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This programme contains strong language and adult humour | 0:00:02 | 0:00:04 | |
-Luisa, what do we know about Luisa? -Love her. -Amazing. -She's really funny, as well. | 0:00:04 | 0:00:08 | |
She's a cool girl, that's why we're back. | 0:00:08 | 0:00:10 | |
-Looking forward to it. -Have a good night. | 0:00:10 | 0:00:12 | |
Thank you so much for coming to the show. | 0:00:12 | 0:00:15 | |
What I like to do is make sure that we have a bit of | 0:00:15 | 0:00:18 | |
a party! | 0:00:18 | 0:00:20 | |
CHEERING | 0:00:20 | 0:00:21 | |
MUSIC PLAYS: Feel The Love by Rudimental ft John Newman | 0:00:21 | 0:00:24 | |
Welcome to the show! | 0:00:33 | 0:00:34 | |
CHEERING | 0:00:34 | 0:00:36 | |
Yay! | 0:00:37 | 0:00:39 | |
Take a seat, take a seat, right, | 0:00:39 | 0:00:41 | |
basically, I need a warm-up act, because, like, | 0:00:41 | 0:00:44 | |
Beyonce wouldn't introduce herself, so, you wouldn't get Beyonce being, | 0:00:44 | 0:00:48 | |
like, "Oh, welcome to the stage, me." | 0:00:48 | 0:00:51 | |
So, who here wants to be my warm-up act? | 0:00:51 | 0:00:55 | |
-AUDIENCE MEMBER: -Me! | 0:00:55 | 0:00:57 | |
Oh, I love that, this is so cute, | 0:00:57 | 0:00:59 | |
the person that avoids all eye contact automatically nominates themselves. | 0:00:59 | 0:01:03 | |
Welcome to the stage, this woman in the white top, you, come on, | 0:01:03 | 0:01:06 | |
welcome, welcome her to the stage. | 0:01:06 | 0:01:07 | |
CHEERING | 0:01:07 | 0:01:09 | |
-Hi. -Hi. Hi. | 0:01:11 | 0:01:13 | |
What's your name? | 0:01:13 | 0:01:15 | |
-Shanine. -Hi, Shanine. OK, guys, can I have some privacy, please, for me | 0:01:15 | 0:01:18 | |
and Shanine. OK, so... | 0:01:18 | 0:01:20 | |
OK, Shanine, what I need you to do is come out here, do your best fire, right? | 0:01:22 | 0:01:26 | |
Just a bit of banter. Be like, "Hi, what do you do for a living?" | 0:01:26 | 0:01:29 | |
There'll be, like, a postwoman, | 0:01:29 | 0:01:30 | |
then just drop a really good joke about being a postwoman, | 0:01:30 | 0:01:33 | |
I can't write all the jokes for you, babe, you got to do some work yourself. Right. | 0:01:33 | 0:01:37 | |
You're going to be, like, welcome to the stage, Luisa Omielan. Omielan. Not Omelian. Not, "I'm a man". | 0:01:37 | 0:01:42 | |
Not, "You're a twat, why did you bring me up here?" | 0:01:42 | 0:01:45 | |
Omielan. | 0:01:45 | 0:01:46 | |
Omielan. Right? Then you've got to go, "What would Beyonce do?" | 0:01:46 | 0:01:50 | |
OK, you've got to be really, like, "What would Beyonce do?!" | 0:01:50 | 0:01:53 | |
Yeah? And this lot are going to go batshit cray. | 0:01:53 | 0:01:56 | |
-You're not even ready. -I was going to say, can we rehearse this? | 0:01:56 | 0:01:59 | |
No rehearsal, bitch, no rehearsal, | 0:01:59 | 0:02:02 | |
-no, right. -No pressure. -No pressure. | 0:02:02 | 0:02:04 | |
No, I mean, I'm only filming it for the BBC, no pressure at all. | 0:02:04 | 0:02:09 | |
"So, Luisa Omielan, what would Beyonce do?" | 0:02:09 | 0:02:11 | |
You're not ready for how much love they're going to give you, OK? | 0:02:11 | 0:02:14 | |
-You're not even ready. -I want all the love. -You want all the love. | 0:02:14 | 0:02:16 | |
Don't get too used to it, babe, they are here to see me, OK? | 0:02:16 | 0:02:19 | |
You got this. | 0:02:19 | 0:02:21 | |
You've got this. Deep breath. | 0:02:21 | 0:02:23 | |
You're nervous, fuck, how do you think I feel? | 0:02:23 | 0:02:25 | |
All right, go on, then. | 0:02:25 | 0:02:27 | |
Right, OK, you're Shanine, right? | 0:02:27 | 0:02:28 | |
-Yes. -Yeah, OK. Shanine, hey, listen, to help you get into character, | 0:02:28 | 0:02:32 | |
just think of yourself as the Kelly or Michelle. | 0:02:32 | 0:02:35 | |
LAUGHTER | 0:02:35 | 0:02:37 | |
CHEERING | 0:02:39 | 0:02:41 | |
Welcome, everyone, | 0:02:41 | 0:02:43 | |
to Luisa Omielan - What Would Beyonce Do? | 0:02:43 | 0:02:45 | |
CHEERING | 0:02:45 | 0:02:47 | |
MUSIC PLAYS: Crazy In Love by Beyonce | 0:02:47 | 0:02:49 | |
Make some noise. | 0:03:10 | 0:03:14 | |
Welcome to What Would Beyonce Do? | 0:03:24 | 0:03:27 | |
CHEERING | 0:03:27 | 0:03:29 | |
Make some noise for Shanine. | 0:03:29 | 0:03:31 | |
Now, guys, | 0:03:31 | 0:03:33 | |
this isn't a show where I'm like, "Oh, my God, I love Beyonce! | 0:03:33 | 0:03:37 | |
"I wish I was like Beyonce!" | 0:03:37 | 0:03:39 | |
In this show, I am Beyonce, | 0:03:39 | 0:03:41 | |
OK? OK. | 0:03:41 | 0:03:43 | |
And it's weird because in many ways me and Beyonce are really similar, | 0:03:43 | 0:03:46 | |
like, it's crazy, right? | 0:03:46 | 0:03:47 | |
Very often people get me and Beyonce confused. | 0:03:47 | 0:03:50 | |
It's adorable. | 0:03:50 | 0:03:51 | |
You see, growing up, I thought I'd have the same lifestyle as Beyonce, | 0:03:51 | 0:03:54 | |
but God decided to give me a very different set of cards. | 0:03:54 | 0:03:57 | |
And... | 0:03:57 | 0:03:59 | |
It's weird, because we are so similar that people very often confuse us. | 0:03:59 | 0:04:02 | |
Like, only the other day somebody stopped me on the street and went, | 0:04:02 | 0:04:05 | |
"Oh, my God are you mixed race?" | 0:04:05 | 0:04:06 | |
"Thanks, babe. | 0:04:08 | 0:04:11 | |
"Just a winning smile and a zest for life, but thank you." | 0:04:11 | 0:04:14 | |
But here's how I realised that being Beyonce, | 0:04:14 | 0:04:17 | |
we're like sisters from another mister, right? | 0:04:17 | 0:04:19 | |
Because I was at home and my little brother blocked the toilet | 0:04:19 | 0:04:22 | |
with a really big poo. | 0:04:22 | 0:04:24 | |
You know the kind that's very long and thick. | 0:04:24 | 0:04:27 | |
If it was a willy, he'd be well in, but it's not, is it, babe? | 0:04:27 | 0:04:31 | |
And my mum said to me it's my job to unblock it, right? | 0:04:31 | 0:04:33 | |
So I'm there with a toilet brush, | 0:04:33 | 0:04:35 | |
desperately try to make this thing go down that one-way system, right? | 0:04:35 | 0:04:38 | |
And the water's spitting back in my... | 0:04:38 | 0:04:40 | |
And my mum says to me, "Luisa, that's not going to work, | 0:04:40 | 0:04:43 | |
"you'll have a go to the garden to fetch a stick." | 0:04:43 | 0:04:47 | |
So, I found myself not long ago, guys, | 0:04:47 | 0:04:49 | |
walking round my back garden looking for a reasonable-size stick | 0:04:49 | 0:04:54 | |
to break up my little brother's poo with. | 0:04:54 | 0:04:57 | |
And while I was doing that, I couldn't help but think to myself... | 0:04:57 | 0:05:00 | |
.."Does this happen to Beyonce?" | 0:05:02 | 0:05:04 | |
In which case, why the fuck is it happening to me? | 0:05:06 | 0:05:09 | |
Look at me, look at me, right? | 0:05:09 | 0:05:11 | |
Now, because of my attitude, I get called a diva all the time. | 0:05:11 | 0:05:14 | |
I don't give a watt. Give me a cheer if you've ever been called a diva. | 0:05:14 | 0:05:16 | |
CHEERING | 0:05:16 | 0:05:18 | |
Right? It's a good thing. | 0:05:18 | 0:05:19 | |
It's a good thing. Because as far as I am concerned, | 0:05:19 | 0:05:21 | |
-a diva is a female version... AUDIENCE: -..of a hustler, | 0:05:21 | 0:05:23 | |
of a hustler, of a hustler! | 0:05:23 | 0:05:26 | |
Yes, give yourselves a round of applause. | 0:05:26 | 0:05:28 | |
That's the right answer. | 0:05:28 | 0:05:30 | |
But here's the thing - | 0:05:31 | 0:05:33 | |
if she couldn't sing and she couldn't dance but she was fabulous | 0:05:33 | 0:05:36 | |
in every other way, when life gives her lemons... | 0:05:36 | 0:05:39 | |
PS, FYI, I wrote this show five and a half years ago, | 0:05:39 | 0:05:42 | |
I've been saying that line for five and a half years | 0:05:42 | 0:05:44 | |
and then the bitch brings out the album not long ago. | 0:05:44 | 0:05:47 | |
If that's not a sign that me and her were separated at birth, | 0:05:47 | 0:05:49 | |
I don't know what is. When life gives her lemons, what would Beyonce do? | 0:05:49 | 0:05:54 | |
We are about to find out, are you up for this? | 0:05:54 | 0:05:57 | |
Yes. OK. Rule number one, in the Bible of Beyonce, thou art Bootylicious. | 0:05:57 | 0:06:02 | |
-What are you? -Bootylicious. | 0:06:02 | 0:06:04 | |
Damn right, you are. Bootylicious, damn right you are. | 0:06:04 | 0:06:07 | |
I love my body, I love getting a tan. | 0:06:07 | 0:06:09 | |
Who here likes tanning? | 0:06:09 | 0:06:10 | |
CHEERING | 0:06:10 | 0:06:11 | |
Yeah. Because cellulite has never looked sexier than when it's orange, | 0:06:11 | 0:06:14 | |
am I right, ladies? | 0:06:14 | 0:06:16 | |
MUSIC PLAYS: Bootylicious by Destiny's Child | 0:06:16 | 0:06:19 | |
I can't hear you. | 0:06:25 | 0:06:26 | |
CHEERING | 0:06:26 | 0:06:28 | |
Let me hear you sing. | 0:06:31 | 0:06:33 | |
Why? | 0:06:39 | 0:06:40 | |
# My body's too bootylicious for you, babe... # | 0:06:40 | 0:06:43 | |
CHEERING | 0:06:43 | 0:06:45 | |
Damn right it is. Now... | 0:06:52 | 0:06:54 | |
I've got a big bum, it's massive, but it's behind me, so... | 0:06:55 | 0:06:59 | |
Never bothered doing anything about it. | 0:07:00 | 0:07:02 | |
In front of my face, I'd fix it. Behind me, couldn't give a fuck. | 0:07:02 | 0:07:06 | |
Let's talk about eating disorders for a minute, shall we? | 0:07:06 | 0:07:09 | |
Let's talk about eating disorders. | 0:07:09 | 0:07:11 | |
I'm sorry, anorexia, bulimia, boo-hoo-hoo, you bitches have had your five, | 0:07:11 | 0:07:15 | |
it's people like me you should feel sorry for, yeah. | 0:07:15 | 0:07:19 | |
Because I grew up skinny, yeah, I was one of them. | 0:07:19 | 0:07:21 | |
I was one of them. | 0:07:21 | 0:07:24 | |
And we don't get any fucking sympathy, do we? | 0:07:24 | 0:07:27 | |
No. Because I've got the opposite of body dysmorphia, | 0:07:27 | 0:07:30 | |
where I get naked in the mirror and I still feel like, whoo, damn! | 0:07:30 | 0:07:33 | |
And my Facebook pictures tell me that's not quite the reality, is it? | 0:07:36 | 0:07:41 | |
See, when I was younger, I was really skinny, right, | 0:07:41 | 0:07:43 | |
so when I was younger, I'd be at school | 0:07:43 | 0:07:45 | |
and all my friends had eating disorders. | 0:07:45 | 0:07:47 | |
So I'd be in the toilet cubicle at break time, right? | 0:07:47 | 0:07:49 | |
And they'd all be in the loo like this, "Oh, Take That have split up." | 0:07:49 | 0:07:52 | |
MIMICS RETCHING | 0:07:52 | 0:07:54 | |
Where I was called Twig Face, so I'd be outside the cubicle, like... | 0:07:54 | 0:07:58 | |
The only problem is, as they've got older, they've learned to go to the gym | 0:07:59 | 0:08:02 | |
to lose the weight, so they're all working out, like, oh, pick up a tree. | 0:08:02 | 0:08:06 | |
I, I go into New Look, pick up a size-eight pair of jeans that don't | 0:08:06 | 0:08:09 | |
fit around my left big toe. | 0:08:09 | 0:08:10 | |
I'm there for a good half hour going... | 0:08:12 | 0:08:15 | |
SHE STRAINS | 0:08:15 | 0:08:18 | |
"Excuse me. | 0:08:20 | 0:08:22 | |
"Well, this is very strange... | 0:08:23 | 0:08:28 | |
"Obviously, New Look have done something with their sizes. | 0:08:28 | 0:08:32 | |
"This has nothing to do with me." | 0:08:32 | 0:08:34 | |
I'm a size 14 now, bitches, a size 14! | 0:08:36 | 0:08:39 | |
CHEERING | 0:08:39 | 0:08:41 | |
Yeah. I'll tell you who's cheering, the fucking skinny bitches, | 0:08:41 | 0:08:44 | |
fucking cheering, fuck you with your carrots. | 0:08:44 | 0:08:47 | |
I've got cellulite to the back of my knees, to the back of my knees. | 0:08:47 | 0:08:51 | |
But I love cellulite. Oh, I love cellulite. | 0:08:51 | 0:08:54 | |
I see an orange in a fruit bowl and get a wide on, you know? | 0:08:54 | 0:08:57 | |
Because the way I see it, I might be a size 14, | 0:08:59 | 0:09:02 | |
have cellulite on the back of my knees, but if I'm sat on your face, mate, | 0:09:02 | 0:09:05 | |
it means one thing, you are lucky! | 0:09:05 | 0:09:08 | |
I just did a royal wave. | 0:09:14 | 0:09:16 | |
But sometimes I get quite shy. | 0:09:18 | 0:09:20 | |
Especially when I'm naked. So shy, I'm so shy. | 0:09:21 | 0:09:26 | |
Like, you know when you wake up in the morning next to some dude | 0:09:26 | 0:09:29 | |
after you've just had sexy time, do you ever have those days? | 0:09:29 | 0:09:32 | |
Sexy time. And you wake up first thing, right, | 0:09:32 | 0:09:35 | |
and you quickly got to run to the bathroom to brush your teeth | 0:09:35 | 0:09:38 | |
and put on some make-up before he wakes up | 0:09:38 | 0:09:40 | |
and is, like, "Ah, who the fuck are you?" | 0:09:40 | 0:09:42 | |
Now, maybe when Beyonce wakes up she's, like, "I can see a halo, halo, halo. | 0:09:42 | 0:09:47 | |
"I woke up like this." | 0:09:47 | 0:09:49 | |
When I wake up in the morning, I look like... | 0:09:50 | 0:09:52 | |
"Oh, no, please stay, don't be scared, Luisa's gone downstairs, | 0:09:54 | 0:09:57 | |
"I'm her sister, hello. | 0:09:57 | 0:09:59 | |
"She asked me to keep the bed warm for you. | 0:10:01 | 0:10:05 | |
"No, relax, you can't get out of that window anyway, Luisa, she's coming, | 0:10:05 | 0:10:09 | |
"Luisa!" | 0:10:09 | 0:10:12 | |
Now, here's my problem. | 0:10:12 | 0:10:14 | |
I can't just walk out, right, because I'm butt naked in the morning, | 0:10:14 | 0:10:16 | |
why am I butt naked? | 0:10:16 | 0:10:18 | |
Because my knickers are on the top of his cupboard somewhere | 0:10:18 | 0:10:21 | |
because you are flexible when you are drunk. | 0:10:21 | 0:10:23 | |
I can't just walk out and let him see all of my nakedness, | 0:10:25 | 0:10:27 | |
are you fucking joking, babe? | 0:10:27 | 0:10:29 | |
"I was breathing in for eight and a half hours, I'm not ruining the facade now. | 0:10:29 | 0:10:33 | |
"I'm not ruining the facade now." | 0:10:33 | 0:10:36 | |
I don't think you lot realise how much effort I put into wooing this fool, | 0:10:36 | 0:10:40 | |
because when I make love, Clapham Grand, when I make love, | 0:10:40 | 0:10:42 | |
it's like a hip-hop video. | 0:10:42 | 0:10:45 | |
Apart from I cry a little bit, you know, whatever. | 0:10:47 | 0:10:52 | |
Cos you know when a guy is making love to you from behind, right? | 0:10:52 | 0:10:55 | |
He's being all, like, romantic and sensual, right? | 0:10:55 | 0:10:58 | |
And he's there behind you like this. | 0:10:58 | 0:11:00 | |
Like bam. Like bam. Like bam, bam, bam. | 0:11:00 | 0:11:03 | |
"I'm going to beat that pussy up. I'm going to beat that pussy up." | 0:11:03 | 0:11:07 | |
Just really caring. | 0:11:11 | 0:11:12 | |
And you find yourself in front of him, like this. | 0:11:15 | 0:11:18 | |
SHE CRIES | 0:11:18 | 0:11:20 | |
"I miss my ex-boyfriend!" | 0:11:27 | 0:11:28 | |
You can't just walk out, can you? | 0:11:36 | 0:11:38 | |
It's not until you are really in love | 0:11:40 | 0:11:42 | |
that you'll let him see all the dimples, is it? | 0:11:42 | 0:11:45 | |
When you're in love, you'll let him see all the flaws and all. | 0:11:45 | 0:11:47 | |
I was in love like that once. I was crazy in love with my ex-boyfriend. | 0:11:47 | 0:11:50 | |
I was so in love with him, we used to sing a duet together where I'd be, like, | 0:11:50 | 0:11:54 | |
# I am in love with you, you set me free. # | 0:11:54 | 0:11:57 | |
And he'd be, like, "You are dumped, please, go away." | 0:11:57 | 0:12:00 | |
But more on that later because it's quite a sad story and this is | 0:12:02 | 0:12:05 | |
a comedy. I say more on it later, the majority of the show... | 0:12:05 | 0:12:09 | |
Sorry if you thought this was all going to be about Beyonce, | 0:12:09 | 0:12:12 | |
no, this is my Adele 21, bitches, this is my Adele 21! | 0:12:12 | 0:12:17 | |
Now, what people don't realise is how much effort it takes for people | 0:12:22 | 0:12:26 | |
like Beyonce and myself to look this fly. | 0:12:26 | 0:12:29 | |
You laughed too hard at that, there was no joke there. | 0:12:29 | 0:12:32 | |
I have to get my eyebrows done on, like, a bi-weekly basis. | 0:12:32 | 0:12:36 | |
First time I went into the salon, the lady there was, like, | 0:12:36 | 0:12:39 | |
MIMICS CHINESE ACCENT: "Ah, you want your chin done, too?" | 0:12:39 | 0:12:42 | |
"I do now, yes." | 0:12:52 | 0:12:53 | |
But I will pay that price for beauty. | 0:12:56 | 0:12:58 | |
Why? Because I'm an independent woman. Give me a cheer if you're an independent woman. | 0:12:58 | 0:13:03 | |
CHEERING | 0:13:03 | 0:13:04 | |
There's a lot of you bitches in the house. | 0:13:04 | 0:13:06 | |
Give me a cheer if you're an independent woman who's in your 30s | 0:13:06 | 0:13:09 | |
and moved back in with your mum. Yeah! | 0:13:09 | 0:13:12 | |
That's our... That's our... | 0:13:12 | 0:13:14 | |
I moved back into my mum's house, right? | 0:13:14 | 0:13:16 | |
Now, my mum's Polish, she's not a cleaner, don't be such a racist, | 0:13:16 | 0:13:19 | |
why would you say that? That's so racist, | 0:13:19 | 0:13:21 | |
she should be, she's a very good one, she loves cleaning. | 0:13:21 | 0:13:24 | |
Like, whenever she gets stressed, she cleans. | 0:13:24 | 0:13:26 | |
Like, when the bills come in once a month, she is, like, | 0:13:26 | 0:13:28 | |
"I must clean the floor. Oh, that's so much better." | 0:13:28 | 0:13:30 | |
It's a bit weird, but it's adorable, right, but here's the thing. | 0:13:30 | 0:13:34 | |
Just because I moved back into my mum's house in my 30s does not mean | 0:13:34 | 0:13:36 | |
that I'm not a strong, independent woman. | 0:13:36 | 0:13:38 | |
I think you'll find I am a strong, independent woman, | 0:13:38 | 0:13:41 | |
because I think you'll find... | 0:13:41 | 0:13:43 | |
MUSIC PLAYS: Independent Women by Destiny's Child | 0:13:43 | 0:13:45 | |
Who bought it? | 0:13:45 | 0:13:46 | |
Who bought it? | 0:13:47 | 0:13:48 | |
Now, technically my mum bought the house, but I'm going to inherit it, | 0:13:56 | 0:13:59 | |
so it's still totally my song. OK. | 0:13:59 | 0:14:01 | |
Let me see your hands. | 0:14:03 | 0:14:05 | |
# All the women who are independent... # | 0:14:05 | 0:14:09 | |
Everyone who's independent, put your hands in the air. | 0:14:19 | 0:14:25 | |
I don't pay any rent, um... | 0:14:25 | 0:14:26 | |
I mean, some people call it spoilt, I call it loved, actually. | 0:14:32 | 0:14:36 | |
You see, I work really hard for this career. | 0:14:36 | 0:14:39 | |
It took me a long time to get here. | 0:14:39 | 0:14:40 | |
I went to university and I got a straight first-class degree, I got, | 0:14:40 | 0:14:43 | |
like the highest first in my institution, like in years, right? | 0:14:43 | 0:14:46 | |
And I came out of university being so proud and excited. | 0:14:46 | 0:14:48 | |
And I was, like, "Oh, hello, world!" | 0:14:48 | 0:14:51 | |
And the world was, like, "Fuck off!" | 0:14:51 | 0:14:54 | |
"You must not know 'bout me. | 0:14:56 | 0:14:59 | |
"You must not know 'bout me." | 0:14:59 | 0:15:02 | |
Right, and I had to sign on. | 0:15:06 | 0:15:07 | |
And you know when you've been signing on for too long, don't you? | 0:15:07 | 0:15:10 | |
When you're high-fiving the security guard on your way into the Jobcentre. | 0:15:10 | 0:15:14 | |
It's too long, mate, it's too long. | 0:15:14 | 0:15:16 | |
"Barry, good to see you, | 0:15:16 | 0:15:18 | |
"Barry, good to see you, Barry, I can't stop, | 0:15:18 | 0:15:20 | |
"I'll talk to you in two weeks' time. Well, I mean, I hope I don't. | 0:15:20 | 0:15:25 | |
"No, I've been looking every day. | 0:15:32 | 0:15:34 | |
"No, I wake up in the morning like I have a job, | 0:15:36 | 0:15:39 | |
"and I make my job to look for a job, then I don't stop until | 0:15:39 | 0:15:43 | |
"9:30 at night, just looking, looking, looking. | 0:15:43 | 0:15:46 | |
"I promise, that's all I do is look. | 0:15:46 | 0:15:49 | |
"Thank you. Thank you. | 0:15:49 | 0:15:54 | |
"Thank you. Thank you. | 0:15:54 | 0:15:57 | |
"Thank you." | 0:15:57 | 0:15:59 | |
And the problem is, after a while, they start sending you | 0:15:59 | 0:16:03 | |
for these whack job interviews, right, but you've got no intention of getting, | 0:16:03 | 0:16:06 | |
but you have to make the effort, otherwise they stop the benefits. | 0:16:06 | 0:16:09 | |
They sent me for this market research position. | 0:16:09 | 0:16:11 | |
I thought I'll be good at this, because I'm good with people. | 0:16:11 | 0:16:13 | |
My job was to go up to members of the public | 0:16:13 | 0:16:15 | |
like yourselves there, guys. Be, like, "Hello, I'm Luisa, | 0:16:15 | 0:16:18 | |
"would it be possible to get a little urine sample from you, | 0:16:18 | 0:16:21 | |
"so I can test you for chlamydia? | 0:16:21 | 0:16:24 | |
"Is that all right?" | 0:16:24 | 0:16:26 | |
Do you see Beyonce collecting piss? | 0:16:26 | 0:16:27 | |
Do you? | 0:16:27 | 0:16:29 | |
Didn't think so. | 0:16:30 | 0:16:31 | |
The problem was I nailed the interview. | 0:16:31 | 0:16:33 | |
Of course I did, look at me, hello, right? | 0:16:33 | 0:16:35 | |
Cos the man that interviewed me | 0:16:35 | 0:16:38 | |
was there like this, "Listen, Miss Omelonelon..." | 0:16:38 | 0:16:41 | |
"It's Omielan, it's very simple." | 0:16:42 | 0:16:44 | |
"I don't care what your name is, | 0:16:44 | 0:16:45 | |
"you are going to get rejected quite a lot in this job role. | 0:16:45 | 0:16:47 | |
"Lots of people are going to come up to your face and they are going to | 0:16:47 | 0:16:50 | |
"tell you to fuck right off. | 0:16:50 | 0:16:52 | |
"So can you give us an example of tenacity." | 0:16:52 | 0:16:54 | |
I was like, "What?" "Tenacity. | 0:16:54 | 0:16:56 | |
"It's a moment in time when you ploughed on despite being | 0:16:56 | 0:16:59 | |
"in the face of rejection." I was, like, "Oh, my God, yes. | 0:16:59 | 0:17:03 | |
"Because one time I had sex with this guy, and he, he didn't even fancy me. | 0:17:05 | 0:17:09 | |
"He was not interested. At all. | 0:17:11 | 0:17:15 | |
"And I got him to fuck me." Have you ever tried to rape a man before? | 0:17:16 | 0:17:23 | |
It's very hard. | 0:17:23 | 0:17:25 | |
I mean, it's not, that's kind of the problem, but you know when... | 0:17:25 | 0:17:28 | |
You know when you meet somebody, you don't know why you're attracted | 0:17:28 | 0:17:32 | |
to this person. You don't know why you fancy this fool. | 0:17:32 | 0:17:35 | |
Maybe it's the dupe he's wearing or something, | 0:17:35 | 0:17:37 | |
you don't know what it is. Right? | 0:17:37 | 0:17:39 | |
And I met this guy, and he had the emotional maturity of, I don't know, | 0:17:39 | 0:17:44 | |
like, a retarded baby pigeon. | 0:17:44 | 0:17:47 | |
But for some reason, I was, like, "Oh, my God, | 0:17:47 | 0:17:51 | |
"that be the most beautiful bird I think I've ever seen." | 0:17:51 | 0:17:54 | |
I met this guy and I chased him for ages. | 0:17:56 | 0:17:58 | |
I kept going up to him being like, "Hi, I'm Luisa." | 0:17:58 | 0:18:00 | |
He'd be, like... SHE SQUAWKS | 0:18:00 | 0:18:02 | |
"Will you go away?" | 0:18:02 | 0:18:05 | |
"Oh, sorry, I just find you really attractive, | 0:18:05 | 0:18:07 | |
"I thought you could take me for a Chinese, or something, | 0:18:07 | 0:18:09 | |
"doesn't have to be a proper restaurant, | 0:18:09 | 0:18:11 | |
just eat as much as you like, and I will." | 0:18:11 | 0:18:13 | |
"Look, I don't want a girlfriend, OK? | 0:18:13 | 0:18:17 | |
"I'm not ready for a girlfriend." | 0:18:17 | 0:18:19 | |
"Oh, you see me as a potential girlfriend!" | 0:18:19 | 0:18:23 | |
"Fuck off, or I will hurt you, don't you understand? | 0:18:23 | 0:18:28 | |
"I'm doing this for your benefit, not mine, I just don't want to hurt you, | 0:18:28 | 0:18:31 | |
"I'm not ready, just go away." | 0:18:31 | 0:18:33 | |
"Oh, my God, that is so thoughtful." | 0:18:33 | 0:18:36 | |
"Oh, my God, you should come back to my house, | 0:18:36 | 0:18:40 | |
"we should totally talk about this. | 0:18:40 | 0:18:41 | |
"Coo-coo, coo-coo... | 0:18:41 | 0:18:43 | |
"Coo-dee, coo-dee, coo-dee..." | 0:18:43 | 0:18:46 | |
And he did, we had sex. Whaa! | 0:18:47 | 0:18:50 | |
I didn't hear from him again, | 0:18:50 | 0:18:52 | |
but that, bitches, is tenacity, right? | 0:18:52 | 0:18:54 | |
Yeah! Now, Beyonce is very tenacious, right? | 0:18:54 | 0:18:57 | |
And here's what's interesting about Beyonce, | 0:18:57 | 0:18:59 | |
and how successful she is, and how powerful she is, | 0:18:59 | 0:19:01 | |
and the way that she's had to act and behave in order to get there because I think there is | 0:19:01 | 0:19:05 | |
a different set of rules when it comes to women if you want to be | 0:19:05 | 0:19:08 | |
successful, and you want to be powerful. | 0:19:08 | 0:19:09 | |
Because if you look at Beyonce throughout her career, | 0:19:09 | 0:19:11 | |
she has placed herself as somebody very humble, very gracious, very kind, | 0:19:11 | 0:19:14 | |
very generous. And it's only actually after she got married | 0:19:14 | 0:19:17 | |
that she became as ferocious and as outspoken as she is now, | 0:19:17 | 0:19:19 | |
which is brilliant. But before then, she was so gracious, and humble, | 0:19:19 | 0:19:22 | |
and quiet, which is weird, because if you look at Kanye, | 0:19:22 | 0:19:24 | |
or Jay Z early in their careers, | 0:19:24 | 0:19:26 | |
there was nothing gracious or humble about them. | 0:19:26 | 0:19:28 | |
24 hours a day, they were always, like, "Suck my dick, suck my dick. | 0:19:28 | 0:19:32 | |
"99 problems, not with this dick. | 0:19:32 | 0:19:33 | |
"What!" | 0:19:33 | 0:19:35 | |
Whereas if you ever meet Beyonce, or, I don't know, | 0:19:35 | 0:19:37 | |
watch a lot of YouTube videos, if you ever meet Beyonce, | 0:19:37 | 0:19:40 | |
Beyonce was always the opposite, Beyonce was always, like, | 0:19:40 | 0:19:44 | |
"Oh, I'm sorry, I'm just a girl from the South and I work so hard until my feet bleed, and... | 0:19:44 | 0:19:50 | |
"I just like to stay at home and bake apple pie a la mode for Jay | 0:19:50 | 0:19:53 | |
"and Blue Ivy, that's my daughter, and... | 0:19:53 | 0:19:57 | |
"I'm just a regular girl like anybody else that I know. | 0:19:57 | 0:20:00 | |
"I'm sorry, Oprah, what was that? | 0:20:00 | 0:20:02 | |
"I'm a billionaire? | 0:20:03 | 0:20:06 | |
"Oh... | 0:20:06 | 0:20:10 | |
"Thank you. | 0:20:10 | 0:20:12 | |
"Thank you." And it seems to me there's a different set of rules | 0:20:12 | 0:20:15 | |
when it comes to power between men and women. | 0:20:15 | 0:20:17 | |
You think about power, you think about sex, | 0:20:17 | 0:20:19 | |
and there's definitely a different set of rules when it comes to sex. | 0:20:19 | 0:20:21 | |
I got a different handbook to the one that you fuckers were given, right? | 0:20:21 | 0:20:24 | |
For example. Ladies, you know when you meet a guy, | 0:20:24 | 0:20:26 | |
you bring him back to your place and you're about to make love | 0:20:26 | 0:20:29 | |
for the first time, and you're all excited, aren't you? | 0:20:29 | 0:20:32 | |
You're a bit nervous because you're a bit, like, "Hope it fits, ah!" | 0:20:32 | 0:20:35 | |
It does, it's fine. | 0:20:35 | 0:20:38 | |
I'm actually surprisingly accommodating. | 0:20:38 | 0:20:40 | |
I know. | 0:20:40 | 0:20:42 | |
You wouldn't think it to look at me, but, poof, it disappears! | 0:20:42 | 0:20:45 | |
"Where's my willy gone? Where's my willy gone?" | 0:20:45 | 0:20:49 | |
"I got it, boo, I got it." | 0:20:49 | 0:20:51 | |
And you're having a mad night of passionate sex with his fool, and, to be honest, | 0:20:51 | 0:20:55 | |
you don't even know his name. Right? | 0:20:55 | 0:20:57 | |
So you're just calling him hun, but he keeps calling you babe, | 0:20:57 | 0:21:00 | |
so, fuck it, you're playing the same console, right? | 0:21:00 | 0:21:03 | |
And then he leaves first thing in the morning, | 0:21:03 | 0:21:05 | |
because someone's got to drive the bus. Toot-toot! | 0:21:05 | 0:21:08 | |
"See you later!" | 0:21:08 | 0:21:09 | |
And afterwards, you run downstairs, tell your flatmates or your mum, | 0:21:09 | 0:21:13 | |
whoever you live with, "I fucked this dude!" | 0:21:13 | 0:21:15 | |
She's very proud and, erm... And if you're anything like me, the next day you're, like, "Oh, my God, | 0:21:15 | 0:21:19 | |
"oh, my god, that was amazing, am I glowing? | 0:21:19 | 0:21:22 | |
"Have I got that glow? Am I glowing? I'm glowing, aren't I? No, I didn't | 0:21:22 | 0:21:25 | |
"even cry, I know, it was amazing, I was so good. Oh, my God, | 0:21:25 | 0:21:28 | |
"you know what I'm going to do? I'm just going to text him. I'm going to text him." | 0:21:28 | 0:21:31 | |
If your friends are like my friends, they're like, "Text him? You can't text him. | 0:21:31 | 0:21:34 | |
"Don't text the guy. Never text... Are you joking, babe? Jesus. Don't text him. | 0:21:34 | 0:21:38 | |
"Jeez, no wonder you're single in your 30s | 0:21:38 | 0:21:39 | |
"if this is what you've been doing your whole life. Never text. | 0:21:39 | 0:21:42 | |
"Men are very simple creatures, they won't like that, | 0:21:42 | 0:21:44 | |
"men do not like being chased, you've got to let the man come after you. | 0:21:44 | 0:21:47 | |
You've got to let the man be the alpha male." | 0:21:47 | 0:21:48 | |
"So what does that make me, omega-3? I'm not a fish." | 0:21:48 | 0:21:51 | |
And then they're, like, "If you text him, | 0:21:53 | 0:21:55 | |
"that's really inappropriate, oh, my God, that's so awkward, | 0:21:55 | 0:21:57 | |
"my God, oh, my God, I feel sick for you. | 0:21:57 | 0:22:01 | |
"You can't text, that's really too awkward, that's so forward, oh, my God, | 0:22:01 | 0:22:04 | |
"that's so forward, that's so awkward. | 0:22:04 | 0:22:06 | |
"Luisa, you can't text, just don't, OK?" | 0:22:06 | 0:22:08 | |
"Oh, OK, let me just break it down, | 0:22:08 | 0:22:10 | |
"because I would hate to get it twisted. | 0:22:10 | 0:22:13 | |
"This man, erm... | 0:22:13 | 0:22:15 | |
"fucked me so hard, he gave me a seizure.... | 0:22:15 | 0:22:19 | |
"Yet sending him a text message... | 0:22:24 | 0:22:27 | |
"..is too forward, is it? | 0:22:30 | 0:22:33 | |
"Is it?" | 0:22:33 | 0:22:34 | |
I feel like I need to be a bit more honest, | 0:22:40 | 0:22:42 | |
just so you can really see the difference of what we're talking about. | 0:22:42 | 0:22:45 | |
This stranger... | 0:22:45 | 0:22:46 | |
..pounded me so vigorously... | 0:22:49 | 0:22:51 | |
..I squirted all over his bedsheets... | 0:22:52 | 0:22:55 | |
I'm going to say it again, because I feel like you missed it the first time. | 0:23:03 | 0:23:07 | |
This stranger... | 0:23:07 | 0:23:09 | |
..pounded me so vigorously... | 0:23:10 | 0:23:13 | |
I squirted all over his bedsheets... | 0:23:13 | 0:23:16 | |
We spent the whole night rolling around trying to avoid the pond life | 0:23:17 | 0:23:20 | |
that was going on in the middle of the room. | 0:23:20 | 0:23:22 | |
Yet sending him a text message... | 0:23:26 | 0:23:28 | |
Which is free on my price plan, PS, FYI. | 0:23:30 | 0:23:32 | |
Oh, that's where it gets awkward, is it? | 0:23:32 | 0:23:35 | |
Is that where it gets awkward? I don't think so, bitches, come on now, | 0:23:35 | 0:23:38 | |
can't text the guy, I sucked your dick dry, I think I can text you, | 0:23:38 | 0:23:41 | |
jog on, mate, right? Jog on. | 0:23:41 | 0:23:42 | |
So I'm going to text him, right? | 0:23:47 | 0:23:49 | |
I'm going to text him. But, ladies, I'll be clever about it, | 0:23:49 | 0:23:51 | |
you've got to be clever about it. You can't text him a statement, | 0:23:51 | 0:23:54 | |
he won't reply to a statement, you've got to give him a reason to reply. | 0:23:54 | 0:23:57 | |
So you've got to text him a question. So I'll be, like... | 0:23:57 | 0:23:59 | |
You're welcome. So I'll be, like, think of a question, but be breezy. | 0:23:59 | 0:24:03 | |
Think of a question but be breezy. | 0:24:03 | 0:24:05 | |
Hello, Luisa breezy Omielan, that's my name. | 0:24:05 | 0:24:07 | |
So I'll text him. I'll be, like, OK, here's my message, | 0:24:07 | 0:24:09 | |
it's going to be really good, I'll be, like, | 0:24:09 | 0:24:11 | |
"Hi, hun, babe here. So... | 0:24:11 | 0:24:14 | |
"..how long does it take to boil an egg?" | 0:24:16 | 0:24:19 | |
Send. Now, this is actually genius, right? | 0:24:19 | 0:24:22 | |
Because you're hoping he'll look into the subtext, | 0:24:22 | 0:24:24 | |
realise you're in your 30s and are ready to start making some babies. | 0:24:24 | 0:24:27 | |
Eggs, eggs, eggs. | 0:24:27 | 0:24:29 | |
Or... If he's a bit slow, he'll just think you're hungry. | 0:24:29 | 0:24:32 | |
So, either way, you're hoping he'll text back relatively quickly and let you know | 0:24:32 | 0:24:35 | |
that he's interested. Ladies in the audience, | 0:24:35 | 0:24:37 | |
think back to the last time that you were in this situation. Does the boy text back straightaway? | 0:24:37 | 0:24:41 | |
-ALL: -NO! -Three days! What the fuck have you been doing for three days? | 0:24:41 | 0:24:45 | |
And when you finally get the message back, is it ever worth the wait? | 0:24:45 | 0:24:49 | |
-ALL: -NO. | 0:24:49 | 0:24:51 | |
Hell no, bitches, hell no. | 0:24:51 | 0:24:54 | |
When you finally get that message back from him, do you ever read it | 0:24:54 | 0:24:57 | |
and go, "Well, thank God that took him three days." | 0:24:57 | 0:25:00 | |
Does the message you get back ever say anything along the lines of, oh, | 0:25:02 | 0:25:06 | |
I don't know, "Hi there, Luisa, yeah, | 0:25:06 | 0:25:08 | |
"I actually found out your name when I googled beautiful." | 0:25:08 | 0:25:13 | |
Oh, shut up, I love that joke, it's my favourite joke. | 0:25:13 | 0:25:16 | |
When I wrote it, I was really excited I was, like, "Yeah, well done, me, | 0:25:16 | 0:25:19 | |
"you can have a biscuit. You're so good, | 0:25:19 | 0:25:22 | |
"you should have the whole pack!" | 0:25:22 | 0:25:24 | |
"Listen, sorry, I've not been in touch, it's my mum's birthday, | 0:25:24 | 0:25:27 | |
"so I surprised her by taking her to the airport for her and her friends | 0:25:27 | 0:25:30 | |
"for a holiday. I've just got a great relationship with my mum. | 0:25:30 | 0:25:32 | |
"It's not that she's not overbearing or anything, I just respect women." | 0:25:32 | 0:25:35 | |
And... | 0:25:35 | 0:25:37 | |
"The other night was really unlike me. | 0:25:37 | 0:25:39 | |
"I just... Well, I've been avoiding relationships. | 0:25:39 | 0:25:41 | |
"Not on purpose, I've just decided to really work on my own sense of self | 0:25:41 | 0:25:44 | |
"and really make sure that | 0:25:44 | 0:25:46 | |
"I'm the kind of guy that gets to a place where I'm emotionally mature and ready, | 0:25:46 | 0:25:49 | |
"so when I meet the kind of woman that I'm meant to be with, | 0:25:49 | 0:25:51 | |
"that I make sure I'm the man that I'm meant to be, to be, like, | 0:25:51 | 0:25:54 | |
"to deserve the woman that I'm meant to be with. | 0:25:54 | 0:25:56 | |
"So I've just been really working myself. | 0:25:56 | 0:25:58 | |
"And, like, you came along, like, wow, I just wasn't ready for it, Luisa, | 0:25:58 | 0:26:01 | |
"and, then... I haven't been able to stop thinking about you since. | 0:26:01 | 0:26:05 | |
"And...I hope you don't mind, | 0:26:05 | 0:26:07 | |
"but I've gone ahead and been a bit assertive, ah, hope you don't mind. | 0:26:07 | 0:26:11 | |
"I just decided to use my loaf for a bit | 0:26:11 | 0:26:14 | |
"and I booked a table at Number One Oriental Buffet | 0:26:14 | 0:26:17 | |
"on Friday at eight o'clock, right? Because I hear it's your favourite. | 0:26:17 | 0:26:21 | |
"Well, I don't know if it's your favourite, but they had, like, | 0:26:21 | 0:26:24 | |
"a picture of you in the window, so I assumed... | 0:26:24 | 0:26:26 | |
"You'd won a competition, right? | 0:26:26 | 0:26:29 | |
"So, I've booked a table then, I'd love to take you out on Friday | 0:26:29 | 0:26:32 | |
"and just get to know you better as a person. So... | 0:26:32 | 0:26:37 | |
"Let me know if you can make it, because it would make my day if you, | 0:26:37 | 0:26:40 | |
"if you could, love from... | 0:26:40 | 0:26:43 | |
"Hercules. Kiss, kiss, kiss." | 0:26:43 | 0:26:46 | |
That's never the response, is it? | 0:26:46 | 0:26:48 | |
It's never the response. | 0:26:48 | 0:26:49 | |
The message that I stop getting on any public transport, | 0:26:49 | 0:26:52 | |
and I stopped getting on trains because I didn't want to lose my mobile phone reception | 0:26:52 | 0:26:55 | |
for any period of time... | 0:26:55 | 0:26:58 | |
That I waited three days for, that I finally get back from this fool is, | 0:26:58 | 0:27:01 | |
"Five minutes", full stop. No kiss. | 0:27:01 | 0:27:03 | |
Oh, really? | 0:27:03 | 0:27:05 | |
Really? That's what I was waiting for, really? | 0:27:05 | 0:27:07 | |
Now, apart from the fact that the guy's a complete fucktard and cannot cook for shit, | 0:27:07 | 0:27:11 | |
because everybody knows it's three, do I breathe before I respond? | 0:27:11 | 0:27:14 | |
Do I think to myself, "Do you know what, Luisa, | 0:27:14 | 0:27:16 | |
"you've seen the film He's Not That Into You, | 0:27:16 | 0:27:19 | |
"you've also read the book twice, let it go"? No. | 0:27:19 | 0:27:21 | |
No, no, no. | 0:27:21 | 0:27:23 | |
Let the games begin, bitches, let the games begin. | 0:27:23 | 0:27:27 | |
Right? My message is saved in my drafts folder. | 0:27:27 | 0:27:31 | |
Why? Because I wrote it three fucking days ago, that's why, right? | 0:27:31 | 0:27:34 | |
I wrote back instantly. I write back instantly, | 0:27:34 | 0:27:37 | |
"You're a legend, thank you, kiss, kiss, kiss, kiss, Kiss!" What? | 0:27:37 | 0:27:41 | |
Where in the Bible of Beyonce does she sing, | 0:27:41 | 0:27:43 | |
"To the left, to the left, come back, I need you, please stay, please stay"? | 0:27:43 | 0:27:47 | |
Come on, now, do I look like Taylor Swift? | 0:27:47 | 0:27:49 | |
It's Beyonce we're channelling, bitches, who are we channelling? | 0:27:52 | 0:27:55 | |
Beyonce. Damn right, we are, right? Now, the problem is, | 0:27:55 | 0:27:58 | |
when I broke up with my ex-boyfriend, I read every book under the sun | 0:27:58 | 0:28:02 | |
on relationships because he ended the relationship. I wasn't ready for it to end. | 0:28:02 | 0:28:05 | |
And I don't know if you've been in that situation before, | 0:28:05 | 0:28:07 | |
but it really threw me. So I was, like, there's got to be an answer, | 0:28:07 | 0:28:10 | |
there's got to be a way I can fix it, right? | 0:28:10 | 0:28:12 | |
I read all the books under the sun. | 0:28:12 | 0:28:13 | |
I read A Breakup Because It's Broken, Why Men Love Bitches, | 0:28:13 | 0:28:16 | |
Men Are From Mars, Women Are From Venus, I read all these books being, | 0:28:16 | 0:28:18 | |
like, there's got to be an answer, there's got to be an answer. | 0:28:18 | 0:28:21 | |
He's Not That Into You. That can't be the answer! | 0:28:21 | 0:28:24 | |
And the messages for women, still, in all of these books is this, | 0:28:24 | 0:28:27 | |
when it comes to getting a man, you've got to let the man be the hunter, | 0:28:27 | 0:28:31 | |
you've got to let the man come hunt you, | 0:28:31 | 0:28:33 | |
when the man's ready, he'll come out of his man cave, | 0:28:33 | 0:28:36 | |
don't go in his man cave now, he won't like that. | 0:28:36 | 0:28:39 | |
When the man's ready, he'll come out of his man cave and he'll come hunt you. | 0:28:39 | 0:28:43 | |
Listen, no man wants a relationship, that's not how it works. | 0:28:43 | 0:28:46 | |
What happens is one day a man will wake up, | 0:28:46 | 0:28:48 | |
he'll bump his head so hard, all of a sudden he'll be ready | 0:28:48 | 0:28:51 | |
for a relationship. And then he will go outside, | 0:28:51 | 0:28:54 | |
he will give that relationship to the first bitch that he lay on. | 0:28:54 | 0:28:57 | |
That's why when you see a couple sometimes and you go, | 0:28:57 | 0:28:59 | |
"How did that happen?" | 0:28:59 | 0:29:02 | |
That's how that happened. That's how that happened. The man is ready. | 0:29:02 | 0:29:07 | |
When the man is ready he'll come out and he'll give that relationship | 0:29:07 | 0:29:10 | |
to the first bitch he lay on, | 0:29:10 | 0:29:12 | |
and all you've got to do is shave your legs and wash your vagina | 0:29:12 | 0:29:15 | |
and make sure... | 0:29:15 | 0:29:17 | |
you ready, because you don't know when that lucky day's going to come. | 0:29:17 | 0:29:20 | |
When a man is going to come hunt you. | 0:29:20 | 0:29:22 | |
I'm not a rabbit, right? | 0:29:23 | 0:29:24 | |
I don't see why I should be outside your fricking man cave | 0:29:24 | 0:29:27 | |
with 12 other bitches waiting for the one day for you | 0:29:27 | 0:29:29 | |
to bump your head and we can all be there in a line being, like, | 0:29:29 | 0:29:32 | |
"Pick me, pick me, pick me." | 0:29:32 | 0:29:34 | |
Why does it have to be like that? Do me a favour, give me the gun, it's going to be you. | 0:29:34 | 0:29:38 | |
SHE SHOOTS Done. | 0:29:38 | 0:29:41 | |
Right? | 0:29:41 | 0:29:42 | |
But, unfortunately, it can't be like that. | 0:29:44 | 0:29:47 | |
All right? Because sometimes, being like that, | 0:29:47 | 0:29:50 | |
sometimes being like that and going for what you want isn't sexy. | 0:29:50 | 0:29:53 | |
Sometimes being a strong, independent woman isn't sexy at all. | 0:29:53 | 0:29:55 | |
I mean, look at Margaret Thatcher. | 0:29:55 | 0:29:57 | |
Strong? Yeah. Independent? | 0:30:00 | 0:30:02 | |
Yeah. Sexy? | 0:30:02 | 0:30:03 | |
Well, not now, is she? | 0:30:03 | 0:30:05 | |
She's dead. | 0:30:07 | 0:30:08 | |
I don't see anybody being, like, "Oh, Maggie T, Maggie T!" Like... | 0:30:10 | 0:30:13 | |
I mean, David Cameron, maybe, but I don't know anybody else. | 0:30:17 | 0:30:21 | |
But here's the thing. She was a woman, and she ran a country, | 0:30:21 | 0:30:24 | |
some might say she was a girl and she ran a... | 0:30:24 | 0:30:28 | |
MUSIC PLAYS: Run The World (Girls) by Beyonce | 0:30:28 | 0:30:31 | |
# Who run this motha? Girls | 0:30:37 | 0:30:39 | |
# Who run this motha? Girls | 0:30:39 | 0:30:40 | |
# Who run this motha? Girls | 0:30:40 | 0:30:42 | |
# Who run the world? Girls | 0:30:42 | 0:30:44 | |
# Who run the world? Girls | 0:30:44 | 0:30:47 | |
# Who run the world? Girls... # | 0:30:47 | 0:30:50 | |
SHE PANTS | 0:31:24 | 0:31:26 | |
Now, Beyonce... | 0:31:33 | 0:31:34 | |
..goes to the gym. | 0:31:35 | 0:31:36 | |
But I like to keep it real with you, bitches. | 0:31:38 | 0:31:41 | |
I don't want you to be, like, "Oh, she's so unattainable!" | 0:31:41 | 0:31:45 | |
Now, I didn't know much about Margaret Thatcher. | 0:31:49 | 0:31:51 | |
I thought she was some pop star from the '80s. | 0:31:51 | 0:31:54 | |
I didn't know. Nobody told me, right? | 0:31:54 | 0:31:56 | |
Margaret Thatcher and Beyonce have actually got a lot in common. | 0:31:56 | 0:31:58 | |
Say what? I'll fill you in. Both have been very impactful with their careers. | 0:31:58 | 0:32:02 | |
And they've both had successful relationships. | 0:32:02 | 0:32:04 | |
Here's what's interesting. When I was in a relationship, I loved it. | 0:32:04 | 0:32:07 | |
I didn't think I would. Because I'm always the single girl. | 0:32:07 | 0:32:09 | |
Like, "I don't need nobody, screw you, I'm a strong, independent woman." | 0:32:09 | 0:32:12 | |
The second I got a boyfriend, I'm like, "I've got your slippers, your dinner, | 0:32:12 | 0:32:16 | |
"your dessert, and so much more." | 0:32:16 | 0:32:18 | |
And when I was in a relationship, I loved it. | 0:32:18 | 0:32:19 | |
And here's how I see relationships. When we're born, we're all thrown into the ocean of life, | 0:32:19 | 0:32:23 | |
and you're swimming in the ocean. And hopefully with your family, who are there to look after you, | 0:32:23 | 0:32:27 | |
and you're there with your mum, and you're swimming in the ocean of life, | 0:32:27 | 0:32:30 | |
and eventually she's, like, "Go on, Luisa, it's time to swim by yourself, in the ocean of life..." | 0:32:30 | 0:32:33 | |
"OK, Mama, I'll try, but don't go too far, OK?" "OK." | 0:32:33 | 0:32:37 | |
Big wave, trying to pay the rent. | 0:32:37 | 0:32:39 | |
"That's a hard wave to swim through by yourself, Mama. | 0:32:39 | 0:32:41 | |
"Oh, big wave, I haven't figured out who I am yet, and I'm 25, Mama, | 0:32:41 | 0:32:44 | |
"I'm drowning, I'm drowning, | 0:32:44 | 0:32:46 | |
"I'm drowning!" "Oh, hey, there baby, what's your name? | 0:32:46 | 0:32:51 | |
"This ocean of life is way more fun with you. | 0:32:51 | 0:32:54 | |
"And I didn't notice that wave. | 0:32:54 | 0:32:56 | |
"I was having too much fun looking at your face, baby, yes, I was. | 0:32:56 | 0:32:59 | |
"Mama, stop calling me, I'm busy, I'll call you back." | 0:32:59 | 0:33:03 | |
"Oh, yeah, hey, baby, these waves and problems, | 0:33:03 | 0:33:05 | |
"they're so much easier next to you. | 0:33:05 | 0:33:07 | |
"I'd love to swim around the ocean of life for a lifetime with you, baby, | 0:33:07 | 0:33:10 | |
"these waves and problems, they don't hit me as hard because I'm swimming next to you. | 0:33:10 | 0:33:14 | |
"If only there was some kind of structural feature where these waves | 0:33:14 | 0:33:16 | |
"would be even easier, and it would be you and I against the world, baby. | 0:33:16 | 0:33:19 | |
"It would be you and I against the world. | 0:33:19 | 0:33:21 | |
"Baby, would you look at that? It's a boat. | 0:33:21 | 0:33:24 | |
"Wouldn't this ocean of life be so much easier to manoeuvre through | 0:33:24 | 0:33:26 | |
"if me and you were together in that little boat made for two, baby? | 0:33:26 | 0:33:29 | |
"That's a relationship boat, is what that is. | 0:33:29 | 0:33:33 | |
"Oh, hell, that's a relation...ship." | 0:33:33 | 0:33:36 | |
LAUGHTER | 0:33:36 | 0:33:39 | |
"Look at my relationship, | 0:33:42 | 0:33:44 | |
"Look at my relationship, it's so beautiful. | 0:33:44 | 0:33:47 | |
"I'm going to start packing things into our relationship. | 0:33:47 | 0:33:49 | |
"I'm going to start investing in our relationship. | 0:33:49 | 0:33:52 | |
"I'm going to go Zara Home, I'm going to make it so nice. | 0:33:52 | 0:33:55 | |
"There's all my love, care and attention, that's all yours, baby, | 0:33:55 | 0:33:58 | |
"that's all yours. | 0:33:58 | 0:34:00 | |
"There's me shaving my legs every day for you, baby, every day. | 0:34:00 | 0:34:04 | |
"There's my iPhone charger, | 0:34:04 | 0:34:06 | |
"so when I stay at your house, my phone doesn't die, that's all yours. | 0:34:06 | 0:34:10 | |
"Oh, look at all the beautiful things I'm investing in the relationship boat... | 0:34:10 | 0:34:13 | |
"It's so exciting. Hey, baby... | 0:34:13 | 0:34:16 | |
"Baby? | 0:34:16 | 0:34:17 | |
"How come you've not put anything into the boat? | 0:34:19 | 0:34:22 | |
"I've put in everything I have. | 0:34:27 | 0:34:31 | |
"You ain't packed in shit. | 0:34:31 | 0:34:32 | |
"Oh, you tired, I'm so sorry, I'm so sorry, I'm so demanding and naggy, | 0:34:34 | 0:34:40 | |
"I know, I'm so sorry. | 0:34:40 | 0:34:42 | |
"No, you're right, you've had a hard day at work, you relax, baby, | 0:34:42 | 0:34:45 | |
"I got this, boo-boo. I got this. | 0:34:45 | 0:34:47 | |
"Oh, here's Christmas with your family because you won't let me | 0:34:47 | 0:34:50 | |
"spend it with mine. Oh, is that my career? | 0:34:50 | 0:34:53 | |
"I'll put it on hold. I'll stay at home and make your babies, yes, I will. | 0:34:53 | 0:34:57 | |
"Hey, what's that? Is that my common sense?" | 0:34:57 | 0:35:00 | |
"Oh! | 0:35:00 | 0:35:02 | |
"Yes. Yes, I've been looking for you. | 0:35:04 | 0:35:09 | |
"It's getting, kind of... | 0:35:10 | 0:35:12 | |
"I'm in love, I'm never going to need this again. Bye! | 0:35:14 | 0:35:17 | |
"Come on, baby, get in the boat, it's time to sail, | 0:35:21 | 0:35:24 | |
"I can't wait to show you off to all my friends. | 0:35:24 | 0:35:26 | |
"They all think you're imaginary. | 0:35:26 | 0:35:27 | |
"Come on, baby. | 0:35:27 | 0:35:29 | |
"Get in the boat. Oh, you want to name the relationship. | 0:35:29 | 0:35:32 | |
"OK. No, I'd like to give you one job, no, no, | 0:35:32 | 0:35:35 | |
"I'll go with whatever you call it, I promise, whatever you call it, | 0:35:35 | 0:35:38 | |
"I want to give you one job, | 0:35:38 | 0:35:40 | |
"I'd sure hate it if you ever felt emasculated by me. | 0:35:40 | 0:35:42 | |
"What you want to call the relationship? | 0:35:42 | 0:35:44 | |
"No, go on, tell me, what's that? What do you want to call it? | 0:35:44 | 0:35:47 | |
"Noncommittal, that's nice, is that French? I like that. | 0:35:47 | 0:35:50 | |
"A noncommittal relationship. | 0:35:50 | 0:35:52 | |
"Look at my noncommittal relationship. | 0:35:52 | 0:35:55 | |
"Oh, it's so fancy, don't be jealous, it's like a jealousy, guys, | 0:35:55 | 0:35:59 | |
"don't be so jealous. | 0:35:59 | 0:36:02 | |
"This is my noncommittal relationship, OK? | 0:36:02 | 0:36:05 | |
"Look, when you stand here on the shore of life, | 0:36:05 | 0:36:07 | |
"and you look for your relationship, | 0:36:07 | 0:36:09 | |
"you're never going to find your relationship, OK? | 0:36:09 | 0:36:12 | |
"'I used to be like you, but I want one now!' That's not how | 0:36:12 | 0:36:15 | |
"it works. But I promise, the day you stop looking, all of a sudden... | 0:36:15 | 0:36:20 | |
TOOTS HORN | 0:36:20 | 0:36:22 | |
"..your relationship will come find you, OK? | 0:36:22 | 0:36:25 | |
"So, let me have my five, it's very unattractive, this jealousy, OK? | 0:36:25 | 0:36:29 | |
"Come, baby, time to get in the boat, baby, come on, get in the boat, | 0:36:29 | 0:36:32 | |
"in, out, in, out, it's not the hokey-cokey, baby, get in the boat. | 0:36:32 | 0:36:35 | |
"Are you in or out of the relationship, baby? | 0:36:35 | 0:36:37 | |
"I just need you to get in the boat. Baby, baby, what are you doing? | 0:36:37 | 0:36:40 | |
"Baby, baby! | 0:36:40 | 0:36:41 | |
"Get off the jet ski, get in the boat!" | 0:36:41 | 0:36:45 | |
Now, when my ex boyfriend decided to fuck off on a jet ski... | 0:36:45 | 0:36:49 | |
I was floored by the end of the relationship. | 0:36:50 | 0:36:52 | |
I've never been so floored by a relationship ending before, | 0:36:52 | 0:36:55 | |
because I hadn't seen it, I hadn't experienced it, right? | 0:36:55 | 0:36:57 | |
And the lovely thing was, I mean, I went back my mum's house, | 0:36:57 | 0:37:00 | |
and the lovely thing was that I became really close to my mum, | 0:37:00 | 0:37:02 | |
and I love my mum, she is a legend. | 0:37:02 | 0:37:04 | |
Give me a cheer if you're a big fan of your mama. | 0:37:04 | 0:37:06 | |
CHEERING | 0:37:06 | 0:37:08 | |
And what was lovely is at the time my mum became a bit, like, my... | 0:37:08 | 0:37:10 | |
MUSIC PLAYS: Girl by Destiny's Child | 0:37:10 | 0:37:14 | |
# Girl, I can tell he's been lying | 0:37:14 | 0:37:17 | |
# And pretending that he's faithful and he loves you | 0:37:17 | 0:37:21 | |
# Girl, you don't have to be hiding | 0:37:21 | 0:37:23 | |
# Don't you be ashamed to say he hurt you | 0:37:23 | 0:37:24 | |
# I'm your girl, you're my girl | 0:37:24 | 0:37:28 | |
# We're your girls | 0:37:28 | 0:37:29 | |
# Don't you know that we love you... # | 0:37:29 | 0:37:31 | |
Yeah. Now, my mum is foreign. | 0:37:31 | 0:37:33 | |
Give me a cheer if anyone here has got foreign parents. | 0:37:33 | 0:37:36 | |
CHEERING | 0:37:36 | 0:37:37 | |
Lovely. Do they ever get their English wrong? | 0:37:37 | 0:37:39 | |
Yeah, my mum gets her English wrong all the time. | 0:37:39 | 0:37:42 | |
Right? Which is ironic, really, cos she teaches it | 0:37:42 | 0:37:44 | |
as a foreign language, but, hey, | 0:37:44 | 0:37:45 | |
don't hate the player, hate the game, right? | 0:37:45 | 0:37:48 | |
Now, when people meet my mum, they expect her to talk like this - | 0:37:48 | 0:37:51 | |
POLISH ACCENT: "Hello, I like to clean." But she doesn't, she talks like this, | 0:37:51 | 0:37:54 | |
and the reason is, when she first came over to England, she came | 0:37:54 | 0:37:57 | |
over with my dad 35 years ago, we were here first, | 0:37:57 | 0:37:59 | |
don't blame me for the influx, right? | 0:37:59 | 0:38:01 | |
And also, can I say, I was born here, so I'm British, thank you. | 0:38:01 | 0:38:05 | |
My mum tries to be, like, you know, "You're Polish, too." | 0:38:05 | 0:38:08 | |
And I'm, like, "I'm British, | 0:38:08 | 0:38:10 | |
"I'm British! Get out of our country." | 0:38:10 | 0:38:14 | |
LAUGHTER | 0:38:14 | 0:38:16 | |
And she came over with my dad, right? | 0:38:18 | 0:38:20 | |
And they got married, she had all us kids, | 0:38:20 | 0:38:23 | |
and my dad started becoming very horrible towards my mum | 0:38:23 | 0:38:26 | |
in every sense of the word | 0:38:26 | 0:38:28 | |
and became very abusive in the marriage, right? | 0:38:28 | 0:38:30 | |
And he treated her in a way that you shouldn't treat somebody, | 0:38:30 | 0:38:33 | |
very disrespectful, and my mum got away from my dad when I was about, | 0:38:33 | 0:38:36 | |
maybe seven years old, | 0:38:36 | 0:38:38 | |
and ever since then, my dad's not really been around that much. | 0:38:38 | 0:38:41 | |
Hmm! Can you tell? | 0:38:41 | 0:38:43 | |
I love that joke. I say joke, it's my life. Anyway... | 0:38:45 | 0:38:48 | |
And in those days, to go back to Poland, it was a really religious Catholic country, | 0:38:50 | 0:38:53 | |
so to go back to Poland with a failed marriage, | 0:38:53 | 0:38:55 | |
she would have been blamed. It wouldn't have been, | 0:38:55 | 0:38:57 | |
"Well done for getting away, let's support you." | 0:38:57 | 0:38:59 | |
It would have been, "Why didn't you put up, shut up and be a better wife?" | 0:38:59 | 0:39:02 | |
So, she decided to stay in England and make it work. | 0:39:02 | 0:39:04 | |
IMITATES MOTHER: The land of dreams and Marks & Spencer. | 0:39:04 | 0:39:07 | |
So excited. So she stayed. | 0:39:08 | 0:39:10 | |
What she did to integrate herself in the community, because she was, like, | 0:39:10 | 0:39:13 | |
"I've got to survive", she learned the language, | 0:39:13 | 0:39:16 | |
cos she wanted to talk with other people. | 0:39:16 | 0:39:17 | |
She wanted to talk in the same accent. | 0:39:17 | 0:39:19 | |
So she used to listen to a lot of BBC News, right? | 0:39:19 | 0:39:21 | |
And those were the days when they didn't have the beautiful accents | 0:39:21 | 0:39:24 | |
that we have now from all over the place. | 0:39:24 | 0:39:25 | |
So she learnt to speak English like this, | 0:39:25 | 0:39:27 | |
POSH ACCENT: Now she talks like this, but always gets it completely wrong, | 0:39:27 | 0:39:30 | |
so you can still tell she's a massive immigrant. | 0:39:30 | 0:39:33 | |
So, my favourite bit of English she ever got wrong was, | 0:39:35 | 0:39:38 | |
"Luisa, I've noticed you've been going through lots of toilet roll recently. | 0:39:38 | 0:39:41 | |
"When you go, how many slices do you use?" | 0:39:41 | 0:39:45 | |
"Go away, shut the door!" | 0:39:45 | 0:39:47 | |
"I have seen it all before." | 0:39:49 | 0:39:50 | |
"Not recently, you haven't." | 0:39:50 | 0:39:53 | |
I was going to say, "There's hair there now, where there didn't used to be, | 0:39:53 | 0:39:56 | |
"but actually there isn't, so it's fine." | 0:39:56 | 0:39:59 | |
And my mum was really there for me at a time when I got really depressed. | 0:40:01 | 0:40:04 | |
Now, brace yourself, we are about to talk about depression, | 0:40:04 | 0:40:06 | |
it's going to get sexy, crunk, crunk. | 0:40:06 | 0:40:09 | |
People don't like talking about depression, | 0:40:09 | 0:40:11 | |
cos it's not a sexy subject. | 0:40:11 | 0:40:12 | |
Our physical health, you'll happily share and talk about, | 0:40:12 | 0:40:14 | |
you will share it in all your social media sites | 0:40:14 | 0:40:16 | |
about how you're feeling physically. | 0:40:16 | 0:40:18 | |
But our mental health, | 0:40:18 | 0:40:19 | |
we're not in as much of a hurry to share, | 0:40:19 | 0:40:21 | |
and I think that's such a shame that we don't put as much significance | 0:40:21 | 0:40:23 | |
on our mental health cos it's just as fucking valuable. | 0:40:23 | 0:40:26 | |
Very often, the two are related. If you are not feeling physically well, | 0:40:26 | 0:40:29 | |
maybe mentally you need some work, | 0:40:29 | 0:40:30 | |
and mentally you're not feeling well, | 0:40:30 | 0:40:31 | |
maybe physically you need to do something. | 0:40:31 | 0:40:33 | |
Because you'll quite happily go to the gym | 0:40:33 | 0:40:35 | |
and you'll spend anything from £25 a month, | 0:40:35 | 0:40:37 | |
we are in London, come on, £105 a month, right? | 0:40:37 | 0:40:40 | |
Going to the gym to work out | 0:40:40 | 0:40:41 | |
and I wish we had that kind of same investment in our mental health | 0:40:41 | 0:40:44 | |
cos it's just as important. Wouldn't it be cool if there was | 0:40:44 | 0:40:47 | |
a mental health gym, somewhere that was encouraged and cool to go to, babe? | 0:40:47 | 0:40:50 | |
Somewhere that you could be there, and you could be, like, | 0:40:50 | 0:40:52 | |
"Hey, Barry, good to see you, yeah, | 0:40:52 | 0:40:54 | |
"I'm just working on my ex-boyfriend issues, that's right. | 0:40:54 | 0:40:57 | |
"Just working it on my ex-boyfriend issues. | 0:40:57 | 0:41:00 | |
"Thank you. Thank you. | 0:41:00 | 0:41:02 | |
"If you like that, well, | 0:41:02 | 0:41:04 | |
"when I'm nice and strong, I'm going to try and tackle my daddy ones. | 0:41:04 | 0:41:10 | |
"Not strong enough yet for the daddy ones, OK." | 0:41:10 | 0:41:13 | |
"Just keep working on ex-boyfriend, because you don't want to hurt yourself. | 0:41:13 | 0:41:16 | |
"Are the two related?" | 0:41:17 | 0:41:19 | |
"They couldn't possibly be. | 0:41:19 | 0:41:21 | |
"No relation here." | 0:41:23 | 0:41:25 | |
If you think about mental health, sometimes maybe it's not your fault. | 0:41:25 | 0:41:28 | |
Maybe if we're feeling really shit about ourselves, | 0:41:28 | 0:41:30 | |
maybe it's actually not technically our fault, | 0:41:30 | 0:41:32 | |
maybe there's something more going on. | 0:41:32 | 0:41:34 | |
Maybe it's genetics. There is the whole nature/nurture debate. | 0:41:34 | 0:41:37 | |
Maybe, fucking, you were born with it. | 0:41:37 | 0:41:38 | |
It's like, "Hey, what did you get from your mama?" | 0:41:38 | 0:41:40 | |
"I got my big, beautiful brown eyes." | 0:41:40 | 0:41:42 | |
"What did you get from your mama?" | 0:41:42 | 0:41:43 | |
"I got bipolar." | 0:41:43 | 0:41:45 | |
And depression is so common. There's so many of us that suffer with it. | 0:41:49 | 0:41:52 | |
I think there's two types of depression, | 0:41:52 | 0:41:54 | |
I think there's the first type where you literally cannot get out of bed | 0:41:54 | 0:41:56 | |
or face the day cos it's easier to fall asleep than try and deal | 0:41:56 | 0:41:59 | |
with what your head is doing to yourself, cos it's so exhausting, | 0:41:59 | 0:42:02 | |
feeling so invaluable and so shit about yourself constantly. | 0:42:02 | 0:42:05 | |
And maybe when you see a train going past, you think, | 0:42:05 | 0:42:07 | |
"Fuck it, I'll jump," not because you want to kill yourself, | 0:42:07 | 0:42:09 | |
or you want to hurt people around you, | 0:42:09 | 0:42:11 | |
but because it's so fucking exhausting | 0:42:11 | 0:42:13 | |
feeling this shit about yourself in your own head, constantly, | 0:42:13 | 0:42:16 | |
you just want some relief and some respite for a bit, right? | 0:42:16 | 0:42:19 | |
And the second type of depression, | 0:42:19 | 0:42:21 | |
which is the one that I think's a bit more popular, | 0:42:21 | 0:42:23 | |
"I'll take two, please, thank you." | 0:42:23 | 0:42:24 | |
And that's the one where I get every now and then, | 0:42:24 | 0:42:27 | |
where you'll wake up in the morning and you'll be, like, | 0:42:27 | 0:42:30 | |
"Well, I mean, I hate my life, but fuck it, | 0:42:30 | 0:42:32 | |
"I'll still make a sandwich." | 0:42:32 | 0:42:33 | |
SHE IMITATES CHEWING | 0:42:37 | 0:42:38 | |
And if you look at the nature-nurture debate, maybe it's our environment growing up, | 0:42:42 | 0:42:45 | |
maybe our environment affected how we deal with things, | 0:42:45 | 0:42:47 | |
how capable we are of dealing with things, | 0:42:47 | 0:42:49 | |
that's why I think mental health | 0:42:49 | 0:42:50 | |
is so important to be educated in schools from a young age, | 0:42:50 | 0:42:53 | |
so we've got the tools to be able to support ourselves. | 0:42:53 | 0:42:55 | |
So when shit does hit the fan, | 0:42:55 | 0:42:56 | |
we're empowered enough to be able to deal with it, right? | 0:42:56 | 0:42:59 | |
Because I've got loads of qualities, being a middle child, | 0:42:59 | 0:43:01 | |
for example, that I share with other middle children. | 0:43:01 | 0:43:03 | |
That's nothing from genetics, that's just my environment. | 0:43:03 | 0:43:06 | |
For example, let's have a little experiment. | 0:43:06 | 0:43:07 | |
Give me a cheer if you're a middle child, who's a middle child? | 0:43:07 | 0:43:10 | |
CHEERING | 0:43:10 | 0:43:11 | |
You see, you guys, very diplomatic, great communicators, see, | 0:43:11 | 0:43:13 | |
very sociable. Very diplomatic. That's one of our key skills. | 0:43:13 | 0:43:16 | |
When the shit hits the fan, you want a middle child on board. | 0:43:16 | 0:43:18 | |
Do you know why we're so good at handling a drama, or a fight kicking off? | 0:43:18 | 0:43:21 | |
Cos we're so used to being, like, "Babe, what did you do? | 0:43:21 | 0:43:23 | |
"Come on now, give it back, guys, let's be friends, right?" | 0:43:23 | 0:43:26 | |
We're so used to it. We're also very attractive and fabulous in bed, so. | 0:43:26 | 0:43:29 | |
That's the middle child. | 0:43:30 | 0:43:31 | |
Eldest, give me a cheer if you're the eldest. | 0:43:31 | 0:43:33 | |
CHEERING | 0:43:33 | 0:43:35 | |
See, natural leaders, natural fucking leaders, right? | 0:43:35 | 0:43:38 | |
People often come to you for advice. | 0:43:38 | 0:43:39 | |
Do you know why they come to you first? | 0:43:39 | 0:43:41 | |
Because you're the first lot to fuck it up in the family. | 0:43:41 | 0:43:43 | |
That's why they come to you, babe. that's why they come to you. | 0:43:44 | 0:43:47 | |
And then, of course, you've finally got the youngest, | 0:43:47 | 0:43:49 | |
give me a cheer if you're the youngest. | 0:43:49 | 0:43:51 | |
CHEERING | 0:43:51 | 0:43:52 | |
"Look at me, look at me!" | 0:43:52 | 0:43:54 | |
SO needy, aren't they? | 0:43:57 | 0:43:59 | |
And I'm not even going to do the only child, | 0:44:03 | 0:44:05 | |
cos you lot have had enough attention all your lives, OK? | 0:44:05 | 0:44:07 | |
Only children. | 0:44:08 | 0:44:10 | |
Only children, you've got no idea how easy you've had it. | 0:44:11 | 0:44:15 | |
Now, my little brother's the youngest in my family, right? | 0:44:16 | 0:44:18 | |
And he was always complaining that he was depressed. | 0:44:18 | 0:44:20 | |
And I was, like, shut up, you're a twat. I think it really... | 0:44:20 | 0:44:23 | |
I think it really helped. | 0:44:23 | 0:44:24 | |
And Christmas, not long ago, we had a really shit Christmas, | 0:44:24 | 0:44:27 | |
we had a horrible Christmas, right? | 0:44:27 | 0:44:29 | |
Christmas not long ago. | 0:44:29 | 0:44:30 | |
My little brother took an overdose, and he tried to kill himself. | 0:44:30 | 0:44:33 | |
Now, has anybody here ever tried to kill themselves before? | 0:44:33 | 0:44:37 | |
Right, ladies? | 0:44:37 | 0:44:39 | |
Hashtag awkward. OK. | 0:44:40 | 0:44:42 | |
LAUGHTER | 0:44:42 | 0:44:43 | |
I'll tell you what happened, right. | 0:44:43 | 0:44:45 | |
Christmas Day is his birthday, right, | 0:44:45 | 0:44:47 | |
so it's Polish tradition that we celebrate Christmas Eve | 0:44:47 | 0:44:49 | |
more than Christmas Day. My mum carries on the tradition here. | 0:44:49 | 0:44:52 | |
And also, because it's his birthday on Christmas Day, | 0:44:52 | 0:44:54 | |
we like to more, like, separate the two. | 0:44:54 | 0:44:55 | |
So on Christmas Eve, what you do is you don't eat all day. | 0:44:55 | 0:44:58 | |
You're not allowed any food all day. | 0:44:58 | 0:44:59 | |
And then when the first star comes out, you sit down, | 0:44:59 | 0:45:01 | |
you lay out all the food, and you start eating, | 0:45:01 | 0:45:03 | |
but you're not allowed any meat all day. You're quite hungry. | 0:45:03 | 0:45:05 | |
Like, I go around the rest of the day and I'm like, "Mum, but I'm starving!" | 0:45:05 | 0:45:08 | |
She's like, "You're hardly starving." I'm like, thank you. | 0:45:08 | 0:45:11 | |
So we all sit around the table, right, | 0:45:12 | 0:45:14 | |
and no matter how many people are around the table, | 0:45:14 | 0:45:16 | |
you've got to set a place for Jesus. | 0:45:16 | 0:45:18 | |
Just in case Jesus drops by. | 0:45:18 | 0:45:20 | |
Cos you'd sure hate it if the one year you're like, | 0:45:20 | 0:45:22 | |
"Mum, I'm a bit squashed, I'm just going to sit in Jesus' chair." | 0:45:22 | 0:45:25 | |
All of a sudden, ding dong! | 0:45:25 | 0:45:26 | |
"Oh. Jesus!" | 0:45:26 | 0:45:28 | |
"What? There's no chair? | 0:45:28 | 0:45:29 | |
"Oh, I'm going next door." | 0:45:29 | 0:45:31 | |
"No, Jesus!" | 0:45:31 | 0:45:33 | |
Right. | 0:45:35 | 0:45:36 | |
So we saved a place for Jesus, right. | 0:45:36 | 0:45:37 | |
We're all sat at the table, "Oh, is Jesus coming round? | 0:45:37 | 0:45:39 | |
"I hope Jesus comes round. Oh, Mum, where's Jesus? | 0:45:39 | 0:45:41 | |
"Oh. Is that the doorbell or the wind? Oh, where's Jesus?" | 0:45:41 | 0:45:44 | |
And my mum's always like, "Luisa, stop mocking Jesus." | 0:45:44 | 0:45:47 | |
I'm like, "Who's mocking Him? Hello. Apparently He's always here, | 0:45:47 | 0:45:49 | |
"I don't know why I have to save Him a seat, but, you know." | 0:45:49 | 0:45:52 | |
She's like, "Luisa, stop being so rude about Jesus." | 0:45:53 | 0:45:55 | |
I'm like, "Hello, who's being rude? He's not eating His fish." | 0:45:55 | 0:45:57 | |
Sorry. | 0:46:00 | 0:46:01 | |
So we had the dinner, right, and it was really nice. | 0:46:04 | 0:46:06 | |
Then, everyone just did their own thing. | 0:46:06 | 0:46:08 | |
And it got to midnight, | 0:46:08 | 0:46:09 | |
and I ran up to my brother's room to sing Happy Birthday to him. | 0:46:09 | 0:46:12 | |
Cos what guy doesn't like Happy Birthday being sung to him | 0:46:12 | 0:46:14 | |
by his older sister? Hello, right? | 0:46:14 | 0:46:16 | |
So I ran in, and in his room, he was kind of hanging off the bed, right. | 0:46:16 | 0:46:19 | |
He was hanging off the bed and his arm and leg were all off, | 0:46:19 | 0:46:21 | |
and he was all out of it. And... | 0:46:21 | 0:46:23 | |
..his eyes were, like, rolled to the back of his head. | 0:46:24 | 0:46:26 | |
And he didn't look well. And it was clear that he'd taken an overdose. | 0:46:26 | 0:46:29 | |
Took an overdose of pills, right. | 0:46:29 | 0:46:30 | |
And we rushed him into A&E, and in A&E, | 0:46:30 | 0:46:32 | |
they put him in a separate room. | 0:46:32 | 0:46:33 | |
They didn't put him out in the main ward with everyone else. | 0:46:33 | 0:46:36 | |
They kind of had him hidden from everybody, right. | 0:46:36 | 0:46:38 | |
I'm there with him, and it's a really stressful time, right. | 0:46:38 | 0:46:42 | |
Cos you feel really like you don't know what to do in the situation. | 0:46:42 | 0:46:45 | |
And my mum is distraught. | 0:46:45 | 0:46:48 | |
She's devastated. So she's, like, outside, | 0:46:48 | 0:46:50 | |
like, cleaning the car, or whatever she's doing. | 0:46:50 | 0:46:52 | |
Apparently, it helps. | 0:46:55 | 0:46:56 | |
So it's just me sat in the room with him. | 0:46:58 | 0:47:00 | |
And I remember feeling so embarrassed. | 0:47:00 | 0:47:02 | |
And I know that's not a nice thing to admit to, | 0:47:02 | 0:47:04 | |
but I remember feeling so embarrassed and so ashamed, | 0:47:04 | 0:47:07 | |
cos I've got a good family, right? | 0:47:07 | 0:47:09 | |
I've got a really good family. | 0:47:09 | 0:47:10 | |
Somebody trying to kill themselves doesn't happen in my family. | 0:47:10 | 0:47:13 | |
But here I am, and he's just tried to do it. | 0:47:13 | 0:47:17 | |
And I'm sat there with him, right, and I didn't know what to do, | 0:47:17 | 0:47:19 | |
cos nobody tells you what to do in that situation. | 0:47:19 | 0:47:21 | |
The nurse came in, and I was so relieved, cos I thought, | 0:47:21 | 0:47:23 | |
"Well, at least he'll get the professional help that he needs now. | 0:47:23 | 0:47:26 | |
"At least he'll get professional help now, | 0:47:26 | 0:47:28 | |
"so maybe this is, like, a silver lining." | 0:47:28 | 0:47:30 | |
Because he was complaining of depression for a long time. | 0:47:30 | 0:47:32 | |
And none of us ever took him seriously. | 0:47:32 | 0:47:33 | |
Because every time he'd say that he was depressed, | 0:47:33 | 0:47:35 | |
I would always be like, "Oh, that's because nobody likes you." | 0:47:35 | 0:47:38 | |
LAUGHTER | 0:47:38 | 0:47:39 | |
Yeah. | 0:47:45 | 0:47:47 | |
"Hey, you know when I'm feeling like, | 0:47:47 | 0:47:49 | |
"'Oh, I'm really depressed, I hate myself,' | 0:47:49 | 0:47:52 | |
"it usually just means that I'm hungry, so..." | 0:47:52 | 0:47:54 | |
"Would you like a sandwich?" | 0:47:56 | 0:47:58 | |
That was how much I tried to help him, right. | 0:47:59 | 0:48:01 | |
So I was so relieved when the nurse came in. | 0:48:01 | 0:48:03 | |
And she goes, "Hi, there, Miss Omelonelon." | 0:48:03 | 0:48:05 | |
It's Omielan. It's very simple. | 0:48:07 | 0:48:08 | |
"Sorry. Unfortunately, your brother's not scored enough points | 0:48:08 | 0:48:12 | |
"to see a doctor or a psychiatrist at this time." | 0:48:12 | 0:48:15 | |
Sorry, not enough points? | 0:48:15 | 0:48:16 | |
"No, he hasn't. Because you're here with him, | 0:48:16 | 0:48:18 | |
"you go down as his primary carer, | 0:48:18 | 0:48:19 | |
"so what we're going to do is we're going to monitor him, | 0:48:19 | 0:48:21 | |
"and then we're going to send him home with you. | 0:48:21 | 0:48:23 | |
"And then you can look after him and bring him back to see a doctor | 0:48:23 | 0:48:25 | |
"in six to eight weeks' time, all right?" | 0:48:25 | 0:48:27 | |
No, you can't have me as the primary carer. | 0:48:27 | 0:48:29 | |
I fucking got him here in the first place. Don't put him with me. | 0:48:29 | 0:48:31 | |
"No, it's just the way it works. | 0:48:31 | 0:48:33 | |
"He hasn't scored enough points, I'm sorry. | 0:48:33 | 0:48:35 | |
"So we're just going to make sure he's stable. | 0:48:35 | 0:48:36 | |
"Once we're sure he's stable, we'll send him back with you, OK?" | 0:48:36 | 0:48:39 | |
OK. So he can't see the doctor for, like, five minutes | 0:48:39 | 0:48:42 | |
just for a little chat? No? | 0:48:42 | 0:48:44 | |
"No. Sorry." | 0:48:44 | 0:48:46 | |
Oh, OK. Sure. | 0:48:46 | 0:48:49 | |
Did you hear that, mate? | 0:48:49 | 0:48:50 | |
You didn't get enough points. | 0:48:52 | 0:48:53 | |
So you're going to have to do something more crazy! | 0:48:54 | 0:48:57 | |
LAUGHTER | 0:48:57 | 0:48:59 | |
And I remember feeling really embarrassed and really ashamed | 0:49:00 | 0:49:03 | |
and really desperate. | 0:49:03 | 0:49:04 | |
I was so desperate for someone to take care of that situation. | 0:49:04 | 0:49:07 | |
So I rang my dad. I don't speak to him very often, | 0:49:07 | 0:49:09 | |
but I didn't know who else to call, right. | 0:49:09 | 0:49:11 | |
So I ring my dad and I go, "Hi, Dad, it's Luisa." | 0:49:11 | 0:49:13 | |
"Who?" "Luisa, your daughter." | 0:49:13 | 0:49:15 | |
"Oh. Hi." | 0:49:15 | 0:49:16 | |
"Listen, it's about your son. | 0:49:16 | 0:49:18 | |
"I'm in A&E with him and... | 0:49:18 | 0:49:19 | |
"..he's all right, he's stable, but I just need to tell you | 0:49:21 | 0:49:23 | |
"that he's taken an overdose, and he's tried to kill himself. | 0:49:23 | 0:49:26 | |
"I didn't know who else to call so I'm calling you. | 0:49:26 | 0:49:28 | |
"I'm sorry to ring you up. I'm sorry to bother you. | 0:49:28 | 0:49:30 | |
"I just didn't know who to..." | 0:49:30 | 0:49:31 | |
"Luisa, listen to me, Luisa, listen to me. | 0:49:31 | 0:49:33 | |
"Thank you for calling me. Here's what I want you to do. | 0:49:33 | 0:49:36 | |
"Why don't you get him to give me a call when he gets out?" | 0:49:36 | 0:49:40 | |
"Thank you, Daddy. | 0:49:46 | 0:49:47 | |
"Merry Christmas." | 0:49:48 | 0:49:50 | |
You sure are making those issues lighter by the day, Daddy. | 0:49:51 | 0:49:54 | |
Lighter by the day. | 0:49:56 | 0:49:58 | |
And I remember feeling not very... | 0:50:00 | 0:50:03 | |
..Beyonce. | 0:50:04 | 0:50:06 | |
Not Beyonce at all. | 0:50:06 | 0:50:07 | |
And it's not a nice, strong, independent woman thing to admit to, | 0:50:07 | 0:50:10 | |
but I remember feeling so desperate | 0:50:10 | 0:50:13 | |
for a man to come in and be like, "I got this. | 0:50:13 | 0:50:17 | |
"I'm going to take care of you and your family," | 0:50:17 | 0:50:19 | |
and there wasn't that figure. | 0:50:19 | 0:50:20 | |
Because all I can see is my family falling apart in front of me, | 0:50:20 | 0:50:23 | |
and I'm sat next to him, and I don't know what to say to him. | 0:50:23 | 0:50:25 | |
I'm not in a position to say, "You're going to be fine, | 0:50:25 | 0:50:27 | |
"everything's going to be OK. I'm going to take care of you." | 0:50:27 | 0:50:30 | |
Because everything's not OK. | 0:50:30 | 0:50:31 | |
Because it's because he's been with me that he's here. | 0:50:31 | 0:50:34 | |
So you tell me, what do I say to him now? | 0:50:34 | 0:50:36 | |
To make sure that tomorrow, | 0:50:36 | 0:50:37 | |
for the 20 seconds that I'm not watching him like a hawk, | 0:50:37 | 0:50:40 | |
that he doesn't try to do it again. | 0:50:40 | 0:50:41 | |
But tomorrow, he'll succeed, | 0:50:41 | 0:50:42 | |
so you tell me what the fuck do I say to him now | 0:50:42 | 0:50:45 | |
to make him not feel the need to do that again? | 0:50:45 | 0:50:48 | |
And nobody tells you what to say. | 0:50:48 | 0:50:50 | |
I remember looking at him and feeling like, | 0:50:50 | 0:50:53 | |
"You are so loved. | 0:50:53 | 0:50:55 | |
"You could not be more loved. | 0:50:55 | 0:50:58 | |
"You have no idea how very, very loved you are. | 0:50:58 | 0:51:02 | |
"Please, don't ever feel the need to do this again. | 0:51:02 | 0:51:06 | |
"If you ever feel like this again, you come and talk to me, | 0:51:06 | 0:51:09 | |
"cos I'm your sister, I've got your back, you come and ask me, OK?" | 0:51:09 | 0:51:13 | |
And I'll always remember it. | 0:51:15 | 0:51:17 | |
Cos as the clock hit 5AM, and he stirs, | 0:51:17 | 0:51:20 | |
and he goes, "Luisa, I'm just so tired." | 0:51:20 | 0:51:25 | |
I'll never forget what I said to him. | 0:51:27 | 0:51:29 | |
Cos I turned to him and I went... | 0:51:29 | 0:51:31 | |
"YOU'RE tired?!" | 0:51:33 | 0:51:34 | |
LAUGHTER | 0:51:34 | 0:51:36 | |
"You're bloody tired?! It's 5AM, | 0:51:39 | 0:51:43 | |
"you dickwad, you've been asleep for 4.5 hours! | 0:51:43 | 0:51:46 | |
"I've been awake! | 0:51:46 | 0:51:49 | |
"12? Who takes 12?! | 0:51:49 | 0:51:50 | |
"Do some permanent damage, you should have taken 20! | 0:51:50 | 0:51:53 | |
"Jesus, you can't even do that properly. | 0:51:54 | 0:51:57 | |
"Here's an idea, next time you fancy having a go at killing yourself, | 0:51:57 | 0:52:00 | |
"next time you want to have a go at killing yourself, | 0:52:00 | 0:52:02 | |
"do us all a favour and come and ask me how." | 0:52:02 | 0:52:05 | |
LAUGHTER | 0:52:05 | 0:52:07 | |
"Oh, my God. | 0:52:11 | 0:52:12 | |
"See what I mean? | 0:52:14 | 0:52:15 | |
"You don't love me. | 0:52:17 | 0:52:18 | |
"Nobody loves me. | 0:52:19 | 0:52:21 | |
"None of you love me. | 0:52:21 | 0:52:23 | |
"Nobody loves me." | 0:52:23 | 0:52:25 | |
"Nobody loves you? | 0:52:25 | 0:52:27 | |
"Nobody loves you? | 0:52:27 | 0:52:29 | |
"I broke your shit up with a stick!" | 0:52:31 | 0:52:34 | |
LAUGHTER AND APPLAUSE | 0:52:34 | 0:52:36 | |
Can I just borrow you for a second? | 0:52:46 | 0:52:47 | |
Is that all right? Thank you. | 0:52:47 | 0:52:49 | |
Can I borrow you for a second? | 0:52:50 | 0:52:52 | |
Can I borrow you for a second? Hi. Do you want to just come around? | 0:52:52 | 0:52:55 | |
Give these girls a round of applause. | 0:52:55 | 0:52:57 | |
APPLAUSE | 0:52:57 | 0:52:58 | |
Hello. Thank you for coming. Hi. | 0:53:01 | 0:53:03 | |
-Hi, what are your names? -Delia. | 0:53:03 | 0:53:05 | |
Delia. Hello, Delia. | 0:53:05 | 0:53:07 | |
Hi, guys. | 0:53:07 | 0:53:08 | |
Thank you so much. I just, that was a really sad bit | 0:53:08 | 0:53:10 | |
and I just feel like I need some... You know, cos it's a really sad bit. | 0:53:10 | 0:53:13 | |
Thank you. Thank you. | 0:53:13 | 0:53:15 | |
Just... Thank you so much for being so supportive of me here. | 0:53:15 | 0:53:17 | |
If you could just stand here for me. Just thank you so much. | 0:53:18 | 0:53:20 | |
Just stand there. Thank you so much. Just thank you so much. | 0:53:20 | 0:53:23 | |
Thank you so much. | 0:53:23 | 0:53:26 | |
Thank you so much. Just thank you for being here for me. | 0:53:26 | 0:53:29 | |
I just... I just really thank you. | 0:53:29 | 0:53:31 | |
That's really... Thank you so much. | 0:53:31 | 0:53:33 | |
Give me a cheer if you're single! | 0:53:33 | 0:53:35 | |
CHEERING | 0:53:35 | 0:53:37 | |
We're happy, aren't we? We're happy. | 0:53:37 | 0:53:39 | |
Give me a cheer if you are in love! | 0:53:39 | 0:53:40 | |
CHEERING | 0:53:40 | 0:53:42 | |
Go fuck yourselves! | 0:53:42 | 0:53:43 | |
# All the single ladies | 0:53:44 | 0:53:45 | |
# All the single ladies | 0:53:45 | 0:53:46 | |
# All the single ladies | 0:53:46 | 0:53:48 | |
# All the single ladies | 0:53:48 | 0:53:49 | |
# All the single ladies | 0:53:49 | 0:53:50 | |
# All the single ladies | 0:53:50 | 0:53:51 | |
# All the single ladies | 0:53:51 | 0:53:53 | |
# Now put your hands up | 0:53:53 | 0:53:54 | |
# Up in the club | 0:53:54 | 0:53:56 | |
# Just broke up | 0:53:56 | 0:53:57 | |
# I'm doing my own little thing | 0:53:57 | 0:53:59 | |
# You decided to dip | 0:53:59 | 0:54:01 | |
# And now you wanna trip | 0:54:01 | 0:54:02 | |
# Cos another brother noticed me | 0:54:02 | 0:54:04 | |
# I'm up on him | 0:54:04 | 0:54:05 | |
# He up on me | 0:54:05 | 0:54:07 | |
# Don't pay him any attention | 0:54:07 | 0:54:09 | |
# Cos I cried my tears | 0:54:09 | 0:54:10 | |
# For three good years | 0:54:10 | 0:54:12 | |
# You can't be mad at me | 0:54:12 | 0:54:13 | |
# Cos if you liked it, then you should have put a ring on it | 0:54:13 | 0:54:16 | |
# If you liked it then you should have put a ring on it | 0:54:16 | 0:54:19 | |
# Don't be mad once you see that he want it | 0:54:19 | 0:54:21 | |
# If you liked it, then you should have put a ring on it | 0:54:21 | 0:54:23 | |
# Oh, oh, oh | 0:54:23 | 0:54:25 | |
# Oh, oh, oh, oh | 0:54:25 | 0:54:26 | |
# Oh, oh, oh, oh, oh | 0:54:26 | 0:54:28 | |
# Oh, oh, oh | 0:54:28 | 0:54:29 | |
# Oh, oh, oh, oh, | 0:54:29 | 0:54:31 | |
# Oh, oh, oh, oh, oh | 0:54:31 | 0:54:33 | |
# Cos if you liked it, then you should have put a ring on it | 0:54:33 | 0:54:36 | |
# If you liked it, then you should have put a ring on it | 0:54:36 | 0:54:39 | |
# Don't be mad once you see that he want it | 0:54:39 | 0:54:41 | |
# If you liked it, then you should have put a ring on it... # | 0:54:41 | 0:54:44 | |
Kelly and Michelle, ladies and gentlemen! | 0:54:44 | 0:54:47 | |
APPLAUSE | 0:54:47 | 0:54:48 | |
Come on, take a bow! | 0:54:48 | 0:54:50 | |
The one that should have put a ring on it was Irish. | 0:54:58 | 0:55:00 | |
He had a really sexy accent. | 0:55:02 | 0:55:03 | |
He could say anything and it would make me really horny. | 0:55:03 | 0:55:06 | |
He'd be like... | 0:55:06 | 0:55:07 | |
IRISH ACCENT: "I fuckin kill babies." Ah! | 0:55:07 | 0:55:09 | |
Say it again, say it again! | 0:55:10 | 0:55:12 | |
Now, did you know that cows have accents, | 0:55:13 | 0:55:16 | |
depending on the region that they're from? This is a fact. | 0:55:16 | 0:55:18 | |
If you get this in a quiz, it's true. For example, like, | 0:55:18 | 0:55:21 | |
an English cow is, like, English. Moo. | 0:55:21 | 0:55:23 | |
Standard, right? | 0:55:23 | 0:55:25 | |
The Scottish cow would be, like, Scottish. | 0:55:25 | 0:55:27 | |
SCOTTISH ACCENT: Moo. | 0:55:29 | 0:55:30 | |
An Irish cow would be, like, Irish. | 0:55:34 | 0:55:36 | |
IRISH ACCENT: Moo. | 0:55:36 | 0:55:37 | |
I know it's a cow, but I still would. | 0:55:38 | 0:55:39 | |
Like, oh, them titties! It's amazing. | 0:55:39 | 0:55:41 | |
And a Welsh cow is like... | 0:55:43 | 0:55:44 | |
WELSH ACCENT: Hello, I'm from Wales, very friendly, moo, moo. | 0:55:44 | 0:55:47 | |
However, this works in any country and any dialect. | 0:55:47 | 0:55:49 | |
So shout out some countries. We'll do some cows. | 0:55:49 | 0:55:51 | |
AUDIENCE SHOUTS | 0:55:51 | 0:55:53 | |
-Where? Go on. AUDIENCE MEMBER: -Australia! | 0:55:53 | 0:55:55 | |
-Australia, oh, wow, OK, hang on. AUDIENCE MEMBER: -America! -Where? | 0:55:55 | 0:55:58 | |
-Jamaica! -Canada! -Jamaica, Australia... | 0:55:58 | 0:56:00 | |
-Poland! -Poland. Poland is easy. | 0:56:00 | 0:56:02 | |
SHE SPEAKS POLISH Moo, moo, moo. | 0:56:02 | 0:56:04 | |
Australian? | 0:56:05 | 0:56:07 | |
Australian is like, Australian, | 0:56:07 | 0:56:08 | |
AUSTRALIAN ACCENT: Oh, hi, hey, doll, how's it going? | 0:56:08 | 0:56:10 | |
Welcome to the coffee shop, oh, yeah, just sit down. | 0:56:10 | 0:56:13 | |
You're here. | 0:56:13 | 0:56:17 | |
I'm sorry, darling, oh, were you expecting good customer service? | 0:56:17 | 0:56:20 | |
LAUGHTER | 0:56:20 | 0:56:21 | |
No, we're just being relaxed, | 0:56:23 | 0:56:24 | |
so we'll just bring it to you when we feel like it. | 0:56:24 | 0:56:27 | |
Moo. Moo. | 0:56:28 | 0:56:31 | |
APPLAUSE | 0:56:31 | 0:56:32 | |
American? | 0:56:33 | 0:56:35 | |
The only American one I can do is, like, a New York Jew. | 0:56:35 | 0:56:38 | |
Where it's like... | 0:56:40 | 0:56:41 | |
NEW YORK ACCENT: Hello, can I get a coffee to go? | 0:56:41 | 0:56:43 | |
Hello? Moo, moo. | 0:56:43 | 0:56:44 | |
Only one I can do. | 0:56:44 | 0:56:46 | |
LAUGHTER AND APPLAUSE | 0:56:46 | 0:56:47 | |
And what did you say? Jamaican? | 0:56:48 | 0:56:50 | |
Yeah, thanks, Jamaica, thanks, OK, cool. | 0:56:50 | 0:56:53 | |
Give the white girl Jamaica. I see what you're doing, there. | 0:56:53 | 0:56:55 | |
I mean, give the olive girl Jamaican. Let's keep it real. | 0:56:56 | 0:56:59 | |
OK, I'm going to do a Jamaican, a Jamaican cow. | 0:57:00 | 0:57:02 | |
Luckily for you lot, I've done black before. | 0:57:02 | 0:57:04 | |
Am I right? Am I right? Am I right? Am I right? | 0:57:04 | 0:57:06 | |
LAUGHTER AND APPLAUSE | 0:57:06 | 0:57:08 | |
OK, Jamaican, oh, yeah. | 0:57:08 | 0:57:10 | |
The thing about doing a Jamaican cow, | 0:57:10 | 0:57:11 | |
you do a Jamaican cow, you can't stand still. | 0:57:11 | 0:57:13 | |
Cos you have to start gyrating. | 0:57:13 | 0:57:15 | |
JAMAICAN ACCENT: Yes. Yes. | 0:57:15 | 0:57:16 | |
Cos you know when you're in the club dem, | 0:57:16 | 0:57:18 | |
and the man dem come up behind you, and he hold you proper close. | 0:57:18 | 0:57:21 | |
He hold you proper close. | 0:57:21 | 0:57:23 | |
OWN ACCENT: You're like, "Um, this is my personal space. | 0:57:23 | 0:57:25 | |
"That's your personal..." | 0:57:25 | 0:57:26 | |
JAMAICAN ACCENT: There be no personal space. | 0:57:26 | 0:57:28 | |
"Oh, I can feel your willy against me! | 0:57:30 | 0:57:32 | |
"This is very, very sexual." | 0:57:33 | 0:57:34 | |
It's not sexual at all, it's how we dance in me culture. | 0:57:34 | 0:57:37 | |
How we dance in me culture! | 0:57:37 | 0:57:38 | |
"Oh, my God. Your willy's inside me now!" | 0:57:38 | 0:57:42 | |
"I'm pregnant, I'm definitely pregnant!" | 0:57:43 | 0:57:46 | |
Let me give you a Jamaican cow. | 0:57:47 | 0:57:50 | |
Moo. | 0:57:50 | 0:57:52 | |
LAUGHTER AND APPLAUSE | 0:57:52 | 0:57:54 | |
So, Luisa, you still haven't told us, | 0:58:01 | 0:58:03 | |
why did you and your ex-boyfriend break-up? | 0:58:03 | 0:58:05 | |
OK. I will. | 0:58:05 | 0:58:07 | |
Reluctantly. | 0:58:07 | 0:58:08 | |
LAUGHTER | 0:58:08 | 0:58:10 | |
We were best friends for a couple of years, right, | 0:58:12 | 0:58:14 | |
and I was totally Crazy in Love with him. | 0:58:14 | 0:58:15 | |
Then we dated for about a year, | 0:58:15 | 0:58:16 | |
then after that, it was off and on for another year. | 0:58:16 | 0:58:19 | |
Off and on, off and on, off and on. | 0:58:19 | 0:58:20 | |
You know the kind of relationship that just won't die? | 0:58:20 | 0:58:22 | |
I thoroughly recommend, | 0:58:24 | 0:58:25 | |
if you have some self-esteem that you would like to get rid of, | 0:58:25 | 0:58:27 | |
engage in one of those bad boys, and woo! | 0:58:27 | 0:58:29 | |
Watch it go. Watch it go. | 0:58:29 | 0:58:31 | |
And he was the one that wasn't sure. | 0:58:35 | 0:58:36 | |
I was always sure. And he'd always be like, | 0:58:36 | 0:58:38 | |
IRISH ACCENT: "Luisa, I love ye. Like, I proper love ye. | 0:58:38 | 0:58:41 | |
"Like, do you know that? Like, I love ye. | 0:58:41 | 0:58:43 | |
"I'm just not ready for, like, a relationship. | 0:58:44 | 0:58:47 | |
"But I love ye, Luisa. | 0:58:47 | 0:58:48 | |
"I just can't give you what you want, but I love ye. | 0:58:48 | 0:58:52 | |
"No, but I love ye. | 0:58:52 | 0:58:54 | |
"But, no, but I do love ye. | 0:58:54 | 0:58:57 | |
"I don't know why you're crying. | 0:58:57 | 0:58:58 | |
"I think I've made it very clear. | 0:58:58 | 0:59:00 | |
"Like... | 0:59:00 | 0:59:01 | |
"Like, come on, now. | 0:59:01 | 0:59:03 | |
"Look, at least I'm being honest, you know. | 0:59:03 | 0:59:05 | |
"Like, I love ye. | 0:59:06 | 0:59:09 | |
"But, no, but I love ye, so... | 0:59:09 | 0:59:11 | |
"It's up to you to decide. | 0:59:12 | 0:59:15 | |
"So.. Yeah. | 0:59:15 | 0:59:17 | |
"Cos you know what? | 0:59:19 | 0:59:20 | |
"Do you know what, Luisa? I'm going to marry you. | 0:59:20 | 0:59:22 | |
"Fuck it, I won't. I don't know why I said that. | 0:59:22 | 0:59:24 | |
"Sorry. Sorry." | 0:59:24 | 0:59:26 | |
And I was like, "Oh, OK, sure, babe, whatever you want. | 0:59:26 | 0:59:29 | |
"No problem. Yeah." | 0:59:29 | 0:59:30 | |
And all my friends would be like, | 0:59:30 | 0:59:32 | |
"Babe, what are you doing with this fool? | 0:59:32 | 0:59:34 | |
"Like, he's clearly not in love with you. You need to let go." | 0:59:34 | 0:59:36 | |
And I'd be like, "Oh, my God, you are so jealous. What is your problem? | 0:59:36 | 0:59:39 | |
"Look, he just doesn't like calling it a relationship. | 0:59:39 | 0:59:41 | |
"You don't understand guys. That's your problem, you don't understand, like, men. | 0:59:41 | 0:59:44 | |
"Like, hello, like, it's Shakespeare! A rose by any other name, like, | 0:59:44 | 0:59:47 | |
"That's what it is, a relationship, just cos I don't call it that, | 0:59:47 | 0:59:49 | |
"doesn't mean it's not a relationship, does it? | 0:59:49 | 0:59:51 | |
"He just doesn't like calling it that. That's just how guys are. | 0:59:51 | 0:59:54 | |
"They just don't like calling it things like that, OK? | 0:59:54 | 0:59:56 | |
"But it is one, because he calls me first thing in the morning, | 0:59:56 | 0:59:58 | |
"last thing at night. When we make love, he looks me in the eyes, | 0:59:58 | 1:00:01 | |
"and he's like, 'I proper fucking love you.' | 1:00:01 | 1:00:03 | |
"Why would he do that, unless he didn't, OK? | 1:00:03 | 1:00:05 | |
"Cos we walk down the streets, and he holds my hand. | 1:00:05 | 1:00:07 | |
"So if that's not love, babe, I don't know what it is. | 1:00:07 | 1:00:09 | |
"He just doesn't like calling it a relationship. | 1:00:09 | 1:00:11 | |
"That's all it is, OK? And besides of which..." | 1:00:11 | 1:00:13 | |
# I was cool with no commitment | 1:00:13 | 1:00:14 | |
# Wait, let me take that back | 1:00:14 | 1:00:16 | |
# It was you so I went with it. # | 1:00:16 | 1:00:18 | |
Destiny...no? OK. | 1:00:19 | 1:00:21 | |
I see that you all did your homework | 1:00:22 | 1:00:24 | |
when you came to a show called What Would Beyonce Do? | 1:00:24 | 1:00:26 | |
And it got to the point where he walked me to the train station. | 1:00:28 | 1:00:30 | |
He cups my face at the train station, he's like, | 1:00:30 | 1:00:32 | |
"Luisa, I'm really sorry, Badger, but I can't do this any more. | 1:00:32 | 1:00:35 | |
"Like, it's over, Badger." He used to call me Badger. | 1:00:35 | 1:00:37 | |
That was, like, his nickname for me. | 1:00:37 | 1:00:38 | |
Like, "Oh, you're my badger. You're my badger. | 1:00:38 | 1:00:40 | |
"You're my badgerella." I know, right? I was like, oh! | 1:00:40 | 1:00:42 | |
One time, I went to Topshop and found a T-shirt | 1:00:44 | 1:00:46 | |
with a picture of a badger on it. | 1:00:46 | 1:00:47 | |
So I bought it and I'd wear it, | 1:00:47 | 1:00:48 | |
and I'd be like, "Oh, I'm your badger." | 1:00:48 | 1:00:50 | |
LAUGHTER AND APPLAUSE | 1:00:50 | 1:00:54 | |
He's cupping my face at the train station. | 1:00:58 | 1:01:00 | |
He's like, "I love you, badger, like, you know that? | 1:01:00 | 1:01:02 | |
"Like, it's a great T-shirt. I love you. | 1:01:02 | 1:01:05 | |
"It's just, it's got to end now. | 1:01:07 | 1:01:08 | |
"I'm just not ready, but I love you, Badger. | 1:01:08 | 1:01:11 | |
"I really love you. | 1:01:11 | 1:01:12 | |
"And, Luisa, you need to listen to me. Even though it's over now, | 1:01:12 | 1:01:15 | |
"I want you to know that I hope that life treats you kind. | 1:01:15 | 1:01:19 | |
"OK? | 1:01:19 | 1:01:21 | |
"And I hope that you have everything that you've ever dreamed of. | 1:01:21 | 1:01:26 | |
"OK? | 1:01:26 | 1:01:28 | |
"And I wish you joy. | 1:01:29 | 1:01:30 | |
"And happiness. | 1:01:33 | 1:01:34 | |
"But above all of this... | 1:01:36 | 1:01:38 | |
"..I wish you love. | 1:01:40 | 1:01:42 | |
"But, no, so, sorry." | 1:01:43 | 1:01:46 | |
And I was like, "OK, sure, baby. | 1:01:46 | 1:01:48 | |
"Cool. OK. Well, call me next week when you love me again. | 1:01:48 | 1:01:51 | |
"Bye. I'll just get on my train to denial. | 1:01:51 | 1:01:54 | |
"Choo-choo." | 1:01:54 | 1:01:56 | |
And I didn't hear from him again. I was like, oh, that's weird. | 1:01:58 | 1:02:01 | |
He's not contacted me for like a week, two weeks, three weeks. | 1:02:01 | 1:02:03 | |
Why has he not contacted me? | 1:02:03 | 1:02:04 | |
That's weird, normally he'd call me by now to get it back on again. | 1:02:04 | 1:02:07 | |
Like, why is he not calling me? | 1:02:07 | 1:02:08 | |
And the reason he didn't call me is cos he met somebody else. | 1:02:08 | 1:02:11 | |
And he started a relationship with somebody else. | 1:02:11 | 1:02:13 | |
And I remember at the time feeling so flawed, | 1:02:13 | 1:02:16 | |
because I thought that you weren't ready. | 1:02:16 | 1:02:18 | |
And people say, "Don't take it personally." | 1:02:18 | 1:02:20 | |
How do you not take it personally? | 1:02:20 | 1:02:21 | |
It's not that you didn't want a relationship, | 1:02:21 | 1:02:23 | |
you just didn't want a relationship with me. | 1:02:23 | 1:02:25 | |
And at the time, that left me feeling | 1:02:25 | 1:02:28 | |
so insignificant and worthless. | 1:02:28 | 1:02:31 | |
Like my love for him meant nothing. | 1:02:31 | 1:02:33 | |
Like his love for me meant nothing. | 1:02:33 | 1:02:36 | |
Because we were both holding on. | 1:02:36 | 1:02:37 | |
But then you let go to grab another branch, | 1:02:37 | 1:02:39 | |
but that meant that I just fell. | 1:02:39 | 1:02:41 | |
And at the time, it felt like such a slap in the face. | 1:02:41 | 1:02:47 | |
How quickly... | 1:02:47 | 1:02:48 | |
..I was replaced. | 1:02:51 | 1:02:52 | |
# And are you thinking of me | 1:02:57 | 1:02:59 | |
# When you...her? # | 1:02:59 | 1:03:01 | |
That's the radio edit, and yes, we are going to have a singalong, bitches. | 1:03:02 | 1:03:05 | |
So brace yourselves. | 1:03:05 | 1:03:06 | |
CHEERING AND APPLAUSE | 1:03:06 | 1:03:08 | |
# Cos the love that you gave that we made | 1:03:11 | 1:03:13 | |
# Wasn't able to make it enough for you to be | 1:03:13 | 1:03:16 | |
# Open wide | 1:03:16 | 1:03:17 | |
# And you know | 1:03:17 | 1:03:19 | |
# And every time you speak her name | 1:03:20 | 1:03:22 | |
# Does she know how you told me you'd hold me | 1:03:22 | 1:03:25 | |
# Until you died | 1:03:25 | 1:03:26 | |
# Till you died | 1:03:26 | 1:03:27 | |
-# But you're still alive. # -Sing it, bitches! | 1:03:27 | 1:03:29 | |
# And I'm here | 1:03:29 | 1:03:31 | |
# To remind you | 1:03:31 | 1:03:33 | |
# Of the mess you left | 1:03:33 | 1:03:36 | |
# When you went away | 1:03:36 | 1:03:38 | |
# It's not fair | 1:03:38 | 1:03:40 | |
# To deny me | 1:03:40 | 1:03:42 | |
# Of the cross I bear | 1:03:42 | 1:03:44 | |
# That you gave to me | 1:03:44 | 1:03:46 | |
# You, you | 1:03:46 | 1:03:47 | |
# You oughta know! # | 1:03:47 | 1:03:49 | |
CHEERING AND APPLAUSE | 1:03:50 | 1:03:52 | |
There's my boat! There's my boat! | 1:03:57 | 1:03:59 | |
Get the boat, babe, quick. | 1:03:59 | 1:04:01 | |
Quick, got to get the boat, babe. | 1:04:01 | 1:04:04 | |
Come back. | 1:04:04 | 1:04:06 | |
SHE BLOWS LOUDLY | 1:04:06 | 1:04:07 | |
Come back. | 1:04:07 | 1:04:08 | |
SHE BLOWS LOUDLY | 1:04:08 | 1:04:10 | |
Bring the boat back. | 1:04:11 | 1:04:13 | |
"Hi, there, crazy lady walking along the beach | 1:04:15 | 1:04:18 | |
"pretending to be Rose from Titanic. What's your problem?" | 1:04:18 | 1:04:21 | |
You've got to help me, there's my boat. | 1:04:22 | 1:04:23 | |
She's taking my relationship. | 1:04:23 | 1:04:25 | |
There's four years of my life in that boat and she's taken it. | 1:04:25 | 1:04:27 | |
You've got to get my boat back. I need my boat back. | 1:04:27 | 1:04:29 | |
She's taken my relationship. | 1:04:29 | 1:04:31 | |
"That's not very nice. | 1:04:31 | 1:04:32 | |
"Let's have a little look. | 1:04:32 | 1:04:34 | |
"That's not your relationship, that's obviously their relationship. | 1:04:34 | 1:04:37 | |
"Oh, they look so happy in that little relationship." | 1:04:37 | 1:04:40 | |
No, no, that was my boat. | 1:04:40 | 1:04:42 | |
She took my boat. That's my boat. | 1:04:42 | 1:04:44 | |
"Stop being a cray-cray bitch. | 1:04:44 | 1:04:45 | |
"Walking around butt naked, put some clothes on. | 1:04:47 | 1:04:50 | |
"That's not your boat, that's obviously their boat. | 1:04:53 | 1:04:56 | |
"You shouldn't deny other people their happiness. | 1:04:56 | 1:04:58 | |
"That's a horrible trait. Don't be jealous of other people, | 1:04:58 | 1:05:00 | |
"that's very unattractive, let me see you be happy for them. | 1:05:00 | 1:05:03 | |
"Jesus. Every other week I get one of you wailing bitches. | 1:05:10 | 1:05:13 | |
"'That's my relationship...' | 1:05:13 | 1:05:15 | |
"No. Come here, let me give you a lesson that somebody once told me. | 1:05:15 | 1:05:19 | |
"When you stand here by the shore of the ocean of life, | 1:05:19 | 1:05:23 | |
"and you look for your relationship, | 1:05:23 | 1:05:25 | |
"you're never gon' find your relationship. | 1:05:25 | 1:05:29 | |
"But I promise, the day you stop looking, all of a sudden..." | 1:05:29 | 1:05:34 | |
No! | 1:05:34 | 1:05:36 | |
You could have at least given me back my iPhone charger! | 1:05:37 | 1:05:40 | |
They're expensive. | 1:05:41 | 1:05:43 | |
It's just what you want, isn't it, when you're heartbroken? | 1:05:48 | 1:05:51 | |
Just to go into the Apple Store | 1:05:51 | 1:05:52 | |
and buy two bits of shit that cost you like £100 each. | 1:05:52 | 1:05:54 | |
Just to charge up your phone and go, "Oh, no more messages ever. | 1:05:54 | 1:05:58 | |
"Thank you so much." | 1:05:58 | 1:06:01 | |
And he sails off in his new relationship, | 1:06:01 | 1:06:03 | |
and he threw my heart overboard. | 1:06:03 | 1:06:04 | |
And my heart got washed up, and I picked it up. | 1:06:04 | 1:06:06 | |
And it's there, all deflated. | 1:06:06 | 1:06:09 | |
It's got seaweed and, like, urine on it, | 1:06:09 | 1:06:10 | |
where people have weed in the ocean... | 1:06:10 | 1:06:12 | |
I mean, I do it too, what's the point of going all the way in, | 1:06:12 | 1:06:14 | |
do you know what I mean? | 1:06:14 | 1:06:16 | |
And I didn't know how to fix it. | 1:06:16 | 1:06:17 | |
I haven't seen a good, strong relationship work around me. | 1:06:17 | 1:06:19 | |
I didn't know how to fix it. So I thought, well, | 1:06:19 | 1:06:21 | |
if you're going to look up to anyone, may as well be the Queen B, right? | 1:06:21 | 1:06:24 | |
And she's like, well, be an independent woman. | 1:06:24 | 1:06:25 | |
Hang out with the girls, go round the world, | 1:06:25 | 1:06:27 | |
it's there for the taking. | 1:06:27 | 1:06:28 | |
So I spent a good two years of my life just, | 1:06:28 | 1:06:30 | |
with my deflated broken heart, trying to fix it, like... | 1:06:30 | 1:06:32 | |
"Maybe I'll do some yoga classes. | 1:06:40 | 1:06:42 | |
"Get rid of some of that cellulite I've been talking about. | 1:06:42 | 1:06:44 | |
"It's not a bad idea. | 1:06:44 | 1:06:46 | |
"I mean, my friends tell me I'm pretty. | 1:06:51 | 1:06:52 | |
"OK, I've got a hairy chin sometimes, but I do OK. | 1:06:52 | 1:06:55 | |
"Maybe this is an opportunity for you to start focusing on yourself | 1:07:00 | 1:07:03 | |
"and your own wants and aspirations and dreams. | 1:07:03 | 1:07:05 | |
"Maybe you could focus on your career. | 1:07:05 | 1:07:06 | |
"I mean, you've always wanted to do comedy. | 1:07:06 | 1:07:08 | |
"I know in five minutes, they think you're a bit batshit | 1:07:08 | 1:07:10 | |
"cos they don't really get you. But maybe if you could put it together | 1:07:10 | 1:07:13 | |
"with some kind of pop culture references, and then, I don't know, | 1:07:13 | 1:07:15 | |
"give it some kind of structure, I don't know, | 1:07:15 | 1:07:17 | |
"you could go on to Edinburgh Fringe Festival and have one of the most | 1:07:17 | 1:07:20 | |
"successful debut shows to come out of there, and five years later, | 1:07:20 | 1:07:23 | |
"if you're really lucky..." | 1:07:23 | 1:07:24 | |
CHEERING AND APPLAUSE | 1:07:24 | 1:07:25 | |
"If you're really lucky, | 1:07:28 | 1:07:29 | |
"maybe a little bit of time later, | 1:07:29 | 1:07:31 | |
"they might let you film it for, like, the BBC or something. | 1:07:31 | 1:07:34 | |
"I don't know." | 1:07:34 | 1:07:35 | |
CHEERING AND APPLAUSE | 1:07:35 | 1:07:37 | |
"Oh, no. | 1:07:38 | 1:07:40 | |
"That'll never happen. | 1:07:40 | 1:07:42 | |
"What? Dreams really can come true?" | 1:07:42 | 1:07:45 | |
"I fixed it. I fixed my broken heart. | 1:07:52 | 1:07:55 | |
"I'm finally ready. | 1:07:55 | 1:07:56 | |
"I think I'm ready. | 1:07:56 | 1:07:57 | |
"I think it's time. I fixed my broken heart. | 1:07:57 | 1:08:00 | |
"I think it's finally time. | 1:08:00 | 1:08:02 | |
"I think I'm just going to have a look on his Twitter." | 1:08:02 | 1:08:05 | |
"Oh, no, not the Twitter page!" | 1:08:07 | 1:08:09 | |
Shut up, Heart, you don't know what you're talking about. | 1:08:09 | 1:08:11 | |
You made me fall in love with him in the first place, | 1:08:11 | 1:08:13 | |
I'm never listening to you again. | 1:08:13 | 1:08:15 | |
EASTERN EUROPEAN ACCENT: "Please, stay away." | 1:08:15 | 1:08:17 | |
Mr Vagina? | 1:08:23 | 1:08:25 | |
I thought you'd died! | 1:08:26 | 1:08:28 | |
CHEERING AND APPLAUSE | 1:08:31 | 1:08:34 | |
"No, I've been hibernating for a long time. | 1:08:38 | 1:08:40 | |
"Like a hedgehog. Please do not look at the page. | 1:08:41 | 1:08:43 | |
"Please do not look at the page." | 1:08:43 | 1:08:45 | |
Guys, it's fine, he was in my life for four years, | 1:08:45 | 1:08:47 | |
what should I do, just forget about him? | 1:08:47 | 1:08:48 | |
It's been four months, I just want to see what he's up to. | 1:08:48 | 1:08:50 | |
Like, I'm fine, I just want to see what he's up to. | 1:08:50 | 1:08:52 | |
I just want to see if, you know, | 1:08:52 | 1:08:54 | |
he says anything that maybe I should get in touch or something. | 1:08:54 | 1:08:56 | |
I just want to see how... | 1:08:56 | 1:08:57 | |
"For the love of God, do not look at... I beg you, please stop." | 1:08:57 | 1:09:00 | |
Guys, I'm fine. Oh, look, he's got a picture. He's got a picture. | 1:09:00 | 1:09:02 | |
I'm just going to look at the picture. | 1:09:02 | 1:09:04 | |
"For the love of God, do not open picture. | 1:09:04 | 1:09:05 | |
I'm not listening to you, OK? | 1:09:05 | 1:09:06 | |
I don't know why you're Eastern European, | 1:09:06 | 1:09:08 | |
I think that's very strange, OK? | 1:09:08 | 1:09:10 | |
"Oh, please, like you can take the girl out of Poland." | 1:09:12 | 1:09:15 | |
Very true, Mr Vagina. | 1:09:17 | 1:09:18 | |
High five. High five. | 1:09:18 | 1:09:20 | |
Look, he's just got a picture on his Twitter, | 1:09:22 | 1:09:23 | |
I'm just going to open the picture. | 1:09:23 | 1:09:25 | |
Hashtag L.O.V.E. I'm just going to open the picture. | 1:09:25 | 1:09:27 | |
"For the love of God, I beg you, do not open picture." | 1:09:27 | 1:09:30 | |
It's fine. What's the worst that can happen? | 1:09:30 | 1:09:33 | |
Just going to open the picture. | 1:09:33 | 1:09:35 | |
SHE GULPS | 1:09:35 | 1:09:36 | |
AAAH! | 1:09:40 | 1:09:43 | |
SHE SOBS | 1:09:43 | 1:09:44 | |
I'm fine, I'm fine, I'm fine, I'm fine, I'm fine, I'm fine. I'm fine. | 1:09:51 | 1:09:55 | |
Don't cry, don't cry, don't cry, don't cry, | 1:09:55 | 1:09:58 | |
don't cry, don't cry, don't cry. | 1:09:58 | 1:10:00 | |
I mean, maybe... Maybe... Maybe they're not that happy. | 1:10:00 | 1:10:03 | |
I mean, Instagram makes everything look more romantic. | 1:10:05 | 1:10:08 | |
So maybe... Maybe he's not that... | 1:10:08 | 1:10:10 | |
Maybe he's not that happy. | 1:10:10 | 1:10:12 | |
But he's got his happy face on. | 1:10:13 | 1:10:15 | |
That was the face I knew, I don't know why he'd be... | 1:10:16 | 1:10:19 | |
Why he'd be happy. | 1:10:19 | 1:10:21 | |
Like, I thought maybe you might be missing me. | 1:10:22 | 1:10:25 | |
Because I... | 1:10:25 | 1:10:27 | |
I still miss you. | 1:10:28 | 1:10:29 | |
And I don't understand why you wouldn't be missing... | 1:10:30 | 1:10:33 | |
..me when I... | 1:10:34 | 1:10:36 | |
I still miss... | 1:10:36 | 1:10:37 | |
y...y... | 1:10:37 | 1:10:39 | |
you. | 1:10:39 | 1:10:41 | |
That was... | 1:10:47 | 1:10:48 | |
That was meant to be my boat. | 1:10:48 | 1:10:50 | |
That was... | 1:10:53 | 1:10:54 | |
My... My boat. | 1:10:54 | 1:10:56 | |
# Never...mind...I'll find... | 1:10:59 | 1:11:03 | |
# Someone...like...you | 1:11:06 | 1:11:09 | |
# I wish nothing but the best... | 1:11:14 | 1:11:19 | |
# For you | 1:11:22 | 1:11:26 | |
# Don't forget me | 1:11:27 | 1:11:31 | |
# I beg | 1:11:31 | 1:11:33 | |
# I remember you said | 1:11:33 | 1:11:38 | |
-AUDIENCE JOINS IN: -# Sometimes it lasts in love | 1:11:38 | 1:11:41 | |
# But sometimes it hurts instead. # | 1:11:41 | 1:11:45 | |
Aaah! | 1:11:45 | 1:11:46 | |
CHEERING AND APPLAUSE | 1:11:46 | 1:11:47 | |
"Come on, Luisa, you've got to get up. | 1:12:02 | 1:12:04 | |
"You've got to get off the kitchen floor." | 1:12:04 | 1:12:06 | |
I don't want to get up. | 1:12:06 | 1:12:08 | |
I don't even want a sandwich. | 1:12:08 | 1:12:10 | |
"Come on, Luisa, you've got to get up. | 1:12:13 | 1:12:14 | |
"You've got to be somebody, go somewhere." | 1:12:14 | 1:12:16 | |
I don't want to go anywhere. | 1:12:16 | 1:12:18 | |
I don't know why the whole world hates me, | 1:12:18 | 1:12:20 | |
all I ever did was love him. | 1:12:20 | 1:12:21 | |
"Come on, Luisa. | 1:12:23 | 1:12:25 | |
"Come on. | 1:12:25 | 1:12:26 | |
"You've just got to think to yourself, well..." | 1:12:26 | 1:12:29 | |
What? What? | 1:12:29 | 1:12:31 | |
"What would Beyonce do?" | 1:12:32 | 1:12:36 | |
MUSIC PLAYS: Survivor by Destiny's Child | 1:12:38 | 1:12:40 | |
CHEERING AND APPLAUSE | 1:12:40 | 1:12:41 | |
# Now that you're out of my life | 1:12:49 | 1:12:51 | |
# I'm so much better | 1:12:51 | 1:12:52 | |
# You thought that I'd be weak without you | 1:12:52 | 1:12:54 | |
# But I'm stronger | 1:12:54 | 1:12:55 | |
# You thought that I'd be broke without you | 1:12:55 | 1:12:57 | |
# But I'm richer | 1:12:57 | 1:12:58 | |
# You thought that I'd be sad without you | 1:12:58 | 1:13:00 | |
# I laugh harder | 1:13:00 | 1:13:01 | |
# You thought I wouldn't grow without you | 1:13:01 | 1:13:03 | |
# Now I'm wiser | 1:13:03 | 1:13:04 | |
# Thought that I'd be helpless without you | 1:13:04 | 1:13:06 | |
# But I'm smarter | 1:13:06 | 1:13:07 | |
# You thought that I'd be stressed without you | 1:13:07 | 1:13:09 | |
# But I'm chillin' | 1:13:09 | 1:13:10 | |
# You thought I wouldn't sell without you | 1:13:10 | 1:13:12 | |
# Sold nine million | 1:13:12 | 1:13:13 | |
# I'm a survivor | 1:13:13 | 1:13:15 | |
# I'm not gon' give up | 1:13:15 | 1:13:16 | |
# I'm not gon' stop | 1:13:16 | 1:13:17 | |
# I'm gon work harder | 1:13:17 | 1:13:19 | |
# I'm a survivor | 1:13:19 | 1:13:21 | |
# I'm gonna make it | 1:13:21 | 1:13:22 | |
# I will survive | 1:13:22 | 1:13:23 | |
# Keep on survivin' | 1:13:23 | 1:13:25 | |
# I'm a survivor... # | 1:13:25 | 1:13:26 | |
Ladies and gentlemen, that is my show. | 1:13:26 | 1:13:28 | |
Thank you. | 1:13:28 | 1:13:30 | |
CHEERING AND APPLAUSE | 1:13:30 | 1:13:31 | |
# I'm a survivor | 1:13:31 | 1:13:33 | |
# I'm gonna make it | 1:13:33 | 1:13:34 | |
# I will survive | 1:13:34 | 1:13:35 | |
# Keep on survivin' | 1:13:35 | 1:13:37 | |
# Thought I couldn't breathe without you | 1:13:37 | 1:13:39 | |
# I'm inhaling | 1:13:39 | 1:13:40 | |
# You thought I couldn't see without you | 1:13:40 | 1:13:42 | |
# Perfect vision | 1:13:42 | 1:13:43 | |
# You thought I couldn't last without you | 1:13:43 | 1:13:45 | |
# But I'm lastin' | 1:13:45 | 1:13:46 | |
# You thought that I would die without you | 1:13:46 | 1:13:48 | |
# But I'm livin' | 1:13:48 | 1:13:49 | |
# Thought that I would fail without you | 1:13:49 | 1:13:51 | |
# But I'm on top | 1:13:51 | 1:13:52 | |
# Thought it would be over by now | 1:13:52 | 1:13:54 | |
# But it won't stop | 1:13:54 | 1:13:55 | |
# Thought that I would self-destruct | 1:13:55 | 1:13:57 | |
# But I'm still here | 1:13:57 | 1:13:58 | |
# Even in my years to come | 1:13:58 | 1:13:59 | |
# I'm still gon' be here | 1:13:59 | 1:14:01 | |
# I'm a survivor | 1:14:01 | 1:14:02 | |
# I'm not gon' give up | 1:14:02 | 1:14:04 | |
# I'm not gon' stop | 1:14:04 | 1:14:05 | |
# I'm gon' work harder. # | 1:14:05 | 1:14:06 |