Browse content similar to 300 Years of French and Saunders. Check below for episodes and series from the same categories and more!
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This programme contains some strong language and adult humour. | 0:00:02 | 0:00:08 | |
# Simply amazing, unique and new Every man's waking dream | 0:00:08 | 0:00:11 | |
# Dazzling, eccentric, recherche Suave, the poetry... # | 0:00:11 | 0:00:13 | |
I don't want to be in your bloody videos! | 0:00:13 | 0:00:17 | |
Welcome to the French & Saunders show and our wonderful world | 0:00:17 | 0:00:20 | |
of star-studded showbusiness and entertainment, | 0:00:20 | 0:00:22 | |
back on the air again due to overwhelming public demand. | 0:00:22 | 0:00:25 | |
-# French and Saunders -Saunders | 0:00:27 | 0:00:30 | |
# Ba-badoo-ee-oo... # | 0:00:30 | 0:00:32 | |
-ALL: -# French and Saunders | 0:00:39 | 0:00:42 | |
# Ba-badoo-ee-oo... # | 0:00:42 | 0:00:44 | |
# French and Saunders! # | 0:00:44 | 0:00:46 | |
HEAVY ROCK MUSIC PLAYS | 0:00:46 | 0:00:48 | |
Waaah! | 0:00:48 | 0:00:50 | |
KNOCK AT DOOR Who is it? | 0:01:03 | 0:01:04 | |
It's me - comedy partner. | 0:01:04 | 0:01:06 | |
Please can I come in? I'm absolutely exhausted. | 0:01:06 | 0:01:09 | |
WHISPERS: Damn! | 0:01:09 | 0:01:11 | |
I tell you, if I have to think about sex one more time, | 0:01:16 | 0:01:19 | |
I'm just going to faint. | 0:01:19 | 0:01:20 | |
KNOCK AT DOOR | 0:01:23 | 0:01:24 | |
Who is it? | 0:01:24 | 0:01:25 | |
It's me. | 0:01:25 | 0:01:27 | |
Who's me? | 0:01:29 | 0:01:30 | |
It's Dawn French, your comedy partner. | 0:01:30 | 0:01:33 | |
Why am I still having to tell you who I am? | 0:01:33 | 0:01:36 | |
Cos I don't know who you are. | 0:01:36 | 0:01:38 | |
It's been 300 cocking years! | 0:01:38 | 0:01:42 | |
Well, come in, then. | 0:01:42 | 0:01:44 | |
-Where are you? -Here. -Oh, there you are. | 0:02:02 | 0:02:04 | |
Praise be. | 0:02:08 | 0:02:09 | |
And I would say, "Blessed be the fruit," but I'm absolutely furious. | 0:02:11 | 0:02:14 | |
Can you please just say "wings"? | 0:02:16 | 0:02:18 | |
-Wings. -Thank you. | 0:02:18 | 0:02:21 | |
Praise be. | 0:02:22 | 0:02:24 | |
Right, let me run this by you, OK? How long have you been in here? | 0:02:28 | 0:02:32 | |
-300 years. -Right, so that's pre-Gilead days, isn't it? -Yes. | 0:02:32 | 0:02:37 | |
-Right, you are not going to believe this. -No, I'm not. I'm not, am I? | 0:02:37 | 0:02:41 | |
-No. -I'm not. | 0:02:41 | 0:02:43 | |
Out there, I am the most fertile woman alive. | 0:02:43 | 0:02:47 | |
All right? | 0:02:47 | 0:02:49 | |
And I am 60, and I've got no tubes or eggs, so what's that all about? | 0:02:49 | 0:02:55 | |
I don't know. | 0:02:55 | 0:02:57 | |
-And let me just run this by you, see if you think it's all right. -OK. | 0:02:57 | 0:03:00 | |
As the Handmaiden, right, I have to be penetrated through my pants | 0:03:00 | 0:03:05 | |
by my Commander whenever he feels like it | 0:03:05 | 0:03:09 | |
just so that I can spread his seed. | 0:03:09 | 0:03:11 | |
That's not right, is it? | 0:03:11 | 0:03:13 | |
Let me show you what they do, right? | 0:03:13 | 0:03:16 | |
Let me show you what they do. | 0:03:16 | 0:03:18 | |
You, right, are the barren wife. | 0:03:18 | 0:03:21 | |
Oh, thanks. Oh, thanks. | 0:03:21 | 0:03:23 | |
Now everyone knows. You've told everyone now. | 0:03:23 | 0:03:25 | |
Sorry to be so insensitive, but it's true, right? | 0:03:25 | 0:03:28 | |
And you're cross and haughty, aren't you? | 0:03:28 | 0:03:30 | |
You're sitting there. Just spread your legs, put them up there. | 0:03:30 | 0:03:33 | |
Don't get funny. | 0:03:33 | 0:03:35 | |
That ain't happening after 300 years, is it? | 0:03:35 | 0:03:39 | |
Dream on, babe. | 0:03:40 | 0:03:42 | |
They throw me down on the bed, right? | 0:03:42 | 0:03:45 | |
Hold my hands, like that. Hold my hands. And he's on top of me, right? | 0:03:45 | 0:03:48 | |
And he's penetrating me through my gusset | 0:03:48 | 0:03:50 | |
and he's going, "Uh! Uh! Uh! Uh!" Like this. | 0:03:50 | 0:03:53 | |
-Yeah. -While you are watching. | 0:03:53 | 0:03:55 | |
Yes, cos I want a baby, don't I? I say, "May the Lord open," don't I? | 0:03:55 | 0:03:58 | |
Yes, listen, believe me, I want to give you a baby, | 0:03:58 | 0:04:01 | |
may the Lord open and deliver a new keeper, praise be, | 0:04:01 | 0:04:04 | |
but not as a human slave, if that's all right with you. | 0:04:04 | 0:04:09 | |
Well, why don't you just run away before I beat you to oblivion? | 0:04:09 | 0:04:11 | |
What, run out that door? Do you know what would happen? | 0:04:11 | 0:04:13 | |
I would be stoned to death if I went out there. | 0:04:13 | 0:04:16 | |
-Do you know what happens to me in this? -No, can you not tell me? | 0:04:16 | 0:04:18 | |
Cos I'm going to watch the box set all at once. | 0:04:18 | 0:04:21 | |
Is Nicole Kidman in this one? | 0:04:23 | 0:04:25 | |
-Well, no, not YET. -Oh... | 0:04:25 | 0:04:27 | |
This is the only television she currently ISN'T in, right? | 0:04:27 | 0:04:30 | |
But, look, I can't hang around here all day | 0:04:30 | 0:04:33 | |
because there's Eyes all over me. | 0:04:33 | 0:04:35 | |
-Eyes. Are you Eyes? -No, no, no. | 0:04:35 | 0:04:38 | |
I'm not convinced. | 0:04:38 | 0:04:40 | |
I have to get on. | 0:04:41 | 0:04:43 | |
It's a very busy day because all I'm allowed to do | 0:04:43 | 0:04:45 | |
is look straight ahead and buy loads of oranges. | 0:04:45 | 0:04:48 | |
That's all I'm allowed to do. | 0:04:48 | 0:04:50 | |
-Please say "wings". -Wings. | 0:04:50 | 0:04:52 | |
That's it. | 0:04:54 | 0:04:56 | |
Right. | 0:05:00 | 0:05:01 | |
Good morning, under His Eye. | 0:05:01 | 0:05:04 | |
Under His Eye, good morning. | 0:05:04 | 0:05:06 | |
You can close your legs now. | 0:05:08 | 0:05:10 | |
I think I can see my grandad in there! | 0:05:11 | 0:05:13 | |
Oh! | 0:05:16 | 0:05:18 | |
# And basically | 0:05:22 | 0:05:25 | |
# And basically | 0:05:25 | 0:05:29 | |
# And basically I'm a star. # | 0:05:29 | 0:05:35 | |
-We was all laughing at you in gym the other day. -You weren't. | 0:06:06 | 0:06:10 | |
-We were. We was all laughing at you in gym the other day. -Why? | 0:06:10 | 0:06:14 | |
Cos you had a great big poo stripe on your pants, that's why. | 0:06:14 | 0:06:17 | |
I never had a poo stripe on my pants! | 0:06:18 | 0:06:21 | |
-I didn't! -Poo stripe, poo stripe! -I never had a poo stripe on my pants! | 0:06:21 | 0:06:27 | |
-You did! -I didn't. At least my mother can sew! | 0:06:27 | 0:06:31 | |
-Don't talk about my family. -Your mother can't even sew properly. | 0:06:31 | 0:06:35 | |
Don't talk about my family! | 0:06:35 | 0:06:37 | |
Your family, your family, your family! | 0:06:37 | 0:06:40 | |
Ha! | 0:06:40 | 0:06:41 | |
Look at your legs! | 0:06:44 | 0:06:46 | |
If you tell the doctor you don't want to go on the Pill, | 0:06:53 | 0:06:55 | |
-you know what he'll do. -What? | 0:06:55 | 0:06:58 | |
He'll insert a UFO inside you, won't he? | 0:06:58 | 0:07:01 | |
Do you know what one of those is, or not? | 0:07:02 | 0:07:05 | |
Not. | 0:07:05 | 0:07:07 | |
-Right. Other name - coil. Do you know what a Slinky looks like? -Yes. | 0:07:07 | 0:07:11 | |
Well, it's like a huge Slinky and it's got barbed wire on it | 0:07:11 | 0:07:15 | |
and they squish it all up and stuff it up inside your bladder | 0:07:15 | 0:07:18 | |
and it hooks on and it stops babies. | 0:07:18 | 0:07:21 | |
The only drawback is, you can get out of control | 0:07:23 | 0:07:25 | |
going up and down stairs, that's all. | 0:07:25 | 0:07:28 | |
-You know Cookie Crew, right? -I know Cookie Crew, all right? | 0:07:28 | 0:07:31 | |
It's a name a bit like that, right? They're called the Cookie Crew. | 0:07:31 | 0:07:34 | |
-Yeah. -We could be called the Biscuit Rappers. | 0:07:34 | 0:07:37 | |
Do you get it? | 0:07:37 | 0:07:38 | |
Do you get it? Because, like, we're both rappers, aren't we, | 0:07:38 | 0:07:42 | |
and we're both...biscuits. | 0:07:42 | 0:07:45 | |
Not having second thoughts about the double wedding, are you? | 0:07:46 | 0:07:48 | |
Oh, no, I think it's a really romantic idea. | 0:07:48 | 0:07:50 | |
Now, what about, erm, we have to book a course of tanning sessions. | 0:07:50 | 0:07:54 | |
-Tanning, yes. -Manicure. -Mmm. | 0:07:54 | 0:07:56 | |
-Pedicure. -Mm-hm. -Bikini wax. | 0:07:56 | 0:07:58 | |
Oh, I've had that done already. | 0:07:58 | 0:08:00 | |
Oh, you'll be stubbly on the day. | 0:08:00 | 0:08:02 | |
Ohhh! | 0:08:03 | 0:08:05 | |
MEOWING So sweet! | 0:08:05 | 0:08:08 | |
Ohhhh! | 0:08:08 | 0:08:09 | |
This little kitten wonders where his mummy is. | 0:08:09 | 0:08:13 | |
They're gorgeous! | 0:08:13 | 0:08:16 | |
They're just so lovely and fluffy! | 0:08:16 | 0:08:19 | |
Fluffy! | 0:08:19 | 0:08:22 | |
Look at this one, Leanne. | 0:08:22 | 0:08:25 | |
-It's a kitten jumping into a paper bag. -Aw... | 0:08:25 | 0:08:29 | |
-You know, that's reversible, Jackie. -Oh, is it? | 0:08:29 | 0:08:33 | |
Oh, kitten jumping OUT of a paper bag! | 0:08:33 | 0:08:35 | |
-Ohhh, that's just darling... -DOORBELL RINGS | 0:08:35 | 0:08:38 | |
-Amazon! -Oh! | 0:08:38 | 0:08:40 | |
-More kitten toys? -Yes. -Ooh-ooh, exciting, exciting! | 0:08:42 | 0:08:46 | |
Oh, look, Jackie! | 0:08:46 | 0:08:48 | |
It's a Kitty Complex! | 0:08:48 | 0:08:50 | |
-Any kitten would love that. -I would love that. -Yes. That's gorgeous! | 0:08:50 | 0:08:57 | |
I would live in that. | 0:08:57 | 0:08:59 | |
Oh, look! | 0:09:00 | 0:09:02 | |
-Jackie? -Yes? | 0:09:02 | 0:09:04 | |
Do you think you'd ever get a real kitten, Jackie? | 0:09:04 | 0:09:08 | |
No, Leanne, no. | 0:09:08 | 0:09:10 | |
But why, Jackie? | 0:09:10 | 0:09:12 | |
Because of the poo. | 0:09:12 | 0:09:14 | |
Oh, the poo! Oh, the poo! | 0:09:14 | 0:09:16 | |
Horrible! | 0:09:16 | 0:09:17 | |
It's horrible! It's horrible! | 0:09:17 | 0:09:21 | |
You feeling any better, then? | 0:09:38 | 0:09:40 | |
-CROAKY VOICE: -Your mother sucks jelly babies in hell! | 0:09:40 | 0:09:44 | |
Oh, she does not. | 0:09:44 | 0:09:45 | |
I've been looking at this Home Doctor book here | 0:09:45 | 0:09:47 | |
and I think I might have put my finger on something. | 0:09:47 | 0:09:50 | |
Have you got a temperature? | 0:09:50 | 0:09:53 | |
SHE RASPS | 0:09:53 | 0:09:56 | |
Stick out your tongue. | 0:09:56 | 0:09:58 | |
Aaah... | 0:10:00 | 0:10:01 | |
-MUFFLED: -Aaah... | 0:10:01 | 0:10:03 | |
That's nasty, isn't it? Well, I think we're looking at cystitis. | 0:10:05 | 0:10:10 | |
She, apparently, | 0:10:17 | 0:10:19 | |
is now having an affair | 0:10:19 | 0:10:21 | |
with a man that's doing it | 0:10:21 | 0:10:23 | |
-with a porcupine. -No! | 0:10:23 | 0:10:25 | |
Not porcupine, sorry. | 0:10:25 | 0:10:27 | |
Concubine. That's what I'm trying to say. | 0:10:27 | 0:10:29 | |
Delicious. | 0:10:29 | 0:10:32 | |
I'm so glad you like it, Grandalf. | 0:10:32 | 0:10:34 | |
Oh, hang on. | 0:10:36 | 0:10:38 | |
What? | 0:10:38 | 0:10:39 | |
You should have this cup. | 0:10:39 | 0:10:41 | |
You should have this cup. | 0:10:42 | 0:10:44 | |
-No, but, you see, I'm the giant. I have this big cup. -I know that. | 0:10:44 | 0:10:46 | |
That's why you should have this cup. I should have the big one. | 0:10:46 | 0:10:49 | |
-It makes me look smaller. -No, cos if you... -No, no. | 0:10:49 | 0:10:52 | |
Be like us and learn your trade on Crackerjack! | 0:11:03 | 0:11:06 | |
25 years, man and boy. | 0:11:06 | 0:11:08 | |
I'm a 45-year-old woman. | 0:11:08 | 0:11:09 | |
-BOTH: -Fandabidozi! | 0:11:09 | 0:11:12 | |
Good morning. | 0:11:19 | 0:11:21 | |
-Good morning. -Sit down, please. | 0:11:21 | 0:11:24 | |
What did the Krankies say to you? | 0:11:27 | 0:11:29 | |
They said, "Fandabidozi." | 0:11:31 | 0:11:32 | |
SHE SNIFFS | 0:11:40 | 0:11:42 | |
Mmm. | 0:11:42 | 0:11:44 | |
You wear Pretty Peach skin cream. | 0:11:44 | 0:11:47 | |
SHE SNIFFS | 0:11:47 | 0:11:49 | |
And sometimes Mum roll-on deodorant. | 0:11:49 | 0:11:54 | |
Timber! | 0:12:00 | 0:12:02 | |
Whee! Looka here! Mr and Mrs Lovey-Dovey. | 0:12:07 | 0:12:13 | |
Mr and Mrs Lovey-Dovey-Dovey-Dovey-Dovey-Dovey. | 0:12:13 | 0:12:16 | |
I reckon you're going to want to wrap your legs round him | 0:12:18 | 0:12:21 | |
in a cabin tonight, ain't ya, missy? | 0:12:21 | 0:12:23 | |
Mm-hm-hm! | 0:12:23 | 0:12:25 | |
And if you think I'm going to lay nearby trying to sleep | 0:12:25 | 0:12:28 | |
while you two wimble-wimble, pokey-pokey-friggy all night, | 0:12:28 | 0:12:32 | |
well, you've got another one of them thinkings coming, cos I just ain't. | 0:12:32 | 0:12:35 | |
GROWLING ROAR | 0:12:38 | 0:12:40 | |
-VOICEOVER: -Troy. | 0:12:40 | 0:12:41 | |
Is there no-one else? | 0:12:41 | 0:12:44 | |
SHOUTS: Is there no-one else? | 0:12:44 | 0:12:47 | |
Arm! | 0:12:51 | 0:12:52 | |
-VOICEOVER: -How much hate could one person have? | 0:12:56 | 0:13:00 | |
Don't push me. | 0:13:00 | 0:13:02 | |
It's my time of the month. | 0:13:02 | 0:13:04 | |
Help me on with my dress, Mummy. | 0:13:07 | 0:13:09 | |
I'm not your mummy, I'm Mammy. | 0:13:09 | 0:13:13 | |
Oh, my good God, Thelma. | 0:13:30 | 0:13:32 | |
What are we going to do? | 0:13:32 | 0:13:33 | |
I ain't going to give up now. I can't go back! | 0:13:34 | 0:13:38 | |
Keep going. | 0:13:38 | 0:13:40 | |
What do you mean? | 0:13:40 | 0:13:42 | |
Go! Straight to comedy heaven, Louise. | 0:13:43 | 0:13:46 | |
Immortalised for ever. | 0:13:46 | 0:13:49 | |
ENGINE STARTS | 0:13:49 | 0:13:51 | |
SHE GROANS | 0:14:10 | 0:14:12 | |
SHE GROWLS | 0:14:14 | 0:14:16 | |
I'm ruddy FUMING! | 0:14:19 | 0:14:21 | |
I've just seen it. I've just seen it now. | 0:14:26 | 0:14:27 | |
-I've just come from the pictures now. -And? And what? | 0:14:27 | 0:14:30 | |
And I'm not in it. | 0:14:30 | 0:14:31 | |
I, the ACTUAL Wonder Woman, | 0:14:33 | 0:14:35 | |
am NOT in the film named after me. | 0:14:35 | 0:14:39 | |
-But why? -They've used another person to play ME! -I don't understand why. | 0:14:39 | 0:14:43 | |
Why have they? | 0:14:43 | 0:14:45 | |
I mean, back in the day, Lynda Carter at least called me up, | 0:14:45 | 0:14:47 | |
asked my advice. They INVOLVED me. These people - nothing. | 0:14:47 | 0:14:51 | |
Did they even ask you to audition? | 0:14:51 | 0:14:52 | |
Audition?! | 0:14:52 | 0:14:54 | |
I AM Wonder Woman! | 0:14:54 | 0:14:57 | |
I don't have to audition! All right, let's do the checklist. | 0:14:57 | 0:15:02 | |
All right, number one - am I the daughter of two gods? | 0:15:02 | 0:15:05 | |
-Yes. -Yes, I am. | 0:15:05 | 0:15:07 | |
-Tick that box, because I am the daughter of Mars and Twix. -Yes. | 0:15:07 | 0:15:11 | |
-Tick! Number two - do I have super-fast reactions? -Yes. | 0:15:14 | 0:15:19 | |
Yes, I do. Throw those oranges at me now. Throw them at me. | 0:15:19 | 0:15:23 | |
Oh, careful! Careful! | 0:15:23 | 0:15:25 | |
I wasn't charged up yet. I wasn't ready. | 0:15:25 | 0:15:28 | |
You could have had my eye out then. | 0:15:28 | 0:15:30 | |
-Sorry, sorry. -Right, number three - do I have super-fast running skills? | 0:15:30 | 0:15:34 | |
Yes. | 0:15:34 | 0:15:35 | |
Now, did you see that? I've just been to Land's End and back. | 0:15:36 | 0:15:41 | |
I could have done it faster if I had a better bra on, obviously. | 0:15:42 | 0:15:45 | |
Was it all right in Land's End? | 0:15:45 | 0:15:47 | |
I think they've ruined it, haven't they, Land's End. | 0:15:47 | 0:15:49 | |
-It's very touristy. -Very touristy. | 0:15:49 | 0:15:51 | |
It used to be wild, and now it's just a kiosk and some rides. | 0:15:51 | 0:15:54 | |
Anyway, anyway, anyway, number four on the checklist - | 0:15:54 | 0:15:58 | |
-do I have superlative musculature? -Obvs. -Yes, I do. | 0:15:58 | 0:16:03 | |
-So, all boxes ticked. -Yes. -How dare they! | 0:16:03 | 0:16:07 | |
Are you even earning anything from the new film? | 0:16:07 | 0:16:10 | |
-Absolutely nothing, no, no. -Not even getting something out the back end? | 0:16:10 | 0:16:14 | |
I'm very sorry about that. I have got a gippy tummy, sorry. | 0:16:15 | 0:16:18 | |
-I'm so sorry. -No, I mean royalties. -No, absolutely nada. | 0:16:18 | 0:16:23 | |
To be honest, I feel redundant. | 0:16:24 | 0:16:27 | |
Ooh! Ow! | 0:16:28 | 0:16:30 | |
How's Thor feeling about it all? | 0:16:30 | 0:16:32 | |
-Thor? -Mm. -He's in pieces. | 0:16:32 | 0:16:34 | |
-And not just because they've got an Australian to play him. -Yes. | 0:16:36 | 0:16:40 | |
It's not that. He can deal with his own pain about that. | 0:16:40 | 0:16:43 | |
It's more that he feels very defensive about his brother Loki. | 0:16:43 | 0:16:45 | |
-Oh, played by Tom Hiddleston. -Yes. -Yes. | 0:16:45 | 0:16:48 | |
-Tom Hiddleston! I mean, did you ever meet the real Loki? -No. | 0:16:48 | 0:16:51 | |
-He was an evil giant! -Was he? -Yeah. | 0:16:51 | 0:16:53 | |
Not an Old Etonian English string bean, frankly! | 0:16:53 | 0:16:56 | |
No! I've got to tell you, they are furious up there in Olympia. | 0:16:56 | 0:17:00 | |
Absolutely. | 0:17:00 | 0:17:01 | |
I wouldn't be surprised if another Armageddon is on its way | 0:17:01 | 0:17:04 | |
if any more of this thoughtless casting continues. | 0:17:04 | 0:17:07 | |
-And I'll tell you what really does upset me. -Yes? | 0:17:07 | 0:17:10 | |
It's all the people out there on the street, you know, | 0:17:10 | 0:17:12 | |
because there was a woman out there | 0:17:12 | 0:17:13 | |
looking at me just now and she's looking at me | 0:17:13 | 0:17:16 | |
and she's thinking, "Oh, there's a woman dressed up like Wonder Woman." | 0:17:16 | 0:17:19 | |
And she doesn't know! | 0:17:19 | 0:17:23 | |
But surely what's worse is, there's actual adults with brains | 0:17:23 | 0:17:27 | |
-going to see these films. -Yes! And BELIEVING them! -Believing them. | 0:17:27 | 0:17:32 | |
-Believing that those are the real people. -Yes. | 0:17:32 | 0:17:34 | |
-Do you know what it makes me feel like? -What? | 0:17:34 | 0:17:36 | |
It makes me feel like I don't want | 0:17:36 | 0:17:38 | |
to attend any more disasters ever again. | 0:17:38 | 0:17:40 | |
-Oh, no! -No, I'm throwing the towel in. | 0:17:40 | 0:17:42 | |
Oh, no! Don't be like that! Don't be like that! | 0:17:42 | 0:17:46 | |
Sort out your own catastrophes! | 0:17:46 | 0:17:48 | |
Go on, let's see if your expensive CGI and all your big props | 0:17:48 | 0:17:53 | |
and all your sound effects and everything, | 0:17:53 | 0:17:55 | |
see if they save lives and rescue our planet! | 0:17:55 | 0:17:58 | |
-You all right? -I'm sorry I'm ranting, Jen. | 0:18:00 | 0:18:04 | |
It's just, this stuff matters. | 0:18:04 | 0:18:06 | |
-Yes, casting's important, casting's important. -Yeah, it is, yeah. | 0:18:06 | 0:18:09 | |
-Who would you approve of to play you? -Oh, that's quite a good idea. | 0:18:09 | 0:18:14 | |
Well, someone who looks like me for a start. | 0:18:14 | 0:18:16 | |
What about Catherine Zeta-Jones? | 0:18:16 | 0:18:17 | |
-Too old. -Yes. -Far too old. | 0:18:17 | 0:18:20 | |
Far too old, yeah. | 0:18:20 | 0:18:21 | |
Er... Oh, I know - Cara Delevingne. | 0:18:21 | 0:18:25 | |
-Yes. -Oh, yes. -She's good. -She'd be good. Or Beyonce is the spit for me. | 0:18:25 | 0:18:30 | |
-Yes. -Yeah, yeah. | 0:18:30 | 0:18:32 | |
Well, I understand your anger at the casting, but can you imagine | 0:18:32 | 0:18:36 | |
how Batman feels with all the people that have played him? | 0:18:36 | 0:18:39 | |
-Can you imagine how the actual Batman feels? -Batman? | 0:18:39 | 0:18:42 | |
Yes, the actual Batman. | 0:18:42 | 0:18:44 | |
Batman's dead, Jennifer. | 0:18:44 | 0:18:46 | |
The actual Batman? | 0:18:48 | 0:18:50 | |
Batman wasn't immortal, was he? He's not a god, like me. | 0:18:50 | 0:18:53 | |
Don't you know that? | 0:18:53 | 0:18:54 | |
Oh, no. Oh, no, this is awful. | 0:18:54 | 0:18:58 | |
You didn't even know that, did you? | 0:18:59 | 0:19:01 | |
Sometimes you do say silly, stupid things and you end up | 0:19:01 | 0:19:04 | |
looking like a complete idiot, and this is one of those moments. | 0:19:04 | 0:19:08 | |
I have to say I'm dripping with humiliation | 0:19:08 | 0:19:11 | |
even standing near you, I have to say. Just cut me out of this. | 0:19:11 | 0:19:13 | |
I don't want to be associated with this. Keep it on her. | 0:19:13 | 0:19:16 | |
Point it to her. Look at the idiot. Look at the IDIOT! | 0:19:16 | 0:19:20 | |
Look at her. Look at her. | 0:19:20 | 0:19:22 | |
Now we're back in the cottage in Wiltshire | 0:19:24 | 0:19:28 | |
with Giles and Mary. | 0:19:28 | 0:19:31 | |
-You know what the problem with those two is, don't you, Nutty? -Yes, Mary. | 0:19:35 | 0:19:39 | |
Is it their Kleinian need to misbehave, | 0:19:39 | 0:19:42 | |
thereby revisiting their childhood? | 0:19:42 | 0:19:46 | |
-Blood and sand! -What's the matter? -Blood and sand! I've cut my finger! | 0:19:46 | 0:19:49 | |
What, completely off? | 0:19:49 | 0:19:51 | |
No, it's just sort of dangling. | 0:19:51 | 0:19:53 | |
No, Nutty. | 0:19:55 | 0:19:56 | |
-Uh? -It's too much... | 0:19:56 | 0:19:59 | |
-Chocolate? -Coffee. | 0:19:59 | 0:20:02 | |
Coffee. | 0:20:02 | 0:20:04 | |
Yes. | 0:20:04 | 0:20:06 | |
VEHICLE APPROACHES | 0:20:06 | 0:20:08 | |
Got ya! Where's the other bloody bugger? I was going for a brace. | 0:20:19 | 0:20:22 | |
In the wheel arch, here with me. There you are. | 0:20:22 | 0:20:26 | |
-Wonderful! I'll get the tractor to you later. -All right. | 0:20:26 | 0:20:30 | |
Did you find that funny, Mary? | 0:20:30 | 0:20:33 | |
You don't really have a sense of humour, do you, Nutty? | 0:20:35 | 0:20:38 | |
I do, Nutty. You know I do, Nutty. | 0:20:38 | 0:20:41 | |
You know what the problem with these two is, don't you, Nutty? | 0:20:44 | 0:20:47 | |
Yes, Nutty. | 0:20:47 | 0:20:49 | |
Coffee. | 0:20:49 | 0:20:51 | |
No, Nutty. | 0:20:52 | 0:20:54 | |
Skunk. | 0:20:54 | 0:20:55 | |
-TV: -And now a Christmas message from Sue Lawley. | 0:20:57 | 0:21:00 | |
-BOTH: -Sue Lawley?! | 0:21:00 | 0:21:02 | |
Well, let's hope that's the last we see of those two, Nutty. | 0:21:05 | 0:21:09 | |
Oh, you're not even there. | 0:21:11 | 0:21:13 | |
Yes, I am, Nutty. | 0:21:16 | 0:21:18 | |
But only just. | 0:21:19 | 0:21:21 | |
Now, some of you may remember that, some time ago, | 0:21:22 | 0:21:25 | |
we visited the lively duo who run Prickly Pear Farm, | 0:21:25 | 0:21:29 | |
and we've popped back there from time to time | 0:21:29 | 0:21:31 | |
to see how the enterprise is progressing. | 0:21:31 | 0:21:33 | |
Let's have a look back to remind ourselves. | 0:21:33 | 0:21:35 | |
Whatever animal's done this has got a tummy upset and worms. | 0:21:35 | 0:21:40 | |
I'd stake my trousers on it. | 0:21:40 | 0:21:43 | |
Yeah, that's Rex, that one. | 0:21:43 | 0:21:45 | |
It's Rex, isn't it, Dot? | 0:21:45 | 0:21:47 | |
-Yeah, we just seen him do it. -Yeah, it's Rex, thank you. | 0:21:48 | 0:21:52 | |
SHE SNIFFS | 0:21:52 | 0:21:53 | |
I tell you what else we do just to make a few bob is dog looky-likeys. | 0:21:56 | 0:22:01 | |
Who do you think it is? | 0:22:01 | 0:22:02 | |
It's Posh Spice. | 0:22:02 | 0:22:04 | |
Looks exactly like her, doesn't it? | 0:22:04 | 0:22:06 | |
Our film crew went down to Prickly Pear Farm | 0:22:06 | 0:22:09 | |
to see how things are going now. | 0:22:09 | 0:22:11 | |
So, as you know, we're always looking for ways | 0:22:11 | 0:22:14 | |
to keep changing and trying to keep going and, at the moment, | 0:22:14 | 0:22:18 | |
we're diversi-fucking into having burials here, natural burials. | 0:22:18 | 0:22:24 | |
All dead, aren't they? | 0:22:24 | 0:22:26 | |
-Yeah, they're all dead before we bury them. -All dead. -Yeah. | 0:22:26 | 0:22:30 | |
Except the one that just... He sits up, doesn't he, that one. | 0:22:30 | 0:22:33 | |
He sits up, goes, "Good morning! Good morning!" | 0:22:33 | 0:22:36 | |
No, no, no, that was your father, wasn't it? | 0:22:36 | 0:22:38 | |
He was just having a nap and you rolled him up in a sheet, | 0:22:38 | 0:22:41 | |
didn't you, so we nearly did bury him after all! | 0:22:41 | 0:22:44 | |
But we didn't in the end cos he wasn't dead. | 0:22:44 | 0:22:47 | |
Yeah, so it's a registered natural burial ground. | 0:22:47 | 0:22:50 | |
-Yeah, not registered, is it? -Ssh. | 0:22:50 | 0:22:53 | |
So, there's 60 million humans in this country | 0:22:56 | 0:23:00 | |
that's going to die in a minute, and what are we going to do with them? | 0:23:00 | 0:23:03 | |
And so we thought, "Well, let's return them to the worms | 0:23:03 | 0:23:06 | |
"and give them a nice natural burial | 0:23:06 | 0:23:10 | |
"and make it all environmentally friendly, so..." | 0:23:10 | 0:23:13 | |
Oh, careful! Careful! | 0:23:13 | 0:23:15 | |
Oh, you haven't buried that one in deep enough! I told you about that! | 0:23:15 | 0:23:20 | |
-Bury them deeper! -Too tall, that one. -Go, over there. | 0:23:20 | 0:23:24 | |
Obviously there's rules about it. | 0:23:24 | 0:23:27 | |
You're not allowed to bury 'em near water | 0:23:27 | 0:23:30 | |
because otherwise you get floaters, and nobody wants that. | 0:23:30 | 0:23:34 | |
This is our lovely memorial bench, we've got a lovely rose bush there, | 0:23:34 | 0:23:38 | |
and people comes here to mourn and grieve and sit here and cry | 0:23:38 | 0:23:42 | |
and regret everything, and they have a lovely time just... | 0:23:42 | 0:23:46 | |
You've... | 0:23:49 | 0:23:51 | |
You've put the bench on top of one of the graves here. | 0:23:51 | 0:23:54 | |
I've told you about that before! | 0:23:54 | 0:23:56 | |
Always measure your departed human. | 0:23:56 | 0:24:00 | |
Don't worry about that. | 0:24:03 | 0:24:05 | |
That's just natural gas escaping from the dear departed. | 0:24:05 | 0:24:09 | |
No naked flame now. | 0:24:09 | 0:24:11 | |
You see, there's loads of money in this. | 0:24:11 | 0:24:13 | |
See, just in that little plot over there, what is there, | 0:24:13 | 0:24:16 | |
ten graves there? That's 30 quid a head. What's that? Ten 30s... | 0:24:16 | 0:24:20 | |
220 quid! There's fields of gold! | 0:24:20 | 0:24:24 | |
SHE CACKLES | 0:24:24 | 0:24:26 | |
Measure it, measure it. One, two, three, four, five, six. | 0:24:33 | 0:24:37 | |
One, two, three, four, five, six. | 0:24:37 | 0:24:39 | |
And this is where we carefully store those what is waiting to be | 0:24:41 | 0:24:46 | |
what we like to call "deterred". | 0:24:46 | 0:24:49 | |
It's not deterred, is it? What's the word? | 0:24:49 | 0:24:52 | |
-Interred. -Interred. | 0:24:52 | 0:24:54 | |
"In-TURD"? | 0:24:54 | 0:24:56 | |
Are you sure? That's dirty, isn't it? | 0:24:58 | 0:25:00 | |
You're having a laugh, ain't you? | 0:25:00 | 0:25:03 | |
Here she is. | 0:25:04 | 0:25:06 | |
-What are you doing? -I can't get that ring off, I can't get... | 0:25:06 | 0:25:09 | |
No, no, leave it, leave it, leave it! | 0:25:09 | 0:25:11 | |
Just leave that! | 0:25:11 | 0:25:12 | |
-So, as you can see, we have three humans here waiting... -Four. | 0:25:12 | 0:25:17 | |
-No, three. -Four humans. -One, two... | 0:25:17 | 0:25:20 | |
Well, that one was supposed to go two weeks ago. | 0:25:20 | 0:25:22 | |
No wonder there's such a whiff in here! | 0:25:22 | 0:25:25 | |
You should stop playing Furious Birds and do what I tell you! | 0:25:25 | 0:25:28 | |
KNOCK AT DOOR | 0:25:28 | 0:25:30 | |
Yes? | 0:25:33 | 0:25:34 | |
-Oh, sorry for your loss. -Mr and Mrs Bentley. | 0:25:34 | 0:25:37 | |
Yeah? I don't... | 0:25:37 | 0:25:38 | |
-Edna Bentley. -Right, have you got a receipt? | 0:25:38 | 0:25:41 | |
-No. -Well, do you know where she is? Erm... | 0:25:41 | 0:25:43 | |
-Edna Bentley. -Did he have bosoms? -Yes, I think so. -That's him there. | 0:25:45 | 0:25:50 | |
-No, ssh. Ssh! -That's him there, | 0:25:50 | 0:25:51 | |
that's him there, that's him there. | 0:25:51 | 0:25:54 | |
Edna is deterred three mounds from the left up there, so off you go. | 0:25:54 | 0:26:00 | |
Blessings in abundance and internal damnation. | 0:26:00 | 0:26:03 | |
It doesn't matter if they're bereaving over the wrong one, | 0:26:03 | 0:26:06 | |
does it? They'll never know unless they dig her up. | 0:26:06 | 0:26:08 | |
They're not going to dig her up cos she's here. | 0:26:08 | 0:26:11 | |
Anyway, it's about the send-off, really, isn't it? | 0:26:11 | 0:26:13 | |
We like to give them some lovely words of comfort, don't we, like... | 0:26:13 | 0:26:17 | |
-Oh... -Goodbye, Fred. You is...dead. | 0:26:17 | 0:26:21 | |
Yeah, that, or fear not death, 'tis only in another room. | 0:26:21 | 0:26:26 | |
Naked flame! | 0:26:37 | 0:26:39 | |
-Damn it! Extinguisher! -Buggers! -Quick! -Stupid buggers! | 0:26:42 | 0:26:46 | |
-What have they done? -Stupid bloody buggers! | 0:26:46 | 0:26:49 | |
Don't look at me with your father's eyes! | 0:26:50 | 0:26:53 | |
It is possible to be a socialist AND have staff, you know, darling! | 0:26:54 | 0:26:58 | |
-Have you seen the bastard recently? Hmm? -Are you referring to Dad? | 0:27:05 | 0:27:08 | |
Oh, Dad! Dad! | 0:27:08 | 0:27:10 | |
Give him a little title to justify his puny existence, why don't you? | 0:27:10 | 0:27:13 | |
-Dad! -Yes, I saw him yesterday. | 0:27:13 | 0:27:15 | |
Well, I don't know why you don't just live with the bloody prick | 0:27:15 | 0:27:18 | |
full time since you seem to bloody love him so bloody much! | 0:27:18 | 0:27:21 | |
No-one cares what I think! You never care for my feelings, darling. | 0:27:21 | 0:27:25 | |
Well, bugger, bugger, bollocks to all of you! | 0:27:25 | 0:27:27 | |
Hello, I'm Joanna Lumley. | 0:27:28 | 0:27:31 | |
Much as I've loved working with French and Saunders, | 0:27:31 | 0:27:33 | |
and funny as they are - and they ARE funny - | 0:27:33 | 0:27:37 | |
I've got a very busy life of my own now. | 0:27:37 | 0:27:40 | |
I've got auditions lined up, lots of auditions. | 0:27:40 | 0:27:43 | |
My next one is for London Underground. | 0:27:43 | 0:27:45 | |
"Mind the gap." "Stand clear of the closing doors." | 0:27:45 | 0:27:48 | |
So, could you please get me off their database? | 0:27:48 | 0:27:51 | |
And, Jennifer, stop stalking me! | 0:27:51 | 0:27:53 | |
Lose my number! | 0:27:53 | 0:27:54 | |
Bye! | 0:27:54 | 0:27:56 | |
# When you move in right up close to me | 0:27:59 | 0:28:03 | |
# That's when I get the shakes all over me... # | 0:28:06 | 0:28:11 | |
MUSIC: I'm Not In Love by 10CC | 0:28:16 | 0:28:20 | |
MUSIC: Shout by Lulu | 0:28:28 | 0:28:32 | |
POUNDING DANCE MUSIC PLAYS | 0:28:37 | 0:28:40 | |
From Bristol, it's best friends Mary and Marina. | 0:28:45 | 0:28:51 | |
POUNDING DANCE MUSIC PLAYS | 0:28:53 | 0:28:54 | |
-I'm happy, I'm happy. I'm coming out. -Him there. You see him? | 0:28:59 | 0:29:03 | |
I want him out, cos that ugly beard | 0:29:03 | 0:29:05 | |
is just blending with that bush over there. | 0:29:05 | 0:29:07 | |
And by "bush", | 0:29:07 | 0:29:09 | |
of course, they're not talking about Dolly Background's privates. | 0:29:09 | 0:29:13 | |
Come on, let's bung this up. | 0:29:13 | 0:29:14 | |
Oh, God, you've got naughty hair, haven't you? | 0:29:14 | 0:29:16 | |
-Yeah. -Ow! -Oh, shut up! | 0:29:16 | 0:29:18 | |
Take the pain, bitch! | 0:29:18 | 0:29:20 | |
-Oh, we don't care who's a gay, do we? -No. | 0:29:20 | 0:29:23 | |
-We don't care who's in, who's out. -No. -Who'll be back in five minutes. | 0:29:23 | 0:29:28 | |
Well, they don't say "gay" any more, do they? | 0:29:28 | 0:29:30 | |
They says, er, LG...BLT, or something, you know. | 0:29:30 | 0:29:35 | |
-Yeah, because it's L-Jelly Bean King. -Is it? -Isn't it? | 0:29:35 | 0:29:41 | |
-Yeah, cos they named the condition after her. -Oh! | 0:29:41 | 0:29:44 | |
Right, cos she was the first lesbian discovered, weren't she? | 0:29:44 | 0:29:48 | |
And they say Q now, don't they? | 0:29:48 | 0:29:49 | |
They say Q - B&Q. | 0:29:49 | 0:29:51 | |
No, no, no! BGT, innit? | 0:29:51 | 0:29:54 | |
-No, that's Britain's Got Talent. -Oh, yeah. | 0:29:54 | 0:29:56 | |
Yeah. | 0:29:56 | 0:29:58 | |
-All of my backing singers have been killed in a car crash! -Oh, tragic! | 0:29:58 | 0:30:02 | |
You don't happen to know any of my songs at all, do you? | 0:30:02 | 0:30:05 | |
-Only all of them. -Truly. We do, yeah. Try us. -Right, right. | 0:30:05 | 0:30:09 | |
# The only one who could ever reach me | 0:30:11 | 0:30:14 | |
-# Uh-uh! -Was the son of a preacher man | 0:30:14 | 0:30:17 | |
# The only one who could ever teach me | 0:30:17 | 0:30:20 | |
-# Uh-uh! -Was the son of a preacher man | 0:30:20 | 0:30:23 | |
# Yes, he was | 0:30:23 | 0:30:24 | |
# He was | 0:30:24 | 0:30:26 | |
# Oh... # | 0:30:26 | 0:30:27 | |
Key change. | 0:30:27 | 0:30:28 | |
# ..Yes, he was. # | 0:30:28 | 0:30:31 | |
But we've got Clare Balding now. That's all that matters. | 0:30:31 | 0:30:34 | |
No, I love her. I love her. | 0:30:34 | 0:30:35 | |
Knows what she's talking about whatever the subject, | 0:30:35 | 0:30:38 | |
even if she don't, doesn't she? | 0:30:38 | 0:30:39 | |
Yeah, yeah. | 0:30:39 | 0:30:41 | |
-We don't care who's doing what to who any more, do we? -No! | 0:30:41 | 0:30:44 | |
Nowadays, we're gender fluid. | 0:30:44 | 0:30:47 | |
-Well, speak for yourself. -No, I'm dry. | 0:30:47 | 0:30:49 | |
I'm dry. | 0:30:49 | 0:30:51 | |
You're not always dry, are you? | 0:30:51 | 0:30:53 | |
I'm all right. | 0:30:55 | 0:30:56 | |
SHE GROANS | 0:30:56 | 0:30:59 | |
Is that an ear? | 0:31:08 | 0:31:10 | |
Yes, it is, yes. | 0:31:11 | 0:31:14 | |
Been working down the lab and they couldn't find a mouse big enough. | 0:31:14 | 0:31:17 | |
-Knock-knock! -Come in! | 0:31:17 | 0:31:19 | |
Oh, goodness me! | 0:31:19 | 0:31:21 | |
-What's that? -It's a baby. It's the Giant's baby. | 0:31:38 | 0:31:41 | |
You know the film's out and you know it's based on me, right? | 0:31:43 | 0:31:46 | |
-The Little Mermaid. -No, Pocahontas! | 0:31:46 | 0:31:49 | |
So, plain card, right? And watch these magic fingers. | 0:31:50 | 0:31:56 | |
And there we go - doily! | 0:32:05 | 0:32:07 | |
I'm almost unbelievably beautiful, aren't I? | 0:32:09 | 0:32:12 | |
-Are you? -Yes, I am, yes. | 0:32:12 | 0:32:14 | |
Flawless. | 0:32:16 | 0:32:17 | |
CALIFORNIAN ACCENT: Yeah, and I'm so excited. | 0:32:18 | 0:32:21 | |
Yah, he was excited and we loved the trip. We had such a good time. | 0:32:21 | 0:32:26 | |
I know! | 0:32:26 | 0:32:28 | |
-CALIFORNIAN ACCENT: -Oh, my God, I'm so pretty! | 0:32:28 | 0:32:30 | |
Oh, my God! Oh! Oh! Oh! | 0:32:30 | 0:32:33 | |
Oh, get away! Oh, my God, what is that? | 0:32:33 | 0:32:35 | |
Ow! Ow! | 0:32:35 | 0:32:37 | |
-Oh, it's just my big fat ass. -Yeah. | 0:32:37 | 0:32:39 | |
I thought it was someone else. It was just my own ass. | 0:32:39 | 0:32:42 | |
You're so pretty! | 0:32:42 | 0:32:44 | |
Oh, my God! | 0:32:44 | 0:32:46 | |
You're so pretty! | 0:32:46 | 0:32:48 | |
-You look so pretty! -You're so cute! You're so cute! | 0:32:48 | 0:32:53 | |
-Like, will you help me clean out my closet? -No, I can't. | 0:32:53 | 0:32:55 | |
Oh, my God, cos I'm, like, so exhausted. | 0:32:55 | 0:32:58 | |
-I feel, like, so stressed. -And I'm so excited. -Completely stressed. | 0:32:58 | 0:33:02 | |
Oh, God, you look so pretty! | 0:33:02 | 0:33:04 | |
Oh, thank you! I love you! I love you! | 0:33:04 | 0:33:09 | |
I love you! | 0:33:09 | 0:33:10 | |
NORMAL ACCENT: Wait, wait, wait, wait, wait... | 0:33:10 | 0:33:12 | |
-NORMAL ACCENT: -What? What, what? | 0:33:12 | 0:33:15 | |
You haven't blended. Look. | 0:33:15 | 0:33:16 | |
No, don't worry about that. Don't worry about that. | 0:33:16 | 0:33:19 | |
-CALIFORNIAN ACCENT: -Like, ever since Paris, | 0:33:19 | 0:33:21 | |
I feel, like, so anxious all the time. | 0:33:21 | 0:33:23 | |
Yeah, I'm so excited. | 0:33:23 | 0:33:27 | |
NORMAL ACCENT: This is ridiculous! Can we just stop this, please? | 0:33:27 | 0:33:30 | |
-What are you doing? Stop it! -Stop it! | 0:33:30 | 0:33:32 | |
-Yes, stop it because it's ridiculous. -What, what? | 0:33:32 | 0:33:36 | |
What are you doing? | 0:33:36 | 0:33:37 | |
I just don't understand why we're doing this. | 0:33:37 | 0:33:39 | |
Because we're connecting with the kids. We're being relevant. | 0:33:39 | 0:33:41 | |
What kids? What kids?! | 0:33:41 | 0:33:44 | |
I'm looking at a sea of grey! | 0:33:47 | 0:33:49 | |
What, kids that happen to be watching it | 0:33:51 | 0:33:52 | |
by mistake at their granny's? | 0:33:52 | 0:33:55 | |
Those kids? | 0:33:55 | 0:33:56 | |
-This is ridiculous, Dawn! -No, it isn't. | 0:33:58 | 0:34:00 | |
Look at you! Look at you! | 0:34:00 | 0:34:01 | |
You've missed the whole point of it. | 0:34:01 | 0:34:03 | |
Because I won't look like this when it goes out, will I? | 0:34:03 | 0:34:07 | |
-What do you mean? -No, all of this will be much smallened here. | 0:34:07 | 0:34:11 | |
Everything here will be flattened, that will be biggened | 0:34:11 | 0:34:13 | |
and smoothened round, and all of this will be blended. | 0:34:13 | 0:34:17 | |
I'll be totally airbrushed. | 0:34:17 | 0:34:19 | |
Will I be airbrushed? | 0:34:19 | 0:34:21 | |
No, you're going to look crap, like that. | 0:34:21 | 0:34:23 | |
Oh, God, I hate you! I HATE YOU! | 0:34:23 | 0:34:26 | |
-CALIFORNIAN ACCENT: -Just concentrate on this. | 0:34:27 | 0:34:29 | |
Let's break the internet. | 0:34:29 | 0:34:32 | |
# Oh, yeah, yeah | 0:34:34 | 0:34:37 | |
# Yeah. # | 0:34:38 | 0:34:40 | |
Ladies and gentlemen, it is my privilege to introduce Kiki Dee! | 0:34:40 | 0:34:44 | |
# Don't go breaking my heart | 0:34:47 | 0:34:50 | |
# I couldn't if I tried... # | 0:34:50 | 0:34:52 | |
# Throw the dice Let's spin the wheel to see | 0:34:52 | 0:34:56 | |
# If our love is now a casualty | 0:34:56 | 0:34:59 | |
# C'est la vie, c'est la vie | 0:34:59 | 0:35:03 | |
# C'est la, c'est la, c'est la vie | 0:35:03 | 0:35:04 | |
# Say good for you Say bad for me | 0:35:04 | 0:35:06 | |
# Quite bad for me | 0:35:06 | 0:35:08 | |
# C'est la vie, c'est la vie | 0:35:08 | 0:35:10 | |
# C'est la, c'est la, c'est la vie | 0:35:10 | 0:35:12 | |
# Say what will be will be will be | 0:35:12 | 0:35:14 | |
# Be-be-be-be-be-be-be... # | 0:35:14 | 0:35:15 | |
# Cross my heart and count to ten... # | 0:35:15 | 0:35:19 | |
Hello, I'm Caroline. | 0:35:19 | 0:35:22 | |
And I'm Sharon. | 0:35:25 | 0:35:27 | |
And I'm Andrea. | 0:35:32 | 0:35:34 | |
Jim! | 0:35:34 | 0:35:36 | |
# You shouldn't be | 0:35:36 | 0:35:39 | |
# Here I am | 0:35:41 | 0:35:43 | |
# Please try to think of me... # | 0:35:43 | 0:35:45 | |
# Way back when | 0:35:45 | 0:35:46 | |
# The world was brighter then | 0:35:46 | 0:35:49 | |
# And when the bride danced the night away... # | 0:35:49 | 0:35:54 | |
# I am a man, yes, I am | 0:35:54 | 0:35:56 | |
# With a big responsibility... # | 0:35:56 | 0:35:59 | |
Ssh, be quiet! | 0:35:59 | 0:36:01 | |
# Turn a feather head | 0:36:03 | 0:36:05 | |
# It's so normal | 0:36:05 | 0:36:07 | |
# Unless everybody hops | 0:36:07 | 0:36:09 | |
# Then it's crazy | 0:36:09 | 0:36:11 | |
# Play it with pants instead | 0:36:11 | 0:36:13 | |
# And that is DIPPY! # | 0:36:13 | 0:36:15 | |
# Yeahhhhh... # | 0:36:18 | 0:36:20 | |
# They say our love won't pay the rent | 0:36:41 | 0:36:44 | |
# Before it's earned Our money's all been spent | 0:36:44 | 0:36:48 | |
# I guess that's so We don't have a pot | 0:36:51 | 0:36:53 | |
# At least I'm sure of all the things we got... # | 0:36:53 | 0:36:58 | |
# Magic flies like a crystal vision... | 0:36:58 | 0:37:04 | |
# Within her heart like a bird in flight | 0:37:04 | 0:37:09 | |
# If I can be your daughter... # | 0:37:09 | 0:37:12 | |
# Come on, people, on the floor | 0:37:15 | 0:37:17 | |
# Get into the groove... # | 0:37:17 | 0:37:20 | |
They invited me onto one of their shows to sing a nice song, | 0:37:28 | 0:37:31 | |
then they shot me. | 0:37:31 | 0:37:33 | |
# We-e-e-e-e-ell...# | 0:37:33 | 0:37:36 | |
And then nothing - not another word. | 0:37:44 | 0:37:50 | |
I need to speak to you, George Warleggan. | 0:37:58 | 0:38:00 | |
I have nothing to say to you, Demelza. | 0:38:00 | 0:38:02 | |
Don't you walk out on me! | 0:38:02 | 0:38:05 | |
BOTH: Fa-fa-fa, fa-fa-fa... | 0:38:05 | 0:38:08 | |
-< -Cut! | 0:38:08 | 0:38:10 | |
I'm sorry, what were you saying? | 0:38:10 | 0:38:12 | |
-Fa-fa-fa. -We're fa-fa-ing. -Yes. -We're not angry rhubarb like them. | 0:38:12 | 0:38:16 | |
We're fa-fas. Fa-fa-fa-fa! | 0:38:16 | 0:38:18 | |
Can you just say nothing? | 0:38:18 | 0:38:20 | |
Going again. | 0:38:20 | 0:38:22 | |
Nothing? | 0:38:22 | 0:38:24 | |
I need to speak to you, George Warleggan. | 0:38:26 | 0:38:27 | |
I have nothing to say to you, Demelza. | 0:38:27 | 0:38:30 | |
Don't you walk out on me. | 0:38:30 | 0:38:31 | |
-MIMICS PARROT: -Pretty Polly! Pretty Polly! -Cut! | 0:38:31 | 0:38:34 | |
No, I didn't say a word. That was the parrot. | 0:38:36 | 0:38:39 | |
That was the parrot speaking. Silly parrot! | 0:38:39 | 0:38:41 | |
Can we lose the parrot? | 0:38:41 | 0:38:43 | |
-But this is my husband's parrot. -Yes, she would have the parrot. | 0:38:43 | 0:38:45 | |
He's a seaman. He's away at sea. This is all I have of him. | 0:38:45 | 0:38:49 | |
Well, this and our poorly baby. This baby's got typhoid | 0:38:49 | 0:38:53 | |
so the parrot is a great comfort to me. | 0:38:53 | 0:38:55 | |
And I would have a parrot in these days, wouldn't I, | 0:38:55 | 0:38:58 | |
and these are the days just before The Onedin Line. | 0:38:58 | 0:39:00 | |
When does it become The Onedin Line? Is there a set date? | 0:39:00 | 0:39:04 | |
Reset. Five minutes. | 0:39:04 | 0:39:07 | |
-Is that our friend over there? -Where? -I don't want to point. -Where? | 0:39:08 | 0:39:13 | |
Two o'clock, two o'clock. No, my two o'clock. Six o'clock, six o'clock. | 0:39:13 | 0:39:17 | |
There. There! | 0:39:17 | 0:39:18 | |
Oh, yes, that's him, that's him. | 0:39:18 | 0:39:20 | |
-BOTH: -What's his name? | 0:39:20 | 0:39:23 | |
Helligan, is it? | 0:39:23 | 0:39:24 | |
Hello! No, no, no, no, no. I know, you hate this, don't you? | 0:39:27 | 0:39:32 | |
This is awful, isn't it? | 0:39:32 | 0:39:34 | |
-Charged up to you, haven't asked you any permission. -We're not riffraff. | 0:39:34 | 0:39:39 | |
We're not the angry rhubarb-rhubard-rhubarb. | 0:39:39 | 0:39:41 | |
-We're actually fa-fas. -We're not the great unwashed. -No. | 0:39:41 | 0:39:45 | |
Do you want another picture? | 0:39:45 | 0:39:46 | |
-Of what, sorry? -Me. | 0:39:46 | 0:39:49 | |
No, no, no, no, no, no. | 0:39:49 | 0:39:51 | |
I've already WhatsApp'd the 200 we did of you to my son in Dubai, yes. | 0:39:51 | 0:39:56 | |
-He was a bit disappointed. -Oh, why? | 0:39:56 | 0:39:59 | |
-Cos he wanted Aidan, really. -Yes, the actual Poldark. -No, no, don't... | 0:39:59 | 0:40:04 | |
-You could help us. -Yes, we could ask you this. | 0:40:04 | 0:40:07 | |
-You are an actual member of high society. -A fa-fa. | 0:40:07 | 0:40:10 | |
A real fa-fa, and do you think it's right | 0:40:10 | 0:40:13 | |
that all the posh people have been given the lines in this? | 0:40:13 | 0:40:16 | |
Because we have been singled out to say absolutely nothing in this, | 0:40:16 | 0:40:20 | |
-haven't we? -Yes. -And yet we are the people with the huge body of work. | 0:40:20 | 0:40:25 | |
Yes, yes. Are you familiar with our work? | 0:40:25 | 0:40:28 | |
-Fa-fa-fa! -Fa-fa! | 0:40:28 | 0:40:32 | |
Foo-fa! | 0:40:34 | 0:40:36 | |
-Cut! CUT! What the -BLEEP -is that? | 0:40:36 | 0:40:39 | |
-What the -BLEEP -is that, you -BLEEP -sons of bitches? | 0:40:39 | 0:40:43 | |
AIR WHOOSHES | 0:40:44 | 0:40:47 | |
Cut! | 0:40:47 | 0:40:48 | |
We brought them from home... | 0:40:49 | 0:40:52 | |
Roy, why did you book these two?! | 0:40:52 | 0:40:54 | |
I want a word with you in the Vic. Now. | 0:40:54 | 0:40:56 | |
-Kat, darling, I've got to work the stall. -No, now! | 0:40:56 | 0:40:58 | |
Doof-doof, doof-doof-doof-doof... | 0:41:00 | 0:41:02 | |
THEY HUM THE EASTENDERS THEME | 0:41:02 | 0:41:06 | |
-Really quite an oeuvre. -Oh, thank you, kind sir! | 0:41:13 | 0:41:18 | |
-He's hating this, isn't he? -It's awful. Isn't it awful? | 0:41:18 | 0:41:21 | |
Can I ask you something, George Fourleggan? Are you staying nearby? | 0:41:21 | 0:41:25 | |
-No, don't ask him that. -No? -No, don't ask him that. | 0:41:25 | 0:41:27 | |
-He can't answer it. Can you? -No. | 0:41:27 | 0:41:30 | |
No. | 0:41:30 | 0:41:31 | |
Right, we're just wondering | 0:41:31 | 0:41:32 | |
if you've done anything traditional or local at all | 0:41:32 | 0:41:34 | |
while you've been in Cornwall? | 0:41:34 | 0:41:36 | |
Have you been to Trago Mills? | 0:41:36 | 0:41:37 | |
It's very good there, yes. | 0:41:37 | 0:41:39 | |
Or Granny Wobbly's Fudge Pantry? | 0:41:39 | 0:41:42 | |
He's laughing at that. It's not funny. It's an actual place. | 0:41:42 | 0:41:45 | |
-Granny Wobbly's Fudge Pantry. -Yes, yes. | 0:41:45 | 0:41:48 | |
-Isn't your son something to do with fudge? -Yes, yes. | 0:41:48 | 0:41:51 | |
My son is a fudge-packer, | 0:41:51 | 0:41:53 | |
according to his friends in Dubai, isn't he? | 0:41:53 | 0:41:55 | |
I've never seen any evidence of the actual fudge. | 0:41:55 | 0:41:58 | |
He doesn't bring any of it home, | 0:41:58 | 0:41:59 | |
not even the stuff that no-one wants that comes out the back. | 0:41:59 | 0:42:02 | |
-That's my favourite stuff. -Do you need anything? | 0:42:02 | 0:42:05 | |
Oh, here's Demelza! | 0:42:05 | 0:42:06 | |
Here she is. She's come to rescue him. You stay there. | 0:42:06 | 0:42:10 | |
She's come to pretend that he's needed in make-up when he isn't. | 0:42:10 | 0:42:14 | |
-He doesn't need make-up. -No. -You know who never needs make-up? | 0:42:14 | 0:42:16 | |
Aidan! | 0:42:16 | 0:42:18 | |
Yes, she's a little bit soft on Aidan, aren't you? | 0:42:18 | 0:42:20 | |
Tell Demelza about Aidan. Don't get jealous. | 0:42:20 | 0:42:23 | |
About when he had his shirt off, you know, | 0:42:23 | 0:42:25 | |
and he was in the fields with his shirt off. | 0:42:25 | 0:42:27 | |
-Probably best not to mention that. -No, don't mention that. | 0:42:27 | 0:42:29 | |
It was a long time ago. | 0:42:29 | 0:42:31 | |
We've done quite a lot of really good work since then. | 0:42:31 | 0:42:33 | |
-Yes, of course. Yes, of course, we completely respect that. -Yes. | 0:42:33 | 0:42:38 | |
-Oh, is that Aidan over there? Is that him there? -It is. | 0:42:38 | 0:42:42 | |
Oh, I think it is! Oh, my goodness! | 0:42:42 | 0:42:44 | |
Aidan! Captain Poldark! | 0:42:44 | 0:42:46 | |
My friend here's got something she'd like to tell you. | 0:42:46 | 0:42:49 | |
-It's a lovely thing. -When you were in the fields with your chest out. | 0:42:49 | 0:42:53 | |
Yes, when you were scything the ripe corn, and you were sweating a lot. | 0:42:53 | 0:42:56 | |
She only wants to tell you about... | 0:42:56 | 0:42:57 | |
-Aidan! -Aidan! -Aidan! Where's he going? | 0:42:57 | 0:43:00 | |
-Aidan! -Aidan! -Aidan! -Aidan! -Aidan! -Aidan! -Aidan! -AIDAN! | 0:43:00 | 0:43:03 | |
-Aidan! -AIDAN! What's his second name? -Poldark. Poldark! -Poldark! | 0:43:03 | 0:43:08 | |
-Poldark! -Poldark! -POLDAAARK! -What is the matter with him? -Just stop! | 0:43:08 | 0:43:12 | |
Stop! | 0:43:12 | 0:43:14 | |
Hang on, hang on, hang on, wait. | 0:43:14 | 0:43:16 | |
We have done four series. | 0:43:16 | 0:43:19 | |
That is hours of acting | 0:43:19 | 0:43:21 | |
and rehearsing, where we have to find within us | 0:43:21 | 0:43:24 | |
that empty void that is ready then to fill | 0:43:24 | 0:43:26 | |
with the character's feelings - pain, joy, ART, | 0:43:26 | 0:43:30 | |
to charge relationships with believable reality, | 0:43:30 | 0:43:34 | |
-to cry, to love, to hate. -Absolutely. I've buried children. | 0:43:34 | 0:43:38 | |
I've worn a very, very tight corset. | 0:43:38 | 0:43:40 | |
I've got a very uncomfortable collar. Tell them about the mascara. | 0:43:40 | 0:43:44 | |
I have had to work for the past four series without mascara. | 0:43:44 | 0:43:47 | |
Do you any idea how brave that is? | 0:43:47 | 0:43:51 | |
And all you remember is that scene. | 0:43:51 | 0:43:54 | |
-Yes. -Yes. | 0:43:55 | 0:43:57 | |
It's just because he has that little bit of skin on him down here. | 0:43:59 | 0:44:03 | |
This wouldn't be allowed if he was a woman. | 0:44:03 | 0:44:05 | |
You know, cos when a man pulls his trousers down low, | 0:44:05 | 0:44:07 | |
there's that man shape, | 0:44:07 | 0:44:09 | |
I don't know what it is, and there's that bit of skin there | 0:44:09 | 0:44:12 | |
and I like to imagine that, when he wakes up in the morning, | 0:44:12 | 0:44:15 | |
he smells of biscuits... | 0:44:15 | 0:44:17 | |
Stop it! Don't worry about her. She's no danger. | 0:44:17 | 0:44:20 | |
She won't act on anything. She's dead from the waist down. | 0:44:20 | 0:44:23 | |
Seriously, though, if you were a man letching over a woman | 0:44:23 | 0:44:25 | |
the way you letch over him, | 0:44:25 | 0:44:27 | |
I could have you reported and taken off this set. | 0:44:27 | 0:44:29 | |
Steady on! I'm being attacked by a feminist, or something! | 0:44:29 | 0:44:32 | |
-I give up. -You give up? -Oh, she's given up. -That's rather useful. | 0:44:32 | 0:44:36 | |
Would you mind quickly taking a snap? Just a quick one. | 0:44:36 | 0:44:39 | |
-Just a quick one, George. -One with us with Mr Helligan. | 0:44:39 | 0:44:42 | |
-There we go, that's it. -Look at him! | 0:44:42 | 0:44:44 | |
APPLAUSE | 0:44:44 | 0:44:46 | |
Thank you. | 0:44:52 | 0:44:53 | |
So, there we have it. Can I just thank everyone at home for watching? | 0:44:55 | 0:44:59 | |
Thank you, the audience, for being here this evening | 0:44:59 | 0:45:01 | |
and can I just briefly... | 0:45:01 | 0:45:03 | |
-Do you mind? -No, no, I'll lead you in. | 0:45:03 | 0:45:05 | |
Do you know something? | 0:45:05 | 0:45:07 | |
I want to say thank you to this set, which has given us | 0:45:07 | 0:45:10 | |
so many hours and hours of pleasure. | 0:45:10 | 0:45:13 | |
-APPLAUSE -Lovely, lovely, lovely, lovely. | 0:45:13 | 0:45:16 | |
We've had so much fun in here. | 0:45:17 | 0:45:18 | |
We can't end the show without me saying one thing to you as well. | 0:45:18 | 0:45:21 | |
-What's that? -Are you going to do the accent, Dawn? | 0:45:21 | 0:45:23 | |
-NORTHERN IRISH ACCENT: -How are you? -NORTHERN IRISH ACCENT: How are you? | 0:45:23 | 0:45:26 | |
NORMAL ACCENT: Yes, and also, I think, cos everyone here... | 0:45:26 | 0:45:31 | |
-Well, I'm a fan of yours, obviously. -Oh, stop it! | 0:45:31 | 0:45:33 | |
Silly, silly. But I think there's probably a question | 0:45:33 | 0:45:37 | |
that most people really want to ask you | 0:45:37 | 0:45:40 | |
and I know I want to ask you this question. | 0:45:40 | 0:45:42 | |
-What are you doing? Stop it. -Can I ask you a question? | 0:45:42 | 0:45:45 | |
Of course you can! | 0:45:45 | 0:45:48 | |
-Dawn French off the telly-o-vision... -Yes? | 0:45:48 | 0:45:51 | |
How are you feeling about your weight? Ooh... | 0:45:51 | 0:45:54 | |
Eurgh! | 0:46:03 | 0:46:05 | |
Eurrrrgh! | 0:46:05 | 0:46:06 | |
Eurgh! Eurgh! | 0:46:06 | 0:46:09 | |
What are you doing? | 0:46:18 | 0:46:20 | |
Just checking! | 0:46:20 | 0:46:23 | |
Could you, erm, tidy up my growler while you're down there? | 0:46:28 | 0:46:31 | |
-SNIPPING -Thank you very much. | 0:46:31 | 0:46:33 | |
Cheerio! | 0:46:33 | 0:46:34 | |
SCREAMING | 0:46:36 | 0:46:37 | |
Oh, come on! That would have finished you off, wouldn't it? | 0:46:42 | 0:46:44 | |
Nothing at all, not even a scratch. Did you miss, or something? | 0:46:44 | 0:46:48 | |
Cos all I've got is a grumbling headache. | 0:46:48 | 0:46:50 | |
That's done it. | 0:46:51 | 0:46:52 | |
CHEERING AND APPLAUSE | 0:46:52 | 0:46:55 | |
# Don't put your daughter on the stage, Mrs Worthington | 0:46:57 | 0:47:00 | |
# Don't put your daughter on the stage | 0:47:00 | 0:47:03 | |
# The profession is overcrowded and the struggle's pretty tough | 0:47:03 | 0:47:07 | |
# And admitting the fact she's learning to act | 0:47:07 | 0:47:09 | |
# That isn't quite enough | 0:47:09 | 0:47:11 | |
# She has nice hands to give the wretched girl her due | 0:47:11 | 0:47:14 | |
# But don't you think her bust is too developed for her age? | 0:47:14 | 0:47:18 | |
# I repeat, Mrs Worthington | 0:47:18 | 0:47:19 | |
# Sweet Mrs Worthington | 0:47:19 | 0:47:21 | |
# Don't put your daughter on the stage | 0:47:21 | 0:47:25 | |
# Regarding yours | 0:47:25 | 0:47:26 | |
# Dear Mrs Worthington | 0:47:26 | 0:47:28 | |
# Of Wednesday the 23rd | 0:47:28 | 0:47:31 | |
# Although your baby may be keen on a stage career | 0:47:31 | 0:47:35 | |
# How can I make it clear? | 0:47:35 | 0:47:37 | |
# This is not a good idea | 0:47:37 | 0:47:39 | |
# For her to hope | 0:47:39 | 0:47:41 | |
# Dear Mrs Worthington | 0:47:41 | 0:47:42 | |
# Is, on the face of it, absurd | 0:47:42 | 0:47:46 | |
# Her personality is not, in reality | 0:47:46 | 0:47:49 | |
# Exciting enough, inviting enough | 0:47:49 | 0:47:51 | |
# For this particular sphere | 0:47:51 | 0:47:53 | |
# Don't put your daughter on the stage, Mrs Worthington | 0:47:53 | 0:47:56 | |
# Don't put your daughter on the stage | 0:47:56 | 0:47:59 | |
# Though they said at the school of acting | 0:47:59 | 0:48:01 | |
# She was lovely as Peer Gynt | 0:48:01 | 0:48:03 | |
# I'm afraid On the whole, an ingenue role | 0:48:03 | 0:48:05 | |
# Would emphasise her squint | 0:48:05 | 0:48:06 | |
# She's a big girl | 0:48:06 | 0:48:08 | |
# And though her teeth are fairly good | 0:48:08 | 0:48:11 | |
# She's not the type I ever would be eager to engage | 0:48:11 | 0:48:13 | |
# No more buts, Mrs Worthington | 0:48:13 | 0:48:16 | |
# Nuts, Mr Worthington | 0:48:16 | 0:48:17 | |
# Don't put your daughter on the stage. # | 0:48:17 | 0:48:20 | |
What does that say? | 0:48:27 | 0:48:29 | |
-Fin, or something. Fin. -Fin. | 0:48:29 | 0:48:33 | |
Oh, that's the end. The end! | 0:48:33 | 0:48:35 | |
Oh, hooray for that! | 0:48:35 | 0:48:37 |