Browse content similar to At Christmas. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Vic was inspirational. There was no-one like her. | 0:00:03 | 0:00:07 | |
If there's anything worse than spending Christmas | 0:00:07 | 0:00:09 | |
with your own family, it is spending Christmas | 0:00:09 | 0:00:11 | |
with somebody else's family. | 0:00:11 | 0:00:13 | |
Her appeal is huge and that's what I think is so clever. | 0:00:13 | 0:00:18 | |
Our Christmas pudding is down there somewhere | 0:00:18 | 0:00:21 | |
and you can be sure we shall dig till we get it. | 0:00:21 | 0:00:23 | |
She was one of us and we wanted to have her as a friend. | 0:00:23 | 0:00:27 | |
Those aren't flat. | 0:00:27 | 0:00:29 | |
LAUGHTER | 0:00:30 | 0:00:33 | |
Flatter now. | 0:00:33 | 0:00:35 | |
She's probably the best writer of a gag that I ever worked with. | 0:00:35 | 0:00:38 | |
Hello. | 0:00:38 | 0:00:40 | |
I'm looking for my friend... | 0:00:40 | 0:00:42 | |
..Kimberley. | 0:00:43 | 0:00:46 | |
I think we may have to wait a long time | 0:00:46 | 0:00:47 | |
before another Victoria comes along. | 0:00:47 | 0:00:49 | |
Ta. | 0:00:54 | 0:00:56 | |
I don't think there's anybody who can do what she did. | 0:00:56 | 0:01:01 | |
Oh, Victoria! | 0:01:08 | 0:01:11 | |
How lucky I was to have worked with you | 0:01:11 | 0:01:13 | |
and even luckier to have had you as a friend. | 0:01:13 | 0:01:18 | |
You were such a huge part of Christmas for me. | 0:01:18 | 0:01:21 | |
Christmas really started when you had your Christmas parties | 0:01:21 | 0:01:25 | |
and your house always looked so beautiful. | 0:01:25 | 0:01:28 | |
It was like a Christmas card. | 0:01:28 | 0:01:30 | |
It was a magical night. | 0:01:30 | 0:01:32 | |
Well, we're here tonight | 0:01:38 | 0:01:40 | |
to celebrate all that was and is Victoria Wood | 0:01:40 | 0:01:43 | |
and we thought we'd have a look at her wonderful Christmas specials. | 0:01:43 | 0:01:48 | |
Vic made several Christmas specials over the years | 0:01:53 | 0:01:56 | |
but let's just hear what she had to say about it. | 0:01:56 | 0:02:00 | |
What I don't understand about Christmas is why we carry on | 0:02:00 | 0:02:04 | |
looking forward to it when we know what it's going to be like. | 0:02:04 | 0:02:08 | |
It's like we never learn. If you drop a brick on your foot, | 0:02:08 | 0:02:11 | |
you go, "Oh, bloody hell, that was painful. I won't do that again." | 0:02:11 | 0:02:15 | |
But looking forward to Christmas is like dropping a brick | 0:02:15 | 0:02:17 | |
on your foot one year then a few months later going, | 0:02:17 | 0:02:19 | |
"I'm looking forward to dropping a brick on my foot this year." | 0:02:19 | 0:02:22 | |
LAUGHTER | 0:02:22 | 0:02:24 | |
I'm not talking about the Christmases we spend | 0:02:24 | 0:02:26 | |
with little children. That's different. | 0:02:26 | 0:02:28 | |
I'm talking about the Christmases that we, as adults, feel obliged | 0:02:28 | 0:02:30 | |
to spend with members of our own family, with our own parents. | 0:02:30 | 0:02:34 | |
What is this invisible signal that goes out | 0:02:34 | 0:02:37 | |
to normal, intelligent people in their 20s, 30s, 40s? | 0:02:37 | 0:02:41 | |
This signal that says, "You must leave the place where you live, | 0:02:41 | 0:02:44 | |
"where you have a life, where you have fun, where people respect you. | 0:02:44 | 0:02:47 | |
"You must leave that place. | 0:02:47 | 0:02:49 | |
"You must go back to the place where you spent | 0:02:49 | 0:02:51 | |
"some of the most miserable years of your life..." | 0:02:51 | 0:02:53 | |
LAUGHTER | 0:02:53 | 0:02:55 | |
"..where nobody takes you seriously, where the fact | 0:02:55 | 0:02:58 | |
"that you have three business degrees counts for nothing, | 0:02:58 | 0:03:00 | |
"where you'll be addressed as Chunky Chops throughout." | 0:03:00 | 0:03:03 | |
But if there's anything worse than spending Christmas | 0:03:04 | 0:03:07 | |
with your own family, it is spending Christmas | 0:03:07 | 0:03:09 | |
with somebody else's family | 0:03:09 | 0:03:11 | |
because then, not only will you be bored, miserable, | 0:03:11 | 0:03:14 | |
irritable, tetchy, bloated - as you would be in your own home - | 0:03:14 | 0:03:17 | |
you'll also be completely baffled. | 0:03:17 | 0:03:19 | |
"Oh, yes, we always sing A Little Donkey in eight-part harmony | 0:03:19 | 0:03:22 | |
"in the garden at midnight." | 0:03:22 | 0:03:23 | |
LAUGHTER | 0:03:23 | 0:03:26 | |
She's right about Christmas. | 0:03:26 | 0:03:28 | |
Spending it with your family is hard. | 0:03:28 | 0:03:30 | |
Spending it with other people's family even worse. | 0:03:30 | 0:03:33 | |
Yeah, absolutely right about Christmas. | 0:03:33 | 0:03:36 | |
Christmas is hectic, it's horrible. | 0:03:36 | 0:03:38 | |
I hate it! I'm with her on that. | 0:03:38 | 0:03:41 | |
I love Christmas. I absolutely love it! | 0:03:41 | 0:03:44 | |
I love everything about it. | 0:03:44 | 0:03:46 | |
It still feels magical to me, Christmas Eve. | 0:03:46 | 0:03:48 | |
I don't like Christmas, | 0:03:48 | 0:03:50 | |
so I'm always quite Scroogy at Christmas, | 0:03:50 | 0:03:53 | |
so I'm quite pleased to watch something | 0:03:53 | 0:03:55 | |
that's not got tinsel in it. | 0:03:55 | 0:03:57 | |
It was Christmas Eve in the Crescent | 0:03:57 | 0:03:59 | |
All the children were in their pyjamas | 0:03:59 | 0:04:01 | |
All the parents were snappy, tense and unhappy | 0:04:01 | 0:04:03 | |
Except two who were in the Bahamas | 0:04:03 | 0:04:05 | |
A child lay asleep in his bedroom | 0:04:05 | 0:04:07 | |
He was horribly red-faced and porky | 0:04:07 | 0:04:09 | |
He'd caused family rifts by requesting his gifts - | 0:04:09 | 0:04:11 | |
a computer, ten quid and a Yorkie | 0:04:11 | 0:04:13 | |
In the lounge sat his mother and father | 0:04:13 | 0:04:15 | |
In not the most pleasant of humours | 0:04:15 | 0:04:17 | |
Grandma was there, collapsed in a chair | 0:04:17 | 0:04:19 | |
Having just overdosed on satsumas. | 0:04:19 | 0:04:21 | |
LAUGHTER | 0:04:21 | 0:04:24 | |
Please! | 0:04:25 | 0:04:27 | |
It was cold in the lounge room that evening | 0:04:27 | 0:04:29 | |
They'd had a gas fire but they'd lost it | 0:04:29 | 0:04:31 | |
It was frozen and murky and so was the turkey | 0:04:31 | 0:04:33 | |
They'd left it too late to defrost it | 0:04:33 | 0:04:35 | |
The door of the lounge room burst open | 0:04:37 | 0:04:38 | |
There was Santa Claus, reeking of liquor | 0:04:38 | 0:04:41 | |
He said, "I'm 19 stone 2, I'd get stuck down the flue | 0:04:41 | 0:04:43 | |
"I've come through the door cos it's quicker" | 0:04:43 | 0:04:45 | |
"So, what do you fancy for Christmas?" | 0:04:45 | 0:04:47 | |
Said Santa, all twinkly and merry | 0:04:47 | 0:04:49 | |
"A fur coat or a bike, you can choose what you like | 0:04:49 | 0:04:51 | |
"In the meantime, bung over the sherry" | 0:04:51 | 0:04:53 | |
Well, they couldn't decide what they wanted | 0:04:53 | 0:04:55 | |
A new car, a subscription to BUPA | 0:04:55 | 0:04:57 | |
A pedestal mat? While they thought about that | 0:04:57 | 0:04:59 | |
Father Christmas passed out in a stupor | 0:04:59 | 0:05:01 | |
He was out of his brains, he was legless | 0:05:01 | 0:05:04 | |
The late night and the sherry had wrecked him | 0:05:04 | 0:05:06 | |
He lay on the floor till a quarter to four | 0:05:06 | 0:05:08 | |
When some reindeer arrived to collect him | 0:05:08 | 0:05:10 | |
Santa waved from the sleigh and said, "See you | 0:05:10 | 0:05:12 | |
"Merry Christmas, and be of good cheer" | 0:05:12 | 0:05:14 | |
As he rose from the Crescent, Mum said, "Where's our present?" | 0:05:14 | 0:05:17 | |
He said, "Oh, sod it, I'll bring it next year." | 0:05:17 | 0:05:19 | |
Well, I'd just like to say it's so lovely | 0:05:19 | 0:05:23 | |
to be on the television at Christmas. | 0:05:23 | 0:05:25 | |
It's such a special time of year. | 0:05:25 | 0:05:27 | |
And I like to think of all those ladies standing in their kitchens, | 0:05:27 | 0:05:30 | |
wearing the paper hats they put on when they were still in a good mood. | 0:05:30 | 0:05:33 | |
LAUGHTER | 0:05:33 | 0:05:36 | |
I like to think of all those gentlemen in their front rooms, | 0:05:38 | 0:05:41 | |
edging their bottoms casually towards a plug-in air freshener... | 0:05:41 | 0:05:45 | |
LAUGHTER | 0:05:45 | 0:05:48 | |
..hoping that cinnamon and vanilla will get to grips | 0:05:53 | 0:05:55 | |
with sprouts and stuffing. | 0:05:55 | 0:05:56 | |
LAUGHTER | 0:05:56 | 0:05:59 | |
It's such a special time of year, isn't it, | 0:05:59 | 0:06:01 | |
when we can all gather round the television, | 0:06:01 | 0:06:03 | |
exchanging that age-old Christmas greeting, | 0:06:03 | 0:06:05 | |
"Don't bother, there's nothing on." | 0:06:05 | 0:06:08 | |
No, the truth is Vic adored Christmas, | 0:06:13 | 0:06:16 | |
so what a treat it was when she made that Christmas special | 0:06:16 | 0:06:20 | |
in that wonderful series, As Seen On TV. | 0:06:20 | 0:06:24 | |
But I have to say that ever since I saw this next sketch, | 0:06:24 | 0:06:29 | |
I have never felt quite the same about a prawn cocktail. | 0:06:29 | 0:06:35 | |
You know, I've scoured this store from top to bottom. | 0:06:38 | 0:06:41 | |
Can I find a side-winding | 0:06:41 | 0:06:42 | |
thermal body belt? Can I buffalo! | 0:06:42 | 0:06:46 | |
Totally one of the most quotable sketches, line for line, | 0:06:46 | 0:06:50 | |
that you will ever see. | 0:06:50 | 0:06:52 | |
What did you want one for? | 0:06:52 | 0:06:53 | |
Excuse me, I think you'll find there's spam on that. | 0:06:53 | 0:06:56 | |
LAUGHTER | 0:06:56 | 0:06:58 | |
Everyone remembers that sketch because it is just, | 0:06:58 | 0:07:01 | |
just zinger after zinger. | 0:07:01 | 0:07:03 | |
-That gippy kidney. -Flared up? | 0:07:03 | 0:07:06 | |
Ooh, I'll say it's like being continually poked. | 0:07:06 | 0:07:09 | |
-Can you imagine that? -No. | 0:07:09 | 0:07:11 | |
LAUGHTER | 0:07:11 | 0:07:13 | |
Dr Brewster said if I don't keep it lagged for the winter, | 0:07:13 | 0:07:16 | |
I could be spending a penny every 20 minutes come March. | 0:07:16 | 0:07:19 | |
-Can't they operate? -But I haven't time to go in! | 0:07:19 | 0:07:22 | |
I'm on the phone night and day about that carpet. What's the soup, dear? | 0:07:22 | 0:07:26 | |
-Country vegetable. -What country? Taiwan? | 0:07:26 | 0:07:31 | |
-Is that steak? -I would doubt it. | 0:07:32 | 0:07:34 | |
Probably some poor beast that came a cropper at Becher's Brook. | 0:07:34 | 0:07:37 | |
And I had a huge to-do and a hoo-ha at the hairdresser's. | 0:07:39 | 0:07:42 | |
-What about those Dublin prawns? -Never touch prawns. | 0:07:42 | 0:07:45 | |
Do you know, they hang around sewage outlet pipes, | 0:07:45 | 0:07:47 | |
treading water with their mouths open? | 0:07:47 | 0:07:49 | |
LAUGHTER | 0:07:49 | 0:07:52 | |
They love it! So, anyway, I'm at Maison Renie's... | 0:07:52 | 0:07:56 | |
-Aren't prawns an aphrodisiac? -Well, I wouldn't put it past them. | 0:07:56 | 0:07:59 | |
So, I'm at Renie's, waiting to be shampooed, | 0:08:00 | 0:08:03 | |
flicking through a Woman's Weekly. Lovely piece on Alma Cogan. | 0:08:03 | 0:08:07 | |
Sorry, what's the hold-up here, dear? | 0:08:07 | 0:08:10 | |
-We're waiting for fresh cauli. -Fresh?! | 0:08:10 | 0:08:13 | |
We might as well wait for Maurice Chevalier. | 0:08:13 | 0:08:16 | |
It's stunning, it's stunning, | 0:08:16 | 0:08:18 | |
cos it's just this side of not being quite wrong, | 0:08:18 | 0:08:21 | |
but it is a bit wrong. | 0:08:21 | 0:08:23 | |
So, I'm pulled into the cubicle... | 0:08:23 | 0:08:26 | |
Oh, this is ridiculous! Can I crash by? I'm a diabetic. | 0:08:26 | 0:08:29 | |
LAUGHTER AND APPLAUSE | 0:08:29 | 0:08:32 | |
Anyway, in comes Renie. | 0:08:35 | 0:08:37 | |
-She must be getting on. -Well, this is the trouble, you see. | 0:08:37 | 0:08:40 | |
She leans too far forward with a sponge roller, | 0:08:40 | 0:08:43 | |
she topples out of her walking frame. | 0:08:43 | 0:08:45 | |
And you really have to shout. | 0:08:45 | 0:08:47 | |
I don't particularly want the whole world knowing | 0:08:47 | 0:08:50 | |
I'm not a natural conker. | 0:08:50 | 0:08:52 | |
Don't have the gateau. | 0:08:53 | 0:08:55 | |
Just saw her scratching her armpit with the cake slice. | 0:08:55 | 0:08:57 | |
And Renie's very set in her ways, stylewise. | 0:08:59 | 0:09:02 | |
I don't mind. I'm a great admirer of Phyllis Calvert, but... | 0:09:02 | 0:09:06 | |
So, why hence the hoo-ha? | 0:09:06 | 0:09:08 | |
Well, I decided to go a shade mad, | 0:09:08 | 0:09:11 | |
it being the smoked meat purveyors' buffet-and-mingle at the weekend. | 0:09:11 | 0:09:14 | |
Could we get by, please? We're not having a sweet. | 0:09:14 | 0:09:17 | |
Very wise with those hips! | 0:09:17 | 0:09:19 | |
-LAUGHTER -So... | 0:09:19 | 0:09:21 | |
I said, "Skip the conker, Renie. | 0:09:21 | 0:09:25 | |
-"I'll have burnished beech nut and to heck with it." -Yeah. | 0:09:25 | 0:09:28 | |
Well, you know she's colour-blind | 0:09:28 | 0:09:29 | |
-and they've only a gas mantle in the back. -Colour-blind? | 0:09:29 | 0:09:32 | |
They can't tell red from blue. | 0:09:32 | 0:09:34 | |
She once tottered into a brothel, thinking it was a police station. | 0:09:34 | 0:09:37 | |
-Tea, coffee? -No. -She didn't! -Well, it's all right. | 0:09:39 | 0:09:42 | |
One of the girls came out and helped her pump her tyres up. | 0:09:42 | 0:09:45 | |
Sorry, were you still waiting for something? | 0:09:45 | 0:09:47 | |
Yes, a small mineral water and an orange squash, please. | 0:09:47 | 0:09:51 | |
Water and squash back down the end by the trays. Tea, coffee? | 0:09:51 | 0:09:54 | |
You've a look of Eva Braun, did you know? | 0:09:54 | 0:09:56 | |
And so, from one canteen to another | 0:10:03 | 0:10:05 | |
because, in 1998, this wonderful script dropped on my mat | 0:10:05 | 0:10:10 | |
and the title on the front was Dinnerladies. | 0:10:10 | 0:10:14 | |
What a great part she's written for me - Jean. | 0:10:14 | 0:10:17 | |
Not the easiest person to get on with. | 0:10:17 | 0:10:21 | |
Well, Dolly didn't think so. | 0:10:21 | 0:10:24 | |
Present for the bran tub. A CD of festive music. | 0:10:24 | 0:10:27 | |
Yes, where's my CD? | 0:10:27 | 0:10:29 | |
Oh, please tell me it's not Round The World With Nana Mouskouri! | 0:10:29 | 0:10:33 | |
She's very tuneful for a Greek. | 0:10:34 | 0:10:37 | |
LAUGHTER | 0:10:37 | 0:10:39 | |
Whoever told her to take a crack at Paddy McGinty's Goat | 0:10:39 | 0:10:42 | |
-did her no favours. -What have you brought us? | 0:10:42 | 0:10:45 | |
Seasonal Smut And Festive Filth from the Allstar Bavarian Knee-Tremblers? | 0:10:45 | 0:10:51 | |
Nonstop Christmas Pop Party, Volume 3. | 0:10:51 | 0:10:54 | |
Mine's more classical. | 0:10:54 | 0:10:56 | |
Joy To The World, a specially recorded concert, | 0:10:56 | 0:10:59 | |
with Kiri Te Kanawa, Bryn Terfel and Tommy Steele. | 0:10:59 | 0:11:03 | |
What's he singing? Little White Bull? | 0:11:03 | 0:11:05 | |
Yes! | 0:11:07 | 0:11:08 | |
When I say these decs are Big Willy's, | 0:11:08 | 0:11:11 | |
I mean they belong to Big Willy. | 0:11:11 | 0:11:13 | |
Big Willy in Packing, as you well knew. | 0:11:13 | 0:11:17 | |
And if your idea of a sophisticated piece of humour is laughing | 0:11:17 | 0:11:20 | |
at the word "willy", then I suggest you visit the Highlands of Scotland, | 0:11:20 | 0:11:24 | |
which is liberally sprinkled with willies of all ages. | 0:11:24 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:30 | |
-Dolly. -What? | 0:11:30 | 0:11:32 | |
You are digging a big pit for yourself | 0:11:32 | 0:11:34 | |
and wallpapering it with willies. Now come out. | 0:11:34 | 0:11:37 | |
Well, if they're nicer than ours, I think we should keep them. | 0:11:37 | 0:11:40 | |
Have you got any of those little babies with wings on? | 0:11:40 | 0:11:43 | |
They're called cherubs, you lame brain! | 0:11:43 | 0:11:45 | |
-Well, there's a few things with wings on. -What? | 0:11:45 | 0:11:48 | |
Go on, then, Miss Health and Efficiency. | 0:11:48 | 0:11:51 | |
-What are we calling these? -Very funny, Sandra Smut. | 0:11:51 | 0:11:55 | |
Oh! | 0:11:55 | 0:11:56 | |
LAUGHTER | 0:11:56 | 0:11:59 | |
-They are winged... -Keep going. | 0:11:59 | 0:12:02 | |
LAUGHTER | 0:12:02 | 0:12:05 | |
They are winged members. | 0:12:05 | 0:12:07 | |
LAUGHTER | 0:12:07 | 0:12:09 | |
Members of what? | 0:12:09 | 0:12:11 | |
Members of Parliament? | 0:12:12 | 0:12:14 | |
Male members! | 0:12:15 | 0:12:17 | |
-Stan. -I'll take them back to Packing. | 0:12:17 | 0:12:20 | |
-Is there no bacon? -Bacon? | 0:12:23 | 0:12:26 | |
-Yeah, bacon. -Can you ask me that again? | 0:12:26 | 0:12:29 | |
Have you not got any bacon? | 0:12:29 | 0:12:31 | |
Have I NOT got any or have I got any? | 0:12:31 | 0:12:35 | |
Look, I'm not from the News Of The bloody World. | 0:12:36 | 0:12:39 | |
I'm only trying to get myself a bit of pigging protein. | 0:12:39 | 0:12:43 | |
-Bren, for the love of God, have you got any bacon? -Can you hang on? | 0:12:43 | 0:12:45 | |
-I'm just doing it now. -Are you short-staffed? | 0:12:45 | 0:12:47 | |
-Yeah, Twink's off sick. Where's Jean, Dolly? -Still in the toilet. | 0:12:47 | 0:12:51 | |
She's taking a long time. | 0:12:51 | 0:12:53 | |
She's wearing a new all-in-one body shaper. | 0:12:53 | 0:12:55 | |
It's a complicated gusset when you won't wear specs. | 0:12:55 | 0:12:59 | |
Oh, isn't the word "gusset" wonderful? | 0:13:03 | 0:13:06 | |
Dolly's body shaper with the gusset. | 0:13:06 | 0:13:09 | |
I hadn't used "gusset" for years | 0:13:09 | 0:13:11 | |
until body shapers came in | 0:13:11 | 0:13:13 | |
and then they were very, very much in vogue | 0:13:13 | 0:13:16 | |
and with the long bloomers and things, you always had a gusset. | 0:13:16 | 0:13:20 | |
Take over for me, Dolly. My flaming crotch has popped again. | 0:13:20 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:26 | |
Never mind press studs. She could do with a few rivets. | 0:13:26 | 0:13:30 | |
No, we loved each other really. We still do. | 0:13:31 | 0:13:35 | |
And, of course, at the end of this episode, | 0:13:35 | 0:13:39 | |
Victoria gets kissed under the mistletoe. | 0:13:39 | 0:13:43 | |
I always felt that she was a romantic at heart. | 0:13:43 | 0:13:47 | |
What you doing for Christmas again? | 0:13:47 | 0:13:49 | |
I got these three Carry On films for eight quid. | 0:13:49 | 0:13:51 | |
You don't get the boxes with them and there's a stripe | 0:13:51 | 0:13:54 | |
down the side of the picture but... | 0:13:54 | 0:13:56 | |
Do you want to come to Scotland with me Christmas Eve? | 0:13:56 | 0:13:58 | |
My mate's got a pub up there. | 0:13:58 | 0:14:00 | |
We can drive up there after we've finished here. You want to do that? | 0:14:00 | 0:14:04 | |
Yeah, yeah, I would. I would like that. | 0:14:04 | 0:14:07 | |
Christmas episode is the one | 0:14:07 | 0:14:08 | |
where Tony and Bren actually get together | 0:14:08 | 0:14:11 | |
and finally kiss under the mistletoe, I think it was. | 0:14:11 | 0:14:14 | |
Apparently for Victoria, it was quite a big thing | 0:14:14 | 0:14:17 | |
cos she'd never physically kissed somebody on television before, | 0:14:17 | 0:14:21 | |
in front of the masses sort of thing, | 0:14:21 | 0:14:23 | |
so it was quite a big thing for her. | 0:14:23 | 0:14:25 | |
I'm not asking you for some bet, Bren. | 0:14:28 | 0:14:31 | |
I wouldn't do that to you. | 0:14:32 | 0:14:34 | |
AUDIENCE: Ooh! | 0:14:39 | 0:14:41 | |
I just thought it was lovely. | 0:14:43 | 0:14:45 | |
I thought perhaps Vic wouldn't do it | 0:14:45 | 0:14:47 | |
because she's not sentimental in her writing, but I thought it was... | 0:14:47 | 0:14:53 | |
It would have been awful if she hadn't | 0:14:53 | 0:14:55 | |
because people would have been so disappointed | 0:14:55 | 0:14:57 | |
and I think it was the right way to end it. It was great. | 0:14:57 | 0:15:01 | |
Why we had to retake it 39 times, I don't know, but there you go. | 0:15:01 | 0:15:04 | |
Only joking. | 0:15:04 | 0:15:05 | |
ANNE REID PLAYS HAVE YOURSELF A MERRY LITTLE CHRISTMAS | 0:15:07 | 0:15:11 | |
Well, Victoria called me one day and asked me | 0:15:19 | 0:15:22 | |
if I fancied doing a duet with her on the piano. | 0:15:22 | 0:15:27 | |
I was very excited and a bit scared because she was a brilliant pianist. | 0:15:27 | 0:15:33 | |
So, I went over to her house to practise and I said, | 0:15:33 | 0:15:37 | |
"Don't you shout at me if I go wrong, | 0:15:37 | 0:15:39 | |
"because I can play the piano and I can talk, | 0:15:39 | 0:15:43 | |
"but I can't do them at the same time." | 0:15:43 | 0:15:45 | |
And she said, "It'll be fine." | 0:15:45 | 0:15:48 | |
-IN POSH ACCENT: -Hello, viewers. | 0:15:49 | 0:15:50 | |
This is Hillary and Valerie Mallory... | 0:15:50 | 0:15:52 | |
-Bringing you melody, harmony... -And fun. | 0:15:52 | 0:15:56 | |
So, where shall our 20 tuneful fingers take us first, Valerie? | 0:15:56 | 0:16:00 | |
Let's start with that old favourite Keyboard Kollywobbles. | 0:16:00 | 0:16:04 | |
-Take it away, Bill. -One, two, one, two, three. | 0:16:04 | 0:16:07 | |
THEY PLAY PIANO | 0:16:07 | 0:16:11 | |
-IN REGIONAL ACCENTS: Can you smell something? -Eh? | 0:16:24 | 0:16:26 | |
-Can you smell something? -What? | 0:16:26 | 0:16:30 | |
Body odour. | 0:16:30 | 0:16:31 | |
-Not me. I had a bath in the digs before I came out. -I noticed. | 0:16:33 | 0:16:37 | |
-Why you can't swill it out.. -La, la, la, la.... | 0:16:37 | 0:16:40 | |
IN POSH ACCENT: Do join in, everybody. | 0:16:40 | 0:16:43 | |
-IN REGIONAL ACCENTS: Ooh, I got it again then. -What? | 0:16:44 | 0:16:47 | |
That smell. | 0:16:47 | 0:16:49 | |
Is it drains? | 0:16:50 | 0:16:52 | |
-Trains? -Drains. | 0:16:52 | 0:16:54 | |
You want to wear smaller earrings, you might hear something. | 0:16:54 | 0:16:56 | |
If you didn't play so loud, I might hear better. | 0:16:56 | 0:16:59 | |
If you did a bit more down your end, I wouldn't need to. | 0:16:59 | 0:17:02 | |
-What do you mean? At least I keep time. -Keep time? | 0:17:02 | 0:17:05 | |
You could train a baboon to do what you do. | 0:17:05 | 0:17:07 | |
Well done, everybody. | 0:17:07 | 0:17:09 | |
Oh, God, I think it's me. | 0:17:12 | 0:17:14 | |
-What? -That smell. | 0:17:14 | 0:17:16 | |
That'll teach me to buy deodorant at the door. | 0:17:16 | 0:17:19 | |
-It's the hot lights bringing it out. -I'm getting it now. | 0:17:19 | 0:17:22 | |
We're having no dry cleaning done till Friday. Keep your arms down. | 0:17:22 | 0:17:26 | |
-What about my big finish? -What about it? | 0:17:29 | 0:17:32 | |
Well, I'll have to lift up. | 0:17:32 | 0:17:33 | |
Oh, I'll do it. I've done every other beggaring thing in this act. | 0:17:33 | 0:17:37 | |
Oh, yeah? And what was I doing till three o'clock this morning? | 0:17:37 | 0:17:40 | |
-I dread to think. -Ironing. | 0:17:40 | 0:17:42 | |
Now! | 0:17:42 | 0:17:44 | |
Mind my bust! | 0:17:46 | 0:17:48 | |
IN POSH ACCENTS: Thank you so much. | 0:17:52 | 0:17:54 | |
And so, from Hillary and Valerie Mallory... | 0:17:54 | 0:17:56 | |
-A very good night to you all. Good night. -Good night. | 0:17:56 | 0:17:58 | |
She called that piece Kollywobbles. | 0:18:04 | 0:18:07 | |
It was in the Christmas special All The Trimmings | 0:18:07 | 0:18:11 | |
and in that, she got to work | 0:18:11 | 0:18:13 | |
with some of Britain's best-loved and most famous actors. | 0:18:13 | 0:18:18 | |
More, at least, they got to work with her. | 0:18:18 | 0:18:22 | |
LAUGHTER | 0:18:24 | 0:18:26 | |
Do you like Roger the Dodger | 0:18:26 | 0:18:29 | |
or do you prefer Minnie the Minx? | 0:18:29 | 0:18:31 | |
That brilliant thing she did with Roger Moore as the spy, | 0:18:32 | 0:18:35 | |
going on the London Eye. | 0:18:35 | 0:18:37 | |
It was just... And he loved every second of that, absolutely loved it. | 0:18:37 | 0:18:42 | |
And it was a supreme honour to be asked to be part of it | 0:18:42 | 0:18:48 | |
and you'd do anything to be in one of those sketches. | 0:18:48 | 0:18:51 | |
You'd feel you were immortalised forever. | 0:18:51 | 0:18:53 | |
You'd made it, you were someone to know. | 0:18:53 | 0:18:56 | |
I was brought up in Rotherhithe... | 0:18:56 | 0:18:58 | |
..seven of us in a damp cellar. | 0:18:59 | 0:19:02 | |
My mother took in mending. | 0:19:02 | 0:19:03 | |
I never saw her without a mouthful of pins. | 0:19:03 | 0:19:06 | |
TB and a mouthful of pins. | 0:19:06 | 0:19:09 | |
One day, she had a fit of coughing | 0:19:09 | 0:19:11 | |
and stapled two of us to the curtains. | 0:19:11 | 0:19:14 | |
LAUGHTER | 0:19:14 | 0:19:16 | |
I'm having a little difficulty in a certain area. | 0:19:16 | 0:19:19 | |
You know our friend, of course. | 0:19:21 | 0:19:22 | |
LAUGHTER | 0:19:22 | 0:19:24 | |
Oh, that's Dennis the Menace. | 0:19:24 | 0:19:26 | |
I'll pay your bus fare...of course. | 0:19:29 | 0:19:34 | |
It would be a little pointless leaving without this, | 0:19:37 | 0:19:40 | |
don't you think? | 0:19:40 | 0:19:42 | |
Sometimes I wish I were 15 years younger. | 0:19:45 | 0:19:48 | |
And sometimes I wish I were ten years older, | 0:19:48 | 0:19:50 | |
then I could go to the flicks for two quid. | 0:19:50 | 0:19:53 | |
LAUGHTER | 0:19:53 | 0:19:55 | |
You can get off here but, at this height, | 0:19:55 | 0:19:58 | |
it might be a little painful. | 0:19:58 | 0:20:00 | |
Why don't you... | 0:20:00 | 0:20:02 | |
..come and we'll while away a few of those 15 years? | 0:20:03 | 0:20:07 | |
-IN BROAD REGIONAL ACCENT: -Can I just warn you, Rog, | 0:20:10 | 0:20:12 | |
-I've got really complicated pants on? -I see. | 0:20:12 | 0:20:15 | |
LAUGHTER AND APPLAUSE | 0:20:15 | 0:20:19 | |
-These are very good. Did you make them, Del? -Mm-hmm. | 0:20:19 | 0:20:23 | |
Little tip. | 0:20:23 | 0:20:25 | |
Whip them out a couple of minutes earlier. | 0:20:25 | 0:20:28 | |
Can you taste they've slightly gone over? | 0:20:28 | 0:20:31 | |
LAUGHTER | 0:20:31 | 0:20:35 | |
Could you, Karen, explained to Bo what our new project is? | 0:20:35 | 0:20:38 | |
OK, well, the Gravy Train is basically Delia | 0:20:38 | 0:20:41 | |
going from town to town on a steam train | 0:20:41 | 0:20:44 | |
so, basically, you would tell us your signature dish, | 0:20:44 | 0:20:47 | |
we'd sort out all the ingredients and everything. | 0:20:47 | 0:20:49 | |
You'd just have to turn up on the day and teach it to Delia. | 0:20:49 | 0:20:52 | |
All we need to know from you, Bo, is what is your signature dish? | 0:20:52 | 0:20:56 | |
-Mm, which shall we reveal, Wendy? -Hmm... | 0:20:56 | 0:21:00 | |
The mince timbale? | 0:21:00 | 0:21:02 | |
Fish finger surprise? | 0:21:02 | 0:21:04 | |
-Crackermole. -TOGETHER: Crackermole! | 0:21:05 | 0:21:08 | |
Everybody wanted to be in anything Vic did, | 0:21:08 | 0:21:11 | |
especially her Christmas specials. Yes, everyone did want to be in them | 0:21:11 | 0:21:14 | |
and it was considered like a prize to be in it, you know. | 0:21:14 | 0:21:19 | |
Good on your CV. | 0:21:19 | 0:21:21 | |
Well, who wouldn't want to be in a sketch written by Victoria Wood? | 0:21:28 | 0:21:32 | |
Hello? | 0:21:32 | 0:21:33 | |
-Are you thick or are you not thick? -Are you talking to me? | 0:21:33 | 0:21:36 | |
-No, she's talking to me. I'm thick. -Oh. | 0:21:36 | 0:21:39 | |
I think she just thought it was fun to work with people she admired. | 0:21:39 | 0:21:43 | |
Maybe I looked insincere but, underneath it, | 0:21:43 | 0:21:46 | |
I was totally sincere. | 0:21:46 | 0:21:47 | |
Although, maybe underneath that, | 0:21:47 | 0:21:50 | |
I was insincere. | 0:21:50 | 0:21:52 | |
I've got to go. | 0:21:52 | 0:21:53 | |
LAUGHTER | 0:21:53 | 0:21:55 | |
And, as a consequence of the events of which I speak, | 0:21:55 | 0:21:59 | |
I shall be in no position | 0:21:59 | 0:22:00 | |
to marry for ten... | 0:22:00 | 0:22:02 | |
..1-0 years... | 0:22:04 | 0:22:06 | |
..and, thus, I am releasing you | 0:22:07 | 0:22:09 | |
from any understanding which we may have had. | 0:22:09 | 0:22:12 | |
With the regards on which you may depend, | 0:22:14 | 0:22:16 | |
George Fallon, Captain, 8th Dragoon Guards, | 0:22:16 | 0:22:20 | |
Battle of Waterloo. | 0:22:20 | 0:22:22 | |
How about, "PS, ta for the socks"? | 0:22:22 | 0:22:24 | |
LAUGHTER | 0:22:24 | 0:22:26 | |
I was thrilled to be asked to be in a couple of sketches | 0:22:26 | 0:22:29 | |
for her Christmas show and, again, it's that thing | 0:22:29 | 0:22:34 | |
where, if you've been a fan of something | 0:22:34 | 0:22:38 | |
and then you are actually in the world of it | 0:22:38 | 0:22:42 | |
and you work with the people that you've so admired, you feel | 0:22:42 | 0:22:45 | |
as if you've gone through the fourth wall, essentially. | 0:22:45 | 0:22:48 | |
And I felt that I hadn't really earned my place to be there | 0:22:48 | 0:22:51 | |
because she'd worked with the same, essentially, | 0:22:51 | 0:22:53 | |
repertory group of actors right from the beginning. | 0:22:53 | 0:22:56 | |
So, it did feel slightly as though... | 0:22:56 | 0:22:59 | |
..I didn't have the right to be there | 0:23:00 | 0:23:02 | |
but, yeah, I'm glad that I was. | 0:23:02 | 0:23:05 | |
-TV: -Last week, on WI. | 0:23:05 | 0:23:07 | |
I'm sorry, the answer is no. | 0:23:07 | 0:23:10 | |
Why? Why can't I join the Women's Institute? | 0:23:10 | 0:23:12 | |
Is it because I'm a man? | 0:23:12 | 0:23:14 | |
You were let down by your rhubarb and ginger preserve. | 0:23:14 | 0:23:16 | |
-It was too runny to stay on the scone. -Dammit! | 0:23:16 | 0:23:20 | |
Guthrie! | 0:23:20 | 0:23:22 | |
That's it. | 0:23:22 | 0:23:23 | |
Either you girls use the liquid soap in the toilets more sparingly | 0:23:23 | 0:23:27 | |
-or you provide your own. -I see. And what if we don't? | 0:23:27 | 0:23:29 | |
-Then no jumble sale. -You've made your position clear, Bernard. | 0:23:29 | 0:23:32 | |
Oh, and Mavis... | 0:23:32 | 0:23:34 | |
Yes? | 0:23:34 | 0:23:35 | |
-Your skirt's up your knickers. -I appreciate your honesty. | 0:23:35 | 0:23:39 | |
LAUGHTER | 0:23:39 | 0:23:41 | |
-Urr! -Oh, my God! | 0:23:42 | 0:23:45 | |
Mavis... | 0:23:46 | 0:23:48 | |
now can I join? | 0:23:48 | 0:23:51 | |
Victoria's spoofs were absolutely brilliant. | 0:24:00 | 0:24:05 | |
She covered everything, from classic films to Pathe News. | 0:24:05 | 0:24:09 | |
-NEWS REEL: -Bombed out but not downhearted, | 0:24:09 | 0:24:11 | |
the Cockneys of the East End are taking it all in good part. | 0:24:11 | 0:24:15 | |
The Lambeth Walk may not be quite so easy to do | 0:24:15 | 0:24:18 | |
when it's on the rubble of what, yesterday, was your home | 0:24:18 | 0:24:20 | |
but, blitz or no blitz, it's Christmas as usual. | 0:24:20 | 0:24:24 | |
AIR RAID SIREN | 0:24:24 | 0:24:28 | |
Our Christmas pudding is down there somewhere | 0:24:28 | 0:24:31 | |
and you can be sure we shall dig till we get it. | 0:24:31 | 0:24:33 | |
And if I find my husband as well, that's all to the good. | 0:24:33 | 0:24:37 | |
How about you, Mum? | 0:24:37 | 0:24:39 | |
Is Hitler's nightly bombardment getting you down? | 0:24:39 | 0:24:41 | |
No, the blackout, rationing | 0:24:41 | 0:24:44 | |
and being in daily danger of death have been a real tonic to me. | 0:24:44 | 0:24:47 | |
Never mind your pearly queens and your ships to Margate, | 0:24:47 | 0:24:51 | |
we're enjoying the bombing, thanks. | 0:24:51 | 0:24:54 | |
So, take note, Adolf, | 0:24:54 | 0:24:56 | |
these salt-of-the-earth, working-class folk | 0:24:56 | 0:24:58 | |
are totally dispensable to the British government | 0:24:58 | 0:25:00 | |
and, what's more, there's lots of them. | 0:25:00 | 0:25:02 | |
I could just fancy one of those in my cocoa. | 0:25:10 | 0:25:12 | |
Fancy is as fancy does and I'll thank you | 0:25:12 | 0:25:15 | |
to keep your hands off my light refreshments, Joe Buggersthorpe. | 0:25:15 | 0:25:18 | |
-There is a war on, you know. -If you keep one of those hot for me, | 0:25:18 | 0:25:20 | |
I'll keep something hot for you, ha-ha. | 0:25:20 | 0:25:23 | |
Silly idea, Joe Buggersthorpe. I might and I might not. | 0:25:23 | 0:25:26 | |
When Michael Parkinson played Stanley Holloway | 0:25:26 | 0:25:29 | |
as the stationmaster | 0:25:29 | 0:25:31 | |
and Vic and I had this marvellous scene | 0:25:31 | 0:25:35 | |
in the cafe in Brief Encounter, | 0:25:35 | 0:25:38 | |
we both tried to look younger and, cor blimey, | 0:25:38 | 0:25:42 | |
Vic looked like a Hollywood film star, she really did. | 0:25:42 | 0:25:45 | |
-VOICEOVER: -It was so silly the way it started. | 0:25:45 | 0:25:48 | |
I'd gone into Wilberton as usual on a Thursday | 0:25:48 | 0:25:50 | |
to change my library book and order a coconut and I'd just popped | 0:25:50 | 0:25:53 | |
in to the refreshment room at Cranningly Junction | 0:25:53 | 0:25:56 | |
when Dolly Anscott invited me to share a mince pie. | 0:25:56 | 0:25:58 | |
I'm frightfully lucky. I've got a mince pie. Want to go halves? | 0:25:58 | 0:26:01 | |
-No, thanks. -Oh, go on. I can't be such a hog as to have a whole one. | 0:26:01 | 0:26:04 | |
-Will you have them again? -I couldn't say, I'm sure. | 0:26:04 | 0:26:08 | |
Ask me no questions and you'll be told no lies. | 0:26:08 | 0:26:11 | |
Well, it is nearly Christmas. | 0:26:11 | 0:26:13 | |
I say, this pastry's awfully tough. | 0:26:15 | 0:26:17 | |
-VOICEOVER: -Then I don't know how it happened. | 0:26:17 | 0:26:19 | |
It's so long since I'd had a mince pie, | 0:26:19 | 0:26:20 | |
I suppose I'd forgotten how to eat it. | 0:26:20 | 0:26:22 | |
Somehow I missed my mouth altogether and put it straight in my eye. | 0:26:22 | 0:26:25 | |
Ow! | 0:26:25 | 0:26:26 | |
-What's the matter? -No, really. -Oh, dear, what a nuisance. | 0:26:26 | 0:26:29 | |
Perhaps I could just have some water. | 0:26:29 | 0:26:31 | |
Do you have any water, woman behind the counter? | 0:26:31 | 0:26:34 | |
That's for me to know and you to find out. | 0:26:34 | 0:26:36 | |
-There's a war on, if you haven't noticed. -This is ridiculous. | 0:26:36 | 0:26:38 | |
-Shall I hit you over the head with a cup? -No, really. | 0:26:38 | 0:26:40 | |
-Good thump with a basin, that's my tip. -Do you have one? | 0:26:40 | 0:26:44 | |
-BELL RINGS -Oh, cripes, how maddening! | 0:26:45 | 0:26:48 | |
-My train leaves in a moment. -No, you must go. | 0:26:48 | 0:26:50 | |
I can't miss it. I'm expecting a kipper. | 0:26:51 | 0:26:53 | |
No, do go, Dolly, I shall be quite all right. | 0:26:53 | 0:26:56 | |
-Scrooge? -Oh, Bob, are you lacking a fire | 0:26:58 | 0:27:00 | |
that you don hat and muffler indoors? | 0:27:00 | 0:27:03 | |
-It's a look. -Bob! | 0:27:03 | 0:27:05 | |
Come back to the table, Bob. | 0:27:05 | 0:27:07 | |
Lord knows, you spend little enough time | 0:27:07 | 0:27:09 | |
away from that skinflint Scrooge. | 0:27:09 | 0:27:11 | |
-Oh, I do beg your pardon. -No, it is I who must beg yours. | 0:27:13 | 0:27:16 | |
Will you accept this? | 0:27:16 | 0:27:18 | |
-What is it? -The biggest turkey in the shop. | 0:27:19 | 0:27:22 | |
Oh, I couldn't see what it was. | 0:27:22 | 0:27:24 | |
It looked like a sort of modern sculpture. | 0:27:24 | 0:27:26 | |
-Cook! Cook! -COOK: -I'm busy. | 0:27:26 | 0:27:29 | |
See, cook! Cook, the biggest turkey in the poulterer's! | 0:27:29 | 0:27:33 | |
Now Tiny Tim will be well again. | 0:27:33 | 0:27:35 | |
Is it defrosted? | 0:27:35 | 0:27:37 | |
Well... | 0:27:39 | 0:27:41 | |
You see, the trouble is, people buy these huge beautiful great turkeys | 0:27:41 | 0:27:44 | |
and they bring them home and it's all at the last minute | 0:27:44 | 0:27:47 | |
and they haven't got time to get them | 0:27:47 | 0:27:48 | |
defrosted adequately or thoroughly. | 0:27:48 | 0:27:50 | |
I mean, I think often the best bit... | 0:27:50 | 0:27:53 | |
Vic's parodies even extended to much-loved dramas, like this one... | 0:27:55 | 0:28:00 | |
Have you considered further my proposal? | 0:28:03 | 0:28:06 | |
It is not practical, Charles. | 0:28:06 | 0:28:08 | |
I am attracted to you but it takes 20 minutes | 0:28:08 | 0:28:10 | |
to take my corsets off and 35 minutes to get them back on. | 0:28:10 | 0:28:14 | |
I can only close the post office for an hour. You do the math. | 0:28:14 | 0:28:17 | |
-And will you continue to handle my potatoes? -Of course. | 0:28:18 | 0:28:22 | |
LAUGHTER | 0:28:22 | 0:28:24 | |
-KNOCKING ON DOOR -Hang on! | 0:28:27 | 0:28:29 | |
LAUGHTER | 0:28:32 | 0:28:34 | |
Ah, Lord Cranborne. | 0:28:35 | 0:28:37 | |
The matter we discussed previously, regarding ladies' netherwear | 0:28:37 | 0:28:41 | |
and time taken in removal... | 0:28:41 | 0:28:42 | |
-I'm not sure if I recall... -Corsets. | 0:28:42 | 0:28:46 | |
-The blacksmith has come up with a gadget... -Really? | 0:28:46 | 0:28:48 | |
..that will make it much quicker for the dog to see the euphemism. | 0:28:48 | 0:28:52 | |
Ah, I'm afraid my circumstances now | 0:28:52 | 0:28:55 | |
are such that I really have no great desire to see your euphemism. | 0:28:55 | 0:28:57 | |
Might I know what has altered your circumstances? | 0:28:57 | 0:29:00 | |
We just clicked. | 0:29:01 | 0:29:03 | |
I should have said something, but I was waiting to see how it went. | 0:29:03 | 0:29:06 | |
I see. Do you want to see how the corset works, just for info? | 0:29:06 | 0:29:10 | |
No fear! I was saying to Lord C here, | 0:29:10 | 0:29:13 | |
I delivered a telegram once and the woman was naked. | 0:29:13 | 0:29:16 | |
It was like a go-slow in a blancmange factory. | 0:29:16 | 0:29:19 | |
I was sleeping with the light on for weeks. | 0:29:19 | 0:29:21 | |
-I'll see myself out. -LAUGHTER | 0:29:22 | 0:29:26 | |
It's perfect that Victoria sort of ended up claiming | 0:29:26 | 0:29:29 | |
such a big part of people's Christmases | 0:29:29 | 0:29:32 | |
because it clearly is, | 0:29:32 | 0:29:34 | |
a lot of it is born out of the bad telly that you get at Christmas | 0:29:34 | 0:29:37 | |
that Victoria will have sat down and enjoyed, | 0:29:37 | 0:29:40 | |
probably, at every festive season. | 0:29:40 | 0:29:44 | |
How many times have we prayed to God for something | 0:29:44 | 0:29:47 | |
and he hasn't given it to us? | 0:29:47 | 0:29:50 | |
What do we do? We blame ourselves. | 0:29:50 | 0:29:52 | |
Oh, we weren't good enough. I didn't deserve it. | 0:29:52 | 0:29:55 | |
Or we blame God. | 0:29:55 | 0:29:57 | |
He's let us down. | 0:29:57 | 0:29:59 | |
I got there that day and she went, "Do you want to do it then?" | 0:29:59 | 0:30:02 | |
And I said, "OK." | 0:30:02 | 0:30:04 | |
I'd learnt it, obviously, and I did try to do it the best I could do it | 0:30:04 | 0:30:07 | |
but all you want to do is please her cos I thought, | 0:30:07 | 0:30:09 | |
"I think I know how the rhythm of this should be. | 0:30:09 | 0:30:13 | |
"It's a Victoria Wood monologue," | 0:30:13 | 0:30:15 | |
but there is that in your mind, | 0:30:15 | 0:30:16 | |
but then there's also physically doing it in front of Victoria Wood, | 0:30:16 | 0:30:19 | |
which was another thing again. | 0:30:19 | 0:30:21 | |
It was my birthday the other day | 0:30:21 | 0:30:24 | |
and, as you do when you're in a relationship, | 0:30:24 | 0:30:26 | |
I dropped hints with my partner | 0:30:26 | 0:30:28 | |
about what I would like for a present. | 0:30:28 | 0:30:30 | |
In fact, I told him what I wanted, which is what we do with God, | 0:30:30 | 0:30:33 | |
isn't it? We tell him what we want. | 0:30:33 | 0:30:36 | |
So, I told my partner, Eric, that I would like an espresso machine... | 0:30:36 | 0:30:42 | |
..because I love my espresso. | 0:30:43 | 0:30:45 | |
And, come the great day, there was a big parcel waiting for me | 0:30:45 | 0:30:49 | |
and I thought, "That's a very big espresso machine." | 0:30:49 | 0:30:51 | |
And I opened it and it was two... | 0:30:51 | 0:30:54 | |
..imitation leather outdoor beanbags. | 0:30:55 | 0:31:00 | |
And I was disappointed because Eric had known what I wanted | 0:31:01 | 0:31:06 | |
and he hadn't given it to me. | 0:31:06 | 0:31:08 | |
Very nice beanbags, but I didn't want beanbags. | 0:31:08 | 0:31:11 | |
I wanted an espresso machine. | 0:31:11 | 0:31:13 | |
And he could see I was disappointed and he said to me, "Bobby..." | 0:31:13 | 0:31:18 | |
..which is what he calls me, | 0:31:19 | 0:31:21 | |
"I didn't give you the espresso machine | 0:31:21 | 0:31:24 | |
"because you have high blood pressure, you drink too much coffee. | 0:31:24 | 0:31:27 | |
"I gave you the outdoor beanbags | 0:31:27 | 0:31:29 | |
"so we could sit in the garden together in the evening, | 0:31:29 | 0:31:32 | |
"hold hands and chill out. | 0:31:32 | 0:31:34 | |
"Chillax. Because I love you." | 0:31:35 | 0:31:38 | |
And that's what God does. | 0:31:39 | 0:31:41 | |
He doesn't give us what we want - the espresso machine. | 0:31:41 | 0:31:44 | |
He gives us what we need - the outdoor beanbags, | 0:31:44 | 0:31:48 | |
because he loves us. | 0:31:48 | 0:31:50 | |
He loves us and he wants us to chillax. | 0:31:50 | 0:31:54 | |
LAUGHTER | 0:31:57 | 0:32:00 | |
CHURCH ORGAN PLAYS | 0:32:00 | 0:32:03 | |
LAUGHTER | 0:32:05 | 0:32:07 | |
What a brilliant thing, | 0:32:07 | 0:32:08 | |
to have gone from being a huge fan of somebody | 0:32:08 | 0:32:11 | |
to being asked to work with them | 0:32:11 | 0:32:13 | |
and to have been given a script by her and a monologue as well. | 0:32:13 | 0:32:18 | |
I think Reece did a brilliant job. | 0:32:18 | 0:32:21 | |
Isn't it great we've got all her shows to look at? | 0:32:23 | 0:32:27 | |
She's going to keep us laughing for a very long time. | 0:32:27 | 0:32:31 | |
And, as I said at the beginning, | 0:32:31 | 0:32:33 | |
I was so lucky that Victoria was my friend, so lucky. | 0:32:33 | 0:32:37 | |
Happy Christmas. | 0:32:37 | 0:32:39 | |
VICTORIA PLAYS PIANO | 0:32:40 | 0:32:43 | |
Victoria Wood With All The Trimmings was just wonderful. | 0:32:43 | 0:32:47 | |
It's still shown to this day | 0:32:47 | 0:32:49 | |
and she involved me and three of my sisters | 0:32:49 | 0:32:51 | |
as the Christmas Robbins. Get it? | 0:32:51 | 0:32:54 | |
# Let's join in the magic of Christmas make-believe | 0:32:54 | 0:32:58 | |
# Who do we all want to see on Christmas Eve...? # | 0:32:58 | 0:33:03 | |
In the story of the programme, Victoria is looking | 0:33:03 | 0:33:06 | |
for some robins for a Christmas show so she says, | 0:33:06 | 0:33:09 | |
"Oh, get Kate and Ted along and then the siblings." | 0:33:09 | 0:33:12 | |
And there we are, all the Robbins, | 0:33:12 | 0:33:14 | |
doing these jolly little Christmas dances. | 0:33:14 | 0:33:16 | |
# We'll gather round to the festive sound | 0:33:16 | 0:33:19 | |
# Of the carols of a distant choir... # | 0:33:19 | 0:33:21 | |
Oh, it was such a laugh and, of course, she ended up | 0:33:21 | 0:33:24 | |
doing the big Ann Widdecombe song at the end. | 0:33:24 | 0:33:28 | |
# Ann Widdecombe, Ann Widdecombe | 0:33:28 | 0:33:30 | |
# That's who we want to see, we agree | 0:33:30 | 0:33:33 | |
-# Not Santa Claus -Not Zoe Ball | 0:33:33 | 0:33:35 | |
# Not William Hague | 0:33:35 | 0:33:39 | |
-# He's too vague -He is quite vague... # | 0:33:39 | 0:33:42 | |
Well, she did what I think no other comedian would ever have done | 0:33:42 | 0:33:45 | |
and she actually rang me up and asked me if I minded. | 0:33:45 | 0:33:49 | |
Um, that's very much Victoria. | 0:33:49 | 0:33:52 | |
I mean, she did take note of other people's feelings. | 0:33:52 | 0:33:56 | |
I had no idea what was going to be in the sketch but she gave me | 0:33:56 | 0:33:59 | |
a brief outline, particularly the bit about coming out of the box | 0:33:59 | 0:34:02 | |
and all the rest of it. | 0:34:02 | 0:34:03 | |
And I said, "Yes, that was absolutely fine." | 0:34:03 | 0:34:05 | |
# Who's the girl who gets so giddy? | 0:34:05 | 0:34:08 | |
# Eyes so blue and shoes so diddy | 0:34:08 | 0:34:11 | |
# Who's our favourite Tory biddy...? # | 0:34:11 | 0:34:13 | |
And no wonder she chose me. I mean, biddy, diddy, Widdy. | 0:34:13 | 0:34:17 | |
The name just lends itself to umpteen comic rhymes. | 0:34:17 | 0:34:21 | |
# Give me A, N, N and E | 0:34:21 | 0:34:24 | |
# W, I and double D | 0:34:24 | 0:34:27 | |
# E, C, O, M, B, E spells Widdecombe | 0:34:27 | 0:34:34 | |
# By day, I'm the Shadow Home Secretary | 0:34:35 | 0:34:40 | |
# But, hey, deep down you know there's so much more to me | 0:34:40 | 0:34:45 | |
# I'm Widdecombe, Ann Widdecombe | 0:34:45 | 0:34:48 | |
# I sing, I dance, I lean to the right | 0:34:48 | 0:34:51 | |
# I'm truculent, I'm succulent | 0:34:51 | 0:34:53 | |
# I am a star... # | 0:34:53 | 0:34:57 | |
I thought it was ultra considerate that Victoria rang me up. It's... | 0:34:57 | 0:35:01 | |
And I think that I say this truthfully, | 0:35:01 | 0:35:04 | |
I'm pretty certain it's unique in my experience. | 0:35:04 | 0:35:07 | |
I don't think, as far as I can recollect, | 0:35:07 | 0:35:10 | |
that I've ever had prior warning before | 0:35:10 | 0:35:12 | |
about a major sketch from a comedian. | 0:35:12 | 0:35:15 | |
# As we raise a toast, what will we roast | 0:35:15 | 0:35:17 | |
# On the embers of the open fire? | 0:35:17 | 0:35:20 | |
# Ann Widdecombe, Ann Widdecombe | 0:35:20 | 0:35:23 | |
# I'm like the suits I wear | 0:35:23 | 0:35:25 | |
# Unsquashable but washable | 0:35:25 | 0:35:28 | |
-# I can't relax -Oh, no, she can't relax, can't relax | 0:35:28 | 0:35:33 | |
-# When in slacks -Or Pac-a-macs... # | 0:35:33 | 0:35:35 | |
I have no idea what would have happened if I'd said, | 0:35:35 | 0:35:38 | |
"Yes, I jolly well do mind and no, you can't do it." | 0:35:38 | 0:35:40 | |
I suspect she would have done it anyway. | 0:35:40 | 0:35:42 | |
# As the children dream of a reindeer team | 0:35:42 | 0:35:44 | |
# And a figure in a coat of red | 0:35:44 | 0:35:47 | |
# Dare we divulge what is that bulge | 0:35:47 | 0:35:49 | |
# At the bottom of the children's bed? | 0:35:49 | 0:35:52 | |
# It's Widdecombe, Ann Widdecombe | 0:35:52 | 0:35:55 | |
# I'm firm but fair and cool as a rule | 0:35:55 | 0:35:58 | |
# My nuttiness, my battiness | 0:35:58 | 0:36:00 | |
-# Men can't resist -Men can't resist, can't resist... # | 0:36:00 | 0:36:05 | |
Is she pissed? | 0:36:05 | 0:36:06 | |
# She's round the twist... # | 0:36:06 | 0:36:08 | |
The only regret I had was that she invited me along to the show | 0:36:08 | 0:36:12 | |
and I thought, "No." | 0:36:12 | 0:36:14 | |
I was Shadow Home Secretary at the time, | 0:36:14 | 0:36:17 | |
therefore I was engaged in an awful lot of serious stuff | 0:36:17 | 0:36:21 | |
and I thought if I'm sitting there in the audience | 0:36:21 | 0:36:23 | |
and there are cameras panning and there's all this mockery | 0:36:23 | 0:36:26 | |
going on on the stage, it may not be quite such a good idea. | 0:36:26 | 0:36:30 | |
# As the snowflakes fall and the neighbours call | 0:36:30 | 0:36:33 | |
# Like the Christmases in days of yore | 0:36:33 | 0:36:36 | |
# As they ring our bell what will they smell | 0:36:36 | 0:36:39 | |
# Coming through the open doors? | 0:36:39 | 0:36:41 | |
# Ann Widdecombe, Ann Widdecombe | 0:36:41 | 0:36:43 | |
-# I'm woman through and through -This is true | 0:36:43 | 0:36:46 | |
-# Exuberant -Protuberant | 0:36:46 | 0:36:49 | |
# I inspire lust | 0:36:49 | 0:36:53 | |
# With my bust | 0:36:53 | 0:36:55 | |
# I'm not that fussed... # | 0:36:55 | 0:36:56 | |
I love the fact, first of all, that it's a big showbiz number | 0:36:56 | 0:37:01 | |
because I think that really suits | 0:37:01 | 0:37:03 | |
the way that she's played Ann Widdecombe | 0:37:03 | 0:37:06 | |
and, you know, she had every opportunity, Victoria, | 0:37:06 | 0:37:09 | |
to go down the route of really having a go at Ann Widdecombe | 0:37:09 | 0:37:13 | |
and making it political, | 0:37:13 | 0:37:15 | |
which is exactly what I would have done, | 0:37:15 | 0:37:17 | |
but she hasn't done that | 0:37:17 | 0:37:19 | |
and, in many ways, I think it's better for it. | 0:37:19 | 0:37:21 | |
# We'll start the lunch | 0:37:21 | 0:37:23 | |
# And we'll serve hot punch | 0:37:23 | 0:37:26 | |
# To the singers in the snowy drive | 0:37:26 | 0:37:29 | |
# And who's not chuffed to be plucked and stuffed | 0:37:29 | 0:37:34 | |
# And done at gas mark 5? | 0:37:34 | 0:37:37 | |
# Ann Widdecombe | 0:37:37 | 0:37:40 | |
# The people's chum | 0:37:40 | 0:37:42 | |
# The bells of Christmas ring Ding-a-ding | 0:37:42 | 0:37:46 | |
# Implacable | 0:37:46 | 0:37:47 | |
# Unsackable... # | 0:37:47 | 0:37:49 | |
THEY SING OVER EACH OTHER | 0:37:49 | 0:37:52 | |
# Do, re, do, re, mi | 0:37:55 | 0:37:59 | |
# So, fa | 0:37:59 | 0:38:02 | |
# So, fa | 0:38:02 | 0:38:04 | |
# Do, re, mi | 0:38:04 | 0:38:06 | |
# So, faaaa. # | 0:38:06 | 0:38:17 | |
Ta. | 0:38:17 | 0:38:19 | |
-What do you reckon? -Don't know. | 0:38:49 | 0:38:51 | |
I don't really watch telly at Christmas. | 0:38:51 | 0:38:53 |