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This is... This is where the jobs come rolling in at the moment. | 0:00:16 | 0:00:21 | |
Well... Hobbling in! HE LAUGHS | 0:00:21 | 0:00:23 | |
But... | 0:00:23 | 0:00:24 | |
You know, it's all going OK. | 0:00:24 | 0:00:27 | |
Are you coming up here? | 0:00:28 | 0:00:30 | |
Come on. I'll show you my office. | 0:00:30 | 0:00:32 | |
Sorry, it's a bit of a building site in here. | 0:00:32 | 0:00:34 | |
One of my actors is working up here and he got electrocuted. | 0:00:34 | 0:00:37 | |
But, I mean, he's fine now, so he is. | 0:00:37 | 0:00:39 | |
He nearly died that day, but he's OK. | 0:00:39 | 0:00:41 | |
So I'll take you through to my wee office. | 0:00:41 | 0:00:43 | |
This is an extension that I'm having done to my office, you know, | 0:00:43 | 0:00:46 | |
when I expand my business. | 0:00:46 | 0:00:48 | |
So... | 0:00:48 | 0:00:49 | |
You know, expansion, expansion, expansion. | 0:00:50 | 0:00:53 | |
Starz. This is it. | 0:00:54 | 0:00:56 | |
HE FLICKS SWITCH REPEATEDLY | 0:00:59 | 0:01:01 | |
God's sake, I'm sorry, lads, the electricity's gone out. Er... | 0:01:02 | 0:01:05 | |
Just a wee second. I'll get a candle here. | 0:01:05 | 0:01:07 | |
And I'm just going to go back out now | 0:01:07 | 0:01:08 | |
and I'm just going to get Paddy | 0:01:08 | 0:01:10 | |
to switch back on the electricity, | 0:01:10 | 0:01:12 | |
because we have a little bit of a deal | 0:01:12 | 0:01:13 | |
going because we're in business together. | 0:01:13 | 0:01:15 | |
And Paddy switches on the electricity, legally or illegally, | 0:01:15 | 0:01:18 | |
I don't give a shit. Paddy! | 0:01:18 | 0:01:20 | |
Will you switch on the electricity in there, please? | 0:01:20 | 0:01:23 | |
Hey? | 0:01:23 | 0:01:24 | |
Good man. | 0:01:24 | 0:01:25 | |
I used to be an actor myself, you see, so... | 0:01:27 | 0:01:30 | |
It wasn't working out, to say the least. | 0:01:32 | 0:01:35 | |
I mean, I was being offered work, you know, | 0:01:35 | 0:01:36 | |
but it wasn't exciting work for me, you know? | 0:01:36 | 0:01:39 | |
I mean, see, er... | 0:01:39 | 0:01:40 | |
I was a runner-up to Sean Connery to get the Bond role in the Bond movie, | 0:01:41 | 0:01:46 | |
you know, and I was literally being considered, | 0:01:46 | 0:01:48 | |
very, very, very heavily, like, | 0:01:48 | 0:01:49 | |
by the casting directors over in London and everything like that, | 0:01:49 | 0:01:52 | |
for the James Bond movies, you know. | 0:01:52 | 0:01:54 | |
But...it didn't work out. | 0:01:54 | 0:01:56 | |
So I decided to become an agent instead. | 0:01:56 | 0:01:59 | |
I manage the theatre. | 0:01:59 | 0:02:01 | |
At first light, I'm in here, you know, half nine, | 0:02:01 | 0:02:04 | |
9:45 at the latest, you know. | 0:02:04 | 0:02:07 | |
And I'm taking calls by about 11:30. | 0:02:07 | 0:02:09 | |
Lunch at 12. | 0:02:11 | 0:02:13 | |
Probably go... Normally have a business meeting lunch, you know, | 0:02:13 | 0:02:16 | |
so I'll meet people and we'll probably go down to the John Hewitt, | 0:02:16 | 0:02:19 | |
and we'll have one of their lovely hotpots, and... | 0:02:19 | 0:02:22 | |
..a few old scoops, | 0:02:23 | 0:02:25 | |
and loosen up the creative valves and we'll make some notes. | 0:02:25 | 0:02:30 | |
And then, um, | 0:02:30 | 0:02:31 | |
maybe, go and, you know, see what's on at the Black Box. | 0:02:31 | 0:02:35 | |
I'd probably be the only actor from around these parts. | 0:02:38 | 0:02:41 | |
I think there's like a kind of a stigma attached to it. | 0:02:41 | 0:02:44 | |
I mean, you will still get slegged, like. | 0:02:44 | 0:02:46 | |
Watch yourselves, a wee skip there. | 0:02:46 | 0:02:47 | |
Robert dirty dick! | 0:02:49 | 0:02:51 | |
You know, you'll get slegged. | 0:02:51 | 0:02:52 | |
Quite badly slegged all your life. | 0:02:53 | 0:02:56 | |
But it's worth it. You get a family, you find a job, | 0:02:56 | 0:02:59 | |
get a couple of good breaks and, you know, | 0:02:59 | 0:03:01 | |
have enough money to buy a house and find a nice wee girl, | 0:03:01 | 0:03:03 | |
a lovely wee girl, and give her kids, | 0:03:03 | 0:03:06 | |
all that normal stuff that people do. | 0:03:06 | 0:03:08 | |
I was a very good actor, you know? | 0:03:11 | 0:03:13 | |
I've played Hamlet here. | 0:03:13 | 0:03:15 | |
And I got a review of my performance which said that I was the greatest | 0:03:15 | 0:03:20 | |
Hamlet ever seen in 40 generations of Hamlets, you know? | 0:03:20 | 0:03:24 | |
In this island and in our neighbouring islands, you know? | 0:03:24 | 0:03:26 | |
HE CLEARS HIS THROAT | 0:03:26 | 0:03:28 | |
But, anyway, look, you know, | 0:03:28 | 0:03:30 | |
the fact of the matter is that I spoke the lines far too quickly. | 0:03:30 | 0:03:33 | |
"To be, or not to be, that is the question | 0:03:33 | 0:03:34 | |
"Whether 'tis nobler in the mind to suffer | 0:03:34 | 0:03:36 | |
"The slings and arrows of outrageous fortune," | 0:03:36 | 0:03:38 | |
and everybody said they couldn't hear me, | 0:03:38 | 0:03:40 | |
I spoke the lines too fast, | 0:03:40 | 0:03:41 | |
so I'm just basically a very quick thinker, you know, so... | 0:03:41 | 0:03:43 | |
I'm a fan of Dan. I'm a big fan of Dan. | 0:03:43 | 0:03:46 | |
You know, Dan's been around and he's had his ups | 0:03:46 | 0:03:48 | |
and he's had his downs, but Dan's a fighter. | 0:03:48 | 0:03:50 | |
And...you know... | 0:03:50 | 0:03:52 | |
He's a tiger for his clients. | 0:03:53 | 0:03:55 | |
I'm good at making deals, | 0:03:55 | 0:03:56 | |
negotiating contracts, negotiating repeats, | 0:03:56 | 0:03:59 | |
negotiating this, negotiating that, you know, getting a contract right. | 0:03:59 | 0:04:02 | |
Cos I've got a bit of a legal mind as well as everything else, | 0:04:02 | 0:04:05 | |
you see. And, erm... | 0:04:05 | 0:04:07 | |
So, basically what I do now is, | 0:04:07 | 0:04:09 | |
I hunt down people like a bloodhound, | 0:04:09 | 0:04:12 | |
until they give one of my clients a job. | 0:04:12 | 0:04:15 | |
In fact, I pester them and pester them and pester them until | 0:04:16 | 0:04:20 | |
they're broken, mentally, physically and spiritually destroyed. | 0:04:20 | 0:04:25 | |
I harass them. I harangue them. | 0:04:25 | 0:04:28 | |
I make their lives miserable until finally, they say, | 0:04:28 | 0:04:31 | |
"Yes, we're going to give this kid a break". | 0:04:31 | 0:04:34 | |
And that's what they do. | 0:04:36 | 0:04:37 | |
Dan is a really good agent. | 0:04:38 | 0:04:40 | |
Not in terms of, like, how many jobs | 0:04:40 | 0:04:42 | |
he gets you and whatever, because, erm... | 0:04:42 | 0:04:44 | |
..he hasn't got me one yet. | 0:04:45 | 0:04:47 | |
Ring people up again and again and again and again till eventually, | 0:04:47 | 0:04:49 | |
they get worn down and they HAVE to give the actors a job. | 0:04:49 | 0:04:52 | |
And that's how they get jobs. | 0:04:54 | 0:04:56 | |
Because of me. | 0:04:56 | 0:04:57 | |
People say, "It's not a real job. | 0:04:57 | 0:04:58 | |
"Do you even earn any money from it?" | 0:04:58 | 0:05:00 | |
I don't earn any money from it, but they'll always ask you that. | 0:05:00 | 0:05:02 | |
Um... And it is a real job, you know, | 0:05:02 | 0:05:04 | |
I'm a professionally trained actor. | 0:05:04 | 0:05:06 | |
I've received world-class training, world-class. | 0:05:06 | 0:05:09 | |
Where did you train? Ballymena. | 0:05:09 | 0:05:11 | |
There. | 0:05:15 | 0:05:16 | |
Busy, busy. HE LAUGHS | 0:05:19 | 0:05:21 | |
That's me. Busy, busy. | 0:05:24 | 0:05:26 | |
Michelle Delargy's School Of The Gifted. | 0:05:26 | 0:05:28 | |
It's not on any sort of, you know, | 0:05:28 | 0:05:29 | |
major lists of, you know, highfalutin drama schools | 0:05:29 | 0:05:32 | |
around the world, like, you know... | 0:05:32 | 0:05:35 | |
New York, or Drada, or any, any of the ones in London. | 0:05:35 | 0:05:38 | |
But it's pretty darn good. | 0:05:38 | 0:05:40 | |
It's quite boutique. It's off the radar, you know what I mean? | 0:05:40 | 0:05:43 | |
If everybody knew about it, there'd be Yanks flying in | 0:05:43 | 0:05:45 | |
from all corners of the globe. | 0:05:45 | 0:05:46 | |
There'd be no room for bloody man or beast in the place. | 0:05:46 | 0:05:49 | |
And I got in, so that's the level that we're talking about here. | 0:05:49 | 0:05:52 | |
How many actors are on your books? | 0:05:53 | 0:05:55 | |
DAN EXHALES | 0:05:55 | 0:05:57 | |
Well, I used to have about 350, maybe 400, | 0:05:57 | 0:06:00 | |
I'm not sure, I don't remember. | 0:06:00 | 0:06:02 | |
Let's see... But it was too many, you know? | 0:06:02 | 0:06:04 | |
No, but, erm... So.... | 0:06:04 | 0:06:06 | |
Yeah, 400, you know, 400... | 0:06:07 | 0:06:09 | |
It's not far off it, really. | 0:06:09 | 0:06:11 | |
I think he was, he was... | 0:06:11 | 0:06:14 | |
He was signing up nearly every other man. | 0:06:14 | 0:06:16 | |
Dan would go out to get a loaf | 0:06:16 | 0:06:17 | |
and he would come back and have 16-odd more clients. | 0:06:17 | 0:06:20 | |
Downsizing was the way to go, because I'm a businessman | 0:06:20 | 0:06:22 | |
and I know exactly... | 0:06:22 | 0:06:23 | |
Keep it simple, keep it small, keep it, you know, | 0:06:23 | 0:06:28 | |
represent a few people very well | 0:06:28 | 0:06:29 | |
rather than have a whole lot of people on your books | 0:06:29 | 0:06:31 | |
that you don't really represent that well. | 0:06:31 | 0:06:34 | |
That was a business decision on my part, you know? | 0:06:34 | 0:06:37 | |
That's what spurred me on. That and the industrial tribunal. HE LAUGHS | 0:06:37 | 0:06:39 | |
The tribunal found against him in the past, | 0:06:40 | 0:06:42 | |
and he had his licence taken away and couldn't perform as an agent | 0:06:42 | 0:06:46 | |
for a while, and that was devastating to Dan, you know? | 0:06:46 | 0:06:49 | |
Being an agent's his world. | 0:06:49 | 0:06:51 | |
They're his people. It's his... | 0:06:51 | 0:06:53 | |
It's breathing. It's putting his shoes and socks on in the morning. | 0:06:53 | 0:06:55 | |
His agency are his shoes and if you take his shoes off him, | 0:06:55 | 0:06:58 | |
he couldn't leave the house. Bless him, you know? | 0:06:58 | 0:07:02 | |
Um... And during that time, some of his acts got cold feet, | 0:07:02 | 0:07:06 | |
if you'll pardon the pun. And they left him. | 0:07:06 | 0:07:09 | |
I mean, I wouldn't go so far as to say it was an industrial tribunal. | 0:07:09 | 0:07:11 | |
It was more, more, like, er, you know... | 0:07:11 | 0:07:15 | |
HE LAUGHS | 0:07:15 | 0:07:17 | |
You know, maybe... OK, it was a fully blown industrial tribunal. | 0:07:17 | 0:07:20 | |
That's what it was. | 0:07:20 | 0:07:21 | |
That's the truth, Marie, it was, definitely, you know? | 0:07:21 | 0:07:24 | |
One stupid mistake concerning bank account numbers | 0:07:24 | 0:07:27 | |
and you're hung out to dry like Jesus on the cross. | 0:07:27 | 0:07:29 | |
HE LAUGHS | 0:07:29 | 0:07:30 | |
No, nobody specified exactly why this tribunal was taking place. | 0:07:32 | 0:07:37 | |
What happens then is that people make their own assumptions, | 0:07:37 | 0:07:39 | |
don't they? Because it's quite a... | 0:07:39 | 0:07:42 | |
..close community, the acting world. | 0:07:43 | 0:07:46 | |
You know, and we're always very concerned for each other. | 0:07:46 | 0:07:49 | |
For concerned, read "nosy". HE CHUCKLES | 0:07:49 | 0:07:52 | |
And gossipy. | 0:07:52 | 0:07:54 | |
You know, and backbiting. | 0:07:54 | 0:07:56 | |
It's just cheap. It's just cheap. | 0:07:56 | 0:07:58 | |
And I hold no grind with him whatsoever. | 0:07:58 | 0:08:01 | |
You know, it will not happen in this house. | 0:08:01 | 0:08:03 | |
We're straight talkers. | 0:08:03 | 0:08:04 | |
What I have heard is that, like, he wasn't paying his acts, he, erm... | 0:08:07 | 0:08:12 | |
..if he was paying, he wasn't paying them the right money. | 0:08:15 | 0:08:17 | |
The money was staying in his account for far too long. | 0:08:17 | 0:08:19 | |
Um... He hadn't paid his tax. | 0:08:20 | 0:08:23 | |
He owed his ex-wife a lot of money. | 0:08:23 | 0:08:25 | |
Um... He was drinking and drug-taking, those sort of things. | 0:08:26 | 0:08:29 | |
Ah, there yous are. | 0:08:31 | 0:08:32 | |
This is where I go in to buy me odd bottle of wine, | 0:08:32 | 0:08:34 | |
every now and then, you know? Just every now and then. | 0:08:34 | 0:08:36 | |
Sarah, my beautiful Sarah. | 0:08:37 | 0:08:40 | |
Hiya, how are you? | 0:08:40 | 0:08:41 | |
I'm in great form, love. How are you getting on yourself? | 0:08:41 | 0:08:44 | |
How's work? Ah, sure, everything's great, love, | 0:08:44 | 0:08:46 | |
I'm earning loads of money. Oh, brilliant. | 0:08:46 | 0:08:48 | |
Aye, absolutely. Just the one tonight? Yeah, yeah. | 0:08:48 | 0:08:50 | |
And a wee bottle of whisky, please. | 0:08:50 | 0:08:52 | |
No, no, no, the one in the middle. | 0:08:53 | 0:08:55 | |
Oh. Lovely, lovely, that's it. That's it, dear. There you go. | 0:08:55 | 0:08:57 | |
That's ?30 then, please. | 0:08:57 | 0:08:58 | |
That's it, there you go. Thank you. | 0:08:58 | 0:09:00 | |
Keep the change, sweetheart. | 0:09:00 | 0:09:01 | |
Oh, thanks very much. Have a nice weekend. | 0:09:01 | 0:09:03 | |
Good night, now. Yeah, yeah, all the best. | 0:09:03 | 0:09:05 | |
You can always spot them at the starting blocks, you know? | 0:09:14 | 0:09:16 | |
Where the talent comes from, I don't know. | 0:09:16 | 0:09:18 | |
You don't know. I don't know. | 0:09:18 | 0:09:19 | |
They don't know of it. | 0:09:19 | 0:09:21 | |
Don't know. | 0:09:21 | 0:09:22 | |
I mean, I met this young one called Naomi recently. | 0:09:22 | 0:09:25 | |
And I just know. | 0:09:25 | 0:09:26 | |
She's a star. I don't know why, but she is. | 0:09:26 | 0:09:29 | |
She doesn't know why, she is completely unaware. | 0:09:29 | 0:09:32 | |
Where does that come from? Nobody knows. | 0:09:32 | 0:09:35 | |
I don't know. You don't know. | 0:09:35 | 0:09:37 | |
Nobody in this room knows, I bet you. | 0:09:37 | 0:09:38 | |
But you can spot it. You know it when you see it. | 0:09:40 | 0:09:43 | |
No, no, I wouldn't call myself an actress, not just yet. | 0:09:45 | 0:09:48 | |
I just got approached by this big man in a trench coat and he asked me | 0:09:48 | 0:09:50 | |
did I want to be famous. | 0:09:50 | 0:09:52 | |
And what did you say to that? | 0:09:52 | 0:09:53 | |
I squealed in his face. He scared me. | 0:09:53 | 0:09:55 | |
So I went into the chippy, bought him a battered sausage, | 0:09:55 | 0:09:58 | |
cos the girl threw him out. | 0:09:58 | 0:09:59 | |
So I felt sorry for him. | 0:09:59 | 0:10:00 | |
But that's how we first met. | 0:10:00 | 0:10:03 | |
I'm sorry, I'm sorry to have yous running. | 0:10:03 | 0:10:04 | |
I can't be late for these people. | 0:10:04 | 0:10:06 | |
I've messed them around enough as it is, you know, so... | 0:10:06 | 0:10:08 | |
HE PANTS | 0:10:08 | 0:10:09 | |
Oh, God! Oh! | 0:10:09 | 0:10:11 | |
HE LAUGHS | 0:10:11 | 0:10:12 | |
Welcome. Welcome. Welcome. | 0:10:12 | 0:10:16 | |
Welcome to my life! | 0:10:16 | 0:10:18 | |
HE LAUGHS | 0:10:18 | 0:10:20 | |
Oh. Oh. | 0:10:22 | 0:10:23 | |
Look. Look. | 0:10:25 | 0:10:26 | |
This is hopeless. I won't make it. | 0:10:26 | 0:10:28 | |
HE BREATHES HEAVILY | 0:10:29 | 0:10:31 | |
Yous wouldn't have any, erm... | 0:10:33 | 0:10:35 | |
Yous wouldn't have any loose change on yous for a taxi, would yous? | 0:10:36 | 0:10:39 | |
Er... I... I just have chequebooks on me and credit cards. | 0:10:39 | 0:10:43 | |
That's all I have, and you can't pay a taxi | 0:10:43 | 0:10:44 | |
with a chequebook or a credit card, can you? | 0:10:44 | 0:10:46 | |
So... | 0:10:46 | 0:10:48 | |
Look, I can't be late for these people. I can't. | 0:10:48 | 0:10:51 | |
Jesus, I'm on my last legs with his theatre company, | 0:10:53 | 0:10:55 | |
I can tell you that, you know? But I have a good feeling | 0:10:55 | 0:10:57 | |
about this production. I really do. Dr Dolittle. | 0:10:57 | 0:10:59 | |
It's a big production. | 0:11:00 | 0:11:01 | |
You know, there's going to be a lot of people cast, | 0:11:01 | 0:11:04 | |
so maybe one of his boys or girls might make it. | 0:11:04 | 0:11:06 | |
You never know, maybe even as a background artist, | 0:11:06 | 0:11:08 | |
something like that. | 0:11:08 | 0:11:10 | |
Maybe one or two or three or four of them will get a job. You never know. TAXI HORN BEEPS | 0:11:11 | 0:11:15 | |
I mean, let's hope so, because it's 550 pound sterling a week. | 0:11:15 | 0:11:18 | |
That's 55 pound sterling for me, 10%, that's my commission. | 0:11:18 | 0:11:21 | |
That's all I charge. I never talk about money, | 0:11:21 | 0:11:24 | |
I never talk about percentages, not to them, not to anybody else, | 0:11:24 | 0:11:26 | |
I never open my mouth about it. | 0:11:26 | 0:11:28 | |
So you should cut this out of the film. | 0:11:28 | 0:11:29 | |
He phones me every couple of days. | 0:11:29 | 0:11:31 | |
But most of the time, now, he'd phone me | 0:11:31 | 0:11:33 | |
every couple of hours just to see how I am. | 0:11:33 | 0:11:35 | |
But every couple of days, I ask him for a wee audition. | 0:11:35 | 0:11:38 | |
But I don't know if I could do it. I think I'd be scundered. | 0:11:38 | 0:11:41 | |
See, if someone asks me to sing or dance in front of them, | 0:11:41 | 0:11:43 | |
I would hit a reddener. I swear. | 0:11:43 | 0:11:45 | |
GUTTURAL INTONATION: Muchas gracias. | 0:11:47 | 0:11:50 | |
Keep the change. | 0:11:50 | 0:11:52 | |
Don't worry. | 0:11:52 | 0:11:53 | |
What goes around, comes around. | 0:11:53 | 0:11:56 | |
And don't forget this. I always pay my debts. | 0:11:56 | 0:11:59 | |
And now, watch the master at work. | 0:12:04 | 0:12:06 | |
Yeah, but she's got a squint in her eye. | 0:12:15 | 0:12:17 | |
Relax. I'm here. | 0:12:17 | 0:12:19 | |
And I brought the talent. | 0:12:20 | 0:12:22 | |
In my opinion, | 0:12:23 | 0:12:25 | |
these four beauties would be the perfect kids | 0:12:25 | 0:12:28 | |
for the leads in your panto. | 0:12:28 | 0:12:30 | |
Dan, we don't think it would be wise | 0:12:34 | 0:12:35 | |
to audition Christopher again this year. | 0:12:35 | 0:12:37 | |
That was a lot of money and a of time | 0:12:37 | 0:12:40 | |
was taken up, um... with Christopher. | 0:12:40 | 0:12:43 | |
And Christopher is one of the most extraordinary talents in this city. | 0:12:43 | 0:12:49 | |
If not this island. If not the world. | 0:12:49 | 0:12:51 | |
Dan has a lot of confidence in Christopher. | 0:12:54 | 0:12:56 | |
He sees him as the Daniel Day Lewis of Belfast, you know, | 0:12:56 | 0:13:00 | |
cos he's so method. | 0:13:00 | 0:13:02 | |
I don't really see him as being method, | 0:13:02 | 0:13:04 | |
I see him as a wee lad who's got a wont about him, actually. | 0:13:04 | 0:13:06 | |
I think he's got a few slates loose. | 0:13:06 | 0:13:07 | |
You know, it's art we are trying to create here. | 0:13:07 | 0:13:09 | |
It's not absolute muck. | 0:13:09 | 0:13:10 | |
Who, who pays for this? | 0:13:15 | 0:13:17 | |
Is it me or is it you guys? | 0:13:17 | 0:13:19 | |
How does that...work? | 0:13:19 | 0:13:21 | |
Er, you. I would, I would pay? | 0:13:22 | 0:13:23 | |
Could I get a water just, please, yep? Thank you very much. | 0:13:23 | 0:13:26 | |
The water here is really very good. | 0:13:28 | 0:13:30 | |
HE EXHALES | 0:13:32 | 0:13:34 | |
PA SYSTEM CHIMES | 0:13:34 | 0:13:35 | |
'The next train to arrive here, in five minutes, does not stop here. | 0:13:35 | 0:13:40 | |
'The next train to arrive here that stops here is in 55 minutes. | 0:13:40 | 0:13:46 | |
'That'll be the second train.' | 0:13:46 | 0:13:47 | |
You know, I've managed to persuade them to see three of my actors. | 0:13:51 | 0:13:55 | |
Three out of 12 is not bad. | 0:13:55 | 0:13:57 | |
So, which three are they going to see? | 0:13:57 | 0:13:59 | |
Um, Naomi, Christopher and Robert. | 0:13:59 | 0:14:02 | |
And what's the next stage? | 0:14:02 | 0:14:04 | |
The auditions. That's the next stage. | 0:14:04 | 0:14:06 | |
That's the tough part. | 0:14:06 | 0:14:08 | |
Oh, listen, er... | 0:14:08 | 0:14:10 | |
There wouldn't be any chance of a wee cigarette, would you? | 0:14:10 | 0:14:13 | |
Well, there's a shop here if you want to stop. | 0:14:13 | 0:14:16 | |
No, that shop doesn't sell cigarettes, I know that for a fact. | 0:14:16 | 0:14:19 | |
Ah, well, sure... | 0:14:19 | 0:14:21 | |
Never mind. Maybe it's about time I gave them up, isn't it? | 0:14:23 | 0:14:26 | |
ANSWERPHONE BEEPS | 0:14:26 | 0:14:28 | |
'Dan, it's Patrick. Call me back. | 0:14:28 | 0:14:30 | |
'It's about the tribunal.' | 0:14:30 | 0:14:32 | |
I used to... I used to have a landline, you know, | 0:14:32 | 0:14:34 | |
but the nature of what I do requires me to be mobile, you know, | 0:14:34 | 0:14:36 | |
I have to move around a lot and stuff like that there. | 0:14:36 | 0:14:38 | |
So it's better to use the mobile rather than the landline I think, | 0:14:38 | 0:14:41 | |
you know, so I had the landline switched off. | 0:14:41 | 0:14:42 | |
It was costing me too much money anyway. | 0:14:42 | 0:14:45 | |
I used to weigh about 22st. | 0:14:51 | 0:14:54 | |
Um... And I don't even think it was that | 0:14:54 | 0:14:56 | |
that stopped me from getting additions, | 0:14:56 | 0:14:58 | |
and it wasn't that that annoyed me, like, | 0:14:58 | 0:15:00 | |
the belly didn't annoy me or the big double chin didn't annoy me. | 0:15:00 | 0:15:02 | |
I had no calves. | 0:15:02 | 0:15:04 | |
Robert De Niro. | 0:15:04 | 0:15:06 | |
HE LAUGHS | 0:15:07 | 0:15:09 | |
You know, make it in the... MOBILE PHONE RINGS | 0:15:09 | 0:15:11 | |
Sorry, that's my phone. | 0:15:11 | 0:15:12 | |
Hello? | 0:15:14 | 0:15:16 | |
Dan, Dandy Dan, what's happening, mate? | 0:15:16 | 0:15:18 | |
So, you do have my number? HE LAUGHS | 0:15:18 | 0:15:21 | |
Yes. OK, a wee addition, brilliant, brilliant. | 0:15:21 | 0:15:24 | |
I mean, I can do about six or seven songs. | 0:15:25 | 0:15:27 | |
Just the one? OK, no worries. | 0:15:27 | 0:15:29 | |
Well, it is, yes, it is good news, | 0:15:29 | 0:15:30 | |
because it's a stage version of Dr Dolittle. | 0:15:30 | 0:15:32 | |
And it's quite song-heavy as well. | 0:15:32 | 0:15:33 | |
So I think there's a good chance of me getting cast, obviously, | 0:15:33 | 0:15:36 | |
with my voice and stuff, so... | 0:15:36 | 0:15:38 | |
um, you know, just show up. | 0:15:38 | 0:15:40 | |
Fail to prepare, prepare to fail. | 0:15:40 | 0:15:42 | |
You know, that's what Dan always says. All right, mate. | 0:15:42 | 0:15:44 | |
Any stuff there? | 0:15:44 | 0:15:46 | |
Any what where? I get paid Monday here, I'll be able to sort you out. | 0:15:46 | 0:15:48 | |
I don't know what you're talking about, mate, you must have... | 0:15:48 | 0:15:51 | |
You must have the wrong person or something! | 0:15:51 | 0:15:53 | |
I mean, you do get them, like, there's headcases | 0:15:57 | 0:15:59 | |
round here, know what I mean? So, just got to be careful. | 0:15:59 | 0:16:02 | |
Um, I don't know. Maybe he's watched one of my plays or something. | 0:16:02 | 0:16:06 | |
Um, you know... | 0:16:06 | 0:16:07 | |
You do get that as an actor, so... | 0:16:07 | 0:16:09 | |
I don't know, maybe he's just got me mistaken for somebody else. | 0:16:10 | 0:16:12 | |
Lordy, I can't wait to get a good gig | 0:16:12 | 0:16:15 | |
and get a house and get the hell out of here. It's, er... | 0:16:15 | 0:16:18 | |
It's the wild woods around here. | 0:16:19 | 0:16:20 | |
I do have dreams to be famous, you know, like everyone else, you know. | 0:16:27 | 0:16:31 | |
I do want to go to Africa too, | 0:16:31 | 0:16:33 | |
and bring home one of them wee skinny babies. | 0:16:33 | 0:16:35 | |
Do something with my life. | 0:16:35 | 0:16:36 | |
Even just to get up and stick something on me in the morning, | 0:16:36 | 0:16:39 | |
do you know what I mean, it's still get-up-and-go, isn't it? | 0:16:39 | 0:16:42 | |
The only thing holding me back, though, is, | 0:16:42 | 0:16:45 | |
like, if I go on with this, like, can I still sign on? | 0:16:45 | 0:16:48 | |
Or will I be doing the double? I don't know. | 0:16:48 | 0:16:51 | |
Ah, Naomi, darling! | 0:16:51 | 0:16:53 | |
Lovely to see you. | 0:16:53 | 0:16:54 | |
Looking absolutely wonderful, isn't she? | 0:16:54 | 0:16:57 | |
HE LAUGHS | 0:16:57 | 0:16:58 | |
Let's go, darling, into the theatre for the audition now. | 0:16:59 | 0:17:02 | |
'The auditioning process for me, um, | 0:17:02 | 0:17:05 | |
'can be as nerve-racking as it is for the actor coming along, you know? | 0:17:05 | 0:17:09 | |
'Because as a manager you see lots of people all the time. | 0:17:09 | 0:17:11 | |
'And what you really want to do is to put them at their ease, because' | 0:17:11 | 0:17:15 | |
if I'm making you feel nervous, | 0:17:15 | 0:17:16 | |
then I'm not going to see your talent. | 0:17:16 | 0:17:18 | |
And I really want to have a good look at your talent. | 0:17:18 | 0:17:20 | |
I don't want people coming in and | 0:17:20 | 0:17:22 | |
just being a bundle of nerves in front of me, | 0:17:22 | 0:17:24 | |
leaving a Parma ham slice of their soul | 0:17:24 | 0:17:26 | |
all over my stripped pine walls, you know? | 0:17:26 | 0:17:28 | |
I don't really want that. | 0:17:28 | 0:17:30 | |
What I want you to do is enjoy yourself. | 0:17:30 | 0:17:32 | |
So, to enjoy yourself, for me to see you really fly, really fly, | 0:17:32 | 0:17:37 | |
what you need to do is just learn your lines, | 0:17:37 | 0:17:40 | |
make a brave decision about your character, be off-book | 0:17:40 | 0:17:44 | |
and don't waste my time. | 0:17:44 | 0:17:46 | |
I put my best foot forward today, but if I get one of those kids cast, | 0:17:51 | 0:17:56 | |
I will be happy! Happy! | 0:17:56 | 0:17:58 | |
Is there a lot of competition? | 0:17:59 | 0:18:01 | |
HE EXHALES | 0:18:01 | 0:18:02 | |
Oh, yeah. Oh, yeah. | 0:18:02 | 0:18:03 | |
There's a lot of talent...out there. | 0:18:11 | 0:18:14 | |
You know? | 0:18:15 | 0:18:16 | |
Just a wee second. | 0:18:26 | 0:18:27 | |
Have yous any money? Have yous any money? | 0:18:29 | 0:18:31 | |
Is that enough? | 0:18:37 | 0:18:38 | |
BOTTLES CLINK | 0:18:49 | 0:18:51 | |
Thanks very much. | 0:18:51 | 0:18:52 | |
Take care. | 0:18:52 | 0:18:53 | |
PIANO PLAYS | 0:18:56 | 0:18:58 | |
DAN: # Once I lived a life of a millionaire | 0:19:00 | 0:19:04 | |
# Spent all my money, I didn't... # | 0:19:08 | 0:19:11 | |
Hello, can you put me through to disputes, please? | 0:19:11 | 0:19:13 | |
Er... That's right, yeah, my name is Daniel Campbell. | 0:19:16 | 0:19:21 | |
Yeah, I'm, I'm calling about my case, which is the n... | 0:19:21 | 0:19:24 | |
Do you want me to give you the number? It's 321/234. | 0:19:24 | 0:19:28 | |
Yeah, that's right, it's in relation to the upcoming tribunal. | 0:19:31 | 0:19:35 | |
Yeah. | 0:19:37 | 0:19:38 | |
# 'Lost all my good friends...' # | 0:19:38 | 0:19:40 | |
OK. | 0:19:41 | 0:19:42 | |
Thanks, yeah, will do. | 0:19:43 | 0:19:45 | |
OK, bye-bye, bye-bye. Thanks very much. | 0:19:45 | 0:19:48 | |
# Gonna hang on to it | 0:19:53 | 0:19:56 | |
# Till that eagle grins again | 0:19:56 | 0:20:00 | |
# Nobody knows you when you're down and out | 0:20:00 | 0:20:05 | |
# In your pocket you ain't got a penny | 0:20:07 | 0:20:11 | |
# As for friends you don't have any | 0:20:11 | 0:20:13 | |
# Lay your hands on a dollar again | 0:20:15 | 0:20:20 | |
# Gonna hang on to it | 0:20:23 | 0:20:25 | |
# Till that eagle grins again. # | 0:20:25 | 0:20:28 | |
HE SIGHS | 0:20:37 | 0:20:38 | |
HE TITTERS | 0:20:44 | 0:20:45 | |
That's what you want to know about, isn't it? You know, the industrial tribunal. | 0:20:47 | 0:20:50 | |
Everybody wants to know about that. | 0:20:50 | 0:20:51 | |
Well, not everybody, most people don't give a shite to be honest, | 0:20:51 | 0:20:54 | |
know what I'm saying? But, I mean... | 0:20:54 | 0:20:55 | |
OK, well, look, I'm not sure. I'm looking back on it now | 0:20:55 | 0:20:58 | |
and I can't be sure what happened at all, you know, | 0:20:58 | 0:21:00 | |
it was just financial mayhem at the time in my life. | 0:21:00 | 0:21:03 | |
I didn't know what was going on. | 0:21:03 | 0:21:04 | |
I had bank accounts here, there and everywhere. | 0:21:04 | 0:21:06 | |
And a post office account, an account in Dundalk, | 0:21:06 | 0:21:09 | |
an account in Dublin, so I did. An account up in Donegal, | 0:21:09 | 0:21:11 | |
different banks and building societies and stuff like that there. | 0:21:11 | 0:21:14 | |
I was taking money out of one to pay off a debt in the other, you know, | 0:21:14 | 0:21:17 | |
I had six credit cards as well, you know, at the time, so... | 0:21:17 | 0:21:19 | |
An MBNA card with a credit limit of 14,000 euros on it | 0:21:19 | 0:21:22 | |
and stuff like that there, which I had across the border. | 0:21:22 | 0:21:26 | |
So, like, I mean, | 0:21:26 | 0:21:27 | |
totally and completely, it was just financial chaos. | 0:21:27 | 0:21:31 | |
You know, I'm not a bad guy. | 0:21:31 | 0:21:32 | |
I'm not a bad...businessman either. | 0:21:32 | 0:21:35 | |
Well, I am a bad businessman, that's... | 0:21:35 | 0:21:38 | |
I have to be honest about it. I'm not the best businessman. | 0:21:38 | 0:21:42 | |
I'm not. I'm much more an artistic person | 0:21:42 | 0:21:44 | |
than I would be a businessperson, you know? | 0:21:44 | 0:21:47 | |
That's just me, so, anyway. | 0:21:47 | 0:21:49 | |
Does that answer your question? | 0:21:49 | 0:21:51 | |
I'm skint. | 0:21:53 | 0:21:54 | |
I'm skint. | 0:21:57 | 0:21:59 | |
I haven't a bean. | 0:21:59 | 0:22:00 | |
I haven't a penny to my name now. | 0:22:03 | 0:22:06 | |
I'm totally broke. | 0:22:06 | 0:22:08 | |
I'm flat broke. | 0:22:08 | 0:22:09 | |
I don't know what I'm going to do now. | 0:22:14 | 0:22:16 | |
Jump off a bridge or something, I don't know. | 0:22:16 | 0:22:18 | |
No, I won't jump off a bridge, I'm too resilient and strong for that. | 0:22:18 | 0:22:21 | |
But I'm totally and completely and utterly broke. | 0:22:21 | 0:22:24 | |
Like, my combined debts are equal to the value | 0:22:26 | 0:22:31 | |
of Queen's University buildings, | 0:22:31 | 0:22:34 | |
if they were put on the market tomorrow. | 0:22:34 | 0:22:36 | |
That's how much money I owe. | 0:22:36 | 0:22:37 | |
You know, I've been working for 14 years as an agent. | 0:22:38 | 0:22:44 | |
I have busted...my...balls for my... | 0:22:44 | 0:22:48 | |
..kids in order to get them work as paid, paid work as actors. | 0:22:50 | 0:22:53 | |
That's what I've done for 20 years of my life. | 0:22:53 | 0:22:57 | |
And I intend to keep going on busting my balls for my kids. | 0:22:57 | 0:23:02 | |
That's what I'm going to do. | 0:23:04 | 0:23:05 | |
Nobody will ever stop me from being an agent. | 0:23:07 | 0:23:09 | |
And if they try and revoke my license, | 0:23:09 | 0:23:11 | |
I'll personally start a revolution against the state. | 0:23:11 | 0:23:13 | |
And then they'll have a very serious incident on their hands. | 0:23:17 | 0:23:21 | |
PHONE RINGS | 0:23:28 | 0:23:29 | |
Just hang on, there's me phone ringing now. Just a second, mate. | 0:23:29 | 0:23:32 | |
Hello? | 0:23:35 | 0:23:37 | |
That's right, yeah. | 0:23:37 | 0:23:38 | |
What? | 0:23:43 | 0:23:45 | |
All three of them? | 0:23:45 | 0:23:46 | |
OK. | 0:23:48 | 0:23:49 | |
That's great news, no. | 0:23:51 | 0:23:53 | |
Och, thanks very much indeed, brilliant. | 0:23:53 | 0:23:55 | |
That's absolutely brilliant. | 0:23:55 | 0:23:57 | |
No, just fax me through the, er... | 0:23:57 | 0:24:00 | |
the contracts, if you don't mind, please. | 0:24:00 | 0:24:02 | |
Great. | 0:24:02 | 0:24:04 | |
OK. Talk to you later. Bye-bye. Bye-bye. | 0:24:05 | 0:24:07 | |
SILENCE | 0:24:16 | 0:24:18 | |
HE STAMPS HIS FEET EXCITEDLY | 0:24:19 | 0:24:21 | |
Yeah, they are not main roles, it's not Dolittle, but... | 0:24:23 | 0:24:26 | |
That's been cast for an older actor actually. | 0:24:26 | 0:24:28 | |
But they've done well. They've got seizable roles. | 0:24:29 | 0:24:31 | |
They're sizeable roles, and they're seizable, you know? | 0:24:31 | 0:24:35 | |
So hopefully this'll be the start of something big for them. | 0:24:35 | 0:24:38 | |
LAUGHTER | 0:24:39 | 0:24:42 | |
Listen, I just want to say, firstly, | 0:24:45 | 0:24:47 | |
that I want to thank you all for sticking with me, | 0:24:47 | 0:24:49 | |
and sticking with my agency through thick and thin. | 0:24:49 | 0:24:52 | |
I know it's taken a bit of time for the agency | 0:24:52 | 0:24:54 | |
to get back on its feet, but finally it has. | 0:24:54 | 0:24:57 | |
And it's because of you that we've managed to keep this agency going. | 0:24:59 | 0:25:03 | |
And it's because of you, and how talented you are, that you have all, | 0:25:03 | 0:25:09 | |
all three of you, been cast in this year's Christmas show. | 0:25:09 | 0:25:12 | |
No way. Are you serious? | 0:25:14 | 0:25:16 | |
Yes. | 0:25:16 | 0:25:17 | |
DAN LAUGHS | 0:25:18 | 0:25:19 | |
Congratulations, you! | 0:25:19 | 0:25:21 | |
It looks unprofessional on you and you. | 0:25:26 | 0:25:28 | |
Yous are the ones that are going to take the brunt of it. Me? | 0:25:28 | 0:25:30 | |
I'm the one that has to bloody fix things as always. | 0:25:30 | 0:25:33 | |
That man's going to give me a stomach ulcer again. | 0:25:33 | 0:25:35 | |
How do you get off this balcony? | 0:25:35 | 0:25:36 | |
MOBILE PHONE RINGS | 0:25:36 | 0:25:37 | |
Just hang on a second, here's my phone. Just hang on. | 0:25:37 | 0:25:39 | |
I'll have to take this outside. Too much noise in here. | 0:25:39 | 0:25:42 | |
Hello? Can you believe it? | 0:25:42 | 0:25:43 | |
Hello? I'm very excited. | 0:25:43 | 0:25:45 | |
You should be. | 0:25:45 | 0:25:47 | |
Oh, my God. | 0:25:47 | 0:25:48 | |
'Hi, Dan, it's Patrick. | 0:25:50 | 0:25:52 | |
'Listen... | 0:25:52 | 0:25:53 | |
'I've received the tribunal's decision. | 0:25:53 | 0:25:55 | |
'They've revoked your licence. | 0:25:55 | 0:25:57 | |
'Look, I know this is the last thing you need right now, but... | 0:25:57 | 0:26:01 | |
'Look, I've just got to go. | 0:26:01 | 0:26:03 | |
'Enjoy your night.' | 0:26:03 | 0:26:05 | |
PATRICK LAUGHS AWKWARDLY | 0:26:05 | 0:26:06 | |
It's a complete cock-up, this, you know. | 0:26:17 | 0:26:20 | |
A complete...cock-up! | 0:26:20 | 0:26:23 | |
I'm not a happy bunny. | 0:26:25 | 0:26:26 | |
Cos this is going to take, like, ages. | 0:26:27 | 0:26:30 | |
Going to have to re-audition again. | 0:26:32 | 0:26:34 | |
Have to put...adverts in the paper. | 0:26:34 | 0:26:37 | |
I'm not putting any adverts in the paper. | 0:26:39 | 0:26:41 | |
Damn sure. | 0:26:41 | 0:26:43 | |
This isn't my cock-up. | 0:26:43 | 0:26:44 | |
How did you dry it? A hairdryer or a tumble dryer. | 0:26:46 | 0:26:49 | |
Like, a hairdryer or a tumble dryer. Isn't that funny? | 0:26:49 | 0:26:51 | |
So... It's not really a joke, it's more of a... | 0:26:52 | 0:26:55 | |
No, definitely, yeah, it's definitely not. | 0:26:55 | 0:26:57 | |
What's wrong, Dan, is everything OK? | 0:26:57 | 0:26:59 | |
All good, all good, all good. | 0:26:59 | 0:27:01 | |
Excuse me, can I order another drink, please? | 0:27:06 | 0:27:09 | |
Um... | 0:27:09 | 0:27:10 | |
I'd like a large gin and tonic, please. | 0:27:10 | 0:27:12 | |
A Harvey Wallbanger. With no ice. | 0:27:14 | 0:27:16 | |
A long, slow, comfortable screw against the wall. | 0:27:17 | 0:27:19 | |
Pint of Smithwick's. | 0:27:21 | 0:27:22 | |
Pint of Heineken. | 0:27:24 | 0:27:25 | |
And a Southern Comfort with no ice. | 0:27:25 | 0:27:27 | |
A bottle of wine for the table as well, please. | 0:27:29 | 0:27:31 | |
PIANO PLAYS | 0:27:43 | 0:27:44 | |
CARD MACHINE BLEEPS | 0:27:46 | 0:27:48 | |
Thank you. | 0:27:50 | 0:27:51 | |
Sorry, sir, that's been rejected again. Oh! | 0:27:56 | 0:27:59 | |
Will I go for a third time, or...? No, no, listen, | 0:27:59 | 0:28:02 | |
I'll go out to the hole in the wall. | 0:28:02 | 0:28:04 | |
That's what I'll do. I'll get money out of there, cos...you know. | 0:28:04 | 0:28:07 | |
With the same card? | 0:28:07 | 0:28:08 | |
Well, I've got... Well, don't worry about that. | 0:28:10 | 0:28:12 | |
I'll just put this card away, sir. | 0:28:12 | 0:28:14 | |
And, er, sure, I'll be back in, er... | 0:28:15 | 0:28:17 | |
..in a wee while, | 0:28:19 | 0:28:20 | |
and we'll get it all sorted out, no problem. | 0:28:20 | 0:28:24 | |
No problem. | 0:28:24 | 0:28:25 | |
Thanks for a lovely evening. | 0:28:25 | 0:28:27 | |
CHAIRS CLATTER | 0:28:27 | 0:28:28 | |
Marvellous. | 0:28:28 | 0:28:29 | |
Unforgettable. Stunning. | 0:28:30 | 0:28:33 | |
And poignant. | 0:28:33 | 0:28:34 | |
Erm, I'll be back in, like, two minutes. | 0:28:37 | 0:28:40 | |
# Once I lived a live of a millionaire | 0:28:50 | 0:28:55 | |
# Spent all my money, didn't care | 0:28:58 | 0:29:03 | |
# Took all my friends out for a mighty good ride | 0:29:06 | 0:29:12 | |
# Bought bootleg liquor | 0:29:14 | 0:29:16 | |
# Champagne and wine | 0:29:18 | 0:29:19 | |
# Nobody knows you when you're down and out | 0:29:21 | 0:29:26 | |
# In your pocket you ain't got a penny | 0:29:29 | 0:29:34 | |
# As for friends you don't have any... # | 0:29:34 | 0:29:36 | |
Discover the world's most fascinating hotels... | 0:29:49 | 0:29:52 | |
Wow! | 0:29:52 | 0:29:53 | |
..and go behind the scenes with Giles Coren... | 0:29:53 | 0:29:55 | |
Did it! | 0:29:55 | 0:29:57 | |
..and Monica Galetti. | 0:29:57 | 0:29:58 | |
This is the hardest part of the job. | 0:29:58 | 0:30:00 | |
We can accommodate 620 team members' uniforms. | 0:30:00 | 0:30:03 | |
SHE GASPS | 0:30:03 | 0:30:04 | |
We have to paint the rooms every three weeks. | 0:30:04 | 0:30:07 | |
We are providing a service | 0:30:07 | 0:30:08 | |
to some of the most demanding customers you can get. | 0:30:08 | 0:30:11 | |
Amazing Hotels: Life Beyond the Lobby continues... | 0:30:11 | 0:30:15 | |
We are with the BBC journalist as he visits his shattered home | 0:30:39 | 0:30:42 | |
city for the first time since IS swept in. | 0:30:42 | 0:30:49 |