | 0:33:01 | |
Listen, I just want to thank you. You've been absolutely terrific. | 0:33:09 | 0:33:13 | |
We're not finished yet. | 0:33:13 | 0:33:15 | |
-You're not finished? -Oh, no. | 0:33:15 | 0:33:16 | |
-Really? I've got to wind things up. -No, no. | 0:33:16 | 0:33:19 | |
You see, the thing is, we're big, big fans | 0:33:19 | 0:33:22 | |
of the TV show Strictly Come Dancing. | 0:33:22 | 0:33:25 | |
That's right. | 0:33:28 | 0:33:31 | |
We'd very much like to recreate that show here tonight. | 0:33:31 | 0:33:34 | |
Wouldn't we, darling? | 0:33:37 | 0:33:39 | |
We certainly would. | 0:33:39 | 0:33:41 | |
And we'd like to do it naked. | 0:33:41 | 0:33:44 | |
Well, would you please welcome, from Strictly, | 0:33:45 | 0:33:48 | |
it's Aljaz and Janette! | 0:33:48 | 0:33:52 | |
STRICTLY COME DANCING THEME TUNE PLAYS | 0:33:52 | 0:33:55 | |
Thank you so much for doing this, guys. | 0:34:02 | 0:34:06 | |
I believe you're getting married. That's very exciting. | 0:34:06 | 0:34:08 | |
Congratulations. | 0:34:08 | 0:34:10 | |
CHEERING AND APPLAUSE | 0:34:10 | 0:34:13 | |
I wish you the best of luck. So, listen, have you had a good time? | 0:34:13 | 0:34:16 | |
Oh, yes, I've had a terrific time, | 0:34:16 | 0:34:18 | |
even though my eyes tell a different story. | 0:34:18 | 0:34:21 | |
And, what about you, Dean? | 0:34:22 | 0:34:24 | |
Yes, yes, I've had such a great time I'm going to have to stand up now | 0:34:24 | 0:34:27 | |
and tell you how much of a great time I've had. | 0:34:27 | 0:34:29 | |
-Darling, would you join me? -I'd love to, darling, yes. | 0:34:29 | 0:34:33 | |
So, how much of a good time have you had? | 0:34:33 | 0:34:35 | |
Well, to be honest, I've had the time of my life. | 0:34:35 | 0:34:38 | |
MUSIC: I've Had The Time Of My Life | 0:34:38 | 0:34:42 | |
Oh, I like this. | 0:34:49 | 0:34:50 | |
Oh, he's got such firm buttocks. | 0:34:52 | 0:34:55 | |
CHEERING | 0:34:59 | 0:35:02 | |
What about that, guys? Wasn't that just amazing? | 0:35:16 | 0:35:18 | |
CHEERING | 0:35:18 | 0:35:21 | |
Aljaz and Janette, ladies and gentlemen. | 0:35:23 | 0:35:26 | |
Let me take this off you. | 0:35:26 | 0:35:28 | |
Guys, you have to take a bow. | 0:35:31 | 0:35:33 | |
You've been truly, truly amazing. Thank you so much. | 0:35:33 | 0:35:35 | |
Thank you. It's Dean and Dawn, ladies and gentlemen. | 0:35:35 | 0:35:39 | |
Ladies and gentlemen, my name is Paul Zerdin, thank you so much. | 0:35:42 | 0:35:45 | |
You've been a lovely audience. | 0:35:45 | 0:35:46 | |
Have a very, very merry Christmas. Good night. | 0:35:46 | 0:35:49 | |
Paul Zerdin, ladies and gentlemen! | 0:35:56 | 0:35:58 | |
OK, it's time. Ben, are you still here? Brilliant. I have your phone. | 0:36:01 | 0:36:04 | |
It is in my possession. | 0:36:04 | 0:36:05 | |
I haven't looked at it, I've just been handed it. | 0:36:05 | 0:36:08 | |
All I can tell you is what I've been told, which is there are 29 messages. | 0:36:08 | 0:36:14 | |
The message was, "Would you like to come round on Christmas Day? | 0:36:14 | 0:36:19 | |
"Hope you can make it." OK. Who's Katie Bottoms? | 0:36:19 | 0:36:22 | |
-Oh, my goodness, Katie Bottoms? -She's a friend from uni. | 0:36:22 | 0:36:25 | |
A friend from uni? Is that her real name? Bottoms? | 0:36:25 | 0:36:27 | |
-Yeah, genuinely, her surname is Bottoms. -OK. | 0:36:27 | 0:36:29 | |
-And are you quite friendly with her? -I was. -You were? OK. | 0:36:29 | 0:36:32 | |
LAUGHTER | 0:36:32 | 0:36:35 | |
I'd like to give a little bit of a status update on your relationship. | 0:36:35 | 0:36:38 | |
"Sorry, who is this?" | 0:36:38 | 0:36:40 | |
LAUGHTER AND APPLAUSE | 0:36:40 | 0:36:42 | |
But, then, amazingly, two kisses. | 0:36:44 | 0:36:47 | |
She just dishes out the kisses, she doesn't even care. | 0:36:47 | 0:36:50 | |
I don't even know that geezer. Mwah! Mwah! | 0:36:50 | 0:36:53 | |
I love Katie Bottoms. | 0:36:53 | 0:36:55 | |
All right, what else have we got here? We've got Scott Rowe. | 0:36:55 | 0:36:58 | |
-Jodie. Who's Jodie? -She's one of my best mates. | 0:36:58 | 0:37:02 | |
Aw! "Hey, babes." Aw, she knows who you are. | 0:37:02 | 0:37:05 | |
"Sorry, probably not. | 0:37:05 | 0:37:07 | |
"Me already got a day planned with my gang here. | 0:37:09 | 0:37:12 | |
"Thanks, though." Triple kiss! Aw! So sweet. | 0:37:12 | 0:37:16 | |
Oh, my God, who's Dan Henry? | 0:37:16 | 0:37:19 | |
He's one of my work colleagues, one of my team. | 0:37:19 | 0:37:21 | |
-He's one of the six? -He could be five or six. | 0:37:21 | 0:37:23 | |
He is one of the chosen five or six. | 0:37:23 | 0:37:25 | |
Um... Oh, dear. | 0:37:25 | 0:37:28 | |
Do you know much about Dan Henry? | 0:37:28 | 0:37:29 | |
-I know enough about him. -You know enough about him? | 0:37:29 | 0:37:31 | |
-I don't want to know any more. -OK, he's actually texted twice. | 0:37:31 | 0:37:35 | |
The first one was, "Yes, mate. | 0:37:35 | 0:37:38 | |
"Definitely wasn't looking forward to Christmas alone." | 0:37:38 | 0:37:41 | |
AUDIENCE: Aw... | 0:37:41 | 0:37:43 | |
Don't. It actually gets worse. It gets worse. | 0:37:44 | 0:37:48 | |
The second text is actually, | 0:37:48 | 0:37:50 | |
"Can I bring my mum?" | 0:37:50 | 0:37:52 | |
Oh, no, now he actually has... | 0:37:56 | 0:37:59 | |
This is awful, he actually has to come. | 0:37:59 | 0:38:01 | |
Dan Henry can never know this was a joke. | 0:38:01 | 0:38:04 | |
He's already making plans. | 0:38:04 | 0:38:07 | |
-He can come. -He can come? | 0:38:08 | 0:38:10 | |
Oh, my God, he's got to come. | 0:38:10 | 0:38:12 | |
"Of course. Bring your mum. | 0:38:12 | 0:38:14 | |
"Bring the whole fam." | 0:38:17 | 0:38:20 | |
In fact, I might send him that picture of your roast potatoes. | 0:38:22 | 0:38:27 | |
I'm going to do that. Add photo. I'm going through the library. | 0:38:31 | 0:38:36 | |
Oh, which one is it? There it is, there it is. I've got it. | 0:38:36 | 0:38:39 | |
I've got it. | 0:38:39 | 0:38:40 | |
Aw, Dan. I'm going to send that. "Of course, bring the whole fam. | 0:38:40 | 0:38:45 | |
"Here's a photo of some potatoes you can expect if you come round." | 0:38:45 | 0:38:51 | |
OK, let's do a few more and move on. | 0:38:51 | 0:38:53 | |
Um, Jodie, Nick... Um, Nick... | 0:38:53 | 0:38:55 | |
Mikhail. | 0:38:55 | 0:38:57 | |
-Mikhail. -Who's Mikhail? -He's our IT director. -Oh, OK. | 0:38:57 | 0:39:01 | |
He is one of the six. | 0:39:01 | 0:39:03 | |
OK. "Thanks, Benny Ben." Lovely. | 0:39:03 | 0:39:06 | |
"It's much appreciated, but I've organised something already. Sorry." | 0:39:06 | 0:39:11 | |
But you're the team leader, aren't you? | 0:39:11 | 0:39:13 | |
-I am but he is a bit higher than me. He's higher than me. -Oh. | 0:39:13 | 0:39:15 | |
He's being polite, I think. | 0:39:15 | 0:39:18 | |
He's a bit higher than you but you're the team leader? | 0:39:18 | 0:39:20 | |
-Yeah, he's one of the directors. -He's one of the directors. | 0:39:20 | 0:39:23 | |
"I quit." | 0:39:23 | 0:39:24 | |
It's too much. | 0:39:36 | 0:39:38 | |
Oh, no, I'm going to put another one. | 0:39:38 | 0:39:40 | |
I'm going to put the potatoes again. | 0:39:40 | 0:39:42 | |
"How can you say no to these?" | 0:39:42 | 0:39:44 | |
There you go. Potatoes. | 0:39:46 | 0:39:49 | |
"Nobody declines my tats. | 0:39:50 | 0:39:53 | |
"Nobody declines my tats." | 0:39:58 | 0:40:00 | |
Oh, no, it changed it to "rats", and I sent it. | 0:40:00 | 0:40:03 | |
I'll change it back. "Nobody declines my tats." | 0:40:05 | 0:40:08 | |
Oh, my God. | 0:40:08 | 0:40:09 | |
OK. | 0:40:11 | 0:40:12 | |
-Oh. Charlie Rapson? -He plays on my football team. -Yeah, OK. | 0:40:12 | 0:40:16 | |
He's quite, um... | 0:40:16 | 0:40:18 | |
He's quite matter of fact, isn't he? | 0:40:18 | 0:40:20 | |
"If it's a joke, I don't get it." | 0:40:20 | 0:40:23 | |
All right, OK, ladies and gentlemen, | 0:40:30 | 0:40:31 | |
I cannot believe what a sport this gentleman is. | 0:40:31 | 0:40:34 | |
It's Ben, ladies and gentlemen. | 0:40:34 | 0:40:36 | |
Amazing. Amazing. | 0:40:36 | 0:40:38 | |
OK. Dame Edna's still here. | 0:40:38 | 0:40:41 | |
Ladies and gentlemen, it's Dame Edna. | 0:40:41 | 0:40:43 | |
Darling, how are you enjoying the fun we've been having tonight? | 0:40:45 | 0:40:49 | |
Michael, is it going on for much longer? That's what I need to know. | 0:40:49 | 0:40:52 | |
I'm enjoying every second of it, | 0:40:52 | 0:40:54 | |
though. What a clever little boy you are. | 0:40:54 | 0:40:57 | |
You know, I'm hungry, though, I'm famished. | 0:40:57 | 0:41:00 | |
-Luckily, I have an entourage. Do you have an entourage? -I do not. | 0:41:00 | 0:41:03 | |
Well, I do. A pastry chef | 0:41:03 | 0:41:06 | |
and a gynaecologist. | 0:41:06 | 0:41:08 | |
And I want you to meet my little pastry cook now. | 0:41:10 | 0:41:13 | |
You've got somebody with you? | 0:41:13 | 0:41:15 | |
I've brought her with me tonight and you're going to adore her. | 0:41:15 | 0:41:18 | |
Let's hear it, possums, for Nadiya Hussain. | 0:41:18 | 0:41:21 | |
Here she is! | 0:41:21 | 0:41:24 | |
No-o-o! | 0:41:24 | 0:41:26 | |
Isn't she adorable? | 0:41:26 | 0:41:28 | |
Look at that. | 0:41:28 | 0:41:30 | |
Oh, you darling thing. | 0:41:35 | 0:41:37 | |
Now, you won something very important on a show, didn't you? | 0:41:37 | 0:41:41 | |
-What show was that? -I did. You may not have heard of it. | 0:41:41 | 0:41:44 | |
-It's called the Bake Off. -The Bake Off? -Yeah. | 0:41:44 | 0:41:47 | |
CHEERING DROWNS SPEECH | 0:41:47 | 0:41:50 | |
What have you got in that basket? | 0:41:50 | 0:41:52 | |
Well, I heard you were hungry so I've brought you some mince pies. | 0:41:52 | 0:41:55 | |
Oh, scrummy. But I'm on a vegan cleanse at the moment. | 0:41:55 | 0:42:00 | |
Yeah, these are free from everything, gluten free, | 0:42:00 | 0:42:04 | |
-sugar free, so they will keep you regular. -Um... -Yeah, yeah, yeah. | 0:42:04 | 0:42:08 | |
-Listen, this is a family show, darling. -Yeah. | 0:42:08 | 0:42:11 | |
-We have to think of the destitute at Christmas. -Yes. | 0:42:13 | 0:42:16 | |
-And there are some destitute people here. -Folks down there? | 0:42:16 | 0:42:21 | |
All the way up there. Almost stuck to the ceiling, like little bats. | 0:42:21 | 0:42:27 | |
Hello, paupers. Hello, paupies. | 0:42:27 | 0:42:30 | |
Listen to their wistful cry. | 0:42:30 | 0:42:32 | |
We should probably give them some. Michael, you don't need mince pies? | 0:42:32 | 0:42:36 | |
Would you be so kind as to give the cheap seats some mince pies? | 0:42:36 | 0:42:39 | |
Do you want some mince pies from Nadiya? | 0:42:39 | 0:42:41 | |
CHEERING AND APPLAUSE | 0:42:41 | 0:42:43 | |
-Thank you so much, Nadiya. -Thank you. -What a pleasure to have you here. | 0:42:43 | 0:42:47 | |
-Thank you for baking for us. Wow. Wow. -Thank you. | 0:42:47 | 0:42:50 | |
Ladies and gentlemen, he is simply one of the funniest | 0:42:52 | 0:42:55 | |
and most-beloved comedians around. | 0:42:55 | 0:42:57 | |
Fresh from selling out theatres across the land, | 0:42:57 | 0:42:59 | |
please give a big Christmas welcome to Ireland's finest, | 0:42:59 | 0:43:02 | |
it's the wonderful Dara O Briain is here. | 0:43:02 | 0:43:05 | |
CHEERING AND APPLAUSE | 0:43:05 | 0:43:07 | |
All right? Good evening. | 0:43:13 | 0:43:15 | |
Good evening and merry Christmas, ladies and gentlemen. | 0:43:15 | 0:43:18 | |
Happy Christmas. | 0:43:18 | 0:43:20 | |
It is a delight to be here, ladies and gentlemen, | 0:43:20 | 0:43:23 | |
a joy to be with you on this most special of days. | 0:43:23 | 0:43:25 | |
A day for us to see the world for once through children's eyes. | 0:43:25 | 0:43:29 | |
Swimming pools are a good example of a thing where kids... | 0:43:29 | 0:43:32 | |
We've ruined swimming pools, as grown-ups, | 0:43:32 | 0:43:35 | |
and kids have exactly the right... Kids see the swimming pool, | 0:43:35 | 0:43:37 | |
they're like, "Yeah, I can enter at any point | 0:43:37 | 0:43:40 | |
"and when I'm in there, I can go in whatever direction I want, | 0:43:40 | 0:43:42 | |
"up, down, left, right, I'm floating, I'm farting, I'm peeing, I'm splashing, | 0:43:42 | 0:43:46 | |
"I'm doing whatever I wanted to do, ever, | 0:43:46 | 0:43:48 | |
"in the zero-gravity, frictionless environment." | 0:43:48 | 0:43:51 | |
We, in our lanes, | 0:43:51 | 0:43:53 | |
slowly advancing on the wall. | 0:43:53 | 0:43:56 | |
Touching the wall. | 0:43:56 | 0:43:58 | |
And then turning around, and going to the other wall. | 0:43:58 | 0:44:01 | |
The prison yard of the swimming pool experience. | 0:44:01 | 0:44:05 | |
Meanwhile, you know... | 0:44:05 | 0:44:06 | |
The worst thing about swimming in a lane, if you're in a hotel, having a little swim | 0:44:06 | 0:44:10 | |
and on the other side of the row of coasters, | 0:44:10 | 0:44:12 | |
there's a family of kids going bananas with delight, | 0:44:12 | 0:44:15 | |
and you're there going, "No, you're using it wrong." | 0:44:15 | 0:44:19 | |
The worst thing about swimming in a lane | 0:44:19 | 0:44:23 | |
is when somebody else joins your lane. | 0:44:23 | 0:44:26 | |
Cos people don't swim at the same speed, | 0:44:28 | 0:44:30 | |
because otherwise it wouldn't be a sport. | 0:44:30 | 0:44:32 | |
So, now you're either slowly catching up with them | 0:44:32 | 0:44:35 | |
or they are slowly catching up with you, | 0:44:35 | 0:44:37 | |
and, Jesus, the tension is unbearable! | 0:44:37 | 0:44:40 | |
You only came in for 30 minutes of cardio. | 0:44:40 | 0:44:43 | |
Now I'm in the bloody Hunger Games. | 0:44:43 | 0:44:46 | |
In life, there are tiny variations of stuff you don't care about | 0:44:47 | 0:44:50 | |
or stuff you wish you didn't have to know. | 0:44:50 | 0:44:53 | |
Like the first time any of us learn that trainers, runners, sneakers, | 0:44:53 | 0:44:57 | |
whatever you want to call them, | 0:44:57 | 0:44:58 | |
are stitched by eight-year-old children in the Third World. | 0:44:58 | 0:45:02 | |
And you hear this and you go home to your own eight-year-old, | 0:45:02 | 0:45:05 | |
and go, "Look... | 0:45:05 | 0:45:07 | |
"at the quality of work... | 0:45:07 | 0:45:09 | |
"..that these children are producing, | 0:45:11 | 0:45:14 | |
"compared to the rubbish you're bringing back from that school." | 0:45:14 | 0:45:18 | |
A rocket made out of cardboard tubes. | 0:45:19 | 0:45:21 | |
WHAT am I supposed to do with that? | 0:45:21 | 0:45:24 | |
I can run in these. You see that there? | 0:45:24 | 0:45:27 | |
"Make me a shoe and I will put it on the fridge. | 0:45:27 | 0:45:30 | |
"Do we understand each other?" | 0:45:30 | 0:45:33 | |
I'll give you a Christmas story. A genuine Christmas story. | 0:45:38 | 0:45:42 | |
I went... A nicer story. | 0:45:42 | 0:45:44 | |
I went, about two years ago, to buy my wife a Christmas present | 0:45:44 | 0:45:47 | |
in one of the major department stores. | 0:45:47 | 0:45:50 | |
Legally, on these kind of shows, you always have to be really | 0:45:50 | 0:45:52 | |
careful about naming specific shops. | 0:45:52 | 0:45:54 | |
For the sake of argument, we'll call it Selfridges, | 0:45:54 | 0:45:57 | |
because it was Selfridges. | 0:45:57 | 0:45:59 | |
It happened in Selfridges on Oxford Street. | 0:45:59 | 0:46:02 | |
They've got all these jewellery concessions. | 0:46:02 | 0:46:04 | |
And I went in one of those to buy a present. | 0:46:04 | 0:46:06 | |
I looked at a necklace and some earrings and go, | 0:46:06 | 0:46:09 | |
"What will I get? What will I buy her?" | 0:46:09 | 0:46:11 | |
And, eventually I said, "I'm going to take the necklace." | 0:46:11 | 0:46:14 | |
I called the woman and said, "I'll take the necklace, please." | 0:46:14 | 0:46:17 | |
And the woman walks off and goes, "No problem at all," | 0:46:17 | 0:46:20 | |
takes the necklace off me to box it and bag it | 0:46:20 | 0:46:22 | |
and get it ready as a gift. | 0:46:22 | 0:46:23 | |
I'm standing there looking at the earrings that are left, | 0:46:23 | 0:46:26 | |
which are part of the same set. | 0:46:26 | 0:46:28 | |
Do you know what, that would make a nicer gift if I got them as well. | 0:46:28 | 0:46:31 | |
They're part of the same set. | 0:46:31 | 0:46:32 | |
It's been a long year of travel and work, | 0:46:32 | 0:46:34 | |
that'd be a lovely thing if we could just do that. | 0:46:34 | 0:46:37 | |
So, when the woman comes over again, | 0:46:37 | 0:46:38 | |
I go, "I'm also going to take the earrings." | 0:46:38 | 0:46:42 | |
And not a word of a lie, | 0:46:42 | 0:46:44 | |
the woman in the Selfridges jewellery concession | 0:46:44 | 0:46:46 | |
looks at me and genuinely goes, | 0:46:46 | 0:46:49 | |
"And are these... | 0:46:49 | 0:46:51 | |
"for the same lady?" | 0:46:51 | 0:46:53 | |
And, suddenly, I am transported to a world of sexual sophistication... | 0:46:59 | 0:47:05 | |
..that I am ill-equipped to carry off. | 0:47:07 | 0:47:09 | |
Your James Bond type would know what to say at this moment, | 0:47:09 | 0:47:13 | |
whereas I'm there going, "Erm, oh, ah." | 0:47:13 | 0:47:16 | |
"Hmm. Could be yours, if you play your cards right!" | 0:47:16 | 0:47:20 | |
And, Jesus, does every department of Selfridges do this? | 0:47:20 | 0:47:24 | |
If I'm in the home goods department and I go, | 0:47:24 | 0:47:27 | |
"I know I've already bought the Clairol foot spa | 0:47:27 | 0:47:30 | |
"but I'm also going to get the Breville sandwich-maker as well," | 0:47:30 | 0:47:35 | |
are they just trained to go, | 0:47:35 | 0:47:37 | |
"And is this... | 0:47:37 | 0:47:39 | |
"for the same lady?" | 0:47:39 | 0:47:41 | |
"No, I've a bit on the side, and after we have a shag, | 0:47:49 | 0:47:52 | |
"she loves a ham-and-cheese toastie." | 0:47:52 | 0:47:54 | |
May I wish you the happiest of Christmases. | 0:48:00 | 0:48:02 | |
It's been absolutely delightful. I'm Dara O Briain. | 0:48:02 | 0:48:05 | |
Thank you very much. See you again. Thank you. | 0:48:05 | 0:48:08 | |
Yeah! Dara O Briain, ladies and gentlemen. | 0:48:08 | 0:48:12 | |
Wonderful. | 0:48:12 | 0:48:13 | |
So, it's quite extraordinary here. | 0:48:15 | 0:48:17 | |
Cos you've got these sort of jewel, symmetrical Christmas trees. | 0:48:17 | 0:48:22 | |
But I don't know if there's actually anything in these. | 0:48:22 | 0:48:24 | |
Are these genuine presents, do you think? | 0:48:24 | 0:48:27 | |
MUSICAL RINGTONE What is that? | 0:48:27 | 0:48:29 | |
Hello? | 0:48:29 | 0:48:31 | |
Ssh-ssh. Lilibet. Hello, darling. | 0:48:31 | 0:48:33 | |
(It's the Queen, it's the Queen.) | 0:48:33 | 0:48:35 | |
The Queen is on the phone? | 0:48:35 | 0:48:37 | |
I can't talk now, darling. | 0:48:37 | 0:48:39 | |
No, no, you were wise to miss it. | 0:48:39 | 0:48:41 | |
What's going on on Downton? | 0:48:44 | 0:48:46 | |
Mr Carson has done what?! | 0:48:47 | 0:48:50 | |
With a fish fork? | 0:48:51 | 0:48:52 | |
Who to? | 0:48:52 | 0:48:54 | |
I can't talk about it now. I'll have to go. | 0:48:54 | 0:48:57 | |
Bye, darling, bye. | 0:48:57 | 0:48:58 | |
You've got the Queen in your phone, | 0:48:58 | 0:49:01 | |
and Nadiya is your personal pastry chef? | 0:49:01 | 0:49:03 | |
Dame Edna, is there any chance I could maybe borrow that phone | 0:49:03 | 0:49:06 | |
-and we could try and... -Well... | 0:49:06 | 0:49:09 | |
Please, anything you find out must go no further. | 0:49:11 | 0:49:15 | |
Nadiya, | 0:49:15 | 0:49:16 | |
-take my phone, take it down to Michael. -Is that all right, Nadiya? | 0:49:16 | 0:49:20 | |
-Thank you so much. -She's coming. | 0:49:20 | 0:49:22 | |
Ladies and gentlemen, a very generous Dame Edna Everage, | 0:49:22 | 0:49:26 | |
personal friend of the Queen. | 0:49:26 | 0:49:28 | |
CHEERING | 0:49:28 | 0:49:30 | |
Thank you so much, Nadiya. | 0:49:32 | 0:49:34 | |
-So nice to meet you. How are you, Nadiya? -I'm all right. | 0:49:34 | 0:49:36 | |
So, I've got questions for you, if you don't mind, after the Bake Off | 0:49:36 | 0:49:39 | |
and all the success and everything. | 0:49:39 | 0:49:41 | |
-Yeah. -So, this was watched by how many people? -15.1 million. | 0:49:41 | 0:49:45 | |
-15.1 million people watched you win...? -Yeah. | 0:49:45 | 0:49:48 | |
And is that the most-watched show? | 0:49:48 | 0:49:50 | |
I think it's the most-watched show this year. | 0:49:50 | 0:49:53 | |
Well, you know, it's six days till the New Year, | 0:49:53 | 0:49:56 | |
-and I'm feeling rather confident. -Good luck. | 0:49:56 | 0:49:59 | |
-Thanks for coming and bringing me Dame Edna's phone. -Thank you. | 0:49:59 | 0:50:02 | |
It's lovely Nadiya! | 0:50:02 | 0:50:03 | |
Yay! | 0:50:03 | 0:50:05 | |
All right... | 0:50:05 | 0:50:07 | |
OK, Dame Edna, brace yourself, darling. | 0:50:08 | 0:50:11 | |
Oh... | 0:50:11 | 0:50:13 | |
Yay! | 0:50:13 | 0:50:15 | |
OK, let's have a look at these contacts. | 0:50:15 | 0:50:18 | |
Yes... Ooh, these are all your... | 0:50:18 | 0:50:20 | |
these are all your people. | 0:50:20 | 0:50:22 | |
Ooh! | 0:50:22 | 0:50:24 | |
Oh! | 0:50:25 | 0:50:26 | |
This is an incredible phone book, Dame Edna. | 0:50:26 | 0:50:29 | |
But that's just the B-list! | 0:50:29 | 0:50:31 | |
The Dalai Lama? | 0:50:31 | 0:50:33 | |
Yes! | 0:50:33 | 0:50:35 | |
You know the Dalai Lama? | 0:50:35 | 0:50:37 | |
He rings me for spiritual advice. | 0:50:37 | 0:50:39 | |
This is amazing. Kim Kardashian, that's an exciting one. | 0:50:41 | 0:50:44 | |
-Well... -You know Kim? | 0:50:44 | 0:50:45 | |
-She's a friend of mine and she's a lovely girl. -Oh. | 0:50:45 | 0:50:48 | |
There is a "but"... | 0:50:48 | 0:50:50 | |
Rather a large one, unfortunately! | 0:50:50 | 0:50:53 | |
All right, OK. I don't know about you, ladies and gentlemen, | 0:50:55 | 0:50:58 | |
I think this calls for phone calls, what do you think? | 0:50:58 | 0:51:01 | |
CHEERING | 0:51:01 | 0:51:03 | |
If Nadiya is your personal pastry chef, | 0:51:03 | 0:51:06 | |
-who on earth could be your pizza delivery boy? -Mm. | 0:51:06 | 0:51:08 | |
Well... | 0:51:08 | 0:51:10 | |
let's find out. | 0:51:10 | 0:51:11 | |
DAME EDNA LAUGHS | 0:51:13 | 0:51:15 | |
MICHAEL LAUGHS | 0:51:15 | 0:51:17 | |
Oh, my God! | 0:51:17 | 0:51:18 | |
CHEERING | 0:51:18 | 0:51:21 | |
It's Gino D'Acampo! | 0:51:22 | 0:51:25 | |
Do you deliver her pizzas? | 0:51:29 | 0:51:32 | |
I always deliver her pizza at this time of night. Always. | 0:51:32 | 0:51:36 | |
Gino, what's underneath that apron? | 0:51:36 | 0:51:38 | |
Is very little under here - nothing, look! | 0:51:38 | 0:51:41 | |
Oh, my goodness me, Dame Edna. | 0:51:41 | 0:51:44 | |
I do like him like that. | 0:51:44 | 0:51:46 | |
Gino, would you like to wish a merry Christmas... | 0:51:46 | 0:51:49 | |
Let me show you the audience. Can you see...? | 0:51:49 | 0:51:50 | |
Oh, look, it's the Theatre Royal, Drury Lane. | 0:51:50 | 0:51:53 | |
Say hello to pizza delivery boy Gina D'Acampo. | 0:51:53 | 0:51:57 | |
Buon Natale - merry Christmas. | 0:51:57 | 0:51:59 | |
Merry Christmas! | 0:51:59 | 0:52:01 | |
Oh, good Lord. | 0:52:01 | 0:52:04 | |
OK, well, I have to be honest, | 0:52:04 | 0:52:06 | |
I did notice when I was going through this phone, | 0:52:06 | 0:52:09 | |
um, a little name here - | 0:52:09 | 0:52:11 | |
Sir Tom Jones. | 0:52:11 | 0:52:13 | |
-Now, I am a huge fan of Sir Tom. -Oh! | 0:52:15 | 0:52:18 | |
Let's FaceTime him and see where he might be. | 0:52:18 | 0:52:22 | |
CHEERING | 0:52:22 | 0:52:24 | |
LAUGHTER | 0:52:28 | 0:52:29 | |
-Tom? -Dame Edna? | 0:52:29 | 0:52:32 | |
-No, it's... -Oh, darling! | 0:52:32 | 0:52:33 | |
It's Michael McIntyre, you're supposed to be on my show, Tom! | 0:52:33 | 0:52:36 | |
Don't worry, I'll be there. Just announce me. | 0:52:36 | 0:52:39 | |
All right - ladies and gentlemen, Sir Tom Jones! | 0:52:39 | 0:52:44 | |
MUSIC: Raise A Ruckus | 0:52:49 | 0:52:51 | |
# Come along, little children Come along | 0:52:54 | 0:52:58 | |
# While the moon is shining bright | 0:52:58 | 0:53:01 | |
# Get on board | 0:53:03 | 0:53:04 | |
# Down the river float | 0:53:04 | 0:53:06 | |
# Raise a ruckus tonight | 0:53:06 | 0:53:10 | |
# I love my wife, I love my baby | 0:53:11 | 0:53:14 | |
# I love my biscuits dippin' in gravy | 0:53:16 | 0:53:18 | |
# Save me the ham bone Give me the gravy | 0:53:20 | 0:53:23 | |
# I love my biscuits sopped in gravy | 0:53:24 | 0:53:27 | |
# Come along, little children Come along | 0:53:29 | 0:53:33 | |
# While the moon is shining bright | 0:53:33 | 0:53:36 | |
# Get on board | 0:53:38 | 0:53:39 | |
# Down the river float | 0:53:39 | 0:53:41 | |
# Raise a ruckus tonight | 0:53:41 | 0:53:45 | |
# Now, when I die won't you bury me deep? | 0:53:45 | 0:53:49 | |
# Put molasses on my head and my feet | 0:53:51 | 0:53:53 | |
# Put them flapjacks in my hand | 0:53:55 | 0:53:57 | |
# All the way to the Promised Land | 0:53:59 | 0:54:02 | |
# Come along, children, come along | 0:54:03 | 0:54:07 | |
# While the moon is shining bright | 0:54:08 | 0:54:11 | |
# Get on board | 0:54:13 | 0:54:15 | |
# Down the river float | 0:54:15 | 0:54:17 | |
# Raise a ruckus tonight | 0:54:17 | 0:54:20 | |
# Now, some folks say that a preacher don't steal | 0:54:21 | 0:54:24 | |
# Well, I caught one in my cornfield | 0:54:25 | 0:54:28 | |
# One had a bushel The other had a peck | 0:54:30 | 0:54:32 | |
# One had a rooster around his neck | 0:54:34 | 0:54:36 | |
# Come along, little children Come along | 0:54:39 | 0:54:42 | |
# While the moon is shining bright | 0:54:43 | 0:54:46 | |
# Get on board | 0:54:46 | 0:54:49 | |
# Down the river float | 0:54:49 | 0:54:51 | |
# Raise a ruckus tonight | 0:54:51 | 0:54:54 | |
# Come along, little children Come along | 0:54:56 | 0:54:59 | |
# While the moon is shining bright | 0:55:01 | 0:55:03 | |
# Get on board | 0:55:05 | 0:55:06 | |
# Down the river float | 0:55:06 | 0:55:09 | |
# Raise a ruckus tonight | 0:55:09 | 0:55:13 | |
# Come along, little children Come along | 0:55:13 | 0:55:17 | |
# While the moon is shining bright | 0:55:18 | 0:55:21 | |
# Get on board | 0:55:23 | 0:55:24 | |
# Down the river float | 0:55:24 | 0:55:26 | |
# Raise a ruckus tonight | 0:55:26 | 0:55:29 | |
# Why don't we raise a ruckus tonight? | 0:55:29 | 0:55:33 | |
# Come on and raise a ruckus tonight. # | 0:55:34 | 0:55:39 | |
CHEERING AND APPLAUSE | 0:55:39 | 0:55:41 | |
Yeah! | 0:55:41 | 0:55:43 | |
Whoo! Thank you. | 0:55:45 | 0:55:47 | |
Merry Christmas, everybody. | 0:55:47 | 0:55:50 | |
Yo! | 0:55:53 | 0:55:55 | |
Oh, what a reaction! | 0:55:55 | 0:55:56 | |
Absolutely incredible. | 0:55:56 | 0:55:59 | |
A legend - Sir Tom Jones, ladies and gentlemen. | 0:55:59 | 0:56:02 | |
OK. | 0:56:03 | 0:56:05 | |
So, it's a big moment here for Ben. | 0:56:05 | 0:56:07 | |
Please, join me on stage, Ben, what an absolute sport. | 0:56:07 | 0:56:11 | |
Come on, let's hear it for Ben! | 0:56:11 | 0:56:13 | |
CHEERING | 0:56:13 | 0:56:15 | |
This boy's been through it! | 0:56:15 | 0:56:16 | |
Oh, thank you so much - a legend. | 0:56:16 | 0:56:18 | |
Stay on stage with us for the finale. | 0:56:18 | 0:56:20 | |
OK. Just stand over here. In fact, take a bow. | 0:56:20 | 0:56:23 | |
Take a bow. Thank you, take a bow. | 0:56:23 | 0:56:25 | |
CHEERING | 0:56:25 | 0:56:27 | |
Yes. | 0:56:27 | 0:56:29 | |
Please give it up for everybody who's made it so special. | 0:56:29 | 0:56:33 | |
We've had... Oh, Dean and Dawn come up as well! | 0:56:33 | 0:56:35 | |
Come on, Dean and Dawn. | 0:56:35 | 0:56:37 | |
Dean and Dawn, ladies and gentlemen! They were having dinner. | 0:56:37 | 0:56:40 | |
If you'd just like to stand over here - thank you so much. | 0:56:40 | 0:56:44 | |
Take a bow, take a bow. | 0:56:44 | 0:56:46 | |
OK, from Strictly Come Dancing, of course, | 0:56:46 | 0:56:48 | |
we had Aljaz and Janette, they were here, Aljaz and Janette. | 0:56:48 | 0:56:51 | |
Take a bow. CHEERING | 0:56:51 | 0:56:54 | |
Whoo! Yes, why not? | 0:56:54 | 0:56:56 | |
Oh, what a delight - | 0:56:57 | 0:56:59 | |
it was the winner of the Great British Bake Off, Nadiya Hussain. | 0:56:59 | 0:57:02 | |
CHEERING | 0:57:02 | 0:57:04 | |
Whoo! | 0:57:04 | 0:57:06 | |
And, of course the wonderful Mr Paul Zerdin, what about that? | 0:57:06 | 0:57:09 | |
Paul Zerdin. | 0:57:09 | 0:57:11 | |
He's a winner. | 0:57:11 | 0:57:13 | |
Oh, the truly wonderful Ellie Goulding. Ellie, darling. | 0:57:13 | 0:57:17 | |
Oh. Divine! | 0:57:17 | 0:57:20 | |
And please give it up for Dara O Briain was here. Dara! | 0:57:20 | 0:57:24 | |
CHEERING | 0:57:24 | 0:57:26 | |
And ladies and gentlemen, | 0:57:26 | 0:57:28 | |
all the way from Buckingham Palace, | 0:57:28 | 0:57:31 | |
Miss Dame Edna Everage! | 0:57:31 | 0:57:34 | |
CHEERING AND WHISTLING | 0:57:34 | 0:57:36 | |
CHEERING INTENSIFIES | 0:57:40 | 0:57:43 | |
Absolutely fantastic. | 0:57:43 | 0:57:44 | |
Ladies and gentlemen, playing us out tonight, | 0:57:44 | 0:57:47 | |
of course, it's the one and only Sir Tom Jones! | 0:57:47 | 0:57:51 | |
CHEERING | 0:57:51 | 0:57:53 | |
# Rudolph, the red-nosed reindeer | 0:57:58 | 0:58:01 | |
# Had a very shiny nose | 0:58:01 | 0:58:04 | |
# And if you ever saw him | 0:58:05 | 0:58:08 | |
# You would even say it glows | 0:58:08 | 0:58:11 | |
# All of the other reindeers | 0:58:11 | 0:58:14 | |
# Used to laugh and call him names | 0:58:14 | 0:58:18 | |
# They wouldn't let poor Rudolph | 0:58:19 | 0:58:22 | |
# Join in any reindeer games | 0:58:22 | 0:58:25 | |
# Then one foggy Christmas Eve | 0:58:26 | 0:58:29 | |
# Santa came to say | 0:58:29 | 0:58:31 | |
# Rudolph, with your nose so bright | 0:58:33 | 0:58:36 | |
# Won't you guide my sleigh tonight? | 0:58:36 | 0:58:40 | |
# How the reindeer loved him | 0:58:40 | 0:58:42 | |
# And then they shouted out with glee | 0:58:44 | 0:58:47 | |
# Rudolph, the red-nosed reindeer | 0:58:47 | 0:58:51 | |
# You'll go down in history | 0:58:51 | 0:58:54 | |
# Yeah! | 0:58:54 | 0:58:56 | |
-# Rudolph, the red-nosed reindeer -All right! | 0:58:56 | 0:59:00 | |
# Rudolph, the red-nosed reindeer | 0:59:00 | 0:59:04 | |
# Rudolph, the red-nosed reindeer | 0:59:04 | 0:59:07 | |
-# Yes, sir -The red-nosed reindeer | 0:59:07 | 0:59:10 | |
# Rudolph, the red-nosed reindeer | 0:59:10 | 0:59:13 | |
# Rudolph, you'll go down in history | 0:59:13 | 0:59:18 | |
-# Whoo! -The red-nosed reindeer | 0:59:18 | 0:59:21 | |
# Rudolph, the red-nosed reindeer | 0:59:21 | 0:59:25 | |
# Rudolph, you'll go down in history... # | 0:59:25 | 0:59:29 | |
CHEERING | 0:59:29 | 0:59:31 | |
# Oh, yeah! | 0:59:35 | 0:59:38 | |
# Yeah... | 0:59:38 | 0:59:39 | |
# Yeah | 0:59:39 | 0:59:41 | |
# Yow! # | 0:59:42 | 0:59:44 | |
Thank you! | 0:59:47 | 0:59:49 | |
-Merry Christmas, everybody! -Merry Christmas, happy New Year! | 0:59:49 | 0:59:52 |