Browse content similar to Vic & Bob's Big Night Out. Check below for episodes and series from the same categories and more!
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What magnificent woods it is. It's massive. | 0:00:02 | 0:00:05 | |
There's a fire there, going. Summat happened. But what, I don't know. | 0:00:05 | 0:00:09 | |
-It's a house in a very lonely place. -BEAR GROWLS | 0:00:09 | 0:00:12 | |
You've got a big bear there. | 0:00:12 | 0:00:13 | |
Looks really frightening and threatening. | 0:00:13 | 0:00:16 | |
Then there's two people on the front. | 0:00:16 | 0:00:18 | |
One of them's very large and big. | 0:00:18 | 0:00:20 | |
And he's standing next to his friend, who is very small. | 0:00:20 | 0:00:23 | |
-Yes, just like a little shrimp really. -Oh! | 0:00:23 | 0:00:27 | |
-It's Reeves and Mortimer. -CHEERS AND APPLAUSE | 0:00:27 | 0:00:31 | |
-Trousers! -Trousers! | 0:00:36 | 0:00:38 | |
-Trousers! -Trousers! | 0:00:38 | 0:00:40 | |
Trousers! | 0:00:40 | 0:00:42 | |
-Trousers! -Trousers! | 0:00:42 | 0:00:45 | |
Trousers! Trousers! | 0:00:45 | 0:00:47 | |
-Trousers! -Trousers! | 0:00:47 | 0:00:49 | |
Trousers! | 0:00:49 | 0:00:51 | |
# Skinny jeans are current but can compromise your nuts | 0:00:54 | 0:00:58 | |
# Chinos are for comfort but sit low beneath your guts | 0:00:58 | 0:01:02 | |
# Turn-ups can be useful when there's lots of falling glass | 0:01:02 | 0:01:05 | |
# But for all-round everyday wear, we suggest an A-line slack. # | 0:01:05 | 0:01:09 | |
Trousers! | 0:01:09 | 0:01:11 | |
-That's trousers! -CHEERS AND APPLAUSE | 0:01:11 | 0:01:14 | |
Good evening. | 0:01:17 | 0:01:20 | |
-The shrimp is with us. -Good evening, ladies and gentlemen. | 0:01:20 | 0:01:22 | |
-Talking about trousers, Vic. -Yeah. | 0:01:22 | 0:01:24 | |
Talking about trousers, I was wearing trousers the other day when | 0:01:24 | 0:01:28 | |
a German shepherd came in through the hedge and had a dump on me lawn. | 0:01:28 | 0:01:31 | |
-Yeah? -Yeah. | 0:01:31 | 0:01:32 | |
His dog's as bad as well. | 0:01:32 | 0:01:34 | |
HORN TOOTS | 0:01:38 | 0:01:39 | |
Do you know? I used to wear trousers in the 1980s. | 0:01:39 | 0:01:43 | |
-In fact, in the '80s, I spent two years in a squat. -Really? | 0:01:43 | 0:01:47 | |
Then I stood up. | 0:01:47 | 0:01:48 | |
SAXOPHONE | 0:01:50 | 0:01:54 | |
Hey, I was wearing trousers the other night | 0:01:56 | 0:01:59 | |
-when I went to the karaoke club with me Indian friend. -Gerupta Singh? | 0:01:59 | 0:02:03 | |
Yeah, I got up. I like to, yeah. | 0:02:03 | 0:02:05 | |
Can you do this? | 0:02:05 | 0:02:07 | |
SLOSH | 0:02:07 | 0:02:08 | |
Urgh! | 0:02:08 | 0:02:10 | |
Nah, I can't do that. | 0:02:10 | 0:02:12 | |
Me neither. | 0:02:12 | 0:02:14 | |
FUNKY BASS GUITAR | 0:02:14 | 0:02:16 | |
PAN PIPES | 0:02:16 | 0:02:19 | |
LAUGHTER AND APPLAUSE | 0:02:19 | 0:02:22 | |
Anyway, Bob, talking about trousers, do you like denim work wear slacks? | 0:02:22 | 0:02:25 | |
-Yes, I do like them very much. Thank you for asking. -They are nice, aren't they? -Did you know, Vic? | 0:02:25 | 0:02:29 | |
-These days, they're actually called jeans. -Wait a minute. They're called what? -Jeans. | 0:02:29 | 0:02:33 | |
-Yeah, that's the new word for them. -You've lost me there. Is there a new word for...? -Yeah, jeans. | 0:02:33 | 0:02:38 | |
-Have you got a favourite jean, Vic? -I like Gene Hackman, Gene Roddenberry, Jean Harlow, | 0:02:38 | 0:02:41 | |
Gene Vincent. I like all them Genes. | 0:02:41 | 0:02:45 | |
They're people, you see, Vic? | 0:02:45 | 0:02:47 | |
The mistake you've made is you've forgotten that | 0:02:47 | 0:02:50 | |
I told you that the new name for denim workwear is jeans. | 0:02:50 | 0:02:54 | |
-Yeah? -Yes! -Yes. -Now I know. | 0:02:54 | 0:02:56 | |
So, do you have a favourite jean? | 0:02:56 | 0:02:58 | |
-I suppose it's our sponsors, Geordie Jeans. -Geordie Jeans. | 0:02:58 | 0:03:02 | |
Geordie Jeans! | 0:03:02 | 0:03:04 | |
Even the pop stars wear Geordie Jeans! | 0:03:04 | 0:03:06 | |
Bruno Mars! | 0:03:06 | 0:03:09 | |
24-carat magic! | 0:03:09 | 0:03:11 | |
Rag'n'Bone Man! | 0:03:11 | 0:03:13 | |
# I'm only hu-man after all! Don't put the blame on me. # | 0:03:13 | 0:03:18 | |
And Ed Sheeran! | 0:03:18 | 0:03:20 | |
I'm in love with the shape of your body. | 0:03:22 | 0:03:24 | |
What? What? | 0:03:26 | 0:03:28 | |
They can even calm down ADHD kids! | 0:03:28 | 0:03:30 | |
CHUCKLES | 0:03:32 | 0:03:33 | |
They're so nice and tight around the arse. | 0:03:37 | 0:03:39 | |
-Geordie Jeans! -CHEERS AND APPLAUSE | 0:03:39 | 0:03:43 | |
-Geordie Jeans. -Geordie Jeans. | 0:03:43 | 0:03:45 | |
-Geordie Jeans. -Geordie Jeans. | 0:03:45 | 0:03:47 | |
I don't know about you, ladies and gentlemen, but round about this | 0:03:47 | 0:03:50 | |
time of night, what I like to do is pop a Freddo bar under a Scart lead. | 0:03:50 | 0:03:55 | |
-And that brings a lot of good luck... -A lot of good luck. | 0:03:56 | 0:04:00 | |
-..I have always found. -Yeah. | 0:04:00 | 0:04:02 | |
It does, yeah. Hiya. | 0:04:02 | 0:04:04 | |
LOUD THROBBING | 0:04:04 | 0:04:08 | |
Make it stop! | 0:04:08 | 0:04:12 | |
No! | 0:04:12 | 0:04:13 | |
Oh! | 0:04:13 | 0:04:16 | |
-Vic... -Magnetic hands. | 0:04:16 | 0:04:19 | |
-Vic. -Yeah? | 0:04:20 | 0:04:22 | |
I really enjoyed that. | 0:04:22 | 0:04:25 | |
-Vic, I'm really surprised that you haven't mentioned me wig. -What wig? | 0:04:25 | 0:04:29 | |
-Me wig. -You're not wearing a wig. | 0:04:29 | 0:04:31 | |
-You're joking. Yes, I am. -Is it? Really? -Didn't you think I was? | 0:04:31 | 0:04:35 | |
-Well, what a blend. You can't tell. -Do you mean that? | 0:04:35 | 0:04:38 | |
You really can't tell. | 0:04:38 | 0:04:39 | |
-Oh. I'm so pleased cos this were expensive. -I bet it was. | 0:04:39 | 0:04:42 | |
-How much did it cost? -£30,000. -£30,000?! | 0:04:42 | 0:04:44 | |
£30,000. | 0:04:44 | 0:04:46 | |
I mean, it seems like a lot of money, do you know what I mean? | 0:04:46 | 0:04:49 | |
-But it's an entirely new system. -Tell me about it. | 0:04:49 | 0:04:52 | |
Well, it's called All About The Blend | 0:04:52 | 0:04:54 | |
-because it is about how it blends with your natural hair. -It's a good blend. | 0:04:54 | 0:04:58 | |
It's actually, the company that makes it is actually | 0:04:58 | 0:05:00 | |
-owned by Captain Mark Phillips. Do you remember Captain Mark Phillips? -Yeah, I used to ride with him. | 0:05:00 | 0:05:06 | |
-You used to ride with him? -Yeah. -Hey, didn't we all? | 0:05:06 | 0:05:09 | |
Didn't we all? Yeah, and what they do, it's a unique system... | 0:05:09 | 0:05:12 | |
-What they do is they actually pluck individual hairs out of your Peter pipe. -Yeah. | 0:05:12 | 0:05:16 | |
-Your Cheddar Gorge. -Your Cheddar Gorge. | 0:05:16 | 0:05:19 | |
-Pluck them out and then stretch them and they apply butter to them. -Ooh! | 0:05:19 | 0:05:24 | |
-Yeah. -Mm! | 0:05:24 | 0:05:25 | |
Really nice butter, you know, like Anchor, summat like that. | 0:05:25 | 0:05:29 | |
-Mm! -And they're individually sewn into the net, all about the blend. | 0:05:29 | 0:05:33 | |
-Doesn't it blend? -Yes, lovely! Fantastic! -Thank you. -Incredible. | 0:05:33 | 0:05:36 | |
-Turn around. Let's have a look at the back of it. -The blend? -Superb. Isn't it? | 0:05:36 | 0:05:41 | |
MOUTHS | 0:05:41 | 0:05:43 | |
-It's perfect, Bob. -No, I'm really pleased with it. -Absolutely unbelievable. | 0:05:45 | 0:05:49 | |
-And to think you didn't even spot it. -I didn't spot that you had a wig on, no. | 0:05:49 | 0:05:52 | |
-That's fantastic. Yeah. -Really good. -So, what's been happening with you, Vic? | 0:05:52 | 0:05:56 | |
-Well, I was on me way back from Chutney Club... -Yeah. | 0:05:56 | 0:05:59 | |
-It's good at Chutney Club. -You and that Chutney Club. | 0:05:59 | 0:06:02 | |
-I hardly ever see you these days. -We've just learned how to put the lids on. -Mm! | 0:06:02 | 0:06:06 | |
Anyway, I was coming back from Chutney Club | 0:06:06 | 0:06:08 | |
and it was pouring down with rain and I saw... | 0:06:08 | 0:06:10 | |
You know the actor Mel Gibson? I saw him and he was obviously having some car trouble cos | 0:06:10 | 0:06:13 | |
he got some water in his carburettor or something like that. | 0:06:13 | 0:06:16 | |
Anyway, he got out and he picked it up, he was very strong, | 0:06:16 | 0:06:19 | |
picked up the front of the car and he was banging it, bang, | 0:06:19 | 0:06:21 | |
-bang, bang, in the pouring rain. -Yeah. | 0:06:21 | 0:06:24 | |
-I can hardly even imagine that. -Would you like to see the memory? | 0:06:24 | 0:06:27 | |
I'd love to see it, yeah. | 0:06:27 | 0:06:30 | |
Oh, that's great. | 0:06:30 | 0:06:31 | |
Ha-ha-ha! | 0:06:32 | 0:06:34 | |
-HORN TOOTS -Unngg! | 0:06:36 | 0:06:38 | |
Uunnnggg! | 0:06:42 | 0:06:44 | |
Flamin' eck! Ooh, gawd! | 0:06:44 | 0:06:47 | |
That's a nice memory, that one. | 0:06:50 | 0:06:52 | |
Yeah. | 0:06:52 | 0:06:54 | |
-Are you going to keep it? -No, I don't really... Do you want it? | 0:06:54 | 0:06:57 | |
-Yeah, I'll have it, yeah. Thank you. -Sea salt? | 0:06:57 | 0:07:00 | |
Yes, I can see that. | 0:07:00 | 0:07:02 | |
Ooh! | 0:07:04 | 0:07:06 | |
-Oof! -Oh! | 0:07:06 | 0:07:08 | |
Oof! | 0:07:08 | 0:07:10 | |
Oh! | 0:07:11 | 0:07:13 | |
-Oof! -Oh, you're joking, aren't you? -That's nice that, isn't it? | 0:07:13 | 0:07:16 | |
-Oof! -Oh! | 0:07:16 | 0:07:17 | |
-Hello. -Hello. | 0:07:25 | 0:07:26 | |
-Hello. -All right, lad? Lovely to see you. | 0:07:26 | 0:07:29 | |
-All right? -How do you do, lad? -My name's Colin. | 0:07:29 | 0:07:32 | |
Colin. | 0:07:32 | 0:07:34 | |
Calling all cars, officer down! | 0:07:34 | 0:07:36 | |
Hey, I like that. I love that one! | 0:07:36 | 0:07:38 | |
-You do like it? -Ooh, love it! | 0:07:38 | 0:07:40 | |
There you go, there you go. | 0:07:40 | 0:07:43 | |
-I'm Nicholas, by the way. -I can tell. | 0:07:43 | 0:07:46 | |
Like two boiled eggs in a cycling sock! | 0:07:46 | 0:07:48 | |
Ha-hey! | 0:07:50 | 0:07:53 | |
Oh! Classic. | 0:07:53 | 0:07:55 | |
-When was the last time you were on a date? -I'm on one date now, actually. | 0:07:55 | 0:07:59 | |
There you are. I brought it along, you see. | 0:07:59 | 0:08:02 | |
-At least, I hope it's a date. -So do I! | 0:08:02 | 0:08:04 | |
It reminds me, I passed a lovely firm stool this morning. | 0:08:04 | 0:08:08 | |
I wish I'd stopped and bought it! Hey! | 0:08:08 | 0:08:10 | |
Love that one! | 0:08:10 | 0:08:13 | |
-That's really good. That's a classic. -Ain't it? | 0:08:13 | 0:08:15 | |
-It really is, yeah. -Toot-toot-toot! | 0:08:15 | 0:08:18 | |
Very, very good. If you don't mind me saying, Colin, | 0:08:18 | 0:08:21 | |
you've got a rather large head, haven't you? | 0:08:21 | 0:08:23 | |
It has been noted that it's quite large, yes. It's a sniper's dream. | 0:08:23 | 0:08:27 | |
-You can't miss it! -Bang! Boom! | 0:08:27 | 0:08:30 | |
-You can't miss it! -You couldn't miss it. -And do you know what, | 0:08:30 | 0:08:32 | |
Nicholas? I noticed that you walked in with a bit of a limp. | 0:08:32 | 0:08:35 | |
-Oh, I have, yeah. Sniper's nightmare. -Oop! -Do you understand? | 0:08:35 | 0:08:39 | |
-Missed! Missed again! -Nil points. Nil points, Mr Sniper! | 0:08:39 | 0:08:43 | |
Ooh, here it comes. | 0:08:43 | 0:08:45 | |
-Ooh, there we are. -Here it comes. -Delightful, thank you. -Come on then. | 0:08:45 | 0:08:48 | |
-Let's tuck in. -Yeah, why, has it popped out again? | 0:08:48 | 0:08:51 | |
Nonstop cabaret! | 0:08:53 | 0:08:55 | |
So, are you going to see each other again? | 0:09:04 | 0:09:06 | |
-I don't know. -Right, you go first, go on. | 0:09:07 | 0:09:10 | |
-OK. -No, sit down! | 0:09:10 | 0:09:12 | |
-Classic, that! -Love it. Love that. -You do like it. | 0:09:12 | 0:09:15 | |
Right, I'll go first. | 0:09:15 | 0:09:16 | |
-Right. -I thought I might have to say this. | 0:09:16 | 0:09:18 | |
I can't speak the words, so I've written on me napkin. All right? | 0:09:18 | 0:09:22 | |
So, for the camera as well. | 0:09:22 | 0:09:23 | |
Oh! | 0:09:23 | 0:09:25 | |
Oh, it's double folded, hold on. | 0:09:25 | 0:09:26 | |
Oh! Hey! That's a good one! I like that. Me too. | 0:09:28 | 0:09:31 | |
-Yeah? -Shall we go and find some? | 0:09:31 | 0:09:33 | |
-Yes, please. -Piccadilly Circus? -Correct. Come on. | 0:09:33 | 0:09:36 | |
And so, as the sun sets over the wood pigeon, the old farmer | 0:09:38 | 0:09:43 | |
buries his wife's necklace beneath the water pump. | 0:09:43 | 0:09:47 | |
Bomp-bom-bom! | 0:09:47 | 0:09:49 | |
LAUGHTER AND APPLAUSE | 0:09:54 | 0:09:57 | |
So, ladies and gentlemen, we've got a bit of a treat for you now | 0:09:57 | 0:10:00 | |
because we've been working on an observation comedy routine. | 0:10:00 | 0:10:03 | |
-Observational comedy. -Observational comedy, which I know is all the trend. | 0:10:03 | 0:10:06 | |
-Oh, hello. -All right, lads? How are you doing? -All right, thanks. Who are you, mate? | 0:10:06 | 0:10:10 | |
-I'm Rod Stewart, aren't I? -Rod Stewart?! -You don't look much like him. -The singer. | 0:10:10 | 0:10:14 | |
-You don't look much like him. -You don't look like Rod Stewart! | 0:10:14 | 0:10:16 | |
-A percentage of people say that, like. -Yeah. | 0:10:16 | 0:10:19 | |
Anyway, so what can we do for you, Rod? | 0:10:23 | 0:10:25 | |
I'm on at the O2 in about half an hour. | 0:10:25 | 0:10:27 | |
I was wondering if you could lend me the bus fare. | 0:10:27 | 0:10:30 | |
-How much? -20 quid? | 0:10:30 | 0:10:32 | |
-20 quid?! -20 quid?! The O2, it's only over there! | 0:10:32 | 0:10:35 | |
All right, tenner. | 0:10:35 | 0:10:36 | |
Tenner. I tell you what, we're down an act a bit later on. | 0:10:36 | 0:10:39 | |
If you come back and do a little bit of your show for us, | 0:10:39 | 0:10:42 | |
-yeah, we'll give you a tenner. Is that all right? -That'll do, yeah. | 0:10:42 | 0:10:45 | |
-All right. Where do you want me to wait? -Well, where do you normally wait | 0:10:45 | 0:10:48 | |
-when you're at the O2 before you go on? -At the vending machine with the fat drummer, looking at the lasses. | 0:10:48 | 0:10:53 | |
There's no lasses and there's no fat drummer, | 0:10:53 | 0:10:55 | |
but there's tea and coffee facilities back there. | 0:10:55 | 0:10:57 | |
-Yeah, nice to meet you, Rod. -Nice to meet you, lads. See you later. | 0:10:57 | 0:11:00 | |
-Hey, Rod Stewart, eh? -Rod Stewart, eh? | 0:11:00 | 0:11:03 | |
-Come on, it's time to do it. -Observation comedy. -Let's do some. | 0:11:03 | 0:11:06 | |
It's our observation comedy. It's the modern way. | 0:11:06 | 0:11:08 | |
Come on. Ladies and gentlemen, have you ever noticed, ladies and gentlemen, that | 0:11:08 | 0:11:12 | |
in hotels, the thermostat control on the showers is always very erratic? | 0:11:12 | 0:11:19 | |
AUDIENCE: Yes. | 0:11:19 | 0:11:20 | |
Come on. Come on, this is good stuff. | 0:11:25 | 0:11:27 | |
Don't coat hangers get tangled up? | 0:11:31 | 0:11:33 | |
AUDIENCE: Yes. | 0:11:33 | 0:11:35 | |
Have you ever noticed...? You must have! | 0:11:35 | 0:11:37 | |
Have you ever noticed that you get your thing for the carwash, the | 0:11:37 | 0:11:41 | |
little code, and when you pull up at the machine, you can't reach it? | 0:11:41 | 0:11:45 | |
AUDIENCE: Yes. | 0:11:45 | 0:11:47 | |
Does anyone remember Babycham? | 0:11:50 | 0:11:53 | |
They still make it. | 0:11:53 | 0:11:55 | |
-Who said that? -What did he say? | 0:11:55 | 0:11:57 | |
-What did you say? -I was just saying, they still make it. | 0:11:57 | 0:11:59 | |
-So it doesn't really... -Can you get him out? | 0:11:59 | 0:12:02 | |
-No, I'm just saying, it don't really work. -Get him out. -Come on. | 0:12:02 | 0:12:04 | |
Really? | 0:12:04 | 0:12:07 | |
Oh. Oh, just... | 0:12:07 | 0:12:09 | |
They still make Babycham, so it's just a silly thing, isn't it? | 0:12:09 | 0:12:12 | |
Doesn't really work. | 0:12:12 | 0:12:14 | |
MUFFLED ARGUING | 0:12:16 | 0:12:19 | |
GUNSHOT | 0:12:21 | 0:12:25 | |
-Does anyone remember Babycham? -AUDIENCE: YES! | 0:12:25 | 0:12:29 | |
Yes, very good. Nice ending there. That's observation comedy! | 0:12:29 | 0:12:33 | |
CHEERS AND APPLAUSE | 0:12:33 | 0:12:35 | |
-Hey, Bob. -Hiya. | 0:12:35 | 0:12:37 | |
-Hello. -Hiya. -Bob. -Yeah? | 0:12:37 | 0:12:40 | |
-Can we have a punch up? -Have a punch-up? Yes, please! Come on! | 0:12:40 | 0:12:43 | |
-Come on! -Let's have a punch up. | 0:12:43 | 0:12:45 | |
-Come on! -Can't wait. -You go first. -OK. | 0:12:45 | 0:12:47 | |
THUMPING | 0:12:47 | 0:12:50 | |
-Oof! -Right. | 0:12:50 | 0:12:53 | |
-Bourne Conspiracy. -THUMPING | 0:12:53 | 0:12:56 | |
Right, Wonder Woman. | 0:12:59 | 0:13:01 | |
SWISH | 0:13:01 | 0:13:05 | |
DISCO MUSIC | 0:13:07 | 0:13:10 | |
The Hammer of Thor! | 0:13:15 | 0:13:16 | |
Shit! | 0:13:16 | 0:13:17 | |
SWOOSHING | 0:13:17 | 0:13:22 | |
THUMP | 0:13:22 | 0:13:25 | |
THUMPING | 0:13:25 | 0:13:29 | |
-I win again! -Hey, that was a good fight. Thank you. | 0:13:29 | 0:13:33 | |
-Yeah, that was all right that, wasn't it? -He always tops me with that hammer. | 0:13:33 | 0:13:37 | |
CHEERS AND APPLAUSE | 0:13:37 | 0:13:39 | |
I'm sorry, Vic. I've got to leave you for a moment. I've got to do that thing I've been | 0:13:39 | 0:13:43 | |
-meaning to do. -Oh, that thing. -I'm going to do it now, yeah. | 0:13:43 | 0:13:45 | |
-Well, you'd better go and do it. -Yeah. Ooh. | 0:13:45 | 0:13:48 | |
Oh, hey. Hello. | 0:13:48 | 0:13:50 | |
Vic, I've fallen. | 0:13:51 | 0:13:52 | |
-I could see. -Did you see? -Did you trip over something? | 0:13:52 | 0:13:57 | |
A Piriton? | 0:13:57 | 0:13:58 | |
Yeah, maybe that or a Rennie. It was summat pharmaceutical. | 0:13:58 | 0:14:01 | |
-Something like that, you tripped over, wasn't it? -But main thing is, that felt pretty bad. | 0:14:01 | 0:14:05 | |
-I want to have a look at the damage Vic. -Let's have a look at the damage. | 0:14:05 | 0:14:08 | |
-I can instantly see, I've took the top off a blister there. -Yeah. | 0:14:08 | 0:14:11 | |
-So, that's not nice, is it? -How is your sacrodiliac? | 0:14:11 | 0:14:14 | |
-Me what? -Your sacrodiliac. -I don't know what that is. | 0:14:14 | 0:14:17 | |
It's a ligament that attaches your kneecap via your nose to your anus. | 0:14:17 | 0:14:21 | |
-I don't know. I'd better try. -It goes all the way round. | 0:14:23 | 0:14:26 | |
-Argh! -Oh! -Oh! | 0:14:26 | 0:14:28 | |
-No! So that's gone as well. -Yeah. | 0:14:28 | 0:14:30 | |
For this blister, can you get us a plaster? | 0:14:30 | 0:14:32 | |
Have you got a plaster, please? But I want one of those Frozen ones, | 0:14:32 | 0:14:35 | |
with the characters from Frozen on it. | 0:14:35 | 0:14:38 | |
-For me blister. -I'd like to get that for you, but I can't, can I? I'd like to get you a Frozen plaster, | 0:14:38 | 0:14:42 | |
but you've used them all up. You took them all out of the packet and stuck them | 0:14:42 | 0:14:45 | |
-on the back of your Big Bang Theory backpack! -Yes, I did. -I said, "One day, you'll want a plaster | 0:14:45 | 0:14:49 | |
"and they won't be in there because you've stuck them all over the back of your Big Bang Theory backpack!" | 0:14:49 | 0:14:53 | |
-You stupid boy! -No, I accept that. Vic, will you do summat for us? | 0:14:53 | 0:14:57 | |
Would you phone me mum, yeah? And ask her to bring some. | 0:14:57 | 0:14:59 | |
-Your mum, Pissy Pat. -She's not called Pissy Pat. Pissy Pat. | 0:14:59 | 0:15:04 | |
-Is this her, "Mummy"? -No, that's her chatroom I'm involved in. | 0:15:04 | 0:15:08 | |
The next one, I think. | 0:15:08 | 0:15:10 | |
-"Mum at work." -"Mum at work," that's it, yeah. | 0:15:10 | 0:15:12 | |
-Ooh, sometimes... -Thanks, Vic. | 0:15:12 | 0:15:16 | |
Hello? Yeah, can I speak to Mrs Mortimer, please? Yeah, Pissy Pat. | 0:15:16 | 0:15:20 | |
Yeah. | 0:15:20 | 0:15:21 | |
Right. Could you tell her her son, Bob, has... | 0:15:21 | 0:15:25 | |
Yeah, Wanky Bob. Yeah. | 0:15:25 | 0:15:26 | |
Could you tell her that he's fallen over and he needs a plaster? OK. | 0:15:26 | 0:15:32 | |
Bye. She's gone off for two weeks to Yates's Wine Lodge on holiday. | 0:15:32 | 0:15:36 | |
-Oh, not again! I'm just going to have to... -Hang on a minute. -What? | 0:15:36 | 0:15:42 | |
-Why don't you use...use one of them? -What, a second-class stamp? | 0:15:42 | 0:15:45 | |
-Yeah. -No, it'll take forever to heal then, won't it? | 0:15:45 | 0:15:48 | |
Pissy Pat, honestly! You idiot! | 0:15:49 | 0:15:51 | |
You what?! What did you call me then? | 0:15:51 | 0:15:53 | |
-You're an idiot! -Oh, I'm an idiot, eh? -Yes, you are. | 0:15:53 | 0:15:57 | |
-Yeah. -Would an idiot be able to do this? | 0:15:57 | 0:15:59 | |
-Huh? -No. -Yeah, exactly. | 0:16:01 | 0:16:05 | |
Just think about what you say in future. | 0:16:05 | 0:16:07 | |
APPLAUSE | 0:16:07 | 0:16:09 | |
Let's take a trip to Novelty Island. | 0:16:10 | 0:16:12 | |
CHEERING AND APPLAUSE | 0:16:12 | 0:16:13 | |
MUSIC PLAYS | 0:16:13 | 0:16:15 | |
Here we are with the paddock of Novelty Island. | 0:16:20 | 0:16:22 | |
We're going to see three turns who are going to present themselves | 0:16:22 | 0:16:26 | |
in the paddock and the first turn tonight is David Little-Peacock. | 0:16:26 | 0:16:29 | |
David has a double-barrel name, a double-barrel shotgun | 0:16:29 | 0:16:32 | |
and a double entendre company in Long Nobbington near Bristol City. | 0:16:32 | 0:16:37 | |
And here he is, David Little-Peacock. | 0:16:37 | 0:16:43 | |
SCOTTISH ACCENT: Hello. | 0:16:43 | 0:16:45 | |
Hello, everyone. Hello, Mr Reeves. | 0:16:45 | 0:16:47 | |
-Hello, there, yes. -So, David... -Hello. | 0:16:47 | 0:16:51 | |
Yeah, it's my doglect. | 0:16:51 | 0:16:53 | |
I operate a small laboratory up in Stranraer where I make hybrids, | 0:16:53 | 0:16:57 | |
you know, crossbreeds. | 0:16:57 | 0:16:59 | |
Yeah, and clones. I myself am a humbould. | 0:16:59 | 0:17:03 | |
I'm part human, part boulder. | 0:17:03 | 0:17:06 | |
-This is the doglect, it's part otter, part lecturer. -Part radish. | 0:17:06 | 0:17:12 | |
-Part radish! There was a wee amount of radish. -What does your doglect do? | 0:17:12 | 0:17:16 | |
-Aye, we're going to sing a tender song together. -Right, OK. | 0:17:16 | 0:17:19 | |
If you could assist me, Mr Reeves. | 0:17:19 | 0:17:20 | |
If you'd like to come round to the doglect's side there | 0:17:20 | 0:17:23 | |
and I'll indicate during the song when you need to lift its beak. | 0:17:23 | 0:17:28 | |
OK. So, if we could have the music, please? | 0:17:28 | 0:17:33 | |
# It was a hard afternoon In the middle of June | 0:17:33 | 0:17:38 | |
# When I first met my baby... # | 0:17:38 | 0:17:41 | |
DOGLECT WHISTLES | 0:17:41 | 0:17:43 | |
# ..As she slowly walked by... # | 0:17:43 | 0:17:46 | |
WHISTLES | 0:17:46 | 0:17:49 | |
# ..I said Hey, that's my lady... # | 0:17:49 | 0:17:52 | |
WHISTLES | 0:17:52 | 0:17:54 | |
So there you have it. There you have it. CHEERING AND APPLAUSE | 0:17:54 | 0:17:57 | |
That's the doglect. | 0:17:57 | 0:17:59 | |
-Fantastic. -Thanks for having me, Mr Reeves. Goodbye from the doglect. | 0:17:59 | 0:18:03 | |
Bye-bye, he says. Cheerio. | 0:18:03 | 0:18:07 | |
David Little-Peacock and his doglect. | 0:18:07 | 0:18:11 | |
Second act in the paddock tonight, please welcome Rod Stewart. | 0:18:11 | 0:18:16 | |
MUSIC PLAYS | 0:18:16 | 0:18:18 | |
-All right, Rod? -Hiya. -What's this? -It's me arse-kicking machine. | 0:18:22 | 0:18:26 | |
-I thought you were going to do something for my show. -It is. | 0:18:26 | 0:18:29 | |
I use it to kick the backing singers up the arse during the boring bits of Maggie May. | 0:18:29 | 0:18:32 | |
-Right. Well, you're not kicking me up the arse with it. -No, | 0:18:34 | 0:18:36 | |
I'm going to stand in there, you're going to kick me up the arse. | 0:18:36 | 0:18:39 | |
All right. Well, you get in there. | 0:18:39 | 0:18:40 | |
And this is what you use to kick the backing singers up the arse. | 0:18:40 | 0:18:43 | |
-Backing singers' arses. -Yeah. Right. Here we go, then. -Five for a tenner. | 0:18:43 | 0:18:48 | |
-Right, OK. -Remember, five, no more. -Right, got you. -Because I know you. | 0:18:48 | 0:18:52 | |
Yeah. Right. All right, then. Here we go. | 0:18:52 | 0:18:55 | |
Ow! Ah! | 0:18:55 | 0:18:57 | |
Argh! Oh! Ow! That's five. | 0:18:57 | 0:19:01 | |
-That's five, ain't it? -Five. Tenner, now. -There you are, £10. | 0:19:01 | 0:19:05 | |
Here, take that with you, you'll need it tonight. | 0:19:05 | 0:19:08 | |
-Who have you got supporting you? -I don't know, Bryan Adams, I suppose. | 0:19:08 | 0:19:11 | |
LAUGHTER AND APPLAUSE | 0:19:11 | 0:19:14 | |
BELL RINGS | 0:19:19 | 0:19:20 | |
Act number three in the paddock of Novelty Island is... | 0:19:20 | 0:19:24 | |
He's a friend of doctors, dentists and athletic... | 0:19:25 | 0:19:28 | |
CHEERING | 0:19:28 | 0:19:31 | |
It's...Graham Lister. | 0:19:31 | 0:19:33 | |
MUSIC: Caroline by Status Quo | 0:19:33 | 0:19:36 | |
Good evening, Reeves. Good evening, Reeves. | 0:19:45 | 0:19:48 | |
I see you look like a pudding that's turned towards the daft. | 0:19:48 | 0:19:53 | |
You've not progressed much in life, have you, Reeves? | 0:19:53 | 0:19:55 | |
I'm here to perform my act, can we carry on with it, please? | 0:19:55 | 0:19:58 | |
Yes, sure. What is it you're going to do? | 0:19:58 | 0:20:00 | |
I'm going to touch that cornucopia with my hand. | 0:20:00 | 0:20:02 | |
If you step outside the paddock, you are disqualified. | 0:20:02 | 0:20:06 | |
I am well aware of the rules, Reeves. I've been doing this for 28 years. | 0:20:06 | 0:20:11 | |
If you could assist me, please, Reeves, by passing me my hand pipe. | 0:20:11 | 0:20:15 | |
Right. Yeah, OK. | 0:20:15 | 0:20:17 | |
Using the hand pipe, I will disorganised my arm muscles, | 0:20:17 | 0:20:20 | |
limbs and bones so that I'm able to touch the cornucopia with my hand. | 0:20:20 | 0:20:28 | |
Could I have the serious music, please? | 0:20:28 | 0:20:30 | |
MUSIC: Mastermind theme | 0:20:30 | 0:20:34 | |
TWANG! | 0:20:38 | 0:20:40 | |
It's a quality item, ladies and gentlemen. | 0:20:40 | 0:20:43 | |
I'll see you shortly when I am inevitably victorious. | 0:20:43 | 0:20:46 | |
-Cream always rises. Thank you, Reeves. -Very poor. | 0:20:46 | 0:20:49 | |
Very poor indeed. Well, anyway, watching the acts and judging the winner tonight, | 0:20:51 | 0:20:55 | |
please welcome the children's entertainer Simon Cowell. | 0:20:55 | 0:20:59 | |
MUSIC PLAYS | 0:20:59 | 0:21:01 | |
OK. Simon, now you're going to tell us who is the winner tonight. | 0:21:05 | 0:21:10 | |
Was it act number one, David Little-Peacock and his doglect? | 0:21:10 | 0:21:14 | |
Was it act number two, Rod Stewart? | 0:21:20 | 0:21:22 | |
Was it act number three, Graham Lister? | 0:21:26 | 0:21:28 | |
MUSIC: Caroline by Status Quo | 0:21:32 | 0:21:34 | |
Choose between diesel, | 0:21:50 | 0:21:52 | |
meat or grout. | 0:21:52 | 0:21:56 | |
For the ladies, talcum powder, Prosecco or salad. | 0:21:57 | 0:22:01 | |
Eileen, I see you're wearing them scented inserts in your Geordie jeans. | 0:22:01 | 0:22:05 | |
-Give us a sniff, man. -Help yourself, Brian. | 0:22:05 | 0:22:09 | |
She's quality crumpet. | 0:22:11 | 0:22:14 | |
You're bastard right I am. | 0:22:14 | 0:22:15 | |
-AMERICAN ACCENT: -Perfuffles. | 0:22:23 | 0:22:24 | |
Frimple cakes. Perfuffles. | 0:22:24 | 0:22:28 | |
Excuse me, you can't sell your wares here, I'm in the middle of doing a show. | 0:22:28 | 0:22:31 | |
I've come all the way from Wisconsin... | 0:22:31 | 0:22:34 | |
on a steamboat to sell my perfuffles, my frimple cakes and hooties. | 0:22:34 | 0:22:39 | |
OK. All right, you've come so far, come and tell us about your cakes. | 0:22:39 | 0:22:43 | |
Look at them. Here's a hooty, here's a perfuffle. Touch it, soft. | 0:22:43 | 0:22:50 | |
-So soft, right? -It is a very soft cake. -Soft, right? -It's very soft. | 0:22:50 | 0:22:54 | |
-Well soft, right? -Yeah, it's really soft. -Well soft, right? | 0:22:54 | 0:22:57 | |
Frimple cakes. Touch them, they're real soft, right? | 0:22:57 | 0:23:00 | |
-OK. So what's the frimple taste of? -Coconut. | 0:23:00 | 0:23:04 | |
Do you want to take them, please? | 0:23:06 | 0:23:09 | |
Hold on a minute. Take those glasses off, please. | 0:23:09 | 0:23:13 | |
Who are you? | 0:23:14 | 0:23:16 | |
Take that hat off as well. Take the hat off. Oh, it's you! | 0:23:18 | 0:23:22 | |
-Yeah, sorry. -You twister! -I'm sorry. -Oh, well, that's nice. | 0:23:22 | 0:23:28 | |
CHEERING AND APPLAUSE | 0:23:28 | 0:23:31 | |
Bob, I've just noticed you're not wearing your wig. | 0:23:31 | 0:23:33 | |
-No, I've lost confidence in it. -Why's that? | 0:23:33 | 0:23:36 | |
-Well, people were, like, poking me. -Poking fun of you? -Literally poking me | 0:23:36 | 0:23:39 | |
-and saying, like, "Terrible blend, Bob." -Really? -Yeah, so I just took it off. | 0:23:39 | 0:23:43 | |
-I can't see why. Hey, I'm a wig salesman, I could help you out. -Really? | 0:23:43 | 0:23:46 | |
I sell them mainly around the States... | 0:23:46 | 0:23:49 | |
-NEW ZEALAND ACCENT: -..but sometimes in New Zealand. | 0:23:49 | 0:23:51 | |
I sell me wigs in New Zealand to mainly people who work in the motor industry. | 0:23:51 | 0:23:56 | |
-I'm in luck there, I should come to you. -I've got my samples here, do you want to have a look? | 0:23:56 | 0:24:01 | |
-You've got them with you? -Yeah, yeah. -How lovely for me. Yeah, I'd love to try some on. | 0:24:01 | 0:24:05 | |
Hang on a minute. Get me samples now. | 0:24:05 | 0:24:07 | |
God, what have you got in there, a dead body? | 0:24:07 | 0:24:09 | |
-Eh? -What's in there, a dead body? -No. | 0:24:09 | 0:24:12 | |
Why, has someone been saying something? | 0:24:14 | 0:24:16 | |
-No, I was just making a little joke. -It's not funny. -OK. | 0:24:16 | 0:24:20 | |
I'll just get ready. | 0:24:20 | 0:24:21 | |
-You'll fix some to me, will you, Vic? -Yeah, let's have a look. | 0:24:21 | 0:24:24 | |
I'll see what I can sort you out with. What have we got here? | 0:24:24 | 0:24:28 | |
Hang on, wait a minute. | 0:24:28 | 0:24:30 | |
-How is that? -It's got a really good fit, but it's a bit heavy for me. | 0:24:32 | 0:24:37 | |
-Is that too heavy for you? -Yeah. Do they look any good? | 0:24:37 | 0:24:39 | |
-Yeah, it looks all right. -It's too heavy for me. | 0:24:39 | 0:24:42 | |
-I need something a bit lighter, you know what I mean? -Something a bit lighter. -A bit more summery. | 0:24:42 | 0:24:46 | |
-Oh, rustle... -There. How's that? -It's really light. | 0:24:48 | 0:24:51 | |
It's lovely and light. I haven't got a mirror, Vic. Have you got somewhere I could look? | 0:24:51 | 0:24:55 | |
-Hang on. Have a look in that. -Thank you. | 0:24:55 | 0:24:57 | |
-Oh, is this newspaper? -Yeah. -I need something more durable than that. | 0:24:59 | 0:25:04 | |
-Really? -No, I need something more durable than that. -Hang on. Just wait there, then. | 0:25:04 | 0:25:08 | |
SPLATTERING AND SQUELCHING | 0:25:08 | 0:25:11 | |
-Right. -Can't wait. | 0:25:13 | 0:25:16 | |
AUDIENCE GROANS | 0:25:16 | 0:25:18 | |
-Oh, I like that. -Yeah, that looks pretty good. -Let's have a look. Let's have a look. | 0:25:18 | 0:25:22 | |
-Yeah. -That feels perfect. -Have a look. | 0:25:22 | 0:25:25 | |
-What do you think? -Yeah, I like it. -Do you like it? -I really look like someone. | 0:25:25 | 0:25:29 | |
-Who do you think? -Who is it I look like? -Er... | 0:25:29 | 0:25:32 | |
-Who is it? -Olly Murs. -That's it, it's Olly Murs! | 0:25:34 | 0:25:38 | |
-It is, it's Olly Murs. -It's quite striking really, ain't it? | 0:25:38 | 0:25:42 | |
Thank you. | 0:25:42 | 0:25:44 | |
Zero, zero, zero. | 0:26:09 | 0:26:11 | |
Niner, eight. | 0:26:11 | 0:26:14 | |
Zero, zero, five, seven, two. | 0:26:16 | 0:26:20 | |
Well, ladies and gentlemen, it's the end of the show. | 0:26:25 | 0:26:28 | |
We've got a really special treat for you. | 0:26:28 | 0:26:29 | |
I don't know if you remember, a bit earlier with me new wig, | 0:26:29 | 0:26:32 | |
I looked a bit like Olly Murs. | 0:26:32 | 0:26:34 | |
Well, tonight, to close the show, as a very special guest, | 0:26:34 | 0:26:37 | |
-we've got Mr Olly... -Bob, he said he can't make it. | 0:26:37 | 0:26:41 | |
-What do you mean he can't make it? -He said he can't get here. | 0:26:41 | 0:26:44 | |
He says he's really sorry, but he can't do. | 0:26:44 | 0:26:46 | |
I just saw him about half an hour ago, he couldn't wait to get on. | 0:26:46 | 0:26:49 | |
I know, yeah, but he can't do it. | 0:26:49 | 0:26:50 | |
He said he can't do it, he was really apologetic. | 0:26:50 | 0:26:52 | |
Really sorry about it. He said he's... | 0:26:52 | 0:26:55 | |
He's really cut up about it. | 0:26:55 | 0:26:58 | |
-No, he must be in bits. -Well, he is actually, yeah. | 0:26:58 | 0:27:02 | |
So what are we going to do to finish the show, then, son? | 0:27:02 | 0:27:05 | |
-Well, I've got another memory. -Good one, bad one? -It's a bit of both. | 0:27:05 | 0:27:09 | |
It was in the same brainstorm that I saw Mel Gibson. | 0:27:09 | 0:27:11 | |
I was going through the same brainstorm | 0:27:11 | 0:27:13 | |
and I saw Idris Elba, the actor, | 0:27:13 | 0:27:15 | |
running along through the rain with a couple of falcons on his shoulders. | 0:27:15 | 0:27:18 | |
He was trying to get his falcons to the sanctuary before they got wet. | 0:27:18 | 0:27:21 | |
Why didn't he just take them inside? | 0:27:21 | 0:27:24 | |
I don't know. | 0:27:24 | 0:27:27 | |
-You just don't know. -I don't know. -No, I would love to see that. | 0:27:29 | 0:27:32 | |
-Would you like to see that memory? -It'd be nice, wouldn't it? | 0:27:32 | 0:27:35 | |
-I'll get me memory hat on. -Put the memory hat on. | 0:27:35 | 0:27:37 | |
-Do you want to see this memory? -Of course I do. | 0:27:37 | 0:27:40 | |
Come on. Come on, let's get there quick. | 0:27:46 | 0:27:49 | |
Come on! Come on. | 0:27:49 | 0:27:53 | |
Yeah, it's interesting. | 0:27:54 | 0:27:56 | |
I've enjoyed that very much. Are you going to keep that memory? | 0:27:56 | 0:27:59 | |
-I don't want it, no, you have it. Put it in your pocket. -OK. | 0:27:59 | 0:28:02 | |
Look, we must commemorate that memory in some way, Vic. | 0:28:02 | 0:28:04 | |
-What do you reckon? -Let's commemorate it in song. | 0:28:04 | 0:28:06 | |
Let's do a song all about Idris' problems. | 0:28:06 | 0:28:09 | |
-Use your special instrument. -# Idris Elba | 0:28:10 | 0:28:13 | |
# Is running through the rain | 0:28:13 | 0:28:15 | |
-# Idris Elba -Isn't it a shame? | 0:28:15 | 0:28:19 | |
# Idris Elba | 0:28:19 | 0:28:21 | |
-# He got his kestrels wet -Idris Elba | 0:28:21 | 0:28:25 | |
# He hasn't got home yet... # | 0:28:25 | 0:28:27 | |
# Idris Elba | 0:28:42 | 0:28:44 | |
# Idris Elba | 0:28:50 | 0:28:52 | |
# Idris Elba | 0:28:57 | 0:29:00 | |
# Idris Elba. # | 0:29:06 | 0:29:08 | |
Good night! | 0:29:08 | 0:29:09 |