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-Feed my funny! -Fresh, experimental comedy from BBC Three. | 0:00:02 | 0:00:05 | |
Hi, I'm Jenny Bede and this is AAA, | 0:00:13 | 0:00:16 | |
the show that has a backstage pass to the pop industry. | 0:00:16 | 0:00:19 | |
Coming up later, we have exclusives from Beyonce, Taylor Swift | 0:00:19 | 0:00:23 | |
and Nicki Minaj. But kicking things off, | 0:00:23 | 0:00:25 | |
we have the collaboration that everyone is talking about. | 0:00:25 | 0:00:28 | |
Mumford & Miley Cyrus & Sons. | 0:00:28 | 0:00:31 | |
We are going to be premiering the official music video later, | 0:00:31 | 0:00:34 | |
but now let's have a little look at some behind-the-scenes action. | 0:00:34 | 0:00:38 | |
Shit! | 0:00:38 | 0:00:40 | |
They are, like, my musical heroes, I am so super-excited, | 0:00:40 | 0:00:46 | |
I had, like, four wet dreams last night in anticipation. | 0:00:46 | 0:00:50 | |
What, does that mean... | 0:00:50 | 0:00:52 | |
something different here? | 0:00:52 | 0:00:54 | |
I wasn't crying - I orgasmed. OK, cool. | 0:00:54 | 0:00:57 | |
So apparently our new album, | 0:00:57 | 0:00:59 | |
Songs In The Key Of Our Dead Dog (RIP Nathaniel) | 0:00:59 | 0:01:02 | |
was too predictable. | 0:01:02 | 0:01:04 | |
Management wanted us to be more edgy, | 0:01:04 | 0:01:07 | |
so forced us to team up with this so-called artist, Miley Cyrus, | 0:01:07 | 0:01:10 | |
-who is frankly the Antichrist... -Fabulous! | 0:01:10 | 0:01:13 | |
-BOTH: -What? | 0:01:15 | 0:01:16 | |
Yeah, everyone is like, "How is this going to work?" you know, | 0:01:17 | 0:01:21 | |
but I think it's the perfect union. | 0:01:21 | 0:01:23 | |
Like, they do music, I do music, music does me, | 0:01:23 | 0:01:28 | |
I have no gag reflex - it's great. | 0:01:28 | 0:01:31 | |
It is a good excuse to play with this, our new toy. | 0:01:31 | 0:01:34 | |
It's a very rare Abyssinian lute. | 0:01:34 | 0:01:37 | |
It's got no strings whatsoever. | 0:01:37 | 0:01:39 | |
Well, it's a basically reclaimed piece of the True Cross, which | 0:01:39 | 0:01:43 | |
Ben holds up to his heart chakras. | 0:01:43 | 0:01:46 | |
While Marcus simply prays. | 0:01:46 | 0:01:48 | |
And then we drop the banjo. | 0:01:48 | 0:01:52 | |
HE PLANTS KISS | 0:01:52 | 0:01:53 | |
The other day I was listening to Little Panda Man | 0:01:53 | 0:01:57 | |
and I swear, I cried a crotchet. | 0:01:57 | 0:02:00 | |
Oh, my God, speak of the devils. | 0:02:00 | 0:02:02 | |
-Hey! -Hey, Miley. | 0:02:02 | 0:02:04 | |
How are you? So good to see you all. Hey, how are you? | 0:02:04 | 0:02:09 | |
-How are you? -Oh, my God, | 0:02:09 | 0:02:10 | |
I'm super into masturbation. | 0:02:10 | 0:02:12 | |
You guys ready to get t'work? | 0:02:12 | 0:02:14 | |
No, "to work". | 0:02:15 | 0:02:18 | |
"To..." Stop it. | 0:02:18 | 0:02:20 | |
How are you doing? Good job. Hi! I am... Guess where I am. | 0:02:25 | 0:02:29 | |
I am in a dressing room, yes, but guess whose dressing room. | 0:02:29 | 0:02:33 | |
Nicki bloody Minaj's, that is who! | 0:02:33 | 0:02:35 | |
< Ssh! | 0:02:35 | 0:02:37 | |
Sorry, OK, erm, so... | 0:02:37 | 0:02:38 | |
-Gimme my wig back! -OK, just give me one second with it. | 0:02:38 | 0:02:41 | |
CAMERA SHUTTER CLICKS Awesome. | 0:02:43 | 0:02:44 | |
So, yes, I am on set with Nicky Minaj's brand-new kids show | 0:02:44 | 0:02:48 | |
and I have VIP access to the King herself to find out all about it. | 0:02:48 | 0:02:54 | |
I was doing my album and it was cool, you know, | 0:02:54 | 0:02:57 | |
but I was just getting a bit bored killing it, day in, day out | 0:02:57 | 0:02:59 | |
in the studio, and so I was starting to think, I am a lucky bitch. | 0:02:59 | 0:03:03 | |
I'm blessed, I got everything, I got, like, 16 cars - I don't drive. | 0:03:03 | 0:03:08 | |
I've got four yachts - I get seasick. And I'm not bragging, | 0:03:08 | 0:03:11 | |
but I got 479 shoes, not even pairs, just solo shoes. I gots everything. | 0:03:11 | 0:03:16 | |
I got too much, | 0:03:16 | 0:03:17 | |
so I've taken everything back to the natural, you know? | 0:03:17 | 0:03:20 | |
So I was starting to think, | 0:03:20 | 0:03:21 | |
I want to do something for my fans, my Barbz, | 0:03:21 | 0:03:23 | |
because there are things out there for my Barbz | 0:03:23 | 0:03:25 | |
but there are nothing out there for my baby Barbz | 0:03:25 | 0:03:27 | |
and I don't want my baby Barbz getting to the age | 0:03:27 | 0:03:30 | |
of my normal Barbz and not being able to handle their shit. | 0:03:30 | 0:03:32 | |
So I made Lil Nickeez - it's like Sesame Street but educational. | 0:03:32 | 0:03:37 | |
And plus, you learn stuff. We teach everything. | 0:03:37 | 0:03:41 | |
So, sharing, that is an important one, see, I do not teach my Barbz | 0:03:41 | 0:03:45 | |
to share men, so I will not teach my baby Barbz to share toys, no, sir. | 0:03:45 | 0:03:49 | |
OK, what else? Mind your Ps and Qs, your pearls and quistals - | 0:03:49 | 0:03:52 | |
people will jack that shit. | 0:03:52 | 0:03:53 | |
Counting. Don't bother, you'll get an accountant to handle that. | 0:03:53 | 0:03:57 | |
And humility - no, it just makes your hair big. | 0:03:57 | 0:04:01 | |
-Are you ready to go for a take, Nicki? -Sure. You coming? | 0:04:01 | 0:04:04 | |
Oh, look, Jason, there's that stupid girl we hate. | 0:04:11 | 0:04:14 | |
Oh, yeah, what's her name? Something stupid. | 0:04:14 | 0:04:17 | |
-It's Alana. -Oh, yeah, Alana. | 0:04:17 | 0:04:20 | |
"Oh, hi, I'm Alana." Look at her stupid head. | 0:04:20 | 0:04:24 | |
Are you going to take that, Alana? | 0:04:24 | 0:04:26 | |
Please, Nicki, don't get me in trouble. | 0:04:26 | 0:04:29 | |
I said, are you going to take that? | 0:04:29 | 0:04:31 | |
What have we said about dealing with bullies? Help me out, friends. | 0:04:31 | 0:04:35 | |
MUSIC STARTS | 0:04:35 | 0:04:36 | |
-# Stand up -Stand up for yourself | 0:04:36 | 0:04:39 | |
# Stand up to the bully and they'll stop what they're doing | 0:04:39 | 0:04:44 | |
-# Stand up -Stand up for yourself | 0:04:44 | 0:04:48 | |
# By standing up taller than everyone else | 0:04:48 | 0:04:52 | |
-# Rule one -Stand tall and proud | 0:04:52 | 0:04:54 | |
-# Rule two -Let your voice ring loud | 0:04:54 | 0:04:56 | |
-# Rule three -Keep cool and calm | 0:04:56 | 0:04:58 | |
# Break that fucking motherfucker's fucking arms | 0:04:58 | 0:05:00 | |
# Hi, hi, everybody know me | 0:05:00 | 0:05:02 | |
# Don't pretend you don't Don't be a stupid hoe | 0:05:02 | 0:05:04 | |
# Barking like a dog But I'm the bitch that'll bite | 0:05:04 | 0:05:06 | |
# Throw me a bone, please Homie, blow me | 0:05:06 | 0:05:08 | |
# Stepping up to me Who the eff you think you are? | 0:05:08 | 0:05:10 | |
# I'm the motherfucking queen You're a corgi, you bore me | 0:05:10 | 0:05:12 | |
# Whore, please, I was taught when bitches taunt me | 0:05:12 | 0:05:14 | |
# Kick them in the jaw Remind them who the boss, me! | 0:05:14 | 0:05:16 | |
# Sticks and stones may break my bones | 0:05:16 | 0:05:18 | |
# But names will never hurt me | 0:05:18 | 0:05:20 | |
# Bitch, run home, I'll break yours first and I'll do it with words | 0:05:20 | 0:05:24 | |
# G, I'll puff and I'll blow you all down | 0:05:24 | 0:05:26 | |
# Put your glass slipper up your ass and burn your ball gown | 0:05:26 | 0:05:28 | |
# I'll feed you poison apples I'll climb up your weave | 0:05:28 | 0:05:30 | |
# I'll lock you in the oven till you can't fucking breathe... # | 0:05:30 | 0:05:32 | |
-Cut! Nicki, can I have a word? -Sure. | 0:05:32 | 0:05:36 | |
-Maybe if we could just lower the threat level a little? -Oops, sorry. | 0:05:37 | 0:05:41 | |
-It's OK, just take it down to "elevated". -Will do. | 0:05:41 | 0:05:44 | |
# I'm sorry, please ignore what I said before | 0:05:46 | 0:05:49 | |
# What I really meant to say was just communicate | 0:05:49 | 0:05:51 | |
# Cos talking sorts things Cures our feelings | 0:05:51 | 0:05:53 | |
# If you can't hear my lips Maybe you can read my fists | 0:05:53 | 0:05:55 | |
# I can be nice, I can be charming | 0:05:55 | 0:05:57 | |
# Fluttering my eyes Smile can be disarming | 0:05:57 | 0:05:59 | |
# Just when you think that our past is behind us | 0:05:59 | 0:06:01 | |
# I'll put you in a pie, pie, pie crust! | 0:06:01 | 0:06:03 | |
# Put you in a pie I'll put you in a stew | 0:06:03 | 0:06:05 | |
-# I'll put you in the ground -Please, Nicki! | 0:06:05 | 0:06:07 | |
# Shut up, dude! I'll shoot you in the face | 0:06:07 | 0:06:08 | |
-We're sorry! -# Let me tell you straight | 0:06:08 | 0:06:09 | |
-# I swear I'll never... -Shut up, -ho! Alana, sorry! -It's too late | 0:06:09 | 0:06:11 | |
# Tie you up and I'll drown you in a river | 0:06:11 | 0:06:13 | |
# Put a knife in your back and take out both your livers | 0:06:13 | 0:06:15 | |
# Gon' need more than a plaster to last this disaster | 0:06:15 | 0:06:17 | |
# Remember who your master, bitch Happy ever after. # | 0:06:17 | 0:06:20 | |
Cut! | 0:06:20 | 0:06:22 | |
Perfect. | 0:06:22 | 0:06:23 | |
Aussie pop sensation and newlywed Peter Andre has started | 0:06:28 | 0:06:31 | |
filming his latest in a long line of fly-on-the-wall documentaries. | 0:06:31 | 0:06:35 | |
This time, simply entitled Peter On Dre. | 0:06:35 | 0:06:39 | |
MUSIC: "Still Dre" by Dr Dre | 0:06:40 | 0:06:42 | |
I think what I like most about Dre is his sense of humour. | 0:06:42 | 0:06:46 | |
Like, get this, | 0:06:46 | 0:06:48 | |
did you know that he actually released his album 2001... | 0:06:48 | 0:06:53 | |
in 1999? | 0:06:53 | 0:06:55 | |
HE CHUCKLES | 0:06:55 | 0:06:56 | |
Classic Dre. | 0:06:58 | 0:07:00 | |
Boo! | 0:07:03 | 0:07:04 | |
So, following the news that Beyonce gone done dropped yet another | 0:07:04 | 0:07:07 | |
surprise album, this time with 412 songs and nearly 7,000 videos, | 0:07:07 | 0:07:12 | |
we at AAA have done a bit of sniffing around to uncover some of those | 0:07:12 | 0:07:17 | |
that didn't quite make the cut. | 0:07:17 | 0:07:19 | |
Take a look at this. | 0:07:19 | 0:07:21 | |
# I've been snacking | 0:07:26 | 0:07:27 | |
# I've been snacking | 0:07:27 | 0:07:29 | |
# Hot diggity damn Eating ham with my man | 0:07:30 | 0:07:33 | |
# Smell it smoking, smell it smoking | 0:07:33 | 0:07:37 | |
# I'm not faking | 0:07:37 | 0:07:38 | |
# Getting off on this bacon... # | 0:07:38 | 0:07:40 | |
Initially thought to be her first single, | 0:07:40 | 0:07:42 | |
Ham In Love was later considered not #22daysveganenough. | 0:07:42 | 0:07:46 | |
# You know I've got to have that... # | 0:07:46 | 0:07:48 | |
MUFFLED SINGING | 0:07:48 | 0:07:50 | |
# I ate the gammon halfway and left it on the chopping board | 0:07:50 | 0:07:54 | |
# Chopping board, chopping board... # | 0:07:54 | 0:07:57 | |
Well, it's obvious why this was dropped. | 0:08:06 | 0:08:08 | |
Far too political. | 0:08:08 | 0:08:10 | |
# I straight up don't believe in wombats | 0:08:19 | 0:08:24 | |
# I believe in you... # | 0:08:26 | 0:08:29 | |
And this was just considered too damn fucking awesome. | 0:08:29 | 0:08:32 | |
# Never seen a wombat | 0:08:32 | 0:08:34 | |
# But I sure as hell seen you. # | 0:08:35 | 0:08:39 | |
Apparently "bitches ain't shit but hoes and tricks" actually | 0:08:45 | 0:08:49 | |
refers to Dre's feelings about the cruel industry of show dogs. | 0:08:49 | 0:08:53 | |
As for "lick on these nuts and suck a dick," who knows? | 0:08:53 | 0:08:57 | |
That could be anything. | 0:08:57 | 0:08:59 | |
Classic Dre. | 0:08:59 | 0:09:00 | |
-Blah blah blah, blah blah blah, Taylor Swift, everyone! -Whoo! Hey! | 0:09:03 | 0:09:08 | |
Thank you so much for coming on, I'm a huge, huge fan. Sorry. You are... | 0:09:08 | 0:09:13 | |
-You're incredibly beautiful. -Thank you, that's so sweet. | 0:09:13 | 0:09:16 | |
It's weird, even more than I was expecting. You are a fucking enigma. | 0:09:16 | 0:09:21 | |
Oh... | 0:09:21 | 0:09:22 | |
-Thank you. -You're welcome. So, tell me about the new... | 0:09:22 | 0:09:26 | |
Sorry, your make-up is flawless. What is your secret? | 0:09:26 | 0:09:29 | |
-Well, I would tell you but then I'd have to kill you. -Yeah, how? | 0:09:29 | 0:09:33 | |
-I'd have you down for, like, poison. -I was...joking. -Yeah. Me too. | 0:09:33 | 0:09:37 | |
-So, tell me about your new single. -OK, yeah, so it's called Screw You. | 0:09:37 | 0:09:41 | |
Mm-hm, and what's it about? | 0:09:41 | 0:09:43 | |
Um, it's kind of about, like, the end of a relationship. | 0:09:43 | 0:09:48 | |
-Ah, another break-up anthem? -Mm, sort of. | 0:09:48 | 0:09:51 | |
You have come under fire before for using | 0:09:51 | 0:09:53 | |
your ex-boyfriends as inspirations for your songs. | 0:09:53 | 0:09:55 | |
I follow you very closely. Just online. | 0:09:55 | 0:09:59 | |
And I wasn't aware that you'd had a new heartbreak. | 0:09:59 | 0:10:03 | |
Can you tell us who the lucky/unlucky guy is? | 0:10:03 | 0:10:06 | |
Is it Ed? It's Ed, isn't it? Is it? It's not Ed, sorry, you go. | 0:10:06 | 0:10:10 | |
It doesn't always have to be, like, romance... Like... | 0:10:10 | 0:10:14 | |
Heartbreak is everywhere. | 0:10:14 | 0:10:16 | |
-Break-ups are everywhere. You know? -Yes. Do you contour? -What? | 0:10:16 | 0:10:21 | |
-Are you on tour? -No, I'm here with you. -OK. | 0:10:21 | 0:10:24 | |
You are making me feel really fat right now. Genuinely. Really... | 0:10:24 | 0:10:29 | |
-average. -Oh, come on, you are super-cute. | 0:10:29 | 0:10:32 | |
-I'm sorry, what? -You are, you're super-cute. | 0:10:33 | 0:10:36 | |
OK. Thank you. | 0:10:39 | 0:10:41 | |
So, please, take to the stage and everyone make some noise. Whoo! | 0:10:41 | 0:10:45 | |
Holy Swift, did you get that? | 0:10:48 | 0:10:50 | |
# I remember when we first got together | 0:10:58 | 0:11:00 | |
# Nothing felt easier or simpler or better | 0:11:00 | 0:11:03 | |
# In the past it had always been a big drama | 0:11:03 | 0:11:06 | |
# Yes, no, maybe, but you were calmer | 0:11:06 | 0:11:09 | |
# You lit up each room and my whole life | 0:11:09 | 0:11:13 | |
# Always giving, you were there to provide | 0:11:13 | 0:11:15 | |
# I turned you on, you kept me warm | 0:11:15 | 0:11:18 | |
# Then it all fell down on the night of the storm | 0:11:18 | 0:11:22 | |
# You left me to fend for myself | 0:11:22 | 0:11:25 | |
# There in the darkness, nobody else | 0:11:25 | 0:11:27 | |
# I tripped over my dog and I stubbed my toe | 0:11:27 | 0:11:30 | |
# So I'm saying goodbye I'm letting you go | 0:11:30 | 0:11:34 | |
# So screw you, Southern Electric | 0:11:34 | 0:11:37 | |
# I don't need you anyway | 0:11:38 | 0:11:42 | |
# No way | 0:11:42 | 0:11:44 | |
# Cos I've got friends in blankets | 0:11:44 | 0:11:47 | |
# Oh-oh | 0:11:48 | 0:11:50 | |
# And I could never get through to you | 0:11:50 | 0:11:52 | |
# When I needed to You put me on hold | 0:11:52 | 0:11:56 | |
# Now it's time to embrace the cold... # | 0:11:56 | 0:11:59 | |
I know, I actually said that | 0:11:59 | 0:12:01 | |
(I'm so brave) | 0:12:01 | 0:12:03 | |
# I'm not gonna miss you sending round a friend to read my meter | 0:12:03 | 0:12:07 | |
# And I'm not going to miss your accusations that | 0:12:09 | 0:12:12 | |
# I don't know how to work on my own heater | 0:12:12 | 0:12:15 | |
# I'm not going to miss your stupid website | 0:12:15 | 0:12:18 | |
# Or your payment system that's, like, so outdated | 0:12:18 | 0:12:21 | |
# And I was like, right, I know, really? | 0:12:21 | 0:12:24 | |
# Who still even uses a chequebook? | 0:12:24 | 0:12:27 | |
# So screw you | 0:12:27 | 0:12:29 | |
# Southern Electric | 0:12:29 | 0:12:32 | |
# I don't need electricity anyway | 0:12:32 | 0:12:36 | |
# No way | 0:12:36 | 0:12:38 | |
# Cos I've got a shit tonne of candles | 0:12:38 | 0:12:41 | |
# And a fax machine | 0:12:41 | 0:12:44 | |
# I don't need the internet | 0:12:44 | 0:12:46 | |
# I can write a letter with a real pen | 0:12:46 | 0:12:50 | |
# Now it's time to start again. # | 0:12:50 | 0:12:53 | |
MUSIC: "Still Dre" by Dr Dre | 0:12:55 | 0:12:57 | |
Did you know that the D-dot-R-dot-E in Still D-dot-R-dot-E | 0:12:57 | 0:13:02 | |
stands for Doing Really Excellent. | 0:13:02 | 0:13:04 | |
You know, which he is, he is doing really excellent. | 0:13:04 | 0:13:09 | |
Classic Dre. | 0:13:09 | 0:13:10 | |
SHE HUMS TUNE | 0:13:14 | 0:13:16 | |
Alarms have been raised and social media websites are crashing | 0:13:17 | 0:13:21 | |
as reports of a new wave of secret Prince gigs are upon us. | 0:13:21 | 0:13:24 | |
After playing to thousands at this year's music festivals, | 0:13:24 | 0:13:27 | |
it's rumoured that Prince wants to scale things back again by doing | 0:13:27 | 0:13:30 | |
a warm-down leg of secret and intimate gigs, | 0:13:30 | 0:13:33 | |
this time more secret and intimate than ever before. | 0:13:33 | 0:13:36 | |
Last seen in Penge, we are unaware of his current location | 0:13:36 | 0:13:39 | |
and we don't know where he's next due to hit. | 0:13:39 | 0:13:42 | |
At present there doesn't seem to be any predictable pattern, and as you | 0:13:42 | 0:13:45 | |
can see from this shocking footage, he will leave no stone unturned. | 0:13:45 | 0:13:49 | |
# This is what it sounds like | 0:13:50 | 0:13:53 | |
# When doves cry... # | 0:13:53 | 0:13:56 | |
We do know that he thrives in a damp environment. | 0:13:58 | 0:14:02 | |
Ha, he's on the toilet! | 0:14:02 | 0:14:03 | |
Come on, man! Give me some privacy! | 0:14:03 | 0:14:05 | |
# She got a raspberry beret | 0:14:05 | 0:14:09 | |
# The kind you find in a second-hand store... # | 0:14:09 | 0:14:14 | |
And if past behaviour is anything to go by, he will most likely be | 0:14:14 | 0:14:18 | |
found in one of the Home Counties or the general Midlands area, | 0:14:18 | 0:14:22 | |
so people in these vicinities should perhaps be more alert than normal. | 0:14:22 | 0:14:26 | |
-# ..birthday, dear... # -MUSIC: "Kiss" by Prince | 0:14:26 | 0:14:28 | |
-Where's that coming from? -Is it coming from my bag? -Have a look. | 0:14:28 | 0:14:32 | |
# You don't have to be beautiful... # | 0:14:34 | 0:14:37 | |
Fuck me, it's Prince. | 0:14:37 | 0:14:39 | |
# To turn me on... | 0:14:39 | 0:14:41 | |
We encourage you all to stay vigilant and, remember, | 0:14:41 | 0:14:43 | |
keep your wits about you during this time of uncertainty. | 0:14:43 | 0:14:47 | |
Get some milk, make it creamy. | 0:14:47 | 0:14:48 | |
MUSIC: "1999" by Prince | 0:14:48 | 0:14:51 | |
Well, that's nearly it for us now | 0:14:56 | 0:14:58 | |
but come back next time for an even deeper probe into the music industry. | 0:14:58 | 0:15:02 | |
Where we will have an exclusive first listen to Kanye's new album, | 0:15:02 | 0:15:06 | |
the sequel to Yeezus - Yod - and a live interview with new super group | 0:15:06 | 0:15:11 | |
OneMcBoyzMcHansonMen McWantedDirectionMcBackstreet McBoyzone, | 0:15:11 | 0:15:16 | |
and we will be answering the question on everyone's lips. | 0:15:16 | 0:15:19 | |
Is Drake an actual drake? The results may shock you. | 0:15:19 | 0:15:22 | |
In the meantime, | 0:15:22 | 0:15:24 | |
I will leave you in the capable hands of these sassy bastards. | 0:15:24 | 0:15:27 | |
Peace, love and kittens. Mwah! | 0:15:27 | 0:15:30 | |
-ELECTRONIC VOICE: -# It's my party I can cry if I want to | 0:15:30 | 0:15:34 | |
# It's my party I get high if I want to | 0:15:34 | 0:15:37 | |
# It's my party, no smoking indoors | 0:15:37 | 0:15:39 | |
# It's my party Bring a bottle or four | 0:15:39 | 0:15:42 | |
# Invoking the Apollo and Bacchus and Venus | 0:15:42 | 0:15:46 | |
# Revellers will revel soon | 0:15:46 | 0:15:50 | |
# Listening to Tupac and Biggie and Snoop | 0:15:50 | 0:15:54 | |
# And getting myself in the mood | 0:15:54 | 0:15:58 | |
# The goat milk's fermented, the bonfire's alight | 0:15:58 | 0:16:03 | |
# The bottle, it's ready to spin | 0:16:03 | 0:16:07 | |
# The cocktails are blended | 0:16:07 | 0:16:09 | |
# But it's nearly midnight | 0:16:09 | 0:16:12 | |
# Someone should surely come in | 0:16:12 | 0:16:15 | |
# Cos it looks like I'm partying all on my own | 0:16:15 | 0:16:20 | |
# No-one to talk to but me | 0:16:20 | 0:16:24 | |
# The bangers went in nearly four hours ago | 0:16:24 | 0:16:28 | |
# I've got nine wheels of vegan Brie | 0:16:28 | 0:16:32 | |
# Yes, it looks like I'm partying all on my own | 0:16:32 | 0:16:37 | |
# A soiree for one... # | 0:16:37 | 0:16:39 | |
Um, four. | 0:16:39 | 0:16:41 | |
# It's just me, myself, and Molly Malone | 0:16:41 | 0:16:45 | |
# All on my own once more | 0:16:45 | 0:16:49 | |
# Then I look into the distance | 0:16:49 | 0:16:53 | |
# And I realise I'm no longer alone... # | 0:16:53 | 0:16:59 | |
Banjo! | 0:17:00 | 0:17:02 | |
# I'm not alone | 0:17:02 | 0:17:05 | |
# I'm not alone | 0:17:05 | 0:17:09 | |
# I'm not alone | 0:17:09 | 0:17:13 | |
# I'm not alone | 0:17:13 | 0:17:17 | |
# I'm not alone | 0:17:17 | 0:17:21 | |
# I'm not alone | 0:17:21 | 0:17:24 | |
# I'm not alone | 0:17:24 | 0:17:28 | |
# I'm not alone | 0:17:28 | 0:17:31 | |
# I wish I was alone | 0:17:31 | 0:17:33 | |
# Leave me alone, leave me alone | 0:17:33 | 0:17:36 | |
# Like all of the haters before | 0:17:36 | 0:17:39 | |
# Don't need no-one else | 0:17:39 | 0:17:41 | |
# Don't need anyone else | 0:17:41 | 0:17:43 | |
# Leave me alone to crawl | 0:17:43 | 0:17:46 | |
# Leave him alone to cry through the night | 0:17:46 | 0:17:49 | |
# Leave her to writhe on the floor | 0:17:49 | 0:17:52 | |
# Leave me to heal and to lick all my wounds | 0:17:52 | 0:17:56 | |
# And the table, the cheese, the door | 0:17:56 | 0:17:58 | |
# So leave me alone | 0:17:58 | 0:18:01 | |
# Leave me alone | 0:18:01 | 0:18:02 | |
# I just want to party alone | 0:18:02 | 0:18:05 | |
# I have the music so deep up inside me, I don't need nobody, oh, no | 0:18:05 | 0:18:12 | |
# We don't need nobody, no, no. # | 0:18:12 | 0:18:14 |