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This programme contains some strong language | 0:00:03 | 0:00:11 | |
APPLAUSE | 0:00:30 | 0:00:33 | |
Hi, guys! Thank you so much. | 0:00:36 | 0:00:37 | |
Hi! | 0:00:39 | 0:00:40 | |
Hello! | 0:00:41 | 0:00:43 | |
Oh, guys, thank you. | 0:00:43 | 0:00:45 | |
APPLAUSE CONTINUES | 0:00:45 | 0:00:46 | |
Thank you so much! | 0:00:46 | 0:00:48 | |
Hi! Thank you. | 0:00:48 | 0:00:50 | |
My name's Josie Long. I am so thrilled to be here | 0:00:50 | 0:00:52 | |
and so thrilled to be doing my show for you. I hope you guys are well. | 0:00:52 | 0:00:55 | |
I'm chuffed. | 0:00:55 | 0:00:57 | |
I should say as well, to introduce myself, if you don't know me, | 0:00:57 | 0:01:00 | |
my name is Josie, I have bad posture, but a good heart, | 0:01:00 | 0:01:05 | |
I'm 34 years old and that is the prime of life. | 0:01:05 | 0:01:10 | |
Thank you. It's the sweet spot, and I'm trying to inhabit it | 0:01:11 | 0:01:14 | |
and trying to live it, but I'm also a woman - I'm so sorry - and... | 0:01:14 | 0:01:17 | |
LAUGHTER | 0:01:19 | 0:01:21 | |
Thank you for laughing at that! | 0:01:21 | 0:01:23 | |
Sometimes people don't, and I think, | 0:01:23 | 0:01:25 | |
"Fuck, is post-Brexit Britain that bad?" | 0:01:25 | 0:01:27 | |
But I am a woman - ooh - and I've started to feel | 0:01:29 | 0:01:32 | |
societal, sexist pressures impinging on my day-to-day. | 0:01:32 | 0:01:36 | |
The way that I'm trying to ride out any stress that that gives me is, | 0:01:36 | 0:01:40 | |
I've created a kind of karaoke persona. | 0:01:40 | 0:01:42 | |
And the karaoke persona is, like, | 0:01:44 | 0:01:46 | |
"I'm like a fun mum with no kids! Woo! | 0:01:46 | 0:01:50 | |
"Woo! | 0:01:50 | 0:01:52 | |
"Woohoo! Woo! | 0:01:53 | 0:01:56 | |
"Get me a glass of Pinot Grigio! Woo! | 0:01:56 | 0:02:00 | |
"Get me on the Grig! Get me on the Grig! | 0:02:00 | 0:02:04 | |
"Get me on the Grig! | 0:02:04 | 0:02:07 | |
"Get me a glass of that sweet Pinot Grigio." | 0:02:07 | 0:02:09 | |
I thought it was just a stereotype about women in their mid-30s | 0:02:09 | 0:02:12 | |
loving Pinot Grigio, and then one day I woke up and I was, like, | 0:02:12 | 0:02:17 | |
"I know what drink it is I must order. | 0:02:17 | 0:02:19 | |
"Get me a sweet glass of the sweet, sweet Grig. | 0:02:22 | 0:02:27 | |
"Get me on the Grig. | 0:02:27 | 0:02:29 | |
"It's like mineral water, but it makes all your fears go all fuzzy." | 0:02:29 | 0:02:32 | |
That's my new catchphrase as well - "Get me on the Grig!" | 0:02:35 | 0:02:38 | |
You guys all say, "Who's on the Grig?" | 0:02:38 | 0:02:40 | |
and I'm, like, "She's on the Grig!" | 0:02:40 | 0:02:42 | |
"Grig! Grig! Grig!" I'm like, "Grig again!" | 0:02:42 | 0:02:44 | |
You go, "Grig!" | 0:02:44 | 0:02:45 | |
And then we all... You'll pick it up. | 0:02:45 | 0:02:48 | |
I'm 34 years old. I've realised that I'm not a stadium comedian. | 0:02:51 | 0:02:54 | |
Once I did this show and someone there was, like, "Yet." | 0:02:56 | 0:02:59 | |
And I was, like... | 0:02:59 | 0:03:00 | |
"..That ship has sailed." | 0:03:02 | 0:03:04 | |
I'm not a stadium comedian and I'm fine with that, | 0:03:04 | 0:03:06 | |
but the only time I wish I was was with my new catchphrase, | 0:03:06 | 0:03:09 | |
cos if I was, you would all know in advance, you'd be, like, | 0:03:09 | 0:03:13 | |
"Oh, is she ready for the Grig?" | 0:03:13 | 0:03:15 | |
While I was backstage in the stadium, you'd all be chanting, | 0:03:17 | 0:03:20 | |
like, "Grig! Grig! Grig!" | 0:03:20 | 0:03:21 | |
And I'd turn to my stylist and my nutritionist and I'd be, like, | 0:03:23 | 0:03:26 | |
"There's so many Grig-heads in tonight!" | 0:03:26 | 0:03:29 | |
And I'd come out and you'd be, like, "Is she on the Grig?" | 0:03:30 | 0:03:32 | |
And I'd be wearing a jacket and I'd be, like, "Am I?" | 0:03:32 | 0:03:35 | |
Then I'd pull out a sweet glass of the Grig. | 0:03:35 | 0:03:37 | |
All the 34-year-old women in the crowd would just start weeping, | 0:03:38 | 0:03:43 | |
instantaneous gratitude, like, "I connect!" | 0:03:43 | 0:03:48 | |
And I'd be like, "Woo! Get me on the Grig!" | 0:03:48 | 0:03:52 | |
At the end of the show, I'd be doing my final dance number, | 0:03:52 | 0:03:55 | |
cos if you're in a stadium, you've got to really make it big, | 0:03:55 | 0:03:58 | |
and the stadium number, I'd be, like, | 0:03:58 | 0:04:00 | |
"I've had too much of the Grig," | 0:04:00 | 0:04:03 | |
and you'd all be, like, "Where's Grigie?" | 0:04:03 | 0:04:05 | |
I should say this one - Grigie is my mascot, | 0:04:05 | 0:04:09 | |
like an animated bottle of Pinot Grigio... | 0:04:09 | 0:04:14 | |
and I sell it because I'm a stadium comedian | 0:04:14 | 0:04:17 | |
and I know about making money. | 0:04:17 | 0:04:19 | |
Then you're, like, holding up Grigie, like, "Where's Grigie?" | 0:04:21 | 0:04:24 | |
I'm, like, "He's not here!" | 0:04:24 | 0:04:26 | |
And then at the end of the show, he comes on and pushes me | 0:04:26 | 0:04:28 | |
into the orchestra pit and everyone's crying and... | 0:04:28 | 0:04:31 | |
LAUGHTER | 0:04:31 | 0:04:32 | |
So I'm not a stadium comedian... | 0:04:32 | 0:04:35 | |
but I am a 34-year-old woman. | 0:04:35 | 0:04:37 | |
I do love a glass of the Grig and I can't believe it. | 0:04:37 | 0:04:40 | |
Now I am safely ensconced in my middle-30s, three things change. | 0:04:40 | 0:04:44 | |
Number one, "Get me on the Grig." | 0:04:44 | 0:04:46 | |
Grig... You'll pick it up. | 0:04:46 | 0:04:47 | |
Number two, the second thing that changed for me when I became | 0:04:49 | 0:04:52 | |
safely ensconced in my middle-30s, I really appreciate architecture. | 0:04:52 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:04:59 | |
Never expected it. | 0:05:01 | 0:05:02 | |
I'll be, like, "The thing is, I know it was the right thing to do, | 0:05:02 | 0:05:06 | |
"to break up with him, | 0:05:06 | 0:05:07 | |
"and I feel so sad about it, I'm just heartbroken. | 0:05:07 | 0:05:09 | |
"I just think, 'Where am I going to go?' | 0:05:09 | 0:05:11 | |
"I'm supposed to, have my... | 0:05:11 | 0:05:12 | |
"Mm. | 0:05:14 | 0:05:15 | |
"What is this place, Art Deco? | 0:05:25 | 0:05:26 | |
"Yeah, so I don't know what to do..." | 0:05:29 | 0:05:30 | |
The third thing that changed for me, | 0:05:30 | 0:05:32 | |
this happened on the morning of my 34th birthday. | 0:05:32 | 0:05:34 | |
I woke up, the first thought that entered my head was, | 0:05:34 | 0:05:37 | |
"Adele is a genius!" | 0:05:37 | 0:05:39 | |
Adele is a genius. | 0:05:42 | 0:05:43 | |
And I know the sort of people that might come and see my comedy, | 0:05:43 | 0:05:45 | |
you think you're too young and too cool for Adele. | 0:05:45 | 0:05:47 | |
You think you're too young and that Adele is too mainstream. | 0:05:47 | 0:05:50 | |
Let me tell you something! | 0:05:50 | 0:05:52 | |
Nobody on this Earth is too cool for Adele, | 0:05:53 | 0:05:56 | |
none of you are too cool for Adele. | 0:05:56 | 0:05:58 | |
Adele is a genius and if any of you guys would like to query | 0:05:58 | 0:06:02 | |
whether or not Adele is talented | 0:06:02 | 0:06:04 | |
at the thing she has devoted her life to doing, | 0:06:04 | 0:06:07 | |
you better damn well, fucking well be Serena fucking Williams. | 0:06:07 | 0:06:11 | |
That is all I'm saying. | 0:06:11 | 0:06:13 | |
Adele is a genius... | 0:06:13 | 0:06:16 | |
and she's so earthy. | 0:06:16 | 0:06:19 | |
She's so young! What's she going to do next? | 0:06:19 | 0:06:21 | |
I have no idea, but I've got faith in her, | 0:06:21 | 0:06:23 | |
I've got faith in her for her journey. | 0:06:23 | 0:06:25 | |
That's a little introduction into me and who I am. | 0:06:27 | 0:06:29 | |
I'm so excited to be doing this, I'm a little bit nervy. | 0:06:29 | 0:06:31 | |
I'm sure it will be fine, but the show is kind of about politics, | 0:06:31 | 0:06:35 | |
but the show is called Something Better, | 0:06:35 | 0:06:38 | |
and the reason I called it that is for comedy festivals | 0:06:38 | 0:06:41 | |
where you see loads of shows, so people will be like, | 0:06:41 | 0:06:44 | |
"Oh, hey, what are you going to see today?" | 0:06:44 | 0:06:47 | |
"Oh, erm, I'm going to see a middle-aged man bitching and moaning | 0:06:47 | 0:06:50 | |
"about how much he doesn't like safe spaces | 0:06:50 | 0:06:53 | |
"and about Generation Snowflake. | 0:06:53 | 0:06:54 | |
"What are YOU going to see?" | 0:06:56 | 0:06:57 | |
LAUGHTER | 0:06:59 | 0:07:01 | |
You guys sussed it out. You're a smart bunch. | 0:07:05 | 0:07:08 | |
What I wanted this show to be about is, I wanted it to | 0:07:08 | 0:07:11 | |
be about politics and optimism and hope and about all the people around | 0:07:11 | 0:07:15 | |
the world and from the past | 0:07:15 | 0:07:16 | |
that I feel really inspired by and excited by, | 0:07:16 | 0:07:19 | |
and I started writing it in May 2015 and I was full of excitement... | 0:07:19 | 0:07:23 | |
LAUGHTER | 0:07:24 | 0:07:26 | |
And then I put it aside and I started writing it in June 2016... | 0:07:26 | 0:07:31 | |
I'm going to let you into a secret - I fucked that up. | 0:07:31 | 0:07:33 | |
I meant to say May 2016, but I feel like the last few years have | 0:07:33 | 0:07:38 | |
been so awful, everyone's, like, "Yeah, it's terrible, innit? | 0:07:38 | 0:07:41 | |
"Everything's bad!" | 0:07:41 | 0:07:43 | |
But I... I wanted to write a show that was about joy | 0:07:43 | 0:07:45 | |
and enthusiasm about politics, something that was | 0:07:45 | 0:07:49 | |
something better in itself, like, aspirational, and then... | 0:07:49 | 0:07:52 | |
SPANISH ACCENT: ..Brexit... happened. | 0:07:53 | 0:07:56 | |
Oh, God, guys, do you know about Brexit? | 0:07:56 | 0:07:58 | |
If you don't, don't look it up. | 0:08:00 | 0:08:02 | |
I don't know if you've been paying attention to the world, | 0:08:03 | 0:08:06 | |
but it's really been set on fire recently, so I... | 0:08:06 | 0:08:10 | |
Yeah, Brexit happened. I started saying this... | 0:08:10 | 0:08:13 | |
SPANISH ACCENT: ..Brexit... | 0:08:13 | 0:08:15 | |
..cos I feel like it makes it sound more warm and Spanish. | 0:08:15 | 0:08:19 | |
Brexit happened and the show sort of became about that | 0:08:19 | 0:08:22 | |
and about grief and I feel really guilty, | 0:08:22 | 0:08:25 | |
because I already needed the other show first, like, | 0:08:25 | 0:08:27 | |
I needed the joyful show because for the past six years, seven years now, | 0:08:27 | 0:08:31 | |
since I've really cared about politics, since the Government | 0:08:31 | 0:08:34 | |
changed, I feel like I've had so much fight and enmity going on | 0:08:34 | 0:08:37 | |
in my life, like, nobody warned me beforehand | 0:08:37 | 0:08:40 | |
what it's like to live under a Government | 0:08:40 | 0:08:42 | |
that you ideologically oppose, no-one said to me, | 0:08:42 | 0:08:44 | |
like, what it's like is like being stabbed with a little pin | 0:08:44 | 0:08:47 | |
every single day of your life | 0:08:47 | 0:08:49 | |
and no-one appreciates why you're angry the whole time. | 0:08:49 | 0:08:52 | |
Everyone's, like, "Why are you in a mood? You're fine." | 0:08:52 | 0:08:54 | |
And I'm, like, "Conservatives are pinching me!" | 0:08:54 | 0:08:56 | |
LAUGHTER | 0:08:56 | 0:08:58 | |
"You're fine." | 0:09:00 | 0:09:02 | |
"No! They sent a cat through the window to pinch me!" | 0:09:02 | 0:09:06 | |
Thank you, that's my cheeky crucible joke! | 0:09:08 | 0:09:11 | |
Start at the top with a cheeky crucible joke | 0:09:12 | 0:09:14 | |
and you can find out who likes it, and then you can take | 0:09:14 | 0:09:17 | |
their names down and report those people to the relevant authorities. | 0:09:17 | 0:09:21 | |
It's a double crucible joke. My dream is... | 0:09:23 | 0:09:26 | |
What I really like is doing jokes that are so niche that the dream is | 0:09:26 | 0:09:29 | |
they would only disproportionately entertain one person at a time. | 0:09:29 | 0:09:34 | |
That's my dream. My dream show would be you all laugh once... | 0:09:34 | 0:09:37 | |
LAUGHTER | 0:09:37 | 0:09:40 | |
..but it's the best laugh of your lives and you do it alone. | 0:09:40 | 0:09:44 | |
It's just, like, "You're done! You're done! You'll all get done! | 0:09:44 | 0:09:46 | |
"Don't you worry about it, you'll all get done!" | 0:09:48 | 0:09:51 | |
Yeah, so I feel like I've had all of that in my life, | 0:09:51 | 0:09:54 | |
I've had so much enmity and struggle for seven years | 0:09:54 | 0:09:56 | |
and I want to put it down and be something better, but then... | 0:09:56 | 0:10:00 | |
SPANISH ACCENT: ..Brexit happened... Brexit. | 0:10:00 | 0:10:03 | |
Oh, I should tell you, politically, I am on the left. | 0:10:03 | 0:10:08 | |
Well done, me. | 0:10:12 | 0:10:14 | |
The best team. I'm on the left. | 0:10:14 | 0:10:16 | |
If you can't tell by literally everything about me, | 0:10:16 | 0:10:19 | |
I am on the left and if you're not... | 0:10:19 | 0:10:24 | |
you should give it a go. | 0:10:24 | 0:10:26 | |
There's never been a better time to give it a go. Give it a try. | 0:10:27 | 0:10:30 | |
See if it's for you. Join the team, it's a great team. | 0:10:30 | 0:10:32 | |
You're thinking, "Oh, what are the perks of the left? | 0:10:32 | 0:10:34 | |
"I don't know whether I want to join the left." | 0:10:34 | 0:10:36 | |
There's loads of perks. Loads of perks. | 0:10:36 | 0:10:38 | |
Number one, everyone treats you as if you are naive as a little child, | 0:10:38 | 0:10:44 | |
and, number two, no money! | 0:10:44 | 0:10:48 | |
Yippee! | 0:10:48 | 0:10:50 | |
Get me on the Grig! | 0:10:50 | 0:10:53 | |
It's not part of it, but it helps, it really helps. | 0:10:53 | 0:10:57 | |
I didn't even mention the best perk. | 0:10:58 | 0:11:00 | |
The best perk - I leave my washing in the washing machine | 0:11:00 | 0:11:03 | |
for three days before I hang it out to dry. Yeah. | 0:11:03 | 0:11:07 | |
And then when people are, like, "What's that smell?" | 0:11:07 | 0:11:09 | |
I'm, like, "Hemp?" | 0:11:09 | 0:11:11 | |
They're, like, "It figures." | 0:11:14 | 0:11:16 | |
And I'm, like, "Thank you! The left, best team!" | 0:11:16 | 0:11:19 | |
I'm on the left, you know, and the thing is, I love my team. | 0:11:19 | 0:11:22 | |
It's a problematic team, it's a complicated team, but I love my team | 0:11:22 | 0:11:25 | |
and I'm proud to be a part of it, | 0:11:25 | 0:11:26 | |
but I wish that when I had signed up to be on the left, they could | 0:11:26 | 0:11:29 | |
have made me a little bit more aware of the fine print of the team, | 0:11:29 | 0:11:33 | |
like, "Oh, it's great that you've signed up to care about | 0:11:33 | 0:11:36 | |
"other human beings a bit more and you're, like, | 0:11:36 | 0:11:38 | |
"trying to get involved with politics, that's brilliant. | 0:11:38 | 0:11:40 | |
"Erm, just while you're signing this, I do need you to know that | 0:11:40 | 0:11:43 | |
"you are signing up to a lifetime of misery, struggle and defeat. OK?" | 0:11:43 | 0:11:48 | |
"No! I just signed up for glamorous marches and free dhal at festivals! | 0:11:48 | 0:11:53 | |
"Nooo! | 0:11:53 | 0:11:55 | |
"Sorry, can I change teams?" "No." | 0:11:55 | 0:11:59 | |
Once you start caring, you won't stop caring. | 0:11:59 | 0:12:01 | |
You'll think you have, | 0:12:01 | 0:12:03 | |
but you'll just be weeping alone in your mansion. | 0:12:03 | 0:12:06 | |
"Can I do that?" "No!" | 0:12:06 | 0:12:08 | |
I don't want to sound cocky with you guys | 0:12:08 | 0:12:10 | |
cos I know I've just met all you guys, and you seem lovely, | 0:12:10 | 0:12:13 | |
but I really thought that, with me on the team... | 0:12:13 | 0:12:16 | |
..we would have won by now. | 0:12:18 | 0:12:19 | |
I didn't realise we'd keep losing. | 0:12:21 | 0:12:23 | |
I don't understand why we keep losing. | 0:12:23 | 0:12:25 | |
I am retweeting so much stuff. | 0:12:25 | 0:12:28 | |
Every day. I thought we'd be winning | 0:12:30 | 0:12:33 | |
and I thought I could go back to the sort of shows I used to write | 0:12:33 | 0:12:36 | |
before I got interested in politics cos they were | 0:12:36 | 0:12:38 | |
so much more fun. They were, like... | 0:12:38 | 0:12:40 | |
"I love it when bus drivers talk to each other." | 0:12:40 | 0:12:42 | |
Just my whimsical way of looking at the world. | 0:12:45 | 0:12:47 | |
"I wonder what cats are thinking. | 0:12:48 | 0:12:50 | |
"Maybe they're thinking that, the UN recently said that, | 0:12:50 | 0:12:53 | |
because of soil erosion, we've probably only got 60 harvests left." | 0:12:53 | 0:12:57 | |
LAUGHTER | 0:12:59 | 0:13:00 | |
Or they're thinking, "I don't care who feeds me." | 0:13:00 | 0:13:02 | |
I don't know. | 0:13:04 | 0:13:05 | |
I want to go back to that sort of show, like, | 0:13:06 | 0:13:08 | |
I don't want you thinking at the outset that I'm an angry ranter, | 0:13:08 | 0:13:11 | |
I'm not an angry person, I'm not, and I don't want to | 0:13:11 | 0:13:13 | |
spend my life being defined by opposition to some jerks, I don't. | 0:13:13 | 0:13:17 | |
I want to be something better, I want to be useful to society and, | 0:13:17 | 0:13:21 | |
weirdly, the day after Brexit, | 0:13:21 | 0:13:23 | |
I didn't feel as devastated as all of my friends seemed to, | 0:13:23 | 0:13:26 | |
and I should say at this point, I didn't want Brexit. | 0:13:26 | 0:13:29 | |
I think it's catastrophic. | 0:13:29 | 0:13:32 | |
Surprise! | 0:13:32 | 0:13:33 | |
LAUGHTER | 0:13:33 | 0:13:35 | |
But the day after Brexit, I didn't feel as bad as all my friends. | 0:13:35 | 0:13:38 | |
I had all my friends texting me that day | 0:13:38 | 0:13:41 | |
and I felt able to be useful, and my friends were texting me, | 0:13:41 | 0:13:43 | |
like, "Oh, God, what are we going to do? This is awful. | 0:13:43 | 0:13:45 | |
"I feel so devastated, I feel so frightened," | 0:13:45 | 0:13:48 | |
and I didn't, and I am an optimist. That's why people were texting me. | 0:13:48 | 0:13:51 | |
I'm an optimist, I'm proud of being an optimist, I feel blessed | 0:13:51 | 0:13:54 | |
to be an optimist, but that's what I WOULD say. | 0:13:54 | 0:13:56 | |
"Stupid optimists! Live in the real world! What's wrong with you?" | 0:13:56 | 0:14:01 | |
They were texting me all day and I found, the day after, | 0:14:02 | 0:14:05 | |
I didn't feel despair, | 0:14:05 | 0:14:07 | |
I felt this incredible, evangelical zeal all around me, | 0:14:07 | 0:14:10 | |
running through my blood, the like of which I have not felt before or | 0:14:10 | 0:14:13 | |
since and I felt desperate, I felt so desperate to do something. | 0:14:13 | 0:14:17 | |
I was texting everyone, like, | 0:14:17 | 0:14:18 | |
"Listen to me - we are all still here and we keep going | 0:14:18 | 0:14:20 | |
"and we are all going to keep trying and despair is a luxury." | 0:14:20 | 0:14:24 | |
I was so pleased with myself for that tweet. | 0:14:26 | 0:14:28 | |
I was, like, "I've got 100 characters left, | 0:14:28 | 0:14:30 | |
"don't even need 'em - despair is a luxury." | 0:14:30 | 0:14:32 | |
But I felt it cos for the first time in my life, | 0:14:32 | 0:14:35 | |
when everything seemed to be bending and falling apart, | 0:14:35 | 0:14:37 | |
I felt so keenly and acutely aware of all the privilege that | 0:14:37 | 0:14:41 | |
I have in our society, the fact that I am young... | 0:14:41 | 0:14:44 | |
34, young, please! | 0:14:44 | 0:14:46 | |
27, sort of, please! | 0:14:46 | 0:14:49 | |
And I'm fit! | 0:14:49 | 0:14:50 | |
Well, I have better cardio than you would expect | 0:14:50 | 0:14:52 | |
for somebody of my build. | 0:14:52 | 0:14:54 | |
Don't look at this, this is insulin resistance. Look at the calves. | 0:14:55 | 0:15:00 | |
It's a more representational picture. | 0:15:00 | 0:15:03 | |
I feel immediately self-conscious! I'm, like, "Look at me!" | 0:15:03 | 0:15:07 | |
and now I'm, like, "Don't look at me, please!" | 0:15:07 | 0:15:09 | |
Just look at this. Anyone who looks at anything other than this... | 0:15:09 | 0:15:13 | |
..forbidden. | 0:15:15 | 0:15:17 | |
I'm young and I'm fit and, also, I felt for the first time, | 0:15:17 | 0:15:21 | |
skin-crawlingly, sickeningly, fully aware of what it means | 0:15:21 | 0:15:24 | |
to have white privilege in our society, | 0:15:24 | 0:15:26 | |
the fact that I could walk around passing as white British | 0:15:26 | 0:15:29 | |
when friends of mine didn't have that luxury, when they were | 0:15:29 | 0:15:31 | |
having to put up with more shit than they were already putting up with, | 0:15:31 | 0:15:34 | |
and I felt sick and desperate to do anything to be useful in | 0:15:34 | 0:15:37 | |
any possible way, so I spent all day texting, tweeting, everything, | 0:15:37 | 0:15:40 | |
contacting everyone I know, saying, "Listen, don't despair. | 0:15:40 | 0:15:43 | |
"Despair is a luxury and we keep going and, | 0:15:43 | 0:15:45 | |
"no matter what happens, we will keep trying and it's not over yet, | 0:15:45 | 0:15:49 | |
"and I'm not being naive - I know it's hard, but we'll keep going." | 0:15:49 | 0:15:51 | |
And that night I went to bed and I thought, | 0:15:51 | 0:15:53 | |
"I have a purpose in all this and it's going to be all right." | 0:15:53 | 0:15:56 | |
And I went to sleep and woke up the next morning | 0:15:56 | 0:15:58 | |
and it hit me what had happened. | 0:15:58 | 0:16:00 | |
LAUGHTER | 0:16:00 | 0:16:02 | |
And then I freaked out! I freaked out! | 0:16:02 | 0:16:05 | |
And what I've learned is that I am very good in a crisis... | 0:16:05 | 0:16:09 | |
..but I am not excellent in the two weeks following a crisis. | 0:16:10 | 0:16:15 | |
I also, like, I don't want you to think I'm sneering about Brexit. | 0:16:18 | 0:16:21 | |
I know there's this whole narrative now about, like, | 0:16:21 | 0:16:24 | |
"Oh, liberal elite sneering at normal people, liberal elite," | 0:16:24 | 0:16:28 | |
and I do think, like, am I really the liberal elite? | 0:16:28 | 0:16:31 | |
Because I live in a rented basement | 0:16:31 | 0:16:34 | |
and I always seem to have yoghurt on me. | 0:16:34 | 0:16:36 | |
I had wished for better of the elite. | 0:16:41 | 0:16:43 | |
But I don't want you to think I'm sneering, I do | 0:16:46 | 0:16:48 | |
get that there are lots of different reasons why people vote for Brexit. | 0:16:48 | 0:16:51 | |
I get that there are parts of this country that have been | 0:16:51 | 0:16:53 | |
systematically alienated, degraded and deprived for 35 years, | 0:16:53 | 0:16:58 | |
and then snake oil salesmen show up and they go, | 0:16:58 | 0:17:00 | |
"Hey, I've got the answer to all your problems | 0:17:00 | 0:17:02 | |
"and if you don't believe that, why not shake things up a bit? | 0:17:02 | 0:17:04 | |
"And if you don't believe that, | 0:17:04 | 0:17:06 | |
"why not kick those wankers back in London right in the teeth?" | 0:17:06 | 0:17:09 | |
I get why people would vote for that, but what I don't get is... | 0:17:09 | 0:17:12 | |
why do people not want me to go on a study abroad scheme? | 0:17:12 | 0:17:16 | |
Why do they want to hurt me? | 0:17:18 | 0:17:21 | |
I'm only relatively privileged. | 0:17:21 | 0:17:23 | |
And I earned that privilege through luck. | 0:17:24 | 0:17:28 | |
It's not fair. | 0:17:30 | 0:17:32 | |
Why do people want to vote to hurt me and make it harder for me | 0:17:32 | 0:17:35 | |
to travel easily to the beautiful city of Copenhagen? | 0:17:35 | 0:17:38 | |
Seriously, guys, Denmark is so great. | 0:17:39 | 0:17:41 | |
All the men are so tall and emotionally unavailable. | 0:17:41 | 0:17:44 | |
And there are so many fit dads with prams. | 0:17:48 | 0:17:51 | |
And that's not creepy cos there's, like, a 50% divorce rate | 0:17:53 | 0:17:56 | |
so it's always worth a punt. | 0:17:56 | 0:17:57 | |
LAUGHTER | 0:17:57 | 0:18:00 | |
That's the creepiest part of the show, but I refuse to retract it. | 0:18:04 | 0:18:08 | |
It's there, it's true. Also it's got a sculpture museum, I've heard. | 0:18:08 | 0:18:12 | |
All I've ever wanted to do was study in the beautiful city of Aarhus | 0:18:13 | 0:18:16 | |
in Denmark and, if I'm honest, I've never researched whether or | 0:18:16 | 0:18:19 | |
not there's a university there, but it's not worth me trying now! | 0:18:19 | 0:18:23 | |
I'm so angry about it. | 0:18:23 | 0:18:24 | |
That's the thing as well - I can't seem to get over my enmity | 0:18:24 | 0:18:27 | |
and I keep thinking, there's this quote from | 0:18:27 | 0:18:29 | |
To Kill A Mockingbird that I want to remember and rely on, right? | 0:18:29 | 0:18:33 | |
You'll know the plot - in it, Atticus Finch is defending a man | 0:18:33 | 0:18:36 | |
from trumped-up, completely false charges, | 0:18:36 | 0:18:39 | |
but he's defending him from everyone he knows, | 0:18:39 | 0:18:42 | |
and what he says is, he turns to his daughter and he says... | 0:18:42 | 0:18:45 | |
"..Let's kill that mockingbird." | 0:18:47 | 0:18:49 | |
LAUGHTER | 0:18:49 | 0:18:51 | |
LAUGHTER CONTINUES | 0:18:58 | 0:19:01 | |
Not one of you has read that book. Not one of you. | 0:19:01 | 0:19:04 | |
Not one of you has read that book. | 0:19:04 | 0:19:05 | |
Not one of you, like, all of you are just, like, | 0:19:05 | 0:19:07 | |
"Oh, that sounds plausible." | 0:19:07 | 0:19:09 | |
That's not even what I was setting up, like, | 0:19:09 | 0:19:11 | |
I was trying to set up something about unity and division | 0:19:11 | 0:19:13 | |
and then I'm, like, "Let's kill a bird," | 0:19:13 | 0:19:15 | |
and you're, like, "Oh, that sounds good." | 0:19:15 | 0:19:17 | |
That's fucking how Brexit happened, you dickheads! It's not right! | 0:19:17 | 0:19:20 | |
Obviously that's not a quote in the book! | 0:19:20 | 0:19:23 | |
The book is about justice and about kindness! | 0:19:23 | 0:19:25 | |
Not one of you was, like, "Excuse me, that's not right." | 0:19:25 | 0:19:28 | |
You were all just, like, "Oh." | 0:19:28 | 0:19:30 | |
I'm so annoyed with you guys! | 0:19:31 | 0:19:33 | |
That book was on the GCSE syllabus... | 0:19:33 | 0:19:35 | |
or it was until Michael Gove decided that it wasn't written-by-a-man enough. | 0:19:35 | 0:19:39 | |
LAUGHTER | 0:19:39 | 0:19:40 | |
Took it off. | 0:19:40 | 0:19:42 | |
Took it off, but, luckily, once he finished being | 0:19:42 | 0:19:44 | |
Education Secretary, he couldn't fuck up the country any more. | 0:19:44 | 0:19:48 | |
Oh... | 0:19:48 | 0:19:49 | |
Erm... LAUGHTER | 0:19:49 | 0:19:50 | |
No, I'm sorry, that's not the real quote. | 0:19:50 | 0:19:53 | |
If you guessed, it's not the real quote, so I'll do it properly. | 0:19:53 | 0:19:55 | |
Sorry, I don't want to fuck about. This is the real quote. | 0:19:55 | 0:19:57 | |
It's kind of beautiful. It's genuinely important, | 0:19:57 | 0:20:00 | |
cos everything's been so divided | 0:20:00 | 0:20:01 | |
and it's about trying to come together again. | 0:20:01 | 0:20:03 | |
What he does is, he turns to his daughter and he says... | 0:20:03 | 0:20:06 | |
"You must remember, when we're done fighting these people, | 0:20:06 | 0:20:08 | |
"that they're still our friends and, also, to kill a mockingbird." | 0:20:08 | 0:20:11 | |
The last bit's not part of it, | 0:20:11 | 0:20:13 | |
but I feel like if you don't put it on, it'll never end. | 0:20:13 | 0:20:15 | |
That's the bit that I can't get to, I can't get to this idea of, | 0:20:15 | 0:20:18 | |
how do we become friends? There are things I don't want to forgive. | 0:20:18 | 0:20:21 | |
There are people who voted knowingly alongside racists | 0:20:21 | 0:20:23 | |
and were pleased about it and I don't know how to get over that. | 0:20:23 | 0:20:26 | |
I want to, but I can't, and I feel like, ever since Brexit, | 0:20:26 | 0:20:29 | |
I have not been showering myself in glory as a human being. | 0:20:29 | 0:20:33 | |
This is what I feel like, a near year... | 0:20:33 | 0:20:35 | |
well, not a year, this is how I feel, like, six months | 0:20:35 | 0:20:38 | |
of hand-wringing, this is what I feel like it's taught me, right? | 0:20:38 | 0:20:41 | |
Because I do feel like I am this, | 0:20:41 | 0:20:43 | |
and this might not be useful in the modern world | 0:20:43 | 0:20:45 | |
and I feel sad about that, I feel desperate, | 0:20:45 | 0:20:47 | |
cos, more than ever, I want to make a change to society that is | 0:20:47 | 0:20:50 | |
positive, I want to be more humane, I want to fight back. | 0:20:50 | 0:20:53 | |
The worse things seem to be getting, the more frightening things | 0:20:53 | 0:20:55 | |
seem to be, I believe in what I believe in so much more. | 0:20:55 | 0:20:58 | |
I feel like I will be a socialist at the end of this no matter what | 0:20:58 | 0:21:01 | |
because I love it and I care about it, | 0:21:01 | 0:21:03 | |
and I feel desperate to be useful to society and I want something better. | 0:21:03 | 0:21:06 | |
The reason I called the show Something Better is not because | 0:21:06 | 0:21:08 | |
I think I'm something better, it's because I want better for all of us. | 0:21:08 | 0:21:11 | |
I feel like what is happening at the moment is such a waste, | 0:21:11 | 0:21:14 | |
it is despicable, and I want better for us and that's the reason | 0:21:14 | 0:21:16 | |
why, at 34, I became single, because I want love in my life | 0:21:16 | 0:21:19 | |
and I want a family and I do live in a trailer park with my mum | 0:21:19 | 0:21:22 | |
and I'm still here to say, "Fuck the free world." | 0:21:22 | 0:21:25 | |
That last bit is from 8 Mile by Eminem. | 0:21:27 | 0:21:29 | |
You've got to break up the tension, otherwise it's too earnest, | 0:21:33 | 0:21:37 | |
but the thing is, other people are better than me already, like, | 0:21:37 | 0:21:40 | |
I wanted to find people in the past | 0:21:40 | 0:21:41 | |
and around the world to look up to, but the truth is that in London, | 0:21:41 | 0:21:44 | |
there are people who have been getting on with stuff | 0:21:44 | 0:21:47 | |
since before I decided to get involved and will continue to do so | 0:21:47 | 0:21:50 | |
and they're people who are young enough and bold enough and | 0:21:50 | 0:21:53 | |
brave enough to see all of this disaster, all of this fear, | 0:21:53 | 0:21:57 | |
as an opportunity and not as the end of the world and I thought | 0:21:57 | 0:22:00 | |
I would just explain one activist event that I feel blew my mind | 0:22:00 | 0:22:05 | |
and changed my perspective, and I thought I'd tell you about a | 0:22:05 | 0:22:07 | |
book that I'm reading as well, and that's kind of the end of the show. | 0:22:07 | 0:22:10 | |
So this is what happened. | 0:22:10 | 0:22:12 | |
Now, on the 6th of September, I was in Denmark. | 0:22:12 | 0:22:16 | |
Don't hate me because you ain't me. | 0:22:16 | 0:22:17 | |
Please, it's so great. | 0:22:20 | 0:22:22 | |
Middle-aged women have specially adapted bicycles there | 0:22:22 | 0:22:24 | |
so that they can put two dogs in the front of it. | 0:22:24 | 0:22:27 | |
LAUGHTER | 0:22:27 | 0:22:28 | |
If I moved there, | 0:22:30 | 0:22:31 | |
I could go on maternity leave for, like, six years! | 0:22:31 | 0:22:34 | |
I was in Denmark, but while I was in Denmark, there was | 0:22:36 | 0:22:39 | |
an action that took place that | 0:22:39 | 0:22:41 | |
was orchestrated by the UK branch of Black Lives Matter | 0:22:41 | 0:22:44 | |
and that's an organisation that was set up last year | 0:22:44 | 0:22:47 | |
and it was righteous and necessary and important, | 0:22:47 | 0:22:49 | |
but what they did was, | 0:22:49 | 0:22:51 | |
the people who ran the organisation worked in partnership with | 0:22:51 | 0:22:54 | |
some green activists, and the green activists were largely white people | 0:22:54 | 0:22:58 | |
and what happened was, | 0:22:58 | 0:22:59 | |
the activists who were allied to the Black Lives Matter movement | 0:22:59 | 0:23:02 | |
stormed the runway at London City Airport and they stopped a plane | 0:23:02 | 0:23:06 | |
from taking off and the reason they did it was to highlight | 0:23:06 | 0:23:09 | |
the fact that climate change is an issue | 0:23:09 | 0:23:10 | |
that disproportionately affects people of colour | 0:23:10 | 0:23:12 | |
and that air pollution in London is an issue | 0:23:12 | 0:23:14 | |
that disproportionately affects people of colour, | 0:23:14 | 0:23:16 | |
and the reason the activists who were affiliated in the movement, | 0:23:16 | 0:23:19 | |
but not running the movement, did that bit of the action was | 0:23:19 | 0:23:22 | |
so that the people who ran the movement could then use | 0:23:22 | 0:23:24 | |
the press in the manner that fitted their campaign best, right? | 0:23:24 | 0:23:28 | |
And the reason that they did it like that is because the activists | 0:23:28 | 0:23:31 | |
who were people of colour get treated completely differently | 0:23:31 | 0:23:34 | |
by police than the white activists, | 0:23:34 | 0:23:35 | |
and I realised that I spent all last summer hand-wringing, like, | 0:23:35 | 0:23:38 | |
"Why don't people take me seriously cos I'm on the left? | 0:23:38 | 0:23:41 | |
"I don't smell of hemp. I don't even know what hemp smells like. | 0:23:41 | 0:23:45 | |
"I smell of damp." | 0:23:45 | 0:23:46 | |
LAUGHTER | 0:23:46 | 0:23:48 | |
"Damp is different to hemp! | 0:23:48 | 0:23:51 | |
"And I smell of these branded deodorants that my sister | 0:23:51 | 0:23:55 | |
"brought home from a hairdressing competition. It's complicated." | 0:23:55 | 0:23:58 | |
But I realised that is like this lovely privilege I have | 0:23:59 | 0:24:03 | |
as a white British person, that I get called stupid and ridiculed | 0:24:03 | 0:24:07 | |
in this quite soft way, but when people of colour protest, they | 0:24:07 | 0:24:09 | |
get called thugs and they get beaten up | 0:24:09 | 0:24:11 | |
and harassed by the police, right? | 0:24:11 | 0:24:13 | |
And so these people, by working together, the people who had | 0:24:13 | 0:24:15 | |
that privilege, could be useful to the people who ran the campaign, | 0:24:15 | 0:24:18 | |
and the people who were running the campaign took the press, | 0:24:18 | 0:24:20 | |
and they used it, and they got their message out there, | 0:24:20 | 0:24:23 | |
and the action was a success cos people watched together, right? | 0:24:23 | 0:24:25 | |
And I was, like, | 0:24:25 | 0:24:26 | |
"Wow, I didn't realise how little I am being useful with | 0:24:26 | 0:24:30 | |
"the privilege that I have," | 0:24:30 | 0:24:31 | |
and if you're lucky enough to be in the position that I'm in, | 0:24:31 | 0:24:34 | |
you have a surplus and it is important, now more than ever, | 0:24:34 | 0:24:37 | |
to try to be useful to people... | 0:24:37 | 0:24:40 | |
And this is the bit where I get really, like... | 0:24:40 | 0:24:42 | |
You know what I'm trying to say. Now... Or you don't. | 0:24:42 | 0:24:45 | |
LAUGHTER | 0:24:45 | 0:24:46 | |
I'm so awkward, it's appalling! | 0:24:46 | 0:24:48 | |
Secondly, what it taught me is that the Daily Mail | 0:24:48 | 0:24:53 | |
is the stupidest thing in the world and doesn't understand anything... | 0:24:53 | 0:24:58 | |
because what happened was, the Daily Mail did a big report about | 0:24:58 | 0:25:01 | |
the action and focused entirely on those activists who had blocked | 0:25:01 | 0:25:05 | |
the plane and did a big photo spread about them | 0:25:05 | 0:25:08 | |
and underneath each of the activists, | 0:25:08 | 0:25:11 | |
they did a little epithet to describe them and, I swear to God, | 0:25:11 | 0:25:14 | |
it was the most unintentionally funny thing I have ever seen | 0:25:14 | 0:25:17 | |
in my life, and I'm going to prove it to you by reading them to you. | 0:25:17 | 0:25:21 | |
So overexcited at the end of this. OK. | 0:25:21 | 0:25:25 | |
This is the team of them, and this is their nicknames... | 0:25:25 | 0:25:29 | |
"Self-proclaimed expert on lesbians." | 0:25:29 | 0:25:32 | |
LAUGHTER | 0:25:32 | 0:25:33 | |
It's a great start! It's a great start! | 0:25:33 | 0:25:35 | |
"Climber who lives in a houseboat." | 0:25:37 | 0:25:40 | |
What I like with all of these is, some of you are thinking, | 0:25:42 | 0:25:45 | |
"Which one of them is her?" | 0:25:45 | 0:25:47 | |
And none of them is me. | 0:25:47 | 0:25:48 | |
"Buddhist Ben, the arms trade critic." | 0:25:48 | 0:25:51 | |
If that is not the most lefty children's book | 0:25:52 | 0:25:56 | |
you've ever heard of... | 0:25:56 | 0:25:57 | |
"The ultimate green activist. | 0:26:00 | 0:26:03 | |
"Cousin of Ralph Fiennes." | 0:26:03 | 0:26:05 | |
That's just Britain, innit? | 0:26:07 | 0:26:09 | |
"The luvvie Corbynista." | 0:26:09 | 0:26:10 | |
That's not me - but are they single? | 0:26:10 | 0:26:12 | |
"Organic farmer and scourge of capitalism." | 0:26:14 | 0:26:17 | |
You can be both, Alex James of Blur! | 0:26:17 | 0:26:20 | |
LAUGHTER | 0:26:20 | 0:26:21 | |
But I think of that action all the time | 0:26:24 | 0:26:26 | |
because I think of people working together for a common goal | 0:26:26 | 0:26:28 | |
and people realising that the future is there for the taking, and this | 0:26:28 | 0:26:32 | |
is a thing that I want to recommend to you just at the end of this. | 0:26:32 | 0:26:35 | |
It's a book by Rebecca Solnit and it's called Hope In The Dark, | 0:26:35 | 0:26:37 | |
and, I swear to God, it has got me through this past year. | 0:26:37 | 0:26:40 | |
It's wonderful. And I'm recommending it to you even though | 0:26:40 | 0:26:43 | |
I haven't finished reading it yet, | 0:26:43 | 0:26:45 | |
which is a gamble cos I feel like the last page of it could be... | 0:26:45 | 0:26:49 | |
"..and the true hope in the dark is white supremacy." | 0:26:50 | 0:26:53 | |
And I'm, like, "No! No! | 0:26:53 | 0:26:57 | |
"Not you as well, Solnit, not you as well!" | 0:26:57 | 0:27:01 | |
But she talks about hope | 0:27:02 | 0:27:03 | |
and she talks about the fact that hope is active, not passive. | 0:27:03 | 0:27:06 | |
It's not just being blithe and saying, "Everything will be fine, don't worry about it," | 0:27:06 | 0:27:09 | |
and it's not being pessimistic either, it's saying, "Yeah, things are shit, but we still have | 0:27:09 | 0:27:13 | |
"to get on with it," and I thought I'd read you this bit just | 0:27:13 | 0:27:15 | |
to end my show and I really hope you've enjoyed it and I'm sorry I'm | 0:27:15 | 0:27:18 | |
so awkward when I'm trying to talk about privilege, but it's difficult. | 0:27:18 | 0:27:21 | |
I would say it's hardest for me out of everyone in society. | 0:27:21 | 0:27:24 | |
LAUGHTER | 0:27:24 | 0:27:25 | |
"Hope locates itself in the premises that we don't know | 0:27:27 | 0:27:30 | |
"what will happen, and that in the spaciousness of uncertainty | 0:27:30 | 0:27:32 | |
"is room to act. | 0:27:32 | 0:27:34 | |
"Hope is an embrace of the unknown and the unknowable, | 0:27:34 | 0:27:36 | |
"an alternative to the certainty of both optimists and pessimists. | 0:27:36 | 0:27:40 | |
"It is the belief that what we do matters, even though | 0:27:40 | 0:27:43 | |
"how and when it may matter, who and what it may impact, | 0:27:43 | 0:27:46 | |
"are not things we can know beforehand. | 0:27:46 | 0:27:48 | |
"And let's get that bird. Stupid bird. | 0:27:48 | 0:27:51 | |
"I've got a knife. Let's kill it, the stupid bird! He's dead!" | 0:27:51 | 0:27:54 | |
Erm, listen... | 0:27:54 | 0:27:56 | |
Guys, you've been such a lovely crowd. I've been a nervous wreck | 0:27:56 | 0:27:59 | |
and I've really appreciated you being here. | 0:27:59 | 0:28:01 | |
My name's Josie Long, thank you so much for having me. | 0:28:01 | 0:28:04 | |
I hope you have a great night, and goodbye. | 0:28:04 | 0:28:06 | |
APPLAUSE | 0:28:06 | 0:28:08 |