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Thank you. | 0:00:34 | 0:00:36 | |
Thank you. | 0:00:36 | 0:00:39 | |
Good evening and welcome to John Bishop's Britain. | 0:00:41 | 0:00:44 | |
This is the first in a new series, | 0:00:44 | 0:00:45 | |
and we're very optimistic that this series is going to go well. | 0:00:45 | 0:00:49 | |
This is the first programme, so there's a lot riding on it. | 0:00:49 | 0:00:52 | |
Obviously there is competition in television, so if Family Fortunes on the other side | 0:00:52 | 0:00:56 | |
have booked the Giggs family, to be honest, I think we're bollocksed. | 0:00:56 | 0:01:00 | |
So, this is how the show works. | 0:01:03 | 0:01:05 | |
Each week I'm going to be talking about a different topic, | 0:01:05 | 0:01:08 | |
which affects everyone in Britain, such as food. | 0:01:08 | 0:01:11 | |
I have also interviewed hundreds of people around the country. | 0:01:11 | 0:01:15 | |
This is what they look like - | 0:01:15 | 0:01:16 | |
some of them you'll recognise, some of them you won't. | 0:01:16 | 0:01:19 | |
I know, scary, isn't it? | 0:01:19 | 0:01:22 | |
And this is a taster of what they had to say. | 0:01:22 | 0:01:24 | |
Yellow and brown. | 0:01:24 | 0:01:27 | |
-Like a sausage. -I had it all shaved once. | 0:01:27 | 0:01:29 | |
-Halfway down their arse. -You're not really human. | 0:01:29 | 0:01:31 | |
-Stuff like this. -Bad! | 0:01:31 | 0:01:33 | |
Give it, give it large. | 0:01:33 | 0:01:35 | |
THEY SCREECH AND HONK | 0:01:35 | 0:01:37 | |
Freak! | 0:01:39 | 0:01:40 | |
APPLAUSE | 0:01:40 | 0:01:42 | |
You'll be hearing more from them later on. | 0:01:45 | 0:01:48 | |
There will also be the odd sketch | 0:01:48 | 0:01:50 | |
to explain what I'm talking about. | 0:01:50 | 0:01:52 | |
The first topic in the series is music and fashion. | 0:01:52 | 0:01:55 | |
I know a lot of people, when I say that, and you hear it coming | 0:01:55 | 0:01:58 | |
from a Scouse accent, you think it's all going to be about | 0:01:58 | 0:02:01 | |
shell suits and the Beatles - it's not. | 0:02:01 | 0:02:03 | |
But a lot of the time, your fashion is dictated by your first record. | 0:02:03 | 0:02:09 | |
I've just said that and already I've looked around this audience, | 0:02:09 | 0:02:13 | |
and some people here under 25 went, what? | 0:02:13 | 0:02:16 | |
Because that's what we had to do, | 0:02:16 | 0:02:18 | |
we had to go and get our first record. | 0:02:18 | 0:02:21 | |
Youse have no idea what that was like. | 0:02:21 | 0:02:23 | |
We had to go to a place called Woolly's. | 0:02:23 | 0:02:26 | |
We did, it was an adventure, everyone in | 0:02:28 | 0:02:30 | |
this room remembers that adventure, if you're of a certain age. | 0:02:30 | 0:02:33 | |
You used to go in with your 50p, to buy a record. | 0:02:33 | 0:02:37 | |
You had to make a choice on your way in, because 50p was a lot of money, | 0:02:37 | 0:02:40 | |
and you'd see the sweets and think... | 0:02:40 | 0:02:42 | |
Then you'd go in and you'd buy | 0:02:43 | 0:02:45 | |
your record and you'd take it home, in its sleeve. | 0:02:45 | 0:02:49 | |
And you'd hold it like it was the egg of a phoenix, | 0:02:49 | 0:02:54 | |
so it would never drop. And then you'd put it on the thing and | 0:02:54 | 0:02:58 | |
then you'd listen...to some shite. | 0:02:58 | 0:03:02 | |
Because I'm of the generation where we didn't download music. | 0:03:05 | 0:03:08 | |
-The most exciting innovation for -us -was the stack system. | 0:03:08 | 0:03:13 | |
Who remembers the stack system? ALL: Yes! | 0:03:13 | 0:03:15 | |
I remember going to my mate's house. | 0:03:15 | 0:03:18 | |
He had this music system the size of a bungalow. | 0:03:18 | 0:03:22 | |
He had the record player on top, and then it had double tapes. | 0:03:22 | 0:03:28 | |
The magic was that you could put a record on, and you could tape the | 0:03:28 | 0:03:33 | |
record... | 0:03:33 | 0:03:35 | |
whilst you listened to it. | 0:03:35 | 0:03:37 | |
And then when you'd taped it, you | 0:03:37 | 0:03:40 | |
could tape that tape. | 0:03:40 | 0:03:42 | |
And you could even tape straight from the radio. | 0:03:45 | 0:03:50 | |
Because that's what used to happen. | 0:03:50 | 0:03:53 | |
There will be lads in here who've never experienced the joy | 0:03:53 | 0:03:58 | |
of making a tape for a girl. | 0:03:58 | 0:04:00 | |
Trying to cop off to the sounds of Shalamar. | 0:04:00 | 0:04:04 | |
You used to sit there, we used to have this show | 0:04:04 | 0:04:07 | |
when I was growing up, on the radio, | 0:04:07 | 0:04:09 | |
called Peaceful Hour, and it was all the love songs. | 0:04:09 | 0:04:13 | |
We used to sit there and people used to write in and go, | 0:04:13 | 0:04:16 | |
"I'm writing this letter because I love Gary. | 0:04:16 | 0:04:19 | |
"Gary doesn't know that I love Gary. | 0:04:19 | 0:04:22 | |
"I see Gary at school, I want to tell Gary that I love Gary, | 0:04:22 | 0:04:26 | |
"but Gary will never know that I love Gary. | 0:04:26 | 0:04:29 | |
"Please can you play a record for Gary and tell him, | 0:04:29 | 0:04:32 | |
"it's off Frank... Debbie." | 0:04:32 | 0:04:34 | |
And then he'd play the record and the whole school used to sit there | 0:04:37 | 0:04:40 | |
and have your fingers poised, | 0:04:40 | 0:04:42 | |
so then you could record the record without the disc jockey's voice. | 0:04:42 | 0:04:46 | |
There's a whole generation of people who listened to music | 0:04:46 | 0:04:49 | |
that all began with, vi... | 0:04:49 | 0:04:51 | |
But of course, we all remember what our first record was. | 0:04:54 | 0:05:00 | |
The first record that I remember buying was Swan Lake. | 0:05:04 | 0:05:07 | |
YMCA. | 0:05:07 | 0:05:10 | |
Joseph and the Amazing Technicolor Dreamcoat. | 0:05:10 | 0:05:13 | |
The first album I bought | 0:05:13 | 0:05:14 | |
was Meatloaf's Bat Out of Hell which is still ace. | 0:05:14 | 0:05:17 | |
# Karma karma karma karma chameleon # | 0:05:17 | 0:05:20 | |
# The Vengaboys are coming # | 0:05:20 | 0:05:22 | |
Blockbuster by The Sweet, do you remember that? | 0:05:22 | 0:05:25 | |
The Specials aka Ghost Town. | 0:05:29 | 0:05:31 | |
# This town, coming like a ghost town # | 0:05:31 | 0:05:34 | |
Mmm Bop by Hanson. | 0:05:34 | 0:05:35 | |
# Mmm bop, ba duba dop | 0:05:35 | 0:05:38 | |
# Dee-bee-ah-pa... # Don't show that. | 0:05:38 | 0:05:41 | |
Save the Last Dance For Me by the Drifters. | 0:05:41 | 0:05:44 | |
The Highland Pipers. | 0:05:44 | 0:05:45 | |
Smurfs Go Pop. | 0:05:45 | 0:05:47 | |
Do the Bartman. | 0:05:47 | 0:05:48 | |
Mr Smurftastic... | 0:05:48 | 0:05:49 | |
# Really fantastic | 0:05:49 | 0:05:51 | |
# I can take a metal bar and bend it like plastic. # | 0:05:51 | 0:05:54 | |
Too Good to be Forgotten By Amazulu. | 0:05:54 | 0:05:56 | |
Right Said Fred, I'm Too Sexy. | 0:05:56 | 0:05:58 | |
It's a good song! | 0:05:58 | 0:06:00 | |
APPLAUSE | 0:06:00 | 0:06:05 | |
The whole thing is, to be honest with you, you get into music | 0:06:05 | 0:06:07 | |
like that, and you get into your records and you get into | 0:06:07 | 0:06:11 | |
that first stage of it and then the next stage you get to | 0:06:11 | 0:06:14 | |
is going to concerts. | 0:06:14 | 0:06:16 | |
I went to watch U2 on their Vertigo tour at Man City's ground. | 0:06:16 | 0:06:19 | |
It was brilliant. | 0:06:19 | 0:06:20 | |
but it was just when, if you recall, | 0:06:20 | 0:06:22 | |
all that End Poverty was happening and I went to watch it, | 0:06:22 | 0:06:26 | |
I don't know if you've ever seen U2 in concert, Bono is mesmerising. | 0:06:26 | 0:06:30 | |
He was on the stage singing and his mate, the Edge was praying | 0:06:30 | 0:06:34 | |
and their other two mates who turn up and whatever they do. | 0:06:34 | 0:06:38 | |
Bono was singing, I've never seen anything like this in my life, | 0:06:38 | 0:06:42 | |
and he was sort of singing The Streets Have No Name, | 0:06:42 | 0:06:45 | |
and all that stuff, And he just dropped on his knees. | 0:06:45 | 0:06:47 | |
And 45,000 people all went... | 0:06:49 | 0:06:51 | |
LAUGHTER | 0:06:51 | 0:06:54 | |
"Something Wrong with Bono?" LAUGHTER | 0:06:54 | 0:06:58 | |
He stayed like that for a while and then he just went... | 0:06:58 | 0:07:01 | |
"Do you want to end poverty?" | 0:07:01 | 0:07:03 | |
LAUGHTER | 0:07:03 | 0:07:05 | |
45,000 people went... | 0:07:05 | 0:07:07 | |
"To be honest with you Bono, we've come to a gig." | 0:07:10 | 0:07:12 | |
LAUGHTER | 0:07:12 | 0:07:15 | |
"Not really thought about it to be honest with you." | 0:07:15 | 0:07:18 | |
And he just, he just stayed there with his dark sunglasses, | 0:07:18 | 0:07:21 | |
and just went, "Do you want to end poverty?" We all went... | 0:07:21 | 0:07:25 | |
"Well, if it'll make you start singing, yeah." | 0:07:27 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
So he's there and he said, "If you want to end poverty, | 0:07:32 | 0:07:38 | |
"get your phones out now." | 0:07:38 | 0:07:41 | |
And it was like a sea of stars getting created | 0:07:43 | 0:07:45 | |
over Man City's ground. | 0:07:45 | 0:07:47 | |
Everyone got their phone out. | 0:07:47 | 0:07:49 | |
He just said, "Text your name to this number." | 0:07:50 | 0:07:52 | |
And everyone went... | 0:07:52 | 0:07:54 | |
LAUGHTER | 0:07:55 | 0:07:57 | |
We're all stood there thinking, | 0:07:57 | 0:07:59 | |
"I didn't know it was that easy. I'd've done it ages ago!" | 0:07:59 | 0:08:02 | |
LAUGHTER | 0:08:02 | 0:08:05 | |
And then Bono just got up. And started singing. | 0:08:05 | 0:08:08 | |
We all went, that was easy, wasn't it? | 0:08:08 | 0:08:10 | |
LAUGHTER | 0:08:10 | 0:08:12 | |
He carried on singing. We were at the gig and he carried on singing, | 0:08:12 | 0:08:16 | |
"The streets have no name..." and The Edge was doing his stuff, | 0:08:16 | 0:08:19 | |
the other lads did whatever they do | 0:08:19 | 0:08:21 | |
and all of a sudden he just stopped again and he went... | 0:08:21 | 0:08:23 | |
we were like, "Jesus, Bono, come on!" | 0:08:23 | 0:08:26 | |
LAUGHTER | 0:08:26 | 0:08:28 | |
He just went, "Did you want to end poverty?" | 0:08:28 | 0:08:33 | |
And we went, "Yeah." | 0:08:33 | 0:08:35 | |
He said, "Have you sent your text? Look now." | 0:08:35 | 0:08:39 | |
We looked and all the people who'd sent their name to the number, | 0:08:39 | 0:08:43 | |
all the names came up on a big screen | 0:08:43 | 0:08:45 | |
and everyone went... | 0:08:45 | 0:08:46 | |
.."Billy is a wanker". | 0:08:49 | 0:08:51 | |
LAUGHTER | 0:08:51 | 0:08:54 | |
APPLAUSE | 0:08:54 | 0:08:57 | |
So, you can end poverty and have a laugh. | 0:09:02 | 0:09:05 | |
LAUGHTER | 0:09:05 | 0:09:07 | |
U2 are a brilliant band. I think they're a brilliant band. | 0:09:08 | 0:09:11 | |
Some people don't like them. | 0:09:11 | 0:09:13 | |
We all have different taste in music | 0:09:13 | 0:09:15 | |
and everyone's got some type of music that you just think, "That's awful." | 0:09:15 | 0:09:19 | |
There's only one genre that I find very difficult to get my head round | 0:09:22 | 0:09:26 | |
and that's heavy metal. | 0:09:26 | 0:09:27 | |
Headbanging stuff. I don't like that. I don't think, | 0:09:27 | 0:09:30 | |
I think it's pointless. | 0:09:30 | 0:09:31 | |
I cannot understand why that is called music. | 0:09:31 | 0:09:36 | |
I'm really into heavy metal actually. | 0:09:36 | 0:09:39 | |
It's not really my scene. | 0:09:39 | 0:09:41 | |
No, seriously, I really am. | 0:09:41 | 0:09:44 | |
I just really dig it. | 0:09:44 | 0:09:46 | |
I don't understand that weird... | 0:09:46 | 0:09:48 | |
HE MAKES DANCE MUSIC SOUND | 0:09:48 | 0:09:49 | |
..ultra high BPM... | 0:09:49 | 0:09:51 | |
# I like it hot, do-do-do-do # | 0:09:51 | 0:09:53 | |
..European dance stuff. | 0:09:53 | 0:09:55 | |
# Giving it, give it, giving it large # | 0:09:55 | 0:09:57 | |
HE MAKES DANCE MUSIC SOUND | 0:09:57 | 0:09:59 | |
Oh sweet lord. Bring it to an end. | 0:09:59 | 0:10:02 | |
The music there I absolutely hate is sort of lift music like Enya, | 0:10:02 | 0:10:07 | |
dippy-hippie, whale music with premenstrual wailings over the top. | 0:10:07 | 0:10:10 | |
I'd rather drive a screwdriver through my ears. | 0:10:10 | 0:10:13 | |
I don't like rap. | 0:10:13 | 0:10:15 | |
Rap music with a capital C? What a waste of money. | 0:10:15 | 0:10:18 | |
I cannot cook with that... | 0:10:18 | 0:10:20 | |
HE MAKES ANNOYING DANCE MUSIC SOUND | 0:10:20 | 0:10:22 | |
Rap is not a good form of music. | 0:10:22 | 0:10:24 | |
I can't stand all that gangster rapper, innit... | 0:10:24 | 0:10:28 | |
The lyrics don't make any sense because I don't live on the block. | 0:10:28 | 0:10:31 | |
Rap? Not bad. I like a wrap | 0:10:31 | 0:10:34 | |
when it's got cheese and onion in it. | 0:10:34 | 0:10:36 | |
LAUGHTER | 0:10:36 | 0:10:37 | |
Or tuna. | 0:10:37 | 0:10:40 | |
LAUGHTER AND APPLAUSE | 0:10:40 | 0:10:45 | |
I'm going to be honest with you, rap music just does my head in. | 0:10:45 | 0:10:50 | |
There's no other music | 0:10:50 | 0:10:51 | |
where you look at the fashion and think that's ridiculous. | 0:10:51 | 0:10:54 | |
If you look a rapper, | 0:10:54 | 0:10:55 | |
they always have their hats on the wrong way. | 0:10:55 | 0:10:58 | |
Their trousers down here with their underpants. | 0:10:58 | 0:11:00 | |
They look like a three-year-old learning how to dress. | 0:11:00 | 0:11:05 | |
And what does me most about rap music is the way they started doing this thing called sampling, | 0:11:05 | 0:11:10 | |
you know, where they take some music and then they put their music on. | 0:11:10 | 0:11:13 | |
So you sit in the car and think this is a good record. | 0:11:13 | 0:11:17 | |
This is really nice. I remember hearing 10cc years ago. | 0:11:17 | 0:11:21 | |
This is lovely and then half-way you get, | 0:11:21 | 0:11:23 | |
"I'm going to pop this cap in your ass, bitch!" | 0:11:23 | 0:11:26 | |
LAUGHTER | 0:11:26 | 0:11:28 | |
It just kills it. | 0:11:28 | 0:11:30 | |
It does. It's like seeing a chocolate bar | 0:11:30 | 0:11:32 | |
and finding out it's a sprout covered in chocolate. Ridiculous. | 0:11:32 | 0:11:35 | |
LAUGHTER | 0:11:35 | 0:11:37 | |
Dancing's changed as well. | 0:11:37 | 0:11:39 | |
There's a whole generation of people in this room | 0:11:39 | 0:11:41 | |
who have never had the joy of the slowy. | 0:11:41 | 0:11:44 | |
Slowies used to end every nightclub, | 0:11:44 | 0:11:46 | |
every disco, there used to be slowies. | 0:11:46 | 0:11:49 | |
There's lads here who's just looked at me going... | 0:11:49 | 0:11:52 | |
I don't know how you lot cop off | 0:11:52 | 0:11:55 | |
because what we used to do, you used to wait for the end, | 0:11:55 | 0:11:59 | |
and there'd always be somebody you know who was there teetering. | 0:11:59 | 0:12:03 | |
You'd think, "All I've got to do is get her... | 0:12:03 | 0:12:06 | |
"when the slowy comes on." | 0:12:06 | 0:12:08 | |
It was unbelievable. | 0:12:08 | 0:12:10 | |
And in school discos, even in school discos, | 0:12:10 | 0:12:13 | |
they used to call it the erection section, | 0:12:13 | 0:12:17 | |
LAUGHTER | 0:12:17 | 0:12:18 | |
which when you went to an all boys Catholic school | 0:12:18 | 0:12:21 | |
that wasn't a nice thing to hear. | 0:12:21 | 0:12:23 | |
It's that and weddings, that's when you see men dancing. | 0:12:23 | 0:12:27 | |
That's when you see that moment in a man's eyes at a wedding, | 0:12:27 | 0:12:30 | |
where his Mrs has been on the dance floor all night loving it | 0:12:30 | 0:12:33 | |
and enjoying herself and there's something in her man's eyes | 0:12:33 | 0:12:36 | |
when you think, "It's time to now put the tie on me head." | 0:12:36 | 0:12:40 | |
LAUGHTER | 0:12:40 | 0:12:42 | |
There's also that thing when you get to weddings | 0:12:42 | 0:12:45 | |
there's always the uncle and auntie | 0:12:45 | 0:12:47 | |
who can dance like they used always used to be able to dance. | 0:12:47 | 0:12:50 | |
In our family, it's me uncle Alfie and me Auntie Betty, | 0:12:50 | 0:12:53 | |
and they'll go on and every wedding they'll get up and they'll jive | 0:12:53 | 0:12:56 | |
because that was the music of their youth and everyone waits for the moment | 0:12:56 | 0:13:00 | |
when Alfie and Betty will jive because they're brilliant at it. | 0:13:00 | 0:13:03 | |
Our youth haven't got that. | 0:13:03 | 0:13:04 | |
When I grow up, I don't know what I'm going to do. | 0:13:04 | 0:13:07 | |
When we're in our 60s going to weddings, | 0:13:07 | 0:13:09 | |
I can see me turning to me Mrs and saying, "Listen love, | 0:13:09 | 0:13:12 | |
"get your whistle out, get your glow-stick, we've got Fatboy Slim on!" | 0:13:12 | 0:13:15 | |
LAUGHTER | 0:13:15 | 0:13:19 | |
APPLAUSE | 0:13:19 | 0:13:22 | |
Music has gone on a completely different level now because you've got all these obsessive fans. | 0:13:22 | 0:13:27 | |
If somebody likes you, they go to see your gigs and all the rest of it. There was a time with Tom Jones, | 0:13:27 | 0:13:31 | |
if people liked you, they used to throw their knickers at the stage. | 0:13:31 | 0:13:36 | |
I never got me head around some woman saying, "I love him, | 0:13:36 | 0:13:39 | |
"I'm going to throw me knickers at him." | 0:13:39 | 0:13:41 | |
Because, to be fair, you've got to be close enough for the knickers to reach. | 0:13:41 | 0:13:46 | |
LAUGHTER | 0:13:46 | 0:13:47 | |
I find it a very odd situation to be at a gig and someone say, | 0:13:47 | 0:13:50 | |
"Do us a favour, can you pass them on? | 0:13:50 | 0:13:52 | |
LAUGHTER | 0:13:52 | 0:13:53 | |
That's obviously where the G-string got developed so they could go... | 0:13:53 | 0:13:57 | |
LAUGHTER | 0:13:57 | 0:14:00 | |
The thing is some people embrace what their musical past is, | 0:14:00 | 0:14:05 | |
but some people are embarrassed about the music that they like. | 0:14:05 | 0:14:08 | |
In fact, they call it their guilty pleasure. | 0:14:08 | 0:14:11 | |
I've always been a massive fan of... | 0:14:15 | 0:14:17 | |
-Westlife. -Blue. | 0:14:17 | 0:14:19 | |
Justin Bieber, Baby. | 0:14:19 | 0:14:21 | |
That's really bad. | 0:14:21 | 0:14:22 | |
But let me just say something, that's a good track. | 0:14:22 | 0:14:25 | |
-Kylie Minogue. -Love The Corrs. | 0:14:25 | 0:14:27 | |
-MC Hammer. -Queen. -You Can't Touch This. | 0:14:27 | 0:14:30 | |
-# Thunderbolts and lightening, very, very frightening me! # -It's classic. | 0:14:30 | 0:14:34 | |
I think the "me" was a bit off key. | 0:14:34 | 0:14:36 | |
-My guiltiest pleasure is The Sound of Music. -Gilbert and Sullivan, operettas. I love them. | 0:14:36 | 0:14:41 | |
-The songs actually mean something. -They're good because it's a story. | 0:14:41 | 0:14:45 | |
# Edelweiss, edelweiss... # | 0:14:45 | 0:14:47 | |
Have you watched any that are really depressing? | 0:14:47 | 0:14:50 | |
It makes me think how it must have been to be a Nazi officer. | 0:14:50 | 0:14:53 | |
-No, I did not. -I love booty-ass shaking songs. | 0:14:53 | 0:14:56 | |
SHE SINGS THE CHICKEN DANCE | 0:14:56 | 0:14:59 | |
# My humps, my humps, my humps, my humps, my humps. | 0:14:59 | 0:15:02 | |
-Yes. -It's because I feel my gillies shaking. It seems right with what I'm doing. | 0:15:02 | 0:15:08 | |
I like Eminem. | 0:15:08 | 0:15:09 | |
I have a guilty pleasure with Cliff Richard. | 0:15:09 | 0:15:12 | |
I think their music is quite catchy and it's got a good beat to it. | 0:15:12 | 0:15:15 | |
I do. | 0:15:15 | 0:15:17 | |
That singer, is he a white rapper? I can't really understand everything that he says. | 0:15:17 | 0:15:21 | |
# Come on pretty baby, let's move and groove it # | 0:15:21 | 0:15:24 | |
You know, something quite catchy about it all, isn't there? | 0:15:26 | 0:15:30 | |
-You wouldn't admit that on TV. -You just have. -Have I? You sure? | 0:15:30 | 0:15:33 | |
-But no one watches this, do they? -(No). | 0:15:33 | 0:15:35 | |
APPLAUSE | 0:15:35 | 0:15:38 | |
For me, my guilty pleasure has always been Take That. | 0:15:38 | 0:15:44 | |
I've always liked Take That. I have. | 0:15:44 | 0:15:45 | |
I went to see them do a fantastic, but for me what brought it | 0:15:45 | 0:15:50 | |
all home to me, I got asked last year to do a thing called Fake That. | 0:15:50 | 0:15:54 | |
Don't know if anyone saw Fake That. | 0:15:55 | 0:15:58 | |
In February I got a phone call, it was off Comic Relief. | 0:15:58 | 0:16:03 | |
They said, "Would you like to raise some money for Comic Relief?" | 0:16:03 | 0:16:07 | |
I said, "To be honest, I ended poverty with Bono, but..."# | 0:16:07 | 0:16:10 | |
LAUGHTER | 0:16:10 | 0:16:13 | |
APPLAUSE | 0:16:13 | 0:16:20 | |
If there's still work to do, course, I'll do it. | 0:16:20 | 0:16:23 | |
Comic Relief, fantastic charity. I said, "What do I have to do?" | 0:16:23 | 0:16:27 | |
They said, "We're going to do Fake That." | 0:16:27 | 0:16:30 | |
I said, "What do I have to do to be in Fake That?" | 0:16:30 | 0:16:32 | |
They said, "What you've got to do, we're going to film a video of Take That's new single | 0:16:32 | 0:16:36 | |
"and all we need you to do is to pretend that you're a member of Take That." | 0:16:36 | 0:16:41 | |
I went, "Are you joking?" | 0:16:41 | 0:16:43 | |
I said, "I live with a woman in her 40s, | 0:16:43 | 0:16:45 | |
"I've been married for 18 years so in our relationship | 0:16:45 | 0:16:48 | |
"I have pretended to be every single member of Take That. | 0:16:48 | 0:16:54 | |
"At least with this video I can keep me cock in." | 0:16:54 | 0:16:57 | |
LAUGHTER | 0:16:57 | 0:17:03 | |
The thing is I got asked to do it and it was in February | 0:17:03 | 0:17:06 | |
and I was out with me mates a couple of weeks later. | 0:17:06 | 0:17:08 | |
We were catching up - I was on tour on at the time and hadn't seen them. | 0:17:08 | 0:17:11 | |
They said, "What's going on?" "You won't believe this." | 0:17:11 | 0:17:14 | |
I said, "I've been asked to be in the Take That video. They said, "No." | 0:17:14 | 0:17:18 | |
At first they were like, "Ugh, Take That." | 0:17:18 | 0:17:20 | |
I said no, I've always liked Take That. And then they all started saying, "To be honest, | 0:17:20 | 0:17:24 | |
"I know what you mean." | 0:17:24 | 0:17:26 | |
I said, yeah, everyone's got a guilty pleasure | 0:17:26 | 0:17:29 | |
and they started saying, "Yeah." Big Steve said, "My guilty pleasure is Barry Manilow." | 0:17:29 | 0:17:35 | |
You're among friends, Steve. | 0:17:35 | 0:17:37 | |
You can say it's Barry Manilow. | 0:17:37 | 0:17:40 | |
That's all right. And then we all went round the table. | 0:17:40 | 0:17:42 | |
Everybody was exchanging what their guilty pleasures were. | 0:17:42 | 0:17:47 | |
And then me mate came from the bar with all the drinks. | 0:17:47 | 0:17:49 | |
As he came over, we were all laughing, | 0:17:49 | 0:17:52 | |
happy in the fact that we'd all admitted to Barry Manilow, S Club 7... | 0:17:52 | 0:17:56 | |
LAUGHTER | 0:17:56 | 0:17:58 | |
..a little bit of Abba had been thrown in, everybody felt comfortable. | 0:17:58 | 0:18:01 | |
He put the drinks down and asked what's everyone laughing at? | 0:18:01 | 0:18:04 | |
I said, "We're talking about guilty pleasures. He said, "Really?" I said, what's yours?" | 0:18:04 | 0:18:09 | |
He said, "I like getting a bath with me mum." | 0:18:09 | 0:18:11 | |
LAUGHTER | 0:18:11 | 0:18:16 | |
APPLAUSE | 0:18:16 | 0:18:23 | |
The thing is, music's one thing that influences your life, | 0:18:23 | 0:18:26 | |
but it's the music that then feeds on to the other side of your life | 0:18:26 | 0:18:30 | |
which is being fashionable, which is a difficult thing for a man | 0:18:30 | 0:18:33 | |
of my age to talk about because when you're a bloke, | 0:18:33 | 0:18:36 | |
there comes a point in your life where fashion's like conkers. | 0:18:36 | 0:18:40 | |
It's not for you anymore. | 0:18:40 | 0:18:42 | |
You shouldn't really be messing with it. | 0:18:42 | 0:18:44 | |
LAUGHTER | 0:18:44 | 0:18:46 | |
We all have a view on whether we're fashionable or not. | 0:18:46 | 0:18:49 | |
As a man with a large handle bar moustache, | 0:18:53 | 0:18:57 | |
I think I am fashionable, but most probably in the 1920s. | 0:18:57 | 0:19:00 | |
I would describe myself as highly fashionable. | 0:19:00 | 0:19:03 | |
I get a lot of interesting questions from teenagers about my style. | 0:19:03 | 0:19:07 | |
Setting trends rather than following them. | 0:19:07 | 0:19:10 | |
"Nice moustache, why did you grow it?" | 0:19:10 | 0:19:13 | |
I usually replay, "I modelled it on your mum's." | 0:19:13 | 0:19:15 | |
LAUGHTER | 0:19:15 | 0:19:17 | |
-I'm not very fashion conscious. -I have no fashion sense whatsoever. | 0:19:17 | 0:19:21 | |
Most of my clothes come from Tesco's. | 0:19:21 | 0:19:23 | |
All my clothes come from George in Asda. | 0:19:23 | 0:19:25 | |
I describe my look with four letters, | 0:19:25 | 0:19:28 | |
S-E-X-Y. | 0:19:28 | 0:19:29 | |
Believe it or not, I once won best dressed man. | 0:19:29 | 0:19:32 | |
No matter what it is, if you wear it well, wear it. | 0:19:32 | 0:19:34 | |
I twice won tie wearer of the year. | 0:19:34 | 0:19:37 | |
I like to think I would still be considered fashionable. | 0:19:37 | 0:19:41 | |
People still think I haven't got any fashion. | 0:19:41 | 0:19:44 | |
But I'm at that age, that 50 something age, where you do worry. | 0:19:44 | 0:19:48 | |
I think I'm all right for me age. | 0:19:48 | 0:19:50 | |
You go, is this a bit mutton. | 0:19:50 | 0:19:53 | |
Pleading guilty! Mutton dressed as lamb. | 0:19:53 | 0:19:56 | |
If you can pull off looking younger than you are, | 0:19:56 | 0:20:00 | |
dressing younger than you are, why not go for it? | 0:20:00 | 0:20:03 | |
Absolutely, I go for it. | 0:20:03 | 0:20:04 | |
There are people that will maybe wear cropped tops, | 0:20:04 | 0:20:08 | |
don't do that when you're older. | 0:20:08 | 0:20:10 | |
I don't wear mini skirts anymore. | 0:20:10 | 0:20:12 | |
But probably not because I'm older, | 0:20:12 | 0:20:16 | |
probably my legs don't look as good any more. | 0:20:16 | 0:20:19 | |
As I said at the beginning, there will be some people on here that you recognise, some you don't. | 0:20:24 | 0:20:30 | |
Every lad in this room who's been on a stag-do recognises her. | 0:20:30 | 0:20:33 | |
Also, now kids have an interest in fashion that didn't happen when I was a kid. | 0:20:34 | 0:20:40 | |
You had all these kids who decided to be Goths | 0:20:40 | 0:20:43 | |
because they want to be individuals. | 0:20:43 | 0:20:46 | |
So they dress as Goths and make friends with other Goths. | 0:20:48 | 0:20:51 | |
One of my kids went through a Goths phase. | 0:20:51 | 0:20:54 | |
We had 35 Goths come to our house for a Goth birthday party. | 0:20:54 | 0:20:59 | |
They're all stood there being individual, looking exactly the same. | 0:20:59 | 0:21:03 | |
I was dressed as a normal bloke on the corner | 0:21:03 | 0:21:05 | |
and everyone's going, "Who's that weirdo?" | 0:21:05 | 0:21:09 | |
That's what you do - find people who are like you | 0:21:09 | 0:21:12 | |
and then follow the fashion with them and sometimes it goes the odd way. | 0:21:12 | 0:21:16 | |
I was in the States about six months ago, I saw the most beautiful thing | 0:21:16 | 0:21:21 | |
I think I've ever seen when it comes to fashion. | 0:21:21 | 0:21:23 | |
I saw a Goth on roller-skates. | 0:21:23 | 0:21:26 | |
That is just brilliant, isn't it? | 0:21:26 | 0:21:30 | |
You look at the Goth face and you think that's misery, | 0:21:30 | 0:21:33 | |
that's depression, that's almost suicidal, | 0:21:33 | 0:21:36 | |
but then you see the roller skates and you think "happy feet". | 0:21:36 | 0:21:39 | |
It was like a Bodyform advert for nemos. | 0:21:40 | 0:21:44 | |
And obviously there's loads of fashion disasters that we've all had. | 0:21:46 | 0:21:51 | |
I did a programme a couple of years ago called Skins. | 0:21:51 | 0:21:55 | |
I don't know if anyone has seen it. WHOOPING | 0:21:55 | 0:21:58 | |
I played a dad in Skins and I was married to an actress | 0:21:58 | 0:22:02 | |
called Ronni Ancona who's a very good-looking woman | 0:22:02 | 0:22:05 | |
and I had to do this scene where my character had gone bankrupt, had lost everything. | 0:22:05 | 0:22:10 | |
Me wife had left me. | 0:22:10 | 0:22:13 | |
I had to do this scene at the end of my time in Skins where she comes back to me. | 0:22:13 | 0:22:17 | |
I'm stood in a house that we used to live in, that had been repossessed. | 0:22:17 | 0:22:21 | |
I'm stood in the kitchen reading the script | 0:22:21 | 0:22:24 | |
and my character says, "I thought you left me forever." | 0:22:24 | 0:22:27 | |
Hers says, "How could I leave you forever? I love you." | 0:22:27 | 0:22:30 | |
That's when you know it's fiction. | 0:22:30 | 0:22:32 | |
Every married man knows if you go bankrupt, | 0:22:32 | 0:22:35 | |
she's already coming back to stab you in the eye. | 0:22:35 | 0:22:39 | |
But it said in the script, "How could I leave you forever? I love you." | 0:22:39 | 0:22:43 | |
Underneath it said "kiss vigorously". | 0:22:43 | 0:22:47 | |
I went, "Oh, shit." | 0:22:47 | 0:22:49 | |
So I went up to Ronni who's done loads of acting, | 0:22:49 | 0:22:52 | |
I said, "We've got to do this scene," and she went, "Yeah." | 0:22:52 | 0:22:55 | |
I said, "There's that bit." | 0:22:55 | 0:22:57 | |
She said, "Oh, the kiss vigorously." | 0:22:58 | 0:23:00 | |
I said, "I'm not sure what that means." | 0:23:00 | 0:23:04 | |
She said, "I think it means just go for it." | 0:23:04 | 0:23:08 | |
I said, "OK." | 0:23:11 | 0:23:13 | |
This is a word of warning to anyone else in this room, | 0:23:13 | 0:23:17 | |
or anyone at home who might find themselves in a similar position. | 0:23:17 | 0:23:22 | |
The RADA Acting Academy version of "just go for it" | 0:23:22 | 0:23:28 | |
is not the same as the Scouse version. | 0:23:28 | 0:23:33 | |
APPLAUSE | 0:23:33 | 0:23:34 | |
Apparently tongues aren't normally involved. | 0:23:34 | 0:23:38 | |
I didn't know. I thought, "This is great." | 0:23:38 | 0:23:40 | |
Any man in a similar position to me, | 0:23:40 | 0:23:42 | |
married as long as I've been, if someone says to you, | 0:23:42 | 0:23:45 | |
"Hey, mate, you see that good-looking woman over there? You can snog the face off her." | 0:23:45 | 0:23:50 | |
"Your wife can't complain and you don't even have to pay her," you're going to make the most of it | 0:23:50 | 0:23:58 | |
for definite. | 0:23:58 | 0:24:01 | |
I was stood in the kitchen waiting for the scene to happen. | 0:24:01 | 0:24:04 | |
I'm stood there like... | 0:24:04 | 0:24:06 | |
I was like a 14-year-old after a bottle of alcopops at a party | 0:24:11 | 0:24:15 | |
for that episode. | 0:24:15 | 0:24:18 | |
Action! | 0:24:18 | 0:24:20 | |
Go on, say your bit, say your bit. | 0:24:23 | 0:24:26 | |
How can I leave you forever? I love you. | 0:24:26 | 0:24:28 | |
I went boom, boom! | 0:24:28 | 0:24:30 | |
The director shouted, "Cut," and I went... | 0:24:46 | 0:24:50 | |
I said, "Breathe, love. | 0:24:54 | 0:24:56 | |
"Give yourself a chance, just breathe." | 0:24:56 | 0:25:01 | |
"Is that OK? Everyone got that, yeah? | 0:25:01 | 0:25:03 | |
"Got that, lights? Sound? Yeah, yeah. Camera?" | 0:25:03 | 0:25:07 | |
I'm stood there like that. | 0:25:12 | 0:25:16 | |
The only problem was... | 0:25:16 | 0:25:19 | |
..my character was a gym instructor | 0:25:19 | 0:25:24 | |
which meant that I was wearing tracksuit bottoms. | 0:25:24 | 0:25:28 | |
There's nothing more embarrassing on this planet | 0:25:44 | 0:25:49 | |
than to be the last person in the room to know that you have an erection. | 0:25:49 | 0:25:55 | |
I'm stood there like that, pleased with myself. | 0:25:55 | 0:26:00 | |
Ronni just looked at me and went, "It's all right, | 0:26:09 | 0:26:12 | |
"I'll take it as a compliment." | 0:26:12 | 0:26:16 | |
But track suits aren't the only clothes that you should avoid. | 0:26:22 | 0:26:27 | |
A fashion I consider unpalatable today | 0:26:30 | 0:26:32 | |
is youngsters who wear their jeans half-way down their arse. | 0:26:32 | 0:26:36 | |
I'm not adverse to people wearing jeans around their bum. | 0:26:36 | 0:26:39 | |
I don't want to see what you had for breakfast. | 0:26:39 | 0:26:42 | |
A belt was invented to hold your damn trousers up. | 0:26:42 | 0:26:45 | |
A low-slung jean can look quite hot, can't it? | 0:26:45 | 0:26:49 | |
I don't think the crack should show, but it happens, innit? | 0:26:49 | 0:26:53 | |
-I like it best when they start to slip. -Pull your bloody trousers up. | 0:26:53 | 0:26:57 | |
Then they have to shuffle them up. I like that a lot. | 0:26:57 | 0:27:01 | |
There's a fashion that girls show their bra straps. | 0:27:01 | 0:27:04 | |
I'm very happy to see a lady's underwear, that's always a treat. | 0:27:04 | 0:27:07 | |
I don't think it looks very nice. | 0:27:07 | 0:27:09 | |
Larger women in leggings on nightclub doors is not a good look. | 0:27:09 | 0:27:13 | |
Some people aren't meant to wear leggings. | 0:27:13 | 0:27:15 | |
You see these big mommas pouring themselves into these things | 0:27:15 | 0:27:20 | |
and it overflows, it's horrific. | 0:27:20 | 0:27:22 | |
Like a sausage bursting out of its skin. | 0:27:22 | 0:27:24 | |
It shouldn't be allowed. | 0:27:24 | 0:27:26 | |
All the dimples are showing. Come on, girls. | 0:27:26 | 0:27:29 | |
People should be allowed to wear what they want. | 0:27:29 | 0:27:32 | |
Good for them. | 0:27:32 | 0:27:34 | |
As a parent I view fashion in a completely different way. | 0:27:38 | 0:27:43 | |
I sent me youngest lad, he would have been just about 11, | 0:27:43 | 0:27:47 | |
I sent him to the barbers by himself. I gave him the money, he went to the barbers. | 0:27:47 | 0:27:51 | |
He come back with all these tramlines down his head. | 0:27:51 | 0:27:54 | |
His hair looked a frigging mess. I said, "What happened?" | 0:27:54 | 0:27:57 | |
He said, "I just got them." | 0:27:57 | 0:28:00 | |
I walked steaming into the barbers, "Hey, dick head, look at that. | 0:28:00 | 0:28:05 | |
"What happened there?" | 0:28:05 | 0:28:07 | |
I just looked and everyone had tramlines in their head. | 0:28:07 | 0:28:12 | |
"Good job." | 0:28:12 | 0:28:15 | |
So tonight's Britain has taught me | 0:28:24 | 0:28:26 | |
that you can end poverty just by texting Bono. | 0:28:26 | 0:28:29 | |
You should never try snogging in a tracksuit | 0:28:29 | 0:28:32 | |
and a wrap is only acceptable when it's full of cheese and onion or tuna. | 0:28:32 | 0:28:37 | |
Thank you, good night, God bless. | 0:28:37 | 0:28:40 |