Vic & Bob's Big Night Out


Vic & Bob's Big Night Out

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Transcript


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What magnificent woods it is. It's massive.

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There's a fire there, going. Summat happened. But what, I don't know.

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-It's a house in a very lonely place.

-BEAR GROWLS

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You've got a big bear there.

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Looks really frightening and threatening.

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Then there's two people on the front.

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One of them's very large and big.

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And he's standing next to his friend, who is very small.

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-Yes, just like a little shrimp really.

-Oh!

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-It's Reeves and Mortimer.

-CHEERS AND APPLAUSE

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-Trousers!

-Trousers!

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-Trousers!

-Trousers!

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Trousers!

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-Trousers!

-Trousers!

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Trousers! Trousers!

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-Trousers!

-Trousers!

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Trousers!

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# Skinny jeans are current but can compromise your nuts

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# Chinos are for comfort but sit low beneath your guts

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# Turn-ups can be useful when there's lots of falling glass

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# But for all-round everyday wear, we suggest an A-line slack. #

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Trousers!

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-That's trousers!

-CHEERS AND APPLAUSE

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Good evening.

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-The shrimp is with us.

-Good evening, ladies and gentlemen.

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-Talking about trousers, Vic.

-Yeah.

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Talking about trousers, I was wearing trousers the other day when

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a German shepherd came in through the hedge and had a dump on me lawn.

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-Yeah?

-Yeah.

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His dog's as bad as well.

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HORN TOOTS

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Do you know? I used to wear trousers in the 1980s.

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-In fact, in the '80s, I spent two years in a squat.

-Really?

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Then I stood up.

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SAXOPHONE

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Hey, I was wearing trousers the other night

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-when I went to the karaoke club with me Indian friend.

-Gerupta Singh?

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Yeah, I got up. I like to, yeah.

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Can you do this?

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SLOSH

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Urgh!

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Nah, I can't do that.

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Me neither.

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FUNKY BASS GUITAR

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PAN PIPES

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LAUGHTER AND APPLAUSE

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Anyway, Bob, talking about trousers, do you like denim work wear slacks?

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-Yes, I do like them very much. Thank you for asking.

-They are nice, aren't they?

-Did you know, Vic?

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-These days, they're actually called jeans.

-Wait a minute. They're called what?

-Jeans.

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-Yeah, that's the new word for them.

-You've lost me there. Is there a new word for...?

-Yeah, jeans.

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-Have you got a favourite jean, Vic?

-I like Gene Hackman, Gene Roddenberry, Jean Harlow,

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Gene Vincent. I like all them Genes.

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They're people, you see, Vic?

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The mistake you've made is you've forgotten that

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I told you that the new name for denim workwear is jeans.

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-Yeah?

-Yes!

-Yes.

-Now I know.

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So, do you have a favourite jean?

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-I suppose it's our sponsors, Geordie Jeans.

-Geordie Jeans.

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Geordie Jeans!

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Even the pop stars wear Geordie Jeans!

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Bruno Mars!

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24-carat magic!

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Rag'n'Bone Man!

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# I'm only hu-man after all! Don't put the blame on me. #

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And Ed Sheeran!

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I'm in love with the shape of your body.

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What? What?

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They can even calm down ADHD kids!

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CHUCKLES

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They're so nice and tight around the arse.

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-Geordie Jeans!

-CHEERS AND APPLAUSE

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-Geordie Jeans.

-Geordie Jeans.

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-Geordie Jeans.

-Geordie Jeans.

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I don't know about you, ladies and gentlemen, but round about this

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time of night, what I like to do is pop a Freddo bar under a Scart lead.

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-And that brings a lot of good luck...

-A lot of good luck.

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-..I have always found.

-Yeah.

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It does, yeah. Hiya.

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LOUD THROBBING

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Make it stop!

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No!

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Oh!

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-Vic...

-Magnetic hands.

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-Vic.

-Yeah?

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I really enjoyed that.

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-Vic, I'm really surprised that you haven't mentioned me wig.

-What wig?

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-Me wig.

-You're not wearing a wig.

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-You're joking. Yes, I am.

-Is it? Really?

-Didn't you think I was?

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-Well, what a blend. You can't tell.

-Do you mean that?

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You really can't tell.

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-Oh. I'm so pleased cos this were expensive.

-I bet it was.

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-How much did it cost?

-£30,000.

-£30,000?!

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£30,000.

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I mean, it seems like a lot of money, do you know what I mean?

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-But it's an entirely new system.

-Tell me about it.

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Well, it's called All About The Blend

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-because it is about how it blends with your natural hair.

-It's a good blend.

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It's actually, the company that makes it is actually

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-owned by Captain Mark Phillips. Do you remember Captain Mark Phillips?

-Yeah, I used to ride with him.

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-You used to ride with him?

-Yeah.

-Hey, didn't we all?

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Didn't we all? Yeah, and what they do, it's a unique system...

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-What they do is they actually pluck individual hairs out of your Peter pipe.

-Yeah.

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-Your Cheddar Gorge.

-Your Cheddar Gorge.

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-Pluck them out and then stretch them and they apply butter to them.

-Ooh!

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-Yeah.

-Mm!

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Really nice butter, you know, like Anchor, summat like that.

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-Mm!

-And they're individually sewn into the net, all about the blend.

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-Doesn't it blend?

-Yes, lovely! Fantastic!

-Thank you.

-Incredible.

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-Turn around. Let's have a look at the back of it.

-The blend?

-Superb. Isn't it?

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MOUTHS

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-It's perfect, Bob.

-No, I'm really pleased with it.

-Absolutely unbelievable.

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-And to think you didn't even spot it.

-I didn't spot that you had a wig on, no.

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-That's fantastic. Yeah.

-Really good.

-So, what's been happening with you, Vic?

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-Well, I was on me way back from Chutney Club...

-Yeah.

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-It's good at Chutney Club.

-You and that Chutney Club.

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-I hardly ever see you these days.

-We've just learned how to put the lids on.

-Mm!

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Anyway, I was coming back from Chutney Club

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and it was pouring down with rain and I saw...

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You know the actor Mel Gibson? I saw him and he was obviously having some car trouble cos

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he got some water in his carburettor or something like that.

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Anyway, he got out and he picked it up, he was very strong,

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picked up the front of the car and he was banging it, bang,

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-bang, bang, in the pouring rain.

-Yeah.

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-I can hardly even imagine that.

-Would you like to see the memory?

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I'd love to see it, yeah.

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Oh, that's great.

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Ha-ha-ha!

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-HORN TOOTS

-Unngg!

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Uunnnggg!

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Flamin' eck! Ooh, gawd!

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That's a nice memory, that one.

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Yeah.

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-Are you going to keep it?

-No, I don't really... Do you want it?

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-Yeah, I'll have it, yeah. Thank you.

-Sea salt?

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Yes, I can see that.

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Ooh!

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-Oof!

-Oh!

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Oof!

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Oh!

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-Oof!

-Oh, you're joking, aren't you?

-That's nice that, isn't it?

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-Oof!

-Oh!

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-Hello.

-Hello.

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-Hello.

-All right, lad? Lovely to see you.

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-All right?

-How do you do, lad?

-My name's Colin.

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Colin.

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Calling all cars, officer down!

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Hey, I like that. I love that one!

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-You do like it?

-Ooh, love it!

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There you go, there you go.

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-I'm Nicholas, by the way.

-I can tell.

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Like two boiled eggs in a cycling sock!

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Ha-hey!

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Oh! Classic.

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-When was the last time you were on a date?

-I'm on one date now, actually.

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There you are. I brought it along, you see.

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-At least, I hope it's a date.

-So do I!

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It reminds me, I passed a lovely firm stool this morning.

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I wish I'd stopped and bought it! Hey!

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Love that one!

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-That's really good. That's a classic.

-Ain't it?

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-It really is, yeah.

-Toot-toot-toot!

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Very, very good. If you don't mind me saying, Colin,

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you've got a rather large head, haven't you?

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It has been noted that it's quite large, yes. It's a sniper's dream.

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-You can't miss it!

-Bang! Boom!

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-You can't miss it!

-You couldn't miss it.

-And do you know what,

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Nicholas? I noticed that you walked in with a bit of a limp.

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-Oh, I have, yeah. Sniper's nightmare.

-Oop!

-Do you understand?

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-Missed! Missed again!

-Nil points. Nil points, Mr Sniper!

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Ooh, here it comes.

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-Ooh, there we are.

-Here it comes.

-Delightful, thank you.

-Come on then.

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-Let's tuck in.

-Yeah, why, has it popped out again?

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Nonstop cabaret!

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So, are you going to see each other again?

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-I don't know.

-Right, you go first, go on.

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-OK.

-No, sit down!

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-Classic, that!

-Love it. Love that.

-You do like it.

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Right, I'll go first.

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-Right.

-I thought I might have to say this.

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I can't speak the words, so I've written on me napkin. All right?

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So, for the camera as well.

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Oh!

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Oh, it's double folded, hold on.

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Oh! Hey! That's a good one! I like that. Me too.

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-Yeah?

-Shall we go and find some?

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-Yes, please.

-Piccadilly Circus?

-Correct. Come on.

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And so, as the sun sets over the wood pigeon, the old farmer

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buries his wife's necklace beneath the water pump.

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Bomp-bom-bom!

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LAUGHTER AND APPLAUSE

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So, ladies and gentlemen, we've got a bit of a treat for you now

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because we've been working on an observation comedy routine.

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-Observational comedy.

-Observational comedy, which I know is all the trend.

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-Oh, hello.

-All right, lads? How are you doing?

-All right, thanks. Who are you, mate?

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-I'm Rod Stewart, aren't I?

-Rod Stewart?!

-You don't look much like him.

-The singer.

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-You don't look much like him.

-You don't look like Rod Stewart!

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-A percentage of people say that, like.

-Yeah.

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Anyway, so what can we do for you, Rod?

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I'm on at the O2 in about half an hour.

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I was wondering if you could lend me the bus fare.

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-How much?

-20 quid?

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-20 quid?!

-20 quid?! The O2, it's only over there!

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All right, tenner.

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Tenner. I tell you what, we're down an act a bit later on.

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If you come back and do a little bit of your show for us,

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-yeah, we'll give you a tenner. Is that all right?

-That'll do, yeah.

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-All right. Where do you want me to wait?

-Well, where do you normally wait

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-when you're at the O2 before you go on?

-At the vending machine with the fat drummer, looking at the lasses.

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There's no lasses and there's no fat drummer,

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but there's tea and coffee facilities back there.

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-Yeah, nice to meet you, Rod.

-Nice to meet you, lads. See you later.

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-Hey, Rod Stewart, eh?

-Rod Stewart, eh?

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-Come on, it's time to do it.

-Observation comedy.

-Let's do some.

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It's our observation comedy. It's the modern way.

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Come on. Ladies and gentlemen, have you ever noticed, ladies and gentlemen, that

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in hotels, the thermostat control on the showers is always very erratic?

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AUDIENCE: Yes.

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Come on. Come on, this is good stuff.

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Don't coat hangers get tangled up?

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AUDIENCE: Yes.

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Have you ever noticed...? You must have!

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Have you ever noticed that you get your thing for the carwash, the

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little code, and when you pull up at the machine, you can't reach it?

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AUDIENCE: Yes.

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Does anyone remember Babycham?

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They still make it.

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-Who said that?

-What did he say?

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-What did you say?

-I was just saying, they still make it.

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-So it doesn't really...

-Can you get him out?

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-No, I'm just saying, it don't really work.

-Get him out.

-Come on.

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Really?

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Oh. Oh, just...

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They still make Babycham, so it's just a silly thing, isn't it?

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Doesn't really work.

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MUFFLED ARGUING

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GUNSHOT

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-Does anyone remember Babycham?

-AUDIENCE: YES!

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Yes, very good. Nice ending there. That's observation comedy!

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CHEERS AND APPLAUSE

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-Hey, Bob.

-Hiya.

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-Hello.

-Hiya.

-Bob.

-Yeah?

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-Can we have a punch up?

-Have a punch-up? Yes, please! Come on!

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-Come on!

-Let's have a punch up.

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-Come on!

-Can't wait.

-You go first.

-OK.

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THUMPING

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-Oof!

-Right.

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-Bourne Conspiracy.

-THUMPING

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Right, Wonder Woman.

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SWISH

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DISCO MUSIC

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The Hammer of Thor!

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Shit!

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SWOOSHING

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THUMP

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THUMPING

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-I win again!

-Hey, that was a good fight. Thank you.

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-Yeah, that was all right that, wasn't it?

-He always tops me with that hammer.

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CHEERS AND APPLAUSE

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I'm sorry, Vic. I've got to leave you for a moment. I've got to do that thing I've been

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-meaning to do.

-Oh, that thing.

-I'm going to do it now, yeah.

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-Well, you'd better go and do it.

-Yeah. Ooh.

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Oh, hey. Hello.

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Vic, I've fallen.

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-I could see.

-Did you see?

-Did you trip over something?

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A Piriton?

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Yeah, maybe that or a Rennie. It was summat pharmaceutical.

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-Something like that, you tripped over, wasn't it?

-But main thing is, that felt pretty bad.

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-I want to have a look at the damage Vic.

-Let's have a look at the damage.

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-I can instantly see, I've took the top off a blister there.

-Yeah.

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-So, that's not nice, is it?

-How is your sacrodiliac?

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-Me what?

-Your sacrodiliac.

-I don't know what that is.

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It's a ligament that attaches your kneecap via your nose to your anus.

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-I don't know. I'd better try.

-It goes all the way round.

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-Argh!

-Oh!

-Oh!

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-No! So that's gone as well.

-Yeah.

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For this blister, can you get us a plaster?

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Have you got a plaster, please? But I want one of those Frozen ones,

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with the characters from Frozen on it.

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-For me blister.

-I'd like to get that for you, but I can't, can I? I'd like to get you a Frozen plaster,

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but you've used them all up. You took them all out of the packet and stuck them

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-on the back of your Big Bang Theory backpack!

-Yes, I did.

-I said, "One day, you'll want a plaster

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"and they won't be in there because you've stuck them all over the back of your Big Bang Theory backpack!"

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-You stupid boy!

-No, I accept that. Vic, will you do summat for us?

0:14:530:14:57

Would you phone me mum, yeah? And ask her to bring some.

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-Your mum, Pissy Pat.

-She's not called Pissy Pat. Pissy Pat.

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-Is this her, "Mummy"?

-No, that's her chatroom I'm involved in.

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The next one, I think.

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-"Mum at work."

-"Mum at work," that's it, yeah.

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-Ooh, sometimes...

-Thanks, Vic.

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Hello? Yeah, can I speak to Mrs Mortimer, please? Yeah, Pissy Pat.

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Yeah.

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Right. Could you tell her her son, Bob, has...

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Yeah, Wanky Bob. Yeah.

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Could you tell her that he's fallen over and he needs a plaster? OK.

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Bye. She's gone off for two weeks to Yates's Wine Lodge on holiday.

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-Oh, not again! I'm just going to have to...

-Hang on a minute.

-What?

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-Why don't you use...use one of them?

-What, a second-class stamp?

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-Yeah.

-No, it'll take forever to heal then, won't it?

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Pissy Pat, honestly! You idiot!

0:15:490:15:51

You what?! What did you call me then?

0:15:510:15:53

-You're an idiot!

-Oh, I'm an idiot, eh?

-Yes, you are.

0:15:530:15:57

-Yeah.

-Would an idiot be able to do this?

0:15:570:15:59

-Huh?

-No.

-Yeah, exactly.

0:16:010:16:05

Just think about what you say in future.

0:16:050:16:07

APPLAUSE

0:16:070:16:09

Let's take a trip to Novelty Island.

0:16:100:16:12

CHEERING AND APPLAUSE

0:16:120:16:13

MUSIC PLAYS

0:16:130:16:15

Here we are with the paddock of Novelty Island.

0:16:200:16:22

We're going to see three turns who are going to present themselves

0:16:220:16:26

in the paddock and the first turn tonight is David Little-Peacock.

0:16:260:16:29

David has a double-barrel name, a double-barrel shotgun

0:16:290:16:32

and a double entendre company in Long Nobbington near Bristol City.

0:16:320:16:37

And here he is, David Little-Peacock.

0:16:370:16:43

SCOTTISH ACCENT: Hello.

0:16:430:16:45

Hello, everyone. Hello, Mr Reeves.

0:16:450:16:47

-Hello, there, yes.

-So, David...

-Hello.

0:16:470:16:51

Yeah, it's my doglect.

0:16:510:16:53

I operate a small laboratory up in Stranraer where I make hybrids,

0:16:530:16:57

you know, crossbreeds.

0:16:570:16:59

Yeah, and clones. I myself am a humbould.

0:16:590:17:03

I'm part human, part boulder.

0:17:030:17:06

-This is the doglect, it's part otter, part lecturer.

-Part radish.

0:17:060:17:12

-Part radish! There was a wee amount of radish.

-What does your doglect do?

0:17:120:17:16

-Aye, we're going to sing a tender song together.

-Right, OK.

0:17:160:17:19

If you could assist me, Mr Reeves.

0:17:190:17:20

If you'd like to come round to the doglect's side there

0:17:200:17:23

and I'll indicate during the song when you need to lift its beak.

0:17:230:17:28

OK. So, if we could have the music, please?

0:17:280:17:33

# It was a hard afternoon In the middle of June

0:17:330:17:38

# When I first met my baby... #

0:17:380:17:41

DOGLECT WHISTLES

0:17:410:17:43

# ..As she slowly walked by... #

0:17:430:17:46

WHISTLES

0:17:460:17:49

# ..I said Hey, that's my lady... #

0:17:490:17:52

WHISTLES

0:17:520:17:54

So there you have it. There you have it. CHEERING AND APPLAUSE

0:17:540:17:57

That's the doglect.

0:17:570:17:59

-Fantastic.

-Thanks for having me, Mr Reeves. Goodbye from the doglect.

0:17:590:18:03

Bye-bye, he says. Cheerio.

0:18:030:18:07

David Little-Peacock and his doglect.

0:18:070:18:11

Second act in the paddock tonight, please welcome Rod Stewart.

0:18:110:18:16

MUSIC PLAYS

0:18:160:18:18

-All right, Rod?

-Hiya.

-What's this?

-It's me arse-kicking machine.

0:18:220:18:26

-I thought you were going to do something for my show.

-It is.

0:18:260:18:29

I use it to kick the backing singers up the arse during the boring bits of Maggie May.

0:18:290:18:32

-Right. Well, you're not kicking me up the arse with it.

-No,

0:18:340:18:36

I'm going to stand in there, you're going to kick me up the arse.

0:18:360:18:39

All right. Well, you get in there.

0:18:390:18:40

And this is what you use to kick the backing singers up the arse.

0:18:400:18:43

-Backing singers' arses.

-Yeah. Right. Here we go, then.

-Five for a tenner.

0:18:430:18:48

-Right, OK.

-Remember, five, no more.

-Right, got you.

-Because I know you.

0:18:480:18:52

Yeah. Right. All right, then. Here we go.

0:18:520:18:55

Ow! Ah!

0:18:550:18:57

Argh! Oh! Ow! That's five.

0:18:570:19:01

-That's five, ain't it?

-Five. Tenner, now.

-There you are, £10.

0:19:010:19:05

Here, take that with you, you'll need it tonight.

0:19:050:19:08

-Who have you got supporting you?

-I don't know, Bryan Adams, I suppose.

0:19:080:19:11

LAUGHTER AND APPLAUSE

0:19:110:19:14

BELL RINGS

0:19:190:19:20

Act number three in the paddock of Novelty Island is...

0:19:200:19:24

He's a friend of doctors, dentists and athletic...

0:19:250:19:28

CHEERING

0:19:280:19:31

It's...Graham Lister.

0:19:310:19:33

MUSIC: Caroline by Status Quo

0:19:330:19:36

Good evening, Reeves. Good evening, Reeves.

0:19:450:19:48

I see you look like a pudding that's turned towards the daft.

0:19:480:19:53

You've not progressed much in life, have you, Reeves?

0:19:530:19:55

I'm here to perform my act, can we carry on with it, please?

0:19:550:19:58

Yes, sure. What is it you're going to do?

0:19:580:20:00

I'm going to touch that cornucopia with my hand.

0:20:000:20:02

If you step outside the paddock, you are disqualified.

0:20:020:20:06

I am well aware of the rules, Reeves. I've been doing this for 28 years.

0:20:060:20:11

If you could assist me, please, Reeves, by passing me my hand pipe.

0:20:110:20:15

Right. Yeah, OK.

0:20:150:20:17

Using the hand pipe, I will disorganised my arm muscles,

0:20:170:20:20

limbs and bones so that I'm able to touch the cornucopia with my hand.

0:20:200:20:28

Could I have the serious music, please?

0:20:280:20:30

MUSIC: Mastermind theme

0:20:300:20:34

TWANG!

0:20:380:20:40

It's a quality item, ladies and gentlemen.

0:20:400:20:43

I'll see you shortly when I am inevitably victorious.

0:20:430:20:46

-Cream always rises. Thank you, Reeves.

-Very poor.

0:20:460:20:49

Very poor indeed. Well, anyway, watching the acts and judging the winner tonight,

0:20:510:20:55

please welcome the children's entertainer Simon Cowell.

0:20:550:20:59

MUSIC PLAYS

0:20:590:21:01

OK. Simon, now you're going to tell us who is the winner tonight.

0:21:050:21:10

Was it act number one, David Little-Peacock and his doglect?

0:21:100:21:14

Was it act number two, Rod Stewart?

0:21:200:21:22

Was it act number three, Graham Lister?

0:21:260:21:28

MUSIC: Caroline by Status Quo

0:21:320:21:34

Choose between diesel,

0:21:500:21:52

meat or grout.

0:21:520:21:56

For the ladies, talcum powder, Prosecco or salad.

0:21:570:22:01

Eileen, I see you're wearing them scented inserts in your Geordie jeans.

0:22:010:22:05

-Give us a sniff, man.

-Help yourself, Brian.

0:22:050:22:09

She's quality crumpet.

0:22:110:22:14

You're bastard right I am.

0:22:140:22:15

-AMERICAN ACCENT:

-Perfuffles.

0:22:230:22:24

Frimple cakes. Perfuffles.

0:22:240:22:28

Excuse me, you can't sell your wares here, I'm in the middle of doing a show.

0:22:280:22:31

I've come all the way from Wisconsin...

0:22:310:22:34

on a steamboat to sell my perfuffles, my frimple cakes and hooties.

0:22:340:22:39

OK. All right, you've come so far, come and tell us about your cakes.

0:22:390:22:43

Look at them. Here's a hooty, here's a perfuffle. Touch it, soft.

0:22:430:22:50

-So soft, right?

-It is a very soft cake.

-Soft, right?

-It's very soft.

0:22:500:22:54

-Well soft, right?

-Yeah, it's really soft.

-Well soft, right?

0:22:540:22:57

Frimple cakes. Touch them, they're real soft, right?

0:22:570:23:00

-OK. So what's the frimple taste of?

-Coconut.

0:23:000:23:04

Do you want to take them, please?

0:23:060:23:09

Hold on a minute. Take those glasses off, please.

0:23:090:23:13

Who are you?

0:23:140:23:16

Take that hat off as well. Take the hat off. Oh, it's you!

0:23:180:23:22

-Yeah, sorry.

-You twister!

-I'm sorry.

-Oh, well, that's nice.

0:23:220:23:28

CHEERING AND APPLAUSE

0:23:280:23:31

Bob, I've just noticed you're not wearing your wig.

0:23:310:23:33

-No, I've lost confidence in it.

-Why's that?

0:23:330:23:36

-Well, people were, like, poking me.

-Poking fun of you?

-Literally poking me

0:23:360:23:39

-and saying, like, "Terrible blend, Bob."

-Really?

-Yeah, so I just took it off.

0:23:390:23:43

-I can't see why. Hey, I'm a wig salesman, I could help you out.

-Really?

0:23:430:23:46

I sell them mainly around the States...

0:23:460:23:49

-NEW ZEALAND ACCENT:

-..but sometimes in New Zealand.

0:23:490:23:51

I sell me wigs in New Zealand to mainly people who work in the motor industry.

0:23:510:23:56

-I'm in luck there, I should come to you.

-I've got my samples here, do you want to have a look?

0:23:560:24:01

-You've got them with you?

-Yeah, yeah.

-How lovely for me. Yeah, I'd love to try some on.

0:24:010:24:05

Hang on a minute. Get me samples now.

0:24:050:24:07

God, what have you got in there, a dead body?

0:24:070:24:09

-Eh?

-What's in there, a dead body?

-No.

0:24:090:24:12

Why, has someone been saying something?

0:24:140:24:16

-No, I was just making a little joke.

-It's not funny.

-OK.

0:24:160:24:20

I'll just get ready.

0:24:200:24:21

-You'll fix some to me, will you, Vic?

-Yeah, let's have a look.

0:24:210:24:24

I'll see what I can sort you out with. What have we got here?

0:24:240:24:28

Hang on, wait a minute.

0:24:280:24:30

-How is that?

-It's got a really good fit, but it's a bit heavy for me.

0:24:320:24:37

-Is that too heavy for you?

-Yeah. Do they look any good?

0:24:370:24:39

-Yeah, it looks all right.

-It's too heavy for me.

0:24:390:24:42

-I need something a bit lighter, you know what I mean?

-Something a bit lighter.

-A bit more summery.

0:24:420:24:46

-Oh, rustle...

-There. How's that?

-It's really light.

0:24:480:24:51

It's lovely and light. I haven't got a mirror, Vic. Have you got somewhere I could look?

0:24:510:24:55

-Hang on. Have a look in that.

-Thank you.

0:24:550:24:57

-Oh, is this newspaper?

-Yeah.

-I need something more durable than that.

0:24:590:25:04

-Really?

-No, I need something more durable than that.

-Hang on. Just wait there, then.

0:25:040:25:08

SPLATTERING AND SQUELCHING

0:25:080:25:11

-Right.

-Can't wait.

0:25:130:25:16

AUDIENCE GROANS

0:25:160:25:18

-Oh, I like that.

-Yeah, that looks pretty good.

-Let's have a look. Let's have a look.

0:25:180:25:22

-Yeah.

-That feels perfect.

-Have a look.

0:25:220:25:25

-What do you think?

-Yeah, I like it.

-Do you like it?

-I really look like someone.

0:25:250:25:29

-Who do you think?

-Who is it I look like?

-Er...

0:25:290:25:32

-Who is it?

-Olly Murs.

-That's it, it's Olly Murs!

0:25:340:25:38

-It is, it's Olly Murs.

-It's quite striking really, ain't it?

0:25:380:25:42

Thank you.

0:25:420:25:44

Zero, zero, zero.

0:26:090:26:11

Niner, eight.

0:26:110:26:14

Zero, zero, five, seven, two.

0:26:160:26:20

Well, ladies and gentlemen, it's the end of the show.

0:26:250:26:28

We've got a really special treat for you.

0:26:280:26:29

I don't know if you remember, a bit earlier with me new wig,

0:26:290:26:32

I looked a bit like Olly Murs.

0:26:320:26:34

Well, tonight, to close the show, as a very special guest,

0:26:340:26:37

-we've got Mr Olly...

-Bob, he said he can't make it.

0:26:370:26:41

-What do you mean he can't make it?

-He said he can't get here.

0:26:410:26:44

He says he's really sorry, but he can't do.

0:26:440:26:46

I just saw him about half an hour ago, he couldn't wait to get on.

0:26:460:26:49

I know, yeah, but he can't do it.

0:26:490:26:50

He said he can't do it, he was really apologetic.

0:26:500:26:52

Really sorry about it. He said he's...

0:26:520:26:55

He's really cut up about it.

0:26:550:26:58

-No, he must be in bits.

-Well, he is actually, yeah.

0:26:580:27:02

So what are we going to do to finish the show, then, son?

0:27:020:27:05

-Well, I've got another memory.

-Good one, bad one?

-It's a bit of both.

0:27:050:27:09

It was in the same brainstorm that I saw Mel Gibson.

0:27:090:27:11

I was going through the same brainstorm

0:27:110:27:13

and I saw Idris Elba, the actor,

0:27:130:27:15

running along through the rain with a couple of falcons on his shoulders.

0:27:150:27:18

He was trying to get his falcons to the sanctuary before they got wet.

0:27:180:27:21

Why didn't he just take them inside?

0:27:210:27:24

I don't know.

0:27:240:27:27

-You just don't know.

-I don't know.

-No, I would love to see that.

0:27:290:27:32

-Would you like to see that memory?

-It'd be nice, wouldn't it?

0:27:320:27:35

-I'll get me memory hat on.

-Put the memory hat on.

0:27:350:27:37

-Do you want to see this memory?

-Of course I do.

0:27:370:27:40

Come on. Come on, let's get there quick.

0:27:460:27:49

Come on! Come on.

0:27:490:27:53

Yeah, it's interesting.

0:27:540:27:56

I've enjoyed that very much. Are you going to keep that memory?

0:27:560:27:59

-I don't want it, no, you have it. Put it in your pocket.

-OK.

0:27:590:28:02

Look, we must commemorate that memory in some way, Vic.

0:28:020:28:04

-What do you reckon?

-Let's commemorate it in song.

0:28:040:28:06

Let's do a song all about Idris' problems.

0:28:060:28:09

-Use your special instrument.

-# Idris Elba

0:28:100:28:13

# Is running through the rain

0:28:130:28:15

-# Idris Elba

-Isn't it a shame?

0:28:150:28:19

# Idris Elba

0:28:190:28:21

-# He got his kestrels wet

-Idris Elba

0:28:210:28:25

# He hasn't got home yet... #

0:28:250:28:27

# Idris Elba

0:28:420:28:44

# Idris Elba

0:28:500:28:52

# Idris Elba

0:28:570:29:00

# Idris Elba. #

0:29:060:29:08

Good night!

0:29:080:29:09

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