300 Years of French and Saunders French and Saunders


300 Years of French and Saunders

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This programme contains some strong language and adult humour.

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# Simply amazing, unique and new Every man's waking dream

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# Dazzling, eccentric, recherche Suave, the poetry... #

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I don't want to be in your bloody videos!

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Welcome to the French & Saunders show and our wonderful world

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of star-studded showbusiness and entertainment,

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back on the air again due to overwhelming public demand.

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-# French and Saunders

-Saunders

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# Ba-badoo-ee-oo... #

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-ALL:

-# French and Saunders

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# Ba-badoo-ee-oo... #

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# French and Saunders! #

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HEAVY ROCK MUSIC PLAYS

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Waaah!

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KNOCK AT DOOR Who is it?

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It's me - comedy partner.

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Please can I come in? I'm absolutely exhausted.

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WHISPERS: Damn!

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I tell you, if I have to think about sex one more time,

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I'm just going to faint.

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KNOCK AT DOOR

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Who is it?

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It's me.

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Who's me?

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It's Dawn French, your comedy partner.

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Why am I still having to tell you who I am?

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Cos I don't know who you are.

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It's been 300 cocking years!

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Well, come in, then.

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-Where are you?

-Here.

-Oh, there you are.

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Praise be.

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And I would say, "Blessed be the fruit," but I'm absolutely furious.

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Can you please just say "wings"?

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-Wings.

-Thank you.

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Praise be.

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Right, let me run this by you, OK? How long have you been in here?

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-300 years.

-Right, so that's pre-Gilead days, isn't it?

-Yes.

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-Right, you are not going to believe this.

-No, I'm not. I'm not, am I?

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-No.

-I'm not.

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Out there, I am the most fertile woman alive.

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All right?

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And I am 60, and I've got no tubes or eggs, so what's that all about?

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I don't know.

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-And let me just run this by you, see if you think it's all right.

-OK.

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As the Handmaiden, right, I have to be penetrated through my pants

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by my Commander whenever he feels like it

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just so that I can spread his seed.

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That's not right, is it?

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Let me show you what they do, right?

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Let me show you what they do.

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You, right, are the barren wife.

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Oh, thanks. Oh, thanks.

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Now everyone knows. You've told everyone now.

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Sorry to be so insensitive, but it's true, right?

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And you're cross and haughty, aren't you?

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You're sitting there. Just spread your legs, put them up there.

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Don't get funny.

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That ain't happening after 300 years, is it?

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Dream on, babe.

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They throw me down on the bed, right?

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Hold my hands, like that. Hold my hands. And he's on top of me, right?

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And he's penetrating me through my gusset

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and he's going, "Uh! Uh! Uh! Uh!" Like this.

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-Yeah.

-While you are watching.

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Yes, cos I want a baby, don't I? I say, "May the Lord open," don't I?

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Yes, listen, believe me, I want to give you a baby,

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may the Lord open and deliver a new keeper, praise be,

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but not as a human slave, if that's all right with you.

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Well, why don't you just run away before I beat you to oblivion?

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What, run out that door? Do you know what would happen?

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I would be stoned to death if I went out there.

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-Do you know what happens to me in this?

-No, can you not tell me?

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Cos I'm going to watch the box set all at once.

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Is Nicole Kidman in this one?

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-Well, no, not YET.

-Oh...

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This is the only television she currently ISN'T in, right?

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But, look, I can't hang around here all day

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because there's Eyes all over me.

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-Eyes. Are you Eyes?

-No, no, no.

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I'm not convinced.

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I have to get on.

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It's a very busy day because all I'm allowed to do

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is look straight ahead and buy loads of oranges.

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That's all I'm allowed to do.

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-Please say "wings".

-Wings.

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That's it.

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Right.

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Good morning, under His Eye.

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Under His Eye, good morning.

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You can close your legs now.

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I think I can see my grandad in there!

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Oh!

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# And basically

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# And basically

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# And basically I'm a star. #

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-We was all laughing at you in gym the other day.

-You weren't.

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-We were. We was all laughing at you in gym the other day.

-Why?

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Cos you had a great big poo stripe on your pants, that's why.

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I never had a poo stripe on my pants!

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-I didn't!

-Poo stripe, poo stripe!

-I never had a poo stripe on my pants!

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-You did!

-I didn't. At least my mother can sew!

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-Don't talk about my family.

-Your mother can't even sew properly.

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Don't talk about my family!

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Your family, your family, your family!

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Ha!

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Look at your legs!

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If you tell the doctor you don't want to go on the Pill,

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-you know what he'll do.

-What?

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He'll insert a UFO inside you, won't he?

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Do you know what one of those is, or not?

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Not.

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-Right. Other name - coil. Do you know what a Slinky looks like?

-Yes.

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Well, it's like a huge Slinky and it's got barbed wire on it

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and they squish it all up and stuff it up inside your bladder

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and it hooks on and it stops babies.

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The only drawback is, you can get out of control

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going up and down stairs, that's all.

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-You know Cookie Crew, right?

-I know Cookie Crew, all right?

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It's a name a bit like that, right? They're called the Cookie Crew.

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-Yeah.

-We could be called the Biscuit Rappers.

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Do you get it?

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Do you get it? Because, like, we're both rappers, aren't we,

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and we're both...biscuits.

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Not having second thoughts about the double wedding, are you?

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Oh, no, I think it's a really romantic idea.

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Now, what about, erm, we have to book a course of tanning sessions.

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-Tanning, yes.

-Manicure.

-Mmm.

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-Pedicure.

-Mm-hm.

-Bikini wax.

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Oh, I've had that done already.

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Oh, you'll be stubbly on the day.

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Ohhh!

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MEOWING So sweet!

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Ohhhh!

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This little kitten wonders where his mummy is.

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They're gorgeous!

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They're just so lovely and fluffy!

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Fluffy!

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Look at this one, Leanne.

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-It's a kitten jumping into a paper bag.

-Aw...

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-You know, that's reversible, Jackie.

-Oh, is it?

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Oh, kitten jumping OUT of a paper bag!

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-Ohhh, that's just darling...

-DOORBELL RINGS

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-Amazon!

-Oh!

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-More kitten toys?

-Yes.

-Ooh-ooh, exciting, exciting!

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Oh, look, Jackie!

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It's a Kitty Complex!

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-Any kitten would love that.

-I would love that.

-Yes. That's gorgeous!

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I would live in that.

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Oh, look!

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-Jackie?

-Yes?

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Do you think you'd ever get a real kitten, Jackie?

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No, Leanne, no.

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But why, Jackie?

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Because of the poo.

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Oh, the poo! Oh, the poo!

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Horrible!

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It's horrible! It's horrible!

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You feeling any better, then?

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-CROAKY VOICE:

-Your mother sucks jelly babies in hell!

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Oh, she does not.

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I've been looking at this Home Doctor book here

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and I think I might have put my finger on something.

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Have you got a temperature?

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SHE RASPS

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Stick out your tongue.

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Aaah...

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-MUFFLED:

-Aaah...

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That's nasty, isn't it? Well, I think we're looking at cystitis.

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She, apparently,

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is now having an affair

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with a man that's doing it

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-with a porcupine.

-No!

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Not porcupine, sorry.

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Concubine. That's what I'm trying to say.

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Delicious.

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I'm so glad you like it, Grandalf.

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Oh, hang on.

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What?

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You should have this cup.

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You should have this cup.

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-No, but, you see, I'm the giant. I have this big cup.

-I know that.

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That's why you should have this cup. I should have the big one.

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-It makes me look smaller.

-No, cos if you...

-No, no.

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Be like us and learn your trade on Crackerjack!

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25 years, man and boy.

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I'm a 45-year-old woman.

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-BOTH:

-Fandabidozi!

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Good morning.

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-Good morning.

-Sit down, please.

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What did the Krankies say to you?

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They said, "Fandabidozi."

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SHE SNIFFS

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Mmm.

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You wear Pretty Peach skin cream.

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SHE SNIFFS

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And sometimes Mum roll-on deodorant.

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Timber!

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Whee! Looka here! Mr and Mrs Lovey-Dovey.

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Mr and Mrs Lovey-Dovey-Dovey-Dovey-Dovey-Dovey.

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I reckon you're going to want to wrap your legs round him

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in a cabin tonight, ain't ya, missy?

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Mm-hm-hm!

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And if you think I'm going to lay nearby trying to sleep

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while you two wimble-wimble, pokey-pokey-friggy all night,

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well, you've got another one of them thinkings coming, cos I just ain't.

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GROWLING ROAR

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-VOICEOVER:

-Troy.

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Is there no-one else?

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SHOUTS: Is there no-one else?

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Arm!

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-VOICEOVER:

-How much hate could one person have?

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Don't push me.

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It's my time of the month.

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Help me on with my dress, Mummy.

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I'm not your mummy, I'm Mammy.

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Oh, my good God, Thelma.

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What are we going to do?

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I ain't going to give up now. I can't go back!

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Keep going.

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What do you mean?

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Go! Straight to comedy heaven, Louise.

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Immortalised for ever.

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ENGINE STARTS

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SHE GROANS

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SHE GROWLS

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I'm ruddy FUMING!

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I've just seen it. I've just seen it now.

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-I've just come from the pictures now.

-And? And what?

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And I'm not in it.

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I, the ACTUAL Wonder Woman,

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am NOT in the film named after me.

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-But why?

-They've used another person to play ME!

-I don't understand why.

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Why have they?

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I mean, back in the day, Lynda Carter at least called me up,

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asked my advice. They INVOLVED me. These people - nothing.

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Did they even ask you to audition?

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Audition?!

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I AM Wonder Woman!

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I don't have to audition! All right, let's do the checklist.

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All right, number one - am I the daughter of two gods?

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-Yes.

-Yes, I am.

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-Tick that box, because I am the daughter of Mars and Twix.

-Yes.

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-Tick! Number two - do I have super-fast reactions?

-Yes.

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Yes, I do. Throw those oranges at me now. Throw them at me.

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Oh, careful! Careful!

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I wasn't charged up yet. I wasn't ready.

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You could have had my eye out then.

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-Sorry, sorry.

-Right, number three - do I have super-fast running skills?

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Yes.

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Now, did you see that? I've just been to Land's End and back.

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I could have done it faster if I had a better bra on, obviously.

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Was it all right in Land's End?

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I think they've ruined it, haven't they, Land's End.

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-It's very touristy.

-Very touristy.

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It used to be wild, and now it's just a kiosk and some rides.

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Anyway, anyway, anyway, number four on the checklist -

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-do I have superlative musculature?

-Obvs.

-Yes, I do.

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-So, all boxes ticked.

-Yes.

-How dare they!

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Are you even earning anything from the new film?

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-Absolutely nothing, no, no.

-Not even getting something out the back end?

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I'm very sorry about that. I have got a gippy tummy, sorry.

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-I'm so sorry.

-No, I mean royalties.

-No, absolutely nada.

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To be honest, I feel redundant.

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Ooh! Ow!

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How's Thor feeling about it all?

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-Thor?

-Mm.

-He's in pieces.

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-And not just because they've got an Australian to play him.

-Yes.

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It's not that. He can deal with his own pain about that.

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It's more that he feels very defensive about his brother Loki.

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-Oh, played by Tom Hiddleston.

-Yes.

-Yes.

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-Tom Hiddleston! I mean, did you ever meet the real Loki?

-No.

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-He was an evil giant!

-Was he?

-Yeah.

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Not an Old Etonian English string bean, frankly!

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No! I've got to tell you, they are furious up there in Olympia.

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Absolutely.

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I wouldn't be surprised if another Armageddon is on its way

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if any more of this thoughtless casting continues.

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-And I'll tell you what really does upset me.

-Yes?

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It's all the people out there on the street, you know,

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because there was a woman out there

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looking at me just now and she's looking at me

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and she's thinking, "Oh, there's a woman dressed up like Wonder Woman."

0:17:160:17:19

And she doesn't know!

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But surely what's worse is, there's actual adults with brains

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-going to see these films.

-Yes! And BELIEVING them!

-Believing them.

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-Believing that those are the real people.

-Yes.

0:17:320:17:34

-Do you know what it makes me feel like?

-What?

0:17:340:17:36

It makes me feel like I don't want

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to attend any more disasters ever again.

0:17:380:17:40

-Oh, no!

-No, I'm throwing the towel in.

0:17:400:17:42

Oh, no! Don't be like that! Don't be like that!

0:17:420:17:46

Sort out your own catastrophes!

0:17:460:17:48

Go on, let's see if your expensive CGI and all your big props

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and all your sound effects and everything,

0:17:530:17:55

see if they save lives and rescue our planet!

0:17:550:17:58

-You all right?

-I'm sorry I'm ranting, Jen.

0:18:000:18:04

It's just, this stuff matters.

0:18:040:18:06

-Yes, casting's important, casting's important.

-Yeah, it is, yeah.

0:18:060:18:09

-Who would you approve of to play you?

-Oh, that's quite a good idea.

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Well, someone who looks like me for a start.

0:18:140:18:16

What about Catherine Zeta-Jones?

0:18:160:18:17

-Too old.

-Yes.

-Far too old.

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Far too old, yeah.

0:18:200:18:21

Er... Oh, I know - Cara Delevingne.

0:18:210:18:25

-Yes.

-Oh, yes.

-She's good.

-She'd be good. Or Beyonce is the spit for me.

0:18:250:18:30

-Yes.

-Yeah, yeah.

0:18:300:18:32

Well, I understand your anger at the casting, but can you imagine

0:18:320:18:36

how Batman feels with all the people that have played him?

0:18:360:18:39

-Can you imagine how the actual Batman feels?

-Batman?

0:18:390:18:42

Yes, the actual Batman.

0:18:420:18:44

Batman's dead, Jennifer.

0:18:440:18:46

The actual Batman?

0:18:480:18:50

Batman wasn't immortal, was he? He's not a god, like me.

0:18:500:18:53

Don't you know that?

0:18:530:18:54

Oh, no. Oh, no, this is awful.

0:18:540:18:58

You didn't even know that, did you?

0:18:590:19:01

Sometimes you do say silly, stupid things and you end up

0:19:010:19:04

looking like a complete idiot, and this is one of those moments.

0:19:040:19:08

I have to say I'm dripping with humiliation

0:19:080:19:11

even standing near you, I have to say. Just cut me out of this.

0:19:110:19:13

I don't want to be associated with this. Keep it on her.

0:19:130:19:16

Point it to her. Look at the idiot. Look at the IDIOT!

0:19:160:19:20

Look at her. Look at her.

0:19:200:19:22

Now we're back in the cottage in Wiltshire

0:19:240:19:28

with Giles and Mary.

0:19:280:19:31

-You know what the problem with those two is, don't you, Nutty?

-Yes, Mary.

0:19:350:19:39

Is it their Kleinian need to misbehave,

0:19:390:19:42

thereby revisiting their childhood?

0:19:420:19:46

-Blood and sand!

-What's the matter?

-Blood and sand! I've cut my finger!

0:19:460:19:49

What, completely off?

0:19:490:19:51

No, it's just sort of dangling.

0:19:510:19:53

No, Nutty.

0:19:550:19:56

-Uh?

-It's too much...

0:19:560:19:59

-Chocolate?

-Coffee.

0:19:590:20:02

Coffee.

0:20:020:20:04

Yes.

0:20:040:20:06

VEHICLE APPROACHES

0:20:060:20:08

Got ya! Where's the other bloody bugger? I was going for a brace.

0:20:190:20:22

In the wheel arch, here with me. There you are.

0:20:220:20:26

-Wonderful! I'll get the tractor to you later.

-All right.

0:20:260:20:30

Did you find that funny, Mary?

0:20:300:20:33

You don't really have a sense of humour, do you, Nutty?

0:20:350:20:38

I do, Nutty. You know I do, Nutty.

0:20:380:20:41

You know what the problem with these two is, don't you, Nutty?

0:20:440:20:47

Yes, Nutty.

0:20:470:20:49

Coffee.

0:20:490:20:51

No, Nutty.

0:20:520:20:54

Skunk.

0:20:540:20:55

-TV:

-And now a Christmas message from Sue Lawley.

0:20:570:21:00

-BOTH:

-Sue Lawley?!

0:21:000:21:02

Well, let's hope that's the last we see of those two, Nutty.

0:21:050:21:09

Oh, you're not even there.

0:21:110:21:13

Yes, I am, Nutty.

0:21:160:21:18

But only just.

0:21:190:21:21

Now, some of you may remember that, some time ago,

0:21:220:21:25

we visited the lively duo who run Prickly Pear Farm,

0:21:250:21:29

and we've popped back there from time to time

0:21:290:21:31

to see how the enterprise is progressing.

0:21:310:21:33

Let's have a look back to remind ourselves.

0:21:330:21:35

Whatever animal's done this has got a tummy upset and worms.

0:21:350:21:40

I'd stake my trousers on it.

0:21:400:21:43

Yeah, that's Rex, that one.

0:21:430:21:45

It's Rex, isn't it, Dot?

0:21:450:21:47

-Yeah, we just seen him do it.

-Yeah, it's Rex, thank you.

0:21:480:21:52

SHE SNIFFS

0:21:520:21:53

I tell you what else we do just to make a few bob is dog looky-likeys.

0:21:560:22:01

Who do you think it is?

0:22:010:22:02

It's Posh Spice.

0:22:020:22:04

Looks exactly like her, doesn't it?

0:22:040:22:06

Our film crew went down to Prickly Pear Farm

0:22:060:22:09

to see how things are going now.

0:22:090:22:11

So, as you know, we're always looking for ways

0:22:110:22:14

to keep changing and trying to keep going and, at the moment,

0:22:140:22:18

we're diversi-fucking into having burials here, natural burials.

0:22:180:22:24

All dead, aren't they?

0:22:240:22:26

-Yeah, they're all dead before we bury them.

-All dead.

-Yeah.

0:22:260:22:30

Except the one that just... He sits up, doesn't he, that one.

0:22:300:22:33

He sits up, goes, "Good morning! Good morning!"

0:22:330:22:36

No, no, no, that was your father, wasn't it?

0:22:360:22:38

He was just having a nap and you rolled him up in a sheet,

0:22:380:22:41

didn't you, so we nearly did bury him after all!

0:22:410:22:44

But we didn't in the end cos he wasn't dead.

0:22:440:22:47

Yeah, so it's a registered natural burial ground.

0:22:470:22:50

-Yeah, not registered, is it?

-Ssh.

0:22:500:22:53

So, there's 60 million humans in this country

0:22:560:23:00

that's going to die in a minute, and what are we going to do with them?

0:23:000:23:03

And so we thought, "Well, let's return them to the worms

0:23:030:23:06

"and give them a nice natural burial

0:23:060:23:10

"and make it all environmentally friendly, so..."

0:23:100:23:13

Oh, careful! Careful!

0:23:130:23:15

Oh, you haven't buried that one in deep enough! I told you about that!

0:23:150:23:20

-Bury them deeper!

-Too tall, that one.

-Go, over there.

0:23:200:23:24

Obviously there's rules about it.

0:23:240:23:27

You're not allowed to bury 'em near water

0:23:270:23:30

because otherwise you get floaters, and nobody wants that.

0:23:300:23:34

This is our lovely memorial bench, we've got a lovely rose bush there,

0:23:340:23:38

and people comes here to mourn and grieve and sit here and cry

0:23:380:23:42

and regret everything, and they have a lovely time just...

0:23:420:23:46

You've...

0:23:490:23:51

You've put the bench on top of one of the graves here.

0:23:510:23:54

I've told you about that before!

0:23:540:23:56

Always measure your departed human.

0:23:560:24:00

Don't worry about that.

0:24:030:24:05

That's just natural gas escaping from the dear departed.

0:24:050:24:09

No naked flame now.

0:24:090:24:11

You see, there's loads of money in this.

0:24:110:24:13

See, just in that little plot over there, what is there,

0:24:130:24:16

ten graves there? That's 30 quid a head. What's that? Ten 30s...

0:24:160:24:20

220 quid! There's fields of gold!

0:24:200:24:24

SHE CACKLES

0:24:240:24:26

Measure it, measure it. One, two, three, four, five, six.

0:24:330:24:37

One, two, three, four, five, six.

0:24:370:24:39

And this is where we carefully store those what is waiting to be

0:24:410:24:46

what we like to call "deterred".

0:24:460:24:49

It's not deterred, is it? What's the word?

0:24:490:24:52

-Interred.

-Interred.

0:24:520:24:54

"In-TURD"?

0:24:540:24:56

Are you sure? That's dirty, isn't it?

0:24:580:25:00

You're having a laugh, ain't you?

0:25:000:25:03

Here she is.

0:25:040:25:06

-What are you doing?

-I can't get that ring off, I can't get...

0:25:060:25:09

No, no, leave it, leave it, leave it!

0:25:090:25:11

Just leave that!

0:25:110:25:12

-So, as you can see, we have three humans here waiting...

-Four.

0:25:120:25:17

-No, three.

-Four humans.

-One, two...

0:25:170:25:20

Well, that one was supposed to go two weeks ago.

0:25:200:25:22

No wonder there's such a whiff in here!

0:25:220:25:25

You should stop playing Furious Birds and do what I tell you!

0:25:250:25:28

KNOCK AT DOOR

0:25:280:25:30

Yes?

0:25:330:25:34

-Oh, sorry for your loss.

-Mr and Mrs Bentley.

0:25:340:25:37

Yeah? I don't...

0:25:370:25:38

-Edna Bentley.

-Right, have you got a receipt?

0:25:380:25:41

-No.

-Well, do you know where she is? Erm...

0:25:410:25:43

-Edna Bentley.

-Did he have bosoms?

-Yes, I think so.

-That's him there.

0:25:450:25:50

-No, ssh. Ssh!

-That's him there,

0:25:500:25:51

that's him there, that's him there.

0:25:510:25:54

Edna is deterred three mounds from the left up there, so off you go.

0:25:540:26:00

Blessings in abundance and internal damnation.

0:26:000:26:03

It doesn't matter if they're bereaving over the wrong one,

0:26:030:26:06

does it? They'll never know unless they dig her up.

0:26:060:26:08

They're not going to dig her up cos she's here.

0:26:080:26:11

Anyway, it's about the send-off, really, isn't it?

0:26:110:26:13

We like to give them some lovely words of comfort, don't we, like...

0:26:130:26:17

-Oh...

-Goodbye, Fred. You is...dead.

0:26:170:26:21

Yeah, that, or fear not death, 'tis only in another room.

0:26:210:26:26

Naked flame!

0:26:370:26:39

-Damn it! Extinguisher!

-Buggers!

-Quick!

-Stupid buggers!

0:26:420:26:46

-What have they done?

-Stupid bloody buggers!

0:26:460:26:49

Don't look at me with your father's eyes!

0:26:500:26:53

It is possible to be a socialist AND have staff, you know, darling!

0:26:540:26:58

-Have you seen the bastard recently? Hmm?

-Are you referring to Dad?

0:27:050:27:08

Oh, Dad! Dad!

0:27:080:27:10

Give him a little title to justify his puny existence, why don't you?

0:27:100:27:13

-Dad!

-Yes, I saw him yesterday.

0:27:130:27:15

Well, I don't know why you don't just live with the bloody prick

0:27:150:27:18

full time since you seem to bloody love him so bloody much!

0:27:180:27:21

No-one cares what I think! You never care for my feelings, darling.

0:27:210:27:25

Well, bugger, bugger, bollocks to all of you!

0:27:250:27:27

Hello, I'm Joanna Lumley.

0:27:280:27:31

Much as I've loved working with French and Saunders,

0:27:310:27:33

and funny as they are - and they ARE funny -

0:27:330:27:37

I've got a very busy life of my own now.

0:27:370:27:40

I've got auditions lined up, lots of auditions.

0:27:400:27:43

My next one is for London Underground.

0:27:430:27:45

"Mind the gap." "Stand clear of the closing doors."

0:27:450:27:48

So, could you please get me off their database?

0:27:480:27:51

And, Jennifer, stop stalking me!

0:27:510:27:53

Lose my number!

0:27:530:27:54

Bye!

0:27:540:27:56

# When you move in right up close to me

0:27:590:28:03

# That's when I get the shakes all over me... #

0:28:060:28:11

MUSIC: I'm Not In Love by 10CC

0:28:160:28:20

MUSIC: Shout by Lulu

0:28:280:28:32

POUNDING DANCE MUSIC PLAYS

0:28:370:28:40

From Bristol, it's best friends Mary and Marina.

0:28:450:28:51

POUNDING DANCE MUSIC PLAYS

0:28:530:28:54

-I'm happy, I'm happy. I'm coming out.

-Him there. You see him?

0:28:590:29:03

I want him out, cos that ugly beard

0:29:030:29:05

is just blending with that bush over there.

0:29:050:29:07

And by "bush",

0:29:070:29:09

of course, they're not talking about Dolly Background's privates.

0:29:090:29:13

Come on, let's bung this up.

0:29:130:29:14

Oh, God, you've got naughty hair, haven't you?

0:29:140:29:16

-Yeah.

-Ow!

-Oh, shut up!

0:29:160:29:18

Take the pain, bitch!

0:29:180:29:20

-Oh, we don't care who's a gay, do we?

-No.

0:29:200:29:23

-We don't care who's in, who's out.

-No.

-Who'll be back in five minutes.

0:29:230:29:28

Well, they don't say "gay" any more, do they?

0:29:280:29:30

They says, er, LG...BLT, or something, you know.

0:29:300:29:35

-Yeah, because it's L-Jelly Bean King.

-Is it?

-Isn't it?

0:29:350:29:41

-Yeah, cos they named the condition after her.

-Oh!

0:29:410:29:44

Right, cos she was the first lesbian discovered, weren't she?

0:29:440:29:48

And they say Q now, don't they?

0:29:480:29:49

They say Q - B&Q.

0:29:490:29:51

No, no, no! BGT, innit?

0:29:510:29:54

-No, that's Britain's Got Talent.

-Oh, yeah.

0:29:540:29:56

Yeah.

0:29:560:29:58

-All of my backing singers have been killed in a car crash!

-Oh, tragic!

0:29:580:30:02

You don't happen to know any of my songs at all, do you?

0:30:020:30:05

-Only all of them.

-Truly. We do, yeah. Try us.

-Right, right.

0:30:050:30:09

# The only one who could ever reach me

0:30:110:30:14

-# Uh-uh!

-Was the son of a preacher man

0:30:140:30:17

# The only one who could ever teach me

0:30:170:30:20

-# Uh-uh!

-Was the son of a preacher man

0:30:200:30:23

# Yes, he was

0:30:230:30:24

# He was

0:30:240:30:26

# Oh... #

0:30:260:30:27

Key change.

0:30:270:30:28

# ..Yes, he was. #

0:30:280:30:31

But we've got Clare Balding now. That's all that matters.

0:30:310:30:34

No, I love her. I love her.

0:30:340:30:35

Knows what she's talking about whatever the subject,

0:30:350:30:38

even if she don't, doesn't she?

0:30:380:30:39

Yeah, yeah.

0:30:390:30:41

-We don't care who's doing what to who any more, do we?

-No!

0:30:410:30:44

Nowadays, we're gender fluid.

0:30:440:30:47

-Well, speak for yourself.

-No, I'm dry.

0:30:470:30:49

I'm dry.

0:30:490:30:51

You're not always dry, are you?

0:30:510:30:53

I'm all right.

0:30:550:30:56

SHE GROANS

0:30:560:30:59

Is that an ear?

0:31:080:31:10

Yes, it is, yes.

0:31:110:31:14

Been working down the lab and they couldn't find a mouse big enough.

0:31:140:31:17

-Knock-knock!

-Come in!

0:31:170:31:19

Oh, goodness me!

0:31:190:31:21

-What's that?

-It's a baby. It's the Giant's baby.

0:31:380:31:41

You know the film's out and you know it's based on me, right?

0:31:430:31:46

-The Little Mermaid.

-No, Pocahontas!

0:31:460:31:49

So, plain card, right? And watch these magic fingers.

0:31:500:31:56

And there we go - doily!

0:32:050:32:07

I'm almost unbelievably beautiful, aren't I?

0:32:090:32:12

-Are you?

-Yes, I am, yes.

0:32:120:32:14

Flawless.

0:32:160:32:17

CALIFORNIAN ACCENT: Yeah, and I'm so excited.

0:32:180:32:21

Yah, he was excited and we loved the trip. We had such a good time.

0:32:210:32:26

I know!

0:32:260:32:28

-CALIFORNIAN ACCENT:

-Oh, my God, I'm so pretty!

0:32:280:32:30

Oh, my God! Oh! Oh! Oh!

0:32:300:32:33

Oh, get away! Oh, my God, what is that?

0:32:330:32:35

Ow! Ow!

0:32:350:32:37

-Oh, it's just my big fat ass.

-Yeah.

0:32:370:32:39

I thought it was someone else. It was just my own ass.

0:32:390:32:42

You're so pretty!

0:32:420:32:44

Oh, my God!

0:32:440:32:46

You're so pretty!

0:32:460:32:48

-You look so pretty!

-You're so cute! You're so cute!

0:32:480:32:53

-Like, will you help me clean out my closet?

-No, I can't.

0:32:530:32:55

Oh, my God, cos I'm, like, so exhausted.

0:32:550:32:58

-I feel, like, so stressed.

-And I'm so excited.

-Completely stressed.

0:32:580:33:02

Oh, God, you look so pretty!

0:33:020:33:04

Oh, thank you! I love you! I love you!

0:33:040:33:09

I love you!

0:33:090:33:10

NORMAL ACCENT: Wait, wait, wait, wait, wait...

0:33:100:33:12

-NORMAL ACCENT:

-What? What, what?

0:33:120:33:15

You haven't blended. Look.

0:33:150:33:16

No, don't worry about that. Don't worry about that.

0:33:160:33:19

-CALIFORNIAN ACCENT:

-Like, ever since Paris,

0:33:190:33:21

I feel, like, so anxious all the time.

0:33:210:33:23

Yeah, I'm so excited.

0:33:230:33:27

NORMAL ACCENT: This is ridiculous! Can we just stop this, please?

0:33:270:33:30

-What are you doing? Stop it!

-Stop it!

0:33:300:33:32

-Yes, stop it because it's ridiculous.

-What, what?

0:33:320:33:36

What are you doing?

0:33:360:33:37

I just don't understand why we're doing this.

0:33:370:33:39

Because we're connecting with the kids. We're being relevant.

0:33:390:33:41

What kids? What kids?!

0:33:410:33:44

I'm looking at a sea of grey!

0:33:470:33:49

What, kids that happen to be watching it

0:33:510:33:52

by mistake at their granny's?

0:33:520:33:55

Those kids?

0:33:550:33:56

-This is ridiculous, Dawn!

-No, it isn't.

0:33:580:34:00

Look at you! Look at you!

0:34:000:34:01

You've missed the whole point of it.

0:34:010:34:03

Because I won't look like this when it goes out, will I?

0:34:030:34:07

-What do you mean?

-No, all of this will be much smallened here.

0:34:070:34:11

Everything here will be flattened, that will be biggened

0:34:110:34:13

and smoothened round, and all of this will be blended.

0:34:130:34:17

I'll be totally airbrushed.

0:34:170:34:19

Will I be airbrushed?

0:34:190:34:21

No, you're going to look crap, like that.

0:34:210:34:23

Oh, God, I hate you! I HATE YOU!

0:34:230:34:26

-CALIFORNIAN ACCENT:

-Just concentrate on this.

0:34:270:34:29

Let's break the internet.

0:34:290:34:32

# Oh, yeah, yeah

0:34:340:34:37

# Yeah. #

0:34:380:34:40

Ladies and gentlemen, it is my privilege to introduce Kiki Dee!

0:34:400:34:44

# Don't go breaking my heart

0:34:470:34:50

# I couldn't if I tried... #

0:34:500:34:52

# Throw the dice Let's spin the wheel to see

0:34:520:34:56

# If our love is now a casualty

0:34:560:34:59

# C'est la vie, c'est la vie

0:34:590:35:03

# C'est la, c'est la, c'est la vie

0:35:030:35:04

# Say good for you Say bad for me

0:35:040:35:06

# Quite bad for me

0:35:060:35:08

# C'est la vie, c'est la vie

0:35:080:35:10

# C'est la, c'est la, c'est la vie

0:35:100:35:12

# Say what will be will be will be

0:35:120:35:14

# Be-be-be-be-be-be-be... #

0:35:140:35:15

# Cross my heart and count to ten... #

0:35:150:35:19

Hello, I'm Caroline.

0:35:190:35:22

And I'm Sharon.

0:35:250:35:27

And I'm Andrea.

0:35:320:35:34

Jim!

0:35:340:35:36

# You shouldn't be

0:35:360:35:39

# Here I am

0:35:410:35:43

# Please try to think of me... #

0:35:430:35:45

# Way back when

0:35:450:35:46

# The world was brighter then

0:35:460:35:49

# And when the bride danced the night away... #

0:35:490:35:54

# I am a man, yes, I am

0:35:540:35:56

# With a big responsibility... #

0:35:560:35:59

Ssh, be quiet!

0:35:590:36:01

# Turn a feather head

0:36:030:36:05

# It's so normal

0:36:050:36:07

# Unless everybody hops

0:36:070:36:09

# Then it's crazy

0:36:090:36:11

# Play it with pants instead

0:36:110:36:13

# And that is DIPPY! #

0:36:130:36:15

# Yeahhhhh... #

0:36:180:36:20

# They say our love won't pay the rent

0:36:410:36:44

# Before it's earned Our money's all been spent

0:36:440:36:48

# I guess that's so We don't have a pot

0:36:510:36:53

# At least I'm sure of all the things we got... #

0:36:530:36:58

# Magic flies like a crystal vision...

0:36:580:37:04

# Within her heart like a bird in flight

0:37:040:37:09

# If I can be your daughter... #

0:37:090:37:12

# Come on, people, on the floor

0:37:150:37:17

# Get into the groove... #

0:37:170:37:20

They invited me onto one of their shows to sing a nice song,

0:37:280:37:31

then they shot me.

0:37:310:37:33

# We-e-e-e-e-ell...#

0:37:330:37:36

And then nothing - not another word.

0:37:440:37:50

I need to speak to you, George Warleggan.

0:37:580:38:00

I have nothing to say to you, Demelza.

0:38:000:38:02

Don't you walk out on me!

0:38:020:38:05

BOTH: Fa-fa-fa, fa-fa-fa...

0:38:050:38:08

-<

-Cut!

0:38:080:38:10

I'm sorry, what were you saying?

0:38:100:38:12

-Fa-fa-fa.

-We're fa-fa-ing.

-Yes.

-We're not angry rhubarb like them.

0:38:120:38:16

We're fa-fas. Fa-fa-fa-fa!

0:38:160:38:18

Can you just say nothing?

0:38:180:38:20

Going again.

0:38:200:38:22

Nothing?

0:38:220:38:24

I need to speak to you, George Warleggan.

0:38:260:38:27

I have nothing to say to you, Demelza.

0:38:270:38:30

Don't you walk out on me.

0:38:300:38:31

-MIMICS PARROT:

-Pretty Polly! Pretty Polly!

-Cut!

0:38:310:38:34

No, I didn't say a word. That was the parrot.

0:38:360:38:39

That was the parrot speaking. Silly parrot!

0:38:390:38:41

Can we lose the parrot?

0:38:410:38:43

-But this is my husband's parrot.

-Yes, she would have the parrot.

0:38:430:38:45

He's a seaman. He's away at sea. This is all I have of him.

0:38:450:38:49

Well, this and our poorly baby. This baby's got typhoid

0:38:490:38:53

so the parrot is a great comfort to me.

0:38:530:38:55

And I would have a parrot in these days, wouldn't I,

0:38:550:38:58

and these are the days just before The Onedin Line.

0:38:580:39:00

When does it become The Onedin Line? Is there a set date?

0:39:000:39:04

Reset. Five minutes.

0:39:040:39:07

-Is that our friend over there?

-Where?

-I don't want to point.

-Where?

0:39:080:39:13

Two o'clock, two o'clock. No, my two o'clock. Six o'clock, six o'clock.

0:39:130:39:17

There. There!

0:39:170:39:18

Oh, yes, that's him, that's him.

0:39:180:39:20

-BOTH:

-What's his name?

0:39:200:39:23

Helligan, is it?

0:39:230:39:24

Hello! No, no, no, no, no. I know, you hate this, don't you?

0:39:270:39:32

This is awful, isn't it?

0:39:320:39:34

-Charged up to you, haven't asked you any permission.

-We're not riffraff.

0:39:340:39:39

We're not the angry rhubarb-rhubard-rhubarb.

0:39:390:39:41

-We're actually fa-fas.

-We're not the great unwashed.

-No.

0:39:410:39:45

Do you want another picture?

0:39:450:39:46

-Of what, sorry?

-Me.

0:39:460:39:49

No, no, no, no, no, no.

0:39:490:39:51

I've already WhatsApp'd the 200 we did of you to my son in Dubai, yes.

0:39:510:39:56

-He was a bit disappointed.

-Oh, why?

0:39:560:39:59

-Cos he wanted Aidan, really.

-Yes, the actual Poldark.

-No, no, don't...

0:39:590:40:04

-You could help us.

-Yes, we could ask you this.

0:40:040:40:07

-You are an actual member of high society.

-A fa-fa.

0:40:070:40:10

A real fa-fa, and do you think it's right

0:40:100:40:13

that all the posh people have been given the lines in this?

0:40:130:40:16

Because we have been singled out to say absolutely nothing in this,

0:40:160:40:20

-haven't we?

-Yes.

-And yet we are the people with the huge body of work.

0:40:200:40:25

Yes, yes. Are you familiar with our work?

0:40:250:40:28

-Fa-fa-fa!

-Fa-fa!

0:40:280:40:32

Foo-fa!

0:40:340:40:36

-Cut! CUT! What the

-BLEEP

-is that?

0:40:360:40:39

-What the

-BLEEP

-is that, you

-BLEEP

-sons of bitches?

0:40:390:40:43

AIR WHOOSHES

0:40:440:40:47

Cut!

0:40:470:40:48

We brought them from home...

0:40:490:40:52

Roy, why did you book these two?!

0:40:520:40:54

I want a word with you in the Vic. Now.

0:40:540:40:56

-Kat, darling, I've got to work the stall.

-No, now!

0:40:560:40:58

Doof-doof, doof-doof-doof-doof...

0:41:000:41:02

THEY HUM THE EASTENDERS THEME

0:41:020:41:06

-Really quite an oeuvre.

-Oh, thank you, kind sir!

0:41:130:41:18

-He's hating this, isn't he?

-It's awful. Isn't it awful?

0:41:180:41:21

Can I ask you something, George Fourleggan? Are you staying nearby?

0:41:210:41:25

-No, don't ask him that.

-No?

-No, don't ask him that.

0:41:250:41:27

-He can't answer it. Can you?

-No.

0:41:270:41:30

No.

0:41:300:41:31

Right, we're just wondering

0:41:310:41:32

if you've done anything traditional or local at all

0:41:320:41:34

while you've been in Cornwall?

0:41:340:41:36

Have you been to Trago Mills?

0:41:360:41:37

It's very good there, yes.

0:41:370:41:39

Or Granny Wobbly's Fudge Pantry?

0:41:390:41:42

He's laughing at that. It's not funny. It's an actual place.

0:41:420:41:45

-Granny Wobbly's Fudge Pantry.

-Yes, yes.

0:41:450:41:48

-Isn't your son something to do with fudge?

-Yes, yes.

0:41:480:41:51

My son is a fudge-packer,

0:41:510:41:53

according to his friends in Dubai, isn't he?

0:41:530:41:55

I've never seen any evidence of the actual fudge.

0:41:550:41:58

He doesn't bring any of it home,

0:41:580:41:59

not even the stuff that no-one wants that comes out the back.

0:41:590:42:02

-That's my favourite stuff.

-Do you need anything?

0:42:020:42:05

Oh, here's Demelza!

0:42:050:42:06

Here she is. She's come to rescue him. You stay there.

0:42:060:42:10

She's come to pretend that he's needed in make-up when he isn't.

0:42:100:42:14

-He doesn't need make-up.

-No.

-You know who never needs make-up?

0:42:140:42:16

Aidan!

0:42:160:42:18

Yes, she's a little bit soft on Aidan, aren't you?

0:42:180:42:20

Tell Demelza about Aidan. Don't get jealous.

0:42:200:42:23

About when he had his shirt off, you know,

0:42:230:42:25

and he was in the fields with his shirt off.

0:42:250:42:27

-Probably best not to mention that.

-No, don't mention that.

0:42:270:42:29

It was a long time ago.

0:42:290:42:31

We've done quite a lot of really good work since then.

0:42:310:42:33

-Yes, of course. Yes, of course, we completely respect that.

-Yes.

0:42:330:42:38

-Oh, is that Aidan over there? Is that him there?

-It is.

0:42:380:42:42

Oh, I think it is! Oh, my goodness!

0:42:420:42:44

Aidan! Captain Poldark!

0:42:440:42:46

My friend here's got something she'd like to tell you.

0:42:460:42:49

-It's a lovely thing.

-When you were in the fields with your chest out.

0:42:490:42:53

Yes, when you were scything the ripe corn, and you were sweating a lot.

0:42:530:42:56

She only wants to tell you about...

0:42:560:42:57

-Aidan!

-Aidan!

-Aidan! Where's he going?

0:42:570:43:00

-Aidan!

-Aidan!

-Aidan!

-Aidan!

-Aidan!

-Aidan!

-Aidan!

-AIDAN!

0:43:000:43:03

-Aidan!

-AIDAN! What's his second name?

-Poldark. Poldark!

-Poldark!

0:43:030:43:08

-Poldark!

-Poldark!

-POLDAAARK!

-What is the matter with him?

-Just stop!

0:43:080:43:12

Stop!

0:43:120:43:14

Hang on, hang on, hang on, wait.

0:43:140:43:16

We have done four series.

0:43:160:43:19

That is hours of acting

0:43:190:43:21

and rehearsing, where we have to find within us

0:43:210:43:24

that empty void that is ready then to fill

0:43:240:43:26

with the character's feelings - pain, joy, ART,

0:43:260:43:30

to charge relationships with believable reality,

0:43:300:43:34

-to cry, to love, to hate.

-Absolutely. I've buried children.

0:43:340:43:38

I've worn a very, very tight corset.

0:43:380:43:40

I've got a very uncomfortable collar. Tell them about the mascara.

0:43:400:43:44

I have had to work for the past four series without mascara.

0:43:440:43:47

Do you any idea how brave that is?

0:43:470:43:51

And all you remember is that scene.

0:43:510:43:54

-Yes.

-Yes.

0:43:550:43:57

It's just because he has that little bit of skin on him down here.

0:43:590:44:03

This wouldn't be allowed if he was a woman.

0:44:030:44:05

You know, cos when a man pulls his trousers down low,

0:44:050:44:07

there's that man shape,

0:44:070:44:09

I don't know what it is, and there's that bit of skin there

0:44:090:44:12

and I like to imagine that, when he wakes up in the morning,

0:44:120:44:15

he smells of biscuits...

0:44:150:44:17

Stop it! Don't worry about her. She's no danger.

0:44:170:44:20

She won't act on anything. She's dead from the waist down.

0:44:200:44:23

Seriously, though, if you were a man letching over a woman

0:44:230:44:25

the way you letch over him,

0:44:250:44:27

I could have you reported and taken off this set.

0:44:270:44:29

Steady on! I'm being attacked by a feminist, or something!

0:44:290:44:32

-I give up.

-You give up?

-Oh, she's given up.

-That's rather useful.

0:44:320:44:36

Would you mind quickly taking a snap? Just a quick one.

0:44:360:44:39

-Just a quick one, George.

-One with us with Mr Helligan.

0:44:390:44:42

-There we go, that's it.

-Look at him!

0:44:420:44:44

APPLAUSE

0:44:440:44:46

Thank you.

0:44:520:44:53

So, there we have it. Can I just thank everyone at home for watching?

0:44:550:44:59

Thank you, the audience, for being here this evening

0:44:590:45:01

and can I just briefly...

0:45:010:45:03

-Do you mind?

-No, no, I'll lead you in.

0:45:030:45:05

Do you know something?

0:45:050:45:07

I want to say thank you to this set, which has given us

0:45:070:45:10

so many hours and hours of pleasure.

0:45:100:45:13

-APPLAUSE

-Lovely, lovely, lovely, lovely.

0:45:130:45:16

We've had so much fun in here.

0:45:170:45:18

We can't end the show without me saying one thing to you as well.

0:45:180:45:21

-What's that?

-Are you going to do the accent, Dawn?

0:45:210:45:23

-NORTHERN IRISH ACCENT:

-How are you?

-NORTHERN IRISH ACCENT: How are you?

0:45:230:45:26

NORMAL ACCENT: Yes, and also, I think, cos everyone here...

0:45:260:45:31

-Well, I'm a fan of yours, obviously.

-Oh, stop it!

0:45:310:45:33

Silly, silly. But I think there's probably a question

0:45:330:45:37

that most people really want to ask you

0:45:370:45:40

and I know I want to ask you this question.

0:45:400:45:42

-What are you doing? Stop it.

-Can I ask you a question?

0:45:420:45:45

Of course you can!

0:45:450:45:48

-Dawn French off the telly-o-vision...

-Yes?

0:45:480:45:51

How are you feeling about your weight? Ooh...

0:45:510:45:54

Eurgh!

0:46:030:46:05

Eurrrrgh!

0:46:050:46:06

Eurgh! Eurgh!

0:46:060:46:09

What are you doing?

0:46:180:46:20

Just checking!

0:46:200:46:23

Could you, erm, tidy up my growler while you're down there?

0:46:280:46:31

-SNIPPING

-Thank you very much.

0:46:310:46:33

Cheerio!

0:46:330:46:34

SCREAMING

0:46:360:46:37

Oh, come on! That would have finished you off, wouldn't it?

0:46:420:46:44

Nothing at all, not even a scratch. Did you miss, or something?

0:46:440:46:48

Cos all I've got is a grumbling headache.

0:46:480:46:50

That's done it.

0:46:510:46:52

CHEERING AND APPLAUSE

0:46:520:46:55

# Don't put your daughter on the stage, Mrs Worthington

0:46:570:47:00

# Don't put your daughter on the stage

0:47:000:47:03

# The profession is overcrowded and the struggle's pretty tough

0:47:030:47:07

# And admitting the fact she's learning to act

0:47:070:47:09

# That isn't quite enough

0:47:090:47:11

# She has nice hands to give the wretched girl her due

0:47:110:47:14

# But don't you think her bust is too developed for her age?

0:47:140:47:18

# I repeat, Mrs Worthington

0:47:180:47:19

# Sweet Mrs Worthington

0:47:190:47:21

# Don't put your daughter on the stage

0:47:210:47:25

# Regarding yours

0:47:250:47:26

# Dear Mrs Worthington

0:47:260:47:28

# Of Wednesday the 23rd

0:47:280:47:31

# Although your baby may be keen on a stage career

0:47:310:47:35

# How can I make it clear?

0:47:350:47:37

# This is not a good idea

0:47:370:47:39

# For her to hope

0:47:390:47:41

# Dear Mrs Worthington

0:47:410:47:42

# Is, on the face of it, absurd

0:47:420:47:46

# Her personality is not, in reality

0:47:460:47:49

# Exciting enough, inviting enough

0:47:490:47:51

# For this particular sphere

0:47:510:47:53

# Don't put your daughter on the stage, Mrs Worthington

0:47:530:47:56

# Don't put your daughter on the stage

0:47:560:47:59

# Though they said at the school of acting

0:47:590:48:01

# She was lovely as Peer Gynt

0:48:010:48:03

# I'm afraid On the whole, an ingenue role

0:48:030:48:05

# Would emphasise her squint

0:48:050:48:06

# She's a big girl

0:48:060:48:08

# And though her teeth are fairly good

0:48:080:48:11

# She's not the type I ever would be eager to engage

0:48:110:48:13

# No more buts, Mrs Worthington

0:48:130:48:16

# Nuts, Mr Worthington

0:48:160:48:17

# Don't put your daughter on the stage. #

0:48:170:48:20

What does that say?

0:48:270:48:29

-Fin, or something. Fin.

-Fin.

0:48:290:48:33

Oh, that's the end. The end!

0:48:330:48:35

Oh, hooray for that!

0:48:350:48:37

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