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LIFT BELL CHIMES | 0:00:18 | 0:00:21 | |
Welcome to Hotel Zanzibar. I see you have not stayed with us before. | 0:00:22 | 0:00:27 | |
But, please, feel free to linger in our corridor | 0:00:27 | 0:00:29 | |
and take a butcher's around the ninth floor. | 0:00:29 | 0:00:33 | |
The residents who, here, will spend the night like mountaineers | 0:00:33 | 0:00:36 | |
at base camp, they just might be on their way up, or on their way down. | 0:00:36 | 0:00:41 | |
Some wear an anorak, others a crown. | 0:00:41 | 0:00:44 | |
Are all here to meet their fate head-on. | 0:00:44 | 0:00:47 | |
Will Lady Luck smile on you, come the dawn? | 0:00:47 | 0:00:49 | |
Who knows? | 0:00:50 | 0:00:51 | |
For I'm just here to link their ships | 0:00:51 | 0:00:55 | |
and smile and smile and hope for decent tips. | 0:00:55 | 0:00:59 | |
Mr Blue and Mr Brown are in the building. | 0:01:04 | 0:01:06 | |
For shame, Henry, why speak you to your cuff? | 0:01:06 | 0:01:08 | |
-There's no-one here. You're armed. -Yes, sir. -So, chill. | 0:01:08 | 0:01:11 | |
The fact that we use pseudonyms is enough | 0:01:12 | 0:01:14 | |
to keep me safe from harm, surely. | 0:01:14 | 0:01:16 | |
But, still, I made an oath to your father the king | 0:01:16 | 0:01:18 | |
that I would keep you in my sights all week. | 0:01:18 | 0:01:21 | |
His enemies would not hesitate to bring a gun to a knife fight. | 0:01:21 | 0:01:24 | |
-Henry! -Let me speak. | 0:01:24 | 0:01:26 | |
You are our country's future, dearest Prince. | 0:01:26 | 0:01:29 | |
My job's to save you from any grievous plot. | 0:01:29 | 0:01:32 | |
But all this talk of murder makes me wince. | 0:01:32 | 0:01:35 | |
Like this iambic foot, you're stressed. I'm not. | 0:01:35 | 0:01:38 | |
Now, let me to my room. Good night, God bless. | 0:01:38 | 0:01:41 | |
-I take it we have all the channels. -Yes. | 0:01:42 | 0:01:44 | |
Ah, Mr Brown, your luggage is within. | 0:01:45 | 0:01:48 | |
-Do you need a tour of the room? -Not fussed. | 0:01:48 | 0:01:50 | |
-And, Mr Blue? -I'm in 912, going. | 0:01:53 | 0:01:56 | |
And, just so you know, that tip's from both of us. | 0:01:58 | 0:02:01 | |
Sleep well, sweet prince. | 0:02:04 | 0:02:06 | |
He shall not live the night. | 0:02:08 | 0:02:09 | |
It is understood assassins wish him dead | 0:02:10 | 0:02:13 | |
to cleanse our country of his family's line. | 0:02:13 | 0:02:16 | |
So, when Prince Rico meets my little friend | 0:02:16 | 0:02:19 | |
and grief does shake the old King of his wits, | 0:02:19 | 0:02:23 | |
my father stands in readiness to rule. | 0:02:23 | 0:02:26 | |
Then I will wear the Prince's crown instead. | 0:02:26 | 0:02:29 | |
And I'm in 911... | 0:02:31 | 0:02:32 | |
..not 912! | 0:02:34 | 0:02:36 | |
Young man, come here. A word with you, I pray. | 0:02:41 | 0:02:44 | |
I wish to speak more plainly, if I may. | 0:02:47 | 0:02:50 | |
-Sir, it's the only language I understand. -Good. | 0:02:50 | 0:02:53 | |
I wish to order some room service which is off menu, | 0:02:55 | 0:02:59 | |
-if you catch my drift. -I do indeed, sir. | 0:02:59 | 0:03:02 | |
Would you care to describe the dish you have in mind? | 0:03:02 | 0:03:06 | |
-Female. -Mm-hmm. | 0:03:06 | 0:03:07 | |
-Redhead. -Mm-hmm. | 0:03:08 | 0:03:10 | |
-Mature. -Oh! | 0:03:11 | 0:03:13 | |
Willing to indulge in some slightly unusual practices. | 0:03:14 | 0:03:18 | |
No problem. Yellow or brown? | 0:03:18 | 0:03:20 | |
-What? -Does Sir prefer the water sign or the earth sign? -Oh, water. | 0:03:22 | 0:03:28 | |
Oh, absolutely. | 0:03:28 | 0:03:29 | |
Here... | 0:03:30 | 0:03:32 | |
-The other half will come... -After you do. I understand. | 0:03:34 | 0:03:37 | |
Leave it with me. I know just the girl for you. | 0:03:37 | 0:03:40 | |
Oh, happy days! The fates they do conspire. | 0:03:41 | 0:03:45 | |
I'll profit from another man's desire. | 0:03:45 | 0:03:47 | |
-Yes? -I'm sorry, sir, but may I trouble you? | 0:04:03 | 0:04:06 | |
There is a strange man in my room. | 0:04:06 | 0:04:09 | |
Which room? | 0:04:09 | 0:04:11 | |
It's one of these | 0:04:11 | 0:04:13 | |
but which I cannot say. | 0:04:13 | 0:04:14 | |
Things fall out of my head so quick these days. | 0:04:14 | 0:04:17 | |
Did you not see the sign upon my door? | 0:04:17 | 0:04:19 | |
Do not disturb me, please, I do implore. | 0:04:19 | 0:04:22 | |
Sir, he's got me all aquiver. | 0:04:22 | 0:04:24 | |
-And here he comes! He means me harm. -Mother! | 0:04:24 | 0:04:28 | |
I'm so sorry. She wanders off a lot. | 0:04:28 | 0:04:30 | |
Come back to bed, you're missing Emmerdale. | 0:04:30 | 0:04:32 | |
-Is this your son? -I don't know. -Yes, I am. | 0:04:32 | 0:04:36 | |
She knows me not, it's such a sorry tale. | 0:04:36 | 0:04:39 | |
-She took a tumble nipping into Boots, this was in August. -1953. | 0:04:39 | 0:04:43 | |
She hit her head and now her memory's gone. | 0:04:43 | 0:04:46 | |
-My memory's fine! -For them days, not for these. | 0:04:46 | 0:04:49 | |
She's like a goldfish that you win at t'fair. | 0:04:49 | 0:04:51 | |
-You mean, she's going to die within a week? -No! | 0:04:51 | 0:04:54 | |
She swims about but nothing is retained. | 0:04:54 | 0:04:56 | |
We're trying this new memory technique. | 0:04:56 | 0:04:59 | |
-Are you my husband? -No, he's just a man. | 0:04:59 | 0:05:01 | |
A man who wishes to be left in peace. | 0:05:01 | 0:05:03 | |
If that is all, I'm going to close the door. | 0:05:03 | 0:05:06 | |
-I met him once on Coronation Street. -Oh, mother! | 0:05:08 | 0:05:11 | |
I can't believe you made me walk in heels. | 0:05:15 | 0:05:18 | |
A taxi would have been, like, £15. | 0:05:18 | 0:05:21 | |
Then you make me carry all these bags. | 0:05:21 | 0:05:22 | |
You know full well my back is really bad. | 0:05:22 | 0:05:24 | |
Why pay a boy in uniform a pound for doing something we can do ourselves? | 0:05:24 | 0:05:29 | |
-Sweetheart, don't be angry with me, please. -You have the key card? | 0:05:29 | 0:05:32 | |
Yes, I've got it here. | 0:05:32 | 0:05:34 | |
Doesn't seem to work. Don't know why. | 0:05:36 | 0:05:39 | |
-What if I pop it quickly in and out? -Just like our sex life. -Amber! | 0:05:39 | 0:05:43 | |
Sorry. | 0:05:43 | 0:05:44 | |
No joy. | 0:05:44 | 0:05:45 | |
I'll go back to reception. You wait here. | 0:05:45 | 0:05:47 | |
No joy. | 0:05:50 | 0:05:51 | |
No joy we've had for ages now. | 0:05:52 | 0:05:54 | |
Ten years together. Maybe that's our peak. | 0:05:55 | 0:05:57 | |
Our love has turned as stale as last week's bread. | 0:05:59 | 0:06:02 | |
Long gone the days when he made my knees weak. | 0:06:03 | 0:06:05 | |
A night in a hotel won't be enough to keep my heart | 0:06:06 | 0:06:08 | |
from all this nagging doubt. | 0:06:08 | 0:06:10 | |
Do I extend my holiday with Gus | 0:06:10 | 0:06:13 | |
or do I pay my bill and then check out? | 0:06:13 | 0:06:16 | |
Madame, are you locked out of your room? | 0:06:16 | 0:06:18 | |
Yes, my boyfriend's gone to fetch another card. | 0:06:18 | 0:06:20 | |
-Oh, they are most unreliable. -Boyfriends? | 0:06:20 | 0:06:23 | |
No, the key cards. But I know what you mean. | 0:06:23 | 0:06:25 | |
My Fred, he's the bellboy. | 0:06:25 | 0:06:26 | |
He can be a bit tricky sometimes but he's got a good heart. | 0:06:26 | 0:06:29 | |
-Have you been together a long time? -Oh, yeah, ages. 15 weeks. | 0:06:29 | 0:06:33 | |
He is forever trying to drag me into one of the empty rooms | 0:06:33 | 0:06:36 | |
for a bit of how's your father. | 0:06:36 | 0:06:37 | |
But that turns me right off because my father's dead. | 0:06:37 | 0:06:40 | |
At least he's attentive. | 0:06:40 | 0:06:42 | |
Yeah, he's always standing to attention, if you take my meaning. | 0:06:42 | 0:06:45 | |
But there is nothing he wouldn't do for me. | 0:06:45 | 0:06:48 | |
So, do you want me to let you in? I've got a pass key. | 0:06:48 | 0:06:51 | |
No. Do you have any other rooms available? | 0:06:51 | 0:06:53 | |
Um, there's nobody booked in 913. | 0:06:53 | 0:06:55 | |
I can show you in there, if you like. | 0:06:55 | 0:06:57 | |
You're right. A woman should be wooed. With care. | 0:06:58 | 0:07:02 | |
Oh, no! We haven't had it off in there. | 0:07:02 | 0:07:04 | |
Excuse me, Miss. | 0:07:07 | 0:07:09 | |
I hate to be a bore. | 0:07:09 | 0:07:10 | |
I was looking at my key card | 0:07:10 | 0:07:11 | |
And I saw the number of this room is 911. | 0:07:11 | 0:07:14 | |
For me to stay in here can't be done. | 0:07:14 | 0:07:16 | |
-You do not like the number, sir? -No way. | 0:07:16 | 0:07:19 | |
Well, 914 has just come free today. | 0:07:19 | 0:07:22 | |
Oh, I'm very superstitious as a rate. | 0:07:23 | 0:07:26 | |
To stay in 911's tempting fate. | 0:07:26 | 0:07:28 | |
Well, at least, you haven't had to travel far. | 0:07:28 | 0:07:31 | |
Have you taken anything from the minibar? | 0:07:31 | 0:07:33 | |
No, but will you tell the bellboy on this floor | 0:07:33 | 0:07:36 | |
the watersports will now be 914. | 0:07:36 | 0:07:39 | |
What watersports? We haven't got a pool. | 0:07:42 | 0:07:45 | |
Excuse me, I am missing a plug for my bath. | 0:07:45 | 0:07:48 | |
-It's not electric, sir, that would be dangerous. -To keep the water in! | 0:07:48 | 0:07:51 | |
-Oh, that kind of plug. I'll try and find you one, Mr... -Green. | 0:07:51 | 0:07:55 | |
Poor girl, she does not know the reason why | 0:07:59 | 0:08:02 | |
I need a bath plug urgently. | 0:08:02 | 0:08:03 | |
For that, which stops the water running out, | 0:08:04 | 0:08:08 | |
will stop also what little life there is in me. | 0:08:08 | 0:08:12 | |
When these blue rivers in my wrist do run and mingle | 0:08:13 | 0:08:17 | |
with the cheap bath salts and soap | 0:08:17 | 0:08:20 | |
then will my guilt drain out with them to sea. | 0:08:20 | 0:08:24 | |
And will my children mourn? I can but hope. | 0:08:26 | 0:08:29 | |
My boys. | 0:08:31 | 0:08:33 | |
My twins were given up at birth. | 0:08:33 | 0:08:35 | |
Their mother died, I was still in jail. | 0:08:35 | 0:08:38 | |
One stayed in England, one was sent abroad. | 0:08:40 | 0:08:42 | |
I know not what became of either one. | 0:08:44 | 0:08:46 | |
So, tonight, | 0:08:47 | 0:08:49 | |
I will put me to my sword. | 0:08:49 | 0:08:51 | |
But for a bath plug. | 0:08:54 | 0:08:55 | |
Then, 'tis quickly done. | 0:08:57 | 0:08:59 | |
I have the new card here, Amber. She's gone. | 0:09:06 | 0:09:09 | |
Perhaps she is inside. | 0:09:11 | 0:09:12 | |
Or has she flown? | 0:09:14 | 0:09:16 | |
Oh, these sodding key cards never bloody work! | 0:09:20 | 0:09:22 | |
I must have held it near my mobile phone. | 0:09:24 | 0:09:26 | |
Colette, my dainty dumpling | 0:09:26 | 0:09:30 | |
is going to meet me here for a bit of how's your dead father. | 0:09:30 | 0:09:33 | |
Leave it on the latch. | 0:09:35 | 0:09:37 | |
Well, the key cards can't be trusted. | 0:09:37 | 0:09:40 | |
Oh, sir, may we speak plainly once again? | 0:09:40 | 0:09:42 | |
-Of course. -You're barking up the wrong tree. Your room is down here. | 0:09:42 | 0:09:46 | |
911. | 0:09:46 | 0:09:47 | |
Oh, I see. That'll be why the card refused to work. | 0:09:47 | 0:09:51 | |
-Your room service is on its way. -Oh, great. | 0:09:51 | 0:09:55 | |
Bring it straight up, will you? | 0:09:55 | 0:09:56 | |
And, um, be discreet. | 0:09:56 | 0:09:59 | |
Naturally. | 0:09:59 | 0:10:01 | |
Anything else I can help you with, sir? | 0:10:06 | 0:10:08 | |
No, thank you. | 0:10:09 | 0:10:11 | |
Oh. | 0:10:11 | 0:10:12 | |
Oh. | 0:10:13 | 0:10:14 | |
Very kind, sir. | 0:10:22 | 0:10:23 | |
From £50 to 20 pence? | 0:10:24 | 0:10:26 | |
What did I do wrong? | 0:10:26 | 0:10:28 | |
She's not yet here. My plan is now afoot. | 0:10:29 | 0:10:32 | |
I have arranged for an apple tart to be brought to our room, | 0:10:33 | 0:10:37 | |
but unbeknownst to Amber, a ring is baked within. | 0:10:37 | 0:10:40 | |
And when she takes her first big bite of that confectionery, | 0:10:42 | 0:10:46 | |
I will, I hope, she'll say. | 0:10:46 | 0:10:48 | |
And, merrily, we'll marry. | 0:10:48 | 0:10:50 | |
-I need a wee. -Be quiet, have some tact. | 0:11:05 | 0:11:08 | |
-We must discuss the tariff for this act. -I have to pay? | 0:11:08 | 0:11:12 | |
No, madam, I pay you. | 0:11:12 | 0:11:13 | |
£1,000. | 0:11:13 | 0:11:16 | |
And how much for a poo? | 0:11:16 | 0:11:17 | |
-So, were you once a redhead? -Oh, behave. | 0:11:17 | 0:11:20 | |
I said mature, not dug up from the grave. | 0:11:20 | 0:11:23 | |
Will you do bondage? | 0:11:23 | 0:11:25 | |
Yes, there's every chance. I did a course at St John's Ambulance. | 0:11:25 | 0:11:28 | |
I'm glad that you are keen, that's good to know. | 0:11:28 | 0:11:31 | |
Just tie me up and you can let it flow. | 0:11:31 | 0:11:32 | |
You know I'm staying in here tonight? | 0:11:34 | 0:11:37 | |
-OK. -I need some space. | 0:11:37 | 0:11:39 | |
-I care not what you do. -You really are a pig! | 0:11:40 | 0:11:43 | |
-What's that? -Who's this? | 0:11:43 | 0:11:45 | |
Just go back to bed and I will join you soon. | 0:11:45 | 0:11:47 | |
No longer in the shadows can I lurk. | 0:12:05 | 0:12:08 | |
'Tis time for me to attend my grisly work. | 0:12:08 | 0:12:11 | |
But wait, if I am to be blameless of this deed, | 0:12:14 | 0:12:17 | |
then must I have an alibi as fact. | 0:12:17 | 0:12:20 | |
I did just see the hypnotist downstairs. | 0:12:20 | 0:12:23 | |
He really did a very funny act. | 0:12:23 | 0:12:25 | |
But wait. What if I could be the hero of the hour? | 0:12:28 | 0:12:32 | |
As if I've fought to save the Prince's life, | 0:12:32 | 0:12:35 | |
I'll cut my face to illustrate my lie. | 0:12:35 | 0:12:38 | |
But what if I go too deep with a knife. | 0:12:38 | 0:12:40 | |
Oh, come, Henry, stop equivocating! Act. | 0:12:40 | 0:12:43 | |
The time for dilly-dallying has gone. | 0:12:43 | 0:12:45 | |
Just raise your hand and stab his bleeding heart. | 0:12:45 | 0:12:49 | |
I hope I didn't leave the talkback on. | 0:12:49 | 0:12:51 | |
Hello? Hello. | 0:12:51 | 0:12:52 | |
BELL RINGS | 0:12:54 | 0:12:56 | |
Excuse me, Miss, do you have my plug? | 0:13:04 | 0:13:06 | |
I do have a plug but probably not the kind you mean. | 0:13:06 | 0:13:09 | |
Are you the gentleman from 911? Mr Brown? | 0:13:09 | 0:13:12 | |
I am Mr Brown's security adviser. What mean you with him? | 0:13:12 | 0:13:15 | |
He's ordered some executive relief. | 0:13:15 | 0:13:17 | |
The details of which are not for you to know. | 0:13:17 | 0:13:19 | |
-Suffice to say, he is the executive... -And you are the relief. | 0:13:19 | 0:13:23 | |
Well, I'll certainly be relieving myself. Now, let me in, please. | 0:13:23 | 0:13:26 | |
I've got another slot to fill at ten. | 0:13:26 | 0:13:29 | |
May I ask your name? | 0:13:31 | 0:13:32 | |
Tracey, but people call me Red. | 0:13:34 | 0:13:36 | |
Well, then, Little Red. | 0:13:36 | 0:13:37 | |
How would you to increase your fee tonight threefold? | 0:13:37 | 0:13:41 | |
You've pricked my interest. What did you have in mind? | 0:13:41 | 0:13:44 | |
My master has a meeting in the morn of great import. | 0:13:44 | 0:13:47 | |
-I don't want him up all night. -Neither do I, believe me. | 0:13:47 | 0:13:50 | |
After you and he have done the deed, | 0:13:50 | 0:13:51 | |
he, most like, will imbibe a glass of wine. | 0:13:51 | 0:13:54 | |
Into his cup, this tincture pour. | 0:13:54 | 0:13:58 | |
-It is a sedative to help him sleep. -Oh, fine. | 0:13:58 | 0:14:02 | |
I thought you were after a spit-roast. | 0:14:02 | 0:14:04 | |
No, I just had a sandwich. | 0:14:04 | 0:14:05 | |
Good evening, sir, I trust that all is well. | 0:14:12 | 0:14:15 | |
Oh, yes. Thank you. The room is very nice. | 0:14:16 | 0:14:18 | |
-I hear you ordered a tart this evening. -I did. Has it arrived? | 0:14:18 | 0:14:22 | |
-Just now. -Bring it in. | 0:14:22 | 0:14:23 | |
Thus, when the Prince in deepest slumber lays, | 0:14:29 | 0:14:33 | |
then will I strike and so avoid his gaze. | 0:14:33 | 0:14:37 | |
Better he dies still thinking me a friend. | 0:14:37 | 0:14:39 | |
This wench has helped me bring about his end. | 0:14:39 | 0:14:43 | |
Mother! Mother! She's vanished from the room. | 0:14:47 | 0:14:50 | |
Two minutes in the shower and she's gone. | 0:14:50 | 0:14:53 | |
I thought Emmerdale and Corrie was enough to keep her busy | 0:14:53 | 0:14:56 | |
but she's done a bunk! | 0:14:56 | 0:14:57 | |
I'm sorry to disturb you once again. You haven't got my mother in there? | 0:15:00 | 0:15:03 | |
No! Why can't you people just leave me in peace? | 0:15:03 | 0:15:06 | |
Can you not see that I'm tied up right now? | 0:15:06 | 0:15:08 | |
God knows what goes on behind these closed doors. | 0:15:10 | 0:15:13 | |
Don't ask, don't tell, as Mother always says. | 0:15:13 | 0:15:16 | |
BELL RINGS | 0:15:16 | 0:15:17 | |
I'd better find her quick before she falls. | 0:15:20 | 0:15:22 | |
I'll try the hypnotism show downstairs. | 0:15:22 | 0:15:24 | |
I saw your hypnotism show downstairs. It was really good. | 0:15:24 | 0:15:28 | |
Thank you, child. I was exceptional tonight, though I say so myself. | 0:15:28 | 0:15:33 | |
It is a potent combination of neurolinguistic programming | 0:15:33 | 0:15:37 | |
-and my persuasive vocal technique. -Yeah. | 0:15:37 | 0:15:39 | |
I liked it when they had to do the hokey cokey | 0:15:39 | 0:15:41 | |
every time you shouted spaghetti bolognese! | 0:15:41 | 0:15:44 | |
Aye, well, it is important to entertain as well as educate. | 0:15:44 | 0:15:48 | |
One sometimes has to paint in primary colours. | 0:15:48 | 0:15:50 | |
-This is your room, 916. -Thank you, child. | 0:15:50 | 0:15:53 | |
-I'll take a glass of vino when you're ready. -Of course. | 0:15:53 | 0:15:57 | |
-And the lady I was telling you about is there in 913. -Ah, yes. | 0:15:57 | 0:16:03 | |
Unhappy in love, you say. | 0:16:03 | 0:16:05 | |
She seems to be, but then I heard her boyfriend order this. | 0:16:05 | 0:16:08 | |
It has an engagement ring inside. | 0:16:08 | 0:16:10 | |
How very tacky! | 0:16:10 | 0:16:12 | |
She just needs a little persuasion, that's all. | 0:16:12 | 0:16:14 | |
Is that something you could do? | 0:16:14 | 0:16:16 | |
My child, I have hypnotised smokers to stop smoking | 0:16:16 | 0:16:19 | |
and fatties to stop eating. | 0:16:19 | 0:16:21 | |
I'm sure I can use my skills to make true love bloom again. | 0:16:21 | 0:16:24 | |
It would be nice to have a happy ending, | 0:16:24 | 0:16:27 | |
for I feel I am partly to blame. | 0:16:27 | 0:16:29 | |
Come, I'll take you to her. | 0:16:29 | 0:16:30 | |
-Yes? -Excuse me, Madam. This is Vince De Trans. | 0:16:35 | 0:16:39 | |
He's the hypnotist at Zanzibar. | 0:16:39 | 0:16:41 | |
I once regressed a lady through past lives. | 0:16:41 | 0:16:44 | |
Turned out she was a maid of Cleopatra. | 0:16:44 | 0:16:46 | |
What on earth has that to do with me? | 0:16:46 | 0:16:48 | |
If we could come in for a moment, you will see. | 0:16:48 | 0:16:50 | |
Here you are, Madam. And I thank you for your pains. | 0:16:58 | 0:17:01 | |
I'm not sure what just happened, but thanks, Mister. | 0:17:01 | 0:17:04 | |
Would you ever consider girl on girl? | 0:17:04 | 0:17:07 | |
I did once share a bunk bed with my sister. | 0:17:08 | 0:17:11 | |
Well, I know my door begins with number nine. | 0:17:13 | 0:17:16 | |
Oh, this one's open, guess it must be mine. | 0:17:18 | 0:17:22 | |
Madam! What mean you by this? | 0:17:23 | 0:17:25 | |
Like a scalded she-cat you have sprayed me! | 0:17:25 | 0:17:28 | |
Why else are you paying me? | 0:17:28 | 0:17:30 | |
Paying you? Paying you? | 0:17:30 | 0:17:32 | |
You have done me the most disgraceful wrong. | 0:17:32 | 0:17:36 | |
I will see that you are sorely punished. | 0:17:36 | 0:17:39 | |
Fine. But that'll cost you extra. | 0:17:39 | 0:17:40 | |
Now, come, sirrah, and take a sip of wine. | 0:17:40 | 0:17:43 | |
Madam, I have take had quite enough of your fluids. I'll take no more. | 0:17:43 | 0:17:47 | |
What seems to be the issue here, sir? | 0:17:47 | 0:17:49 | |
Her issue is my issue! | 0:17:49 | 0:17:52 | |
This harlot, this creature, this redheaded whore... | 0:17:52 | 0:17:56 | |
-Yes? -..has just... | 0:17:56 | 0:17:58 | |
I can scarce get out the words. Has just... | 0:18:00 | 0:18:02 | |
..used me as a privy! | 0:18:03 | 0:18:05 | |
Excellent! | 0:18:05 | 0:18:07 | |
-And I trust it all went swimmingly. -He refuses now to pay. | 0:18:07 | 0:18:11 | |
Oh, I must insist you pay the lady, sir. | 0:18:11 | 0:18:14 | |
Otherwise, she is wont to stay and make a fuss | 0:18:14 | 0:18:17 | |
and, whilst we're on it, perhaps you could supply the other half of this? | 0:18:17 | 0:18:21 | |
Have I gone mad? | 0:18:21 | 0:18:23 | |
Has the world turned upside down? | 0:18:23 | 0:18:24 | |
I am assaulted on all sides then ask to pay for the pleasure. | 0:18:24 | 0:18:27 | |
-That's the idea. -Is this some kind of role-play? | 0:18:27 | 0:18:30 | |
Pay me my money! | 0:18:30 | 0:18:31 | |
I will not! | 0:18:31 | 0:18:33 | |
Will you please be quiet! | 0:18:35 | 0:18:37 | |
You keep me from my work. | 0:18:37 | 0:18:38 | |
Look, Red. You wait up here awhile and I will soothe his ire. | 0:18:40 | 0:18:46 | |
I'm hungry and you promised me a meal. | 0:18:46 | 0:18:50 | |
-Here, take these leftovers. -Leftovers? -Look! | 0:18:50 | 0:18:53 | |
-Here, have this. It hasn't been touched. -OK. | 0:18:53 | 0:18:58 | |
Give me but two minutes, I prithee. | 0:18:58 | 0:19:01 | |
Now, child, the ritual is complete and she is in a trancelike state. | 0:19:08 | 0:19:11 | |
When you bring her boyfriend to her door, | 0:19:11 | 0:19:14 | |
she will look upon him with new-found ardour | 0:19:14 | 0:19:17 | |
-and passionately embrace him. -Thank you, Vince. | 0:19:17 | 0:19:20 | |
Cupid himself could not have aimed more true. | 0:19:20 | 0:19:22 | |
I'll fetch him right away. | 0:19:22 | 0:19:24 | |
Ah! | 0:19:24 | 0:19:25 | |
Perfect. | 0:19:25 | 0:19:26 | |
Hello, kind sir. I am Colette the maid. | 0:19:28 | 0:19:30 | |
I'm on an errand, if you would be led. | 0:19:30 | 0:19:31 | |
Ah, good the maid. You must have read my mind. | 0:19:31 | 0:19:33 | |
There's been little spillage on the bed. | 0:19:33 | 0:19:35 | |
Oh, but, sir. I mean... | 0:19:35 | 0:19:37 | |
-No, Mrs Hargreaves, you're in here. 918. -Are you my son? -No. -Oh. | 0:19:39 | 0:19:45 | |
I had him with me but he's forever wandering off. | 0:19:45 | 0:19:48 | |
BELL | 0:19:50 | 0:19:51 | |
I have searched every floor from one to nine. | 0:19:51 | 0:19:54 | |
Of my mother, alas, there is no sign. | 0:19:54 | 0:19:56 | |
I curse the day that she went into Boots. | 0:19:56 | 0:19:58 | |
She only wanted Schwarzkopf for her roots. | 0:19:58 | 0:20:01 | |
She slipped and went down like a tonne of bricks, | 0:20:01 | 0:20:03 | |
covered from head to toe in Tixylix | 0:20:03 | 0:20:05 | |
Oh, I should never have let her from my sight. | 0:20:05 | 0:20:07 | |
I pray that someone's seen her here tonight. | 0:20:07 | 0:20:10 | |
Ah, hello. | 0:20:12 | 0:20:15 | |
-What angel is this knocks upon my door? -Sorry? | 0:20:15 | 0:20:18 | |
My heart has burst and overflowed with joy. | 0:20:18 | 0:20:22 | |
A vision of such beauty and rare poise. | 0:20:24 | 0:20:27 | |
I did do ballet lessons as a boy. | 0:20:27 | 0:20:29 | |
Thine eyes are pools wherein I see myself. | 0:20:29 | 0:20:32 | |
Thy apple cheeks are soft as new-fallen snow. | 0:20:33 | 0:20:36 | |
What are you doing? | 0:20:36 | 0:20:37 | |
Two cherry lips, I long to take a bite. | 0:20:37 | 0:20:39 | |
I'm going to be reporting this! | 0:20:39 | 0:20:41 | |
Thy firm physique doth make my juices flow! | 0:20:41 | 0:20:43 | |
-It's very nice to meet you, Mrs... -Miss! | 0:20:43 | 0:20:46 | |
And I intend to have you now, right here! | 0:20:46 | 0:20:49 | |
There is a little problem with that plan. | 0:20:49 | 0:20:51 | |
I hate to have to tell you, but I'm... | 0:20:51 | 0:20:53 | |
..not looking for a relationship at the moment. | 0:20:53 | 0:20:55 | |
If you just come with me. Alas, what's this? | 0:20:55 | 0:20:58 | |
Fair Amber with another man entwined. | 0:20:58 | 0:21:00 | |
She must have seen him first. | 0:21:00 | 0:21:02 | |
Madam, desist! Your boyfriend's here. | 0:21:02 | 0:21:04 | |
I do not care for him. | 0:21:04 | 0:21:06 | |
This man, this god! | 0:21:06 | 0:21:08 | |
This vision is my love. | 0:21:08 | 0:21:11 | |
-Come, let me see thy mighty sword. -Go away! | 0:21:11 | 0:21:14 | |
I wish to keep my sword within its sheath! | 0:21:14 | 0:21:16 | |
It's more like a little dagger anyway. | 0:21:16 | 0:21:18 | |
Sir, speak you to your girlfriend and explain. She has the wrong man. | 0:21:18 | 0:21:22 | |
I know her not. She slapped my face. The woman is insane. | 0:21:22 | 0:21:25 | |
Insane with love! | 0:21:25 | 0:21:27 | |
-And there is but one cure. -Oh, God! | 0:21:27 | 0:21:30 | |
I've waited long enough in there! | 0:21:30 | 0:21:32 | |
Pay up! | 0:21:32 | 0:21:34 | |
Pay up? For what? I know not what you mean. | 0:21:34 | 0:21:37 | |
This hotel is full of madwomen, I swear. | 0:21:37 | 0:21:39 | |
-You take the piss! -No, you took it from me. | 0:21:39 | 0:21:42 | |
Oh! | 0:21:42 | 0:21:43 | |
Mother! Where have you been? You had me worried. | 0:21:44 | 0:21:47 | |
I found her wandering in the corridor. | 0:21:47 | 0:21:49 | |
Here's 50 for your trouble. | 0:21:49 | 0:21:50 | |
Mother! Where did you get that money from? | 0:21:50 | 0:21:53 | |
From him. | 0:21:53 | 0:21:54 | |
Give me that money, grandma! I've earned it. | 0:21:54 | 0:21:57 | |
Well, I earned it, too. Though how, I can't recall. | 0:21:57 | 0:21:59 | |
-You did screw my boyfriend. -Did you, Mother? -It's all my fault. | 0:21:59 | 0:22:03 | |
-I've messed it up. -Calm down. | 0:22:03 | 0:22:05 | |
We just need to untangle what is tangled. | 0:22:05 | 0:22:07 | |
-This gentleman was booked in 914. -No, that is Mr Brown from 911. | 0:22:07 | 0:22:10 | |
In bed with Red while Amber was next door. | 0:22:10 | 0:22:12 | |
Then, Mr Green in 915... | 0:22:12 | 0:22:13 | |
-His bath plug! -..and Blue in 912. | 0:22:13 | 0:22:15 | |
-Who have I missed? -Red, Amber, Green. | 0:22:15 | 0:22:17 | |
Am I coming or going? | 0:22:17 | 0:22:18 | |
We need to speak to Vince the hypnotist. | 0:22:18 | 0:22:20 | |
Prince Rico, what has happened? Aren't you tired? | 0:22:23 | 0:22:26 | |
I thought you would be sleeping now. | 0:22:26 | 0:22:27 | |
With this? You have to give me shelter from these people | 0:22:27 | 0:22:29 | |
Good Henry, you're the only one I trust. | 0:22:29 | 0:22:31 | |
Oh, Amber. There you are, my love. I've missed you. | 0:22:37 | 0:22:40 | |
I've not missed you, you necrophiliac. | 0:22:40 | 0:22:44 | |
I'm sorry? | 0:22:44 | 0:22:45 | |
I saw you in your room with that old hussy. | 0:22:45 | 0:22:47 | |
Excuse me, I'm not that old! | 0:22:47 | 0:22:48 | |
She means me. | 0:22:48 | 0:22:49 | |
I know I haven't been the perfect boyfriend. | 0:22:50 | 0:22:53 | |
But I want to show you this. | 0:22:53 | 0:22:55 | |
Is this my cake? | 0:22:55 | 0:22:57 | |
You have to know what lies beneath this dome | 0:23:01 | 0:23:05 | |
is a symbol of what you mean to me. | 0:23:05 | 0:23:07 | |
Ooh. | 0:23:11 | 0:23:13 | |
As proposals go, I have seen better. | 0:23:13 | 0:23:14 | |
It's not the most romantic thing to show, a load of old bones. | 0:23:14 | 0:23:17 | |
-Excuse me, that's my mother. -Do you mean me? Who are you again? | 0:23:17 | 0:23:22 | |
-This should have been... -An apple tart? I ate it. | 0:23:22 | 0:23:26 | |
There was a diamond ring concealed within. | 0:23:26 | 0:23:28 | |
Your ring has gone from one tart to another. | 0:23:28 | 0:23:30 | |
Why don't you shut your mouth, you stuck-up b...? | 0:23:30 | 0:23:33 | |
- Ow! - Mother! | 0:23:33 | 0:23:36 | |
Calm down, let's put you back in here. | 0:23:36 | 0:23:39 | |
How are you feeling, Mother? Are you OK? | 0:23:41 | 0:23:43 | |
How many fingers am I holding up? | 0:23:43 | 0:23:44 | |
Oh, Robert! I can't see without my glasses. | 0:23:44 | 0:23:47 | |
-What did you say? -I said I can't see. | 0:23:47 | 0:23:49 | |
-Well, you just called me Robert. -Well, that's your name. | 0:23:49 | 0:23:53 | |
-A mother ought to know her son. -Good God. That slap, | 0:23:53 | 0:23:55 | |
it must have brought you back to me. Oh! | 0:23:55 | 0:23:58 | |
Amber, listen, I do love thee. | 0:23:58 | 0:24:01 | |
She is bewitched, I cannot break the spell. | 0:24:01 | 0:24:04 | |
Just tell us, Vince, what do we need to know to make this right? | 0:24:04 | 0:24:08 | |
I'm sleeping now. Good night. | 0:24:08 | 0:24:10 | |
-Has he been drinking? -He had a glass of wine. | 0:24:12 | 0:24:14 | |
Urgh! | 0:24:16 | 0:24:17 | |
Then I take matters into my own hands. | 0:24:24 | 0:24:27 | |
Don't touch me with those trotters, you fat pig! | 0:24:27 | 0:24:29 | |
With true love's kiss, I aim to break the spell. | 0:24:29 | 0:24:32 | |
No, don't! | 0:24:37 | 0:24:38 | |
-Sorry. -No, I meant don't stop. | 0:24:38 | 0:24:40 | |
-I thought she's your girlfriend. -Mother, please. | 0:24:43 | 0:24:46 | |
Poor Gus! I don't know what came over me. | 0:24:46 | 0:24:49 | |
It wasn't me, I can promise you that. | 0:24:49 | 0:24:51 | |
I love a happy ending, don't you, Fred? | 0:24:51 | 0:24:53 | |
In 917, there's an empty bed. | 0:24:53 | 0:24:56 | |
Of this confusion, I have had my fill. | 0:24:56 | 0:24:57 | |
Excuse me, Miss. I'd like to pay my bill. | 0:24:57 | 0:25:00 | |
AARRGGHH! | 0:25:08 | 0:25:09 | |
For the final time, will you be...? | 0:25:09 | 0:25:11 | |
What's this? | 0:25:19 | 0:25:20 | |
Two peas from the same pod, both shelled. | 0:25:22 | 0:25:26 | |
Do my old eyes deceive me, | 0:25:26 | 0:25:28 | |
or could I be looking at the sons I briefly held? | 0:25:28 | 0:25:32 | |
I was adopted as a child. | 0:25:34 | 0:25:36 | |
And I. | 0:25:37 | 0:25:39 | |
-I never knew my father. -Until now. | 0:25:39 | 0:25:42 | |
I pray you, sirs, do not an old man mock. | 0:25:44 | 0:25:47 | |
We must get to the bottom of this. | 0:25:47 | 0:25:50 | |
How? | 0:25:50 | 0:25:51 | |
The proof, it is behind you. | 0:25:51 | 0:25:53 | |
For my boys both bore a birthmark on their bare behinds. | 0:25:54 | 0:25:58 | |
-It was a most unusual shape. -I know! | 0:25:58 | 0:26:02 | |
It looks just like... | 0:26:02 | 0:26:03 | |
BOTH: ..the chair from Mastermind! | 0:26:03 | 0:26:05 | |
It's true. I saw it on his bum. | 0:26:05 | 0:26:07 | |
It makes me think of Magnus Magnusson! | 0:26:07 | 0:26:09 | |
Give me but one moment, I implore. | 0:26:09 | 0:26:11 | |
I won't need that bath plug any more. | 0:26:12 | 0:26:14 | |
I always felt that I was but a half. | 0:26:21 | 0:26:23 | |
Lacking not just a father and a mother. | 0:26:24 | 0:26:27 | |
Meeting your other half makes you a whole. | 0:26:27 | 0:26:30 | |
-Does that sound wrong? -It's nice to meet you... | 0:26:30 | 0:26:33 | |
..brother. | 0:26:35 | 0:26:37 | |
Oh! Lovely! | 0:26:37 | 0:26:38 | |
So, all is resolved. Just like a theatre play. | 0:26:40 | 0:26:43 | |
And I can get my happy end away. | 0:26:43 | 0:26:45 | |
Not so fast! | 0:26:45 | 0:26:47 | |
Everybody stay exactly where they are. | 0:26:49 | 0:26:52 | |
I'm sorry to break up this pretty scene | 0:26:52 | 0:26:54 | |
but I have unfinished business with Prince Rico. | 0:26:54 | 0:26:58 | |
I pray you, sirs, which one of you is he? | 0:26:58 | 0:27:01 | |
-'Tis I. -'Tis I. -'Tis I. -Mother, calm down! | 0:27:02 | 0:27:06 | |
You have set this up to try to muddle me. | 0:27:06 | 0:27:08 | |
Step forward, Prince, or Daddy gets the knife. | 0:27:08 | 0:27:11 | |
That's what you call dramatic irony! | 0:27:11 | 0:27:14 | |
Oh, I know him. He saw my show tonight. | 0:27:14 | 0:27:16 | |
Please, spare his life and take me in his place. | 0:27:16 | 0:27:20 | |
I've had enough. The old man has to die. I'll spill his guts. | 0:27:20 | 0:27:24 | |
Spaghetti bolognese! | 0:27:24 | 0:27:28 | |
Urgh! | 0:27:28 | 0:27:29 | |
# Ooooooh! The hokey cokey! | 0:27:29 | 0:27:31 | |
# Oooooh, the hokey cokey... # | 0:27:31 | 0:27:34 | |
-Vince, you've saved the day. -Thank you, child. | 0:27:34 | 0:27:38 | |
I'm glad that everyone is reconciled. | 0:27:38 | 0:27:40 | |
-I thought I was goner. -No way, Pops. | 0:27:40 | 0:27:42 | |
Let's lock him in his room and call the cops. | 0:27:42 | 0:27:44 | |
# Left leg out! | 0:27:44 | 0:27:46 | |
# In, out, in, out! Shake it all about! # | 0:27:46 | 0:27:49 | |
Can someone tell me what's gone on today? | 0:27:49 | 0:27:52 | |
It's more than a rhyming couplet can relay. | 0:27:53 | 0:27:55 | |
I wish you had your diamond ring. | 0:27:57 | 0:27:59 | |
But, hush! | 0:27:59 | 0:28:01 | |
I think that I did hear a toilet flush. | 0:28:01 | 0:28:03 | |
Oh! | 0:28:07 | 0:28:09 | |
You found it. | 0:28:09 | 0:28:10 | |
Aw! | 0:28:16 | 0:28:17 | |
SMATTERING OF APPLAUSE | 0:28:19 | 0:28:21 | |
I hope you've enjoyed your stay at Zanzibar. | 0:28:27 | 0:28:29 | |
We're all little older, if not wiser. | 0:28:29 | 0:28:31 | |
If you've enjoyed your stay, please, tell your friends. | 0:28:31 | 0:28:34 | |
And write a nice review on TripAdvisor! | 0:28:34 | 0:28:36 |