Browse content similar to Age. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Vic was inspirational. | 0:00:04 | 0:00:05 | |
There was no-one like her. | 0:00:05 | 0:00:06 | |
I look all right tonight cos I've been dressed, you know. | 0:00:06 | 0:00:10 | |
Normally, I look like I've just stumbled up an embankment | 0:00:10 | 0:00:12 | |
after a derailment. LAUGHTER | 0:00:12 | 0:00:14 | |
Her appeal is huge, and that's what I think is so clever. | 0:00:14 | 0:00:18 | |
"Kelly Marie Tunstall, have you switched that cover | 0:00:18 | 0:00:20 | |
"I couldn't get off that ironing board?" | 0:00:20 | 0:00:22 | |
LAUGHTER | 0:00:22 | 0:00:23 | |
Inspiring, funny... | 0:00:23 | 0:00:26 | |
genius, unique. | 0:00:26 | 0:00:28 | |
Yes, that's much better. | 0:00:28 | 0:00:30 | |
If we deliver these antiques on Friday morning, | 0:00:30 | 0:00:32 | |
we can take delivery of these antiques in the afternoon. | 0:00:32 | 0:00:34 | |
She's probably the best writer of a gag that I ever worked with. | 0:00:34 | 0:00:38 | |
But those aren't flat. | 0:00:38 | 0:00:39 | |
LAUGHTER | 0:00:41 | 0:00:42 | |
Flatter now. | 0:00:44 | 0:00:45 | |
I just want to be in that gang. | 0:00:45 | 0:00:47 | |
How do I get in the gang? | 0:00:47 | 0:00:49 | |
Hello. LAUGHTER | 0:00:49 | 0:00:51 | |
I'm looking for me friend. | 0:00:51 | 0:00:52 | |
Kimberley. | 0:00:54 | 0:00:56 | |
She was one of us. | 0:00:56 | 0:00:57 | |
And we wanted to have her as a friend. | 0:00:57 | 0:01:00 | |
Vic and I made each other laugh, a lot. | 0:01:07 | 0:01:10 | |
That's what drew us together, really. | 0:01:10 | 0:01:12 | |
Seeing the funny side of life. | 0:01:12 | 0:01:14 | |
She loved watching people and their comings and goings. | 0:01:14 | 0:01:16 | |
And she'd just turn ordinary situations | 0:01:16 | 0:01:19 | |
into extraordinary comedy. | 0:01:19 | 0:01:21 | |
That's why I loved working with her. | 0:01:21 | 0:01:23 | |
Actually, she's probably up there now watching me, in case I cock up. | 0:01:23 | 0:01:26 | |
But she was an absolute powerhouse of creativity. | 0:01:31 | 0:01:35 | |
A multi-award-winning comedian, | 0:01:35 | 0:01:37 | |
actress, singer, songwriter, | 0:01:37 | 0:01:39 | |
director, stand-up and sketch writer. | 0:01:39 | 0:01:42 | |
And she gave me some of the funniest characters I've ever performed. | 0:01:42 | 0:01:46 | |
So it's my absolute pleasure to present this programme - | 0:01:46 | 0:01:49 | |
a celebration of the finest work of Our Friend Victoria. | 0:01:49 | 0:01:53 | |
Tonight, I am looking at Vic's take on age. | 0:01:56 | 0:01:59 | |
Over the last 40 years, she's written about deaf old grannies, | 0:01:59 | 0:02:03 | |
middle-aged women in the middle of a midlife crisis, | 0:02:03 | 0:02:06 | |
and, of course, teenagers. | 0:02:06 | 0:02:08 | |
She was a master at exploring teenage angst. | 0:02:08 | 0:02:12 | |
I wouldn't be an adolescent again if you bumped my pocket money | 0:02:15 | 0:02:18 | |
up to three and six. LAUGHTER | 0:02:18 | 0:02:20 | |
It's like you're going along quite happily - nine, ten, 11 - | 0:02:20 | 0:02:23 | |
and suddenly this sort of dial inside you | 0:02:23 | 0:02:25 | |
clicks over from fun to grease. | 0:02:25 | 0:02:27 | |
Everybody in my school had really greasy hair. | 0:02:28 | 0:02:31 | |
We made sealskin look dry and unmanageable. | 0:02:31 | 0:02:33 | |
LAUGHTER | 0:02:33 | 0:02:35 | |
Because nobody used to wash it. Well, they washed it once a week, | 0:02:35 | 0:02:37 | |
on Friday nights. | 0:02:37 | 0:02:39 | |
So by Wednesday dinner time, there was enough oil about | 0:02:39 | 0:02:41 | |
to heat six radiators and a towel rail. | 0:02:41 | 0:02:43 | |
And if we went swimming in the sea without our caps on, | 0:02:44 | 0:02:47 | |
they were hosing down seagulls with Fairy Liquid for weeks. | 0:02:47 | 0:02:49 | |
LAUGHTER | 0:02:49 | 0:02:50 | |
And we never used to take showers after games. | 0:02:52 | 0:02:55 | |
So many people had body odour | 0:02:55 | 0:02:57 | |
they had to make it part of the school uniform. | 0:02:57 | 0:02:59 | |
Carl, when we get married, where will we live? | 0:03:00 | 0:03:03 | |
Well, we're living in me mam's sideboard, aren't we? | 0:03:03 | 0:03:06 | |
Yeah, but after that, should we have a house? | 0:03:06 | 0:03:08 | |
Nah. Penthouse flat. | 0:03:08 | 0:03:10 | |
-What's that? -It's got fur rugs, hasn't it? | 0:03:10 | 0:03:13 | |
What colour? | 0:03:13 | 0:03:14 | |
Well, it depends, doesn't it? | 0:03:14 | 0:03:16 | |
If it's off an animal, | 0:03:16 | 0:03:17 | |
it'll be animal-coloured, won't it? | 0:03:17 | 0:03:20 | |
Or there's orange. | 0:03:20 | 0:03:21 | |
LAUGHTER | 0:03:21 | 0:03:22 | |
-Where is it? -What? | 0:03:24 | 0:03:26 | |
This flat. | 0:03:26 | 0:03:27 | |
Well, they're all in London, aren't they? | 0:03:27 | 0:03:29 | |
And there's two in the Isle of Man. | 0:03:29 | 0:03:31 | |
LAUGHTER | 0:03:31 | 0:03:32 | |
Is that the same as France? | 0:03:33 | 0:03:35 | |
France is abroad, isn't it? | 0:03:35 | 0:03:37 | |
They have different bread and all sorts. | 0:03:37 | 0:03:39 | |
Different Allsorts? | 0:03:39 | 0:03:41 | |
LAUGHTER | 0:03:41 | 0:03:42 | |
-You mean not liquorice? -Eh? | 0:03:43 | 0:03:45 | |
-Anyway, they're on t'roof. -What? | 0:03:46 | 0:03:49 | |
Penthouse flats. | 0:03:49 | 0:03:50 | |
Well, I'm not living on a roof. | 0:03:50 | 0:03:52 | |
Me knitting will roll into t'guttering. | 0:03:52 | 0:03:54 | |
Vic had the ability to eke out and bring out into the light | 0:03:56 | 0:03:59 | |
that naivete that even... That every teenager has. | 0:03:59 | 0:04:03 | |
I said, "I'll have a pint of Babycham, | 0:04:03 | 0:04:05 | |
"some pork scratchings and a yellow cherry. | 0:04:05 | 0:04:08 | |
"And if I'm not here when you get back, | 0:04:08 | 0:04:09 | |
"I'll be in toilet putting hide 'n' heel on me love bites." | 0:04:09 | 0:04:12 | |
-You didn't? -I did. | 0:04:13 | 0:04:14 | |
So I come out of toilets, he says, "Hey, scallop face, | 0:04:14 | 0:04:17 | |
"your skirt's all caught up in your knickers at the back." | 0:04:17 | 0:04:19 | |
"I pity you. Do you know why?" "Why?" | 0:04:19 | 0:04:20 | |
"Must be the latest fashion, I read it in a book." | 0:04:20 | 0:04:22 | |
He says, "What book?" I said, "Vogue, that's what book." | 0:04:22 | 0:04:25 | |
LAUGHTER | 0:04:25 | 0:04:26 | |
He says, "Oh, likely, likely, when do you read Vogue?" | 0:04:26 | 0:04:28 | |
"When I'm in hospital having exploratory surgery, that's when." | 0:04:28 | 0:04:31 | |
-He said, "Oh." -He didn't? -He did. | 0:04:31 | 0:04:32 | |
LAUGHTER | 0:04:32 | 0:04:33 | |
Vic's beautiful face with her funny one tooth on that side | 0:04:34 | 0:04:39 | |
that is so cute. | 0:04:39 | 0:04:41 | |
Even when she was, you know, well into her 50s, | 0:04:41 | 0:04:44 | |
that teenage face was still there when she played it. | 0:04:44 | 0:04:48 | |
It kind of opened up. | 0:04:48 | 0:04:49 | |
My very favourite sketch is Vic as a 12-year-old with delusions | 0:04:52 | 0:04:57 | |
of being able to swim the English Channel, and she was so convincing. | 0:04:57 | 0:05:01 | |
I mean, give her a cuddly toy and a swimming cap | 0:05:01 | 0:05:03 | |
and suddenly she's 20 years younger. | 0:05:03 | 0:05:05 | |
14 sugars, please, thank you. | 0:05:06 | 0:05:08 | |
This is Miranda. | 0:05:11 | 0:05:13 | |
And this is Samantha. | 0:05:13 | 0:05:14 | |
And this is my bear, Mr Teddy. | 0:05:15 | 0:05:18 | |
I'll probably take him to bed with me tonight. | 0:05:18 | 0:05:21 | |
I don't usually, but tonight, I might. | 0:05:21 | 0:05:24 | |
And these are my cups, trophies. | 0:05:24 | 0:05:25 | |
-INTERVIEWER: -Are you worried about tomorrow? | 0:05:25 | 0:05:28 | |
Well, I am in a way because... | 0:05:28 | 0:05:29 | |
I've never swum such a long way, and some of it's in the dark. | 0:05:29 | 0:05:33 | |
And I don't really like the dark. | 0:05:33 | 0:05:36 | |
And if I do get to t'French coast, | 0:05:36 | 0:05:38 | |
I don't talk French very well, so... | 0:05:38 | 0:05:40 | |
I don't do French, I do woodwork. | 0:05:40 | 0:05:42 | |
LAUGHTER | 0:05:42 | 0:05:43 | |
I know a few bits. | 0:05:43 | 0:05:44 | |
Bonjour and aujourd'hui. | 0:05:44 | 0:05:47 | |
Do you think you'll make it? | 0:05:47 | 0:05:48 | |
I don't know. | 0:05:50 | 0:05:52 | |
I'll do double prayers tonight anyways. | 0:05:52 | 0:05:54 | |
-Night, Dad. -Night. | 0:05:57 | 0:05:59 | |
Well, it's the night before your daughter swims the Channel. | 0:05:59 | 0:06:02 | |
Any misgivings? | 0:06:02 | 0:06:03 | |
I don't think so. Have we, Cliff? | 0:06:03 | 0:06:06 | |
No. | 0:06:06 | 0:06:07 | |
No, she's as strong as an ox. | 0:06:07 | 0:06:08 | |
You'll be in the backup boat, presumably? | 0:06:08 | 0:06:10 | |
Well, no, actually, Joan and I are popping down to London for the day. | 0:06:10 | 0:06:14 | |
You know, sort of day out shopping. | 0:06:14 | 0:06:16 | |
We'll probably take in a show. | 0:06:16 | 0:06:18 | |
We hear Cats is very good. | 0:06:18 | 0:06:20 | |
Or any of the Andrew Lloyd Webber things, really, would be nice. | 0:06:20 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:24 | |
LAUGHTER | 0:06:31 | 0:06:32 | |
-INTERVIEWER: -There's a problem. | 0:06:32 | 0:06:34 | |
There's no support vessel, no officials, nobody. | 0:06:34 | 0:06:36 | |
Chrissie's entirely alone. | 0:06:36 | 0:06:38 | |
-Are you still going to go, Chrissie? -Yeah, I think so. | 0:06:38 | 0:06:41 | |
I might as well. | 0:06:41 | 0:06:42 | |
Me friend Marie's in Kidderminster today, | 0:06:42 | 0:06:44 | |
so I haven't got anybody to play with anyway. | 0:06:44 | 0:06:46 | |
-What about food and drink? -Well... | 0:06:46 | 0:06:48 | |
I've got a sandwich box, so I think they'll stay dry. | 0:06:48 | 0:06:51 | |
And I've got some little milkshakes in cartons. | 0:06:51 | 0:06:53 | |
I think they'll be all right. | 0:06:53 | 0:06:55 | |
And, see, I can put me duffle bag round me neck like this. | 0:06:55 | 0:06:58 | |
But what about finding the French coast? | 0:06:58 | 0:07:00 | |
I think I'll find it all right, thank you. | 0:07:00 | 0:07:02 | |
I came fourth in geography, 81%. | 0:07:02 | 0:07:05 | |
-What time is it? -7:55. | 0:07:05 | 0:07:08 | |
Five to eight? | 0:07:08 | 0:07:09 | |
Off I go, then. | 0:07:09 | 0:07:10 | |
That was eight days ago | 0:07:16 | 0:07:18 | |
and Chrissie hasn't yet reached land. | 0:07:18 | 0:07:21 | |
No-one seems to know where she is. | 0:07:21 | 0:07:23 | |
Oh, I'm sure she'll turn up eventually. | 0:07:24 | 0:07:27 | |
Slow but sure, that's our Chrissie. | 0:07:27 | 0:07:29 | |
Yeah, she's probably just swimming about looking for a nice beach. | 0:07:29 | 0:07:32 | |
Ice creams and donkeys - you know how kids are. | 0:07:32 | 0:07:34 | |
What do your other children think about it all? | 0:07:34 | 0:07:37 | |
-Oh, I'd forgotten that we had any other children. -LAUGHTER | 0:07:37 | 0:07:40 | |
-Oh, I don't know where they are. -LAUGHTER | 0:07:41 | 0:07:43 | |
APPLAUSE | 0:07:46 | 0:07:47 | |
Vic struck gold when she penned the sitcom Dinnerladies. | 0:07:53 | 0:07:57 | |
Writing fabulous young characters, | 0:07:57 | 0:07:59 | |
extraordinary middle-aged eccentrics, and old - namely me - | 0:07:59 | 0:08:03 | |
grannies, because she cast me as her rather decrepit old mum. | 0:08:03 | 0:08:06 | |
And at the time, we were the same age virtually. | 0:08:06 | 0:08:09 | |
The cheek of it. | 0:08:09 | 0:08:10 | |
-Ta-da! -LAUGHTER | 0:08:11 | 0:08:13 | |
You're on your own, kid. | 0:08:16 | 0:08:18 | |
I'm back! | 0:08:20 | 0:08:21 | |
New venue, new caravan, | 0:08:22 | 0:08:24 | |
new kidney. | 0:08:24 | 0:08:26 | |
That's a long story. I do beg your pardon, Reg. | 0:08:27 | 0:08:30 | |
This is my daughter - born Christmas Eve, | 0:08:30 | 0:08:33 | |
so we called her Brenda. | 0:08:33 | 0:08:35 | |
LAUGHTER | 0:08:35 | 0:08:36 | |
This is Reg. Did I say? | 0:08:37 | 0:08:39 | |
Go and look at their snacks, Reg. | 0:08:39 | 0:08:41 | |
Reg does snacks at the petrol station. | 0:08:41 | 0:08:44 | |
My caravan's on his forecourt. | 0:08:44 | 0:08:46 | |
He's cute, isn't he? | 0:08:46 | 0:08:47 | |
Like an Asian Roger Moore. | 0:08:49 | 0:08:50 | |
LAUGHTER | 0:08:50 | 0:08:51 | |
Just seeing her play her mum, | 0:08:52 | 0:08:54 | |
I mean, that was just so brilliant. | 0:08:54 | 0:08:56 | |
Petula Gordino, what a character. | 0:08:56 | 0:08:59 | |
I mean, Julie did get the best lines. | 0:08:59 | 0:09:03 | |
I'm back. | 0:09:03 | 0:09:04 | |
And this will tickle you. | 0:09:04 | 0:09:06 | |
I'm pregnant. | 0:09:06 | 0:09:07 | |
LAUGHTER | 0:09:07 | 0:09:08 | |
It was wonderful casting. | 0:09:11 | 0:09:13 | |
I mean, real honour to be working with people like that, | 0:09:13 | 0:09:17 | |
because so experienced | 0:09:17 | 0:09:19 | |
and so good at the comedy. | 0:09:19 | 0:09:21 | |
Nobody's ordered an old lady, have they? | 0:09:21 | 0:09:24 | |
LAUGHTER | 0:09:24 | 0:09:25 | |
No-one has ticked the wrong box in the Help the Aged catalogue? | 0:09:26 | 0:09:29 | |
-Are you all right? -Yes, thank you. | 0:09:31 | 0:09:34 | |
Shall I give her a biscuit? | 0:09:34 | 0:09:36 | |
Don't go too near, | 0:09:36 | 0:09:37 | |
there could be two slapheads under that blanket. | 0:09:37 | 0:09:40 | |
LAUGHTER | 0:09:40 | 0:09:41 | |
Do you mean smackheads? | 0:09:42 | 0:09:44 | |
There could be two drug addicts under there, ready to leap out. | 0:09:46 | 0:09:49 | |
They'd have to be pretty small. | 0:09:49 | 0:09:51 | |
Vic rang me and said, | 0:09:54 | 0:09:55 | |
"How do you fancy working with Thelma Barlow?" | 0:09:55 | 0:09:58 | |
She'd seen Thelma and I together, fooling about, | 0:09:58 | 0:10:01 | |
because we've been friends for a long time. | 0:10:01 | 0:10:03 | |
And I said, "Yeah, it'd be great." | 0:10:03 | 0:10:05 | |
And apparently, she rang Thelma, you know, | 0:10:05 | 0:10:07 | |
and said, "Would you like to work with Annie?" | 0:10:07 | 0:10:09 | |
I mean, she might have said no. | 0:10:09 | 0:10:11 | |
In which case, we would have been in trouble. | 0:10:11 | 0:10:13 | |
-Twink, what's the soup? -Minestrone. | 0:10:13 | 0:10:16 | |
Why don't you put it on the menu? | 0:10:16 | 0:10:17 | |
-Can't spell it. -LAUGHTER | 0:10:17 | 0:10:19 | |
I first met Victoria when I got this phone call saying, | 0:10:19 | 0:10:21 | |
"You've got an audition." "Oh, my God, I've got an audition. | 0:10:21 | 0:10:24 | |
"I've got an audition, how exciting. | 0:10:24 | 0:10:26 | |
"I didn't think that would happen." | 0:10:26 | 0:10:28 | |
And they said, "It's for this new sitcom | 0:10:28 | 0:10:31 | |
"by Victoria Wood." And I couldn't believe it. | 0:10:31 | 0:10:33 | |
And I just thought, "I'm going to go and sit | 0:10:33 | 0:10:35 | |
"in the same room as Victoria Wood." | 0:10:35 | 0:10:37 | |
That was sort of enough, really. | 0:10:37 | 0:10:38 | |
I'm not a dinosaur. | 0:10:38 | 0:10:40 | |
I quite like women, in a sad, baffled sort of way. | 0:10:40 | 0:10:42 | |
LAUGHTER | 0:10:42 | 0:10:43 | |
But can we please get a grip? | 0:10:43 | 0:10:45 | |
Out of a workforce of five, at any given moment one will have | 0:10:45 | 0:10:48 | |
premenstrual tension, one's panicking because she's not, | 0:10:48 | 0:10:50 | |
someone's having a hot flush, and someone else is having | 0:10:50 | 0:10:52 | |
a nervous breakdown cos their HRT patch | 0:10:52 | 0:10:54 | |
has fallen in the minestrone. | 0:10:54 | 0:10:56 | |
LAUGHTER | 0:10:56 | 0:10:57 | |
That was a one-off. | 0:10:59 | 0:11:00 | |
LAUGHTER | 0:11:02 | 0:11:03 | |
Do you know, it was a joy for me, | 0:11:04 | 0:11:06 | |
cos it was my first big job, really. | 0:11:06 | 0:11:08 | |
So I was turning up and reading with all these people I'd been | 0:11:08 | 0:11:12 | |
watching on television for the last, I don't know, 20 years or something. | 0:11:12 | 0:11:16 | |
So it was quite nerve-racking. | 0:11:16 | 0:11:17 | |
But once you started working with them, they were fine. | 0:11:17 | 0:11:20 | |
Everyone was helpful and everything. | 0:11:20 | 0:11:22 | |
But it was a joy for me. | 0:11:22 | 0:11:25 | |
I made a list of all me bras last night. | 0:11:25 | 0:11:27 | |
Did you? Why, how many have you got? | 0:11:28 | 0:11:31 | |
17. | 0:11:31 | 0:11:33 | |
Then I divided my knickers into work, casual and evening. | 0:11:33 | 0:11:36 | |
LAUGHTER | 0:11:36 | 0:11:37 | |
Do you ever do that? | 0:11:37 | 0:11:39 | |
No, but I tell you what I do do - | 0:11:39 | 0:11:40 | |
I take all the labels off me tins, | 0:11:40 | 0:11:41 | |
then I don't know what I'm having for me tea. | 0:11:41 | 0:11:43 | |
LAUGHTER | 0:11:43 | 0:11:44 | |
Just the idea of meeting Victoria | 0:11:46 | 0:11:49 | |
was astounding to me. | 0:11:49 | 0:11:51 | |
But I met her in the basement | 0:11:51 | 0:11:53 | |
of the...of Granada Studios, | 0:11:53 | 0:11:55 | |
by the big boiler pipes. | 0:11:55 | 0:11:57 | |
And I just remember her sitting there, | 0:11:57 | 0:11:59 | |
and I was just thinking, "I am sitting in front of Victoria Wood." | 0:11:59 | 0:12:02 | |
And that, to me, was one of the greatest things ever. | 0:12:02 | 0:12:06 | |
She was, erm... | 0:12:06 | 0:12:08 | |
my hero. | 0:12:08 | 0:12:10 | |
My comedy hero. | 0:12:10 | 0:12:11 | |
Hey, how are you doing? You're looking great. | 0:12:11 | 0:12:13 | |
I'm really well. | 0:12:13 | 0:12:15 | |
Got away with just one little haemorrhoid. | 0:12:15 | 0:12:17 | |
LAUGHTER | 0:12:17 | 0:12:18 | |
Did you? | 0:12:21 | 0:12:22 | |
The hardest point for me, personally, | 0:12:22 | 0:12:25 | |
in my story - Anita's story - | 0:12:25 | 0:12:27 | |
was talking about piles. | 0:12:27 | 0:12:30 | |
I mean, how brilliant for an actor of colour | 0:12:30 | 0:12:32 | |
to stand there and talk about piles | 0:12:32 | 0:12:35 | |
and not some, you know, | 0:12:35 | 0:12:36 | |
something to do with her culture? | 0:12:36 | 0:12:39 | |
My cousin had three big ones, sort of in a cluster. | 0:12:42 | 0:12:45 | |
LAUGHTER | 0:12:45 | 0:12:46 | |
LAUGHTER CONTINUES | 0:12:49 | 0:12:51 | |
I'm just having a fag. | 0:12:54 | 0:12:55 | |
When it came to middle-aged woes, Vic's stand-up | 0:12:59 | 0:13:02 | |
brought the house down. | 0:13:02 | 0:13:03 | |
She was never afraid to share stories about her ovaries, | 0:13:03 | 0:13:07 | |
her menopause, or her failing eyesight. | 0:13:07 | 0:13:10 | |
APPLAUSE | 0:13:10 | 0:13:11 | |
You know, I've been thinking about giving it up, | 0:13:14 | 0:13:16 | |
you know, being a stand-up comedian. | 0:13:16 | 0:13:18 | |
I was thinking about stopping doing it. | 0:13:18 | 0:13:20 | |
AUDIENCE BOOS | 0:13:20 | 0:13:21 | |
No, not, tonight, I'll wait till you've gone home, but... | 0:13:23 | 0:13:25 | |
LAUGHTER | 0:13:25 | 0:13:26 | |
I don't want to get too middle-aged to do it. | 0:13:28 | 0:13:31 | |
Cos I've got really middle-aged lately. | 0:13:31 | 0:13:33 | |
I can't read the paper, I'm doing this with the paper now. | 0:13:33 | 0:13:35 | |
I can't really read it unless the woman in the house across the | 0:13:35 | 0:13:38 | |
street holds it up at the bedroom window. | 0:13:38 | 0:13:41 | |
And I can't read A to Z. | 0:13:41 | 0:13:42 | |
I can't read the small streets. | 0:13:42 | 0:13:44 | |
If you don't live on a main road, I'm not coming to see you. | 0:13:44 | 0:13:46 | |
LAUGHTER | 0:13:46 | 0:13:48 | |
And I can't thread a needle. | 0:13:48 | 0:13:49 | |
One of my children changed schools a bit ago. | 0:13:49 | 0:13:51 | |
And I had all these name tags to sew on. | 0:13:51 | 0:13:53 | |
I've got the needle, and I've got the thread. | 0:13:53 | 0:13:55 | |
I'm like this... | 0:13:55 | 0:13:56 | |
LAUGHTER | 0:13:56 | 0:13:58 | |
I said, "Right, you're not going to that school now." | 0:14:02 | 0:14:05 | |
No, but you don't want to get... | 0:14:08 | 0:14:09 | |
You don't want to get too old and out of touch to do it, do you? | 0:14:09 | 0:14:11 | |
I don't want to do all of that sort of terrible boasting that people | 0:14:11 | 0:14:14 | |
do when they get old. | 0:14:14 | 0:14:15 | |
If you ever see Raquel Welch on a chat show, | 0:14:15 | 0:14:17 | |
she always has to say, "These are my own breasts, you know." | 0:14:17 | 0:14:20 | |
I'd be coming on and saying, "Still got my own hips." | 0:14:20 | 0:14:23 | |
LAUGHTER | 0:14:23 | 0:14:24 | |
I used to do a thing in my show, | 0:14:24 | 0:14:25 | |
I used to say, "I knew when I was getting older when I went past | 0:14:25 | 0:14:28 | |
a rack of Dr Scholl sandals and went, "Oh, they look comfy." | 0:14:28 | 0:14:31 | |
LAUGHTER | 0:14:31 | 0:14:32 | |
Now, I'm going past going, "Oh, too modern, too modern." | 0:14:33 | 0:14:35 | |
The fantastic thing about Vic | 0:14:37 | 0:14:39 | |
was that she talked about women's issues. | 0:14:39 | 0:14:41 | |
And confronted them for all of us. | 0:14:41 | 0:14:44 | |
And would talk about bladder problems, | 0:14:45 | 0:14:47 | |
would talk about fallopian tubes, | 0:14:47 | 0:14:49 | |
the menopause - was fearless... | 0:14:49 | 0:14:52 | |
and wildly funny. | 0:14:52 | 0:14:54 | |
And it was just brilliant | 0:14:54 | 0:14:56 | |
to have that voice throughout youth | 0:14:56 | 0:14:59 | |
and into middle-age. | 0:14:59 | 0:15:01 | |
At the time, you know, I just put it down to the menopause, you know, | 0:15:01 | 0:15:03 | |
cos I was that age and I put everything down to the menopause now - | 0:15:03 | 0:15:06 | |
tiredness, irritability, | 0:15:06 | 0:15:08 | |
global warming. LAUGHTER | 0:15:08 | 0:15:09 | |
Well, it could be, couldn't it? | 0:15:09 | 0:15:11 | |
280 Eskimos all having a hot flush at the same time. Whoa! | 0:15:11 | 0:15:14 | |
And I was used to going a bit mad, you know, once a month. | 0:15:18 | 0:15:20 | |
I was used to all that. | 0:15:20 | 0:15:21 | |
I was used to that cycle. You're all right, getting your period, | 0:15:21 | 0:15:23 | |
got your period, "I love you, I hate you, I'm really sorry." | 0:15:23 | 0:15:27 | |
And I'd identified a little mini cycle within that | 0:15:27 | 0:15:29 | |
when you go like this cos you're ovulating. | 0:15:29 | 0:15:31 | |
"I'm all right, I've got my period, I've had my period, I'm really sorry..." | 0:15:31 | 0:15:34 | |
LAUGHTER | 0:15:34 | 0:15:36 | |
And I thought, "Well, that's all right. I have all that. | 0:15:36 | 0:15:39 | |
"Then that'll stop, and then I'll get my menopause." | 0:15:39 | 0:15:41 | |
But what I didn't realise was, you get all this - "I'm having my period..." - | 0:15:41 | 0:15:45 | |
and at the same time, you get your menopause coming the other way. | 0:15:45 | 0:15:48 | |
LAUGHTER | 0:15:48 | 0:15:49 | |
So you go, "I'm getting my period, I've had my period, I'm ovulating, | 0:15:49 | 0:15:52 | |
"is it hot, or is it me?" LAUGHTER | 0:15:52 | 0:15:54 | |
"What have I come in here for?" | 0:15:56 | 0:15:58 | |
Humour is the best way to stop something being scary. | 0:15:58 | 0:16:03 | |
And to stop something being taboo. | 0:16:03 | 0:16:05 | |
And to make it OK to talk about, | 0:16:05 | 0:16:08 | |
and that's what she understood. | 0:16:08 | 0:16:10 | |
And also, she would write about her experience. | 0:16:10 | 0:16:13 | |
And her way of processing stuff would be to make it funny. | 0:16:13 | 0:16:17 | |
It got so bad with me that, in the end, | 0:16:17 | 0:16:20 | |
there was only 17 minutes in a month... | 0:16:20 | 0:16:22 | |
LAUGHTER | 0:16:22 | 0:16:23 | |
..when anybody could get any sense out of me. | 0:16:26 | 0:16:28 | |
So they are all queueing up for those 17 minutes. | 0:16:28 | 0:16:31 | |
They know I'll be nice and reasonable and won't burst into tears. | 0:16:31 | 0:16:34 | |
They're all queueing - carol singers in April. | 0:16:34 | 0:16:36 | |
# Deck the halls... # "Yes, come in." | 0:16:36 | 0:16:38 | |
I've got those men who go door-to-door selling the dusters. | 0:16:38 | 0:16:41 | |
"Yes, I'll have your dusters. | 0:16:41 | 0:16:42 | |
"And your ironing board cover - anything you like." | 0:16:42 | 0:16:44 | |
My children are queueing up. "Can I go to Ibiza even though I'm only 12?" | 0:16:44 | 0:16:47 | |
"Yes, of course you can, my darling." | 0:16:47 | 0:16:49 | |
"Can I have another two Game Boys?" "Yes, darling." | 0:16:49 | 0:16:51 | |
My husband's at the back of the queue. "Hurry up, hurry up." | 0:16:51 | 0:16:53 | |
LAUGHTER | 0:16:53 | 0:16:54 | |
"Yes?" "Can we have sex tonight?" | 0:16:58 | 0:17:00 | |
"Oh, ping, time's up. What have I come in here for?" LAUGHTER | 0:17:00 | 0:17:02 | |
APPLAUSE | 0:17:02 | 0:17:03 | |
Victoria's comedy had a warmth. | 0:17:11 | 0:17:14 | |
It appealed to more or less everyone, | 0:17:14 | 0:17:15 | |
including those handing out the awards. | 0:17:15 | 0:17:17 | |
I mean, she had a shelf full of them that creaked like one of | 0:17:17 | 0:17:19 | |
Mrs Overall's hips. | 0:17:19 | 0:17:21 | |
And by the way, | 0:17:21 | 0:17:22 | |
I loved playing Mrs O. | 0:17:22 | 0:17:25 | |
Even though, yet again, of course, she'd made me old. | 0:17:25 | 0:17:27 | |
Rowena? | 0:17:31 | 0:17:32 | |
From Kuwait? | 0:17:32 | 0:17:34 | |
Hello? | 0:17:34 | 0:17:36 | |
Hello? | 0:17:36 | 0:17:37 | |
Darn. | 0:17:39 | 0:17:41 | |
Oh, sorry, Mrs Overall. | 0:17:41 | 0:17:42 | |
Here's your coffee, Miss Babs. | 0:17:42 | 0:17:44 | |
What's wrong now? | 0:17:44 | 0:17:46 | |
Oh, nothing. | 0:17:46 | 0:17:47 | |
Just a rather mysterious phone call from the Far East. | 0:17:47 | 0:17:50 | |
Well, sometimes that's God's way of telling you | 0:17:50 | 0:17:52 | |
to think on and look sharp. | 0:17:52 | 0:17:54 | |
You're right. | 0:17:54 | 0:17:55 | |
Gosh, I am awful. | 0:17:55 | 0:17:57 | |
Here I am blabbing away about my own troubles, | 0:17:57 | 0:18:00 | |
and I forgot to ask you about your husband's car crash. | 0:18:00 | 0:18:02 | |
-Oh, he's dead, Miss Babs. -LAUGHTER | 0:18:02 | 0:18:04 | |
Yes, in fact, I was going to ask you if I could have | 0:18:04 | 0:18:06 | |
a couple of hours off on Thursday for the funeral? | 0:18:06 | 0:18:09 | |
Of course. | 0:18:09 | 0:18:10 | |
Just pop back at five for the hoovering. | 0:18:10 | 0:18:12 | |
What happened? | 0:18:12 | 0:18:13 | |
His heart stopped beating. | 0:18:13 | 0:18:14 | |
LAUGHTER | 0:18:14 | 0:18:16 | |
Yes, well, sometimes that's God's way of telling you you're dead. | 0:18:16 | 0:18:19 | |
Never mind, it's bingo tonight. | 0:18:19 | 0:18:22 | |
Every time I watch it, I can't work out what age Julie Walters is. | 0:18:22 | 0:18:25 | |
Like, I really can't tell if she's 20 or 90. | 0:18:25 | 0:18:28 | |
Every single time, because she's hunched over, and she's coming | 0:18:28 | 0:18:31 | |
in with her tray, | 0:18:31 | 0:18:32 | |
and she's kind of wobbling around all the time. | 0:18:32 | 0:18:35 | |
And you look at everything around her, | 0:18:35 | 0:18:37 | |
and she has the body of a 90-year-old, | 0:18:37 | 0:18:38 | |
and then you actually look at her face, | 0:18:38 | 0:18:40 | |
and it's the most beautiful 20-year-old's face in the world. | 0:18:40 | 0:18:43 | |
And it's...it's quite a wonder. | 0:18:43 | 0:18:45 | |
Mm, your macaroons smell delicious. | 0:18:47 | 0:18:49 | |
Yes, Mrs O, you sample the first one. | 0:18:49 | 0:18:52 | |
Well, yes. I will. | 0:18:52 | 0:18:54 | |
But just in case something should happen | 0:18:54 | 0:18:56 | |
when I bite into it... | 0:18:56 | 0:18:58 | |
FORLORN PIANO PLAYS | 0:18:58 | 0:18:59 | |
..I'd just like to say what I feel | 0:18:59 | 0:19:02 | |
for Acorn Antiques... | 0:19:02 | 0:19:04 | |
and the folks what work there. | 0:19:04 | 0:19:07 | |
I'm only a simple woman. | 0:19:09 | 0:19:11 | |
Got no O levels or life-saving certificates. | 0:19:11 | 0:19:13 | |
I've never been abroad, | 0:19:14 | 0:19:16 | |
or fully participated in a summit conference. | 0:19:16 | 0:19:18 | |
LAUGHTER | 0:19:18 | 0:19:20 | |
But I've got feelings. | 0:19:20 | 0:19:22 | |
and what I feel for you, Miss Babs, | 0:19:22 | 0:19:26 | |
and you, Miss Berta... | 0:19:26 | 0:19:28 | |
..is nothing more or less than plain, simple... | 0:19:30 | 0:19:32 | |
..cove. Love. | 0:19:34 | 0:19:37 | |
She's choking on her own macaroon! | 0:19:37 | 0:19:39 | |
Quick, get Dr Wimley, the family doctor! | 0:19:39 | 0:19:41 | |
I can't, he's being blackmailed in the Sudan. | 0:19:41 | 0:19:43 | |
Oh, darn. | 0:19:43 | 0:19:45 | |
Well, quite frankly, Berta, as far as Mrs O is concerned, | 0:19:45 | 0:19:47 | |
it's far too late. | 0:19:47 | 0:19:48 | |
MRS O GASPS | 0:19:48 | 0:19:50 | |
Are we on? I thought that went quite well, didn't you? | 0:20:01 | 0:20:05 | |
-MAN: -(Still on air!) -LAUGHTER | 0:20:05 | 0:20:07 | |
Now, don't get me wrong, I loved playing old women, mainly | 0:20:11 | 0:20:14 | |
because it made Vic laugh and that's all I ever wanted to do, actually. | 0:20:14 | 0:20:18 | |
Make Vic laugh. So, here we go again. | 0:20:18 | 0:20:22 | |
-Legs 11! -Why'd he say that? -What? | 0:20:22 | 0:20:27 | |
Legs! He said legs. | 0:20:27 | 0:20:30 | |
It's what they say. | 0:20:30 | 0:20:32 | |
There's enough legs at home. That's why we come out. | 0:20:32 | 0:20:36 | |
To get away from legs! | 0:20:38 | 0:20:40 | |
-LAUGHTER Pack it in, Mum. -Well, he wants to watch his mouth. | 0:20:40 | 0:20:45 | |
-Just cross 'em off! -What do you mean, cross? -Shhh! | 0:20:47 | 0:20:50 | |
-Two Fat Ladies, 88. -Ooh, that's nice! | 0:20:50 | 0:20:56 | |
What's nice? | 0:20:56 | 0:20:58 | |
-Where are they? -Who? -Ooh, THERE they are! | 0:20:58 | 0:21:01 | |
LAUGHTER | 0:21:01 | 0:21:05 | |
Oi! Ignore him! | 0:21:05 | 0:21:08 | |
They could lose a bit of weight that they ain't fat! | 0:21:08 | 0:21:12 | |
-Mum! -Well, what does he know? | 0:21:12 | 0:21:15 | |
On its own, doctor's orders, number nine. | 0:21:15 | 0:21:19 | |
House! | 0:21:19 | 0:21:21 | |
-Why'd she shout "house"? -She's won, she got a full house. | 0:21:21 | 0:21:26 | |
Oh, we've got a full house since Bill come home. | 0:21:26 | 0:21:29 | |
I don't go shouting about it. | 0:21:29 | 0:21:32 | |
-She got five in a row, so she gets the jackpot. -I got five in a row. | 0:21:32 | 0:21:35 | |
-When? -Hours back! | 0:21:36 | 0:21:38 | |
-Oh, Mum! -I don't know why people play this. Oi! You ain't fat! | 0:21:40 | 0:21:47 | |
-Cheeky blighter. -LAUGHTER AND APPLAUSE | 0:21:47 | 0:21:51 | |
Now, this next sketch needs no introduction. | 0:21:55 | 0:21:59 | |
But I'm going to introduce it anyway. | 0:21:59 | 0:22:02 | |
It's called Waitress, and not Two Soups, as most people think. | 0:22:02 | 0:22:05 | |
APPLAUSE | 0:22:09 | 0:22:11 | |
I will never tire of watching the soup sketch but it fascinates | 0:22:13 | 0:22:17 | |
me how we ever managed to get through it without laughing, | 0:22:17 | 0:22:20 | |
because we never ever did in rehearsals. | 0:22:20 | 0:22:24 | |
-Ready to order, Sir? Madam? -Jane? | 0:22:24 | 0:22:27 | |
Erm, yes, what's the soup of the day, please? | 0:22:28 | 0:22:32 | |
I'll just go and find out. | 0:22:32 | 0:22:34 | |
LAUGHTER | 0:22:34 | 0:22:37 | |
-What time's your train? -25 to. -Oh, well, that's not too bad. | 0:22:41 | 0:22:45 | |
LAUGHTER | 0:22:47 | 0:22:49 | |
LAUGHTER | 0:22:54 | 0:22:56 | |
'Julie has this wonderful way of surprising you.' | 0:22:56 | 0:23:00 | |
You know, she won't show you what she's going to do until she does it. | 0:23:00 | 0:23:06 | |
So, it kind of... | 0:23:06 | 0:23:09 | |
HE CHUCKLES | 0:23:09 | 0:23:12 | |
There is a...it was just the most wonderful experience - to | 0:23:12 | 0:23:15 | |
actually keep a straight face was a little bit tricky now and again. | 0:23:15 | 0:23:18 | |
Ready to order, sir? | 0:23:20 | 0:23:23 | |
-Madam? -Yes, I want to know what the soup of the day was. | 0:23:24 | 0:23:29 | |
That's right. | 0:23:29 | 0:23:31 | |
No, I've forgotten. | 0:23:33 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:38 | |
I'll just go and check. Won't be one moment. | 0:23:38 | 0:23:42 | |
'If you watch our mouths, | 0:23:44 | 0:23:47 | |
'you'll realise they were hanging on for grim death not to laugh.' | 0:23:47 | 0:23:51 | |
'The length of time' | 0:23:51 | 0:23:53 | |
that it all took was, you had to hold your breath. | 0:23:53 | 0:23:57 | |
I don't think anybody had sort of dared write such a thing, | 0:23:59 | 0:24:02 | |
you see, that's what was so clever about her. | 0:24:02 | 0:24:05 | |
-We'll have two soups! -Two soups. | 0:24:05 | 0:24:08 | |
LAUGHTER | 0:24:12 | 0:24:14 | |
One... | 0:24:18 | 0:24:21 | |
Soup... | 0:24:21 | 0:24:23 | |
And... | 0:24:25 | 0:24:27 | |
Another... Soup... | 0:24:27 | 0:24:31 | |
Right away, sir. | 0:24:31 | 0:24:34 | |
LAUGHTER | 0:24:36 | 0:24:37 | |
When we rehearsed it, we thought, we're never going to get through this. | 0:24:37 | 0:24:42 | |
But we said, we've got to do it in one take. | 0:24:42 | 0:24:45 | |
Otherwise, we're knackered. | 0:24:47 | 0:24:49 | |
LAUGHTER | 0:24:52 | 0:24:54 | |
AUDIENCE HOOTS WITH LAUGHTER | 0:24:57 | 0:25:02 | |
LAUGHTER AND APPLAUSE | 0:25:04 | 0:25:08 | |
-Two soups. -LAUGHTER | 0:25:16 | 0:25:20 | |
So often, you have a brilliant sketch but it doesn't quite, | 0:25:21 | 0:25:25 | |
you get, you think, "Aw, this is brilliant," but it doesn't quite finish. | 0:25:25 | 0:25:29 | |
But the very end... | 0:25:29 | 0:25:30 | |
Hope you enjoyed your meal, sir. | 0:25:30 | 0:25:33 | |
No tip? | 0:25:35 | 0:25:37 | |
-Bastards! -LAUGHTER | 0:25:37 | 0:25:41 | |
So, there you have it. | 0:25:44 | 0:25:46 | |
That was my friend and our friend, Victoria. | 0:25:46 | 0:25:50 | |
So, shall we end on a song? | 0:25:50 | 0:25:51 | |
I think that'd be nice. | 0:25:51 | 0:25:53 | |
It's my favourite. | 0:25:53 | 0:25:55 | |
A song which Victoria wrote just for me - | 0:25:55 | 0:25:58 | |
Fourteen Again. | 0:25:58 | 0:26:00 | |
And who'd want to be that? | 0:26:00 | 0:26:01 | |
APPLAUSE | 0:26:01 | 0:26:04 | |
# I want to be fourteen again | 0:26:06 | 0:26:09 | |
# When sex was just called number ten | 0:26:09 | 0:26:13 | |
# And I was up to seven and a half | 0:26:13 | 0:26:17 | |
# Boys were for love, girls were for fun | 0:26:19 | 0:26:22 | |
# You burst out laughing if you saw a nun | 0:26:22 | 0:26:26 | |
# Sophistication was a sports car and a chiffon scarf | 0:26:26 | 0:26:30 | |
# I want to be fourteen again | 0:26:32 | 0:26:35 | |
# Tattoo myself with a fountain pen | 0:26:35 | 0:26:38 | |
# Pretend to like the taste of rum and Coke | 0:26:38 | 0:26:42 | |
# Chuck my school hat in a bush | 0:26:44 | 0:26:47 | |
# Spit on my mascara brush | 0:26:47 | 0:26:50 | |
# Buy Consulate and teach myself to smoke | 0:26:50 | 0:26:55 | |
# I want to be fourteen again | 0:26:57 | 0:27:00 | |
# Free rides on the waltzers off the fairground men | 0:27:00 | 0:27:03 | |
# For a promise of a snog, the last night of the fair | 0:27:03 | 0:27:08 | |
# French kissing as the kiosks shut | 0:27:10 | 0:27:13 | |
# Behind the generators with your coconut | 0:27:13 | 0:27:16 | |
# The coloured lights reflected in the Brylcreem on his hair | 0:27:16 | 0:27:23 | |
# I want to be fourteen again | 0:27:25 | 0:27:28 | |
# For all the things I didn't know then | 0:27:28 | 0:27:32 | |
# When I was funny, I was famous | 0:27:32 | 0:27:36 | |
# I was never ignored | 0:27:36 | 0:27:40 | |
# I was a crazy girl, I had a laugh | 0:27:40 | 0:27:44 | |
# I had Ilya Kuriakin's autograph | 0:27:44 | 0:27:48 | |
# I had no idea | 0:27:48 | 0:27:51 | |
# You could wake up | 0:27:53 | 0:27:55 | |
# Feeling bored. # | 0:27:55 | 0:27:58 | |
APPLAUSE | 0:28:05 | 0:28:07 | |
Hello. Well, the nights are getting | 0:28:36 | 0:28:38 | |
a little bit darker a little bit sooner, | 0:28:38 | 0:28:40 | |
and also the mornings are staying a little bit less light for quite | 0:28:40 | 0:28:43 | |
a little bit longer, so... | 0:28:43 | 0:28:45 | |
I've forgotten what I was going to say. Darn. | 0:28:45 | 0:28:48 |