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APPLAUSE AND CHEERING | 0:00:20 | 0:00:23 | |
Thank you for coming. | 0:00:23 | 0:00:25 | |
How lovely. Ah. | 0:00:25 | 0:00:27 | |
Hello and welcome to Outtake TV, the show that takes you behind the scenes of some of our best-loved | 0:00:31 | 0:00:36 | |
TV productions, then trips over a cable, pulls down a curtain and spills hot tea on Adrian Chiles. | 0:00:36 | 0:00:43 | |
And that alone has got to be worth the licence fee, hasn't it? | 0:00:43 | 0:00:46 | |
If you think hot tea's dangerous, watch out for the toast. | 0:00:46 | 0:00:50 | |
How many pregnant women do you know that still buy tampons? | 0:00:50 | 0:00:54 | |
What are you going to do? | 0:00:54 | 0:00:57 | |
Oh, Shirl. | 0:00:57 | 0:01:00 | |
I'm going to show Phil. | 0:01:00 | 0:01:01 | |
I think he's got a right to know that his fiancee's a... | 0:01:01 | 0:01:04 | |
SHE CHOKES | 0:01:05 | 0:01:08 | |
Oh, by the way, | 0:01:14 | 0:01:17 | |
I like your hair like that. | 0:01:17 | 0:01:20 | |
It really suits your...boyish face. | 0:01:20 | 0:01:23 | |
BEEP! | 0:01:25 | 0:01:27 | |
-What did you do? -I walked into the BEEP door. | 0:01:31 | 0:01:34 | |
Don't suppose you've got a spare one of them, have you? | 0:01:34 | 0:01:38 | |
Go on - have it. | 0:01:38 | 0:01:40 | |
I can't be done with that photo. | 0:01:40 | 0:01:44 | |
I'll have to have another fag just to get over it. | 0:01:44 | 0:01:47 | |
Horrible little, er, shrivelled up, nasty little thing, isn't it? | 0:01:49 | 0:01:53 | |
Like this lighter. With the wind blowing. | 0:01:53 | 0:01:55 | |
-Could you be any more insensitive? -I'm just saying, all right? | 0:01:58 | 0:02:03 | |
Us legal taxpayers, we need protecting in case... | 0:02:03 | 0:02:06 | |
unstable women... | 0:02:06 | 0:02:08 | |
come up with long-winded lines that I can't remember. | 0:02:08 | 0:02:11 | |
He said he'd be alone. | 0:02:13 | 0:02:15 | |
You can't face it? | 0:02:18 | 0:02:20 | |
Don't say I blame you. | 0:02:20 | 0:02:22 | |
Standing on the sidelines. | 0:02:22 | 0:02:24 | |
Japs... Japs?! | 0:02:24 | 0:02:28 | |
The Germans... | 0:02:28 | 0:02:29 | |
-All I want is a second chance. -You really know how to charm a girl(!) | 0:02:34 | 0:02:37 | |
-What do I have to do? -Get lost. | 0:02:37 | 0:02:39 | |
-Not until you give me another chance. -Is this guy bothering you? | 0:02:39 | 0:02:42 | |
Look, mate, this is a private thing between me and her. | 0:02:42 | 0:02:44 | |
-I wasn't talking to you. Is he? -Um... | 0:02:44 | 0:02:46 | |
Sorry! Sorry. | 0:02:48 | 0:02:49 | |
I just saw her look at my face and laugh! | 0:02:51 | 0:02:54 | |
Of course she's not laughing at you! | 0:02:57 | 0:03:01 | |
She's laughing because she's seen next week's script, where you get | 0:03:01 | 0:03:04 | |
hit by a bus and she gets to snog the better-looking one. | 0:03:04 | 0:03:07 | |
And I should probably warn you there's a bit of tongue action | 0:03:07 | 0:03:10 | |
coming up in this next clip from a Canadian news channel. | 0:03:10 | 0:03:14 | |
If you can open your heart and your home, go to the Surrey SPCA, please. | 0:03:14 | 0:03:18 | |
And really, I was telling a lie - this dog is crazy. | 0:03:18 | 0:03:21 | |
-Absolutely crazy. -He's 11 months old. | 0:03:21 | 0:03:23 | |
He's a puppy. He's full of beans. | 0:03:23 | 0:03:24 | |
Now, he's been tattooed. | 0:03:24 | 0:03:26 | |
He's been tattooed, | 0:03:26 | 0:03:28 | |
but he hasn't been neutered yet. | 0:03:28 | 0:03:30 | |
-We thought he was... -I think he was. | 0:03:30 | 0:03:32 | |
Why would they tattoo him and not neuter him? | 0:03:32 | 0:03:34 | |
You're right. Richard was right. | 0:03:34 | 0:03:36 | |
He is tattooed. He's just... | 0:03:36 | 0:03:38 | |
Yes, they're not there. They're gone. | 0:03:38 | 0:03:40 | |
I just felt them. Get off! | 0:03:40 | 0:03:42 | |
This is crazy. | 0:03:42 | 0:03:44 | |
Now, this is Ginger. Hi, Ginger. | 0:03:44 | 0:03:48 | |
Ginger just loves people. | 0:03:48 | 0:03:50 | |
I love Ginger! | 0:03:50 | 0:03:52 | |
I love you, Ginger. | 0:03:52 | 0:03:55 | |
You don't have any make-up left! | 0:03:55 | 0:03:58 | |
OK, OK, OK... | 0:03:58 | 0:04:00 | |
OK, Ginger, off. That's good. Gee. | 0:04:00 | 0:04:03 | |
Anyway, these two dogs are absolutely fabulous. | 0:04:03 | 0:04:07 | |
They need a wee bit of training. | 0:04:07 | 0:04:09 | |
Yeah, really? You think? | 0:04:09 | 0:04:11 | |
Why do we do this? | 0:04:11 | 0:04:13 | |
And is she spayed, because...? | 0:04:13 | 0:04:15 | |
She's spayed. Ginger... | 0:04:15 | 0:04:17 | |
It looks like she just had babies. | 0:04:17 | 0:04:19 | |
Yeah, no, her nipples... No, she's spayed. | 0:04:19 | 0:04:20 | |
-You can see the stitches. -OK. -This... Ouch! | 0:04:20 | 0:04:23 | |
Be nice. Stop that. | 0:04:26 | 0:04:28 | |
Do you guys want some cheese? Do you want some cheese? | 0:04:28 | 0:04:31 | |
So Surrey SPCA is overrun with dogs. | 0:04:31 | 0:04:34 | |
And they're all... Stop nipping! | 0:04:34 | 0:04:36 | |
That's so not good. Sit down nicely. | 0:04:36 | 0:04:39 | |
OK, down, Ginger, down. | 0:04:41 | 0:04:44 | |
Stop it! | 0:04:46 | 0:04:47 | |
I used to have a dog like the licky one. | 0:05:00 | 0:05:02 | |
And a girlfriend like the bitey one. | 0:05:02 | 0:05:04 | |
It was after that episode that presenters reconsidered their use of Eau de Hamburger. | 0:05:04 | 0:05:09 | |
It goes without saying... | 0:05:09 | 0:05:11 | |
It goes without saying that it isn't always one-way traffic. | 0:05:13 | 0:05:16 | |
Sometimes it's the animals that feel degraded. | 0:05:16 | 0:05:18 | |
What's so special about these little piglets, then? | 0:05:20 | 0:05:24 | |
Well, the special thing about the piglets is that they're small, | 0:05:24 | 0:05:28 | |
they each have their own character, | 0:05:28 | 0:05:29 | |
every time we breed, we get different colours from them, | 0:05:29 | 0:05:32 | |
and these colours are coming out through the old English breeds that are in them already. | 0:05:32 | 0:05:36 | |
This one's showing more of the Tamworth. Sometimes they come out very brown with a nice ridge on | 0:05:36 | 0:05:40 | |
-the back, showing the Iron Age or wild boar that was in them. -Can I just start that again? | 0:05:40 | 0:05:44 | |
-Sorry. -I'm just really worried about how you're... | 0:05:44 | 0:05:48 | |
Oh! Oh, I'm so sorry. | 0:05:48 | 0:05:49 | |
Sorry, sorry, OK. | 0:05:49 | 0:05:52 | |
It'll be access all areas. | 0:05:52 | 0:05:54 | |
The winners in the main ring, the livestock, arts and crafts. | 0:05:54 | 0:05:58 | |
We'll show you all the highlights. | 0:05:58 | 0:05:59 | |
Catch up with us on Wales Today from Monday. | 0:05:59 | 0:06:04 | |
Are they? Oh dear! | 0:06:04 | 0:06:06 | |
Stop it, lads. Behave yourself. | 0:06:07 | 0:06:09 | |
You're on telly! | 0:06:09 | 0:06:11 | |
And for any children watching, don't worry - animals often spend their time giving each other piggy backs. | 0:06:11 | 0:06:17 | |
Or they play hopscotch. | 0:06:17 | 0:06:20 | |
It isn't easy with hooves. | 0:06:20 | 0:06:23 | |
Others spend their time misbehaving on telly. | 0:06:23 | 0:06:26 | |
The farming unions say they don't want people to avoid the countryside. | 0:06:26 | 0:06:30 | |
They just want us to be aware of the dangers that can be posed by cows and calves. | 0:06:30 | 0:06:36 | |
-MOOING -Thank you. | 0:06:36 | 0:06:39 | |
Now, Tiggywinkles, the animal welfare organisation, | 0:06:39 | 0:06:43 | |
says it's an appalling idea that they should be kept as pets. | 0:06:43 | 0:06:46 | |
The RSPCA said they're concerned that, you know, it's only experts | 0:06:46 | 0:06:50 | |
that have the real skills needed. | 0:06:50 | 0:06:52 | |
What's your reaction to that? | 0:06:52 | 0:06:55 | |
He's gone for a jump there. Thank you. He's fine. | 0:06:55 | 0:06:59 | |
Over the years, the absolute bane of my life has been people complaining | 0:06:59 | 0:07:03 | |
about peregrines pooing on the ground while they're talking. | 0:07:03 | 0:07:06 | |
Thank you! You just completely upstaged me. | 0:07:06 | 0:07:09 | |
Charities like the RSPCA, virtually every business in the land, | 0:07:13 | 0:07:17 | |
will all be affected by this new law that comes in at midnight tonight. | 0:07:17 | 0:07:21 | |
Working hours for millions will be improved. | 0:07:21 | 0:07:23 | |
Wage bills will also rise. | 0:07:23 | 0:07:25 | |
Such is the legal uncertainty, only the lawyers... | 0:07:25 | 0:07:28 | |
DOG WHINES | 0:07:28 | 0:07:30 | |
Sh! OK. | 0:07:32 | 0:07:33 | |
Um... | 0:07:33 | 0:07:35 | |
DOG WHINES | 0:07:35 | 0:07:36 | |
Charities like... | 0:07:36 | 0:07:39 | |
Charities like the RSPCA and virtually every business... | 0:07:42 | 0:07:45 | |
DOG WHINES | 0:07:45 | 0:07:47 | |
will be affected by this law which comes into force at midnight tonight. | 0:07:47 | 0:07:50 | |
The working hours of millions of... | 0:07:50 | 0:07:52 | |
DOG BARKS | 0:07:52 | 0:07:54 | |
Say when. | 0:07:55 | 0:07:57 | |
BLEEP! | 0:08:01 | 0:08:03 | |
Go on. Push off. | 0:08:03 | 0:08:06 | |
Everybody really is on the same side. They just want to get the best price, and it's certainly | 0:08:06 | 0:08:10 | |
going to take some negotiation and many years, really, to get this whole situation right. | 0:08:10 | 0:08:15 | |
Let's just hope dairy farmers can survive. Back to you in the studio. | 0:08:15 | 0:08:19 | |
There will inevitably be concerns about this use and it's very... | 0:08:19 | 0:08:25 | |
Sorry! I just... | 0:08:25 | 0:08:28 | |
A ladybird flew straight into my mouth. | 0:08:28 | 0:08:30 | |
-There's an Auntie's Bloomers tape. -Have you got that? | 0:08:30 | 0:08:34 | |
Ladybird, ladybird, fly away home. | 0:08:40 | 0:08:42 | |
Your house is on fire and your children are... | 0:08:42 | 0:08:46 | |
Ah, orphans. | 0:08:46 | 0:08:48 | |
What I want to know is who the heck are Auntie's Bloomers?! | 0:08:48 | 0:08:51 | |
Whoever you are, we've got your tape. | 0:08:51 | 0:08:54 | |
I suppose one group of people you expect to expect the unexpected are journalists. | 0:08:54 | 0:08:58 | |
They're always on the lookout for the next big scoop, and for Justin Roller on Newsnight, this was his. | 0:08:58 | 0:09:03 | |
First one today. | 0:09:05 | 0:09:07 | |
Oh. | 0:09:13 | 0:09:15 | |
God! Oh, my God! | 0:09:15 | 0:09:17 | |
I can't believe it. | 0:09:23 | 0:09:25 | |
Can't believe it. | 0:09:27 | 0:09:30 | |
What? What? | 0:09:32 | 0:09:34 | |
-Again! -You want it again?! | 0:09:34 | 0:09:38 | |
Play it again! | 0:09:38 | 0:09:40 | |
Oh. God! Oh, my God. | 0:09:44 | 0:09:46 | |
It was everywhere. In the cab, in his hair, in the stereo... | 0:09:54 | 0:10:00 | |
In fact, the owner of the truck was furious, but Justin made it all OK again. | 0:10:00 | 0:10:04 | |
He ran it through the carwash and bought him one of these. | 0:10:04 | 0:10:08 | |
Anyway, the point about that was he should have seen it coming. | 0:10:09 | 0:10:12 | |
It was entirely predictable, just like this. | 0:10:12 | 0:10:15 | |
Boris, can you stop there for one sec? | 0:10:15 | 0:10:18 | |
Just stop there for one sec. | 0:10:18 | 0:10:21 | |
Can we have just Boris? | 0:10:21 | 0:10:23 | |
So, guys, can we... | 0:10:23 | 0:10:26 | |
Can we have one of you just passing some of that stuff? Would you mind? | 0:10:26 | 0:10:30 | |
-He's coming down here. -Ooh! -Ooh, no! | 0:10:30 | 0:10:32 | |
Classic. | 0:10:37 | 0:10:40 | |
The thing I love most about that clip is the sympathy of the photographers. | 0:10:40 | 0:10:45 | |
"Classic." Now, James Caan is a successful entrepreneur | 0:10:45 | 0:10:51 | |
and one of the dragons from the Dragons' Den, so he must be loaded. | 0:10:51 | 0:10:54 | |
If you're a fan, like me, of very rich people doing very stupid things, enjoy this. | 0:10:54 | 0:11:00 | |
That is amazing. | 0:11:00 | 0:11:02 | |
In fact, I think it's so good, let me just have a quick look. | 0:11:02 | 0:11:06 | |
Did you get that on camera? | 0:11:08 | 0:11:10 | |
The thing is, when you're that rich, you shouldn't be throwing drinks over yourself. | 0:11:14 | 0:11:19 | |
You should be paying somebody else to do it. | 0:11:19 | 0:11:22 | |
But being fabulously wealthy doesn't protect you, nor does being privileged. | 0:11:22 | 0:11:26 | |
Nothing could possibly give either myself or my wife | 0:11:26 | 0:11:30 | |
greater pleasure than to be here at York Station | 0:11:30 | 0:11:35 | |
on this very special occasion | 0:11:35 | 0:11:37 | |
of the naming of this new locomotive. | 0:11:37 | 0:11:42 | |
I've had nothing but the greatest admiration | 0:11:42 | 0:11:47 | |
for the team of people who for the last 19 years... | 0:11:47 | 0:11:51 | |
Are you glad that you came here this year, rather than choosing to spend your week abroad? | 0:11:56 | 0:12:03 | |
We have just been absolutely | 0:12:03 | 0:12:06 | |
soaked by the tide coming in! | 0:12:06 | 0:12:07 | |
It's coming in here so quickly. | 0:12:07 | 0:12:09 | |
But Kevin, are you glad that you came here...? | 0:12:09 | 0:12:11 | |
We're nearly at the end and I have to say that was absolutely fantastic. A great view of Vienna. | 0:12:11 | 0:12:15 | |
And of course, I got the chance to follow in the footsteps of Orson Welles from the film The Third Man. | 0:12:15 | 0:12:22 | |
And you can't say that every day. The other good news, | 0:12:22 | 0:12:24 | |
is that because we're in the middle of the fairground here in Vienna, I'm going to... | 0:12:24 | 0:12:28 | |
Hold on, he hasn't let us off! | 0:12:28 | 0:12:30 | |
It's OK. | 0:12:32 | 0:12:34 | |
What you're witnessing is, in effect, history being made, because never before in the country | 0:12:34 | 0:12:39 | |
have so many troops exercised their freedom to march through a borough. | 0:12:39 | 0:12:43 | |
And as you can see behind me... Oh... | 0:12:43 | 0:12:45 | |
To be fair, there were loads of soldiers behind him - they were just in camouflage. | 0:12:47 | 0:12:53 | |
Nonetheless, it does pay to look behind you. | 0:12:53 | 0:12:56 | |
Half the time, what's going on in the background | 0:12:56 | 0:12:58 | |
is more interesting than the foreground. | 0:12:58 | 0:13:00 | |
So, in this next lot, don't look at the presenters. | 0:13:00 | 0:13:03 | |
Look at what's going on behind them. | 0:13:03 | 0:13:05 | |
Well, the Liberal Democrats welcomed the scrapping of science tests, they say the Government should have gone | 0:13:05 | 0:13:10 | |
further and reviewed testing, got rid of testing for all those subjects, and had more teacher | 0:13:10 | 0:13:15 | |
assessment, and that this has moved us, though, closer to the system, | 0:13:15 | 0:13:20 | |
the system in England closer to the system in Wales and Scotland. | 0:13:20 | 0:13:24 | |
It's certainly doing that and it's aware that things, | 0:13:24 | 0:13:28 | |
in a very small minority of areas in this country, | 0:13:28 | 0:13:31 | |
have gone terribly wrong. | 0:13:31 | 0:13:33 | |
Leaders of the Catholic Church have marked the start of Christmas | 0:13:33 | 0:13:36 | |
with calls for an end of conflict in the Middle East. | 0:13:36 | 0:13:39 | |
..are his songs. | 0:13:39 | 0:13:41 | |
I like all his songs, whether it's fast or slow. And the other thing | 0:13:41 | 0:13:45 | |
I like from Elvis also is... | 0:13:45 | 0:13:48 | |
Um... He's being what he is, because... | 0:13:49 | 0:13:53 | |
Sometimes they go on flying, sometimes they don't, but that's not the purpose of the scheme. | 0:13:53 | 0:13:57 | |
The purpose is to really give them a shot in the arm | 0:13:57 | 0:14:00 | |
and get their lives going again, | 0:14:00 | 0:14:02 | |
and it works 99 times out of 100. Absolutely superb. | 0:14:02 | 0:14:05 | |
Thank you. | 0:14:05 | 0:14:07 | |
OK. | 0:14:07 | 0:14:09 | |
He is still the most powerful man in the world and so Britain is still dealing with him, | 0:14:10 | 0:14:16 | |
at the moment, for the next six months, and although all eyes, | 0:14:16 | 0:14:20 | |
of course, are turning to who comes next, it's certainly a reminder of what he's done... | 0:14:20 | 0:14:24 | |
The funny thing is, the woman with the mop is actually four points ahead in the opinion polls. | 0:14:24 | 0:14:29 | |
Now for some Pointless contestants. But before you think I'm being rude, I should explain. | 0:14:29 | 0:14:34 | |
Pointless is a quiz show in which the winners are the ones with the fewest points. | 0:14:34 | 0:14:38 | |
Of course, the contestants have a point - it's to give us clips like these. | 0:14:38 | 0:14:42 | |
And welcome back to our fourth pair today, Zena and Julie. | 0:14:42 | 0:14:45 | |
This is your second and final chance on Pointless. | 0:14:45 | 0:14:48 | |
Remind us who you are. | 0:14:48 | 0:14:49 | |
-I'm sorry. -I'm sorry. Let me rephrase that. Remember who you are?! | 0:14:51 | 0:14:56 | |
OK. And now remind us who you are. | 0:14:56 | 0:14:59 | |
So, that's the end of Round One, and the losing pair with the highest score is Zena and Julie. Bad luck. | 0:14:59 | 0:15:06 | |
Gutted, Alastair. Gutted. | 0:15:06 | 0:15:08 | |
-Yes. -Alexander! -We came for a good time and we had a good time. -Sorry. | 0:15:08 | 0:15:12 | |
Did you just call me Alastair? | 0:15:12 | 0:15:15 | |
You see, it's that kind of know-how that's going | 0:15:15 | 0:15:19 | |
to score you 100 points. Rick, what are you going to give me? | 0:15:19 | 0:15:22 | |
We're looking for capital cities beginning with B. | 0:15:22 | 0:15:25 | |
Well, Alexandra, she's just pinched my last answer. | 0:15:25 | 0:15:28 | |
Alexandra? I've been called Alistair, I'm now being called Alexandra. | 0:15:28 | 0:15:31 | |
-That's a girl's name. -I'm so sorry. Alexander, Alexander. | 0:15:31 | 0:15:37 | |
OK, remember, we are looking for UK Christmas number one artists. | 0:15:37 | 0:15:42 | |
The more obscure, the better. Coren, your turn. | 0:15:42 | 0:15:46 | |
I feel like I'm taking a huge gamble with this | 0:15:46 | 0:15:50 | |
but I do think I heard of it before. It's quite controversial. | 0:15:50 | 0:15:55 | |
But, erm, I'm going to go for Antichrist. | 0:15:55 | 0:16:01 | |
-Antichrist? -Yeah. -That... | 0:16:01 | 0:16:04 | |
Antichrist? His name's Alexander. | 0:16:06 | 0:16:11 | |
And sometimes, he gets things wrong as well. | 0:16:11 | 0:16:14 | |
Who are those winners of the Wimbledon women's... Wimbledon...? | 0:16:14 | 0:16:21 | |
Oh, it's good, isn't it? | 0:16:21 | 0:16:22 | |
What are those women's sinkle... Sinkle? | 0:16:25 | 0:16:29 | |
Who are those winners...? | 0:16:33 | 0:16:35 | |
-Oh, -BLEEP! -No, who are the Wombles that no-one can wabble? | 0:16:37 | 0:16:42 | |
The producers dropped the next question, | 0:16:45 | 0:16:48 | |
which involved Alexander asking how "much wood would a woodchuck chuck?" | 0:16:48 | 0:16:52 | |
But being a presenter isn't easy and I should know. I've been making it look difficult all evening. | 0:16:52 | 0:16:58 | |
It's not just the English language that'll trip you up. | 0:16:58 | 0:17:01 | |
Sometimes it pays to have a Maths GCSE as well. | 0:17:01 | 0:17:03 | |
Dennis and Andy, your teams are depending on you, because as Craig | 0:17:03 | 0:17:06 | |
pointed out, there's a big swing on this. | 0:17:06 | 0:17:08 | |
I'll tell you what, five... | 0:17:08 | 0:17:11 | |
-It's... Hold on, what's it going to be at the end of this? -5-2 or 4-3. | 0:17:11 | 0:17:14 | |
Hmm? | 0:17:14 | 0:17:16 | |
-5-2 or 4-3. -Easy, Andy, easy. | 0:17:16 | 0:17:18 | |
As Craig pointed out, there's a big swing on this because it's either going to be 5-3 or 4-2, isn't it? | 0:17:20 | 0:17:25 | |
-5-2 or 4-3. -It's been a long day! | 0:17:25 | 0:17:28 | |
There's a big swing on this, as you pointed out. It's either going to be 5-3... No. | 0:17:30 | 0:17:36 | |
-Keep seven and nine. -OK, 4-3 or 5-2. | 0:17:37 | 0:17:41 | |
As you pointed out, there's going to be a big swing on this because well, what are the two possible scores? | 0:17:42 | 0:17:47 | |
-Either 5-2 or 4-3. -Thank you very much. | 0:17:47 | 0:17:50 | |
Unfortunately, in the next round, Nicky Campbell got voted off, which was weird, because up until | 0:17:53 | 0:17:59 | |
that point there wasn't even a "voting-off" part of the game. | 0:17:59 | 0:18:02 | |
It's far better if the host and the contestants work together in perfect harmony. | 0:18:02 | 0:18:07 | |
Although sometimes, they can get on too well. | 0:18:07 | 0:18:10 | |
-Can I say how beautiful you look today? -Thank you. | 0:18:10 | 0:18:12 | |
And I think Frank looks fantastic too, in his own way, but, Margot, you're the one I've got the hots for! | 0:18:12 | 0:18:19 | |
It's irrelevant to the contest in hand. | 0:18:19 | 0:18:22 | |
Yes. Quite exciting in its own way, isn't it? | 0:18:22 | 0:18:24 | |
-Yes. -They'll cut this bit out. | 0:18:24 | 0:18:26 | |
-OK. -Since you asked, 07773 216 1... | 0:18:26 | 0:18:30 | |
-Natalie, you're in a tough mood today. -Sorry. | 0:18:33 | 0:18:35 | |
But... No, you're right. £15,000 is at stake. | 0:18:35 | 0:18:37 | |
-I'm tough to everybody, I'm not just tough to... -You are. -Some people. | 0:18:37 | 0:18:40 | |
You're tough to us all, as I discovered in my dressing room | 0:18:40 | 0:18:43 | |
about three-quarters of an hour ago. | 0:18:43 | 0:18:44 | |
-Dream on, Giles. -There we are. Dream on. I did! That's what we were talking about. | 0:18:44 | 0:18:49 | |
This is neither here nor there, but for the late-night version, this will be fun. | 0:18:49 | 0:18:53 | |
And if you want to see the outtake from the late-night version then you should be ashamed of yourself. | 0:18:53 | 0:18:58 | |
It's nothing but rude anagrams and brightly-coloured jumpers. Eurgh! | 0:18:58 | 0:19:03 | |
OK, let's get as far away from that as we possibly can. | 0:19:03 | 0:19:05 | |
In fact, halfway round the world to Big Cat Live. | 0:19:05 | 0:19:08 | |
In the Masai Mara, all that can be heard is the chirping of crickets, | 0:19:08 | 0:19:12 | |
the rustle of the bush and the eerie, almost mystical snickering of Kate Silverton. | 0:19:12 | 0:19:18 | |
It's been fun. We've completely overrun on our web cam. I'm sorry. | 0:19:18 | 0:19:21 | |
But I suppose... Anyway, should we end there? | 0:19:21 | 0:19:23 | |
-If you're still with us. -Before it... | 0:19:23 | 0:19:25 | |
Yes, exactly. Nobody's watching. | 0:19:25 | 0:19:27 | |
I tell you what, the guys, the guys are thinking, "listen, can we please go to the bar?" | 0:19:27 | 0:19:32 | |
We're just on our own. | 0:19:32 | 0:19:36 | |
It's not bar time! That's why. | 0:19:36 | 0:19:39 | |
-If you're there, wherever you are... -All I can see is legs. | 0:19:39 | 0:19:45 | |
You can see the fun... | 0:19:45 | 0:19:47 | |
And think they've got out of their trousers and they've run off. | 0:19:47 | 0:19:51 | |
The cameras have got no people behind them. | 0:19:51 | 0:19:53 | |
-Exactly. I think we're going to get a right smack. -Yeah. | 0:19:53 | 0:19:57 | |
The show tomorrow it is at 6:15pm. | 0:19:57 | 0:20:00 | |
-On BBC One. -Yeah! | 0:20:00 | 0:20:01 | |
And we'll all be here. It's an hour-long show. | 0:20:02 | 0:20:05 | |
-Is it an hour-long? -If it's anything as good as this... | 0:20:05 | 0:20:08 | |
Anyway, I've enjoyed myself. Have you? | 0:20:08 | 0:20:10 | |
You know why? It is life. We have thoroughly enjoyed it. | 0:20:10 | 0:20:13 | |
We are very, very lucky. | 0:20:13 | 0:20:15 | |
We've got a great crew here and we'll be thanking them all tomorrow night. | 0:20:15 | 0:20:18 | |
It's all run, darling. | 0:20:18 | 0:20:20 | |
-I'm crying about tomorrow. -What's going to happen tomorrow? | 0:20:20 | 0:20:23 | |
Oh, Lord only knows. Do join us tomorrow... | 0:20:23 | 0:20:26 | |
-Come on. -Oh, I'm so glad we're not on BBC One doing this. | 0:20:28 | 0:20:33 | |
-We wouldn't have jobs afterwards, would we? -What are we on? | 0:20:33 | 0:20:36 | |
Oh, no, I didn't mean that. | 0:20:36 | 0:20:39 | |
-That's going in your book of quotes. -That was both feet in mouth. | 0:20:42 | 0:20:45 | |
Has someone put something in the fire? | 0:20:45 | 0:20:48 | |
-They did. OK. -This is worse than being peed on by Keikai. | 0:20:48 | 0:20:53 | |
-This is stressful. -Right, chaps. We'll love and leave you. | 0:20:53 | 0:20:56 | |
Thank you so much, Royston. | 0:20:56 | 0:20:57 | |
Lovely Royston. We love everybody here. | 0:20:57 | 0:21:01 | |
That was a buffalo. | 0:21:01 | 0:21:03 | |
OK, we'll love and leave you. | 0:21:03 | 0:21:05 | |
Thank you so much for watching. | 0:21:05 | 0:21:07 | |
-BBC One tomorrow. -BBC One tomorrow, goodnight. Goodnight, goodnight. | 0:21:07 | 0:21:11 | |
APPLAUSE | 0:21:11 | 0:21:14 | |
There's never a man-eating lion around when you need one, is there? | 0:21:14 | 0:21:18 | |
Still, when a TV presenter, an actor or a reporter gets the giggles, the whole crew laughs along. | 0:21:18 | 0:21:23 | |
Because they know it means just one thing. | 0:21:23 | 0:21:25 | |
Overtime. | 0:21:25 | 0:21:27 | |
I have come in to see you today, not just to pay my account, but to ask you for your support. | 0:21:27 | 0:21:35 | |
But does this mean you'll be opposing Mr Dowland? | 0:21:35 | 0:21:38 | |
It is the reason I'm putting myself up... SHE LAUGHS | 0:21:38 | 0:21:41 | |
You are indeed putting yourself up, Miss Lane. | 0:21:41 | 0:21:44 | |
SHE LAUGHS | 0:21:44 | 0:21:47 | |
This means you will be opposing Mr Dowland. | 0:21:49 | 0:21:52 | |
It is the reason I'm putting myself up. | 0:21:52 | 0:21:54 | |
You are indeed putting yourself up, Miss Lane. | 0:21:54 | 0:21:58 | |
Oh, dear God. | 0:21:58 | 0:22:01 | |
-Miss Lane. We heard the most absurd rumour... -SHE LAUGHS | 0:22:04 | 0:22:07 | |
How bad a couple were they? Just describe some of the things they got up to. | 0:22:09 | 0:22:13 | |
One of the worst incidents we had was the night when they were actually | 0:22:13 | 0:22:16 | |
chasing people with baseball bats down the street, a police officer was assaulted in the ensuing fight. | 0:22:16 | 0:22:22 | |
They threatened who were looking out the windows, that the window was going to go through. | 0:22:22 | 0:22:27 | |
One of the lads dropped his trousers at the same time. | 0:22:27 | 0:22:30 | |
-I didn't mean to laugh at that. Sorry! -Shall I interview you? | 0:22:31 | 0:22:36 | |
The latest space shuttle launch has been cancelled because of a hydrogen leak. | 0:22:36 | 0:22:40 | |
Endeavour was due to blast off from Florida today on a 16-day mission | 0:22:40 | 0:22:45 | |
to install a Japanese-built outdoor porch on the International Space Station. | 0:22:45 | 0:22:50 | |
Oh! It would have had hanging baskets and shelves. | 0:22:53 | 0:22:58 | |
And a cat sitting in the sunshine. | 0:22:58 | 0:23:00 | |
I'm sorry, I can't. | 0:23:00 | 0:23:02 | |
Fit for a queen? Well, it's good enough for you, my sweet. | 0:23:02 | 0:23:06 | |
Absolutely amazing. | 0:23:06 | 0:23:08 | |
Now then, the moment we've all been waiting for. | 0:23:08 | 0:23:11 | |
You're about to find out if you've won... | 0:23:11 | 0:23:13 | |
I can't believe we're doing this, | 0:23:13 | 0:23:15 | |
Paul, | 0:23:15 | 0:23:17 | |
-shall I carry on? -You carry on. I'm speechless. | 0:23:17 | 0:23:20 | |
Last week we launched our competition to win, all you had to do was | 0:23:20 | 0:23:24 | |
described the colour of Paul's shirts each night last week. | 0:23:24 | 0:23:28 | |
-They say that the dead don't talk. -That's true. In my experience. | 0:23:29 | 0:23:33 | |
Who says that? | 0:23:33 | 0:23:35 | |
-That dead people... -Who says the dead don't talk? | 0:23:35 | 0:23:38 | |
Mental people. | 0:23:38 | 0:23:40 | |
No-one says the dead don't talk. | 0:23:40 | 0:23:42 | |
Witches say that. | 0:23:42 | 0:23:45 | |
And then they go, "Or do they? | 0:23:45 | 0:23:47 | |
"Pop this toad under your tongue and you can talk if he's dead." | 0:23:47 | 0:23:50 | |
I've forgotten what the actual story is! | 0:23:50 | 0:23:52 | |
-Anyway, we're getting... -Who says the dead don't talk? | 0:23:52 | 0:23:56 | |
Do the dance, do the dance! | 0:23:56 | 0:23:59 | |
Sorry, force of habit every time I see Ricky Gervais. | 0:23:59 | 0:24:03 | |
Anyway, enough of giggling people on telly, it's time to make the most of | 0:24:03 | 0:24:06 | |
this visual medium and have something from the radio. | 0:24:06 | 0:24:09 | |
This is the brilliant, husky, giggly, Charlotte Green on Radio Four. | 0:24:09 | 0:24:15 | |
American historians have discovered what they think is the earliest recording of the human voice. | 0:24:15 | 0:24:20 | |
Made on a device which scratched sound waves onto paper, blackened by smoke. | 0:24:20 | 0:24:25 | |
It was made in 1860, 17 years before Thomas Edison | 0:24:25 | 0:24:29 | |
first demonstrated the gramophone, and featured an excerpt from a French song, Au Clair de la Lune. | 0:24:29 | 0:24:35 | |
VERY POOR RECORDING | 0:24:35 | 0:24:38 | |
The...the award-winning screenwriter Abby Mann has died at the age of 80. | 0:24:46 | 0:24:51 | |
He won an Academy Award in 1961 for Judgment at Nuremberg. | 0:24:51 | 0:24:56 | |
SHE LAUGHS | 0:24:56 | 0:24:57 | |
Excuse me, sorry. | 0:24:57 | 0:24:58 | |
Abby Mann also won several Emmys including... | 0:24:58 | 0:25:02 | |
including one in 1973 for a... | 0:25:02 | 0:25:05 | |
for a film which featured a... SHE LAUGHS UNCONTROLLABLY | 0:25:07 | 0:25:11 | |
..a police detective called... | 0:25:11 | 0:25:13 | |
The character on whom a long-running TV series was eventually based. | 0:25:16 | 0:25:22 | |
You know, it's uncontrollable giggling on a live broadcast | 0:25:23 | 0:25:27 | |
that guarantees Charlotte the day off work should the Queen fall ill. | 0:25:27 | 0:25:31 | |
Time now for Blue Peter. Not so much a broadcasting icon, as an i-can't. | 0:25:31 | 0:25:36 | |
It's only now that the real story of the underground city has risen to the surface. To find out more... | 0:25:36 | 0:25:43 | |
My football skills aren't quite up to scratch and if I'm going to impress the boys out in Berlin... | 0:25:45 | 0:25:50 | |
You wouldn't catch me anywhere in these chains. | 0:25:52 | 0:25:55 | |
Anyway, I've already been caught, haven't I? I'm a slave. | 0:25:55 | 0:25:58 | |
SHE LAUGHS And I've broken free! | 0:25:58 | 0:26:01 | |
I've always wanted to say this, I'm Miss Zoe Salmon, LLB, CPLS. | 0:26:01 | 0:26:08 | |
Which means I'm a qualified solicitor. | 0:26:08 | 0:26:10 | |
I love the way I never try to catch properly with one hand cos I'm afraid it'll break my nails. | 0:26:13 | 0:26:17 | |
In the old days, you wouldn't worry about breaking a nail because | 0:26:17 | 0:26:21 | |
Lesley Judd would make her a new one using an old loo roll and some sticky-back plastic. | 0:26:21 | 0:26:26 | |
Still, today's kids are just as wholesome with their | 0:26:26 | 0:26:29 | |
youthful enthusiasm, their delight in new language and their two pints of lager and a packet of crisps. | 0:26:29 | 0:26:35 | |
Look at you. Your eyeballs are redder than an embarrassed radish. | 0:26:35 | 0:26:40 | |
Oh! | 0:26:40 | 0:26:42 | |
-Luke, you... -BLEEP. | 0:26:42 | 0:26:45 | |
I forgot what I was saying. | 0:26:45 | 0:26:47 | |
I'm desperate for a man. | 0:26:47 | 0:26:49 | |
I think I may have found one but he's possibly a psychopath, masquerading... | 0:26:49 | 0:26:54 | |
Sorry. | 0:26:56 | 0:26:57 | |
Oh, damn! | 0:26:59 | 0:27:01 | |
I missed the board! | 0:27:07 | 0:27:09 | |
It's immoral. You three ought to be ashamed of yourself. | 0:27:09 | 0:27:13 | |
All right, Louise, I never meant for this to happen. | 0:27:13 | 0:27:16 | |
We're adults now...! | 0:27:16 | 0:27:18 | |
He adores you, but his phone might be dead or he might be in a meeting or in a, in a...toilet. | 0:27:20 | 0:27:28 | |
Or in a... You know, | 0:27:28 | 0:27:30 | |
just a place of worship. | 0:27:30 | 0:27:32 | |
Look, what if I help you? | 0:27:34 | 0:27:36 | |
By fetching me another jar and a tenner? | 0:27:36 | 0:27:38 | |
No, but I could get you a couple of shifts at the pub with me and Tim. | 0:27:38 | 0:27:41 | |
Really? Dawn, I didn't want to ask. | 0:27:41 | 0:27:44 | |
I thought I'd be stepping on your toes and I kind of already did that by stealing your husband. | 0:27:44 | 0:27:49 | |
-No, it's all forgotten about. -Yeah, and you've only just finalised your divorce. -It's all forgotten about. | 0:27:51 | 0:27:55 | |
And we celebrated by putting on that... | 0:27:55 | 0:27:58 | |
Sorry! Sorry, Mum. | 0:27:58 | 0:28:01 | |
And you've only just finalised your divorce. | 0:28:02 | 0:28:05 | |
-Yeah, it's all forgotten about. -And me in Gaz celebrighted... Celebrighted? Oh... Sorry! | 0:28:05 | 0:28:10 | |
-What? -Celebrighted, like an Australian. | 0:28:11 | 0:28:14 | |
That was Two Pints Of Lager and 43 takes of complete frustration. | 0:28:18 | 0:28:23 | |
And although those outtakes meant everyone in that studio had to stay | 0:28:23 | 0:28:26 | |
late, they mean that everyone in this studio has to leave right now. | 0:28:26 | 0:28:30 | |
CHEERING | 0:28:30 | 0:28:32 | |
Yeah, all right. | 0:28:32 | 0:28:34 | |
So until next time, ta-tah. | 0:28:34 | 0:28:36 | |
APPLAUSE AND CHEERING | 0:28:36 | 0:28:39 | |
Subtitles by Red Bee Media Ltd | 0:28:47 | 0:28:50 | |
E-mail [email protected] | 0:28:50 | 0:28:53 |