Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:04 | 0:00:12 | |
This is Mann Management, | 0:00:30 | 0:00:32 | |
one of the UK's foremost celebrity talent agencies. | 0:00:32 | 0:00:36 | |
Their illustrious client base is managed by agent to the stars, | 0:00:36 | 0:00:39 | |
Vincent Mann. | 0:00:39 | 0:00:41 | |
What does it take to be a great agent? | 0:00:41 | 0:00:43 | |
Compassion with a firm hand. | 0:00:43 | 0:00:46 | |
Compassion optional. | 0:00:47 | 0:00:48 | |
In an unprecedented move, | 0:00:50 | 0:00:51 | |
he has given our documentary crew unlimited access to both his agency | 0:00:51 | 0:00:55 | |
and his superstar clients. | 0:00:55 | 0:00:58 | |
One of Vincent's much-loved stars is EastEnders actress, | 0:00:58 | 0:01:01 | |
Natalie Cassidy, who lives with her dad and sister, Kat. | 0:01:01 | 0:01:05 | |
For Natalie, today is a very special day. | 0:01:06 | 0:01:09 | |
Dad, have you got the number for Millennium Cabs? | 0:01:10 | 0:01:13 | |
My phone's charging. | 0:01:13 | 0:01:16 | |
Yeah, but I put the card in your leather jacket | 0:01:16 | 0:01:19 | |
just in case you needed it, remember? | 0:01:19 | 0:01:21 | |
Dad. What? | 0:01:23 | 0:01:26 | |
Today is double exciting, because I'm only going to the NTAs tonight. | 0:01:26 | 0:01:31 | |
That's the National Television Awards, to you and me. | 0:01:32 | 0:01:35 | |
It's my one selfish day of the year. | 0:01:35 | 0:01:37 | |
I've got it all worked out. | 0:01:37 | 0:01:39 | |
Kat's going to have dad tonight, and I'll have him in the day. | 0:01:39 | 0:01:42 | |
I thought I would take him to help me choose an outfit. | 0:01:42 | 0:01:45 | |
Well, he knows what suits me and what don't, don't he? | 0:01:45 | 0:01:47 | |
Dad! | 0:01:48 | 0:01:50 | |
What are you shouting for? | 0:01:52 | 0:01:54 | |
You'd be too hot in that up the Harlequin Centre. | 0:01:54 | 0:01:57 | |
Why don't you put your leather jacket on? | 0:01:57 | 0:01:59 | |
I don't wear me leather jacket up the Harlequin. | 0:01:59 | 0:02:02 | |
I wear me leather jacket up the pictures. | 0:02:02 | 0:02:05 | |
The pictures is up the Harlequin, you dozy mare. | 0:02:05 | 0:02:09 | |
It's the biggest event of the calendar year at our house, | 0:02:10 | 0:02:13 | |
after Christmas, especially when Enders is up for an award | 0:02:13 | 0:02:18 | |
for Best Continuing Drama. | 0:02:18 | 0:02:20 | |
It's a two-horse race again this year, against you know who! | 0:02:20 | 0:02:24 | |
But, joking aside, may the best soap win. | 0:02:25 | 0:02:28 | |
Actually, could I do that again? | 0:02:30 | 0:02:32 | |
Thanks. | 0:02:32 | 0:02:34 | |
But, joking aside, may the best continuing drama win. | 0:02:34 | 0:02:38 | |
With an open door to Vincent's clients... Lads! | 0:02:42 | 0:02:45 | |
..we were able to ask the stars some more pertinent questions | 0:02:45 | 0:02:49 | |
about their celebrity. Oh, fuck it. | 0:02:49 | 0:02:52 | |
What would I say to my 16-year-old self? | 0:02:52 | 0:02:54 | |
I'd say, "Don't worry about how you look. | 0:02:55 | 0:02:57 | |
"It's about what's inside that counts, and what's inside of you | 0:02:57 | 0:03:01 | |
"is a voice box that will literally print more money | 0:03:01 | 0:03:03 | |
"than you know exists, girl." | 0:03:03 | 0:03:05 | |
We'd just tell them to keep on keeping on. And on and on. | 0:03:05 | 0:03:08 | |
And on and on and on. And on and on and on and on and on. | 0:03:08 | 0:03:12 | |
Until someone gives you a show about cake. Bingo. | 0:03:12 | 0:03:16 | |
I'd say, "Put that WKD down, stop playing with your Hampton, | 0:03:16 | 0:03:20 | |
"and listen to your old mum, cos basically, | 0:03:20 | 0:03:23 | |
"you ain't got a ... Scooby, you little nugget," | 0:03:23 | 0:03:26 | |
and then I'd give him a whack around the ear hole. | 0:03:26 | 0:03:28 | |
What would I say to my 16-year-old self? | 0:03:28 | 0:03:31 | |
I'd say, "What the bloody hell are you doing here?" | 0:03:31 | 0:03:34 | |
I'd probably say, "You look fricking amazing, Fernatron, mate." | 0:03:35 | 0:03:39 | |
"Where did you get that top? Don't tell me, it's vintage, isn't it? | 0:03:39 | 0:03:42 | |
"Doc Martens and Sooty are so then. | 0:03:42 | 0:03:43 | |
"Great work, younger me. High-five!" | 0:03:43 | 0:03:47 | |
If I met my 16-year-old self today, I wouldn't say anything to her. | 0:03:47 | 0:03:51 | |
I'd just give her a list of husbands to avoid. | 0:03:51 | 0:03:53 | |
I'd say, "Natalie, you may be sold into acting in EastEnders now, | 0:03:53 | 0:03:58 | |
"but in years to come, things could be very different. | 0:03:58 | 0:04:01 | |
"Or they could just be exactly the same." | 0:04:03 | 0:04:05 | |
Following the unprecedented success of her sitcom, Miranda, | 0:04:07 | 0:04:11 | |
Miranda Hart is keen to cast aside her slapstick persona. | 0:04:11 | 0:04:14 | |
Well, hello there. | 0:04:14 | 0:04:16 | |
What a veritable thrill it is to see you again, my what I call... | 0:04:16 | 0:04:20 | |
Oh, my God! | 0:04:20 | 0:04:22 | |
Hello, Miranda. I'm fine. | 0:04:24 | 0:04:26 | |
I'm fine. I do not do that any more, so, erm... | 0:04:26 | 0:04:29 | |
'I'm not Miranda.' | 0:04:29 | 0:04:31 | |
Miranda is just a character I played in that show whose name shall not be | 0:04:31 | 0:04:35 | |
mentioned, and now I've moved on from playing Miranda in that show, | 0:04:35 | 0:04:40 | |
I can unveil the real Miranda. | 0:04:40 | 0:04:43 | |
The grown-up, serious Miranda. | 0:04:43 | 0:04:46 | |
So, what have you got for me? | 0:04:46 | 0:04:49 | |
Is it a film? Is it the new James Bond? | 0:04:49 | 0:04:51 | |
Am I going to be a Bond girl? | 0:04:51 | 0:04:53 | |
Oh, Brillo pads. | 0:04:53 | 0:04:55 | |
I'll say things like, "007, is that your penis?" | 0:04:55 | 0:04:58 | |
And then we'll do it in a helicopter, | 0:04:58 | 0:05:00 | |
but then I'll betray him and he'll shoot me in the boobs, | 0:05:00 | 0:05:02 | |
is that it? | 0:05:02 | 0:05:03 | |
No, it's not a film. | 0:05:03 | 0:05:05 | |
OK, not a film. | 0:05:05 | 0:05:07 | |
Have Game Of Thrones not got back? | 0:05:08 | 0:05:10 | |
No, it's still not Game Of Thrones, but it is television. | 0:05:10 | 0:05:13 | |
Great, just as long as it is not any more of you know what. | 0:05:13 | 0:05:18 | |
Miranda. Yes, Vincent? | 0:05:18 | 0:05:21 | |
No, that's what it is. A new series of Miranda. | 0:05:21 | 0:05:24 | |
Look, Vincent, if you can't move me on to the next stage of my career, | 0:05:24 | 0:05:27 | |
then maybe I will find someone who can. | 0:05:27 | 0:05:30 | |
I have got other offers for you. Name one. | 0:05:31 | 0:05:34 | |
West End. Sorry? | 0:05:35 | 0:05:37 | |
I've had an offer in for a very highbrow play in the West End. | 0:05:37 | 0:05:40 | |
Really? Is it very serious? | 0:05:40 | 0:05:42 | |
Yes, very. Oh, such fun! | 0:05:44 | 0:05:46 | |
I'll take it! | 0:05:46 | 0:05:47 | |
I'll go home right away, | 0:05:47 | 0:05:49 | |
put on my black polo neck, and practise my no laughing face. | 0:05:49 | 0:05:52 | |
Oh, what a wheeze! | 0:05:52 | 0:05:53 | |
CRASH Oh! | 0:05:55 | 0:05:58 | |
Absolutely fine, because I don't do that any more, so... | 0:05:58 | 0:06:01 | |
For the 21st consecutive year, | 0:06:08 | 0:06:10 | |
EastEnders are nominated for a prestigious | 0:06:10 | 0:06:12 | |
National Television Award. Natalie Cassidy is shopping for a dress. | 0:06:12 | 0:06:17 | |
What do you think, Dad? Is this too Hollywood? | 0:06:17 | 0:06:20 | |
It don't suit you, Nat. I don't like it. | 0:06:20 | 0:06:22 | |
Take it off. | 0:06:22 | 0:06:23 | |
I told you he was good. | 0:06:24 | 0:06:26 | |
He knows exactly what suits me and what don't, don't he? | 0:06:26 | 0:06:29 | |
What are you wearing trainers for? | 0:06:29 | 0:06:31 | |
I'm not going to wear trainers tonight, am I? | 0:06:31 | 0:06:33 | |
I'm just keeping me feet warm, because the floor's cold. | 0:06:33 | 0:06:36 | |
'I can't lie. I secretly hope Enders does pick up an award tonight.' | 0:06:38 | 0:06:42 | |
For an actor, there is nothing quite like the unique feeling | 0:06:42 | 0:06:47 | |
of standing on that stage, with 30 or 40 other actors, | 0:06:47 | 0:06:51 | |
all the producers and the editors, | 0:06:51 | 0:06:53 | |
while someone picks up an award and does a speech. | 0:06:53 | 0:06:57 | |
I think even Kieran from the catering van got up last year. | 0:06:57 | 0:07:00 | |
Well, it's a team effort, ain't it, the Square? | 0:07:00 | 0:07:03 | |
I quite like this one, Dad, what do you reckon? | 0:07:04 | 0:07:06 | |
It don't suit you, Nat. I don't like it. | 0:07:06 | 0:07:08 | |
Take it off. You're not even looking, Dad! | 0:07:08 | 0:07:10 | |
I'm charging me phone! | 0:07:10 | 0:07:12 | |
I can't choose one if you don't look up, can I? | 0:07:12 | 0:07:15 | |
It don't suit you, Nat. | 0:07:16 | 0:07:17 | |
I don't like it. Take it off. | 0:07:17 | 0:07:20 | |
All right. I'll try the canary yellow one on. | 0:07:20 | 0:07:22 | |
Nat. What? | 0:07:24 | 0:07:25 | |
Me phone's at 100%. When are we having chips? | 0:07:25 | 0:07:28 | |
'I love a bit of glamour, me. What girl doesn't?' | 0:07:30 | 0:07:33 | |
Vincent, my agent, says it's important | 0:07:33 | 0:07:36 | |
to set the right tone. You know, for the red carpet photographers. | 0:07:36 | 0:07:40 | |
What is it he says? | 0:07:40 | 0:07:42 | |
Boobs on display, minty tucked away. | 0:07:42 | 0:07:45 | |
You can't put a price on that sort of advice. | 0:07:45 | 0:07:47 | |
Although he does - 20% of all my earnings. | 0:07:47 | 0:07:50 | |
I'm a great believer in keeping things simple, | 0:07:53 | 0:07:55 | |
which is why I love Gregg Wallace. | 0:07:55 | 0:07:58 | |
He knows what he likes, and he knows what he doesn't like. | 0:07:58 | 0:08:01 | |
That is it. | 0:08:01 | 0:08:02 | |
And the great British public lap it up. | 0:08:02 | 0:08:04 | |
So now, we're launching a new range of sauces. | 0:08:05 | 0:08:08 | |
Move over, Paul Newman, we're going to show you | 0:08:08 | 0:08:10 | |
the real colour of money. | 0:08:10 | 0:08:12 | |
You've got two minutes. | 0:08:13 | 0:08:16 | |
I'm running out of time, | 0:08:16 | 0:08:18 | |
and tasting sauces does not get tougher than this. | 0:08:18 | 0:08:21 | |
Mr Wallace, it's an honour to meet you. | 0:08:21 | 0:08:23 | |
Can I just say...? No. I've got a thousand other things | 0:08:23 | 0:08:26 | |
I need to like and not like today. I can't afford to be over time. | 0:08:26 | 0:08:29 | |
I can afford to be just in the nick of time. | 0:08:29 | 0:08:32 | |
Come on. | 0:08:32 | 0:08:33 | |
OK. Well, this first sauce is a blend of lime, ginger... | 0:08:34 | 0:08:37 | |
I like it. | 0:08:37 | 0:08:39 | |
Sauce number two is... | 0:08:39 | 0:08:40 | |
I like it. Number three is... | 0:08:40 | 0:08:43 | |
I don't like it. | 0:08:43 | 0:08:44 | |
Number four here, you've got the sweet and sour... | 0:08:44 | 0:08:46 | |
I like it. | 0:08:46 | 0:08:48 | |
In some ways, Gregg is the perfect celebrity. | 0:08:48 | 0:08:51 | |
I like it. | 0:08:51 | 0:08:52 | |
I don't like it. | 0:08:52 | 0:08:55 | |
Obviously, in lots of other ways, | 0:08:55 | 0:08:56 | |
he's just a bloke who likes and doesn't like things. | 0:08:56 | 0:08:59 | |
I like it. That is a taste explosion. | 0:08:59 | 0:09:02 | |
Wow. I don't know how you could tell after all those. | 0:09:03 | 0:09:05 | |
Do what? I don't know how you could taste anything | 0:09:05 | 0:09:08 | |
after trying all those sauces. | 0:09:08 | 0:09:10 | |
I think you understand lab coats and clipboards. | 0:09:10 | 0:09:13 | |
I don't think you understand | 0:09:13 | 0:09:15 | |
that liking and not liking things is what I do. | 0:09:15 | 0:09:18 | |
Come on! It's time to start plating up. | 0:09:18 | 0:09:21 | |
I am lucky in that I'm basically famous for being happy. | 0:09:24 | 0:09:28 | |
So I've got the lot. | 0:09:28 | 0:09:29 | |
Life doesn't get easier than this. | 0:09:31 | 0:09:33 | |
After calling in a few expensive favours, | 0:09:36 | 0:09:38 | |
Vincent has managed to come good on his promise to Miranda | 0:09:38 | 0:09:41 | |
by finding her a serious part in a West End play. | 0:09:41 | 0:09:44 | |
I think the thing to keep in mind is that the play is | 0:09:44 | 0:09:48 | |
essentially Pinter-esque. It's raw, stripped back. | 0:09:48 | 0:09:52 | |
Don't be afraid to really play the silence. | 0:09:52 | 0:09:56 | |
It's all there on the page. Is that OK, Jeremy? | 0:09:56 | 0:09:58 | |
Yeah, yeah. That totally makes sense. | 0:09:58 | 0:10:00 | |
And how about you, Miranda? | 0:10:00 | 0:10:01 | |
Yes, of course, definato. Raw, stripped back. | 0:10:01 | 0:10:05 | |
On the page. Oh, what japes! | 0:10:05 | 0:10:07 | |
OK. Let's go from the top of page four. | 0:10:07 | 0:10:09 | |
You mean you told him the truth? | 0:10:12 | 0:10:14 | |
I had to. You mean you told him the truth, | 0:10:14 | 0:10:18 | |
about us? I had to. | 0:10:18 | 0:10:20 | |
Awkward! OK. | 0:10:25 | 0:10:27 | |
Hold it there for a second. I agree, yeah. | 0:10:27 | 0:10:30 | |
Miranda, that word hasn't been added to your script, has it? | 0:10:30 | 0:10:35 | |
Which word? "Awkward". | 0:10:35 | 0:10:37 | |
No, but it is a bit, though, isn't it? | 0:10:37 | 0:10:39 | |
Yes. It's Pinter-esque. | 0:10:39 | 0:10:41 | |
Oh, oh, I see. | 0:10:44 | 0:10:46 | |
Clever. He's clever, isn't he? | 0:10:46 | 0:10:48 | |
OK, right, yeah, got it. | 0:10:48 | 0:10:50 | |
OK. Let's go again. | 0:10:50 | 0:10:51 | |
Same cue. | 0:10:51 | 0:10:52 | |
You mean you told him the truth? | 0:10:54 | 0:10:55 | |
I had to. | 0:10:57 | 0:10:59 | |
You mean, you told him the truth, | 0:10:59 | 0:11:02 | |
about us? I had to. | 0:11:02 | 0:11:05 | |
Mm... | 0:11:18 | 0:11:19 | |
Awkward! Oh, oops, sorry. I didn't mean to, I just... | 0:11:21 | 0:11:26 | |
Oh, awkward! Ignore me. | 0:11:26 | 0:11:28 | |
Awkward. Oh! | 0:11:28 | 0:11:31 | |
Come on, that's funny. | 0:11:36 | 0:11:37 | |
Tell your face. | 0:11:37 | 0:11:39 | |
No? | 0:11:39 | 0:11:40 | |
What about this? | 0:11:41 | 0:11:42 | |
No? | 0:11:43 | 0:11:45 | |
Let's take a break. I concur. | 0:11:45 | 0:11:47 | |
# Get down! | 0:11:48 | 0:11:49 | |
# Paid the cost to be the boss... # | 0:11:54 | 0:11:55 | |
When soap actor, Danny Dyer, isn't on set, | 0:11:56 | 0:11:59 | |
he likes nothing more than spending some quality time alone. | 0:11:59 | 0:12:03 | |
# Look at me, you know what you see | 0:12:03 | 0:12:07 | |
# You see a bad mutha. # | 0:12:08 | 0:12:10 | |
A geezer needs his own space, especially me. | 0:12:13 | 0:12:17 | |
Sometimes I need to get away from the old bag for life and the kids, | 0:12:17 | 0:12:21 | |
so I cleared some of the woods out of me garden. | 0:12:21 | 0:12:24 | |
Built this. | 0:12:26 | 0:12:27 | |
That is a fucking man shed. | 0:12:29 | 0:12:32 | |
Danny's man shed is where he does his thinking. | 0:12:38 | 0:12:41 | |
His latest idea is a diversification into the literary world. | 0:12:41 | 0:12:46 | |
People know me as a hard man, but I'm also a businessman. | 0:12:46 | 0:12:51 | |
Now, I've noticed that a lot of celebrities have been banging out | 0:12:51 | 0:12:53 | |
the old captain cooks for the nippers, | 0:12:53 | 0:12:55 | |
making proper bunce out of it and all, so I'm doing some research. | 0:12:55 | 0:12:59 | |
Stroll on! The geezer was a butterfly all along? | 0:13:17 | 0:13:21 | |
Straight up, he's been shovelling food down his Gregory Peck | 0:13:21 | 0:13:24 | |
all the way through, but I thought he was just | 0:13:24 | 0:13:26 | |
a Hank Marvin caterpillar. | 0:13:26 | 0:13:27 | |
Last page, big twist. | 0:13:27 | 0:13:29 | |
He goes and does that! | 0:13:29 | 0:13:31 | |
That has done my loaf right in, that has. | 0:13:32 | 0:13:35 | |
Did not see that coming. | 0:13:35 | 0:13:36 | |
You know this is a kids' area, right? | 0:13:36 | 0:13:38 | |
What you saying, geez? | 0:13:38 | 0:13:40 | |
You think I can't read? | 0:13:41 | 0:13:43 | |
I'm all over it, bruv. | 0:13:43 | 0:13:44 | |
I'm writing a book for all you mob, ain't I? | 0:13:44 | 0:13:47 | |
I'm hoping to have a little Dickie Bird with a couple of... | 0:13:47 | 0:13:50 | |
What's rhyming slang for publishers? Do you know? | 0:13:50 | 0:13:52 | |
They say write about what you know, | 0:14:01 | 0:14:04 | |
but I'm an old shit-kicker from Canning Town | 0:14:04 | 0:14:06 | |
who's no stranger to booze, a bit of devil's dandruff, and a tear up, | 0:14:06 | 0:14:10 | |
but we're talking kids' books, so I'm going to have to make it about | 0:14:10 | 0:14:13 | |
a little bear called Danny who likes a drink, a sniff, and a row, | 0:14:13 | 0:14:17 | |
but who lives in a shoe or something. | 0:14:17 | 0:14:19 | |
How many fingers do bears have? | 0:14:19 | 0:14:20 | |
Two Ns in Danny, you know that! | 0:14:27 | 0:14:30 | |
This is absolute torture, this. | 0:14:31 | 0:14:33 | |
No wonder so many writers top themselves. | 0:14:33 | 0:14:36 | |
Vinnie. Speak. | 0:14:43 | 0:14:45 | |
Vincent, it's me. | 0:14:45 | 0:14:46 | |
Just wondering if Game Of Thrones have got back yet? | 0:14:47 | 0:14:50 | |
Not yet, Miranda. Honestly, you'll be the first to know. | 0:14:50 | 0:14:54 | |
How's it going there? Well, not very well, actually. | 0:14:54 | 0:14:57 | |
You see, I don't think the other actor's up to the part. | 0:14:58 | 0:15:00 | |
He seems to be leaving, as is the director. | 0:15:00 | 0:15:04 | |
NORMAL VOICE: Nice to see you, to see you nice, chaps. | 0:15:04 | 0:15:07 | |
That's what I call my Brucie voice. | 0:15:07 | 0:15:10 | |
Well, look, don't worry about it, you've still got your dignity. | 0:15:10 | 0:15:13 | |
Walk out of there with your head held high. | 0:15:13 | 0:15:15 | |
Yeah, you're right. | 0:15:15 | 0:15:17 | |
Thank you, Vincent. | 0:15:17 | 0:15:18 | |
CRASH Oh, awkward. | 0:15:26 | 0:15:29 | |
With her outfit selected for the NTAs, Natalie Cassidy is ready, | 0:15:32 | 0:15:36 | |
and hoping to make both dad and sister Kat proud. | 0:15:36 | 0:15:39 | |
Thanks, Dad. I think we made the right decision, don't you? | 0:15:39 | 0:15:42 | |
Not enough vinegar on these. | 0:15:42 | 0:15:45 | |
So I decided to go for the canary yellow cocktail dress. | 0:15:45 | 0:15:49 | |
Well, I'll need to stand out with that many people on stage, won't I? | 0:15:49 | 0:15:53 | |
So Dad and Kat can see me at home. | 0:15:53 | 0:15:54 | |
Here, what do you think about my dress? Blinding, ain't it? | 0:15:56 | 0:15:58 | |
I don't care, Natalie. | 0:15:58 | 0:16:00 | |
Can't you see I'm heartbroken? | 0:16:00 | 0:16:02 | |
Oh, you're not, are you? Who is it this time? | 0:16:02 | 0:16:04 | |
Jason Karaoke. | 0:16:04 | 0:16:05 | |
I thought you dumped Jason Karaoke. | 0:16:05 | 0:16:07 | |
I did, Nat, but now he's been spotted in the George, | 0:16:07 | 0:16:10 | |
singing Opposites Attract with that pet shop Carly. | 0:16:10 | 0:16:14 | |
But they ain't got nothing in common. | 0:16:14 | 0:16:16 | |
That is what the whole song is about, Natalie. | 0:16:16 | 0:16:19 | |
Oh, dear. | 0:16:19 | 0:16:20 | |
Well, there's a portion of chips on a low oven in there. | 0:16:20 | 0:16:22 | |
I can't eat, Natalie. | 0:16:22 | 0:16:25 | |
God, you're insensitive, ain't you? | 0:16:25 | 0:16:27 | |
I'm going to me bedroom to do me crying. | 0:16:27 | 0:16:29 | |
Oh, babe. Well, I'll be in in a bit, because... | 0:16:29 | 0:16:31 | |
Yeah. Yeah, I know, it's the NTAs tonight. | 0:16:31 | 0:16:35 | |
How could we forget? | 0:16:35 | 0:16:36 | |
Is it the NTAs tonight? | 0:16:38 | 0:16:41 | |
I must admit, I will feel bad going up the red carpet | 0:16:41 | 0:16:45 | |
if Kat don't stop crying before the taxi gets here. | 0:16:45 | 0:16:48 | |
I would take her with me, but you only get the one ticket. | 0:16:48 | 0:16:51 | |
Kat, it's Nat. | 0:16:53 | 0:16:56 | |
What do you want? | 0:16:56 | 0:16:58 | |
I've left dad's casserole out on the side. | 0:16:58 | 0:17:00 | |
Whatever. OK, well, | 0:17:00 | 0:17:02 | |
I'm just going to go and tong me hair, then I'll be off. | 0:17:02 | 0:17:06 | |
I won't be late. | 0:17:06 | 0:17:07 | |
Be as late as you like, Nat. | 0:17:07 | 0:17:10 | |
That tart from the pet shop has made a mockery out of me. | 0:17:10 | 0:17:13 | |
I can't show my face up karaoke ever again. | 0:17:13 | 0:17:17 | |
Oh, don't say that, Kat. It's all right for you. | 0:17:17 | 0:17:20 | |
You've got Lesbian Sonia, and the NTAs. Oh, Kat. | 0:17:20 | 0:17:25 | |
If you really feel that bad, I mean... | 0:17:26 | 0:17:30 | |
I am double looking forward to it, and I never go out, do I? But... | 0:17:32 | 0:17:38 | |
..you could go instead of me, if you really want. | 0:17:40 | 0:17:43 | |
All right, then, thanks, Nat, if you're sure. | 0:17:43 | 0:17:46 | |
I'm not sitting next to Perry Fenwick, am I? | 0:17:46 | 0:17:48 | |
'I can't say I wasn't a little bit surprised that Kat took me ticket,' | 0:17:48 | 0:17:52 | |
but then I did offer, didn't I? Like a silly moo. | 0:17:52 | 0:17:54 | |
Well, I suppose that's what sisters are for, ain't it? | 0:17:54 | 0:17:58 | |
I'm sure she'll do the same for me, one day. | 0:17:58 | 0:18:01 | |
Having been firmly off the radar writing his children's book, | 0:18:05 | 0:18:09 | |
Danny Dyer has made a surprise visit to the Mann Management offices. | 0:18:09 | 0:18:13 | |
What's going on, Dan? | 0:18:13 | 0:18:14 | |
I've had EastEnders on the phone. | 0:18:14 | 0:18:15 | |
You're turning up late, not learning your lines. | 0:18:15 | 0:18:18 | |
Have you had a little visit from your inner demons again? | 0:18:18 | 0:18:20 | |
No, Vin, this is why, my greatest achievement. | 0:18:20 | 0:18:24 | |
It's me magnum opus. | 0:18:24 | 0:18:26 | |
Your what? It's a kids' book. | 0:18:26 | 0:18:28 | |
I ain't finished it yet, I need an ending, but I'm so close. | 0:18:28 | 0:18:31 | |
How long have you been working on this? | 0:18:31 | 0:18:33 | |
You stink. When was the last time you had a bath? | 0:18:33 | 0:18:35 | |
It's been weeks. The main character, Danny the bear, | 0:18:35 | 0:18:38 | |
I want to play the geezer when they make a movie out of it. | 0:18:38 | 0:18:41 | |
Why is it all damp? Tears, Vin. | 0:18:41 | 0:18:44 | |
I put me heart and soul into it. | 0:18:44 | 0:18:46 | |
I need you to get me a gig on the old CBeebies bedtime. | 0:18:46 | 0:18:49 | |
Proper get this out there. | 0:18:49 | 0:18:50 | |
Crack on. Well, I'll make the call, | 0:18:50 | 0:18:53 | |
but they're all having a go at the children's books at the moment. | 0:18:53 | 0:18:56 | |
Help me get my story out there, Vin. | 0:18:56 | 0:18:58 | |
I need to read this to the old dustbin lids on the box. | 0:18:58 | 0:19:00 | |
Proper bang their heads. | 0:19:00 | 0:19:02 | |
Get a bit of bunce in the house, and all. | 0:19:02 | 0:19:04 | |
All right, go and have a bath, and get down EastEnders. | 0:19:04 | 0:19:06 | |
I'll see what I can do. Cheers, Vin. | 0:19:06 | 0:19:09 | |
Oh, any voice-over work about? | 0:19:10 | 0:19:13 | |
Oh, can you say, "Wickes - it's got our name on it"? | 0:19:13 | 0:19:17 | |
Wickes - it's got your name on it. Er... | 0:19:18 | 0:19:21 | |
Winks - it's got no name on it. | 0:19:21 | 0:19:23 | |
Your name's got on it. | 0:19:23 | 0:19:25 | |
Ah, no, I can't, can I, Vin? Na. | 0:19:25 | 0:19:28 | |
Cheers anyway, mate. I'll see you later. | 0:19:28 | 0:19:30 | |
The stupidest of the stupid questions we're asked is, | 0:19:39 | 0:19:43 | |
do you... Mel and Sue... BOTH: actually live together? | 0:19:43 | 0:19:47 | |
And the answer to that is a resounding yes, my love. | 0:19:47 | 0:19:50 | |
There's us, Mel and Sue. | 0:19:54 | 0:19:56 | |
My cat, Arthur C Clarke. | 0:19:56 | 0:19:58 | |
Our two goldfish, Mel and Sue. | 0:19:58 | 0:20:00 | |
No relation, ROFL. Our precious wormery. | 0:20:00 | 0:20:03 | |
Wentworth. It's a can of worms. | 0:20:03 | 0:20:06 | |
Oh, was that a bit of worm play there, mate? | 0:20:06 | 0:20:08 | |
Oh, and Tim, my husband. | 0:20:11 | 0:20:14 | |
Hello. I'm Tim. | 0:20:14 | 0:20:15 | |
I'm Mel's husband, and I live with Mel. | 0:20:15 | 0:20:18 | |
And Sue. | 0:20:20 | 0:20:21 | |
It's good this, isn't it? Yeah. Yeah. | 0:20:29 | 0:20:31 | |
Have we got something lined up for after this? | 0:20:31 | 0:20:33 | |
I keep hearing really good things about Transparent. | 0:20:33 | 0:20:36 | |
Is that on Netflix? Right, who wants a game of Connect Four? | 0:20:36 | 0:20:40 | |
Oh, yeah, yeah, yeah, yeah, me! | 0:20:40 | 0:20:42 | |
Turn around, touch the ground, bagsy not blue. Oh, you blew me. | 0:20:42 | 0:20:44 | |
Oo-er! The counters are red and yellow. | 0:20:44 | 0:20:46 | |
Yeah, but, "You yellowed me," doesn't work, does it, Tim? | 0:20:46 | 0:20:49 | |
Actually, Sue, we were going to watch Transparent. | 0:20:49 | 0:20:51 | |
Yeah, we were. Yeah, but then I mentioned Connect Four. | 0:20:51 | 0:20:55 | |
Oh, yeah, she did. | 0:20:55 | 0:20:56 | |
But before that, we talked about... I know how we can sort this out. | 0:20:56 | 0:20:59 | |
Why don't we take a vote? | 0:20:59 | 0:21:01 | |
It's only fair. All of those who want to play a nail-biting game | 0:21:01 | 0:21:05 | |
of the '80s classic, raise your hands. | 0:21:05 | 0:21:08 | |
All of those in favour of Timberlina's boring box-set bonanza. | 0:21:09 | 0:21:13 | |
The retro-tastic vertical strategy game for ages six and up, it is. | 0:21:14 | 0:21:18 | |
Clickety clack. Who's dropping first? Oo-er, boom, tsh! | 0:21:18 | 0:21:21 | |
Would you believe me if I told you it's always like this? | 0:21:23 | 0:21:25 | |
Boomshakalak. Mr Boombastic. Boom. Tick. Tick. Tick. Tick. Boom! | 0:21:28 | 0:21:33 | |
Fancy a go, Tim? Come on, Tim. | 0:21:34 | 0:21:37 | |
Come on, Tim! | 0:21:37 | 0:21:39 | |
Henmaniac, classic! | 0:21:39 | 0:21:41 | |
Come on, play me, Tim. Hey, Tim. | 0:21:41 | 0:21:43 | |
Tim. Hey, Tim. Tim. Timmo. | 0:21:43 | 0:21:45 | |
Tim-Tam. Tim-Tam. Tim-Tam. Tim-Tam. Bam-alang-bam-alang-a-ding-dong. | 0:21:45 | 0:21:48 | |
Yeah, I might just go to bed. | 0:21:50 | 0:21:51 | |
A cup of Mr T, if you're getting up. | 0:21:51 | 0:21:53 | |
I pity the fool who doesn't bring me a Hobnob. | 0:21:53 | 0:21:56 | |
Ooh, yeah. That's three in a row, there, mate, be careful. | 0:21:57 | 0:22:00 | |
Keep your eyes peeled. SUE WHISTLES | 0:22:00 | 0:22:02 | |
Bear with! | 0:22:04 | 0:22:05 | |
Having gained the trust of Vincent's clients, | 0:22:05 | 0:22:07 | |
we were able to garner a candid insight into | 0:22:07 | 0:22:10 | |
what it's really like to be famous. | 0:22:10 | 0:22:13 | |
Stop it. I'm having a moment. | 0:22:13 | 0:22:14 | |
What's the best thing about fame? | 0:22:16 | 0:22:18 | |
I don't have to bunk it on the bus no more. | 0:22:18 | 0:22:20 | |
The best thing about fame, erm... | 0:22:20 | 0:22:22 | |
Probably the straight up banter you have with the greatest musicians | 0:22:22 | 0:22:26 | |
in the world. Hashtag Snow Patrol, hashtag they're my mates, they are. | 0:22:26 | 0:22:30 | |
I don't even get on the bus no more, which is sad, really. | 0:22:30 | 0:22:34 | |
I was on always on the 349 from Edmonton, back seat, | 0:22:34 | 0:22:37 | |
Chicken Cottage, sneaky Benson out of the window. | 0:22:37 | 0:22:39 | |
Can't do that now. Too mega-famous. | 0:22:39 | 0:22:42 | |
The great thing about fame is all the lovely people | 0:22:42 | 0:22:44 | |
who stop you in the street for a chat. | 0:22:44 | 0:22:46 | |
I say stop for a chat - most just drive by and shout, | 0:22:48 | 0:22:51 | |
"Oi, Sonia, where's your trumpet?" | 0:22:51 | 0:22:53 | |
I don't know where it is. It's just a prop. | 0:22:55 | 0:22:58 | |
I suppose I could buy me own bus and fill it with extras, | 0:22:58 | 0:23:01 | |
and drive it through Edmonton. | 0:23:01 | 0:23:03 | |
Actually, that is the best thing about fame - | 0:23:03 | 0:23:06 | |
being able to buy a bus and fill it with a load of people, | 0:23:06 | 0:23:08 | |
if that's what you fancy doing. | 0:23:08 | 0:23:10 | |
The best thing about fame is when a hunky chap-a-rino | 0:23:10 | 0:23:13 | |
throws himself at your feet and says, | 0:23:13 | 0:23:15 | |
"Do with me what you will Mirandy-pants, | 0:23:15 | 0:23:18 | |
"I'm yours for the sexing." | 0:23:18 | 0:23:20 | |
That happens to me all the time. | 0:23:21 | 0:23:24 | |
The best thing about fame is the happiness it brings to me life. | 0:23:24 | 0:23:28 | |
Well, it happened to me once. | 0:23:28 | 0:23:30 | |
OK, so he tripped over, and he didn't actually speak to me, | 0:23:30 | 0:23:33 | |
but he did land on my feet, | 0:23:33 | 0:23:35 | |
Although it was hard for him not to - they are size 13. | 0:23:35 | 0:23:38 | |
All right, kids? I'm Danny Dyer. | 0:23:48 | 0:23:52 | |
I've met some of the hardest geezers in the world, | 0:23:52 | 0:23:54 | |
and I've lived to tell the tale. Now I want to tell you mob a tale. | 0:23:54 | 0:23:58 | |
So sit down, shut your cake holes, open your lug holes, bosh. Right. | 0:23:58 | 0:24:03 | |
Once upon a time, there was a little bear called Danny. | 0:24:04 | 0:24:09 | |
Now, Danny had a mate who was a little mug called John. | 0:24:09 | 0:24:13 | |
"You got that monkey you owe me, John?" | 0:24:18 | 0:24:21 | |
"Yeah. I've got it right here. It's in my sky rocket." | 0:24:21 | 0:24:24 | |
Who done these pictures? | 0:24:27 | 0:24:28 | |
Proper bold as brass like that, and brave Danny stared | 0:24:30 | 0:24:35 | |
right into his boat, right into his mince pies. | 0:24:35 | 0:24:38 | |
Right, hang on, right - what soppy bollocks has done these pictures? | 0:24:39 | 0:24:43 | |
Are you having a bubble? It's undermining the drama! | 0:24:43 | 0:24:46 | |
Anyway, Danny's gone, | 0:24:49 | 0:24:52 | |
"Hello, you getting lairy because you're on the old Bob Marley, | 0:24:52 | 0:24:56 | |
"the Gianluca Vialli, sniffing the old Salvador Dali?" | 0:24:56 | 0:24:59 | |
Hey, leave it out, these geezers ain't in the story. | 0:24:59 | 0:25:03 | |
I'm talking about Charlie, nosebag, a bit of ching. | 0:25:03 | 0:25:06 | |
You're ruining this for the kids. | 0:25:06 | 0:25:09 | |
Ah, this is bollocks. | 0:25:09 | 0:25:10 | |
Right, blah-blah-blah, and then Danny jumped up and he | 0:25:10 | 0:25:13 | |
turned into a beautiful butterfly, and did one. | 0:25:13 | 0:25:16 | |
Oh, you get that one right! | 0:25:16 | 0:25:18 | |
I'm out of here. | 0:25:18 | 0:25:19 | |
Good night, kids. Be lucky. | 0:25:21 | 0:25:22 | |
Where's me bees and honey? | 0:25:24 | 0:25:25 | |
That's money, by the way. | 0:25:25 | 0:25:28 | |
GRAHAM NORTON: The National Television Award for | 0:25:28 | 0:25:30 | |
entertainment presenter goes to Ant and Dec, everybody! | 0:25:30 | 0:25:33 | |
Oh, you're double kidding! | 0:25:33 | 0:25:35 | |
Ant and Dec's won, Dad. | 0:25:35 | 0:25:36 | |
They always win it. | 0:25:36 | 0:25:38 | |
I don't know why I put myself through it. | 0:25:38 | 0:25:40 | |
You ought to be there, Nat. | 0:25:44 | 0:25:46 | |
Here, why don't you go along? No, it's too late, Dad. | 0:25:46 | 0:25:49 | |
When's Best Continuing Drama? | 0:25:49 | 0:25:51 | |
It's at the end. It's a big one. | 0:25:51 | 0:25:53 | |
Well, that's not for another two and a half hours. | 0:25:53 | 0:25:56 | |
Give Millennium Cabs a call. You'll be there in an hour. | 0:25:56 | 0:25:59 | |
I gave Kat me ticket, Dad. | 0:25:59 | 0:26:01 | |
Your face is your ticket, girl. | 0:26:01 | 0:26:04 | |
You're Natalie Cassidy, from EastEnders and The Health Lottery. | 0:26:04 | 0:26:08 | |
But what about your casserole? | 0:26:08 | 0:26:10 | |
I can't leave you to do your own dinner. | 0:26:10 | 0:26:12 | |
Just stick it in a pan for me. | 0:26:12 | 0:26:14 | |
I'll be all right once, won't I? | 0:26:14 | 0:26:16 | |
Thanks, Dad. | 0:26:23 | 0:26:24 | |
I better go and get me slutty shoes on. | 0:26:24 | 0:26:26 | |
The thing is, it's not really about awards, is it? | 0:26:29 | 0:26:32 | |
It's about being part of a family and that's what Enders is, | 0:26:32 | 0:26:36 | |
a big family. | 0:26:36 | 0:26:38 | |
Hiya, Mary. NTAs! | 0:26:42 | 0:26:45 | |
Thank you. | 0:26:47 | 0:26:49 | |
And, you see, family sticks together, don't it? | 0:26:54 | 0:26:57 | |
Excuse me, mate. Could we turn round, please? | 0:27:06 | 0:27:09 | |
I need to go home. | 0:27:09 | 0:27:10 | |
'That's why I knew the rest of the team would understand.' | 0:27:14 | 0:27:18 | |
Do you think you'd get that with the Coronation Street lot? | 0:27:18 | 0:27:21 | |
You're dreaming, mate. | 0:27:21 | 0:27:23 | |
Dad! | 0:27:28 | 0:27:30 | |
DAD COUGHS Oh, no! | 0:27:35 | 0:27:38 | |
Anyway, there's always next year, ain't there? | 0:27:38 | 0:27:41 | |
All going well. | 0:27:41 | 0:27:42 | |
Oddly, the other one's come undone. Has it? Ow! I can't believe it. | 0:28:22 | 0:28:24 | |
This is astonishing. Come on, man. What's wrong with you? | 0:28:24 | 0:28:27 | |
These shoes undo very easily. I've got wide feet, | 0:28:27 | 0:28:29 |