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How do you think it's going? | 0:00:03 | 0:00:05 | |
Well, the jury's found you guilty, Helen. | 0:00:05 | 0:00:07 | |
So, in my professional opinion, | 0:00:07 | 0:00:09 | |
I think that means you did it. | 0:00:09 | 0:00:13 | |
Helen Stephens. | 0:00:13 | 0:00:14 | |
You have been found guilty of murder. | 0:00:14 | 0:00:17 | |
Your victim was your employer, Eric Bridges, | 0:00:19 | 0:00:21 | |
a family man who tragically leaves behind a thriving business, | 0:00:21 | 0:00:26 | |
and a grieving, pint-sized second wife. | 0:00:26 | 0:00:31 | |
You have shown no remorse for the frenzied attack | 0:00:31 | 0:00:33 | |
that was to last an entire bank holiday weekend. | 0:00:33 | 0:00:38 | |
Who keeps up a frenzy for three days? | 0:00:38 | 0:00:40 | |
Say that! Say it! | 0:00:40 | 0:00:42 | |
(SHOUTING) Who keeps up a frenzy for...? | 0:00:42 | 0:00:44 | |
Forget it. Doesn't matter. | 0:00:48 | 0:00:49 | |
Do you have anything to say before I pass sentence? | 0:00:49 | 0:00:51 | |
Yes, I have. I'm supposed to be getting married... | 0:00:51 | 0:00:56 | |
-You have been found guilty... -..as soon my fiance turns up | 0:00:56 | 0:00:58 | |
-and gives me my alibi, this whole... -..I now sentence you | 0:00:58 | 0:01:01 | |
to twelve years. | 0:01:01 | 0:01:02 | |
Wha..?! | 0:01:02 | 0:01:03 | |
GASPS | 0:01:03 | 0:01:05 | |
Objection! | 0:01:05 | 0:01:07 | |
Too long? | 0:01:07 | 0:01:09 | |
Sit down, Mr Norman! | 0:01:09 | 0:01:10 | |
Mum! Dad! You've got to believe, I didn't... | 0:01:10 | 0:01:12 | |
-..Laura! -Helen! | 0:01:12 | 0:01:14 | |
-You've got to help me find Justin! -Wait, please! She's my sister! | 0:01:14 | 0:01:17 | |
-I need to speak to my sister! Helen! -Laura! | 0:01:17 | 0:01:19 | |
Can I have your Fitness First card? | 0:01:19 | 0:01:21 | |
And the keys to your flat? Helen? | 0:01:21 | 0:01:24 | |
Helen! | 0:01:24 | 0:01:25 | |
'Dear Maurice, thank you for your postcard. | 0:01:40 | 0:01:43 | |
'The answer is, yes. | 0:01:43 | 0:01:45 | |
'I would love to be your prison pen pal. | 0:01:45 | 0:01:47 | |
'Although our correspondence may be short-lived, | 0:01:47 | 0:01:49 | |
'partly because I intend to clear my name | 0:01:49 | 0:01:51 | |
'but mainly because you're on death row.' | 0:01:51 | 0:01:54 | |
Come on! | 0:01:54 | 0:01:56 | |
'I've been in Broadmarsh for two weeks now | 0:01:56 | 0:01:58 | |
'and every day is like one of those nightmares | 0:01:58 | 0:02:00 | |
'where you realise you've been revising for the wrong exam | 0:02:00 | 0:02:03 | |
'and then you wake up | 0:02:03 | 0:02:04 | |
'and find you've been falsely imprisoned for murdering your boss. | 0:02:04 | 0:02:08 | |
'The thing I'm finding hardest to cope with is the lack of privacy. | 0:02:08 | 0:02:12 | |
'Personal space has always been very important to me. | 0:02:12 | 0:02:16 | |
'My cell mate, Christine, has made me feel most welcome | 0:02:16 | 0:02:18 | |
'but, as I tried to explain to her, now isn't the right time for me | 0:02:18 | 0:02:21 | |
'to take on an emotionally disturbed arsonist as a best friend.' | 0:02:21 | 0:02:25 | |
TOILET FLUSHES | 0:02:29 | 0:02:31 | |
INMATES SHOUT AND ARGUE | 0:02:31 | 0:02:34 | |
BOARD SMASHES | 0:02:36 | 0:02:39 | |
SHE MOUTHS | 0:02:40 | 0:02:42 | |
'I haven't encountered the top dog yet, but rumour has it, | 0:02:45 | 0:02:48 | |
'she once paper cut an inmate to death with a copy of TV Quick. | 0:02:48 | 0:02:52 | |
'I've heard she's not left her cell in nine years. | 0:02:52 | 0:02:54 | |
'I had a similar experience when I first got my hair permed. | 0:02:54 | 0:02:57 | |
'But then I discovered Frizz Ease. | 0:02:57 | 0:02:58 | |
'I've got a meeting with my lawyer now | 0:02:58 | 0:03:00 | |
'and hopefully he'll have some news about my appeal | 0:03:00 | 0:03:03 | |
'and where my fiance and alibi might be. | 0:03:03 | 0:03:05 | |
'Maybe when I get out, I can come and visit you. | 0:03:05 | 0:03:07 | |
'Or is that just rubbing it in?' | 0:03:07 | 0:03:10 | |
For you! | 0:03:12 | 0:03:13 | |
No thanks, I've just eaten a carbonara. | 0:03:15 | 0:03:17 | |
I think. | 0:03:17 | 0:03:19 | |
Did you see Secret Millionaire last night? | 0:03:19 | 0:03:21 | |
No. | 0:03:21 | 0:03:23 | |
It was BRILLIANT! | 0:03:23 | 0:03:25 | |
Don't worry. I've Sky Plussed it. | 0:03:25 | 0:03:28 | |
I can save it for up to two months. | 0:03:28 | 0:03:30 | |
When are you out, again? | 0:03:30 | 0:03:31 | |
In twelve years. | 0:03:31 | 0:03:33 | |
Twelve years! Don't know if I can... | 0:03:33 | 0:03:36 | |
I'll look at the manual. | 0:03:36 | 0:03:37 | |
God, look at this place. | 0:03:39 | 0:03:40 | |
You shouldn't be in here. No-one should. | 0:03:40 | 0:03:43 | |
She should. | 0:03:43 | 0:03:45 | |
SHE GROWLS | 0:03:45 | 0:03:47 | |
Yeah, she should. | 0:03:48 | 0:03:50 | |
Apart from her. | 0:03:50 | 0:03:52 | |
-Right! It's your appeal! Eh? -Yeah. | 0:03:52 | 0:03:54 | |
Exciting! | 0:03:54 | 0:03:55 | |
Ooh... | 0:03:55 | 0:03:57 | |
I'm not going to mince around the bush with you, Helen. | 0:03:57 | 0:04:00 | |
I'm going to say it straight. | 0:04:00 | 0:04:02 | |
When am I going to get paid? | 0:04:02 | 0:04:04 | |
What? You told me it was no win, no fee! | 0:04:04 | 0:04:07 | |
I did not say no win, no fee. | 0:04:07 | 0:04:09 | |
I definitely said no win, SOME fee. | 0:04:09 | 0:04:13 | |
-Well, how much do we owe you? -About five grand. | 0:04:13 | 0:04:15 | |
Five grand?! | 0:04:15 | 0:04:17 | |
Shhhh! Keep your voice down! | 0:04:17 | 0:04:18 | |
Look, I'm definitely still on the case | 0:04:18 | 0:04:21 | |
but I don't know if I can give you | 0:04:21 | 0:04:24 | |
the full Tony magic until I get paid. | 0:04:24 | 0:04:28 | |
I mean, I'll do what I can | 0:04:28 | 0:04:30 | |
but, in all honesty, it's going to be half-arsed. | 0:04:30 | 0:04:33 | |
-At best. -What about the leads I gave you? Mr Bridges... | 0:04:33 | 0:04:36 | |
Helen, Helen, Helen, Helen! | 0:04:36 | 0:04:38 | |
Shush! | 0:04:38 | 0:04:40 | |
You're bombarding me with information. | 0:04:40 | 0:04:42 | |
Well, have you tracked down my fiance? | 0:04:42 | 0:04:43 | |
Remind me, what's his involvement? | 0:04:43 | 0:04:45 | |
He's my alibi! | 0:04:45 | 0:04:46 | |
He was with me the night of the murder. | 0:04:46 | 0:04:48 | |
Remind me, what was his name? | 0:04:48 | 0:04:50 | |
Justin. | 0:04:50 | 0:04:52 | |
Is that with a J or a G? | 0:04:52 | 0:04:53 | |
-BELL RINGS -Ooh! Saved by the bell! | 0:04:53 | 0:04:57 | |
Look, as soon as you "free me up" with some cash, | 0:04:57 | 0:05:01 | |
I promise I'll be on the case 150%. | 0:05:01 | 0:05:04 | |
More, even. | 0:05:04 | 0:05:06 | |
Tony? | 0:05:06 | 0:05:08 | |
I will get out of here, won't I? | 0:05:08 | 0:05:11 | |
You will DEFINITELY get out of here, | 0:05:11 | 0:05:15 | |
one day. | 0:05:15 | 0:05:16 | |
May the peace be with you, | 0:05:17 | 0:05:19 | |
and also with you. | 0:05:19 | 0:05:20 | |
INMATES SHOUT AND ARGUE | 0:05:27 | 0:05:29 | |
Hi, Helen! | 0:05:29 | 0:05:31 | |
I was thinking, we ought to have a cell warming party. | 0:05:31 | 0:05:33 | |
You know, put some banners up, | 0:05:33 | 0:05:36 | |
set light to a bin. | 0:05:36 | 0:05:38 | |
Where are you going? | 0:05:38 | 0:05:39 | |
To see the governor about my appeal. | 0:05:39 | 0:05:41 | |
What do you think, hair up or down? | 0:05:41 | 0:05:43 | |
Either way, you look stunning. | 0:05:43 | 0:05:44 | |
Like an old Christine Bleakley. | 0:05:44 | 0:05:47 | |
Wait, you're appealing? Why? | 0:05:47 | 0:05:49 | |
Well, because I need to get out of here. | 0:05:49 | 0:05:51 | |
What?! | 0:05:51 | 0:05:53 | |
Oh, right, well, thanks! | 0:05:53 | 0:05:56 | |
Thanks a lot! | 0:05:56 | 0:05:58 | |
First Monique, then Brenda, then Tizita, then Eugenie, | 0:05:58 | 0:06:01 | |
and now you! | 0:06:01 | 0:06:02 | |
Why does everyone I get close to leave me? | 0:06:04 | 0:06:07 | |
Or get burned a bit? | 0:06:07 | 0:06:08 | |
This has nothing to do with you! | 0:06:08 | 0:06:10 | |
This is about the fact that I'm innocent | 0:06:10 | 0:06:12 | |
and I need to get out of here and get on with my life. | 0:06:12 | 0:06:14 | |
I'm 38, Christine. | 0:06:14 | 0:06:15 | |
If I wait, there's a strong chance my wedding photos | 0:06:15 | 0:06:18 | |
will be really disappointing. | 0:06:18 | 0:06:20 | |
SHE CHUCKLES | 0:06:20 | 0:06:21 | |
Oh! Oh. | 0:06:23 | 0:06:24 | |
Well, yes, you can appeal. Of course. | 0:06:24 | 0:06:26 | |
Really?! What, you...you believe me? | 0:06:26 | 0:06:29 | |
Yes, I "believe" you. | 0:06:29 | 0:06:31 | |
And I will do everything I can, as Governor, to help you. | 0:06:33 | 0:06:36 | |
But can I give you a little piece of advice? | 0:06:36 | 0:06:38 | |
Appeals can take a very, very long time, | 0:06:38 | 0:06:41 | |
and they don't always work. | 0:06:41 | 0:06:43 | |
But you know what does always work in prison? | 0:06:43 | 0:06:45 | |
Oh, erm...hunger strike? | 0:06:45 | 0:06:47 | |
Getting stuck in! | 0:06:47 | 0:06:49 | |
-SHE LAUGHS -Yeah, but I'm innocent | 0:06:49 | 0:06:52 | |
and I just want to start the... | 0:06:52 | 0:06:53 | |
That's even more reason why you should join the drama club! | 0:06:53 | 0:06:56 | |
Use your time well. | 0:06:56 | 0:06:58 | |
Practise your table tennis serve. | 0:06:58 | 0:07:00 | |
Design your own tattoo. | 0:07:00 | 0:07:02 | |
Think of today as the first day | 0:07:02 | 0:07:04 | |
of the rest of your life sentence. | 0:07:04 | 0:07:07 | |
Yeah, but... | 0:07:07 | 0:07:09 | |
what's the first step of the appeal process? | 0:07:09 | 0:07:12 | |
The first step is to be patient. | 0:07:12 | 0:07:13 | |
And the second step, before you ask, | 0:07:13 | 0:07:16 | |
is to be realistic. | 0:07:16 | 0:07:18 | |
You're going to be stuck in here for a very, very long time. | 0:07:18 | 0:07:22 | |
But what's the first step of the appeals process? | 0:07:24 | 0:07:28 | |
It would be a dreadful thing, wouldn't it, | 0:07:28 | 0:07:30 | |
to have your case reopened and your sentence increased? | 0:07:30 | 0:07:32 | |
Which means it would become longer. | 0:07:32 | 0:07:35 | |
So I'll leave it with you to make the right decision. | 0:07:35 | 0:07:38 | |
Cindy, will you send in Officers Frank and Tim, please? | 0:07:50 | 0:07:55 | |
That wet bitch, Stephens, is after an appeal. | 0:07:58 | 0:08:01 | |
THEY GROAN | 0:08:01 | 0:08:03 | |
I can't help but take this very, very personally. | 0:08:03 | 0:08:07 | |
I wonder if there's something we might do to change her mind. | 0:08:07 | 0:08:10 | |
Um, Margaret, | 0:08:10 | 0:08:11 | |
perhaps I could have a word with her. | 0:08:11 | 0:08:14 | |
I don't mean to speak out of turn, | 0:08:14 | 0:08:16 | |
but I think I'm one of the few wardens here | 0:08:16 | 0:08:19 | |
who could really get inside that head of hers. | 0:08:19 | 0:08:21 | |
I seem to have a unique bond | 0:08:21 | 0:08:23 | |
with some of the more troubled inmates. | 0:08:23 | 0:08:25 | |
I'm like a horse whisperer. | 0:08:25 | 0:08:28 | |
For women. | 0:08:28 | 0:08:29 | |
-HE SNIGGERS -Something to say? | 0:08:29 | 0:08:31 | |
Get over yourself, woman whisperer! | 0:08:31 | 0:08:34 | |
I totally have a unique bond with them, Ma'am. | 0:08:34 | 0:08:37 | |
In my pants. HE SHUDDERS | 0:08:37 | 0:08:40 | |
I don't give a sheep's teat which one of you does it, | 0:08:40 | 0:08:42 | |
just get it done. That'll be all, gentlemen. | 0:08:42 | 0:08:45 | |
Hold the bucket lower! | 0:08:49 | 0:08:52 | |
'You probably have a better idea of how | 0:08:52 | 0:08:55 | |
'the sick mind of a twisted killer works, Maurice, | 0:08:55 | 0:08:58 | |
'but I've got a nagging feeling whoever did kill Mr Bridges | 0:08:58 | 0:09:02 | |
'is still very much on the scene. | 0:09:02 | 0:09:04 | |
'For a man who sold ceramic tiling, | 0:09:04 | 0:09:06 | |
'Eric certainly had a lot of enemies. | 0:09:06 | 0:09:08 | |
'I wonder how everyone at Entirely Tiles is coping with his loss? | 0:09:08 | 0:09:11 | |
'You know what they say, "While the cat's away, the mice will play." | 0:09:11 | 0:09:14 | |
'And by "cat", I mean, "dead boss". | 0:09:14 | 0:09:16 | |
'And by "mice", I mean the marketing team.' | 0:09:16 | 0:09:19 | |
Hi, Mary. | 0:09:19 | 0:09:21 | |
I've got a card here for Helen. | 0:09:21 | 0:09:23 | |
To let her know we're all thinking of her. | 0:09:23 | 0:09:25 | |
-Have you got a message? -Yeah! | 0:09:25 | 0:09:27 | |
Tell her, I hope she rots there! | 0:09:27 | 0:09:29 | |
Is this about your mayonnaise, Mary? | 0:09:29 | 0:09:31 | |
This is NOT about my mayonnaise. | 0:09:31 | 0:09:34 | |
Although it was clearly marked as mine. | 0:09:34 | 0:09:36 | |
This is about her murdering | 0:09:36 | 0:09:38 | |
the best boss I've ever had. | 0:09:38 | 0:09:41 | |
Helen didn't murder anyone, Mary. | 0:09:41 | 0:09:42 | |
It's all just been a silly mistake. | 0:09:42 | 0:09:44 | |
You tell her I said I always knew she was a bad egg! | 0:09:44 | 0:09:47 | |
Life in prison is the best thing that could've happened to her. | 0:09:47 | 0:09:51 | |
Right, well... | 0:09:51 | 0:09:53 | |
..I might just put that in my own words, if that's OK. | 0:09:55 | 0:09:57 | |
I'm going to hand deliver it when I visit. | 0:09:59 | 0:10:02 | |
I hope I don't get locked in too! | 0:10:02 | 0:10:04 | |
With Helen. | 0:10:06 | 0:10:07 | |
SHE HITS STAPLER VIOLENTLY | 0:10:07 | 0:10:09 | |
She can't intimidate me into not appealing. | 0:10:24 | 0:10:26 | |
That's against my human rights... | 0:10:26 | 0:10:28 | |
probably. | 0:10:28 | 0:10:30 | |
Did she do that when you tried to appeal? | 0:10:30 | 0:10:32 | |
I've never bothered. Appealing's not for me. | 0:10:32 | 0:10:35 | |
I think once you're in, you're in. | 0:10:35 | 0:10:36 | |
But I'm a typical Sagittarius like that. | 0:10:36 | 0:10:38 | |
SHE GIGGLES | 0:10:38 | 0:10:40 | |
Bloody hell! What are you doing? | 0:10:40 | 0:10:43 | |
I'm sitting down to eat my... | 0:10:43 | 0:10:45 | |
I'm going to go with carbonara again? | 0:10:45 | 0:10:47 | |
That's Top Dog's table. | 0:10:47 | 0:10:50 | |
But she's not here, is she? It's empty. | 0:10:50 | 0:10:51 | |
It's how it works here, Helen. | 0:10:51 | 0:10:53 | |
If you can't handle it, you know what you can do. | 0:10:53 | 0:10:55 | |
-What? -Nothing. There's nothing you can do. | 0:10:55 | 0:10:58 | |
You can't tell people where they can sit and can't sit. | 0:10:58 | 0:11:02 | |
OK? We are human beings, not... | 0:11:02 | 0:11:04 | |
..children. | 0:11:05 | 0:11:06 | |
We're talking about Top Dog here. | 0:11:06 | 0:11:09 | |
She once blinded someone with a cheese straw. | 0:11:09 | 0:11:13 | |
Really? Well, that doesn't scare me, and you know why? | 0:11:13 | 0:11:17 | |
Because I'm not scared of cheese. | 0:11:18 | 0:11:20 | |
SHE SLAMS TRAY DOWN | 0:11:20 | 0:11:22 | |
INMATES ARE SILENCED | 0:11:22 | 0:11:24 | |
Come on, Christine. | 0:11:36 | 0:11:38 | |
Come on, Christine! You can do this. | 0:11:46 | 0:11:50 | |
You're doing it! | 0:11:51 | 0:11:52 | |
I'm doing it! | 0:11:52 | 0:11:53 | |
You go, girl! | 0:11:55 | 0:11:56 | |
Me, go, me! | 0:11:57 | 0:11:59 | |
-Helen? -Yeah? | 0:12:11 | 0:12:14 | |
You make me a better woman. | 0:12:14 | 0:12:17 | |
Night night. | 0:12:17 | 0:12:18 | |
WOMAN SCREAMS | 0:12:24 | 0:12:26 | |
WOMAN SCREAMS | 0:12:30 | 0:12:34 | |
Arms up! | 0:12:34 | 0:12:37 | |
Ow! | 0:12:42 | 0:12:43 | |
That's for your girlfriend's minge. | 0:12:45 | 0:12:47 | |
She's not my girlfriend. | 0:12:47 | 0:12:48 | |
She's my cell mate. | 0:12:48 | 0:12:50 | |
Oh, Helen! That is lovely. | 0:12:51 | 0:12:53 | |
You're my soul mate too. | 0:12:53 | 0:12:54 | |
You were washing your girlfriend's flaps | 0:12:54 | 0:12:57 | |
under Top Dog's favourite showerhead, bitch. | 0:12:57 | 0:13:00 | |
Well, first of all, anyone with eyes can see | 0:13:00 | 0:13:03 | |
I wasn't washing her flaps. | 0:13:03 | 0:13:05 | |
And secondly, I know a lot of gay people. | 0:13:05 | 0:13:07 | |
Well, a gay man, anyway, and... | 0:13:07 | 0:13:09 | |
I don't want to hear you talking. It sounds shit. | 0:13:09 | 0:13:11 | |
Top Dog heard about your little performance in the canteen. | 0:13:11 | 0:13:15 | |
She ain't happy. | 0:13:15 | 0:13:16 | |
Well... | 0:13:16 | 0:13:18 | |
if you'd just let me finish my ablutions, then we can talk, but... | 0:13:18 | 0:13:21 | |
This is from Top Dog. | 0:13:21 | 0:13:23 | |
Pumice 'em right up. | 0:13:23 | 0:13:25 | |
THEY SCREAM | 0:13:25 | 0:13:27 | |
SCRUBBING NOISES | 0:13:27 | 0:13:29 | |
Calm down, for shit's sake! | 0:13:33 | 0:13:35 | |
It's nothing I haven't already seen on CCTV! | 0:13:35 | 0:13:38 | |
HE LAUGHS | 0:13:38 | 0:13:40 | |
Who did that? | 0:13:40 | 0:13:42 | |
I'm very disappointed in this posse. | 0:13:46 | 0:13:48 | |
Now, get out to the yard! | 0:13:49 | 0:13:51 | |
I said, get out to the yard! | 0:13:52 | 0:13:56 | |
Get out to the yard, please? | 0:13:58 | 0:14:00 | |
Please, get out to the yard? | 0:14:00 | 0:14:02 | |
Let's go. | 0:14:02 | 0:14:04 | |
I forgot my Veet. | 0:14:13 | 0:14:14 | |
Word of advice. | 0:14:16 | 0:14:17 | |
Don't drop the soap. | 0:14:17 | 0:14:19 | |
But this is a women's prison. | 0:14:19 | 0:14:21 | |
And? | 0:14:21 | 0:14:23 | |
Well, that only really works in men's prisons. | 0:14:23 | 0:14:26 | |
Don't get smart with me, flapjack. | 0:14:27 | 0:14:29 | |
How you doing today, Stephens? | 0:14:34 | 0:14:35 | |
Not that great, I've been wrongly imprisoned. | 0:14:35 | 0:14:38 | |
What are you, a 32B? | 0:14:38 | 0:14:40 | |
-What? -I see you looking at me. | 0:14:40 | 0:14:41 | |
You don't have to deny it. | 0:14:41 | 0:14:43 | |
-I deny it! -HE SNIGGERS | 0:14:43 | 0:14:46 | |
Maybe I'm not the right person to be talking to you like this, | 0:14:46 | 0:14:48 | |
given that I'm a warden and you're getting urges. | 0:14:48 | 0:14:52 | |
But I'm telling you man to woman | 0:14:52 | 0:14:56 | |
that you need to forget about appealing. | 0:14:56 | 0:14:59 | |
And if you do, I might just find a way | 0:14:59 | 0:15:02 | |
to make you feel a little happier in here. | 0:15:02 | 0:15:05 | |
And down there. | 0:15:05 | 0:15:07 | |
What do you say? | 0:15:08 | 0:15:10 | |
I'm a 34C, actually. | 0:15:10 | 0:15:12 | |
But how much of that is ribcage? | 0:15:12 | 0:15:13 | |
You've come to the right place, Mrs Cole. | 0:15:17 | 0:15:19 | |
It's a terrible, terrible thing that's happened. | 0:15:19 | 0:15:23 | |
But believe me when I say, | 0:15:23 | 0:15:25 | |
that petting zoo won't know what's hit it. | 0:15:25 | 0:15:28 | |
Do you know, in a way, I'm glad this happened. | 0:15:28 | 0:15:32 | |
Because if a child can't touch a goat without getting nipped, | 0:15:32 | 0:15:36 | |
it makes a mockery of the entire petting system. | 0:15:36 | 0:15:39 | |
CRASHING NOISE | 0:15:39 | 0:15:41 | |
What was that? Is someone in there? | 0:15:41 | 0:15:44 | |
Ssshh! Ssshh! | 0:15:44 | 0:15:45 | |
HE YELLS | 0:15:47 | 0:15:49 | |
You should be ashamed of yourself! | 0:15:52 | 0:15:55 | |
Please don't bite me again, Mummy! | 0:15:55 | 0:15:58 | |
I'd give it a minute. | 0:16:10 | 0:16:12 | |
SHE SPRAYS AIR FRESHENER | 0:16:12 | 0:16:15 | |
Mmm! Lavender. Very calming. | 0:16:17 | 0:16:20 | |
Also good for boils. | 0:16:20 | 0:16:22 | |
How are you doing today, Helen? | 0:16:23 | 0:16:25 | |
Not that great. I've been wrongly imprisoned. | 0:16:25 | 0:16:28 | |
I know you don't mean to, but sometimes you give off a vibe | 0:16:28 | 0:16:31 | |
like you don't want to be here. | 0:16:31 | 0:16:32 | |
A little birdie told me you were after an appeal. | 0:16:32 | 0:16:36 | |
(WHISPERS) Is that really how you want to play it? | 0:16:36 | 0:16:39 | |
Always thinking the grass is greener on the other side? | 0:16:39 | 0:16:42 | |
Carpe Diem, Helen. Do you know what that means? | 0:16:42 | 0:16:45 | |
What will be, will be. | 0:16:45 | 0:16:48 | |
Carpe diem, di-em. Do you know what I mean? | 0:16:48 | 0:16:52 | |
No. | 0:16:52 | 0:16:53 | |
Is this really the worst place to be? Eh? | 0:16:54 | 0:16:56 | |
BLOODCURDLING SCREAM | 0:16:56 | 0:16:59 | |
You want to lighten up, little lady! | 0:16:59 | 0:17:01 | |
Let your hair down. Enjoy yourself, yeah? | 0:17:01 | 0:17:04 | |
Right, get yourself down to the visitor's room. | 0:17:05 | 0:17:09 | |
Your sister's here. She has some horrific news to break to you. | 0:17:09 | 0:17:12 | |
So how come there's no hot water during the day? | 0:17:14 | 0:17:16 | |
This is the horrific news?! | 0:17:16 | 0:17:18 | |
I told them our stepfather had been kicked in the face by a horse. | 0:17:18 | 0:17:21 | |
We don't have a stepfather! | 0:17:21 | 0:17:23 | |
Well, we definitely don't any more. | 0:17:23 | 0:17:25 | |
So how comes I can't have a bath at three? | 0:17:25 | 0:17:27 | |
Because it's on a timer. | 0:17:27 | 0:17:29 | |
So how can I change that? | 0:17:29 | 0:17:30 | |
Change the timer! | 0:17:30 | 0:17:32 | |
Can you call a plumber? | 0:17:32 | 0:17:34 | |
I get one phone token a week. | 0:17:34 | 0:17:35 | |
I was going to use it to get out of prison. | 0:17:35 | 0:17:37 | |
But you're right, I should use it | 0:17:37 | 0:17:38 | |
-so you can have a hot bath in the afternoon. -Sweet! | 0:17:38 | 0:17:41 | |
-Where you going? -I've got to get back to my flat. | 0:17:41 | 0:17:43 | |
-My flat! -THE flat. | 0:17:43 | 0:17:45 | |
How are Mum and Dad? | 0:17:46 | 0:17:48 | |
Not great. | 0:17:48 | 0:17:49 | |
Apparently, someone at the golf club found out about your conviction | 0:17:49 | 0:17:53 | |
and it's made it very awkward for them to drink in the clubhouse. | 0:17:53 | 0:17:55 | |
So do you think it's a bad time to ask for money, | 0:17:55 | 0:17:57 | |
because Tony can't continue...? | 0:17:57 | 0:17:59 | |
You can't ask them for money, Helen! | 0:17:59 | 0:18:01 | |
It's not fair. They're old, they're retired, | 0:18:01 | 0:18:03 | |
and they've enough on their plate paying off my student loan. | 0:18:03 | 0:18:06 | |
Right, see you. | 0:18:06 | 0:18:07 | |
Don't forget to call the plumber, yeah? | 0:18:07 | 0:18:10 | |
Aargh! What are you doing? No! No! | 0:18:17 | 0:18:20 | |
Christine! | 0:18:22 | 0:18:23 | |
Lesbos! | 0:18:25 | 0:18:26 | |
All right, what is going on? | 0:18:26 | 0:18:28 | |
I want to know why there's been some misbehaving | 0:18:28 | 0:18:31 | |
from you two Chatham Pockets. | 0:18:31 | 0:18:33 | |
-Well... -Because, b-b-because, you, you, | 0:18:33 | 0:18:37 | |
you can't go around telling people where we can sit and can't sit. | 0:18:37 | 0:18:41 | |
W-w-we are human beings! | 0:18:41 | 0:18:44 | |
Not children! | 0:18:44 | 0:18:46 | |
Oh, I see. It's like that, is it? | 0:18:46 | 0:18:48 | |
Yeah, yeah, it is. | 0:18:48 | 0:18:50 | |
I might be in prison, | 0:18:50 | 0:18:51 | |
but I still have a choice. | 0:18:51 | 0:18:53 | |
And I no longer choose to eat standing up. | 0:18:53 | 0:18:57 | |
And as my cell mate, Helen, said, | 0:18:57 | 0:18:59 | |
you're just a nasty piece of work | 0:18:59 | 0:19:02 | |
who, like all bullies, picks on the weedy. | 0:19:02 | 0:19:04 | |
I didn't say that! | 0:19:04 | 0:19:07 | |
Because, to quote Helen, | 0:19:07 | 0:19:08 | |
"You're nothing but a lowlife excuse for a human being, | 0:19:08 | 0:19:11 | |
"who hides behind a group of mentally stunted..." | 0:19:11 | 0:19:15 | |
Helen was going to say "trolls", | 0:19:15 | 0:19:18 | |
but she said that would be insulting to trolls, so she said, "rat women, | 0:19:18 | 0:19:21 | |
"who trail after you like a long string of shit | 0:19:21 | 0:19:25 | |
"from a goldfish's bum hole." | 0:19:25 | 0:19:28 | |
I have...I've been COMPLETELY taken out of context! | 0:19:28 | 0:19:32 | |
Did I say that Helen then did an impression of you? Like... SHE SNORTS | 0:19:32 | 0:19:36 | |
To be fair, I had no idea what you looked like. | 0:19:36 | 0:19:41 | |
It's you! | 0:19:45 | 0:19:47 | |
Everyone, get out... | 0:19:48 | 0:19:50 | |
..NOW. | 0:19:52 | 0:19:54 | |
HE URINATES | 0:19:54 | 0:19:57 | |
DOOR OPENS LOUDLY | 0:20:01 | 0:20:03 | |
It's me, Helen Stephens! | 0:20:20 | 0:20:22 | |
You were my supply teacher at Mount Hill Senior School? | 0:20:22 | 0:20:25 | |
When Miss Seaward was having her hysterectomy? | 0:20:25 | 0:20:27 | |
Oh, my God! | 0:20:27 | 0:20:29 | |
What happened to you? | 0:20:29 | 0:20:30 | |
Well, well, well, | 0:20:30 | 0:20:32 | |
well, well, well, well. | 0:20:32 | 0:20:34 | |
Well. | 0:20:35 | 0:20:37 | |
We meet again. | 0:20:37 | 0:20:39 | |
Miss Grainger! | 0:20:39 | 0:20:40 | |
I barely recognized you without your underbite! | 0:20:40 | 0:20:44 | |
When'd you get your head brace off? | 0:20:44 | 0:20:46 | |
It was worth it. Your teeth look great! | 0:20:46 | 0:20:48 | |
Don't you talk about my teeth. | 0:20:48 | 0:20:50 | |
I don't want you to look at my teeth. | 0:20:50 | 0:20:52 | |
I don't want you to think about my teeth. | 0:20:52 | 0:20:55 | |
I don't want you to touch my teeth. | 0:20:55 | 0:20:56 | |
OK. I wasn't going to touch your... | 0:20:56 | 0:20:59 | |
You little shit! | 0:20:59 | 0:21:01 | |
You thought you were so clever back then, didn't you? | 0:21:01 | 0:21:04 | |
Oh, ha-ha-ha! | 0:21:04 | 0:21:06 | |
The supply teacher's got a head brace! | 0:21:06 | 0:21:08 | |
Let's all wear a coat hanger on our face to school. | 0:21:08 | 0:21:11 | |
Oh, hee-hee-hee! | 0:21:11 | 0:21:13 | |
Let's all hum continuously for an entire double period. | 0:21:13 | 0:21:16 | |
SHE HUMS | 0:21:16 | 0:21:19 | |
Oh, I know. | 0:21:24 | 0:21:26 | |
Let's spray paint "paedo" on the side of Miss Grainger's car, | 0:21:26 | 0:21:29 | |
when all she'd done was send a sixth former a Valentine's Day card. | 0:21:29 | 0:21:34 | |
Oh, come on. I was 15! That's not important! | 0:21:34 | 0:21:37 | |
We're in prison! | 0:21:37 | 0:21:38 | |
What's important now is that we stick together... | 0:21:38 | 0:21:41 | |
I might not have become an evil recluse, | 0:21:41 | 0:21:43 | |
if it wasn't for you, Stephens. | 0:21:43 | 0:21:45 | |
But as I now am one, I'm going to make the most of it. | 0:21:47 | 0:21:51 | |
I want you looking over your shoulder | 0:21:51 | 0:21:54 | |
every day you're in here. | 0:21:54 | 0:21:56 | |
Every move you make. | 0:21:56 | 0:21:58 | |
God! | 0:21:58 | 0:22:00 | |
I don't know what to say. | 0:22:00 | 0:22:01 | |
Sorry, I suppose. | 0:22:01 | 0:22:03 | |
Sorry I turned you into an evil recluse, | 0:22:03 | 0:22:06 | |
it was just a bit of fun that... | 0:22:06 | 0:22:07 | |
Too little, too late! | 0:22:09 | 0:22:13 | |
I'm the mummy here. You understand? | 0:22:13 | 0:22:16 | |
I'm...the mummy! | 0:22:16 | 0:22:20 | |
SHE BLOWS ON MAGAZINE | 0:22:20 | 0:22:22 | |
You're a dead bitch walking, Stephens. | 0:22:22 | 0:22:26 | |
SHE BLOWS ON MAGAZINE | 0:22:26 | 0:22:29 | |
OK! | 0:22:29 | 0:22:30 | |
But I can't help thinking | 0:22:30 | 0:22:32 | |
you might not want people knowing what I know. | 0:22:32 | 0:22:34 | |
Who you really are. | 0:22:34 | 0:22:37 | |
Which is, as far as I can remember, | 0:22:37 | 0:22:40 | |
a fully-grown woman who wet herself | 0:22:40 | 0:22:42 | |
in front of a class of 15-year-old girls. | 0:22:42 | 0:22:45 | |
You wouldn't dare. | 0:22:47 | 0:22:49 | |
(SHE GROWLS) Try me. | 0:22:49 | 0:22:50 | |
SHE COUGHS | 0:22:52 | 0:22:54 | |
THEY MOUTH | 0:22:58 | 0:23:00 | |
Can I help you? | 0:23:08 | 0:23:10 | |
It's me! It's Henry! | 0:23:10 | 0:23:12 | |
Henry Keating? From Contracts? | 0:23:13 | 0:23:15 | |
I've got the desk by the weeping fig plant. | 0:23:15 | 0:23:18 | |
Oh, yeah! No, of course! | 0:23:18 | 0:23:21 | |
Henry! It's good to see you. How did you...? | 0:23:21 | 0:23:24 | |
Your sister sorted it. | 0:23:24 | 0:23:25 | |
Apparently there's an hour-long episode of Eastenders on tonight, | 0:23:25 | 0:23:29 | |
so she'd have struggled to get back for that. | 0:23:29 | 0:23:31 | |
I see. | 0:23:31 | 0:23:33 | |
For you. | 0:23:33 | 0:23:35 | |
Well, I must say, prison agrees with you. | 0:23:37 | 0:23:40 | |
You look tickety-boo! | 0:23:40 | 0:23:42 | |
Thank you. | 0:23:42 | 0:23:44 | |
So how are things going with your appeal? | 0:23:44 | 0:23:47 | |
Not good. | 0:23:47 | 0:23:49 | |
My lawyer's on a go-slow until he gets paid. | 0:23:49 | 0:23:52 | |
Well, I don't want to seem over familiar, | 0:23:52 | 0:23:54 | |
but if you need some money... | 0:23:54 | 0:23:56 | |
Oh, no, I couldn't possibly! | 0:23:56 | 0:23:58 | |
-I insist. -No, that's too generous. | 0:23:58 | 0:23:59 | |
How much do you need? | 0:23:59 | 0:24:01 | |
Five grand. It's about five grand. | 0:24:01 | 0:24:03 | |
Right, well... | 0:24:07 | 0:24:09 | |
let's start with this £75. | 0:24:09 | 0:24:14 | |
I've easily got the rest tied up in my car. | 0:24:14 | 0:24:19 | |
Let me sell that and I'll transfer the cash into your lawyer's account | 0:24:19 | 0:24:23 | |
before you can say, "permanent visitors' pass!" | 0:24:23 | 0:24:25 | |
I don't know what to... | 0:24:27 | 0:24:29 | |
Oh, I don't know what to say, Henry. | 0:24:29 | 0:24:31 | |
Thank you? | 0:24:31 | 0:24:32 | |
Oh, thank you. | 0:24:32 | 0:24:34 | |
Now, is there anything else I can do for you? | 0:24:35 | 0:24:38 | |
Do you want me to read to you or...? | 0:24:38 | 0:24:39 | |
Well, maybe. | 0:24:39 | 0:24:41 | |
Do you think you could check something for me? | 0:24:41 | 0:24:43 | |
Course. | 0:24:43 | 0:24:46 | |
Well, the day before Mr Bridges died, | 0:24:46 | 0:24:47 | |
he asked me to courier a parcel. | 0:24:47 | 0:24:49 | |
And he asked me to pay by cash, not account. | 0:24:49 | 0:24:51 | |
I remember thinking, "That's odd." | 0:24:51 | 0:24:53 | |
Why wouldn't you put it through the business? | 0:24:53 | 0:24:55 | |
I can't help thinking it's to do with the murder. | 0:24:55 | 0:24:58 | |
Right. | 0:24:58 | 0:24:59 | |
So what's this? | 0:24:59 | 0:25:01 | |
I've just been playing it over and over in my head, | 0:25:01 | 0:25:03 | |
trying to remember the address on the package | 0:25:03 | 0:25:06 | |
and, well, this is the closest I've got. | 0:25:06 | 0:25:08 | |
Mashta Fembwick. | 0:25:08 | 0:25:11 | |
2090 Toadpole TS. | 0:25:12 | 0:25:16 | |
Manchasteton, IE. | 0:25:16 | 0:25:19 | |
Well, this changes everything. | 0:25:20 | 0:25:23 | |
-It's not an address that makes much sense to me... -Helen! | 0:25:23 | 0:25:26 | |
That's what Google's for. Leave it with me. | 0:25:26 | 0:25:29 | |
Thank you, Henry. | 0:25:29 | 0:25:31 | |
I can't tell you what a relief it is to have someone | 0:25:31 | 0:25:33 | |
-who actually wants to help. -It's funny, isn't it? | 0:25:33 | 0:25:35 | |
Because when we worked together, the only conversation we ever had | 0:25:35 | 0:25:38 | |
was when you asked me if I was in the queue for Curry Club. | 0:25:38 | 0:25:41 | |
Yeah, it's funny how things work out! | 0:25:41 | 0:25:43 | |
But now, you NEED me. | 0:25:43 | 0:25:46 | |
I mean, you're totally dependent on me. | 0:25:46 | 0:25:48 | |
Yeah, well, it's very kind of you to help me. | 0:25:48 | 0:25:51 | |
And I'm going to call my lawyer and try and get him back on the case. | 0:25:51 | 0:25:54 | |
Thanks again, Henry. | 0:25:55 | 0:25:56 | |
It's no problem. | 0:25:56 | 0:25:58 | |
I will LITERALLY bend over backwards | 0:25:58 | 0:26:01 | |
to get you out of this hell hole. | 0:26:01 | 0:26:03 | |
HE SNIFFS | 0:26:10 | 0:26:13 | |
Oh, OK. | 0:26:13 | 0:26:14 | |
-Bye! -Oh, Jesus! | 0:26:26 | 0:26:28 | |
-ANSWERPHONE BEEPS -'Tony! Good news! | 0:26:30 | 0:26:33 | |
'I've got your money! | 0:26:33 | 0:26:35 | |
'Well, £75 of it, anyway. | 0:26:35 | 0:26:36 | |
'Oh, and I've remembered an address that might be important. | 0:26:36 | 0:26:39 | |
'It could really help with the appeal. So, yay! | 0:26:39 | 0:26:41 | |
'Oh, this is Helen from prison, by the way.' | 0:26:41 | 0:26:43 | |
HE WHIMPERS | 0:26:49 | 0:26:51 | |
'Dear Maurice, thank you for your postcard. | 0:26:51 | 0:26:54 | |
'In response to your query, the answer is, yes, on occasion. | 0:26:54 | 0:26:57 | |
'but only when I'm in a committed relationship. | 0:26:57 | 0:27:00 | |
'I'm sorry to break this news to you by letter, | 0:27:00 | 0:27:02 | |
'but it looks like my visit to Kansas will have to be delayed. | 0:27:02 | 0:27:06 | |
'My appeal is taking longer than I envisaged. | 0:27:06 | 0:27:09 | |
'Although there is a small ray of light. | 0:27:09 | 0:27:11 | |
'My ex-colleague, Henry, has offered to help me. | 0:27:11 | 0:27:13 | |
'God bless him, whoever he is! | 0:27:13 | 0:27:16 | |
'I'm trying to stay strong, but it is hard. | 0:27:16 | 0:27:19 | |
'In many ways I envy you, Maurice. | 0:27:19 | 0:27:21 | |
'I wish my own future was as certain as yours. | 0:27:21 | 0:27:24 | |
'Anyhoo, write soon. | 0:27:24 | 0:27:25 | |
'All the best, Helen.' | 0:27:27 | 0:27:28 | |
Subtitles by Red Bee Media Ltd | 0:28:01 | 0:28:05 |