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|---|---|---|---|
This programme contains some strong language. | 0:00:09 | 0:00:17 | |
PHONE RINGS | 0:00:31 | 0:00:33 | |
Hello, Comfort Support Line. | 0:00:42 | 0:00:44 | |
CALLER HANGS UP | 0:00:44 | 0:00:46 | |
-George, remind me, are we allowed to do 1471? -No. | 0:00:46 | 0:00:50 | |
Well, we need to get someone on nine. | 0:00:50 | 0:00:53 | |
Yeah, I'm aware of that, thank you. | 0:00:53 | 0:00:55 | |
Sorry I'm late. | 0:00:57 | 0:00:58 | |
Oh, that's all right. | 0:00:58 | 0:00:59 | |
-Not to worry, come through. -Thanks. | 0:00:59 | 0:01:02 | |
Now, I thought I'd pop you in opposite Liz. | 0:01:02 | 0:01:04 | |
-Have you met? -Er, I don't think so. | 0:01:04 | 0:01:06 | |
-Hi, I'm Andy. -Hello. -Hi. | 0:01:06 | 0:01:07 | |
-Oh, he's given you prime location there. -Really? | 0:01:07 | 0:01:10 | |
Yes, this was Victoria's booth, | 0:01:10 | 0:01:12 | |
she was one of our longest-standing volunteers, | 0:01:12 | 0:01:14 | |
but she's had to take a bit of gardening leave. | 0:01:14 | 0:01:16 | |
She had three dead dads in two days, it tipped her over the edge. | 0:01:16 | 0:01:19 | |
That was probably her phoning just then. | 0:01:19 | 0:01:21 | |
Yes, and if it was, | 0:01:21 | 0:01:22 | |
we'd have respected her confidentiality, wouldn't we, Liz? | 0:01:22 | 0:01:24 | |
Of course we would, George. | 0:01:24 | 0:01:26 | |
-Let's get you sat, in shall we? -Right, thanks. | 0:01:26 | 0:01:28 | |
As you can see, it's compact and bijou | 0:01:28 | 0:01:30 | |
with a south-facing terrace and en-suite facilities. | 0:01:30 | 0:01:33 | |
Don't worry, Andy, I didn't laugh either. | 0:01:33 | 0:01:35 | |
Now, obviously, you've done your induction | 0:01:35 | 0:01:37 | |
but when the calls come in, | 0:01:37 | 0:01:38 | |
we like to pick up within three rings | 0:01:38 | 0:01:40 | |
-and begin every dialogue with, "Hello, Comfort Support Line." -OK. | 0:01:40 | 0:01:43 | |
I don't mind if people use the abbreviation CSL, | 0:01:43 | 0:01:46 | |
cos Comfort Support Line does sound a bit like bras. | 0:01:46 | 0:01:49 | |
-You've got one for your moobs, haven't you, George? -Ignore her. | 0:01:49 | 0:01:51 | |
Now, whatever the caller wants to talk about, | 0:01:51 | 0:01:53 | |
we offer active listening, | 0:01:53 | 0:01:55 | |
er, though I would say one in every five calls will just be silent. | 0:01:55 | 0:01:58 | |
That's right, cos they're plucking up the courage. | 0:01:58 | 0:02:00 | |
Yes, yes. | 0:02:00 | 0:02:01 | |
You just have to make sure they're not plucking something else. | 0:02:01 | 0:02:04 | |
Ah, you mean... | 0:02:04 | 0:02:06 | |
BOTH: Masturbating. | 0:02:06 | 0:02:07 | |
It has become a bit of an epidemic. | 0:02:07 | 0:02:09 | |
How will I be able to tell? | 0:02:09 | 0:02:11 | |
-LIZ SIMULATES MASTURBATION NOISE -Liz! | 0:02:11 | 0:02:13 | |
Your ear soon becomes attuned. | 0:02:13 | 0:02:16 | |
Now, you may find you have a dead hour or so when nobody rings. | 0:02:16 | 0:02:19 | |
I don't mind you bringing in, erm, a novel, newspaper, | 0:02:19 | 0:02:22 | |
wordsearch is fine, | 0:02:22 | 0:02:23 | |
but I do frown on people watching box sets of The Walking Dead | 0:02:23 | 0:02:25 | |
on their mobile phones. | 0:02:25 | 0:02:27 | |
It was the season finale, leave me alone. | 0:02:27 | 0:02:28 | |
The point is, you have to be focused, | 0:02:28 | 0:02:30 | |
-ready to go at the drop of a hat. -OK. | 0:02:30 | 0:02:32 | |
-PHONE RINGS -There you go. | 0:02:32 | 0:02:34 | |
-Do you want to plunge straight in? -Really? -Yep. | 0:02:34 | 0:02:36 | |
-Should I...? -Yeah, grab it. | 0:02:36 | 0:02:38 | |
Hello, Comfort, CSL line. How can I help you? | 0:02:38 | 0:02:41 | |
-RECORDED MESSAGE: -'Hi, this is an important message | 0:02:41 | 0:02:43 | |
'regarding your Payment Protection Insurance Policy...' | 0:02:43 | 0:02:46 | |
-Hang up. -I thought I wasn't allowed to terminate the dialogue? | 0:02:46 | 0:02:49 | |
It's not a dialogue, is it? | 0:02:49 | 0:02:50 | |
We'll have to do something about this. There's more PPIs than wankers. | 0:02:50 | 0:02:53 | |
Have you been volunteering long? | 0:02:57 | 0:02:58 | |
Me? I was going to do it for two weeks... | 0:02:58 | 0:03:02 | |
five years ago. HE LAUGHS | 0:03:02 | 0:03:04 | |
-I just got addicted to it. -Mm. | 0:03:04 | 0:03:06 | |
I love it. | 0:03:06 | 0:03:07 | |
What about you? | 0:03:07 | 0:03:08 | |
Oh, I just, you know, I thought it was a really good thing to do. | 0:03:08 | 0:03:11 | |
When my sister died, I really wished I could have had | 0:03:13 | 0:03:15 | |
-someone to talk to... -PHONE RINGS | 0:03:15 | 0:03:18 | |
Hello, Comfort Support Line, how can I help you? | 0:03:18 | 0:03:21 | |
Oh. Well, have you tried using a spoon? | 0:03:22 | 0:03:25 | |
It might work. | 0:03:27 | 0:03:29 | |
Mm... | 0:03:31 | 0:03:32 | |
Yeah. | 0:03:33 | 0:03:35 | |
I know. | 0:03:35 | 0:03:36 | |
Mm... | 0:03:38 | 0:03:39 | |
PHONE RINGS | 0:03:41 | 0:03:43 | |
Oh, erm, George? | 0:03:43 | 0:03:46 | |
George! I've got a call! | 0:03:47 | 0:03:49 | |
OK, yeah. | 0:03:50 | 0:03:52 | |
Remember, no leading, no counselling, | 0:03:52 | 0:03:54 | |
-just active listening. -OK. | 0:03:54 | 0:03:57 | |
Hello, Comfort Support Line, can I help you? | 0:03:59 | 0:04:02 | |
-WOMAN'S VOICE: -'Oh... Mm...' | 0:04:02 | 0:04:05 | |
Erm, did you want to talk to someone? | 0:04:11 | 0:04:14 | |
'Oh, God. | 0:04:14 | 0:04:16 | |
'Well...a couple of years ago, there was...an incident.' | 0:04:17 | 0:04:22 | |
Right. | 0:04:22 | 0:04:23 | |
'After the incident, I was pretty depressed, obviously, | 0:04:23 | 0:04:26 | |
'but I did manage to get back on track | 0:04:26 | 0:04:28 | |
'even though it, it was quite a serious incident.' | 0:04:28 | 0:04:30 | |
I see. | 0:04:30 | 0:04:31 | |
'And erm, I mean, as Steve said, at the clinic, | 0:04:31 | 0:04:33 | |
'with that kind of incident, | 0:04:33 | 0:04:35 | |
'you're not going to bounce back over night, are you? | 0:04:35 | 0:04:37 | |
-'It takes its toll, but...' -Well... -Shh. | 0:04:37 | 0:04:39 | |
'..but I can't sleep now, for thinking about the incident | 0:04:39 | 0:04:42 | |
'and I'm having nightmares about it. | 0:04:42 | 0:04:44 | |
'And all I think when I wake up is, | 0:04:44 | 0:04:46 | |
'"God! The incident, the incident, the incident! Christ!"' | 0:04:46 | 0:04:49 | |
-What was the incident? -'I'd rather not talk about it.' | 0:04:49 | 0:04:52 | |
OK, so without revealing to me the nature of the incident... | 0:04:52 | 0:04:57 | |
-It's not a magic trick. -Sorry. Erm... | 0:04:57 | 0:05:00 | |
-'It was an abortion, if you must know.' -Right, good. | 0:05:00 | 0:05:02 | |
-Well, erm, that was your choice. -'I know it was!' | 0:05:02 | 0:05:05 | |
No, no, I mean it was your choice to tell me, | 0:05:05 | 0:05:07 | |
-I didn't force it out of you. -'What?!' | 0:05:07 | 0:05:10 | |
-SHE HANGS UP PHONE -Oh... | 0:05:10 | 0:05:13 | |
-Well, that went well. -Yeah, don't worry. Really good. | 0:05:13 | 0:05:15 | |
Don't beat yourself up. | 0:05:15 | 0:05:16 | |
Just glad you didn't mention terminating the call. | 0:05:17 | 0:05:20 | |
MULTIPLE TELEPHONES RING | 0:05:21 | 0:05:25 | |
-MAN: -'And it wasn't even like we'd had a bad holiday, it was good. | 0:05:25 | 0:05:29 | |
'We went out for some nice meals and the hotel was nice, | 0:05:29 | 0:05:32 | |
'and I'd got a good deal. | 0:05:32 | 0:05:34 | |
'I'd got one of them deals, | 0:05:34 | 0:05:35 | |
-'you know where you cut out and paste the numbers?' -Mm-hm. | 0:05:35 | 0:05:39 | |
'And she seemed happy with it at the time, I think, | 0:05:39 | 0:05:41 | |
'but I think the weather was quite bad | 0:05:41 | 0:05:43 | |
'so there was a lot of sitting in cafes, so that doesn't help.' | 0:05:43 | 0:05:46 | |
No. | 0:05:46 | 0:05:47 | |
'And it kind of makes you realise | 0:05:47 | 0:05:48 | |
'that you've got nothing to say to each other. | 0:05:48 | 0:05:51 | |
'I mean, I'm talking like it came from me, but it didn't. | 0:05:51 | 0:05:55 | |
'I mean, I tried to start conversations | 0:05:55 | 0:05:58 | |
'but she'd, they'd just be one word answers, | 0:05:58 | 0:06:01 | |
'like "Yes," or "Dunno." | 0:06:01 | 0:06:02 | |
'I felt like she wasn't really interested | 0:06:02 | 0:06:05 | |
'in what I had to say, do you know what I mean?' | 0:06:05 | 0:06:08 | |
-Hm... -WOMAN ON PHONE: -'Hello?' | 0:06:08 | 0:06:09 | |
'Anyway, I'm going to go now because I've just heard her come back in, | 0:06:09 | 0:06:12 | |
'but thanks very much, you've really helped me.' | 0:06:12 | 0:06:14 | |
Good, well... | 0:06:14 | 0:06:15 | |
That's why we're here. | 0:06:15 | 0:06:18 | |
It's nice talking to you. | 0:06:18 | 0:06:19 | |
'You too, bye. Mother, is that you?' | 0:06:19 | 0:06:22 | |
-I bet that's a relief. -Yeah, what? | 0:06:23 | 0:06:25 | |
That call, seemed like a long one. | 0:06:25 | 0:06:26 | |
Yeah, it, it was. | 0:06:26 | 0:06:28 | |
Erm, I was dying for him...to finish. | 0:06:28 | 0:06:31 | |
Not that I wasn't interested in what he had to say, | 0:06:31 | 0:06:33 | |
just that I was...relieved when he'd said it. | 0:06:33 | 0:06:36 | |
-I'm Andy. -Joanne, hi. | 0:06:36 | 0:06:38 | |
Hi. | 0:06:38 | 0:06:40 | |
-Do you mind if I sit down for a second? -Er, no. No, no, course... | 0:06:40 | 0:06:42 | |
I know you're quite new, | 0:06:49 | 0:06:51 | |
and, please, don't think I'm being patronising. | 0:06:51 | 0:06:54 | |
-Patronise means to talk down to someone. -Right. | 0:06:54 | 0:06:56 | |
That's a joke, by the way. | 0:06:56 | 0:06:58 | |
Oh, good, yes. | 0:06:58 | 0:07:00 | |
It's just I've been a volunteer here for three years now | 0:07:00 | 0:07:03 | |
and I always say the same thing to all the new recruits. | 0:07:03 | 0:07:07 | |
Don't get involved. | 0:07:07 | 0:07:09 | |
Right, no. I wasn't going to, I'm not even looking, so... | 0:07:09 | 0:07:12 | |
I don't mean with me, I mean with the callers. | 0:07:12 | 0:07:15 | |
Right, yes. George has said, it's not a good idea. | 0:07:15 | 0:07:17 | |
No, it's not. | 0:07:17 | 0:07:19 | |
These people...are not your friends, | 0:07:19 | 0:07:22 | |
in spite of what Liz might say. | 0:07:22 | 0:07:24 | |
Ah, she does seem chatty. | 0:07:24 | 0:07:26 | |
Probably been bitching about me already, has she? | 0:07:26 | 0:07:29 | |
Has she? | 0:07:29 | 0:07:31 | |
Not that I know of. | 0:07:31 | 0:07:33 | |
Let her. I don't care. | 0:07:33 | 0:07:35 | |
-I don't want any part of that clique. -I don't. | 0:07:35 | 0:07:37 | |
Just keep your guard up and your shutters down. | 0:07:37 | 0:07:39 | |
Mm. | 0:07:39 | 0:07:41 | |
Anyway, I'll let you finish that drink. | 0:07:41 | 0:07:42 | |
Oh... Cheers! | 0:07:42 | 0:07:44 | |
-Mm. -Good luck, Andy. | 0:07:47 | 0:07:49 | |
Thanks. | 0:07:49 | 0:07:50 | |
-Bye. -Bye. | 0:07:51 | 0:07:53 | |
MULTIPLE PHONES RING | 0:07:57 | 0:08:01 | |
PHONE RINGS | 0:08:02 | 0:08:04 | |
Hello, Comfort Support Line? | 0:08:05 | 0:08:07 | |
-'Hi...' -Did you want to...? | 0:08:07 | 0:08:09 | |
'This is an important message | 0:08:09 | 0:08:10 | |
-'regarding your Payment Protection Insurance Policy...' -Piss off! | 0:08:10 | 0:08:13 | |
-Oh, let me guess, another PPI. -Mm. | 0:08:13 | 0:08:16 | |
Persistent Pain in the Intestine, I call them. | 0:08:16 | 0:08:19 | |
Right, I'm off. | 0:08:19 | 0:08:21 | |
I've got a hot date with a Fray Bentos steak and ale pie. | 0:08:21 | 0:08:23 | |
-PHONE RINGS -Ooh! Hello, CSL. | 0:08:23 | 0:08:26 | |
Night, night. | 0:08:26 | 0:08:27 | |
Hello? | 0:08:27 | 0:08:28 | |
-WOMAN: -'Is Victoria there?' | 0:08:31 | 0:08:32 | |
Ah, sorry, no. Victoria's not in tonight. | 0:08:32 | 0:08:34 | |
'What's your name?' | 0:08:35 | 0:08:37 | |
I'm afraid we're not advised to give out our personal details. | 0:08:37 | 0:08:41 | |
'Victoria did.' | 0:08:41 | 0:08:43 | |
Well, she's no longer a volunteer here, but I am. | 0:08:43 | 0:08:48 | |
'OK.' | 0:08:48 | 0:08:50 | |
Now, you can tell me your name, if you'd like. | 0:08:50 | 0:08:52 | |
'It's...Chloe.' | 0:08:52 | 0:08:53 | |
Hi, Chloe. I'm...here for you. | 0:08:54 | 0:08:58 | |
'Will you talk to me?' | 0:08:59 | 0:09:00 | |
Of course. | 0:09:00 | 0:09:01 | |
'What... | 0:09:03 | 0:09:05 | |
'What do you want to talk about?' | 0:09:05 | 0:09:07 | |
Well, erm...I'm just here to listen, so you tell me. | 0:09:07 | 0:09:10 | |
'Well...I hate my life, | 0:09:12 | 0:09:16 | |
'I hate my mum, I hate my step-dad... | 0:09:16 | 0:09:19 | |
'especially hate my step-dad. | 0:09:19 | 0:09:21 | |
'I haven't done anything with my life.' | 0:09:21 | 0:09:23 | |
How old are you, Chloe? | 0:09:24 | 0:09:26 | |
-'I'm 16.' -Well, there you go. You know, you're still very young. | 0:09:26 | 0:09:28 | |
You've got your whole life ahead of you. | 0:09:28 | 0:09:30 | |
'Huh...yeah. | 0:09:30 | 0:09:32 | |
'Oh... | 0:09:33 | 0:09:35 | |
-Chloe... -SHE PANTS | 0:09:35 | 0:09:37 | |
Chloe, I don't want to be rude, | 0:09:37 | 0:09:39 | |
but if you're doing what I think you're doing, | 0:09:39 | 0:09:41 | |
I'm going have to ask you to stop because... | 0:09:41 | 0:09:43 | |
'What? I've got stomach cramps.' | 0:09:43 | 0:09:44 | |
Oh, well, that's OK. | 0:09:45 | 0:09:46 | |
-It's just that we're not allowed to... -'I've taken some tablets.' | 0:09:46 | 0:09:50 | |
Sorry? | 0:09:51 | 0:09:53 | |
'I've taken tablets.' | 0:09:53 | 0:09:54 | |
Have you...? | 0:09:56 | 0:09:58 | |
OK, erm...how many? | 0:09:58 | 0:10:01 | |
-SHE SIGHS -'I don't know, erm... | 0:10:01 | 0:10:03 | |
'30? 40?' | 0:10:03 | 0:10:05 | |
Right. | 0:10:06 | 0:10:08 | |
'I just wanted to talk to someone before I go.' | 0:10:08 | 0:10:12 | |
Well, erm... | 0:10:13 | 0:10:14 | |
Yep, I, I can do that for you, er, Chloe, | 0:10:14 | 0:10:17 | |
and I'm certainly going to keep talking to you, | 0:10:17 | 0:10:19 | |
but if you had a mobile, you could dial 999 | 0:10:19 | 0:10:21 | |
and ask for an ambulance... | 0:10:21 | 0:10:22 | |
'No! | 0:10:22 | 0:10:24 | |
'Please don't do that.' | 0:10:24 | 0:10:25 | |
I'm not going to do that, Chloe. | 0:10:26 | 0:10:28 | |
I'm not going to do that, I promise. | 0:10:28 | 0:10:30 | |
I promise. We'll just talk. | 0:10:32 | 0:10:34 | |
'Thank you.' | 0:10:34 | 0:10:36 | |
-SHE BREATHES HEAVILY -'It's hot.' | 0:10:36 | 0:10:39 | |
Yeah... | 0:10:41 | 0:10:43 | |
Yeah, the, erm... | 0:10:43 | 0:10:45 | |
the windows are painted shut in here | 0:10:45 | 0:10:47 | |
so...er, we can't get any air in. | 0:10:47 | 0:10:49 | |
-IN A FAINT VOICE: -'That's a shame.' | 0:10:51 | 0:10:53 | |
Chloe? Are you all right? | 0:10:57 | 0:10:59 | |
'Mm... | 0:11:03 | 0:11:05 | |
'Will you sing to me?' | 0:11:06 | 0:11:07 | |
Yeah. | 0:11:09 | 0:11:10 | |
Yeah, I'm not very good, but I'll give it a go. | 0:11:10 | 0:11:12 | |
What...what did you want to hear? | 0:11:14 | 0:11:16 | |
'Well, I like American Pie | 0:11:19 | 0:11:22 | |
'but I think it might be a bit long. | 0:11:22 | 0:11:24 | |
'Do you know Shine?' | 0:11:27 | 0:11:29 | |
Take That? | 0:11:31 | 0:11:32 | |
'Yeah.' | 0:11:32 | 0:11:33 | |
I think I know some if it, erm... | 0:11:35 | 0:11:37 | |
# You | 0:11:39 | 0:11:40 | |
# You're such a big star to me | 0:11:40 | 0:11:43 | |
# You're everything I want to be | 0:11:43 | 0:11:45 | |
# But you're stuck in a hole | 0:11:45 | 0:11:48 | |
# And I want you to get out | 0:11:48 | 0:11:50 | |
# I don't know what there is to see | 0:11:50 | 0:11:52 | |
# But I know it's time for you to leave | 0:11:52 | 0:11:55 | |
# We're all just pushing along | 0:11:55 | 0:11:57 | |
# Trying to figure it out, out, out... # | 0:11:57 | 0:12:01 | |
I don't really know the rest. | 0:12:03 | 0:12:05 | |
How was that? | 0:12:06 | 0:12:07 | |
Chloe? | 0:12:10 | 0:12:11 | |
Chloe? | 0:12:14 | 0:12:15 | |
My name's Andy, by the way. | 0:12:20 | 0:12:22 | |
HE SIGHS | 0:12:30 | 0:12:33 | |
PHONE RINGS | 0:12:33 | 0:12:37 | |
Hello, CSL? | 0:12:37 | 0:12:39 | |
-WOMAN: -'I'm sorry to bother you, but I just couldn't sleep. | 0:12:39 | 0:12:44 | |
'You see, Picasso died last week, | 0:12:44 | 0:12:48 | |
'and the house seems so empty without him. | 0:12:48 | 0:12:51 | |
'He was my cat, you see, | 0:12:51 | 0:12:53 | |
'and he meant the world to me. | 0:12:53 | 0:12:55 | |
-'Hello?' -Yes, yes. | 0:12:55 | 0:12:57 | |
Erm...I'm sorry to hear that. | 0:12:57 | 0:12:59 | |
'It's not just me, Binky misses him, and Percy. | 0:12:59 | 0:13:04 | |
'They were from the same litter. | 0:13:04 | 0:13:06 | |
'I just miss his little paws padding about. | 0:13:06 | 0:13:10 | |
'He had such a lovely meow. | 0:13:10 | 0:13:13 | |
'They all have very different personalities, you know.' | 0:13:13 | 0:13:16 | |
Mm. | 0:13:16 | 0:13:17 | |
'And Picasso was such a softie, really. | 0:13:17 | 0:13:20 | |
'Although, he did have his moments. | 0:13:20 | 0:13:23 | |
'He would often bring me little parcels from the garden, | 0:13:23 | 0:13:26 | |
'a mouse or a shrew. | 0:13:26 | 0:13:28 | |
'And he would demand that I pick him up, | 0:13:28 | 0:13:30 | |
'but you're not supposed to encourage them. | 0:13:30 | 0:13:33 | |
'Anyway, I'm devastated, to be honest. | 0:13:33 | 0:13:37 | |
'I just don't see how I can go on day-to-day. | 0:13:37 | 0:13:41 | |
'There's such a hole without him. | 0:13:41 | 0:13:43 | |
'It's like a terrible ache.' | 0:13:43 | 0:13:45 | |
Oh, well, he's just a cat. | 0:13:45 | 0:13:47 | |
'I beg your pardon?' | 0:13:47 | 0:13:49 | |
It's just a cat. | 0:13:49 | 0:13:50 | |
It sounds like you've got other ones, have you? | 0:13:50 | 0:13:52 | |
'Yes...but nothing will replace Picasso!' | 0:13:52 | 0:13:55 | |
Well, another cat would. | 0:13:55 | 0:13:57 | |
'I want your name!' | 0:13:57 | 0:13:59 | |
MULTIPLE DIALLING TONES BEEP | 0:14:02 | 0:14:06 | |
Well, I'd put them all in the green ones, | 0:14:09 | 0:14:11 | |
but lose the headdresses. | 0:14:11 | 0:14:13 | |
Yeah. | 0:14:13 | 0:14:14 | |
And you don't want to go all Big Fat Gypsy Wedding, do you? | 0:14:14 | 0:14:17 | |
And how much are they? | 0:14:17 | 0:14:19 | |
Well, do Primark not do them? Oh, hang on a sec... | 0:14:20 | 0:14:22 | |
-Oh, I see. Yes, yes... -Liz. | 0:14:22 | 0:14:25 | |
-Just a minute, George. -Terminate that call, please. | 0:14:25 | 0:14:27 | |
-I'm with a client. -No, you're not. Terminate the call. | 0:14:27 | 0:14:29 | |
I'm sorry, caller, | 0:14:29 | 0:14:30 | |
but my supervisor's instructing me to terminate this call. | 0:14:30 | 0:14:33 | |
-Would you wait just a sec? What? -You're not allowed personal calls, | 0:14:33 | 0:14:36 | |
-how many times have I got to tell you? -She called the helpline. -To talk about bridesmaids' dresses. | 0:14:36 | 0:14:40 | |
-She's upset about it, it's a big decision. -This is completely against the rules | 0:14:40 | 0:14:43 | |
-to clog up the lines with personal calls... -Oh, piss off, George! I'm working. | 0:14:43 | 0:14:47 | |
Some of us are here to help people. | 0:14:47 | 0:14:48 | |
Hello. Yes, you were saying. | 0:14:48 | 0:14:50 | |
Put that phone down. | 0:14:50 | 0:14:52 | |
Well, I'd go for the white shoes... | 0:14:52 | 0:14:54 | |
Oh, well, they can wear their own at the reception, cant they? | 0:14:55 | 0:14:58 | |
Well, tell her she can't wear Wellingtons. | 0:14:59 | 0:15:01 | |
She's 45, for goodness' sake. | 0:15:01 | 0:15:04 | |
What you doing?! | 0:15:04 | 0:15:05 | |
Give me the...fucking phone! | 0:15:05 | 0:15:07 | |
What?! | 0:15:10 | 0:15:12 | |
Are you for real? | 0:15:12 | 0:15:13 | |
Did you see that, Valerie? | 0:15:14 | 0:15:16 | |
It was an assault! | 0:15:16 | 0:15:18 | |
Psycho! | 0:15:18 | 0:15:19 | |
Are you all right, Valerie? | 0:15:19 | 0:15:22 | |
He hurt me chin! | 0:15:22 | 0:15:23 | |
Anyway, he's been reported, | 0:15:26 | 0:15:27 | |
but they won't do anything, | 0:15:27 | 0:15:29 | |
it's bad for the image. | 0:15:29 | 0:15:30 | |
They don't want anyone knowing the volunteers | 0:15:30 | 0:15:32 | |
are more fucked up than the people ringing in. | 0:15:32 | 0:15:35 | |
How are you, anyway? | 0:15:35 | 0:15:36 | |
Yeah, I was just a bit shaken. | 0:15:36 | 0:15:39 | |
It was so weird, I actually heard someone die. | 0:15:39 | 0:15:41 | |
Well, you didn't. | 0:15:41 | 0:15:42 | |
You were singing Take That, but I know what you mean. | 0:15:42 | 0:15:45 | |
You just feel so helpless. | 0:15:45 | 0:15:47 | |
But I suppose you've got to do what Joanne said | 0:15:47 | 0:15:49 | |
-and pull the shutters down. -She would say that, wouldn't she? | 0:15:49 | 0:15:52 | |
She's got so much ice up her fanny, I call her Jane Torville. | 0:15:52 | 0:15:56 | |
It's a coping mechanism. | 0:15:56 | 0:15:57 | |
Mechanisms are for robots and that's what she is. | 0:15:57 | 0:16:01 | |
I've never once seen her use | 0:16:01 | 0:16:02 | |
the tampon machine in the ladies, you know. | 0:16:02 | 0:16:04 | |
-Hi, Andy. Hi, Liz. -Oh, hiya, chuck. | 0:16:04 | 0:16:07 | |
-How are you feeling? -A lot better, thanks. | 0:16:07 | 0:16:09 | |
Good. Put it behind you. | 0:16:09 | 0:16:11 | |
It wasn't your fault. | 0:16:11 | 0:16:12 | |
I got you one of those drinks you like. | 0:16:12 | 0:16:14 | |
-I hope it's the right one. -Thanks. | 0:16:14 | 0:16:16 | |
See? Complete bitch. | 0:16:19 | 0:16:21 | |
"Put it behind you"?! | 0:16:22 | 0:16:24 | |
She couldn't care less. | 0:16:24 | 0:16:25 | |
People who ring here want a friend, | 0:16:25 | 0:16:27 | |
they want to be told what to do. | 0:16:27 | 0:16:29 | |
Doing nothing makes it worse. | 0:16:29 | 0:16:31 | |
Like, I had a man on this morning | 0:16:31 | 0:16:33 | |
whose mother had put her head in the gas oven | 0:16:33 | 0:16:35 | |
because her cat had died. | 0:16:35 | 0:16:36 | |
-Imagine that? -What? | 0:16:36 | 0:16:38 | |
He was sobbing his heart out, poor sod. | 0:16:38 | 0:16:41 | |
Inconsolable. | 0:16:41 | 0:16:42 | |
And he was a squaddie, he'd been in Iraq. | 0:16:42 | 0:16:44 | |
Now, I was able to talk to him like a mate. | 0:16:44 | 0:16:47 | |
I told him about when my mother died. | 0:16:47 | 0:16:50 | |
In George's world, I wouldn't have been able to do that, would I? | 0:16:50 | 0:16:53 | |
-What was the cat's name? -Eh? | 0:16:53 | 0:16:54 | |
The woman who killed herself. | 0:16:54 | 0:16:56 | |
What was the cat's name? | 0:16:56 | 0:16:58 | |
Picasso. Why? | 0:16:58 | 0:17:00 | |
No reason. Excuse me. | 0:17:01 | 0:17:04 | |
Is Andy all right? | 0:17:07 | 0:17:08 | |
I don't know, Joanne. I don't get involved. | 0:17:08 | 0:17:11 | |
TELEPHONE RINGS | 0:17:11 | 0:17:13 | |
Hello, Comfort Support Line? How can I help you? | 0:17:15 | 0:17:18 | |
MULTIPLE DIALLING TONES AND VOICES | 0:17:18 | 0:17:22 | |
-MAN: -'I saw her on Tues, er, Tuesday, er, no, a Wednesday. | 0:17:24 | 0:17:26 | |
'No, I saw her on Tuesday, saw her on Tuesday, | 0:17:26 | 0:17:28 | |
'and she came up to me | 0:17:28 | 0:17:29 | |
'and she actually came up to me and said, "Hiya." Ha, ha! | 0:17:29 | 0:17:33 | |
'But it wasn't 'hiya' like, just like, "Uh, hiya. Hi there." | 0:17:33 | 0:17:36 | |
'It was 'hiya' like, like, "Hiya!". | 0:17:36 | 0:17:39 | |
'Like, beautiful, like lyrical, "Hi, hiya!" "Hiya!" | 0:17:39 | 0:17:41 | |
'So it wasn't just like a, "Oh, here he is. Oh, hiya, hiya. | 0:17:41 | 0:17:45 | |
'"Um, hiya." | 0:17:45 | 0:17:46 | |
'It was like 'hiya' like, "H, hiya! Hiya!"' | 0:17:46 | 0:17:48 | |
Good, good and, er, what did you say? | 0:17:48 | 0:17:50 | |
'Well, I didn't say anything, I spat on her.' | 0:17:50 | 0:17:52 | |
CALLER HANGS UP PHONE | 0:17:52 | 0:17:55 | |
-Andy. Everything all right? -Yeah, yeah. | 0:17:55 | 0:17:57 | |
Well, I just wanted to say what we talked about yesterday, | 0:17:57 | 0:18:00 | |
it's totally fine, there won't be any repercussions. | 0:18:00 | 0:18:02 | |
Thanks, George. | 0:18:02 | 0:18:03 | |
You know, this is a pressure cooker environment. | 0:18:03 | 0:18:05 | |
We've all snapped at certain points, so don't dwell on it. | 0:18:05 | 0:18:09 | |
Speaking of which, I've got to go and talk to the trustees | 0:18:09 | 0:18:12 | |
about, erm...recent events involving me and Liz, | 0:18:12 | 0:18:15 | |
so I wondered if you could, er, do me a favour, | 0:18:15 | 0:18:17 | |
take Michael through his induction? Michael, this is Andy. | 0:18:17 | 0:18:20 | |
He's going to sit in on your first call. | 0:18:20 | 0:18:21 | |
-Pleased to meet you. -Hi. -Hiya. | 0:18:21 | 0:18:22 | |
Michael has been transferred from the Wood Green office, | 0:18:22 | 0:18:25 | |
so he knows the basics. I'll see you later. | 0:18:25 | 0:18:27 | |
Oh, are you all right there? Can you squeeze in? | 0:18:27 | 0:18:30 | |
I think so. | 0:18:30 | 0:18:31 | |
If you need to use the loo, I'd go now before you get settled in, | 0:18:31 | 0:18:34 | |
cos er you don't want to get caught short. | 0:18:34 | 0:18:35 | |
I'm all right, thanks. | 0:18:35 | 0:18:37 | |
-It can be quite harrowing... -Especially if it's a number two. | 0:18:37 | 0:18:39 | |
No, I mean, some of the phone calls. | 0:18:40 | 0:18:42 | |
Oh, right. Yeah, yeah. But we don't say nothing, do we? | 0:18:42 | 0:18:46 | |
Yeah, well, not nothing, | 0:18:46 | 0:18:48 | |
er, but it is important not to get too involved. | 0:18:48 | 0:18:50 | |
You don't want your own emotions to get in the way. | 0:18:50 | 0:18:52 | |
-PHONE RINGS -All right, yeah. Go ahead, yeah. | 0:18:52 | 0:18:55 | |
Hello, Comfort and Support Line? | 0:18:57 | 0:18:58 | |
Do you want to talk? | 0:19:01 | 0:19:02 | |
-WOMAN: -'I think so. | 0:19:04 | 0:19:06 | |
'What's your name?' | 0:19:06 | 0:19:07 | |
Er, Michael. | 0:19:07 | 0:19:08 | |
Do you want to tell me your name? You don't have to. | 0:19:08 | 0:19:10 | |
'It's Chloe.' | 0:19:10 | 0:19:12 | |
Hi, Chloe. What's on your mind today? | 0:19:12 | 0:19:13 | |
-SHE SIGHS -'Oh, just, I hate my life. | 0:19:15 | 0:19:19 | |
'I hate my mum, I hate my step-dad... | 0:19:19 | 0:19:21 | |
'especially hate my step-dad.' | 0:19:21 | 0:19:23 | |
Just one second, Chloe. | 0:19:24 | 0:19:26 | |
-Did I do it wrong? -No, no, carry on, carry on. | 0:19:27 | 0:19:29 | |
Er, sorry, erm, how long have you felt like this? | 0:19:31 | 0:19:34 | |
'Too long now. | 0:19:34 | 0:19:35 | |
'I don't...I don't want to carry on.' | 0:19:35 | 0:19:38 | |
Well, it's never too late to change your life around. | 0:19:38 | 0:19:41 | |
'Huh, it might be. | 0:19:41 | 0:19:44 | |
'I've taken some tablets.' | 0:19:44 | 0:19:46 | |
What? You've taken some tablets? | 0:19:46 | 0:19:48 | |
How many, Chloe? | 0:19:48 | 0:19:49 | |
'Er, 30? 40?' | 0:19:49 | 0:19:52 | |
Right, well, the thing to do is stay calm. | 0:19:52 | 0:19:55 | |
-Now, you listen to me, you fucking little bitch. -'Andy?!' | 0:19:55 | 0:19:57 | |
I don't know what sick, twisted thrills you get | 0:19:57 | 0:19:59 | |
from ringing these helplines but it stops now. | 0:19:59 | 0:20:01 | |
-Do you hear me? Now! -'But I've taken some tablets.' | 0:20:01 | 0:20:03 | |
-Good! -'Andy?!' | 0:20:03 | 0:20:05 | |
Do you have any idea what you've done? | 0:20:05 | 0:20:06 | |
The damage you've caused? | 0:20:06 | 0:20:07 | |
'What are you talking about? | 0:20:07 | 0:20:09 | |
'I just wanted you to sing to me!' | 0:20:09 | 0:20:10 | |
Oh, fuck off! | 0:20:10 | 0:20:12 | |
Well, that is not how we do it in Wood Green. | 0:20:14 | 0:20:17 | |
MULTIPLE DIALLING TONES RING Hello, CSL Helpline... | 0:20:17 | 0:20:20 | |
Well, you all know me, | 0:20:23 | 0:20:24 | |
I'm not one for making speeches. | 0:20:24 | 0:20:26 | |
I'm more of a listener. | 0:20:26 | 0:20:28 | |
And I don't like saying goodbye either, | 0:20:28 | 0:20:30 | |
especially after all these years. | 0:20:30 | 0:20:32 | |
Erm, we've had our ups and downs in this office, | 0:20:32 | 0:20:34 | |
but I like to think I was always fair. | 0:20:34 | 0:20:36 | |
But we can't ignore the powers that be | 0:20:37 | 0:20:40 | |
and the recommendations that they've made. | 0:20:40 | 0:20:43 | |
So it's with great sadness | 0:20:43 | 0:20:44 | |
that we have to see Liz go. | 0:20:44 | 0:20:46 | |
I don't know if you want to say a few words, Liz? | 0:20:46 | 0:20:48 | |
Well, as you all know, I don't want to go, | 0:20:51 | 0:20:54 | |
but I've been er, shall we say, | 0:20:54 | 0:20:56 | |
politely encouraged to move on. | 0:20:56 | 0:20:59 | |
I shall miss...some of you... | 0:20:59 | 0:21:01 | |
you know who you are. | 0:21:01 | 0:21:03 | |
And I shall miss helping people, | 0:21:03 | 0:21:05 | |
because that's all I ever did. | 0:21:05 | 0:21:07 | |
And if that's not what you're meant | 0:21:07 | 0:21:09 | |
to do here, then I'm sorry. | 0:21:09 | 0:21:11 | |
Anyway, I've bought a bottle of Cava. | 0:21:12 | 0:21:15 | |
Have a little drink on me. | 0:21:16 | 0:21:17 | |
-Cheers, everybody. -Yay. | 0:21:17 | 0:21:19 | |
Let's not forget why we're all here. | 0:21:19 | 0:21:22 | |
There's lots of people out there that need us tonight | 0:21:22 | 0:21:24 | |
so just sensible, please, don't go mad. | 0:21:24 | 0:21:26 | |
Would you open that for us? | 0:21:26 | 0:21:28 | |
I know you won't, but if you ever feel like ringing me, | 0:21:33 | 0:21:36 | |
this is me number. | 0:21:36 | 0:21:37 | |
Oh, thanks, Liz. I'll have to give you mine. | 0:21:37 | 0:21:40 | |
Oh, that's all right, Andy. | 0:21:40 | 0:21:41 | |
I know where you are. | 0:21:41 | 0:21:43 | |
Oh, thank you, Valerie. Oh, that's kind. | 0:21:45 | 0:21:48 | |
-What about you two? -It's the fizz in it. -I know. | 0:21:48 | 0:21:51 | |
PHONE RINGS | 0:21:51 | 0:21:53 | |
Hello, Comfort Support Line. How can I help you? | 0:21:53 | 0:21:56 | |
Oh, yes, I'll just put you through. | 0:21:58 | 0:21:59 | |
Andy! | 0:21:59 | 0:22:01 | |
-It's for you. -Oh, right, thanks, Liz. | 0:22:01 | 0:22:03 | |
-PHONE RINGS -Hello? | 0:22:05 | 0:22:07 | |
-WOMAN: -'I've taken some tablets.' | 0:22:07 | 0:22:09 | |
What do you want, Chloe? | 0:22:09 | 0:22:11 | |
'I just wanted to say sorry. I didn't mean to upset you.' | 0:22:11 | 0:22:14 | |
You haven't upset me. | 0:22:14 | 0:22:15 | |
I feel sorry for you. You need help. | 0:22:15 | 0:22:17 | |
'That's why I'm ringing a helpline.' | 0:22:17 | 0:22:19 | |
No, you just want attention and I'm not giving it to you. | 0:22:19 | 0:22:22 | |
PHONE RINGS | 0:22:24 | 0:22:27 | |
Look, you ring this number again and I will track you down | 0:22:27 | 0:22:29 | |
and shut your stupid whining mouth up for good! | 0:22:29 | 0:22:32 | |
-MAN: -'Is this the Comfort Support Line?' | 0:22:32 | 0:22:34 | |
Yes. How can I help you? | 0:22:34 | 0:22:36 | |
'I'll, I'll leave it for now, thank you.' | 0:22:36 | 0:22:39 | |
CALLER HANGS UP | 0:22:39 | 0:22:41 | |
PHONE RINGS | 0:22:41 | 0:22:43 | |
-CHLOE: -'# You, you're such a big star to me... #' -Stop it. | 0:22:43 | 0:22:45 | |
'# You're everything I want to be... #' | 0:22:45 | 0:22:47 | |
-Stop it, Chloe. -'# But you're just stuck... #' | 0:22:47 | 0:22:49 | |
Right, I'm going to put you onto my colleague... | 0:22:49 | 0:22:51 | |
'No! I won't speak to anyone else, I only want to speak to you.' | 0:22:51 | 0:22:53 | |
Listen, Chloe... | 0:22:53 | 0:22:55 | |
I need you to understand something. | 0:22:55 | 0:22:57 | |
Because of your actions, an old lady died. | 0:22:57 | 0:23:01 | |
Now, that's very serious. | 0:23:01 | 0:23:02 | |
The police could get involved. | 0:23:02 | 0:23:04 | |
Do you see? | 0:23:04 | 0:23:05 | |
Someone took their own life | 0:23:05 | 0:23:07 | |
directly because of what you did. | 0:23:07 | 0:23:08 | |
'I don't think so, Andy. | 0:23:11 | 0:23:13 | |
'I think that's because of what YOU did.' | 0:23:13 | 0:23:15 | |
What? | 0:23:16 | 0:23:18 | |
'You said, "It's just a cat," didn't you? | 0:23:18 | 0:23:21 | |
'Told her to get another one. | 0:23:21 | 0:23:23 | |
'Maybe I should talk to the police? | 0:23:24 | 0:23:26 | |
'Tell them what actually happened.' | 0:23:26 | 0:23:28 | |
Who told you that? | 0:23:28 | 0:23:30 | |
'Are they having a party? | 0:23:30 | 0:23:32 | |
'I might come along. | 0:23:33 | 0:23:35 | |
'I know where you are.' | 0:23:35 | 0:23:37 | |
TENSE MUSIC PLAYS | 0:23:37 | 0:23:40 | |
PHONE RINGS | 0:23:52 | 0:23:55 | |
PHONE RINGS | 0:24:24 | 0:24:29 | |
CSL? | 0:24:35 | 0:24:36 | |
-ANDY: -'Hello, Chloe.' | 0:24:36 | 0:24:37 | |
Sorry? | 0:24:37 | 0:24:39 | |
'What are you doing here?' | 0:24:39 | 0:24:41 | |
I forgot my bag. | 0:24:41 | 0:24:42 | |
Is that you, Andy? | 0:24:44 | 0:24:45 | |
'Yeah. I'm in George's office.' | 0:24:45 | 0:24:48 | |
Why? | 0:24:48 | 0:24:49 | |
'Chloe knew about the cat lady committing suicide. | 0:24:49 | 0:24:52 | |
'She knew we were having a party tonight. | 0:24:52 | 0:24:54 | |
'It had to be someone who works here. | 0:24:54 | 0:24:56 | |
'Oh, and then you turn up!' | 0:24:56 | 0:24:57 | |
Yeah, cos I forgot my bag. Who's Chloe? | 0:24:57 | 0:25:00 | |
'Don't worry, Joanne. I've got the time codes here. | 0:25:00 | 0:25:03 | |
'I'm going to find the footage of you calling me as Chloe | 0:25:03 | 0:25:05 | |
'and then I'm ringing the police.' | 0:25:05 | 0:25:07 | |
Andy, I don't know what | 0:25:07 | 0:25:09 | |
-you're talking about... -HE HANGS UP CALL | 0:25:09 | 0:25:11 | |
What time codes? What are you talking about? | 0:25:13 | 0:25:15 | |
-MAN: -'It's just that, you know, | 0:25:21 | 0:25:23 | |
'if-if I lose the farm then, that-that's it. | 0:25:23 | 0:25:25 | |
-'It's, it's all gone.' -Mm, I see. | 0:25:25 | 0:25:27 | |
-'You know and...' -FOOTAGE IS PUT INTO FASTFORWARD | 0:25:27 | 0:25:30 | |
'There's not many names you can give to cows these days | 0:25:30 | 0:25:34 | |
-'without sounding like an idiot.' -Mm. | 0:25:34 | 0:25:36 | |
Oh, let me guess. Another PPI? | 0:25:45 | 0:25:47 | |
Persistent Pain in the Intestine, I call them. | 0:25:47 | 0:25:51 | |
Right, I'm off. | 0:25:51 | 0:25:53 | |
I've got a hot date with | 0:25:53 | 0:25:54 | |
a Frey Bentos steak and ale pie. PHONE RINGS | 0:25:54 | 0:25:56 | |
What do you want to talk about? | 0:26:06 | 0:26:08 | |
-ANDY: -'Erm, I'm just here to listen, so you tell me.' | 0:26:08 | 0:26:11 | |
Well...I hate my life, | 0:26:14 | 0:26:17 | |
I hate my mum, I hate my step-dad... | 0:26:17 | 0:26:20 | |
especially hate my step-dad. | 0:26:20 | 0:26:22 | |
I haven't done anything with my life. | 0:26:23 | 0:26:24 | |
'How old are you, Chloe?' | 0:26:24 | 0:26:26 | |
I'm 16. | 0:26:27 | 0:26:29 | |
ENGAGED TONE BEEPS | 0:26:29 | 0:26:35 | |
And it's just in here... | 0:27:09 | 0:27:11 | |
Right, Andy, this is Glen. | 0:27:13 | 0:27:14 | |
-He's replacing Liz. -Hi. -All right? | 0:27:14 | 0:27:16 | |
Er, you just get yourself sat down here | 0:27:16 | 0:27:19 | |
and I'll do your induction in a minute. | 0:27:19 | 0:27:21 | |
-Is he not in yet? -No. | 0:27:22 | 0:27:24 | |
-What do you think we should do? -I'm going to call the police. | 0:27:24 | 0:27:26 | |
-Really? -Yes! | 0:27:26 | 0:27:27 | |
You saw those clips. They go back years. | 0:27:27 | 0:27:29 | |
This isn't just nuisance phone calls. The guy is insane. | 0:27:29 | 0:27:32 | |
I spoke to Victoria last night. I told her it was all him. | 0:27:32 | 0:27:34 | |
She couldn't believe it. She's still on medication. | 0:27:34 | 0:27:37 | |
-Well, exactly. He's got to be stopped. -OK. | 0:27:37 | 0:27:39 | |
PHONE RINGS | 0:27:39 | 0:27:41 | |
Won't be a minute. | 0:27:41 | 0:27:42 | |
Hello, Comfort Support Line, can I help you? | 0:27:42 | 0:27:44 | |
-GEORGE, AS CHLOE: -'Hello, Andy. It's me.' | 0:27:44 | 0:27:47 | |
Hello. | 0:27:47 | 0:27:48 | |
'I don't think I'm going to be able to speak to you for a while.' | 0:27:48 | 0:27:51 | |
No, I don't think you are. | 0:27:51 | 0:27:53 | |
'I just wanted to say thank you for listening. | 0:27:53 | 0:27:56 | |
'27 years I've listened to other people's problems. | 0:27:56 | 0:28:00 | |
'I just wanted someone to listen to me.' | 0:28:00 | 0:28:02 | |
Mm. | 0:28:02 | 0:28:03 | |
Well, the police can listen to you, cos I'm going to call them. | 0:28:03 | 0:28:06 | |
Goodbye, George. | 0:28:06 | 0:28:07 | |
'I have done one last naughty thing.' | 0:28:07 | 0:28:10 | |
And what's that? | 0:28:10 | 0:28:11 | |
'You know the lady who killed herself because her cat died?' | 0:28:11 | 0:28:15 | |
Yeah. | 0:28:15 | 0:28:16 | |
'I told her son where you worked.' | 0:28:16 | 0:28:18 | |
-Andy! -Yeah? | 0:28:18 | 0:28:20 | |
MUSIC: Shine by Take That | 0:28:20 | 0:28:23 |