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brilliant guests, Lee Mack, Louis Smith, Adam Hills and Vernon Kay. | :00:04. | :00:12. | |
So brief. So brief! CHEERING AND APPLAUSE | :00:12. | :00:17. | |
We move on now to a David Tennant fill tham highlights the impact | :00:17. | :00:23. | |
that malaria has on young lives in Uganda. David saw the horrific | :00:23. | :00:30. | |
damage that malaria does first-hand. Here is his film. This hospital, | :00:30. | :00:35. | |
like so many in Uganda, is overrun with sick children and frightened | :00:35. | :00:41. | |
parents. As far as I understand it, these are the kids who have just | :00:41. | :00:45. | |
turned up. They queue up to get seen by the doctors. There are 90 | :00:46. | :00:50. | |
beds in this hospital. They are being filled three or four times | :00:50. | :00:57. | |
over. 24/7, people arrive all day and night. We have three shifts | :00:57. | :01:02. | |
every day. The doctors and nurses are battling to save these children. | :01:02. | :01:08. | |
It looks like a special emergency. An epidemic. It's like this every | :01:08. | :01:15. | |
day here. What symptoms has she been displaying. Con vulingss. | :01:15. | :01:25. | |
:01:25. | :01:25. | ||
might be the cause of that? Malaria. Malaria -- convulsions. This child | :01:25. | :01:30. | |
is sick. It is no isolated case. Over here we have Peace. She is | :01:30. | :01:36. | |
three. Suffering from malaria. In this corner here we have Azwenna, | :01:36. | :01:41. | |
two, suffering from malaria. Stephen, he is one-year-old, | :01:41. | :01:47. | |
suffering from malaria. Over there, all lined up we have Peter, 13 | :01:47. | :01:54. | |
months, Shakebu, 20 months and another Peter, 20 months. All with | :01:54. | :02:00. | |
malaria. Gracious is 10. He has diabetes, caused by malaria. The | :02:00. | :02:03. | |
problem is so overwhelming that every five minutes a mother will | :02:03. | :02:07. | |
lose their child to this mosquito- borne disease. The agony is, | :02:07. | :02:17. | |
:02:17. | :02:18. | ||
malaria is preventable. Sit up. Sit up. A little boy has been brought | :02:18. | :02:25. | |
in with convulsions and a fever. How serious is his condition? | :02:25. | :02:31. | |
very serious. More children are arriving all the time. They keep | :02:31. | :02:35. | |
coming. Another child has arrived. We don't know what is wrong with | :02:35. | :02:39. | |
them. The queue outside keeps growing. It just doesn't stop. It's | :02:39. | :02:46. | |
like a tidal wave. There is something we can do. Comic Relief | :02:46. | :02:51. | |
is helping to get malaria nets, early testing kits and emergency | :02:51. | :02:54. | |
medicines into local communities. Early treatment could help to | :02:54. | :03:03. | |
prevent these terrible scenes. It doesn't cost much. A fiver buy as | :03:03. | :03:08. | |
mosquito net. A fiver. �25 will buy five am you could sort out this | :03:08. | :03:15. | |
whole section. A net can reduce the threat of infection by 50%. It's an | :03:15. | :03:19. | |
incredible statistic. Here is another one. The majority of people | :03:19. | :03:25. | |
who watch Red Nose Day don't donate any money. That's shocking. Is that | :03:25. | :03:28. | |
you? Are you the person who is sitting there and thinking, "I'll | :03:28. | :03:35. | |
do it later." Don't be that person. Please, don't be that person. Look | :03:35. | :03:38. | |
at the stuff your money can change. It has been quite a shock to be | :03:38. | :03:46. | |
here today. It's so important. Please, don't be the person who | :03:46. | :03:56. | |
:03:56. | :04:00. | ||
sits there and doesn't bother. Malaria is a ruthless killer. �5 | :04:00. | :04:06. | |
will buy a net and that net will save a life. Choose to donate �10 | :04:06. | :04:11. | |
tonight and your money will buy two nets and probably save two lives. | :04:11. | :04:17. | |
It is that simple. These films show you how important your money is. | :04:17. | :04:27. | |
:04:27. | :04:28. | ||
Please, text either Five or Ten to 70510: All of your donation will go | :04:28. | :04:33. | |
to Comic Relief and buy those nets. You must be 16 or over. Ask the | :04:33. | :04:36. | |
bill payer's information. For the conditions go to | :04:36. | :04:43. | |
bbc.co.uk/rednoseday. OK. Next up tonight is one of my favourite new | :04:43. | :04:53. | |
:04:53. | :05:03. | ||
singers on the scene. It is Laura # Take me outside, sit in the green | :05:03. | :05:08. | |
garden # Nobody out there, but it's OK now | :05:08. | :05:13. | |
# Bathe in the sun light # Don't mind if rainfalls | :05:13. | :05:17. | |
# Take me outside, sit in the green garden | :05:17. | :05:27. | |
# Ooh, ah, ooh, ah, oh # Ooh, ah, ooh ah, oh | :05:27. | :05:31. | |
# I'll fly on the wings of a butterfly | :05:31. | :05:37. | |
# High as a tree top and down again # Putting my bag down | :05:37. | :05:45. | |
# Taking my shoes off # Walk in the carpet of green | :05:45. | :05:49. | |
velvet # Dance in my garden like we used | :05:49. | :05:57. | |
# Ooh ah, ooh ah, oh # Dance in my garden like we used | :05:57. | :06:07. | |
:06:07. | :06:07. | ||
# Ooh ah, ooh ah oh # Take me outside, sit in the green | :06:08. | :06:09. | |
garden # Nobody out there | :06:09. | :06:14. | |
# But it's OK now # Bathe in the sun light | :06:14. | :06:21. | |
# Don't mind if rainfalls # Take me outside sit in the green | :06:21. | :06:31. | |
:06:31. | :06:43. | ||
garden # I'll fly on the wings of a | :06:43. | :06:47. | |
butterfly # Highs of tree tops and down, down | :06:47. | :06:50. | |
again # Putting my bag down | :06:50. | :06:57. | |
# Taking my shoes off # Walk in the carpet of green | :06:57. | :07:01. | |
velvet # Dance in my garden like we used | :07:01. | :07:09. | |
to do # Dance in my garden like we used | :07:09. | :07:19. | |
:07:19. | :07:21. | ||
# Ooh ah, ooh ah oh # I'll go whereever you go | :07:21. | :07:29. | |
# Wherever you take me, I'll go # I'll go wherever you go | :07:29. | :07:39. | |
:07:39. | :07:46. | ||
# Where ever you take me, I'll go # I'll go I'll go wherever you go | :07:46. | :07:54. | |
# Wherever you take me, I'll go # I'll go wherever you go | :07:54. | :07:59. | |
# Wherever you take me # I'll go | :07:59. | :08:06. | |
# I'll go, wherever you go # Wherever you take me | :08:06. | :08:16. | |
:08:16. | :08:28. | ||
# I'll go # So lovely. I love that song. I love | :08:28. | :08:32. | |
her. All night you have been raising money as have our guests, | :08:32. | :08:37. | |
time to see how much money we have raised. Can we have a total, please. | :08:37. | :08:47. | |
:08:47. | :08:55. | ||
Here comes the totaliser. Where are we? Wow! �37 050. Thank you so much. | :08:55. | :08:59. | |
I'm seriously so impressed. That is incredibly generous everybody. | :08:59. | :09:04. | |
Thank you very much. We are doing very well. Text in to donate. There | :09:04. | :09:08. | |
is no top amount. We will take whatever you will donate. We want | :09:08. | :09:14. | |
to keep raising money. Let us check in on the latest occupyer of the | :09:14. | :09:19. | |
Kissing Booth. Greg, how is it going on down there? It's fine, we | :09:19. | :09:25. | |
will be live. I'm in the Kissing Booth now with Abbey Clancy. Are | :09:25. | :09:31. | |
you OK? This is exciting. Surreal. Surreal. We are live in telly in a | :09:31. | :09:37. | |
Boot. Live on telly in a Kissing Booth, really weird. We have | :09:37. | :09:42. | |
weirdos who have come to kiss you. They are stood out there. You can | :09:42. | :09:48. | |
use this. I'm glad I can grope people. I thought there wouldn't be | :09:48. | :09:53. | |
plastic here. We have disinfected this area here. Good. I will lock | :09:53. | :10:02. | |
you in. I'm ready to pucker up. Angelos, have you checked it? | :10:02. | :10:11. | |
have my wipes. These gloves are too low. Are you ready for this? Ready | :10:11. | :10:18. | |
as I will be. Take your hand out of your pockets where I can see them. | :10:18. | :10:25. | |
Go for it. Straight for the arse. Couldn't have asked for more. | :10:25. | :10:34. | |
are you? Rick. He got an arse grab, let's see what you get. Let's see | :10:35. | :10:38. | |
what happens. You didn't kiss the glass. You put your nose on it. | :10:38. | :10:44. | |
Hello, what is your name, Sir? Louis. What do you do? A little bit | :10:44. | :10:52. | |
of that, put on a leotard on now and again. A bit of pommeling. | :10:52. | :11:02. | |
:11:02. | :11:02. | ||
on, kiss me. Come here, often. Are you all right? Smooth. Very good. | :11:02. | :11:09. | |
Thank you. These are too low. was an Olympian. What are you going | :11:09. | :11:19. | |
:11:19. | :11:28. | ||
to do? How will you approach this? You are from America. Go for it, | :11:28. | :11:37. | |
kiss her. Very good. I need to bend down. | :11:37. | :11:41. | |
was that? It's delightful. I am really enjoying this. A bit of | :11:41. | :11:51. | |
variety. We have a special guest for the next one. Over here is the | :11:51. | :11:55. | |
most beautiful man in the world. It's David Gandy! | :11:55. | :11:59. | |
APPLAUSE So, are you ready to go in the | :11:59. | :12:06. | |
booth next? I am ready to go, yeah. Looking forward to the pink | :12:06. | :12:11. | |
marigolds. I would say it's probably first time, but probably | :12:11. | :12:18. | |
not. We have going to have more weirdoes lined up for you. Looking | :12:18. | :12:24. | |
forward to it. I might donate myself. I love that he put a tie on | :12:24. | :12:27. | |
for this! I am going to be in a booth kissing | :12:27. | :12:30. | |
strangers! Ladies and gentlemen, here's some | :12:30. | :12:34. | |
exciting news, we are officially over halfway through the show! | :12:34. | :12:44. | |
:12:44. | :12:44. | ||
APPLAUSE AND CHEERING Yeah! I know. I am not even drunk | :12:44. | :12:49. | |
yet! Only another three hours to go. Are you up for it? Another three | :12:49. | :12:59. | |
:12:59. | :13:00. | ||
hours? APPLAUSE AND CHEERING I was just saying, avoid the night | :13:00. | :13:07. | |
buses in the Shepherd Shepherd's Bush area. It's time for more | :13:07. | :13:11. | |
guests and here to hold my hand for the next 30 minutes or so, it's the | :13:11. | :13:21. | |
:13:21. | :13:22. | ||
fantastic Mr Russell Howard! APPLAUSE AND CHEERING | :13:23. | :13:28. | |
You look so fresh-faced. Yeah, you have energy. You know, you have | :13:28. | :13:31. | |
brought your youth on with you, it's good. I like the jacket, it's | :13:31. | :13:35. | |
fantastic. It's got sleeves and everything. I am loving it. Are you | :13:35. | :13:40. | |
doing a special Good News for Comic Relief? I am. When can we see that? | :13:40. | :13:49. | |
Probably the night of Comic Relief. That's a good idea. Good News! All | :13:49. | :13:53. | |
right, let's bring out some guests. Shall I press this button? | :13:54. | :13:59. | |
really works. They are still doing it, OK. Great. Martin Freeman is | :13:59. | :14:05. | |
here. Could Richard Curtis be on? It's Richard Curtis. Welcome Martin | :14:05. | :14:12. | |
Freeman and Richard Curtis! APPLAUSE AND CHEERING | :14:12. | :14:22. | |
:14:22. | :14:28. | ||
Hello, Sir. How are you? Beautiful. We rarely see you, Richard, can we | :14:28. | :14:32. | |
have an extra round of applause for Richard Curtis. APPLAUSE AND | :14:32. | :14:35. | |
CHEERING I am not expecting you to do the | :14:35. | :14:44. | |
maths instantly and add up the... You were really doing well on the | :14:44. | :14:48. | |
money. I am happy, I have checked that the trucers are the same -- | :14:48. | :14:52. | |
trousers are the same as the jacket. Would Emma have shouted at you? | :14:53. | :14:57. | |
Yeah. Where is Comic Relief right now in terms of over the 25 years | :14:57. | :15:01. | |
how much money has it raised? see I don't know the answer. Come | :15:01. | :15:06. | |
on! It's your life's work! Something like �820 million or | :15:06. | :15:16. | |
:15:16. | :15:17. | ||
something. Wow. APPLAUSE AND CHEERING | :15:17. | :15:22. | |
It's mostly down to you. I didn't like to say, but yeah, it's sort of. | :15:22. | :15:26. | |
Whatever! You are doing a news special and you did a bike ride. | :15:26. | :15:35. | |
did in 2009. Thanks. Was that really hard? It was incredibly hard. | :15:35. | :15:39. | |
You weren't there, why are you pulling that face. Let's do it | :15:39. | :15:44. | |
tomorrow, you and me. Is it one of those depressing things... Oh, look | :15:44. | :15:50. | |
at you! That does look tiring. looks like I am, please put money | :15:50. | :15:55. | |
in the hat! The sad thing about that, they made me go to sleep. To | :15:55. | :16:00. | |
make it look like I was more tired. Before the shot I was ready. That's | :16:00. | :16:07. | |
acting. That's what you are looking at. Hey, fellas! Yeah, he didn't | :16:07. | :16:14. | |
really cycle all the way. Now, our sofa here here here -- did you | :16:14. | :16:19. | |
first meet on Love Actually. In the run-up to it, I think so. Did you | :16:19. | :16:23. | |
know each other? I saw him in The Office and I remember saying to | :16:23. | :16:27. | |
Emma the first episode I saw, I want him to be in one of my films | :16:27. | :16:34. | |
because he is perfect. Thanks. I did get a very nice - well, an | :16:34. | :16:37. | |
unashamed fan letter. He said I am writing you a fan letter and wrote | :16:37. | :16:41. | |
a letter with a chocolate in it saying please come and be in my | :16:41. | :16:51. | |
:16:51. | :16:55. | ||
next film. What was in that chocolate? It was a deheupb heub -- | :16:55. | :17:00. | |
deinhibitiser because he had to be naked. Chocolate is enough to get | :17:00. | :17:08. | |
you naked? It does look like she's found the chocolate. Richard had | :17:08. | :17:13. | |
longer hair then, as you can see. APPLAUSE | :17:14. | :17:17. | |
When the fan letter came in... That's the audition process in | :17:17. | :17:21. | |
Hollywood these days. Did you know what it was going to involve, | :17:21. | :17:28. | |
Martin? Yes, I did. But, yeah, you don't really worry that much when | :17:28. | :17:32. | |
you know the pedigree of someone who has written it and you trust | :17:32. | :17:38. | |
their taste. It was fine. I naively didn't get into shape. You look | :17:38. | :17:42. | |
great! Thanks very much. An actor knows first thing you read a naked | :17:42. | :17:47. | |
scene and you join a gym. I foolishly didn't do that. But he | :17:47. | :17:51. | |
wanted... I love that because it worries me in Hollywood movies when | :17:51. | :17:54. | |
people who are meant to be kind of losers and looking bad and | :17:54. | :17:58. | |
everything like that and they take off their tops and they're | :17:58. | :18:02. | |
completely butch and you think, it's not real. It's depressing, | :18:02. | :18:09. | |
isn't it? You look like a loser. LAUGHTER | :18:09. | :18:14. | |
Love Actually voted the most romantic film of all time, I am | :18:14. | :18:20. | |
told. That's a lovely thing. think especially in America. In the | :18:20. | :18:24. | |
States they're mad for it. Even I think even more than here, it's | :18:25. | :18:31. | |
their Christmas perennial. It's Taylor Swift's favourite film. That | :18:31. | :18:37. | |
makes us very happy. Wow. All that hand holding. She doesn't, does | :18:37. | :18:45. | |
she? What? I think she just holds hands and that's why they all leave | :18:45. | :18:52. | |
her. That's my theory. I won't hear a word against her. She should go | :18:52. | :18:55. | |
out out with Lovejoy. That's a correct reference for this time of | :18:55. | :19:05. | |
:19:05. | :19:06. | ||
night. Audience scratches the head. Lovejoy? Was he an antique | :19:06. | :19:10. | |
detective? Dickenson. Is there a film that you are making that | :19:10. | :19:13. | |
Russell can be in, because I know he is angling. Are you making | :19:14. | :19:19. | |
another film? I have just finished a film and I am saying to myself... | :19:19. | :19:28. | |
So sorry! If there's a lacy--- lazy-eyed bloke from Bristol I | :19:28. | :19:38. | |
:19:38. | :19:42. | ||
could do that. Steven merchant can do lazy-eye. What is it about? | :19:42. | :19:48. | |
a romantic film about - it has a lot of time travel in it. A | :19:48. | :19:53. | |
wonderful Irish actor is in it and Rachel McAdams, the greatest | :19:53. | :19:59. | |
actress I have worked with recently, I can't say that, because of the | :19:59. | :20:04. | |
other ones and bill Nighy is in it, it's about love and life and time | :20:04. | :20:08. | |
travel. We are going to go to a science-fiction section. Were you | :20:08. | :20:13. | |
inspired to write that off the back of that amazing Dr Who episode you | :20:13. | :20:18. | |
wrote? Do you know, I don't know why I have become interested in | :20:18. | :20:23. | |
time travel, I think it's because - as I get older things get a little | :20:23. | :20:28. | |
sadder and I want to change things more. I used to feel optimistic | :20:28. | :20:31. | |
that everything was going to be all right and it's not always all right. | :20:31. | :20:34. | |
I think I am attracted by the idea of being able to move things around, | :20:34. | :20:38. | |
that's the honest answer. You are a fixer? I would love to be able to | :20:38. | :20:42. | |
fix some things. That's what Comic Relief is about really. It's a | :20:42. | :20:46. | |
strange thing, which is the thing I love about Comic Relief, it's hard | :20:46. | :20:49. | |
to help the people you love and it's much easier to help people you | :20:49. | :20:55. | |
don't know. I think it's an opportunity to help people, other | :20:55. | :20:59. | |
people love without having to try too hard. Are you amazed or maybe | :20:59. | :21:04. | |
you always knew that having started it, 25 years later we are still | :21:04. | :21:09. | |
doing it? I am really amazed and really touched now and I love - I | :21:09. | :21:14. | |
was watching the British Bake-off the other day and everybody was | :21:14. | :21:20. | |
saying they were enthusiastic and I had not had to convince them. | :21:20. | :21:26. | |
Because in the early days we had to beg hard to get people on the show. | :21:26. | :21:31. | |
Now they've grown up with it and it's a real delight. We have a | :21:31. | :21:39. | |
montage of some of the best moments. Let's have a look. | :21:39. | :21:49. | |
:21:49. | :21:51. | ||
It's time for Comic Relief. Nose Day is 25 years old. A short | :21:51. | :22:01. | |
:22:01. | :22:02. | ||
journey in linguistic metaphysics. Do you want thoeupl grow up to -- | :22:02. | :22:07. | |
want him to grow up to be a footballer like his dad or a singer | :22:07. | :22:11. | |
like Mariah Carey? Am I bovverred? I ain't bovverred. I have been | :22:11. | :22:21. | |
:22:21. | :22:26. | ||
thinking of doing a duet with JLS. If we didn't have poor people we | :22:26. | :22:30. | |
wouldn't be able to have Red Nose Day and the fun associated with it! | :22:30. | :22:34. | |
Doing one of those appeals from Africa. You are not in Africa. This | :22:34. | :22:39. | |
is Television Centre. Every pound goes to help people in the UK and | :22:39. | :22:49. | |
:22:49. | :22:56. | ||
Africa. Will �50 do? I am getting I wonder if you are doing this for | :22:56. | :23:00. | |
the wrong reasons. What are the right reasons? People are less | :23:00. | :23:04. | |
fortunate than you. Most people. Brian MacFadyen won't be appearing | :23:04. | :23:14. | |
:23:14. | :23:20. | ||
The party's over. Can I get in on this? | :23:20. | :23:25. | |
APPLAUSE AND CHEERING A lot of nudity and kissing I | :23:25. | :23:29. | |
noticed. I hadn't realised that. That probably says more about the | :23:29. | :23:33. | |
editor. Even tonight we have a kissing booth out the back. Got to | :23:33. | :23:39. | |
say congratulations to Martin on The Hobbit. Thank you very much. | :23:39. | :23:45. | |
APPLAUSE AND CHEERING. Has your life totally changed now? No, I was | :23:45. | :23:52. | |
just speaking to my great showbiz pal Russell Tovey back stage and he | :23:52. | :23:56. | |
said the same thing and I said no, it feels like it really hasn't. | :23:56. | :24:03. | |
Genuinely. No difference at all. Honestly. That's weird. You are | :24:03. | :24:10. | |
playing The Hobbit and it's gross a $1 billion. Not my words, the words | :24:10. | :24:15. | |
of Graham Norton. You would think that has some impact. It's not like | :24:15. | :24:23. | |
you are in a suit, that's you. right, fuck off! I am acting! It | :24:23. | :24:28. | |
feels remarkably similar to nobody 4th before the film came out -- | :24:28. | :24:32. | |
November 4th before the film came out. Also got to talk about | :24:32. | :24:36. | |
Sherlock. You are making the next series now. Yes, we are going to | :24:36. | :24:40. | |
start the week after next. Have you read a script? Yes, it's brilliant. | :24:40. | :24:45. | |
Do you know what happens? Actually, no. Even we on reading the script | :24:45. | :24:52. | |
aren't quite sure, no. Wow. Mark Gatiss is a clever fella. On your | :24:52. | :24:56. | |
show you do lots of internet things. There's a weird thing, I don't know | :24:56. | :25:02. | |
if you have seen this, science fiction like Lord Of The Rings and | :25:02. | :25:09. | |
people like to do fan art. They love fan art. Keep it clean, Graham. | :25:09. | :25:15. | |
It's clean-ish. This is a lovely one. This is just Watson and... | :25:15. | :25:25. | |
That's fine. There is yearning in the face, I wish you would kiss me. | :25:25. | :25:33. | |
This one he has kissed him. That's fine. That's a bit Japanese-y. | :25:33. | :25:42. | |
Where is this going? This one, I might show - that's wrong. OK, you | :25:42. | :25:52. | |
:25:52. | :25:53. | ||
can see that one. We have made... I love the way the sofa moves! The | :25:53. | :25:57. | |
final one I can't show, I will show you during the next break. I do | :25:58. | :26:03. | |
like that programme Sherlock, can you imagine, how can I show my | :26:03. | :26:10. | |
appreciation? I will paint this picture. I know it, I have seen it. | :26:10. | :26:19. | |
Richard looks appalled. There are lots of people out there... | :26:19. | :26:27. | |
Richard's got into shock. He is rocking and crying now. We are at | :26:27. | :26:37. | |
:26:37. | :26:41. | ||
it. That's beyond at it. That's been at it! I will never look at... | :26:41. | :26:46. | |
Do you think that's what was going on? I hope so. I will show new the | :26:46. | :26:49. | |
neck break -- I will show you in the next break. Once you have seen | :26:49. | :26:53. | |
it, you will never not seen it again. It will be in your mind | :26:53. | :27:03. | |
:27:03. | :27:08. | ||
Comic Relief have made lots of films. They are difficult to watch. | :27:08. | :27:12. | |
They are real. We will show a film now which inspired the film that | :27:12. | :27:17. | |
was on BBC One last Friday, is that right? Yeah. It's... Well, there | :27:17. | :27:22. | |
are a lot of reasons for writing the film which was about malaria. | :27:22. | :27:28. | |
This pushed me over the line. It's about a little boy called Paul. It | :27:28. | :27:35. | |
is a very simple film. In my film the little African boy who gets | :27:35. | :27:38. | |
malaria is called Paul and the acknowledgment of that. The thing | :27:38. | :27:42. | |
about Comic Relief is, there are, when we send famous people to | :27:42. | :27:50. | |
hospitals, they see young children die unnecessarily every single time. | :27:50. | :27:55. | |
It's such an unforgiveable incomprehensible situation. It's | :27:55. | :27:59. | |
amazing that the British public, time after time, say that they will | :27:59. | :28:07. | |
not tolerate the situation individual. Their money | :28:07. | :28:09. | |
individually can stop this happening. That is what I will say. | :28:09. | :28:13. | |
Tonight, because we are showing films from the past, we have | :28:13. | :28:18. | |
already shown I think it's two films where I have had to say, that | :28:18. | :28:22. | |
boy isn't with us any more. Or that lady isn't with us any more. It's | :28:23. | :28:27. | |
really heartbreaking. Do you want to introduce the film about Paul? | :28:27. | :28:34. | |
think I have probably said it. It's a film as much about parents as it | :28:34. | :28:40. | |
is about a child. I hope that in 25 years from now there will be no | :28:40. | :28:44. | |
malaria in the world and I hope, as many people as possible will fight | :28:44. | :28:54. | |
:28:54. | :29:08. | ||
Paul is just 12 months old. By the time his parents got him to the | :29:08. | :29:18. | |
:29:18. | :29:19. | ||
hospital, it was too late to save him. These are their final moments | :29:19. | :29:29. | |
:29:29. | :29:45. | ||
His bloodstream has been taken over He's sleeping into a coma, from | :29:45. | :29:55. | |
:29:55. | :30:25. | ||
Paul died later that night and was buried the next day. In Africa, a | :30:25. | :30:33. | |
million children die of malaria every year. No parents should have | :30:33. | :30:37. | |
to suffer the pain of burying a child, but right across this | :30:37. | :30:47. | |
:30:47. | :30:51. | ||
continent this is happening every Just �5 will buy a mosquito net and | :30:51. | :30:56. | |
get it to the mother and child. It really is that easy to help save | :30:56. | :31:06. | |
:31:06. | :31:18. | ||
lives. So, please, give as much as Please help. You know what to do. | :31:18. | :31:23. | |
Thanks to my guests for this section. Now, over to Paloma Faith | :31:23. | :31:33. | |
:31:33. | :31:52. | ||
# Let's get old together # Let's be unhappy forever | :31:52. | :31:58. | |
# Cause there's no-one else in this world | :31:58. | :32:08. | |
:32:08. | :32:11. | ||
# That I'd rather be unhappy with # Let's be exposed and unprotected | :32:11. | :32:17. | |
# Let's see one another when we're weak | :32:17. | :32:23. | |
# Let's go our separate ways in the night like two moths | :32:23. | :32:29. | |
# But know that you're flying home to me | :32:29. | :32:36. | |
# I was born thinking # It would be all be dreamy | :32:36. | :32:42. | |
# But I know that I wouldn't be happy that way | :32:42. | :32:48. | |
# You wear me out with frustration and heartache and anger | :32:48. | :32:55. | |
# But we wait for the wave just to wash it away | :32:55. | :33:05. | |
:33:05. | :33:07. | ||
# Don't say nothing # Just sit next to me | :33:07. | :33:15. | |
# Don't say nothing # Shhh | :33:15. | :33:25. | |
:33:25. | :33:33. | ||
# Just be, just be, just be # Let's go together -- let go | :33:33. | :33:36. | |
together # Let's unfold one another | :33:36. | :33:44. | |
# And watch all the little things that once drew me to you | :33:44. | :33:52. | |
# Eventually get on my nerves # I wear you out with frustration | :33:52. | :33:58. | |
and heartache and anger # But we wait for the wave just to | :33:58. | :34:06. | |
wash it away # Don't say nothing | :34:07. | :34:16. | |
:34:17. | :34:20. | ||
# Just sit next to me # Don't say nothing | :34:20. | :34:30. | |
:34:30. | :34:34. | ||
# Shh # Just be, just be, just be | :34:34. | :34:40. | |
# When you're sick of the every day # When you're tired of my voice | :34:40. | :34:43. | |
# Oh, my voice # When you tell me | :34:43. | :34:52. | |
# You'll walk out that door # That's when I know, that you'll | :34:52. | :34:57. | |
stay # Ooh, oh | :34:57. | :35:07. | |
:35:07. | :35:12. | ||
# Don't say nothing # Shhh # | :35:12. | :35:22. | |
:35:22. | :35:27. | ||
Absolutely gorgeous. Absolutely gorgeous. Right, it's time for some | :35:27. | :35:31. | |
more guests. It's time to meet the man in my corner. He is used to | :35:31. | :35:38. | |
being a co-host he is used to working with better than me, it's | :35:38. | :35:46. | |
Richard Madeley everybody. How are you doing? Nice to see you. Isn't | :35:46. | :35:54. | |
this guy doing a fabulous job? yeah. I meant the floor manager, | :35:54. | :36:01. | |
the guy... Are we like showbusiness married now? Kind of. Lovely. We | :36:01. | :36:11. | |
live in Hampstead, cook Sunday lunch. Take the dogs for walks. | :36:11. | :36:16. | |
could bump into Kirstie Allsopp who is picking up shit for charity? | :36:16. | :36:25. | |
Sara Cox wished we were her surrogate parents and we would buy | :36:25. | :36:35. | |
:36:35. | :36:39. | ||
her a pony. We gave her a Finduscurry! Who is coming on now, | :36:39. | :36:49. | |
:36:49. | :36:56. | ||
Sit down, sit down, sit down! Paloma Faith. Yes. Are you hotter | :36:56. | :37:03. | |
than hell in that? I am. I'm excreating things I never thought I | :37:03. | :37:11. | |
could. Is it going down your legs? It has at a gig once. I have to say, | :37:11. | :37:18. | |
I'm told it is past watershed, I thought I had pissed myself. I | :37:18. | :37:27. | |
hadn't, thank God. Yeah! Marvellous. She didn't piss herself once the | :37:27. | :37:32. | |
whole evening. Never have. Terrific concert. Have you been out the back, | :37:32. | :37:40. | |
is it hell out there? I only knew it was when you came in. I saw your | :37:40. | :37:44. | |
shoes. I thought it had to be Paloma Faith. Or a drag Queen. | :37:44. | :37:51. | |
said it. Who is that, Paloma Faith. I recognise her now! It is | :37:51. | :38:01. | |
:38:01. | :38:03. | ||
showbusiness out there? Yes. Very glamorous. That is posh. That might | :38:03. | :38:12. | |
be a mistake. We are quite common. I looked at you on Wikipedia and it | :38:12. | :38:22. | |
:38:22. | :38:22. | ||
said bill Ricky. Where are you from? Hackney. Looking down at you. | :38:22. | :38:32. | |
I thought you were from Stoke Newington. That is. Hackney sounds | :38:32. | :38:39. | |
poshier. Does it? There is a Church Street there. People might be | :38:39. | :38:43. | |
watching in other places apart from London. I apologise. You are going | :38:43. | :38:50. | |
on a UK tour, Paloma Faith? I have been on one. Have I missed one? | :38:50. | :38:58. | |
finished. I have a festival thing. We are at the O2 Arena on 7th June. | :38:58. | :39:03. | |
It's in the a big tour. It is one gig we hope people will buy tickets. | :39:03. | :39:10. | |
It is relatively close to my house, I will go. I watched her | :39:10. | :39:15. | |
performance, he is opening with me, I want her to do a duet with me. I | :39:15. | :39:23. | |
would be honoured. She is fantastic. She is amazing, isn't she. | :39:23. | :39:27. | |
Amazeballs! Are you moving to America? Not moving to America. | :39:27. | :39:31. | |
Canada, Mexico?. I'm going to America on Sunday for two months to | :39:31. | :39:36. | |
work on a new album. Yes. Why there? I decided to shake it up a | :39:36. | :39:42. | |
bit. OK. I thought I was getting too stuck. Are you going to LA? | :39:42. | :39:46. | |
I couldn't coal cope with it there. It's full of people with funny | :39:46. | :39:56. | |
:39:56. | :39:57. | ||
teeth! New York! New York. It's gutteral there. I love it. There's | :39:57. | :40:04. | |
dirt! There is. There is. Russell, have you been, you are at a stage | :40:04. | :40:10. | |
in your career where people must be thinking, sniffing around | :40:10. | :40:14. | |
Hollywood? Trying to get nigh nose out there. Would you go? Of course | :40:14. | :40:18. | |
I would. I would love to go. There is a pilot season happening at the | :40:18. | :40:23. | |
minute. I have been putting myself on tape and chatting back-and-forth. | :40:23. | :40:29. | |
Nothing has kicked off just yet. I'm putting my finger out there, as | :40:29. | :40:39. | |
it were! No, nothing. Where is your finger?! I don't think so... | :40:39. | :40:43. | |
Richard, did you and Judy try the American thing? I don't think they | :40:43. | :40:47. | |
would have got it at all. We were such a British couple. I think they | :40:47. | :40:53. | |
would have been mystified. Judy's novel, which has come out, will be | :40:53. | :40:58. | |
published in America. You talked about it on Saturday. She will go | :40:58. | :41:05. | |
there. I will have to dary -- carry her bags. You never know. We didn't | :41:05. | :41:11. | |
really call to it. Let Judy have your own life, you have write an | :41:11. | :41:16. | |
novel as well. I would be so pissed off if I was her. I would be like, | :41:16. | :41:25. | |
"stop typing". Her book has gone straight to number three. What did | :41:25. | :41:34. | |
he throw at you? The evidence from what he was doing earlier. Gaffer. | :41:34. | :41:44. | |
:41:44. | :41:52. | ||
What has he done to Judy?! He is How can I follow that, it's going | :41:52. | :41:56. | |
to be impossible. I could murder her. Don't do that. It will be | :41:56. | :42:02. | |
great for publicity, but you will regret it, I feel. We are on BBC | :42:02. | :42:06. | |
Three. One of the shows I watch, but don't under- I really don't | :42:06. | :42:16. | |
:42:16. | :42:18. | ||
understand it. You are the voice of it. The parents,... Sun, Sea, Sex | :42:18. | :42:22. | |
and Suspicious parents. How does anyone get talked into that? There | :42:22. | :42:25. | |
is a vast majority who actually go through with the deal and take the | :42:25. | :42:32. | |
whole trip over there. Have you seen this, Richard? No. Explain it. | :42:32. | :42:37. | |
It's kids' right of passage, first hol aday -- holiday away from | :42:37. | :42:40. | |
parents. The parents go too and watch their every move. The kids | :42:40. | :42:46. | |
are filmed all night and parents watch the next morning. They don't | :42:46. | :42:51. | |
confront the kids at this point. the end, they turn up, and surprise | :42:51. | :42:55. | |
them, hi, I have seen you drinking your own vomit. That is what | :42:55. | :42:58. | |
happens. I was about to ask what's the worst that's happened, but that | :42:58. | :43:03. | |
is it. A kid did shots from a barman's urine. Someone did shots | :43:03. | :43:12. | |
of his own sick back and forth. I see all the unpixelated versions | :43:12. | :43:19. | |
and lots of close-ups of genitals. What's in it for the parents? | :43:19. | :43:23. | |
don't know, obsess over kids more. A free holiday. They get to go | :43:24. | :43:27. | |
swimming. They panic about everything all the diseases they're | :43:27. | :43:29. | |
picking up, it's nice. When the kids are confronted with the | :43:29. | :43:33. | |
parents at the end and they get the whole thing, they've been filmed, | :43:33. | :43:39. | |
are the kids furious? My kids would go mad. A lot of them are. It's a | :43:39. | :43:43. | |
nice bonding experience and there's a lot of emotion and people crying. | :43:43. | :43:46. | |
There's been a few that have freaked out. One in the second | :43:46. | :43:50. | |
season kicked off completely. Lovely bonding experience! I saw | :43:50. | :43:57. | |
that one. He went crazy. Ballistic. There was a little at the end, they | :43:57. | :44:07. | |
still haven't spoke. He had said to his mum, is this Sun, Sex, | :44:07. | :44:12. | |
Suspicious parents. He was no. When she turned up, he was like you F- | :44:13. | :44:17. | |
ing... Years ago we had a girl in the audience and she told a story | :44:17. | :44:22. | |
about how her father found her vibrator in her bed. How old was | :44:22. | :44:27. | |
she? You left your vibrator in your bed, yeah, I was in a rush I was | :44:27. | :44:35. | |
late for school. Everyone is like - that's the reaction. Anyway, we | :44:35. | :44:42. | |
then -... She swapped it for a dinner ticket. Aeupblgts later -- | :44:42. | :44:47. | |
ages later I bumped into this lady and she went you ruined our | :44:47. | :44:49. | |
family's life. The girl was thinking my parents won't watch a | :44:49. | :44:53. | |
Channel 4 show. Not only them, all the neighbours watched it. Everyone | :44:53. | :44:58. | |
watched it. So, finally this girl I met said, I broke out a peace deal | :44:58. | :45:02. | |
and we are going to have have a dinner party and the family was | :45:02. | :45:05. | |
back. It was great. We are all going to meet on Saturday night, | :45:05. | :45:12. | |
family dinner all together. The Friday night a compilation show of | :45:12. | :45:22. | |
:45:22. | :45:22. | ||
the the best bits of our show. It all kicked off again. Yeah. I guess | :45:22. | :45:26. | |
we probably shouldn't talk about this, you will lose a job. I love | :45:26. | :45:30. | |
it. I am a fan myself. I am the voice, I don't put it together or | :45:30. | :45:34. | |
find kids or spike drinks. I am amazed kids haven't lashed out. | :45:34. | :45:42. | |
Years ago we had an item on This Morning about untidy bedrooms. | :45:42. | :45:48. | |
still do. That's on the cycle. We took a picture of our son's bedroom, | :45:48. | :45:52. | |
teenager sons. We didn't tell them. We never normally did stuff like | :45:52. | :45:56. | |
that, I don't know why. We showed it the next day and we got home in | :45:56. | :46:00. | |
Manchester that afternoon and Tom and Dan, who were 15, were waiting | :46:00. | :46:05. | |
for us, did you have a picture of our bedroom on This Morning, did | :46:05. | :46:10. | |
you take pictures of under our beds? They didn't talk for three | :46:10. | :46:16. | |
days. This show, I am surprised there haven't been slayings. There | :46:16. | :46:22. | |
have been? You have cut those bits out? I just do the voice. Did they | :46:22. | :46:27. | |
keep tidy rooms after that? nothing works as a parent. We have | :46:27. | :46:33. | |
to talk about Paloma's look. It's very distinctive. Did you always - | :46:33. | :46:36. | |
before you became Paloma Faith popstar, were you like who the hell | :46:36. | :46:42. | |
is she? Were you that girl? I have always dressed up, even since I was | :46:42. | :46:47. | |
a little girl. I remember going to fancy dress parties and my mum sort | :46:47. | :46:52. | |
of saying, let's use our imaginations. Me turning up dressed | :46:52. | :46:57. | |
as Charlie Chaplin in a room full of loads of Charlie Chaplins with | :46:57. | :47:02. | |
real bowler hats and I had cardboard around my head with a | :47:02. | :47:05. | |
drawing of a hat on the front and drawing of the bowler hat on the | :47:05. | :47:11. | |
back. Basically, like ever since I have been thinking of imaginative | :47:11. | :47:16. | |
ways to wear normal items of clothing, hence this rubber version | :47:16. | :47:26. | |
:47:26. | :47:27. | ||
of a shift dress. It's lovely. Do you go into shops? Yeah. LAUGHTER | :47:27. | :47:31. | |
OK. I will rephrase that, do you go into clothes shops? Yeah. Did you | :47:31. | :47:38. | |
buy that in a shop? No, like when I am sort of working then I have to | :47:38. | :47:45. | |
like borrow things. I go into shops wear on... If you were popping out | :47:45. | :47:52. | |
to the shops would I not recognise you? Probably not. Really? I was in | :47:52. | :47:58. | |
disguise today and I was in a shop near you. Were you here? We have | :47:58. | :48:06. | |
some of your amazing looks. That's like a Charlie Chaplin hat, only | :48:06. | :48:16. | |
:48:16. | :48:19. | ||
it's hair. Is that a wig? It's a hat hair. I am an idiot! | :48:19. | :48:24. | |
Hershey's Kiss. Is that really what that is? No t looks like one. These | :48:24. | :48:28. | |
are things I wore on my first album. I don't know if you have noticed | :48:28. | :48:36. | |
but I have grown up a little since then. Now I am more ladylike. These | :48:36. | :48:41. | |
are pre-chic. That's quite chic. Let's see another one. That's pre- | :48:41. | :48:48. | |
chic, as well. Yeah. Really? Yeah. You look very chic to me. Wings. | :48:48. | :48:57. | |
They were very heavy. Were they? I am going to ask you to do a fashion | :48:57. | :49:05. | |
thing. You have some Comic Relief news, I believe. I do. Damien | :49:05. | :49:12. | |
Hirst's fundraising total for his prints. What are they called? | :49:12. | :49:21. | |
Prints of skulls. He's raced so far -- raised so far �122,500. You are | :49:21. | :49:29. | |
kidding! Wow. APPLAUSE AND CHEERING | :49:29. | :49:36. | |
So far. Amazing. You can still buy them. Now, I have sort of - I look | :49:36. | :49:40. | |
at your faces and I know that both of you know what's coming next, and | :49:40. | :49:45. | |
you look lovely, gents. Richard, you look lovely. Quite staid, | :49:45. | :49:52. | |
though. I know that Paloma, you have brought clothes with you. | :49:52. | :50:02. | |
And you are going to kind of Paloma Faith them. Paloma-over! A new word, | :50:02. | :50:12. | |
it is. You have to give them a Paloma-over, I like that. It's | :50:12. | :50:17. | |
trending worldwide actually! OK, everyone's up for it. You guys are | :50:17. | :50:22. | |
up for it. We have put together options for you back stage. Are | :50:22. | :50:29. | |
they going off now? Yes. OK. If you guys want to - oh, no. Stay there! | :50:29. | :50:34. | |
We were told to stay until the moment. I am changing, this is the | :50:34. | :50:40. | |
one from The One Show that they raised. �21. You know what I had to | :50:40. | :50:48. | |
do for that? My AliG and I got �21. That's from the presenters, Alex | :50:48. | :50:53. | |
and Matt. I must remember to give that to someone! I will leave it | :50:53. | :50:59. | |
there. OK. You work your magic on Russell and Richard and we will see | :50:59. | :51:02. | |
you back here in the transformations later. A round of | :51:02. | :51:12. | |
applause for them all. APPLAUSE AND CHEERING | :51:12. | :51:16. | |
In that Comic Relief way, next we have an incredibly moving film and | :51:16. | :51:23. | |
this is when One Direction went to Africa and it's about two boys | :51:23. | :51:29. | |
called Idris and Sully. We are in a slum in Africa. 70,000 | :51:29. | :51:34. | |
people live here, all surrounding the biggest rubbish tip you could | :51:34. | :51:37. | |
possibly imagine. Everywhere you look children are | :51:37. | :51:47. | |
:51:47. | :51:51. | ||
walking on the tip, skafaging for - - scavaging for rubbish. Sully is | :51:51. | :51:58. | |
15 and Idris is 12. This is their job. They find wires, bush the wire | :51:58. | :52:02. | |
-- burn the wires and get copper and sell the copper and make from | :52:02. | :52:10. | |
70p a day up to �3 at the most. one deserves this. This is | :52:11. | :52:16. | |
absolutely hor end -- horrendous. You name it, it's in here, from | :52:16. | :52:22. | |
human faeces to syringes. It's a swamp. They're walking around in | :52:22. | :52:26. | |
flip-flops. He has massive cuts on his feet. Sully has burns on his | :52:26. | :52:33. | |
hands. It's absolutely ridiculous. What do you you dream to do? What | :52:33. | :52:40. | |
are your aspirations? They want to get an education. If you were to | :52:40. | :52:50. | |
:52:50. | :52:51. | ||
get that education what would you like to do? He wants to be a doctor. | :52:51. | :52:56. | |
He wants to be a teacher. In a place that makes us full of despair, | :52:56. | :53:03. | |
from these two boys comes only hope. You are so incredibly brave and | :53:03. | :53:11. | |
hard working for such young boys. It's remarkable really. Everyone | :53:11. | :53:17. | |
deserves better than this. We said our goodbyes and leave the slum to | :53:17. | :53:20. | |
join up with the other boys at a local school where Comic Relief | :53:20. | :53:30. | |
:53:30. | :53:35. | ||
Clearly the kids here in education are really, really having a great | :53:35. | :53:40. | |
time. They're learning in English, French, chemistry, maths. This is | :53:41. | :53:50. | |
the life that Iz -- Idris and Sully should have. It just makes you | :53:50. | :53:53. | |
think, looking back to school when I was there I never really wanted | :53:53. | :53:56. | |
to be there. I wanted to be playing on the street, messing about with | :53:56. | :54:01. | |
friends and these kids are so dedicated and they love learning | :54:01. | :54:09. | |
and they're having fun learning. It's amazing to see. It really is. | :54:09. | :54:13. | |
These kids are going to be the country's future doctors, teachers, | :54:13. | :54:17. | |
and it all starts here. This is the perfect example of your money | :54:17. | :54:27. | |
:54:27. | :54:29. | ||
making a difference. Idris and Sully would give everything to have | :54:29. | :54:33. | |
the opportunity to learn, and why shouldn't they? Please donate and | :54:33. | :54:43. | |
:54:43. | :54:48. | ||
It couldn't be simpler to help tonight. Just choose to donate �5 | :54:48. | :54:58. | |
:54:58. | :55:08. | ||
All your donation will go to help If you need more more information | :55:08. | :55:13. | |
and conditions you can go to our website. OK, performing again is | :55:13. | :55:23. | |
:55:23. | :55:32. | ||
the mighty Example with Perfect # I've told too many girls that I | :55:32. | :55:34. | |
love em # I've told too many girls they're | :55:34. | :55:37. | |
the one # So why am I sitting here all | :55:37. | :55:42. | |
alone # How do you measure fun? | :55:42. | :55:45. | |
# I've called lost property # Too many times | :55:45. | :55:49. | |
# And I can't live properly # A piece of me died | :55:49. | :55:52. | |
# I wasn't aware # The Mona Lisa cried | :55:52. | :55:59. | |
# Maybe I remembered my decent side # Wash the kisses off my neck and | :55:59. | :56:09. | |
:56:09. | :56:19. | ||
# Lock my past in the basement # I found your perfect replacement | :56:19. | :56:27. | |
Somebody scream! # Le'ts start - you've torn him | :56:27. | :56:37. | |
:56:37. | :56:42. | ||
apart # You never know what we may find | :56:42. | :56:50. | |
on the other side # You never know what we may find | :56:51. | :56:54. | |
# I called lost property too many times | :56:54. | :56:58. | |
# # And I can't live properly # A piece of me died | :56:58. | :57:04. | |
# I wean aware the Mona Lisa died # Maybe I will remember my descent | :57:04. | :57:08. | |
side # Wash the kisses off my neck | :57:08. | :57:18. | |
:57:18. | :57:32. | ||
# Lock my past in the basement # Remember my love | :57:32. | :57:40. | |
# Remember my name # Locked my past in the basement | :57:40. | :57:47. | |
# I found your perfect replace. High pressure high pressure -- | :57:47. | :57:57. | |
replace. # I've found your perfect | :57:57. | :58:03. |