Browse content similar to 100 Million Laughs. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:02 | 0:00:04 | |
Here's what we've got in store for you tonight. | 0:00:04 | 0:00:07 | |
LENNY HENRY: This year's Red Nose Day really was one to remember | 0:00:07 | 0:00:10 | |
and it's all thanks to you sh-mazing British public, | 0:00:10 | 0:00:12 | |
who raised an incredible... | 0:00:12 | 0:00:14 | |
I got a little bit more than I was expecting! | 0:00:20 | 0:00:23 | |
The Democrats of Dibley reporting for duty, sir. | 0:00:24 | 0:00:28 | |
Right, concentrate, Doctor! Hello, Lenny! | 0:00:33 | 0:00:37 | |
We possibly could break all previous records tonight. | 0:00:40 | 0:00:44 | |
Whoever made this $100,000 jacket didn't put pockets in it! | 0:00:44 | 0:00:48 | |
# Nobody does it better... # | 0:00:48 | 0:00:51 | |
Hi. | 0:00:55 | 0:00:56 | |
The pleasure is all mine. I wouldn't say that. | 0:00:56 | 0:00:59 | |
Dermie-wermy... | 0:00:59 | 0:01:00 | |
Hi, David. | 0:01:03 | 0:01:04 | |
United Kingdom, give yourselves a big round of applause now. | 0:01:04 | 0:01:08 | |
Good to see you again. | 0:01:08 | 0:01:10 | |
Brent's found a guitar. Brent's found a guitar. | 0:01:11 | 0:01:14 | |
Thank you for all you have done. | 0:01:14 | 0:01:15 | |
CHEERING DROWNS SPEECH | 0:01:15 | 0:01:19 | |
So, whatever it was you did to raise money - getting dolled up | 0:01:23 | 0:01:26 | |
in fancy dress, taking on a challenge, simply | 0:01:26 | 0:01:29 | |
picking up the phone, or baking an exact replica of Lady Gaga, we thank you. | 0:01:29 | 0:01:33 | |
Tonight, along with the dangerously handsome Steve Jones and my | 0:01:33 | 0:01:36 | |
other Red Nose Day comrades, we want to treat YOU to some fantastic comedy | 0:01:36 | 0:01:39 | |
from David Brent, Peter Kay, Miranda Hart and David Walliams. But we'll | 0:01:39 | 0:01:44 | |
also be thanking some of our heroic fundraisers right here. And even | 0:01:44 | 0:01:48 | |
more importantly, we'll be letting you know how the money that you gave | 0:01:48 | 0:01:51 | |
is helping to change people's lives across Africa and here in the UK. | 0:01:51 | 0:01:55 | |
But let's start at the beginning, shall we? | 0:01:55 | 0:01:57 | |
INDISTINCT RAP | 0:01:57 | 0:01:59 | |
CHEERING AND APPLAUSE | 0:01:59 | 0:02:02 | |
Dim the lights, Rasta! | 0:02:10 | 0:02:14 | |
Hang on, hang on... | 0:02:14 | 0:02:16 | |
CHEERING | 0:02:16 | 0:02:18 | |
Fantastic. | 0:02:18 | 0:02:20 | |
Hello, everyone. Well, that's one way to open a show. What a suit. | 0:02:20 | 0:02:24 | |
I can still see it if I close my eyes tightly. | 0:02:24 | 0:02:27 | |
More from the master later, when he'll be sharing lots of good news | 0:02:27 | 0:02:30 | |
about how your donations have changed lives. | 0:02:30 | 0:02:33 | |
Now, I remember this year's Red Nose Day for many things, | 0:02:33 | 0:02:37 | |
not least for the ?1,203,865 raised | 0:02:37 | 0:02:42 | |
by Let's Dance and, of course, Simon Cowell's extraordinary wedding - | 0:02:42 | 0:02:46 | |
great practice for the real thing. | 0:02:46 | 0:02:48 | |
MUSIC: "Wedding March" by Mendelssohn | 0:02:48 | 0:02:51 | |
Now, there's no need to be nervous. | 0:02:59 | 0:03:02 | |
All rise, please, for the bride. | 0:03:02 | 0:03:04 | |
MUSIC: "Bridal Chorus" by Wagner | 0:03:07 | 0:03:09 | |
Weddings always make me cry! | 0:03:22 | 0:03:24 | |
It hasn't even started yet, dear! | 0:03:26 | 0:03:28 | |
HE SOBS | 0:03:28 | 0:03:30 | |
I never thought I'd see the day. So pleased he's finally found a woman. | 0:03:30 | 0:03:34 | |
Well...he has done a lot of... searching. | 0:03:34 | 0:03:37 | |
Please be seated. | 0:03:50 | 0:03:51 | |
We begin today's marriage service with a reading | 0:03:53 | 0:03:58 | |
from Mr Robert Williams. | 0:03:58 | 0:04:00 | |
Today's reading comes from Take That's Greatest Hits, | 0:04:03 | 0:04:07 | |
track 17, verse three. So... you can do what you like... | 0:04:07 | 0:04:13 | |
Do what you like. No need to ask me. Do what you want. | 0:04:14 | 0:04:21 | |
Do what you like. Do...what you like. | 0:04:21 | 0:04:26 | |
No need to tell me. Do whateth you want. | 0:04:26 | 0:04:30 | |
Here endeth the lesson. | 0:04:31 | 0:04:33 | |
Moving words indeed. Thank you. | 0:04:33 | 0:04:37 | |
And now... | 0:04:40 | 0:04:41 | |
If anyone here knows of any lawful impediment why these two | 0:04:43 | 0:04:46 | |
should not be married... | 0:04:46 | 0:04:48 | |
..let them speak now or forever hold their peace. | 0:04:50 | 0:04:53 | |
DOG BARKS | 0:04:55 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:04:58 | |
HE CHUCKLES | 0:04:59 | 0:05:01 | |
Ahem. | 0:05:01 | 0:05:02 | |
Wonderful! Right, well, let's begin the vows. | 0:05:02 | 0:05:05 | |
Repeat after me - I, Simon Tyrone Cowell... I, Simon Tyrone Cowell... | 0:05:05 | 0:05:14 | |
..global television star and legendary music mogul who changed | 0:05:14 | 0:05:18 | |
the face of popular culture... | 0:05:18 | 0:05:19 | |
DOOR BANGS | 0:05:19 | 0:05:21 | |
Stop the wedding! | 0:05:21 | 0:05:22 | |
ALL GASP | 0:05:22 | 0:05:23 | |
David Walliams! | 0:05:23 | 0:05:26 | |
What is the meaning of this? | 0:05:26 | 0:05:28 | |
My Simon! I love you! It should be me and you getting married today! | 0:05:28 | 0:05:33 | |
I love everything about you! I love that your hair looks like a badger. | 0:05:33 | 0:05:38 | |
I love that your trousers come up to your armpits. | 0:05:38 | 0:05:41 | |
I love that you wear pullovers too tight so they show off your nipples. | 0:05:41 | 0:05:45 | |
Let's run away somewhere. Somewhere where nobody knows us. | 0:05:45 | 0:05:49 | |
Impossible for me, easy for you. Just the two of us! And Sinita. | 0:05:49 | 0:05:55 | |
David, it's a no from me. | 0:05:57 | 0:06:00 | |
Well...where were we? Oh, yes... Repeat after me... | 0:06:02 | 0:06:05 | |
Stop the wedding! | 0:06:05 | 0:06:08 | |
Ollie Murs! What?! | 0:06:09 | 0:06:11 | |
Simon, I love you. Stop the wedding! | 0:06:11 | 0:06:15 | |
Dermot O'Leary! For crying out loud! | 0:06:15 | 0:06:19 | |
Simon, I love you. Stop the wedding! | 0:06:19 | 0:06:23 | |
Rachel Adedeji! | 0:06:25 | 0:06:28 | |
Oh, no, wait, sorry. Louis Walsh! | 0:06:29 | 0:06:32 | |
Simon, don't do this. I love you! Back off, sister, he's mine. | 0:06:34 | 0:06:38 | |
He was my Simon years before he was your Simon, so you back off! | 0:06:38 | 0:06:42 | |
Simon Cowell, Louis Walsh just poked me! | 0:06:42 | 0:06:45 | |
Simon, I love you and I want to sit on your panel. | 0:06:45 | 0:06:48 | |
I love you, Simon! | 0:06:48 | 0:06:50 | |
Hands off, Dixon, he's mine. I love you, Simon! Choose me! | 0:06:50 | 0:06:54 | |
I love Simon! I love you, Simon. | 0:06:54 | 0:06:55 | |
TOGETHER: We love you, Simon! I love Piers Morgan. | 0:06:55 | 0:06:58 | |
I love you, Simon! I love you, Simon! | 0:06:59 | 0:07:02 | |
ALL: I love you, Simon! | 0:07:02 | 0:07:05 | |
ENOUGH! | 0:07:11 | 0:07:13 | |
SILENCE | 0:07:13 | 0:07:14 | |
It's four nos, I'm afraid. Right. Let's just do this, shall be? | 0:07:19 | 0:07:24 | |
Repeat after me... | 0:07:24 | 0:07:26 | |
WOMAN YELLS | 0:07:26 | 0:07:29 | |
Sharon Osbourne?! | 0:07:29 | 0:07:30 | |
DRAMATIC CHORDS | 0:07:30 | 0:07:32 | |
Oh, no. | 0:07:32 | 0:07:34 | |
I want to marry you. I thought you didn't like me. I don't. | 0:07:34 | 0:07:39 | |
I want to marry you so I can ruin the rest of your life. | 0:07:39 | 0:07:43 | |
A million per cent never. | 0:07:43 | 0:07:46 | |
SILENCE! | 0:07:46 | 0:07:48 | |
Right. | 0:07:48 | 0:07:49 | |
I now pronounce you man and wife. | 0:07:51 | 0:07:53 | |
You may kiss the bride. | 0:07:55 | 0:07:57 | |
At last. | 0:07:59 | 0:08:00 | |
You're beautiful. | 0:08:03 | 0:08:04 | |
I know. | 0:08:04 | 0:08:05 | |
Earlier this year for Red Nose Day I visited Homa Bay in Western Kenya. | 0:08:15 | 0:08:20 | |
I met people there who go without food for days, | 0:08:20 | 0:08:24 | |
and children who face starvation and death from sickness every day. | 0:08:24 | 0:08:29 | |
It was heartbreaking. | 0:08:29 | 0:08:30 | |
I asked you to donate money so that Comic Relief could help. | 0:08:30 | 0:08:35 | |
You didn't have to but because you did, | 0:08:35 | 0:08:37 | |
wonderful things are happening and a once forgotten community now has a future. | 0:08:37 | 0:08:42 | |
Because of the money you gave on Red Nose Day, since March, | 0:08:42 | 0:08:46 | |
we've been able to give the people there enormous help and we're | 0:08:46 | 0:08:49 | |
aiming to support over 6,000 people living with or affected by HIV. | 0:08:49 | 0:08:55 | |
Your donations will be spent improving home-based care | 0:08:55 | 0:08:58 | |
for people with HIV. | 0:08:58 | 0:09:00 | |
They will help more people get proper referral to hospitals where | 0:09:00 | 0:09:04 | |
they can get better treatment, keeping families intact. | 0:09:04 | 0:09:07 | |
The money will also go towards training people to help themselves. | 0:09:07 | 0:09:12 | |
Your response on Red Nose Day will actually save lives. So next time | 0:09:12 | 0:09:17 | |
you're standing near someone who says the money doesn't get | 0:09:17 | 0:09:20 | |
through, there's a lot of corruption out there, they've got to learn to | 0:09:20 | 0:09:24 | |
look after themselves, maybe don't invite them for dinner any more. | 0:09:24 | 0:09:29 | |
Just an idea. Thank you. | 0:09:29 | 0:09:31 | |
Comic Relief currently funds 16 projects, | 0:09:31 | 0:09:34 | |
aiming to improve the lives of thousands of people living with HIV. | 0:09:34 | 0:09:38 | |
This year, you came up with a dazzling array of ways to raise money | 0:09:40 | 0:09:44 | |
but we thought we'd give YOU the chance to tell us how you | 0:09:44 | 0:09:47 | |
brought home the egg, bacon, sausage, tomato and beans for Red Nose Day, | 0:09:47 | 0:09:50 | |
so we can thank you personally. | 0:09:50 | 0:09:51 | |
Hello, I'm Miss Stephanie and I'm from Baby Ballet, and these are some of my stars. | 0:09:51 | 0:09:56 | |
Give a big wave, girls! Oh, well done. | 0:09:56 | 0:09:59 | |
This year, we danced in the week leading up to Red Nose Day. | 0:09:59 | 0:10:03 | |
They were amazing because we raised over ?600 and, nationwide, | 0:10:03 | 0:10:07 | |
our little stars raised over ?4,000 for Comic Relief. | 0:10:07 | 0:10:10 | |
Hi. I'm Paul Jones, music teacher at Rosemary Works Primary School in London. | 0:10:11 | 0:10:15 | |
For Red Nose Day we all went busking at Spitalfields Market | 0:10:15 | 0:10:18 | |
as well as selling artwork the children had made at school. | 0:10:18 | 0:10:20 | |
We raised over ?850. CHILDREN: Yay! | 0:10:20 | 0:10:23 | |
Whoo-hoo! Mr Henry! Yes, it is me! | 0:10:25 | 0:10:28 | |
Hello, how are you? Hello, small people. Hello. How are you? Fantastic. | 0:10:28 | 0:10:33 | |
Thousands of schools and nurseries joined in the fun for Red Nose Day | 0:10:33 | 0:10:37 | |
and between them raised more than ?8.9m. | 0:10:37 | 0:10:40 | |
So whatever it was you did, school children of the UK, we thank you! | 0:10:40 | 0:10:43 | |
Say hooray. ALL: Hooray! | 0:10:43 | 0:10:45 | |
Sorry I'm late. Oh, Vicar, good to have you back. Long holiday. | 0:10:59 | 0:11:05 | |
Yes, it seems like years since our last meeting, doesn't it? | 0:11:05 | 0:11:08 | |
Agh! | 0:11:08 | 0:11:10 | |
I've got the most wonderful news. | 0:11:10 | 0:11:13 | |
Oh, might it involve Fiona Bruce naked? | 0:11:13 | 0:11:17 | |
No. | 0:11:17 | 0:11:18 | |
So not THE most wonderful news? Holly Willoughby naked? Who naked? | 0:11:18 | 0:11:24 | |
No. My news is that we're going up to London to vote on the women bishops. | 0:11:24 | 0:11:30 | |
ALL CHEER | 0:11:30 | 0:11:31 | |
# All the single ladies All the single ladies | 0:11:31 | 0:11:37 | |
# If you liked it then you should've put a hat on it | 0:11:37 | 0:11:40 | |
# If you liked it you should've put a...on it | 0:11:40 | 0:11:42 | |
# Oh oh oh, oh oh oh | 0:11:42 | 0:11:45 | |
# Oh oh oh, oh oh oh. # | 0:11:45 | 0:11:48 | |
The Democrats of Dibley reporting for duty, sir. | 0:11:48 | 0:11:51 | |
Ah, yes, you must be Geraldine Granger. Actually, it's Kennedy now. | 0:11:57 | 0:12:01 | |
I got married since that register was made. | 0:12:01 | 0:12:04 | |
Pity. Although, you know... divorce is on the rise. | 0:12:04 | 0:12:08 | |
Nothing lasts for ever, does it? Except EastEnders, of course. | 0:12:08 | 0:12:12 | |
Good for you. I like a funny vicar. Do you? | 0:12:12 | 0:12:15 | |
Well, you're looking at the home of funny here. | 0:12:15 | 0:12:18 | |
I can do all sorts of things, | 0:12:18 | 0:12:20 | |
like...that... | 0:12:20 | 0:12:22 | |
and that. | 0:12:22 | 0:12:24 | |
Be that as it may, today is about voting, not flirting. | 0:12:24 | 0:12:29 | |
Pity. Still, we are massively excited, aren't we? | 0:12:29 | 0:12:33 | |
Great day for the Church. | 0:12:33 | 0:12:34 | |
Great day indeed! Have you chosen one of your number to cast your vote? | 0:12:34 | 0:12:38 | |
We have. | 0:12:38 | 0:12:40 | |
Stark raving insane as it may seem, | 0:12:40 | 0:12:42 | |
because he has fewer brain cells than | 0:12:42 | 0:12:44 | |
I have pictures of Ed Miliband in my wallet, we have chosen... | 0:12:44 | 0:12:49 | |
Jim Trott. | 0:12:49 | 0:12:50 | |
Hello, Mr Trott. No, no, no, no, no. | 0:12:50 | 0:12:55 | |
He is the oldest member of our community, | 0:12:55 | 0:12:58 | |
and we wanted to show that there is no-one so ancient and senile and | 0:12:58 | 0:13:03 | |
actually braindead that they can't see the sense on women bishops. | 0:13:03 | 0:13:08 | |
Well, Mr Trott, good luck. | 0:13:08 | 0:13:11 | |
Strange as it may seem, | 0:13:11 | 0:13:13 | |
the fate of the Church of England is in your hands. | 0:13:13 | 0:13:17 | |
So, you are Mr Jim Trott, | 0:13:19 | 0:13:23 | |
representing the village of Dibley? | 0:13:23 | 0:13:26 | |
I am. | 0:13:26 | 0:13:28 | |
Mr Trott, you may either give one vote | 0:13:28 | 0:13:32 | |
if your village council are all agreed... Right. | 0:13:32 | 0:13:36 | |
..or you may represent the individual votes of the members. | 0:13:36 | 0:13:40 | |
Right. Very well. | 0:13:40 | 0:13:42 | |
Mr James Trott, representative of the village of Dibley, | 0:13:42 | 0:13:47 | |
do you support the introduction of women bishops | 0:13:47 | 0:13:51 | |
into the Church of England? | 0:13:51 | 0:13:53 | |
No, no, no, no, no, no. | 0:13:53 | 0:13:55 | |
Yes. | 0:13:57 | 0:13:59 | |
Very well, thank you. | 0:14:02 | 0:14:04 | |
Goodness! | 0:14:07 | 0:14:09 | |
It's getting close. | 0:14:10 | 0:14:11 | |
The without fail brilliant Vicar of Dibley there. | 0:14:13 | 0:14:17 | |
Coming up, Liverpool's sweetheart, Mr John Bishop, will be | 0:14:17 | 0:14:20 | |
letting us know how your money has been working hard | 0:14:20 | 0:14:23 | |
right here in the UK, and we'll also give you another chance to see | 0:14:23 | 0:14:27 | |
the outrageous Jessie J shave her head because...why not? | 0:14:27 | 0:14:32 | |
I'd have done the same but look at this pelt. I mean, come on. | 0:14:32 | 0:14:36 | |
The secret, really, is to treat your hair like a classic car - | 0:14:36 | 0:14:39 | |
wash it regularly, keep it shiny, store it properly... I always | 0:14:39 | 0:14:44 | |
keep mine just here... | 0:14:44 | 0:14:45 | |
and use a 5mm socket wrench to bleed the braking system | 0:14:45 | 0:14:48 | |
for air to thoroughly clean the hydraulic lines. | 0:14:48 | 0:14:51 | |
This year, Comic Relief, like every year, | 0:14:52 | 0:14:54 | |
has spent 40% of the money that you've donated here in the UK. | 0:14:54 | 0:14:58 | |
In fact, wherever you are in the UK, | 0:14:58 | 0:15:00 | |
you're virtually within 30 miles of a Comic Relief project. | 0:15:00 | 0:15:02 | |
And that's working with some of the most vulnerable | 0:15:02 | 0:15:05 | |
people in our society - people who have been | 0:15:05 | 0:15:07 | |
suffering from domestic violence at home, sex trafficking, | 0:15:07 | 0:15:11 | |
some of the people who have been suffering from mental health issues - | 0:15:11 | 0:15:15 | |
we've been trying to get them back into work and help them | 0:15:15 | 0:15:19 | |
move their lives forward. | 0:15:19 | 0:15:20 | |
I've seen some of these projects, and I have to be honest with you, | 0:15:20 | 0:15:24 | |
the need out there is greater than I possibly imagined. | 0:15:24 | 0:15:27 | |
We're not going to ask you for any more money, you've already done that. | 0:15:27 | 0:15:30 | |
Thank you for the efforts you've made to make a difference to | 0:15:30 | 0:15:33 | |
someone else's life. | 0:15:33 | 0:15:34 | |
Right now, Comic Relief funds over | 0:15:34 | 0:15:36 | |
2,000 projects aiming to help | 0:15:36 | 0:15:38 | |
millions of people in the UK. | 0:15:38 | 0:15:39 | |
After the recent horse-meat scandal, | 0:15:43 | 0:15:45 | |
people no longer trust supermarket ready meals. | 0:15:45 | 0:15:47 | |
I know I don't. | 0:15:47 | 0:15:48 | |
And the supermarkets don't know what's in their food | 0:15:48 | 0:15:51 | |
and they are happy for us to know that they don't know. | 0:15:51 | 0:15:55 | |
We know that they don't know | 0:15:55 | 0:15:57 | |
and they know that we know that they don't know. | 0:15:57 | 0:15:59 | |
I know. | 0:15:59 | 0:16:00 | |
So, the supermarkets - and this now is very much | 0:16:00 | 0:16:03 | |
the beginning of the sketch - have decided to be more honest with their | 0:16:03 | 0:16:08 | |
packaging, and tonight, in a sketch, we can exclusively reveal | 0:16:08 | 0:16:12 | |
some packaging prototypes that'll be hitting the shelves soon. | 0:16:12 | 0:16:17 | |
So, honest packaging, that's the basis of the sketch. | 0:16:17 | 0:16:20 | |
Here's the first one. | 0:16:20 | 0:16:21 | |
Roll of the diced beef. | 0:16:24 | 0:16:25 | |
HE LAUGHS | 0:16:27 | 0:16:29 | |
I can't believe it's bolognese. | 0:16:29 | 0:16:31 | |
LAUGHTER | 0:16:31 | 0:16:34 | |
Chance it chilli. | 0:16:34 | 0:16:37 | |
Loosely speaking lasagne. | 0:16:37 | 0:16:40 | |
Touch wood moussaka. | 0:16:40 | 0:16:42 | |
Sure hope it's shepherd's pie. | 0:16:42 | 0:16:44 | |
Fish fingers crossed. LAUGHTER | 0:16:45 | 0:16:47 | |
They're getting better. Could be cannelloni. | 0:16:47 | 0:16:50 | |
Can't believe... already done that one. | 0:16:50 | 0:16:53 | |
You're putting them back. I'm leaving them up here. | 0:16:53 | 0:16:55 | |
We got no system, man. | 0:16:55 | 0:16:56 | |
I want to do the one they laughed at again. Which one was that? | 0:16:56 | 0:16:59 | |
Sure hope it's shepherd's pie. | 0:16:59 | 0:17:00 | |
CHEERING | 0:17:00 | 0:17:02 | |
Potentially pork. | 0:17:02 | 0:17:03 | |
Obviously, these are the higher quality things you can | 0:17:05 | 0:17:08 | |
buy in the supermarkets. | 0:17:08 | 0:17:10 | |
There will of course be an economy value version. | 0:17:10 | 0:17:13 | |
And here it is. | 0:17:13 | 0:17:14 | |
Very much the punch-line of the sketch... | 0:17:14 | 0:17:17 | |
Definitely donkey. | 0:17:17 | 0:17:18 | |
CHEERING AND APPLAUSE | 0:17:18 | 0:17:20 | |
Come on. | 0:17:21 | 0:17:23 | |
What's happened in the last ten years? | 0:17:25 | 0:17:28 | |
What HASN'T happened in the last ten years?! | 0:17:28 | 0:17:30 | |
That's would be the easier question to answer. | 0:17:30 | 0:17:32 | |
HE CHUCKLES | 0:17:32 | 0:17:34 | |
I'll answer what has happened. Um... | 0:17:34 | 0:17:36 | |
Oh, yeah, what has happened? | 0:17:37 | 0:17:39 | |
Eh... | 0:17:39 | 0:17:40 | |
It's been amazing, you know. Probably the best ten years of my life, | 0:17:42 | 0:17:46 | |
filled with just so many interesting things. | 0:17:46 | 0:17:50 | |
Mainly rapping. | 0:17:50 | 0:17:51 | |
You know, I'm not going got kill that cash cow, cos it helps me | 0:17:51 | 0:17:54 | |
finance my other passions, you know - my music, my recording, | 0:17:54 | 0:17:58 | |
my short stories. | 0:17:58 | 0:17:59 | |
Podcasting. You know. | 0:18:00 | 0:18:03 | |
Oh, yeah. | 0:18:03 | 0:18:04 | |
But, uh, I manage an act as well now, like a local Simon Cowell. | 0:18:04 | 0:18:10 | |
Better really, cos... | 0:18:10 | 0:18:12 | |
cos I'm an artist myself I can literally pass on musical wisdom, | 0:18:12 | 0:18:16 | |
you know, whilst making money...from them. | 0:18:16 | 0:18:19 | |
So, uh...talk of the devil. | 0:18:19 | 0:18:21 | |
There he is. | 0:18:23 | 0:18:25 | |
How you doing, man? Cool. | 0:18:25 | 0:18:28 | |
Yes. | 0:18:28 | 0:18:29 | |
Black. Told you. | 0:18:29 | 0:18:32 | |
This is Dom. | 0:18:32 | 0:18:34 | |
Dom Johnson, lyricist. | 0:18:34 | 0:18:36 | |
Rapper. | 0:18:36 | 0:18:38 | |
And, eh, now you see...what I've been talking about. | 0:18:38 | 0:18:42 | |
So...yeah. Anyway, do you want a drink? | 0:18:42 | 0:18:46 | |
Yeah, cool. What do you want? | 0:18:46 | 0:18:49 | |
Rum and Coke? | 0:18:49 | 0:18:51 | |
Red Stripe? | 0:18:51 | 0:18:52 | |
Nah, just a soft drink... | 0:18:52 | 0:18:54 | |
Lilt? | 0:18:54 | 0:18:55 | |
Just orange juice...fine. | 0:18:56 | 0:18:58 | |
AMERICAN ACCENT: One OJ, coming up, baby! | 0:18:58 | 0:19:00 | |
It looks like a weird partnership, I can see that, | 0:19:03 | 0:19:06 | |
but, you know, I never thought it would need outside help. | 0:19:06 | 0:19:10 | |
Me, I was born into the music industry, do you know what I mean? | 0:19:10 | 0:19:13 | |
My dad worked for Our Price, but I never knew him, | 0:19:13 | 0:19:16 | |
do you know what I'm saying? | 0:19:16 | 0:19:18 | |
So it's been a struggle for a while, if I'm honest. | 0:19:18 | 0:19:22 | |
And when he come along, when he actually offered to support | 0:19:22 | 0:19:26 | |
my studio time financially, that's when we properly clicked - boom. | 0:19:26 | 0:19:31 | |
What's that on? | 0:19:33 | 0:19:35 | |
I've got that on 24. And the bass is on? | 0:19:35 | 0:19:37 | |
Hi, David Brent. | 0:19:37 | 0:19:39 | |
Hey, David Brent. Nice to meet you. | 0:19:39 | 0:19:43 | |
Dom. Nice to meet you. | 0:19:43 | 0:19:45 | |
Do you want to pop yourself down and...? | 0:19:45 | 0:19:46 | |
At the Starship Enterprise?! | 0:19:46 | 0:19:48 | |
Innit? Like the Starship Enterprise. | 0:19:48 | 0:19:50 | |
Wow! Beam me up. Can you not do that? | 0:19:50 | 0:19:52 | |
Capacity warp 12! | 0:19:52 | 0:19:53 | |
HE CHUCKLES | 0:19:53 | 0:19:55 | |
Don't touch those, please. | 0:19:55 | 0:19:57 | |
Let's get you in. Do you need water? | 0:19:57 | 0:20:00 | |
Oh, no! Oh, no! | 0:20:00 | 0:20:02 | |
Warning - Brent's found a guitar. | 0:20:02 | 0:20:04 | |
Brent's found a guitar. | 0:20:04 | 0:20:07 | |
Oh, man. | 0:20:08 | 0:20:10 | |
This is right up my alley. | 0:20:10 | 0:20:12 | |
Good tone. What is it, Fender? | 0:20:13 | 0:20:16 | |
No, it's an Ibanez. It says on the thing there. | 0:20:16 | 0:20:18 | |
I don't look at what things say, I know what they feel like, though. | 0:20:18 | 0:20:22 | |
We should probably... | 0:20:22 | 0:20:23 | |
Oh, my God! | 0:20:23 | 0:20:25 | |
Hold on. | 0:20:25 | 0:20:26 | |
What am I thinking with this going on? | 0:20:26 | 0:20:29 | |
I've got a political reggae song called Equality Street. | 0:20:29 | 0:20:32 | |
OK. We're not... | 0:20:32 | 0:20:33 | |
That'd be amazing. Think about it - me and you. | 0:20:33 | 0:20:35 | |
You could do a rap. | 0:20:35 | 0:20:37 | |
Oh, my God, it's fantastic. It's... | 0:20:37 | 0:20:41 | |
# Dayo, dayo Dayo, me say dayo | 0:20:47 | 0:20:50 | |
# Biddly-biddly-biddly-biddly-biddly Biddly-bong, yo... # | 0:20:50 | 0:20:53 | |
Biddly-bong? Definitely. | 0:20:53 | 0:20:55 | |
Listen, we're focusing on my song. We can do this. | 0:20:55 | 0:20:59 | |
Do a political reggae song, cos it's perfect. I'm not doing that. | 0:20:59 | 0:21:02 | |
Cos it's mega-racial, but anti-racist. | 0:21:02 | 0:21:04 | |
This could be like Paul McCartney and Stevie Wonder. | 0:21:04 | 0:21:07 | |
Better, cos you can see what you're doing! | 0:21:07 | 0:21:09 | |
And if this turns out as good as I think it will, | 0:21:09 | 0:21:12 | |
I'll even pay for a video. Video? | 0:21:12 | 0:21:14 | |
My expert opinion is that Dom's track will not be improved by | 0:21:14 | 0:21:18 | |
having a middle-aged man in a cheap polyester suit singing on top of it. | 0:21:18 | 0:21:22 | |
It's like Tinie Tempah recording a track with Piers Morgan. | 0:21:24 | 0:21:28 | |
They're still bickering. I don't know what they're bickering about. | 0:21:29 | 0:21:33 | |
So can all you lot rap, then? Could Trevor McDonald rap if he had to? | 0:21:33 | 0:21:36 | |
Oh, my God. OK, so we might be here a while. | 0:21:36 | 0:21:39 | |
This year, for the first time ever, we selected a special | 0:21:43 | 0:21:45 | |
team of celebrity fun-raisers, but there's one... | 0:21:45 | 0:21:49 | |
Fun-raiser. | 0:21:49 | 0:21:51 | |
..whose work is not quite done. | 0:21:51 | 0:21:53 | |
Jessie J! | 0:21:53 | 0:21:54 | |
This programme started when I was born, and every year, when I could, | 0:21:55 | 0:21:59 | |
I sat and watched it and always wanted to be a part of it. | 0:21:59 | 0:22:01 | |
And I wanted to do something that was going to shock people, | 0:22:01 | 0:22:04 | |
something that I felt was going to make people donate. | 0:22:04 | 0:22:06 | |
That's what this is about. | 0:22:06 | 0:22:08 | |
Jessie, I'm here to reassure you that you're in safe hands. | 0:22:08 | 0:22:11 | |
OK. | 0:22:11 | 0:22:13 | |
Are you ready, Jessie? | 0:22:13 | 0:22:15 | |
Ooh! | 0:22:15 | 0:22:19 | |
This is so going on eBay. | 0:22:19 | 0:22:21 | |
We're halfway through this and I have to say, Jessie, stop now! | 0:22:21 | 0:22:24 | |
We could just comb it over, or something. | 0:22:24 | 0:22:27 | |
Put some double-sided tape on it! | 0:22:27 | 0:22:29 | |
CHEERING | 0:22:30 | 0:22:32 | |
It feels liberating, but this isn't really about this. | 0:22:33 | 0:22:36 | |
Over ?500,000 already is amazing. | 0:22:36 | 0:22:38 | |
OK, time for a few more thank yous. I'm going to get into position. | 0:22:41 | 0:22:44 | |
Bring it on. | 0:22:44 | 0:22:45 | |
Hi, my name is Luke Nolan and I grew my rat tail for five years and for | 0:22:47 | 0:22:50 | |
Red Nose Day this year, I decided to cut it off, like Jessie J. | 0:22:50 | 0:22:54 | |
I raised over ?500. | 0:22:54 | 0:22:56 | |
Luke... | 0:22:58 | 0:23:00 | |
Luke, I am not your father. | 0:23:00 | 0:23:02 | |
Here, look at you. | 0:23:02 | 0:23:03 | |
Congratulations, my friend. | 0:23:03 | 0:23:05 | |
There you go. Would you like some cake? | 0:23:05 | 0:23:07 | |
I'm Ben. And I'm Claire. | 0:23:07 | 0:23:09 | |
And in a moment of madness, we decided to let Miranda Hart | 0:23:09 | 0:23:12 | |
organise our wedding day for Comic Relief. | 0:23:12 | 0:23:15 | |
She did an amazing job, | 0:23:15 | 0:23:16 | |
and we couldn't have been happier on the day. | 0:23:16 | 0:23:19 | |
Over the whole week she raised ?1,140,615. | 0:23:19 | 0:23:25 | |
Woo-hoo. | 0:23:25 | 0:23:27 | |
We love Miranda. | 0:23:27 | 0:23:28 | |
# Congratulations. # | 0:23:28 | 0:23:30 | |
A huge thanks there to Ben and Claire. | 0:23:30 | 0:23:33 | |
As match-making goes, I think we nailed it! | 0:23:33 | 0:23:35 | |
But these big days always go by in a blur, don't they? | 0:23:35 | 0:23:38 | |
In fact, this show has really helped me piece back together that night in March... | 0:23:38 | 0:23:42 | |
I keep getting flashbacks where I'm in a gold suit with flashing lights... | 0:23:42 | 0:23:46 | |
Anyway, let's remind ourselves of the final act | 0:23:46 | 0:23:48 | |
in Miranda's Mad March, | 0:23:48 | 0:23:49 | |
which brought us another unforgettable Comic Relief snog. | 0:23:49 | 0:23:53 | |
THEY CHUCKLE | 0:23:53 | 0:23:55 | |
Miranda, this is what you have to do today. | 0:23:55 | 0:23:57 | |
You will be organising a real wedding for a real couple, | 0:23:57 | 0:24:02 | |
taking place today in Marylebone at 5.45pm. | 0:24:02 | 0:24:06 | |
CHEERING | 0:24:06 | 0:24:08 | |
Three hours. Go, go, go, go. | 0:24:11 | 0:24:13 | |
Confetti, rings, bridesmaids' dresses. | 0:24:15 | 0:24:18 | |
Oh...! | 0:24:18 | 0:24:20 | |
We've chosen the dress and I'm the closest to crying - | 0:24:23 | 0:24:26 | |
that's always the sign. | 0:24:26 | 0:24:27 | |
I'm off to get a choir and learn how to be part of one. | 0:24:27 | 0:24:32 | |
CHORAL SINGING | 0:24:32 | 0:24:34 | |
This is somebody's actual wedding. | 0:24:36 | 0:24:38 | |
I've been watching you! | 0:24:38 | 0:24:39 | |
We've got to get something old, something new, | 0:24:39 | 0:24:42 | |
something borrowed and something... I can't even say it! | 0:24:42 | 0:24:45 | |
Where do we put that? | 0:24:46 | 0:24:48 | |
Next, next. Come on, Sal. | 0:24:48 | 0:24:50 | |
Say it! Blue. Blue? What's blue? | 0:24:50 | 0:24:53 | |
What's wrong with blue? Blue! | 0:24:53 | 0:24:55 | |
Rings. Rings. | 0:24:55 | 0:24:57 | |
We need to check the rings, and I'm sure there'll be other things. | 0:24:57 | 0:25:00 | |
That rhymes. | 0:25:00 | 0:25:01 | |
Of course, we're here today to witness | 0:25:03 | 0:25:05 | |
the marriage of Claire Gilchrist and Ben Springett. | 0:25:05 | 0:25:08 | |
Ben, will you take Claire to be your wife? | 0:25:08 | 0:25:10 | |
I will. | 0:25:10 | 0:25:12 | |
Claire, will you take Ben to be your husband? | 0:25:12 | 0:25:14 | |
I will. | 0:25:14 | 0:25:15 | |
Now, it gives me great pleasure to declare that you are | 0:25:15 | 0:25:19 | |
husband and wife. | 0:25:19 | 0:25:21 | |
APPLAUSE | 0:25:26 | 0:25:29 | |
So, you were bridesmaids? | 0:25:29 | 0:25:30 | |
Yes, we were. At the serious wedding. | 0:25:30 | 0:25:32 | |
THEY TALK OVER EACH OTHER | 0:25:34 | 0:25:38 | |
CHEERING | 0:25:38 | 0:25:40 | |
Can I just ask, you do know her, don't you? | 0:25:46 | 0:25:49 | |
You have met before? | 0:25:49 | 0:25:51 | |
You weren't at a bus stop and Miranda said, "I need a couple of people"? | 0:25:51 | 0:25:55 | |
So, Miranda, are you ready for this? | 0:25:55 | 0:25:58 | |
You have raised an extraordinary amount of money. | 0:25:58 | 0:26:02 | |
?1,140,615! | 0:26:02 | 0:26:04 | |
CHEERING | 0:26:04 | 0:26:07 | |
Thanks so much, thank you! | 0:26:11 | 0:26:13 | |
Thank you to all of you. Thanks to Miranda, Dawn and Jennifer. | 0:26:13 | 0:26:16 | |
This is a great moment also to thank all BBC radio stations | 0:26:16 | 0:26:19 | |
for all their amazing contributions. | 0:26:19 | 0:26:22 | |
Kiss the bride! | 0:26:22 | 0:26:25 | |
CHEERING | 0:26:26 | 0:26:27 | |
A huge thank you to all of you. | 0:26:34 | 0:26:36 | |
The miraculous and beautifully daft Miranda Hart there - | 0:26:38 | 0:26:40 | |
she can do no wrong. | 0:26:40 | 0:26:42 | |
Hats off to Lenny too for taking care of some stellar thank yous. | 0:26:42 | 0:26:45 | |
More later. | 0:26:45 | 0:26:47 | |
So as our darling boys from One Direction once said, | 0:26:47 | 0:26:49 | |
it's all the little things which add up and it couldn't be more true, | 0:26:49 | 0:26:53 | |
cos this year | 0:26:53 | 0:26:54 | |
you bought over six million red noses as well as taking part | 0:26:54 | 0:26:58 | |
in thousands of funny, challenging and daring fundraising activities. | 0:26:58 | 0:27:03 | |
We even saw the first Red Nose space race as it rocketed up to | 0:27:03 | 0:27:07 | |
over 100,000 feet! | 0:27:07 | 0:27:09 | |
Impressive. | 0:27:09 | 0:27:11 | |
Your money is really making a difference, | 0:27:11 | 0:27:13 | |
week by week and day by day, | 0:27:13 | 0:27:14 | |
right across the UK and Africa. | 0:27:14 | 0:27:17 | |
It's reversing the fortunes of so many people. | 0:27:17 | 0:27:20 | |
Thank you | 0:27:20 | 0:27:21 | |
We've come here today to have a look at what our money can do to help. | 0:27:24 | 0:27:27 | |
If the child had been vaccinated in time, | 0:27:29 | 0:27:32 | |
the child wouldn't have needed to be here in the first place. | 0:27:32 | 0:27:36 | |
This is why it's ridiculous, cos it only costs ?5. | 0:27:36 | 0:27:41 | |
This could prevent... | 0:27:41 | 0:27:43 | |
..this from happening, you know? | 0:27:45 | 0:27:46 | |
Just ?5, that's all you have to pay. | 0:27:46 | 0:27:49 | |
Sully is 15, Idris is 12 and this is their job. | 0:27:53 | 0:27:57 | |
They find wires, they burn the wires, they get copper out of that. | 0:27:58 | 0:28:03 | |
They sell the copper. | 0:28:03 | 0:28:04 | |
No-one deserves this. This is absolutely horrendous. | 0:28:06 | 0:28:09 | |
There is literally... | 0:28:09 | 0:28:10 | |
You name it, it is in here. | 0:28:10 | 0:28:11 | |
From human faeces, to syringes... | 0:28:11 | 0:28:14 | |
and, you know, it's just swamp. | 0:28:14 | 0:28:16 | |
This boy's been rushed in with a fever. | 0:28:18 | 0:28:20 | |
Do we know what's wrong with him? | 0:28:20 | 0:28:22 | |
We think he has malaria with severe anaemia. | 0:28:22 | 0:28:25 | |
Being honest with me, how ill is he? | 0:28:25 | 0:28:27 | |
He's very ill. | 0:28:27 | 0:28:29 | |
Sometimes, if they come in too late, even when you give them blood, | 0:28:29 | 0:28:32 | |
you are not able to save them. | 0:28:32 | 0:28:34 | |
He's too weak to even hold his own head up. | 0:28:36 | 0:28:38 | |
It's horrible to watch. | 0:28:38 | 0:28:39 | |
# Let me take you down Equality Street | 0:29:03 | 0:29:06 | |
# You never know the people you meet | 0:29:06 | 0:29:08 | |
# At the end of the street is a golden gate | 0:29:08 | 0:29:11 | |
# It let in love It don't let in hate, no | 0:29:11 | 0:29:15 | |
# Walk with me down Equality Street | 0:29:27 | 0:29:30 | |
# Do unto others and life is sweet | 0:29:30 | 0:29:33 | |
# Books have no covers Just look right in | 0:29:33 | 0:29:36 | |
# You're judged by your words not the colour of your skin | 0:29:36 | 0:29:39 | |
# Oh, dayo, dayo, dayo Me say dayo | 0:29:39 | 0:29:43 | |
# Biddly-biddly-biddly-biddly-biddly Biddly-bong, yo | 0:29:43 | 0:29:46 | |
# Yo, I'm like John Lennon | 0:29:51 | 0:29:52 | |
# Except I do imagine there's a heaven | 0:29:52 | 0:29:54 | |
# Somewhere everyone is welcome | 0:29:54 | 0:29:56 | |
# All my multicultural brethren | 0:29:56 | 0:29:58 | |
# Where hate is outdated | 0:29:58 | 0:29:59 | |
# Today, love's the word | 0:29:59 | 0:30:01 | |
# Even for people from Luxembourg | 0:30:01 | 0:30:04 | |
# Or maybe like some other countries that you might ignore | 0:30:04 | 0:30:07 | |
# Tonga, never thought of in my life before | 0:30:07 | 0:30:10 | |
# But if I met a guy from Tonga then we stop and we speak | 0:30:10 | 0:30:13 | |
# In fluent Tongalese on Equality Street | 0:30:13 | 0:30:15 | |
# Yep, acceptance, see that Kenyan guy with mental eyes | 0:30:15 | 0:30:20 | |
# He might be totally normal You can't generalise | 0:30:20 | 0:30:23 | |
# Black people aren't crazy Fat people aren't lazy | 0:30:23 | 0:30:26 | |
# And dwarfs aren't babies | 0:30:27 | 0:30:28 | |
# You can't just pick 'em up They got rights | 0:30:28 | 0:30:31 | |
# And anyway don't assume you could They're not light | 0:30:31 | 0:30:34 | |
# I learnt the hard way | 0:30:34 | 0:30:36 | |
# Don't give a damn if you're Russian or you're Spanish | 0:30:36 | 0:30:39 | |
# We're comrades, compadres | 0:30:39 | 0:30:41 | |
# You could be a half gay woman with a dark face | 0:30:41 | 0:30:44 | |
# One leg, no legs Long as you've got a heart | 0:30:44 | 0:30:47 | |
# Hey, transgender, gay, straight Lesbians, whatever, whoever | 0:30:47 | 0:30:51 | |
# Hey, mate, let's be friends We're just friends | 0:30:51 | 0:30:54 | |
# I want you to be where you're properly free | 0:30:54 | 0:30:57 | |
# Obviously, it's Equality Street Believe | 0:30:57 | 0:30:59 | |
# You know the deal there | 0:30:59 | 0:31:01 | |
# Everything is real fair | 0:31:01 | 0:31:03 | |
# Take a ride on my equal opportunity wheelchair, yeah | 0:31:03 | 0:31:05 | |
# Come with me down Equality Street | 0:31:05 | 0:31:09 | |
# You never know the people you meet | 0:31:09 | 0:31:11 | |
# At the end of the street is a golden gate | 0:31:11 | 0:31:15 | |
# It lets in love It don't let in hate, no | 0:31:15 | 0:31:19 | |
# Equality Street | 0:31:19 | 0:31:21 | |
# Equality Street | 0:31:22 | 0:31:24 | |
# Equality Street | 0:31:25 | 0:31:27 | |
# Biddly-biddly-biddly-biddly-biddly Biddly-bong, sweet. # | 0:31:27 | 0:31:31 | |
Biddly, biddly, biddly, bong, indeed. | 0:31:35 | 0:31:37 | |
Mr David Brent speaking for all of us there. At least, I think so. | 0:31:37 | 0:31:41 | |
Coming up, we'll be seeing the latest developments at the school | 0:31:41 | 0:31:44 | |
in Zambia which inspired our Hell and High Water heroes | 0:31:44 | 0:31:47 | |
through their epic adventure down the mighty Zambezi. | 0:31:47 | 0:31:50 | |
But first, in contrast to the thousands of you who got up | 0:31:50 | 0:31:53 | |
off your backsides and managed some truly great fundraising this year, | 0:31:53 | 0:31:56 | |
here's a man who managed it by doing the exact opposite - | 0:31:56 | 0:32:00 | |
it's Peter Kay... | 0:32:00 | 0:32:01 | |
and it's inspiring stuff. | 0:32:01 | 0:32:03 | |
VOICEOVER: Peter Kay is one of Bolton's funniest comedians | 0:32:03 | 0:32:07 | |
and not an athlete. | 0:32:07 | 0:32:08 | |
But he's about to embark on a challenge that will not only | 0:32:08 | 0:32:11 | |
change his life, but dozens of lives for ever. | 0:32:11 | 0:32:14 | |
Well, I've seen what David Walliams has done swimming the Channel | 0:32:14 | 0:32:17 | |
and the River Thames. | 0:32:17 | 0:32:18 | |
What Eddie Izzard's done, and John Bishop. It's been amazing. | 0:32:18 | 0:32:21 | |
And I thought, "What could I do? What do I do best?" | 0:32:21 | 0:32:24 | |
And the answer is, sit on me... | 0:32:24 | 0:32:26 | |
VOICEOVER: This is the story of his extraordinary journey. | 0:32:28 | 0:32:31 | |
CHRIS EVANS: And so it begins. | 0:32:34 | 0:32:37 | |
It's Monday morning and for Peter Kay, | 0:32:37 | 0:32:39 | |
the next five days are going to be literally hell on earth. | 0:32:39 | 0:32:43 | |
He's live in Belfast at the starting line of a monumental sit down | 0:32:43 | 0:32:48 | |
challenge for Comic Relief. | 0:32:48 | 0:32:49 | |
Can you hear me, Peter? | 0:32:49 | 0:32:51 | |
Loud and clear, Christopher. | 0:32:51 | 0:32:53 | |
Are you ready to travel from Belfast to London by couch? | 0:32:53 | 0:32:57 | |
Not by coach, by the way, by couch. | 0:32:57 | 0:33:00 | |
As ready as I'll ever be. | 0:33:00 | 0:33:02 | |
MUSIC: "Sit Down" by James | 0:33:03 | 0:33:05 | |
VOICEOVER: Peter makes his way towards the Irish coast, | 0:33:05 | 0:33:08 | |
where he's greeted by some surprise Olympic support. | 0:33:08 | 0:33:11 | |
They have the formidable task of transporting Peter | 0:33:14 | 0:33:17 | |
and his couch across the Irish Sea. | 0:33:17 | 0:33:19 | |
Heave. ALL: Ho! | 0:33:25 | 0:33:27 | |
Heave - that's it! Keep going. Heave. ALL: Ho! | 0:33:27 | 0:33:30 | |
Heave. ALL: Ho! | 0:33:30 | 0:33:33 | |
Heave. That's it, come on. | 0:33:33 | 0:33:35 | |
VOICEOVER: Preparation for Peter's sit down Comic Relief | 0:33:35 | 0:33:37 | |
challenge hasn't been easy. | 0:33:37 | 0:33:39 | |
WHISTLE | 0:33:39 | 0:33:40 | |
For the last week, he's embarked on a punishing daily regime... | 0:33:40 | 0:33:43 | |
..readying himself for the toughest journey of his life. | 0:33:45 | 0:33:48 | |
That's it. That's the stuff. | 0:33:48 | 0:33:49 | |
He's enlisted the help of ex-SAS fitness specialist | 0:33:49 | 0:33:53 | |
Sergeant Mike Collins... | 0:33:53 | 0:33:54 | |
What are you doing?! | 0:33:54 | 0:33:56 | |
..an expert in endurance training. | 0:33:56 | 0:33:58 | |
It'll be very tough indeed. | 0:33:58 | 0:34:01 | |
I don't think I've worked with anybody so determined. | 0:34:01 | 0:34:03 | |
I'm on a couch. | 0:34:03 | 0:34:05 | |
I was always athletic at school, yeah - sack race, | 0:34:05 | 0:34:08 | |
egg and spoon, so it was always on the cards, really. | 0:34:08 | 0:34:11 | |
You can't fight destiny. | 0:34:11 | 0:34:12 | |
Come on, we have to get you fit. | 0:34:12 | 0:34:14 | |
Fitter. | 0:34:15 | 0:34:17 | |
Just the main concerns - things like couch sores or pins and needles. | 0:34:17 | 0:34:23 | |
Or that silent killer that is trapped wind. | 0:34:23 | 0:34:25 | |
In an effort to test the elements for the typical British weather, | 0:34:27 | 0:34:31 | |
Mike increases the pressure on Peter's specialised booty camp. | 0:34:31 | 0:34:35 | |
Quicker! One. | 0:34:35 | 0:34:38 | |
I said one! | 0:34:38 | 0:34:39 | |
Move your fat arse! | 0:34:48 | 0:34:49 | |
I feel this is going to be the challenge of a lifetime. | 0:34:49 | 0:34:52 | |
I'll either come back an hero or a failure, but there's no going back. | 0:34:52 | 0:34:56 | |
VOICEOVER: Peter's arduous training has paid off, as he makes his | 0:35:01 | 0:35:05 | |
way down through southern Scotland on his mammoth sit down challenge. | 0:35:05 | 0:35:10 | |
Not long now. | 0:35:10 | 0:35:11 | |
People don't realise - it's tough. | 0:35:11 | 0:35:14 | |
It gets to you. | 0:35:14 | 0:35:15 | |
Mentally, it's hard, psychologically. | 0:35:15 | 0:35:18 | |
What I hope is, I don't get halfway through and give up. | 0:35:18 | 0:35:21 | |
I want to keep going. | 0:35:21 | 0:35:23 | |
I'm a sitter, not a quitter. | 0:35:23 | 0:35:25 | |
VOICEOVER: And support for Peter's sit down challenge | 0:35:25 | 0:35:28 | |
grows by the hour, as he makes his way across Britain. | 0:35:28 | 0:35:32 | |
Can't believe what he's doing, it's astonishing. | 0:35:32 | 0:35:34 | |
You just wouldn't think he had it in him. | 0:35:34 | 0:35:36 | |
Support's nice, isn't it? | 0:35:36 | 0:35:37 | |
Look at some of these I've had. | 0:35:37 | 0:35:39 | |
"You can straddle my sofa any time. Bernard." | 0:35:39 | 0:35:42 | |
How he can sit like that for so long, it beggars belief. | 0:35:44 | 0:35:48 | |
I thought the Olympians were impressive until I saw this. | 0:35:48 | 0:35:51 | |
That's it, put some in there. | 0:35:52 | 0:35:54 | |
Oh, I'm shattered, love. | 0:35:54 | 0:35:56 | |
Watch yourself, you'll go under me wheels, flower. | 0:35:56 | 0:36:00 | |
See ya! | 0:36:00 | 0:36:01 | |
VOICEOVER: With a punishing schedule ahead of him, | 0:36:01 | 0:36:04 | |
Peter is only allowed eight hours' sleep, before he's back. | 0:36:04 | 0:36:10 | |
Keep it straight, I'm trying to watch it. | 0:36:10 | 0:36:12 | |
No, no, up. | 0:36:12 | 0:36:14 | |
Bend back a bit. | 0:36:14 | 0:36:16 | |
Keep your back straight, man. | 0:36:16 | 0:36:18 | |
Where's the remote control? | 0:36:18 | 0:36:20 | |
Where's me remote control gone? | 0:36:20 | 0:36:22 | |
MUSIC: "Sit Down" by James | 0:36:25 | 0:36:28 | |
# Oh, sit down, oh, sit down Oh, sit down | 0:36:37 | 0:36:41 | |
# Sit down next to me | 0:36:41 | 0:36:44 | |
# Sit down, down, down, down, down | 0:36:44 | 0:36:49 | |
# In sympathy | 0:36:49 | 0:36:52 | |
# Oh, sit down, oh, sit down Oh, sit down | 0:36:52 | 0:36:56 | |
# Sit down next to me | 0:36:56 | 0:36:59 | |
# Sit down, down, down, down, down | 0:36:59 | 0:37:04 | |
# In sympathy, down. # | 0:37:04 | 0:37:12 | |
Let's be clear - | 0:37:20 | 0:37:21 | |
nothing has drawn me to this project, I don't want to go. | 0:37:21 | 0:37:25 | |
I'm a complete and utter novice. | 0:37:25 | 0:37:28 | |
Never been to Africa before so I don't really know what to expect. | 0:37:28 | 0:37:31 | |
How can I plump up my eyelashes here in the jungle? | 0:37:31 | 0:37:35 | |
MUSIC: "Sea Of Love" by Phil Phillips | 0:37:37 | 0:37:40 | |
You have given those children the world. | 0:37:46 | 0:37:49 | |
VOICEOVER: It's a dawn start for the team. | 0:37:50 | 0:37:56 | |
They're going to meet some of the children from nearby | 0:37:56 | 0:37:59 | |
Siandunda village. | 0:37:59 | 0:38:01 | |
The group are about to get a stark insight into just how tough | 0:38:01 | 0:38:04 | |
life can be for the children here. | 0:38:04 | 0:38:06 | |
They're joining the kids on their daily walk to school. | 0:38:06 | 0:38:09 | |
But this isn't the school run Phillips is used to | 0:38:12 | 0:38:15 | |
with his own children. | 0:38:15 | 0:38:16 | |
The only school here is a two-hour walk away. | 0:38:18 | 0:38:21 | |
It's a long trek - 7K - first thing in the morning. | 0:38:21 | 0:38:28 | |
But it's not just the distance that's so hard. | 0:38:29 | 0:38:32 | |
This area regularly floods from torrential rains. | 0:38:32 | 0:38:35 | |
When this path gets wet in the rainy season, | 0:38:37 | 0:38:42 | |
you got mud this deep. | 0:38:42 | 0:38:45 | |
So imagine a nine-year-old trying to walk through that pile of mud. | 0:38:45 | 0:38:49 | |
And worse than that, when the floods have been bad, | 0:38:49 | 0:38:52 | |
several children have been swept to their deaths. | 0:38:52 | 0:38:55 | |
Big problem today is animals - we got hippos, we got crocs. | 0:38:57 | 0:39:00 | |
It's quite scary. | 0:39:00 | 0:39:02 | |
If I ask you to get off the boat very, very fast, | 0:39:02 | 0:39:05 | |
please do it very, very fast. | 0:39:05 | 0:39:07 | |
Don't swim towards the bank with the trees, stay away from the trees. | 0:39:08 | 0:39:13 | |
Stay holding onto the raft. | 0:39:17 | 0:39:19 | |
If your foot's stuck underneath a rock, that's very, very bad. | 0:39:20 | 0:39:26 | |
This has got me absolutely terrified. | 0:39:26 | 0:39:29 | |
It's got potential for anything to happen. | 0:39:29 | 0:39:32 | |
What could possibly go wrong? | 0:39:32 | 0:39:35 | |
We've lost Phillips and Dara. | 0:39:39 | 0:39:42 | |
It's Fern, can you hear me? Over. | 0:39:42 | 0:39:44 | |
Have you found the guys? | 0:39:44 | 0:39:45 | |
They've gone. | 0:39:45 | 0:39:47 | |
What a nightmare. | 0:39:48 | 0:39:50 | |
It's all turned horrible. | 0:39:52 | 0:39:54 | |
Oh, my God. | 0:39:54 | 0:39:57 | |
One of the great parts of the challenge is | 0:40:01 | 0:40:03 | |
when we come together as a team, and I think now is... The next | 0:40:03 | 0:40:07 | |
challenge really is to make sure we don't see each other again. | 0:40:07 | 0:40:12 | |
I mean, it didn't need that, did it? | 0:40:16 | 0:40:19 | |
Look, we got it, we all swapped phone numbers and you gave us | 0:40:19 | 0:40:22 | |
Miranda's telephone number. I mean, I spent ages texting her. | 0:40:22 | 0:40:25 | |
I didn't mean to do that. I was, you know... Remember how hot it was? | 0:40:25 | 0:40:31 | |
Oh, I... I was dizzy by that, I was dizzy. It wasn't meant, obviously. | 0:40:31 | 0:40:37 | |
I'd swallowed a lot of water. Greg had taken his clothes off. | 0:40:37 | 0:40:40 | |
We didn't want to see that again. No, that's fair enough. | 0:40:40 | 0:40:43 | |
I was just in a bad space at that point, that's all it was. | 0:40:43 | 0:40:46 | |
Where's Phillips, anyway? | 0:40:46 | 0:40:48 | |
Phillips is genuinely away. He sends his love. | 0:40:48 | 0:40:50 | |
He was never committed, I felt, the whole time, don't you think? | 0:40:50 | 0:40:54 | |
Well, we are here for a reason today. | 0:40:54 | 0:40:56 | |
On Red Nose Day we found out they had raised enough money to build | 0:40:56 | 0:40:59 | |
the school in Siandunda, so shall we see how that's going? Yes. | 0:40:59 | 0:41:03 | |
So when we heard that there was a school coming, | 0:41:18 | 0:41:21 | |
people were filled with joy. | 0:41:21 | 0:41:23 | |
Since then, we've started the construction works | 0:41:27 | 0:41:30 | |
and everything seems to be on track. | 0:41:30 | 0:41:33 | |
Most of the people in the area or in the surrounding villages have | 0:41:33 | 0:41:36 | |
never been to school. | 0:41:36 | 0:41:38 | |
Simple reason is because there was no school nearby. | 0:41:38 | 0:41:41 | |
There are about three streams that they have to cross to go to the | 0:41:50 | 0:41:54 | |
nearest school and they have to wake up at 5am | 0:41:54 | 0:41:58 | |
to be in class by seven. | 0:41:58 | 0:42:00 | |
And then, if they're at school | 0:42:00 | 0:42:01 | |
and the rains come, they have to stay at school overnight without any food. | 0:42:01 | 0:42:05 | |
Can you imagine that? | 0:42:05 | 0:42:06 | |
But with this, they just have to walk for five minutes, maybe. | 0:42:06 | 0:42:09 | |
Because they are building a school in our village, | 0:42:09 | 0:42:13 | |
so we are able to go to school every day, every time. | 0:42:13 | 0:42:17 | |
This is going to be our classroom where I am going to teach maths, | 0:42:19 | 0:42:23 | |
English, science and geography. | 0:42:23 | 0:42:26 | |
As you can see, this place was just a bush. | 0:42:26 | 0:42:29 | |
But at the moment they've brought up something | 0:42:29 | 0:42:32 | |
which is going to bring knowledge. | 0:42:32 | 0:42:36 | |
We are expecting about 400 children to benefit from the school | 0:42:37 | 0:42:41 | |
from Siandunda and surrounding villages. | 0:42:41 | 0:42:43 | |
This is just at the beginning of the year. | 0:42:43 | 0:42:45 | |
I'm sure after they finish here, we expect a lot more children. | 0:42:45 | 0:42:49 | |
For me, I am very happy to be one of the teachers. | 0:42:52 | 0:42:56 | |
You know, I will be one of the best teachers at the school. | 0:42:56 | 0:42:59 | |
Thank you very much for the help given to the communities around. | 0:42:59 | 0:43:05 | |
Thank you for building a school in our village. Thank you. | 0:43:05 | 0:43:11 | |
Thank you. | 0:43:11 | 0:43:12 | |
Thank you. | 0:43:12 | 0:43:13 | |
Thank you. | 0:43:13 | 0:43:14 | |
Thank you. | 0:43:14 | 0:43:15 | |
Thank you very much. God bless you. | 0:43:21 | 0:43:24 | |
COCKEREL CROWS | 0:43:24 | 0:43:26 | |
That's fantastic, that's great, | 0:43:26 | 0:43:28 | |
because we were only there earlier this year. | 0:43:28 | 0:43:30 | |
The school is practically almost built | 0:43:30 | 0:43:32 | |
and a proper tangible effect on these kids' lives. | 0:43:32 | 0:43:35 | |
Only a quarter of them ever went to school | 0:43:35 | 0:43:37 | |
because of the two-hour walk there. That's all gone now. | 0:43:37 | 0:43:40 | |
The dangers of the floods, the dangers of the walk - all gone. | 0:43:40 | 0:43:45 | |
Yeah, what more can I say? | 0:43:45 | 0:43:46 | |
I really don't think there's anything more you can say. | 0:43:46 | 0:43:48 | |
Give it a rest, Jack, no-one's interested. You've done enough. | 0:43:48 | 0:43:51 | |
I was just going to say... No, just leave it. Just let it go, just let it go. | 0:43:51 | 0:43:54 | |
LENNY HENRY: Right now, Comic Relief funds 25 projects aiming to improve | 0:43:54 | 0:43:58 | |
access and quality of education for thousands of people. | 0:43:58 | 0:44:02 | |
Time now for a man who's passionate, funny | 0:44:02 | 0:44:04 | |
and quite frankly a Comic Relief legend. | 0:44:04 | 0:44:07 | |
But it's seemed this year like he had a few things to get off his chest. | 0:44:07 | 0:44:11 | |
It's always best to share than bottle up, isn't it? | 0:44:11 | 0:44:14 | |
But you start to wonder exactly how many bottles he had. It's Smithy. | 0:44:14 | 0:44:18 | |
CHEERING AND APPLAUSE Michael, who have you got? | 0:44:18 | 0:44:20 | |
What about you, sir? Hello. Hello. Hi. | 0:44:20 | 0:44:23 | |
And what's your name? | 0:44:23 | 0:44:25 | |
Um, my name's Neil but people call me Smithy. | 0:44:25 | 0:44:28 | |
Hello, Smithy. What have you done for Comic Relief this year? | 0:44:28 | 0:44:31 | |
Have you raised some money? | 0:44:31 | 0:44:33 | |
Um, yeah, no, me and a few of the boys, we did a great Essex bake off. | 0:44:33 | 0:44:37 | |
Good. What did you make? I just did some flapjacks. | 0:44:37 | 0:44:40 | |
No, I mean how much money did you make for Comic Relief? | 0:44:40 | 0:44:44 | |
Oh, we raised, like, 64 quid. Well, every little helps, I suppose. | 0:44:44 | 0:44:50 | |
CHEERING AND APPLAUSE Yes, that's good. | 0:44:50 | 0:44:53 | |
It's wonderful. Any amount raised is positive, well done. | 0:44:53 | 0:44:56 | |
Well, how much have you given? Sorry? Sorry? You heard. What? | 0:44:56 | 0:45:00 | |
How much have you given? Sorry? | 0:45:00 | 0:45:02 | |
Don't give me this, "Oh, I've given my time, I've waived my fee!" You're asking me for money. | 0:45:02 | 0:45:06 | |
You charged me ?35 to come and see you at the O2. Ten of us went. | 0:45:06 | 0:45:09 | |
By the way, it was brilliant but still, | 0:45:09 | 0:45:11 | |
35 quid to watch you on a big screen is a joke. | 0:45:11 | 0:45:14 | |
Great, well, you know what? Thank you... | 0:45:14 | 0:45:17 | |
No, no, I've had enough, get out of the way, | 0:45:17 | 0:45:18 | |
I've had enough of this, right? No, no! | 0:45:18 | 0:45:20 | |
CHEERING AND APPLAUSE | 0:45:20 | 0:45:22 | |
No, no, no, listen, right? | 0:45:22 | 0:45:26 | |
Every two years we get this. Every two years. It's worse now. | 0:45:26 | 0:45:28 | |
Comic Relief used to just be one night, it was a Friday night | 0:45:28 | 0:45:32 | |
which was fine, but now it starts, like, two months before! | 0:45:32 | 0:45:36 | |
Let's Dance for Comic Relief, let's not, yeah? LAUGHTER | 0:45:36 | 0:45:40 | |
Let's have a bit of self-respect. It's a joke. Celebrities dancing, they're not even celebrities. | 0:45:40 | 0:45:44 | |
Most of them are just people. | 0:45:44 | 0:45:46 | |
There's already a show where celebrities dance, it's called Strictly. | 0:45:46 | 0:45:49 | |
It's brilliant. Leave it at that. LAUGHTER | 0:45:49 | 0:45:51 | |
I don't really care about people canoeing down the Zambezi. | 0:45:51 | 0:45:54 | |
I mean, how hard is it? | 0:45:54 | 0:45:55 | |
It's basically a week with a Spice Girl in Center Parcs. | 0:45:55 | 0:45:57 | |
We're supposed to feel sorry for them! LAUGHTER | 0:45:57 | 0:46:00 | |
Comic Relief isn't about them, it's not about any of this. | 0:46:00 | 0:46:03 | |
It's not about celebrities and TV shows, it's about YOU. All of you. | 0:46:03 | 0:46:07 | |
CHEERING AND APPLAUSE | 0:46:07 | 0:46:09 | |
Every single one of you. You, you, you, you and you. | 0:46:09 | 0:46:14 | |
And you, it's all of you, you, you, you and you. And you. | 0:46:14 | 0:46:18 | |
And you and you and you and you. | 0:46:18 | 0:46:22 | |
Comic Relief is all about the people of Britain all doing their bit to make a difference. | 0:46:22 | 0:46:27 | |
It's about Susan, who abseiled down the side of her post office with no safety harness. | 0:46:27 | 0:46:32 | |
It's about David, who baked cupcakes and sold them on his front lawn. | 0:46:32 | 0:46:37 | |
And they're disgusting, but it's not the point. | 0:46:37 | 0:46:39 | |
It's not about cuddly toys or celebrities waterskiing, | 0:46:40 | 0:46:43 | |
it's about the money in your pocket. | 0:46:43 | 0:46:46 | |
It's the fiver which buys a malaria net which saves a kid's life. | 0:46:46 | 0:46:50 | |
BRASS BAND PLAYS Last year, this country, this beautiful country, | 0:46:50 | 0:46:54 | |
gave ?9.3 billion to charity. | 0:46:54 | 0:46:58 | |
Times couldn't be tougher, yet you all gave. | 0:46:58 | 0:47:01 | |
For 25 years you have all been giving, and tonight we need you to do it again. | 0:47:01 | 0:47:05 | |
We really do because if we don't, who will? | 0:47:05 | 0:47:08 | |
Yes, you, you on your sofa with your phone in your pocket | 0:47:08 | 0:47:10 | |
wondering whether to call or not. | 0:47:10 | 0:47:12 | |
Do it, do it now, don't wait, give what you can | 0:47:12 | 0:47:15 | |
because you are Comic Relief. You are the reason for it. | 0:47:15 | 0:47:19 | |
I know it's a bit ... sometimes. | 0:47:19 | 0:47:22 | |
It's not 25 years of making people laugh, you can fit all the actual | 0:47:22 | 0:47:25 | |
funny bits into about an hour, but that's not the point. | 0:47:25 | 0:47:28 | |
Don't do it because you want to see Gareth Malone make | 0:47:28 | 0:47:31 | |
a load of rugby players sing Abide With Me, don't do it | 0:47:31 | 0:47:34 | |
because five Olympians you've never heard of are doing The Full Monty. | 0:47:34 | 0:47:38 | |
Don't do it because Nick Knowles says he's going to put up a shed. | 0:47:38 | 0:47:41 | |
Do it because they need it. Do it because you care. | 0:47:41 | 0:47:44 | |
Do it because you can. | 0:47:44 | 0:47:46 | |
Remind yourself why we are proud to be British. | 0:47:46 | 0:47:51 | |
CHEERING AND APPLAUSE Thank you! Thank you! | 0:47:51 | 0:47:54 | |
You are Comic Relief, you are Comic Relief! | 0:47:54 | 0:47:58 | |
So let's get another hit of festive thanks | 0:47:59 | 0:48:01 | |
in for more dazzling fundraisers. We get all sorts here, you know. | 0:48:01 | 0:48:05 | |
Hi, I'm Donna and along with my group of colleagues here, | 0:48:05 | 0:48:08 | |
we attempted the world's biggest Pilates class. | 0:48:08 | 0:48:10 | |
We had over 830 people but just missed out on the world record | 0:48:10 | 0:48:15 | |
but we raised over ?30,000 doing it. | 0:48:15 | 0:48:18 | |
DRUM ROLL Yeah! | 0:48:18 | 0:48:20 | |
BANG | 0:48:20 | 0:48:21 | |
Woo-hoo! Congratulations. Well done. | 0:48:21 | 0:48:25 | |
Keep doing your Pilates, you're brilliant. | 0:48:25 | 0:48:28 | |
We're part of a group of bloggers called Team Honk and for | 0:48:28 | 0:48:30 | |
Red Nose Day we climbed Mount Snowdon in red pants, visited Ghana, | 0:48:30 | 0:48:35 | |
cut off our hair, blogged and cycled to raise just under ?10,000. | 0:48:35 | 0:48:38 | |
DRUM ROLL Oh, God! | 0:48:38 | 0:48:39 | |
Congratulations. Brilliant. How brilliant was that? | 0:48:39 | 0:48:42 | |
There you go, this is for the two of you. | 0:48:42 | 0:48:44 | |
Did you actually wear the red pants and do the cycling? Yes! | 0:48:44 | 0:48:46 | |
Is that the pants? Yes, completely. That's disgraceful. Hang on, they have to go on my head. | 0:48:46 | 0:48:50 | |
They are clean. Well done, Team Honk. How brilliant. Thanks. | 0:48:50 | 0:48:56 | |
We've seen some very surprised faces here today. | 0:48:56 | 0:48:59 | |
Everyone's except mine, because I'm not surprised by how blooming brilliant you all are. | 0:48:59 | 0:49:03 | |
It's been a genuine treat putting a smile on the faces of so many fundraisers. | 0:49:03 | 0:49:07 | |
Goodness knows, they've done the same to so many people in projects across Africa and the UK this year. | 0:49:07 | 0:49:12 | |
You've always been there, thank you all so much. | 0:49:12 | 0:49:15 | |
Get your hand off my bum. | 0:49:15 | 0:49:16 | |
LAUGHTER | 0:49:16 | 0:49:18 | |
Another day in Africa and the truth is, it's difficult to make changes | 0:49:18 | 0:49:22 | |
but that's why I come here, so I can see with my own eyes | 0:49:22 | 0:49:25 | |
and report back to you some of the amazing individual | 0:49:25 | 0:49:28 | |
stories of lives utterly changed by your money. | 0:49:28 | 0:49:31 | |
Each story about each individual completely inspires me | 0:49:31 | 0:49:34 | |
to ask you to help us help even more. | 0:49:34 | 0:49:38 | |
But there is another story happening here in Africa | 0:49:38 | 0:49:41 | |
that it's really important Comic Relief tells you all about. | 0:49:41 | 0:49:44 | |
We're on the right side of history. | 0:49:44 | 0:49:46 | |
Things really are getting better in a huge way and mainly of course | 0:49:46 | 0:49:50 | |
because of the things Africans are doing for themselves. | 0:49:50 | 0:49:53 | |
Africa really is on the move. | 0:49:53 | 0:49:57 | |
40 million more children are in school since the year 2,000. | 0:49:57 | 0:50:02 | |
Since 1990, 1.8 billion people have got access to safe drinking water, | 0:50:02 | 0:50:05 | |
saving millions of lives from waterborne diseases. | 0:50:05 | 0:50:09 | |
The number of women dying in childbirth has fallen by one third. | 0:50:09 | 0:50:13 | |
From almost none a decade ago, | 0:50:13 | 0:50:14 | |
there are now half a billion mobile phones in Africa. | 0:50:14 | 0:50:18 | |
Every year there are more and more young Africans | 0:50:18 | 0:50:21 | |
transforming their own society as teachers, businessmen and women, | 0:50:21 | 0:50:25 | |
health workers, technicians, builders, politicians. | 0:50:25 | 0:50:28 | |
The list goes on. | 0:50:28 | 0:50:30 | |
You get the picture. It's a picture of change and progress. | 0:50:30 | 0:50:34 | |
If you've ever denoted to Comic Relief, | 0:50:34 | 0:50:36 | |
you are part of that picture. | 0:50:36 | 0:50:38 | |
Now, on Red Nose night we show you a lot of people | 0:50:38 | 0:50:40 | |
who are still in need. We have to. | 0:50:40 | 0:50:43 | |
It's our job to tell you their stories because they are real | 0:50:43 | 0:50:45 | |
and still need help. We need you to care and donate as much as you can. But know this. | 0:50:45 | 0:50:51 | |
While so much good is being done with your money every single | 0:50:51 | 0:50:54 | |
day of the year, the big future of Africa is changing day by day | 0:50:54 | 0:50:57 | |
and it's usually for the better. | 0:50:57 | 0:50:59 | |
We are part of a generation that will see that change happen. | 0:50:59 | 0:51:03 | |
WOMAN GROANS Morning, morning, morning. | 0:51:23 | 0:51:25 | |
Hello, maternity assessment. Midwife. | 0:51:25 | 0:51:28 | |
Every minute... TICKING | 0:51:28 | 0:51:30 | |
..of every hour of every day... | 0:51:30 | 0:51:33 | |
That's what we want. | 0:51:33 | 0:51:35 | |
We keep calm and eat cake. ..a baby is born in Britain. | 0:51:35 | 0:51:39 | |
Just get someone. Sh-sh. Just call the midwife! | 0:51:45 | 0:51:49 | |
BUZZER | 0:51:49 | 0:51:50 | |
JOLLY MUSIC PLAYS | 0:51:50 | 0:51:52 | |
Gosh, terribly sorry. The stairs were a bally nightmare. | 0:51:52 | 0:51:56 | |
Don't fret, we're here. | 0:51:56 | 0:51:57 | |
We'll chop chop with a piping-hot enema and some nice cold towels. | 0:51:57 | 0:52:01 | |
Chop chop, Chummy. Chop chop. | 0:52:01 | 0:52:04 | |
One knows it will be splendid and tickety-boo and tippety-top, | 0:52:04 | 0:52:08 | |
tippety-toppety splendidly tickety-boo. | 0:52:08 | 0:52:10 | |
Who are you? What are you saying? | 0:52:10 | 0:52:12 | |
It's reassuring posh '50s speak. | 0:52:12 | 0:52:14 | |
It's worked really well for all of my births. | 0:52:14 | 0:52:16 | |
Tony, call a proper midwife. | 0:52:16 | 0:52:19 | |
BUZZER | 0:52:19 | 0:52:21 | |
Are these two not helping? Leave it to me. I'm the lead. | 0:52:21 | 0:52:25 | |
We just need a roaring coal fire and a lovely cup of tea made by a kindly neighbour. | 0:52:25 | 0:52:31 | |
Don't worry, everyone, I've brought tea. How could we forget tea? | 0:52:31 | 0:52:35 | |
I must eat in most scenes. I want an epidural. | 0:52:35 | 0:52:38 | |
I've only got carrot cake and a couple of eclairs, I'm afraid, Betty. | 0:52:38 | 0:52:42 | |
I think something's wrong. Dramatic twist possibility. | 0:52:42 | 0:52:46 | |
It's got BAFTA all over it. | 0:52:46 | 0:52:49 | |
It seems to me, gazing back across the decades, | 0:52:49 | 0:52:52 | |
that my journey into womanhood began on the streets of... | 0:52:52 | 0:52:55 | |
Not now, Vanessa Redgrave. | 0:52:55 | 0:52:58 | |
What's going on? Listen, sir, er, old chap. Who are you, anyway? | 0:52:58 | 0:53:04 | |
And besides, I'm a woman. | 0:53:04 | 0:53:07 | |
SHE LAUGHS Don't be silly. | 0:53:07 | 0:53:09 | |
You're being paid and wearing trousers. | 0:53:09 | 0:53:11 | |
Come and sit down, have a cup of tea. | 0:53:11 | 0:53:13 | |
Right, I want a doctor and I want one now. | 0:53:13 | 0:53:16 | |
BUZZER | 0:53:16 | 0:53:16 | |
"DOCTOR WHO" THEME MUSIC PLAYS | 0:53:16 | 0:53:19 | |
It's OK, chaps, I'm here. Oh, for goodness' sake. | 0:53:23 | 0:53:27 | |
Hey, nuns and midwives. Smashing. Oh, yes, Evangelina. | 0:53:27 | 0:53:32 | |
Since when you did you become a nun? Right, concentrate, Doctor, get a grip. | 0:53:32 | 0:53:35 | |
Right, Dawn, I'm here to tell you that in precisely seven minutes | 0:53:35 | 0:53:38 | |
and 12.06 seconds you will give birth to twins. | 0:53:38 | 0:53:41 | |
You will call them Jonathan and Edward and individually they will | 0:53:41 | 0:53:44 | |
be lovely, healthy children but combined, they will form | 0:53:44 | 0:53:46 | |
a being scary than a weeping angel, a creation more terrifying than | 0:53:46 | 0:53:49 | |
a Cyberman and a monstrosity more vocally annoying than a Dalek. | 0:53:49 | 0:53:53 | |
It is imperative they are kept apart because otherwise, otherwise... | 0:53:53 | 0:53:58 | |
They will become... DRAMATIC MUSIC PLAYS | 0:53:58 | 0:54:01 | |
..Jedward. | 0:54:01 | 0:54:03 | |
ALL: No! | 0:54:03 | 0:54:04 | |
You know what they say - as one thing ends something else beautiful begins, | 0:54:04 | 0:54:08 | |
and that means Sport Relief 2014 is only just round the corner. | 0:54:08 | 0:54:12 | |
You may remember the Herculean efforts of David Walliams | 0:54:13 | 0:54:17 | |
conquering 140 miles of the Thames, or John Bishop | 0:54:17 | 0:54:20 | |
and his incredible journey from Paris to London in a week of hell. | 0:54:20 | 0:54:24 | |
Now, you needn't go to such extremes | 0:54:24 | 0:54:26 | |
but you can take part by entering the fantastic Sport Relief Games. | 0:54:26 | 0:54:30 | |
Run, swim or cycle in events taking place all over the UK, including | 0:54:30 | 0:54:34 | |
the flagship event at London's iconic Queen Elizabeth Olympic Park. | 0:54:34 | 0:54:39 | |
Sport Relief weekend is from 21st to 23rd of March next year. | 0:54:39 | 0:54:45 | |
Go to... | 0:54:45 | 0:54:47 | |
to find out more. | 0:54:47 | 0:54:50 | |
We know you're up to the challenge, just like you were this Red Nose Day, | 0:54:50 | 0:54:53 | |
so get stuck in. | 0:54:53 | 0:54:55 | |
But above and beyond the staggering millions you raised this year, | 0:54:55 | 0:54:58 | |
it's actually the single contribution that every one of you has made | 0:54:58 | 0:55:02 | |
that means so much, and the direct impact that | 0:55:02 | 0:55:05 | |
has on the life of another person you've not even met. | 0:55:05 | 0:55:09 | |
But for me what lingers still is the never-ending echo of screams | 0:55:09 | 0:55:13 | |
that fill my head. | 0:55:13 | 0:55:15 | |
From the best fans of the best band in the world, it's One Direction. | 0:55:15 | 0:55:20 | |
CHEERING AND APPLAUSE | 0:55:20 | 0:55:22 | |
# One way or another I'm gonna find you | 0:55:24 | 0:55:27 | |
# I'm gonna get you, get you Get you, get you | 0:55:27 | 0:55:30 | |
# One way or another I'm gonna win you | 0:55:30 | 0:55:33 | |
# I'm gonna get you, get you Get you, get you | 0:55:33 | 0:55:35 | |
# One way or another I'm gonna see you | 0:55:35 | 0:55:39 | |
# I'm gonna meet you, meet you Meet you, meet you | 0:55:39 | 0:55:42 | |
# One day, maybe next week | 0:55:42 | 0:55:44 | |
# I'm gonna meet you I'm gonna meet you, I'll meet you | 0:55:44 | 0:55:47 | |
# I will drive past your house | 0:55:47 | 0:55:53 | |
# And if the lights are all down | 0:55:53 | 0:55:59 | |
# I'll see who's around | 0:55:59 | 0:56:05 | |
# Let's go | 0:56:05 | 0:56:06 | |
# One way or another I'm gonna find you | 0:56:06 | 0:56:09 | |
# I'm gonna get you, get you Get you, get you | 0:56:09 | 0:56:11 | |
# One way or another I'm gonna win you | 0:56:11 | 0:56:15 | |
# I'll get you, I'll get you | 0:56:15 | 0:56:17 | |
# One way or another I'm gonna see you | 0:56:17 | 0:56:21 | |
# I'm gonna meet you, meet you Meet you, meet you | 0:56:21 | 0:56:23 | |
# One day, maybe next week | 0:56:23 | 0:56:26 | |
# I'm gonna meet you, I'll meet you I'll meet you | 0:56:26 | 0:56:29 | |
# And if the lights are all out | 0:56:29 | 0:56:35 | |
# I'll follow your bus downtown | 0:56:35 | 0:56:41 | |
# See who's hanging out. # | 0:56:41 | 0:56:45 | |
Comic Relief, are you ready? | 0:56:45 | 0:56:48 | |
# Two, three, four | 0:56:48 | 0:56:50 | |
# Na, na, na, na, na, na Na, na, na, na, na, na | 0:56:50 | 0:56:54 | |
# Na, na, na, na, na, na | 0:56:54 | 0:56:55 | |
# I wanna hold you Wanna hold you tight | 0:56:55 | 0:57:04 | |
# Yeah, teenage kicks right through the night | 0:57:04 | 0:57:07 | |
# I wanna hold you Wanna hold you tight | 0:57:07 | 0:57:16 | |
# Yeah, teenage kicks right through the night | 0:57:16 | 0:57:19 | |
# One way or another I'm gonna see you | 0:57:19 | 0:57:23 | |
# I'm gonna meet you, meet you Meet you, meet you | 0:57:23 | 0:57:26 | |
# One way or another I'm gonna win you | 0:57:26 | 0:57:29 | |
# I'm gonna get you, get you, Get you, get you | 0:57:29 | 0:57:31 | |
# One way or another I'm gonna see you | 0:57:31 | 0:57:35 | |
# I'm gonna meet you Meet you, meet you, meet you | 0:57:35 | 0:57:37 | |
# One way or another I'm gonna win you | 0:57:37 | 0:57:41 | |
# I'm gonna get you, get you Get you, get you | 0:57:41 | 0:57:43 | |
# One way or another I'm gonna see you | 0:57:43 | 0:57:47 | |
# I'm gonna meet you Meet you, meet you, meet you | 0:57:47 | 0:57:49 | |
# One way or another I'm gonna win you | 0:57:49 | 0:57:52 | |
# I wanna get you, get you Get you, get you | 0:57:52 | 0:57:56 | |
# One way or another. # | 0:57:56 | 0:57:58 | |
CHEERING AND APPLAUSE | 0:57:58 | 0:58:00 | |
You've all been part of another record-breaking year | 0:58:00 | 0:58:03 | |
and capped an incredible 25 years of fundraising, so we doff our caps | 0:58:03 | 0:58:07 | |
to you and say a big thank you for watching and of course for giving. | 0:58:07 | 0:58:12 |